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25+ Book Review Templates and Ideas to Organize Your Thoughts

Danika Ellis

Danika spends most of her time talking about queer women books at the Lesbrary. Blog: The Lesbrary Twitter: @DanikaEllis

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When I was a kid I loved reading, but I hated book reports. It felt impossible to boil a book down to a few lines or even a page of writing. Besides, by the time I had to write the report, I had already forgotten a lot. It never ceases to be painful to try to pull my thoughts and opinions out of my head and put them on the page, especially in a coherent way.

As an adult, I continue to usually find writing book reviews painful . And yet, I maintain a book blog with reviews of all the (bi and lesbian) books I read. Why? For one thing, I want to raise the visibility of these books — or, in the case of a book I loathed, warn other readers of what to expect. It helps me to build community with other book lovers. It’s also a great way to force myself pay attention to how I’m feeling while I’m reading a book and what my thoughts are afterwards. I have learned to take notes as I go, so I have something to refer to by the time I write a review, and it has me notice what a book is doing well (and what it isn’t). The review at the end helps me to organize my thoughts. I also find that I remember more once I’ve written a review.

Once you’ve decided it’s worthwhile to write a review, though, how do you get started? It can be a daunting task. The good news is, book reviews can adapt to whatever you want them to be. A book review can be a tweet with a thumbs up or thumbs down emoji, maybe with a sentence or two of your thoughts; it can also be an in-depth essay on the themes of the book and its influence on literature. Most are going to fall somewhere between those two! Let go of the idea of trying to create the One True Book Review. Everyone is looking for something different, and there is space for GIF-filled squee fests about a book and thoughtful, meditative explorations of a work.

This post offers a variety of book reviews elements that you can mix and match to create a book review template that works for you. Before you get started, though, there are some questions worth addressing.

Questions to Ask Before Choosing a Book Review Template

Where will you be posting your book reviews.

An Instagram book review will likely look different from a blog book review. Consider which platform you will be using for your book review. You can adapt it for different platforms, or link to your original review, but it’s a good starting point. Instagram reviews tend to be a lot shorter than blog reviews, for instance.

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Will you be using the same template every time?

Some book reviewers have a go-to book review template. Others have a different one for each genre, while another group doesn’t use a template at all and just reacts to whatever each book brings up.

Heading or no headings?

When choosing which book review elements to mix and match, you can also decide whether to include a header for each section (like Plot, Characterization, Writing, etc). Headers make reviews easier to browse, but they may not have the professional, essay-style look that you’re going for.

Why are you writing a review?

When selecting which elements to include in your review, consider what the purpose is. Do you want to better remember the plot by writing about it? You probably want to include a plot summary, then. Do you want to help readers decide whether they should read this book? A pros and cons list might be helpful. Are you trying to track something about your reading, like an attempt to read more books in translation or more books by authors of color? Are you trying to buy fewer books and read off your TBR shelf instead? These are all things you can note in a review, usually in a point-form basic information block at the beginning.

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Book Review Templates and Formats

Essay-style.

This is a multi-paragraph review, usually with no headers. It’s the same format most newspapers and academics use for book reviews. Many essay-style reviews use informal categories in their writing, often discussing setting, writing, characters, and plot in their own paragraphs. They usually also discuss the big themes/messages of a story. Here are some questions to consider when writing an essay-style review:

What is the author trying to do? Don’t evaluate a romance novel based on a mystery novel’s criteria. First try to think about what the book was attempting to do, then try to evaluate if they achieved it. You can still note if you didn’t like it, but it’s good to know what it was aiming for first.

What are some of the themes of the story? What big message should the reader take away? Did you agree with what the book seemed to be saying? Why or why not?

How is this story relevant to the world? What is it saying about the time it was written in? About human nature? About society or current issues? Depending on the book, there may be more or less to dig into here.

What did this book make you think about? It may be that the themes in the book were just a launching off point. How did they inspire your own thinking? How did this book change you?

A Classic Book Review

This is probably the most common kind of book review template. It uses a few criteria, usually including Setting, Writing, Characters, and Plot (for a novel). The review then goes into some detail about each element, describing what the book did well, and where it fell short.

The advantage of this format is that it’s very straightforward and applies to almost any fiction read. It can also be adapted–you will likely have more to say about the plot in a mystery/thriller than a character study of a novel. A drawback, though, is that it can feel limiting. You might have thoughts that don’t neatly fit into these categories, or you could feel like you don’t have enough to say about some of the categories.

Pros and Cons

A common format for a Goodreads review is some variation of pros and cons. This might be “What I Liked/What I Didn’t Like” or “Reasons to Bump This Up Your TBR/Reasons to Bump This Down On Your TBR.” This is a very flexible system that can accommodate anything from a few bullet points each to paragraphs each. It gives a good at-a-glance impression of your thoughts (more cons than pros is a pretty good indication you didn’t like it). It also is broad enough that almost all your thoughts can likely be organized into those headings.

This is also a format that is easily mix and matched with the elements listed below. A brief review might give the title, author, genre, some brief selling points of the novel, and then a pros and cons list. Some reviews also include a “verdict” at the end. An example of this format:

The Tea Dragon Society by Katie O’Neill

🌟 Fantasy All-Ages Comic 💫 Adorable pet dragons ✨ A diverse cast

Pros: This book has beautiful artwork. It is a soothing read, and all the character are supportive of each other. This is a story about friendship and kindness.

Cons: Don’t expect a fast-moving plot or a lot of conflict. This is a very gentle read.

Another approach to the review is not, strictly speaking, a book review template at all. Instead, it’s something like “5 Reasons to Read TITLE by Author” or “The # Most Shocking Plot Twists in X Series.” An advantage of this format is that it can be very to-the-point: if you want to convince people to read a book, it makes sense to just write a list of reasons they should read the book. It may also be more likely to get clicked on–traditional book reviews often get less views than more general posts.

On the other hand, listicles can come off as gimmicky or click-bait. You’ll have to decide for yourself if the book matches this format, and whether you are writing this out of genuine enthusiasm or are just trying to bend a review to be more clickable.

Your Own Original Rating System

Lots of reviewers decide to make their own review format based on what matters to them. This is often accompanied by a ratings system. For instance, the BookTube channel Book Roast uses the CAWPILE system:

CAWPILE is an acronym for the criteria she rates: Characters, Atmosphere, Writing, Plot, Intrigue, Logic, Enjoyment. Each of those are rated 1–10, and the average given is the overall rating. By making your own ratings/review system, you can prioritize what matters to you.

My favorite rating system is Njeri’s from Onyx Pages , because it shows exactly what she’s looking for from books, and it helps her to think about and speak about the things she values:

A “Live Tweet” or Chronological Review

Another format possibility is live tweeting (or updating as you go on Goodreads, or whatever your platform of choice is). This has you document your initial thoughts as you read, and it’s usually informal and often silly. You can add what you’re loving, what you’re hating, and what questions you have as you go.

This is a fun format for when you’re reading a popular book for the first time. That way, other people can cackle at how unprepared you are as you read it. This requires you to remember to always have your phone on you as you read, to get your authentic thoughts as they happen, but it saves on having to write a more in-depth review. Alternately, some people include both a “first impressions” section and a more in-depth analysis section in their final review.

Get Creative

There are plenty of book review templates to choose from and elements to mix-and-match, but you can also respond in a completely original way. You could create a work of art in response to the book! Here are some options:

• Writing a song , a short story, or a poem
• Writing a letter to the author or the main character (you don’t have to send it to the author!)
• Writing an “interview” of a character from the book, talk show style
• Making a visual response, like a collage or painting
• Making a book diorama, like your elementary school days!

Mix-and-Match Elements of a Book Review

Most book reviews are made up of a few different parts, which can be combined in lots of different ways. Here is a selection to choose from! These might also give you ideas for your own elements. Don’t take on too much, though! It can easily become an overwhelming amount of information for readers.

Information

Usually a book review starts with some basic information about the book. What you consider basic information, though, is up for interpretation! Consider what you and your audience will think is important. Here are some ideas:

• The title and author (pretty important)
• The book’s cover
• Format (audiobook, comic, poetry, etc)
• Genre (this can be broad, like SFF, or narrow, like Silkpunk or Dark Academia)
• Content warnings
• Source (where did you get the book? Was is borrowed from the library, bought, or were you sent an ARC?)
• Synopsis/plot summary (your own or the publisher’s)
• What kind of representation there is in the novel (including race, disability, LGBTQ characters, etc)
• Anything you’re tracking in your reading, including: authors of color, authors’ country, if a book is in translation, etc

Review Elements

Once you’ve established your basic information, you’re into the review itself! Some of these are small additions to a review, while others are a little more time-intensive.

Bullet point elements:

• Rating (star rating, thumbs up/down, recommend/wouldn’t recommend, or your own scale)
• Who would like it/Who wouldn’t like it
• Read-alikes (or movies and TV shows like the book)
• Describe the book using an emoji or emojis
• Describe the book using a gif or gifs
• Favorite line(s) from the book
• New vocabulary/the most beautiful words in the novel
• How it made you feel (in a sentence or two)
• One word or one sentence review
• Bullet points listing the selling points of a book
• BooksandLala’s Scary, Unsettling, and Intrigue ratings, for horror
• World-building, for fantasy and science fiction titles
• Art, for comics
• Narration, for audiobooks
• Romance, for…romance
• Heat level, for erotica

Visual elements:

• Design a graphic (usually incorporating the cover, your star rating, and some other basic info)
• Take a selfie of yourself holding the book, with your expression as the review
• Make a mood board
• Design your own book cover
• Make fan art

Elements to incorporate into a review:

• Quick/initial thoughts (often while reading or immediately after reading), then a more in-depth review (common on Goodreads)
• A list of facts about the book or a character from the book
• Book club questions about the book
• Spoiler/non-spoiler sections
• Research: look up interviews with the author and critique of the book, incorporate it (cited!) into your review
• Links to other resources, such as interviews or other reviews — especially #OwnVoices reviews
• A story of your own, whether it’s your experience reading the book, or something it reminded you of

This is not a complete list! There are so many ways to write a book review, and it should reflect your own relationship with books, as well as your audience. If you’re looking for more ways to keep track of your reading, you’ll also like 50+ Beautiful Bujo Spread Ideas to Track Your Reading .

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How to Write a Great Book Review: 6 Templates and Ideas

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Whether you’ve loved or hated your recent reads, writing book reviews can be a fun and satisfying process. It’s a great way to unpack messages and information from a story, and it also helps you remember key elements of a book for much longer than you usually would. Plus, book reviews open up some interesting and exciting debates between readers with different opinions, and they also help others decide which books to read next .

Table of Contents

Where Can You Post Book Reviews?

Back in the old days, book reviews were reserved for leading publications and journals, but now, anyone can create their own book reviews, and they’re popping up almost everywhere.

Social Media

Bookworms have taken over social media, with hashtags like # bookstagram drawing in millions of readers from around the internet to share thoughts, ideas, inspiration, and of course, reviews.

Book blogs are also blowing up right now, and plenty of avid readers are making a solid income by writing and sharing their book reviews this way. You can either create your own from scratch or write guest posts and reviews for already established blogs.

Goodreads is the undisputed online home of books. It’s a great place to find inspiration for your next reads, browse other people’s book reviews, and of course, add your own reviews, too.

If you post a review of a popular book on Goodreads, it’s bound to be seen by a huge audience. Plus, it’s a great way to advertise your blog if you have one, as the Goodreads guidelines allow you to insert a link within the body of your review.

The world’s largest bookstore gets an incredible amount of traffic, so it’s one of the best places to get your reviews seen by the masses. But bear in mind that there are more rules and regulations for Amazon book reviews than on some of the other platforms listed here. Make sure you familiarize yourself with the guidelines first, or your submission could be rejected.

Booktube is a Youtube community dedicated to reviewing, discussing, and recommending books. If you’re comfortable in front of a camera, vlogging your book reviews on Booktube is an excellent alternative to the more traditional written book reviews above. It’s also a great way to get noticed by viewers around the world.

Some Booktube reviewers make their entire income from their channel, so if you’re passionate about reviewing and want to turn it into a living, this is a great avenue to explore.

Get Paid for Your Book Reviews

Some of the platforms I’ve listed above, like Booktube, Instagram, and blogging , allow you to get paid for your book reviews if you generate enough traffic, but getting to that level takes a lot of dedication, time, and patience.

Thankfully, there are plenty of websites that pay reviewers on a freelance basis. Here are three of the most popular:

Remember, each site has strict submission guidelines and requirements that you’ll need to check carefully before writing and submitting a review.

Kirkus Reviews

The Kirkus Reviews magazine, founded in 1933, is one of America’s oldest, most respected book reviewing companies.

They accept reviews around 350 words in length, and once you’re assigned the gig, you have a two-week submission deadline.

Kirkus is always on the lookout for new book reviewers, but you’ll need to prove you have experience and talent before they’ll accept your submissions. The best way to do this is to create a professional-looking portfolio that showcases your previous reviews, both paid and unpaid.

Booklist is a subgroup of the American Library Association. They feature all kinds of book reviews, both fiction and non-fiction, and publish them online and in print.

They pay their reviewers on a freelance, book-by-book basis. Their rates aren’t going to make you rich (around $12- $15 per review), but it’s a great way to gain some professional experience and build your book review portfolio without having to work for free.

Booklist has various publication outlets, such as their quarterly in-print magazine, a reader’s blog, and top book lists. Plus, they also accept pitches for book-related news and author interviews.

Online Book Club

This free-to-access community of bibliophiles has been going for over ten years, with a million active members and counting.

To join their professional freelance team, you’ll first have to submit an unpaid review to help them to determine if you’re worth hiring. If your review makes the cut, then your next submission is paid at a rate varying between $5 and $60, depending on the book’s length, the quality of the review, etc.

One of the major stipulations of Online Book Club is that your reviews are in-depth and honest. If you don’t like the book, never put a positive spin on it for the sake of it. ( The same goes for any book review platform you post on. )

It’s also worth noting that with Online Book Club, you’ll never pay for the books you review. So even if they reject your submission, you’ll still get a free book out of it.

How to Write a Book Review?

Book reviews can range from a simple tweet to a full-length essay or long-form blog post and anything in between.

As I mentioned above, some book review sites and platforms have strict guidelines and parameters to follow. But if you’re writing a book review for social media, your own blog, or any other purpose that lets you take the reins, then the following ideas will give you some help and inspiration to get started.

But before we dive in, let’s take a look at four key elements that a comprehensive book review should contain.

1. Information about the author and the name of the book

You might want to include any accolades that the author has received in the past and mention some of their previous notable works.

Also, consider the publication date; is the book a brand-new release, a few years old, or a classic from another century?

2. A summary of the plot

Writing about the plot takes skill and consideration; if your description is too thorough, you risk ruining the book for your audience with spoilers. But on the other hand, if you’re too vague on the details, your review can lack depth.

Consider your audience carefully, and if you feel like your book review contains even the slightest hint of spoilers, always add a warning at the beginning so people can decide for themselves whether to read on.

3. Your evaluation

This is the part where you get to describe what you feel about the book as a whole and give your opinion on the different elements within it. But, again, don’t be tempted to fall into the trap of positively evaluating books you didn’t actually like; no one wants to read a false review, so if you didn’t like it, explain why.

4. Your reader recommendation

Who might the book appeal to? Is it suitable for all audiences? In your opinion, is it a universal must-read, or should people avoid it?

Keep in mind that the purpose of most book reviews is to help the reader decide whether or not they would like to read it themselves. What works for you might not work for others, so consider this when writing your recommendations.

6 Book Review Templates and Ideas

1. the traditional approach.

Most traditional fiction reviews, like the ones found in newspapers and other popular publications, are based on the following format…

Introduction

The introduction is a paragraph or two which includes:

• Key information that the reader needs to know. For example, the book’s title, the author’s name, the publication date, and any relevant background information about the author and their work.
• A brief one-sentence summary of the plot. This sets the general scene of what the book is about.
• Your overall opinion of the book. Again, keep it brief. (you can delve deeper into what you liked and disliked later in the review).

This is the main body of your book review, where you break down and analyze the work. Some of the key elements you might want to examine are listed below. Approach each element one at a time to help your analysis flow.

• The characters
• The setting
• The structure of the story
• The quality of the writing

What did you notice about each one, what did you enjoy, and what did you dislike? Why?

The conclusion is usually the shortest part of a traditional book review, which usually contains:

• A summary of your thoughts about the book as a whole
• Your reader recommendation

Remember that unless you’re writing a book review for a pre-existing publication, there are no rules that you need to follow. This traditional format can be adapted to suit your own style, the book you are reviewing, and your audience.

Also Read : BEST FICTION BOOK REVIEWS

2. Social Media Book Reviews

Book reviews posted on social media tend to have a more relaxed tone than a traditional book review. Again, there are no set rules, but here are a few guidelines and suggestions for posting reviews on platforms like Instagram and Facebook.

• Include an eye-catching image

This is essential on Instagram, but whatever social media platform you’re posting on, including a great photo will draw people in to read your review.

In the Instagram world, photos of books taken directly from above are called ‘flat lays.’ You can keep it simple and just snap the front cover, or you can get creative and shoot your book flat lay against an interesting backdrop or include items related to the story.

• Break up your review into short, bite-sized paragraphs

This rule applies to most web content, but it’s even more important on social media, where everyone competes for your reader’s attention.

Big blocks of text are much harder to follow and a sure-fire way to lose your reader’s attention before they even get started. Instead, stick to short paragraphs of one, two, or three sentences, and include spaces between each one.

• Know your character limit

At just 280 characters, Twitter is by far the stingiest of the major social media platforms when it comes to the length of posts. That’s why most people choose platforms like Instagram or Facebook for book reviews. That being said, you can still use Twitter as a way of linking to them once they go live.

Instagram is considerably more generous with its 2,200-character limit, but if you have a lot to say about the book you’re reviewing, it can still be limiting.

If you want to post a more comprehensive review on social media, Facebook is your best bet; they have an upper limit of 63,206 characters.

Whichever platform you post on, remember to factor any hashtags into your character limit too.

• Keep it succinct

Book reviews on social media perform better when sentences are concise. This helps to combat the character limit issue I mentioned above and gets your point across quickly, without the fluff.

Readers on platforms like Instagram and Facebook flit from post to post, so if you don’t say what you mean in as few words as possible, you’ll risk losing your audience altogether.

• Don’t be afraid of emojis.

Love them or hate them, emojis convey mood and emotion where words can sometimes fail us. They also add an extra visual element to a post, help to break up blocks of text and keep the tone informal.

Of course, there’s no rule that you have to include emojis in your social media book reviews, but if you’re already comfortable using them elsewhere, consider incorporating them here too.

• Add a star rating

Star ratings instantly tell your audience whether you loved the book or not before they read a single word of your post. It’s also another visual element to help draw your audience in to find out more.

• Avoid spoilers

I’ve already touched on spoilers above, but it’s essential to avoid them on social media book reviews. That’s because unsuspecting users are scrolling from post to post on these platforms with no way of knowing what’s coming next. As a result, it’s very easy to read something you can’t unread.

• Consider tagging the author and publisher.

But ONLY do this if you enjoyed the book and your review is favorable. It’s not good online etiquette to tag in the creators if you’re posting a scathing critique; it’s mean-spirited, and it could lead to a social media squabble, which the internet has enough of already.

3. Goodreads and Amazon Book Reviews

Both Goodreads and Amazon allow anyone to upload a review of any book, so they’re great places to get started if you’re new to the reviewing world. Plus, you can post more in-depth and lengthy reviews than you can on social media platforms.

There are endless ways to write reviews for sites like these, but if you’re looking for a bit of inspiration, here’s a good template that will help you to flesh out your ideas.

• Star Rating

Sites like Goodreads and Amazon usually ask for a 1-5 star rating before writing your review. 3 is your baseline which translates to “pretty good.” It can be tempting to rush straight in for a 5 star if you loved a book, but where possible, try to reserve this rating for books that really blow you away.

• A Brief Synopsis

Reviews on these sites appear directly under the book listing, so generally, there’s no need to mention the author, title, or publishing details. Instead, you can dive straight into a quick overview of the plot, using the official publisher’s summary to help you if needed.

Avoid revealing any significant details or spoilers, but include enough to outline the story and give context to the rest of your review.

Talking about how the book made you feel is a good place to start. Did you learn something you didn’t know before? Was it a page-turner or a hard slog? Were there any twists you did or didn’t see coming? Mentioning the existence of a plot twist is usually deemed ok, as long as you don’t reveal what it is.

Next, examine the book’s various elements, including the characters, setting, and plot, using examples. You might even want to include some direct quotes from the book, as long as they don’t give too much away.

Just like the traditional book review format, conclude it with a summary. Are you glad you read it? Who might enjoy this book, and who should avoid it?

4. Listicle Book Reviews

Listicles are articles and blog posts structured like a numbered list. An example from the book review world is “10 reasons why you need to read X by X”.

These types of reviews are particularly well suited to blog posts, as they’re an excellent way to encourage people to click on your link compared with a less attention-grabbing traditional format.

That being said, listicle book reviews tend only to work if your feedback is positive. Using this format to review a book you hated risks alienating your audience and coming across as harsh and judgemental. Less favorable reviews are better presented in a more traditional format that explores a book’s different aspects one by one.

5. An Essay Style Analysis

An essay-style review isn’t technically a review, as it delves much deeper into the work and examines it from multiple angles.

If you’re not limited to a word count and want to dissect an author’s work, then an in-depth essay-style analysis can be a great addition to your blog. Plus, they’re generally written for people who have already read the book, so there’s no need to worry about spoilers.

But when you’re writing more than 500 words about a book, it can be easy to ramble or go off on a tangent. Here’s an example format to keep you on track:

• Include the author’s name, the title of the book, and the date of publication.
• Is the book a standalone novel or part of a series?
• What made you choose this book in the first place? Have you read any of the author’s previous work?
• Describe the cover. Does it draw you in? Is it an appropriate representation of the book as a whole?

Set the Scene

• Include an overview of the plot.
• Did you have any expectations or preconceived ideas about the book before you read it?

Your Review

Discuss the following elements one at a time. Use quotes or direct examples when talking about each one.

• Describe the geographical location, the period in time, and the environment.
• Is the setting based on reality or imagination?
• How does the setting help to add mood and tone to the story?
• Give an overview of the main characters and their backgrounds.
• Discuss the significant plot points in the story in chronological order.
• What are the conflicts, the climaxes, and the resolutions?
• How does the author use literary devices to bring meaning and life to book?
• For example, discuss any elements of foreshadowing, metaphors, symbolism, irony, or imagery.
• What are the overall themes and big ideas in the story? For example, love, death, friendship , war, and coming of age.
• What, if any, are the morals within the story?
• Are there any underlying or less prominent themes that the author is trying to portray?

Your Opinion

• Which elements were successful, and which weren’t?
• Were the characters believable? Did you want them to succeed?
• In the case of plot twists, did you see them coming?
• Are there any memorable scenes or quotes that particularly stood out to you? If so, why?
• How did the book make you feel? Did it evoke any strong emotions?
• Did the book meet your preconceived expectations?
• Were you satisfied by the ending, or did you find it frustrating?
• Summarise the plot and theme in a couple of sentences.
• Give your overall opinion. Was the book a success, a failure, or something in between?
• Include a reader recommendation, for example, “this book is a must-read for anyone with a love of dystopian science fiction.”
• Include a star rating if you wish.

6. Create Your Own Book Review Template

If you plan on becoming a regular book reviewer, it’s a good idea to create your own unique template that you can use for every book you review, whether you’re posting on a blog, website, or social media account.

You can mix and match the various elements of the review styles above to suit your preferences and the types of books you’ll be reviewing.

Creating a template unique to you helps build your authority as an independent reviewer and makes writing future reviews a lot easier.

Writing book reviews is a great way to get even more out of your reading journey. Whether you loved or hated a title, reviewing it will help you remember and process the story, and you’ll also be helping others to decide whether or not it’s worth their time, too.

And who knows, you might fall in love with writing book reviews and decide to pursue it as an additional source of income or even a new career!

Whatever your book reviewing plans and goals are, I hope the templates, tips, and ideas above will help you get started.

Do you have any advice for writing a great book review? Let me know in the comments below!

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Design Book Review

• Design Book Review in Hathi Trust
• Design Book Review in Worldcat
• Design Book Review in the Library Catalog

In the closing decades of the 20th century, Design Book Review was the preeminent journal dedicated to reviewing architecture and design books in the United States. Architectural critic Michael Sorkin once wrote, “ Design Book Review is no less than the indispensable record and liveliest critique of contemporary architectural consciousness.”

For the first time, the entire content of Design Book Review is available online. Any readers interested in the recent history of trends and debates in design and architecture now can see the pages as they were first published. Design Book Review provides a wonderful glimpse of published writing on architecture and theory just before the advent of the digital age.

New! Scans of every issue available at USModernist . You can also view issues of DBR in Hathi Trust .

Search the Design Book Review Index

Farewell, richard ingersoll.

The California College of the Arts is sad to announce the passing of former  Design Book Review  editor Richard Ingersoll. Richard was involved in writing and editing of  Design Book Review  from its first issue in 1983 and eventually became the primary editor of the journal until 1998. Richard was a brilliant scholar with a deep understanding of contemporary architecture, design, architectural history, landscape architecture, and urban planning. Those of us who worked with Richard found him a kind and generous colleague who was admired by all. To remember Richard, we highlight four examples of his writing from the pages of DBR below.

• Toward the architectural museum (1989)
• Eco-chic: the unfashionability of ecological design (1991)
• Of Texas and Taxes (1994)
• Tafuri's Rome (1994)

Richard Ingersoll (1949-2021)

CCA panel on Design Book Review at the Curatorial Research Bureau at Yerba Buena Center for the Arts. From left: Laurie Snowden, John Parman, Keith Krumwiede, Barry Katz, Margaret Crawford, Mimi Zeiger, and Bill Littmann.

The Berkeley-based journal began in 1983 by John Parman, Elizabeth Snowden, Richard Ingersoll, and Cathy Lang Ho—then later published by the California College of the Arts, until 2002. DBR provided a much-needed forum for advanced thinking on the built landscape as well as cities, industrial design, graphic design, land art, and material culture. Design Book Review was essential reading for a generation or writers, providing jargon-free writing by such authors as Janet Abu-Lughod, James Ackerman, Reyner Banham, Manuel Castells, Kenneth Frampton, Phyllis Lambert, William Mitchell, Manfredo Tafuri, and Hayden White.

Founder John Parman wrote a short history of Design Book Review on Medium.

Selected Issues

Frank lloyd wright - design book review 7 (1985).

Reyner Banham on recent books on Frank Lloyd Wright, including Frank Lloyd Wright’s Hanna House: The Clients' Report, by Paul R. and Jean S. Hanna, Frank Lloyd Wright's Robie House, by Donald Hoffmann, and Frank Lloyd Wright at the Metropolitan Museum of Art, by Edgar Kaufmann, 8

Jerzy Soltan on Le Corbusier: An Analysis of Form, by Geoffrey Baker, 43

Elizabeth Cromley on The Architecture of Finance, by Lois Severini, 47

Alan Cowans on Francis Rattenbury and British Columbia, by Anthony A. Barrett and Rhodri Windsor Liscombe, 49

Nancy Steinhardt on A Pictorial History of Chinese Architecture, by Liang Ssu-Ch'eng, 53

Samuel Gruber on Rome in the Age of Bernini, by Torgil Magnuson, 59

Sarah Chase on Fabrics for Historical Buildings, by Jane Nylander and Wallpapers for Historical Buildings, by Richard Nylander, 80

Toward an Architectural Museum - Design Book Review 16 (1989)

Richard Ingersoll, “Toward an Architectural Museum,” 12

Dialog with Phyllis Lambert, Director, Centre Canadien d'Architecture, 17

Discussion on architectural exhibitions with Mildred Friedman, Walker Art Center (23), Georges Teyssot, Milan Triennale (24), John Zukowsky, Art Institute of Chicago (26), Paolo Polledri, San Francisco Museum of Modern Art (28), Stuart Wrede, Museum of Modem Art, New York (29), Ulriche Jehle-Schulte Strathaus, Architekturmuseum, Basel (31), Francois Burkhardt, Centre Pompidou. Paris Departments (32)

Caroline Bruzelius on Building Troyes Cathedral: The Late Gothic Campaigns, by Stephen Murry, 36

Adrian Forty on Shifting Gears: Technology, Literature, Culture in Modernist America, by Cecelia Tichi, 40

Mark Brack on Architects in Competition: International Competitions of the Last 200 Years, by Hilde de Haan and Ids Haagsma, 42

Janet Abu-Lughod on Urban Design in Western Europe: Regime and Architecture, 900-1900, by Wolfgang Braunfels, 54

Louis Kahn - Design Book Review 21 (1991)

Richard Ingersoll, Louis I. Kahn: The Last Master

Richard A. Plunz on Louis I. Kahn: L'Uomo, II Maestro, by Alessandra Latour, p. 9

William H. Jordy on The Louis I. Kahn Archive: Personal Drawings, by Alexander Tzonis, General Editor and Louis I. Kahn: Complete Works 1935-74, edited by Heinz Ronner and Sharad Jhaveri, p 11

Swati Chattopadhyay on Kahn Libraries/Bibliotecas, edited by Xavier Costa, p. 21

Peter J. Holliday on Bearers of Meaning: The Classical Orders in Antiquity, the Middle Ages, and the Renaissance, by John Onians

Christopher Yip on California Architecture: Historic American Buildings Survey, by Sally B. Woodbridge

Sandra Kocher on The Arts at Black Mountain College, by Mary Emma Harris.

Frank Edgerton Martin and Brian Hoffman on The Razing of Romania’s Past, by Dinu C. Giurescu.

The Political Landscape - Design Book Review 44/45 (2001)

Rebecca Solnit, “A Real Estate History of the Avant-Garde,” 6

Robin Greeley on Wallbangin': Graffiti and Gangs in L.A., by Susan A. Phillips and Crimes of Style: Urban Graffiti and the Politics of Criminality, by Jeff Ferrell, 38

Jane C. Loeffler on Atomic Spaces: Living on the Manhattan Project by Peter Bacon Hales and Disarming the Prairie by Terry Evans, 46

Timothy Butler on The Bauhaus and America: First Contacts, 1919-1936 by Margret Kentgens-Craig, 56

Paul B.Jaskot on Capital Dilemma: Germany's Search for a New Architecture of Democracy by Michael Z. Wise and The Ghosts of Berlin: Confronting German History in the Urban Landscape by Brian Ladd, 62

Laurie Puchall on Women and the Making of the Modern House: A Social and Architectural History, by Alice Friedman 68

Kenneth Frampton, Erik Asmussen, Architect, by Gary Coates, 84

Organizing Your Social Sciences Research Assignments

• Annotated Bibliography
• Analyzing a Scholarly Journal Article
• Group Presentations
• Dealing with Nervousness
• Using Visual Aids
• Grading Someone Else's Paper
• Types of Structured Group Activities
• Group Project Survival Skills
• Leading a Class Discussion
• Multiple Book Review Essay
• Reviewing Collected Works
• Writing a Case Analysis Paper
• Writing a Case Study
• About Informed Consent
• Writing Field Notes
• Writing a Policy Memo
• Writing a Reflective Paper
• Writing a Research Proposal
• Generative AI and Writing
• Acknowledgments

A book review is a thorough description, critical analysis, and/or evaluation of the quality, meaning, and significance of a book, often written in relation to prior research on the topic. Reviews generally range from 500-2000 words, but may be longer or shorter depends on several factors: the length and complexity of the book being reviewed, the overall purpose of the review, and whether the review examines two or more books that focus on the same topic. Professors assign book reviews as practice in carefully analyzing complex scholarly texts and to assess your ability to effectively synthesize research so that you reach an informed perspective about the topic being covered.

There are two general approaches to reviewing a book:

• Descriptive review: Presents the content and structure of a book as objectively as possible, describing essential information about a book's purpose and authority. This is done by stating the perceived aims and purposes of the study, often incorporating passages quoted from the text that highlight key elements of the work. Additionally, there may be some indication of the reading level and anticipated audience.
• Critical review: Describes and evaluates the book in relation to accepted literary and historical standards and supports this evaluation with evidence from the text and, in most cases, in contrast to and in comparison with the research of others. It should include a statement about what the author has tried to do, evaluates how well you believe the author has succeeded in meeting the objectives of the study, and presents evidence to support this assessment. For most course assignments, your professor will want you to write this type of review.

Book Reviews. Writing Center. University of New Hampshire; Book Reviews: How to Write a Book Review. Writing and Style Guides. Libraries. Dalhousie University; Kindle, Peter A. "Teaching Students to Write Book Reviews." Contemporary Rural Social Work 7 (2015): 135-141; Erwin, R. W. “Reviewing Books for Scholarly Journals.” In Writing and Publishing for Academic Authors . Joseph M. Moxley and Todd Taylor. 2 nd edition. (Lanham, MD: Rowan and Littlefield, 1997), pp. 83-90.

How to Approach Writing Your Review

NOTE:   Since most course assignments require that you write a critical rather than descriptive book review, the following information about preparing to write and developing the structure and style of reviews focuses on this approach.

I.  Common Features

While book reviews vary in tone, subject, and style, they share some common features. These include:

• A review gives the reader a concise summary of the content . This includes a description of the research topic and scope of analysis as well as an overview of the book's overall perspective, argument, and purpose.
• A review offers a critical assessment of the content in relation to other studies on the same topic . This involves documenting your reactions to the work under review--what strikes you as noteworthy or important, whether or not the arguments made by the author(s) were effective or persuasive, and how the work enhanced your understanding of the research problem under investigation.
• In addition to analyzing a book's strengths and weaknesses, a scholarly review often recommends whether or not readers would value the work for its authenticity and overall quality . This measure of quality includes both the author's ideas and arguments and covers practical issues, such as, readability and language, organization and layout, indexing, and, if needed, the use of non-textual elements .

To maintain your focus, always keep in mind that most assignments ask you to discuss a book's treatment of its topic, not the topic itself . Your key sentences should say, "This book shows...,” "The study demonstrates...," or “The author argues...," rather than "This happened...” or “This is the case....”

II.  Developing a Critical Assessment Strategy

There is no definitive methodological approach to writing a book review in the social sciences, although it is necessary that you think critically about the research problem under investigation before you begin to write. Therefore, writing a book review is a three-step process: 1) carefully taking notes as you read the text; 2) developing an argument about the value of the work under consideration; and, 3) clearly articulating that argument as you write an organized and well-supported assessment of the work.

A useful strategy in preparing to write a review is to list a set of questions that should be answered as you read the book [remember to note the page numbers so you can refer back to the text!]. The specific questions to ask yourself will depend upon the type of book you are reviewing. For example, a book that is presenting original research about a topic may require a different set of questions to ask yourself than a work where the author is offering a personal critique of an existing policy or issue.

Here are some sample questions that can help you think critically about the book:

• Thesis or Argument . What is the central thesis—or main argument—of the book? If the author wanted you to get one main idea from the book, what would it be? How does it compare or contrast to the world that you know or have experienced? What has the book accomplished? Is the argument clearly stated and does the research support this?
• Topic . What exactly is the subject or topic of the book? Is it clearly articulated? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? Can you detect any biases? What type of approach has the author adopted to explore the research problem [e.g., topical, analytical, chronological, descriptive]?
• Evidence . How does the author support their argument? What evidence does the author use to prove their point? Is the evidence based on an appropriate application of the method chosen to gather information? Do you find that evidence convincing? Why or why not? Does any of the author's information [or conclusions] conflict with other books you've read, courses you've taken, or just previous assumptions you had about the research problem?
• Structure . How does the author structure their argument? Does it follow a logical order of analysis? What are the parts that make up the whole? Does the argument make sense to you? Does it persuade you? Why or why not?
• Take-aways . How has this book helped you understand the research problem? Would you recommend the book to others? Why or why not?

Beyond the content of the book, you may also consider some information about the author and the general presentation of information. Question to ask may include:

• The Author: Who is the author? The nationality, political persuasion, education, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the author is affiliated with a particular organization? What difference would it make if the author participated in the events they wrote about? What other topics has the author written about? Does this work build on prior research or does it represent a new or unique area of research?
• The Presentation: What is the book's genre? Out of what discipline does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or other contextual standard upon which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know this. Keep in mind, though, that declarative statements about being the “first,” the "best," or the "only" book of its kind can be a risky unless you're absolutely certain because your professor [presumably] has a much better understanding of the overall research literature.

NOTE: Most critical book reviews examine a topic in relation to prior research. A good strategy for identifying this prior research is to examine sources the author(s) cited in the chapters introducing the research problem and, of course, any review of the literature. However, you should not assume that the author's references to prior research is authoritative or complete. If any works related to the topic have been excluded, your assessment of the book should note this . Be sure to consult with a librarian to ensure that any additional studies are located beyond what has been cited by the author(s).

Book Reviews. Writing@CSU. Colorado State University; Book Reviews. The Writing Center. University of North Carolina; Hartley, James. "Reading and Writing Book Reviews Across the Disciplines." Journal of the American Society for Information Science and Technology 57 (July 2006): 1194–1207;   Motta-Roth, D. “Discourse Analysis and Academic Book Reviews: A Study of Text and Disciplinary Cultures.”  In Genre Studies in English for Academic Purposes . Fortanet Gómez, Inmaculada  et  al., editors. (Castellò de la Plana: Publicacions de la Universitat Jaume I, 1998), pp. 29-45. Writing a Book Review. The Writing Lab and The OWL. Purdue University; Writing Book Reviews. Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University; Suárez, Lorena and Ana I. Moreno. “The Rhetorical Structure of Academic Journal Book Reviews: A Cross-linguistic and Cross-disciplinary Approach .” In Asociación Europea de Lenguas para Fines Específicos, María del Carmen Pérez Llantada Auría, Ramón Plo Alastrué, and Claus Peter Neumann. Actas del V Congreso Internacional AELFE/Proceedings of the 5th International AELFE Conference . Zaragoza: Universidad de Zaragoza, 2006.

Structure and Writing Style

I.  Bibliographic Information

Bibliographic information refers to the essential elements of a work if you were to cite it in a paper [i.e., author, title, date of publication, etc.]. Provide the essential information about the book using the writing style [e.g., APA, MLA, Chicago] preferred by your professor or used by the discipline of your major . Depending on how your professor wants you to organize your review, the bibliographic information represents the heading of your review. In general, it would look like this:

[Complete title of book. Author or authors. Place of publication. Publisher. Date of publication. Number of pages before first chapter, often in Roman numerals. Total number of pages]. The Whites of Their Eyes: The Tea Party's Revolution and the Battle over American History . By Jill Lepore. (Princeton, NJ: Princeton University Press, 2010. xii, 207 pp.)

Reviewed by [your full name].

II.  Scope/Purpose/Content

Begin your review by telling the reader not only the overarching concern of the book in its entirety [the subject area] but also what the author's particular point of view is on that subject [the thesis statement]. If you cannot find an adequate statement in the author's own words or if you find that the thesis statement is not well-developed, then you will have to compose your own introductory thesis statement that does cover all the material. This statement should be no more than one paragraph and must be succinctly stated, accurate, and unbiased.

If you find it difficult to discern the overall aims and objectives of the book [and, be sure to point this out in your review if you determine that this is a deficiency], you may arrive at an understanding of the book's overall purpose by assessing the following:

• Scan the table of contents because it can help you understand how the book was organized and will aid in determining the author's main ideas and how they were developed [e.g., chronologically, topically, historically, etc.].
• Why did the author write on this subject rather than on some other subject?
• From what point of view is the work written?
• Was the author trying to give information, to explain something technical, or to convince the reader of a belief’s validity by dramatizing it in action?
• What is the general field or genre, and how does the book fit into it? If necessary, review related literature from other books and journal articles to familiarize yourself with the field.
• Who is the intended audience?
• What is the author's style? Is it formal or informal? You can evaluate the quality of the writing style by noting some of the following standards: coherence, clarity, originality, forcefulness, accurate use of technical words, conciseness, fullness of development, and fluidity [i.e., quality of the narrative flow].
• How did the book affect you? Were there any prior assumptions you had about the subject that were changed, abandoned, or reinforced after reading the book? How is the book related to your own personal beliefs or assumptions? What personal experiences have you had related to the subject that affirm or challenge underlying assumptions?
• How well has the book achieved the goal(s) set forth in the preface, introduction, and/or foreword?
• Would you recommend this book to others? Why or why not?

III.  Note the Method

Support your remarks with specific references to text and quotations that help to illustrate the literary method used to state the research problem, describe the research design, and analyze the findings. In general, authors tend to use the following literary methods, exclusively or in combination.

• Description : The author depicts scenes and events by giving specific details that appeal to the five senses, or to the reader’s imagination. The description presents background and setting. Its primary purpose is to help the reader realize, through as many details as possible, the way persons, places, and things are situated within the phenomenon being described.
• Narration : The author tells the story of a series of events, usually thematically or in chronological order. In general, the emphasis in scholarly books is on narration of the events. Narration tells what has happened and, in some cases, using this method to forecast what could happen in the future. Its primary purpose is to draw the reader into a story and create a contextual framework for understanding the research problem.
• Exposition : The author uses explanation and analysis to present a subject or to clarify an idea. Exposition presents the facts about a subject or an issue clearly and as impartially as possible. Its primary purpose is to describe and explain, to document for the historical record an event or phenomenon.
• Argument : The author uses techniques of persuasion to establish understanding of a particular truth, often in the form of addressing a research question, or to convince the reader of its falsity. The overall aim is to persuade the reader to believe something and perhaps to act on that belief. Argument takes sides on an issue and aims to convince the reader that the author's position is valid, logical, and/or reasonable.

IV.  Critically Evaluate the Contents

Critical comments should form the bulk of your book review . State whether or not you feel the author's treatment of the subject matter is appropriate for the intended audience. Ask yourself:

• Has the purpose of the book been achieved?
• What contributions does the book make to the field?
• Is the treatment of the subject matter objective or at least balanced in describing all sides of a debate?
• Are there facts and evidence that have been omitted?
• What kinds of data, if any, are used to support the author's thesis statement?
• Can the same data be interpreted to explain alternate outcomes?
• Is the writing style clear and effective?
• Does the book raise important or provocative issues or topics for discussion?
• Does the book bring attention to the need for further research?
• What has been left out?

Support your evaluation with evidence from the text and, when possible, state the book's quality in relation to other scholarly sources. If relevant, note of the book's format, such as, layout, binding, typography, etc. Are there tables, charts, maps, illustrations, text boxes, photographs, or other non-textual elements? Do they aid in understanding the text? Describing this is particularly important in books that contain a lot of non-textual elements.

NOTE:   It is important to carefully distinguish your views from those of the author so as not to confuse your reader. Be clear when you are describing an author's point of view versus expressing your own.

V.  Examine the Front Matter and Back Matter

Front matter refers to any content before the first chapter of the book. Back matter refers to any information included after the final chapter of the book . Front matter is most often numbered separately from the rest of the text in lower case Roman numerals [i.e. i - xi ]. Critical commentary about front or back matter is generally only necessary if you believe there is something that diminishes the overall quality of the work [e.g., the indexing is poor] or there is something that is particularly helpful in understanding the book's contents [e.g., foreword places the book in an important context].

Front matter that may be considered for evaluation when reviewing its overall quality:

• Table of contents -- is it clear? Is it detailed or general? Does it reflect the true contents of the book? Does it help in understanding a logical sequence of content?
• Author biography -- also found as back matter, the biography of author(s) can be useful in determining the authority of the writer and whether the book builds on prior research or represents new research. In scholarly reviews, noting the author's affiliation and prior publications can be a factor in helping the reader determine the overall validity of the work [i.e., are they associated with a research center devoted to studying the problem under investigation].
• Foreword -- the purpose of a foreword is to introduce the reader to the author and the content of the book, and to help establish credibility for both. A foreword may not contribute any additional information about the book's subject matter, but rather, serves as a means of validating the book's existence. In these cases, the foreword is often written by a leading scholar or expert who endorses the book's contributions to advancing research about the topic. Later editions of a book sometimes have a new foreword prepended [appearing before an older foreword, if there was one], which may be included to explain how the latest edition differs from previous editions. These are most often written by the author.
• Acknowledgements -- scholarly studies in the social sciences often take many years to write, so authors frequently acknowledge the help and support of others in getting their research published. This can be as innocuous as acknowledging the author's family or the publisher. However, an author may acknowledge prominent scholars or subject experts, staff at key research centers, people who curate important archival collections, or organizations that funded the research. In these particular cases, it may be worth noting these sources of support in your review, particularly if the funding organization is biased or its mission is to promote a particular agenda.
• Preface -- generally describes the genesis, purpose, limitations, and scope of the book and may include acknowledgments of indebtedness to people who have helped the author complete the study. Is the preface helpful in understanding the study? Does it provide an effective framework for understanding what's to follow?
• Chronology -- also may be found as back matter, a chronology is generally included to highlight key events related to the subject of the book. Do the entries contribute to the overall work? Is it detailed or very general?
• List of non-textual elements -- a book that contains numerous charts, photographs, maps, tables, etc. will often list these items after the table of contents in the order that they appear in the text. Is this useful?

Back matter that may be considered for evaluation when reviewing its overall quality:

• Afterword -- this is a short, reflective piece written by the author that takes the form of a concluding section, final commentary, or closing statement. It is worth mentioning in a review if it contributes information about the purpose of the book, gives a call to action, summarizes key recommendations or next steps, or asks the reader to consider key points made in the book.
• Appendix -- is the supplementary material in the appendix or appendices well organized? Do they relate to the contents or appear superfluous? Does it contain any essential information that would have been more appropriately integrated into the text?
• Index -- are there separate indexes for names and subjects or one integrated index. Is the indexing thorough and accurate? Are elements used, such as, bold or italic fonts to help identify specific places in the book? Does the index include "see also" references to direct you to related topics?
• Glossary of Terms -- are the definitions clearly written? Is the glossary comprehensive or are there key terms missing? Are any terms or concepts mentioned in the text not included that should have been?
• Endnotes -- examine any endnotes as you read from chapter to chapter. Do they provide important additional information? Do they clarify or extend points made in the body of the text? Should any notes have been better integrated into the text rather than separated? Do the same if the author uses footnotes.
• Bibliography/References/Further Readings -- review any bibliography, list of references to sources, and/or further readings the author may have included. What kinds of sources appear [e.g., primary or secondary, recent or old, scholarly or popular, etc.]? How does the author make use of them? Be sure to note important omissions of sources that you believe should have been utilized, including important digital resources or archival collections.

VI.  Summarize and Comment

State your general conclusions briefly and succinctly. Pay particular attention to the author's concluding chapter and/or afterword. Is the summary convincing? List the principal topics, and briefly summarize the author’s ideas about these topics, main points, and conclusions. If appropriate and to help clarify your overall evaluation, use specific references to text and quotations to support your statements. If your thesis has been well argued, the conclusion should follow naturally. It can include a final assessment or simply restate your thesis. Do not introduce new information in the conclusion. If you've compared the book to any other works or used other sources in writing the review, be sure to cite them at the end of your book review in the same writing style as your bibliographic heading of the book.

Book Reviews. Writing@CSU. Colorado State University; Book Reviews. The Writing Center. University of North Carolina; Gastel, Barbara. "Special Books Section: A Strategy for Reviewing Books for Journals." BioScience 41 (October 1991): 635-637; Hartley, James. "Reading and Writing Book Reviews Across the Disciplines." Journal of the American Society for Information Science and Technology 57 (July 2006): 1194–1207; Lee, Alexander D., Bart N. Green, Claire D. Johnson, and Julie Nyquist. "How to Write a Scholarly Book Review for Publication in a Peer-reviewed Journal: A Review of the Literature." Journal of Chiropractic Education 24 (2010): 57-69; Nicolaisen, Jeppe. "The Scholarliness of Published Peer Reviews: A Bibliometric Study of Book Reviews in Selected Social Science Fields." Research Evaluation 11 (2002): 129-140;.Procter, Margaret. The Book Review or Article Critique. The Lab Report. University College Writing Centre. University of Toronto; Reading a Book to Review It. The Writer’s Handbook. Writing Center. University of Wisconsin, Madison; Scarnecchia, David L. "Writing Book Reviews for the Journal Of Range Management and Rangelands." Rangeland Ecology and Management 57 (2004): 418-421; Simon, Linda. "The Pleasures of Book Reviewing." Journal of Scholarly Publishing 27 (1996): 240-241; Writing a Book Review. The Writing Lab and The OWL. Purdue University; Writing Book Reviews. Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University.

Writing Tip

Always Read the Foreword and/or the Preface

If they are included in the front matter, a good place for understanding a book's overall purpose, organization, contributions to further understanding of the research problem, and relationship to other studies is to read the preface and the foreword. The foreword may be written by someone other than the author or editor and can be a person who is famous or who has name recognition within the discipline. A foreword is often included to add credibility to the work.

The preface is usually an introductory essay written by the author or editor. It is intended to describe the book's overall purpose, arrangement, scope, and overall contributions to the literature. When reviewing the book, it can be useful to critically evaluate whether the goals set forth in the foreword and/or preface were actually achieved. At the very least, they can establish a foundation for understanding a study's scope and purpose as well as its significance in contributing new knowledge.

Distinguishing between a Foreword, a Preface, and an Introduction . Book Creation Learning Center. Greenleaf Book Group, 2019.

Locating Book Reviews

There are several databases the USC Libraries subscribes to that include the full-text or citations to book reviews. Short, descriptive reviews can also be found at book-related online sites such as Amazon , although it's not always obvious who has written them and may actually be created by the publisher. The following databases provide comprehensive access to scholarly, full-text book reviews:

• ProQuest [1983-present]
• Book Review Digest Retrospective [1905-1982]

Some Language for Evaluating Texts

It can be challenging to find the proper vocabulary from which to discuss and evaluate a book. Here is a list of some active verbs for referring to texts and ideas that you might find useful:

• account for
• demonstrate
• distinguish
• investigate

Examples of usage

• "The evidence indicates that..."
• "This work assesses the effect of..."
• "The author identifies three key reasons for..."
• "This book questions the view that..."
• "This work challenges assumptions about...."

Paquot, Magali. Academic Keyword List. Centre for English Corpus Linguistics. Université Catholique de Louvain.

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Last updated on Feb 29, 2024

How to Design a Book Cover: 7 Steps for Professional Results

A book’s cover is one of the most important marketing assets that authors have at their disposal. A great cover design will communicate the book’s content and tone in the blink of an eye, attracting new readers wandering through a bookstore or browsing Amazon, and potentially doubling your sales . 

So, what does it take to create an outstanding cover design? In this post, we’ve teamed up with Reedsy’s designer, Raúl Gil, to show you how publishing professionals create their world-class cover designs.

How to design a book cover:

1. Take inspiration from other covers

2. pick the right design tools, 3. choose a genre-fitting concept, 4. select a design style, 5. adapt and develop your concept, 6. balance the title and author name, 7. adapt the design to other book formats.

Research and planning should be an essential step in all design projects. With book covers, that research should be focused on two of the design’s main goals, which are how to:

• Attract the attention of the book’s target reader and
• Communicate genre, tone, and content.

Thankfully, publishing is a trend-driven industry, and the creative choices of top publishers are reflected in the books you find on your local high street.

Snoop around bookshops, libraries, or online retailers

Mainstream bookshops are especially useful places to start since they will stock books that are selling right now and will only carry the latest editions (so you won’t be misled by 30-year-old cover designs).

When looking at books in your genre, you’ll want to note any common uses of color, imagery, and general approach to design. 

Here’s an (edited) snapshot of top-selling psychological thrillers on Amazon at the start of 2024:

At a glance, you might see that many of these covers:  

• Use a font similar to Helvetica, a sans serif typeface that feels quite contemporary. 
• Employ a certain amount of yellow, red, and blue in some of the designs.
• Feature a character who’s obscured in some way.

All genres have their trends and tropes, and a good designer should be aware of them before working up their concepts. Once you’ve gathered this intel, use it in your design to communicate what your book is about.

But before diving into the design process, deciding on the tools you’ll use is crucial .

A poor craftsperson blames their tools — however, Leonardo didn’t compose the Mona Lisa with crayons. So before you get too far into the design process, you need to know two things:

• What software are you using to design your cover?
• Will you be proficient enough in that software to bring your ideas to life?

If you’re not 100% certain of your digital design skills, look into hiring a professional cover designer for your project. You can still remain in creative control of how the book looks, but with their market knowledge and ability to execute a design, a pro will give you the best chance of giving your book the design it deserves.

If you’re confident in your abilities, look at some of the  most popular book cover design apps and see which one you’d be best suited to.

Professional-grade software

Consumer software.

Now that you know the tools at your disposal to bring your cover to life, let’s get creative. In the next few sections, we’re going to show you what goes on in a professional designer’s mind when they’re working on a new project. You’ll get an insight into their process and hopefully be able to apply this methodology to your own design.

Rocket Bride: A Case Study 

For the rest of this guide, we will demonstrate the cover design process with the help of Reedsy’s in-house designer, Raúl Gil, who will design a cover for a hypothetical novel that we will call... Rocket Bride . This book doesn’t exist, but if it did, this is what it would be about:

Rocket Bride is a space opera targeted mainly at a romance-reading audience. It centers on a princess who’s engaged to an evil land developer and the roguish intergalactic smuggler who helps the princess escape on her wedding day. Like oil and water, chalk and cheese, these two heroes are unlikely accomplices — and maybe even unlikelier lovers. 

But before we start throwing around any ideas, we first need to decide on the concept and style that our cover will take.

The only way to find a suitable concept is to first come up with a bunch of ideas that are off the mark, kinda good, or wrong but headed in the right direction. Even professional designers who know what they’re doing start by throwing ideas at the wall and seeing what sticks.

As a starting point, ask yourself: What emotions do you want your cover to evoke?

Capture the book’s tone at a glance

In today’s publishing landscape, more readers are buying their books from online retailers like Amazon. The average shopper will only see a small thumbnail of a book’s cover — and perhaps only for a fraction of a second. Bearing that in mind, your design needs to be clear, fairly simple, and communicate your book’s emotional tone.

From your research, you should have a good idea of how covers in your niche communicate the tone of the book. If it’s a thriller novel, it may be dark and mysterious, like the design for A Flicker in the Dark . If it’s a humorous nonfiction book, it’ll use lighter colors and feature an image that conveys the concept and tone of the book, like the cover of Jenette McCurdy’s funny, gallowsy memoir.

But beyond that, what else can draw readers to a book?

Characters (with or without eyes)

Fiction readers, broadly speaking, can be enticed by a character they’d want to spend 300-odd pages with. To that end, you will see covers that feature a character from the book. 

In certain genres, you’ll notice that character faces are often concealed in some way. You’ll rarely see a character’s full face on literary fiction and mystery novels. They might be backlit (as is common in thrillers) or obscured by some design feature. There are many reasons why this might be the case, but we think it boils down to the fact that readers want to put themselves in a protagonist’s shoes — and if they see a model’s face on the front cover, it makes it hard for them to recast themselves as the hero of the story.

Though, of course, there are exceptions. Books adapted to film will often have tie-in covers featuring the poster art – after all, who’d say no to having Leo DiCaprio’s face on your book? Romance is another example of where you’d see a character’s face — the old cliché of handsome shirtless cover models remains as true today as it was in the Fabio era .  

If your genre’s design trends call for a character to feature on the cover, think about how much of their face you want to show. 

In the case of Rocket Bride , we’re taking a lead from popular books in the women’s fiction and cozy romance spaces and depicting our main characters in illustrated form. In line with the trends, we will show full-body images of our lead characters — though it’s worth noting that having stylized, hand-drawn depictions of these characters does leave some wiggle room for readers to imagine themselves as the leads in the story in a way that a photo of an Abercrombie & Fitch model doesn’t.

Location and period

Readers also like knowing where a book is set and are often attracted to books that promise to take them off to a certain time and place. Take a look at these examples:

The cover for Taylor Jenkins Reid’s The Seven Husbands of Evelyn Hugo, while foregrounding a character, uses costume to tell readers that they’re in for a dose of Old Hollywood glamor. (Note how you don’t see her eyes!)

The jacket for Adrian Tchaikovsky’s Children of Time instantly says that we’re going to a retro-futuristic world where people travel the galaxy in broken-down hunks of junk. 

For books that offer readers a sliver of escapist entertainment, a focus on location can oftentimes be a winner.

Iconography

Going back to what we said about covers only having a split second of a browser’s attention, you’ll see more covers these days leaning towards very simple and iconographic — something that is either recognizable or evokes instant meaning. 

In the past twenty-odd years, you’re likely to see this approach with literary novels, but with an increasingly digitally minded approach, it’s also become commonplace in genre fiction.

Take a look at the three examples and see how they use simple, iconic images to make an impression:

• RF Kuang’s Yellowface has a striking design that says all it needs to say with its recognizable depiction of East Asian eyes on a solid yellow background.
• The cover for Gabrielle Zevin’s Tomorrow and Tomorrow and Tomorrow recontextualizes Hokusai’s The Great Wave off Kanagawa.
• Every entry in Richard Osman’s bestselling Thursday Murder Club series can be recognized by its type-led design and simple fox motif.

Rocket Bride: An illustrated approach with character, tone, and location

With all this in mind, we shared some comp titles from the world of contemporary romance and women’s fiction. In line with the classic B-Movie tone of the story, we also sent him some examples of Jet Age imagery that we thought would be suitable for Rocket Bride’s  cover.

In our discussion with Raúl, we talked about the humor of the story, but also the bristling romance of Classic Hollywood. The relationship between our two heroes is like Hepburn and Bogart in The African Queen ; like Han and Leia in Star Wars . We wanted the cover to convey the fact that this book is feisty, fun, and far from the hard sci-fi books that many casual romance readers would normally avoid. It’s more Princess Bride than Dune .

After sending him our design brief , Raúl soon returned with a concept that showed our lead characters and science fiction setting, rendered with a sense of excitement and romance.

With a basic concept in place, you’ll want to make sure you know how you’re going to bring this idea to life.

Broadly speaking, there are four ways that you can approach your cover — each led by the type of imagery that will dominate the design. Pretty much every title you’ll see in a bookshop will fall into one of these four categories:

Stock image-led

The vast majority of book covers released by major publishers will feature stock images that are then cropped, manipulated, or edited into the design. You see a lot of these covers in most romance subgenres, as well as crime/thrillers and self-help.

Type-led designs

You’ll see this approach in a lot of nonfiction and literary fiction these days, where the focus of the design is a creative manipulation of the title text.

Illustrated covers

These range from intricate, life-like illustrations of the book’s world (which you’d see on the cover of a lot of Fantasy and Science Fiction), to evocative works of abstract art that you might find on the front of a literary fiction novel.

Photography

This is where new photography is commissioned for the cover design. These days, you only see this style of cover on celebrity memoir covers, where the big selling point is the author.

😁 Check more covers made by Reedsy designers by browsing our book cover gallery !

If you were looking to hire a professional to make your cover, you would first decide which style is best for your book, then seek out designers who specialize in that style.

Our market research shows that cozy illustrations are fairly common in women’s fiction and certain (non-historical) romance subgenres. With this in mind, we committed to an illustrated design for Rocket Bride .

Raúl soon returned with various versions of his original concept, presenting a few different executions of the same idea: our space princess being whisked away by our roguish space pirate.

Of these concepts, we ultimately decided to move forward with version #3. It captures the sense of adventure and romance at the core of Rocket Bride : the pose of its main characters reminded us of classic romance covers with a hint of fun and a healthy dose of mid-century sci-fi imagery. 

📏 Before you go much further with the design, make sure you’re working to the right dimensions. For ebooks, the standard front cover size on KDP is 2560 x 1600 pixels. We’ll dive into the specifics of print editions later on in this guide.  

Once you’ve landed on your final concept, you can treat it as a jumping-off point and start to play around with the small details that’ll impact how your reader engages with the cover.

Focus on the details that matter

In the course of refining the concept, you shouldn’t get carried away with cramming in too many details. There’s a temptation to add extra elements into your design, like a full moon, an abandoned house, or an extra character. A professional designer will be able to pull off those things — but if you’re doing it yourself, remember that less is almost always more.

From Raul’s original concept for Rocket Bride, we were able to request a few changes. We loved the fun tone of the illustration, but felt like some of the details were a bit too close to The Jetsons for our liking. We also wanted the background to resemble the American Southwest a bit more. With this feedback, Raúl tweaked the design by changing out our hero’s weapon, removing the rocketship, and adding in some stunning Monument Valley-style buttes.

Note: If you’re working with a professional designer, you may have agreed in your contract how many rounds of redesigns you’re entitled to as part of your fee. Try to include as much feedback at once and have a discussion with your designer about what is practical.

In our case, Raúl was happy to make extra changes while in the sketching phase, so we had him refine the character design. He gave Captain Perseus some rugged battle scars and added a third eye to Princess Andromeda (an essential part of her character backstory).

With the details locked in, it’s time to put a lick of paint on it.

See what color schemes pop out (and fit in)

Your design style will determine how much color-tweaking can be done at this stage: for example, the sky’s the limit for illustrators, while those working with stock images may be limited by the original photo (or their Photoshop skills). 

However, even a small change in color temperature or a slight hint of color can transform how the design will impact the reader. 

In the example above, the designer of Angela Morrison’s Sing Me to Sleep used a licensed stock image from Shutterstock then recolored the character’s sleeve and added ‘atmosphere’ in the form of digital snowflakes.

Note: make sure you pay for image licenses. If your cover design includes licensed images, it’s at this stage that you’ll have to purchase the rights to use them. Professional designers will typically use watermarked and low-resolution images in their initial concepts until you approve the final (truly final) version. If you’re hiring a pro to create your design , they will usually handle the licensing for you.

Returning to your research, you might have an idea of the color schemes trending in your genre. Again, we’re not saying that you need to adhere to tropes — but if you’re stuck for ideas, it can’t hurt to try out a color palate that instantly communicates the genre of your book.

For Rocket Bride, Raúl took our preferred concept and applied a few different color schemes that were inspired by science fiction imagery, retrofuturist design, and pulp cover art from the mid-20th century.

Each version lends the design a slightly different vibe and emotional quality — some more nostalgic, some more menacing. There are also some genre implications: the version with the blood red dust could have a superhero comic book feel, while versions E and F remind us of spaghetti westerns.

After mulling these options over, we decided to go with Version C, with pastel shades that you’d see in contemporary rom-com novels — offsetting the sci-fi setting and letting the readers know that this isn’t just a straightforward shoot ’em up in space.

If you haven’t already, this is the point where you’ll start adding all the elements that make a book cover more than just a piece of art. In this section, we’ll show you how to avoid some of the most common mistakes we’ve seen on self-made book covers.

Make the important bits easy to read

Once again, quick communication is key to your success. You want the reader to glean the most important bits of text in the half-second that they might look at it — which means that there’s no room for error. Contrast is one of the most important things to consider for text placement. There needs to be enough of a color difference between the text and the background so that your title and author name are easy to read (see below: Aya’s Blood ).

In the second example, The Cowboy’s Last Song , you can see that the designer has created contrast by laying the title over a shadow in the middle of the page. While this does greatly help with legibility , it adds a bit of unintentional muddiness to the final design.

Use two to three fonts

For the sake of minimizing your cover’s busyness, don’t use too many typefaces. If you check out the books on your shelves, you’ll probably notice that there aren’t more than two or three fonts at play . Between the title, the author’s name, and any other text you want to include on the cover, you can find a way to make two fonts stretch.

Give your author name the right size

The general rule of thumb is that the more famous you are, the bigger your name will be on the cover. After all, STEPHEN KING is more enticing to readers than the words FAIRY TALE. But if you’re reading this, you’re probably not Stephen King, so make sure that your name doesn’t take up too much real estate. For a good example, look at Stacy Willingham’s A Flicker in the Dark , which nicely balances the title and the author’s name, favoring the former over the latter.

Loglines, reviews, and testimonials

Another common element you’ll see on almost every cover is either a short logline or testimonial (usually from an established print outlet, author, or authority on the subject matter of your book). Let’s look at two examples:

Readers are so used to seeing thousands of book covers every year, and almost every one of them will have some sort of logline or testimonial (or even just a line that says “from the author of X book”) — so if your design is missing this element, your cover is in danger of feeling a bit naked.

So, putting all of these into practice, let’s add some copy to Rocket Bride .

Rocket Bride: Bespoke title treatment

In the case of Rocket Bride, we were clear that the title had to be more prominent than the author’s name, so the relationship between texts was clear. We stuck to a single font for all the text, varying their weight, size, and color. 

From the first sketches, we reserved a safe area at the base of the illustration on which to accommodate the title without contrast problems.

Visually, we wanted a dynamic treatment of the text that could provide expressiveness to the composition and enhance the “light science fiction” component of the novel. So, we used a condensed and thick typeface to form a solid typographic mass, and then we skewed it, adapting it to the forms and counterforms of the base illustration. 

Finally, we added a small graphic treatment in which a small rocket moves in the direction of the text — a typographic treatment that’s more than just expository text. The title “Rocket Bride” almost becomes the book’s logo, a brand that we can read and recognize even in small thumbnails on online platforms.

But wait! We’re not done just yet.

Now that the front cover has been completed, all that’s left is to use the design to fit your various book formats. 

Export ebook covers with the correct dimensions

Ebooks are the simplest format to deal with, simply because they only require a front cover. Amazon states a preferred size of 2,560 pixels x 1,600 pixels. To ensure you’re exporting them in the correct size and format, check with your retailer’s website:

• Kindle Direct Publishing: eBook cover standards
• Apple Books: Cover Art
• Google Play Store: Book file guidelines 
• Kobo Writing Life: Setting up a new eBook
• Draft2Digital: FAQ

If you’re looking to publish in print formats, whether you’re offset printing or using print-on-demand , there are additional elements you’ll need to consider. If the following steps are more complicated than you’re happy with, you can always hire a professional to adapt your design into a full set of mechanicals (as it’s called in the industry).

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Mind the typographic hierarchy on the back cover

The design of your book’s back cover can play an essential role in selling the book. You can incorporate elements like reviews, endorsements, the book’s blurb , your author bio , and social media handles to tell potential readers a bit more about yourself.

In deciding how big all the elements should be, try to think about the experience of an average reader. What information do you want to know when you hold a book in your hands and turn it over? A descending hierarchy — where the most important details are the largest in size — will guide the reader appropriately. 

In order, you might be looking at:

• Hook or logline (largest)
• Reviews and awards
• Social media and contact (smallest)

Once you figure out where all these blocks will go on the back cover, you can assign them a spot in your type hierarchy to lead readers through a little journey. 

Play around with the spine

One of the challenges of making a full cover is to get the spine right, since it depends on the book format, binding type, paper stock, and page count you choose.

Not all books are so long as to have a large spine, so in most cases, they are usually resolved with the most essential information: title and author. But a spine is an interesting area of action in terms of design.

Imagine people looking for a book on the shelves of a bookstore or library: an original spine can attract a reader’s eye more effectively.

In the case of Rocket Bride , we not only made sure to display the typographic information at an appropriate size and contrast, but we also introduced the faces of the main protagonists and a rocket logo.

Be careful with bleeding and margins

When arranging the different design elements on the cover, remember to maintain sufficient margins and an extra area for bleeding, which is necessary for the printing and cutting process. 

Most print services will usually offer templates to help you get your proportions right. KDP, for example, has a cover calculator and template generator that will turn out a PDF that you can import into your image editing software and lay over your design.

And don’t forget to leave some space for the ISBN barcode , which usually goes at the bottom left or right. And if you choose to get an ASIN barcode from Amazon, simply keep that area clean, and Amazon will add the code to it.

With that, you can export your print cover files as a PDF, ready to upload to your print service.

Create a cover for the audiobook version 

Adapting your cover design to a square format may mean needing a larger image to cover the entire area and fit properly with the specific composition of that context. Keep this in mind when hiring a photographer, illustrator, or designer.

(Note how the square format requires a larger illustrated area.)

And other promotional material

You finally have it: a shiny, brand-new book cover you can use to represent your book on the shelves and across all marketing channels! You might want to create a variety of 3D mockup images to use on digital ads, social media cover photos, or on your author’s website . 

You can use sites like Canva or Placeit to do it yourself, or if you’re collaborating with a professional, make sure to discuss this additional service before starting the project.

As you’ve probably realized by now, this process involves thorough industry research, creative brainstorming, and technical expertise, which is why we encourage indie authors to work with professionals in the field .  

While the fate of our princess and intergalactic smuggler remains a mystery, one thing is certain: their story boasts an outstanding cover, and your book deserves the same!

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By Her Own Design: A Novel of Ann Lowe, Fashion Designer to the Social Register Paperback – June 7, 2022

Purchase options and add-ons.

The incredible untold story of how Ann Lowe, a Black woman and granddaughter of slaves, rose above personal struggles and racial prejudice to design and create one of America's most famous wedding dresses of all time for Jackie Kennedy.

1953, New York City

Less than a week before the society wedding of the year where Jacqueline Bouvier will marry John F. Kennedy, a pipe bursts at Ann Lowe’s dress shop and ruins eleven dresses, including the expensive wedding dress, a dress that will be judged by thousands. A Black designer who has fought every step of the way, Ann knows this is only one struggle after a lifetime of them. She and her seamstresses will find the way to re-create the dresses. It may take all day and all night for the next week to accomplish the task, but they will do it.

1918, Tampa

Raised in Jim Crow Alabama, Ann learned the art of sewing from her mother and her grandmother, a former slave, who are the most talented seamstresses in the state. After Ann elopes at twelve with an older man who soon proves himself to be an abusive alcoholic, her dreams of becoming a celebrated designer seem to be put on hold. But then a wealthy Tampa socialite sees Ann’s talent and offers her an amazing opportunity—the chance to sew and design clothing for Florida’s society elite. Taking her young son in the middle of the night, Ann escapes her husband and embarks on the adventure of a lifetime.

Based on the true story of one of the most famous designers of the twenties through the sixties who has since been unjustly forgotten, By Her Own Design is an unforgettable novel of determination despite countless obstacles and a triumph celebrated by the world.

• Print length 384 pages
• Language English
• Publisher William Morrow Paperbacks
• Publication date June 7, 2022
• Dimensions 5.31 x 0.86 x 8 inches
• ISBN-10 0063059746
• ISBN-13 978-0063059740
• See all details

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From the Publisher

Editorial Reviews

"I could feel the love with which Piper Huguley crafted this tale about the life of Ann Cole Lowe, yet another "hidden figure" in American history. Huguley expertly morphs each one of Lowe's heartbreaks into triumph and hope." — Kaia Alderson, author of Sisters in Arms

"From the first words of By Her Own Design , Ann Lowe's vibrant, determined voice positively leaps off the page. Piper Huguley captures lightning in a bottle, an ideal match between writer and subject. In Huguley's talented hands, Lowe's remarkable story surges out of the shadows, practically demanding to be told and shared and celebrated." — Greer Macallister, bestselling author of The Magician's Lie and The Arctic Fury

"As intricate and impressive as one of Ann Lowe's designs, Piper Huguley's By Her Own Design isn't just the story of a dress, or even a life. It's a whirlwind trip through an America in flux, from the days of hobble skirts to the wobbly image of Lady Diana Spencer on a square tv screen, seen through the eyes of a woman so real and raw that you'll feel like you're living it all with her. This is biographical fiction at its very best!" — Lauren Willig, New York Times bestselling author of Band of Sisters

" By Her Own Design  is a vivid, powerful, and ultimately hopeful novel about “hidden figure” Ann Cole Lowe and her fight to create and deliver Jacqueline Kennedy’s wedding dress—as well as her life-long battle for love, family, and legacy. Brava Piper Huguley, who brings a fascinating chapter of history to vibrant life. I loved it!" — Susan Elia MacNeal, New York Times bestselling author of the Maggie Hope series and  Mother Daughter Traitor Spy

“ By Her Own Design captivated me completely, from beginning to end. Ann Lowe’s voice rings out powerfully from the pages, and the reader will reckon with the world through her eyes—eyes that saw both beauty and pain, triumph and erasure. Piper Huguley has written a masterpiece for the ages, richly crafted with glamorous detail and unflinching emotion.” — Paulette Kennedy, author of Parting the Veil  

"I can’t remember the last time a book has enchanted me so much. Piper Huguley writes with an unparalleled voice, bringing the reader deep into the ambitious heart of one of the most influential figures in the history of western fashion. I couldn’t put this novel down." — Libbie Grant, author of The Prophet’s Wife

"Piper Huguley’s By Her Own Desig n is a breathtaking journey. With masterful craftsmanship, Huguley brings to life the story of Ann Lowe, the first African-American fashion designer. Lowe learns her craft at her mother and grandmother’s knees and ascends to the highest levels of the fashion industry in New York despite every possible challenge being thrown her way. Huguley’s deft rendering of Lowe’s tale is at once heart-rending and uplifting. Compulsively readable, with a rich cast of characters and flawless pacing. I fully predict this book will be a breakout hit of the season. Not to be missed!" — Aimie K. Runyan, bestselling author of The School for German Brides

"I flew through the pages of this fascinating novel about Ann Lowe and her incredible rise in the fashion industry. In By Her Own Design , Piper Huguley has written a wonderfully inspiring and intimate book that will leave readers hungry to read more about women who have been overlooked for far too long. Don't miss this one!" — Elise Hooper, author of Angels of the Pacific

For too many years fashion designer Ann Lowe's work has gone uncredited, but Piper Huguley's utterly compelling novel celebrates her incredible designs and work in a gripping story as intricately detailed as one Lowe's gowns. Huguley is masterful in bringing Lowe's voice to life through her struggles and her triumphs.  By Her Own Design is a must-read!  — Julia Kelly, international bestselling author of The Last Dance of the Debutante

" By Her Own Design ’s powerful voice and dedicated research bring an unsung heroine into the well-deserved spotlight. Fierce and fashionable Ann Lowe, long erased from history as the unnamed "colored dressmaker" behind Jackie Kennedy's famous wedding dress, claws her way here from a Jim Crow Alabama childhood to a storied career as dress designer for the social elite. Her climb is mesmerizing-- Piper Huguley has crafted a heroine for the ages!" — Kate Quinn, NY Times Bestselling author of The Diamond Eye

“Piper Huguley’s By Her Own Design is a sumptuous quilt with lyrical lace and detailed thread work that made an iconic life feel authentic and heartwarming… Readers will love getting to know Ann Lowe and the story behind the designs.” — Vanessa Riley, Bestselling Author of Island Queen

"The facts of Ann Lowe's life are remarkable, but Huguley has taken us a step further, harnessing the art of fiction to invoke the emotions of her experiences and bring Ann Lowe to life." — Elizabeth Way, Associate Curator, The Museum at FIT and editor of Black Designers in American Fashion. 

"Piper Huguely’s captivating and eye-opening novel By Her Own Design , explores the life of Ann Lowe, a gifted woman descended from slaves, who overcomes brutal racial prejudice and personal strife to become a dress designer for society’s elite, ultimately designing Jacqueline Bouvier's iconic wedding gown. Like Lowe’s gorgeous and whimsical dress designs, Huguley’s By Her Own Design is beautifully crafted with meticulous attention to detail, pulling this extraordinary woman out of the shadows of history and bringing her into the light for posterity." — Jane Healey, bestselling author of The Secret Stealers

"A remarkable, exciting read, not only because Huguley brings to life a brilliant fashion designer who's been lost to history, but because she practically channels the spirit and voice of Ann Lowe. This is a book to be devoured." — Fiona Davis, New York Times bestselling author of The Magnolia Palace

"Piper Huguley's novel follows the arc of Ann Lowe's amazing life from her childhood in Alabama fashioning ethereal silk flowers to the greatest commission of her career, the wedding dress of Jacqueline Bouvier to John F Kennedy. The challenges of that life and her determination to succeed are beautifully recounted in this wonderful story." — Dr. Kate Strasdin, Senior Lecturer, Cultural Studies at Falmouth University

"An extraordinary woman steps from the pages of this novel, full of courage and tenacity despite the limitations placed on her because of the color of her skin. I love the distinctive voice of Ann Lowe: she’s a true original. It's difficult to write in first person but Piper Huguley completely nails it, giving us a character who sounds and feels utterly authentic. It's a compelling read." — Gill Paul, author of The Manhattan Girls

About the Author

Piper Huguley is the author of By Her Own Design as well as the Home to Milford College and the Migrations of the Heart series. She is a multiple-time Golden Heart finalist. Piper blogs about the history behind her novels on her website. She lives in Atlanta, Georgia, with her husband and son.

Product details

• Publisher ‏ : ‎ William Morrow Paperbacks (June 7, 2022)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 384 pages
• ISBN-10 ‏ : ‎ 0063059746
• ISBN-13 ‏ : ‎ 978-0063059740
• Item Weight ‏ : ‎ 2.31 pounds
• Dimensions ‏ : ‎ 5.31 x 0.86 x 8 inches
• #105 in Black & African American Historical Fiction (Books)
• #269 in Cultural Heritage Fiction
• #924 in Black & African American Women's Fiction (Books)

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"By Her Own Design" is Absolutely Phenomenal.

C. L. Nganga

About the author

Piper huguley.

Piper G. Huguley’s biographical historical fiction, By Her Own Design: a novel of Ann Lowe, Fashion Designer to the Social Register (William Morrow Publishing) tells the inspiring story of the Black fashion designer of Jackie Kennedy’s wedding dress. By Her Own Design was a Booklist top 100 Editor’s Choice selection for 2022, was named one of the top 100 books of 2022 in Canada by the Globe and Mail newspaper and was selected as the historical fiction winner for 2022 by the American Library Association’s Reading Council.

She is also the author of Sweet Tea, a contemporary romance about food and history (of course) and the author of two historical romance series: “Migrations of the Heart”, about the Great Migration and “Home to Milford College”. Her next historical fiction book, American Daughters (2024), is the story of the decades-long interracial friendship between Alice Roosevelt and Portia Washington, the rebel teenage daughters of President Theodore Roosevelt and Booker T. Washington, respectively. She is a literature professor at Clark-Atlanta University and blogs about the history behind her novels at http://piperhuguley.com . She lives in Atlanta, Georgia with her husband and son.

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He Took a Terrible, Horrible, No-Good 800-Mile Hike So You Don’t Have To

In “A Walk in the Park,” Kevin Fedarko recounts a trek-of-a-lifetime that becomes a nightmare in one of America’s most stunning sites. At least he can laugh about it.

By Blair Braverman

Blair Braverman is a writer, adventurer and dog-sledder. Her most recent book is “Small Game.”

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A WALK IN THE PARK: The True Story of a Spectacular Misadventure in the Grand Canyon, by Kevin Fedarko

Maybe it’s when he’s extracting drinking water from damp sand with a syringe, trying desperately not to die from dehydration, but there came a point in “A Walk in the Park,” Kevin Fedarko’s memoir about walking the length of the Grand Canyon, that I thought: Wow, this hike is a terrible idea.

Not that this was a revelation; Fedarko says as much from the start. But I still assumed, being well versed in the rhythms of adventure stories (and the accompanying “wait-till-you-hear-how-bad-it-was” ), that a Grand Canyon hike wouldn’t be uniquely awful. I was wrong.

Fedarko grew up in Pittsburgh, in a landscape drained by coal mining and poisoned by the byproducts of industry; his family recalls the yellow mist of the Donora Death Fog, a quirk of atmospheric pressure that trapped chemical emissions over a town some 20 miles south of the city, killing at least 20 people and sickening many more. As a child visiting his grandparents, he played on hills of strip-mine waste.

But when a magazine assignment brought him to the Colorado River, he fell in love with both the Grand Canyon and the elegant wooden dories that traverse it. He uprooted his life to volunteer for a tour company, handling raw sewage on rafting expeditions in the hope of one day being promoted to the driver’s seat of a dory. As he relates one grievous mishap after another, the reader faces a dawning realization. Wait: Is this guy going to walk the whole canyon because he’s not good enough to row a boat?

Indeed — and outdoor literature is the better for it, because “A Walk in the Park” is a triumph. Fedarko doesn’t describe awe; he induces it, with page-turning action, startling insights and the kind of verbal grace that makes multipage descriptions of, say, a flock of pelicans feel riveting and new. The canyon has no established through route. It is a living oven, full of scorpions, cactuses, venomous snakes, flash floods and various other incarnations of hell on earth.

Indeed, Grand Canyon is one of the deadliest national parks, and Fedarko relates in unflinching details the list of fatalities: Various tourists plummet off viewpoints and a guy drowns while crossing rapids on an air mattress. By the time he explains how the canyon’s extreme heat can cause the proteins in human cells to “denature and congeal as if one were boiling an egg,” I wished he were a little less gifted in his descriptive powers.

Fedarko’s hiking companion is his longtime creative partner, the photographer Pete McBride. Each man “often found the other to be madly annoying,” writes Fedarko — but some of his warmest and funniest writing is about his friendship with McBride, whether they’re discovering ancient petroglyphs or wrenching pieces of cholla cactus off each other. McBride is made up of equal parts idealism and “pigheadedness.” He theorizes that they don’t need to train because “the hike itself is the thing that’s gonna get us in shape for the hike” — though Fedarko acknowledges, in a lengthy and diplomatic footnote, that his depiction of the duo’s incompetence, while not technically in accurate, may be played up for drama. That it annoys McBride, it seems, is only a side benefit.

The canyon, unlike the reader, is unamused. The prospect of death very real, these men have to get their act together or quit. Though at times they come close to their demise, a team of magnanimous experts helps them to trek on. They encounter radioactive mine sites, wild horses, pools of dead tarantulas and countless other shocks and wonders, such as a cactus that retracts into the dirt and a carnivorous mouse that howls at the moon. Along the way they, and we, meet many of the park’s stakeholders, from Indigenous activists to a professor of Euclidean numbers theory. Fedarko interweaves their stories with wry, precise distillations of natural history and incisive profiles of the investment interests that aim to squeeze wild nature into cash.

The book never shies from its paradoxes: I did this so you don’t have to; I did this because you shouldn’t; I shouldn’t have done this, but it’s good I did. By the time the men complete their yearlong hike, they’ve endured and overcome so much that they’re briefly mistaken for plane crash victims. But in truth, they, and we, are pilgrims on holy ground. Readers will be tempted to visit the canyon just to keep the book’s spell alive longer — and to feel Fedarko’s company in their awe.

A WALK IN THE PARK : The True Story of a Spectacular Misadventure in the Grand Canyon | By Kevin Fedarko | Scribner | 489 pp. | $32.50

Exploring the Outdoors, One Step at a Time

Hiking is a great way to immerse yourself in nature and tune out the chaos of city life. the tips below will help you get ready before you hit the trail..

Hiking offers a host of mental and physical benefits. If you’re new to it, here’s how to get started .

Fourteen years and one Apple App of the Year award in, AllTrails has become something rare: a tool that works for both experts and newbies .

Make sure you have the right gear . Wirecutter has recommendations for anything you might need — from hydration packs  to trekking poles . And remember to try on hiking boots  at the right time of the day .

These clever apps and devices  will help you to find your way, triage an injury and generally stay out of trouble on the trail.

Planning to venture out for a nighttime  hike ? Opt for wide, easy-to-navigate paths.

Experts say failing to alert family or friends of your plans is one of the biggest mistakes hikers make. Here are some more safety tips .

Hands on: HP OmniBook X AI PC – a brand revision gone mostly right

The hp omnibook x ai pc is one of the first of hp's new brand profile.

Early Verdict

The HP OmniBook X AI PC is the product of a concentrated effort to better consolidate brands into two major camps. Coupled with a host of new AI features and tools, and Qualcomm chips with an excellent battery life, this system represents a major brand shift within the company. The design is thin and lightweight, attractive for those looking for a productivity machine. Unfortunately, I couldn't try out the AI, which is a huge sticking point for this laptop.

Gorgeous chassis and white color

Excellent display

Keyboard and touchpad are nice and responsive

Thin and light chassis

Couldn't test out AI tools, its selling point

Performance capabilities unknown

Terrible port selection

Why you can trust TechRadar We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

• Price and availability
• Performance
• Early verdict

HP is not only getting in on the AI action with its brand-new laptop, but the HP OmniBook X AI PC represents another massive change for the HP brand - it's consolidating and rebranding to make for an easier consumer shopping experience and to reduce brand confusion.

With this comes both the OmniBook and EliteBook lines, which include all the previous versions of HP laptops but combined within two brands: OmniBook and EliteBook. Both are outfitted with Qualcomm's Snapdragon CPUs and NPU. The latter, in particular, complements each laptop's integrated AI processes.

HP OmniBook X AI PC: price and availability

The HP OmniBook X AI PC was revealed just before Computex 2024.

The HP OmniBook X AI PC will launch in the US through HP.com and Best Buy at a starting price of $1,199.99 (around £1,020 / AU$1,960) with 1TB storage and will begin shipping on June 18, 2024.

HP OmniBook X AI PC: specs

Here are the specs for the HP OmniBook X AI PC at a glance. 

HP OmniBook X AI PC: design

One of the most striking aspects of the HP OmniBook X AI PC is its sleek and gorgeous design. It's also lightweight and thin, two features always welcome in what's supposed to be an everyday portable machine. 

It comes in two colors, grey and white, with the latter much more distinctive. The 'OmniBook' label is on the back outside of the laptop, as well as under the keyboard, and opposing it is the new Helix logo representing the line (it's supposed to represent 'AI' and 'DNA').

Opening it reveals an equally gorgeous display and a keyboard filled with wide snappy keys perfect for larger or shaky hands. The touchpad is also sizable, which is a preference of mine as it makes navigation much easier. 

The webcam, standard fare in terms of resolution but greatly enhanced by HP's signature lighting tools, has a much more secure physical privacy shutter. It features a poly camera pro-control setting, which automatically transfers over any camera settings to other cameras you connect to the laptop. And the Poly Studio partnership that enhances the camera also adds more audio options.

HP OmniBook X AI PC: performance

I wasn't able to take the laptop for a true test run, due to the AI features not being available to try out during the hands-on. But, looking at the impressive specs, there's plenty of expectation for the HP OmniBook X AI PC to churn out some excellent benchmark results.

HP did give me some impressive stats that, if they turn out to be true, would put Qualcomm's Snapdragon X Elite on the map for the foreseeable future. This laptop promises 26-hour video battery life, 22-hour Netflix (or other streaming services) battery life, 20-hour web browsing, nine hours of Teams (or another video conferencing service), and 20 days of battery life keeping the laptop on Standby mode.

It also apparently beat out the M3 MacBook Air on the multithreaded performance benchmark, which would also mean a massive win over Apple when coupled with the battery life. And as for the NPU, I was told that it runs at 45 TOPs

There are tons of AI tools to further enhance the webcam image including spotlight, background blur for conference calls, auto-framing, filters, and camera setting transferring. 

There's also the HP AI Companion, a chatbot and hub of AI tools. When used, the data is uploaded to cloud storage first, downloaded again, and then deleted from the cloud to maintain privacy. It seems to be a separate entity from Microsoft Copilot, though I couldn't test it out and see for myself how well it worked.

HP OmniBook X AI PC: early verdict

Visually, the HP OmniBook X AI PC looks amazing, with a sleek and lovely lightweight design that's sure to appeal to many buyers investing in a productivity machine. Its display is beautiful, and the keyboard and touchpad are also well-crafted and feel responsive and snappy to use.

As for performance and AI, it's difficult to make any judgment calls as I wasn't able to properly benchmark for the former and couldn't test out the latter due to the tools not being available at this time. However, if both the specs and AI features hold up well during our proper review, then we'll have a well-balanced laptop that could easily be one of the best thin and light laptops on the market - even one of the best laptops period.

Named by the CTA as a CES 2023 Media Trailblazer, Allisa is a Computing Staff Writer who covers breaking news and rumors in the computing industry, as well as reviews, hands-on previews, featured articles, and the latest deals and trends. In her spare time you can find her chatting it up on her two podcasts, Megaten Marathon and Combo Chain, as well as playing any JRPGs she can get her hands on.

What is a hands on review?

Hands on reviews' are a journalist's first impressions of a piece of kit based on spending some time with it. It may be just a few moments, or a few hours. The important thing is we have been able to play with it ourselves and can give you some sense of what it's like to use, even if it's only an embryonic view. For more information, see TechRadar's Reviews Guarantee .

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Acer Chromebook Plus 516 GE (2024) review: The gaming Chromebook that made me a believer

The Acer Chromebook Plus 516 GE (2024) brings strong performance and great audio, and plenty of AI features thanks to Google Gemini Advanced.

Key Takeaways

• The Acer Chromebook 516 GE (202
• is a powerful Chromebook with AI features, vibrant display, and great audio in an eye-catching design.
• The laptop's sleek design, potent performance, and Gemini Advanced AI make it a strong contender for one of the best Chromebooks of the year.
• Despite some issues with the keyboard and backlighting, the Acer 516 GE offers a high-quality gaming experience and solid overall performance.

The Acer Chromebook Plus 516 GE is the company’s second crack at a gaming Chromebook, a phrase that’s so oxymoronic it makes me chuckle. But just because this is the second 516 GE, the laptop still has a first to its name. Namely, it’s one of the first laptops in Google’s new Chromebook Plus-series notebooks that brings new hardware requirements as well as access to Google Gemini Advanced, the next stage in Google’s AI platform, which comes with a host of helpful utilities to enhance how you work and play. And yeah, I’ll admit it, I had fun gaming on this thing.

But aside from the AI goodness, the Acer 516 GE is a great laptop in its own right. It’s got a slick design, great display and potent audio, and powerful specs. Honestly, I’d like to see a Windows PC version of this laptop. But as it stands, the Chromebook 516 GE (2024) is a strong contender for one of the best Chromebooks of the year despite its somewhat mushy keyboard and weak backlighting.

Either way, the Acer Chromebook Plus 516 GE (2024) is a great ambassador for Google’s Chromebook Plus laptops.

About this review : Acer supplied XDA with a review unit of its Acer Chromebook Plus 516 GE (2024). It had no input on the content of this article.

Acer Chromebook Plus 516 GE (2024)

The king of gaming Chromebooks

The Acer Chromebook Plus 516 GE (2024), one of the first new Chromebook Plus laptops, combines a powerful, mid-tier gaming laptop with a vibrant display and great audio in an eye-catching design accentuated by Gemini Advanced features designed to enhance how you work and play. 

• Sleek, eye-catching design
• Powerful performance
• Compelling AI features
• Great battery life
• Excellent audio
• Mushy keyboard with weak backlighting

Acer Chromebook Plus 516 GE (2024): Price and availability

I reviewed the base model of the Acer Chromebook Plus 516 GE. It costs $650 at Best Buy ($700 Acer.com) and has an Intel Core i5 processor 120U with 8GB of LPDDR4X RAM, a 25GB PCIe Gen 4 SSD, Intel Graphics, and a 16-inch, 2560x1600 display with a 120Hz refresh rate.

And while I’m loath to suggest that anyone pay over $1,000 for a Chromebook, Acer does have another SKU of the 516 GE. For $1,099, at Best Buy Canada and doubles the storage. The 516 GE goes up to Core i7 processor with up to a 2TB SSD, but pricing and availability have yet to be disclosed.

Design and ports

Interesting aesthetic.

It’s not the Fire Engine Red of the Samsung Galaxy Chromebook 2 , but that doesn’t make the Chromebook 516 GE any less visually interesting. The first thing you’ll notice is the notebook’s two-tone, aluminum lid. The majority of the lid is black brushed aluminum, while the top of the lid is black anodized aluminum. The right corner designates the system as one of the new Chromebook Plus laptops with a glossy Acer emblem embedded in the top-left corner.

But hands down, my favorite aspect of the Chromebook 516 GE’s design is the hinges, or more accurately, the color. It shifts from purple to blue depending on how the light hits it. And now I demand a laptop made entirely from this effect (pretty please, Acer). The hinges are pretty and functional, allowing the lid to lay flat in case you want to share your screen.

But hands down, my favorite aspect of the Chromebook 516 GE’s design is the hinges, or more accurately, the color.

The Acer’s interior takes a more subtle aesthetic –– you get a solid black anodized aluminum keyboard deck. But take a closer look, and you’ll see tiny pearlescent flecks throughout the palm rest. The touchpad has a thin silver strip lining with a holographic effect. The keyboard sits in a recess nestled between a pair of large speaker grilles and just below a grayish-white Acer logo with a DTS emblem stamped on.

Lenovo IdeaPad Slim 3 Chromebook review: Surprisingly good and affordable

The laptop’s undercarriage is made of more black aluminum with a pair of vents towards the back, a pair of speaker grills along the sides in the middle, two black rubber feet and 11 black screws.

You get a fair number of ports, including a USB-A 3.2 Gen 2 port, a USB-C 3.2 Gen 2 port, a HDMI 2.1 port, and a Kensington lock slot on the right. On the left, there’s another USB-C 3.2 Gen 2 port, a collapsible RJ-45 port and a headset jack.

The 3.8-pound Chromebook 516 GE has a 14 x 9.8 x 0.84-inch frame that is bigger and thicker than the Lenovo IdeaPad Slim 3 Chromebook (2.9 pounds) and the HP Chromebook Plus x360 (3.3 pounds). But keep in mind, both of these are 14-inch systems compared to the Acer, which is a 16-inch laptop .

Display, webcam, and audio

An excellent audio/visual experience.

There’s nothing worse than a gaming laptop with a bad display and when you’re talking about a sub-$1,000 system, it’s a very real possibility. Thankfully, you’re not making that sacrifice with the Chromebook 516 GE. Unfortunately, I couldn’t measure color gamut with my colorimeter, but I have to say, Ori and the Will of the Wisps and Marvel’s Guardians of the Galaxy looked great. Both titles served up vibrant color with sharp detail, which is really important during the first section of Ori as the initial stages are rather dark with only the light spirit’s luminescence and then a small torch available to light the way. Guardians of the Galaxy was a burst of color from the start with bright pink goo holding together an old space battle.

I was pleasantly surprised by the 516 GE’s integrated 1080p webcam. Capable of capturing video at 60 frames per second, it also takes a great photo. In my test shots, it did an excellent job of capturing the exact color of my orange dress as well as the purple, turquoise and green in my locs. My cheeks and forehead looked like they had the mosaic filter on, but my skin looked great otherwise. And the details were so sharp you can see a white hair among my dark new growth, reminding me that a trip to the salon is imminent.

Let this be a lesson to other laptop OEMs. If your speakers have to be on the bottom, place them in the middle of the undercarriage.

Thick thighs save lives, and typically smother bottom-mounted speakers. But Acer found a cheat code as the Chromebook 516 GE’s speakers suffered no ill effects when I listened to Hiatus Kaiyote’s “Atari” with the laptop in my lap. Instead, I got loud volume with strong highs and good mids. The lows could have been better, but still a great result for bottom-mounted speakers. Let this be a lesson to other laptop OEMs. If your speakers have to be on the bottom, place them in the middle of the undercarriage.

Keyboard and touchpad

Needs some work.

A couple of tweaks here and there, and the 516 GE’s keyboard will be perfect. As it stands, the keys on the Chiclet keyboard are fine, but just a little mushy. Not so much that I couldn’t type the entirety of the review on the keyboard, but just enough to notice that it didn’t have the bounce back that I’ve experienced on other laptops.

For its target audience, Acer put a thick white border around the W,A,S,D keys. Which if you’re in a darkened room, you might need as the keyboard’s RGB backlighting doesn’t really shine that bright. Although I saw the light beneath the key caps, it didn’t illuminate the white lettering on the keys.

The only thing smoother than OceanGlass (recycled plastics found in the ocean) touchpad is its lickety-split response to my movements. Whether I was scrolling through Nvidia’s ever-growing library in GeForce Now or zooming in on an image, the touchpad had no problem keeping pace with my movements.

The power of Gemini Advanced

Since the 516 GE is a Chromebook, it’s a foregone conclusion that it runs on ChromeOS . But Google’s introducing a new wrinkle to the equation with a new category of Chromebooks designated Chromebook Plus. This new line addresses both hardware and software requirements, and it first appeared last year.

I took Gemini Advanced for a spin and while it definitely has room to grow, I’m impressed with what it can do so far.

As far as hardware, a notebook needs to have at least Intel Core i3 or AMD Ryzen 7000 series CPU with 8GB or more of RAM, a minimum 128GB SSD, and at least a 1080p display to be considered Chromebook Plus. The software part of this is all AI as Chromebook Plus notebooks will feature a Google Gemini shortcut in the ChromeOS launcher as well as the Shelf.

For the purposes of this review, Google provided a free trial of Gemini Advanced, a more advanced version running on Gemini Ultra of the company’s basic Gemini AI model. A monthly subscription-based service ($20/month), Gemini Advanced goes beyond the basic chatbot, allowing you to generate HTML code, generate content ideas, analyze trends, and many other tasks. And of course, it works best within the confines of Google.

I took Gemini Advanced for a spin and while it definitely has room to grow, I’m impressed with what it can do so far. As a rabid lover of GIFs and memes, the first thing I did was create my own with the Gif Creator. It’s a fun, goofy thing to do, and I look forward to making a couple more. But I also enjoyed some of the more practical uses. For instance, I used the Optical Character Recognition feature to help me track down a specific receipt in my images. And with Task Integration, I added specific tasks that corresponded to existing events in my Google Calendar.

And on the creative side, I enjoyed creating my own wallpaper, even though Google is keeping a tight rein on the current choices. I managed to create a cute wallpaper of “a painting of a vast ocean in the art nouveau style.” With the advanced Magic Eraser features in Gemini Advanced, removing the photo in the back of my camera test shot was relatively easy, although it left a weird artifact in its wake.

HP Chromebook Plus x360 14-inch review: Another winning ChromeOS 2-in-1 from HP

Performance, introducing chromebook plus.

When people think of Chromebooks, they tend to think of lower-tier systems with specs to match. Google’s turning that notion on its head with the Chromebook Plus designation. Plus, the 516 GE is a gaming laptop, so it has to step it up. To that end, Acer outfitted the Chromebook 516 GE with an Intel Core i5 processor 120U, a mid-tier chip. Using Raptor Lake Refresh U-series architecture, the CPU has 10 cores and 12 threads and is paired with 8GB of LPDDR4X RAM, a 25GB PCIe Gen 4 SSD and Intel Graphics.

This configuration was more than enough to handle my usual workload, which entails a minimum 50 Google Chrome tabs with a mix of G-Suite apps, videos, social media and Adobe Photoshop. Of course, due to application restraints on Chromebooks, some of my more taxing apps had to be traded out for alternatives (i.e. Photoshop for Web instead of full Photoshop).

As far as graphics, the 516 GE scored 2,326 on 3DMark Wild Life Extreme.

The 516 GE also did well on synthetic benchmarks. The laptop gave strong results on Geekbench 6 with 1,959 on the single-thread test and 7,217 on the multi-thread benchmark. On Speedometer 2.0, which tests web browser speed, the 516 GE reached 239, which is a great score. The laptop also performed well on both the Kraken Javascript and Octane 2.0 benchmarks, scoring 408.8 milliseconds and 95,895, respectively.

As far as graphics, the 516 GE scored 2,326 on 3DMark Wild Life Extreme. I wish there was a ChromeOS version of 3DMark Fire Strike as the integrated Intel Graphics could definitely handle it. Either way, that’s more than enough to play any games in the Google Play Store. Of course, games like Guardians of the Galaxy ran very smoothly, but that's because they run in the cloud.

Acer estimates the Chromebook 516 GE can last 10 hours on a charge. That, of course, depends on what you’re doing. The laptop lasted 9 hours and 41 minutes, which represented more than six hours of writing the review, taking video calls, perusing social media, and answering emails. The rest of the time was spent streaming music, watching episodes of Hazbin Hotel and playing Ori and the Will of the Wisps .

Should you buy the Acer Chromebook 516 GE?

You should buy the Acer Chromebook 516 GE if:

• You want a powerful Chromebook that can play games
• You want a laptop with good battery life
• You want a laptop with Google’s Advanced AI features
• You want a laptop with a great display and audio
• You want a laptop with a firmer, brighter keyboard

I came into this laptop as a full hater. I typically run away screaming at the mention of a Chromebook and outright derisive laughter at any mention of a gaming Chromebook. But I’m not afraid to admit when I’m wrong, and I was definitely wrong with my preconceived notions. The Acer Chromebook 516 GE served me a heaping helping of humble pie thanks to its slick design, vivid display, loud, warm audio, and impressive performance. Again, I’d love to see this SKU brought over to the Windows PC side.

And speaking of ChromeOS, I definitely like it a lot more with Gemini Advanced enhancing the experience. Paired with my Google account, the AI gave me a glimpse into how the future of AI can look, and I can confidently say that it’s more Wall-E than Skynet (for now). I’m looking forward to spending the next few weeks doing a deep dive into Google Gemini and just what it can do for me going forward. Plus, I’m never going to say no to a gaming laptop that can deliver high frame rates.

My only complaint lies with the keyboard, as it could have better feedback and brighter backlighting. But overall, the 2nd-gen Acer Chromebook 516 SE is an absolute revelation. It’s a powerful laptop in its own right, with or without AI. But with the technology, the Acer Chromebook 516 GE (2024) is a great example of what we can expect from AI in the future and has my vote for one of the best laptops of 2024.

Chemical Society Reviews

Isers: from nanotag design to protein assays and ex vivo imaging.

* Corresponding authors

a Department of Chemistry and Center of Nanointegration Duisburg-Essen (CENIDE) & Center of Medical Biotechnology (ZMB), University of Duisburg-Essen, Essen, Germany E-mail: [email protected]

b School of Medicine, Nankai University, Tianjin, China

c School of Natural Sciences, Faculty of Science and Engineering, Macquarie University, Sydney, NSW 2109, Australia E-mail: [email protected]

Proteins are an eminently important class of ubiquitous biomacromolecules with diverse biological functions, and numerous techniques for their detection, quantification, and localisation have been developed. Many of these methods exploit the selectivity arising from molecular recognition of proteins/antigens by immunoglobulins. The combination of surface-enhanced Raman scattering (SERS) with such “immuno”-techniques to immuno-SERS (iSERS) is the central topic of this review, which is focused on colloidal SERS nanotags, i.e. , molecularly functionalised noble metal nanoparticles conjugated to antibodies, for their use in protein assays and ex vivo imaging. After contrasting the fundamental differences between label-free SERS and iSERS, including a balanced description of the advantages and drawbacks of the latter, we describe the usual workflow of iSERS experiments. Milestones in the development of the iSERS technology are summarised from a historical perspective. By highlighting selected examples from the literature, we illustrate the conceptual progress that has been achieved in the fields of iSERS-based protein assays and ex vivo imaging. Finally, we attempt to predict what is necessary to fully exploit the transformative potential of the iSERS technology by stimulating the transition from research in academic labs into applications for the benefit of our society.

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