harvard university college essay

10 Successful Harvard Application Essays | 2021

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Successful Harvard Essay

I had never seen houses floating down a river. Minutes before there had not even been a river. An immense wall of water was destroying everything in its wake, picking up fishing boats to smash them against buildings. It was the morning of March 11, 2011. Seeing the images of destruction wrought by the earthquake and tsunami in Japan, I felt as if something within myself was also being shaken, for I had just spent two of the happiest summers of my life there.

In the summer of my freshman year, I received the Kikkoman National Scholarship, which allowed me to travel to Japan to stay with a host family in Tokyo for ten weeks. I arrived just as the swine flu panic gripped the world, so I was not allowed to attend high school with my host brother, Yamato. Instead, I took Japanese language, judo, and karate classes and explored the confusing sprawl of the largest city in the world. I spent time with the old men of my neighborhood in the onsen, or hot spring, questioning them about the Japan of their youth. They laughed and told me that if I wanted to see for myself, I should work on a farm.

The next summer I returned to Japan, deciding to heed the old men’s advice and volunteer on a farm in Japan’s northernmost island, Hokkaido. I spent two weeks working more than fourteen hours a day. I held thirty-pound bags of garlic with one hand while trying to tie them to a rope hanging from the ceiling with the other, but couldn’t hold the bags in the air long enough. Other days were spent pulling up endless rows of daikon, or Japanese radish, which left rashes on my arms that itched for weeks. Completely exhausted, I stumbled back to the farmhouse, only to be greeted by the family’s young children who were eager to play. I passed out every night in a room too small for me to straighten my legs. One day, I overslept a lunch break by two hours. I awoke mortified, and hurried to the father. After I apologized in the most polite form of Japanese, his face broke into a broad grin. He patted me on the back and said, “You are a good worker, Anthony. There is no need to apologize.” This single exchange revealed the true spirit of the Japanese farmer. The family had lived for years in conditions that thoroughly wore me out in only a few days. I had missed two hours of work, yet they were still perpetually thankful to me. In their life of unbelievable hardship, they still found room for compassion.

In their life of unbelievable hardship, they still found room for compassion.

When I had first gone to Tokyo, I had sought the soul of the nation among its skyscrapers and urban hot springs. The next summer I spurned the beaten track in an attempt to discover the true spirit of Japan. While lugging enormously heavy bags of garlic and picking daikon, I found that spirit. The farmers worked harder than anyone I have ever met, but they still made room in their hearts for me. So when the tsunami threatened the people to whom I owed so much, I had to act. Remembering the lesson of compassion I learned from the farm family, I started a fund-raiser in my community called “One Thousand Cranes for Japan.” Little more than two weeks later, we had raised over $8,000 and a flock of one thousand cranes was on its way to Japan.

Professional Review by AcceptU

This essay is very clean and straightforward. Anthony wisely uses imagery from a well-known historic event, the 2011 tsunami, to set the scene for his story. He visited Japan for two summers and provides depth about what he learned: In his first summer, he explored Tokyo and studied the language and culture; in his second summer, he lived in rural Japan and worked long hours on a farm.

We like to see how applicants learn, grow or change from the beginning to the end - and Anthony rightfully spends more time describing the hard work and lifestyle of farming and what he learned from this experience.

The beauty of the essay actually lies in its simplicity. Admittedly, it is not a groundbreaking or original essay in the way he tells his story; instead, Anthony comes across as someone who is very interesting, hardworking, intellectually curious, dedicated, humble and likable - all traits that admissions officers are seeking in applicants.

We like to see how applicants learn, grow or change from the beginning to the end - and Anthony rightfully spends more time describing the hard work and lifestyle of farming and what he learned from this experience. Anthony concludes with a reference to his opening paragraph about the tsunami, and impresses the reader with his fundraising to help victims.

It is not necessarily missing, but perhaps a sentence or two could have been added to explain why Anthony was in Japan in the first place. What was his connection to the country, language or culture? Does it tie into an academic interest? If so, that would make his already strong essay even stronger in the eyes of admissions officers.

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I entered the surprisingly cool car. Since when is Beijing Line 13 air-conditioned? I’ll take it. At four o’clock in the afternoon only about twenty people were in the subway car. “At least it’s not crowded,” one might have thought. Wrong. The pressure of their eyes on me filled the car and smothered me. “看看！她是外国人！”(Look, look! She’s a foreigner!) An old man very loudly whispered to a child curled up in his lap. “Foreigner,” he called me. I hate that word, “foreigner.” It only explains my exterior. If only they could look inside.…

I want to keep reading because there is something she is saying about her identity--be it performative or actual--that I am curious about.

They would know that I actually speak Chinese—not just speak, but love. They would know that this love was born from my first love of Latin—the language that fostered my admiration of all languages. Latin lives in the words we speak around the world today. And translating this ancient language is like watching a play and performing in it at the same time. Each word is an adventure, and on the journey through Virgil’s Aeneid I found that I am more like Aeneas than any living, dead, or fictional hero I know. We share the intrinsic value of loyalty to friends, family, and society. We stand true to our own word, and we uphold others to theirs. Like Aeneas’s trek to find a new settlement for his collapsed Troy, with similar perseverance I, too, wander the seas for my own place in the world. Language has helped me do that.

If these subway passengers understood me, they would know that the very reason I sat beside them was because of Latin. Even before Aeneas and his tale, I met Caecilius and Grumio, characters in my first Latin textbook. In translations I learned grammar alongside Rome’s rich history. I realized how learning another language could expose me to other worlds and other people—something that has always excited me. I also realized that if I wanted to know more about the world and the people in it, I would have to learn a spoken language. Spanish, despite the seven years of study prior to Latin, did not stick with me. And the throatiness of French was not appealing. But Chinese, more than these other traditional languages, intrigued me. The doors to new worlds it could open seemed endless. Thus I chose Chinese.

If these subway passengers looked inside me, they would find that my knowledge of both Latin and Chinese makes me feel whole. It feels like the world of the past is flowing through me alongside the world of the future. Thanks to Latin, Chinese sticks in my mind like the Velcro on the little boy’s shoes in front of me. If this little boy and his family and friends could look inside, they would understand that Latin laid the foundation for my lifelong commitment to languages. Without words, thoughts and actions would be lost in the space between our ears. To them, I am a foreigner, “外国人” literally translated as “out-of-country person.” I feel, however, more like an advena, the Latin word for “foreigner,” translated as “(one who) comes to (this place).” I came to this place, and I came to this country to stay. Unfortunately, they will not know this until I speak. Then once I speak, the doors will open.

Professional Review by Bridge to College

Your college essay should serve two purposes: allow the reader to gain insights about you that they are not able to do in other parts of your application and provide an example of your writing abilities. To the former, you are hoping to demonstrate five soft skills that most colleges are at least implicitly interested in gleaning, those that indicate your capacity to be a good student at their institution.

Alex arrives at both goals in an interesting way. Without seeing the rest of her application, I can only assume that she is possibly interested in pursuing a major in a language (if she is pursuing a major in an applied math, this essay would be extremely interesting) and she has likely participated in some kind of team sport to demonstrate the soft skill of teamwork. To be honest, as someone who speaks five languages myself and studied Latin in undergrad, I don’t necessarily agree with her assessment of the languages. BUT I’m interested. I want to keep reading. She isn’t supposed to get everything right in this essay; she’s supposed to demonstrate a capacity for learning. And she does that.

I want to keep reading because there is something she is saying about her identity--be it performative or actual--that I am curious about. With our work in college access and admissions, we’ve only worked in underserved communities, be they students of color or girls interested in STEM or first-generation college students or more. People make an assumption that we are exploiting these identities into sob stories that admissions readers will immediately hang on to. We’re not doing that. We are encouraging students to write about something similar to what Alex did—describe how your identity has created a learning opportunity or a moment of resilience or determination. Alex seems like someone who is well resourced: her access to certain text; language curricula and the amount of time she spent studying those languages; even her sentence structure, gives that away. But her openness to adapt with humility is a critical skill that is so necessary to be a great student, and unfortunately a skill that many students miss.

For the second goal, she does a tremendous job of demonstrating her writing abilities. Her sentence structures are varied and there aren’t egregious mistakes in grammar and spelling. The last two sentences of the second paragraph sold me on her skill-level and personhood. I also really appreciated that she wasn’t shying away from what she has been able to access as far as her schooling. Alex is smart, witty, and well-traveled, and you’re going to know it. I love that.

The essay works as an introduction to who she is and her soft skills, as well as a demonstration of her writing abilities.

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When I was a child, I begged my parents for my very own Brother PT-1400 P-Touch Handheld Label Maker to fulfill all of my labeling needs. Other kids had Nintendos and would spend their free time with Mario and Luigi. While they pummeled their video game controllers furiously, the pads of their thumbs dancing across their joysticks, I would type out labels on my industrial-standard P-Touch with just as much zeal. I labeled everything imaginable, dividing hundreds of pens into Ziploc bags by color, then rubber-banding them by point size. The finishing touch, of course, was always a glossy, three-eighths-inch-wide tag, freshly churned out from my handheld labeler and decisively pasted upon the numerous plastic bags I had successfully compiled.

Labeling became therapeutic for me; organizing my surroundings into specific groups to be labeled provides me with a sense of stability. I may not physically need the shiny color-coded label verifying the contents of a plastic bag as BLUE HIGHLIGHTERS—FAT, to identify them as such, but seeing these classifications so plainly allows me to appreciate the reliability of my categorizations. There are no exceptions when I label the top ledge of my bookshelf as containing works from ACHEBE, CHINUA TO CONRAD, JOSEPH. Each book is either filtered into that category or placed definitively into another one. Yet, such consistency only exists in these inanimate objects.

Thus, the break in my role as a labeler comes when I interact with people. Their lives are too complicated, their personalities too intricate for me to resolutely summarize in a few words or even with the 26.2 feet of laminated adhesive tape compatible with my label maker. I have learned that a thin line exists between labeling and just being judgmental when evaluating individuals. I can hardly superficially characterize others as simply as I do my material possessions because people refuse to be so cleanly separated and compartmentalized. My sister Joyce jokes freely and talks with me for hours about everything from the disturbing popularity of vampires in pop culture to cubic watermelons, yet those who don’t know her well usually think of her as timid and introverted. My mother is sometimes my biggest supporter, spouting words of encouragement and, at other instances, my most unrelenting critic. The overlap becomes too indistinct, the contradictions too apparent, even as I attempt to classify those people in the world whom I know best.

For all my love of order when it comes to my room, I don't want myself, or the people with whom I interact, to fit squarely into any one category.

Neither would I want others to be predictable enough for me to label. The real joy in human interaction lies in the excitement of the unknown. Overturning expectations can be necessary to preserving the vitality of relationships. If I were never surprised by the behaviors of those around me, my biggest source of entertainment would vanish. For all my love of order when it comes to my room, I don’t want myself, or the people with whom I interact, to fit squarely into any one category. I meticulously follow directions to the millimeter in the chemistry lab but measure ingredients by pinches and dashes in the comfort of my kitchen. I’m a self-proclaimed grammar Nazi, but I’ll admit e. e. cummings’s irreverence does appeal. I’ll chart my television show schedule on Excel, but I would never dream of confronting my chores with as much organization. I even call myself a labeler, but not when it comes to people. As Walt Whitman might put it, “Do I contradict myself? / Very well, then I contradict myself, / (I am large, I contain multitudes.).”

I therefore refrain from the temptation to label—despite it being an act that makes me feel so fulfilled when applied to physical objects—when real people are the subjects. The consequences of premature labeling are too great, the risk of inaccuracy too high because, most of the time, not even the hundreds of alphanumeric digits and symbols available for entry on my P-Touch can effectively describe who an individual really is.

Professional Review by Elite Prep

Amusing yet insightful, perhaps the most outstanding quality of Justine’s personal statement lies in the balance she strikes between anecdotal flourish and honest introspection. By integrating occasional humour and witty commentary into an otherwise lyrical and earnest self-reflection, Justine masterfully conveys an unfettered, sincere wisdom and maturity coveted by prestigious universities.

Justine breaks the ice by recalling a moment in her childhood that captures her fervent passion for labelling. When applying to selective academic institutions, idiosyncrasies and peculiar personal habits, however trivial, are always appreciated as indicators of individuality. Justine veers safely away from the temptation of “playing it safe” by exploring her dedication towards organizing all her possessions, a dedication that has followed her into adolescence.

She also writes from a place of raw honesty and emotion by offering the rationale behind her bizarre passion. Justine's reliance on labelling is underpinned by her yearning for a sense of stability and order in a messy world—an unaffected yearning that readers, to varying degrees, can sympathize with.

She also writes from a place of raw honesty and emotion by offering the rationale behind her bizarre passion. Justine’s reliance on labelling is underpinned by her yearning for a sense of stability and order in a messy world—an unaffected yearning that readers, to varying degrees, can sympathize with. She recognizes, however, it would be imprudent to navigate all facets of life with an unfaltering drive to compartmentalize everything and everyone she encounters.

In doing so, Justine seamlessly transitions to the latter, more pensive half of her personal statement. She extracts several insights by analyzing how, in staunch contrast with her neatly-organized pencil cases, the world is confusing, and rife with contradictions. Within each individual lies yet another world of complexity—as Justine reflects, people can’t be boiled down into “a few words,” and it’s impossible to capture their character, “even with the 26.2 feet of laminated adhesive tape compatible with [her] label maker.”

In concluding, Justine returns back to the premise that started it all, reminding the reader of her take on why compartmentalizing the world would be an ultimately unproductive effort. The most magical part of Justine’s personal statement? It reads easily, flows with imagery, and employs a simple concept—her labelling practices—to introduce a larger, thoughtful conversation.

The best compliment I ever received was from my little brother: “My science teacher’s unbelievably good at telling stories,” he announced. “Nearly as good as you.” I thought about that, how I savor a good story the way some people savor last-minute touchdowns.

I learned in biology that I’m composed of 7 × 10 27 atoms, but that number didn’t mean anything to me until I read Bill Bryson’s A Short History of Nearly Everything. One sentence stayed with me for weeks: “Every atom you possess has almost certainly passed through several stars and been part of millions of organisms on its way to becoming you.” It estimates that each human has about 2 billion atoms of Shakespeare hanging around inside—quite a comfort, as I try to write this essay. I thought about every one of my atoms, wondering where they had been and what miracles they had witnessed.

My physical body is a string of atoms, but what of my inner self, my soul, my essence? I've come to the realization that my life has been a string as well, a string of stories.

My physical body is a string of atoms, but what of my inner self, my soul, my essence? I’ve come to the realization that my life has been a string as well, a string of stories. Every one of us is made of star stuff, forged through fires, and emerging as nicked as the surface of the moon. It frustrated me no end that I couldn’t sit down with all the people I met, interrogating them about their lives, identifying every last story that made them who they are.

I remember how magical it was the first time I read a fiction book: Harry Potter and the Sorcerer’s Stone. I was duly impressed with Quidditch and the Invisibility Cloak, of course, but I was absolutely spellbound by how much I could learn about Harry. The kippers he had for breakfast, the supplies he bought for Potions—the details everyone skimmed over were remarkable to me. Fiction was a revelation. Here, at last, was a window into another person’s string of stories!

Over the years, I’ve thought long and hard about that immortal question: What superpower would you choose? I considered the usual suspects—invisibility, superhuman strength, flying—but threw them out immediately. My superhero alter ego would be Story Girl. She wouldn’t run marathons, but she could walk for miles and miles in other people’s shoes. She’d know that all it takes for empathy and understanding is the right story.

Imagine my astonishment when I discovered Radiolab on NPR. Here was my imaginary superpower, embodied in real life! I had been struggling with AP Biology, seeing it as a class full of complicated processes and alien vocabulary. That changed radically when I listened, enthralled, as Radiolab traced the effects of dopamine on love and gambling. This was science, sure, but it was science as I’d never heard it before. It contained conflict and emotion and a narrative; it made me anxious to learn more. It wasn’t that I was obtuse for biology; I just hadn’t found the stories in it before.

I’m convinced that you can learn anything in the form of a story. The layperson often writes off concepts—entropy, the Maginot Line, anapestic meter—as too foreign to comprehend. But with the right framing, the world suddenly becomes an open book, enticing and ripe for exploration. I want to become a writer to find those stories, much like Jad Abumrad and Robert Krulwich from Radiolab, making intimidating subjects become familiar and inviting for everyone. I want to become Story Girl.

By combining her previous interest with her newfound love for biology, Carrie is able to highlight how her past experiences have assisted her in overcoming novel challenges. This portrays her as a resilient and resourceful problem-solver: traits that colleges value heavily in their students.

Carrie begins her essay with a fondly-remembered compliment from her brother, introducing her most passionate endeavor: storytelling. By recalling anecdotes related to her love of stories, she establishes herself as a deeply inquisitive and creative person; someone whose greatest virtue is their unfettered thirst for knowledge. Curiosity is greatly prized by colleges, and Carrie’s inclusion of this particular value encourages admissions officers to keep reading.

Going on to explore the intersections between stories and science, Carrie reveals her past difficulties with AP biology; that is, until she learnt about the amazing stories hidden within the subject. By combining her previous interest with her newfound love for biology, Carrie is able to highlight how her past experiences have assisted her in overcoming novel challenges. This portrays her as a resilient and resourceful problem-solver: traits that colleges value heavily in their students.

Carrie ends her essay with her belief that through stories, everything is possible. She expounds on her future ambitions in regards to storytelling, as well as her desire to make learning both fun and accessible to everyone via the power of stories. By comparing her goals to that of a superhero, Carrie is able to emphasise her enthusiasm for contributing to social change. Most importantly, Carrie’s ambitions show how she can contribute to the Harvard community positively, making her a strong applicant.

As an admission essay specialist , Dan Lichterman has been empowering students to find their voice since 2004. He helps students stand out on paper, eliminating the unnecessary so the necessary may speak. Drawing upon his storytelling background, Dan guides applicants to craft authentic essays that leap off the page. He is available for online writing support within the US and internationally. To learn more and schedule a brief complimentary consultation visit danlichterman.com.

I have a fetish for writing.

I’m not talking about crafting prose or verses, or even sentences out of words. But simply constructing letters and characters from strokes of ink gives me immense satisfaction. It’s not quite calligraphy, as I don’t use calligraphic pens or Chinese writing brushes; I prefer it simple, spontaneous, and subconscious. I often find myself crafting characters in the margins of notebooks with a fifty-cent pencil, or tracing letters out of thin air with anything from chopsticks to fingertips.

"One's handwriting," said the ancient Chinese, "is a painting of one's mind." After all, when I practice my handwriting, I am crafting characters. My character.

The art of handwriting is a relic in the information era. Why write when one can type? Perhaps the Chinese had an answer before the advent of keyboards. “One’s handwriting,” said the ancient Chinese, “is a painting of one’s mind.” After all, when I practice my handwriting, I am crafting characters.

My character.

I particularly enjoy meticulously designing a character, stroke by stroke, and eventually building up, letter by letter, to a quote person­alized in my own voice. Every movement of the pen and every drop­let of ink all lead to something profound, as if the arches of every "m" are doorways to revelations. After all, characters are the build­ing blocks of language, and language is the only vehicle through which knowledge unfolds. Thus, in a way, these letters under my pen are themselves representations of knowledge, and the delicate beauty of every letter proves, visually, the intrinsic beauty of know­ing. I suppose handwriting reminds me of my conviction in this vi­sual manner: through learning answers are found, lives enriched, and societies bettered.

Moreover, perhaps this strange passion in polishing every single character of a word delineates my dedication to learning, testifies my zeal for my conviction, and sketches a crucial stroke of my character.

"We--must--know ... " the mathematician David Hilbert's voice echoes in resolute cursive at the tip of my pen, as he, addressing German scientists in 1930, propounds the goal of modern intellectu­als. My pen firmly nods in agreement with Hilbert, while my mind again fumbles for the path to knowledge.

The versatility of handwriting enthralls me. The Chinese devel­oped many styles -- called hands -- of writing. Fittingly, each hand seems to parallel one of my many academic interests. Characters of the Regular Hand (kai shu), a legible script, serve me well during many long hours when I scratch my head and try to prove a mathematical statement rigorously, as the legibility illuminates my logic on paper. Words of the Running Hand (xing shu), a semi-cursive script, are like the passionate words that I speak before a committee of Model United Nations delegates, propounding a decisive course of action: the words, both spoken and written, are swift and coherent but resolute and emphatic. And strokes of the Cursive Hand (cao shu) resemble those sudden artistic sparks when I deliver a line on stage: free spontaneous, but emphatic syllables travel through the lights like rivers of ink flowing on the page.

Yet the fact that the three distinctive hands cooperate so seamlessly, fusing together the glorious culture of writing, is perhaps a fable of learning, a testament that the many talents of the Renaissance Man could all be worthwhile for enriching human society. Such is my methodology: just like I organize my different hands into a neat personal style with my fetish for writing, I can unify my broad interests with my passion for learning.

“...We -- will -- know!” Hilbert finishes his adage, as I frantically slice an exclamation mark as the final stroke of this painting of my mind.

I must know: for knowing, like well-crafted letters, has an inherent beauty and an intrinsic value. I will know: for my versatile interests in academics will flow like my versatile styles of writing.

I must know and I will know: for my fetish for writing is a fetish for learning.

Professional Review by Dan Lichterman

We learn that he expresses his innermost self through an art that has become a relic within the information age. As we peer into his mind, we learn something essential about Jiafeng's character–that he is irrepressibly drawn to the intricate beauty of pure learning.

Jiafeng’s essay succeeds by using the metaphor of handwriting, and it’s immense physical satisfaction, to showcase the unbounded pleasure of pursuing knowledge. We can visualize spontaneously crafted letters filling his notebooks. We see him trace Chinese characters into air by chopstick and fingertip. We learn that he expresses his innermost self through an art that has become a relic within the information age. As we peer into his mind, we learn something essential about Jiafeng’s character–that he is irrepressibly drawn to the intricate beauty of pure learning.

Jiafeng goes on to reveal that his intellectual pursuit has been shaped by not one but three Chinese styles of handwriting, each reflecting a distinct element of his intellectual growth. We see Jiafeng’s logic when engaged in mathematical proof, rhetorical flair when speaking before Model United Nations, and improvisational spark when delivering lines on stage. He presents these polymath pursuits as united by writing, indicating to readers that his broad interests are all an expression of the same principle of discovery. By the time readers finish Jiafeng’s essay they have no doubts regarding the pleasure he derives from learning–they have experienced him enacting this celebration of thought throughout every line of this well-crafted personal statement.

Crimson Education is the world’s most successful US/UK university admissions consultancy. A member of the NACAC and the IACAC, the company counts US News & World Report and Times Higher Education as its partners. Crimson's students work with expert tutors and mentors to gain admission to the Ivy League, Stanford, MIT, Caltech, Duke — as well as Oxford, Cambridge and other world leading institutions in the UK — at 4x the general applicant rate. Crimson’s unique model of support sees students work one-on-one with Ivy League and other top school graduates on every aspect of their application, from their academics to their extracurriculars, personal statements and supplemental essays. The company is led by co-founder and CEO Jamie Beaton, who at only 26, has completed an undergraduate dual degree at Harvard, an MBA at Stanford, is an Oxford Rhodes Scholar. In February 2022, Jamie will release his first book: “ACCEPTED! Secrets to Gaining Admission To The World's Top Universities.

“Ella, what did you think of Douglass’s view on Christianity?” I gulped. Increasingly powerful palpitations throbbed in my heart as my eyes darted around the classroom – searching for a profound response to Dr. Franklin’s question. I took a deep breath while reaching the most genuine answer I could conjure.

“Professor, I don’t know.”

Dr. Franklin stared at me blankly as he attempted to interpret the thoughts I didn’t voice. My lack of familiarity with the assigned text wasn’t a consideration that crossed his mind because he was familiar with my past contributions to class discussions. I was a fervent critic of the corrupted culture behind Christianity of the Puritans in Hawthorne’s “Young Goodman Brown” and modern evangelicals involved in the puzzling divinity of Donald Trump. He arched his flummoxed brows as he began to open his mouth.

“Professor, what I mean is that I’m not sure whether or not I even have a say on Douglass’s statements on Christianity in his Narrative of the Life.”

In class, I often separated the culture of Christianity from the religion. To tie these immensely disparate concepts as one and coin it as Christianity would present fallacies that contradict with the Christianity I knew. Lack of tolerance and hostility were products of humans’ sinful nature – not the teachings of Christ. People were just using Christianity as an excuse to exalt themselves rather than the holy name of Jesus. These were the “facts.”

My greatest realization came when Douglass declared Christian slave-holders as the worst slave-holders he ever met because of their deceptive feign of piety and use of Christianity to justify the oppression of their slaves. I realized that I couldn’t bring myself to raise the same argument that I used to convince myself that my Christianity of love was the only true Christianity. To Douglass, Christianity was the opposite. I didn’t want to dismiss his story. People use this sacred religion to spread hatred, and to many, this is the only Christianity they know. Their experiences aren’t any bit falser than mine.

Christianity isn’t the only culture that harbors truth that transcends the “facts.” America’s less of a perfect amalgamation of different ethnic cultures and more of a society severed by tribal conflicts rooted in the long established political culture of the nation. Issues such as racism, white privilege, and gender disparity are highly salient topics of current political discussion. However, during a time when people can use online platforms with algorithms that provide content they want to see, we fail to acknowledge the truth in other people’s experiences and express empathy.

My protective nature drives my desire to connect with different people and build understanding. To do so, however, I step outside my Korean American Southern Baptist paradigm because my experiences do not constitute everyone else's.

As a Korean-American in the South, I am no stranger to intolerance. I remember the countless instances of people mocking my parents for their English pronunciation and my brother’s stutter. Because their words were less eloquent, people deemed their thoughts as less valuable as well. I protect my family and translate their words whenever they have a doctor’s appointment or need more ketchup at McDonald’s. My protective nature drives my desire to connect with different people and build understanding. To do so, however, I step outside my Korean American Southern Baptist paradigm because my experiences do not constitute everyone else’s.

Excluded from the Manichaean narrative of this country, I observe the turmoil in our nation through a separate lens - a blessing and a curse. Not only do I find myself awkwardly fixed in a black vs. white America, but I also fail to define my identity sandwiched between Korean and American. In the end, I find myself stuck amongst the conventional labels and binaries that divide America.

“You seem to work harder than most to understand other people’s points of view,” Dr. Franklin said after I shared these thoughts to the class.

“I find this easier because I spent my childhood assuming that my culture was always the exception,” I replied. As an anomaly, accepting different truths is second nature.

Professional Review by Crimson Education

At a time in which the Black Lives Matters movement was sweeping America and racial tension was at a high, Ella was able to offer a powerful and brave perspective: how she feels to be neither Black nor White. The true strength of this essay is its willingness to go where people rarely go in college essays: to race, to politics and to religion.

This is a trait that exists in a powerful independent thinker who could push all kinds of debates forwards - academic ones or otherwise.

Her dedication to her religion is evident - but so is her willingness to question the manipulation of the word ‘Christianty’ for less than genuine purposes. It requires intellectual bravery to ask the hard questions of your own religion as opposed to succumbing to cognitive dissonance. This is a trait that exists in a powerful independent thinker who could push all kinds of debates forwards - academic ones or otherwise.

Her word choice continues to emphasize bravery and strength. “I protect my family” inserts Ella as the shield between her family and the daily racism they experience in the south because of their accents and heritage. Her humorous quirks show the insidious racism. She even needs to shield her family from the humble request for some more Ketchup at McDonalds! Imagine if one is nervous to ask for some more Ketchup and even such a mundane activity becomes difficult through the friction of racial tension and misunderstanding. This is a powerful way to deliver a sobering commentary on the real state of society through Ellen’s lived experiences.

She demonstrates her intellectual prowess in her discussion of somewhat high-brow topics but also grounds herself in the descriptions of her daily acts of kindness.

She connects major societal debates (Trumpism for example) with daily experiences (her translations at the doctor’s office) with a gentle but powerful cadence. She demonstrates her intellectual prowess in her discussion of somewhat high-brow topics but also grounds herself in the descriptions of her daily acts of kindness.

Creatively Ella weaves numerous literary devices in and out of her story without them being overbearing. These include alliteration and the juxtaposition of longer sentences with shorter ones to make a point.

Her final dialogue is subtle but booming. “....my culture was the exception”. The reader is left genuinely sympathetic for her plight, challenges and bravery as she goes about her daily life.

Ella is a bold independent thinker with a clear social conscience and an ability to wade in the ambiguity and challenge of an imperfect world.

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"Paint this vase before you leave today," my teacher directed as she placed foreign brushes and paints in my hands. I looked at her blankly. Where were the charts of colors and books of techniques? Why was her smile so decidedly encouraging? The sudden expectations made no sense.

She smiled. "Don't worry, just paint."

In a daze, I assembled my supplies the way the older students did. I was scared. I knew everything but nothing. And even in those first blissful moments of experimentation, it hurt to realize that my painting was all wrong. The gleam of light. The distorted reflection. A thousand details taunted me with their refusal to melt into the glass. The vase was lifeless at best.

As the draining hours of work wore on, I began wearing reckless holes in my mixing plate. It was my fourth hour here. Why had I not received even a single piece of guidance?

At the peak of my frustration, she finally reentered the studio, yawning with excruciating casualness. I felt myself snap.

"I barely know how to hold a brush," I muttered almost aggressively, "how could I possibly have the technique to paint this?"

She looked at me with a shocked innocence that only heightened the feeling of abandonment. "What do you mean you don't have the technique?"

It was as though she failed to realize I was a complete beginner.

And then suddenly she broke into a pitch of urgent obviousness: "What are you doing! Don't you see those details?? There's orange from the wall and light brown from the floor. There's even dark green from that paint box over there. You have to look at the whole picture," she stole a glance at my face of bewilderment, and, sighing, grabbed my paint,stained hand. "Listen, it's not in here," she implored, shaking my captive limb. "It's here." The intensity with which she looked into my eyes was overwhelming.

I returned the gaze emptily. Never had I been so confused…

But over the years I did begin to see. The shades of red and blue in gray concrete, the tints of Phthalo in summer skies, and winter’s Currelean. It was beautiful and illogical. Black was darker with green and red, and white was never white.

I began to study animals. The proportions and fan brush techniques were certainly difficult, but they were the simple part. It was the strategic tints of light and bold color that created life. I would spend hours discovering the exact blue that would make a fish seem on the verge of tears and hours more shaping a deer’s ears to speak of serenity instead of danger.

As I run faster into the heart of art and my love for politics and law, I will learn to see the faces behind each page of cold policy text, the amazing innovation sketched in the tattered Constitution, and the progressiveness living in oak-paneled courts.

In return for probing into previously ignored details, my canvas and paints opened the world. I began to appreciate the pink kiss of ever-evolving sunsets and the even suppression of melancholy. When my father came home from a business trip, it was no longer a matter of simple happiness, but of fatigue and gladness' underlying shades. The personalities who had once seemed so annoyingly arrogant now turned soft with their complexities of doubt and inspiration. Each mundane scene is as deep and varied as the paint needed to capture it.

One day, I will learn to paint people. As I run faster into the heart of art and my love for politics and law, I will learn to see the faces behind each page of cold policy text, the amazing innovation sketched in the tattered Constitution, and the progressiveness living in oak-paneled courts.

It won’t be too far. I know that in a few years I will see a thousand more colors than I do today. Yet the most beautiful part about art is that there is no end. No matter how deep I penetrate its shimmering realms, the enigmatic caverns of wonder will stay.

Professional Review by College Confidential

My favorite college essays begin with one moment in time and end by tying that moment into a larger truth about the world. In this essay, Elizabeth uses this structure masterfully.

This essay is a great example of a create essay. It's real strength, however, lies in showing how the writer pursues her goal despite frustration and grapples with universal questions.

The essay opens with dialogue, placing the reader right in the middle of the action. She shares only the details that make the scene vivid, like the holes in her mixing plate and her teacher’s yawn. She skips backstory and explanations that can bore readers and bog down a short essay. The reader is left feeling as though we are sitting beside her, staring at an empty vase and a set of paints, with no idea how to begin.

The SPARC method of essay writing says that the best college essays show how a student can do one (or more) of these five things: Seize an opportunity, Pursue goals despite obstacles, Ask important questions, take smart Risks, or Create with limited resources. This essay is a great example of a “create” essay. It’s real strength, however, lies in showing how the writer pursues her goal despite frustration and grapples with universal questions.

As the essay transitions from the personal to the universal, her experience painting the vase becomes a metaphor for how she sees the world. Not only has painting helped her appreciate the subtle shades of color in the sunset, it has opened her up to understand that nothing in life is black and white. This parallel works especially well as a way to draw the connection between Elizabeth’s interest in political science and art.

Written by Joy Bullen, Senior Editor at College Confidential

At KEY we take a long-term, strategic approach centered on each individual student’s best interests. Working with our college-bound students beginning in Grade 8, we guide them in establishing a strong foundation of academics to build their unique profiles of co-curricular and extracurricular activities, academic direction, and professional skills. We aspire to give each of our students the best opportunity to thrive within their current education environment and beyond. For a free consultation about our services and more, please visit our website .

When I failed math in my sophomore year of high school, a bitter dispute engulfed my household -- “Nicolas Yan vs. Mathematics.” I was the plaintiff, appearing pro se, while my father represented the defendant (inanimate as it was). My brother and sister constituted a rather understaffed jury, and my mother presided over the case as judge.

In a frightening departure from racial stereotype, I charged Mathematics with the capital offences of being “too difficult” and “irrelevant to my aspirations," citing my recent shortcomings in the subject as evi. dence. My father entered a not guilty plea on the defendant's behalf, for he had always harbored hopes that I would follow in his entrepreneurial footsteps -- and who ever heard of a businessman who wasn't an accomplished mathematician? He argued that because I had fallen sick before my examination and had been unable to sit one of the papers, it would be a travesty of justice to blame my "Ungraded” mark on his client. The judge nodded sagely.

With heartrending pathos, I recalled how I had studied A-Level Mathematics with calculus a year before the rest of my cohort, bravely grappling with such perverse concepts as the poisson distribution to no avail. I decried the subject's lack of real-life utility and lamented my inability to reconcile further effort with any plausible success; so that to persist with Mathematics would be a Sisyphean endeavor. Since I had no interest in becoming the entrepreneur that my father envisioned, I petitioned the court for academic refuge in the humanities. The members of the jury exchanged sympathetic glances and put their heads together to deliberate.

Over the next year, however, new evidence that threw the court's initial verdict into question surfaced. Languishing on death row, Mathematics exercised its right to appeal, and so our quasi-court reconvened in the living room.

In hushed tones, they weighed the particulars of the case. Then, my sister announced their unanimous decision with magisterial gravity: "Nicolas shouldn't have to do math if he doesn't want to!" I was ecstatic; my father distraught. With a bang of her metaphorical gavel, the judge sentenced the defendant to "Death by Omission"-- and so I chose my subjects for 11th Grade sans Mathematics. To my father's disappointment, a future in business for me now seemed implausible.

Over the next year, however, new evidence that threw the court's initial verdict into question surfaced. Languishing on death row, Mathematics exercised its right to appeal, and so our quasi-court reconvened in the living room.

My father reiterated his client's innocence, maintaining that Mathematics was neither "irrelevant" nor "too difficult." He proudly recounted how just two months earlier, when my friends had convinced me to join them in creating a business case competition for high school students (clerical note: the loftily-titled New Zealand Secondary Schools Case Competition), I stood in front of the Board of a company and successfully pitched them to sponsor us-- was this not evidence that l could succeed in business? I think I saw a tear roll down his cheek as he implored me to give Mathematics another chance.

I considered the truth of his words. While writing a real-world business case for NZSSCC, l had been struck by how mathematical processes actually made sense when deployed in a practical context, and how numbers could tell a story just as vividly as words can. By reviewing business models and comparing financial projections to actual returns, one can read a company's story and identify areas of potential growth; whether the company then took advantage of these opportunities determined its success. It wasn't that my role in organizing NZSSCC had magically taught me to embrace all things mathematical or commercial -- I was still the same person -- but I recognized that no intellectual constraints prevented me from succeeding in Mathematics; I needed only the courage to seize an opportunity for personal growth.

I stood up and addressed my family: “I’ll do it.” Then, without waiting for the court’s final verdict, I crossed the room to embrace my father: and the rest, as they (seldom) say, was Mathematics.

Professional Review by KEY Education

For some, math concepts such as limits, logarithms, and derivatives can bring about feelings of apprehension or intimidation. So, Nicolas’s college essay reflecting on his personal conflict coming to terms with Mathematics offers a relatable, down-to-earth look at how he eventually came to realize and appreciate the importance of this once-dreaded subject. Not only does Nicolas’s statement use a unique, engaging approach to hook the reader in, but also he draws various connections from Mathematics to his relationship with his family, to his maturation process, and to his extracurricular involvement. A number of factors helped Nicolas’s statement add color to his application file, giving further insight into the person he is.

Nicolas’s choice of Mathematics as the focusing lens is effective for a number of reasons. Firstly, it is genuine and approachable. It is not about some grandiose idea, event, or achievement. Rather, it is about a topic to which many students—and people for that matter—can relate. And from this central theme, Nicolas draws insightful linkages to various aspects of his life. At the outset of his essay, Mathematics is presented as the antagonist, or as Nicolas skillfully portrays, the “defendant”. However, by the end of his piece, and as a demonstration of his growth, Nicolas has come to a resolution with the former defendant.

Adding to the various connections, Nicolas presents his case, literally, in an engaging manner in the form of a court scene, with Nicolas as the plaintiff charging the defendant, Mathematics, with being too difficult and irrelevant to his life.

Through Nicolas’s conflict over Mathematics, we gain a deeper understanding of his relationship with his father and the tension that exists in Nicolas fulfilling his father’s wishes of following in his entrepreneurial footsteps. His father’s initial attempts at reasoning with him are rebuffed, however Nicolas later acknowledges that he “considered the truth of his words” and eventually embraces his father, signifying their coming to a resolution with their shared understanding of each other. Furthermore, Nicolas connects his evolved understanding of Mathematics to his important organizational role in creating the business-focused New Zealand Secondary Schools Case Competition, acknowledging how “mathematical processes actually made sense when deployed in a practical context, and how numbers could tell a story just as vividly as words can.” As he states, “I needed only the courage to seize an opportunity for personal growth,” which he ultimately realizes.

Adding to the various connections, Nicolas presents his case, literally, in an engaging manner in the form of a court scene, with Nicolas as the plaintiff charging the defendant, Mathematics, with being too difficult and irrelevant to his life. Bearing in mind word count limitations, what would have been interesting to explore would be deeper insights into each of the connections that Nicolas drew and how he applied these various lessons to other parts of his life.

Nicolas employs a number of characteristics essential for a successful essay: a theme that allows for deeper introspection, an engaging hook or approach, and a number of linkages between his theme and various aspects of his life, providing insight into who he is and how he thinks.

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Successful Harvard Essay by Abigail Mack

Abigail gained national attention after reading her application essay on TikTok earlier this year, with over 19.9 million views on the first video. Her essay helped her to recieve a rare likely letter in the most competitive Harvard application cycle in history with a less than 4 percent acceptance rate, and now she uses her platform to help other college hopefuls navigate the application process. Watch her read the beginning of her essay here and check out her other writing tips on her TikTok .

I hate the letter S. Of the 164,777 words with S, I only grapple with one.

I hate the letter “S”. Of the 164,777 words with “S”, I only grapple with one. To condemn an entire letter because of its use 0.0006% of the time sounds statistically absurd, but that one case changed 100% of my life. I used to have two parents, but now I have one, and the “S” in “parents” isn’t going anywhere.

“S” follows me. I can’t get through a day without being reminded that while my friends went out to dinner with their parents, I ate with my parent. As I write this essay, there is a blue line under the word “parent” telling me to check my grammar; even Grammarly assumes that I should have parents, but cancer doesn’t listen to edit suggestions. I won’t claim that my situation is as unique as 1 in 164,777, but it is still an exception to the rule - an outlier. The world isn’t meant for this special case.

The world wouldn’t abandon “S” because of me, so I tried to abandon “S”. I could get away from “S” if I stayed busy; you can’t have dinner with your “parent” (thanks again, Grammarly) if you’re too busy to have family dinner. Any spare time that I had, I filled. I became known as the “busy kid”- the one that everyone always asks, “How do you have time?” Morning meetings, classes, after school meetings, volleyball practice, dance class, rehearsal in Boston, homework, sleep, repeat. Though my specific schedule has changed over time, the busyness has not. I couldn’t fill the loss that “S” left in my life, but I could at least make sure I didn’t have to think about it. There were so many things in my life that I couldn’t control, so I controlled what I could- my schedule. I never succumbed to the stress of potentially over-committing. I thrived. It became a challenge to juggle it all, but I’d soon find a rhythm. But rhythm wasn’t what I wanted. Rhythm may not have an “S”, but “S” sure liked to come by when I was idle. So, I added another ball, and another, and another. Soon I noticed that the same “color” balls kept falling into my hands- theater, academics, politics. I began to want to come into contact with these more and more, so I further narrowed the scope of my color wheel and increased the shades of my primary colors.

Life became easier to juggle, but for the first time, I didn’t add another ball. I found my rhythm, and I embraced it. I stopped running away from a single “S” and began chasing a double “S”- passion. Passion has given me purpose. I was shackled to “S” as I tried to escape the confines of the traditional familial structure. No matter how far I ran, “S” stayed behind me because I kept looking back. I’ve finally learned to move forward instead of away, and it is liberating. “S” got me moving, but it hasn’t kept me going.

I wish I could end here, triumphant and basking in my new inspiration, but life is more convoluted. Motivation is a double edged sword; it keeps me facing forward, but it also keeps me from having to look back. I want to claim that I showed courage in being able to turn from “S”, but I cannot. Motivation is what keeps “S” at bay. I am not perfectly healed, but I am perfect at navigating the best way to heal me. I don’t seek out sadness, so “S” must stay on the sidelines, and until I am completely ready, motivation is more than enough for me.

Professional Review by HS2 Academy

There's an honesty here as she reveals to the reader her attempts at filling this void in her life by constantly keeping busy. It's further satisfying to see these attempts at committing to various activities evolve into what she terms a double

Abigail’s essay navigates one of the most delicate sorts of topics in college applications: dealing with personal or family tragedy. Perhaps the most common pitfall is to take a tragic event and effuse it with too much pathos and sense of loss that the narrative fails to reveal much about the author’s own personality other than the loss itself. In short, a “sob story.” However, Abigail’s essay adeptly skirts this by utilizing wit and a framing device using the letter “S” to share a profoundly personal journey in a manner that is engaging and thought-provoking.

Rather than focus purely on the loss of one of her parents to cancer, Abigail reflects on her life and the adjustments she has had to make. It is particularly poignant how she expresses the sense that her life with only one remaining parent seems somehow anomalous, that the constant reminders of the completeness in the familial structures of others haunts her.

What also makes this essay all the more intriguing is how we get a glimpse into her internal life as she learns to cope with the loss. There’s an honesty here as she reveals to the reader her attempts at filling this void in her life by constantly keeping busy. It’s further satisfying to see these attempts at committing to various activities evolve into what she terms a “double S,” or “passion,” as she discovers things that she has become passionate about. Perhaps this essay could have been strengthened further by giving the reader a sense of what those passions might be, as we’re left to speculate based on the activities she had mentioned.

Lastly, we see a sense of realism and maturity in Abigail's closing reflection. It’s easy to end an essay like this with a sense of narrative perfection, but she wisely concedes that “life is more convoluted.” This poignant revelation gives us a window into her continuing struggles, but we are nonetheless left impressed by her growth and candor in this essay.

collegeMission is an undergraduate admissions consulting firm focused solely on helping applicants craft their best admissions essays to gain acceptance at top academic institutions. collegeMission's elite admissions consultants have assisted thousands of applicants in successfully pursuing their educational dreams. As accomplished writers and graduates of prestigious universities, our consultants are uniquely qualified to guide you through brainstorming, outlining, and writing your college essays so that the admissions committees take notice. To learn more or schedule a free brainstorming session, visit www.collegemission.com or email [email protected].

I learned the definition of cancer at the age of fourteen. I was taking my chapter 7 biology test when I came upon the last question, “What is cancer?”, to which I answered: “The abnormal, unrestricted growth of cells.” After handing in the test, I moved on to chapter 8, oblivious then to how earth-shattering such a disease could be.

I learned the meaning of cancer two years later. A girl named Kiersten came into my family by way of my oldest brother who had fallen in love with her. I distinctly recall her hair catching the sea breeze as she walked with us along the Jersey shore, a blonde wave in my surrounding family's sea of brunette. Physically, she may have been different, but she redefined what family meant to me. She attended my concerts, went to my award ceremonies, and helped me study for tests. Whenever I needed support, she was there. Little did I know that our roles would be reversed, forever changing my outlook on life.

Kiersten was diagnosed with Stage II Hodgkin's lymphoma at the age of 22. Tears and hair fell alike after each of her 20 rounds of chemotherapy as we feared the worst. It was an unbearable tragedy watching someone so vivacious skirt the line between life and death. Her cancer was later classified as refractory, or resistant to treatment. Frustration and despair flooded my mind as I heard this news. And so I prayed. In what universe did this dynamic make any sense? I prayed to God and to even her cancer itself to just leave her alone. Eventually, Kiersten was able to leave the hospital to stay for six weeks at my home.

But the beauty that resulted from sympathizing as opposed to analyzing and putting aside my own worries and troubles for someone else was an enormous epiphany for me. My problems dissipated into thin air the moment I came home and dropped my books and bags to talk with Kiersten. The more I talked, laughed, smiled, and shared memories with her, the more I began to realize all that she taught me.

My family and I transformed the house into an antimicrobial sanctuary, protecting Kiersten from any outside illness. I watched TV with her, baked cookies for her, and observed her persistence as she regained strength and achieved remission. We beat biology, time, and death, all at the same time, with cookies, TV, and friendship. Yet I was so concerned with helping Kiersten that I had not realized how she helped me during her battle with cancer.

I had been so used to solving my problems intellectually that when it came time to emotionally support someone, I was afraid. I could define cancer, but what do I say to someone with it? There were days where I did not think I could be optimistic in the face of such adversity. But the beauty that resulted from sympathizing as opposed to analyzing and putting aside my own worries and troubles for someone else was an enormous epiphany for me. My problems dissipated into thin air the moment I came home and dropped my books and bags to talk with Kiersten. The more I talked, laughed, smiled, and shared memories with her, the more I began to realize all that she taught me. She influenced me in the fact that she demonstrated the power of loyalty, companionship, and optimism in the face of desperate, life-threatening situations. She showed me the importance of loving to live and living to love. Most of all, she gave me the insight necessary to fully help others not just with intellect and preparation, but with solidarity and compassion. In this way, I became able to help myself and others with not only my brain, but with my heart. And that, in the words of Robert Frost, “has made all the difference.”

Professional Review by collegeMission

Nikolas is candid, writing about how he could solve problems intellectually, but struggled to cope emotionally during Kiersten's diagnosis and treatment. Ultimately, he finds his way and gains a deeper perspective on life, and thus shares a story of overcoming and of complex intellectual and emotional growth.

Nikolas uses an unexpected approach in this essay, sharing a story of someone else’s struggle, as he highlights change within himself. The emotions and connection that he felt for Kiersten, his older brother’s girlfriend, are quite powerful, as is his recognition of his own attempt to navigate his way through the experience. Nikolas is candid, writing about how he could solve problems intellectually, but struggled to cope emotionally during Kiersten’s diagnosis and treatment. Ultimately, he finds his way and gains a deeper perspective on life, and thus shares a story of overcoming and of complex intellectual and emotional growth.

Nikolas’ use of imagery is terrific. We first see it in the essay when he describes one of his first impressions of Kiersten, with her blonde hair flowing in the wind by the Jersey Shore and how that contrasted with the dark hair of his family. That description then flows as we read the next paragraph, where he talks about the impact of her cancer. “Tears and hair fell alike after each of her 20 rounds of chemotherapy as we feared the worst.” Instead of explicitly sharing everyone’s heartbreak, through details that heartbreak becomes so very evident.

One missing piece here is an explanation of why Kiersten stayed with Nikolas’ family rather than returning home to her own family. Maybe a quick explanation would have helped the reader make sense of her location, and create an even stronger linkage with Nikolas and his family. Additionally, Nikolas might have taken one more step toward the end of the essay to connect this newfound emotion to other parts of his life. The final paragraph feels slightly repetitive, and a compelling route could have been to show how he went on to embrace the idea of “loving to live and living to love.” Nonetheless, Nikolas reveals that he is capable of growing through adversity, a character trait that this admissions committee clearly appreciated.

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Writing Application Essays and Personal Statements

Some applications ask that you write an essay that draws on more personal reflections. These essays, sometimes called Personal Statements, are an opportunity to show the selection committee who you are as a person: your story, your values, your interests, and why you—and not your peer with a similar resume—are a perfect fit for this opportunity. These narrative essays allow you to really illustrate the person behind the resume, showcasing not only what you think but how you think.

Before you start writing, it’s helpful to really consider the goals of your personal statement:

• To learn more about you as a person: What would you like the selection committee to know about you that can't be covered by other application materials (e.g. resume, transcript, letters of recommendation)? What have been the important moments/influences throughout your journey that have led to where (and who!) you are?
• To learn how you think about the unsolved problems in your field of study/interest: What experiences demonstrate how you've been taught to think and how you tackle challenges?
• To assess whether you fit with the personal qualities sought by the selection committee:  How can you show that you are thoughtful and mature with a good sense of self; that you embody the character, qualities, and experience to be personally ready to thrive in this experience (graduate school and otherwise)? Whatever opportunity you are seeking—going to graduate school, spending the year abroad, conducting public service—is going to be challenging intellectually, emotionally, and financially. This is your opportunity to show that you have the energy and perseverance to succeed.

In general, your job through your personal statement is to show, don’t tell the committee about your journey. If you choose to retell specific anecdotes from your life, focus on one or two relavant, formative experiences—academic, professional, extracurricular—that are emblematic of your development. The essay is where you should showcase the depth of your maturity, not the breadth—that's the resume's job!

Determining the theme of an essay

The personal statement is usually framed with an overarching theme. But how do you come up with a theme that is unique to you? Here are some questions to get you started:

• Question your individuality:  What distinguishes you from your peers? What challenges have you overcome? What was one instance in your life where your values were called  into question?
• Question your field of study:  What first interested you about your field of study? How has your interest in the field changed and developed? How has this discipline shaped you? What are you most passionate about relative to your field?
• Question your non-academic experiences:  Why did you choose the internships, clubs, or activites you did? And what does that suggest about what you value?

Once you have done some reflection, you may notice a theme emerging (justice? innovation? creativity?)—great! Be careful to think beyond your first idea, too, though. Sometimes, the third or fourth theme to come to your mind is the one that will be most compelling to center your essay around.

Writing style

Certainly, your personal statement can have moments of humor or irony that reflect your personality, but the goal is not to show off your creative writing skills or present you as a sparkling conversationalist (that can be part of your interview!). Here, the aim is to present yourself as an interesting person, with a unique background and perspective, and a great future colleague. You should still use good academic writing—although this is not a research paper nor a cover letter—but the tone can be a bit less formal.

12 Strategies to Writing the Perfect College Essay

College admission committees sift through thousands of college essays each year. Here’s how to make yours stand out.

Pamela Reynolds

When it comes to deciding who they will admit into their programs, colleges consider many criteria, including high school grades, extracurricular activities, and ACT and SAT scores. But in recent years, more colleges are no longer considering test scores.

Instead, many (including Harvard through 2026) are opting for “test-blind” admission policies that give more weight to other elements in a college application. This policy change is seen as fairer to students who don’t have the means or access to testing, or who suffer from test anxiety.

So, what does this mean for you?

Simply that your college essay, traditionally a requirement of any college application, is more important than ever.

A college essay is your unique opportunity to introduce yourself to admissions committees who must comb through thousands of applications each year. It is your chance to stand out as someone worthy of a seat in that classroom.

A well-written and thoughtful essay—reflecting who you are and what you believe—can go a long way to separating your application from the slew of forgettable ones that admissions officers read. Indeed, officers may rely on them even more now that many colleges are not considering test scores.

Below we’ll discuss a few strategies you can use to help your essay stand out from the pack. We’ll touch on how to start your essay, what you should write for your college essay, and elements that make for a great college essay.

Be Authentic

More than any other consideration, you should choose a topic or point of view that is consistent with who you truly are.

Readers can sense when writers are inauthentic.

Inauthenticity could mean the use of overly flowery language that no one would ever use in conversation, or it could mean choosing an inconsequential topic that reveals very little about who you are.

Use your own voice, sense of humor, and a natural way of speaking.

Whatever subject you choose, make sure it’s something that’s genuinely important to you and not a subject you’ve chosen just to impress. You can write about a specific experience, hobby, or personality quirk that illustrates your strengths, but also feel free to write about your weaknesses.

Honesty about traits, situations, or a childhood background that you are working to improve may resonate with the reader more strongly than a glib victory speech.

Grab the Reader From the Start

You’ll be competing with so many other applicants for an admission officer’s attention.

Therefore, start your essay with an opening sentence or paragraph that immediately seizes the imagination. This might be a bold statement, a thoughtful quote, a question you pose, or a descriptive scene.

Starting your essay in a powerful way with a clear thesis statement can often help you along in the writing process. If your task is to tell a good story, a bold beginning can be a natural prelude to getting there, serving as a roadmap, engaging the reader from the start, and presenting the purpose of your writing.

Focus on Deeper Themes

Some essay writers think they will impress committees by loading an essay with facts, figures, and descriptions of activities, like wins in sports or descriptions of volunteer work. But that’s not the point.

College admissions officers are interested in learning more about who you are as a person and what makes you tick.

They want to know what has brought you to this stage in life. They want to read about realizations you may have come to through adversity as well as your successes, not just about how many games you won while on the soccer team or how many people you served at a soup kitchen.

Let the reader know how winning the soccer game helped you develop as a person, friend, family member, or leader. Make a connection with your soup kitchen volunteerism and how it may have inspired your educational journey and future aspirations. What did you discover about yourself?

Show Don’t Tell

As you expand on whatever theme you’ve decided to explore in your essay, remember to show, don’t tell.

The most engaging writing “shows” by setting scenes and providing anecdotes, rather than just providing a list of accomplishments and activities.

Reciting a list of activities is also boring. An admissions officer will want to know about the arc of your emotional journey too.

Try Doing Something Different

If you want your essay to stand out, think about approaching your subject from an entirely new perspective. While many students might choose to write about their wins, for instance, what if you wrote an essay about what you learned from all your losses?

If you are an especially talented writer, you might play with the element of surprise by crafting an essay that leaves the response to a question to the very last sentence.

You may want to stay away from well-worn themes entirely, like a sports-related obstacle or success, volunteer stories, immigration stories, moving, a summary of personal achievements or overcoming obstacles.

However, such themes are popular for a reason. They represent the totality of most people’s lives coming out of high school. Therefore, it may be less important to stay away from these topics than to take a fresh approach.

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Write With the Reader in Mind

Writing for the reader means building a clear and logical argument in which one thought flows naturally from another.

Use transitions between paragraphs.

Think about any information you may have left out that the reader may need to know. Are there ideas you have included that do not help illustrate your theme?

Be sure you can answer questions such as: Does what you have written make sense? Is the essay organized? Does the opening grab the reader? Is there a strong ending? Have you given enough background information? Is it wordy?

Write Several Drafts

Set your essay aside for a few days and come back to it after you’ve had some time to forget what you’ve written. Often, you’ll discover you have a whole new perspective that enhances your ability to make revisions.

Start writing months before your essay is due to give yourself enough time to write multiple drafts. A good time to start could be as early as the summer before your senior year when homework and extracurricular activities take up less time.

Read It Aloud

Writer’s tip : Reading your essay aloud can instantly uncover passages that sound clumsy, long-winded, or false.

Don’t Repeat

If you’ve mentioned an activity, story, or anecdote in some other part of your application, don’t repeat it again in your essay.

Your essay should tell college admissions officers something new. Whatever you write in your essay should be in philosophical alignment with the rest of your application.

Also, be sure you’ve answered whatever question or prompt may have been posed to you at the outset.

Ask Others to Read Your Essay

Be sure the people you ask to read your essay represent different demographic groups—a teacher, a parent, even a younger sister or brother.

Ask each reader what they took from the essay and listen closely to what they have to say. If anyone expresses confusion, revise until the confusion is cleared up.

Pay Attention to Form

Although there are often no strict word limits for college essays, most essays are shorter rather than longer. Common App, which students can use to submit to multiple colleges, suggests that essays stay at about 650 words.

“While we won’t as a rule stop reading after 650 words, we cannot promise that an overly wordy essay will hold our attention for as long as you’d hoped it would,” the Common App website states.

In reviewing other technical aspects of your essay, be sure that the font is readable, that the margins are properly spaced, that any dialogue is set off properly, and that there is enough spacing at the top. Your essay should look clean and inviting to readers.

End Your Essay With a “Kicker”

In journalism, a kicker is the last punchy line, paragraph, or section that brings everything together.

It provides a lasting impression that leaves the reader satisfied and impressed by the points you have artfully woven throughout your piece.

So, here’s our kicker: Be concise and coherent, engage in honest self-reflection, and include vivid details and anecdotes that deftly illustrate your point.

While writing a fantastic essay may not guarantee you get selected, it can tip the balance in your favor if admissions officers are considering a candidate with a similar GPA and background.

Write, revise, revise again, and good luck!

Experience life on a college campus. Spend your summer at Harvard.

Explore Harvard Summer School’s College Programs for High School Students.

About the Author

Pamela Reynolds is a Boston-area feature writer and editor whose work appears in numerous publications. She is the author of “Revamp: A Memoir of Travel and Obsessive Renovation.”

How Involved Should Parents and Guardians Be in High School Student College Applications and Admissions?

There are several ways parents can lend support to their children during the college application process. Here's how to get the ball rolling.

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Harvard University Essay Examples (And Why They Worked)

The following essay examples were written by several different authors who were admitted to Harvard University and are intended to provide examples of successful Harvard University application essays. All names have been redacted for anonymity. Please note that Bullseye Admissions has shared these essays with admissions officers at Harvard University in order to deter potential plagiarism.

For more help with your Harvard supplemental essays, check out our 2020-2021 Harvard University Essay Guide ! For more guidance on personal essays and the college application process in general, sign up for a monthly plan to work with an admissions coach 1-on-1.

Please briefly elaborate on one of your extracurricular activities or work experiences. (50-150 words)

Feet moving, eyes up, every shot back, chants the silent mantra in my head. The ball becomes a beacon of neon green as I dart forward and backward, shuffling from corner to far corner of the court, determined not to let a single point escape me. With bated breath, I swing my racquet upwards and outwards and it catches the ball just in time to propel it, spinning, over the net. My heart soars as my grinning teammates cheer from the sidelines.

While I greatly value the endurance, tenacity, and persistence that I have developed while playing tennis throughout the last four years, I will always most cherish the bonds that I have created and maintained each year with my team.

Why this Harvard essay worked: From an ex-admissions officer

When responding to short essays or supplements, it can be difficult to know which info to include or omit. In this essay, the writer wastes no time and immediately captivates the reader. Not only are the descriptions vivid and compelling, but the second portion highlights what the writer gained from this activity. As an admissions officer, I learned about the student’s level of commitment, leadership abilities, resiliency, ability to cooperate with others, and writing abilities in 150 words.

I founded Teen Court at [High School Name Redacted] with my older brother in 2016. Teen Court is a unique collaboration with the Los Angeles Superior Court and Probation Department, trying real first-time juvenile offenders from all over Los Angeles in a courtroom setting with teen jurors. Teen Court’s foundational principle is restorative justice: we seek to rehabilitate at-risk minors rather than simply punish them. My work provides my peers the opportunity to learn about the justice system. I put in over fifty hours just as Secretary logging court attendance, and now as President, I mentor Teen Court attendees. My goal is to improve their empathy and courage in public speaking, and to expand their world view. People routinely tell me their experience with Teen Court has inspired them to explore law, and I know the effort I devoted bringing this club to [High School Name Redacted] was well worth it.

This writer discussed a passion project with a long-lasting impact. As admissions officers, we realize that post-secondary education will likely change the trajectory of your life. We hope that your education will also inspire you to change the trajectory of someone else’s life as well. This writer developed an organization that will have far-reaching impacts for both the juvenile offenders and the attendees. They saw the need for this service and initiated a program to improve their community. College Admissions Quiz: If you’re planning on applying to Harvard, you’ll want to be as prepared as possible. Take our quiz below to put your college admissions knowledge to the test!

Harvard University Supplemental Essay Option: Books Read During the Last Twelve Months

Reading Frankenstein in ninth grade changed my relationship to classic literature. In Frankenstein , I found characters and issues that resonate in a modern context, and I began to explore the literary canon outside of the classroom. During tenth grade, I picked up Jane Eyre and fell in love with the novel’s non-traditional heroine whose agency and cleverness far surpassed anything that I would have imagined coming from the 19th century. I have read the books listed below in the past year.

• Chimamanda Ngozi Adichie, Purple Hibiscus *
• Aravind Adiga, The White Tiger *
• Jane Austen, Sense and Sensibility
• Aphra Behn, The Fair Jilt ♰
• Mongo Beti, Mission Terminée * (in French)
• Kate Chopin, The Awakening
• Arthur Conan-Doyle, A Study in Scarlet
• Kamel Daoud, Meursault, contre-enquête * (in French)
• Roddy Doyle, A Star Called Henry *
• Mircea Eliade, The Sacred and the Profane *
• Ralph Ellison, Invisible Man
• William Faulkner, As I Lay Dying *
• Gustave Flaubert, Madame Bovary
• E. M. Forster, Maurice
• E. M. Forster, A Passage to India
• E. M. Forster, Where Angels Fear to Tread
• Eliza Haywood, The City Jilt ♰
• Homer, The Iliad
• Christopher Isherwood, All The Conspirators
• Christopher Isherwood, A Meeting by the River
• Christopher Isherwood, Sally Bowles
• Christopher Isherwood, A Single Man
• Shirley Jackson, We Have Always Lived in the Castle
• James Joyce, Portrait of the Artist as a Young Man
• Franz Kafka, The Metamorphosis
• Franz Kafka, The Trial
• Jhumpa Lahiri, Interpreter of Maladies *
• Morrissey, Autobiography
• Rudolph Otto, The Idea of the Holy *
• Boris Pasternak, Doctor Zhivago
• Charlotte Perkins-Gilman, Herland
• Marcel Proust, Swann’s Way
• Marcel Proust, Within a Budding Grove
• Mary Renault, Fire From Heaven
• Mary Renault, The Friendly Young Ladies
• Mary Renault, The King Must Die
• Mary Renault, The Persian Boy
• J. K. Rowling, Harry Potter and the Cursed Child
• Antoine de Saint-Exupéry, Terre des hommes * (in French)
• Shakespeare, Hamlet *
• Mary Shelley, The Last Man
• Tom Stoppard, Rosencrantz and Guildenstern Are Dead *
• Kurt Vonnegut, Breakfast of Champions
• Kurt Vonnegut, The Sirens of Titan
• Evelyn Waugh, Brideshead Revisited
• Evelyn Waugh, Scoop
• Evelyn Waugh, Vile Bodies
• Jeanette Winterson, The Passion
• Mary Wollstonecraft, Mary: A Fiction ♰
• Mary Wollstonecraft, Vindication of the Rights of Woman ♰
• Virginia Woolf, A Haunted House and Other Stories
• * indicates assigned reading
• ♰ indicates independent study reading

Harvard University Supplemental Essay Option: What would you want your future college roommate to know about you? (No word limit)

Hi Roomie!!!!

You probably have noticed that I put four exclamation points. Yes, I am that excited to meet you, roomie!

Also, I don’t believe in the Rule of Three. It’s completely unfair that three is always the most commonly used number. Am I biased in my feelings because four is my favorite number? Perhaps. However, you have to admit that our reason for the Rule of Three is kinda arbitrary. The Rule of Three states that a trio of events is more effective and satisfying than any other numbers. Still, the human psyche is easily manipulated through socially constructed perceptions such as beauty standards and gender roles. Is having three of everything actually influential or is it only influential because society says so? Hmm, it’s interesting to think about it, isn’t it?

But if you’re an avid follower of the Rule of three, don’t worry, I won’t judge. In fact, if there’s one thing I can promise you I will never do, it’s being judgmental. Life is too short to go around judging people. Besides, judgments are always based on socially constructed beliefs. With so many backgrounds present on campus, it really would be unfair if we start going around judging people based on our own limited beliefs. My personal philosophy is “Mind your own business and let people be,” So, if you have a quirk that you’re worrying is too “weird” and are afraid your roommate might be too judgy, rest assured, I won’t be.

In fact, thanks to my non-judginess, I am an excellent listener. If you ever need to rant with someone about stressful classes, harsh gradings, or the new ridiculous plot twists of your favorite TV show (*cough* Riverdale), I am always available.

Now, I know what you are thinking. A non-judgmental and open-minded roommate? This sounds too good to be true. This girl’s probably a secret villain waiting to hear all my deepest and darkest secrets and blackmail me with them!

Well, I promise you. I am not a secret villain. I am just someone who knows how important it is to be listened to and understood.

I grew up under the communist regime of Vietnam, where freedom of speech and thought was heavily suppressed. Since childhood, I was taught to keep my opinion to myself, especially if it is contradictory to the government’s. No matter how strongly I felt about an issue, I could never voice my true opinion nor do anything about it. Or else, my family and I would face oppression from the Vietnamese government.

After immigrating to America, I have made it my mission to fight for human rights and justice. Back in Vietnam, I have let fear keep me from doing the right thing. Now, in the land of freedom, I won’t use that excuse anymore. I can finally be myself and fight for what I believe in. However, I can still remember how suffocating it was to keep my beliefs bottled up and to be silenced. Trust me, a conversation may not seem much, but it can do wonders. So, if you ever need a listener, know that I am right here.

See, I just shared with you a deep secret of mine. What secret villain would do that?

See ya soon!!!!!

[Name redacted] : )

P/S: I really love writing postscripts. So, I hope you won’t find it weird when I always end my emails, letters, and even texts with a P/S. Bye for real this time!!!!!

Harvard University Supplemental Essay Option: Unusual circumstances in your life

I would like the Harvard Admissions Committee to know that my life circumstances are far from typical. I was born at twenty-four weeks gestation, which eighteen years ago was on the cusp of viability. Even if I was born today, under those same circumstances, my prospects for leading a normal life would be grim. Eighteen years ago, those odds were worse, and I was given a less than 5% chance of survival without suffering major cognitive and physical deficits.

The first six months of my life were spent in a large neonatal ICU in Canada. I spent most of that time in an incubator, kept breathing by a ventilator. When I was finally discharged home, it was with a feeding tube and oxygen, and it would be several more months before I was able to survive without the extra tubes connected to me. At the age of two, I was still unable to walk. I engaged in every conventional and non-conventional therapy available to me, including physical and speech therapy, massage therapy, gymnastics, and several nutritional plans, to try to remedy this. Slowly, I began to make progress in what would be a long and arduous journey towards recovery.

Some of my earliest childhood memories are of repeated, often unsuccessful attempts to grip a large-diameter crayon since I was unable to hold a regular pencil. I would attempt to scrawl out letters on a page to form words, fueled by either determination or outright stubbornness, persevering until I improved. I spent countless hours trying to control my gait, eventually learning to walk normally and proving the doctors wrong about their diagnoses. I also had to learn how to swallow without aspirating because the frequent intubations I had experienced as an infant left me with a uncoordinated swallow reflex. Perhaps most prominently, I remember becoming very winded as I tried to keep up with my elementary school peers on the playground and the frustration I experienced when I failed.

Little by little, my body’s tolerance for physical exertion grew, and my coordination improved. I enrolled in martial arts to learn how to keep my balance and to develop muscle coordination and an awareness of where my limbs were at any given time. I also became immersed in competition among my elementary school peers to determine which one of us could become the most accomplished on the recorder. For each piece of music played correctly, a “belt” was awarded in the form of a brightly colored piece of yarn tied around the bottom of our recorders- meant as symbols of our achievement. Despite the challenges I had in generating and controlling enough air, I practiced relentlessly, often going in before school or during my lunch hour to obtain the next increasingly difficult musical piece. By the time the competition concluded, I had broken the school record of how far an elementary school child could advance; in doing so, my love of instrumental music and my appreciation for the value of hard work and determination was born.

Throughout my middle and high school years, I have succeeded at the very highest level both academically and musically. I was even able to find a sport that I excelled at and would later be able to use as an avenue for helping others, volunteering as an assistant coach once I entered high school. I have mentored dozens of my high school peers in developing trumpet skills, teaching them how to control one’s breathing during musical phrases and how to develop effective fingering techniques in order to perform challenging passages. I believe that my positive attitude and hard work has allowed for not only my own success, but for the growth and success of my peers as well.

My scholastic and musical achievements, as well as my leadership abilities and potential to succeed at the highest level will hopefully be readily apparent to the committee when you review my application. Perhaps more importantly, however, is the behind-the-scenes character traits that have made these possible. I believe that I can conquer any challenge put in front of me. My past achievements provide testimony to my work ethic, aptitudes and grit, and are predictive of my future potential.

Thank you for your consideration.

In this essay, the writer highlighted their resilience. At some point, we will all endure challenges and struggles, but it is how we redeem ourselves that matters. This writer highlighted their initial struggles, their dedication and commitment, and the ways in which they’ve used those challenges as inspiration and motivation to persevere and also to encourage others to do the same.

Harvard University Supplemental Essay Option: An intellectual experience (course, project, book, discussion, paper, poetry, or research topic in engineering, mathematics, science or other modes of inquiry) that has meant the most to you.

I want to be a part of something amazing, and I believe I can. The first line of the chorus springs into my mind instantaneously as my fingers experiment with chords on the piano. In this moment, as I compose the protagonist’s solo number, I speak from my heart. I envision the stage and set, the actors, the orchestra, even the audience. Growing increasingly excited, I promptly begin to create recordings so I can release the music from the confines of my imagination and share it with any willing ears.

My brother [name redacted] and I are in the process of writing a full-length, two-act musical comprised of original scenes, songs, characters. I began creating the show not only because I love to write music and entertain my friends and family, but also with the hope that I might change the way my peers view society. Through Joan, the protagonist of my musical, I want to communicate how I feel about the world.

The story centers around Joan, a high schooler, and her connection to the pilot Amelia Earhart. Ever since I saw a theatrical rendition of Amelia Earhart’s life in fifth grade, she has fascinated me as an extraordinary feminist and a challenger of society’s beliefs and standards. As I began researching and writing for the show, I perused through biographies and clicked through countless youtube documentaries about the first woman to fly across the Atlantic, astounded by her bravery and ability to overcome a troubled childhood and achieve her dream. In my musical, as Amelia transcends 20th century norms, changing the way that people regard women and flight, Joan strives to convince her peers and superiors that the worth of one’s life spans not from material success and grades, but from self-love and passion.

As I compose, the essence of each character and the mood of each scene steer the flow of each song. To me, it seems as though everything falls into place at once – as I pluck a melody out of the air, the lyrics come to me naturally as if the two have been paired all along. As I listen to the newly born principal line, I hear the tremolo of strings underscoring and the blaring of a brass section that may someday audibly punctuate each musical phrase.

The project is certainly one of the most daunting tasks I’ve ever undertaken – we’ve been working on it for almost a year, and hope to be done by January – but, fueled by my passion for creating music and writing, it is also one of the most enjoyable. I dream that it may be performed one day and that it may influence society to appreciate the success that enthusiasm for one’s relationships and work can bring.

These essay examples were compiled by the advising team at Bullseye Admissions. If you want to get help writing your Harvard University application essays from Bullseye Admissions advisors , register with Bullseye today .

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Choose Your Test

Sat / act prep online guides and tips, my successful harvard application (complete common app + supplement).

Other High School , College Admissions , Letters of Recommendation , Extracurriculars , College Essays

In 2005, I applied to college and got into every school I applied to, including Harvard, Princeton, Stanford, and MIT. I decided to attend Harvard.

In this guide, I'll show you the entire college application that got me into Harvard—page by page, word for word .

In my complete analysis, I'll take you through my Common Application, Harvard supplemental application, personal statements and essays, extracurricular activities, teachers' letters of recommendation, counselor recommendation, complete high school transcript, and more. I'll also give you in-depth commentary on every part of my application.

To my knowledge, a college application analysis like this has never been done before . This is the application guide I wished I had when I was in high school.

If you're applying to top schools like the Ivy Leagues, you'll see firsthand what a successful application to Harvard and Princeton looks like. You'll learn the strategies I used to build a compelling application. You'll see what items were critical in getting me admitted, and what didn't end up helping much at all.

Reading this guide from beginning to end will be well worth your time—you might completely change your college application strategy as a result.

First Things First

Here's the letter offering me admission into Harvard College under Early Action.

I was so thrilled when I got this letter. It validated many years of hard work, and I was excited to take my next step into college (...and work even harder).

I received similar successful letters from every college I applied to: Princeton, Stanford, and MIT. (After getting into Harvard early, I decided not to apply to Yale, Columbia, UChicago, UPenn, and other Ivy League-level schools, since I already knew I would rather go to Harvard.)

The application that got me admitted everywhere is the subject of this guide. You're going to see everything that the admissions officers saw.

If you're hoping to see an acceptance letter like this in your academic future, I highly recommend you read this entire article. I'll start first with an introduction to this guide and important disclaimers. Then I'll share the #1 question you need to be thinking about as you construct your application. Finally, we'll spend a lot of time going through every page of my college application, both the Common App and the Harvard Supplemental App.

Important Note: the foundational principles of my application are explored in detail in my How to Get Into Harvard guide . In this popular guide, I explain:

• what top schools like the Ivy League are looking for
• how to be truly distinctive among thousands of applicants
• why being well-rounded is the kiss of death

If you have the time and are committed to maximizing your college application success, I recommend you read through my Harvard guide first, then come back to this one.

You might also be interested in my other two major guides:

• How to Get a Perfect SAT Score / Perfect ACT Score
• How to Get a 4.0 GPA

What's in This Harvard Application Guide?

From my student records, I was able to retrieve the COMPLETE original application I submitted to Harvard. Page by page, word for word, you'll see everything exactly as I presented it : extracurricular activities, awards and honors, personal statements and essays, and more.

In addition to all this detail, there are two special parts of this college application breakdown that I haven't seen anywhere else :

• You'll see my FULL recommendation letters and evaluation forms. This includes recommendations from two teachers, one principal, and supplementary writers. Normally you don't get to see these letters because you waive access to them when applying. You'll see how effective strong teacher advocates will be to your college application, and why it's so important to build strong relationships with your letter writers .
• You'll see the exact pen marks made by my Harvard admissions reader on my application . Members of admissions committees consider thousands of applications every year, which means they highlight the pieces of each application they find noteworthy. You'll see what the admissions officer considered important—and what she didn't.

For every piece of my application, I'll provide commentary on what made it so effective and my strategies behind creating it. You'll learn what it takes to build a compelling overall application.

Importantly, even though my application was strong, it wasn't perfect. I'll point out mistakes I made that I could have corrected to build an even stronger application.

Here's a complete table of contents for what we'll be covering. Each link goes directly to that section, although I'd recommend you read this from beginning to end on your first go.

Common Application

Personal Data

Educational data, test information.

• Activities: Extracurricular, Personal, Volunteer
• Short Answer
• Additional Information

Academic Honors

Personal statement, teacher and counselor recommendations.

• Teacher Letter #1: AP Chemistry
• Teacher Letter #2: AP English Lang

School Report

• Principal Recommendation

Harvard Application Supplement

• Supplement Form
• Writing Supplement Essay

Supplementary Recommendation #1

Supplementary recommendation #2, supplemental application materials.

Final Advice for You

I mean it—you'll see literally everything in my application.

In revealing my teenage self, some parts of my application will be pretty embarrassing (you'll see why below). But my mission through my company PrepScholar is to give the world the most helpful resources possible, so I'm publishing it.

One last thing before we dive in—I'm going to anticipate some common concerns beforehand and talk through important disclaimers so that you'll get the most out of this guide.

Important Disclaimers

My biggest caveat for you when reading this guide: thousands of students get into Harvard and Ivy League schools every year. This guide tells a story about one person and presents one archetype of a strong applicant. As you'll see, I had a huge academic focus, especially in science ( this was my Spike ). I'm also irreverent and have a strong, direct personality.

What you see in this guide is NOT what YOU need to do to get into Harvard , especially if you don't match my interests and personality at all.

As I explain in my Harvard guide , I believe I fit into one archetype of a strong applicant—the "academic superstar" (humor me for a second, I know calling myself this sounds obnoxious). There are other distinct ways to impress, like:

• being world-class in a non-academic talent
• achieving something difficult and noteworthy—building a meaningful organization, writing a novel
• coming from tremendous adversity and performing remarkably well relative to expectations

Therefore, DON'T worry about copying my approach one-for-one . Don't worry if you're taking a different number of AP courses or have lower test scores or do different extracurriculars or write totally different personal statements. This is what schools like Stanford and Yale want to see—a diversity in the student population!

The point of this guide is to use my application as a vehicle to discuss what top colleges are looking for in strong applicants. Even though the specific details of what you'll do are different from what I did, the principles are the same. What makes a candidate truly stand out is the same, at a high level. What makes for a super strong recommendation letter is the same. The strategies on how to build a cohesive, compelling application are the same.

There's a final reason you shouldn't worry about replicating my work—the application game has probably changed quite a bit since 2005. Technology is much more pervasive, the social issues teens care about are different, the extracurricular activities that are truly noteworthy have probably gotten even more advanced. What I did might not be as impressive as it used to be. So focus on my general points, not the specifics, and think about how you can take what you learn here to achieve something even greater than I ever did.

With that major caveat aside, here are a string of smaller disclaimers.

I'm going to present my application factually and be 100% straightforward about what I achieved and what I believed was strong in my application. This is what I believe will be most helpful for you. I hope you don't misinterpret this as bragging about my accomplishments. I'm here to show you what it took for me to get into Harvard and other Ivy League schools, not to ask for your admiration. So if you read this guide and are tempted to dismiss my advice because you think I'm boasting, take a step back and focus on the big picture—how you'll improve yourself.

This guide is geared toward admissions into the top colleges in the country , often with admissions rates below 10%. A sample list of schools that fit into this: Harvard, Princeton, Yale, Stanford, Columbia, MIT, UChicago, Duke, UPenn, CalTech, Johns Hopkins, Dartmouth, Northwestern, Brown. The top 3-5 in that list are especially looking for the absolute best students in the country , since they have the pick of the litter.

Admissions for these selective schools works differently from schools with >20% rates. For less selective schools, having an overall strong, well-rounded application is sufficient for getting in. In particular, having an above average GPA and test scores goes the majority of the way toward getting you admission to those schools. The higher the admission rate, the more emphasis will be placed on your scores. The other pieces I'll present below—personal statements, extracurriculars, recommendations—will matter less.

Still, it doesn't hurt to aim for a stronger application. To state the obvious, an application strong enough to get you Columbia will get you into UCLA handily.

In my application, I've redacted pieces of my application for privacy reasons, and one supplementary recommendation letter at the request of the letter writer. Everything else is unaltered.

Throughout my application, we can see marks made by the admissions officer highlighting and circling things of note (you'll see the first example on the very first page). I don't have any other applications to compare these to, so I'm going to interpret these marks as best I can. For the most part, I assume that whatever he underlines or circles is especially important and noteworthy —points that he'll bring up later in committee discussions. It could also be that the reader got bored and just started highlighting things, but I doubt this.

Finally, I co-founded and run a company called PrepScholar . We create online SAT/ACT prep programs that adapt to you and your strengths and weaknesses . I believe we've created the best prep program available, and if you feel you need to raise your SAT/ACT score, then I encourage you to check us out . I want to emphasize that you do NOT need to buy a prep program to get a great score , and the advice in this guide has little to do with my company. But if you're aren't sure how to improve your score and agree with our unique approach to SAT/ACT prep, our program may be perfect for you.

With all this past us, let's get started.

The #1 Most Important College Application Question: What Is Your PERSONAL NARRATIVE?

If you stepped into an elevator with Yale's Dean of Admissions and you had ten seconds to describe yourself and why you're interesting, what would you say?

This is what I call your PERSONAL NARRATIVE. These are the three main points that represent who you are and what you're about . This is the story that you tell through your application, over and over again. This is how an admissions officer should understand you after just glancing through your application. This is how your admissions officer will present you to the admissions committee to advocate for why they should accept you.

The more unique and noteworthy your Personal Narrative is, the better. This is how you'll stand apart from the tens of thousands of other applicants to your top choice school. This is why I recommend so strongly that you develop a Spike to show deep interest and achievement. A compelling Spike is the core of your Personal Narrative.

Well-rounded applications do NOT form compelling Personal Narratives, because "I'm a well-rounded person who's decent at everything" is the exact same thing every other well-rounded person tries to say.

Everything in your application should support your Personal Narrative , from your course selection and extracurricular activities to your personal statements and recommendation letters. You are a movie director, and your application is your way to tell a compelling, cohesive story through supporting evidence.

Yes, this is overly simplistic and reductionist. It does not represent all your complexities and your 17 years of existence. But admissions offices don't have the time to understand this for all their applicants. Your PERSONAL NARRATIVE is what they will latch onto.

Here's what I would consider my Personal Narrative (humor me since I'm peacocking here):

1) A science obsessive with years of serious research work and ranked 6 th in a national science competition, with future goals of being a neuroscientist or physician

2) Balanced by strong academic performance in all subjects (4.0 GPA and perfect test scores, in both humanities and science) and proficiency in violin

3) An irreverent personality who doesn't take life too seriously, embraces controversy, and says what's on his mind

These three elements were the core to my application. Together they tell a relatively unique Personal Narrative that distinguishes me from many other strong applicants. You get a surprisingly clear picture of what I'm about. There's no question that my work in science was my "Spike" and was the strongest piece of my application, but my Personal Narrative included other supporting elements, especially a description of my personality.

My College Application, at a High Level

Drilling down into more details, here's an overview of my application.

• This put me comfortably in the 99 th percentile in the country, but it was NOT sufficient to get me into Harvard by itself ! Because there are roughly 4 million high school students per year, the top 1 percentile still has 40,000 students. You need other ways to set yourself apart.
• Your Spike will most often come from your extracurriculars and academic honors, just because it's hard to really set yourself apart with your coursework and test scores.
• My letters of recommendation were very strong. Both my recommending teachers marked me as "one of the best they'd ever taught." Importantly, they corroborated my Personal Narrative, especially regarding my personality. You'll see how below.
• My personal statements were, in retrospect, just satisfactory. They represented my humorous and irreverent side well, but they come across as too self-satisfied. Because of my Spike, I don't think my essays were as important to my application.

Finally, let's get started by digging into the very first pages of my Common Application.

There are a few notable points about how simple questions can actually help build a first impression around what your Personal Narrative is.

First, notice the circle around my email address. This is the first of many marks the admissions officer made on my application. The reason I think he circled this was that the email address I used is a joke pun on my name . I knew it was risky to use this vs something like [email protected], but I thought it showed my personality better (remember point #3 about having an irreverent personality in my Personal Narrative).

Don't be afraid to show who you really are, rather than your perception of what they want. What you think UChicago or Stanford wants is probably VERY wrong, because of how little information you have, both as an 18-year-old and as someone who hasn't read thousands of applications.

(It's also entirely possible that it's a formality to circle email addresses, so I don't want to read too much into it, but I think I'm right.)

Second, I knew in high school that I wanted to go into the medical sciences, either as a physician or as a scientist. I was also really into studying the brain. So I listed both in my Common App to build onto my Personal Narrative.

In the long run, both predictions turned out to be wrong. After college, I did go to Harvard Medical School for the MD/PhD program for 4 years, but I left to pursue entrepreneurship and co-founded PrepScholar . Moreover, in the time I did actually do research, I switched interests from neuroscience to bioengineering/biotech.

Colleges don't expect you to stick to career goals you stated at the age of 18. Figuring out what you want to do is the point of college! But this doesn't give you an excuse to avoid showing a preference. This early question is still a chance to build that Personal Narrative.

Thus, I recommend AGAINST "Undecided" as an area of study —it suggests a lack of flavor and is hard to build a compelling story around. From your high school work thus far, you should at least be leaning to something, even if that's likely to change in the future.

Finally, in the demographic section there is a big red A, possibly for Asian American. I'm not going to read too much into this. If you're a notable minority, this is where you'd indicate it.

Now known as: Education

This section was straightforward for me. I didn't take college courses, and I took a summer chemistry class at a nearby high school because I didn't get into the lottery at my school that year (I refer to this briefly in my 4.0 GPA guide ).

The most notable point of this section: the admissions officer circled Principal here . This is notable because our school Principal only wrote letters for fewer than 10 students each year. Counselors wrote letters for the other hundreds of students in my class, which made my application stand out just a little.

I'll talk more about this below, when I share the Principal's recommendation.

(In the current Common Application, the Education section also includes Grades, Courses, and Honors. We'll be covering each of those below).

Now known as: Testing

Back then AP scores weren't part of this section, but I'll take them from another part of my application here.

However, their standards are still very high. You really do want to be in that top 1 percentile to pass the filter. A 1400 on the SAT IS going to put you at a disadvantage because there are so many students scoring higher than you. You'll really have to dig yourself out of the hole with an amazing application.

I talk about this a lot more in my Get into Harvard guide (sorry to keep linking this, but I really do think it's an important guide for you to read).

Let's end this section with some personal notes.

Even though math and science were easy for me, I had to put in serious effort to get an 800 on the Reading section of the SAT . As much as I wish I could say it was trivial for me, it wasn't. I learned a bunch of strategies and dissected the test to get to a point where I understood the test super well and reliably earned perfect scores.

I cover the most important points in my How to Get a Perfect SAT Score guide , as well as my 800 Guides for Reading , Writing , and Math .

Between the SAT and ACT, the SAT was my primary focus, but I decided to take the ACT for fun. The tests were so similar that I scored a 36 Composite without much studying. Having two test scores is completely unnecessary —you get pretty much zero additional credit. Again, with one test score, you have already passed their filter.

Finally, class finals or state-required exams are a breeze if you get a 5 on the corresponding AP tests .

Now known as: Family (still)

This section asks for your parent information and family situation. There's not much you can do here besides report the facts.

I'm redacting a lot of stuff again for privacy reasons.

The reader made a number of marks here for occupation and education. There's likely a standard code for different types of occupations and schools.

If I were to guess, I'd say that the numbers add to form some metric of "family prestige." My dad got a Master's at a middle-tier American school, but my mom didn't go to graduate school, and these sections were marked 2 and 3, respectively. So it seems higher numbers are given for less prestigious educations by your parents. I'd expect that if both my parents went to schools like Caltech and Dartmouth, there would be even lower numbers here.

This makes me think that the less prepared your family is, the more points you get, and this might give your application an extra boost. If you were the first one in your family to go to college, for example, you'd be excused for having lower test scores and fewer AP classes. Schools really do care about your background and how you performed relative to expectations.

In the end, schools like Harvard say pretty adamantly they don't use formulas to determine admissions decisions, so I wouldn't read too much into this. But this can be shorthand to help orient an applicant's family background.

Extracurricular, Personal, and Volunteer Activities

Now known as: Activities

For most applicants, your Extracurriculars and your Academic Honors will be where you develop your Spike and where your Personal Narrative shines through. This was how my application worked.

Just below I'll describe the activities in more detail, but first I want to reflect on this list.

As instructed, my extracurriculars were listed in the order of their interest to me. The current Common App doesn't seem to ask for this, but I would still recommend it to focus your reader's attention.

The most important point I have to make about my extracurriculars: as you go down the list, there is a HUGE drop in the importance of each additional activity to the overall application. If I were to guess, I assign the following weights to how much each activity contributed to the strength of my activities section:

In other words, participating in the Research Science Institute (RSI) was far more important than all of my other extracurriculars, combined. You can see that this was the only activity my admissions reader circled.

You can see how Spike-y this is. The RSI just completely dominates all my other activities.

The reason for this is the prestige of RSI. As I noted earlier, RSI was (and likely still is) the most prestigious research program for high school students in the country, with an admission rate of less than 5% . Because the program was so prestigious and selective, getting in served as a big confirmation signal of my academic quality.

In other words, the Harvard admissions reader would likely think, "OK, if this very selective program has already validated Allen as a top student, I'm inclined to believe that Allen is a top student and should pay special attention to him."

Now, it took a lot of prior work to even get into RSI because it's so selective. I had already ranked nationally in the Chemistry Olympiad (more below), and I had done a lot of prior research work in computer science (at Jisan Research Institute—more about this later). But getting into RSI really propelled my application to another level.

Because RSI was so important and was such a big Spike, all my other extracurriculars paled in importance. The admissions officer at Princeton or MIT probably didn't care at all that I volunteered at a hospital or founded a high school club .

This is a good sign of developing a strong Spike. You want to do something so important that everything else you do pales in comparison to it. A strong Spike becomes impossible to ignore.

In contrast, if you're well-rounded, all your activities hold equal weight—which likely means none of them are really that impressive (unless you're a combination of Olympic athlete, internationally-ranked science researcher, and New York Times bestselling author, but then I'd call you unicorn because you don't exist).

Apply this concept to your own interests—what can be so impressive and such a big Spike that it completely overshadows all your other achievements?

This might be worth spending a disproportionate amount of time on. As I recommend in my Harvard guide and 4.0 GPA guide , smartly allocating your time is critical to your high school strategy.

In retrospect, one "mistake" I made was spending a lot of time on the violin. Each week I spent eight hours on practice and a lesson and four hours of orchestra rehearsals. This amounted to over 1,500 hours from freshman to junior year.

The result? I was pretty good, but definitely nowhere near world-class. Remember, there are thousands of orchestras and bands in the country, each with their own concertmasters, drum majors, and section 1 st chairs.

If I were to optimize purely for college applications, I should have spent that time on pushing my spike even further —working on more Olympiad competitions, or doing even more hardcore research.

Looking back I don't mind this much because I generally enjoyed my musical training and had a mostly fun time in orchestra (and I had a strong Spike anyway). But this problem can be a lot worse for well-rounded students who are stretched too thin.

Aside from these considerations about a Spike, I have two major caveats.

First, developing a Spike requires continuous, increasingly ambitious foundational work. It's like climbing a staircase. From the beginning of high school, each step was more and more ambitious—my first academic team, my first research experience, leading up to state and national competitions and more serious research work.

So when I suggest devoting a lot of time to developing your Spike, it's not necessarily the Spike in itself—it's also spending time on foundational work leading up to what will be your major achievement. That's why I don't see my time with academic teams or volunteering as wasted, even though in the end they didn't contribute as much to my application.

Second, it is important to do things you enjoy. I still enjoyed playing the violin and being part of an orchestra, and I really enjoyed my school's academic teams, even though we never went beyond state level. Even if some activities don't contribute as much to your application, it's still fine to spend some time on them—just don't delude yourself into thinking they're stronger than they really are and overspend time on them.

Finally, note that most of my activities were pursued over multiple years. This is a good sign of commitment—rather than hopping from activity year to year, it's better to show sustained commitment, as this is a better signal of genuine passion.

In a future article, I'll break down these activities in more detail. But this guide is already super long, so I want to focus our attention on the main points.

Short Answer: Extracurricular Activities

In today's Common Application, you have 50 characters to describe "Position/Leadership description and organization name" and 150 characters for "Please describe this activity, including what you accomplished and any recognition you received, etc."

Back then, we didn't have as much space per activity, and instead had a short answer question.

The Short Answer prompt:

Please describe which of your activities (extracurricular and personal activities or work experience) has been most meaningful and why.

I chose RSI as my most significant activity for two reasons—one based on the meaning of the work, and another on the social aspect.

It's obvious that schools like Yale and UChicago want the best students in the world that they can get their hands on. Academic honors and awards are a great, quantifiable way to show that.

Here's the complete list of Academic Honors I submitted. The Common Application now limits you to five honors only (probably because they got tired of lists like these), but chances are you capture the top 98% of your honors with the top five.

Charlie wins a Golden Ticket to Harvard.

I know this is intimidating if you don't already have a prestigious honor. But remember there are thousands of nationally-ranked people in a multitude of honor types, from science competitions to essay contests to athletics to weird talents.

And I strongly believe the #1 differentiator of high school students who achieve things is work ethic, NOT intelligence or talent. Yes, you need a baseline level of competence to get places, but people far undervalue the progress they can make if they work hard and persevere. Far too many people give up too quickly or fatigue without putting in serious effort.

If you're stuck thinking, "well I'm just an average person, and there's no way I'm going to become world-class in anything," then you've already lost before you've begun. The truth is everyone who achieves something of note puts in an incredible amount of hard work. Because this is invisible to you, it looks like talent is what distinguishes the two of you, when really it's much more often diligence.

I talk a lot more about the Growth Mindset in my How To Get a 4.0 GPA guide .

So my Chemistry Olympiad honor formed 90% of the value of this page. Just like extracurriculars, there's a quick dropoff in value of each item after that.

My research work took up the next two honors, one a presentation at an academic conference, and the other (Siemens) a research competition for high school researchers.

The rest of my honors were pretty middling:

• National Merit Scholarship semifinalist pretty much equates to PSAT score, which is far less important than your SAT/ACT score. So I didn't really get any credit for this, and you won't either.
• In Science Olympiad (this is a team-based competition that's not as prestigious as the academic Olympiads I just talked about), I earned a number of 1 st place state and regional medals, but we never made it to nationals.
• I was mediocre at competition math because I didn't train for it, and I won some regional awards but nothing amazing. This is one place I would have spent more time, maybe in the time I'd save by not practicing violin as much. There are great resources for this type of training, like Art of Problem Solving , that I didn't know existed and could've helped me rank much higher.

At the risk of beating a dead horse, think about how many state medalists there are in the country, in the hundreds of competitions that exist . The number of state to national rankers is probably at least 20:1 (less than 50:1 because of variation in state size), so if there are 2,000 nationally ranked students, there are 40,000 state-ranked students in something !

So state honors really don't help you stand out on your Princeton application. There are just too many of them around.

On the other hand, if you can get to be nationally ranked in something, you will have an amazing Spike that distinguishes you.

Now known as: Personal Essay

Now, the dreaded personal statement. Boy, oh boy, did I fuss over this one.

"What is the perfect combination of personal, funny, heartrending, and inspirational?"

I know I was wondering this when I applied.

Having read books like 50 Successful Harvard Application Essays , I was frightened. I didn't grow up as a refugee, wrenched from my war-torn home! I didn't have a sibling with a debilitating illness! How could anything I write compare to these tales of personal strength?

The trite truth is that colleges want to know who you really are . Clearly they don't expect everyone to have had immense personal struggle. But they do want students who are:

• growth-oriented
• introspective
• kind and good-hearted

Whatever those words mean to you in the context of your life is what you should write about.

In retrospect, in the context of MY application, the personal statement really wasn't what got me into Harvard . I do think my Spike was nearly sufficient to get me admitted to every school in the country.

I say "nearly" because, even if you're world-class, schools do want to know you're not a jerk and that you're an interesting person (which is conveyed through your personal essay and letters of recommendation).

Back then, we had a set of different prompts :

What did you think?

I'm still cringing a bit. Parts of this are very smug (see /r/iamverysmart ), and if you want to punch the writer in the face, I don't blame you. I want to as well.

We'll get to areas of improvement later, but first, let's talk about what this personal essay did well.

As I said above, I saw the theme of the snooze button as a VEHICLE to showcase a few qualities I cared about :

1) I fancied myself a Renaissance man (obnoxious, I know) and wanted to become an inventor and creator . I showed this through mentioning different interests (Rubik's cube, chemistry, Nietzsche) and iterating through a few designs for an alarm clock (electric shocks, explosions, Shakespearean sonnet recitation).

2) My personality was whimsical and irreverent. I don't take life too seriously. The theme of the essay—battling an alarm clock—shows this well, in comparison to the gravitas of the typical student essay. I also found individual lines funny, like "All right, so I had violated the divine honor of the family and the tenets of Confucius." At once I acknowledge my Chinese heritage but also make light of the situation.

3) I was open to admitting weaknesses , which I think is refreshing among people taking college applications too seriously and trying too hard to impress. The frank admission of a realistic lazy habit—pushing the Snooze button—served as a nice foil to my academic honors and shows that I can be down-to-earth.

So you see how the snooze button acts as a vehicle to carry these major points and a lot of details, tied together to the same theme .

In the same way, The Walking Dead is NOT a zombie show—the zombie environment is a VEHICLE by which to show human drama and conflict. Packaging my points together under the snooze button theme makes it a lot more interesting than just outright saying "I'm such an interesting guy."

So overall, I believe the essay accomplishes my goals and the main points of what I wanted to convey about myself.

Note that this is just one of many ways to write an essay . It worked for me, but it may be totally inappropriate for you.

Now let's look at this essay's weaknesses.

Looking at it with a more seasoned perspective, some parts of it are WAY too try-hard. I try too hard to show off my breadth of knowledge in a way that seems artificial and embellishing.

The entire introduction with the Rubik's cube seems bolted on, just to describe my long-standing desire to be a Renaissance man. Only three paragraphs down do I get to the Snooze button, and I don't refer again to the introduction until the end. With just 650 words, I could have made the essay more cohesive by keeping the same theme from beginning to end.

Some phrases really make me roll my eyes. "Always hungry for more" and "ever the inventor" sound too forced and embellishing. A key principle of effective writing is to show, not say . You don't say "I'm passionate about X," you describe what extraordinary lengths you took to achieve X.

The mention of Nietzsche is over-the-top. I mean, come on. The reader probably thought, "OK, this kid just read it in English class and now he thinks he's a philosopher." The reader would be right.

The ending: "with the extra nine minutes, maybe I'll teach myself to cook fried rice" is silly. Where in the world did fried rice come from? I meant it as a nod to my Chinese heritage, but it's too sudden to work. I could have deleted the sentence and wrapped up the essay more cleanly.

So I have mixed feelings of my essay. I think it accomplished my major goals and showed the humorous, irreverent side of my personality well. However, it also gave the impression of a kid who thought he knew more than he did, a pseudo-sophisticate bordering on obnoxious. I still think it was a net positive.

At the end of the day, I believe the safest, surefire strategy is to develop a Spike so big that the importance of the Personal Essay pales in comparison to your achievements. You want your Personal Essay to be a supplement to your application, not the only reason you get in.

There are probably some cases where a well-rounded student writes an amazing Personal Essay and gets in through the strength of that. As a Hail Mary if you're a senior and can't improve your application further, this might work. But the results are very variable—some readers may love your essay, others may just think it's OK. Without a strong application to back it up, your mileage may vary.

This is a really fun section. Usually you don't get to read your letter of recommendation because you sign the FERPA waiver. I've also reached out to my letter writers to make sure they're ok with my showing this.

Teacher recommendations are incredibly important to your application. I would say that after your coursework/test scores and activities/honors, they're the 3 rd most important component of your application .

The average teacher sees thousands of students through a career, and so he or she is very well equipped to position you relative to all other students. Furthermore, your teachers are experienced adults—their impressions of you are much more reliable than your impressions of yourself (see my Personal Essay above). They can corroborate your entire Personal Narrative as an outside observer.

The most effective recommendation letters speak both to your academic strengths and to your personality. For the second factor, the teacher needs to have interacted with you meaningfully, ideally both in and out of class. Check out our guide on what makes for effective letters of recommendation .

Starting from sophomore year, I started thinking about whom I connected better with and chose to engage with those teachers more deeply . Because it's standard for colleges to require two teachers in different subjects, I made sure to engage with English and history teachers as well as math and science.

The minimum requirement for a good letter is someone who taught a class in which you did well. I got straight A's in my coursework, so this wasn't an issue.

Beyond this, I had to look for teachers who would be strong advocates for me on both an academic and personal level . These tended to be teachers I vibed more strongly with, and typically these were teachers who demonstrably cared about teaching. This was made clear by their enthusiasm, how they treated students, and how much they went above expectations to help.

I had a lot of teachers who really just phoned it in and treated their job perfunctorily—these people are likely to write pretty blasé letters.

A final note before reading my actual teacher evaluations— you should avoid getting in the mindset where you get to know teachers JUST because you want a good recommendation letter . Your teachers have seen hundreds, if not thousands, of students pass through, and it's much easier to detect insincerity than you think.

If you honestly like learning and are an enthusiastic, responsible, engaging student, a great recommendation letter will follow naturally. The horse should lead the cart.

Read my How to Get a 4.0 GPA for tips on how to interact with teachers in a genuine way that'll make them love you.

Teacher Letter #1: AP Chemistry Teacher

I took AP Chemistry in 10 th grade and had Miss Cherryl Vorak (now Mynster). She was young, having taught for fewer than 5 years when I had her. She was my favorite teacher throughout high school for these reasons:

• She was enthusiastic, very caring, and spent a lot of time helping struggling students. She exuded pride in her work and seemed to consider teaching her craft.
• She had a kind personality and was universally well liked by her students, even if they weren't doing so well. She was fair in her policies (it probably helped that science is more objective than English). She was also a younger teacher, and this helped her relate to kids more closely.
• She was my advocate for much of the US National Chemistry Olympiad stuff, and in this capacity I got to know her even better outside of class. She provided me a lot of training materials, helped me figure out college chemistry, and directed me to resources to learn more.

By the time of the letter writing, I had known her for two full years and engaged with her continuously, even when I wasn't taking a class with her in junior year. We'd build up a strong relationship over the course of many small interactions.

All of this flowed down to the recommendation you see here. Remember, the horse leads the cart.

First, we'll look at the teacher evaluation page. The Common Application now has 16 qualities to rate, rather than the 10 here. But they're largely the same.

You can see a very strong evaluation here, giving me the highest ratings possible for all qualities.

In today's Common Application, all of these Ratings are retained, aside from "Potential for Growth." Today's Common App also now includes Faculty Respect, Maturity, Leadership, Integrity, Reaction to Setbacks, Concern for Others, and TE Overall. You can tell that the updated Common App places a great emphasis on personality.

The most important point here: it is important to be ranked "One of the top few encountered in my career" for as many ratings as possible . If you're part of a big school, this is CRITICAL to distinguish yourself from other students. The more experienced and trustworthy the teacher, the more meaningful this is.

Again, it's a numbers game. Think about the 20,000+ high schools in the country housing 4 million+ high school students—how many people fit in the top 5% bucket?

Thus, being marked merely as Excellent (top 10%) is actually a negative rating , as far as admissions to top colleges is concerned. If you're in top 10%, and someone else with the SAME teacher recommender is being rated as "One of the top ever," it's really hard for the admissions officer to vouch for you over the other student.

You really want to make sure you're one of the best in your school class, if not one of the best the teacher has ever encountered. You'll see below how you can accomplish this.

Next, let's look at her letter.

As you read this, think— what are the interactions that would prompt the teacher to write a recommendation like this? This was a relationship built up in a period of over 2 years, with every small interaction adding to an overall larger impression.

You can see how seriously they take the letter because of all the underlining . This admissions reader underlined things that weren't even underlined in my application, like my US National Chemistry Olympiad awards. It's one thing for a student to claim things about himself—it's another to have a teacher put her reputation on the line to advocate for her student.

The letter here is very strong for a multitude of reasons. First, the length is notable —most letters are just a page long, but this is nearly two full pages , single spaced. This indicates not just her overall commitment to her students but also of her enthusiastic support for me as an applicant.

The structure is effective: first Miss Vorak talks about my academic accomplishments, then about my personal qualities and interactions, then a summary to the future. This is a perfect blend of what effective letters contain .

On the micro-level, her diction and phrasing are precise and effective . She makes my standing clear with specific statements : "youngest student…top excelling student among the two sections" and "one of twenty students in the nation." She's clear about describing why my achievements are notable and the effort I put in, like studying college-level chemistry and studying independently.

When describing my personality, she's exuberant and fleshes out a range of dimensions: "conscientious, motivated and responsible," "exhibits the qualities of a leader," "actively seeks new experiences," "charismatic," "balanced individual with a warm personality and sense of humor." You can see how she's really checking off all the qualities colleges care about.

Overall, Miss Vorak's letter perfectly supports my Personal Narrative —my love for science, my overall academic performance, and my personality. I'm flattered and grateful to have received this support. This letter was important to complement the overall academic performance and achievements shown on the rest of my application.

Teacher Letter #2: AP English Language Teacher

My second teacher Mrs. Swift was another favorite. A middle-aged, veteran English teacher, the best way I would describe her is "fiery." She was invigorating and passionate, always trying to get a rise out of students and push their thinking, especially in class discussions. Emotionally she was a reliable source of support for students.

First, the evaluation:

You can see right away that her remarks are terser. She didn't even fill out the section about "first words that come to mind to describe this student."

You might chalk this up to my not being as standout of a student in her mind, or her getting inundated with recommendation letter requests after over a decade of teaching.

In ratings, you can see that I only earned 3 of the "one of the top in my career." There are a few explanations for this. As a teacher's career lengthens, it gets increasingly hard to earn this mark. I probably also didn't stand out as much as I did to my Chemistry teacher—most of my achievement was in science (which she wasn't closely connected to), and I had talented classmates. Regardless, I did appreciate the 3 marks she gave me.

Now, the letter. Once again, as you read this letter, think: what are the hundreds of micro-interactions that would have made a teacher write a letter like this?

Overall, this letter is very strong. It's only one page long, but her points about my personality are the critical piece of this recommendation. She also writes with the flair of an English teacher:

"In other situations where students would never speak their minds, he showed no hesitation to voice questions, thoughts, and ideas."

"controversial positions often being the spark that set off the entire class"

"ability to take the quiet and shy student and actively engage"…"went out of my way to partner him with other students who needed"

"strength of conviction"…"raw, unbridled passion"…"He will argue on any topic that has touched a nerve."

These comments most support the personality aspect of my Personal Narrative—having an irreverent, bold personality and not being afraid of speaking my mind. She stops just short of making me sound obnoxious and argumentative. An experienced teacher vouching for this adds so much more weight than just my writing it about myself.

Teacher recommendations are some of the most important components of your application. Getting very strong letters take a lot of sustained, genuine interaction over time to build mutual trust and respect. If you want detailed advice on how to interact with teachers earnestly, check out my How to Get a 4.0 GPA and Better Grades guide .

Let's go to the final recommendation, from the school counselor.

Now known as: School Report

The first piece of this is reporting your academic status and how the school works overall. There's not much to say here, other than the fact that my Principal wrote my recommendation for me, which we'll get into next.

Counselor Recommendation

Now known as: Counselor Recommendation

Let's talk about my school principal writing my recommendation, rather than a school counselor.

This was definitely advantageous—remember how, way up top in Educational Data, the reader circled the "Principal." Our Principal only wrote a handful of these recommendations each year , often for people who worked closely with him, like student body presidents. So it was pretty distinctive that I got a letter from our Principal, compared to other leading applicants from my school.

This was also a blessing because our counseling department was terrible . Our school had nearly 1,000 students per grade, and only 1 counselor per grade. They were overworked and ornery, and because they were the gatekeepers of academic enrollment (like class selection and prerequisites), this led to constant frictions in getting the classes you wanted.

I can empathize with them, because having 500+ neurotic parents pushing for advantages for their own kids can get REALLY annoying really fast. But the counseling department was still the worst part of our high school administration, and I could have guessed that the letters they wrote were mediocre because they just had too many students.

So how did my Principal come to write my recommendation and not those for hundreds of other students?

I don't remember exactly how this came to be, to be honest. I didn't strategize to have him write a letter for me years in advance. I didn't even interact with him much at all until junior year, when I got on his radar because of my national rankings. Come senior year I might have talked to him about my difficulty in reaching counselors and asked that he write my recommendation. Since I was a top student he was probably happy to do this.

He was very supportive, but as you can tell from the letter to come, it was clear he didn't know me that well.

Interestingly, the prompt for the recommendation has changed. It used to start with: "Please write whatever you think is important about this student."

Now, it starts with: " Please provide comments that will help us differentiate this student from others ."

The purpose of the recommendation has shifted to the specific: colleges probably found that one counselor was serving hundreds of students, so the letters started getting mushy and indistinguishable from each other.

Here's the letter:

This letter is probably the weakest overall of all my letters. It reads more like a verbal resume than a personal account of how he understands me.

Unlike my two teacher recommendations, he doesn't comment on the nature of our interactions or about my personality (because he truly didn't understand them well). He also misreported by SAT score as 1530 instead of 1600 (I did score a 1530 in an early test, but my 1600 was ready by January 2004, so I don't know what source he was using).

Notably, the letter writer didn't underline anything.

I still appreciate that he wrote my letter, and it was probably more effective than a generic counselor letter. But this didn't add much to my application.

At this point, we've covered my entire Common Application. This is the same application I sent to every school I applied to, including Harvard, Princeton, and Stanford. Thanks for reading this far—I hope you've gotten a lot out of this already.

If you keep reading to the end, I'll have advice for both younger students and current applicants to build the strongest application possible.

Next, we'll go over the Harvard Supplemental Application, which of course is unique to Harvard.

For most top colleges like Princeton, Yale, Stanford, Columbia, and so on, you will need to complete a supplemental application to provide more info than what's listed on the Common Application.

Harvard was and is the same. The good news is that it's an extra chance for you to share more about yourself and keep pushing your Personal Narrative.

There are four major components here:

• The application form
• Writing supplement essay
• Supplementary recommendations
• Supplemental application materials

I'll take you through the application section by section.

Harvard Supplement Form

First, the straightforward info and questions.

This section is pretty straightforward and is similar to what you'd see on a Columbia application.

I planned to live in a Harvard residence, as most students do.

Just as in my Common App, I noted that I was most likely to study biological sciences, choose Medicine as my vocation, and participate in orchestra, writing, and research as my extracurriculars. Nothing surprising here—it's all part of my Personal Narrative.

Interestingly, at the time I was "absolutely certain" about my vocational goals, which clearly took a detour once I left medical school to pursue entrepreneurship to create PrepScholar...

I had the space to list some additional honors, where I listed some musical honors that didn't make the cut in my Common App.

Here are the next two pages of the Harvard supplemental form.

The most interesting note here is that the admissions officer wrote a question mark above "Music tape or CD." Clearly this was inconsistent with my Personal Narrative —if violin was such an important part of my story, why didn't I want to include it?

The reason was that I was actually pretty mediocre at violin and was nowhere near national-ranked. Again, remember how many concertmasters in the thousands of orchestras there are in the world—I wasn't good enough to even be in the top 3 chairs in my school orchestra (violin was very competitive).

I wanted to focus attention on my most important materials, which for my Personal Narrative meant my research work. You'll see these supplementary materials later.

Additional Essays

Now known as: Writing Supplement

For the most part, the Harvard supplemental essay prompt has stayed the same. You can write about a topic of your choice or about any of the suggestions. There are now two more prompts that weren't previously there: "What you would want your future college roommate to know about you" and "How you hope to use your college education."

Even though this is optional, I highly recommend you write something here. Again, you have so few chances in the overall application to convey your personal voice—an extra 500 words gives you a huge opportunity. I would guess that the majority of admitted Harvard students submit a Writing Supplement.

After a lot of brainstorming, I settled on the idea that I wanted to balance my application by writing about the major non-academic piece of my Personal Narrative—my music training . Also, I don't think I explicitly recognized this at the time, but I wanted to distance myself from the Asian-American stereotype—driven entirely by parent pressure, doing most things perfunctorily and without interest. I wanted to show I'd broken out of that mold.

Here's my essay:

Reading it now, I actually think this was a pretty bad essay, and I cringe to high heaven. But once again, let's focus on the positive first.

I used my violin teacher as a vehicle for talking about what the violin meant to me. (You can tell I love the concept of the vehicle in essays.) He represented passion for the violin—I represented my academic priorities. Our personal conflict was really the conflict between what we represented.

By the end of the essay, I'd articulated the value of musical training to me—it was cathartic and a way to balance my hard academic pursuits.

Halfway in the essay, I also explicitly acknowledged the Asian stereotype of parents who drove their kids, and said my parents were no different. The reader underlined this sentence. By pointing this out and showing how my interest took on a life of its own, I wanted to distance myself from that stereotype.

So overall I think my aims were accomplished.

Despite all that, this essay was WAY overdramatic and overwrought . Some especially terrible lines:

"I was playing for that cathartic moment when I could feel Tchaikovsky himself looking over my shoulder."

"I was wandering through the fog in search of a lighthouse, finally setting foot on a dock pervaded by white light."

OK, please. Who really honestly feels this way? This is clumsy, contrived writing. It signals insincerity, actually, which is bad.

To be fair, all of this is grounded in truth. I did have a strict violin teacher who did get pretty upset when I showed lack of improvement. I did appreciate music as a diversion to round out my academic focus. I did practice hard each day, and I did have a pretty gross callus on my pinky.

But I would have done far better by making it more sincere and less overworked.

As an applicant, you're tempted to try so hard to impress your reader. You want to show that you're Worthy of Consideration. But really the best approach is to be honest.

I think this essay was probably neutral to my application, not a strong net positive or net negative.

Supplementary Recommendations

Harvard lets you submit letters from up to two Other Recommenders. The Princeton application, Penn application, and others are usually the same.

Unlike the other optional components (the Additional Information in the Common App, and the Supplementary Essay), I would actually consider these letters optional. The reader gets most of the recommendation value from your teacher recommendations—these are really supplementary.

A worthwhile Other Recommender:

• has supervised an activity or honor that is noteworthy
• has interacted with you extensively and can speak to your personality
• is likely to support you as one of the best students they've interacted with

If your Other Recommenders don't fulfill one or more of these categories, do NOT ask for supplementary letters. They'll dilute your application without adding substantively to it.

To beat a dead horse, the primary component of my Personal Narrative was my science and research work. So naturally I chose supervisors for my two major research experiences to write supplemental letters.

First was the Director of Research Science Institute (the selective summer research program at MIT). The second was from the head of Jisan Research Institute, where I did Computer Science research.

This letter validates my participation in RSI and incorporates the feedback from my research mentor, David Simon. At the time, the RSI students were the most talented students I had met, so I'm also flattered by some of the things the letter writer said, like "Allen stood out early on as a strong performer in academic settings."

I didn't get to know the letter writer super well, so he commented mainly on my academic qualifications and comments from my mentor.

My mentor, who was at one of the major Harvard-affiliated hospitals, said some very nice things about my research ability, like:

"is performing in many ways at the level of a graduate student"

"impressed with Allen's ability to read even advanced scientific publications and synthesize his understanding"

Once again, it's much more convincing for a seasoned expert to vouch for your abilities than for you to claim your own abilities.

My first research experience was done at Jisan Research Institute, a small private computer science lab run by a Caltech PhD. The research staff were mainly high school students like me and a few grad students/postdocs.

My research supervisor, Sanza Kazadi, wrote the letter. He's requested that I not publish the letter, so I'll only speak about his main points.

In the letter, he focused on the quality of my work and leadership. He said that I had a strong focus in my work, and my research moved along more reliably than that of other students. I was independent in my work in swarm engineering, he says, putting together a simulation of the swarm and publishing a paper in conference proceedings. He talked about my work in leading a research group and placing a high degree of trust in me.

Overall, a strong recommendation, and you get the gist of his letter without reading it.

One notable point—both supplemental letters had no marks on them. I really think this means they place less emphasis on the supplementary recommendations, compared to the teacher recommendations.

Finally, finally, we get to the very last piece of my application.

Let me beat the dead horse even deader. Because research was such a core part of my Personal Narrative, I decided to include abstracts of both of my papers. The main point was to summarize the body of work I'd done and communicate the major results.

As Harvard says, "These materials are entirely optional; please only submit them if you have unusual talents."

This is why I chose not to submit a tape of my music: I don't think my musical skill was unusually good.

And frankly, I don't think my research work was that spectacular. Unlike some of my very accomplished classmates, I hadn't ranked nationally in prestigious competitions like ISEF and Siemens. I hadn't published my work in prominent journals.

Regardless, I thought these additions would be net positive, if only marginally so.

I made sure to note where the papers had been published or were entering competitions, just to ground the work in some achievement.

Recommendation Letters: Hopefully you should have developed strong, genuine relationships with teachers you care about. The letters should flow naturally from here, and you will only need to do gentle prodding to make sure they meet deadlines.

Keep Reading

At PrepScholar, we've published the best guides available anywhere to help you succeed in high school and college admissions.

Here's a sampling of our most popular articles:

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How to Get Into Harvard and the Ivy League —The foundational guide where I discuss the philosophy behind what colleges are looking for, how to develop a Spike, and why being well-rounded is the path to rejection.

How to Get a 4.0 GPA and Better Grades —Are you struggling with getting strong grades in challenging coursework? I step you through all the major concepts you need to excel in school, from high-level mindset to individual class strategies.

As co-founder and head of product design at PrepScholar, Allen has guided thousands of students to success in SAT/ACT prep and college admissions. He's committed to providing the highest quality resources to help you succeed. Allen graduated from Harvard University summa cum laude and earned two perfect scores on the SAT (1600 in 2004, and 2400 in 2014) and a perfect score on the ACT. You can also find Allen on his personal website, Shortform , or the Shortform blog .

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Harvard University

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Harvard University’s 2023-24 Essay Prompts

Diversity short response.

Harvard has long recognized the importance of enrolling a diverse student body. How will the life experiences that shape who you are today enable you to contribute to Harvard?

Intellectual Experience Short Response

Briefly describe an intellectual experience that was important to you.

Extracurricular Short Response

Briefly describe any of your extracurricular activities, employment experience, travel, or family responsibilities that have shaped who you are.

Future Goals Short Response

How do you hope to use your Harvard education in the future?

Roommate Short Response

Top 3 things your roommates might like to know about you.

Common App Personal Essay

The essay demonstrates your ability to write clearly and concisely on a selected topic and helps you distinguish yourself in your own voice. What do you want the readers of your application to know about you apart from courses, grades, and test scores? Choose the option that best helps you answer that question and write an essay of no more than 650 words, using the prompt to inspire and structure your response. Remember: 650 words is your limit, not your goal. Use the full range if you need it, but don‘t feel obligated to do so.

Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story.

The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience?

Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome?

Reflect on something that someone has done for you that has made you happy or thankful in a surprising way. How has this gratitude affected or motivated you?

Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others.

Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

Share an essay on any topic of your choice. It can be one you‘ve already written, one that responds to a different prompt, or one of your own design.

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Harvard University Essay Example

Harvard University is a highly-selective school, so it’s important to write strong essays to help your application stand out. In this post, we’ll share an essay a real student has submitted to Harvard. (Names and identifying information have been changed, but all other details are preserved).

Please note: Looking at examples of real essays students have submitted to colleges can be very beneficial to get inspiration for your essays. You should never copy or plagiarize from these examples when writing your own essays. Colleges can tell when an essay isn’t genuine and will not view students favorably if they plagiarized. 

Read our Harvard essay breakdown to get a comprehensive overview of this year’s supplemental prompts.

Prompt: Travel, living, or working experiences in your own or other communities

A scream in the night.

In the town of Montagu, South Africa, the sun had set hours ago, leaving its place to a deep dark sky. Everything was peaceful and quiet. In a little lodge, a family of four people had just finished eating on a dimly lit terrace. The heat was so intense even the black silence seemed to suffocate – only a few crickets dared to break its density. The mother asked something to her daughter, who stood up, and bypassed the table. That’s when she screamed. An intense, long scream, that reverberated in the little town of Montagu.

How do I know that? It was me. 

Me, miserable as I had fallen down the terrace… into a plantation of cacti! I couldn’t move. I felt as if each cactus thorn contained poison that spread through my back, my arms, my entire body. The plants were engulfing me into the darkness. I was suffocating, trying to grasp some of the hot, heavy air. Until I felt her hand. My mom’s. 

She and my father organized this trip to South Africa. Valuing experiences more than material wealth, they liked to organize trips to foreign, far away countries. In addition to South Africa, I visited Cuba, Nepal and China. Four countries where landscapes and cities are dissimilar to France’s. Four countries that allowed me to discover numerous communities, recipes and traditions. Four countries where I met animals, plants and humans I had never seen before.

I am a city girl. As a little girl, I was never really fond of flora or fauna. However, during my trips, I was lucky to see animals in freedom and to interact with nature. A baboon broke into my car in South Africa and walked all over me – literally. I held an iguana in Cuba, did a safari in South Africa and talked with a parrot in Nepal. I saw the sun rising on the Machapuchare. I ultimately understood that all I had experienced was thanks to Nature. I realized its preciousness and its urgency to be saved. I gained proximity to the environment that I had always lacked. My blood turned green thanks to travels. 

In addition to animal discoveries, travels are encounter engines. From little to aged humans, from all genders, from everywhere, travels allowed me to meet incredible people. The uncanny apparition of a mysterious little girl particularly touched me in Ghorepani, Nepal. I had walked for seven hours that day, and was waiting for dinner, sitting on a bench. She slowly advanced towards me.

“What’s your name?” I asked the white figure in the obscurity.

The little girl stopped moving. Dark curly hair, dark deep eyes, white clothes covered in mud among the deep dark night. Our eyes locked in each other’s, the sound of our breathing floating in the dense silence, everything seemed to be suspended. After what felt like dozens of hours, she looked at me and silently walked away, a star in the ink black sky. 

Every person encountered made me grow. Some like the Nepalese little girl simply disrupted me, some opened my eyes on poverty, others opened my eyes on racism. Every person I met had a story to share, a fact to transmit. I visited an orphanage in a township in South Africa. The teacher, a frail and tiny woman, explained that racism was still so profound in the country that black and mixed race people were fighting to death in the neighbourhood. Centuries of abuse towards people of color, for children to pay the price, growing up parentless in the orphanage. The sound of the rain was echoing on the metal houses as the children sang their anthem. Wet furrows appeared as raindrops were racing on every cheek:

‘Let us live and strive for freedom,

In South Africa our land.’

Traveling is ultimately a chance. It is an opportunity to understand the complexity of the world by getting close to it. Traveling allowed me to realize the differences between each country and region. But beyond those dissimilarities, I saw singing, dancing and laughing everywhere in the world. Being away brought me closer to my home and my family and friends, my newspaper team, every community I’m involved in. Traveling represents a learning process. I integrated leadership and diligence in Nepal, watching children and old men transport wood on their back. Speaking foreign languages allowed me to acquire experience and put my theoretical skills to practise. I acquired a lot of adaptability through travels as part of their greatness comes from its unpredictability. Traveling truly enriches the intellect of those who have the chance to do it.

What the Essay Did Well

This is overall a delightful, very readable essay. The author starts with a dramatic hook to capture the reader’s attention, and they build on that initial story with vivid imagery like “ I felt as if each cactus thorn contained poison that spread through my back, my arms, my entire body.” In general, the language is strong throughout the entire essay. Other beautiful gems include, “The sound of the rain was echoing on the metal houses as the children sang their anthem” and, “The uncanny apparition of a mysterious little girl particularly touched me.” The author has a way with words, and they proudly demonstrate it in their response. 

In addition to strong imagery, the author also does a satisfactory job at answering the prompt. The open-ended question not only means that students could answer in a variety of ways, but also that it might be easy to fall into a trap of answering in an unrelated or uninteresting manner. The author here does a good job of directly answering the prompt by providing clear examples of their travels around the world. Their response also goes beyond merely listing experiences; rather, they tell stories and describe some of the notable people they have met along the way. By telling stories and adopting a whimsical tone that evokes the wanderlust of travel, they elevate the impact of their response. 

We also learn a fair amount about the author through their stories and personal reflections. We see that they are concerned about social justice through their retelling of the interactions in South Africa. We see them reflecting on the universal joys of singing and dancing: “ But beyond those dissimilarities, I saw singing, dancing and laughing everywhere in the world.” In the closing paragraph, we learn that they are adaptable and willing to undergo lifelong learning. Thus, another reason this essay shines is because it not only tells us what travels/experiences the author has engaged in, but it provides deeper introspection regarding how they have grown from these experiences.

What Could Be Improved

While the essay is beautiful, and the fast-moving pace matches the feeling of seeing unfamiliar places for the first time, the narrative runs the risk of being too wide-ranging. The introductory story of falling onto a bed of cacti could warrant an entire essay unto itself, yet the author does not return to it anywhere else in their response. They missed an opportunity to bring the response full circle by ruminating on that once more in their conclusion. 

Another thing to be careful of is how the privilege inherent in international travel might cause the author to see the life through a certain lens. Although they remark upon how their family prioritizes experiences over material wealth, the fact is that extensive international travel relies on having material wealth to pay for costs like airfare and housing. It is important to demonstrate humility and awareness of privilege when responding to college essay prompts, and this is no exception. 

Where to Get Your Harvard University Essays Edited

Do you want feedback on your Harvard University  essays? After rereading your essays countless times, it can be difficult to evaluate your writing objectively. That’s why we created our free Peer Essay Review tool , where you can get a free review of your essay from another student. You can also improve your own writing skills by reviewing other students’ essays. 

If you want a college admissions expert to review your essay, advisors on CollegeVine have helped students refine their writing and submit successful applications to top schools. Find the right advisor for you to improve your chances of getting into your dream school!

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A blank computer screen. That was what the summer before my senior year looked like.

A pretty familiar sight my senior summer...

The Common Application opened August 1, and in my summer schedule I’d left myself a whole four weeks to sit down and figure out what I was going to send to colleges.

Or so I thought. The reality of that August--beach trips, field hockey pre-season, and just generally anything I could do to avoid sitting in front of a blank computer screen with a document titled “Common Application Essay”--was a little different from the four weeks of writing, revising, and finishing my college essays that I’d planned out in May.

The college essay (officially your “personal statement,” at least at Harvard) was the most intimidating part of my application process--because, by the beginning of my senior year, it was the only thing I had any real control over. Think about it this way: by the time you hit the summer before you apply to college, most of your application is already complete. You probably have a pretty good idea of what your scores are going to look like, the majority of you high school grades have already been entered into your transcript, your recommending teachers already know you (I hope…), and you’ve already gotten involved in whatever school activities you’ve filled your last three years in high school with.

I thought of the Common App essay as my chance to have a voice in the committee room when [fill in college-of-choice here]’s admissions officers sat down to decide my fate--and that made a blank Word document utterly terrifying. I mean, what do you say to convince someone to let you into Harvard?

This week, I’ve been asked 14 (I counted…) questions about the essay component of the Harvard application, and most of them have started with the unassuming, “What did you write your application essay on?”

If you really want to know, after hours of debate over whether or not writing about my failures was really a good way to attempt to get into college, I picked the Common App essay prompt, “Recount an incident or time when you experienced failure,” and wrote about the two years in high school I spent generally making a mess of my time in a  Navy JROTC program--complete with exactly five terrible nautical puns.

But, if you ask me, I think you’re asking the wrong question.

The whole point of your application essay--and the reason Harvard calls it your “personal statement” instead--is that it’s personal. I wouldn’t recommend including my nautical puns in your writing to Harvard for a lot of reasons, but the most important is that they’re a part of my story, not yours.

I’m sitting in an office with four other students right now, and (after a brief poll) it turns out we wrote about everything from writer’s block to being a pastor’s kid to the U.S. Navy. So the answer to the all-important question, “What do you say to convince someone to let you into Harvard?” is that you talk about you .

You spend all day with yourself, but your admissions officers meet you for the first time the day they pick up your application. They meet you through your transcript and teacher recommendations and extracurricular resume, but mostly they meet you--the parts of you that don’t revolve around a list of leadership positions or your stellar (or not-so-stellar, in my case) math grades or how helpful you were in English class that one time--in what you write to them.

So write about you: what matters to you, how you spend your time, what makes you tick and keeps you up at night. Don’t try to write what you think Harvard wants to hear, whether that’s an essay about a love of mathematical theorems you don’t really have or your “life-changing” experience helping poor orphans in Indonesia that wasn’t really that life-changing at all. If you’re reading (or writing) your essay and it feels like you’re describing someone else, there’s a big problem.

So write about your grandmother. Or your gym teacher. Or your after-school job bagging groceries. Or math theorems, if they really are your favorite. Write in your voice, whatever that sounds like--whether you love dialogue or description or have a soft spot for terrible Navy puns. Come up with something that’s uniquely you--no matter how long it takes. I spent the first 27 days of those four August weeks trying to wrap my head around how I was even going to put an essay on that blank page at which I was staring. And on the 28th day, in a corner on the floor of my high school’s senior homeroom right before my last first day of school, something clicked, I grabbed my laptop, and I went from lamenting having nothing to say in my college essay to having 2,500 words of stuff to say that I spent the next eight weeks cutting down to 650.

My preferred essay-writing spot.

Colleges aren’t asking for your whole life story (please…) or a piece of art in which you expound upon your love of all things Harvard; they’re asking for a little more information about you, and you’re the one who gets to decide what you tell them. It’s a daunting task, but no one is better prepared to write about your life than you are.

No one’s college process is all smooth sailing, and that’s because figuring out what you’re all about and then trying to tell someone else about it is hard. As stupid as it can feel sometimes to write answers to canned prompts like, “Write about a person who has had an impact on you” and “Tell your story,” eventually you just have to conquer the blank page, test the waters, and come up with something--even if you end up throwing 2,499 of your initial 2,500 words overboard. 

After all, I used nautical puns in my college essay (and in this blog post...) and got in. How much crazier could a Harvard application essay get?!

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5 strategies to unlock your winning college essay.

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CAMBRIDGE, MASSACHUSETTS - JUNE 29: People walk through the gate on Harvard Yard at the Harvard ... [+] University campus on June 29, 2023 in Cambridge, Massachusetts. The U.S. Supreme Court ruled that race-conscious admission policies used by Harvard and the University of North Carolina violate the Constitution, bringing an end to affirmative action in higher education. (Photo by Scott Eisen/Getty Images)

The college application season is upon us, and high school students everywhere are staring down at one of the most daunting tasks: the college essay. As someone who has guided countless applicants through the admissions process and reviewed admissions essays on an undergraduate admissions committee, I've pinpointed the essential ingredient to a differentiated candidacy—the core of your college admissions X-factor .

The essential ingredient to your college admissions X-factor is your intellectual vitality. Intellectual vitality is your passion for learning and curiosity. By demonstrating and conveying this passion, you can transform an average essay into a compelling narrative that boosts your chances of getting accepted to your top schools. Here are five dynamic strategies to achieve that goal.

Unleash Your Authentic Voice

Admissions officers sift through thousands of essays every year. What stops them in their tracks? An authentic voice that leaps off the page. Forget trying to guess what the admissions committee wants to hear. Focus on being true to yourself. Share your unique perspective, your passions, and your values. Authenticity resonates deeply with application reviewers, making your essay memorable and impactful. You need not have experienced trauma or tragedy to create a strong narrative. You can write about what you know—intellectually or personally—to convey your enthusiasm, creativity, and leadership. Intellectual vitality shines through when you write with personalized reflection about what lights you up.

Weave A Captivating Story

Everyone loves a good story, and your essay is the perfect place to tell yours. The Common Application personal statement has seven choices of prompts to ground the structure for your narrative. The most compelling stories are often about the smallest moments in life, whether it’s shopping at Costco or about why you wear socks that have holes. Think of the Common Application personal statement as a window into your soul rather than a dry list of your achievements or your overly broad event-based life story. Use vivid anecdotes to bring your experiences to life. A well-told story can showcase your growth, highlight your character, and illustrate how you've overcome challenges. Intellectual vitality often emerges in these narratives, revealing how your curiosity and proactive approach to learning have driven you to explore and innovate.

Reflect And Reveal Insights

It's not just about what you've done—it's about what you've learned along the way. When you are writing about a specific event, you can use the STAR framework—situation, task, action, and result (your learning). Focus most of your writing space on the “R” part of this framework to dive deeply into your experiences and reflect on how they've shaped your aspirations and identity.

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The most insightful college-specific supplement essays demonstrate depth of thought, and the ability to connect past experiences with your future life in college and beyond. Reflecting on your intellectual journey signals maturity and a readiness to embrace the college experience. It shows admissions officers that you engage deeply with your studies and are eager to contribute to the academic community.

Highlight Your Contributions—But Don’t Brag

Whether it's a special talent, an unusual hobby, or a unique perspective, showcasing what you can bring to the college environment can make a significant impact. Recognize that the hard work behind the accomplishment is what colleges are interested in learning more about—not retelling about the accomplishment itself. (Honors and activities can be conveyed in another section of the application.) Walk us through the journey to your summit; don’t just take us to the peak and expect us know how you earned it.

Intellectual vitality can be demonstrated through your proactive approach to solving problems, starting new projects, or leading initiatives that reflect your passion for learning and growth. These experiences often have a place in the college-specific supplement essays. They ground the reasons why you want to study in your major and at the particular college.

Perfect Your Prose

Great writing is essential. Anyone can use AI or a thesaurus to assist with an essay, but AI cannot write your story in the way that you tell it. Admissions officers don’t give out extra credit for choosing the longest words with the most amount of syllables.

The best essays have clear, coherent language and are free of errors. The story is clearly and specifically told. After drafting, take the time to revise and polish your writing. Seek feedback from teachers, mentors, or trusted friends, but ensure the final piece is unmistakably yours. A well-crafted essay showcases your diligence and attention to detail—qualities that admissions officers highly value. Intellectual vitality is also reflected in your writing process, showing your commitment to excellence and your enthusiasm for presenting your best self.

Crafting a standout college essay is about presenting your true self in an engaging, reflective, and polished manner while showcasing your intellectual vitality. Happy writing.

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• Categories: Engaging with Courses , Strategies for Learning

Reading is one of the most important components of college learning, and yet it’s one we often take for granted. Of course, students who come to Harvard know how to read, but many are unaware that there are different ways to read and that the strategies they use while reading can greatly impact memory and comprehension. Furthermore, students may find themselves encountering kinds of texts they haven’t worked with before, like academic articles and books, archival material, and theoretical texts.  

So how should you approach reading in this new environment? And how do you manage the quantity of reading you’re asked to cover in college? 

Start by asking “Why am I reading this?”

To read effectively, it helps to read with a goal . This means understanding before you begin reading what you need to get out of that reading. Having a goal is useful because it helps you focus on relevant information and know when you’re done reading, whether your eyes have seen every word or not. 

Some sample reading goals:

• To find a paper topic or write a paper; 
• To have a comment for discussion; 
• To supplement ideas from lecture; 
• To understand a particular concept; 
• To memorize material for an exam; 
• To research for an assignment; 
• To enjoy the process (i.e., reading for pleasure!). 

Your goals for reading are often developed in relation to your instructor’s goals in assigning the reading, but sometimes they will diverge. The point is to know what you want to get out of your reading and to make sure you’re approaching the text with that goal in mind. Write down your goal and use it to guide your reading process. 

Next, ask yourself “How should I read this?”  

Not every text you’re assigned in college should be read the same way.  Depending on the type of reading you’re doing and your reading goal, you may find that different reading strategies are most supportive of your learning. Do you need to understand the main idea of your text? Or do you need to pay special attention to its language? Is there data you need to extract? Or are you reading to develop your own unique ideas?  

The key is to choose a reading strategy that will help you achieve your reading goal. Factors to consider might be: 

• The timing of your reading (e.g., before vs. after class) 
• What type of text you are reading (e.g., an academic article vs. a novel) 
• How dense or unfamiliar a text is 
• How extensively you will be using the text 
• What type of critical thinking (if any) you are expected to bring to the reading 

Based on your consideration of these factors, you may decide to skim the text or focus your attention on a particular portion of it. You also might choose to find resources that can assist you in understanding the text if it is particularly dense or unfamiliar. For textbooks, you might even use a reading strategy like SQ3R .

Finally, ask yourself “How long will I give this reading?”  

Often, we decide how long we will read a text by estimating our reading speed and calculating an appropriate length of time based on it. But this can lead to long stretches of engaging ineffectually with texts and losing sight of our reading goals. These calculations can also be quite inaccurate, since our reading speed is often determined by the density and familiarity of texts, which varies across assignments. 

For each text you are reading, ask yourself “based on my reading goal, how long does this reading deserve ?” Sometimes, your answer will be “This is a super important reading. So, it takes as long as it takes.” In that case, create a time estimate using your best guess for your reading speed. Add some extra time to your estimate as a buffer in case your calculation is a little off. You won’t be sad to finish your reading early, but you’ll struggle if you haven’t given yourself enough time. 

For other readings, once we ask how long the text deserves, we will realize based on our other academic commitments and a text’s importance in the course that we can only afford to give a certain amount of time to it. In that case, you want to create a time limit for your reading. Try to come up with a time limit that is appropriate for your reading goal. For instance, let’s say I am working with an academic article. I need to discuss it in class, but I can only afford to give it thirty minutes of time because we’re reading several articles for that class. In this case, I will set an alarm for thirty minutes and spend that time understanding the thesis/hypothesis and looking through the research to look for something I’d like to discuss in class. In this case, I might not read every word of the article, but I will spend my time focusing on the most important parts of the text based on how I need to use it. 

If you need additional guidance or support, reach out to the course instructor and the ARC.  

If you find yourself struggling through the readings for a course, you can ask the course instructor for guidance. Some ways to ask for help are: “How would you recommend I go about approaching the reading for this course?” or “Is there a way for me to check whether I am getting what I should be out of the readings?” 

If you are looking for more tips on how to read effectively and efficiently, book an appointment with an academic coach at the ARC to discuss your specific assignments and how you can best approach them! 

SQ3R is a form of reading and note taking that is especially suited to working with textbooks and empirical research articles in the sciences and social sciences. It is designed to facilitate your reading process by drawing your attention to the material you don’t know, while building on the pre-existing knowledge you already have. It’s a great first step in any general study plan. Here are the basic components:

When using SQ3R, you don’t start by reading, but by “surveying” the text as a whole. What does that mean? Surveying involves looking at all the components of the text—like its subheadings, figures, review questions, etc.—to get a general sense of what the text is trying to achieve. 

The next step of SQ3R still doesn’t involve reading! Now your job is to create questions around the material you noted in your survey. Make note of the things you already seem to understand even without reading, and then write out questions about the material that seems new or that you don’t fully understand. This list of questions will help guide your reading, allowing you to focus on what you need to learn about the topic. The goal is to be able to answer these questions by the end of your reading (and to use them for active study as well!). 

Now that you’ve surveyed and questioned your text, it’s finally time to read! Read with an eye toward answering your questions, and highlight or make marginal notes to yourself to draw your attention to important parts of the text. 

If you’ve read your text with an eye to your questions, you will now want to practice answering them out loud. You can also take notes on your answers. This will help you know what to focus on as you review. 

As you study, look back at your questions. You might find it helpful to move those questions off the physical text. For example, when you put questions on flashcards, you make it hard to rely on memory cues embedded on the page and, thus, push yourself to depend on your own memory for the answer. (Of course, drawing from your memory is what you’ll need to do for the test!) 

Seeing Textbooks in a New Light

Textbooks can be a fantastic supportive resource for your learning. They supplement the learning you’ll do in the classroom and can provide critical context for the material you cover there. In some courses, the textbook may even have been written by the professor to work in harmony with lectures.  

There are a variety of ways in which professors use textbooks, so you need to assess critically how and when to read the textbook in each course you take.  

Textbooks can provide: 

• A fresh voice through which to absorb material. For challenging concepts, they can offer new language and details that might fill in gaps in your understanding. 
• The chance to “preview” lecture material, priming your mind for the big ideas you’ll be exposed to in class. 
• The chance to review material, making sense of the finer points after class. 
• A resource that is accessible any time, whether it’s while you are studying for an exam, writing a paper, or completing a homework assignment.

Textbook reading is similar to and different from other kinds of reading . Some things to keep in mind as you experiment with its use: 

The answer is “both” and “it depends.” In general, reading or at least previewing the assigned textbook material before lecture will help you pay attention in class and pull out the more important information from lecture, which also tends to make note-taking easier. If you read the textbook before class, then a quick review after lecture is useful for solidifying the information in memory, filling in details that you missed, and addressing gaps in your understanding. In addition, reading before and/or after class also depends on the material, your experience level with it, and the style of the text. It’s a good idea to experiment with when works best for you!

 Just like other kinds of course reading, it is still important to read with a goal . Focus your reading goals on the particular section of the textbook that you are reading: Why is it important to the course I’m taking? What are the big takeaways? Also take note of any questions you may have that are still unresolved.

Reading linearly (left to right and top to bottom) does not always make the most sense. Try to gain a sense of the big ideas within the reading before you start: Survey for structure, ask Questions, and then Read – go back to flesh out the finer points within the most important and detail-rich sections.

Summarizing pushes you to identify the main points of the reading and articulate them succinctly in your own words, making it more likely that you will be able to retrieve this information later. To further strengthen your retrieval abilities, quiz yourself when you are done reading and summarizing. Quizzing yourself allows what you’ve read to enter your memory with more lasting potential, so you’ll be able to recall the information for exams or papers. 

Marking Text

Marking text, which often involves making marginal notes, helps with reading comprehension by keeping you focused. It also helps you find important information when reviewing for an exam or preparing to write an essay. The next time you’re reading, write notes in the margins as you go or, if you prefer, make notes on a separate document. 

Your marginal notes will vary depending on the type of reading. Some possible areas of focus: 

• What themes do you see in the reading that relate to class discussions? 
• What themes do you see in the reading that you have seen in other readings? 
• What questions does the reading raise in your mind? 
• What does the reading make you want to research more? 
• Where do you see contradictions within the reading or in relation to other readings for the course? 
• Can you connect themes or events to your own experiences? 

Your notes don’t have to be long. You can just write two or three words to jog your memory. For example, if you notice that a book has a theme relating to friendship, you can just write, “pp. 52-53 Theme: Friendship.” If you need to remind yourself of the details later in the semester, you can re-read that part of the text more closely.

Reading Workshops

If you are looking for help with developing best practices and using strategies for some of the tips listed above, come to an ARC workshop on reading!

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Harvard Says It Will No Longer Take Positions on Matters Outside of the University

The policy could ease pressure on the school to issue statements on current events. Officials were criticized for their handling of the Oct. 7 Hamas attacks.

By Vimal Patel and Anemona Hartocollis

Harvard said on Tuesday that it would now avoid taking positions on matters that are not “relevant to the core function of the university,” accepting the recommendations of a faculty committee that urged the university to dramatically reduce its messages on issues of the day.

If put into practice, Harvard would no longer issue official statements of empathy, which it did for Ukraine, after the Russian invasion, and for the victims of the Oct. 7 Hamas attacks in Israel, for example.

“In issuing official statements of empathy, the university runs the risk of appearing to care more about some places and events than others,” the report said. “And because few, if any, world events can be entirely isolated from conflicting viewpoints, issuing official empathy statements runs the risk of alienating some members of the community by expressing implicit solidarity with others.”

The university’s Institutional Voice Working Group, made up of eight faculty members, issued the report, with a set of principles and a recommended path forward, which the administration and governing board accepted.

“Harvard isn’t a government,” Noah Feldman, a Harvard law professor and a co-chair of the committee that developed the recommendations, said in an interview with The Harvard Gazette , released Tuesday as part of the university’s announcement. “It shouldn’t have a foreign policy or a domestic policy.”

The report, however, did not fully embrace “institutional neutrality” — a principle promoted by the University of Chicago, in which universities commit to staying out of political and social matters. Some universities, including Stanford University and Northwestern, announced shortly after the Hamas attack that they would adopt the policy.

Mr. Feldman said though the recommendations had some overlap with institutional neutrality, there were also differences.

A key difference, Mr. Feldman said to The Gazette, is that “as an institution with values, we have a responsibility to promote our core function as an educational institution and defend ourselves against forces that seek to undermine our academic values. In that sense, we aren’t neutral, and we can’t be.”

In an interview, Mr. Feldman provided examples about when Harvard should weigh in on political matters. He mentioned a proposal by former President Donald J. Trump to collect “billions and billions of dollars” by taxing large private university endowments. Advocating against such a plan, he said, “would fall squarely within the function of the university.”

Mr. Feldman also noted that Harvard advocated for affirmative action in the courts, and that admissions policy “would count as a core function of the university.”

Tom Ginsburg, faculty director of the Forum for Free Inquiry and Expression at the University of Chicago, said neither of those examples run afoul of Chicago’s stance on neutrality. Nevertheless, he said, he supported Harvard’s new position.

One of the first sentences in the Harvard report states that the university is not institutionally neutral but then the rest of the report describes how it is committing to institutional neutrality, Mr. Ginsburg said.

“Their policies look like they’re converging in the direction that many other schools have moved in,” Mr. Ginsburg said. “But they don’t want to admit that.”

One reason for that, Mr. Ginsburg said, is that some quarters of the academy see neutrality as a misleading term, with many believing silence itself is taking a stance. Others view it as an impossibility.

“There is no such thing as institutional neutrality,” Peter Wood, president of the National Association of Scholars, said on Tuesday. “Those who claim they are going to abide by it find a myriad fallback positions in which they say, ‘but not in this case.’ When it comes to matters of political salience, universities will do what they’ve always done. Institutional neutrality is a false flag.”

For years, universities had, mostly without controversy, issued messages on any number of world and local events, from the Russian invasion of Ukraine to racism at home. But perhaps unlike any other issue, the Israeli-Palestinian conflict split university communities, and clarified the downsides of such statements on highly contested topics.

Harvard came under withering criticism for how it communicated after the Oct. 7 attack by Hamas on Israel.

Harvard, for some critics, like the university’s former president Lawrence H. Summers, was woefully slow in denouncing a pro-Palestinian letter by a student coalition, which held “the Israeli regime entirely responsible for the unfolding violence.” Dr. Summers suggested that the void left by Harvard’s slow response had allowed the student statement to stand as the university’s official position in the minds of some people.

After Harvard’s president at the time, Claudine Gay, released a series of statements, including one that condemned the “terrorist atrocities perpetrated by Hamas” and called them “abhorrent,” the administration was accused of capitulating to influential alumni and wealthy donors. She ended up resigning, in part for her handling of the protests over the Israel-Hamas war.

Mr. Feldman said the transition would not be easy. It would require a culture change, for people inside and outside of the university to accept that “the university has genuinely adopted a ‘say less’ policy,” he told The Gazette.

Susan C. Beachy contributed research.

Vimal Patel writes about higher education with a focus on speech and campus culture. More about Vimal Patel

Anemona Hartocollis is a national reporter for The Times, covering higher education. More about Anemona Hartocollis

The Campus Protests Over the Gaza War

News and Analysis

​Police officers arrested 13 people after pro-Palestinian protesters barricaded themselves  in the office of the president of Stanford University.

​Harvard said that it will no longer take positions on matters outside of the university , accepting the recommendations of a faculty committee that urged the school to reduce its messages on issues of the day.

​Weeks after counterprotesters attacked a pro-Palestinian encampment at the University of California, Los Angeles, the university police made the first arrest related to the attack .

The Right Price for Protests:  ​At pro-Palestinian demonstrations, students have broken codes of conduct and, sometimes, the law. But the question of whether and how to discipline  them is vexing universities.

A Free Speech Champion’s Advice:  ​U.C. Berkeley’s leader, Carol Christ, has spent the last several months asking students  to consider the way speech and protest affect the entire campus community.

Making Sense of the Protests:  In the weeks leading up to graduation, our reporter spoke with more than a dozen students at Columbia University and Barnard College about how the campus protests had shaped them .

A Complex Summer:  Many university leaders and officials may be confronting federal investigations, disputes over student discipline  — and the prospect that the protests start all over again in the fall.

Harvard’s largest division eliminates requirement for DEI statements in hiring

Less than five years ago, Harvard University’s Faculty of Arts and Sciences followed a trend that was then sweeping across American higher education. It instituted a requirement that professors who wished to work at Harvard submit an essay explaining how they would advance “diversity, inclusion, and belonging” in their work.

On Monday, the university’s largest division announced it had reversed course, eliminating the requirement after receiving “feedback from numerous faculty members” who were concerned about the mandatory statements.

A seemingly routine part of academic hiring, diversity statements have become the focus of intense scrutiny as universities grapple with the question of whether well-intentioned efforts to diversify the elite ranks of American institutions have sometimes collided with other core values of academia.

“By requiring academics to profess — and flaunt — faith in DEI, the proliferation of diversity statements poses a profound challenge to academic freedom,” Randall Kennedy, a scholar of race and civil rights at Harvard Law School, wrote in an April op-ed in the Harvard Crimson, the student newspaper.

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That essay was widely read in academic circles. It was also cited approvingly in a recent Washington Post editorial that criticized mandatory diversity statements and praised the recent decision by the Massachusetts Institute of Technology to ban their use.

The policy change at Harvard is the latest signal that momentum is building to curtail the use of diversity statements, which became pervasive between 2018 and 2020 as universities promoted diversity as a core element of their missions. In addition to MIT, the University of North Carolina has adopted a policy that effectively bans mandatory diversity statements. Faculty groups at other universities are urging administrators to do the same.

In an announcement Monday, dean of faculty affairs Nina Zipser, said that going forward candidates for tenure-track positions would be required to provide a more broadly focused “service statement,” instead of a statement focused specifically on “diversity, inclusion, and belonging.” A service statement could include a candidate’s efforts to promote diversity and inclusion, but is not required to focus on those topics.

The move to jettison mandatory diversity statements comes at a time when diversity, equity, and inclusion initiatives are under attack by conservative politicians, and amid soul searching within the academy about how certain DEI policies may conflict with other integral university values, including free speech and academic freedom.

Debate about DEI has intensified over the last eight months, as the campus turmoil over the Israel-Hamas war has challenged notions of how universities should regulate controversial speech and protect minority groups. Some conservatives argue that some views associated with DEI, including dividing society into oppressors and oppressed, exacerbate antisemitism. Meanwhile, some academics on the left contend universities define diversity too narrowly, saying the concept should include viewpoint diversity and socioeconomic status, in addition to race and gender considerations.

Others view the decision as the latest in a series of setbacks for diversity efforts, including the Supreme Court’s decision last year banning affirmative action in college admissions.

Khalil Gibran Muhammad, a historian at the Harvard Kennedy School, criticized the FAS’s decision as part of a broader capitulation to Republican politicians and “donor activists,” whose critiques of the university’s DEI offices, he said, have largely gone unanswered by Harvard leaders. Casting aside diversity statements, he said, “may discourage applicants who are the strongest supporters of DEI to not apply for a job at Harvard given the broader context for this change.”

That context includes the backlash against Harvard’s first Black president, Claudine Gay, following her controversial testimony at a congressional hearing on antisemitism last year and allegations of plagiarism in her scholarly work. Amid the controversy, some conservatives derided her as a proponent, and a beneficiary, of DEI efforts. She resigned in January.

Gay was the dean of Harvard’s FAS, which encompasses the entire undergraduate program and some of the university’s graduate schools, when the faculty began requiring diversity statements as part of tenure-track job applications during the 2019-2020 academic year. At the time, universities were striving to diversify their student bodies along racial and ethnic lines as they contended with their histories of exclusion. During parts of the 20th century, Harvard restricted the admissions of Black and Jewish students. Like many selective universities, it has long had a reputation as a redoubt for children of the elite.

Edward Hall, a Harvard philosophy professor and the director of undergraduate studies, argues that diversity statements, and DEI efforts more broadly, must be understood in the context of that history. Universities such as Harvard have a significant amount of work to do to make their campuses more welcoming to all, including students from underrepresented backgrounds and students with a diversity of viewpoints, he said. In his own op-ed in the Crimson, he argued that diversity statements should be reformed, not abolished.

“[B]uilding a diverse community isn’t enough,” he wrote. “The members of that community need to experience it as one to which they genuinely belong, as a single community in which all are included equally.”

Still, he said he agreed with some of the arguments advanced by diversity statements’ detractors. “I think we should direct that anger at its proper target: not diversity statements themselves, but rather the horribly distorted view that has taken hold about what they should contain,” he wrote.

Ryan Enos, a Harvard political scientist and director of the Center for American Political Studies, said he generally pays little attention to diversity statements when vetting candidates. “You got the impression that they reflected more about candidates knowing the right things to say rather than an actual commitment to improving the department on diversity and other matters,” he said. Candidates tended to write about their past participation with diversity initiatives, their belief in principles associated with DEI efforts, or how their own identities would enhance diversity, he said.

Hall and Kennedy are both members of a Harvard faculty group, the Council on Academic Freedom, some of whose members sent a letter to FAS administrators during the spring semester arguing that the diversity statement requirement should be eliminated.

“There are plenty of excellent teachers, especially conservative teachers, who are also underrepresented by the way, who would bristle at the idea that they should be giving special attention to one particular group,” said Eric Maskin, a professor of economics and math, who helped draft the letter. He said he personally supports diversity.

The debate over diversity statements and DEI in the academy has created strange bedfellows. At the congressional hearing on campus antisemitism last year, Representative Virginia Foxx criticized DEI and warned of “a grave danger inherent in assenting to the race-based ideology of the radical left.” In a Washington Post op-ed a few days later, Danielle Allen, a Harvard professor who co-chaired Harvard’s Presidential Task Force on Inclusion and Belonging in 2018, said Foxx was right — up to a point.

“While I stand by the goals of inclusion and belonging for college campuses — and consider those goals valuable for America writ large — I agree with Foxx that we have lost our way in pursuing them,” wrote Allen, who is also a member of the Council on Academic Freedom.

The Council on Academic Freedom also advocated for Harvard to adopt “institutional neutrality,” a type of policy that holds that university leaders should generally refrain from making public statements on contentious social or political issues. Last week, Harvard announced a new “institutional voice” policy, which is similar. It indicates that university leaders should only speak out on issues that directly affect the university’s core functions.

Mike Damiano can be reached at [email protected] .