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How to Get Hired for Assignments as a Conservation Photographer in 4 Steps

by Jaymi Heimbuch

If you’ve been dreaming about turning your love for nature and photography into a rewarding career, and you’re thinking assignment photography is right up your alley, then today’s episode is tailor-made for you. We’re taking a dive into how to land assignments in this field.

4 Steps to landing photo story assignments

This topic comes up every so often with my students in Conservation Photography 101 . As they get some experience under their belt creating stories, the idea pops up: “Hey, what if I don’t have to come up with the ideas, but instead, a publication hires me to photograph stories they’re already working on!”

Sounds nice, right?

Let’s look at the four simple steps to take to get on that path.

The art of landing assignments in conservation photography involves training your eye to see and photograph stories, sharing these narratives with the world, building relationships with editors, and connecting with fellow photographers .

1. Training your photo storytelling eye

As a conservation photographer , your role extends beyond capturing stunning landscapes or fascinating wildlife. It’s about weaving compelling narratives that inspire people to care for our planet.

This storytelling skill is essential for those seeking to work in assignment photography.

Start by immersing yourself in nature. Observe patterns, interactions, and seasonal shifts. Look for connections, conflicts, and simple stories that can be told through your lens.

Additionally, study the work of other photographers. Analyze their composition, light usage, and storytelling techniques. Understand their approach to portraying a story through a series of photos.

This exercise will provide new insights and help improve your work.

And remember, practice makes perfect. The more you shoot, the better you’ll become at spotting potential narratives and capturing them effectively.

If you’re looking for a jump start on this, I recommend my mini-course, 6 Must-Have Shots for a Photo Story . It gives you the foundations you need to start making storytelling images.

2. Sharing your stories in a strategic way

Once you’ve captured your story, it’s time to share it with the world. This allows you to receive feedback, showcase your skills, and build a portfolio that reflects your visual storytelling style.

Your website serves as an ideal platform for this purpose.

However, your website should be more than just a repository for your pictures. It should narrate your journey and passion for conservation.

Ensure your site is user-friendly, with clear categories for different types of photography.

You could create a specific section for photo stories or even share them as blog posts, offering behind-the-scenes insights and thoughts on conservation.

Remember, quality trumps quantity. Carefully curate your images and include only your best work that truly showcases your unique perspective and skills.

3. Building relationships with editors

Networking plays a pivotal role in the world of photography. Start by researching magazines, websites, and organizations that publish conservation photography.

Find out who the editors are and introduce yourself. Share your work and try to understand their needs.

Don’t limit networking to just emails and calls. Attend industry events, workshops, and seminars.

Genuine relationships can open doors to assignments.

4. Connecting with fellow photographers

The conservation photography community is supportive and welcoming.

Engage with fellow photographers, join groups, and participate in online forums.

Collaborate on projects and share experiences.

Remember, a recommendation from a peer can be invaluable in landing an assignment.

These four steps – training your eye, sharing your stories, building relationships, and connecting with others in the industry – are your roadmap to landing photography assignments.

Each of these steps is crucial in your journey to becoming a successful conservation photographer.

Go out there, explore, learn, shoot, and most importantly, enjoy the process!

6 Must-Have Shots for a Photo Story

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Photo Stories for Nature

Master how to photograph impressive photo stories and share them so they make an impact, all without the overwhelm of where to start, the stifling insecurity about getting the “right” images, or the frustrating confusion of how to get in front of audiences or editors.

Episode 140: Is Conservation Photography Right for You? 5 Ways to Know if It’s a Fit

Shownotes: ConservationVisuals.com/140

(Digitally transcribed, please forgive any typos)

Jaymi Heimbuch: [00:00:00] Jaymi Heimbuch: Hey there, and welcome to today's episode of Impact, the Conservation Photography Podcast, and I'm really excited about what we're covering today because it's something that you may have been mulling over, maybe seriously, maybe not so seriously. It might be something that's in the back of your mind.

[00:00:17] Jaymi Heimbuch: Here's the thing. If you've been dreaming about turning your love of nature and photography into a rewarding career, and you're thinking, you know what, assignment photography is right up my alley. Then today's episode is tailor made for you. We're taking a dive into how to land assignments. In the field of conservation photography, and we're gonna break it down into basically four steps.

[00:00:40] Jaymi Heimbuch: In fact, this is something that comes up every so often with my students in conservation photography 1 0 1. See, in that course I teach how to identify a story, idea how to shape that idea into a really compelling story, how to photograph that, and then how to pitch that to publications. And [00:01:00] that's one approach that you can take.

[00:01:01] Jaymi Heimbuch: To photo stories, really learning how to craft this really well made story and then pitching it out to publications so that it can get out into the world in different ways. However, as you get some experience under your belt, creating stories, the idea pops up of, Hey, what if I'm not coming up with these story ideas, but instead a publication hires me to photograph the stories that they're already working on?

[00:01:25] Jaymi Heimbuch: Sounds kind of nice, right? And sometimes my students, after they really start to sink their teeth into creating these photo stories, they get some confidence in their skills, and they're thinking, well, hey, is assignment photography for me as well? So let's look at the four simple steps to take to get on that path.

[00:01:43] Jaymi Heimbuch: Step one is, Training yourself to see and photograph stories there is flat out no getting around this step. As a conservation photographer, your primary goal is not merely to capture these beautiful landscapes or these [00:02:00] intriguing wildlife shots. It's really about telling compelling stories through photos that inspire people to care to.

[00:02:07] Jaymi Heimbuch: Act for our planet and publications or organizations that are looking for an assignment photographer are looking in large part. For someone with a track record of knowing how to tell stories through photos, you really need to have this skill to be able to even be considered. For an assignment, a publication is not gonna hire a photographer who has no clue how to tell a story in photos.

[00:02:32] Jaymi Heimbuch: But how exactly do you train your eye to see and photograph stories? Well, first, immerse yourself in nature. Start spending time really observing and understanding the environment around you. Look for patterns for interactions for seasonal shifts. Look for really interesting connections or maybe some conflicts that are going on start to know.

[00:02:56] Jaymi Heimbuch: How you can tell very simple stories, even [00:03:00] just the life of an animal that lives in your yard through photos really build up the ability to spot not just an idea, but a story within that idea. Now. Secondly, learn from other photographers. Really study the work of photographers who are great at creating conservation photo stories, study their work, analyze their composition, so, Their use of light, the storytelling techniques that they use for both single frames and bodies of work. How do they approach showing a story through a set of photos?

[00:03:34] Jaymi Heimbuch: Really dig into why you think they chose the frames that they chose and that portfolio of images. How do each of those photos individually tell a story and also together build a bigger story? This will give you a whole new perspective and really help to improve your. Own work as you figure out what photographs that you really wanna make to tell a story.

[00:03:58] Jaymi Heimbuch: And lastly, it comes down to [00:04:00] practice, practice and practice some more. The more you shoot, the more you notice stories like, Like I mentioned, you're immersing yourself in nature and you're noticing things that are happening. The more you're able to shape those into a concept of a story and then put that into images, the better you're gonna become at spotting those potential stories in the moment.

[00:04:24] Jaymi Heimbuch: Capturing them effectively. And that really helps you as an assignment photographer because you may know the story that you are supposed to tell with the publication that you're working with, but once you get into the field, you need to be able to notice moments on the fly, opportunities on the fly. And these are skill sets that are really gonna help you out.

[00:04:43] Jaymi Heimbuch: And of course, If you are looking for a jumpstart on this, I definitely recommend my mini course. Six must have shots for a photo story. It gives you the foundations that you need to start making those storytelling images. I'm gonna go ahead and put a link [00:05:00] to that mini course in the show notes.

[00:05:02] Jaymi Heimbuch: So you can just scroll down from where you're listening and click on that. Or you can go to conservation visuals.com/six shots, the number six, and the word shots. Uh, so that's step number one really is training yourself to see and photograph stories, develop those visual storytelling skills. Now moving on to step two, it's sharing your stories.

[00:05:27] Jaymi Heimbuch: So once you've captured your story, it's time to actually share it with the world, and this is how you get feedback to improve. And importantly, how you show off your skills and your style. You really need to build up a body of work that shows your visual storytelling style, and that means putting your photo stories out there and what better platform than on your own website.

[00:05:51] Jaymi Heimbuch: Now remember, your website is not just a place to dump all your photos. It should be a visual representation of your work, your journey, your [00:06:00] passion for conservation. So when you're putting together your website, think about the user experience. Your site should be really easy to navigate with these very clear categories for.

[00:06:11] Jaymi Heimbuch: Different types of photography that you do, and one of those categories is your photo stories. So you can have a specific photo stories section on your website with each photo story appearing as a collection of images with a short writeup. Or you could create a blog on your website and share your photo stories as blog posts,

[00:06:34] Jaymi Heimbuch: so there's two ways to go. Either creating a kind of a gallery section to your website that is focused entirely on your photo stories or going the blog route. Now, another benefit to going the blog route is that you can share behind the scenes stories. You can share your experiences in the field, your thoughts on conservation.

[00:06:54] Jaymi Heimbuch: All of that is a really great extra bonus to be able to share your personality and who you are [00:07:00] as a photographer. No either route you choose whether you decide to have a section on your website dedicated to showing off the photo stories that you've made, or you create a blog, and each entry is a photo story in and of itself.

[00:07:12] Jaymi Heimbuch: Either way, make it really clear that there is an area on your website. Dedicated to photo stories that can be perused. Now, I'd also suggest creating a very solid about me page where you can share your own story, your mission, your vision. It's an area that can make it really clear who you are as a photographer and the kind of work that you want to do, your expertise, special skills that you have, , experience that you have that can really, , help a photo editor understand more about what you can bring to an assignment and your photo stories. Meanwhile, show off your style and the stories that you've already covered, your experiences there. Now, remember, I. Less is more. Don't overwhelm your visitors with hundreds of photos. [00:08:00] Instead, really carefully curate your images, especially the images inside your photo stories, and include only your best work that truly showcases your unique perspective and skills.

[00:08:13] Jaymi Heimbuch: And in fact, I have a couple of podcast episodes that'll really help you out here. Head over to episode three, and that's where I cover curating a portfolio of images and the kind of five step process that I really use to create portfolios.

[00:08:27] Jaymi Heimbuch: Also, head over to episode 100 where I talk about my personal strategy for editing photo stories. I think that you will get a lot out of each of those episodes that can help you. Avoid becoming maybe a bit stuck in this phase, so you can get [email protected] slash three, the number three, and conservation visuals.com/ 100, the number 100, those could be super helpful for this stage of the photography process.

[00:08:57] Jaymi Heimbuch: Now let's move on to step [00:09:00] three of how to land photo assignments. And that is building relationships with editors , In the world of photography, who you know, can sometimes be just as important as what you know, and that's because trust is huge when it comes to photo stories and working as an assignment photographer.

[00:09:18] Jaymi Heimbuch: Your reputation really matters, and networking is key in this field. So start out by researching magazines, publications, organizations that publish conservation photo stories. Find out who the editors are and which publications you're particularly excited to photograph for. Then reach out and introduce yourself.

[00:09:37] Jaymi Heimbuch: Share a little bit about your work, and if possible, you might even arrange a meeting, a, a time to chat. Now, here's what's super important.

[00:09:45] Jaymi Heimbuch: Don't be pushy about this. Don't make it all about you instead, you know, just be friendly and open and focus more on finding out what that publication may need, what the editors need, how you can help. Maybe drop some [00:10:00] links to your webpages where they can see the stories that you've created. I know that this can also be kind of an intimidating part of the process, and sure there are going to be editors that you write to and you will never hear back from them.

[00:10:12] Jaymi Heimbuch: That's just how it goes. So I know that this can feel a little bit intimidating, but. Take it from me. There are plenty of editors who are really happy to learn about new photographers with great skill sets and to keep them in the back of their minds for future work. So this is a really important aspect of really getting yourself out there and getting known and getting talked about.

[00:10:34] Jaymi Heimbuch: Right? And another important aspect of this is networking isn't just about sending emails or making phone calls, it's also about face-to-face, real life relationships. And we are finally back in an era where we can go to industry events, we can go to workshops and seminars and conferences.

[00:10:52] Jaymi Heimbuch: And so these are great opportunities to meet editors and other industry professionals face to face, because again, [00:11:00] genuine relationships can open doors to assignments, and really, I think assignments are built more on those relationships than just outta the blue cold calling and wow, something lands in your lap that just is not likely to happen.

[00:11:14] Jaymi Heimbuch: Maybe it will. Maybe you are super lucky and someone just discovers you, but more likely than not, Assignments will come from relationships that you have built with editors and with other people in your field. And that leads us to step number four, which is connecting with fellow photographers. The conservation photography community is tight-knit and very supportive.

[00:11:36] Jaymi Heimbuch: Reach out to fellow photographers, join photography groups, participate in online forums, share your experiences, ask for advice, collaborate on projects. In other words, get involved with. The field, and don't forget to be very generous in forwarding opportunities to other photographers. Be someone who helps out others.

[00:11:58] Jaymi Heimbuch: After all, what goes around [00:12:00] comes around and you never know when a fellow photographer will recommend you to an editor looking for someone for an assignment. That is exactly how I landed my first ever photography assignment. It was about being as helpful as I could to other photographers in the community.

[00:12:16] Jaymi Heimbuch: People who kind of knew what it was that I worked on, what I really enjoyed working on. And sure enough, one of my friends in the field couldn't take up an assignment and instead recommended me. The editor was able to check out my work on my website, thought that I was a fit, and away we went. So those are the four key steps to landing photography assignment.

[00:12:36] Jaymi Heimbuch: First, train yourself to see and photograph stories. Get really good at this. Second, share your stories on your website. Really craft a place where people can come and see exactly what it is that you do, what your style is, your approaches, your experiences, third, build relationships with editors and finally, connect with your fellow photographers in the industry build real [00:13:00] relationships, not just networking, in order to exchange business cards and maybe cross your fingers that someone's gonna mention your name, build real relationships, help other people out. That is what this field is all about, and that is what really helps you move forward.

[00:13:15] Jaymi Heimbuch: Now, each of these steps is crucial in your journey to becoming a successful conservation photographer who is in line for assignments. But remember, even as you have this awesome ambition to be able to be tapped on the shoulder for an assignment, to be someone who is called on to go out there and get these beautiful shots for stories that publications are trying to tell.

[00:13:36] Jaymi Heimbuch: The work that we do is not just about capturing those gorgeous images, but also about using your talent to make a difference. So as you are going through each of these four steps, how else might you use that to advance your conservation photography as you're thinking about telling stories, what kinds of stories do you wanna tell to be able to help conservation in the first place as you're connecting with publications and?[00:14:00]

[00:14:00] Jaymi Heimbuch: Fellow photographers, who is it that you wanna build a network with that not only helps you in your career, but helps you in the conservation efforts that you really want to put center stage, that you wanna highlight, that you wanna advance? We're doing this work anyway, so let's go ahead and make the most out of everything that we're doing in this field.

[00:14:18] Jaymi Heimbuch: All right, my friends. I hope that this has been really helpful, and again, if you would like an easy but powerful jumpstart into photographing stories, check out that mini course. Six must-Have Shots for a Photo Story. You can watch it in a single afternoon, and it will forever change how you think about making images.

[00:14:37] Jaymi Heimbuch: You can find [email protected] slash six shots. The number six, the word shots. All right. Enjoy, get out there, photograph, have fun, and meanwhile, I'll talk to you again next week.

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How to Get Work as a Wildlife Photographer: Complete Guide

Last Updated: Jan 13, 2022 | Photography Jobs

This art form is making a huge comeback in recent times. I’m often surprised at how this is not only a good pastime but still a highly desired profession. One part of photography that doesn’t surprise me as much as traveling and taking pictures of mother nature. As the sun sets beyond the horizon, creating that perfect shot, you become amazed and relaxed all at the same time.

That moment trapped in time, and now in the most popular magazine this side of the indies! However, that is not the reality for most wildlife or nature photographers. It’s hard work, but if you stick it out, you can have more than fun with it. Read on for a few tips.

Table of Contents

How to Get Work as a Wildlife Photographer

• Get to know your trade, take a few beginning photography classes .
• Get some good equipment, as you will need a minimum of 150-200 focal point lens, more for smaller animals.
• Know your wildlife and how to find them, as those rare shots are what pays the most.
• Familiarize yourself with the freelance business model, as most wildlife photographers are freelance workers.
• Develop a marketing plan and strategy for getting your name out there and branding yourself.
• Find a mentor, get someone who knows the trade and all the good spots to shoot.

Since the majority of photographers in this industry are freelancers, this type of entry into the market is the only way. Only after freelance work does career contracts become available to individual photographers.

If you find this to be true as well, don’t get discouraged. My career in a completely different field didn’t take off until I started freelancing. The best part of freelancing professional work is the ability to enjoy the freedom to travel and see the world.

Getting to Know Your Trade

The freelance photography trade can be a lucrative one, however, it is also highly competitive. When first starting out, having a second or main income is highly recommended. This allows you to start your freelance business without a ton of strain and gets you some good photos under your lens before making it big.

Even if you are a well-established photographer,  don’t hesitate to take a class at your local college. If you can’t get some direct class time, take an online course.

Picking up a good photography book would also be helpful. Don’t be shy about being self-taught. For example, Joe Capra , a Los Angeles based photographer specializing in ultra high definition (4K – 10K) time-lapse photography, says that he learned more in the field than behind the desk.

Either way, you need to learn your trade and learn it well. Dive into your camera, learn the ins and outs, and how to edit photos after the shots. Once you learn how to take a few good shots and develop your style, learn what your audience likes.

If you don’t have an audience, now is a good time to start building your portfolio .

Get to some local craft fairs or local shops that sell photos. The ones that really stand out and do not appear as overly produced commercial photos are the types of photos you want to look for. Find out what is selling and what types of shots people tend to flock to. You must be involved in your trade to learn it.

Look at everything that you do as an opportunity to take a shot or not, meaning that if you see something that you think is nice, maybe other people will think the same thing. Remember that you’re capturing a moment in time to share with the rest of the world.

Take Some In-person or Online Workshops

You may even be able to network with other photographers in your area, just like you. This will allow you to learn how other people use different techniques to get that perfect shot or introduce yourself to some new equipment.

Browse some online marketplaces and try and see what photos are interesting to you if there is sales data on the site that is even better. Don’t be afraid to get creative in learning your trade, as learning is half of the battle.

Having additional knowledge about the wildlife you want to shoot is crucial, as you not only need to learn how to take a proper photo, but what to take a photo of and how to find it. You also don’t want to get hurt in the process or lost. You can pick up various survival books pretty much anywhere, such as Amazon or a book store.

Understand How to Get the Perfect Shot

The lighting, the hue, the positioning of the subject, all of these things must be perfect to get that perfect shot. If one thing is off, the entire shot can be ruined. The last thing you want is to spend all day hiking, find the lion’s den, and then have a huge glare from the sun in every photo!

Know your topography of the land and find out when the best time is to do your work.

Take a safari or join a hiking club in your area to get familiar with your surroundings. A lot of the time you’re going into some pretty uncomfortable situations for long periods of time. Getting to know other hikers that can give some local knowledge can not only make your trip more enjoyable but can also save your life one day.

Pick a Niche and Stick With It

Pick a niche and stick with it, at least in the beginning. If birds are your thing, then get equipment to match shooting birds. If you like mountainous regions or marine life then you’re going to look for equipment and training to match that type of niche.

It would be a mistake to try them all at once in the beginning. You can’t do them all affordably and your variety of mediocre photos may not make the cut. Once you pass the introductory and experimental phase, you can choose something else.

If you’re looking to ditch your day job to pursue wildlife photography, it’s important to realize what you’re signing up for before quitting your day job. This business is highly competitive and not everyone is a superstar.

Finding a way to differentiate yourself from the competition may take some time. Be realistic and set realistic goals for yourself, don’t think that you’re going to make it big on your first trip out. Even though there is a high barrier to entry, it was surprising to see photographers that struggled with this.

Could you make it big on your first trip out? Yes, people can get lucky. But it is not likely to happen. So, having a good stream of income in place is crucial for your creative flow and sanity.

Getting the Right Equipment

With so many different avenues to travel down here, I’m only going to cover the basic equipment you’re going to need to get started. Upgrades are always recommended where they are affordable and can be better depending on what you’re trying to do.

There may be equipment that “Photo Joe” says you need to go into the spooky mountains and get that shot of the sunset, but there is no possible way for anyone to know exactly what is required at all times.

Starting things off with something that shouldn’t surprise anyone (and if you are, welcome to YPA!), a camera. You will need a decent camera, but it doesn’t have to be the fastest thing out there. You just need something that can handle lens extenders. This is so that you can buy different focal lenses to get some good shots in the future.

A camera like this will probably run around $500 for a decent DSLR camera. This camera should be a long-term investment in your new venture so although you don’t need the fastest on the market, you should get a decent autofocus speed or AF for short.

One thing that is important, however, is that when picking a camera, you need to have at least a minimum of 150mm – 200mm focal point . The camera itself doesn’t need this, but it does need the capability via accessories. This is the angle at which you can gather the shot. So to simplify, this is roughly around 4 times the length of a normal subject for a clear focus.

Various Types of Lenses

Pick up a good telephoto lens; this is good for a long lens is 50mm – 600mm. This allows you to safely get the shots you need without getting too close . A 50mm lens simply will not be a safe lens when out in the field. So Getting the ranged lens covers your minimum requirements of 150mm – 200mm. You can get a focal point as high as you want, but most people agree that a 600mm lens is perfect for those long-distance shots.

Lens Protection

A long lens bag is something that all of the professionals agree on. This equipment isn’t cheap though, but the last thing you want to find is that your long lens is cracked, or that it got extremely dirty right before that big shot.

You are going to want to grab a sports cover or rain cover for your camera , the last thing you need is for it to start raining on your camera. And a poncho for yourself, depending on where you are.

You are also going to need a tripod to put the camera on for stability in getting the shot. Finding a good tripod is crucial as your going to be moving around a lot, and a tripod steadies the camera for a still shot.

Shuttermuse recommends a Gimbal, claiming that it really makes things easier for him with anything 400mm or more. A Gimbal allows you to track the movement of your subject while stationary and still keep a still shot. Having played around with one, I can say that this is some good advice. In fact, most professionals recommend this type of camera support. It can be an essential tool in some niche situations.

Gear camo is essential that you will need when going out and searching for wildlife, the last thing you need is a shiny black object spooking your subject causing you to miss your shot. So pack some essential hides for yourself.

Packing Essentials

You’re going to need some food, and camping equipment to get you through your journey. Think of the following list as a starter kit:

• Protein bars
• Waterproof boots
• A good hunting knife
• Solar cell phone charger
• Water filter straw
• A flashlight or headlamp
• A topography map

Again, that was just a list of essential gear for a trip. If you are staying overnight, you are going to need more camping gear .

You are going to need a computer and good photo editing software. A laptop is recommended so that you can edit on the go and upload from a hotspot. This will save you the most time, but any computer, desktop or laptop, will do.

Some optional but useful equipment includes the following:

• A vehicle mount
• A ground pod
• Beanbag for your vehicle
• Panning clamp
• Camera trap
• Extra memory cards
• Any niche specific equipment, like underwater cameras for marine photography

Know Your Wildlife and How to Find Them

This plays more into the niche you picked. For example, you don’t want to go out in December looking for quail and find out they are only in your area in mid-summer. You have to do your wildlife research, as well as your field research. Know what you’re planning on shooting, where to find it, and the best time to do so.

You also want to know what to expect from the environment and what you’re walking into. The local weather can change drastically in mountainous areas, so maybe December might be a better time for a marine dive instead of a deer hunt.

Be aware of the local wildlife and your surroundings, so you do not attract local predators to you . Be sure you know what to do and what not to do in a survival situation. For example, it is illegal to feed wildlife in California as it will attract deer, which in turn attracts mountain lions.

Mountain lions take up half of the California wildlife habitat and go where the deer are; you want to be aware of those little facts so that if you’re photographing a pretty whitetail, you may want to look around for a mountain lion stalking its prey before putting your eye to the lens.

You may also want to plan out your year, create a wildlife calendar to determine what animals are good to photograph in what seasons in your area. This can help with assuring that you can find the wildlife in their natural habitat as well as have the opportunity to photograph them.

Familiarize Yourself With the Freelance Business Model

Freelancing is more of an art form than many of you realize, especially compared to a traditional business model. To simplify the concept, you work independently and contractually in a specified area of expertise. This could be anything from writing articles to a lawyer working pro bono on a case.

What it means to the independent photographer is more in comparison to an artist freelancing their paintings, or portraits. You would acquire the work by selling your completed work first, and then through networking, you can pick up specific jobs or contracts.

You have to be strategic in picking a freelance business model . A spray and pray type of approach may create a race to the bottom scenario. If you are a perfectionist, you may find it to be quite a lengthy process to produce quality work. This plays into how you are going to position and market yourself as a freelance wildlife photographer.

The sky really is the limit here. Seriously, you can go as fast and as hard at this as you are able. You can create calendars, do events, create marketing material for companies, or even try and sell your art to local news stations and papers. Send some of your work into some popular magazines. Don’t be afraid to niche here. This is where you get the benefit of rejection as you overcome challenges and find your own way.

Develop a Marketing Plan

Developing a proper marketing plan for your photography business can be challenging. I see many marketers and graphics designers that get lumped into photography or do it as part of their catch-all job, but usually not the other way around. The creative side is there. Some strategies just need to be developed and some skills need to be learned.

A lot of marketing is mainly just finding creative ways to get your information and work in front of people that need it . In the case of the freelance photographer, that information would be how good your photos are and potentially how easy you are to work with. Your photos need to serve a specific need to your client. For example, Nat Geo buys a lot of wildlife photos, mainly because they need them for their productions.

The same needs to go for you. As a freelancer, you are the brand and no one else is. Therefore, you need a lot of photos for your productions. In a highly competitive marketplace, any way to stand out is a good thing. A good differentiation strategy is crucial to your success.

Be creative in making your plan, find something that works specifically for you and tailor your skills to that specific need. Be realistic when starting out, dream big, and plan big, but have a realistic path to take to get there.

Adaptation and Creativity in Yourself

If traveling the jungles of Asia is your dream photography contract, then you need to tailor your marketing efforts to take you in that direction . You’ll need to learn skills that once again, don’t directly relate to photography, like learning the language and cultures of your desired area. Find out what types of photos people enjoy, visit the region, and gain as much knowledge as you can about that area.

Come up with a good portfolio and publish it on sites like Shutterstock ,  Adobe stock , PhotoShelter , etc. I would also highly recommend putting your own website together with your portfolio and link to your work.

You can also productize your work, besides the rights and files that naturally come. You can create the following:

• Framed photos
• and other cool creative things

These can be in a front-facing e-commerce store or you can pass them out to potential contacts, clients, and more. This is the really exciting part, at least to me anyway, where your hard work pays off and you get your name out there. This is arguably the biggest struggle, but everyone’s perception of the process is different.

Distributing Your Work

Create a brochure of your best photos and your contact information and send it to your local news stations , especially if the wildlife is within the community. You can also drop off some of your work with some snacks and a short, non-salesy note.

You can start by asking who buys the nature photos on staff and try to get a sit down with that person. When meeting with them, show how you can best serve them. Explain your portfolio and show your passion for your work in a way that makes it usable for them.

If this outreach fails and you get no bites, take the slower but truer route. Make contacts at other organizations that need photos for their news stations and areas. Send samples of your work or links to your portfolio. Post parts of your portfolio on social media sites, like Insta g ram or LinkedIn .

Related : How Do Photographers Make Money on Instagram?

Be Persistent

Don’t be shy about your work. Be proud of your work and accomplishments and learn to talk about them in a natural (pun intended) way. Talk about that black-tailed deer you shot last week, with a few photos on your phone ready to go. Carry around business cards and let informed decision-makers know what you do and how you help.

Wildlife photography may be your passion, but don’t be afraid to do a wedding here or there . If a wedding is over your head, try weather or event shots that you can sell on stock photography sites. In the meantime, make some good contacts and eventually make some good contracts. You never know who other people may know. You are as close as 3 people away from meeting the perfect client or employer. You may do a simple beach wedding and find out that the bride’s uncle is a music producer for Nat Geo. You never know.

This brings me to my next point, don’t only look for specific opportunities. That music producer for Nat Geo in the previous example could lead to an invite to a party where you meet a production supervisor. These are, of course, just a few ideas to get started.

Write your plan out. Yes, actually write out your plan and review it often, until you get a nice repeatable process.  The only bad marketing plan is not having a marketing plan . Even bad marketing plans can be great for exposure.

Find a Mentor

Everybody learns from somebody else, shocking I know. Find someone to teach you or a group you can engage with. Join a Facebook group, look things up on Reddit, find a forum, and/or go to local photography events and conventions. Networking is the game in all aspects of career development, especially in hard to break into niches and industries.

Everyone had that favorite teacher in elementary school and the same would go for you if you went to film school or photography school. Can’t fulfill the time or monetary commitment just yet? There are killer online wildlife photography classes out there. These instructors are great mentors as some of them are either still active in the field or otherwise have real-life experience. The best part about having a teacher as a mentor is that you get honest and good feedback most of the time .

No local mentors? No problem. Connect with people on social media or their personal blogs. We’re a part of the global economy and people all over the world are connecting with each other. With technology the way it is today, you could have a mentor halfway across the world and still connect with them.

Wildlife photography can be fun and rewarding to get into but can be difficult to try to make it full time. Besides touching on the tested tactics of becoming a wildlife photographer from pros in the space, I also went through some of my own favorite freelancing and marketing nuggets of wisdom.

I do hope it was helpful. I overshot my planned word count by nearly 1,000 words! Let me know how to make it better for you.

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Heather Angel

Wildlife Photography

Includes personal feedback and tuition. More

Learn in an online classroom with no more than 20 classmates. More

Course Description

Professional photographer Heather Angel will teach you how to take photos of animals and birds in the wild.

This course is ideal for anyone who loves animals. Whether you want to photograph them in your back garden or local countryside, a Zoo, Wildlife Park or Nature Reserve or maybe you are planning that once in a life time holiday. This course will give you professional insights on taking photos of wildlife.

Photographing the natural world can be both frustrating and immensely rewarding. Becoming an observant field naturalist will ensure you gain a closer approach to wildlife before they take evasive action.

Whether in your own garden or in more remote locations, learn how to make the most of available light for taking wildlife portraits. Heather will also cover how to meter for high key and low key subjects, and how and when to use flash and how useful fill-flash can be for animals of any size. Learn when and how to get dramatic action shots of animal behaviour using fast shutter speeds and slow ones by panning the camera. Invest time working with baby animals, because although a challenge, it will be very rewarding.

Learn how to use a house as a hide and about hide etiquette in public hides. Tips and hints for getting in close to minibeasts and also for photographing life in aquaria are included - but for the specifics of macro photography join my Macro photography course .

Having found your target species, thought needs to go into how best to compose the shot and to select the most appropriate shutter speed and aperture. Discover how to get dramatic silhouettes at dusk and dawn and how to plan a photo story.

Finally, learn how to edit images and to retrieve them at a later date.

You'll learn:

• how to approach wild animals in their natural environment whether at home or abroad
• camera settings to achieve correctly exposed images
• photography skills to create eye-catching portraits and arresting action shots – from beetles to large mammals
• taking action shots and using hides

Requirements

• Camera with a zoom lens so can stand back to take wildlife. A DSLR is not essential, but it will be easier for action shots because the focusing is faster.
• For macro shots
• Some means of getting in close – either with a macro setting on a zoom lens or a true macro lens for a DSLR camera.
• A flash - either in-camera or a separate flash
• Camera support - a tripod or monopod is not essential but could be useful if need to set up the camera and wait for wildlife to arrive/ behave.

This course is suitable for photographers wanting to learn to take photographs of nature and wildlife, through to professionals who want to develop their wildlife photography skills with Heather Angel.

Time to complete this wildlife photography course:

Every student is different but in general we think the whole course will take around 13 hours 45 minutes to complete including:

• Video lessons: 1 hour 45 minutes in total
• Course notes: 30 minutes per lesson
• Assignment: at least 2 hours per lesson
• Interactive classroom time: 15 minutes per lesson
• tutor feedback review (Expert level): 15 minutes per lesson

The course includes:

• On-demand video lessons - presented by Heather Angel
• lifetime access to the video, notes and interactive class
• flexible classes - join and learn when and where you like
• downloadable lesson notes
• practical (optional) wildlife or nature photography assignments
• access on your mobile, PC, Mac or laptop
• small interactive online classroom chat online to students from around the world

Ready to get started?

Just add the course to your basket above - choose the 'Expert' option for personal feedback from Heather on your photos.

Any questions? Contact us by clicking on the orange speech symbol - we'd love to hear from you.

CPD Accreditation

Course outline

Making a start.

This lesson covers how to approach wild animals using the equipment which is best suited for getting photographs of birds and mammals as well as macro shots of insects.  There is also guidance on metering – including tricky subjects such as white birds in the snow as well as shots with large shadow areas. Examples of different types of lighting – front, side and back, including silhouettes – are all illustrated and explained.  Finally, there are examples of how to best to frame different subjects so as to achieve a striking composition.

Animal Portraits

Taking frame-filling animal portraits, whether large or small animals, requires care and thought about the lighting and composition  We will look at ways to light animal portraits, including using fill-flash to in-fill shadows and gain a catchlight in a black eye surrounded by black fur or feathers.  Your own garden can be a rich resource of wildlife subjects especially if a bird bath and a bird feeder are provided.  If the feeder can be positioned near a window in the house, this makes a handy hide – especially on wet days! Finally, guidance is also given on how to photograph mini-beasts, including insects, frogs and toads.

Action Shots

Taking action shots of birds and mammals – including baby animals – is more difficult than static portraits, but great fun when they work. Baby animals are particularly rewarding – whether playing on their own or with their parents or siblings. Action can be frozen by using a fast shutter speeed and in poor light it may be necessary to increase the ISO. Moving animals can also be captured in creative ways including panning the camera in the same direction as the animal is moving and by using a slow shutter speed.

Nature Tamed and Wild

This final week looks at taking wildlife in cities, collections and zoos as well as in wilderness areas. The pros and cons of taking captive versus wild animals is also covered. Advice is given for photographing animals in aquaria, how to compose images of wildlife in the habitat and points to look for when selecting a wildlife photo tour. Finally, ideas are given for shooting photo stories as well as keeping an open eye for a humorous wildlife shot.

Choose how you want to learn

The expert option.

Develop your learning further with marked assignments and personal tuition from Heather Angel

• Start course whenever you like
• 4 weeks tutor access for personalised assignment feedback & coaching
• 4 assignments marked by Heather Angel
• Certificate of completion and CPD hours
• Online classroom with up to 20 classmates
• 4 lessons with expert videos & notes
• Group chat & direct message with tutor & classmates
• Lifetime access to videos, notes & classroom

The Peer option

Discover the benefits of group learning in an online interactive classroom of no more than 20 people. Get the most from shared knowledge and community study

• Practise what you learn with your peers
• 4 course assignments
• Group chat & direct message classmates

New Buy this course for a business or group

You can now buy this course through your business or organisation for individuals and groups up to 20

Photography classroom - how it works

Start anytime.

Watch video tutorials led by expert tutors

Test yourself

Practice what you learn with inspiring assignments

Personal tuition

Get assignment feedback from expert tutors

Share ideas

Collaborate and chat directly to classmates

Meet Heather Angel

Our community loves us, awards & accreditations.

Self-Assignments

Become a more deliberate wildlife photographer: week four.

Join Now to Get Instant Access to This Content Plus You’ll Also Receive These Bonuses!

Monthly Live Webinar Trainings

Learn from Award-Winning Photographers in our Live Monthly Trainings.

As a member, you’ll get free monthly 90-minute trainings by award-winning professional wildlife photographers like Simon d’Entremount, Isaac Grant, Greg Basco and many more who dive deep into both beginner and intermediate topics. Directly following the trainings, the speaker will open up the floor for 30-minutes of Q&A. You’ll get instant access to all new and past trainings with your membership.

(Value $197.00/month)

Today: Included FREE

Monthly Live Photo Contest Image Critiques

Learn how to improve your photo contest entries.

We’ll choose 4 to 5 non-winning photos and provide detailed insights on how they could be improved and possibly win next time. Directly following the critique, we will open up the floor for 15-minutes of Q&A. You’ll get instant access to all new and past critiques with your membership.

Digital Magazine

Workshop-Level Education in an Easy-to-Read Quarterly Publication.

In 2019, the Journal of Wildlife Photography was created to bring wildlife photographers workshop-level training into the pages of a digital publication. With columns on conservation, macro photography, bird photography, animal behavior and habitats, underwater photography, DSLR and Mirrorless Autofocus systems, light and composition, and so much more.

(Value $97.00/year)

Social Community

Share Your Photos and Get “Real-Time” Feedback From Our Private Online Community.

Connect with other wildlife photographers, share your photos, and learn from award-winning professionals through live virtual workshops, training, and seminars. Receive personalized feedback from your peers and get valuable insights from image critiques by working professionals. 

Article Library

In-depth Articles on Wildlife Ecology, Shooting Tips, Field Techniques, and More.

Explore topics such as animal behavior, habitat management, outdoor photography, and shooting skills, among others. Each article is carefully researched and written in an engaging style, making it easy to follow and understand. You’ll get instant access to all new and past articles with your membership.

Monthly Photo Contests

Every month, JOWP hosts themed photo contests with cash prizes of $500.

(Value $120.00/year)

Join Today and Get Instant Access

Monthly Live Webinar Trainings (Value $2364.00/year)

Monthly Live Photo Contest Image Critiques (Value $2364.00/year)

Digital Quarterly Magazine (Value $97.00/year)

Social Community (Value $97.00/year)

Article Library (Value $97.00/year)

Entry into our monthly photo contests. (Value $120.00/year)

Total Value: $5139.00/year

• 10 free contest entries per month included for life.
• Lifetime access to live monthly photo critiques of contest winners and runners-up.
• Lifetime access to ALL back issues of the Journal, video library, and in-depth articles.
• Lifetime access to live monthly trainings + all past trainings.
• Lifetime access to the "Facebook-like" social media community.
• 15% OFF all future full-price purchases​

ANNUAL PLUS+

• 5 free contest entries per month included for one year.
• Access to live monthly photo critiques of contest winners and runners-up.
• Instant access to ALL back issues of the Journal, video library, and in-depth articles.
• Access to live monthly trainings + all past trainings.
• Access to the "Facebook-like" social media community.
• 1 free contest entries per month included for one year.
• Lifetime access to 5+ years of back issues to the Journal, video library, and 100+ articles.
• Lifetime access to the"Facebook-like" social media community.
• FREE “Mastering Light: The Essence of Wildlife Photography” eBook ($97 Value)​
• FREE “The Photographer's Guide To The Outer Banks” eBook ($49 Value)​
• Instant access to 5+ years of back issues to the Journal, video library, and 100+ articles.
• Access to the"Facebook-like" social media community.

Yearly Membership

• 1 free entry into our year-end photo contest in December with a cash prize of $2,000 per category winner.
• 1 free entry per month into our monthly photo contests with cash prizes of a least $250/month. (No limit on how many times you can win).
• Free monthly photo critique of contest winners and runners-up.
• Winners get their work published in our magazine.
• One year access to new JoWP magazine issues.
• Instant access to 5+ Years of back issues to the Journal, video library, and 100+ articles.
• One year access to monthly trainings + instant access to all past trainings.
• One year access to the"Facebook-like" social media community.

Lifetime Membership

• 1 free entry per month (10 free entries coming soon) into our monthly photo contests with cash prizes of a least $250/month. (No limit on how many times you can win).
• Lifetime access to new JoWP magazine issues.
• Lifetime access to monthly trainings + instant access to all past trainings.
• 15% off all future full price purchases​.
• FREE eBook “Mastering Light: The Essence of Wildlife Photography” ($97 Value)​
• FREE eBook: – “The Photographer's Guide To The Outer Banks” ($49 value)​

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How To Choose A Wildlife Photography Workshop

In early-morning mist, workshop participants photograph birds on a lake in northwestern New York.

Over the last decade, the ever-expanding popularity of nature photography and the growing ease and affordability of high-quality digital camera bodies and lenses have created an unprecedented demand for wildlife photography workshops. At the same time, with the collapse of stock photography and print publications, many pro photographers are finding leading workshops to be the only real way to carve out a living in this field. Hence, photography workshops proliferate, offering opportunities to travel to just about any corner of the world you can imagine.

Given the abundance of choices out there, how do you select a wildlife photography workshop? Workshops can cost a considerable amount of money, and attending one that turns out to be a bad fit for you can be a huge disappointment. In this column, I’ll address the features to consider in the hopes that you can make the right choice for you.

Tours Versus Workshops

First, be aware that workshop leaders generally use the words “tour” and “workshop” very differently. In most cases, a “tour” or “safari” basically means the leader is acting as a guide who has determined the best locations and opportunities for you in a particular destination. They will be there to assist you in the field, but most likely there will not be intensive teaching nor classroom time to help with post-processing, refinement of technical skills, etc. For this reason, tours are usually designed for more advanced wildlife photographers who don’t require a lot of instruction.

“Workshops” usually offer more of a learning component, with time set aside to review photos as a group or one-on-one, and direct instruction on enhancing your technical and processing skills.

The Workshop Leader

Spend a good chunk of time on the leader’s web site. Get to know her style, her approach, her ethics. How does she describe herself and her mission? Social media is, of course, also a great way to assess the personality and style of photographers. Look at their work on Instagram and Facebook. Check out how they interact with people. Are they friendly and respectful to others? Do they seem to hold the same values as you? Ascertaining these things can help you judge whether you’ll be a good fit in person.

Also determine whether the workshop is sponsored solely by the leader or under the aegis of a workshop company. If it’s a company, make sure you take the time to read the company policies, familiarizing yourself with their approach and ethos.

Other Clients

What is the maximum size limit of the group? In general, a ratio of one instructor to no more than five or six students is recommended. You want to make sure you have a chance to receive individual attention from time to time and aren’t jostling with a crowd to get noticed.

Also, see if you can find out whom the workshop is geared toward, in terms of both skill level and interest. It’s tough to be more on the amateur end of the scale if everyone else attending has advanced photography skills. It’s also advisable to be cautious of wildlife tours that may be aimed at wildlife watching in general rather than strictly photography. For instance, a birder has a very different set of criteria than a bird photographer, and these criteria don’t necessarily mix well in the field; some birders simply need to see the bird and they are ready to move on, while bird photographers need time to get the shot.

Make sure you are clear on whether the workshop will run if it doesn’t fill up entirely. Some leaders will cancel a workshop by a certain date if they aren’t able to reach a certain number of participants.

The Leader’s Experience

Has the leader been to this particular destination a number of times before? Repeated experience with a location usually increases the likelihood of a successful experience for workshop attendees.

Workshop participants stand atop a dune in Nome, Alaska.

Are local tour guides employed in the destination country? Workshops where leaders have returned to one place time and again, consistently relying on the same local guides, can provide the very best experience of all. The local guides will have had their ear to the ground for wildlife sightings, knowing, for instance, where a leopard is denning with her new cubs or a spirit bear has been regularly fishing for salmon. Their longtime relationship with the workshop yields a degree of loyalty and trust that benefits everyone and helps to support the local economy.

Don’t be afraid to ask the leader for the names and contact info of people who have attended that particular workshop or tour in the past. Requesting such references is a common practice. Make up a list of questions that you would like to ask the attendee(s). Some crucial questions to ask: Did the leader care more about “getting the shot” for himself or more about whether his clients succeeded in “getting the shot?” Is there something you wish you had brought that you didn’t? What did and didn’t you like about the trip?

As nature photographers, most of us care about the welfare of our subjects. When we’re in the field, we certainly don’t want to put the life of an animal at risk. Each of us has an impact when we are out there, whether we are aware of it or not. The least we can do is try to minimize our impact, adopting the “leave no trace” principle as best we can.

I can’t emphasize enough the importance of doing your due diligence on the ethical approach of a workshop leader. By that I mean, are they interacting with the wildlife to ensure you get your shot? If so, to what degree and in what way? You have to decide what you are comfortable with. And you have to be prepared so that you aren’t surprised once you are in the field. Several photographers have shared with me how they attended owl workshops in the U.S. or Canada and were horrified to find that live pet store mice were offered to owls to get dramatic fly-in shots. The problem comes when workshop leaders persistently induce wildlife to perform for them so that clients can get “the money shot”—particularly with predatory birds and mammals. Providing easy meals, for example, is not doing a favor to these animals, as the instructors often claim; it can change the animals’ behavior in ways that are harmful to them, taming them and drawing them closer to roads.

Care must also be shown to the homes of wildlife. How does the leader approach photography at nests, dens or roosting spots? Do they respect the habitat as it is or try to modify it to create a more visually pleasing stage, e.g., cutting away sheltering branches from around nests? This can be disastrous to the survival of the young.

In short, is the photographer more of a “stylist,” caring only about a perfect-looking photo and not for the well-being of the birds or other animals? Or is he a person who cares deeply about the welfare of his subjects and is interested in teaching appropriate fieldcraft? As instructors, we have the opportunity and responsibility (and, I feel, the gift) to model ethical practices in the field. As a participant who cares about wildlife too, you have both the right to expect this and the responsibility to ensure it.

Permits And Certifications

All tour and workshop leaders should have the required permits, insurance and medical certifications. This is something you may need to inquire about, especially in regards to the permits, which are particular to locations. National and state parks require commercial permits for photography workshops. They also require that the instructor be certified in CPR and first aid.

Fitness Level

What kind of fitness level is required? Will you be expected to hike a good distance carrying all your heavy camera gear or to disembark small boats onto slippery rocks while carrying gear or trudge through deep snow? These are all considerations that you must know in advance that may not be spelled out in the workshop description. It’s distressing to find out only once you’re there that the physical challenges are too much for you. Moreover, it’s a huge bummer if your inability to keep up with the others limits their enjoyment and experience, too.

In addition, if you’re the sort of person who, like me, needs a little rest and downtime in some part of the day, make sure in advance that’s an option that’s available. Ask to see a sample itinerary to examine the pace at which the workshop is led.

Cancellation And Refund Policy

Carefully read over the cancellation and refund policies of any prospective workshop. As we all know, professional or health and other personal issues can arise that make something planned well in advance suddenly not possible. Make sure policies are clear, reasonable and acceptable to you. And seriously consider purchasing trip insurance, which can greatly lessen the financial pain of any last-minute cancellation penalties.

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Wildlife Photography How To

How to make a living as a wildlife photographer: tips from 4 top pros.

Photographing wildlife in their natural habitat has always been both challenging and rewarding. Whether you develop a business selling the use of the images or leading workshop tours, this field requires a special combination of passion and patience. In this article, we look at how and where wildlife photos can be sold as well as prospects to pursue and pitfalls to avoid. Special thanks to our four contributors: Sean Crane; Barbara Fleming (Fleming Safari Company, LLC); Eric Horan (Lowcountry Photo Safaris); and Josh Patterson.

Shutterbug: What kinds of clients do you work with (assignments, editorial, advertising, stock, fine art prints, etc.)?

Eric Horan: We have done everything on this list; we lead photo adventures locally and in other locations in the United States and out of the country. Since 2009 I have changed my emphasis from advertising assignments to selling fine art prints and editorial assignments and leading photo tours (by boat). There is only so much time and other resources available for marketing and we have been spending that energy marketing for fine art projects and booking tours, mostly here in the coastal southeast region. This isn’t to say that I no longer take the corporate and advertising work but now it’s strictly the assignments that walk through the door.

Barbara Fleming: The majority of my commercial work is leading photo workshops and photographic safaris/tours in Tanzania, Botswana, and South Africa. I first fell in love with Africa in 2010 when I picked up a camera and began my career as a photographer and tour leader. A few years after, I retired from my job and devoted myself full-time to photography. My work is purchased by people who have seen it in the many international photo competitions where I have won awards. My career is not so much about selling images but about training and sharing the adventures of international travel with those with a similar interest.

Sean Crane: In my day job, I’m an advertising creative director. It’s a very time-intensive career. Wildlife photography is a side gig for me right now so I don’t always have the time to market my own work. This is what I love about my stock agent, Minden Pictures. I provide them with photos but they do all the marketing and negotiating of license agreements. Every quarter a check simply shows up in the mail. The main marketing that I do on my own is keeping up with my “Photo of the Day” blog. I photograph and post a wide variety of species, from the smallest invertebrates to the largest of mammals, including some very rare creatures. I’ve been doing the blog for almost a decade now and have a solid following, so my images rank fairly high in Google searches.

I get a lot of e-mails from different organizations wanting to use one photo or another. Of course, most of the requests are hoping for free usage, but there are still plenty of clients that are willing to pay. These requests include usage for calendars, magazines, books, and other traditional outlets, but also outdoor displays at nature parks, wall art for condo developments, and even the backdrop of a Broadway play. I also get a fair number of requests for prints, usually originating from visitors to my website. Having worked in advertising my entire career, I will occasionally get a request to use one of my images in a billboard, magazine, online, or some other channel, but I must be careful to avoid any conflicts of interest, and don’t do this for my current agency, but rather for friends and colleagues at other agencies. I also will occasionally submit a story/photo package to a magazine.

SB: When you are looking at your marketing efforts, how do you market and promote your work?

Josh Patterson: I use a mix of website, social media, blog, and e-mail. I’ve experimented with Facebook advertising but it did not really bear fruit.

Sean Crane: My website/blog is currently my main driver for my brand. That’s what it’s about right now for me, building up an engaged and dedicated following. I send out a post by e-mail every morning, Monday through Friday, so followers have to be into it or they’ll just unsubscribe. Eventually the goal is to lead photo tours to exotic locations around the world and transition from my day job. Potential future clients really get to know me through the daily posts. To drive more traffic to my site, I cross-post to Facebook, Instagram, and other social channels. I also post select images to 500px in the hopes of driving even more traffic to my website.

Eric Horan: Mostly the marketing for the tours is e-mail blasts, social media, and magazine ads that run locally. But because my prospective clients are photographers at any level of expertise, we can market to clubs locally and regionally (camera clubs and nature photography clubs). As for the corporate print sale projects I’ve been part of, the clients were past corporate assignment clients. In that regard I have been fortunate but I realize we have just skimmed the surface of possibilities for finding this kind of work and have a lot to learn.

Barbara Fleming: Just recently I have begun to market more directly with magazine ads and social media. Before that, I relied on the publicity of the photo contests and magazine publications. Facebook is a wonderful social media tool for photographers and I have a big network with photographers from around the world that I’m in steady contact with.

SB: What advice do you have for those looking at wildlife photography as a business—pitfalls to avoid or opportunities to pursue?

Eric Horan: Making a living photographing wildlife will not happen overnight so be willing to work up to it. Wildlife photography is my passion. And while photography alone is also a passion, all fields within will not bring you the same satisfaction. I was once told when assisting an architectural photographer in New York City that “most commercial photography is 5 percent art and 95 percent moving furniture.” I worked in the resort market for years being a generalist, shooting everything from aerials to tabletop food. I enjoyed fulfilling my childhood dream of being a photographer, but my heart was in nature and wildlife, not shooting buildings or people riding bikes on the beach. Just keep your eye on the prize while you are doing the stepping stone work, and also working on the wildlife self-assignments. If you have good leadership skills, leading photo adventures can be very gratifying.

Josh Patterson: Wildlife photography has the least obvious revenue stream out of any photographic ventures I’ve tried. I’m still trying to figure it out! It’s not for the faint of heart, requiring an enormous amount of commitment on the part of the photographer—many times without any promise of reward. I supplement income via portraiture, headshots, events, and product photography. My advice would be to have a fallback plan until you are able to support yourself through assignments and other sales. As a wildlife/nature photographer you must be proactive. Since it helps enormously to have your name out there, I’ve reached out to the National Park Service, U.S. Forest Service, and other agencies.

Barbara Fleming: Know what you love and be comfortable with working outdoors. Many hours are spent outside in extreme weather conditions, with biting bugs and plenty of dust, or in other areas of the world, extreme cold. You must have a passion to be willing to be out in the environment and wait for hours to capture, at times, a mere second of action or a look or just the right light. For me it’s all worth it once I connect with the animal and even if I sometimes miss the shot I am happy with the day.

It takes a lot of patience and knowledge of animal behaviors to be able to know your subject and capture an image that is intimate and connects with your viewers. One also must know that it takes time to build a business with your work. There is a huge amount of competition throughout the world. Photography is not only a technical skill, but a creative vision that adds drama, evokes curiosity, and accentuates the emotional connection to the image.

Sean Crane: You can market your work from anywhere, so to be completely practical, it certainly doesn’t hurt to find an inexpensive place to live. Easier said than done, of course, but something to consider. Also, you’ll want to diversify—definitely diversify. No single revenue stream will likely be enough to sustain a full-time career (although there are always exceptions). And learn a thing or two about business. There are amazing photographers who are unsuccessful because they are terrible at business. Meanwhile, there are a lot of mediocre photographers who are quite successful because they are great at business.

SB: What was your best wildlife photo project?

Barbara Fleming: It was one that I planned for over two years during which I tried many times to achieve what I wanted but failed. As Ansel Adams once said, “You don’t take a photograph just with a camera. You bring to the art of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.” I quite often begin a project after seeing a work of art or film that moves me. For example, I had an opportunity to study Rembrandt’s artwork while in Amsterdam and really fell in love with his use of shadows and light to draw the viewer into the image. For me it portrayed depth and intimacy. It impacted me emotionally. So I began to create, in my mind’s eye, an image from Africa that would have similar elements. I began to work with the African Cape buffalo, as it would provide me with a dark palette of a powerful animal. As I said, it took me more than two years to capture the image that I wanted, but in the end it was exactly as I had hoped.

Sean Crane: Since I sell mostly stock, I finance and plan my own wildlife trips. My favorite locations always feature plenty of willing local subjects and the ability for me to be alone in nature with them. I love a good guide, but going it alone is always preferable if I’m confident I can find what I’m looking for. The Falkland Islands was one such trip. It was just five different species of penguins (among other furred and feathered creatures) and me for a couple of weeks. Tasmania was also a favorite. I had help from a few guides along the way, but mostly it was just me and a rental car exploring the island and all its amazing flora and fauna. As for lucrative recent projects, advertising always seems to pay the most. I recently had one of my river otter images used in a billboard. I was able to market it myself so I did not have to pay the 50 percent commission going to a licensing rep.

Josh Patterson: Definitely working with the Wildlife WayStation, an animal sanctuary in the Angeles National Forest. I documented the evacuation of the sanctuary during the Sand Fire, a wildfire that burned in the Angeles National Forest east of the Santa Clarita Valley in Los Angeles County, California, in July 2016. I spent a full 24 hours in the thick of it. It was harrowing, terrifying, and a weird mix of boredom and adrenaline.

Eric Horan: Leading 10 photographers to Costa Rica, with my wife and partner Jan, was a total pleasure and an incredible life experience. I’d have to say taking part in a sailboat delivery from Hilton Head Island, South Carolina, to Jacksonville, Florida, remains at the top of the list of my most satisfying experiences—images which ended in a cover for Smithsonian magazine.

Resources Sean Crane: seancrane.com Barbara Fleming: flemingsafarico.com Eric Horan: horanphoto.com Josh Patterson: joshpatterson.photo

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52 Assignments: Nature Photography Hardcover – March 1, 2021

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• Part of series 52 Assignments
• Print length 128 pages
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• Publisher Ammonite Press
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• Publisher ‏ : ‎ Ammonite Press (March 1, 2021)
• Language ‏ : ‎ English
• Hardcover ‏ : ‎ 128 pages
• ISBN-10 ‏ : ‎ 1781454051
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Ross hoddinott.

Ross Hoddinott is one of the UK’s leading natural history and landscape photographers. He has been working as a full time professional since 1997, supplying imagery and undertaking commissions for a wide range of publications and clients Worldwide. Based in the South West of England, Ross is best known for his intimate close-up images of nature, and for evocative landscape photographs. He is a regular contributor to a number of photography magazines, including 'Amateur Photographer', 'Digital SLR Photography' and 'Practical Photography'. Ross is the author of several photography books and also a multi award winner in 'Wildlife Photographer of the Year', 'Take-a-View: Landscape Photographer of the Year', 'British Wildlife Photography Awards' and 'The International Garden Photographer of the Year' competitions. He co-runs Dawn 2 Dusk Photography and is an ambassador for Nikon UK (2013-15) and Manfrotto. Visit: www.rosshoddinott.co.uk

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40 Facts About Elektrostal

Written by Lanette Mayes

Modified & Updated: 19 May 2024

Reviewed by Jessica Corbett

Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to captivate you.

This article will provide you with 40 fascinating facts about Elektrostal, giving you a better understanding of why this city is worth exploring. From its origins as an industrial hub to its modern-day charm, we will delve into the various aspects that make Elektrostal a unique and must-visit destination.

So, join us as we uncover the hidden treasures of Elektrostal and discover what makes this city a true gem in the heart of Russia.

Key Takeaways:

• Elektrostal, known as the “Motor City of Russia,” is a vibrant and growing city with a rich industrial history, offering diverse cultural experiences and a strong commitment to environmental sustainability.
• With its convenient location near Moscow, Elektrostal provides a picturesque landscape, vibrant nightlife, and a range of recreational activities, making it an ideal destination for residents and visitors alike.

Known as the “Motor City of Russia.”

Elektrostal, a city located in the Moscow Oblast region of Russia, earned the nickname “Motor City” due to its significant involvement in the automotive industry.

Home to the Elektrostal Metallurgical Plant.

Elektrostal is renowned for its metallurgical plant, which has been producing high-quality steel and alloys since its establishment in 1916.

Boasts a rich industrial heritage.

Elektrostal has a long history of industrial development, contributing to the growth and progress of the region.

Founded in 1916.

The city of Elektrostal was founded in 1916 as a result of the construction of the Elektrostal Metallurgical Plant.

Located approximately 50 kilometers east of Moscow.

Elektrostal is situated in close proximity to the Russian capital, making it easily accessible for both residents and visitors.

Known for its vibrant cultural scene.

Elektrostal is home to several cultural institutions, including museums, theaters, and art galleries that showcase the city’s rich artistic heritage.

A popular destination for nature lovers.

Surrounded by picturesque landscapes and forests, Elektrostal offers ample opportunities for outdoor activities such as hiking, camping, and birdwatching.

Hosts the annual Elektrostal City Day celebrations.

Every year, Elektrostal organizes festive events and activities to celebrate its founding, bringing together residents and visitors in a spirit of unity and joy.

Has a population of approximately 160,000 people.

Elektrostal is home to a diverse and vibrant community of around 160,000 residents, contributing to its dynamic atmosphere.

Boasts excellent education facilities.

The city is known for its well-established educational institutions, providing quality education to students of all ages.

A center for scientific research and innovation.

Elektrostal serves as an important hub for scientific research, particularly in the fields of metallurgy, materials science, and engineering.

Surrounded by picturesque lakes.

The city is blessed with numerous beautiful lakes , offering scenic views and recreational opportunities for locals and visitors alike.

Well-connected transportation system.

Elektrostal benefits from an efficient transportation network, including highways, railways, and public transportation options, ensuring convenient travel within and beyond the city.

Famous for its traditional Russian cuisine.

Food enthusiasts can indulge in authentic Russian dishes at numerous restaurants and cafes scattered throughout Elektrostal.

Home to notable architectural landmarks.

Elektrostal boasts impressive architecture, including the Church of the Transfiguration of the Lord and the Elektrostal Palace of Culture.

Offers a wide range of recreational facilities.

Residents and visitors can enjoy various recreational activities, such as sports complexes, swimming pools, and fitness centers, enhancing the overall quality of life.

Provides a high standard of healthcare.

Elektrostal is equipped with modern medical facilities, ensuring residents have access to quality healthcare services.

Home to the Elektrostal History Museum.

The Elektrostal History Museum showcases the city’s fascinating past through exhibitions and displays.

A hub for sports enthusiasts.

Elektrostal is passionate about sports, with numerous stadiums, arenas, and sports clubs offering opportunities for athletes and spectators.

Celebrates diverse cultural festivals.

Throughout the year, Elektrostal hosts a variety of cultural festivals, celebrating different ethnicities, traditions, and art forms.

Electric power played a significant role in its early development.

Elektrostal owes its name and initial growth to the establishment of electric power stations and the utilization of electricity in the industrial sector.

Boasts a thriving economy.

The city’s strong industrial base, coupled with its strategic location near Moscow, has contributed to Elektrostal’s prosperous economic status.

Houses the Elektrostal Drama Theater.

The Elektrostal Drama Theater is a cultural centerpiece, attracting theater enthusiasts from far and wide.

Popular destination for winter sports.

Elektrostal’s proximity to ski resorts and winter sport facilities makes it a favorite destination for skiing, snowboarding, and other winter activities.

Promotes environmental sustainability.

Elektrostal prioritizes environmental protection and sustainability, implementing initiatives to reduce pollution and preserve natural resources.

Home to renowned educational institutions.

Elektrostal is known for its prestigious schools and universities, offering a wide range of academic programs to students.

Committed to cultural preservation.

The city values its cultural heritage and takes active steps to preserve and promote traditional customs, crafts, and arts.

Hosts an annual International Film Festival.

The Elektrostal International Film Festival attracts filmmakers and cinema enthusiasts from around the world, showcasing a diverse range of films.

Encourages entrepreneurship and innovation.

Elektrostal supports aspiring entrepreneurs and fosters a culture of innovation, providing opportunities for startups and business development.

Offers a range of housing options.

Elektrostal provides diverse housing options, including apartments, houses, and residential complexes, catering to different lifestyles and budgets.

Home to notable sports teams.

Elektrostal is proud of its sports legacy, with several successful sports teams competing at regional and national levels.

Boasts a vibrant nightlife scene.

Residents and visitors can enjoy a lively nightlife in Elektrostal, with numerous bars, clubs, and entertainment venues.

Promotes cultural exchange and international relations.

Elektrostal actively engages in international partnerships, cultural exchanges, and diplomatic collaborations to foster global connections.

Surrounded by beautiful nature reserves.

Nearby nature reserves, such as the Barybino Forest and Luchinskoye Lake, offer opportunities for nature enthusiasts to explore and appreciate the region’s biodiversity.

Commemorates historical events.

The city pays tribute to significant historical events through memorials, monuments, and exhibitions, ensuring the preservation of collective memory.

Promotes sports and youth development.

Elektrostal invests in sports infrastructure and programs to encourage youth participation, health, and physical fitness.

Hosts annual cultural and artistic festivals.

Throughout the year, Elektrostal celebrates its cultural diversity through festivals dedicated to music, dance, art, and theater.

Provides a picturesque landscape for photography enthusiasts.

The city’s scenic beauty, architectural landmarks, and natural surroundings make it a paradise for photographers.

Connects to Moscow via a direct train line.

The convenient train connection between Elektrostal and Moscow makes commuting between the two cities effortless.

A city with a bright future.

Elektrostal continues to grow and develop, aiming to become a model city in terms of infrastructure, sustainability, and quality of life for its residents.

In conclusion, Elektrostal is a fascinating city with a rich history and a vibrant present. From its origins as a center of steel production to its modern-day status as a hub for education and industry, Elektrostal has plenty to offer both residents and visitors. With its beautiful parks, cultural attractions, and proximity to Moscow, there is no shortage of things to see and do in this dynamic city. Whether you’re interested in exploring its historical landmarks, enjoying outdoor activities, or immersing yourself in the local culture, Elektrostal has something for everyone. So, next time you find yourself in the Moscow region, don’t miss the opportunity to discover the hidden gems of Elektrostal.

Q: What is the population of Elektrostal?

A: As of the latest data, the population of Elektrostal is approximately XXXX.

Q: How far is Elektrostal from Moscow?

A: Elektrostal is located approximately XX kilometers away from Moscow.

Q: Are there any famous landmarks in Elektrostal?

A: Yes, Elektrostal is home to several notable landmarks, including XXXX and XXXX.

Q: What industries are prominent in Elektrostal?

A: Elektrostal is known for its steel production industry and is also a center for engineering and manufacturing.

Q: Are there any universities or educational institutions in Elektrostal?

A: Yes, Elektrostal is home to XXXX University and several other educational institutions.

Q: What are some popular outdoor activities in Elektrostal?

A: Elektrostal offers several outdoor activities, such as hiking, cycling, and picnicking in its beautiful parks.

Q: Is Elektrostal well-connected in terms of transportation?

A: Yes, Elektrostal has good transportation links, including trains and buses, making it easily accessible from nearby cities.

Q: Are there any annual events or festivals in Elektrostal?

A: Yes, Elektrostal hosts various events and festivals throughout the year, including XXXX and XXXX.

Elektrostal's fascinating history, vibrant culture, and promising future make it a city worth exploring. For more captivating facts about cities around the world, discover the unique characteristics that define each city . Uncover the hidden gems of Moscow Oblast through our in-depth look at Kolomna. Lastly, dive into the rich industrial heritage of Teesside, a thriving industrial center with its own story to tell.

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Our commitment to delivering trustworthy and engaging content is at the heart of what we do. Each fact on our site is contributed by real users like you, bringing a wealth of diverse insights and information. To ensure the highest standards of accuracy and reliability, our dedicated editors meticulously review each submission. This process guarantees that the facts we share are not only fascinating but also credible. Trust in our commitment to quality and authenticity as you explore and learn with us.

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Elektrostal

Elektrostal Localisation : Country Russia , Oblast Moscow Oblast . Available Information : Geographical coordinates , Population, Area, Altitude, Weather and Hotel . Nearby cities and villages : Noginsk , Pavlovsky Posad and Staraya Kupavna .

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