horror essay writing

250 Horror Writing Prompts (Scary Good Ideas)

Looking to write your next spine-chilling horror story?

Here are 250 horror writing prompts to get your creative juices flowing. From ghostly apparitions to apocalyptic nightmares, these prompts will help you create unforgettable tales of terror.

What Is a Horror Writing Prompt?

Table of Contents

A horror writing prompt is a brief idea or scenario designed to inspire a horror story.

It provides the foundation for a plot, characters, conflict, setting, consequences, and sometimes a ticking clock plot device to build tension and urgency.

There is actually more than one type of horror writing prompt (see the chart below).

Types of Horror Writing Prompts

Ghost stories.

• The Forgotten Asylum – A group of urban explorers finds an abandoned asylum haunted by the spirits of former patients. They must uncover the asylum’s dark secrets before they’re trapped forever.
• The Phantom Ship – A ghost ship appears off the coast, and a team of marine biologists investigates. They discover the souls of the drowned crew seeking revenge.
• Haunted Housewarming – A couple moves into their dream home, only to find it haunted by a previous owner’s vengeful spirit. They must uncover the home’s history to break the curse.
• The Whispering Woods – Campers in a remote forest hear eerie whispers at night. The ghost of a lost hiker leads them to a hidden danger.
• The Ghostly Guardian – A child befriends a ghost who protects them from unseen dangers. The parents must confront the ghost to save their child.
• The Lighthouse Keeper – A lone lighthouse keeper encounters the spirits of shipwrecked sailors. He must guide them to the afterlife while battling his own sanity.
• The Cursed Portrait – An artist paints a portrait that traps the soul of its subject. The artist must find a way to release the soul before they face a similar fate.
• The Haunted Highway – Drivers on a desolate road encounter ghostly apparitions. A journalist investigates the road’s dark history to uncover the truth.
• The Spirit of the Manor – A family inherits a manor haunted by its former occupants. They must survive the night and appease the spirits to lift the curse.
• The Ghostly Choir – A school choir is haunted by the spirits of former students. The new choir director must solve the mystery before the spirits claim more victims.
• The Phantom Play – An old theater is haunted by the ghost of a lead actor who died on stage. The current cast must perform his unfinished play to set his spirit free.
• The Ghostly Conductor – A ghost train appears on an abandoned track, and a group of friends boards it. They must solve the train’s mystery before reaching their final destination.
• The Haunted Playground – Children encounter the ghost of a girl at a playground. They must help her find peace before she claims more playmates.
• The Ghost in the Attic – A family discovers a ghost living in their attic. They must uncover the ghost’s past to help it move on.
• The Spectral Detective – A detective partners with a ghost to solve a series of murders. They must catch the killer before the ghost’s unfinished business consumes them both.
• The Haunted Hotel – Guests at a remote hotel encounter the spirits of former guests. The hotel staff must uncover the truth to stop the hauntings.
• The Ghostly Librarian – A library is haunted by the ghost of a former librarian. The new librarian must uncover the ghost’s secrets to restore peace.
• The Phantom Dancer – A ballerina encounters the ghost of a dancer who died in a tragic accident. She must perform the dancer’s final routine to set her spirit free.
• The Ghost Shipwreck – Divers exploring a shipwreck encounter the spirits of the crew. They must uncover the ship’s fate to escape the underwater hauntings.
• The Haunted Cabin – A group of friends stays in a cabin haunted by the ghost of a previous occupant. They must solve the ghost’s mystery to survive the night.
• The Ghostly Roommate – A college student discovers their dorm room is haunted. They must work with the ghost to uncover the dorm’s dark history.
• The Phantom Photographer – A photographer captures images of ghosts in their photos. They must find a way to stop the hauntings before they become one of the subjects.
• The Haunted Mirror – A mirror in an antique shop shows the reflections of ghosts. The shop owner must uncover the mirror’s history to break the curse.
• The Ghostly Gardener – A gardener encounters the spirit of a former groundskeeper. They must work together to uncover the secrets buried in the garden.
• The Phantom Bus – A ghostly bus picks up passengers who never return. A journalist must uncover the bus’s story to stop the disappearances.

Psychological Horror

• The Mirror’s Reflection – A person starts seeing a sinister version of themselves in mirrors. They must confront their inner demons to regain control.
• The Unseen Stalker – Someone feels constantly watched and followed. They must uncover the identity of their stalker before they lose their sanity.
• The Vanishing Family – A person wakes up to find their family has disappeared. They must piece together their fractured memories to find out what happened.
• The Hallucination Game – A group of friends takes part in a psychological experiment, only to find reality and hallucination blurring dangerously.
• The Time Loop – A person is trapped in a time loop, reliving the same terrifying day. They must find a way to break the loop before their mind unravels.
• The Doppelgänger – A person encounters someone who looks exactly like them but with sinister intentions. They must discover the doppelgänger’s origins to survive.
• The Sleepless Nights – A person suffers from severe insomnia, leading to disturbing visions and paranoia. They must find the cause before they break down completely.
• The Disappearing Acts – A person’s friends and family begin to vanish one by one. They must uncover the truth behind the disappearances before they’re next.
• The Phantom Voices – A person starts hearing voices that urge them to commit terrible acts. They must resist the voices and find out where they’re coming from.
• The Twisted Reality – A person finds themselves in a world where nothing is as it seems. They must navigate the illusions to find the truth.
• The Hidden Room – A person discovers a hidden room in their home filled with disturbing artifacts. They must uncover its purpose and the secrets it holds.
• The Fragmented Mind – A person experiences severe memory loss and blackouts. They must piece together their fragmented memories to uncover a dark truth.
• The Shadow in the Corner – A person sees a shadowy figure in the corner of their eye that gets closer each day. They must confront it before it consumes them.
• The Sinister Neighbor – A person suspects their new neighbor is hiding a terrible secret. They must investigate without falling into the neighbor’s trap.
• The Vanishing Town – A person visits a town where the residents start to disappear. They must find out what’s happening before they’re the next to vanish.
• The Haunted Dreams – A person has recurring nightmares that start to affect their waking life. They must confront the source of their dreams to find peace.
• The Creeping Darkness – A person notices shadows in their home that move on their own. They must discover the shadows’ origin before they’re engulfed.
• The Split Personality – A person develops a sinister alter ego that takes over at night. They must find a way to control it before it ruins their life.
• The Abandoned Factory – A person explores an old factory and begins to experience disturbing visions. They must uncover the factory’s history to escape its grip.
• The Cursed Diary – A person finds a diary that predicts terrible events. They must find the diary’s owner to break the curse.
• The Silent Treatment – A person wakes up in a world where no one can speak. They must find out what happened and restore communication before it’s too late.
• The Puppet Master – A person discovers they’re being manipulated by an unseen force. They must break free before they lose their sense of self.
• The Echoes of the Past – A person experiences vivid flashbacks of events they never lived. They must uncover the connection between the flashbacks and their present.
• The Invisible Enemy – A person is attacked by an unseen force. They must find a way to defend themselves and uncover the enemy’s identity.
• The Cursed Painting – A person acquires a painting that changes its scene to reflect their darkest fears. They must find a way to destroy the painting before it consumes their sanity.

Paranormal Activity

• The Poltergeist – A family experiences violent disturbances in their home caused by a poltergeist. They must uncover the entity’s past to stop the terror.
• The Possessed Doll – A child receives a doll that seems to have a life of its own. The parents must find a way to break the possession before it harms the family.
• The Haunted School – Students encounter paranormal activity in their school. They must investigate its history to stop the hauntings.
• The Supernatural Investigator – A detective with a sixth sense solves crimes involving paranormal activity. They must confront their own fears to catch a dangerous spirit.
• The Vanishing Townspeople – Residents of a small town start disappearing after a mysterious fog rolls in. The remaining townspeople must solve the mystery before they vanish too.
• The Ghostly Lover – A person falls in love with a ghost who haunts their home. They must find a way to be together or say goodbye forever.
• The Time-Traveling Spirit – A ghost from the past appears to a historian, seeking help to correct a historical injustice. They must work together across time.
• The Paranormal Researcher – A scientist investigates paranormal phenomena and discovers a hidden world of spirits. They must navigate this world to find answers.
• The Haunted Item – An antique shop owner acquires an item with a dark past. They must uncover its history and break the curse before it destroys them.
• The Phantom Room – A hotel room that doesn’t exist on the registry appears to guests. Those who enter must solve its mystery to escape.
• The Spectral Friend – A lonely child befriends a ghost. The child’s parents must help the ghost find peace before it takes their child to the afterlife.
• The Haunted Hospital – Patients in a hospital encounter ghostly apparitions. The staff must uncover the hospital’s dark past to stop the hauntings.
• The Possessed Vehicle – A car starts exhibiting strange behavior after an accident. The owner must uncover its history to break the possession.
• The Cursed Book – A librarian finds a book that causes anyone who reads it to experience paranormal phenomena. They must destroy the book before it spreads its curse.
• The Phantom Babysitter – A babysitter encounters a ghostly child in the house they’re watching. They must uncover the child’s story to protect the family.
• The Haunted Museum – Artifacts in a museum come to life at night. The curator must solve the mystery before the artifacts escape.
• The Possessed Painting – An artist’s paintings start depicting horrifying scenes that come to life. They must uncover the source of the possession to stop it.
• The Ghostly Guide – Tourists encounter a ghostly tour guide who leads them to dangerous places. They must uncover the guide’s past to escape.
• The Paranormal Investigation – A team of ghost hunters investigates a famously haunted location and encounters more than they bargained for. They must survive the night and document their findings.
• The Phantom Pet – A family adopts a pet that turns out to be a ghost. They must help the pet find peace to stop its restless behavior.
• The Haunted Object – A person buys a seemingly innocuous object at a yard sale, only to discover it’s haunted. They must find its previous owner to uncover its dark history.
• The Ghost Town – A group of friends stumbles upon a deserted town inhabited by ghosts. They must solve the town’s mystery to escape.
• The Phantom Carnival – A carnival appears in town, and those who visit never return. A journalist investigates to uncover its dark secrets.
• The Haunted Road – A driver encounters ghostly figures on a deserted road. They must find out why the road is haunted to find their way out.
• The Ghostly Warning – A person receives warnings from a ghost about an impending disaster. They must decipher the messages to prevent the catastrophe.

Creature Features

• The Werewolf Curse – A small town is terrorized by a werewolf. The townspeople must find and stop the creature before the next full moon.
• The Swamp Monster – A group of campers encounters a monstrous creature in the swamp. They must survive the night and find a way to escape.
• The Vampire’s Lair – A vampire kidnaps townsfolk to feed on. A group of villagers must band together to defeat the vampire and save their loved ones.
• The Sea Creature – A coastal town is plagued by a sea monster. The townspeople must uncover the creature’s origins and stop it before it destroys the town.
• The Yeti Hunt – Explorers in the Himalayas encounter a yeti. They must survive its attacks and find a way to escape the mountains.
• The Chupacabra – A small town is terrorized by a creature that preys on livestock. The townspeople must find and stop the chupacabra before it turns to human prey.
• The Mothman Prophecies – A town experiences sightings of a mysterious creature that predicts disasters. The townspeople must uncover its origins to stop the tragedies.
• The Wendigo – A remote village is terrorized by a wendigo. The villagers must find a way to defeat the creature and break its curse.
• The Loch Ness Monster – Researchers searching for the Loch Ness Monster get more than they bargained for. They must survive their encounter and escape the loch.
• The Giant Spider – A group of scientists encounters a giant spider in the jungle. They must survive its attacks and find a way to escape.
• The Goblin’s Curse – A village is plagued by goblin attacks. The villagers must find and defeat the goblin king to lift the curse.
• The Kraken – A ship is attacked by a Kraken. The crew must find a way to defeat the creature and escape the ocean.
• The Minotaur’s Maze – Adventurers exploring an ancient labyrinth encounter a minotaur. They must navigate the maze and defeat the creature to escape.
• The Gorgon – A group of heroes must defeat a gorgon to save their kingdom. They must avoid its petrifying gaze and find a way to kill it.
• The Cyclops – A village is terrorized by a cyclops. The villagers must find and stop the creature before it destroys their homes.
• The Harpy’s Lair – A group of adventurers encounters a harpy in a remote cave. They must survive its attacks and find a way to escape.
• The Hydra – A group of heroes must defeat a hydra to save their land. They must find a way to kill the creature without it regenerating.
• The Chimera – A village is attacked by a chimera. The villagers must find a way to defeat the creature before it destroys their homes.
• The Basilisk – A group of adventurers must defeat a basilisk to save their kingdom. They must avoid its deadly gaze and find a way to kill it.
• The Griffin – A village is terrorized by a griffin. The villagers must find and stop the creature before it destroys their homes.
• The Dragon’s Lair – A group of adventurers must defeat a dragon to save their kingdom. They must find a way to kill the creature and escape its lair.
• The Phoenix – A group of heroes must defeat a phoenix to save their land. They must find a way to kill the creature without it regenerating.
• The Roc – A village is attacked by a roc. The villagers must find a way to defeat the creature before it destroys their homes.
• The Unicorn’s Curse – A village is plagued by a cursed unicorn. The villagers must find and stop the creature to lift the curse.
• The Leviathan – A ship is attacked by a leviathan. The crew must find a way to defeat the creature and escape the ocean.

Gothic Horror

• The Cursed Castle – A family inherits a castle with a dark history. They must uncover its secrets to lift the curse.
• The Haunted Abbey – Monks at a remote abbey encounter ghostly apparitions. They must uncover the abbey’s dark past to stop the hauntings.
• The Sinister Manor – Guests at a manor encounter strange occurrences. They must solve the manor’s mystery to escape.
• The Dark Forest – A village is surrounded by a forest where no one returns. The villagers must uncover the forest’s secrets to survive.
• The Phantom of the Opera House – A theater is haunted by a ghostly figure. The performers must uncover the phantom’s past to stop the hauntings.
• The Ghostly Bride – A bride haunts the church where she was left at the altar. The townspeople must uncover her story to set her spirit free.
• The Vampire’s Castle – A group of travelers seeks shelter in a castle only to find it inhabited by vampires. They must escape before becoming prey.
• The Sinister Tower – A tower on a cliff is said to be haunted. Adventurers must uncover its secrets and survive its dangers.
• The Witch’s Cottage – A cottage in the woods is said to be inhabited by a witch. Brave villagers must uncover the truth and survive the night.
• The Shadowed Hallways – A noble family in a mansion encounters shadowy figures that stalk them at night. They must uncover the mansion’s history to banish the shadows.
• The Forbidden Tomb – Explorers uncover an ancient tomb that curses those who enter. They must find a way to break the curse and escape.
• The Haunted Chapel – A chapel is haunted by the spirits of those wronged by the church. The new priest must uncover their stories to bring peace.
• The Eerie Estate – An estate known for its eerie occurrences becomes the setting for a family reunion. The family must uncover the estate’s dark past.
• The Sinister Sculptor – A sculptor’s statues seem to come to life. Visitors to the sculptor’s estate must solve the mystery before they become statues themselves.
• The Phantom Shipyard – A shipyard is haunted by the ghosts of shipbuilders who died in a tragic accident. Investigators must uncover the cause of the hauntings.
• The Cursed Bell Tower – A bell tower’s toll brings doom to those who hear it. The villagers must silence the bell to stop the curse.
• The Secret Passage – Hidden passages in a mansion reveal dark secrets. The inhabitants must navigate the passages to uncover the truth.
• The Ghostly Governess – A governess haunts the children she once cared for. The new caretaker must uncover her story to protect the children.
• The Darkened Library – A library contains books that whisper dark secrets. The librarian must uncover the source and stop the whispering.
• The Phantom Train Station – A train station is haunted by passengers who never reached their destination. A traveler must uncover their stories.
• The Sinister Garden – A garden blooms with flowers that have a deadly secret. The gardener must uncover the truth to save themselves.
• The Ghostly Host – A host at a manor party is a ghost who never left. The guests must uncover the host’s story to escape.
• The Haunted Portraits – Portraits in a manor watch the inhabitants. The family must uncover the stories behind the portraits.
• The Cursed Well – A well in a village grants wishes at a terrible cost. The villagers must uncover the well’s origins to stop its influence.
• The Phantom Ball – A grand ball is held every year by a ghostly host. The attendees must uncover the host’s story to escape.

Apocalyptic and Post-Apocalyptic

• The Last Survivors – After a nuclear apocalypse, a group of survivors must navigate a ruined city to find safety.
• The Plague – A deadly virus wipes out most of humanity. The immune survivors must find a cure before they succumb to the infection.
• The Alien Invasion – Aliens decimate Earth’s population. A group of resistance fighters must find a way to fight back.
• The Artificial Intelligence Uprising – AI turns against humanity. A group of survivors must find a way to shut down the AI network.
• The Resource War – After resources become scarce, warring factions fight for control. A neutral group must navigate the conflict to survive.
• The Frozen Earth – A new ice age begins, and survivors must find a way to live in the frozen wasteland.
• The Solar Flare – A solar flare wipes out the technology. Survivors must adapt to a world without electricity.
• The Zombie Apocalypse – The dead rise, and survivors must find a safe haven. They must navigate hordes of zombies and hostile humans.
• The Asteroid Impact – An asteroid destroys major cities. Survivors must rebuild society in the aftermath.
• The Supervolcano Eruption – A supervolcano erupts, causing a global catastrophe. Survivors must navigate the ash-filled landscape.
• The Mutant Uprising – Radiation causes mutations in humans. The unmutated must find a way to coexist or fight back.
• The Machine Takeover – Robots take control of the world. Human survivors must find a way to disable the machines.
• The Bioweapon Leak – A bioweapon leaks and creates deadly mutants. Survivors must find the source to stop the spread.
• The Water Crisis – Water becomes a scarce resource. Survivors must find new sources of water and fend off those who want to steal it.
• The Dark Age – Society collapses, and survivors must navigate a world without order. They must rebuild communities while avoiding bandits.
• The EMP Attack – An EMP attack wipes out all electronics. Survivors must adapt to a pre-technological world.
• The Global Famine – A famine causes mass starvation. Survivors must find new ways to grow food and fend off starving invaders.
• The Infected Animals – A virus causes animals to become aggressive. Survivors must protect themselves from the deadly wildlife.
• The Drought – A prolonged drought causes a water shortage. Survivors must find new sources of water and protect them from others.
• The Nuclear Winter – A nuclear war causes a nuclear winter. Survivors must find a way to live in the cold, dark world.
• The Toxic Air – Pollution causes the air to become toxic. Survivors must find ways to purify the air and protect themselves.
• The Invasion – A foreign army invades, causing chaos. Survivors must navigate the war-torn landscape.
• The Collapse – Economic collapse causes society to break down. Survivors must find ways to rebuild while avoiding hostile groups.
• The Plague – A new plague decimates the population. Survivors must find a cure before they become infected.
• The Resource Scarcity – Resources become scarce, and society collapses. Survivors must find new ways to survive and protect their resources.

Body Horror

• The Parasite – A person becomes host to a parasitic creature that slowly takes over their body. They must find a way to remove it before losing control.
• The Flesh-Eating Disease – A disease that causes flesh to decay. The infected must find a cure before they succumb.
• The Mutation – A person starts mutating uncontrollably. They must find a way to stop the mutations before they become unrecognizable.
• The Experiment – A person is subjected to horrific experiments that alter their body. They must escape the lab and find a way to reverse the changes.
• The Transformation – A person transforms into a monstrous creature. They must find a way to stop the transformation and regain their humanity.
• The Infestation – A person’s body becomes infested with insects. They must find a way to remove the infestation before it’s too late.
• The Amalgamation – A scientist’s experiment causes multiple bodies to fuse together. The resulting creature must find a way to separate or live as one.
• The Skinwalker – A person can change their appearance by shedding their skin. They must find a way to control their abilities before they lose themselves.
• The Growth – A person discovers a rapidly growing tumor that gives them strange abilities. They must find a way to control it before it consumes them.
• The Symbiote – A symbiotic creature bonds with a person, granting powers but slowly taking over. They must find a way to separate before losing control.
• The Reanimation – A scientist’s experiment to reanimate the dead goes horribly wrong. The reanimated must find a way to live with their new bodies.
• The Graft – A person receives an experimental organ transplant that changes their body in unexpected ways. They must find a way to reverse the changes.
• The Cannibal’s Curse – A person who consumes human flesh gains horrific powers. They must find a way to break the curse before losing their humanity.
• The Melting Man – A person starts to liquefy. They must find a way to stop the process before it melts away.
• The Living Tattoo – A person’s tattoos come to life and start to control them. They must find a way to stop the tattoos before they take over.
• The Bone Shifter – A person gains the ability to shift their bones, causing great pain. They must find a way to control their power before it destroys them.
• The Organ Thief – A person wakes up missing organs that are replaced by mysterious mechanical parts. They must find the thief and recover their organs.
• The Flesh Sculptor – A person gains the ability to mold their flesh like clay. They must find a way to control their power before it consumes them.
• The Skin Thief – A person can steal others’ skin to change their appearance. They must find a way to stop their urges before they lose their humanity.
• The Hive – A person’s body becomes a hive for insects. They must find a way to remove the insects before it’s too late.
• The Limb Regenerator – A person gains the ability to regenerate limbs, but each regrowth causes them to lose part of their humanity. They must find a way to stop the process.
• The Mind Swap – A person swaps minds with another, causing their body to undergo horrific changes. They must find a way to reverse the swap.
• The Flesh Weaver – A person gains the ability to manipulate flesh, weaving it into grotesque forms. They must find a way to control their power before it consumes them.
• The Bone Collector – A person starts collecting bones, and their body begins to incorporate them. They must find a way to stop before they become living skeletons.
• The Living Parasite – A parasitic organism living inside a person starts taking over their body. They must find a way to remove the parasite before it controls them completely.

Slasher Stories

• The Masked Killer – A masked killer hunts down teenagers at a summer camp. The survivors must uncover the killer’s identity to stop the murders.
• The Urban Legend – A group of friends accidentally awaken a killer from an urban legend. They must find a way to stop the killer before becoming victims.
• The High School Horror – A killer stalks students at a high school reunion. The former classmates must band together to survive the night.
• The Night Stalker – A serial killer targets people walking alone at night. A detective must catch the killer before more lives are lost.
• The Cabin in the Woods – A group of friends vacationing in a cabin are hunted by a killer. They must survive the night and uncover the killer’s motive.
• The Halloween Horror – A killer in a Halloween costume targets partygoers. The survivors must figure out who the killer is before it’s too late.
• The Summer Slasher – A slasher terrorizes a summer camp. The counselors must protect the campers and stop the killer.
• The Haunted House Horror – A group of friends visiting a haunted house attraction encounter a real killer. They must survive the night and escape the house.
• The Killer Clown – A killer dressed as a clown targets children. The townspeople must uncover the clown’s identity to stop the killings.
• The Prom Night Massacre – A killer crashes a prom, targeting students. The survivors must find a way to stop the killer and escape.
• The Road Trip Terror – A group of friends on a road trip are hunted by a killer. They must uncover the killer’s identity and motive to survive.
• The Island Slasher – Vacationers on a remote island are hunted by a killer. They must survive and find a way to escape the island.
• The Carnival of Carnage – A killer targets visitors at a carnival. The survivors must uncover the killer’s identity to stop the murders.
• The Silent Stalker – A killer who never speaks targets people in their homes. A detective must catch the killer before more lives are lost.
• The Snowbound Slasher – A group of friends snowed in at a cabin and are hunted by a killer. They must survive the night and find a way to escape.
• The College Campus Killer – A killer stalks students on a college campus. The survivors must band together to uncover the killer’s identity.
• The Backwoods Butcher – Campers in the backwoods are hunted by a killer. They must survive the night and find a way to stop the killer.
• The Stalker in the Shadows – A stalker targets a woman, and her friends must protect her and catch the stalker.
• The Holiday Horror – A killer targets people during the holidays. The survivors must uncover the killer’s identity and motive to stop the murders.
• The Beachside Slasher – Vacationers at a beach resort are hunted by a killer. They must survive and uncover the killer’s identity.
• The Amusement Park Horror – A killer targets visitors at an amusement park. The survivors must stop the killer and escape the park.
• The Midnight Stalker – A killer targets people walking alone at midnight. A detective must catch the killer before more lives are lost.
• The Wedding Day Massacre – A killer crashes a wedding, targeting guests. The survivors must find a way to stop the killer and escape.
• The Forest of Fear – Hikers in a forest are hunted by a killer. They must survive and find a way to stop the killer.
• The Asylum Escapee – A killer escapes from an asylum and targets people in a nearby town. The townspeople must uncover the killer’s identity to stop the murders.

Cosmic Horror

• The Lovecraftian Entity – A small town is plagued by sightings of an otherworldly entity. The townspeople must uncover its origins to stop the madness.
• The Eldritch Tome – A scholar discovers a book that drives readers insane. They must uncover the book’s secrets to stop its influence.
• The Alien Artifact – Scientists discover an artifact that brings forth cosmic horrors. They must find a way to destroy it before it consumes them.
• The Forgotten Temple – Explorers find an ancient temple dedicated to a cosmic entity. They must uncover its secrets to escape the horrors within.
• The Star Cult – A cult worships a cosmic entity that grants them terrible powers. Investigators must stop the cult before they summon the entity.
• The Cosmic Rift – A rift in space-time opens, bringing forth horrors from another dimension. Scientists must find a way to close the rift.
• The Astral Projector – A person gains the ability to astrally project but encounters cosmic horrors. They must find a way to control their power.
• The Interdimensional Traveler – A traveler from another dimension brings cosmic horrors. The survivors must find a way to send the traveler back.
• The Eldritch Signal – A signal from deep space drives those who hear it insane. Scientists must find a way to stop the signal.
• The Otherworldly Beacon – A lighthouse serves as a beacon for cosmic entities. The keeper must find a way to stop the beacon.
• The Alien Invasion – Aliens from another dimension invade Earth, bringing cosmic horrors. The survivors must find a way to fight back.
• The Eldritch Storm – A storm brings forth cosmic horrors. The survivors must find a way to stop the storm.
• The Forgotten Ones – Ancient beings awaken and bring cosmic horrors. The survivors must find a way to stop them.
• The Cosmic Plague – A plague from another dimension infects humanity. The survivors must find a cure before it spreads.
• The Eldritch Machine – A machine built by an ancient civilization brings cosmic horrors. The survivors must find a way to destroy it.
• The Otherworldly Visitor – A visitor from another dimension brings cosmic horrors. The survivors must find a way to send them back.
• The Lovecraftian Dreams – People start having dreams of cosmic horrors that drive them insane. They must find a way to stop the dreams.
• The Eldritch Ritual – A cult performs a ritual to summon a cosmic entity. Investigators must stop the ritual.
• The Alien Mind Control – Aliens use mind control to bring forth cosmic horrors. The survivors must find a way to stop them.
• The Eldritch Portal – A portal opens, bringing forth cosmic horrors. The survivors must find a way to close it.
• The Forgotten City – Explorers find a lost city dedicated to cosmic entities. They must uncover its secrets to escape the horrors within.
• The Otherworldly Artifact – An artifact from another dimension brings cosmic horrors. The survivors must find a way to destroy it.
• The Eldritch Experiment – Scientists’ experiments bring forth cosmic horrors. They must find a way to stop the experiments.
• The Alien Infestation – Aliens infest a town, bringing cosmic horrors. The survivors must find a way to stop them.
• The Cosmic Entity – A cosmic entity awakens, bringing forth horrors. The survivors must find a way to stop it.

Folk Horror

• The Village Ritual – A village performs a dark ritual every year. Outsiders must uncover the ritual’s purpose to escape.
• The Forest Cult – A cult in the forest performs dark rituals. Outsiders must uncover the cult’s secrets to survive.
• The Harvest Sacrifice – A village sacrifices people for a good harvest. The outsiders must stop the sacrifices.
• The Witch Hunt – A village accuses outsiders of being witches. They must prove their innocence to survive.
• The Cursed Land – A village is built on cursed land. Outsiders must uncover the curse’s origin to lift it.
• The Haunted Farm – A farm is haunted by the spirits of those wronged by the landowners. The new owners must uncover the farm’s dark history.
• The Pagan Festival – A village’s pagan festival hides dark secrets. Outsiders must uncover the truth to survive.
• The Reaping – A village reaps souls to appease a dark entity. The outsiders must stop the reaping.
• The Cursed Forest – A forest is cursed, and those who enter never return. Outsiders must uncover the curse’s origin.
• The Old Gods – A village worships ancient gods that demand sacrifices. The outsiders must stop the worship.
• The Blood Moon – A village performs a ritual under a blood moon. Outsiders must stop the ritual.
• The Spirit of the Lake – A lake is haunted by a vengeful spirit. The villagers must uncover its story to stop the hauntings.
• The Cornfield Curse – A village’s cornfield is cursed, causing bizarre deaths. Outsiders must uncover the curse’s origin to stop it.
• The Stone Circle – A stone circle in a village is used for dark rituals. Outsiders must uncover their secrets to stop the rituals.
• The Phantom Harvest – A village experiences hauntings during the harvest season. Outsiders must uncover the cause to end the terror.
• The Cursed Festival – A village festival turns deadly each year. Outsiders must uncover the festival’s dark origins to stop the deaths.
• The Whispering Woods – The woods surrounding a village whisper dark secrets. Outsiders must decipher the whispers to escape.
• The Haunted Mill – An old mill is haunted by the spirits of workers who died there. New owners must uncover the mill’s dark history.
• The Witch’s Mark – A village marks certain people as witches. Outsiders must uncover the truth behind the markings to survive.
• The Blood Ritual – A village performs a blood ritual to appease dark forces. Outsiders must stop the ritual before they become sacrifices.
• The Specter of the Fields – A scarecrow in a village’s fields comes to life. Outsiders must uncover the scarecrow’s dark origins.
• The Sinister Shepherd – A shepherd in a village controls his flock with dark magic. Outsiders must uncover his secrets to stop him.
• The Ghostly Harvesters – Spirits of past harvesters haunt a village. Outsiders must uncover the harvesters’ stories to end the hauntings.
• The Village of Shadows – A village is plagued by shadowy figures. Outsiders must uncover the figures’ origins to escape.
• The Witching Hour – A village experiences dark events at the Witching Hour. Outsiders must uncover the truth behind the events to survive.

Here is a video with 25 bonus horror writing prompts:

Final Thoughts: Horror Writing Prompts

Using these writing prompts is simple.

Choose a prompt that sparks your interest. Imagine the characters, setting, and conflict. Let the prompt guide you, but feel free to add your unique twist.

Keep writing until the story unfolds naturally.

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101 Horror Writing Prompts That Are Freaky As Hell

Looking for some scary story ideas for your next writing project?

Sometimes, a good scary prompt idea is all you need to get started on a dark story your readers won’t be able to put down.

And that is the goal. What’s a horror story without white-knuckle suspense?

You want your readers at the edge of their seats, unable to stop though they know something bad is about to happen.

You also want to reward them for reading to the end and leave them wanting more.

So, how can this collection of horror writing prompts help with that?

What Are the Main Elements of Horror Writing?

List of most common horror themes and tropes to write on .

• 66 Horror Writing Prompts

Halloween Writing Prompts

Mystery writing prompts, psychological horror story ideas, “the monster you know” story ideas, ghost story writing prompts, funny horror story ideas, horror story ideas.

Every good story needs an idea that takes root in your imagination and doesn’t let go. Horror stories in particular need to affect you a certain way. If they don’t sound an alarm in your head, they won’t sound one in the heads of your readers, either.

They need to reach into your psyche, take a scrap of memory, and turn it into something that would keep you up at night.

And as you’ve no doubt read already, “No surprise in the writer, no surprise in the reader.”

Look through the prompts that follow, and choose one that calls out to you and lingers in your imagination.

Paint a picture in your mind of the characters involved. Give yourself a reason to invest in them by giving each one some interesting backstory.

Then set a timer and write.

Since Earl Horace Walpole’s gothic horror The Castle of Otranto hit shelves in 1764, English readers have clamored for dark plots that excite primitive instincts and tickle our fear bones.

Many horror authors leverage shadowy impulses by sprinkling stories with uncomfortable happenings and gruesome fatalities.

But that’s not all it takes to write within the genre, begging the question: What are the main elements of horror? Traditionally, there are five: suspense, fear, violence, gore, and the supernatural.

• Suspense : Creating anxious tension is a critical component of horror as it keeps the audience glued to the story. They need to find out what happens! Traditionally, suspense is valued as a sophisticated form of horror, and building it well is a skill.
• Fear : Confronting fearful things is a powerful emotion with chemical reactionary consequences, making it a hallmark of horror writing. 
• Violence : Savagery is scary because it’s inextricably linked to death and pain — two of the four great human fears.
• Gore : Brains and guts are a cornerstone of classic horror. For better or worse, our neural pathways light up when confronted with intestines, brain matter, and gushing fluids. Successful horror writers keep readers and watchers engaged by deploying gore effectively.  
• Supernatural: The main difference between “true crime” and “horror” is a supernatural element. While horror stories draw people in with realism, they usually feature an emotional detachment valve in the form of an explicit or implicit otherworldly presence. 

Vampires, ghosts, zombies, and murderers are big-picture mainstays of the horror genre. But what are some other, more detailed tropes associated with scary storytelling? 

• Babysitter Alone in Big House: The naive babysitter trope is oft-repeated because it works. The sitter acts as a stand-in for the reader or audience in that, like you, they’re vulnerable. Horror-sitters are the character conduit through which readers and viewers can experience the impending fear. 
• Manipulative Vampires: Maybe it’s their piercing eyes, snappy attire, or mysterious penchant for the “nightlife.” Whatever the case, people stan vampires, and sensual and manipulative ones are an incredibly effective horror character trope. 
• Ghost-Haunted House: Ghost-haunted houses are a recurring horror motif. Whether you approach it from a traditional or modern angle is up to you. Both can work.
• Creepy Kid: In real life, it’s kind to see all kids as precious and special, no matter their quirks. But when it comes to Horror World, creepy kids are a dime a dozen! Sometimes they’re the main attractions or “red herrings” (which we’ll get to more below); other times, they’re supernatural catalysts that serve as a story’s MacGuffin. Whichever the case, unnerving kids go a long way when devising a disturbing scene and fomenting suspense.
• The Nonbeliever: Most horror stories have at least one character whose lack of fear or faith (in the story’s “supernatural” element) lands them six feet under. 
• The Red Herring: A “red herring” is a false clue. The term dates back to the 1400s to describe a culinary preparation for fish, but the first known use as a euphemism for “distraction” appeared in 1884. 
• Isolation: Few things frighten people more than being all alone while danger looms. As such, isolation can be a helpful trope when crafting horror stories.
• Graveyard Chase: A well-conceived chase around a graveyard is another horror mainstay that continues to deliver. Try adding a twist to modernize the trope.
• Distorting Mirrors: Whether a single reflecting glass or a full-on maze, using mirrors as a motif is a tangible and effective way to signal distortion. 
• Aliens and Cultists: The human psyche can’t resist rubbernecking when confronted with the possibility of aliens and the sociopathic underbelly of cults. Resultantly, they work well as engaging frameworks for horror stories.

101 Horror Writing Prompts

Whether you’re writing for a special occasion or just to experiment with the horror genre, any of the scary story prompts in the following groups should get you started.

Go with your gut on this one, and choose an idea that feels both familiar and provocative. Then give it a go!

1. A mysterious gift from an estranged aunt arrives on Halloween with a crystal ball and a note addressed only to you, her godchild.

2. One of the trick-or-treaters bears an uncanny resemblance to your departed sibling and repeats that sibling’s last words before picking your sibling’s favorite candy bar.

3. On Halloween night, you find a box at your door that contains a strange note and a little something from each of the people who have hurt you in the past year.

4. On this Halloween night, your guinea pig won’t stop running in circles, and your dog keeps staring at the door, emitting a low growl.

5. You run out for candy on Halloween afternoon to find the streets empty and the store abandoned. A single car cruises into the lot and pulls into the spot next to yours.

6. Every time you went to answer the doorbell, no one was there. The next day, you heard about the missing children. The worst part? Your kids spent Halloween with your ex and were supposed to come trick-or-treating last night.

7. You arrive home on Halloween to a large package from your new boss, who’d bought every piece of your favorite candy from local stores. The note reads, “Save some for me.”

8. You’re watching TV on Halloween night when your show is interrupted by a faintly familiar someone declaring their love for you and saying they’ve watched you all your life.

9. You come home to find a stranger walking through your home, sipping your wine and admiring your collected antiquities. They startle at your approach and act as though you’re the intruder.

10. The night before Halloween, you have a dream in which you wake up to see a dark shape standing outside your closet. You wake up screaming with your hands around your spouse’s throat.

11. Election day looms, and Halloween feels more ominous than ever. You’ve kept the lights off, but that doesn’t stop one visitor from leaving a note: “Knew you lived here.”

12. Your best friend has gone missing, and someone keeps leaving small reminders of them in your mailbox. You see someone approach to deliver something else, and your heart nearly stops when you recognize them.

13. You’ve always wanted a dog, so when a rain-soaked mutt shows up on your front step, you let him in. Unfortunately, something else hitched a ride.

14. Someone moves into the apartment next door and starts playing loud music at night. You call the police, who find the guy dead holding a note with your name and address.

15. Someone keeps replacing items in your home with different objects that look vaguely familiar. No one else has a key to your home, and there are no signs of forced entry.

16. You bake some cookies to share with the new neighbor, but the terrified woman backs away from the plate, shaking her head. Someone from inside calls out, “I’ll have those.”

17. Someone at work has offered to do a tarot card spread for you, and you politely decline. You find a single tarot card in your mailbox when you return home.

18. You don’t remember wandering alone on a country road as a small child, but someone does. And he wants to make sure you’re not around to testify against him.

19. Someone has gotten to your laundry before you and left it neatly folded in piles on top of the dryer. A note reads, “For more TLC, knock on #303.”

20. The window of your apartment leads to a fire escape, but twice you’ve come home to find it open. Nothing is missing. But someone keeps leaving a ring on your kitchen table.

21. You order a Christmas wreath for your door and the company sends you a package with money instead. The note reads, “Keep half. I’ll pick up the rest in 72 hours.”

22. A child knocks on your door and tells you you’ll be visited by three people that night. One of them will show you your future. The child’s face reminds you of someone.

23. Your best friend is dating a woman who seems familiar to you — and not in a good way. Turns out, she’s got a bad feeling about you, too, and she warns your friend.

24. You receive a surprise delivery of a holiday flower arrangement with a note from someone who went to jail for assault. The message reads, “I’ll be home for Christmas.”

25. An abuser from your past has written you a long letter of apology, and you agree to meet them for coffee. You find your favorite coffee place deserted — on Black Friday.

26. You broke up with your sweetheart when he lied about taking you to the prom and begged you to run away with him so he could escape an abusive home. He’s back.

27. An old friend, who had tried to warn you about an ex-boyfriend years ago, has come back to town to run a diner. Within a week, known bullies start disappearing.

28. For the past three dates, the guy you met ended up dead and posed as if proposing. A note on each one’s empty chest cavity reads, “My heart belongs to [your name].”

29. You’re with a friend at the home of the guy she’s dating. In the bathroom, you find a box with jewelry for almost every birthstone. Yours is the only one missing. You hear a scream.

30. Everyone keeps telling you your memories can’t be trusted. You’re safe with them. They’ll protect you. But you haven’t left the house in years.

31. You thought it was cute when your little sister wanted to wear your aunt’s high heels and pose with a hand on her hip. But your sister had an uncanny way with accidents.

32. You never expected to win the ‘57 Chevy from the church raffle. Neither did the car’s owner, who immediately tried to buy it back. He didn’t respond well to “No, thanks.”

33. Every time you saw anything like “Tornado Warning” or “Flash Flood” in the news, you knew someone would end up dead. And your ex would blame the weather.

34. You come home to a dozen roses from a guy who’s been telling his friends you’re dating, and you get angry. For some reason, though, everyone you know is on his side.

35. Your “Secret Santa” leaves an expensive bottle of wine with a note, “Drink me.” You call a familiar number and hear the phone ring on the other side of your door.

36. Your dad has a secret known only to his twin brother, who mysteriously disappeared but left a note with a box of his belongings in the attic. You take it with you when you leave.

37. You just broke up with the person who’s catering your best friend’s wedding. They also made the cake.

38. Some of your in-laws have decided to deliver their sibling from you. When they cross the line, you make a promise to them and to your spouse. One by one, they disappear.

39. Your health is steadily declining, and you don’t know why. Neither do your doctors, who test for the usual health issues and find nothing. Then someone calls to warn you.

40. Your estranged father sends you a porcelain doll — the one he swears you told him you wanted. It has the face and hair of your missing mother. And her eyes are glued open.

41. You’ve just told your family you’re asexual, and they seem to accept it. Out of the blue, the handsome guy next door shows up to ask you out, and your parents quietly nod.

42. A cop pulls you over for driving a few miles over the speed limit, tells you to get out of your car, slams you against the hood and whispers in your ear, “This is from your ex.”

43. You emailed your fiancé for months before meeting him for the first date. Now, you’re getting strange phone calls from someone claiming to be his wife and telling you to run.

44. You stood numb at the coffin of a close friend and flinched when your father rested a hand on your shoulder. “Had to be done,” he whispered. “Remember the bigger picture.”

45. A small package bears the name of your sister, who died five years ago. It contains a pendant that matches her own and a note asking you to activate it by chanting, “Sisters Forever.”

46. Your elderly neighbors died on the same day of an apparent suicide pact. In their will, they left their pug to you, along with a small box of what they called “magical items.”

47. You receive a note penned by your best friend, who died in a car accident the month before, His parents had found it in his room and hand-delivered it, barely looking at you.

48. You pounce on a new opening in the apartment building close to your favorite coffee place. The first night there, you wake up to ghostly shapes surrounding your bed.

49. At your first slumber party, your friend’s older brother surprised you during a late-night run to the bathroom. He died a decade later in prison. Now you see him in your dreams.

50. Your home is the high-tech brainchild of your best friend, who bequeathed it to you (rather than to his wife). It anticipates your every need and desire.

51. You’ve been having dreams about a door that shows up in your room. In one, you walk through it and see someone you love being murdered . You warn them the next day.

52. You’re the lone survivor of a horrific train crash, and everywhere you go, you see the ghosts of some of the passengers. Some have told you the crash was no accident.

53. You’re looking through your mother’s possessions when a note slips out of the book she’d been reading, warning you about “the ghost who runs this house.”

54. Your new boyfriend is obsessed with ancient artifacts, but when something hitches a ride on his latest find, you witness disturbing changes in his behavior.

55. Your life is already complicated when your boss asks you to stay at his home to care for his dog while he’s away. You soon learn the house is as mischievous as the dog.

56. You’re an editor for the college literary journal, and you’ve been getting poetic hate mail from a student who’s angry you didn’t choose their poems for the latest issue.

57. Your favorite neighbor is a trans woman named Lani who looks out for you. She warns you about a guy down the hall, who keeps trying cheesy pick-up lines to get you to smile.

58. Your co-workers tease you about your weight gain. One is found dead in the bathroom, her mouth stuffed with candy. Everyone but the custodian suspects you.

59. An anonymous admirer sends you a singing telegram with a chilling question. Now you have less than 24 hours to sing your answer in a public square, with a flash mob.

60. You sign up for wine deliveries but are disappointed by the first bottle you open and taste. On the label, you find a crass, insulting note from an old enemy.

61. Your date finds out your BFF is asexual and starts asking intrusive and insensitive questions. When your friend shuts him down, he insults and warns you both.

62. You’re working the dinner rush, and a customer loudly insists on changing her order the moment you deliver it. Someone quietly follows her as she storms out the door.

63. You’re having an open house for your new shop, and you catch a customer shoplifting. She says, “I was told to come in here and take these. You’re being watched.”

64. You arrive at your new house, and the keys from the realtor don’t work. Someone answers the door with a disarming smile. “So, you’re here about the room? Come in!”

65. Your date is going well until you reveal that you have a dog. “I’m not really a dog person,” you hear. When you get a bad feeling and end the date, things get messy.

66. Your journal goes missing, and within a week, a goofy, adorable guy starts showing up at your usual stops. He seems surprised to see you, but something isn’t quite right.

Creepy Writing Prompts

67. The old tunnel had been blocked off for as long as anyone could remember, but late at night, you could still hear the faint screams echoing from deep within. 

68. As you walk past the abandoned house on your way home from school, you notice one of the curtains move slightly in an upstairs window, but the house has been empty for years.

69. You wake up suddenly in the middle of the night and see two small handprints on the foggy bathroom mirror that are far too small to belong to anyone in your family.  

70. Every night when you go to sleep, you feel an uncomfortable pricking sensation on your skin, yet every morning, you find strange symbols carved into your arms that you don’t remember making. 

71. While exploring the attic, you find an old doll that looks eerily like you did as a child, and when you pick it up, its eyes suddenly open.  

72. The scraping sound from the closet stops whenever you turn on the light, but it always returns as soon as the room goes dark again.

73. Every time you glance in the mirror, your reflection behaves slightly differently than you do – blinking at the wrong time or moving too late.  

74. You wake up covered in mud and scratches with no memory of where you’ve been all night, and the soles of your shoes are worn through as if you had walked for miles.

75. Lately, your pets have refused to go into certain rooms of your house, but you have no idea what frightens them so badly about those areas.  

76. You discover a trap door hidden under an old Persian rug in your basement and shining a light into it reveals a set of footsteps descending into the darkness below.

77. You wake up one morning to find all the mirrors in your home have been turned around to face the wall, even though you live alone.  

78. Your television is switched on in the dead of night, the static slowly resolving into shapes, and what looks back at you from the screen makes your blood run cold.

79. You keep finding sticky notes around your house with messages written on them in unfamiliar handwriting, like “GET OUT” or “I’M WATCHING YOU SLEEP.”

80. Every time you look at a clock, the time is exactly 3 minutes slow, though all the clocks in your home are set correctly and keep perfect time when others view them.  

81. On your way home, you notice a figure standing motionless at the end of the street, staring directly at your house with its face hidden in the shadows of its hooded robe.  

82. Your dog comes running inside with its leash still attached but hanging limply, yet when you call the number on the leash’s tag, your own cell phone starts ringing from within your house.

83. Your computer camera activates unexpectedly while you’re working, and you see your own bedroom behind you from an impossible angle near the ceiling, suggesting someone is watching through the camera right now.

84. You hear your name called out softly in an empty room, and even though the voice sounds familiar, you live alone, and you know no one else is inside.

Spooky Writing Prompts

85. Every night when you lie in bed, you hear the floorboards outside your room creaking as if someone is pacing back and forth, but every time you quickly open the door to check, the hallway is empty. 

86. While exploring the woods behind your new house, you discover a crumbling old stone well, and when you peer down into the darkness, you think you see pale faces staring back up at you.  

87. Your reflection in mirrors and windows often moves independently, quickly looking away whenever you try to catch it, watching you from impossible angles that don’t align with where you’re standing.

88. An unfamiliar chat window opens on your computer screen with only the message “I can see you through your webcam” written inside it by an unseen sender.  

89. Plants within your home have been dying overnight no matter where you place them, the leaves and stems drained of all color as if the life has been completely sucked out.

90. You wake up to find a pile of dead birds on your lawn, their wings broken and necks bent at odd angles as if they crashed directly into the ground from high altitudes.  

91. The old paintings hanging on the walls of your recently inherited mansion seem to follow you with their eyes, and occasionally, you notice mysterious new figures added in the backgrounds that disappear by morning.

92. Turning on all the faucets causes blood to drip out instead of water, yet when others in your home check them, the liquid running from the pipes is perfectly clear.

93. You wake from a nightmare convinced someone was standing silently at the foot of your bed, only to find the imprint of two bare feet seared into your bedroom carpet right where the figure was standing. 

94. Whenever you look in the bathroom mirror late at night, you see dead relatives standing silently behind you who disappear when you turn around to check if anyone is there.  

95. The baby monitor in the nursery suddenly emits a strange crackling sound followed by a singsong voice you don’t recognize whispering your baby’s name over and over.

96. Your shadow appears to have a mind of its own, often following you more slowly or quickly than it should and reaching areas you know your body has not moved to.

97. Photos taken with phones or cameras in and around your home show blurry figures lurking in the background that do not match any of the people in the images. 

98. Any writing you leave out overnight – from sticky notes to notebooks – has mysterious reoccurring symbols added in unfamiliar handwriting scattered among the existing text. 

99. You wake in the middle of the night to the sound of your locked window being forced open from the outside, but when you jump out of bed to check, it’s closed securely as if nothing happened. 

100. From your garden, you can see directly into your neighbor’s bathroom mirror, but instead of the neighbor’s reflection, you swear you sometimes see your own face staring back with an expression you don’t recognize.

101. While searching through the attic in your recently purchased Victorian home, you find an old portrait of a severe-looking woman whose eyes seem to follow you around the room; later that night, you wake to find the same woman standing at the foot of your bed, silently watching you sleep.

How Do You Come Up with Horror Ideas?

Coming up with fresh, frightening ideas is key to crafting an effective horror story. While horror inspirations can spring from ordinary events and observations, it helps to have strategies to unleash your most sinister creativity. Here are some tips for conjuring bone-chilling tales:

• Mine your nightmares. Dreams often access our deepest fears. Pay attention to recurring nightmares or startling images from your subconscious, as these can inspire terrifying new monsters or situations.
• Twist tropes. Take common horror archetypes like haunted houses, demonic possession, or slashers and put a new spin on them. Surprise readers by changing elements they assume to be familiar.
• Extrapolate fears. Think about phobias you or others have, like darkness, insects, or tight spaces. Imagine those fears exponentially intensified to petrifying extremes.
• Research real horror. Study disturbing historical events, murders, superstitions, or unexplained phenomena and fictionalize them in a new horror setting.
• Observe people. Carefully watch those around you and look for small creepy details in their appearances or behaviors that could be expanded into something sinister.

With an observant eye and inventive mind, creators can find endless inspiration from both mundane moments and their most nightmarish dreams. Putting ordinary things in an ominous light or letting one’s imagination run wild with “what if” scenarios generate the kinds of situations and figures that fuel truly frightening tales. 

Pay attention to the world around and inside you, and plumb the depths of your creativity, and you’ll never run short on horror ideas.

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35 Of The Best Short Story Ideas To Grab Your Readers

Go Forth and Terrify

Armed with this generous sampling of horror story prompts, what stories are brewing in your mind as you read this?

No need to stick to exact details, either.

If any part of the writing prompts you just read teased your imagination and became the kernel of a story, run with what you’ve got.

And don’t worry if the first sentence isn’t perfect (you’ll probably change it, anyway). Just write.

May you love this new story every bit as much as your readers will.

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• Scriptwriting

How to Write Horror — Horror Writing Tips for Fiction & Film

• Best Horror Movies of All Time
• Best Christmas Horror Movies
• Best Zombie Movies
• Best New Zombie Movies
• Best Vampire Movies
• Best Jump Scare Movies
• Best 1980s Vampire Movies
• Best Werewolf Movies
• Best Stephen King Movies and TV Shows
• Best Underrated Horror Movies
• Best Scary Movies
• Best Horror Movie Soundtracks
• What is Horror
• Body Horror Explained
• Giallo Films Explained
• Horror Movie Tropes
• Found Footage Filmmaking
• What is a Grindhouse Movie
• Best Free Horror Movie Scripts Online
• Best Horror Movie Scripts
• How to Write Horror
• Scary Story Ideas
• Midsommar Script PDF Download
• Halloween Script PDF Download
• Get Out Script PDF Download
• Alien Script PDF Download

S o, you want to learn how to write a good horror story? Whether you want to know how to write a horror movie or how to write a horror book, the four steps outlined in this guide will get you started on the appropriate course of action and help you to align your creative goals. Writing horror isn’t all that different from writing for other genres, but it does require the right mindset and a creepy destination to work towards. Before we jump into the first of our four steps, let’s begin with a primer.

How to write horror

Before you get started.

The steps outlined in this ‘how to write horror’ guide assume that you already have a grasp over the fundamentals of writing. If you do not yet understand the basic mechanics of prose, screenwriting , or storytelling, then you might not get everything you need out of this guide. Luckily, we have a litany of informative resources that can bring you up to speed on everything you need to know.

If you intend to tell the  horror story  you have in mind as a screenplay, then the best way to fast track your screenwriting education might be to read through some of the  best screenwriting books  or to enroll in one of the  best online screenwriting courses .

Our guide to writing great scenes  is another good place to start, and our  glossary of screenwriting vocabulary  is a great resource if you encounter any unfamiliar terminology. When you’re ready to start writing, you can get going for free in  StudioBinder’s screenwriting software .

Now, we’re ready to jump into step one of our how to write horror guide. But, be warned, if you don’t already have a basic story concept in mind, you should consider that Step Zero.

There’s no concrete way to generate story ideas, but you can always look to creative writing prompts  and  indie films to kickstart inspiration .

HOW TO WRITE A HORROR MOVIE

Step 1: research and study.

Writing horror often begins by consuming great horror . We look to the stories of the past when crafting the stories of the present. Someone who has never read a horror novel or seen a horror film is going to have a much harder time writing horror than someone who is a voracious consumer of horror stories. By watching and reading, you can pick up plenty of tips for writing scary stories.

Before writing your opening line, be sure to do your research. It can be worthwhile to explore all manner of horror media. But for the purposes of this step, it’s best to focus in on the type of material you wish to create.

If you want to learn how to write a horror novel, then read as many horror novels as you can get your hands on. Our list of the  greatest horror films  ever made is a good place to conduct your research if you plan to write a horror screenplay. You can also check out our rundown of  underrated horror films for even more research.

Here are tips on how to write horror from the master himself, Stephen King. And, while you're at it, might as well catch up on the best Stephen King movies and TV based on his work!

How to write good horror  •  Stephen King offers horror writing tips

It’s important to go beyond simply reading and watching horror and to begin to analyze the material. Drill down into why certain decisions were made by the writer and try to figure out why certain elements work or don’t work. It can often be worthwhile to explore material you consider bad as well as what you consider good, so you can learn what not to do.

Check out our analysis of Midsommar   below for an example of how you can break down and explore the horror films that inspire you. You can also download the Midsommar script as a PDF to analyze the writing directly. You should check out our Best Horror Scripts post for more iconic script PDFs.

How to Write Horror  •   Read Full Midsommar Script

When consuming material to learn how to write a horror story, pay particular attention to the pacing and structure of the stories you’re inspired by. For example, if the style you find yourself most drawn to is slow-burn horror, then you might want to aim for a much slower pace than average with your story as well, but the build-up will become even more important.

Horror story writing

Step 2: decide your type of horror.

So, you’ve decided you’re writing horror, congratulations, you’ve settled on a genre. Now, it’s time to pick your sub-genre (s) and to decide on the specific avenue of horror to explore. There are many horror sub-genres to choose from. Just take a look at our ultimate guide to movie genres for quick rundown. And, check out the video below to see horror sub-genres ranked.

Ranking subgenres for inspiration  •  Horror story writing

Keep in mind that genres and subgenres can be mixed and matched in a multitude of combinations. For example, The Witch blends together the horror and historical fiction genres. From Dusk Till Dawn fuses action, crime-thriller, and vampire elements. And Shaun of the Dead fuses the horror and comedy genres by way of the zombie subgenre.

Our video essay below offers insights into Shaun of the Dead director Edgar Wright’s creative process. Check out our ranking of Edgar Wright’s entire filmography if you want even more.

How Edgar Wright writes and directs his movies  •   Subscribe on YouTube

Step Two is also the time to decide on the specific avenue you will exploit when writing horror. By “avenue of horror,” we mean the primary source(s) of tension and scares. Witches? Zombies? Cosmic horror? Body Horror ? Social Horror? These are all different avenues that your horror story can take on, and just like with genres and sub-genres, mixing and matching is encouraged.

A horror story that exploits kills and gore as its avenue of horror will be written in a much different manner than one that focuses on a sense of creeping dread and leaves more to the viewer or reader’s imagination.

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Step 3: Mine your fears and phobias 

You have decided on your genre and your avenue of horror, now it’s time to get more specific and drill deeper. For Step Three, go beyond asking what makes a story scary and instead figure out what makes your story frightening.

Depending on what you chose in Step Two, this might already be baked into your sub-genre and avenue of horror. For example, the home invasion sub-genre by nature mines a very real phobia that many people share.

The best home invasion films

However, if you chose to go with the zombie subgenre for example, you may need to work a little harder to discover what it is about your story that will scare audiences. Zombies on their own certainly hold the potential to be frightening, but audience overexposure to them throughout the years has gone a long way to lessen the scary impact they once had.

For examples of how to do it right, check out our rundown of the best zombie films ever made . And, for a different yet equally effective take on the sub-genre, check out our list of the  best zombie comedies .

How to write a horror story  •  Exploit common phobias

The above video breaks down the statistics surrounding a number of phobias. One common piece of writerly wisdom is “write what you know.” When writing in the horror genre, we can tweak that advice to, “write what scares you.” Mine your own fears and phobias when crafting your horror story; there are sure to be others out there who get creeped out by the same things.

This is also the step where you should try to discover your X-factor. What is it that sets your story apart from similar horror stories? If the answer is “nothing really,” then it might be time to take your concept back to the drawing board.

How to write a horror story

Step 4: keep your audience in mind.

From this point on, you are ready to start writing your horror story. Much of the writing process will be carried out in the same way as you would write a story in any other genre. But there are a few extra considerations. Put all that research you did in step one to work and ensure that your prose or screenwriting is well balanced and doles out the scares at a good pace.

You will want to find a good middle ground between sacrificing story and character development and going too long without something to keep your audience creeped out.

Narrative pacing is important in every genre, but horror writers also need to worry about pacing their scares, similar to how someone writing an action film needs to deliberately pace out their big action sequences.

How to write a horror story  •  Keep pacing in mind

Decide on who your target audience is from the jump and keep them in mind while you write. There can be a significant difference between horror aimed at teens vs. horror aimed at a mature audience. In film, this can mean the difference between shooting for a PG-13 rating instead of an R rating.

In fiction, this decision might manifest as a plan to market directly toward the young-adult crowd. Horror aimed at children, like Frankenweenie or The Nightmare Before Christmas , is drastically different from other types of horror aimed at older audiences.

Use your target audience as a guiding star that informs all of your narrative decisions as you write. Now, it’s time to put everything you just learned about how to write good horror stories to use.

The Greatest Horror Movies Ever Made 

If you are stuck on step one and looking to find some inspiration, our list of the greatest horror films ever made is a great place to look. You are sure to find something to get your creative juices flowing within this lengthy list. Writing great horror starts with consuming great horror, coming up next.

Up Next: Best Horror Movies of All Time →

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How to Write Horror: 8 Crucial Components to Terrify and Delight

by Sarah Gribble | 0 comments

The horror genre might call to mind slasher films or other monster movies your teenage friends made you watch at night to scare you out of your wits. But horror is more than a shock fest. Scary stories have the ability to reveal the human condition in ways many other genres cannot. Today let's look at how to write horror.

Types of stories

We're continuing our series on how to write each of the nine types of stories , based on values. Values are defined by what a character wants or needs most in a story. Story types can defy genre boundaries which are often more about reader expectations and specific tropes, but the two often work together to create a satisfying reader experience.

Here are the six value scales with the plot types they tend to fall into:

• Survival from Nature > Life vs. Death
• Survival from Others > Life vs. Fate Worse than Death
• Love/Community > Love vs. Hate
• Esteem > Accomplishment vs. Failure
• Personal Growth > Maturity vs. Immaturity
• Transcendence > Right vs. Wrong

With that in mind, let's delve into how to write a horror book or story.

What is horror?

Horror is a genre of literature or film that wants to evoke fear, shock, and suspense. Characters battle for their life versus a fate worse than death.

What does that mean? A fate worse than death can mean everything from experiencing embarrassment to paralyzing fear to pain to a loss of innocence.

There are many types of horror fiction sub-genres, ranging from psychological horror to horror comedy to cosmic horror, to slashers and body horror. Horror stories often (but don't have to) have supernatural horror elements, such as ghosts, monsters, vampires, and witches.

Common techniques used to create horror include jump scares, gore, unexpected twists, isolation, and eerie sound effects. Writing horror successfully requires an understanding of human psychology and the ability to create tension and suspense through careful pacing and narrative structure.

Horror isn't just about gore or terror, however. Many horror stories include societal, environmental, or psychological themes.

To write effective horror stories, authors must be able to craft believable characters that audiences can sympathize with as well as build suspense through cleverly crafted plots.

An Example of Master Horror Fiction: Poe

Edgar Allan Poe's story “The Tell Tale Heart” is a story most of us read in school. If you haven't read it or you need a refresher, read it for free on Guttenberg .

“The Tell Tale Heart”   is narrated by an unreliable, unnamed narrator who is confessing to a murder, while simultaneously trying to prove he's not insane. He's killed an old man, whom he supposedly loved, because the man's eye creeped him out. The police show up, and he's calm and collected until he thinks he can hear the old man's heart beating under the floor boards. The beating gets louder until the man confesses to the police, begging them to make the noise stop.

This story packs all the elements of horror into around 2,000 words. The unreliable narrator gives readers a sense of unease and ambiguity throughout the story. Is the man actually mad or is there something supernatural happening?

We have fear, both from the narrator (that creepy eye) and from the old man, who is blind and suspects someone is watching him. We have a murder with dismemberment. We have isolation, as the old man is alone, but the narrator also complains of being scared in the dark night by himself.

Most of all, though, we are on the life vs. fate worse than death scale. The narrator is scared of being seen as insane, which is worse than death for him and is the cause of his confession. He still ends up arrested for the murder, though, which is also a fate worse than death.

What Makes a Good Horror Story?

What makes a good horror story is the ability to tap into our deepest fears and deliver them in a captivating way. Even if you don't consider yourself a horror writer, practicing a few short stories in this genre can help you understand human fear and the way it motivates action.

Setting and atmosphere

A good horror story should start off slow, introducing the characters and setting of the story before slowly building up tension as the horror begins to unfold. The setting of horror stories is often mundane and familiar initially—a summer camp, a basement, a house—but turns sinister as the story progresses.

The more the reader or audience can relate to the setting, the scarier it will be when the protagonist encounters anything spooky. Use sensory details to build the atmosphere. Old houses or rundown buildings and impending bad weather are common in horror stories.

• Bram Stoker's Dracula begins with Jonathan Harker arriving at Dracula's castle, which is isolated, rundown, and surrounded by fog.
• Movies like  The Conjuring  and  Poltergeist  (and a ton of others) start by a family moving into a new house.
• Midsommar begins in a seemingly idyllic community.
• A lot of horror—like The Shining— uses an impending storm to indicate coming doom. The crescendo of the storm culminates in the climax.

Believable character

Characters should be relatable and sympathetic so that readers can connect with them on an emotional level. Readers need to care about what happens to them in order for the horror to be effective. Develop their backstories and motivations, so that when terrible things happen to them, it feels like a genuine tragedy.

• The Mist by Stephen King opens with a man cleaning up his property after a weird storm. We're introduced to the entire family and a neighbor and have a chance to learn the dynamics there before any of the true action happens.
• Danny in  The Shining is a rather lonely little boy who has an alcoholic for a father. The reader can't help but want to protect him. His mother is hoping the move to the Overlook will cure their family. This broken family makes Jack's devolution more horrifying and tragic.

Fleshed out antagonist

The antagonist should be well-crafted and have both human qualities and monstrous ones; this will help create a sense of dread in readers as they don’t know what to expect from the villain. Ensure that your antagonist is well-rounded and has their/its own motivations, even if that motivation is something as simple as eating or breeding.

• The antagonist in the movie Species  starts off as an alien-human hybrid lab experiment. Her core motivation is procreation and because of how she was treated by her captors in her backstory, any human sympathy she might have had is nullified in her quest.
• In  The Creature from the Black Lagoon , Gillman just wants people to leave his territory and to be left alone (preferably with Kay, who he's rather smitten with).
• In Stephen King's  Misery , Annie Wilkes wants to save her favorite author (and maybe keep him around a bit longer than necessary initially), then desperately wants to save her beloved book series.
• Hannibal Lector is a culturally refined, brilliant, manipulative cannibal who held a prestigious place in his profession and prefers to eat the rude. In later stories, we discover he was traumatized as a child.

Foreshadowing

Use subtle hints or clues that something scary is about to happen. Foreshadowing can create a sense of anticipation and dread in the audience. Some common elements of foreshadowing in horror include: mysteriously locked doors, getting a chill for seemingly no reason, something being where a character didn't think they left it, hearing a strange noise, being warned off by the locals, or learning early on of a historic tragic event.

• In  The Shining , we're told if there's a snowstorm no one would be able to get to the hotel. Jack is also warned by the hotel owner that the former caretaker killed his family before taking his own life.
• In  The Haunting of Hill House , Eleanor receives warnings in the form of signs reading “Dare” and “Evil” and someone telling her she will be sorry the gate was ever opened. (In the Netflix series based on this book, there are ghosts hidden in corners and out of focus in many scenes.)

No help in sight

As your story progresses, your characters can't simply call the police or go to a neighbor for help. If that were the case, the horror would be over in a few minutes and the story would end. It should look increasingly doubtful that your characters will escape their situation. Isolation—physical or psychological/emotional—is a common way to achieve this.

• Nick Cutter's The Troop places a boy scout troop on a remote island with only one adult. When the adult is removed from the storyline, the boys are left on their own to battle a parasitic outbreak.
• Stephen King's The Shining takes place at a remote hotel during the offseason and gets worse when a blizzard traps the Torrances.
• Most R.L. Stine books feature children who aren't physically isolated from others, but the adults don't believe them and therefore aren't going to help.
• Zoje Stage's Baby Teeth features parents who can't control their nightmare child. The help they do receive doesn't work.
• In  The Texas Chainsaw Massacre , any hope of help is dashed as the main character slowly realizes everyone in town is the enemy.

Deeper themes and ideas

Horror can be a powerful tool for exploring deeper themes and ideas. Use your writing to explore issues like mortality, identity, and the human condition. Don't just rely on jump scares and gore, but instead use horror to tell a compelling story with something to say.

• Most vampire stories are about addiction and/or the rich literally sucking the life out of the poor.
• The 2022 movie  Smile  is about the “contagious” nature of trauma and generational trauma.
• Stories like The Blob ,  Resident Evil ,  Frankenstein , and Mira Grant's Parasitology   series warn about science gone wrong.

Effective pacing

Effective horror requires careful pacing. You don't want to reveal too much too soon, but you also don't want to drag things out for too long. Use pacing to build tension and create a sense of urgency.

Keep your readers guessing and eager to find out what happens next. But don't exhaust them; every scene shouldn't be one of terror. In fact, the jump scares and ghost sightings aren't how you scare your readers. The more important part of horror is when you slow down and give your reader room to explore and get comfortable. Then you pull out the monster.

• A man runs in and says someone disappeared in the mist. (Faster.)
• Everyone agrees to stay put for a while. Things calm for a moment. (Slower.)
• Then they go to the back to fix something, and a man is pulled away by giant tentacles. (Faster.)
• When they tell everyone what happened there are a multitude of reactions, but the point is there is no immediate threat for a while from the monsters. (Slower.)
• Someone decides to lead a group of people outside and they are killed quickly. (Faster.) etc.

See how we're not seeing the monsters every scene? This gives us as readers (and the characters) time to imagine what the monsters look like, what their motivations are, and to try to come up with a way out. These slower scenes also give us time for some other elements of story, like backstory, tension, and subplots.

Twists, shocks, ambiguity, and everlasting evil

A good horror story should either end with an unexpected plot twist or shock that will leave readers stunned yet satisfied or with an ambiguous ending where the reader is left unsettled because they aren't positive what happens to the main character.

• In Ania Ahlborn's  The Shuddering , we're left with imagining what happened to the main character and his dog.
• In Dahl's  The Witches , the reader is left with the image of the boy/mouse and his grandmother bouncing around the world eradicating witches. We don't know how long they will live (ambiguity), there are still witches, even if they did defeat the specific antagonists for the book (evil still exists), and the boy remains a mouse (twist and shock).
• Every horror movie in a franchise normally ends with the antagonist making an appearance even though they're supposed to be dead and defeated by the protagonist.
• In Shirley Jackson's  The Lottery , we know exactly what happens, but we have no idea  why this stoning ritual is part of this society. We don't even know when or where this society exists.

How to Write Horror: Lean Into the Fear Factor

Fear is the crucial element in horror story writing. As a genre, horror writing leaves you plenty of room to explore themes and subplots that really dive into the dark fears of your readers—and that creates an emotional experience for your target audience. Even common fears and ordinary situations can turn dark in the hands of a master horror writer.

Dive into your biggest fears to find your best horror ideas. Then share them with us!

Want more horror prompts? Check out our 20 Spine-tingling Horror Story Prompts here.

What fears do you find most compelling in horror? Tell us in the comments .

Today, tap into that story value of life versus a fate worse than death. Set the timer for 15 minutes and make a list of fears you or a potential character might have and then create a scene where they realize their worst fears are coming true.

Share your practice in the Pro Practice Workshop here , and leave feedback for a few other writers. Not a member? Join us here . 

Sarah Gribble

Sarah Gribble is the author of dozens of short stories that explore uncomfortable situations, basic fears, and the general awe and fascination of the unknown. She just released Surviving Death , her first novel, and is currently working on her next book.

Follow her on Instagram or join her email list for free scares.

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Bestselling author with over five years of coaching experience. Sarah Gribble specializes in working with Dark Fantasy, Fantasy, Horror, Speculative Fiction, and Thriller books. Sound like a good fit for you?

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Home / Book Writing / How to Write Horror: A Step-by-Step Guide for Authors

How to Write Horror: A Step-by-Step Guide for Authors

I was never much of a horror fan at first, but as I grew older, I realized that horror allows us to confront our deepest, darkest fears in a safe fictional setting, and it became far more interesting to me after that. 

My love for the genre eventually led me to try my own hand at writing horror stories (still unpublished). Over the years, I've learned a lot about the horror fiction craft through trial and error, advice from more experienced horror writers, and studying successful works in the genre. 

In this article, I want to share everything I've learned about writing horror in the hopes that it will help aspiring authors.

• What the horror genre is
• All the different subgenres
• What makes a good horror story
• Step-by-step tips for writing horror effectively
• The typical plot structure of most horror stories

Table of contents

• Types of Horror Stories
• What Makes a Good Horror Story?
• What Are Some Common Horror Tropes?
• 1. Read Plenty of Horror
• 2. The Setting Creates the Atmosphere
• 3. Mix Mortal Peril with Real-world Horror
• 4. Ask Yourself What Frightens You?
• 5. Flesh Out Your Characters
• 6. Ground it in Real Life
• 7. Personalize the Stakes
• 8. Happy Moments Increase the Tension
• 9. Preserve the Secrecy of the Antagonist
• 10. Jumpscares Do Not Make a Horror Story
• Act 1: Setting Up the Situation
• Act 2: Rising Tension
• Act 3: The Climax

What is the Horror Genre?

Horror is a genre intended to make the audience feel fear, dread, disgust and unease. 

Unlike thrillers which focus on suspense and mystery, horror aims to provoke visceral reactions by showing the disturbing and the macabre.

The horror genre has its roots in ancient folklore and myths about evil spirits, monsters, the afterlife, and the occult. Some of the earliest known stories with horror elements are Sophocles' Oedipus Rex, Homer's Odyssey, and the English poem Beowulf. 

Gothic horror as a genre emerged in the late 18th century with the classic horror novels like Mary Shelley's Frankenstein, Bram Stoker's Dracula, Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde, and Oscar Wilde's The Picture of Dorian Gray.

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In the 20th century, horror fiction expanded into numerous subgenres:

• Supernatural horror – Stories featuring ghosts, demons, cursed objects, unexplained entities, and paranormal phenomena. Eg. The Amityville Horror by Jay Anson.
• Monster horror – Tales focused on vicious monsters and creatures like vampires, werewolves, zombies, and aliens. Eg. Salem's Lot by Stephen King.
• Body horror/Splatterpunk – Graphic depictions of gore and mutilation of the body. Eg. The Hellbound Heart by Clive Barker.
• Psychological horror – Terror arising from the mind, perception, and sanity of characters. Eg. The Silence of the Lambs by Thomas Harris.
• Survival horror – People trapped in an isolated setting trying to escape a terrifying threat. Eg. The Mist by Stephen King.
• Cosmic horror – Threats from malevolent cosmic entities beyond human comprehension. Eg. The Call of Cthulhu by H.P. Lovecraft.
• Slasher horror – Serial killers stalking and murdering victims in gruesome ways. Eg. Psycho by Robert Bloch.
• Paranormal horror – Uncanny events that contradict the laws of nature. Eg. The Turn of the Screw by Henry James.
• Zombie horror – Stories focused on zombies or zombie apocalypse scenarios. Eg. World War Z by Max Brooks.

Horror books certainly aren’t limited to these types of genre, but they are some of the most common.

Not all horror fiction works. Great horror stories have some common qualities that elevate them above mediocre attempts at the genre:

• Strong atmosphere and tone – The setting, choice of words, and imagery establishes a tense, creepy, and unsettling mood right from the start.
• Suspense and tension – Keeping the audience guessing about what might happen next. Using mystery and thrill to build suspense.
• Vulnerable characters – Having empathetic characters that the audience can relate to and worry for when danger approaches.
• Creative monsters/villains – Original and frightening antagonists that pose a credible threat without seeming silly or contrived.
• Blurring reality – Obscuring the line between the real and unreal to make the audience question what is actually happening.
• Slow reveal – Withholding just enough information to tease the audience and make them keep reading to get answers.
• Disturbing imagery – Visual descriptions intended to shock, repulse, and frighten, like gruesome death scenes.
• Themes of dread – Touching on universal human fears and phobias – darkness, pain, disease, isolation, madness, death, etc.
• Shocking twists – Surprising revelations that turn the story in an unexpected direction.

There is a reason why Stephen King is such a master of horror. When you read his book, you’ll notice that he hits almost all of these spot on.

Over the years, certain plot devices, archetypes and conventions have emerged as popular tropes within the broad scope of horror fiction:

• The haunted house – A house inhabited by ghosts, poltergeists, or other malevolent entities. Eg. The Haunting of Hill House by Shirley Jackson.
• Serial killers – Charismatic but deranged serial murderers with peculiar motives and modus operandi. Eg. American Psycho by Bret Easton Ellis.
• Cursed objects – Innocuous items that bring misfortune and harm to their owners. Eg. The Monkey's Paw by W.W. Jacobs.
• Man-eating monsters – Predatory creatures hunting humans as prey. Vampires, werewolves, demons, etc. Eg. The Howling by Gary Brandner.
• Evil children – Uncanny, sinister, or possessed kids. Eg. The Omen by David Seltzer.
• Zombies – Reanimated corpses hungering for living flesh. Eg. Zone One by Colson Whitehead.
• Torture devices – Elaborate contraptions used to torture victims. Eg. Poe's The Pit and the Pendulum.
• Creepy small towns – Remote towns hiding dark secrets and sinister cults. Eg. Something Wicked This Way Comes by Ray Bradbury.
• Demonic possession – Loss of bodily control due to a demonic spirit. Eg. The Exorcist by William Peter Blatty.
• Creepy basements – Dark, subterranean spaces hiding disturbing secrets or serving as gateways to the underworld.
• Mad scientists – Eccentric, amoral researchers carrying out unethical experiments. Eg. Frankenstein by Mary Shelley.
• Ancient curses – Malevolent supernatural forces punishing violations of taboo. Eg. The Mummy.
• Sinister cults – Secretive religious sects with sinister agendas and occult practices. Eg. The Call of Cthulhu by H.P. Lovecraft.
• Haunted asylums – Derelict psychiatric hospitals harboring tortured spirits of the dead.
• Ghost ships/vehicles – Phantom or possessed modes of transport carrying a deadly curse. Eg. The Fog by John Carpenter.
• Evil dolls/toys – Playthings possessed by wicked entities or springing to murderous life. Eg. Child's Play franchise.
• Eldritch abominations – Grotesque monstrosities that induce madness and doom. Eg. The Dunwich Horror by H.P. Lovecraft.
• Ancient burial grounds – Tombs and burial sites harboring vengeful spirits and curses. Eg. Pet Sematary by Stephen King.

While tropes can be useful shorthand for conveying certain ideas, overusing them can make stories seem unoriginal and predictable. The best horror writers use tropes selectively and put their own spin on them.

11 Tips to Write Horror

Here are some tips to guide you in crafting captivating horror fiction:

As with any genre you want to write in, read lots of existing works in that style. Study how the masters of horror fiction like Stephen King, Clive Barker and Shirley Jackson create atmosphere, build tension, and deliver scares. 

Make notes on effective techniques you could incorporate into your own horror stories. Understanding what works will help you avoid bland clichés.

Establish an ominous mood from the very first page through your descriptions of the setting and location. Use sights, sounds, smells and other sensory details to make the place seem creepy and foreboding. 

Isolation – trapping characters someplace inaccessible – can heighten a feeling of vulnerability against supernatural or deranged threats. Make the setting itself feel like a character, interacting and affecting the characters in sinister ways.

While monsters can be scary, everyday real-world horrors resonate more profoundly. Stephen King often combines supernatural elements with psychological realism – dysfunctional families, abuse, addiction, grief – to ground the horror. 

The scariest stories feature threats that could plausibly exist in the real world, even if taken to fictional extremes. Readers find visceral, real-life horrors more affecting than fantastical monsters because they seem more likely to encounter them.

Think about your own deepest fears and phobias. What scares you in real life? Bringing personal dread into your horror writing will make it more intense. For example, if you have a fear of losing your mind, you can channel that into stories about characters going insane or losing their grip on reality. 

Draw upon your nightmares, both sleeping and waking, as inspiration to explore the dark corners of your psyche.

Weak character development can ruin an otherwise scary tale. The audience has to care what happens to the characters for the story to have impact. Take the time to flesh out distinct, relatable personalities. Give each character clear motivations , quirks, strengths and flaws. Make them seem like real people so that when you subject them to horrific ordeals, the audience worries if they will survive.

While horror often features supernatural threats, grounding stories in a believable real-world setting makes them resonate more deeply. Have your characters react in natural ways, with all the confusion, disbelief and denial actual people would exhibit. 

The mundane details of real life juxtaposed with the bizarre enhances the fright factor. Keeping supernatural elements to a minimum also gives your story a veneer of plausibility that augments the horror.

Generic horror tales are easy to shrug off, but when characters we care for are imperiled, we get invested in their predicament. Build up emotional connections between characters early on so that later we truly fear for them. 

Have threats target their vulnerabilities or personalities in some way. Personalized stakes make a horror story more intimate, raising the tension level.

While horror is often bleak, moments of hope, humor or tender character connections provide contrast that amplifies the darker elements of your story. After a traumatic event, show characters clinging to cherished memories or optimism to survive emotionally. 

Brief interludes where everything seems like it might be okay lull the reader into lowering their guard before you unleash the next shock or threat.

The greatest fear comes from the unknown. Give only hints about the nature and origin of supernatural entities or villains in your story. Keep their appearances brief and clouded in shadow. 

The less readers understand the threat, the more their imaginations will conjure something uniquely chilling. Allow the audience's mind to fill in the blanks with their own deepest dreads.

Cheap jump scares that briefly startle through loud sounds or sudden activity are not enough to carry a horror narrative. These should be used sparingly for occasional shock value. 

True horror comes from sustained atmosphere, engaging characters in peril, and tapping into primal fears. Unnerving psychological dread will stay with a reader long after a jump scare's momentary surprise fades. Don't rely on them as a crutch.

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Plot Structure of Most Horror

While not universally followed, many successful horror stories adhere to a three-act dramatic structure that does some of the following:

• The Hidden Monster – Hint at the existence of a sinister threat through ominous events and unexplained phenomenon. Keep the audience guessing.
• Introducing the Characters – Establish the characters, their relationships, and individual fears or weaknesses that can be exploited later. Make the audience care about them.
• The Inciting Incident – A events which initiates the problem and draws the characters into dangerous circumstances or the path of the threat. The point of no return.
• Meeting the Monster – The characters first come face-to-face with the threat, confirming its frightening nature or powers. Still keeps secrets for later.
• The Turning Point – An event that escalates the peril and leaves the characters vulnerable to the monster/threat at the halfway point. Raises the stakes.
• The Pursuit – The antagonist now relentlessly pursues the protagonists. Creates a constant sense of danger as the threat closes in.
• The First Failed Confrontation – The hero or heroes attempt to defeat the threat but are unable to for some reason. Increases desperation.
• All Is Lost – A low point where the characters seem totally helpless and all hope is lost. The threat will prevail.
• The Breakthrough – The heroes rally, resolve their inner turmoil, and discover a way they might vanquish the threat at the last possible moment.
• The Final Confrontation – The protagonists confront and do battle with the threat, either defeating it or failing nobly with consequences.
• The “Death” – The demise, usually of the threat itself. However, one or more characters may also perish for a melancholy resolution, or there is a psychological death of some kind.
• The Fallout – Wrap up the aftermath, showing how characters and the world at large were impacted and changed. Evil might still lurk, awaiting a sequel.

While there is more to a horror story than just these elements, this should hopefully allow you to get started writing your next horror story, and getting those words on the page.

Jason Hamilton

When I’m not sipping tea with princesses or lightsaber dueling with little Jedi, I’m a book marketing nut. Having consulted multiple publishing companies and NYT best-selling authors, I created Kindlepreneur to help authors sell more books. I’ve even been called “The Kindlepreneur” by Amazon publicly, and I’m here to help you with your author journey.

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• How-To Guides

How to Write a Horror Story in 12 Steps

Spooky times are on their way! In this post, you’ll learn how to write a horror story in 12 easy steps. From the very beginning to the very end, you’ll be a horror writer in no time. Writing a horror story is easy, provided you know how to do it in the right way.

A horror story is usually about a particular issue or theme. It might be about the horrible nature of life, the evil of humans, or the beast inside us. It might even be about fear, or about the various ways in which we face fear. The one thing that all horror stories have in common is that they are “stories of fear.”

The best horror stories are about fear, whether it’s fear of death, fear of disease, fear of the unknown, fear of loneliness, or fear of pain. The main problem with horror stories is that most people don’t like to be scared. Our minds prefer the familiar, the comfortable, and the easy. So how do we get around that?

The answer is that we have to tap into our inner horror. We have to get inside our minds and into our souls to write about horror. It’s not easy, but it’s not hard either. If you’re willing to put in the effort, you’ll be amazed at the results you can achieve.

10 Tips for Writing Horror Stories

Step 1: brainstorm some ideas, step 2: develop your idea, step 3: make a list of main characters, step 4: develop a horrific setting, step 5: outline the opening paragraph, step 6: plan the major climax, step 7: write a twisted ending , step 8: choose a scary writing style, step 9: write the first draft, step 10: edit and review your draft, step 11: choose a chilling book title , step 12: publish the book, how do you start a horror story, what are the 5 elements of a horror story, what makes a good horror story, how do you write in creepy writing, how do i make my character terrifying.

Before you begin writing a horror story, here are 8 tips to help you create the perfect, chilling tale:

• Make it realistic: Don’t be afraid to make the story feel real and genuine so that the reader doesn‘t get lost in the atmosphere of the book. Try to use real-life situations as the base of the story, and then you can add the gore afterwards.
• Include plot twists: The more twists you can add to the tale, and the more surprises that will occur, the stronger the plot. 
• Avoid stereotypical characters: Just because it’s horror doesn’t mean you have to have a serial or a cannibal in your story. Go beyond the norm with your characters – remember anyone can be a serial killer, especially the least suspected person!
• Pace yourself: Don’t just jump to the scariest moment in the beginning, slowly build up the suspense. Start by giving the reader hints of danger, and then bang when they least suspect bring in the gore.
• Play on common fears: Common fears that people face every day. Such as being alone in the dark, being chased by a monster, having a bad dream, etc. Fears are icky, but they can be made into something interesting if you play with them.
• Choose a writing style: There are many ways to write horror and some people find that they have an easier time in a journalistic style or in 1st person narrative. Think about what you’re most comfortable with and try it out.
• Increase the stakes: The best horror stories involve a sense of fear and dread, so make sure to increase the stakes as you go. If your main character is at a party, maybe there’s something bad lurking in the back room or someone is trying to kill them. Make sure there’s something at stake for your characters and don’t forget to give them something to do besides running away.
• Read popular horror stories: Horror can be a very dark genre, so you might want to check out other scary tales to get inspiration. For instance, Stephen King has written some of the most terrifying stories ever created and you might even learn a few things from them. 
• Pick a horror sub-genre: Horror is very broad and can be done in many different styles and genres. I recommend going for a sub-genre like Gothic Horror, Zombie Horror, or Psychological Horror. You may find that you are more comfortable in one of these areas than in others.
• Be imaginative: Your story should be as unique as possible so use your imagination and go crazy! Do not hold back when it comes to creativity, as this is how true horror is born.

How To Write a Horror Story in 12 Steps

Follow these 12 easy steps to create a spine-chilling story that will leave your readers in awe and fear.

Here’s a simple little trick that we can’t recommend enough: start with writing down all of the words and phrases that come to mind when you think about horror. Horror is much more than just scary stories; it’s about fear. So start thinking about the horror you see around you, and what keeps you up at night. The trick is to get into your mind, even if it doesn’t feel comfortable. Try listing your biggest fears, and all the things that make you feel scared. You can also check out this list of over 110 horror story prompts to get you started.

We also recommend keeping a nightmare journal  – Which is like a dream journal but filled with notes about your nightmares instead. After you had a really scary dream write down everything you remember from that dream. This can include what you saw, heard and felt during the dream. You can then use these notes as a source of inspiration for your horror story. 

Check out these Halloween writing prompts and Halloween picture prompts for more ideas.

What keeps you up at night? The evil monsters in the monsters movies? The epidemic of a deadly virus? A tragic unsolved crime? Whatever your issue is, it can be used to create a horror story that will have your readers sweating bullets. Take your ideas from the previous step and develop them into a truly horrific story idea. Once you have written down the basic idea, try to think about how that idea can be made scarier. 

For example, if you’re writing about a deadly disease, you could use the theme of death to make it scarier. Have the characters die in the story in a mutated sort of way or from some weird side effect that leads to death. There are plenty of ways to make the story more horrible:

• Try thinking about an ordinary situation that everyone goes through and add something horrific to it. The trick to making your story scary is to make it believable. In other words, you want to make your story as true to life as possible.
• Focus on some terrifying emotions, fear being the obvious one. But you can also think about crudeness, disgust, as well as anger, regret, paranoia and shock factor. 
• Add in some unnatural details, such as spaghetti turning into worms or blood coming out of solid, unliving objects.

Write down all of the main characters in the story. If you have more than one, give each character a distinct personality. Make sure that each character has a certain reason for their actions and be sure that they reflect their personality.

Whatever your horror is, you should probably have a main character that will be a part of the story. When you write the story, it’s going to be easier to create a tense atmosphere if you have a character to relate to. Also, you may want to make sure that you have a few supporting characters that you can add to the story. The supporting characters might also become the main characters in any sequels you plan on writing.

The other characters in the story should be the antagonists. These are the evil people or creatures that are keeping you up at night. They might be the killer, the ghost , the werewolf , the zombie, the villain, the monster , the demon, or the bad guy. Whatever the issue is, that’s what the antagonist will be in the story. They might start out as just an ordinary person, but they’ll end up being more evil than the main character.

Check out this guide on character development to help you develop a powerful character.

When writing a horror story, it’s very important that you get the setting right. Think about some scary places that you know of in real life or places that you’ve seen in your nightmares. You could also link your main setting choice to a common fear explored in your story. For example, if the core concept of your horror story is related to the fear of heights, then the main setting may be a high-rise building that’s filled with monsters. 

Other common horror story settings may include a haunted house , a creepy old mansion, graveyards and even quiet suburban towns. Whatever your choice of setting, try to write a detailed description of the main setting in this step. Think about the appearance of the location, the weather, the feeling someone has when standing in this location, as well as what kind of people live here, along with the beliefs they hold.

Interested in creating a whole new world for your horror story? Check this master list of over 100 world-building questions .

The opening paragraph will be the first thing your readers see. It should be a teaser that sets the tone for the story. In other words, the first paragraph should be intriguing enough to make your readers want to keep reading. You should ideally include the main character’s name, the setting, the antagonist, the fear of the story, and the main character’s problem. 

If the story is about a haunted house, then the outline of the opening paragraph could say something like this:

The house is empty. It has been for a long time. It’s been vacant for years and years. It sits in the middle of a quiet, suburban neighbourhood. The grass is green and the trees are tall. The neighbourhood is quiet, but the town is not as quiet as everyone thinks. There are whispers, rumours, and stories. But the truth is, no one has ever seen or heard anything unusual here. Not until Wendy Williams and her daughter moved in. 

During this step, it is important to try to write an opening that gives the reader a taste of the entire story. But of course, don’t give too much away – Just a hint of fear will do! Your goal here is to have the reader wanting more. 

See this list of over 150 story starters to help you get started with your spooky tale.

This step is basically the big bang. It’s where your main character goes head-to-head with the antagonist in the story or has to face their greatest fear. It’s also when your main character learns the truth about the antagonist. The goal of this step is to keep your readers on the edge of their seats. 

When writing the climax, think about what will happen, who will be in danger, and what the outcome will be. If you’re struggling with the climax, then you should start with a smaller problem and work your way up to the big one. For example, you could start with a little bit of trouble with a character, such as a bad dream or the main character getting hurt. This will get your readers involved in the story. You may find that once you start writing, you’ll come up with a more complicated problem that your main character will have to solve.

Here’s an example of what a potential climax scene sounds like in a horror story:

The sound of footsteps is heard coming down the stairs. The footsteps are too heavy, and they seem to be coming from the basement. The door to the basement creaks open. Then a face is seen in the door frame. It’s a face with large, red eyes, and it’s full of hate.

In horror stories, the twist ending is almost always a shock reveal of some kind. Whether the true murderer is revealed, or the identity of the antagonist is revealed, it should always be a surprise. 

There are several ways to write a twist ending, but you’ll probably want to start with a twist that’s a little more obvious. You could reveal who the antagonist really is, or even what the main character has been hiding. Or you could have the main character learn some shocking information that sends them in a completely different direction. 

The unique thing about the horror genre is that even after the mystery or problem is solved, it’s not always 100% solved. There’s always some darkness lurking somewhere. Was he really the murderer? Maybe there’s more than one monster? Give this final hint of darkness to keep your readers second-guessing even after the book is over. Now that’s where the true horror lies!

Of course, horror stories are written in a more darker and dramatic style compared to other genres. But there’s more to horror writing than just using dark words and descriptions of gory scenes. In this step, you want to think about the actual writing of your horror style. Will it be written in the first person, second person or third? Do you want to take a more journalistic approach where you report horrific events? Or will you take a more narrative approach, where the reader is on the outside looking in?

In our opinion, a horror story written in the first person has a much more powerful effect. There’s something about having the perspective of the main character that makes them more vulnerable. There’s also something about being told a story by another character that makes the story more real.

While the third person is great for taking the reader through a story, it doesn’t allow for the depth of emotion that can be found in the first person. If you choose to write in the third person, then you’ll want to stick with the voice of an objective narrator who is reporting on the events of the story. 

Either way, you’ll want to try to avoid too many descriptions of gruesome scenes. You want to keep the focus on your main character’s emotions and how they feel, and their problem. 

Finally, it’s time to start writing your story! Hopefully, after all these steps, you now have a rough outline for your story. But even if you don’t, just start writing! The first draft is usually the most important one. So even if you don’t have a complete outline, get started on your story. Just start writing and don’t worry about anything else! You might also want to read this post on how to outline a book for more guidance.

While writing your draft, you’ll want to keep these things in mind:

• Make sure your story is believable to a certain extent. Of course, you might think that vampires aren’t real – But make them real for your readers! This is the most important thing. If your story is impossible or unbelievable, then no one will want to read it.
• Avoid using clichés. These are words or phrases that are overused in stories and don’t really add anything to your story.
• Use active voice instead of passive voice. Passive voice is when a sentence starts with “someone” or “something”. Active voice is when the sentence starts with “I” or “we”.
• Use short sentences and paragraphs. Long sentences make it difficult to read, and paragraphs look heavy. 
• If you’re struggling to get anything written down, then start with the easiest or shortest scenes first. You can always come back to the more complicated areas of your story later when you’re ready. 

And finally, have fun with it! Writing is supposed to be a fun hobby, so don’t take yourself too seriously! 

The hard part is done, now you’re ready to start editing your story! Start by reading the story to yourself a couple of times. Each time you read your story highlight areas that you are unsure of, or would like to improve. At the same time look out for spelling mistakes, grammatical errors, and sentences that sound a bit off. Once you’re done with this review, you can go back and make the relevant edits to your story.

Next, you’ll want to gather some feedback. This is where you’ll want to have a second or third person read your story. It’s not a good idea to let one person read your draft, as they’ll be biased towards what they like. So get a few different people to read your story, and make sure they have a different perspective. They can be family members, teachers, or even a friend that’s not familiar with your writing style. 

When asking for feedback, you can ask the following questions:

• What are the most important parts of the story?
• Are there any parts of the story that don’t make sense or are confusing?
• What did you like most about the story?
• Can you think of anything that could be improved?
• Did you like the main character?

Once you have the feedback, you can go back and make the changes. It’s important to make the edits, but don’t obsess over it. In the end, you want to make the story the best that it can be. And by doing this, you’ll be on your way to writing a great horror story! 

It’s time to choose a book title. This is a very important part of a horror story. Not only does a good title help to give your story an identity, but it also helps to tell the reader what kind of story they’re about to read. The title should have a great hook. It should be intriguing and a little bit scary. If you’re struggling to think of a great book title, then you can try to think about what you’d like to read. Would you like to read a book that scares you? Or would you rather read a book that’s about someone’s struggles? 

If we look at some popular horror book titles, we can see that most of them are quite descriptive:

• The Woman in Black
• Bram Stoker’s Dracula
• The Haunting of Aveline Jones
• The Haunting of Hill House
• The Graveyard Book

Essentially, they either describe the antagonist of the story or the main setting in the story. Based on this try to summarise your horror story in as little as 3 to 5 words. Think about the main setting or the main villain/monster of your tale and come up with some book title ideas. If you’re still struggling, check out this horror book title generator for some more interesting ideas. 

An important thing to note here is that you should make sure that your book title is not already in use or taken by another author. Try doing a quick Google search or a search on Amazon to see if your title is available for the taking! 

Your book is now finished! You’ve written the first draft, edited it, gathered feedback, and now it’s time to publish it! There are many ways to publish your book. The most popular method is to publish it on Amazon as a self-published author. You can also work with a professional publisher to get your book to market.

Remember that if you’re a new writer, then it’s not a good idea to start by publishing your book on Amazon. It’s better to start slow and work your way up. You don’t want to rush your writing and end up with a book full of mistakes! Start by publishing your book using a free tool like the Imagine Forest story creator , then later work your way up to publishing on Amazon. 

That’s it! Now you should be ready to write your own horror story! Give it a go and see what you can come up with!

Frequently Asked Questions

There are a number of ways to start writing a horror story:

• Focus on your own fears. Start by listing your fears and develop your story idea from there. 
• Introduce the character. You can describe your main character in the first few scenes. Make them as normal, and relatable as possible
• Describe a setting. If the setting is key to your story, then describe every inch of it. Make your readers feel like they are right there with you. 
• Start with some action. This could be a bloody murder, someone screaming and running or anything else that makes the reader feel uncomfortable.
• Picture a harmonious place. You can describe a calm and happy place. Somewhere taken from a romantic rom-com type story or a happy family movie, which all suddenly changes.
• Start at the end. Rewrite your potential ending as the beginning, and then work your way backwards. 

The 5 elements of horror include Character, Setting, Action, Horror, and Resolution. All these elements are crucial in developing a gruesome horror story.

See our guide on the 5 elements of story-telling for more information.

A good horror story has fear at its core. The reader must be scared as they read the story. If not then you missed something important in your novel. A good horror story must be scary, but it should also have an element of realism to it. The story should include relatable main characters, a scary antagonist, a creepy setting and of course a shocking reveal at the end. 

Your first step is to try to think about the creepiness of the setting. Is it a dark and scary place? Is it full of secrets? If it is, then you have a good place to start. Try to be very detailed, and specific when describing the setting. Describe the blood on the wall as it drips down, or the lock on the door that won’t turn. Make the reader feel as if they are right there. Use descriptive words and metaphors to bring your gory details to life.

To make your character as terrifying as possible, you could try the following techniques:

• Make your character an outcast. They don’t fit in with the main group of characters and can’t be trusted.
• Give them a story to tell. A dark and bloody past.
• Make them a loner. They can’t trust anyone else and have no friends.
• Make them a survivor. The main character of your story has been through a lot and can’t be stopped.
• Give the character an important title. Someone who is important in a society that has deadly plans. You can’t trust them, but have no choice but to follow their rules.

Did you find this guide on how to write a horror story useful? Let us know in the comments below.

Marty the wizard is the master of Imagine Forest. When he's not reading a ton of books or writing some of his own tales, he loves to be surrounded by the magical creatures that live in Imagine Forest. While living in his tree house he has devoted his time to helping children around the world with their writing skills and creativity.

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Home » Blog » 132 Best Horror Writing Prompts and Scary Story Ideas

132 Best Horror Writing Prompts and Scary Story Ideas

TABLE OF CONTENTS

Horror stories send shivers down our spines. They are gruesome, shocking, and chilling. Scary stories are meant to horrify us, and there are many ways to make a powerful impact on the reader. The element of surprise is crucial to make the readers’ blood freeze.

There are different types of horror stories. They often deal with terrible murders, supernatural powers, psychopaths, the frightening human psychology and much more.

Although many horror writing prompts and scary ideas have been written, the following 132 horror writing prompts can spark great creativity in aspiring writers of the horror genre.

• A family is on a camping trip. The parents are walking with their two children, a daughter and a son. The little boy trips and falls into a dark river. His father jumps to rescue him. Somehow the boy manages to swim to the surface. The father is nowhere to be found. When the mother gets a hold of the boy, she can’t recognize him. She tries holding him, but the moment she touches his wet body, her hands start burning.
• A young girl goes missing in a nearby forest. The whole town is searching for her. Her parents find her sitting and smiling in a cave. Her eyes are completely white.
• A woman starts watching a movie late at night. The movie seems all too familiar. Finally, she realizes that it is a movie about her own life and that she might be already dead.
• A house finds a way to kill every visitor on its premises.
• A child makes her own Halloween mask. She glues a lock of her own hair on her mask. The mask comes to life and threatens to take over the girl’s body.
• While digging in her backyard, an old lady discovers an iron chest. She opens it and finds a pile of old photographs of her ancestors. All of them are missing their left eye.
• A priest is trying to punish God for the death of his sister. He is getting ready to burn down the church, when supernatural forces start to torture him.
• Every year a woman goes to the cemetery where her husband is buried, and when she looks at his tombstone, she notices her own name carved in it.
• A woman puts a lipstick on in the bathroom when she hears a demonic voice saying to her: “Can’t you see?”
•  A mysterious child psychiatrist promises parents to cure their children if they give him a vile of their blood.
•  A group of 10 friends decide to rent an old English castle for the weekend. The ghosts are disturbed and seek their pound of flesh.
•  A photographer travels to an Indian reservation for his next project. He starts taking photos, but there are only shadows in the places where people should have been.
•  A young married couple decide to renovate an abandoned psychiatric hospital and turn it into a hotel. Everything is going well until their first guest arrives.
•  Three sisters are reunited for the reading of their grandmother’s will. She has left them a diamond necklace, but they have to fight psychologically and physically for it.
•  An old woman pretends to be lost and asks young women to help her get home. She offers them a cup of tea and drugs them. When the women wake up, they are chained in the basement. The old woman gives them tools and boards, so that they can build their own coffin. If they refuse, she inflicts pain on them.
•  A mysterious stranger with a glass eye and a cane commissions a portrait. When the portrait is finished, the painter turns into stone.
•  A little girl’s sister lives with a monster in the closet. She exits the closet on her sister’s birthday.
•  The demons under the nuclear plant get released after an explosion and start terrorizing the families of people who work at the plant.
•  A woman gets trapped in a parallel universe where every day she dies horribly in different ways.
•  A cannibal hunts for pure children’s hearts hoping they will bring him eternal youth.
•  A politician hides his weird sister in the attic. She’s had her supernatural powers after their family home burned to the ground.
•  A 16-year-old girl wakes up on a stone-cold table surrounded with people in black and white masks. They are chant and start leaning forward. All of them carry carved knives.
•  A boy hears screaming from his parents’ bedroom. He jumps and hides under his bed. Suddenly, everything becomes quiet. A man wearing army boots enters his room. He drags the boy from under the bed and says: “We’ve been searching for you for 200 years.”
• A husband and his wife regain consciousness only to see each other tied to chairs, facing each other. A voice on the radio tells them to kill the other, otherwise, they would kill their children.
•  A mysterious altruist gives a kidney to a young man, who has potential to become a leading neuroscientist. After a year, the altruist kills the young man because he proves to be an unworthy organ recipient. The following year, the mysterious altruist is a bone marrow donor.
•  A group of friends play truth or dare. Suddenly, all the lights go out and in those ten seconds of darkness, one of the group is killed.
•  A young man becomes obsessed with an old man living opposite his building. The young man is convinced that the old man is the embodiment of the devil, and starts planning the murder.
•  Concerned and grieving parents bring their 8-year-old son to a psychiatrist after their daughter’s accident, believing that the boy had something to do with her death.
•  A woman is admitted to a hospital after a car crash. She wakes up after three months in a coma, but when she tries to speak, she can’t utter a sound. When the nurse sees that she is awake, she calls a doctor. The last thing the woman remembers is hearing the doctor say: “Today is your lucky day,” right before four men in black robes take her out.
•  A small-town cop becomes obsessed with a cold case from 1978. Three girls went missing after school, and nobody has seen them since. Then one day, in 2008, three girls with the same names as those in 1978 go missing. The case is reopened.
•  After his parents’ death a cardiologist returns to his small town where everyone seems to lead a perfect life. This causes a disturbance in the idyllic life of the people since none of them has a heart. 
•  A man is kidnapped from his apartment on midnight and brought on a large private estate. He is told that he will be a human pray and that ten hunters with guns will go after him. He is given a 5-minute head start.
•  A strange woman in labor is admitted in the local hospital. Nobody seems to recognize her. She screams in agony. A black smoke fills in the entire hospital. After that, nobody is the same. A dark lord is born.
•  A young girl finds her grandmother’s gold in a chest in the attic, although she isn’t allowed to go there by herself. She touches the gold and she starts seeing horrible visions involving her grandmother when she was younger.
•  An anthropologist studies rituals involving human sacrifice. She slowly begins to accept them as necessary.
•  A family of four moves in an old Victorian home. As they restore it, more and more people die suddenly and violently.
•  An old nurse has lived next door to a family that doesn’t get older. Their son has remained to be a seven-year-old boy.
•  A girl wakes up in her dorm and sees that everybody sleepwalks in the same direction. She acts as if she has the same condition and follows them to an underground black pool where everybody jumps.
•  A bride returns to the same bridge for 50 years waiting for her husband-to-be to get out of the water.
•  An old woman locks girls’ personalities in a forever growing collection of porcelain dolls. Parents of the missing girls are in agony and they finally suspect something. When they tell the police, their claims are instantly dismissed.
•  A chemistry teacher disfigures teenagers who remind him of his childhood bullies. One day, he learns that the new student in his school is the son of his childhood’s archenemy.
•  A girl starts digging tiny holes in her backyard. When her mother asks her what she is doing, the girl answers: “Mr. Phantom told me to bury my dolls tonight. Tomorrow night I am going to bury our dog. And then, you, mother.”
•  Twin brothers were kidnapped and returned the next day. They claim that they can’t remember anything. The following night, twin sisters disappear.
•  A boy has a very realistic dream about an impending doom, but nobody believes him until during a storm all the birds fall dead on the ground.
•  Room 206 is believed to be haunted, so hotel guests never stay in it. One day, an old woman arrives at the hotel and asks for the key to room 206. She says that she was born there.
•  A genius scientist tries to extract his wife’s consciousness from her lifeless body and insert it into an imprisoned woman who looks just like his wife.
•  Two distinguished scientists develop a new type of virus that attacks their brains and turns them into killing machines.
•  A woman steps out of her house only to find four of her neighbors dead at her doorstep. Little does she know that she isn’t supposed to call the police.
•  A bachelor’s party ends with two dead people in the pool. Both of them are missing their eyes.
•  A young woman wearing a black dress is holding a knife in her hand and threatening to kill a frightened man. She is terrified because she does not want to kill anybody, but her body refuses to obey her mind.
•  A strange religious group starts performing a ritual on a playground. The children’s hearts stop beating.
•  A woman discovers that her niece has done some horrible crimes, so she decides to poison her. Both of them take the poison, but only the aunt dies.
•  A man encounters death on his way to work. He can ask three questions before he dies. He makes a quick decision.
•  An older brother kills his baby sister because he wants to be an only child. When he learns that his mother is pregnant again, he decides to punish her.
•  A husband and his wife move to a new apartment. After a week, both of them kill themselves. They leave a note saying: “Never again.”
•  A man is trying to open a time portal so that he could kill his parents before he is ever conceived.
•  A famous conductor imprisons a pianist from the orchestra and makes him play the piano while he tortures other victims, also musicians. Every time the pianist makes a mistake, the conductor cuts of a finger from his victims.
•  A popular French chef is invited by a mysterious Japanese sushi master for dinner. A powerful potion makes the French chef fall asleep. He wakes up horrified to learn that he is kept on a human farm, in a cage.
•  A nuclear blast turns animals into blood-thirsty monsters.
•  A mysterious bug creeps under people’s skins and turns them into the worst version of themselves.
•  A kidnapper makes his victims torture each other for his sheer pleasure.
•  Four friends are invited to spend the afternoon in an escape room. A man’s voice tells them that they have won a prize. They happily accept and enter the escape room. They soon realize that the room was designed to reflect their worst nightmares.
•  Two sisters have been given names from the Book of the Dead. Their fates have been sealed, so when they turn 21, dark forces are sent to bring them to the underground.
•  A mother-to-be starts feeling severe pain in her stomach every time she touches a Bible. Despite the fear for her own life, she starts reading the New Testament out loud.
•  A literature professor discovers an old manuscript in the college library. He opens it in his study and suddenly a black raven flies through the window.
•  You are the Ruler of a dystopian society. You kill every time your control is threatened.
•  You are an intelligent robot who shows no mercy to humanity.
•  You are a promising researcher who discovers that all the notorious dictators have been cloned.
•  A nomad meets a fakir who tells him that he would bring agony to dozens of people unless he kills himself before he transforms into a monster.
•  A most prominent member of a sect goes to animal shelters to find food for the dark forces.
•  A man hires unethical doctors to help him experience clinical death and then bring him back to life after a minute. Little does he know that one minute of death feels like an eternity full of horrors.
•  You travel home to visit your parents for the holidays. Everything seems normal until you realize that demons have taken over their consciousness.
•  A mysterious woman moves into your apartment building. One by one, all of the tenants start hallucinating that monsters chase them and jump into their own deaths.
•  Divorced parents are kidnapped together with their son. Both of the parents have been given poison, but there is only one antidote. The boy needs to decide which parent gets to be saved. He has 30 seconds to make that decision.
•  A patient with a multiple-personality disorder tells you that you are one of six characters.
•  You wake up in bed that is a blood-bath.
•  The Government abducts children with genius IQ and trains them to fight the horrors in Area 51.
•   A woman who has just given birth at her home is told that the baby is predestined to become the leader of the greatest demonic order in the country.
•  A man signs a document with his blood to relinquish his body to a sect.
•  A woman enters a sacred cave in India and disappears for good.
•  A man opens his eyes in the middle of his autopsy while the coroner is holding his heart.
•  You look outside the windows in your house only to see that the view has changed and there is black fog surrounding you.
•  The gargoyles from the Notre Dame have come to life and they start terrorizing Paris.
•  Somebody rings your doorbell. You open the door and a frightened girl with bloody hands is standing at your doorstep. “You’re late,” you reprimand her.
•  You wake up in the middle of the night after a frightful nightmare, so you go to the kitchen to get a glass of water. You turn on the light and a person looking like your identical twin is grinning and pointing a knife at you.
•  A renowned book editor receives a manuscript elegantly written by hand. The title grabs her attention and she continues reading page after page. When she finishes, the manuscript spontaneously starts burning, and the editor is cursed forever.
•  The last thing you remember before losing consciousness is fighting a shady Uber driver.
•  You find yourself in a cage in the middle of a forest and black mythological harpies hovering above the cage.
•  A woman wants to quit smoking, so she visits a therapist who is supposed to help her with the use of hypnosis. She goes under and when she wakes up, she feels like a born killer.
•  Five hikers get stranded during a horrible storm. One of them kills the weakest and starts burning his body.
•  A mother goes in the nursery to check up on the baby and discovers that the baby is missing and, in her place, there is a baby doll.
•  A killer is willing to pay a large sum of money to the family of a volunteering victim. A cancer patient contacts the killer. The killer ends up dead.
•  The sacred river in a remote Asian village fills up with blood. The last time that happened, all the children in the village died.
•  A tall, dark, and handsome stranger invites a blind woman for a romantic date in his botanical garden. The garden is full of black roses in which women’s souls have been trapped. He tells her that she will stay forever with him in his garden.
•  A frightened man is trying to lead a werewolf into a trap and kill him with the last silver bullet.
•  An architect designs houses for the rich and famous. What he doesn’t show them is that he always leaves room for a secret passageway to their bedrooms, where they are the most vulnerable.
•  A man’s DNA was found on a horrible crime scene and he has been charged with murder in the first degree. He adamantly negates any involvement in the crime that has been committed. What he doesn’t know is that he had a twin brother who died at birth.
•  Every passenger on the Orient Express dies in a different, and equally mysterious way.  
•  A magician needs a volunteer from the audience in order to demonstrate a trick involving sawing a person in half. A beautiful woman steps on the stage. The magician makes her fall asleep, and then he performs the trick. In the end, he disappears. People in the audience start panicking when they notice the blood dripping from the table. The magician is nowhere to be found. The woman is dead.
• A mother discovers that her bright son is not human.
• Specters keep terrorizing patients in a psychiatric hospital, but nobody believes them.
• A man’s mind is locked into an immovable body. This person is being tortured by a psychopath who kills his family members in front of him, knowing that he is in agony and can’t do anything to save them.
• A bride-to-be receives a DVD via mail from an unknown sender. She plays the video and disgusted watches a pagan ritual. The people are wearing masks, but she recognizes the voice of her husband-to-be.
• A man turns himself to the police although he hasn’t broken the law. He begs them to put him in prison because he had a premonition that he would become a serial killer.
• Jack the Ripper is actually a woman who brutally kills prostitutes because her own mother was a prostitute.
• A ticking noise wakes her up. It’s a bomb, and she has only four minutes to do something about it.
• After a horrible car crash, a walking skeleton emerges from the explosion.
• A world-famous violinist virtuoso uses music to summon dark forces.
• A philosopher is trying to outwit Death in order to be granted immortality. He doesn’t know that Death already knows the outcome of this conversation.
• A beautiful, but superficial woman promises a demon to give him her virginity in exchange for immortality. Once the demon granted her wish, she refused to fulfill her end of the deal. The demon retaliated by making her immortal, but not eternally youthful.
• A voice starts chanting spells every time somebody wears the gold necklace from Damask.
• Three teenagers beat up a homeless man. The next day all of them go missing.
• Thirteen tourists from Poland visit Trakai Island Castle in Vilnius. Their bodies are found washed up the next morning. They are wearing medieval clothes.
• A group of extremists ambush the vehicle in which a head of a terrorist cell is transported and rescue him. They go after anybody who was involved in his incarceration.
• A hitman is hired to kill a potential heart donor.
• A man is attacked by the neighbor’s dog while trying to bury his wife alive.
• A woman disappears from her home without a trace. He husband reports her missing. The police start to suspect the husband when they retrieve some deleted messages.
• After moving to a new house all the family members have the same nightmares. Slowly they realize that they might be more than nightmares.
• A psychopath is drugging his wife, pushing her to commit a suicide so that he could collect the life insurance.
• A woman loses her eyesight overnight. Instead, she starts having premonitions.
• A vampire prefers albino children.
• A man commits murders at night and relives the agony of his victims during the day.
• A black horse carriage stops in front of your house. A hand wearing a black glove make an inviting gesture. Mesmerized, you decide to enter the carriage.
• Demons rejuvenate by eating kind people’s hearts.
• People are horrified to find all of the graves dug out the morning after Halloween.
• Men start jumping off building and bridges after hearing a mysterious song.
• A voice in your head tells you to stop listening to the other voices. They were not real.
• A severed head is hanging from a bridge with a message written in the victim’s blood.
• A delusional man brings his screaming children to a chasm.
• A 30-year-old woman learns that a baby with the same name as her died at the local hospital 30 years ago.
• A vampire donates his blood so that a child with special brain powers can receive it.
• A teenager is determined to escape his kidnapper by manipulating him into drinking poison. He doesn’t stop there.

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Scaring Your Readers 101: 8 Tips For Writing A Great Horror Story

Our guest blogger shares eight tips for writing a great horror story.

There are few human emotions as primal and powerful as fear. Master horror writer H.P. Lovecraft put it best when he wrote, ‘The oldest and strongest emotion of mankind is fear , and the oldest and strongest kind of fear is fear of the unknown.’

If you’re a writer wanting to master the craft of writing a horror story, here are a few tips to access your reader’s most primal fears. It’s the best way to keep them turning pages. This video about writing horror advice also covers these same points, along with practical tips to help you in the writing process.

8 Tips For Writing A Great Horror Story

1. take the time to let your reader get to know your characters.

The best way to emotionally involve your readers in your characters’ fate is to give them time to get to know the characters on a personal level. This kind of fear—that which stirs the emotions and makes us afraid that we’ll lose someone we care about deeply—is the most powerful kind. Without this empathy , the fearful events that characters experience further along in the story won’t be as harrowing to read.

2. Establish the familiar

Horror is about contrasts between the comfort of the familiar and the discomfort of the unknown. The best way to create this is to begin your story with your character in a comfortable, familiar place. This could be a place that the reader identifies with as a place of comfort, as well.

When your character is suddenly faced with the unknown, it triggers the sympathies of the reader. This happens because we’ve all been there and understand the feelings associated with moving out of a comfortable situation and into a highly uncomfortable one. Stephen King’s fictional town of Castle Rock, Maine is a great example of this. Where best to start a horror story than a Norman Rockwell-inspired small town filled with white picket fences and Mom-and Pop stores?

3. Use subtle foreshadowing

Adding foreshadowing into your narrative is another great way to create tension and fear for your readers. This technique is used by established writers in the genre and can be as simple as a shiver running down your character’s spine when passing by a locked door, or a feeling of dread when walking down a dark corridor.

The reader will know there is something important behind that locked door or within that corridor. And they’ll know it’s something that is likely to be horrific, encouraging them to turn the pages to find out what it is.

4. Consider pacing

Movie directors use pacing to ramp up the fear factor in film and this same technique can work for books, as well. In the same sense that a long, panned shot can slowly build tension, stretched, descriptive sentences are a good way to create a sense of slowly developing dread.

When you follow that with short sentences, the effect is visceral. You can even change the way your reader breathes while reading. If there is a particular scene that you want to use as a potent dose of fear, try rewriting it with pacing that evolves from slow to staccato. You’ll then see how this technique changes the level of tension you are able to build.

5. Tap into your reader’s imagination

Sometimes our greatest fears can be entirely in our imagination . It’s that shadow on the wall that seems like a human form, or the sound of the tree tapping against your window in the storm that could almost be fingernails.

Our minds have an amazing ability to play tricks on us and cause us to imagine multiple possibilities of danger that might not even be present. In this sense, remaining vague in your descriptions of monsters (of the human or non-human variety) leaves a lot to the reader’s imagination and can create an increased sense of dread.

6. Suffocate with tight spaces

The primal fear of enclosed spaces is common to the human condition. It triggers a basic evolutionary impulse to escape and makes breathing shallower. It makes the heart rate increase. In the same sense that you can use pacing in your writing to affect your reader’s heart rate, you can also use tight spaces to make your character (and your reader) afraid.

Haunted house stories use this technique often, as does the slasher genre. Think of the feeling that results as victims frantically hide in closets to escape death.

7. Think like a child

It’s no accident that some of the best horror novels involve children. Stephen King understood this and included children in several of his stories. Many of our most basic fears stem from experiences we had when we were children. Think of Batman’s fall into a well full of bats and how it haunted him enough to inspire his iconic costume.

Experiencing horror from a child’s point of view reminds us of all the fears we had as children, making them even more powerful. It also induces a sense of empathy for the character, especially for parents. This is because they immediately imagine the potential of their child living through a similar horrific experience.

8. Disorient reality

Insanity is a core fear that many people share, which is why so many horror stories are set in psychiatric hospitals or contain characters who lose their grip on reality. The simple thought of losing one’s ability to understand what’s happening around them in a disorienting, distorted reality is enough to send many thinking readers over the edge in absolute fear.

Shirley Jackson , the writer of a timeless haunted house tale, The Haunting of Hill House , puts it this way. “Fear is the relinquishment of logic, the willing relinquishing of reasonable patterns. We yield to it or we fight it, but we cannot meet it halfway”.

Source for image: Pexels

Tony is a content manager and writer from the Mississippi Delta. When not writing, you can usually find her hiking or travelling—always looking for new tales to tell.

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• Books To Help Students To Write Horror Essays

by Merissa Moore · Published May 25, 2022 · Updated May 25, 2022

Introduction to Horror Essays

There is a fine line between writing horror and writing comedy, says the author of the famous “Goosebumps” series of books, R.L Stine. Horror is a genre of writing with the main focus on instilling a sense of fear in the mind of the reader. A good horror story or horror essay is a fine balance between suspense, thrill, anticipation, and mystery mixed with supernatural elements such as ghosts, ghouls, clowns, vampires, demons, etc. For a creative writer, writing horror can be an extremely enjoyable activity, but students who get assigned to write such an essay are often confused about what to do. Today we will discuss which books a student can read to write horror essays with ease.

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Tips To Make A Horror Essay More Engaging

Many students majoring in creative writing may be forced to take up supplementary subjects and turn in assignments and papers for the course. Such stress from assignments can inhibit students’ creative thinking. However, there is a solution. GrabMyEssay is a research paper writing service that can alleviate students’ worries by writing their assignments for them. Students can then focus on writing engaging horror essays and don’t think about the tedious assignments that stifle their creativity. 

Some things that students can do in order to make their horror essays more interesting for the reader are listed below: 

• Students must focus on things that they personally find scary. This can be anything from a fear of heights to maybe a fear of living alone. They must focus on describing their fear using the senses of sight, smell, touch, sound, and taste. The more personal their fear is, the more unique their story will be. 
• Use cliffhangers to create suspense, and give the characters in a horror story high stakes and something to fight for. This will create a fear of failure and eagerness to succeed. 
• Instilling fear in the reader through characterization and plot setting must be done carefully. Often the scariest characters are the ones who are perceived to be normal, with a few minor traits to set them apart. The same also applies to the setting. For example, a playground right next to a graveyard, or a bookkeeper who can hear things at night evoke a sense of fear and uneasiness in the reader. Using real-life scenarios will also help the readers connect to the characters more. Keeping this in mind while developing the plot can help make the horror essay more engaging.    

Must-Read Books For Horror Essay Writers

There is no single correct way that all students must follow to write good horror essays. However, the list of books that horror writers must study mentioned below will definitely help students understand the genre better. 

• “Supernatural Horror in Literature” by H.P Lovecraft. Lovecraft is a known master of horror, so his works will teach a reader how to build n atmosphere of dread and suspense.
• Classic Horror Literature from authors like William Hope Hodgson, Shirley Jackson, Algernon Blackwood, Arthur Machen, and Daphne du Maurier. Such books are classics for a reason – they withstood the test of time and still entice readers to this day, so a beginner horror writer has a lot to learn from them.
• Modern classics from authors like Stephen King and Anne Rice. Stephen King is also known as the master of modern horror fiction. A lot of his horror works are extremely famous and served as a framework for countless movies.
• Books and anatomy and forensics are a must-read for all students who wish to write about crime and horror if they wish to fill their books with realistic descriptions of crime scenes that will spook the reader.
• “Writing 21st Century Fiction” by Donald Maass is another must-read book for students. It is a practical guide rich with many writing exercises and activities to help students improve their fiction writing skills . Students can refer to this often with writing any essays, especially horror essays. 

Concluding Words About Horror Essays

Writing spooky stories and horror essays is a great way to encourage students to overcome writer’s block easily. Spooky stories are a fun and light-hearted way for students to step out of their comfort zones and learn to manage their words. Horror essays can go in different ways, and they are a good tool for students to explore their creativity.

• About the Author
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Merissa Moore is a professional writer and director. She has extensive experience writing blog posts, short stories, and weekly columns for print media. Her expertise is writing in the horror genre, where she has written short stories, and scripts for plays, movies, and web series. Apart from her own writing, she also conducts a weekly storytelling class, where she mentors teenagers and young adults on the nuances of storytelling and creative writing.

• 5 Writing Tools for Writing a Horror Story

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Essay on Horror Story

Students are often asked to write an essay on Horror Story in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on Horror Story

Introduction.

Horror stories are a genre of fiction that seeks to scare, disturb, or startle its readers by inducing feelings of horror and terror.

Elements of Horror

Key elements include suspense, surprise, and a sense of impending doom. Often, horror stories involve supernatural elements or entities.

Impact on Readers

These stories can have a profound impact on readers, evoking intense emotions and creating memorable experiences.

Despite their frightening nature, horror stories remain popular due to their ability to engage readers’ emotions and imagination in unique ways.

250 Words Essay on Horror Story

The intrigue of horror stories.

Horror stories have always captivated the human imagination. They are a mirror of our primal fears and anxieties, often personified in the form of ghosts, monsters, or uncanny events. The fascination for horror stories is not merely a pursuit of thrill, but a complex interplay of psychology, culture, and narrative techniques.

Psychological Appeal

At the heart of every horror story is the exploration of fear. Sigmund Freud’s concept of ‘the uncanny’ explains our attraction to horror as a confrontation with repressed fears and desires. This exploration of the unknown and the forbidden can be cathartic, allowing us to experience fear in a controlled environment.

Cultural Significance

Horror stories also reflect societal fears and anxieties. For instance, Mary Shelley’s “Frankenstein” mirrors the 19th-century fear of scientific advancement, while George Orwell’s “1984” embodies the dread of totalitarian regimes. Thus, horror stories serve as cultural artifacts, offering insights into the zeitgeist of an era.

Narrative Techniques

The narrative techniques employed in horror stories are designed to evoke fear and suspense. Techniques such as foreshadowing, dramatic irony, and unreliable narrators keep readers on edge, while the use of dark, descriptive language helps create a chilling atmosphere.

In conclusion, horror stories are more than mere tales of terror. They are a reflection of our deepest fears, a commentary on societal anxieties, and a testament to the power of narrative techniques in evoking emotional responses. Their enduring popularity is a testament to their complexity and the human fascination with the macabre.

500 Words Essay on Horror Story

Horror stories have been a part of human culture for centuries, delighting and terrifying audiences in equal measure. They are narratives designed to frighten, cause dread or panic, or invoke our hidden worst fears, often in a terrifying, shocking finale. The horror genre taps into the primal fear within us, making us confront the unknown and the terrifying.

The Psychology behind Horror

Horror stories, in their essence, serve as a mirror to our psyche, reflecting our deepest fears and anxieties. They provoke a sense of fear and excitement, a thrilling cocktail of emotions that keep audiences coming back for more. The science of fear explains the allure of horror stories. The adrenaline rush, the heightened senses, and the relief after the threat has passed, all contribute to the addictive nature of horror.

The Evolution of Horror Stories

Horror stories have evolved significantly over the years, keeping pace with societal changes and shifts in what we fear. Early horror stories were often tied to religion, reflecting fears of the supernatural and the afterlife. As society became more secular, the focus shifted to the horrors of the human mind and the terrors of the unknown.

Modern horror stories, such as Stephen King’s works, often blend elements of the supernatural with the psychological, creating a sense of unease that lingers long after the story is over. The horror genre has also expanded into various sub-genres, such as psychological horror, supernatural horror, and body horror, each catering to different fears and anxieties.

The Impact of Horror Stories on Society

Horror stories have a profound impact on society, shaping and reflecting our collective fears. They often serve as social commentaries, highlighting societal issues under the guise of the supernatural or the macabre. The horror genre allows us to confront and discuss topics that might otherwise be considered taboo, such as death, violence, and the darker aspects of human nature.

In conclusion, horror stories are an integral part of our cultural fabric, serving as both entertainment and a means to explore our deepest fears and anxieties. They have evolved with society, reflecting our changing fears and serving as a commentary on societal issues. Despite their often gruesome and terrifying content, horror stories provide a safe space to explore the darker aspects of our psyche, helping us to understand and confront our fears. The enduring popularity of the horror genre is a testament to its ability to tap into our primal fears and its capacity to thrill, terrify, and captivate audiences.

That’s it! I hope the essay helped you.

If you’re looking for more, here are essays on other interesting topics:

• Essay on Visit to an Old Age Home
• Essay on There Is No Place Like Home
• Essay on My Home

Apart from these, you can look at all the essays by clicking here .

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Home — Essay Samples — Entertainment — Movies — Horror

Essays on Horror

The importance of writing an essay on horror.

Writing an essay on horror is essential for several reasons, as it allows individuals to explore the genre's significance, impact, and cultural relevance. Horror literature, films, and art have long been integral parts of human culture, reflecting societal fears, anxieties, and taboos. By delving into the genre through essays, individuals can gain a deeper understanding of its complexities and contributions to literature, cinema, and art.

One of the primary reasons for writing an essay on horror is to explore fear and its profound effect on human psychology and society. Horror confronts us with our deepest fears and forces us to confront the darker aspects of human nature. By analyzing horror works, individuals can gain insights into human behavior, emotions, and the human condition itself.

Furthermore, essays on horror allow us to understand the cultural and social dynamics that shape the genre. Horror often reflects the fears and anxieties prevalent in society during specific historical periods. By examining horror works within their cultural contexts, individuals can gain valuable insights into societal norms, values, and concerns.

Moreover, writing essays on horror provides an opportunity to examine the literary and cinematic techniques used to evoke fear and suspense. From Gothic literature to contemporary horror films, the genre employs a wide range of stylistic devices, symbolism, and narrative structures to create chilling experiences for audiences. By analyzing these techniques, individuals can deepen their appreciation for the artistry and craftsmanship behind horror works.

Essays on horror also challenge assumptions and stereotypes associated with the genre. While horror is often dismissed as mere entertainment or dismissed as lowbrow, it encompasses a diverse range of themes, styles, and perspectives. By critically evaluating horror works, individuals can challenge preconceived notions and recognize the genre's artistic and intellectual merits.

Finally, writing essays on horror encourages individuals to engage in meaningful discussions about important societal issues. Horror often addresses topics such as power dynamics, gender roles, identity, and morality in thought-provoking ways. By analyzing these themes in horror works, individuals can contribute to broader conversations about culture, politics, and human nature.

Writing essays on horror is essential for gaining insights into the genre's significance, exploring fear and humanity, understanding cultural dynamics, examining artistic techniques, challenging stereotypes, and engaging in meaningful discussions. Through thoughtful analysis and reflection, individuals can appreciate the richness and complexity of horror as a genre and its enduring impact on literature, cinema, and art.

What makes a good Horror essay topic

When it comes to choosing a horror essay topic, it's important to consider what will captivate and engage your audience. To brainstorm and choose an essay topic, start by considering your own interests and fears. What scares you? What keeps you up at night? These personal experiences can serve as a great starting point for a horror essay topic. Additionally, consider the cultural and societal fears that are prevalent in today's world. What are people afraid of? These considerations can help you choose a horror essay topic that is relevant and thought-provoking. A good horror essay topic should be intriguing, thought-provoking, and capable of eliciting strong emotions from the reader.

Best Horror essay topics

• The psychological impact of isolation in horror films
• The role of the supernatural in modern horror literature
• The evolution of the zombie in popular culture
• The use of sound and music in creating horror in film
• The portrayal of mental illness in horror movies
• The significance of setting in gothic horror literature
• The cultural significance of urban legends in modern society
• The symbolism of monsters in horror literature
• The impact of technology on the horror genre
• The intersection of horror and comedy in film
• The role of gender in horror storytelling
• The influence of folklore on modern horror narratives
• The portrayal of fear in contemporary horror literature
• The impact of censorship on the horror genre
• The representation of trauma in horror films
• The use of suspense in horror storytelling
• The depiction of evil in horror literature
• The role of religion in horror narratives
• The use of body horror in contemporary cinema
• The impact of social media on horror storytelling

Horror essay topics Prompts

• Write a horror story from the perspective of the monster.
• Imagine a world where everyone's deepest fears come to life - what would this look like?
• Write a horror essay exploring the concept of "survival horror" in video games.
• Create a horror story set in a haunted house, but with a unique twist.
• Write an essay analyzing the role of the final girl in slasher films and its impact on gender representation in horror.

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Godzilla Movies: Analyzing The Horror Genre Through Theoretical Lenses

Life lesson in reality through horror movies, analysis of the evolution of vampires approaching the twenty-first century, representation of white supremacy in the movie "get out", the film ‘psycho’ by alfred hitchcock, exploring the gothic horror of tim burton, fear and fantasy: intersections of horror and sexuality in bastard out of carolina, theory about horror films popularity, the cabinet of dr. caligari: and the features of expressionism, dark theme in 'it comes at night', tutsi and hutu differences and genocide in "hotel rwanda" by terry george, summary of the movie "the silence of the lambs", portrayal of the civil war horrors in nigeria in tears of the sun, a movie by antoine fuqua, a review of jen frankel’s tale "undead redhead", analysis of the lowest animal by mark twain, review of tim burton’s film edward scissorhands, the horror genre's attractive characteristics, the ways transformations play a role in stories meant to scare us, sinister film analysis, monkey's paw symbolism.

Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes.

Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience.

Body horror, Comedy horror, Folk horror, Found footage horror, Gothic horror, Natural horror, Slasher film, Supernatural horror, Teen horror, Psychological horror.

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Essay Samples on Horror

Horror story about the halloween.

 One Halloween night my 3 friends and I decided to go trick or treating. This was my first night out on Halloween and I was honestly ecstatic. Our parents had informed us to not stay out for too long and emphasized we only stay in...

• Bad Memories

Fantastique Aspects In Guy De Maupassant Horror Story Le Horla

Le Horla, written by the popular French writer Guy de Maupassant, is a horror story composed of fantasy. There are two versions in which the story has been framed, both describing the thoughts of a man who is completely convinced that an 'invisible being' is...

Review of one of the Most Iconic Horror Movies, Jaws

'Just when you thought it was safe to go back in the water...' If you've ever heard this phrase then you know it's synonymous with the film franchise Jaws. More specifically, in this review, I'd like to discuss the original film. Released forty-four years ago...

• Horror Movies

The Shining Film Analysis: Music and Sound

The use of music and sound is an integral part of horror movies, and The Shining is no exception. The Shining film analysis essay will explore the various methods and reasons for the use of music and sound in The Shining. The film, directed by...

• Film Analysis
• The Shining

Brave New World: The Horrors of Totalitarian Government

Imagine your life controlled by someone you didn’t know, your every move watched and judged as if what you were doing was wrong. In the book “Brave New World” characters are forced to abide be the rules of the government with no control over their...

• Brave New World

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The Origins Behind Many Vampire and Horror Stories

Horror movies, scary stories or anything related to ghosts: we all love to be scared sometimes! The ten places we have selected for you take us beyond fiction, All these places have the reputation of being haunted and would make the most adventurous trip! Sensitive...

An Overview of Zombies: Epidemiology of Fear

This article aimed to rationale how science fiction content describe and illustrate human culture through zombies. There was no formal concept of probability in Europe prior to the mid-17th century [3], despite the idea of randomized objects was already commonly seen. Asides from the first...

The Variation of Horror Genre and Its Examples

When I was a kid, I used to hate horror films, as the matter of fact, I refuse to watch them as I didn’t fathom why would anyone purposely scare themselves. For many people, horror movies are a horrendous experience. They hate to see graphic...

A Personal Theory of Aesthetic Horror

A fear or paranoia of pain, vulnerability and death, the feeling that someone is watching you, the feeling that your life is in jeopardy. Aesthetic horror is the same feeling as horror but through what we see. It is similar to horror because it is...

The Debate About the Horror Genre as Appropriate to Children

Beetlejuice, Beetlejuice, Beetlejuice! Everyone remembers the iconic 1980s movie Beetlejuice. This classic horror movie has been enjoyed by many kids and adults for years now. Beetlejuice is not the only iconic horror movie that is enjoyed by all age ranges. Gremlins another class favorite is...

Edgar Allan Poe: Life of The Most Famous Horror Author

Edgar Allan Poe born in Boston in 1809, Edgar Allan Poe was the second son of David Poe, who died before Edgar was three years old. Next years his mother died. He was taken by a wealthy Virginia merchant named John Allan - who gave...

• Edgar Allan Poe

The Life of Edgar Allan Poe

Introduction Edgar Allan Poe was born in Boston Massachusetts On January 19, 1809. Edgar Allan Poe had imaginative way of storytelling, tales of mystery and horror gave birth to the modern detective story. Poe never really knew his parents Elizabeth Arnold Poe, and his father...

An Observation of a Student Towards Mystery Horror Game: A Case Study

This thesis is based on research in observing on a frightening reaction of Akademi Seni, Budaya dan Warisan Kebangsaan student, and their experience while they are still playing the ‘SULUH’ Game. Their story is then captured into digital form and with the result of the...

• Observation
• Video Games

Shaun of the Dead and Tucker and Dale vs Evil: The Mix of Horror and Comedy

Horror and Comedy are complete opposites, yet they seem to work rather well together. The genre of horror-comedy was first introduced into film in 1922, with D.W. Griffith’s One Exciting Night. And since then, countless comedy horror films have been made. The thing is, both...

The In-Depth Meaning and Definition of Horror Genre

With frightful films about vampires, werewolves, and zombies earning so much attention in this last number of decades and new cinematic bloodbaths releasing regularly, the culture appetite for horror raises a question, why do people enjoy the feeling of being terrified? Watching horror is more...

Best topics on Horror

1. Horror Story About The Halloween

2. Fantastique Aspects In Guy De Maupassant Horror Story Le Horla

3. Review of one of the Most Iconic Horror Movies, Jaws

4. The Shining Film Analysis: Music and Sound

5. Brave New World: The Horrors of Totalitarian Government

6. The Origins Behind Many Vampire and Horror Stories

7. An Overview of Zombies: Epidemiology of Fear

8. The Variation of Horror Genre and Its Examples

9. A Personal Theory of Aesthetic Horror

10. The Debate About the Horror Genre as Appropriate to Children

11. Edgar Allan Poe: Life of The Most Famous Horror Author

12. The Life of Edgar Allan Poe

13. An Observation of a Student Towards Mystery Horror Game: A Case Study

14. Shaun of the Dead and Tucker and Dale vs Evil: The Mix of Horror and Comedy

15. The In-Depth Meaning and Definition of Horror Genre

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Short horror story essay 8 Models

Short horror story essay is one of the popular intimidation methods that help parents in correcting children and improving their behavior in many educational aspects.

Through this article, we will provide you with many models that talk about stories of horror and intimidation that may help or influence the behavior of children, show the goals of horror stories, and the extent of the impact of these stories on improving children’s instincts, and strengthening their personality.

Short horror story essay

The school plays an important and significant role in educating children and improving their behaviour. In a similar article that talks about horror stories, the student can learn about the dimensions of these stories, the extent of their impact and why they are used.

The student can talk about his fears and terrifying situations he went through. The teacher can take advantage of these events and try to address these fears by guiding him and talking to him, or by making him research more about the dimensions of the problem and the benefits that he benefited from despite going through a terrifying situation.

At the beginning of the article we will put several points that show the goals that must be present within the topic, and several models will be created using these points inside them, so that the articles are useful for the student in case he wants to present them to the school, or if he wants to know the aspects that he should talk about inside a similar article he talks about the horror stories and the bad situations he was exposed to.

Objectives of the article

1- To obey orders.

2- Giving up bad behavior.

3- Repressing the evil instincts that are inside every human being.

4- Controlling the child in the safety zone next to the parents.

5- Planting correct means and methods through intimidation.

Several years ago, my father told me a story about a boy  who went out without telling his family where he was going. And this was late at night. After he left, he met some children and played a little with them and enjoyed this, but because of the late time these children left him, some of them returned to their home alone, and some of them their families came to to pick them up, and he found himself alone in the end.

He decided to walk around for a while, so that he might encounter other children and continue playing with them. But after walking for a long time, he found that all the streets were empty, and it was dark everywhere, and he could no longer discern where he was, and that he was far from home and lost his way.

And whenever he tried to return from where he came, he found himself in dangerous areas with street dogs, and in order to avoid them, he kept entering other streets, until he lost the way completely. So he sat crying and did not find anyone to bring him home because all the people of the town were asleep.

The time at night was getting hard for this naughty little boy. Every minute that passes feels like it’s a long time and he’s so afraid of darkness and loneliness. And whenever he heard the sound of dogs howling, intensified in crying. And whenever he called his father, he did not come to take him, because he was far from the house and did not tell them that he was going out, and did not tell them where he was going.

Then he learned that he had made a big mistake and that his father would not come to look for him because he thought he was asleep. And he decided to try to call for help and search for any place where there are people and tell them what happened.

And he kept walking in the dark crying for a long time until he found some people, and told them his name, where he lived, and the name of the neighborhood in which he lived. Fortunately for him, they weren’t bad guys, and they brought this guy home.

The father was very angry with him for this behavior and punished him for a week for this behavior. But the boy was happy that he came home and learned the lesson well and knew that this wrong behavior was dangerous and could have lost his family for life.

While hearing this story, I was very afraid and put myself in the place of this boy, and I found myself learning from him what to do. And that I must tell my family where I am going, and watch the time, and take care of myself and not stay away from home. When I finish playing, I go home.

In the early morning, I was very careful to memorize my full name, the name of the neighborhood in which I live, the name of my mother, and the house number.

Although the story was scary for me, I learned a lot from it and had a reaction to every event that takes place in it.

Dear student, a basic form was submitted for the topic on short horror story essay, In addition to many other models such as, horror short story essay, creepy short horror story essay, a short horror story essay, short ghost story essay, short ghost story essay, scary short story essay, scary experience essay.

If you prefer to add any other topic, you can contact us through the comments of this article and we will study your request and add it as soon as possible.

horror short story essay

At the weekend I went on a trip with my friends to the forest. We took camping equipment, some food and water. The weather was nice, the trees were leafy, the birds were flying from tree to tree, the landscape was beautiful.

We wandered in the woods and ate the fruits on the trees, and as we wandered, a huge bear appeared in front of us, looked at us and prepared to attack us.

We were all very terrified, but the instructions reminded us not to run, not to scream, and to act calmly. I took out of my bag a self-defense spray bottle, which should be used in this case. But the bear left quietly and none of us were hurt.

creepy short horror story essay

I get up early and sit in the garden of the house, enjoying the fresh air, listening to the sound of birds, watching beautiful flowers and other beautiful landscapes, but yesterday something terrifying happened to me.

When I sat on the bench in the garden and was enjoying nature I felt something moving under the chair.

I quickly looked under the chair and found a large black snake.

It moves slowly, I felt very terrified and could not move, I remained frozen in my place, the snake crawled slowly and I looked at it with horror, until it moved away several meters, I called the competent authority immediately and a trained man came and caught the snake.

a short horror story essay

Last week I went with my family to the zoo, the weather was nice, and we were enjoying the nature, where there are a lot of green leafy trees and decorated with beautiful flowers and large areas that allow us to run and play, everything was beautiful.

Then we went to the animal cages and watched the animals from a distance.

But there is a person who got very close to the lion’s cage, even though there is a sign on it that says Do not go near the animal cages.

He was not satisfied with that, but he extended his hand into the cage, and the lion grabbed his hand with force, and this person was unable to rid his hand of the lion’s fangs.

The man screamed loudly from the severity of the pain, and the guard came quickly and tried to give the lion a piece of meat to leave the man’s hand, but to no avail.

The veterinarian quickly intervened and gave the lion an anesthetic injection, and the man was able to get his hand out of the cage, but it had many wounds and was taken to the hospital. It was really terrifying moments.

Short ghost story essay

There are many people who feel terrified in the dark, and my brother is very afraid of the dark and feels terrified and imagines frightening things.

So when the electricity went out and the house became dark. I went to his room quietly without feeling, and stood in front of him, making some strange sounds.

My brother jumped quickly and came out of the room saying a ghost of a ghost, but he hit the wall and cut his head and bled a lot, it was a big wound.

At that time I was telling him don’t be afraid, I am your brother, but he was very frightened. I was very sorry for him and regretted that I had caused him to feel terrified and made him crash into the wall.

And I told him I was just trying to joke with you and I wouldn’t do it again but you should train yourself not to be afraid of the dark.

A Short Scary Story Essay

Last weekend I went with my friends on a fishing trip. We chartered a fishing boat with all our fishing gear and went into the sea for a long distance, so that we could see neither the beach nor the city.

We started fishing and we were very happy because there are many fish and they are also big, and the weather was nice.

Suddenly strong winds blew and the waves rose, and the fishing boat was swinging with us over the water, up and down, and we couldn’t control it.

At this time we felt so afraid that we would drown.The fishing boat cannot withstand these bad weather conditions.

But after a while the wind calmed down a bit and we miraculously survived.

Scary short story essay

Last weekend I went with my colleagues on a school trip to one of the archaeological sites, and we had some teachers with us organizing the trip and supervising our transfers.

We entered a museum that houses great antiquities and stood listening to the tour guide talking about the history of these antiquities.

I was fascinated and listened to the tour guide with great interest, so that I did not feel the departure of my colleagues and teachers, as they left the museum and got on the bus and left this place and did not feel my absence.

When I found myself alone in the museum, I felt very afraid and searched for them all over the museum, but I could not find them, so my fear increased and my crying became louder.

Suddenly I found one of the teachers entering the museum and looking for me, so I ran towards him and grabbed his hand and felt safe.

Scary Experience Essay

At the end of the year I had a frightening experience. I went to the beach and decided to snorkel, so I bought wetsuits, put them on, and dived into the sea. But it was not what I expected and almost drowned.

I was so scared when I found myself unable to dive, and could not swim to the top.

It was a difficult situation but one of the lifeguards on the beach saw me, knew I was going to drown and ran to save me.

Therefore, I advise others to learn before we do anything that might endanger our lives.

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Master List of Ways to Describe Fear

People have been asking me for this list for such a long time! If you write horror, suspense, mystery, or any kind of fiction with a scary scenes, you need to know how to describe fear.

This list can get you started. It’s a lot of phrases describing fear, including physical reactions, physical sensations, facial expressions, and other words you can use in your novel or in other creative writing.

I’ve included some that can work for uneasiness or anxiety, but most of these are for real terror. You can alter them to fit your sentence or your story, and they’ll likely inspire you to come up with your own descriptions.

Bookmark or pin this page for your reference—it might save you a lot of time in the future. I’ll probably add to it now and again!

fear paralyzed him

his terror mounted with every step

she fought a rising panic

fear tormented her

her heart was uneasy

her heart leaped into her throat

his heart hammered in his chest

his heart pounded

terror stabbed his heart

his heart jumped

her heart lurched

a fear that almost unmanned him

his body shook with fear

she trembled inside

he suppressed a shiver

panic surged through him

her fear spiked

he was in a complete state of panic

she could feel nothing but blind terror

his legs were wobbly with fear

she sweated with fear

his hands were cold and clammy

she was weighed down by dread

dread twisted in her gut

his stomach clenched

fear fluttered in her stomach

her belly cramped

he felt like he might throw up

she was sick with fear

she was frightened down to the soles of her shoes

he was icy with panic

her body went cold with dread

raw panic was in her voice

her voice was thick with fear

his voice was edged with fear

terror thundered down on him

fear caught her in its jaws

fear clawed up her throat

terror sealed her throat

fear gripped her throat

his throat tightened

then she knew real terror was

he was frantic with fear

she was half mad with terror

the color drained from her face

his face was ashen

she blanched

dread gnawed at his insides

dread had been growing in him all day

fresh terror reared up within her

fear choked him

terror stole her words

he was mute with horror

her voice was numb with shock

his voice was shrill with terror

her defiant words masked her fear

her body felt numb

his blood froze in his veins

terror coursed through her veins

fear throbbed inside her

his panic fueled him

adrenaline pumped through his body

adrenaline crashed through her

fear pulsed through him

her scalp prickled

the hairs on the back of her neck stood up

his mouth went dry

his bones turned to jelly

her bones turned to water

she froze with horror

he didn’t dare to move

terror struck her

he was too frightened to lift her head

she was too frightened to scream

his mouth was open in a silent scream

he cringed with fear

she cowered

he shrank back in fear

she flinched

a bolt of panic hit her

terror streaked through him

her terror swelled

his panic increased

anxiety eclipsed his thoughts

panic flared in her eyes

his eyes were wild with terror

her eyes darted from left to right

she feared to close her eyes

he lay awake in a haze of fear

she walked on in a fog of fear

his eyes widened with alarm

she tried to hide her fear

he struggled to conceal his shock

fear crept up her spine

fear trickled down her spine

panic seized his brain

she felt a flash of terror

fear took hold of him

fear flooded through her being

she ordered a drink to drown the panic

he arranged and re-arranged the items on his desk

a nameless dread engulfed him

I bet you came up with other ideas as you were reading!

For more writing lists, check out my book Master Lists for Writers , if you don’t have it yet! A lot of writers use it to make writing go faster, especially when it comes to descriptions.

And if you’re not following the blog already, sign up below—I share lots of writing resources. Thanks so much for reading, and happy writing!

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30 thoughts on “ master list of ways to describe fear ”.

Thank you, Bryn. I can certainly use this list as I go through and clean up my novel. There are some places that need a stronger element of fear.

Hi Bonnie! So glad this was coming at the right time! 🙂

Love the book and the above list! Thank you for taking the time to compile all of it. So appreciated!

Oh thank you! I’m so glad you like it!

I just love your lists. I often refer to them when I’m stuck. That book is right next to the dictionary and thesaurus when I write.

I’m so glad you like them, Erin! I’m honored. 🙂

I was searching for the perfect list to describe fear. I stumbled across your blog and I am glad that I did, you literally saved my butt out there!!? I got an A* because of you ! Thankyou!!❤❤

Aww, I’m so glad to hear this! 🙂

Thanks for compiling this list. Much needed.

Aw thanks, Ezekiel! So glad you like it!

What a terrifying, fantastical list. Thank you, Bryn

Haha, thanks, Bryan! When I read back over it, I did feel a little creeped out. 🙂

I have a scene coming up that this will be perfect for. Thank you for sharing. Bookmarking now!

Hi Sarah! So glad it’ll be useful! Sounds like you have an exciting scene coming up 🙂

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This is a great list! Thank you, Bryn.

Wow! When I read it, I was SO / COMPLETELY creeped out!???

Ha! You know what, when I make these lists, I always start feeling the emotions, too!

I’m thankful for your help. It is great to see these lists. Many blessings ❤️

I have been a bibliophile since long, but never before did I read so many blogs in a sequence. I am really amazed to have found them.Thanks a ton . Superb work .

You saved my life ! Thank you a lot ???

So glad to hear that! Happy writing 🙂

Thanks… It’s good to know tath someone is making life easier for those interested in writing.

ohhh ,how grateful i am for this list it will come in handy so thankyou

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Thank you so much for this list! It is exactly what I was looking for. I ordered the book 🙂

Thanks for ordering the book, Laila. I hope you like it! And glad this list worked for you!

This is an amazing list. I saw in your other comment that you have a book…?

I wanted to tell you that I often return to this page when I am stumped coming up with a way to write some specific reaction. Sometimes I just use one of the ideas you offer directly, and other times something here gives me an idea I riff off of to create something new. Thank you so much for compiling this list!

I riffed this time (last line): “Still feeling the sadness of Manzoa’s fate and wondering what this place was and why he was here, Goff cautiously walked over to the desk. A quill still wet with thick black ink rested next to a sheet of parchment filled with writing in a language he couldn’t read. Crude drawings made with heavy strokes were set within the words. Some of them were disturbing — a bleeding hand cut open with a knife and a person floating lifeless below a ghoul with black eyes poised to attack. He stared at the words, hoping that just like when he traveled back in time to Monstraxen, he would be able to understand them. As he stared, the ink on the page disappeared like water soaking into a sponge. A spider of panic crawled up his spine.”

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Best Horror Writing Contests in 2024

Showing 42 contests that match your search.

The Ghost Story Supernatural Fiction Award

The Ghost Story

Genres: Horror

Twice each year TGS awards $1,500 and both online and print publication to the winner of our short story competition. Two other writers receive Honorable Mention awards that include publication and cash prizes of $300. Online publication dates are June 1, and October 31.

💰 Entry fee: $20

📅 Deadline: April 30, 2024 (Expired)

2024 Spring Prose & Poetry Contest

Onyx Publications

Genres: Crime, Fantasy, Fiction, Flash Fiction, Horror, Humor, Memoir, Mystery, Non-fiction, Poetry, Science Fiction, Short Story, and Thriller

Our contest provides a First, Second, and Third prize for both prose and poetry. There are no themes or special requirements so just send us your best work. We recommend you read through previous editions or listen to the works and author interviews on our Story Discovery Podcast to get a sense of the range of creativity we enjoy.

$500 + publication and author interview on Story Discovery podcast

Additional prizes:

2nd: $150 | 3rd: $75

💰 Entry fee: $12

📅 Deadline: May 05, 2024 (Expired)

Indignor Play House Annual Short Story Competition

Indignor House Publishing

Genres: Fiction, Flash Fiction, Short Story, Crime, Essay, Fantasy, Horror, Humor, Memoir, Mystery, Non-fiction, Novella, Poetry, Romance, Science Fiction, Thriller, and Young Adult

Indignor House Publishing is proud to announce that our annual writing competition (INDIGNOR PLAYHOUSE Short Story Annual Competition) is officially open with expected publication in the fall of 2024. Up to 25 submissions will be accepted for inclusion in the annual anthology.

2nd: $250 | 3rd: $150

📅 Deadline: March 01, 2024 (Expired)

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Summer Nanofiction Battle

Writing Battle

Genres: Crime, Fantasy, Fiction, Flash Fiction, Horror, Humor, Mystery, Romance, Science Fiction, Science Writing, Short Story, Thriller, and Young Adult

Two days to write a 250 word short story. The peer-powered quarterly writing contest where every story receives oodles of feedback. Write one. Read ten. Win thousands.

Genre Winner (x4): $1,500

Genre Runner-up (x4): $375 | Feedback by industry professionals

📅 Deadline: August 02, 2024

Work-In-Progress (WIP) Contest

Unleash Press

Genres: Crime, Essay, Fantasy, Fiction, Horror, Humor, Memoir, Mystery, Non-fiction, Novel, Novella, Poetry, Science Fiction, Science Writing, and Young Adult

We aim to assist writers in the completion of an important literary project and vision. The Unleash WIP Award offers writers support in the amount of $500 to supplement costs to aid in the completion of a book-length work of fiction, nonfiction, or poetry. Writers will also receive editorial feedback, coaching meetings, and an excerpt/interview feature in Unleash Lit.

Coaching, interview, and editorial support

💰 Entry fee: $35

📅 Deadline: July 15, 2024

Writer's Games

The Writer's Workout

Genres: Fiction, Short Story, Crime, Fantasy, Horror, Humor, Mystery, Poetry, Romance, Science Fiction, Script Writing, Thriller, and Young Adult

The Writer's Games is a free competition with six surprise challenges over six weeks, designed to help each individual writer improve his or her craft fast. ​FREE registration is required in advance (opens May 1, 2024). Every entry from a registered participant receives honest, unbiased feedback from multiple judges. There's no elimination; push yourself to try each challenge and see what you alone can do in 72 hours each week. The top five winners each week are published in a competition anthology (that's 25 chances, plus the Judges' Choice!).

Publication in anthology, 72 Hours (26+ spaces)

📅 Deadline: July 22, 2024

Writing Peers Summer Short Story Prize

Writing Peers

Genres: Fantasy, Fiction, Flash Fiction, Science Fiction, Short Story, Crime, Horror, Mystery, Romance, and Thriller

Are you seeking lots of feedback? Ever wondered what it’s like to step into the shoes of a jury? Pick one of our prompts and let your creativity soar. Submit your piece, then review other entries and develop an eye for what makes a story stand out. Receive detailed feedback, evolve as a writer and you might even walk away with the prize money!

💰 Entry fee: $15

📅 Deadline: June 21, 2024

Parsec Short Story Contest

Parsec Inc.

Genres: Fantasy, Fiction, Flash Fiction, Horror, Science Fiction, and Short Story

2023 Contest Theme is: Preserve or Purge. We ask that authors try and incorporate both concepts into their speculative work. This can be conveyed in the setting, plot, characters, dialogue; the only limit is your imagination. The theme must be integral to the story in some way and not just mentioned in passing.

2nd: $100 | 3rd: $50

💰 Entry fee: $0

📅 Deadline: March 31, 2024 (Expired)

Kurt Vonnegut Speculative Fiction Prize

North American Review

Genres: Fantasy, Fiction, Horror, Science Fiction, and Suspense

The Vonnegut Prize is an annual fiction competition intended to recognize the finest speculative fiction, which can include, but is not limited to, work influenced by the postmodern science-fiction of Kurt Vonnegut. We love Vonnegut’s dark humor, but please avoid mere imitation. We are enthusiastic about all work painted with speculative fiction’s broad brush: fairy tale, magical realism, fabulism, the fantastic, horror, Afro-futurism, science fiction hard and soft, and everything in between. The winning entry will appear in the North American Review's annual summer issue, and all finalists will be considered for publication.

Publication

💰 Entry fee: $23

📅 Deadline: November 02, 2024

First Chapter + Synopsis Competition

Fiction Factory

Genres: Fantasy, Fiction, Horror, Humor, Mystery, Novel, Romance, Science Fiction, and Young Adult

Have you completed the first draft of your novel? Are you ready to pass it on to a fresh pair of eyes, to see if you are on the right track? Is your all-important first chapter ready for submission to an agent? Whatever your plans, your first chapter must shine – it must grab your readers or quickly lose their interest.

£500 + an appraisal

💰 Entry fee: $22

📅 Deadline: February 29, 2024 (Expired)

The Letter Review Prize for Unpublished Books

The Letter Review

Genres: Crime, Essay, Fantasy, Fiction, Flash Fiction, Horror, Humor, Memoir, Mystery, Non-fiction, Novel, Novella, Poetry, Romance, Science Fiction, Science Writing, Short Story, Thriller, and Young Adult

Free to enter. Seeking 0-5000 word (poetry: 15 pgs) excerpts of unpublished books (Fiction, Poetry, Nonfiction), including most self-published and indie-published works. 2-4 Winners (publication of extract is optional). We Shortlist 10-20 writers. Open to writers from anywhere in the world, with no theme or genre restrictions. Judged blind.

Optional Publication of Excerpt, Letter of Recommendation

📅 Deadline: May 01, 2024 (Expired)

The Rubery Prize

Rubery Book Awards

Genres: Crime, Fantasy, Fiction, Horror, Humor, Memoir, Mystery, Non-fiction, Novel, Novella, Science Fiction, Thriller, Young Adult, and Romance

The Rubery Prize is a prestigious international book award seeking the best books by indie writers, self published authors and books published by independent presses, judged by reputable judges. Through our reputation of finding quality and outstanding books we aim to bring recognition to the works that win and heighten an author's profile.

£200, a write-up

💰 Entry fee: $60

Ironclad Creative Short Story Competition

Ironclad Creative CIC

Genres: Fiction, Short Story, Crime, Fantasy, Flash Fiction, Horror, Humor, Mystery, Novella, Romance, Science Fiction, and Thriller

We are looking for short stories that respond in any way to: 7:12am. You can use that in the text, as a theme, or any way you want. We accept any prose genre and any length of story up to 6k words. We’re looking for writers who have exciting voices and can move us - that can happen in any genre of prose. We’re not accepting plays or poetry for this competition.

2nd: £50 | 3rd & 4th: £25 | 10 short-listed entries: publication

💰 Entry fee: $8

Claymore Award

Killer Nashville

Genres: Crime, Fantasy, Horror, Mystery, Novel, Science Fiction, and Thriller

Created in 2009, the Killer Nashville Claymore Award assists new and rebranding English-language fiction authors to get published, including possible agent representation, book advances, editor deals, and movie and television sales. The contest is limited to only the first 50 double-spaced pages of unpublished English-language manuscripts containing elements of thriller, mystery, crime, or suspense NOT currently under contract.

Possible contract with Mystery Writers of America

💰 Entry fee: $40

📅 Deadline: April 01, 2025

Horror Writing Contest

FanStory.com Inc.

Genres: Fiction, Horror, and Short Story

Share a horror or thriller story to enter this writing contest. Write about anything but the object is to terrorize or thrill your reader. Cash prize!

💰 Entry fee: $10

📅 Deadline: November 12, 2024

Goldfinch Books Novel Award

Goldfinch Books

Genres: Crime, Fantasy, Fiction, Horror, Humor, Mystery, Novel, Romance, Science Fiction, Thriller, and Young Adult

Goldfinch Books, an independent bookshop, café and event space in Alton, Hampshire, UK has announced a UK nationwide literary competition to coincide with the inaugural Alton Arts Festival. The Goldfinch Novel Award 2024 is a prize for emerging authors (aged 16+) with completed young adult or adult novels. This competition is open to authors in the UK and will have a prize of £300 for the winning novel, chosen by judge Kiya Evans, Associate Literary Agent at Mushens Entertainment.

Goldfinch Membership

💰 Entry fee: $14

📅 Deadline: May 27, 2024 (Expired)

New Deal Writing Competition

New Deal Museum

Genres: Christian, Crime, Fantasy, Fiction, Flash Fiction, Horror, Humor, LGBTQ, Mystery, Novel, Novella, Poetry, Romance, Science Fiction, Short Story, Thriller, and Travel

GVCA is excited to announce the ninth annual New Deal Writing Competition! This competition challenges writers to use a painting chosen by the staff at GVCA as inspiration for a short story. This year’s painting is “Playtime” by Fred Ross.

Publication in newsletter

💰 Entry fee: $5

📅 Deadline: March 15, 2024 (Expired)

Fiction Factory Short Story Competition

Genres: Crime, Fantasy, Fiction, Flash Fiction, Horror, Humor, LGBTQ, Mystery, Romance, Science Fiction, Short Story, and Travel

Length of story: max 3,000 words. Entries should be as a Word document. All types of stories are welcome (excluding Children’s and Young Adult Fiction). Entry Fee: £7.00 (£13 for 2 stories, £18 for 3 stories) Winning stories will be published on this website and, at a later date in a planned anthology.

Publication on website

💰 Entry fee: $7

📅 Deadline: July 31, 2024

The Letter Review Prize for Books

Genres: Crime, Essay, Fantasy, Fiction, Horror, Humor, Memoir, Mystery, Non-fiction, Novella, Poetry, Romance, Science Fiction, Science Writing, Short Story, Thriller, and Young Adult

The Letter Review Prize for Books is open to writers from anywhere in the world. Seeking most unpublished (we accept some self/indie published) novels, novellas, story collections, nonfiction, poetry etc. 20 entries are longlisted.

$1000 USD shared by 3 winners

💰 Entry fee: $25

The Screw Turn Flash Fiction Competition

Genres: Fiction, Flash Fiction, Horror, Mystery, Short Story, and Thriller

We’re interested in flash fiction pieces of between 250 and 1,000 words. We’re seeking the finest work we can find that incorporates an uncanny element. Ghost stories are welcome, of course—but your submission may involve any paranormal or supernatural theme, as well as magic realism. What we’re looking for is superb writing, fresh perspectives, and maybe a few surprises.

print and online publication

📅 Deadline: January 31, 2024 (Expired)

First 5 Pages Prize

Stockholm Writers Festival

Genres: Crime, Fantasy, Fiction, Horror, Mystery, Novel, Novella, Science Fiction, Thriller, and Young Adult

SWF is proud to launch the First 5 Pages Prize to mark our 5th anniversary. Dazzle us with your brilliance. Delight us with your wit. Deceive us with your dastardly plot-twists. There will be one Grand Prize winner chosen from all entries. The winner will receive: $1000 cash, a ticket to SWF22, a pitch meeting with an agent conducted over Zoom, two night’s accommodation at a boutique hotel, and a full developmental edit donated by Reedsy, the industry’s leading platform for writing services.

A full developmental edit donated by Reedsy & pitch meeting with an agent

📅 Deadline: January 31, 2022 (Expired)

Edinburgh Short Story Award

Scottish Arts Trust

Genres: Crime, Fantasy, Horror, Humor, Mystery, Romance, Science Fiction, Short Story, Suspense, Thriller, and Young Adult

£3,000 first prize for writers worldwide and stories on any topic up to 2,000 words. We welcome stories in all genres: literary, historic, crime, romance, gritty realism, contemporary, humour and more.

2nd: £500 | 3rd: £250 | Publication

Best Indie Book Award

Genres: Crime, Fantasy, Fiction, Horror, Humor, Mystery, Novel, Novella, Poetry, Romance, Science Fiction, Short Story, Thriller, and Young Adult

The annual Best Indie Book Award® (or BIBA®) is an international literary awards contest recognizing self-published and independently published authors from all over the world. Entries are limited to independently (indie) published books, including those from small presses, e-book publishers, and self-published authors.

💰 Entry fee: $65

📅 Deadline: August 15, 2024

Stella Kupferberg Memorial Short Story Prize

Gotham Writers Workshop

Genres: Crime, Essay, Fantasy, Fiction, Flash Fiction, Horror, Humor, Memoir, Mystery, Non-fiction, Romance, Science Fiction, Short Story, Thriller, and Young Adult

The Stella Kupferberg Memorial Short Story Prize is a writing competition sponsored by the stage and radio series Selected Shorts. Selected Shorts is recorded for Public Radio and heard nationally on both the radio and its weekly podcast. This years entries will be judged by Carmen Maria Machado (In the Dream House, Her Body and Other Parties).

$1000 + free 10 week course with Gotham Writers

Elegant Literature's Monthly Award For New Writers

Elegant Literature

Genres: Crime, Fantasy, Fiction, Horror, Humor, Mystery, Romance, Science Fiction, Short Story, Thriller, Young Adult, Flash Fiction, and Science Writing

One of the largest awards open to unpublished writers and closed to professionals. We are the first magazine to pay pro rates and only accept submissions from new writers, putting over $150k into the hands of emerging talent around the globe so far. One new writer receives the grand prize. We also choose the best stories, pay the authors professional rates, and publish them in our magazine. April guest judge is Christopher Fielden.

10x Paid publication, 25 x $20 USD | Free entry to Novelist Accelerator

Reader Views Literary Awards

Reader Views

Genres: Crime, Fantasy, Fiction, Horror, Humor, Memoir, Non-fiction, Novel, Novella, Poetry, Romance, Science Fiction, Science Writing, Short Story, Thriller, and Young Adult

The Reader Views Literary Awards program helps level the playing field for self-published authors, recognizing the most creative and exciting new books in the industry. Our awards program is recognized industry-wide as one of the top literary awards programs for independent authors.

Several marketing prizes (e.g. book review)

💰 Entry fee: $89

📅 Deadline: December 15, 2024

Halloween Horror Contest

The spooky season is almost upon us. We're looking for your creepiest horror stories. The ones that make us lay awake in bed at night gnashing our teeth, wondering about the sound coming from under the bed. The story can be a maximum of 5,000 words. There is no minimum.

Two runner-ups: $50

📅 Deadline: November 11, 2022 (Expired)

Chapter One Prize

Gutsy Great Novelist

Genres: Fiction, Novel, Young Adult, Crime, Fantasy, Horror, Humor, Mystery, Romance, Science Fiction, and Thriller

The Gutsy Great Novelist Chapter One Prize is awarded for an outstanding first chapter of an unpublished novel. The prize is open internationally to anyone over 18 writing a novel in English in any genre for adult or YA readers. Winners will be announced March 29, 2024.

2nd: $500 |3rd: $250

The Book of the Year Awards

The Independent Author Network

Genres: Fantasy, Fiction, Horror, Humor, Memoir, Mystery, Non-fiction, Novel, Novella, Poetry, Romance, Science Fiction, Science Writing, Thriller, Young Adult, Crime, and Short Story

The Independent Author Network presents the 10th Annual IAN Book of the Year Awards, an international contest open to all authors with 55 fiction and non-fiction categories. Winners are eligible to receive a share of cash prizes of $6,000 USD. Open to all English language print and eBooks available for sale, including small presses, mid-size independent publishers, university presses, and self-published authors.

$6,000.00 USD in total cash prizes

💰 Entry fee: $49

📅 Deadline: August 16, 2024

Frightening First Line Contest 2023

Genres: Fiction, Flash Fiction, Horror, Humor, Mystery, Short Story, and Thriller

Autumn is the season of rustling leaves, a chill in the air, and, of course, Halloween. In that spirit, we invite you to create the first line of a frightening story. But we want that first line to be so intriguing or chilling or scary that it makes our skin tingle and our nerves twitch.

Free Gotham Writers class

📅 Deadline: November 30, 2023 (Expired)

The 2022 First Chapter Book Contest

TheNextBigWriter, LLC

Genres: Crime, Fantasy, Fiction, Horror, Humor, Memoir, Mystery, Novel, Science Fiction, Thriller, and Young Adult

Have a book or a novel idea you've been noodling? Enter your first chapter into the Booksie First Chapter Contest and see how it does. You don't need to have finished the book. You don't even need more than the first chapter. We're looking for a start that will grab our attention, that is original, that is well written, and that makes us want to beg you to see what comes next. And for those we find, we'll provide some awards to inspire you to finish writing the book or, if finished, to help get it published.

Gold contest badge.

📅 Deadline: May 14, 2022 (Expired)

Winter Flash Fiction Battle

Genres: Fiction, Flash Fiction, Short Story, Crime, Fantasy, Horror, Humor, Mystery, Romance, Science Fiction, and Thriller

Three days to write a 1000 word short story. The peer-powered quarterly writing contest where every story receives oodles of feedback. Write one. Read ten. Win thousands.

Genre Winner (x4): $2,000

Genre Runner-up (x4): $500 | Feedback by industry professionals.

📅 Deadline: February 01, 2024 (Expired)

Not Quite Write Prize for Flash Fiction

Not Quite Write

Genres: Crime, Fantasy, Fiction, Flash Fiction, Horror, Humor, Mystery, Romance, Science Fiction, Science Writing, Thriller, and Young Adult

The Not Quite Write Prize for Flash Fiction challenges writers to create an original piece of flash fiction based on two typical writing prompts plus one ""anti-prompt"". An anti-prompt is a challenge to break a specific “rule” of writing while telling a great story. Participants compete for AU$2,000 in cash prizes, including AU$1,000 for the winner, cash prizes for the entire shortlist and two bonus ‘wildcard’ prizes. Winners are read aloud on the Not Quite Write podcast, where the judges share in-depth analysis about the entries and offer free writing advice. The Not Quite Write Prize for Flash Fiction is hosted in Australia and open to all writers of any age and level of ability around the world.

Publication on the Not Quite Write website and podcast

💰 Entry fee: $16

📅 Deadline: July 21, 2024

The Paul Cave Prize for Literature

Tim Saunders Publications

Genres: Crime, Fantasy, Fiction, Flash Fiction, Horror, Humor, Mystery, Novella, Poetry, Romance, Science Fiction, Short Story, Thriller, and Young Adult

The Paul Cave Prize for Literature, established in 2023 by Tim Saunders Publications, is in memory of Paul Astley Cave-Browne-Cave (1917 to 2010), a hugely inspirational magazine and book publisher. What we are looking for All forms of poetry: haiku, free verse, sonnet, acrostic, villanelle, ballad, limerick, ode, elegy, flash fiction, short stories and novellas. Work must be new and unpublished. International submissions welcome.

Best Short Story: £50 | Best Flash Fiction: £25 | Best Poem: £25

📅 Deadline: September 30, 2024

Storytrade Book Awards

Genres: Crime, Fantasy, Fiction, Horror, Humor, Memoir, Mystery, Non-fiction, Novel, Poetry, Romance, Science Fiction, Science Writing, Script Writing, Short Story, Thriller, and Young Adult

The Storytrade Book Awards recognizes excellence in small and independent publishing. Open to all indie authors and publishers including self-published authors, university presses, and small or independent presses, our annual awards program spotlights outstanding books in a number of fiction and nonfiction categories.

Medal, Book Stickers, Digital Seal

💰 Entry fee: $75

📅 Deadline: June 30, 2024

Discover the finest writing contests of 2024 for fiction and non-fiction authors — including short story competitions, essay writing competitions, poetry contests, and many more. Updated weekly, these contests are vetted by Reedsy to weed out the scammers and time-wasters. If you’re looking to stick to free writing contests, simply use our filters as you browse.

Why you should submit to writing contests

Submitting to poetry competitions and free writing contests in 2024 is absolutely worth your while as an aspiring author: just as your qualifications matter when you apply for a new job, a writing portfolio that boasts published works and award-winning pieces is a great way to give your writing career a boost. And not to mention the bonus of cash prizes!

That being said, we understand that taking part in writing contests can be tough for emerging writers. First, there’s the same affliction all writers face: lack of time or inspiration. Entering writing contests is a time commitment, and many people decide to forego this endeavor in order to work on their larger projects instead — like a full-length book. Second, for many writers, the chance of rejection is enough to steer them clear of writing contests. 

But we’re here to tell you that two of the great benefits of entering writing contests happen to be the same as those two reasons to avoid them.

When it comes to the time commitment: yes, you will need to expend time and effort in order to submit a quality piece of writing to competitions. That being said, having a hard deadline to meet is a great motivator for developing a solid writing routine.

Think of entering contests as a training session to become a writer who will need to meet deadlines in order to have a successful career. If there’s a contest you have your eye on, and the deadline is in one month, sit down and realistically plan how many words you’ll need to write per day in order to meet that due date — and don’t forget to also factor in the time you’ll need to edit your story!

For tips on setting up a realistic writing plan, check out this free, ten-day course: How to Build a Rock-Solid Writing Routine.

In regards to the fear of rejection, the truth is that any writer aspiring to become a published author needs to develop relatively thick skin. If one of your goals is to have a book traditionally published, you will absolutely need to learn how to deal with rejection, as traditional book deals are notoriously hard to score. If you’re an indie author, you will need to adopt the hardy determination required to slowly build up a readership.

The good news is that there’s a fairly simple trick for learning to deal with rejection: use it as a chance to explore how you might be able to improve your writing.

In an ideal world, each rejection from a publisher or contest would come with a detailed letter, offering construction feedback and pointing out specific tips for improvement. And while this is sometimes the case, it’s the exception and not the rule.

Still, you can use the writing contests you don’t win as a chance to provide yourself with this feedback. Take a look at the winning and shortlisted stories and highlight their strong suits: do they have fully realized characters, a knack for showing instead of telling, a well-developed but subtly conveyed theme, a particularly satisfying denouement?

The idea isn’t to replicate what makes those stories tick in your own writing. But most examples of excellent writing share a number of basic craft principles. Try and see if there are ways for you to translate those stories’ strong points into your own unique writing.

Finally, there are the more obvious benefits of entering writing contests: prize and publication. Not to mention the potential to build up your readership, connect with editors, and gain exposure.

Resources to help you win writing competitions in 2024

Every writing contest has its own set of submission rules. Whether those rules are dense or sparing, ensure that you follow them to a T. Disregarding the guidelines will not sway the judges’ opinion in your favor — and might disqualify you from the contest altogether. 

Aside from ensuring you follow the rules, here are a few resources that will help you perfect your submissions.

Free online courses

On Writing:

How to Craft a Killer Short Story

The Non-Sexy Business of Writing Non-Fiction

How to Write a Novel

Understanding Point of View

Developing Characters That Your Readers Will Love

Writing Dialogue That Develops Plot and Character

Stop Procrastinating! Build a Solid Writing Routine

On Editing:

Story Editing for Authors

How to Self-Edit Like a Pro

Novel Revision: Practical Tips for Rewrites

How to Write a Short Story in 7 Steps

Reedsy's guide to novel writing

Literary Devices and Terms — 35+ Definitions With Examples

10 Essential Fiction Writing Tips to Improve Your Craft

How to Write Dialogue: 8 Simple Rules and Exercises

8 Character Development Exercises to Help You Nail Your Character

Bonus resources

200+ Short Story Ideas

600+ Writing Prompts to Inspire You

100+ Creative Writing Exercises for Fiction Authors

Story Title Generator

Pen Name Generator

Character Name Generator

After you submit to a writing competition in 2024

It’s exciting to send a piece of writing off to a contest. However, once the initial excitement wears off, you may be left waiting for a while. Some writing contests will contact all entrants after the judging period — whether or not they’ve won. Other writing competitions will only contact the winners. 

Here are a few things to keep in mind after you submit:

Many writing competitions don’t have time to respond to each entrant with feedback on their story. However, it never hurts to ask! Feel free to politely reach out requesting feedback — but wait until after the selection period is over.

If you’ve submitted the same work to more than one writing competition or literary magazine, remember to withdraw your submission if it ends up winning elsewhere.

After you send a submission, don’t follow it up with a rewritten or revised version. Instead, ensure that your first version is thoroughly proofread and edited. If not, wait until the next edition of the contest or submit the revised version to other writing contests.

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A scary house - descriptive essay

samuraitom 23 / 18   Sep 23, 2007   #1 Prompt was to describe a place. I think I did a good job with that. I tried not to use too many "I" but that proved to be a bit difficult. I'm trying to get rid of all the vague sentence starters that my teacher informed me about. 1) Is my thesis statement ok? 2) Is my conclusion alright? Critique as always, please. The Scary House As I stood, gazing at the dilapidated house. I shivered, as though, ice had replaced my spine. The cold air enveloped the entire body. The multiple layer of clothing could not protect against the deathly cold. The walkway leading up to house were cracked. Weeds and dandelions poked out from these cracks. Red roses grown wildly in thick batches by the gate. The moonlight cast a ghoulish glow on the house. Vines formed a twisted maze upon the side of house, reaching their tentacles towards the roof. The house's walls showed black decay by neglect. Splotches of original paint hinted at the house former prosperity. Cobwebs covered the corners of the doors, tiny black spiders threading towards their prey. The house is fit for the kings and queens of the supernatural. The door begrudgingly creaked open. A musty, dank order creep into my nose. The house was dead silence except for the intermittent creaks and moans. Black and brown mold dotted the ceiling in clusters, evident of rain seeping through the roof. I quietly entered the dark living room. Windows covered with grime and dirt, the calm moonlight struggled to penetrate the darkness in thin thread rays. Sharp shadows roamed around the room. The sofa and chairs overturned revealing deep grooves on the ground where they used to sit. Wallpaper lay curled on the floor. A large jagged hole dug through the wall stood as though daring any to enter. Picture frames hanged off-centered. Sharp shadows roamed around the room. A misplaced grand bookcase stood the corner of the room, undisturbed for a long time. Selecting the correct book could reveal a secret doorway into a labyrinth. I made my way back into the hallway, a slimmer of light came from behind a door. I approached and opened the door. I had reached the bathroom. The single window was mildly dirty, a flood of light flowed into the room. Dust swirled around the room as I made my way inside. The medicine cabinet mirror lay shattered in pieces on the floor tile. Empty medicine bottle lay in the porcelain sink. The only sound to be heard is the drip, drip of the faucet. A closer look revealed the discoloration of the water, a brownish concoction. A lone mouse stood sentry at the bottom of the tub. Never having a visitor in a while, it curiously eyed me before scuttling away. Approaching the bathtub, a violent odor made it way to my nose. Pinching my nose, I leaned over and peered inside. Crusty rags filled the bathtub, little hints of movement underneath them. It would be unadvisable to see what is under the rags. I arrived at the foot of the staircase. I stood and peered at the top, wondering when a twisted head person will crawl down and have me for dinner. I summoned strength and tiptoed my way up the stairs. Each step intensified the moaning and creaking as if the steps could collapse at any moment. I turned to the right, and met my final destination. The door did not give way easier, a forceful push was needed. Stepping inside, a dresser seem to have been pushed against the door, attempting to deny anyone entry. I could make out the silhouette of bed, edging in closer for a better look. A toy dinosaur lay missing its head on the bed. The sheet was splattered with a dark color. The wind intensified outside, the rustling of the leaves and branches were louder. In the corner, a little chair began to rock slowly. The room had once belonged to a boy. The thin strips of wallpaper showed little trucks. Crayon markings scrambled upon the wall where wallpaper used to stick. The carpet squished as I walked. Little picture frames remained facedown on the carpet. A howl echoed throughout the house. It was time to leave, I told myself. I closed the bedroom door behind as I carefully walked down the stairs. I hoped I did not disturb anything or its somber rest. I made my way outside where my group of friends was standing. They asked me what took me so long; I replied that escaping the ghosts was difficult.

Crying Myself to Sleep on the Biggest Cruise Ship Ever

Seven agonizing nights aboard the Icon of the Seas

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Updated at 2:44 p.m. ET on April 6, 2024.

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MY FIRST GLIMPSE of Royal Caribbean’s Icon of the Seas, from the window of an approaching Miami cab, brings on a feeling of vertigo, nausea, amazement, and distress. I shut my eyes in defense, as my brain tells my optic nerve to try again.

The ship makes no sense, vertically or horizontally. It makes no sense on sea, or on land, or in outer space. It looks like a hodgepodge of domes and minarets, tubes and canopies, like Istanbul had it been designed by idiots. Vibrant, oversignifying colors are stacked upon other such colors, decks perched over still more decks; the only comfort is a row of lifeboats ringing its perimeter. There is no imposed order, no cogent thought, and, for those who do not harbor a totalitarian sense of gigantomania, no visual mercy. This is the biggest cruise ship ever built, and I have been tasked with witnessing its inaugural voyage.

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“Author embarks on their first cruise-ship voyage” has been a staple of American essay writing for almost three decades, beginning with David Foster Wallace’s “A Supposedly Fun Thing I’ll Never Do Again,” which was first published in 1996 under the title “Shipping Out.” Since then, many admirable writers have widened and diversified the genre. Usually the essayist commissioned to take to the sea is in their first or second flush of youth and is ready to sharpen their wit against the hull of the offending vessel. I am 51, old and tired, having seen much of the world as a former travel journalist, and mostly what I do in both life and prose is shrug while muttering to my imaginary dachshund, “This too shall pass.” But the Icon of the Seas will not countenance a shrug. The Icon of the Seas is the Linda Loman of cruise ships, exclaiming that attention must be paid. And here I am in late January with my one piece of luggage and useless gray winter jacket and passport, zipping through the Port of Miami en route to the gangway that will separate me from the bulk of North America for more than seven days, ready to pay it in full.

The aforementioned gangway opens up directly onto a thriving mall (I will soon learn it is imperiously called the “Royal Promenade”), presently filled with yapping passengers beneath a ceiling studded with balloons ready to drop. Crew members from every part of the global South, as well as a few Balkans, are shepherding us along while pressing flutes of champagne into our hands. By a humming Starbucks, I drink as many of these as I can and prepare to find my cabin. I show my blue Suite Sky SeaPass Card (more on this later, much more) to a smiling woman from the Philippines, and she tells me to go “aft.” Which is where, now? As someone who has rarely sailed on a vessel grander than the Staten Island Ferry, I am confused. It turns out that the aft is the stern of the ship, or, for those of us who don’t know what a stern or an aft are, its ass. The nose of the ship, responsible for separating the waves before it, is also called a bow, and is marked for passengers as the FWD , or forward. The part of the contemporary sailing vessel where the malls are clustered is called the midship. I trust that you have enjoyed this nautical lesson.

I ascend via elevator to my suite on Deck 11. This is where I encounter my first terrible surprise. My suite windows and balcony do not face the ocean. Instead, they look out onto another shopping mall. This mall is the one that’s called Central Park, perhaps in homage to the Olmsted-designed bit of greenery in the middle of my hometown. Although on land I would be delighted to own a suite with Central Park views, here I am deeply depressed. To sail on a ship and not wake up to a vast blue carpet of ocean? Unthinkable.

Allow me a brief preamble here. The story you are reading was commissioned at a moment when most staterooms on the Icon were sold out. In fact, so enthralled by the prospect of this voyage were hard-core mariners that the ship’s entire inventory of guest rooms (the Icon can accommodate up to 7,600 passengers, but its inaugural journey was reduced to 5,000 or so for a less crowded experience) was almost immediately sold out. Hence, this publication was faced with the shocking prospect of paying nearly $19,000 to procure for this solitary passenger an entire suite—not including drinking expenses—all for the privilege of bringing you this article. But the suite in question doesn’t even have a view of the ocean! I sit down hard on my soft bed. Nineteen thousand dollars for this .

The viewless suite does have its pluses. In addition to all the Malin+Goetz products in my dual bathrooms, I am granted use of a dedicated Suite Deck lounge; access to Coastal Kitchen, a superior restaurant for Suites passengers; complimentary VOOM SM Surf & Stream (“the fastest Internet at Sea”) “for one device per person for the whole cruise duration”; a pair of bathrobes (one of which comes prestained with what looks like a large expectoration by the greenest lizard on Earth); and use of the Grove Suite Sun, an area on Decks 18 and 19 with food and deck chairs reserved exclusively for Suite passengers. I also get reserved seating for a performance of The Wizard of Oz , an ice-skating tribute to the periodic table, and similar provocations. The very color of my Suite Sky SeaPass Card, an oceanic blue as opposed to the cloying royal purple of the standard non-Suite passenger, will soon provoke envy and admiration. But as high as my status may be, there are those on board who have much higher status still, and I will soon learn to bow before them.

In preparation for sailing, I have “priced in,” as they say on Wall Street, the possibility that I may come from a somewhat different monde than many of the other cruisers. Without falling into stereotypes or preconceptions, I prepare myself for a friendly outspokenness on the part of my fellow seafarers that may not comply with modern DEI standards. I believe in meeting people halfway, and so the day before flying down to Miami, I visited what remains of Little Italy to purchase a popular T-shirt that reads DADDY’S LITTLE MEATBALL across the breast in the colors of the Italian flag. My wife recommended that I bring one of my many T-shirts featuring Snoopy and the Peanuts gang, as all Americans love the beagle and his friends. But I naively thought that my meatball T-shirt would be more suitable for conversation-starting. “Oh, and who is your ‘daddy’?” some might ask upon seeing it. “And how long have you been his ‘little meatball’?” And so on.

I put on my meatball T-shirt and head for one of the dining rooms to get a late lunch. In the elevator, I stick out my chest for all to read the funny legend upon it, but soon I realize that despite its burnished tricolor letters, no one takes note. More to the point, no one takes note of me. Despite my attempts at bridge building, the very sight of me (small, ethnic, without a cap bearing the name of a football team) elicits no reaction from other passengers. Most often, they will small-talk over me as if I don’t exist. This brings to mind the travails of David Foster Wallace , who felt so ostracized by his fellow passengers that he retreated to his cabin for much of his voyage. And Wallace was raised primarily in the Midwest and was a much larger, more American-looking meatball than I am. If he couldn’t talk to these people, how will I? What if I leave this ship without making any friends at all, despite my T-shirt? I am a social creature, and the prospect of seven days alone and apart is saddening. Wallace’s stateroom, at least, had a view of the ocean, a kind of cheap eternity.

Worse awaits me in the dining room. This is a large, multichandeliered room where I attended my safety training (I was shown how to put on a flotation vest; it is a very simple procedure). But the maître d’ politely refuses me entry in an English that seems to verge on another language. “I’m sorry, this is only for pendejos ,” he seems to be saying. I push back politely and he repeats himself. Pendejos ? Piranhas? There’s some kind of P-word to which I am not attuned. Meanwhile elderly passengers stream right past, powered by their limbs, walkers, and electric wheelchairs. “It is only pendejo dining today, sir.” “But I have a suite!” I say, already starting to catch on to the ship’s class system. He examines my card again. “But you are not a pendejo ,” he confirms. I am wearing a DADDY’S LITTLE MEATBALL T-shirt, I want to say to him. I am the essence of pendejo .

Eventually, I give up and head to the plebeian buffet on Deck 15, which has an aquatic-styled name I have now forgotten. Before gaining entry to this endless cornucopia of reheated food, one passes a washing station of many sinks and soap dispensers, and perhaps the most intriguing character on the entire ship. He is Mr. Washy Washy—or, according to his name tag, Nielbert of the Philippines—and he is dressed as a taco (on other occasions, I’ll see him dressed as a burger). Mr. Washy Washy performs an eponymous song in spirited, indeed flamboyant English: “Washy, washy, wash your hands, WASHY WASHY!” The dangers of norovirus and COVID on a cruise ship this size (a giant fellow ship was stricken with the former right after my voyage) makes Mr. Washy Washy an essential member of the crew. The problem lies with the food at the end of Washy’s rainbow. The buffet is groaning with what sounds like sophisticated dishes—marinated octopus, boiled egg with anchovy, chorizo, lobster claws—but every animal tastes tragically the same, as if there was only one creature available at the market, a “cruisipus” bred specifically for Royal Caribbean dining. The “vegetables” are no better. I pick up a tomato slice and look right through it. It tastes like cellophane. I sit alone, apart from the couples and parents with gaggles of children, as “We Are Family” echoes across the buffet space.

I may have failed to mention that all this time, the Icon of the Seas has not left port. As the fiery mango of the subtropical setting sun makes Miami’s condo skyline even more apocalyptic, the ship shoves off beneath a perfunctory display of fireworks. After the sun sets, in the far, dark distance, another circus-lit cruise ship ruptures the waves before us. We glance at it with pity, because it is by definition a smaller ship than our own. I am on Deck 15, outside the buffet and overlooking a bunch of pools (the Icon has seven of them), drinking a frilly drink that I got from one of the bars (the Icon has 15 of them), still too shy to speak to anyone, despite Sister Sledge’s assertion that all on the ship are somehow related.

Kim Brooks: On failing the family vacation

The ship’s passage away from Ron DeSantis’s Florida provides no frisson, no sense of developing “sea legs,” as the ship is too large to register the presence of waves unless a mighty wind adds significant chop. It is time for me to register the presence of the 5,000 passengers around me, even if they refuse to register mine. My fellow travelers have prepared for this trip with personally decorated T-shirts celebrating the importance of this voyage. The simplest ones say ICON INAUGURAL ’24 on the back and the family name on the front. Others attest to an over-the-top love of cruise ships: WARNING! MAY START TALKING ABOUT CRUISING . Still others are artisanally designed and celebrate lifetimes spent married while cruising (on ships, of course). A couple possibly in their 90s are wearing shirts whose backs feature a drawing of a cruise liner, two flamingos with ostensibly male and female characteristics, and the legend “ HUSBAND AND WIFE Cruising Partners FOR LIFE WE MAY NOT HAVE IT All Together BUT TOGETHER WE HAVE IT ALL .” (The words not in all caps have been written in cursive.) A real journalist or a more intrepid conversationalist would have gone up to the couple and asked them to explain the longevity of their marriage vis-à-vis their love of cruising. But instead I head to my mall suite, take off my meatball T-shirt, and allow the first tears of the cruise to roll down my cheeks slowly enough that I briefly fall asleep amid the moisture and salt.

I WAKE UP with a hangover. Oh God. Right. I cannot believe all of that happened last night. A name floats into my cobwebbed, nauseated brain: “Ayn Rand.” Jesus Christ.

I breakfast alone at the Coastal Kitchen. The coffee tastes fine and the eggs came out of a bird. The ship rolls slightly this morning; I can feel it in my thighs and my schlong, the parts of me that are most receptive to danger.

I had a dangerous conversation last night. After the sun set and we were at least 50 miles from shore (most modern cruise ships sail at about 23 miles an hour), I lay in bed softly hiccupping, my arms stretched out exactly like Jesus on the cross, the sound of the distant waves missing from my mall-facing suite, replaced by the hum of air-conditioning and children shouting in Spanish through the vents of my two bathrooms. I decided this passivity was unacceptable. As an immigrant, I feel duty-bound to complete the tasks I am paid for, which means reaching out and trying to understand my fellow cruisers. So I put on a normal James Perse T-shirt and headed for one of the bars on the Royal Promenade—the Schooner Bar, it was called, if memory serves correctly.

I sat at the bar for a martini and two Negronis. An old man with thick, hairy forearms drank next to me, very silent and Hemingwaylike, while a dreadlocked piano player tinkled out a series of excellent Elton John covers. To my right, a young white couple—he in floral shorts, she in a light, summery miniskirt with a fearsome diamond ring, neither of them in football regalia—chatted with an elderly couple. Do it , I commanded myself. Open your mouth. Speak! Speak without being spoken to. Initiate. A sentence fragment caught my ear from the young woman, “Cherry Hill.” This is a suburb of Philadelphia in New Jersey, and I had once been there for a reading at a synagogue. “Excuse me,” I said gently to her. “Did you just mention Cherry Hill? It’s a lovely place.”

As it turned out, the couple now lived in Fort Lauderdale (the number of Floridians on the cruise surprised me, given that Southern Florida is itself a kind of cruise ship, albeit one slowly sinking), but soon they were talking with me exclusively—the man potbellied, with a chin like a hard-boiled egg; the woman as svelte as if she were one of the many Ukrainian members of the crew—the elderly couple next to them forgotten. This felt as groundbreaking as the first time I dared to address an American in his native tongue, as a child on a bus in Queens (“On my foot you are standing, Mister”).

“I don’t want to talk politics,” the man said. “But they’re going to eighty-six Biden and put Michelle in.”

I considered the contradictions of his opening conversational gambit, but decided to play along. “People like Michelle,” I said, testing the waters. The husband sneered, but the wife charitably put forward that the former first lady was “more personable” than Joe Biden. “They’re gonna eighty-six Biden,” the husband repeated. “He can’t put a sentence together.”

After I mentioned that I was a writer—though I presented myself as a writer of teleplays instead of novels and articles such as this one—the husband told me his favorite writer was Ayn Rand. “Ayn Rand, she came here with nothing,” the husband said. “I work with a lot of Cubans, so …” I wondered if I should mention what I usually do to ingratiate myself with Republicans or libertarians: the fact that my finances improved after pass-through corporations were taxed differently under Donald Trump. Instead, I ordered another drink and the couple did the same, and I told him that Rand and I were born in the same city, St. Petersburg/Leningrad, and that my family also came here with nothing. Now the bonding and drinking began in earnest, and several more rounds appeared. Until it all fell apart.

Read: Gary Shteyngart on watching Russian television for five days straight

My new friend, whom I will refer to as Ayn, called out to a buddy of his across the bar, and suddenly a young couple, both covered in tattoos, appeared next to us. “He fucking punked me,” Ayn’s frat-boy-like friend called out as he put his arm around Ayn, while his sizable partner sizzled up to Mrs. Rand. Both of them had a look I have never seen on land—their eyes projecting absence and enmity in equal measure. In the ’90s, I drank with Russian soldiers fresh from Chechnya and wandered the streets of wartime Zagreb, but I have never seen such undisguised hostility toward both me and perhaps the universe at large. I was briefly introduced to this psychopathic pair, but neither of them wanted to have anything to do with me, and the tattooed woman would not even reveal her Christian name to me (she pretended to have the same first name as Mrs. Rand). To impress his tattooed friends, Ayn made fun of the fact that as a television writer, I’d worked on the series Succession (which, it would turn out, practically nobody on the ship had watched), instead of the far more palatable, in his eyes, zombie drama of last year. And then my new friends drifted away from me into an angry private conversation—“He punked me!”—as I ordered another drink for myself, scared of the dead-eyed arrivals whose gaze never registered in the dim wattage of the Schooner Bar, whose terrifying voices and hollow laughs grated like unoiled gears against the crooning of “Goodbye Yellow Brick Road.”

But today is a new day for me and my hangover. After breakfast, I explore the ship’s so-called neighborhoods . There’s the AquaDome, where one can find a food hall and an acrobatic sound-and-light aquatic show. Central Park has a premium steak house, a sushi joint, and a used Rolex that can be bought for $8,000 on land here proudly offered at $17,000. There’s the aforementioned Royal Promenade, where I had drunk with the Rands, and where a pair of dueling pianos duel well into the night. There’s Surfside, a kids’ neighborhood full of sugary garbage, which looks out onto the frothy trail that the behemoth leaves behind itself. Thrill Island refers to the collection of tubes that clutter the ass of the ship and offer passengers six waterslides and a surfing simulation. There’s the Hideaway, an adult zone that plays music from a vomit-slathered, Brit-filled Alicante nightclub circa 1996 and proves a big favorite with groups of young Latin American customers. And, most hurtfully, there’s the Suite Neighborhood.

I say hurtfully because as a Suite passenger I should be here, though my particular suite is far from the others. Whereas I am stuck amid the riffraff of Deck 11, this section is on the highborn Decks 16 and 17, and in passing, I peek into the spacious, tall-ceilinged staterooms from the hallway, dazzled by the glint of the waves and sun. For $75,000, one multifloor suite even comes with its own slide between floors, so that a family may enjoy this particular terror in private. There is a quiet splendor to the Suite Neighborhood. I see fewer stickers and signs and drawings than in my own neighborhood—for example, MIKE AND DIANA PROUDLY SERVED U.S. MARINE CORPS RETIRED . No one here needs to announce their branch of service or rank; they are simply Suites, and this is where they belong. Once again, despite my hard work and perseverance, I have been disallowed from the true American elite. Once again, I am “Not our class, dear.” I am reminded of watching The Love Boat on my grandmother’s Zenith, which either was given to her or we found in the trash (I get our many malfunctioning Zeniths confused) and whose tube got so hot, I would put little chunks of government cheese on a thin tissue atop it to give our welfare treat a pleasant, Reagan-era gooeyness. I could not understand English well enough then to catch the nuances of that seafaring program, but I knew that there were differences in the status of the passengers, and that sometimes those differences made them sad. Still, this ship, this plenty—every few steps, there are complimentary nachos or milkshakes or gyros on offer—was the fatty fuel of my childhood dreams. If only I had remained a child.

I walk around the outdoor decks looking for company. There is a middle-aged African American couple who always seem to be asleep in each other’s arms, probably exhausted from the late capitalism they regularly encounter on land. There is far more diversity on this ship than I expected. Many couples are a testament to Loving v. Virginia , and there is a large group of folks whose T-shirts read MELANIN AT SEA / IT’S THE MELANIN FOR ME . I smile when I see them, but then some young kids from the group makes Mr. Washy Washy do a cruel, caricatured “Burger Dance” (today he is in his burger getup), and I think, Well, so much for intersectionality .

At the infinity pool on Deck 17, I spot some elderly women who could be ethnic and from my part of the world, and so I jump in. I am proved correct! Many of them seem to be originally from Queens (“Corona was still great when it was all Italian”), though they are now spread across the tristate area. We bond over the way “Ron-kon-koma” sounds when announced in Penn Station.

“Everyone is here for a different reason,” one of them tells me. She and her ex-husband last sailed together four years ago to prove to themselves that their marriage was truly over. Her 15-year-old son lost his virginity to “an Irish young lady” while their ship was moored in Ravenna, Italy. The gaggle of old-timers competes to tell me their favorite cruising stories and tips. “A guy proposed in Central Park a couple of years ago”—many Royal Caribbean ships apparently have this ridiculous communal area—“and she ran away screaming!” “If you’re diamond-class, you get four drinks for free.” “A different kind of passenger sails out of Bayonne.” (This, perhaps, is racially coded.) “Sometimes, if you tip the bartender $5, your next drink will be free.”

“Everyone’s here for a different reason,” the woman whose marriage ended on a cruise tells me again. “Some people are here for bad reasons—the drinkers and the gamblers. Some people are here for medical reasons.” I have seen more than a few oxygen tanks and at least one woman clearly undergoing very serious chemo. Some T-shirts celebrate good news about a cancer diagnosis. This might be someone’s last cruise or week on Earth. For these women, who have spent months, if not years, at sea, cruising is a ritual as well as a life cycle: first love, last love, marriage, divorce, death.

Read: The last place on Earth any tourist should go

I have talked with these women for so long, tonight I promise myself that after a sad solitary dinner I will not try to seek out company at the bars in the mall or the adult-themed Hideaway. I have enough material to fulfill my duties to this publication. As I approach my orphaned suite, I run into the aggro young people who stole Mr. and Mrs. Rand away from me the night before. The tattooed apparitions pass me without a glance. She is singing something violent about “Stuttering Stanley” (a character in a popular horror movie, as I discover with my complimentary VOOM SM Surf & Stream Internet at Sea) and he’s loudly shouting about “all the money I’ve lost,” presumably at the casino in the bowels of the ship.

So these bent psychos out of a Cormac McCarthy novel are angrily inhabiting my deck. As I mewl myself to sleep, I envision a limited series for HBO or some other streamer, a kind of low-rent White Lotus , where several aggressive couples conspire to throw a shy intellectual interloper overboard. I type the scenario into my phone. As I fall asleep, I think of what the woman who recently divorced her husband and whose son became a man through the good offices of the Irish Republic told me while I was hoisting myself out of the infinity pool. “I’m here because I’m an explorer. I’m here because I’m trying something new.” What if I allowed myself to believe in her fantasy?

“YOU REALLY STARTED AT THE TOP,” they tell me. I’m at the Coastal Kitchen for my eggs and corned-beef hash, and the maître d’ has slotted me in between two couples. Fueled by coffee or perhaps intrigued by my relative youth, they strike up a conversation with me. As always, people are shocked that this is my first cruise. They contrast the Icon favorably with all the preceding liners in the Royal Caribbean fleet, usually commenting on the efficiency of the elevators that hurl us from deck to deck (as in many large corporate buildings, the elevators ask you to choose a floor and then direct you to one of many lifts). The couple to my right, from Palo Alto—he refers to his “porn mustache” and calls his wife “my cougar” because she is two years older—tell me they are “Pandemic Pinnacles.”

This is the day that my eyes will be opened. Pinnacles , it is explained to me over translucent cantaloupe, have sailed with Royal Caribbean for 700 ungodly nights. Pandemic Pinnacles took advantage of the two-for-one accrual rate of Pinnacle points during the pandemic, when sailing on a cruise ship was even more ill-advised, to catapult themselves into Pinnacle status.

Because of the importance of the inaugural voyage of the world’s largest cruise liner, more than 200 Pinnacles are on this ship, a startling number, it seems. Mrs. Palo Alto takes out a golden badge that I have seen affixed over many a breast, which reads CROWN AND ANCHOR SOCIETY along with her name. This is the coveted badge of the Pinnacle. “You should hear all the whining in Guest Services,” her husband tells me. Apparently, the Pinnacles who are not also Suites like us are all trying to use their status to get into Coastal Kitchen, our elite restaurant. Even a Pinnacle needs to be a Suite to access this level of corned-beef hash.

“We’re just baby Pinnacles,” Mrs. Palo Alto tells me, describing a kind of internal class struggle among the Pinnacle elite for ever higher status.

And now I understand what the maître d’ was saying to me on the first day of my cruise. He wasn’t saying “ pendejo .” He was saying “Pinnacle.” The dining room was for Pinnacles only, all those older people rolling in like the tide on their motorized scooters.

And now I understand something else: This whole thing is a cult. And like most cults, it can’t help but mirror the endless American fight for status. Like Keith Raniere’s NXIVM, where different-colored sashes were given out to connote rank among Raniere’s branded acolytes, this is an endless competition among Pinnacles, Suites, Diamond-Plusers, and facing-the-mall, no-balcony purple SeaPass Card peasants, not to mention the many distinctions within each category. The more you cruise, the higher your status. No wonder a section of the Royal Promenade is devoted to getting passengers to book their next cruise during the one they should be enjoying now. No wonder desperate Royal Caribbean offers (“FINAL HOURS”) crowded my email account weeks before I set sail. No wonder the ship’s jewelry store, the Royal Bling, is selling a $100,000 golden chalice that will entitle its owner to drink free on Royal Caribbean cruises for life. (One passenger was already gaming out whether her 28-year-old son was young enough to “just about earn out” on the chalice or if that ship had sailed.) No wonder this ship was sold out months before departure , and we had to pay $19,000 for a horrid suite away from the Suite Neighborhood. No wonder the most mythical hero of Royal Caribbean lore is someone named Super Mario, who has cruised so often, he now has his own working desk on many ships. This whole experience is part cult, part nautical pyramid scheme.

From the June 2014 issue: Ship of wonks

“The toilets are amazing,” the Palo Altos are telling me. “One flush and you’re done.” “They don’t understand how energy-efficient these ships are,” the husband of the other couple is telling me. “They got the LNG”—liquefied natural gas, which is supposed to make the Icon a boon to the environment (a concept widely disputed and sometimes ridiculed by environmentalists).

But I’m thinking along a different line of attack as I spear my last pallid slice of melon. For my streaming limited series, a Pinnacle would have to get killed by either an outright peasant or a Suite without an ocean view. I tell my breakfast companions my idea.

“Oh, for sure a Pinnacle would have to be killed,” Mr. Palo Alto, the Pandemic Pinnacle, says, touching his porn mustache thoughtfully as his wife nods.

“THAT’S RIGHT, IT’S your time, buddy!” Hubert, my fun-loving Panamanian cabin attendant, shouts as I step out of my suite in a robe. “Take it easy, buddy!”

I have come up with a new dressing strategy. Instead of trying to impress with my choice of T-shirts, I have decided to start wearing a robe, as one does at a resort property on land, with a proper spa and hammam. The response among my fellow cruisers has been ecstatic. “Look at you in the robe!” Mr. Rand cries out as we pass each other by the Thrill Island aqua park. “You’re living the cruise life! You know, you really drank me under the table that night.” I laugh as we part ways, but my soul cries out, Please spend more time with me, Mr. and Mrs. Rand; I so need the company .

In my white robe, I am a stately presence, a refugee from a better limited series, a one-man crossover episode. (Only Suites are granted these robes to begin with.) Today, I will try many of the activities these ships have on offer to provide their clientele with a sense of never-ceasing motion. Because I am already at Thrill Island, I decide to climb the staircase to what looks like a mast on an old-fashioned ship (terrified, because I am afraid of heights) to try a ride called “Storm Chasers,” which is part of the “Category 6” water park, named in honor of one of the storms that may someday do away with the Port of Miami entirely. Storm Chasers consists of falling from the “mast” down a long, twisting neon tube filled with water, like being the camera inside your own colonoscopy, as you hold on to the handles of a mat, hoping not to die. The tube then flops you down headfirst into a trough of water, a Royal Caribbean baptism. It both knocks my breath out and makes me sad.

In keeping with the aquatic theme, I attend a show at the AquaDome. To the sound of “Live and Let Die,” a man in a harness gyrates to and fro in the sultry air. I saw something very similar in the back rooms of the famed Berghain club in early-aughts Berlin. Soon another harnessed man is gyrating next to the first. Ja , I think to myself, I know how this ends. Now will come the fisting , natürlich . But the show soon devolves into the usual Marvel-film-grade nonsense, with too much light and sound signifying nichts . If any fisting is happening, it is probably in the Suite Neighborhood, inside a cabin marked with an upside-down pineapple, which I understand means a couple are ready to swing, and I will see none of it.

I go to the ice show, which is a kind of homage—if that’s possible—to the periodic table, done with the style and pomp and masterful precision that would please the likes of Kim Jong Un, if only he could afford Royal Caribbean talent. At one point, the dancers skate to the theme song of Succession . “See that!” I want to say to my fellow Suites—at “cultural” events, we have a special section reserved for us away from the commoners—“ Succession ! It’s even better than the zombie show! Open your minds!”

Finally, I visit a comedy revue in an enormous and too brightly lit version of an “intimate,” per Royal Caribbean literature, “Manhattan comedy club.” Many of the jokes are about the cruising life. “I’ve lived on ships for 20 years,” one of the middle-aged comedians says. “I can only see so many Filipino homosexuals dressed as a taco.” He pauses while the audience laughs. “I am so fired tonight,” he says. He segues into a Trump impression and then Biden falling asleep at the microphone, which gets the most laughs. “Anyone here from Fort Leonard Wood?” another comedian asks. Half the crowd seems to cheer. As I fall asleep that night, I realize another connection I have failed to make, and one that may explain some of the diversity on this vessel—many of its passengers have served in the military.

As a coddled passenger with a suite, I feel like I am starting to understand what it means to have a rank and be constantly reminded of it. There are many espresso makers , I think as I look across the expanse of my officer-grade quarters before closing my eyes, but this one is mine .

A shocking sight greets me beyond the pools of Deck 17 as I saunter over to the Coastal Kitchen for my morning intake of slightly sour Americanos. A tiny city beneath a series of perfectly pressed green mountains. Land! We have docked for a brief respite in Basseterre, the capital of St. Kitts and Nevis. I wolf down my egg scramble to be one of the first passengers off the ship. Once past the gangway, I barely refrain from kissing the ground. I rush into the sights and sounds of this scruffy island city, sampling incredible conch curry and buckets of non-Starbucks coffee. How wonderful it is to be where God intended humans to be: on land. After all, I am neither a fish nor a mall rat. This is my natural environment. Basseterre may not be Havana, but there are signs of human ingenuity and desire everywhere you look. The Black Table Grill Has been Relocated to Soho Village, Market Street, Directly Behind of, Gary’s Fruits and Flower Shop. Signed. THE PORK MAN reads a sign stuck to a wall. Now, that is how you write a sign. A real sign, not the come-ons for overpriced Rolexes that blink across the screens of the Royal Promenade.

“Hey, tie your shoestring!” a pair of laughing ladies shout to me across the street.

“Thank you!” I shout back. Shoestring! “Thank you very much.”

A man in Independence Square Park comes by and asks if I want to play with his monkey. I haven’t heard that pickup line since the Penn Station of the 1980s. But then he pulls a real monkey out of a bag. The monkey is wearing a diaper and looks insane. Wonderful , I think, just wonderful! There is so much life here. I email my editor asking if I can remain on St. Kitts and allow the Icon to sail off into the horizon without me. I have even priced a flight home at less than $300, and I have enough material from the first four days on the cruise to write the entire story. “It would be funny …” my editor replies. “Now get on the boat.”

As I slink back to the ship after my brief jailbreak, the locals stand under umbrellas to gaze at and photograph the boat that towers over their small capital city. The limousines of the prime minister and his lackeys are parked beside the gangway. St. Kitts, I’ve been told, is one of the few islands that would allow a ship of this size to dock.

“We hear about all the waterslides,” a sweet young server in one of the cafés told me. “We wish we could go on the ship, but we have to work.”

“I want to stay on your island,” I replied. “I love it here.”

But she didn’t understand how I could possibly mean that.

“WASHY, WASHY, so you don’t get stinky, stinky!” kids are singing outside the AquaDome, while their adult minders look on in disapproval, perhaps worried that Mr. Washy Washy is grooming them into a life of gayness. I heard a southern couple skip the buffet entirely out of fear of Mr. Washy Washy.

Meanwhile, I have found a new watering hole for myself, the Swim & Tonic, the biggest swim-up bar on any cruise ship in the world. Drinking next to full-size, nearly naked Americans takes away one’s own self-consciousness. The men have curvaceous mom bodies. The women are equally un-shy about their sprawling physiques.

Today I’ve befriended a bald man with many children who tells me that all of the little trinkets that Royal Caribbean has left us in our staterooms and suites are worth a fortune on eBay. “Eighty dollars for the water bottle, 60 for the lanyard,” the man says. “This is a cult.”

“Tell me about it,” I say. There is, however, a clientele for whom this cruise makes perfect sense. For a large middle-class family (he works in “supply chains”), seven days in a lower-tier cabin—which starts at $1,800 a person—allow the parents to drop off their children in Surfside, where I imagine many young Filipina crew members will take care of them, while the parents are free to get drunk at a swim-up bar and maybe even get intimate in their cabin. Cruise ships have become, for a certain kind of hardworking family, a form of subsidized child care.

There is another man I would like to befriend at the Swim & Tonic, a tall, bald fellow who is perpetually inebriated and who wears a necklace studded with little rubber duckies in sunglasses, which, I am told, is a sort of secret handshake for cruise aficionados. Tomorrow, I will spend more time with him, but first the ship docks at St. Thomas, in the U.S. Virgin Islands. Charlotte Amalie, the capital, is more charming in name than in presence, but I still all but jump off the ship to score a juicy oxtail and plantains at the well-known Petite Pump Room, overlooking the harbor. From one of the highest points in the small city, the Icon of the Seas appears bigger than the surrounding hills.

I usually tan very evenly, but something about the discombobulation of life at sea makes me forget the regular application of sunscreen. As I walk down the streets of Charlotte Amalie in my fluorescent Icon of the Seas cap, an old Rastafarian stares me down. “Redneck,” he hisses.

“No,” I want to tell him, as I bring a hand up to my red neck, “that’s not who I am at all. On my island, Mannahatta, as Whitman would have it, I am an interesting person living within an engaging artistic milieu. I do not wish to use the Caribbean as a dumping ground for the cruise-ship industry. I love the work of Derek Walcott. You don’t understand. I am not a redneck. And if I am, they did this to me.” They meaning Royal Caribbean? Its passengers? The Rands?

“They did this to me!”

Back on the Icon, some older matrons are muttering about a run-in with passengers from the Celebrity cruise ship docked next to us, the Celebrity Apex. Although Celebrity Cruises is also owned by Royal Caribbean, I am made to understand that there is a deep fratricidal beef between passengers of the two lines. “We met a woman from the Apex,” one matron says, “and she says it was a small ship and there was nothing to do. Her face was as tight as a 19-year-old’s, she had so much surgery.” With those words, and beneath a cloudy sky, humidity shrouding our weathered faces and red necks, we set sail once again, hopefully in the direction of home.

THERE ARE BARELY 48 HOURS LEFT to the cruise, and the Icon of the Seas’ passengers are salty. They know how to work the elevators. They know the Washy Washy song by heart. They understand that the chicken gyro at “Feta Mediterranean,” in the AquaDome Market, is the least problematic form of chicken on the ship.

The passengers have shed their INAUGURAL CRUISE T-shirts and are now starting to evince political opinions. There are caps pledging to make America great again and T-shirts that celebrate words sometimes attributed to Patrick Henry: “The Constitution is not an instrument for the government to restrain the people; it is an instrument for the people to restrain the government.” With their preponderance of FAMILY FLAG FAITH FRIENDS FIREARMS T-shirts, the tables by the crepe station sometimes resemble the Capitol Rotunda on January 6. The Real Anthony Fauci , by Robert F. Kennedy Jr., appears to be a popular form of literature, especially among young men with very complicated versions of the American flag on their T-shirts. Other opinions blend the personal and the political. “Someone needs to kill Washy guy, right?” a well-dressed man in the elevator tells me, his gray eyes radiating nothing. “Just beat him to death. Am I right?” I overhear the male member of a young couple whisper, “There goes that freak” as I saunter by in my white spa robe, and I decide to retire it for the rest of the cruise.

I visit the Royal Bling to see up close the $100,000 golden chalice that entitles you to free drinks on Royal Caribbean forever. The pleasant Serbian saleslady explains that the chalice is actually gold-plated and covered in white zirconia instead of diamonds, as it would otherwise cost $1 million. “If you already have everything,” she explains, “this is one more thing you can get.”

I believe that anyone who works for Royal Caribbean should be entitled to immediate American citizenship. They already speak English better than most of the passengers and, per the Serbian lady’s sales pitch above, better understand what America is as well. Crew members like my Panamanian cabin attendant seem to work 24 hours a day. A waiter from New Delhi tells me that his contract is six months and three weeks long. After a cruise ends, he says, “in a few hours, we start again for the next cruise.” At the end of the half a year at sea, he is allowed a two-to-three-month stay at home with his family. As of 2019, the median income for crew members was somewhere in the vicinity of $20,000, according to a major business publication. Royal Caribbean would not share the current median salary for its crew members, but I am certain that it amounts to a fraction of the cost of a Royal Bling gold-plated, zirconia-studded chalice.

And because most of the Icon’s hyper-sanitized spaces are just a frittata away from being a Delta lounge, one forgets that there are actual sailors on this ship, charged with the herculean task of docking it in port. “Having driven 100,000-ton aircraft carriers throughout my career,” retired Admiral James G. Stavridis, the former NATO Supreme Allied Commander Europe, writes to me, “I’m not sure I would even know where to begin with trying to control a sea monster like this one nearly three times the size.” (I first met Stavridis while touring Army bases in Germany more than a decade ago.)

Today, I decide to head to the hot tub near Swim & Tonic, where some of the ship’s drunkest reprobates seem to gather (the other tubs are filled with families and couples). The talk here, like everywhere else on the ship, concerns football, a sport about which I know nothing. It is apparent that four teams have recently competed in some kind of finals for the year, and that two of them will now face off in the championship. Often when people on the Icon speak, I will try to repeat the last thing they said with a laugh or a nod of disbelief. “Yes, 20-yard line! Ha!” “Oh my God, of course, scrimmage.”

Soon we are joined in the hot tub by the late-middle-age drunk guy with the duck necklace. He is wearing a bucket hat with the legend HAWKEYES , which, I soon gather, is yet another football team. “All right, who turned me in?” Duck Necklace says as he plops into the tub beside us. “I get a call in the morning,” he says. “It’s security. Can you come down to the dining room by 10 a.m.? You need to stay away from the members of this religious family.” Apparently, the gregarious Duck Necklace had photobombed the wrong people. There are several families who present as evangelical Christians or practicing Muslims on the ship. One man, evidently, was not happy that Duck Necklace had made contact with his relatives. “It’s because of religious stuff; he was offended. I put my arm around 20 people a day.”

Everyone laughs. “They asked me three times if I needed medication,” he says of the security people who apparently interrogated him in full view of others having breakfast.

Another hot-tub denizen suggests that he should have asked for fentanyl. After a few more drinks, Duck Necklace begins to muse about what it would be like to fall off the ship. “I’m 62 and I’m ready to go,” he says. “I just don’t want a shark to eat me. I’m a huge God guy. I’m a Bible guy. There’s some Mayan theory squaring science stuff with religion. There is so much more to life on Earth.” We all nod into our Red Stripes.

“I never get off the ship when we dock,” he says. He tells us he lost $6,000 in the casino the other day. Later, I look him up, and it appears that on land, he’s a financial adviser in a crisp gray suit, probably a pillar of his North Chicago community.

THE OCEAN IS TEEMING with fascinating life, but on the surface it has little to teach us. The waves come and go. The horizon remains ever far away.

I am constantly told by my fellow passengers that “everybody here has a story.” Yes, I want to reply, but everybody everywhere has a story. You, the reader of this essay, have a story, and yet you’re not inclined to jump on a cruise ship and, like Duck Necklace, tell your story to others at great pitch and volume. Maybe what they’re saying is that everybody on this ship wants to have a bigger, more coherent, more interesting story than the one they’ve been given. Maybe that’s why there’s so much signage on the doors around me attesting to marriages spent on the sea. Maybe that’s why the Royal Caribbean newsletter slipped under my door tells me that “this isn’t a vacation day spent—it’s bragging rights earned.” Maybe that’s why I’m so lonely.

Today is a big day for Icon passengers. Today the ship docks at Royal Caribbean’s own Bahamian island, the Perfect Day at CocoCay. (This appears to be the actual name of the island.) A comedian at the nightclub opined on what his perfect day at CocoCay would look like—receiving oral sex while learning that his ex-wife had been killed in a car crash (big laughter). But the reality of the island is far less humorous than that.

One of the ethnic tristate ladies in the infinity pool told me that she loved CocoCay because it had exactly the same things that could be found on the ship itself. This proves to be correct. It is like the Icon, but with sand. The same tired burgers, the same colorful tubes conveying children and water from Point A to B. The same swim-up bar at its Hideaway ($140 for admittance, no children allowed; Royal Caribbean must be printing money off its clientele). “There was almost a fight at The Wizard of Oz ,” I overhear an elderly woman tell her companion on a chaise lounge. Apparently one of the passengers began recording Royal Caribbean’s intellectual property and “three guys came after him.”

I walk down a pathway to the center of the island, where a sign reads DO NOT ENTER: YOU HAVE REACHED THE BOUNDARY OF ADVENTURE . I hear an animal scampering in the bushes. A Royal Caribbean worker in an enormous golf cart soon chases me down and takes me back to the Hideaway, where I run into Mrs. Rand in a bikini. She becomes livid telling me about an altercation she had the other day with a woman over a towel and a deck chair. We Suites have special towel privileges; we do not have to hand over our SeaPass Card to score a towel. But the Rands are not Suites. “People are so entitled here,” Mrs. Rand says. “It’s like the airport with all its classes.” “You see,” I want to say, “this is where your husband’s love of Ayn Rand runs into the cruelties and arbitrary indignities of unbridled capitalism.” Instead we make plans to meet for a final drink in the Schooner Bar tonight (the Rands will stand me up).

Back on the ship, I try to do laps, but the pool (the largest on any cruise ship, naturally) is fully trashed with the detritus of American life: candy wrappers, a slowly dissolving tortilla chip, napkins. I take an extra-long shower in my suite, then walk around the perimeter of the ship on a kind of exercise track, past all the alluring lifeboats in their yellow-and-white livery. Maybe there is a dystopian angle to the HBO series that I will surely end up pitching, one with shades of WALL-E or Snowpiercer . In a collapsed world, a Royal Caribbean–like cruise liner sails from port to port, collecting new shipmates and supplies in exchange for the precious energy it has on board. (The actual Icon features a new technology that converts passengers’ poop into enough energy to power the waterslides . In the series, this shitty technology would be greatly expanded.) A very young woman (18? 19?), smart and lonely, who has only known life on the ship, walks along the same track as I do now, contemplating jumping off into the surf left by its wake. I picture reusing Duck Necklace’s words in the opening shot of the pilot. The girl is walking around the track, her eyes on the horizon; maybe she’s highborn—a Suite—and we hear the voice-over: “I’m 19 and I’m ready to go. I just don’t want a shark to eat me.”

Before the cruise is finished, I talk to Mr. Washy Washy, or Nielbert of the Philippines. He is a sweet, gentle man, and I thank him for the earworm of a song he has given me and for keeping us safe from the dreaded norovirus. “This is very important to me, getting people to wash their hands,” he tells me in his burger getup. He has dreams, as an artist and a performer, but they are limited in scope. One day he wants to dress up as a piece of bacon for the morning shift.

THE MAIDEN VOYAGE OF THE TITANIC (the Icon of the Seas is five times as large as that doomed vessel) at least offered its passengers an exciting ending to their cruise, but when I wake up on the eighth day, all I see are the gray ghosts that populate Miami’s condo skyline. Throughout my voyage, my writer friends wrote in to commiserate with me. Sloane Crosley, who once covered a three-day spa mini-cruise for Vogue , tells me she felt “so very alone … I found it very untethering.” Gideon Lewis-Kraus writes in an Instagram comment: “When Gary is done I think it’s time this genre was taken out back and shot.” And he is right. To badly paraphrase Adorno: After this, no more cruise stories. It is unfair to put a thinking person on a cruise ship. Writers typically have difficult childhoods, and it is cruel to remind them of the inherent loneliness that drove them to writing in the first place. It is also unseemly to write about the kind of people who go on cruises. Our country does not provide the education and upbringing that allow its citizens an interior life. For the creative class to point fingers at the large, breasty gentlemen adrift in tortilla-chip-laden pools of water is to gather a sour harvest of low-hanging fruit.

A day or two before I got off the ship, I decided to make use of my balcony, which I had avoided because I thought the view would only depress me further. What I found shocked me. My suite did not look out on Central Park after all. This entire time, I had been living in the ship’s Disneyland, Surfside, the neighborhood full of screaming toddlers consuming milkshakes and candy. And as I leaned out over my balcony, I beheld a slight vista of the sea and surf that I thought I had been missing. It had been there all along. The sea was frothy and infinite and blue-green beneath the span of a seagull’s wing. And though it had been trod hard by the world’s largest cruise ship, it remained.

This article appears in the May 2024 print edition with the headline “A Meatball at Sea.” When you buy a book using a link on this page, we receive a commission. Thank you for supporting The Atlantic.