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Drive movie review: Sushant and Jacqueline's prettiness and an under-par heist come wrapped in awful SFX

At first it does seem like Drive might prove to be an entertainer but the narrative, like the special effects, steadily declines as the film progresses.

Language: Hindi

Rating: 1/2 star

So it is here at last: the first direct-to-Netflix release by Karan Johar’s Dharma Productions.

Produced by KJo, written and directed by Tarun Dostana  Mansukhani, starring Sushant Singh Rajput and Jacqueline Fernandez, Drive is a thriller that follows the tried-and-tested pattern of a heist within a heist within a heist. Film industries across the world have explored this genre to fun effect. India’s Hindi film industry a.k.a. Bollywood proved that it has the chops for wheels-within-wheels-within-wheels crime back in 1978 with the iconic Don starring Amitabh Bachchan, more recently with Abbas Mustan’s Race in 2008 and the SRK-Farhan Akhtar Don films in 2006 and 2011.

The very least you would expect after seeing the poster, the credits of Drive and reading its summary is that it would deliver spadefuls of excitement, pretty people in pretty clothes and swish special effects. Well, lower those expectations right away.   

Sure, Rajput and Fernandez look hot in the film, both have tremendously fit bodies, and if you think back on the story, the original concept probably had the potential to become a slick cops-and-robbers drama. At first it does seem like Drive might prove to be an entertainer but the narrative, like the special effects, steadily declines as the film progresses. The SFX are overall so downmarket that it is hard to believe Drive comes to us from Dharma, whose signature for at least two decades has been glossy visuals.   

Not that anything else in the film is of high calibre. Well suited to the SFX are the generic storytelling style, the overall ordinary production quality, inconsistent audio, a stand-out acting loophole and glaring lack of logic that, among other things, translates into Delhi roads – notorious in reality for their traffic jams – obligingly emptying themselves out to accommodate high-speed car races and chases at all times of day and night.   

The reason why Drive is set in India’s capital city is because a robbery is being planned in Rashtrapati Bhavan. The primary players in this game are a group of car racing aficionados, an outsider who infiltrates their inner circle, a criminal known simply as King – you know, like Don in Don – and corrupt bureaucrats.   

The opening race in Drive is reasonably well done, the song ‘n’ dance that follows is kinda nicely choreographed by Adil Shaikh, and Jacqueline Fernandez has some cute moves in it. From then on it is a downhill descent.   

Gaping gaps in the plotline recede into the background in the face of ordinary car chases that routinely look plastic and an embarrassingly low-brow extended climax that feels like the work of an entry-level animation student. Lightning McQueen’s universe appeared more real than the vehicles and roads in several of this film’s scenes.   

Much has been made of the fact that a portion of Drive was filmed in Israel, making it the first Bollywood venture to be shot there. The media has reported that the film was also partly funded by that country’s government . The true mystery here is why the Israeli sarkar thought this film would be a good ad for them in India. Be assured that what Kabhi Alvida Naa Kehna is to New York City or Zindagi Na Milegi Dobara is to Spain, Drive is absolutely not to Tel Aviv. At best the city is treated like the geographical equivalent of an ‘item’ number chucked mindlessly into a bad Bollywood film – it springs up out of the blue and it has no relevance whatsoever to the storyline.

In the face of such mediocrity, analysing the screenplay almost feels pointless. But a job is a job, so consider this. Without giving anything away let us just say the only way the masterplan revealed in the climax of Drive could possibly have worked is if no one in Rashtrapati Bhavan’s entire security department checked a critical character’s ID carefully for several days.   

Granted that this point arises only in retrospect, and granted that this person could have had the world’s top creator of fake IDs backing them, so instead consider this question that comes up quite early in the film. (Some people may consider this paragraph a spoiler) The loot could not have been where it was unless other critical characters managed to easily beat the security system in the Indian President’s residence for what must have been months, if not years. If you have visited Rashtrapati Bhavan and experienced the tight restrictions in place in the complex, you would know how ridiculous this is. How the crooks aced the system is never explained, we are simply expected to accept that they did because we are told so. (Spoiler alert ends)

Or consider this. Person X says in the end that they were expecting to be deceived by Person Y. But in an earlier scene when X realised they had been double-crossed by Y, the facial expression – clearly visible in close-up – is one of shock and not at all “oh well, I knew this was coming”.

Or this. In a key scene in Drive , a quartet of cars zips through an airport runway and the occurrence seems not to be a blip on the radar of Air Traffic Control (ATC), the local police or the news media at that point or for the two months that the story continues. This writing laziness is intentional – having ATC, the police and press notice the breach would have been too much of an inconvenience since it could have meant the kingpins of the gameplan being discovered before the writer wanted them to be, you see.   

Or consider this. Snazzy cars with the words “Delhi Police” emblazoned on them zoom about the city, offering evidence of how little the team of Drive knows the reality of the capital’s ill-equipped force.   

As for the acting, well, Pankaj Tripathi does lend a Pankaj Tripathi touch to his character, but really, how is one to seriously and fairly critique the performances in such a film?

For a moment let us set aside thoughts of the cast though, and Johar, Netflix and Israel. Let us take that moment to mourn the fact that this sub-standard action flick has been made by the same director who gave us  Dostana , which, notwithstanding its resemblance to a Hollywood film, was, in its own way, pathbreaking in the Indian social context. From Dostana to Drive is such a fall.

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Drive movie review: Sushant Singh Rajput’s Fast & Furious clone is one of Netflix’s worst mistakes ever

Drive movie review: sushant singh rajput and jacqueline fernandez star in a cheap imitation of fast & furious, which has to be one of netflix india’s worst mistakes ever..

Drive Cast: Sushant Singh Rajput, Jacqueline Fernandez, Boman Irani, Pankaj Tripathi Director: Tarun Mansukhani

The only reason Drive exists is because someone watched all the Fast & Furious films, ended the binge with Ocean’s Eleven and Italian Job and thought ‘If they could do it, so can I’. How the idea was bought by a studio as market-savvy as Dharma is something we will never know. However, they cut their losses in time and wriggled out of a theatrical release, handing it off to Netflix instead.

The Sushant Singh Rajput and Jacqueline Fernandez movie now joins the ranks of Chopsticks and Brij Mohan Amar Rahe – films that leave you wondering if the execs of streaming giant were having an off day or if the problem lies deeper.

Things are so dire that you know from the first shot that this is one drive you should have avoided. It begins in the worst way possible – with an in-your-face product placement and a cut-price Fast & Furious feel to it. Blondes dancing in hot pants and shirtless men showing off their six-packs as cars vroom around them – you get the picture.

Jacqueline Fernandez rules over this hub when she is not plotting heists. The ‘kachra’ in her engine is a man called King who is out-heisting her, and if good caper films are anything to by – without much finesse. Her latest plan involves a robbery in Rashtrapati Bhawan where an unscrupulous Director of Monetary Restrictions (Vibha Chibber) – now that sounds like a post-demonetisation designation, but I digress – and her deputy Hamid (Pankaj Tripathi) have hidden their ill-gotten gains. However, PMO is onto King and has put their best man on the job, Irfan (Boman Irani).

All good caper films are a combination of plot finesse and suavity. Heist films, as a genre, come with their implausibilities – you admire the good ones for them, the terrible ones grate. In all the double-crossing and triple-crossing, Drive drops quite a few beats. While there are some moments of thrill where you are truly invested in the film, they are so rare that you marvel when they come.

However, it is in the suavity department that Drive is truly lacking. Sushant – who has some truly good performances to his name – has a smug, pouty expression stuck on his face throughout Drive. Try as he might, he just cannot wipe that off and start acting. Jacqueline simply doesn’t have the acting chops to carry off the Mata Hari role makers have dreamt up for her. Pankaj and Boman try but realize somewhere in the middle that the effort is just not worth it.

But then, why should they put in all the work when everyone is having a ball. The lyrics and dialogues appear to have been written in English and when they couldn’t find anyone who can speak passable Hindi, they dialed for Google Translate. There is a song called ‘Karma Badi Kameeni Hai’ whose literal English translation ‘Karma is a B**ch’ may actually ring a bell. Then Sushant mouths this stilted ‘Mujhpar kissi ka adhikaar nahi hai’; why not make him say ‘Nobody owns me’ and be done with it?

The film’s CGI is real deal-breaker. The moment Drive steps on the gas and chases kick in, the film starts looking like a bad video game. The only response to the god-awful visual effects could be helpless laughter. The stakes are so low that Drive never recovers – especially as they come at what are supposed to be the most thrilling moments in the film. The fact that there are scenes ‘inspired’ by Fast & Furious does not help. While I cannot give you more without ruining the moments, you will know when you see them and then rue the discount version.

Drive is a lot like the name of its villain – terribly dated. You could build up men named King when they were fighting off others called Lion (or, to be precise, Loin). The film, with its gyrating blondes and street racing, is trying so hard to be the uber-cool racing-heist film but its soul is stuck in the 80s. If it has a soul, that is.

Follow @htshowbiz for more The author tweets @JSB17

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Drive: Release Date, Trailer, Songs, Cast

• Release Date 1 November 2019
• Language Hindi
• Genre Action, Crime, Drama
• Duration 1h 59min
• Cast Sushant Singh Rajput, Jacqueline Fernandez, Vikramjeet Virk, Sapna Pabbi, Boman Irani, Pankaj Tripathi
• Director Tarun Mansukhani
• Writer Mast Ali
• Cinematography Vishal Sinha
• Music Tanishk Bagchi
• Producer Karan Johar, Hiroo Yash Johar, Apoorva Mehta
• Production Dharma Productions
• Certificate U/A

About Drive Movie (2019)

In the Drive movie, you will see Tara (Jacqueline Fernandez) is the head of the street racers gang and her two friends Bikki (Vikramjeet Virk) and Naina (Sapna Pabbi) are also part of the same. They are eyeing the 300 kg gold that is already stolen by a mysterious criminal, "King". Samar (Sushant Singh Rajput) is the undercover agent who manages to become a part of the street racer gang. This bunch of thieves decides to enter into the gang aim to Rashtrapati Bhavan and loot the black money and the gold from a corrupt bureaucrat Vibha Singh (Vibha Chibber), who is also the head of the Monetary Restrictions Authority. Hamid (Pankaj Tripathi) is the partner in crime and the right-hand man of Vibha.

It will be interesting to see whether these thieves will be able to accomplish the mission 'heist'? To find out, you can watch the movie online as Drive is now streaming on Netflix.

Drive Movie Cast, Release Date, Trailer, Songs and Ratings

Drive is a low – budget Race 3 which was supposed to release on a big screen but due to several shifts in its release dates, the producer of the film, Karan Johar decides to release it on Netflix instead.

Drive is a story about a gang of mafias whose head being Tara (Jacqueline Fernandez), operates from a warehouse in New Delhi and they want to rob the Rashtrapati Bhawan. Then there is Samar (Sushant Singh Rajput) who, along with four crew members, executes the robbery in the most predictable way – hack CCTV cameras, enter the place and execute the robbery on an occasion when the security is the lease and runoff in sports cars. Drive also has Pankaj Tripathi and Boman Irani playing law enforcers who chase the robbers Samar, Tara and their crew. Drive has the most predictable plot of security lapses, worried cops, over-smart criminals and never-ending chases between the cops and the criminals. You can honestly watch the entire film and still, you won’t find a twist that will keep you glued to watching the movie.

If you want to desperately waste 2 hours of your life and some internet data, then you can definitely opt watching Drive but it’s suggested that you do not do it at all.

Drive Movie Trailer

Sushant Singh Rajput and Jacqueline Fernandez starer movie Drive trailer is making the news and is one of the most awaited movies which shall release on Netlix. Go ahead and watch the Drive official trailer below.

Drive Movie Songs

The song "Makhna" from the Drive is now OUT. Take a look at the song below.

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Drive Movie Review: Sushant Singh Rajput, Jacqueline Fernandez's Film Runs On Empty

Drive movie review: this rough and rash thriller has the power to drive even the most undemanding bollywood fan up the wall with its insipid mix of speed, greed and wild goose chases..

Drive Movie Review: Jacqueline and Sushant in the film. (Image courtesy: karanjohar )

Cast: Jacqueline Fernandez, Sushant Singh Rajput, Vikramjeet Virk, Boman Irani and Pankaj Tripathi

Director: Tarun Mansukhani

Rating: 1 Star ( out of 5)

The world has been waiting for a second film from Tarun Mansukhani, the director of Dostana , for over a decade now. It is finally here, but it has gone straight to Netflix, the first-ever Dharma Productions film to do so. Written and directed by Tarun Mansukhani, Drive is a film that runs on empty. It bears absolutely no resemblance to Nicholas Winding Refn's film of the same name, which fetched the Danish filmmaker the best director prize in Cannes in 2011. This one has ‘what-a-waste' written all over it. It should have stayed in the cans.

Drive , streaming from today, is a rough and rash thriller that has the power to drive even the most undemanding Bollywood fan up the wall with its insipid mix of speed, greed and wild goose chases. It is the sort of film in which an array of picture vehicles has no trouble in putting the human actors in the shade. A sizeable percentage of the film's principal characters are either street car racers in their mean machines or are people who nurture the ambition to jump on to the bandwagon.

These speed fiends operate out a warehouse in Delhi. The first few sequences of the film revolves around them as a few of them go for a spin from India Gate to Chhatarpur. Drive , from the word go, swerves well away from the style and substance of the older Ryan Gosling starrer (it was based on a bestselling novel by James Sallis and adapted by the British-Iranian screenwriter Hossein Amini) and opts for unabashedly featherbrained methods in an attempt to whip up excitement. No matter what this film puts on the screen, it only adds to the repetitive ruckus.

A still from Drive .

The Drive cast is led, mostly astray, by Sushant Singh Rajput and Jacqueline Fernandez. It would, however, be unfair to pin the blame for where this shoddy film ends up on the shoulders of the lead pair alone. The roles are written sans a shred of imagination and the situations conjured up with the aim of delivering thrills only succeed in sending the film towards dead-ends. As one character says of another: he sends us in one direction and then goes the other way. He might as well have been speaking of the film itself. Even actors like Boman Irani and Pankaj Tripathi, who float around like a pair of feckless gumshoes, are at their wit's end in this atrocious action drama about thieves who plan a heist in Rashtrapati Bhavan. Yes, Rashtrapati Bhavan!

But why must Fernandez choose only to strut instead of walk like a normal human being? Or what is the idea behind Sushnat Singh Rajput wearing a perpetually boyish smirk all through the film? Are the actors trying to tell us something? Unfortunately, the wall between what the characters are doing and what the audience is expected to grasp is very high – and thick. Nothing seeps through.

Late in the film, here is what the hero says to the heroine: "I had full faith in you; I knew you would betray me." There is little love lost between them but they do, in what at that precise point seems like a sign of weakness, seal a deal with a kiss. Indeed, that is what the game is between the two principal players on the one hand, and between the duo and a bunch of bumbling pursuers who want to catch them red-handed before they can get to a stash of cash hidden in a secret chamber of President's House.

The money – it adds up, we are told, to 890 crore rupees – is the ill-gotten wealth amassed by Vibha Singh, head of a body called Monetary Restrictions Authority. She takes a 40 per cent cut from high-value tax evaders to give them a clean chit and spirits away the payouts into a vault that only one other person in her office – her right-hand man Hamid (Pankaj Tripathi) – is aware of.

One fine day, Vibha Singh receives a call from the Prime Minister's office instructing her to work with a guy called Irfan (Boman Irani) on an operation to nab a mysterious robber, King, who after he robs a bank, a government facility or a jewellery store, leaves behind a calling card indicating the site of his next raid. Rashtrapati Bhavan is now on King's radar, Irfan announces.

The already messy film takes a turn for the worse from here on as silly plans are made, deals are struck and dimwitted robberies are attempted. Amid the hurly-burly, the details cease to matter and the spectacle of unbridled stupidity takes over. In the end, we find ourselves watching four red sports cars zooming up and down an airport runway. A passenger plane about to take off narrowly misses one of the vehicles, while two other cars screech to a stop tantalizingly short of overrunning incomplete flyovers.

Drive is a full-on Bollywood flick. It has a complement of musical set pieces: an item song featuring the heroine, a nightclub number and a dance to mark the wedding of two of the heroine's trusted aides – Bikki (Vikaramjeet Virk) and Naina (Sapna Pabbi). Do not ask what these two hangers-on are in the mix for.

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Drive is so utterly pointless that one wonders why on earth it is on a streaming platform. That is a mystery. It will take some doing to crack. In the meantime, steer clear!

( Drive streams on Netflix from November 1)

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Directed by Tarun Mansukhani

A notorious thief allies with a street racer for a grand heist involving an elaborate game of deceit with authorities, who have their own dirty secrets.

Sushant Singh Rajput Jacqueline Fernandez Vikramjeet Virk Sapna Pabbi Boman Irani Pankaj Tripathi Shweta Nair Vibha Chibber Bikramjeet Kanwarpal Paniza Rahnama

Director Director

Tarun Mansukhani

Producers Producers

Karan Johar Hiroo Johar

Writer Writer

Original writer original writer.

James Sallis

Story Story

Casting casting.

Panchami Ghavri Himalaya Agrawal

Editor Editor

Deepa Bhatia

Cinematography Cinematography

Vishal Sinha

Visual Effects Visual Effects

Prashant Thakur

Stunts Stunts

Stefan Richter Simon Van Lammeren Vikram Dahiya

Composers Composers

Tanishk Bagchi Amartya Rahut

Costume Design Costume Design

Himani Bhatia Sanjana Shah

Dharma Productions

Releases by Date

01 nov 2019, releases by country.

• Digital UA Netflix
• Digital PG13 Netflix

119 mins   More at IMDb TMDb Report this page

Popular reviews

Review by Quinten ★ 1

Hey that's not Ryan Gosling

Review by Austin Burke ½ 15

❌5% YouTube video - Click  HERE 2019 list - Click  HERE

This isn’t worth spending time on. This is easily one of the most poorly constructed films I have ever witnessed. There is no indication of anything important  happening from beginning to end. The plot is a jumbled mess, the dialogue is meaningless, and the editing is ridiculous. This may seem like an insult but just go watch the trailer. This is the definition of “Fast and Furious” light, and if you hate those movies, this thing will make that franchise feel like The Godfather. It’s completely ridiculous and unaware of that fact that it feels satirical, yet it’s not.

Anyone learning how to edit, whatever program that may be with, just…

Review by EmeryMemery ★★★★½ 2

Nicolas Winding Refn teams up with Ryan Gosling in this thrilling arthouse take on the crime genre. With brilliant pacing, cinematography, acting and music, this film will be known as a classic in the future, guaranteed.

Review by hsasaki853 ½

i was going to REwatch Drive for the 500th time and i accidentally watched the wrong movie...

a huge question i asked throughout the whole movie was: "how can you drive a sports car and race with it on HEELS?!"

there is something i would tell myself. when you start a movie, you finish a movie.

Review by Terminall 2

Hey wait a minute, that’s not Literally Me. Who the hell is that and what the fuck is this movie?

Review by Eliza ★★★★

I swear letterboxd has no idea what the fuck fun is. This is so much better than Refn's Drive.

Review by itskyle ½

One of the biggest wastes of time I’ve ever endured.

I did find it hilarious though that so many things were CGI, when they really didn’t have to be.

Bollywood is...different.

Review by Ashvin ★★★★★ 1

Vroom vroom

Review by Sanjeet Singh 9

Imagine Abbas-Mustan were film school students, and this was their thesis film.

Review by JakubM ★

Drive is the strangest thing I’ve seen on my ill-advised journey through Netflix’s underbelly. Ostensibly, it’s a Hindi mash-up of the Fast and Furious  and Ocean’s franchises, but these origins are almost beside the point. I have never seen such a large budget spent this haphazardly, and my sensibilities have never been challenged so thoroughly. I am humbled. Ironically, given its clearly misguided allocation of funds,  Drive kicks off with a shout out to some sponsors (Big Boy Toyz and the government of Israel), and then proceeds to reference them consistently for the remainder of the runtime. Notably, this includes a five-minute travelogue through Tel Aviv that has almost nothing to do with the narrative. It’s just clips of the cast partying, hanging out…

Review by Eve ★

not enough bryan cranston

(I forgot to log this an hour and a half ago)

Review by Mark Lunn ½ 1

Easily the most incompetent film of 2019. Its so bad actually the first half had me rolling in laughter. The action is so terribly edited that it's hilarious. But after that this movie just gies from hilarious to mind bogglingly awful. The last 10 mins were so unbelievable bad. The script writes itself as it goes. The film is so obsessed with plot twists that it starts to make no sence and when you start to think about it just a bit the whole film collapses. It's also strangely hard to tell who are the main characters. Yes it's that bad. This is easily 2019's worst film. However, it won't go below After cause I hate that film with every cell in my body. While there is a good 30 mins of this film that qualify as "So bad it's good.

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Drive movie review: A sad joke

Drive movie review: drive seems to have been strung up with influences from hollywood films featuring sharp racing, sleek cars, and canny 'chors’, but has none of the smarts it is aiming at..

Drive movie cast: Sushant Singh Rajput, Jacqueline Fernandez, Boman Irani, Pankaj Tripathi, Sapna Pabbi, Vikramjit Virk Drive movie director: Tarun Mansukhani Drive movie rating: 1.5 stars

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When this film begins, you see hot wheels, hotter girls, lots of revving cars, and some chatter about racing and winning. So you think ok then, that’s what Drive is all about. But no, that’s not what it is about. Or shall we say, that’s not what it is ALL about.

Our attention is drawn to a bunch of thieves burgling a jewellery store. Some other thieves are tracking those ‘chors’. For what purpose? Don’t ask. Everyone is dressed like they just got off the sets of Oceans 11/12 etc. I told you, don’t ask, didn’t I?

In yet another strand, a bunch of government officials are trying to track the stolen ‘maal’. There’s a staid-looking middle-aged lady who is an expert at creaming off the top. Any top. Accompanying her is a colleague (Tripathi) who follows orders when he is not slapping about some reedy fellow. And hovering over them is a PM-ke-daftar-se type (Irani) who is meant to solve all these mysteries.

Somewhere in the middle of this mess, we see a sleek, well-combed guy (Rajput) trying to keep pace with a leggy, tumble-locked, pink-lipped gal (Fernandez), who likes hanging out with a buffed-up, inked character (Virk) who seems to have a soft spot for a pretty young thing (Pabbi). They are mostly to be found in a garage/hangar/den strewn with Ipads and computers and sundry extras who show up to cheer now and then. They, psst, speak in ‘patri-code’. Huh?

Everyone is chasing everyone else. Did I tell you that Rashtrapati Bhavan becomes a location in this movie? That’s right. It is shown to be a warren of walkie-talkies and CCTVs and uniformed guards and a museum-like large room where there are paintings strewn about, and which has, yes, shhh, a secret room.

The girls look all blow-dried and cat-walk ready, and break into dance whenever they need a break. A song goes, Karma is a bitch. Or a snitch? Who knows? And looking at the plot, or what passes for it, who cares? Who are the real ‘chors’? You don’t even need to be specially smart to twig on: when the reveal is not a reveal, what is it? A sad joke.

That’s really what this film is. It seems to have been strung up with influences from Hollywood films featuring sharp racing, sleek cars, and canny ‘chors’, but has none of the smarts it is aiming at. Should it have been called Heist instead? You want to watch it, and tell me?

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Delhi's closely watched Lok Sabha elections saw high-profile contests in three seats, with BJP winning all seven seats in both 2014 and 2019. AAP and Congress contested in an alliance, with over 88 lakh out of 1.5 crore registered voters casting their votes. Exit polls predicted a challenge to incumbent MP Manoj Tiwari in North East Delhi and BJP's Praveen Khandelwal in Chandni Chowk.

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Refrain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks, name calling or inciting hatred against any community. Help us delete comments that do not follow these guidelines by marking them offensive . Let's work together to keep the conversation civil.

Aman Jain 37388 3653 days ago

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Vaisakh 3762 days ago.

"one best movie that I have ever seen"

hrithik byju 3783 days ago

its a blend of comedy suspense.its a thriller.one of the best of mohanlal

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Kraven the Hunter

Russian immigrant Sergei Kravinoff is on a mission to prove that he is the greatest hunter in the world. Russian immigrant Sergei Kravinoff is on a mission to prove that he is the greatest hunter in the world. Russian immigrant Sergei Kravinoff is on a mission to prove that he is the greatest hunter in the world.

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