creative writing poetry or prose

Prose vs. Poetry: Their Differences, Overlaps, and Writing Each

Sean Glatch  |  May 15, 2024  |  One Comment

The difference between prose and poetry seems easy to explain: one has blocks of text and fully-fleshed characters, the other has line breaks and pretty words. That’s it, right?

Despite their visual quirks, prose and poetry share many similarities: prose can be musical, poetry can have plots and characters, and both are millennia-old traditions. As such, it would be wrong to prescribe a rigid decision tree for writing prose vs. poetry—many writers have both in their toolkits, relying on each form to communicate different truths.

“Poetry creates the myth, the prose writer draws its portrait.” —Jean-Paul Sartre

So what is the difference between poetry and prose? And which should you write for which occasions? Again, we won’t give hard-and-fast rules, but we can explore their differences in depth and discuss their possibilities.

First, we’ll discuss the features of prose and poetry independently, then we’ll loop back to examine both their differences and their areas of overlap.

Prose Vs. Poetry: Contents

Prose Versus Verse: Line Breaks

Prose is more functional than poetry, how to read prose, further readings in fiction and nonfiction, artistic definitions of poetry vary, poetry uses language richly, how to read poetry, further readings in poetry, poetry vs. prose: a clear example of each, 5 similar features of prose and poetry, 10 differences between prose and poetry, poetry vs. prose venn diagram, prose vs. poetry: a final note on literary binaries, prose vs. poetry: defining prose.

Prose is the more common writing form that everyone is comfortable reading and writing. This article relies on prose—as do most ( but not all! ) novels, and just about all news stories, instruction manuals, scientific papers, and so on.

The most straightforward rule of thumb for knowing that you’re reading prose (as opposed to its counterpart, verse ) is that there are no defined line breaks : words go all the way to the edge of the page without “turning back” early.

A rule of thumb for prose (as opposed to its counterpart, verse ) is that there are no defined line breaks.

Again, that’s how this blog article works, along with most other writing, from tweets to short stories to scientific papers.

So why would you stop writing prose, and move over to the with-line-breaks type of writing known as verse? The line breaks aren’t arbitrary, but reflect an underlying difference in how prose and verse tend to be structured. To quote the always-helpful Wikipedia:

“Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph.”

So is verse (writing with line breaks) always poetry? While two are often used synonymously, defining poetry requires more than just scanning for line breaks: as we’ll discuss below, poetry is also about the rich and musical use of language.

Prose is not the counterpart of poetry, but the counterpart of verse.

So prose is not the counterpart of poetry, but rather the counterpart of verse. So verse is not what strictly defines poetry. In fact, not all poetry is in verse—specifically, prose poetry isn’t. In other words, prose and poetry do overlap, whereas prose and verse don’t.

Most poetry is in verse, but some poetry is in prose.

We go into more detail on line breaks, stanzas, and the use of page space in the sections below.

A helpful pattern in understanding prose vs. poetry is as follows: prose tends to work in clearer meanings, and to be less musical (that is, working with the inherent rhythms and sonic properties of language) and less densely packed with meanings, literary devices , and associations, than poetry.

As such, prose writing tends to be linear: while a prosaic sentence can twist and turn, it tends to share clear information, generally in a logical order.

Prose tends to work in clearer meanings, and to be less musical and dense, than poetry.

Again, exceptions exist, notably prose poetry : prose writing—writing with no line endings or defined rhythmic meter—that is highly musical and dense, and that is generally more impressionistic and multifaceted than most prose in the meanings it conveys.

And then there’s prose writing that is enigmatic and dreamlike rather than clear and orderly, such as the stream-of-consciousness prose writing in James Joyce’s Ulysses .

These exceptions prove the rule, though: most other prose, from this blog article your friend’s next Facebook post to Mary Shelley’s Frankenstein , tends to follow the delineation described here.

We’ll allow Hemingway a last word with a slightly macho, not-applicable-to-every-prose-work, but still helpful description of prose: “Prose is architecture, not interior decoration.”

Sound good? To get a stronger feel for prose and further acquaint yourself with prose writing, take a look at the readings below.

This article gives close reading strategies for prose writing.

How to Read Prose: Close Reading Strategies for Prose Writers

The articles below outline helpful practices for numerous kinds of prose writing, from flash fiction to the novel, focusing especially on the common ingredients of storytelling .

• Crafting a Story Outline
• Freytag’s Pyramid
• Literary Devices in Prose
• Writing Flash Fiction
• Writing the Short Story
• Writing the Novella
• Writing the Novel

Prose vs. Poetry: Defining Poetry

Poetry is the oldest literary form, predating the written word (and therefore, prose) by several millennia. Up until the printing press revolutionized the distribution of literature, poetry was the main form for storytellers, who used meter and rhythm to perform oral retellings of their work.

So, what is poetry? As we’ve seen in our introduction to prose above, most—but not all—poetry is written in verse: writing with line breaks, organized around rhythm or meter rather than grammar. Still, we’ve also seen that verse is not what defines poetry, nor is all poetry based in verse.

So it’s not simply another word for verse. Is there an agreed-upon artistic definition of poetry as a literary form? (Spoiler: No.)

Artistic definitions of poetry change from poetic movement to poetic movement—and from poet to poet.

For example, William Wordsworth said that poetry is “the spontaneous overflow of powerful feelings… recollected in tranquility.” This sentiment—largely reflective of the Romantic era—certainly rings true for some poetry. However, New Formalist poets work with poetry to distill and reflect emotion through form and meter: in other words, structure over emotion.

The point is, there’s no singular way to define or understand the artistic aims of poetry. Rather, all poets must define these aims for themselves and write accordingly.

Poets must define the artistic aims of poetry for themselves and write accordingly.

Learning about poetry requires familiarizing yourself with what other poets have already done. This list of poetry movements can jumpstart your understanding of poetry’s complex and various histories.

Good poetry, from any tradition, sings and resonates beyond the merely “prosaic.”

Whatever literary tradition you ascribe to, poetry has a clear job to be rich, musical, evocative. Good poetry, from any tradition, sings and resonates in a way that goes beyond the merely “prosaic,” as in the following poem excerpt by Derek Walcott:

You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you

all your life, whom you ignored for another, who knows you by heart.

So poetry, in any tradition, is the “cheesecake of language”: packed to the brim with sonic and expressive power. In poetry, it’s not enough to make a rational point straightforwardly, like the prosaic sentence you’re reading is doing.

Samuel Taylor Coleridge said this beautifully, and we can give him the last word in defining poetry.

“Poetry: the best words in the best order.” —Samuel Taylor Coleridge

Cool, right? If you’d like to learn more, check out our guides for reading and understanding poetry.

This article gives close reading strategies for poetry writing.

How to Read Poetry Like a Poet

The articles below outline helpful practices poetry writing, including deep dives on common literary devices in poetry and established poetry forms.

• Poetry Forms
• Writing and Publishing a Poetry Book

Let’s cap the definitions of poetry and prose above by simply giving a clear example of each.

Here is some beautiful fiction writing that is definitely prose:

They were nearly born on a bus, Estha and Rahel. The car in which Baba, their father, was taking Ammu, their mother, to hospital in Shillong to have them, broke down on the winding tea-estate road in Assam. They abandoned the car and flagged down a crowded State Transport bus. With the queer compassion of the very poor for the comparatively well off, or perhaps only because they saw how hugely pregnant Ammu was, seated passengers made room for the couple, and for the rest of the journey Estha and Rahel’s father had to hold their mother’s stomach (with them in it) to prevent it from wobbling. That was before they were divorced and Ammu came back to live in Kerala.

—Arundhati Roy, The God of Small Things

And here is some writing that is definitely poetry:

We are such stuff As dreams are made on; and our little life Is rounded with a sleep.

—Shakespeare, The Tempest

Having defined prose and poetry above, the reality is that they can be more similar than you might imagine. We’ll discuss their differences in a moment, but first, it’s important to understand the shared potential that each form holds:

• Musicality and rhythm
• Use of colloquial speech
• Use of literary devices
• Ability to tell stories
• Show, don’t tell

1. Musicality and Rhythm

It’s a common misconception that only poetry can be musical. While rhythm and meter are important aspects of a poem’s construction, musicality begins with language, not with structure.

An immediate example of “musical prose” is The Great Gatsby by F. Scott Fitzgerald. Susan Bell, writer of The Artful Edit , argues that Gatsby finds its success precisely because of the story’s musical, elegant storytelling—certainly, the book has a charged poeticism that feels just as decadent and tasteful as the high society of the Roaring Twenties. Below is some undeniably musical prose:

2. Use of Literary Devices

Things are like other things, which is the essence of literary devices. While some devices are unique to each form—poems have enjambment, prose can begin in media res —a successful piece of writing requires literary devices .

3. Use of Colloquial Speech

Yes, some writing uses lofty and erudite language. However, contemporary prose and poetry writers, from all eras, recognize the importance of speaking to their audience.

Colloquial speech is one way of speaking to your audience. A colloquialism is a turn of phrase with a specific social and temporal context. For example, “groovy” belongs to the American 1970s, Victorian Brits called a brave person “bricky,” and Gen Z’ers “stan” on Twitter.

In literature, Jay Gatsby’s “old sport” is just as colloquial as the poem “A Study of Reading Habits ,” which uses phrases like “right hook” and “load of crap.”

4. Storytelling

Another common misconception is that poetry doesn’t tell stories. While fiction and nonfiction are the genres of prose, poetry also possesses a powerful narrative voice.

Singular poems can tell grand stories, especially poetry in antiquity. The Epic of Gilgamesh , The Odyssey , and Beowulf are all stories in verse, as are novel-poems like Autobiography of Red .

Additionally, contemporary poetry collections often tell stories, just with less linearity. Louise Gluck’s collection Wild Iris is told from the perspective of a flower, and as the seasons change, the flower observes the infinite singularity of mankind, God, and the Universe.

5. Show, Don’t Tell Writing

It’s important for storytellers to demonstrate their ideas without spoon feeding the reader. In other words, writers should Show instead of Tell.

Don’t tell me the moon is shining; show me the glint of light on broken glass. —Anton Chekhov

We consider “Show, Don’t Tell” a golden rule of writing. Brush up on it here !

We’ve discussed their similarities, but the difference between poetry and prose is usually fairly clear in practice. The following ten items distinguish the two. To help demonstrate our point, we represent each form with a well known piece of literature. Poetry examples were pulled from Dylan Thomas’ “ Do Not Go Gentle Into That Good Night ,” and prose examples come from “ The Cask of Amontillado ” by Edgar Allan Poe.

1. Prose vs. Poetry: Use of Page Space

In prose, a line of text begins and ends at the margins of the page. In poetry, the author uses shorter lines, broken before the page margins to introduce multiple meanings. Line breaks are an enduring feature of what differentiates prose and poetry, adding extra emphasis to certain words and sounds.

You’ll notice in prose that a partial line occurs only before a new paragraph.

In poetry, the line breaks mean something more intentional. The ending words can help uphold meter and rhyme schemes, and it also emphasizes important words: “night” and “light” are repeatedly pit against each other in Thomas’ villanelle .

2. Prose vs. Poetry: Paragraphs vs. Stanzas

Prose passages divide single ideas into sentences, and those sentences go on to form paragraphs. A new paragraph signifies the introduction of new ideas or the continuation of relevant information.

The equivalent of a paragraph in poetry is the stanza. Stanzas are groupings of lines which act as units of meaning, with different stanzas containing different ideas and images.

3. Prose vs. Poetry: Single vs. Multiple Meanings

In prose, the meaning of each word is usually straightforward, with double meanings (like puns and irony) clearly expressed. Most prose relies on clear meanings to deliver clear, linear messages.

By contrast, the language of poetry contains multitudes. One word can hold many different meanings, and ideas can be broken into both sentences and lines.

Take the line “old age should burn and rave at close of day.” The word rave can mean multiple things: it can mean to rant and rave as old people (stereotypically) do, or it can mean to rage and fight against. The pun here is intended to energize the reader,

4. Prose vs. Poetry: Noun-Verb Placements

In Standard English , which is the common (but not default) language of prose, nouns and verbs are found close to each other. This is a facet of “clear communication”—it’s important to know who is doing what as efficiently as possible.

We have bolded the noun-verb pairs in an excerpt from both the poem and prose piece.

Notice how the noun-verb pairs can stray from each other much more easily in poetry. Dylan Thomas inserts a noun-verb pair between a noun-verb pair in each stanza—which is much harder to use effectively in prose.

Notice that, in prose, a noun can have multiple verbs attached to it, but the first verb is almost always next to the noun.

5. Prose vs. Poetry: Rhyme (Sometimes)

There are two types of rhyme: internal and external rhyme. External rhyme occurs at the ends of lines, such as the many “-ight” words in Thomas’ poem.

Internal rhyme refers to words that rhyme with each other inside the same beat. These rhymes are not always intentional or charged with meaning, but they occur, such as in this sentence from Poe’s story:

“We had passed through walls of piled bones , with casks and puncheons intermingling, into the inmost recesses of the catacombs.”

Bones and catacombs aptly rhyme with each other. Note, rhyme is not a necessary feature of any prose and many poems. Though some poetry forms do require rhyme schemes, contemporary poets tend to eschew rhyming.

6. Prose vs. Poetry: Meter (Sometimes)

Like rhyme, meter is an (often) optional component of poetry writing. Meter refers to the stress patterns of syllables and the number of syllables per line. Well-executed meter can give poetry a certain musical quality.

Thomas’ poem is written in iambic pentameter, a requirement of the traditional villanelle form. This means there are 10 syllables in each line, following an unstressed-stressed pattern. To understand syllable stress, read Thomas’ poem out loud, and note how every second syllable is emphasized harder than the first.

Prose does not rely on meter to tell a story.

Prose does not have any metrical requirements, and thank goodness for that. Meter can be extraordinarily tough to impose on a poem, but it also affects how the reader interprets the piece. However, prose does not rely on meter to tell a story, as these poetry devices often instill multiple meanings in a piece.

7. Prose vs. Poetry: Pragmatic vs. Imaginative Focus

On a macro-level, the vision of poets and prose writers tends to differ. Prose has a pragmatic focus, meaning that each word should clearly advance a specific idea or narrative. The focus of prose is storytelling, so the author has a duty to use words diligently.

While poetry can tell stories, a poem rarely focuses on plot points, settings, and characters.

While poetry can tell stories, a poem rarely focuses on plot points, settings, and characters. Rather, poetry has an imaginative focus. Words are allowed to break their conventional bounds in the goal of expressing emotions, and ideas can stack upon each other like grains of sand in a sand castle.

So, what’s pragmatic about Poe, and what’s imaginative about Thomas? Every word in Poe’s piece describes details and events that push the reader towards the climax. At no point does the reader jump out of the narrative to speculate or stargaze.

In Thomas’ poem, the words don’t point the reader towards a specific event, but they do encourage the reader to think deeply about abstract ideas. Old or young, the reader will contend with ideas of life, death, justice, goodness, and the judgment against our souls. In 19 lines of mostly concrete images, the poet asks us to read imaginatively—and in the process, to learn what we believe.

8. Prose vs. Poetry: Paraphrasability

A piece of prose can be summarized. If you ask “what is ‘The Cask of Amontillado’ about?”, it is possible to paraphrase the story and get the gist of its deeper meaning. In short, Poe’s story observes a man desperate for revenge, only to find that revenge often hurts both the punisher and the punished.

Poetry is generally harder to summarize than prose, because it tends to include greater multiplicities of meaning.

Poetry is generally harder to summarize than prose, because it tends to include greater multiplicities of meaning. No one can tell you what a certain poem means. They can tell you what it isn’t —for example, “Do Not Go Gentle” is not about heartbreak, war, or the summertime—but deciding what a poem means requires a reader’s own attention.

For example, one could summarize Thomas’ poem as “an ode to Thomas’ dying father, with a vengeful bent against mankind’s eventual death.” But, does saying that invoke Thomas’ juxtaposition of light and dark? His use of rhyme to draw a conceit? His need to believe in the transience of the soul? By the time you’ve summarized the poem, you’ve written something as long as the poem itself. Poetry cannot be paraphrased.

9. Prose vs. Poetry: Point of View

Prose and poetry treat “point of view” in very different ways. A point of view (POV) refers to who is telling the story. The storyteller doesn’t always have a name or a face, but they do inevitably change how a story is read.

In prose, there are 4 main POVs:

• First Person (I): The story is told in the first person, from a character who is either the protagonist or adjacent to the protagonist. The Cask of Amontillado uses the first person POV.
• Second Person (You): The story is told in the second person. Often, the writer will substitute “the protagonist” for “you,” making the story’s actions feel more intimate and personal. Second Person storytelling is rare, but not unheard of.
• Third Person Limited (He/She/They): The story is told in the third person, and it focuses on the perspective of the protagonist. We have access to most of their thoughts and feelings, but our access to other people is limited by the protagonist’s perspective. Sometimes, writers combine this with the intimacy of 1st person narration, in a technique called free indirect discourse .
• Third Person Omniscient (He/She/They): The story is told in the third person, and the narrator has access to everyone’s thoughts, feelings, and actions. We can jump from person to person with ease, interweaving webs of complex narratives together.

Some stories will also take a Third Person Mixed approach, meaning the meat of the story is told from the protagonist’s perspective, but the reader occasionally jumps to someone else’s POV or to a historical time period.

While poetry can use the same pronouns (I/You/He/She/They), it uses POV differently. A poem is always told from the perspective of “the speaker.” The speaker can be the poet themselves—Dylan Thomas is certainly the voice behind his poem, and he is certainly talking to his father. However, the correct approach is to always call the poem’s POV “the speaker,” as a poem can inhibit many different voices at once. Finally, poetry is much easier to apply to yourself when the speaker isn’t anyone in particular.

10. Prose vs. Poetry: Concision

Prose and poetry writers should both write concisely. Concise writing eschews redundancies and makes every word count. However, concision means something different for the two forms.

In prose, concision generally means that not a word is wasted in conveying information. Concise prose expresses its meaning clearly.

Concise prose expresses its meaning clearly.

Of course, good prose can still be long-winded, as long as this heightens the effect of the work. Take this sentence from Poe’s story:

“It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good-will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.”

These sentences are 19 and 27 words long, respectively. They can also be summarized as follows: “Fortunato thought my smile bore good-will, not the desire to immolate him.”

What does Poe’s long-windedness afford him? Despite being easily paraphrased, every word does count in these two sentences, because they are a part of the narrator’s characterization. He is a long-winded schemer, and that affects how the story must be told, since Poe has chosen the first person to make us intimate with the narrator’s internal conflict.

Poetry is a different situation. Because poetry has line breaks, stanzas, and (sometimes) rhyme and meter, its concision takes a different form. In a poem, it’s great if every word contains heavy meaning; it’s even greater when words contain multiplicities and challenge the reader’s ideas. Economy in poetry is maximizing its impact, musicality, and richness—not necessarily its clear, single meaning.

Economy in poetry is maximizing its impact, musicality, and richness—not necessarily its clear, single meaning.

If you stretched a poem into prose, it would read like a terrible short story, because the concision afforded to poetry is different than that of prose. Concise prose focuses more on clarity of meaning, and poetry more on maximizing the richness and impact of every syllable.

Any article like this risks making literature seem binary, as though prose and poetry were totally discrete entities; so in closing, it’s good to note again that writers, especially contemporary writers, often work at the intersection of prose and poetry, resulting in genres like the prose poem , the lyrical essay or the poetry novel . (And we haven’t even touched on scriptwriting, which is a different form of communication altogether.)

There is much to explore outside of poetry and prose; this article simply covers the basics. As you advance on your writing journey, don’t be afraid to experiment with words outside of the traditional “prose vs. poetry” binary. You might be shocked by what you can accomplish!

Explore both Prose and Poetry at Writers.com

Whether you’re experimenting with poetry, fiction, or creative nonfiction, Writers.com has the classes to help you succeed. Take a look at our upcoming courses —and gain valuable insights from our instructors and writing community .

Sean Glatch

Great summary. I write poetry, prose poems, flash fiction and short stories so I’m using the grab bag of everything you said here! Never taught about line breaks, though. I see some poets going willy nilly all over the page. Maybe there just aren’t any rules where this is concerned…

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Home › Study Tips › Creative Writing Resources For Secondary School Students

What Is The Difference Between Prose and Poetry?

• Published August 31, 2022

Table of Contents

Poetry is an art form that has been around for centuries. It is a way to express oneself through the use of words and can be written in many different styles. There are many different types of poetry, such as sonnets, haikus, and ballads.

Poetry can be written about any topic, and it is often used to express emotions. But what is the difference between poetry and prose?

In this article, we outline the differences between the two popular forms of story-telling.

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Poetry VS Prose

Prose is a form of writing that is based on spoken language. It is characterised by its natural flow and rhythm, as well as its use of regular grammar and punctuation. Prose is often used for novels, short stories, and essays.

Poetry, on the other hand, is a form of writing that is based on musicality and rhythm. It is often characterized by its use of figurative languages, such as metaphors and similes. Poetry is often used for poems and some of its devices are also used in songwriting.

The major difference between the two is that poetry is a form of writing that uses rhythm and rhyme to create a musical or chant-like effect, whereas prose, is a form of writing that is more straightforward and doesn’t rely on rhyme or meter.

Poetry often uses figurative language to create images or expressive ideas, while prose is more literal. Prose is usually used for novels, essays, and nonfiction writing, while poetry is more often associated with literature, lyrics, and storytelling.

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Types of Creative Writing: A Detailed Explanantion

Read the blog and discover different Types of Creative Writing offering insights and examples to help you navigate the world of literary creativity. Explore various forms such as poetry, fiction, non-fiction, and scriptwriting. Discover how each style offers unique ways to express creativity, tell stories, and engage audiences.

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Creative Writing is a diverse and exciting art that demands Writers to look into their imagination and express their thoughts in unique ways. From short stories to poetry, different   Types of Creative Writing which cater to different styles and preferences. In this blog, we will delve into the different Types of Creative Writing, offering insights and examples to help you navigate the world of literary creativity.

Table of Contents

1) What are the various Types of Creative Writing?

     a) Fiction writing

     b) Poetry

     c) Song lyrics

     d) Journals and diaries

     e) Drama and playwriting

      f) Screenwriting

      g) Experimental writing

      h) Novels

2) Techniques used in Creative Writing

3) Conclusion

What are the various Types of Creative Writing?

 Let’s discuss the various Types of Creative Writing:

Fiction writing 

Fiction writing is one of the captivating Types of Creative Writing that transports readers into imaginary worlds, introduces them to memorable characters, and explores numerous emotions and themes. Within fiction, there are several distinct forms that Writers can explore to weave intricate tales. These forms include:

Fiction writing is a captivating part of Creative Writing that transports readers into imaginary worlds, introduces them to memorable characters, and explores an array of emotions and themes. Within fiction, there are several distinct forms that Writers can explore to weave intricate tales:

a) Short stories:

Short stories are concise yet potent narratives that distil the essence of a single plot, theme, or character arc. Writers craft short stories to deliver a powerful impact within a limited word count. The brevity of the format challenges Authors to make every word count, focusing on evoking emotions, building tension, and delivering a satisfying resolution in a short span of time.

Novels offer the canvas for Writers to embark on extended journeys of storytelling. With ample space to develop complex characters, intricate plotlines, and detailed settings, novels invite readers to immerse themselves in the fictional world fully. Writers can explore a myriad of themes, emotions, and conflicts, delving deep into the psyche of their characters and creating a lasting impact on the reader.

c) Flash fiction:

Flash fiction is the art of storytelling distilled into its most concise form. Writers embrace the challenge of telling a complete story within just a few hundred words. This form demands precision and creativity, forcing Writers to capture the essence of a narrative in a condensed space.

d) Fan fiction:

Fan fiction is a fascinating genre that allows Writers to extend and reimagine existing fictional universes. Writers create new stories, scenarios, and adventures featuring beloved characters from books, movies, TV shows, or video games. By building upon established foundations, Writers engage in a creative dialogue with the original creators and fellow fans.

d) Historical fiction:

Poetry 

Poetry is the language of emotions, a lyrical form of expression that transcends conventional prose. It's one of the most interesting and beautiful  Types  of Creative Writing that condenses thoughts, feelings, and imagery into evocative verses.

It invites readers to experience the world through a different lens. Within the realm of poetry, various forms and styles allow poets to experiment with rhythm, sound, and language, resulting in a rich tapestry of literary artistry that involves the following:

Haiku, originating from Japan, is a minimalist form of poetry that captures the essence of a moment in just three lines. With a syllable structure of 5-7-5, haikus distil nature's beauty and human experiences into concise verses. They often focus on capturing fleeting moments, seasons, and emotions, inviting readers to pause and reflect on the subtleties of life.

The sonnet is a structured and elegant poetic form dating  back to the Renaissance. Typically composed of 14 lines, sonnets follow specific rhyme schemes, such as the Shakespearean (ABABCDCDEFEFGG) or the Petrarchan (ABBAABBACDCDCD). Sonnets explore themes of love, beauty, mortality, and the complexities of human emotion.

c) Free verse:

Free verse poetry breaks away from traditional rhyme and meter patterns, allowing poets to experiment with line breaks, rhythm, and imagery. This form gives poets the freedom to let their thoughts flow naturally, creating unique and organic rhythms that reflect the pace of modern life.

d) Limerick:

Limericks are playful and humorous five-line poems with a distinct AABBA rhyme scheme. These witty verses often feature light-hearted language and unexpected twists, making them a favourite for conveying amusing anecdotes and quirky observations.

e) Epic poetry:

Epic poems tell grand narratives of heroes, gods, and legendary quests. With their lengthy verses and intricate storytelling, epic poems like Homer's "The Iliad" and "The Odyssey" have shaped cultures and inspired countless works of literature. These narratives delve into themes of heroism, fate, and the human condition, offering readers an immersive journey through time and imagination.

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Song lyrics

If you like writing poetry or you think that it can be your forte as a Creative Writer, then you can also try your hand at writing song lyrics. Song lyrics are another one of the most popular Types of Creative Writing. 

Practising writing song lyrics is one of the best ways to bring out your creativity, especially if you have a knack for music. Although it sounds interesting and fun, matching the lines in a song lyric can be a challenging task.

You need to think about maintaining not only the intent of the song but also the kind of audience you’ll be approaching. Your song lyrics need to be tangible and understandable, and most importantly, they need to carry out a story and song at the same time.

If you don’t have any proper knowledge of music, then you can try getting help from your friends or peers who have a good knowledge of music and see if your lyrics are going well with the music.

Journals and diaries

Practicing journaling is a good way of regulating someone’s emotions and understand their feelings. If you are unsure what Type of Creative Writing you want to pursue, you can simply start by jotting down the events of your day.

Understanding what you go through every day, not only helps you in your personal development, but also help you to become a good Creative Writer. You can even publish your works as we have seen so many famous people publishing their diary entries. If you want to know where to start, there are several journal entries by famous people, whose works can inspire you to start Writing.

Keeping a journal or diary, is crucial for your mental health, as it helps you to express your feelings in a constructive manner. This also gives you another boost to your writing skills, if you are a budding Writer

Drama and playwriting 

Drama and playwriting are artistic forms of Creative Writing that bring narratives to life through the dynamics of performance. These forms of creative expression explore the intricacies of human interaction, emotion, and conflict within the context of staged productions. Let's delve into the world of drama and playwriting, where characters come alive on the stage:  

a) Tragedy:

Tragedy is a dramatic genre that delves into the darker aspects of human nature and the inevitability of suffering. Tragic plays often revolve around protagonists who face moral dilemmas, internal struggles, and external forces that ultimately lead to their downfall. Tragedies offer audiences a cathartic experience, allowing them to confront and process complex emotions while reflecting on the human condition.

Comedy is the art of entertainment through humour and light-heartedness. Comedic plays explore the absurdities of human behaviour, social conventions, and misunderstandings. These works aim to amuse and uplift audiences, often featuring witty dialogue, situational comedy, and humorous characters. From slapstick to sattire, comedies provide a diverse range of comedic experiences.

c) Monologues:

Monologues are powerful soliloquies delivered by a single character on stage. They offer insight into the character's thoughts, emotions, and motivations, allowing the audience to connect deeply with their inner world. Monologues provide actors with opportunities to showcase their talent and capture the essence of a character's complexity.

d) Dialogues:

Dialogues are the heart of dramatic interaction. They reveal the relationships between characters, advance the plot, and convey emotions and conflicts. Well-crafted dialogues create tension, build connections, and propel the narrative forward, immersing the audience in the unfolding drama.

e) Experimental theatre:

Experimental theatre pushes the boundaries of traditional forms and conventions. This genre encourages innovative approaches to staging, narrative structure, and performance. Playwrights and directors experiment with non-linear narratives, multimedia elements, immersive environments, and audience interaction to challenge perceptions and evoke thought-provoking responses.

Screenwriting 

Screenwriting is the art of crafting stories specifically for the visual medium of film or television. It's a dynamic and collaborative form of writing that serves as the foundation for the creation of compelling on-screen narratives. Here are some key elements of screenwriting:

a) Writing for film:

Film screenwriting involves creating scripts that serve as blueprints for movies. ScreenWriters translate their ideas into a structured format that includes scenes, dialogues, actions, and descriptions. They must balance engaging storytelling with the technical aspects of filmmaking, considering camera angles, pacing, and visual cues.

b) Television scripts:

Television scripts are tailored to episodic formats, such as TV series or miniseries. Writers develop characters, story arcs, and dialogue that span multiple episodes, allowing for character development and plot progression over time. Each episode contributes to the overarching narrative while maintaining its own distinct identity.

c) Adaptation:

Adaptation involves transforming existing source material, such as books, plays, or real-life events, into screenplay format. Writers must distil the essence of the original work while making necessary changes to suit the visual medium and the constraints of time.

d) Dialogue and action:

Effective screenwriting places a strong emphasis on dialogue and action. Dialogue conveys characters' personalities, motivations, and conflicts, while action descriptions provide visual cues for directors, actors, and crew. Both elements work together to create a seamless and engaging on-screen experience.

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Experimental writing 

Experimental writing defies traditional conventions, pushing the boundaries of language and structure to create innovative literary works. It challenges readers to engage with unconventional formats, fragmented narratives, and abstract concepts. 

Through a stream of consciousness, collage writing, and visual poetry, experimental writing offers a fresh perspective, inviting readers to explore new realms of thought and emotion. It's a playground of creative freedom where Writers experiment with words as artists do with colours, producing compositions that evoke intrigue, reflection, and a deeper understanding of the limitless possibilities of language.

It is often said that good Writers are voracious readers. Well, if we take that into consideration, then there have many times where you might have loved reading novels. All the novels that you have read, or you know of, are one of the premium examples of Creative Writing.

They may vary in length, depending on the subject or genre that you choose to write on. If you are writing a long form novel, then they are divided into number of chapters. If you have a big idea waiting to be broken down into many chapters, then novels are for you.

Techniques used in Creative Writing

If you are wondering how to begin Creative Writing, you can start by following these techniques:

1) Narrative

Determining the narrative of your story is extremely important. If you control the narrative in your story, you can hold your audience’s attention for a long time, whether you are writing novels, novellas, or even short stories. In general, you should remember that whether you are doing Creative Writing or Non-fiction Writing, deciding on a narrative and then maintaining that throughout is crucial.

2) Characterisation

Characterisation is vital in building your story. If you don’t provide the details of your characters and describe their physical features, background, past, etc., you cannot help your reader imagine the situation. It is a crucial step in Creative Writing, enabling you to drive the plot forward and allow your story to build more layers.

Before you build your story, you need to have a solid plot to make your story upon. It is a blueprint to help you establish your story's theme agenda. It can also be referred to as a series of events that will help you build up the narrative. The plot has five parts: exposition or introduction, complications or rising action, climax, slow revelations and then the conclusion. The more solid your plot will be, the more you can create beautiful stories.

From the whimsical realms of children's literature to the thought-provoking depths of creative non-fiction, this blog about the different Types of Creative Writing has unveiled a world of literary possibilities. As pens meet paper and imaginations take flight, we hope this blog will guide you on your journey to weave tales that leave an indelible mark on hearts and minds.

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Frequently Asked Questions

Incorporating Creative Writing skills will help you in your professional growth. Creative Writing helps in effective communication, improved problem-solving abilities, increased empathy, improved mental health, and enhanced creativity.

The factors which influence the organisational structure in various types of Creative Writing are genre, style, narrative, expectations from the audience, length, point of view, cultural and historical context, character development, and more.

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• Key Differences

Know the Differences & Comparisons

Difference Between Prose and Poetry

The basic difference between prose and poetry is that we have sentences and paragraphs, whereas lines and stanzas can be found in a poetry. Further, there is regular writing in prose, but there is a unique style of writing a poetry.

We can find prose in newspaper articles, blogs, short stories, etc., however, poetry is used to share something special, aesthetically. To know more on this topic, you can read the other differences below:

Content: Prose Vs Poetry

Comparison chart, how to remember the difference, definition of prose.

The prose is an ordinary writing style in literature, which encompasses characters, plot, mood, theme, the point of view, setting, etc. making it a distinctive form of language. It is written using grammatical sentences, which forms a paragraph. It may also include dialogues, and is sometimes, supported by images but does not have a metrical structure.

Prose can be fictional or non-fictional, heroic, alliterative, village, polyphonic, prose poetry etc.

Biography, autobiography, memoir, essay, short stories, fairy tales, article, novel, blog and so forth use prose for creative writing.

Definition of Poetry

Poetry is something that arouses a complete imaginative feeling, by choosing appropriate language and selective words and arranging them in a manner that creates a proper pattern, rhyme (two or more words having identical ending sounds) and rhythm (cadence of the poem).

Poetry uses an artistic way to communicate something special, i.e. a musical intonation of stressed (long sounding) and unstressed (short sounding) syllables to express or describe emotions, moments, ideas, experiences, feelings and thoughts of the poet to the audience. The structural components of poetry include lines, couplet, strophe, stanza, etc.

It is in the form of verses, which constitutes stanzas, that follows a meter. The number of verses in a stanza depends upon the type of the poem.

Key Differences Between Prose and Poetry

The difference between prose and poetry can be drawn clearly on the following grounds:

• Prose refers to a form of literature, having ordinary language and sentence structure. Poetry is that form of literature, which is aesthetic by nature, i.e. it has a sound, cadence, rhyme, metre, etc., that adds to its meaning.
• The language of prose is quite direct or straightforward. On the other hand, in poetry, we use an expressive or creative language, which includes comparisons, rhyme and rhythm that give it a unique cadence and feel.
• While the prose is pragmatic, i.e. realistic, poetry is figurative.
• Prose contains paragraphs, which includes a number of sentences, that has an implied message or idea. As against, poetry is written in verses, which are covered in stanzas. These verses leave a lot of unsaid things, and its interpretation depends upon the imagination of the reader.
• The prose is utilitarian, which conveys a hidden moral, lesson or idea. Conversely, poetry aims to delight or amuse the reader.
• The most important thing in prose is the message or information. In contrast, the poet shares his/her experience or feelings with the reader, which plays a crucial role in poetry.
• In prose, there are no line breaks, whereas when it comes to poetry, there are a number of line breaks, which is just to follow the beat or to stress on an idea.
• When it comes to paraphrasing or summarizing, both prose and poetry can be paraphrased, but the paraphrase of the poem is not the poem, because the essence of the poem lies in the style of writing, i.e. the way in which the poet has expressed his/her experience in verses and stanzas. So, this writing pattern and cadence is the beauty of poetry, which cannot be summarized.

The best trick to remember the difference between these two is to understand their writing style, i.e. while prose is written ordinarily, poetry has aesthetic features, and so it has a distinctive writing pattern.

Further, the prose is that form of language which expansively conveys a message or meaning by way of a narrative structure. On the contrary, poetry is such a form of literature, with a unique writing format, i.e. it has a pattern, rhyme and rhythm.

In addition to this, prose appears like big blocks of words, whereas the size of poetry may vary as per the line length and the poet’s intention.

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Research creative writing: poetry in prose.

For most of her career as a poet, Tracy K. Smith has not written much about being African American. But in her new memoir, Ordinary Light , she says she is “happy to finally be stepping into those conversations publicly.”

A professor of creative writing at Princeton since 2005, Smith is known for her poetry’s wistful mood and evocative images. She published her first book, the award-winning The Body’s Question , at age 30, and went on to win the 2012 Pulitzer Prize in poetry for Life on Mars on her 40th birthday. Life on Mars is an elegy to her late father, an engineer who worked on the Hubble Space Telescope, but it also meditates on subjects ranging from black holes to David Bowie.

Smith’s memoir, her first book of prose, chronicles her childhood growing up in the 1970s and ’80s in a largely white suburb in northern California. The youngest of five children, Smith recalls a placid upbringing during which she spent hours immersed in the pages of Anne of Green Gables and listening to The King and I on a hi-fi reel-to-reel player with her father. The South, where her parents were raised, seemed far away, and “that distance felt like a safety net,” she told PAW.

She writes about a summer visit to her mother’s hometown of Leroy, Ala., and the indefinable fear she felt in her grandmother’s house, which she tried, in her mind, to keep separate from thoughts of “my parents as children of the South ... even if it forced me to steer clear of whole regions of the past for fear of catching a passing glimpse.”

“There were zones of history I was afraid to think about too long,” she says, because inhabiting them “would have meant my parents were affected by injustice, and it hurt me to think about that. Writing about that shifted the hurt into something that felt productive. Pain is fed by silence; pain grows on all the things we are unwilling to bring into language. Writing this book allowed me not just to figure that out, but to benefit from that.”

Smith writes about a playdate with a white girl who asks her, “Don’t you wish you were white?”

No. I was quite sure I didn’t. But sometimes I was made uncomfortable by my own ability to empathize so easily with whites, to submit to their scrutiny, to go out of my way to prove I — and, by extension, we — didn’t pose a threat. ... There’s always a place in the mind that feels different, distinct; not worse off or envious but simply aware of an extra thing that living in a world that loathes and fears us has necessitated we develop.

She also grapples with the role of faith in her life. Her mother is diagnosed with cancer as Smith is leaving home for Harvard. In the face of her illness, her mother deepens her religious belief while Smith feels herself moving away from the church and plunging into an exploration of her racial identity. She grows dreadlocks, begins attending meetings of the Black Students Association, and tears through the novels of Zora Neale Hurston and James Baldwin: “When we read Ralph Ellison’s Invisible Man , I’d felt, possibly for the first time, like I was capable of looking at racial injustice without blinking and of really listening, letting things unfold before me, jab at my heart, and kick my mind into motion.”

When her mother dies from cancer, Smith is 22 and just beginning to regard herself as a poet after getting involved with the Dark Room Collective, a group of African American writers. Now a mother herself — she has a 5-year-old daughter and 22-month-old twin boys with her husband, Raphael Allison — Smith has spent more than a decade trying to write about her mother in poems and essays. She and her mother “had different views about what was on the other side of this world,” she says. “Had she lived, we would have found a way to talk about all the things I couldn’t talk about because I was too young.”

Prose Courses

Masters of Fine Arts (MFA) in Prose and Poetry | Northwestern SPS - Northwestern School of Professional Studies

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Program Overview

Mfa in prose and poetry.

Northwestern’s part-time Master of Fine Arts in Prose and Poetry program provides students the opportunity to grow as artists within the specializations of fiction, nonfiction, poetry, and publishing and professional development. A dual-genre specialization is also offered. The small-group workshop format allows for individual attention from published, award-winning faculty . Students also have the opportunity to learn the ropes in teaching writing, publishing, and editing. Flexible scheduling – with courses offered evenings and weekends on Northwestern’s Chicago and Evanston campuses as well as online and in hybrid format – gives students the opportunity to balance their professional, personal and writing lives. While earning their degrees, students connect with other writers at readings and other events in an artistic community that extends beyond the University into Chicagoʼs vibrant literary scene.

About the MFA in Prose and Poetry

Prose and poetry program goals, curriculum for mfa in prose and poetry, mfa in prose and poetry courses, prose and poetry faculty, mfa in prose and poetry admission, tuition and financial aid for prose and poetry, registration information for prose and poetry, careers in prose and poetry.

I feel like there's a distinctive Chicago quality to the program, a kind of Midwestern stealth sheen of genuine kindness that nourishes some wild, subversive, tremendously exciting work. It's a unique combination, and one singularly fertile for creativity.”

Students form lasting bonds with each other and with their professors. The years students have spent in the SPS creative writing program, some have told me, are the most creatively rewarding ones they've experienced.”

Teaching in Northwestern's part-time writing program has been a career highlight for me. The program is enriched by its students who come from various backgrounds and careers. The diversity of passions, insights and life experiences helps to create a truly unique and rewarding learning experience.”

• To help students determine the strengths and weaknesses of their writing, and learn how to evaluate criticism of their work
• To teach students how to take their writing apart, re-think and revise it
• To show students how to experiment with different styles and forms
• To guide students in creating a publishable manuscript or portion of one
• To teach students how to read literature as a writer and a critic
• To train students to teach creative writing, informed by current pedagogy and classroom experience
• To give students the opportunity to edit an international literary magazine with their peers
• To provide students with the tools to create strong applications for jobs in teaching, publishing, and editing

The 15-course curriculum includes workshops in a concentration, electives, and two thesis courses to complete the MFA program experience. Required courses vary by specialization .

Electives are chosen from the graduate course offerings in the Master of Arts in Literature program, creative writing special topics courses (MCW 490) and the seminars and internships (practica) in teaching and publishing. Since good writers also need to be good readers, students must take electives in literary studies. Recent electives have included courses on popular fiction; reading, writing, and publishing the chapbook; inventing memory. Independent studies round out the program and provide an opportunity to strengthen writing portfolios.

The final project of the MFA program is a creative thesis, an original work of high literary merit (judged on the basis of art as well as craft). The creative thesis is structured and revised under the supervision of a faculty member (or faculty mentor) and a second reader. The project may be one long piece or a series of shorter pieces. It may include or be an expansion of work written during the student's course of study as long as it represents a culminating effort to shape stories, prose pieces, a long piece, or a group of poems into a coherent, self-sufficient work. This large-scale project supplements the smaller-scale study of craft with the invaluable experience of creating a larger work. And for students who plan to pursue book-length publication after graduation, the master's creative thesis may be the first version of a work in progress.

Explore MFA in Prose and Poetry Courses . You can narrow your course search by day, location or instructor.

Learn from a faculty of esteemed writers in small-group workshops where instructors facilitate discussions that help students examine and address strengths and weaknesses in their writing as well as open up possibilities for re-thinking and revising. Get to know the instructors on our Prose and Poetry  Faculty page.

Candidates for admission to the MFA program must hold a bachelor's degree from a regionally accredited institution or its foreign equivalent and possess a strong academic record, preferably in English, writing or related fields. In evaluating MFA applicants, the admissions committee will look for evidence of the ability to create a more sustained final project, for interest in an interdisciplinary program and for interest in learning how to teach. For a complete list of requirements, see the admission page for SPS graduate programs.

Students interested in the Litowitz Creative Writing Graduate Program should visit the Weinberg College of Arts and Sciences website for admission information.

Tuition for the MFA in Prose and Poetry program at Northwestern is comparable to similar US programs. Financial aid opportunities exist for students at Northwestern. Complete details can be found on the Prose and Poetry Tuition and Financial Aid pages.

Already accepted into the MFA in Prose and Poetry program? Get ahead and register for your classes as soon as possible to ensure maximum efficiency in your progress. 

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Northwestern University’s MFA in Prose and Poetry is an arts degree. Students pursue the degrees in order to become better writers, able to create prose and poetry that draw on a full range of the craft. On a more practical level, MFA students become better writers, which prepares them for a variety of careers. For details visit the Prose and Poetry Career Options page.

Find out more about Northwestern's MFA in Prose and Poetry

ThinkWritten

101 Poetry Prompts & Ideas for Writing Poems

Not sure what to write a poem about? Here’s 101 poetry prompts to get you started!

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These poetry prompts are designed to help you keep a creative writing practice. If you’re staring at a blank page and the words aren’t flowing, the creative writing prompts for poems can be a great way to get started!

New for 2023! Due to popular demand, I created a printable, ad-free version of these poetry prompts you can download to use at home or even in the classroom! Get them at our Etsy Shop .

Even if poetry isn’t your thing, you could always use these things to inspire other writing projects. Essays, journal entries, short stories, and flash fiction are just a few examples of ways this list can be used.

You may even find this list of creative poetry writing prompts helpful as an exercise to build your skills in descriptive writing and using metaphors!

Let’s get onto the list, shall we?

Here are 101 Poetry Prompts for Creative Writing

Most of these creative writing ideas are simple and open-ended. This allows you total creative freedom to write from these poetry prompts in your own unique style, tone, and voice.

If one poetry idea doesn’t appeal to you, challenge yourself to find parallels between the prompt and things that you do enjoy writing about!

1.The Untouchable : Something that will always be out of reach

2. 7 Days, 7 Lines : Write a poem where each line/sentence is about each day of last week

3. Grandma’s Kitchen : Focus on a single memory, or describe what you might imagine the typical grandmother’s kitchen to be like

4. Taste the Rainbow : What does your favorite color taste like?

5. Misfits: How it feels when you don’t belong in a group of others.

6. Stranger Conversations : Start the first line of your poem with a word or phrase from a recent passing conversation between you and someone you don’t know.

7. On the Field : Write from the perspective of a sports ball {Baseball, Soccer, Football, Basketball, Lacrosse, etc.} – think about what the sports ball might feel, see, hear, think, and experience with this poetry idea!

8. Street Signs: Take note of the words on signs and street names you pass while driving, walking, or riding the bus. Write a poem starting with one of these words you notice.

9. Cold water: What feelings do you associate with cold water? Maybe it’s a refreshing cold glass of water on a hot day, or maybe you imagine the feelings associated with being plunged into the icy river in the winter.

10. Ghostwriter: Imagine an invisible ghost picks up a pen and starts writing to you.

11. Lessons From Math Class: Write about a math concept, such as “you cannot divide by zero” or never-ending irrational numbers.

12. Instagram Wall: Open up either your own Instagram account or one of a friend/celebrity and write poetry based on the first picture you see.

13. Radio: Tune in to a radio station you don’t normally listen to, and write a poem inspired by the the first song or message you hear.

14. How To : Write a poem on how to do something mundane most people take for granted, such as how to tie your shoes, how to turn on a lamp, how to pour a cup of coffee.

15. Under 25 Words : Challenge yourself to write a poem that is no more than 25 words long.

16. Out of Order: Write about your feelings when there is an out of order sign on a vending machine.

17. Home Planet: Imagine you are from another planet, stuck on earth and longing for home.

18. Uncertainty : Think about a time in your life when you couldn’t make a decision, and write based on this.

19. Complete : Be inspired by a project or task be completed – whether it’s crossing something off the never-ending to-do list, or a project you have worked on for a long time.

20. Compare and Contrast Personality : What are some key differences and similarities between two people you know?

21. Goodbyes : Write about a time in your life you said goodbye to someone – this could be as simple as ending a mundane phone conversation, or harder goodbyes to close friends, family members, or former partners.

22. Imagine Weather Indoors : Perhaps a thunderstorm in the attic? A tornado in the kitchen?

23. Would You Rather? Write about something you don’t want to do, and what you would rather do instead.

24. Sound of Silence : Take some inspiration from the classic Simon & Garfunkel song and describe what silence sounds like.

25. Numbness : What’s it like to feel nothing at all?

26. Fabric Textures : Use different fiber textures, such as wool, silk, and cotton as a poetry writing prompt.

27. Anticipation : Write about the feelings you experience or things you notice while waiting for something.

28. Poison: Describe something toxic and its effects on a person.

29. Circus Performers: Write your poetry inspired by a circus performer – a trapeze artist, the clowns, the ringmaster, the animal trainers, etc.

30. Riding on the Bus : Write a poem based on a time you’ve traveled by bus – whether a school bus, around town, or a long distance trip to visit a certain destination.

31. Time Freeze : Imagine wherever you are right now that the clock stops and all the people in the world are frozen in place. What are they doing?

32. The Spice of Life : Choose a spice from your kitchen cabinet, and relate its flavor to an event that has happened recently in your daily life.

33. Parallel Universe : Imagine you, but in a completely different life based on making a different decision that impacted everything else.

34. Mad Scientist : Create a piece based on a science experiment going terribly, terribly wrong.

35. People You Have Known : Make each line about different people you have met but lost contact with over the years. These could be old friends, passed on family, etc.

36. Last Words : Use the last sentence from the nearest book as the inspiration for the first line of your poem.

37. Fix This : Think about something you own that is broken, and write about possible ways to fix it. Duct tape? A hammer and nails?

38. Suspicion : Pretend you are a detective and you have to narrow down the suspects.

39. Political News : Many famous poets found inspiration from the current politics in their time. Open up a newspaper or news website, and create inspired by the first news article you find.

40. The Letter D : Make a list of 5 words that start with all with the same letter, and then use these items throughout the lines of your verse. {This can be any letter, but for example sake: Daisy, Dishes, Desk, Darkness, Doubt}

41. Quite the Collection : Go to a museum, or look at museum galleries online. Draw your inspiration from collections of objects and artifacts from your favorite display. Examples: Pre-historic days, Egyptians, Art Galleries, etc.

42. Standing in Line : Think of a time you had to stand in line for something. Maybe you were waiting in a check-out line at the store, or you had to stand in line to enter a concert or event.

43. Junk Mail Prose: Take some inspiration from your latest junk mail. Maybe it’s a grocery store flyer announcing a sale on grapes, or an offer for a credit card.

44. Recipe : Write your poem in the form of a recipe. This can be for something tangible, such as a cake, or it can be a more abstract concept such as love or happiness. List ingredients and directions for mixing and tips for cooking up your concept to perfection.

45. Do you like sweaters? Some people love their coziness, others find them scratchy and too hot. Use your feelings about sweaters in a poem.

46. After Party : What is it like after all party guests go home?

47. Overgrown : Use  Little Shop of Horrors  for inspiration, or let your imagination run wild on what might happen if a plant or flower came to life or started spreading rapidly to take over the world.

48. Interference: Write a poem that is about someone or something coming in between you and your goals.

49. On Shaky Ground: Use an earthquake reference or metaphor in your poem.

50. Trust Issues : Can you trust someone you have doubted in the past?

51. Locked in a Jar: Imagine you are a tiny person, who has been captured and put into a jar for display or science.

52. Weirder Than Fiction: Think of the most unbelievable moment in your life, and write a poem about the experience.

53. Fast Food: Write a poem about fast food restaurants and experiences.

54. Unemployed: Write a poem about quitting or being fired from a job you depended on.

55. Boxes: What kinds of family secrets or stories might be hiding in that untouched box in the attic?

56. No One Understands : Write about what it feels like when no one understands or agrees with your opinion.

57. Criminal Minds : Write a poem from the perspective of a high-profile criminal who is always on the run from law enforcement.

58. Marathon Runner : Write a poem about what training you might be doing to accomplish a difficult challenge in your life.

59. Trapped : Write about an experience that made you feel trapped.

60. Passing the Church : Write a poem about noticing something interesting while passing by a church near your home.

61. Backseat Driver: Write about what it’s like to be doing something in your life and constantly being criticized while trying to move ahead.

62. Luster: Create a descriptive poem about something that has a soft glow or sheen to it.

63. Clipboard: Write a poem about someone who is all business like and set in their ways of following a system.

64. Doctor: Write a poem about receiving advice from a doctor.

65. First Car : Write an ode to your first car

66. Life Didn’t Go As a Planned : Write about a recent or memorable experience when nothing went according to plan.

67. Architect : Imagine you are hired to design a building for a humanitarian cause you are passionate about.

68. The Crazy Cat Hoarder : Write about someone who owns far too many cats.

69. Queen : Write a poem from the perspective of a queen.

70. Movie Character : Think of a recent movie you watched, and create a poem about one character specifically, or an interaction between two characters that was memorable.

71. Potential Energy : Write about an experience where you had a lot of potential for success, but failed.

72. Moonlight : Write about an experience in the moonlight.

73. Perfection : Write about trying to always keep everything perfect.

74. You Are Wrong : Write a poem where you tell someone they are wrong and why.

75. Sarcasm : Write a poem using sarcasm as a form of illustrating your point.

76. Don’t Cry : Write a poem about how not to cry when it’s hard to hold back the tears.

77. Listen Up: Write a poem telling someone they are better than they think they are.

78. Flipside : Find the good in something terrible.

79. Maybe They Had a Reason : Write a poem about someone doing something you don’t understand, and try to explain what reasons they might have had.

80. How to Drive : Write a poem that explains how to drive to a teenager.

81. Up & Down the Steps: Write a poem that includes the motion of going up or down a staircase

82. Basket Case: Has there ever been a time when you thought you might lose your mind? Jot your feelings and thoughts down in verse form.

83. Lucky Guess:  Many times in our life we have to make a good guess for what is the best decision. Use this poetry idea to write about feelings related to guessing something right – or wrong.

84. Dear Reader:  What audience enjoys reading the type of poetry you like to write? Craft a note to your potential audience that addresses their biggest fears, hopes, and dreams.

85. All or Nothing : Share your thoughts on absolutist thinking: when one’s beliefs are so set in stone there are no exceptions.

86. Ladders in the Sky : Imagine there are ladders that take you up to the clouds. What could be up there? What feelings do you have about climbing the ladders, or is their a mystery as to how they got there in the first place?

87. Always On My Mind: Compose a poem about what it’s like to always be thinking about someone or something.

88. Paranoia : What would it be like if you felt like someone was watching you but no one believed you?

89. Liar, Liar: How would you react to someone who lied to you?

90. Secret Word: What’s the magic word to unlock someone’s access to something?

91. For What It’s Worth: Use a valuable object in your home as inspiration as a poetry prompt idea.

92. Coming Home to Secrets: Imagine a person who puts on a good act to cover up a secret they deal with at home.

93. Productivity: Talk about your greatest struggles with time management and organization.

94. Defying Gravity: Use words that relate to being weightless and floating.

95. Signs of the Times : How has a place you are familiar with changed over the past 10 years?

96. Sleepless Nights : What ideas and feelings keep you up at night? What’s it like when you have to wake up in the morning on a night you can’t sleep?

97. You Can’t Fire Me, I Quit : Use one of the worst job related memories you can think of as a creative writing prompt.

98. By George : You can choose any name, but think of 3-5 notable figures or celebrities who share a common first name, and combine their personalities and physical characteristics into one piece of poetry. For example: George Washington, George Clooney, George Harrison.

99. Shelter : Write a poem about a time you were thankful for shelter from a storm.

100. Cafeteria : Create a poem inspired by the people who might be eating lunch in a cafeteria at school or at a hospital.

101. Dusty Musical Instruments : Base your poem around the plight of a musician who hasn’t picked up the guitar or touched a piano in years.

Love these prompts? The printable, ad-free version of these poetry prompts can be used offline or in the classroom! Get them at our Etsy Shop .

There are unlimited possibilities for ways you can use these poem ideas to write poetry. Using a list like this can greatly help you with getting into the habit of writing daily – even when you don’t feel inspired to write.

While not every poem you write will be an award-winning masterpiece, using these poem starters as a regular exercise can help you better your craft as a writer.

I hope you enjoy these poetry prompts – and if you write anything you’d like to share inspired by these creative poetry writing prompts, let us know in the comments below – we love to see how others use writing ideas to create their own work!

And of course, don’t forget to get the ad-free poetry prompt cards printable version if you’d like to use these prompts offline, in the classroom or with your small group!

Chelle Stein wrote her first embarrassingly bad novel at the age of 14 and hasn't stopped writing since. As the founder of ThinkWritten, she enjoys encouraging writers and creatives of all types.

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98 comments.

I had a wonderful inspiration from prompt number 49 “On Shaky Ground,” although it’s not exactly about an earthquake. I wanted to share it on here, so I hope you enjoy it!

Title: “Shaking Ground”

The ground’s shaking My heart’s aching I’m getting dizzy My mind’s crazy

On shaking ground It’s like I’m on a battleground We’re all fighting for love Dirtying our white glove

The ground’s shaking My body’s quaking Love is so cruel Making me a fool

On shaking ground We are all love-bound Stuck in a crate Nobody can avoid this fate

The ground’s shaking We are all waking Opening our eyes Everyone dies

On shaking ground Our love is profound Although we are separate Better places await

The ground’s shaking Death’s overtaking Heaven is descending The world’s ending

On shaking ground In love we are drowned

Awesome interpretation Amanda! Thanks for sharing!

heyyy, I have written something regarding prompt 27 and 96 The Night Charms.

Do you dread the dark; Or do you adore the stars? Do you really think the fire place is that warm; Or you just envy the night charms? The skyline tries to match the stars’ sparkle, The sky gets dark, the vicinity gets darker. The “sun” has set for the day being loyal; These are now the lamps burning the midnight oil. The Eve so busy, that everyone forgets to praise its beauty. The sun has set without anyone bidding him an adieu, Failed to demonstrate its scintillating view. The moon being the epitome of perfection, Has the black spots, Depicting an episode of it’s dark past.

And I sit; I sit and wonder till the dawn. What a peaceful time it is, To have a small world of your own. Away from the chaos, I found a soul that was lost. So tired, yet radiant, Trying to be someone she’s not in the end. That bewitching smile held my hand, Carried me back to shore, letting me feel my feet in the sand. The waves moved to and fro, Whispering to me as they go, “Oh girl, my girl This is the soul you have within you, Never let it vanish, For it alters you into something good and something new, Don’t let the cruel world decide, Don’t let anyone kill that merry vibe.”

Then I saw my own soul fade, Fly into my heart, For what it was made. Oh dear lord, The night’s silence became my solace, My life lessons were made by the waves. Who am I? What have I done to myself? Many questions were answered in self reproach, The answers were still unspoken with no depth. Oh dear night, What have you done to me? Or should I thank you for putting a soul that I see. The nights spent later were now spectacular, My darkness somehow added some light to my life, Making it fuller… Everyday after a day, walking through the scorching lawns, I wait for the the dusk to arrive, and then explore myself till the dawn.

This is so amazing I ran out of words. Very lit thoughts beautifully penned. Keep writing like this dude.❤🌻

That is beautiful, it inspired me to write about my fears, thank you!!

Thank you for the inspiration! 😀 This was based of 21 and 77 (I think those were the numbers lol)

Goodbye to the days when we played together in the sun Goodbye to the smile on your face and to all of the fun I look at you, so dull and blue How long before I can say hello to the real you You are worth more than you think At the very least, you are to me Though there are greater things that wait for you than the least You are worthy of the most, the greatest of things If only goodbye could be ‘see you later’ I want to see the real you again To your suffering I don’t want to be just a spectator I want it all to end Goodbye to my only friend I want to heal you but I don’t know how I wish I had this all figured out Please come back to me I just want you to be free

Thank u so much im more inspired after seeing these creative ideas. 🤗

Glad they inspired you!

Thanks for sharing Amanda!

That was beautiful! I am a writer too! I actually just finished writing one but, it wasn’t from this website, just kind of something that’s been on my head for a while you know? Anyways, again, that was awesome! I am a Christian, and I love seeing people write about that kind of stuff! 🙂

I am jim from Oregon. I am also a writer, not very good but active. I am a Christian as well as you are. Sometimes it is hard to come up with something to write about.

All of a sudden, I have started to write poetry. Do you like all forms of writing? I would enjoy reading some of you work if you would you would like to s if you would like to send me some.

i have written one about frozen time:

my brother will be drawing, his pencil wont leave the sheet, my mother hearing the radio, today’s news on repeat. my sister, in fact, is making her bed, she’ll be making it still, till the last bug is dead. me, on the other hand, i’ll be visiting you, i’ll see you in action, doing the things that you do, i’ll be happy to see you, just a last time, i’ll kiss your still lips, and hold for a while. then i’ll take a plane to saudi, where i’ll see my dad, he’ll be swimming with turtles, he will not seem sad. i have lived on this earth, for 15 whole years, time for goodbye, with not a single tear.

hey beautifully expressed…!!!

Beautifully penned 🌼

I love it I tried one out myself as well Change

She sat looking out the window. The sound of the piano’s cheerful tune ringing out throughout the room. The sweet smell of burnt pine emanating from her fireplace. The sky is blue and the sun shines bright. She closes her eyes for a second. She opens them again. The window is broken and scattered on the ground. The piano sits covered in ashes, every symphony played now just a distant memory replaced with a discordant melody. The room smells of smoke and ash. The sky is dark and rain falls on the remnants of her home. Not a living thing in sight,not even her.

Nice one Amanda. kind of tells me the chronology of love and its eventualities.

such a dilightful poem, thanks for the word that made the day for me. you are such a good poet.

Omg! What!! This is amazing! I’d love to feature this piece on my blog monasteryjm.com. I also love this blog post by thinkwritten.com, planning on putting the link in my next blog post so others can come over here to check it out! So helpful!

this is so great! I’ve been needing inspiration. this might work

Thank you so much for this article! I love the profundity and open-endedness of the prompts. Here is a poem I wrote, drawing inspiration from #56, “No One Understands.” I wrote this from the perspective of a psychic Arcturian Starseed in her teenage years and how the world perceives her spiritual connection; while at the same time hinting at the true meaning of her various baffling actions. Enjoy 🙂

Starseed – a poem on perspective

In the snow She stands alone Wrapped in shrouds of mystery Her gentle hand gloved with giving Caressing A violet stone

Math class is dismissed But there still she sits Speaking to the ceiling in tender tones A soft and healing resonance Murmuring sweetly of ascension to Another, dearer dimension

In homeroom Her classmate weeps Of missed planes and shattered dreams Quietly She strokes the hand of the suffering And whispers then of channeling Some celestial utopia called Arcturus Where she claims to have been.

Please feel free to let me know where I need to improve! I’m fourteen years old and only an amateur, so a few suggestions would be greatly appreciated. Thank you, love and light 🙂

#79 I don’t know why he was so mad Did he not get his mail Was he already mad Or did he only get bills

He swung his arm with force He caused a loud bang He hurt his own hand He left with some blood

He is the man that punched the mailbox His hand dripped blood on it He left it with a dent He left it alone after that

That’s great Michael, thank you for sharing your response to one of the prompts!

Awesome! That was simple and yet creative

Interesting tips and keywords for boosting inspiration. I’ve found some good topic for start writing. Thanks

sleepless nights (#96)

it’s never a strangled cry that drags me from my dreams, but a gentle whisper, there to nudge the socks off my feet, and settle me back into the sheets. i seem to wake before i’ve had a chance to fall to rest.

why is it that i can never sleep, but always dream?

sleepless nights rule my life and drag me by my toes, throwing me into a sky of black and blue. not a single star can break through this spillage. and i sit and wonder in a sea of sheets, rippling around me, why my mind can swim these dark, tangling waters and i never need to take a breath.

have you ever noticed how static-filled the dark is? because when i lay buried under these burdens and blankets, the world seems ready to crumble under my grasp.

i can’t sleep, but i can dream, of days when i wasn’t pulled struggling from bed but awoken into the light. i wonder how i ever survived the grainy sky’s midnight troubles, the oil spill of its thunderclouds, the sandpaper raspiness of the three a.m. earth against my throat.

oh, how i can never sleep in a world that threatens to fall apart.

this is amazing! i hope i can be this good one day

once again beautiful <3

Thank you so much for these prompts! They’re so thought-provoking.

You’re welcome! Glad you enjoy them!

Take me back to those days, When I was allowed to dream, Where no one use to scream. Take me back to those days, When I was a child, Where I never use to find reasons to smile. Take me Take back to those days, When I never used to lie, Where I never used to shy. Take me back those carefreee days, When I was far away from school days. Take me back to those days , where every one used to prase, no matter how foolish i behave. Take me back to those days, when i wasn’t stuck between fake people. Take me back to the day I was born, So that I could live those days again………….

so mine is basically a mix between 76 and 77… I made it for my literature club i recently began trying to make.

‘Listen to me’ Listen to me your words mean more than you think your opinion is worthy to be shared your songs are capable of being sung

Listen to me

your smile is bright your frown shows nothing more than you should be cared for like you care for us.

your laughter is delightful and so is everything else

dont let the past go hurt you find strength in the experience

are you listening to me?

can you here me?

because YOU matter

Nice, thank you for sharing!

Prompt #1 “Untouchable”

Grasping Reaching Searching for the untouchable The indescribable On the tip of my tongue My fingertips Close to my heart But warping my brain Yet understood in the depths of my soul Emotions undiscovered Words Unsaid Deep in the depths of my mind Hand outstretched Lingering on the edge Eyes wide open But somehow still blind Unattainable But still in the hearts of The Brave The Curious The Resilient They Seek the unseekable They pursue the unattainable Each man seeing it in a different aspect Each of their visions blurred Each distorted by Experiences Traumas Wishes Dreams Filtering what’s untouchable

Thank you, glad you enjoy it!

I had good inspiration from #51, locked in a jar. I used it more metaphorically instead of literally. So here it is: glass walls, lid screwed on tight, can’t escape, not even at night. From the inside, looking out, this is not who I’m supposed to be. I’m supposed to be bigger, I’m supposed to be free, not stuck in a jar, no room to breathe. I need to move, I need to soar, I need to be able to speak my opinions and more. So as I look down at my tiny self, in this glass jar, “let me out, I can’t take it anymore”, I say to the bigger me, the one ignoring my tiny pleas.

Just wanted to add a twist to this promt. I’m just a beginner in the art of poetry, but I tried. If anyone has any creative criticism, go ahead! #16: our of order

My brain is out of order My thoughts have filled it to the brim Of my deepest thoughts of who I am Who we are As people We are out of order Never focusing on what we want Our passions All we ever get is work on top of work Pushing us down and down Like a giant hand Squeezing us into the depths of our depressions Until We can do anything But take it Anymore

Thank you Ash for sharing your take on the prompt with us!

Thank you ASH for reminding we can do anything if we try

Was inspired by #77 listen up Listen up…….! When would you listen up! Seems! you have given up! No matter who shut you up! Stand straight and look up!

Look up don’t be discouraged Let you heart be filled with courage Listen up and be encouraged Let life be sweet as porridge

You might have been down Like you have no crown Because deep down You were shut down

There is still hope When there is life Yes! You can still cope If you can see the light Yes! Even in the night

Oh listen up! Please listen up and take charge, You are better than the best Listen up! And oh! Please listen up.

beautifully written!

I wrote a poem using prompt 21 and I’m so proud of it. Comment if you want me to post it🤓

I bet the poem you wrote about prompt 21 is really good. I would like to read it please.

Mental prison, what a way to be trapped, being hidden, being snapped,

Clear glass is all i feel, apart from people, I hope I heal, I will never be equal,

I am different I am hurt raging currents people put on high alert but no one cares

No one dreads many tears I only have so many more threads

One day I’ll be gone but no one would care I will run away from the death chair

But until then

Mental prison what a way to be trapped being hidden being snapped

One day this will all blow away someday I will be molded out of clay but until then I will be lead astray

This is so darn awesome. It’s so deep and evokes the deepest of feelings🥰

I wrote almost the same thing omg I’m turning it into a contest entry

Inspired by No. 1! I am completely new to poetry, but I love it so much already! Here it is.

Perfection is Untouchable-

Perfection waiting, out of reach

Will I never touch it?

It always remain

Untouchable

No matter how hard I try

I will never quite reach

It will always remain

Though many people have tried

And seemed to have come close

But perfection’s not the goal

‘Cause we can’t quite grasp it

Perfection will always be

For all eternity

Looks like you are off to a great start!

Of Course, Silly Billy Me

”Well shit, I guess I lost my opportunity” the youngster retort

You see, for him, it’s all about his hurt – but she’s so educated, knows more about the rules of English than the rest of us.

Thus, to me she said… You cannot use curse words in a court report… you need to paraphrase his quote.

Into her spastic face I smiled – and pled my case

If you were my English professor back in the day, I could only imagine how much further in life I would have been…

”Don’t you mean farther in life?”

Of course, silly billy me.

This poem is called Secret Keeper and was inspired by #92. I hope you like it.

Everyone has a secret, Whether it be their own, Or someone else’s, We all have one.

But what if, You met someone, Who had a secret so big, That telling anyone would lead to horrible things.

And what if, That person told someone, And what they told them, Was more horrible than anything they could have ever imagined.

What if, That person told everyone, And when the parents, Of the kid with the secret found out, They were furious.

What if, They kept doing horrible things, Even though everyone knew, Even though they knew it was wrong.

And finally, What if, No one ever helped, The little kid with the biggest secret.

On number 28 : Poision I wrote a poem for it and would like to share it. The poision of friends and love

Beaten,she lies there. For they may be mistaken. Laughter rings throughout the school halls; a pure disaster. The dissapearence of parents hast caused this yet no one stops it. “Your a disgrace!” She heard them say. While in place she cries “I don’t belong here! Perhaps im out of place..” But she is not misplaced rather.. Shes lost in space.

I miss when you called me baby And I was in your arms saftely I know we drive eachother crazy But I miss callin you my baby

Those restless nights when I couldn’t sleep You calmed me down with your technique Always reminded me I’m strong not weak If only I let you speak

My heart only beats for you My feelings for you only grew You understood what I was going through I will never regret knowing you

Your smile melted my heart I wish we could restart And I could be apart Of a man I see as a work of art!

Stary night painting poem I guess ill call it

I raised my paint brush to my canvas So I could help people understand this This feeling of emotion for this painting has spoken I see the light as opportunity As for the whole thing it symbolizes unity The swirls degnify elegance and uncertainty For this painting executes this perfectly Where as my paintings let me adress Everything I feel I need to express!

#56 WHITE NOISE Faded away In the background Unheard Not visible

Eardrums splitting from the screams Yet none seem to care Can even hear my cries for help? For I am screaming as loud as I can

Are you? For all we hear Are whispers in here

Fading away in the background Unheard, invisible Yet it’s there, not loud enough Not noticeable, but there White noise Blank and pure In the background Faded away, yet so clear.

Just need to listen So open your ears She’s screaming for help But it’s muted to your ears

So open ’em up And listen to the calls For faded away, in the background Not visible, but clear. White Noise. It’s there.

Hi guys, I’m kind of late joining in. I read the prompts and the poems posted and this community is a creative bunch. I liked #35 People You Have Known. I want to share it with you guys.

Bern, a friend from grade school was my seat mate as well Rob had always teased me so my young life was hell Neesa was pretty, she knew that she was my crush Miss Homel, our teacher was always in a rush Played ball with Buco and I got hit on my head Fell in love with Cia, dreamt of her in my bed Had a tattoo with Marcus and called it “The Day” Chub challenged me to eat two pies, I said, “No way” I had to go far away so I wrote to Charie In this new place I found a friend in Perry My Grandma Leng passed away, she was a doll My grumpy uncle, Uncle Zar was teased by all These people have touched my life for worse or better Won’t be forgotten, be remembered forever

I hope that you liked it. Thanks guys. Thanks Think Written.

#37 fix it Still new to poems, and I haven’t written one in a while. Criticism is welcome because I need some more inspiration since I haven’t been getting any.

This is the body repair shop where we fix humans that have stopped how may we help you?

the girl stumbled upon the front door and spilled her list of regrets out into the open

“we’re sorry, miss” “but i’m afraid your first kiss will just be a dear old reminisce”

“your heart is also one that cannot be mended” “for every shattered piece- their lives just simply ended” the sewing kit can’t sew the fragments of her heart back because there were way too many to backtrack

she cried her heart out and it went “plop!” her tears like a river and like a lightbulb flickering its last light she too, took her last breath and was put to death

This is the body repair shop where we fix humans that have stopped “it seems we have failed again today” “sorry we’ll just try harder again another day”

I did poetry prompt #7. I wrote about the street I grew up on. Luverne Luverne, I moved onto you at the age of three. We like to race up and down your pavement road, either biking or running. You keep safe the house that I grew up in, one that has six humans and three dogs. You shelter other houses, too, that hold family friends and best friends to last a lifetime.

Luverne, we love you.

-Margaret McMahon

I was inspired by the prompt poison. Monster Roses are beautiful and delicate, but flawed.

Every rose has thorns that cause you to bleed.

Its innocence and beauty draws you in.

Only then when you touch it, it poisons you.

Am I really such an ugly monster, that plants pain an watches it spread?

I would say no.

Wouldn’t we all?

But maybe, just maybe a rose doesn’t notice it’s thorns.

-Lilliana Pridie

You said you’re only just starting?! That was sooo good! No criticism here. 🙂

Sorry, that was meant for “Ash” but yours was amazing too! 🙂

Prompt number 8: Street signs STOP Stop look and listen Stop at the corner Stop at the red light Stop for pedestrians Stop for cyclists Stop for animals Stop doing that Stop drop and roll Stop doing something else Stop shouting Stop whispering Stop talking Stop being quiet Stop posting cute cat videos Stop forgetting your appointments Stop making plans without me Stop eating all the yummies Stop running Stop the insanity Stop shopping Stop the never-ending commentary in my head Stop stopping Stop

Thanks for making this site and all its suggestions and especially this space to post our work, available!

I wrote from prompt #72 about moonlight. Shining down like a spotlight, Illuminating everything around you. The pure white light, Paint your surroundings in a soft glow. The round ball in the sky, speckled with craters like the freckles on your face. Looking down upon the sleeping earth, A nightlight for those still awake, a nightlight for you. Guides you, pulls you, lulls you towards it. It caresses your face with the light, casting away the shadows of the night.

I liked it I just wrote a small poem dedicated to my tutor and tutor just loved it .I used 21 good bye . I liked it really.😊

I just took up writing so bear with me.

Based on #72 “Moonlight”

A full bed Just the left side filled Soft, cold, baby blue sheets wrap around bare feet

She sweetly invites herself in Dressing the dark in a blue hue through cypress filled air, like 5 A.M. drives in January on the misty Northern coast.

Damp hair dances across grey skin, Waltzing with the breeze to Radiohead’s “How to Disappear Completely”

Euphoria slow dances with Tranquility Heavy eyes give in to sleep

Ladder to the Sky I want to climb the ladder to the sky I’m sure all would be well and that I could fly The ladder would be sturdy but still give me a fright Because looking down I’ll realized I’ve climbed many heights The higher I climb the greater the fall The greater the fall, the greater the sprawl But if i ever get to the sky up high I would be sure to hug you and say “goodbye” Once I’ve climbed the ladder I’ll know Sometimes its okay to look far down below Life is full of failure but soon I’ll find Happiness is a place, and not of the mind We all have ladders to climb and lives to live We all have a little piece of us that we can give Because when we climb that ladder to the sky We should think “No, life never passed me by”

Hi Ray, I love your piece.It gives one courage to face the challenges of live and move on.

Thanks for sharing the prompts Chelle Stein. I wrote this sometimes ago before coming to this site and I believed prompts #1 and #88 inspired my writing it. kindly help me vet it and give your criticism and recommendation. It is titled “SHADOW”.

My shadow your shadow My reflection your reflection My acts your acts

No one sees me,no one sees you Programmed by the Ubiquitous, To act as our bystander in realism

Virtuous iniquitous rises on that day To vindicate to incriminate My deeds your deeds.

Thanks for the seemingly endless amounts of writing prompts. I’ve been working on a poem, but it isn’t much.

She’s got my head spinning, Around and around; She’s all I think about, I can’t help but wondering, Does she feel the same?

Of course not, I’m just a fool; I’m nothing special, Just another person; Bland and dull.

How could a girl like her, love a guy like me? But the way she looks at me, Her smile, I can’t help but to feel flustered; Is this just my imagination?

It must be.

Wow! That’s exactly how I feel! Amazing poem!

Thanks so much, I’m glad you like it. 🙂

A massive thank you to thinkwritten.com for these amazing prompts. Some of these prompts have now formed the basis of my upcoming poetry collection (Never Marry a Writer) scheduled for release on January 1 2021. I will also be leaving a “Thank you” message for this website in the acknowledgements section. You have inspired a whole poetry collection out of nowhere which is highly commendable. So booktiful that!

That is wonderful news!

So I didn’t use any of the prompts but I wanted some feedback on this; it’s not great but I’m working on improving my writing skills

I am a girl who is broken easily and loves music I wonder if things will ever be normal again I hear light screaming through the darkness I want freedom from the chains trapping me in my fear I am a girl who is broken easily and loves music

I pretend to float in the ocean, letting the waves carry me away from reality I feel a presence of hope like a flame on my bare skin I touch the eye of a storm, grasping the stillness it brings I worry about wars that a spreading like wildfires I cry when I’m not with the people I love I am a girl who is broken easily and loves music

I understand feeling hopeless when you have no control over what is happening I say our differences make us special I dream to be a nurse, to help others when they can’t help themselves I try to do my best in everything I hope that all mankind will stop fighting and live in peace I am a girl who is broken easily and loves music

HELLO EVERYONE.. THIS SITE IS JUST WOW, AS AND WHEN I WAS OUT OF TOPICS OR WAS NOT ABLE TO THINK UPON IT ..IT HELPED ME A LOT WITH HINTS TO BEGIN WITH MY ANOTHER POEM .. I M NOT A PROFESSIONAL WRITER BUT JUST A STARTER AND A STUDENT OF 12TH DIVISION.. I WOULD LIKE TO SHARE ONE OF MY SPECIAL CREATION , ALTHOUGH NOT FROM THIS SITE. HOPE YOU ALL WILL LIKE IT.

AU REVOIR GOODBYE UNTIL WE MEET AGAIN, I BID U FAREWELL UNTIL WE TIE AGAIN, SEE YOU SOON , SEE YOU AGAIN, LETS SAY GOODBYE FOR A BETTER DAY.

THE FIRE THAT BURNS IN OUR HEART , THE MEMORIES THAT PRESERVES OUR PAST. ITS NOT THE GOODBYE THAT WRENCH THE HEART , BUT THE FLASHBACKS THAT HAVE PASSED.

I RECOLLECT AND RECOUNT , MOMENTS THAT ARE HALF FADED AND RENOWNED, I ALWAYS FEEL SO CHARMED, THAT I HAVE SOMETHING, WHICH MAKES ME SAYING GOODBYE SO DAMN HARD.

TAKE A TRIP DOWN MEMORY LANE, WALK ON THE STREETS WITH GOLDEN TRAILS. FOR I M NOT GONNA WAIL, BECAUSE I KNOW I WILL MEET YOU SOON ON THE FORTHCOMING DAY.

I wrote a poem based on #101.

Thank you so much for the inspiration!!

And then it was there. What I had been missing. What is it? You may ask. Well, it’s quite simple actually. It’s the joy of music. It’s the joy of sitting down and making music. It’s the joy you feel when you look up at people admiring you. The joy you see in peoples’ eyes. I don’t know why I ever stopped that. The piano sat on the stage. Dusty and untouched. It’d been decades since I’ve seen it. I haven’t come to this stage since I lost her. After the concert. The last time I ever heard her voice. And yet here I am years and years later. Knowing why I haven’t been happy in so long. Of course pain is always gonna be there, But as I played a soft note on the piano, All of it seemed to disappear. It was as if all the weight on my shoulders got lifted. The melodious notes resonated around the hall. And for a few moments, I forgot about all the pain. I forgot about the tears. I forgot about the heartache. And as the last notes echoed around the hall, I was truly happy.

Prompt #92: Coming home with secrets

My mother’s radio sits in the balcony And it greets me with electric static Coming to this sheltering home is somewhat problematic Cause the walls are too thin, and it’s back to reality. Back to the running water that conceals the noise of cracks Crumbling behind my peeling mask, holding my face with wax An unraveled thread masking the makeup smile of a wakeup call That runs down to my chin and I keep under wraps. I take invitations to the mall, yet the space around me seems so small Nevertheless, I show my teeth with a big, shiny grin And suck a trembling breath through their thin slit Happy to wear tight jeans, to stop me from an embarrassing fall. The bath hurts on my skin, but even more to protect screams from the halls My head floats in the water, but feels trapped in its walls It cracks my head open with all these secrets inside me Before a blink of an eye, to my room I’d already flee. Not to the radio playing static or streets that won’t let me be But to under the blankets, where no one can really see The struggle to be a walking, talking, breathing secret That was thrown to the ocean in a bottle, wishing to be free. However, the words untold keep coming like ever so frequent Like adrenalized filled cops in pursue of an escapee delinquent All the more, my doppelganger and I have come to an agreement To take these secrets to our grave, that we nowadays call home.

Recipe for Happiness

Start with friendship, Then add time, A dash of humor, And forgotten binds. Mix it up, Till blended well, And make sure, To remember the smell. Put that bowl, To the side, Grab a new one, Add grateful sighs. Then add family, And a smile, Then sit back, And mix awhile. To that bowl, Add a laugh, A cheerful cry, And blissful past. Whip until, There’s heavy peaks, Then pour in, What we all seek. Combine the two, Then mix it well, Spray the pan, And pour it out. Cherish the memory, The beautiful scent, Of unity, And happiness.

My mother died when I was younger so this poem is about me sitting on the lawn at night shortly after she passed away. I was imagining better times, which is why in my poem I talk about how the girl is imagining ‘walking on the moon’ and she is gripping the grass tight and trying to remember the warmth of her mothers palms.

Sitting in the blue black grass She’s walking on the moon Watching specks of silver dance To the mellow tune Her fingers gripping the grass so tight She can almost feel The warmth of her mothers palms

The winds cold fingers

The winds cold fingers Tousle with my hair Loosening the soil My sobs are carried away on the wind

I would love to share this list (credited to you) with students participating in a virtual library program on poetry. Would that be possible/acceptable? These are great!

Wow! Thank you so much for all these awesome prompts! I’ve written two poems already!

Prompt #1 AND #15, untouchable and less than 25 words. i’m lowk popping off??

Apollo Commands the sun, which squints so brightly, scorches and freckles. i want her hand on mine. searing pain fears, still i reach out, and bubble.

I looked at the word “Duct tape” And thought about it. Its not anywhere in this poem at all but it inspired it yk?

Feathers are Soft

Feathers are soft People aren’t

Plushies are soft People aren’t

Pillows are soft People aren’t

People are mean Not nice Not joyful

well my poem is only loosely based on the second prompt because I found I had too much to say about Sundays. I would love to share it with you but these comments don’t support links.

Inspired by number 55 in list of poetry suggestions. Poem to song guitar chords. —————————————————-

Carnegie Hall

D I was feeling ecstatic G when I went to the attic A and found my auld busking D guitar

D But I felt consternation G I disturbed hibernation A at first it seemed quite D bazaar

D When I blew off the dust G it smelt like old must A but t’was time to give it a D bar

D It was then I heard flapping G which sounded like clapping A my first ever round of D applause

D It stayed with the beat G while tapping my feet A I kept playing despite all my D flaws

D I took early retirement G though not a requirement A “Bad Buskers” all get D menopause

D I’m strumming the strings G and the echo it rings A but no jingling of coins as they D fall

D So I play here alone G as to what I was prone A never made it to Carnegie D Hall

D Time to call it a day G as they used to say A for no encores or no curtain D call

D There’s a butterfly G in my guitar

D There’s a butterfly G in my guitar.

Finn Mac Eoin

23rd July 2022

I love this Finn, where can we listen to your song?

Hello I wrote this in remberence of 9/11. Its now sitting in ground zero. A ordinary day to start  Same as any other Dad goes off to work again, Child goes with their mother. Vibrant busy city,  busses, cars galore Workers in the offices, from bottom to top floor. Throughout our life situations Hard times often do arise, Unfortunatly we never think of saying last goodbyes. That’s exactly what happened on September 11th 2001 A day that turned the world so cold When tragedy begun. Twin towers has exploded Co ordinate attacks, Al-Qaeda behind the planes That seemed to be hijacked. Thousands were killed instantly Some lives hang by a thread, Calls were made to loved ones Onlookers face of dread. Fears & screams while running As smoke fills up the air, News reports on live tv Helplessly they stare. On the news we hear the voices of all who are caught inside, Lying next to injured ones Or sadly ones who died. One man makes a phone call My darling wife it’s me, I’m sorry that I upset you And that we disagreed. My offices have been attacked they’re crumbling to the ground, A massive explosion hit our floor then instantly no sound. If I do not make it I’m stating from the heart, I love you darling, & in your life I’m glad to play a part. Tell the kids daddy loves them Continue well at school, Stand up for all your beliefs Don’t be taken for a fool. The wife is crying down the line Darling please don’t go, I love you darling so so much I’ve always told you so. He replied my darling im feeling really kind of weak, Breathlessly he’s coughing, he can hardly speak. If you ever need me just look up to the stars, I will hear your voices And heal up any scars. Suddenly all was quiet The wife screams down the fone, Darling can you hear me, don’t leave me here alone. The towers live on tv start to crumble to the ground, Clouds of smoke then fill the air The world in shock no sound. Crying at the images of all who has lost their lives , Mums,dad’s , Nan’s & grandads, husbands & wives. Rescue teams included and all those left behind To All who were among them,  all who did survive, All who were injured All who sadly died. Never in this lifetime that day will be the same For ground zero holds the memories Of every single name.

Those hero’s on that awful day who never thought about their life Who fought to save the innocent To keep each sole alive Those who were pulled to safety Those we lost in vein, Never be forgotten The pain will still remain We will never forget that tragedy For the days will never be the same. But may I say with all my heart In God we put our faith United we stand For eternity were safe Amen

This is a beautifully sad poem. You really wrote your way into my heart. <3

I wrote a poem inspired by number 72. Not really sticking to what it said but thought this was kinda close to what it said…

After dusk, the almost eternal night. The dark, winter sky, full of millions of tiny stars. The sky, a color of blue that seems darker than black.

Sunset, full of an array of colors. Purple, orange, pink, and yellow. Nearly all dark blue.

Right as dawn appears, practically the same sunset hours later. Light wispy clouds fill the sky. Orange, pink, and light blue diffuse in the sky as the sun awakens

Wrote one based off the recipe one (I don’t remember which number)

From the Kitchen of: any teenager ever For: Disaster Ingredients: Social anxiety Existential dread A crush Zero sense of self worth A single class together And no social cues

Steps: (Warning: Do NOT do this if your crush is not single) You’re going to try to talk to your crush. Just say hi. If that doesn’t work, don’t go forward with the rest of these steps. Once you’ve talked to your crush, overthink every single thing you said to them. Do it. Then you’re going to decide you’re stupid for overthinking it. Next, you’re going to wait until they begin speaking to you on their own accord. If they don’t, overthink some more. One day you will think your crush is waving to you in the hallway. They won’t be. They’ll be waving to their friends behind you. Play it cool and pretend you’re doing the exact same thing. Run into the bathroom and cringe at yourself. Keep talking to them and try to partner up with them for a project. If they say no, don’t continue further; you’ll only embarrass yourself. If they say yes, say you need their number for the project. Call them “about the project” and eventually segway into other topics. Continue doing this until you guys eventually call all the time for no reason. Ask them out. If they say no, do not, I repeat, do not act like it was a dare or a joke. It ruins everything. Say “oh okay. Well, can we still be friends?” and continue from that point. If they say yes, go on a date with them outside of school before asking them to be your partner. Eventually break up and either get your heartbroken or break someone else’s heart.

And that is how you make an average teenage disaster. Enjoy!

i wrote a poem from number 73: its tiled “perfect” I tried to be perfect I stared counting my calories And eating less And working out more I even spent time heaving over the toilet I tried to be perfect But every calorie i counted Every time I ate less everyday I spent working out and every moment I spent heaving over the toilet ended up turning to counting every calorie and heaving over that toilet after every meal trying to be perfect is pointless I don’t ever wish to be perfect again I don’t want to spend time heaving over that toilet again or counting those calories or eating less everyday to just try to be something that doesn’t exist anyone who try’s to be perfect will just be ruined like I was

#47 “overgrown” The roses look beautiful But they are so overgrown There’s weeds all around it Some are dying Some are living But they are so overgrown If I could pick the weeds And putting down weed killer Will it look better Will it help the ones that are dying But they are so overgrown The living ones are slowly dying Do I pick the weeds Or just leave them But they that will leave them to be so overgrown All the roses are dead now I killed them They were so overgrown that it killed them I should’ve picked the weeds So that they wouldn’t have been so overgrown

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CREATIVE WRITING FELLOWSHIPS

The National Endowment for the Arts Literature Fellowships program offers $25,000 grants in  prose  (fiction and creative nonfiction) and  poetry  to published creative writers that enable the recipients to set aside time for writing, research, travel, and general career advancement. 

This program operates on a two-year cycle with fellowships in prose and poetry available in alternating years. In 2024 we will be accepting applications in poetry.  

Learn  more about past recipients of our literature fellowships  in the Literary Arts Impact section. 

If you have questions about your application, please contact the Literary Arts staff at 202-682-5034 or email  [email protected]

Stay Connected to the National Endowment for the Arts

Creative Writing Immersion

Request Info about undergraduate study Visit Apply

Overview for Creative Writing Immersion

A series of creative writing courses offers students a practical, theoretical, and historical understanding of the art and craft of writing nonfiction, fiction prose, and poetry, as well as experimenting in digital storytelling and interactive media. The immersion encourages students to use these skills and insights for interdisciplinary projects and the enrichment of their careers and personal lives.

Notes about this immersion:

• This immersion is closed to students majoring in English who have chosen a concentration in creative writing.

The plan code for Creative Writing Immersion is CRWRIT-IM.

Daily Tours and Information Sessions

Visit campus six days a week or explore other ways to experience RIT .

Schedule your visit

Curriculum for 2023-2024 for Creative Writing Immersion

Current Students: See Curriculum Requirements

Bennington College Curriculum Spring 2025

Spring 2025, fundamentals of creative writing (lit2566.01).

Creative writing is a method not just of expression, but of deep attention: thus we will begin our journey to the blank page by looking, with wonder and precision, at pages filled by such masters of craft as Cathy Park Hong, Robyn Schiff, Nathaniel Mackey, Ben Lerner, Miranda July, Mariana Enriquez, and Souvankham Thammavongsa. Our reading assignments, which will span poetry and prose of various aesthetic stripes (from “dirty” realist poetry to absurdist parable), will introduce a wide variety of topics and questions that will aid our own creative writing throughout the term. Such topics and questions will include: (A) What narrative strategies might we employ to enact a sense of individual pleasure? Or of collective dread?; (B) How can we be architects of surprise for a reader when we ourselves often know “how the story ends”?; (C) What is enjambment in poetry and can we leverage sentence structure to mimic it in prose?; (D) What is a sonnet and how do various practitioners of it leverage the form to different effect? Does a certain tone arise from its combination of pace, proportion, and volta?; (E) As a unit of perception and experience, how does the poetic line differ from the sentence? And how do they interact over the course of a stanza or an entire poem?; and (F) What is “vantage” and how does it relate to “point of view”? How might these terms apply not just to a story but also a poem in narrative or monologue form?

All of these questions, and others, will only fuel us as we respond creatively to our readings through in-class discussion, in-class craft exercises, occasional workshops, and take-home writing prompts. This is a generative course; therefore, participants will turn in an original piece of writing every week, whether that be a vignette or a villanelle.

Meet the team

Made up entirely of students, the CUPPS committee works hard to organise term cards for the academic year. Reach out to us with your suggestions and get involved. 

About CUPPS

We are the first university-wide creative writing society in Cambridge for both poetry and prose. Our goal is to provide an active, dedicated platform where students can pursue a passion for literature in a collaborative and inclusive environment.

We host speaker events, student sharing groups, workshops, open-mics and more. We want to help connect the existing creative community, as well as create more spaces for readers and writers to come together. You can find all our upcoming events on our term card and stay up to date through our social media.

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The Best Student Writing Contests for 2023-2024

Help your students take their writing to the next level.

When students write for teachers, it can feel like an assignment. When they write for a real purpose, they are empowered! Student writing contests are a challenging and inspiring way to try writing for an authentic audience— a real panel of judges —and the possibility of prize money or other incentives. We’ve gathered a list of the best student writing contests, and there’s something for everyone. Prepare highly motivated kids in need of an authentic writing mentor, and watch the words flow.

1.  The Scholastic Art & Writing Awards

With a wide range of categories—from critical essays to science fiction and fantasy—The Scholastic Awards are a mainstay of student contests. Each category has its own rules and word counts, so be sure to check out the options  before you decide which one is best for your students.

How To Enter

Students in grades 7-12, ages 13 and up, may begin submitting work in September by uploading to an online account at Scholastic and connecting to their local region. There are entry fees, but those can be waived for students in need.

2.  YoungArts National Arts Competition

This ends soon, but if you have students who are ready to submit, it’s worth it. YoungArts offers a national competition in the categories of creative nonfiction, novel, play or script, poetry, short story, and spoken word. Student winners may receive awards of up to $10,000 as well as the chance to participate in artistic development with leaders in their fields.

YoungArts accepts submissions in each category through October 13. Students submit their work online and pay a $35 fee (there is a fee waiver option).

3. National Youth Foundation Programs

Each year, awards are given for Student Book Scholars, Amazing Women, and the “I Matter” Poetry & Art competition. This is a great chance for kids to express themselves with joy and strength.

The rules, prizes, and deadlines vary, so check out the website for more info.

4.  American Foreign Service National High School Essay Contest

If you’re looking to help students take a deep dive into international relations, history, and writing, look no further than this essay contest. Winners receive a voyage with the Semester at Sea program and a trip to Washington, DC.

Students fill out a registration form online, and a teacher or sponsor is required. The deadline to enter is the first week of April.

5.  John F. Kennedy Profile in Courage Essay Contest

This annual contest invites students to write about a political official’s act of political courage that occurred after Kennedy’s birth in 1917. The winner receives $10,000, and 16 runners-up also receive a variety of cash prizes.

Students may submit a 700- to 1,000-word essay through January 12. The essay must feature more than five sources and a full bibliography.

6. Bennington Young Writers Awards

Bennington College offers competitions in three categories: poetry (a group of three poems), fiction (a short story or one-act play), and nonfiction (a personal or academic essay). First-place winners receive $500. Grab a poster for your classroom here .

The contest runs from September 1 to November 1. The website links to a student registration form.

7. The Princeton Ten-Minute Play Contest

Looking for student writing contests for budding playwrights? This exclusive competition, which is open only to high school juniors, is judged by the theater faculty of Princeton University. Students submit short plays in an effort to win recognition and cash prizes of up to $500. ( Note: Only open to 11th graders. )

Students submit one 10-page play script online or by mail. The deadline is the end of March. Contest details will be published in early 2024.

8. Princeton University Poetry Contest for High School Students

The Leonard L. Milberg ’53 High School Poetry Prize recognizes outstanding work by student writers in 11th grade. Prizes range from $100 to $500.

Students in 11th grade can submit their poetry. Contest details will be published this fall.

9. The New York Times Tiny Memoir Contest

This contest is also a wonderful writing challenge, and the New York Times includes lots of resources and models for students to be able to do their best work. They’ve even made a classroom poster !

Submissions need to be made electronically by November 1.

10.  Nancy Thorp Poetry Contest

The deadline for this contest is the end of October. Sponsored by Hollins University, the Nancy Thorp Poetry Contest awards prizes for the best poems submitted by young women who are sophomores or juniors in high school or preparatory school. Prizes include cash and scholarships. Winners are chosen by students and faculty members in the creative writing program at Hollins.

Students may submit either one or two poems using the online form.

11.  The Patricia Grodd Poetry Prize for Young Writers

The Patricia Grodd Poetry Prize for Young Writers is open to high school sophomores and juniors, and the winner receives a full scholarship to a  Kenyon Review Young Writers Workshop .

Submissions for the prize are accepted electronically from November 1 through November 30.

12. Jane Austen Society Essay Contest

High school students can win up to $1,000 and publication by entering an essay on a topic specified by the Jane Austen Society related to a Jane Austen novel.

Details for the 2024 contest will be announced in November. Essay length is from six to eight pages, not including works cited.

13. Rattle Young Poets Anthology

Open to students from 15 to 18 years old who are interested in publication and exposure over monetary awards.

Teachers may choose five students for whom to submit up to four poems each on their behalf. The deadline is November 15.

14. The Black River Chapbook Competition

This is a chance for new and emerging writers to gain publication in their own professionally published chapbook, as well as $500 and free copies of the book.

There is an $18 entry fee, and submissions are made online.

15. YouthPlays New Voices

For students under 18, the YouthPlays one-act competition is designed for young writers to create new works for the stage. Winners receive cash awards and publication.

Scroll all the way down their web page for information on the contest, which accepts non-musical plays between 10 and 40 minutes long, submitted electronically. Entries open each year in January.

16. The Ocean Awareness Contest

The 2024 Ocean Awareness Contest, Tell Your Climate Story , encourages students to write their own unique climate story. They are asking for creative expressions of students’ personal experiences, insights, or perceptions about climate change. Students are eligible for a wide range of monetary prizes up to $1,000.

Students from 11 to 18 years old may submit work in the categories of art, creative writing, poetry and spoken word, film, interactive media and multimedia, or music and dance, accompanied by a reflection. The deadline is June 13.

17. EngineerGirl Annual Essay Contest

Each year, EngineerGirl sponsors an essay contest with topics centered on the impact of engineering on the world, and students can win up to $500 in prize money. This contest is a nice bridge between ELA and STEM and great for teachers interested in incorporating an interdisciplinary project into their curriculum. The new contest asks for pieces describing the life cycle of an everyday object. Check out these tips for integrating the content into your classroom .

Students submit their work electronically by February 1. Check out the full list of rules and requirements here .

18. NCTE Student Writing Awards

The National Council of Teachers of English offers several student writing awards, including Achievement Awards in Writing (for 10th- and 11th-grade students), Promising Young Writers (for 8th-grade students), and an award to recognize Excellence in Art and Literary Magazines.

Deadlines range from October 28 to February 15. Check out NCTE.org for more details.

19. See Us, Support Us Art Contest

Children of incarcerated parents can submit artwork, poetry, photos, videos, and more. Submissions are free and the website has a great collection of past winners.

Students can submit their entries via social media or email by October 25.

20. The Adroit Prizes for Poetry & Prose

The Adroit Journal, an education-minded nonprofit publication, awards annual prizes for poetry and prose to exceptional high school and college students. Adroit charges an entry fee but also provides a form for financial assistance.

Sign up at the website for updates for the next round of submissions.

21. National PTA Reflections Awards

The National PTA offers a variety of awards, including one for literature, in their annual Reflections Contest. Students of all ages can submit entries on the specified topic to their local PTA Reflections program. From there, winners move to the local area, state, and national levels. National-level awards include an $800 prize and a trip to the National PTA Convention.

This program requires submitting to PTAs who participate in the program. Check your school’s PTA for their deadlines.

22. World Historian Student Essay Competition

The World Historian Student Essay Competition is an international contest open to students enrolled in grades K–12 in public, private, and parochial schools, as well as those in home-study programs. The $500 prize is based on an essay that addresses one of this year’s two prompts.

Students can submit entries via email or regular mail before May 1.

23. NSHSS Creative Writing Scholarship

The National Society of High School Scholars awards three $2,000 scholarships for both poetry and fiction. They accept poetry, short stories, and graphic novel writing.

Apply online by October 31.

Whether you let your students blog, start a podcast or video channel, or enter student writing contests, giving them an authentic audience for their work is always a powerful classroom choice.

If you like this list of student writing contests and want more articles like it, subscribe to our newsletters to find out when they’re posted!

Plus, check out our favorite anchor charts for teaching writing..

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Best 2024 Competitions for Students in Grades K-12

Competitions in STEM, ELA and the arts, and more! Continue Reading

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E-mail:  [email protected]

The Master of Fine Arts in Creative Writing at BGSU is widely recognized as one of the country’s most prestigious. For more than fifty years, graduates of BGSU’s Program in Creative Writing have contributed to contemporary literary culture and published hundreds of books.

The MFA in Creative Writing program gives a comprehensive and rigorous education in the professional writing, editing, and marketing of poetry and fiction. Artistic development, craft knowledge, and professional presentation are guiding principles. 

Learning Outcomes

Upon completion of the MFA degree, students in the Creative Writing with a specialization in Fiction or Poetry program are expected to be able to:

• Develop individual, original approaches to writing fiction and/or poetry
• Produce a book-length thesis comparable in quality to the published work of contemporary poets and fiction writers
• Develop an understanding of their work’s place within the context of contemporary literature 
• Collaboratively assess literary work for publication 
• Apply craft knowledge to produce and distribute a literary journal through relevant technologies 
• Develop pedagogical skills sufficient to design and teach courses at the college level 

Admission Requirements

Application deadline is January 15 for Fall Semester.  Since application reviews may begin immediately after the deadline, we recommend submitting your application and providing all required documents before the deadline. Documents required:

• Applicants below a 3.00 GPA must submit a GRE score unless they have already completed a master’s degree.  Enter your GPA and GPA Scale with your undergraduate degree under the Academic History tab.
• Three Letters of Recommendation
• Statement of Purpose  (1-2 pages)
• A fiction or poetry sample (20 - 30 double-spaced pages of fiction, or 10 - 15 pages of poetry with poems single- or double-spaced)
• An academic or professional writing sample (8 - 15 pages, double-spaced)

Please do not submit screenplays, children’s stories, fantasy or science fiction.

International applicants are required to submit scores from the Test of English as a Foreign Language (TOEFL), the International English Language Testing System (IELTS), or the Pearson Test of English Academic (PTEA). Successful completion of ELS 112 will also be accepted for this requirement.  Additionally, Duolingo test scores will be accepted for applications through Summer 2025. Applicants of the Graduate College who have completed a previous degree (associate, bachelor’s master’s or doctorate) from a U.S. college/university or are from a country (click  here  for a complete list) in which instruction was delivered in English (and attended the university for at least two years) are exempt from providing these test scores. Please review the Creative Writing MFA program’s Application page at  http://www.bgsu.edu/arts-and-sciences/english/creative-writing/apply-online.html  for detailed information about application materials.

Application Requirements

Admissions Categories and Grade Point Average Requirements

International Application Information

Degree Requirements

Curriculum requirements, required courses (24 credits).

ENG 6320 taken during the summer semester may not be used to satisfy workshop requirements. 

• ENG 6320 - Graduate Writers Workshop (12 credits)
• ENG 6300 - Technique of Poetry
• ENG 6330 - Creative Writing and Desktop Publishing
• ENG 6370 - Pedagogy of Creative Writing
• ENG 7820 - Topics in English Studies

Electives (6 credits)

Select 2 courses.

Culminating Experience (6 credits)

• ENG 6990 - Thesis Research

Minimum Total Credits (36 credits)

Additional requirements.

• Minimum of 3 credits of 6990 required for Plan I master’s students.  Maximum of 6 credits may be applied toward degree requirements. 
• Minimum 3.0 graduate cumulative grade point average
• Minimum of 18 credits must be at the 6000-level or higher
• Minimum of  24 credits must be earned at BGSU
• All requirements must be completed within six years from the end of the earliest course used to fulfill degree requirements.

Books by past CBC Poetry Prize winners and finalists being published in 2024

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Being a finalist for the CBC Poetry Prize can jumpstart your literary career. Need proof? Here are books that were written by former CBC Poetry Prize winners and finalists that are being published this year.

The 2024 CBC Poetry Prize is open for submissions until June 1, 2024 at 4:59 p.m. ET.

You can submit an original, unpublished poem or collection of poems. The submission will be judged as a whole and must be a maximum of 600 words (including titles). 

The winner will receive $6,000 from the Canada Council for the Arts , a two-week writing residency at Banff Centre for Arts and Creativity and will have their work published on CBC Books . 

The 2024 CBC Poetry Prize is open between April 1 and June 1

Four finalists will each receive $1,000 from the Canada Council for the Arts and have their work published on CBC Books .

The Seventh Town of Ghosts by Faith Arkorful

The Seventh Town of Ghosts explores this titular town through songs that help readers grapple with the challenges of existence and independence. The book offers insight into the power of connection, tenderness and the human spirit.

37 poetry collections to watch for in spring 2024

Faith Arkorful has had her work published in Guts, Peach Mag, Prism International, Hobart, Without/pretend, The Puritan and Canthius. She was a semi-finalist in the 2019 92Y Discovery Contest. Arkorful was born in Toronto, where she still resides.

In 2020, Arkorful was shortlisted for the CBC Poetry Prize for Family Affair . 

Pearly Everlasting by Tammy Armstrong

Pearly Everlasting is the story of a girl and her domesticated bear during the Great Depression. Pearly must rescue her bear Bruno after he's been kidnapped and sold to an animal trader. Their journey to make their way back home is more than fifty miles and Pearly will have to face what it really means to be family to a bear.

When you can read it: June 25, 2024

Tammy Armstrong has published two novels and five books of poetry. Her collection, Year of the Metal Rabbit , was a finalist for the Atlantic Book Awards' J.M. Abraham Poetry Award and won the inaugural Maxine Tynes Nova Scotia Poetry Award . 

Armstrong was longlisted for the 2022 CBC Poetry Prize and had previously made the CBC Poetry Prize longlist in 2017 .

Bad Weather Mammals: Poems by Ashley-Elizabeth Best

The poems in Bad Weather Mammals reflect Ashley-Elizabeth Best's own experiences with disability. The poems look back at her childhood, but also her adulthood and even her relationships in her community. The poet explores in a variety of formal constraints both the joys and devastation of living with a disabled body.

When you can read it: Sept. 17, 2024

Ashley-Elizabeth Best is a disabled poet and essayist from Kingston, Ont. Her debut collection of poetry, Slow States of Collapse , was published in 2016. Best's chapbook Alignment was published in 2021. That same year, Best was also a contributor for Resistance , a collection of poems curated and edited by Sue Goyette.

Best was on the longlist for the 2022 CBC Poetry Prize .

Death of Persephone: A Murder by Yvonne Blomer

The poems in Death of Persephone explore the myth of Persephone through the character of Stephanie who lives in a more modern setting than her Greek inspiration. With many displacements to the myth, one question remains: who will survive this altered version of the ancient story?

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Yvonne Blomer is a poet and author. She is the author of the travel memoir Sugar Ride: Cycling from Hanoi to Kuala Lumpur and the poetry collection As if a Raven . She edited the anthologies Refugium: Poems for the Pacific and Sweet Water: Poems for the Watersheds . Blomer served as the city of Victoria's poet laureate from 2015 to 2018.

Blomer was longlisted for the 2020 CBC Poetry Prize .

Hard Electric by Michael Blouin

Michael Blouin's poems in Hard Electric are a collection of reflections with a decided slant toward disaster. They are unsettling, not for the faint of heart, but ultimately also life-affirming for the lonely hearted or those who know them well. 

When you can read it: Sept. 30, 2024

Michael Blouin is a writer from Ontario. Blouin won the 2020 ReLit Award for his novel Skin House . He previously won the ReLit Award in 2009 for his debut novel Chase and Haven. Hard Electric is his third poetry collection.

Kemptville author's book being sent to the moon

Blouin was a finalist for the 2009 CBC Poetry Prize  for his poem fidelity  which is included in Hard Electric .

Midway by Kayla Czaga

Midway is a poetry collection that explores the writer's grief in the aftermath of her parents' deaths. The poems travel from the underworld to London's Tate Modern in a way that's both comforting and disconcerting. 

Kayla Czaga is also the author of For Your Safety Please Hold On and Dunk Tank . For Your Safety Please Hold On won the Gerald Lampert Memorial Award and was nominated for the Governor General's Literary Award for poetry and the Dorothy Livesay Poetry Prize. She lives in Victoria and served as the online poetry mentor for Simon Fraser University's Writer's Studio.

Czaga was on the 2018 CBC Poetry Prize longlist .

Naked Pictures by Paulette Dubé

Naked Pictures is a hybrid poetry collection and field-photojournalism relating the relationship of Jasperite poet Paulette Dubé with the Albertan lands, including everything that happened surrounding the XL Keystone pipeline. 

Dubé's poetry and prose has been nominated for the Milton Acorn Memorial People's Poetry Award, the CBC Alberta Anthology, the Alberta Writers' Guild Best Novel Award, the Starburst Award, the Exporting Alberta Award and the Fred Kerner Award. She was recently named the writer in residence at the Jasper Municipal Library.

Dubé won second place for the 2005 CBC Poetry Prize .

Monsters, Martyrs, and Marionettes by Adrienne Gruber

In Monsters, Martyrs, and Marionettes , Adrienne Gruber explores the theme of motherhood through a collection of essays. It celebrates bodies, maternal bonds, beauty, but also the uglier side of parenthood, the chaos and even how close we are to death at any given moment.

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Gruber is a poet and essayist originally from Saskatoon. She is the author of three books of poetry, most recently Q & A , and five chapbooks. She placed third in Event's creative non-fiction contest in 2020 and was the runner up in SubTerrain's creative nonfiction contest in 2023.

Gruber was on the longlist for the 2016 CBC Poetry Prize . She was also longlisted for the 2023 CBC Nonfiction Prize and for the 2020 CBC Nonfiction Prize .

Keep by Jenny Haysom

The novel Keep is a meditation on all the stuff in our lives. Having been recently diagnosed with dementia, Harriet must sell her beloved house. Enter home stagers Eleanor and Jacob who are hired to remove the clutter, but soon find themselves immersed in Harriet's mysterious world while their own lives are unravelling.

When you can read it: Oct. 1, 2024

Jenny Haysom is a writer from Nova Scotia. Her debut poetry collection, Dividing the Wayside , won the Archibald Lampman Award and was shortlisted for the Gerald Lampert Memorial Award . She has published her writing in magazines across Canada.

Haysom was longlisted for the 2013 CBC Poetry Prize .

Prairie Edge by Conor Kerr

Isidore "Ezzy" Desjarlais and Grey Ginther live together in Grey's uncle's trailer, passing their time with cribbage and cheap beer. The former is cynical of what she feels is a lazy and performative activist culture, while the latter is simply devoted to her distant cousin. So when Ezzy concocts a scheme to set a herd of bison loose in downtown Edmonton, Grey is along for the ride — a ride in Prairie Edge that has devastating, fatal consequences. 

How an escaped Albertan bison herd inspired Conor Kerr's latest novel about resisting colonial structures

Conor Kerr is a Métis/Ukrainian writer who hails from many prairie towns and cities, including Saskatoon. He now lives in Edmonton. A 2022 CBC Books writer to watch , his previous works include the novels Old Gods and Avenue of Champions , which was longlisted for the 2022 Scotiabank Giller Prize , and won the ReLit award the same year . Kerr currently teaches creative writing at the University of Alberta.

Kerr was on the 2021 CBC Poetry Prize longlist .

Dayboil by Sharon King-Campbell

Dayboil is a kitchen-table comedy centered on four middle-aged women in rural Newfoundland. The play explores the rigidity of gender roles that prevent men from seeking mental help and forces many women to become caretakers. 

Sharon King-Campbell is a writer from Ottawa who now lives in St. John's. Her first book was This is How It Is which was published in 2021.

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King-Campbell made the 2020 CBC Poetry Prize longlist . 

Votive by Annick MacAskill

An exploration of devotion in different forms, Votive is Annick MacAskill's fourth book of poetry. 

Cities are full of concrete and construction. Annick MacAskill's poem examines how this impacts us

When you can read it: Fall 2024

MacAskill is the author of three previously published poetry collections, including Shadow Blight , winner of the Governor General's Literary Award for poetry in 2022. Her fiction has previously appeared in Canthius and Plenitude. MacAskill lives in Kjipuktuk (Halifax), in Mi'kma'ki, the traditional and unceded territory of the Mi'kmaq.

MacAskill was longlisted for the 2014 CBC Poetry Prize and more recently longlisted for the 2024 CBC Short Story Prize .

Limited Verse by David Martin

Limited Verse is a collection of classic poems with a new twist — they're translated into New English, made up of only 850 words. 

Past winner David Martin gives 4 reasons you should enter the CBC Poetry Prize

David Martin is an author of poetry collections Kink Bands and Tar Swan , which was a finalist for the Raymond Souster Award and the W.O. Mitchell City of Calgary Book Prize.

Martin won the CBC Poetry Prize in 2014 . 

False Bodies by J.R. McConvey

False Bodies follows Eddie Gesner to Newfoundland where he goes to find out more about a mysterious incident that caused mass casualties on an offshore oil rig and is said to be the work of a kraken. Eddie's obsession with monsters forces him to confront this incredible undersea creature.

J.R. McConvey is a writer and documentary producer from Toronto. His debut short story collection Different Beasts was published in 2019 and won the 2020 Rakuten Kobo Emerging Writer Prize for speculative fiction. CBC Books named him a writer to watch in 2020 .

In 2016, McConvey made the longlist for the CBC Poetry Prize . 

Crying Dress by Cassidy McFadzean

Crying Dress is a poetry collection rooted in the tradition of lyric poetry while adopting its own spin and linguistic play that challenges an idea of poetic coherence. It spans various locations and brings together scenes from intimate moments in domestic life to ones featuring the ghosts of Brooklyn. 

• 13 poetry collections by past CBC Literary Prizes winners and finalists from 2024

Cassidy McFadzean is a writer who was raised in Regina and currently lives in Toronto. Her poetry books are Drolleries and Hacker Packer , which won two Saskatchewan Book Awards. She also wrote a crown of sonnets called Third State of Being. She was raised in Regina and currently lives in Toronto. 

McFadzean was a finalist for the CBC Poetry Prize in 2013 . In 2015, she placed twice on the longlist of the CBC Poetry Prize .

This Is a Tiny Fragile Snake by Nicholas Ruddock, illustrated by Ashley Barron

This Is a Tiny Fragile Snake is a picture book that explores various encounters with animals through 15 poems and illustrations. The book encourages its readers to respond with tenderness when coming across those animals. This Is a Tiny Fragile Snake is for ages 3 and up.

32 Canadian books for children to check out in spring 2024

Nicholas Ruddock is a physician and writer who has worked in Newfoundland and Labrador, Quebec, Yukon and Ontario. Has had novels, short stories, poetry published since 2002 in Canada, U.K., Ireland and Germany. He is the author of the 2021 novel Last Hummingbird of West Chile .

Ruddock made the 2016 CBC Poetry Prize longlist for Storm as well as the 2016 CBC Nonfiction Prize longlist for The Hummingbirds . Most recently, Ruddock was shortlisted for the 2023 CBC Short Story Prize for his story Marriage .

The Work by Bren Simmers

The poems in The Work explore the themes of loss and grief and how one can make themselves whole again after being broken. From the sudden death of her father, her mother's dementia and her sister-in-law's terminal illness, Simmers' poems show us how healing can come from love.

P.E.I. writer Bren Simmers wins 2022 CBC Poetry Prize for work inspired by how Alzheimer's affects language

Bren Simmers is the author of four books, including the wilderness memoir Pivot Point and Hastings-Sunrise , which was a finalist for the Vancouver Book Award as well as a collection of poetry titled If, When.  

Simmers won the 2022 CBC Poetry Prize for her poetry collection Spell World Backwards , which is included in The Work . She was previously longlisted for the CBC Poetry Prize in 2013 and in 2012 for Science Lessons .

A Blueprint for Survival by Kim Trainor

A Blueprint for Survival is a poetry collection that starts in wildfire season and then explores the forms of resistance and survival in the context of climate change. It examines each of these forms as a blueprint for being in and seeing the world. 

Kim Trainor is the author of the poetry collections A thin fire runs through me , Karyotype and Ledi . Her poems have won the Fiddlehead's Ralph Gustafson Prize, the Malahat Review Long Poem Prize and the Great Blue Heron Prize. She lives in Vancouver.

• 24 books by past CBC Poetry Prize winners and finalists being published in 2023

Trainor has a long history with the CBC Literary Prizes : her poem Desolation made the 2019 CBC Poetry Prize longlist . She was also longlisted for the CBC Poetry Prize in 2018 for Sweetgum (7 readings of the I Ching) , in 2014 for Peredelkino 1956-1960 , in 2013 for In Baghdad it is Night and in 2012 for On the gravity of light (10 exposures in the manner of Francesca Woodman) . In 2015, she appeared on the CBC Poetry Prize longlist three times for her poetry collections glass, clay, Lascaux , Winter ghazals and You tell me in the summer the light . 

Scientific Marvel by Chimwemwe Undi

Scientific Marvel is a poetry collection that looks into the history of and current life in Winnipeg. With humour and surprise, it delves into deeper themes of racism, queerness and colonialism while keeping personal lived experiences close to the page. 

The Poetry of Why: poet Chimwemwe Undi on a lifetime of questions in verse

Chimwemwe Undi is a Winnipeg-based poet, editor and lawyer. She is the Winnipeg poet laureate for 2023 and 2024. She won the 2022 John Hirsch Emerging Writer Award from the Manitoba Book Awards and her work can be found in Brick, Border Crossings, Canadian Literature and BBC World.

Undi was longlisted for the 2020 CBC Poetry Prize .

Relative to Wind: On Sailing, Craft, and Community by Phoebe Wang

Even though humans have sailed for centuries, when you step on a boat for the first time, the learning curve is steep. Relative to Wind is a collection of essays that recognizes the parallels between sailing and a creative life. The book is structured to help readers apply sailing lessons and techniques to their art, but also their community.

When you can read it: Oct. 15, 2024

Phoebe Wang is an Ottawa-born poet and author. Her debut poetry collection Admission Requirements , which explores stories of the land and searches for a secure sense of belonging, was shortlisted for the 2018 League of Canadian Poets Gerald Lampert Memorial Award.

Why Phoebe Wang believes in the power of poetry

Wang made the CBC Poetry Prize longlists in 2016 , 2013 and 2012 .

The Lantern and the Night Moths by Yilin Wang

The Lantern and the Night Moths is a translation of poems by five contemporary and modern Chinese poets, Qiu Jin, Fei Ming, Dai Wangshu, Zhang Qiaohui and Xiao Xi. The poems are translated next to their original text and the book includes essays about the art of poetry translation. 

Yilin Wang is a writer, poet and Chinese-English translator. Her fiction, poetry and creative nonfiction have appeared in Clarkesworld, The Malahat Review, Arc Poetry Magazine, Grain, CV2, carte blanche and The Tyee. She is based in Vancouver. 

How do we value the work of translators today?

Wang was longlisted for the 2020 CBC Poetry Prize . 

Homing: A Quest to Care for Myself and the Earth by Alice Irene Whittaker

Homing is a memoir about the author's experience of abandoning a busy commuter lifestyle to move to a cabin in the woods with her family. The book also touches upon the journey of repairing her fractured relationship with both herself and the natural world.

When you can read it: Sept. 3, 2024

Alice Irene Whittaker is a writer and environmental leader. She is the executive director of Ecology Ottawa and the creator and host of Reseed , a podcast about repairing our relationship to nature. She has been published in national and international publications. Whittaker lives with her family in a cabin in the woods in Québec.

It's a mood: podcasts about mental health

Whittaker has longlisted for all three CBC Literary Prizes . She was on the 2022 CBC Poetry Prize longlist , the 2021 CBC Nonfiction Prize longlist and was on the longlist of the 2012 CBC Short Story Prize .

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Written by S. Kalekar June 3rd, 2024

32 Themed Submission Calls and Contests for June 2024

These are themed calls and contests for fiction, nonfiction, and poetry. Some of the call themes are: red; monstrous; classic fairy tales; deadly Yellowstone; a brood of vampires; funny stories; and false memories. THEMED CALLS Mslexia: Red They want work by women authors only. They accept fiction , poetry , nonfiction , fun stuff, as well as pitches for interviews and articles. Some work they publish is on showcase themes (fiction and poetry), and some columns/sections are on other themes, or unthemed. Some sections are open for submissions by subscribers only. For the next issue, the showcase theme is Red. “Red: blood, roses, strawberries, ladybirds…or Taylor Swift’s fourth studio album? Send us your Red themed submissions for Issue 103.” Deadline: 10 th June for the showcase theme, and 8 th July 2024 for other inclusions in the next issue Length: Varies Pay: A minimum of £30, see their submission policy and payment rates here Details here . Space & Time: Solution Revolution They accept speculative fiction (up to 5,000 words preferred), poetry, and art. For fiction, they want “Broken boundaries, blown minds and new horizons. Science fiction, fantasy, horror, steampunk, magical realism—we look for work with a speculative element. Creative hybrids welcome. If you can combine horror, science fiction and fantasy into one compelling plot, you’ve caught our attention.” They want submissions on the ‘Solution Revolution’ theme for their next submission period, which is 15-30 June 2024. On the theme, they say, “There’s a lot going wrong in the world right now. In this issue we want to see answers. Work does not have to be solarpunk or hopepunk as sometimes solutions aren’t happy for everyone. Example: dogs evolve with opposable thumbs, take over the world and bring about world peace by putting people on leashes. This would be a story our publisher appreciates.” Submissions accepted in English, Spanish, Portuguese, French or Italian. Reading period: 15-30 June 2024 Length: Up to 5,000 words preferred for fiction (can accept up to 10,000 words), up to 3 poems Pay: $0.01/word for fiction, $5 for poetry Details here and here . Neon Hemlock Press: Baffling Magazine – Monstrous The tagline of Baffling Magazine is, ‘Speculative flash fiction with a queer bent’. “We’ll be open next in June, from the 1st to the 15th, reading on the theme of “monstrous” as well as unthemed submissions.” Submission is via a form. Deadline: 15 June 2024 Length: Up to 1,200 words Pay: $0.08/word Details here and here . (Neon Hemlock is also open for a reprint anthology, We’re Here: The Best of Queer Speculative Fiction . They want speculative stories published in 2023 under 17,500 words that implicitly or explicitly explore queerness and/or transness. Pay is $0.01/word, and the deadline is 31 December 2024. Details here .) carte blanche: Play This Canadian magazine accepts fiction, creative non-fiction, poetry,  translations (French to English only), photography, and comics. They’re reading submissions for Issue 49, and they want work on the ‘Play’ theme. “We are interested in your narrative and poetic experiments, odd stories, humorous pieces, weird fiction, and the quirky. We ultimately leave “Play” up for your interpretation. They specially welcome submissions from underrepresented writers. They may prioritize Quebec-based creators (see guidelines). Please note, there is a cap on poetry submissions – those may close earlier than the deadline if their quota is met.  Deadline: 15 June 2024 Length: Up to 3,500 words for prose, up to 3 poems Pay: $75 Details here and here .  Eye to the Telescope: Strange Mixology This is a speculative poetry magazine. For the Strange Mixology theme, they say, “As your fearless bartender, I’m looking for cosmic concoctions, time-twisted tinctures and charmed potions. Give me something with a kicker, the green fairy’s secret spells, the sweet sap of the old woods and the moonshine of mermaids, alien aperitifs and speakeasies in space. All spirits welcome, even the ones that don’t come in glass bottles. Feel free to interpret the theme broadly but make sure there’s a spec element. Give me your old-fashioned verse and cosmopolitan compositions, pink squirrels, bee’s knees, gimlets and juleps, juniper berries, elderflowers, the marriage vows of Old Tom Collins and Bloody Mary. Garnish with kaleidoscopic umbrellas and a twisty straw. In Poetry Veritas.” They also accept translations.Deadline: 15 June 2024 Length: Up to 3 poems Pay: $0.04/word (up to $25) Details here . The Fairy Tale Magazine: Classic Fairy Tales This magazine was formerly called Enchanted Conversations. “The theme for 2024 is Classic Fairy Tales. You can take a lot of license with the work, but there must be a clear connection to a specific old fairy tale in the work. We are also very open to the stories and poems focusing on seasonal holidays, like solstice celebrations, Halloween, Hanukkah,  etc. Stories must be PG in terms of content. A lot of young kids find our site, even though it’s not a kids publication. …Remember, stories and poems must have the theme in them, even though it needn’t be a huge part of the story. Do bear in mind that all fairy tale related fiction and poetry needs an element of the supernatural—as well as transformation. The essence of classic fairy tales should be maintained when you write these stories and poems.  (The editor) tends to prefer things to end happily, but it’s not absolutely essential.” They have detailed guidelines, please read them carefully. They will read for the fall/winter issue in June. Please send your work only during the reading period. Reading period: 17 to 24 June 2024 Length: 1,000-2,000 words for fiction, up to 500 words for poetry Pay: $25 Details here . Channel Magazine This Ireland-based magazine publishes fiction and poetry, for which they have submission periods; non-fiction (which is considered for both online and print) is considered on an ongoing basis. They have detailed guidelines, including, “We love work that speaks directly of a writer’s bond with and fear for our planet, and work that takes a local landscape, or a local flower, as its subject; equally, though, we love work that draws on an aspect of nature as setting, image or metaphor. We believe that all writing relies to some extent on historical engagement with nature, in that all human language has been shaped by our embeddedness in our shared environments.” For fiction and poetry, the deadline is 20 June 2024. They accept submissions in English and Irish. Deadline: 20 June 2024 for fiction and poetry, ongoing for nonfiction Length: Varies Pay: €35 per printed page, up to €250 per piece and with a minimum fee of €50 for single-page works; €35 per 400 words, up to a maximum of €250 per piece and with a minimum fee of €50 for work published online Details here . Flame Tree Publishing: Two anthologies Flame Tree is open for two anthologies in their Myths, Gods, and Immortals series; Anansi , and Circe . The please see the links for details on each theme. A note on their website says, “All previous submissions for Anansi are still under consideration and authors will be contacted in due course, within 4 months of the new deadline.” They also accept reprints for both anthologies, which will be published in hardcover. Deadline for both anthologies: 23 June 2024 Length: 3,000-4,000 words Pay: $0.08/word for originals Details here (Anansi) and here (Circe). Dragon’s Roost Press: Arkham Institutions Anthology This is a fiction anthology. “Arkham Institutions (tentative title) will feature 10 – 15 short stories focusing on the various aspects of government and business and their relationship with the oddness that creeps up in and around that most (in)famous New England Town. … We want to see Cosmic Horror stories set in and around Arkham, Innsmouth, and other mythos related areas that take place in or are associated with Lovecraftian tales AND which feature a public or private institution of some sort. What does Arkham Elementary teach? What weird cases does law enforcement have to deal with? What kind of people are seen in the Emergency Room? The psych ward? The local library? The institutions in question can appear in previous Mythos stories or be of your own creation. In fact, we would love to see some new places — let’s fill out that city map! Feel free to set your story in the timeframe that fits best. We are still looking for character driven stories, but make sure that these places are characters in their own rights. … We are not looking for stories set at Miskatonic University nor the Orne Library.” Please note, they will close submissions earlier than the deadline if they fill the anthology. Deadline: 30 June 2024, or until filled Length: 3,000-5,000 words Pay: $0.06/word Details here . Thalia Press: Deadly Yellowstone – A Collection of Mystery Shorts They want stories set in the Yellowstone National Park. “Explore the treacherous and awe-inspiring landscape of America’s first national park in this new anthology, “Deadly Yellowstone.” With scalding geysers, stampeding buffalo, and ravenous grizzlies, danger lurks at every turn. As a global tourist magnet, Yellowstone National Park attracts not only nature enthusiasts but also those with sinister intentions. Unravel the mysteries within the park’s boundaries as ten gripping short stories delve into baffling events amidst the beauty and danger of Yellowstone.” Stories can be serious or humorous, but must be in the crime fiction/mystery genre. Please see their note on contributor copies. Deadline: 30 June 2024 Length: Up to 10,000 words (see guidelines) Pay: $25 Details here . West Avenue Publishing: A Brood of Vampires West Avenue Publishing is a fantasy publisher, and they also release themed anthologies. The theme for their next anthology is ‘A Brood of Vampires’. They want fiction and poetry on the theme. Deadline: 30 June 2024 Length: Up to 5,000 words for fiction, poetry of any length Pay: $10 Details here . Chicken Soup for the Soul: Two themes They’re reading nonfiction prose and non-fiction poetry (no fiction) for various themed anthologies, and two of the deadlines are in June: for their ‘ Funny Stories ’ anthology, as well as the ‘ Grandmothers ’ themed anthology. They have detailed guidelines about the kind of stories they want; see their ‘ Possible Book Topics ’ tab for details on the themes. They have other themes listed too, with later deadlines. Also see their FAQ . Please note, their submission deadlines change sometimes, so please double-check before submitting. Deadline: 30 June 2024 for the above themes Length: Up to 1,200 words Pay: $250 Details here and here . Blue Planet Press: Far Futures 3 – An Anthology of Deep Space This is a fiction anthology. “Space exploration. From the outer planets of our solar system to the edge of the Orion Spur and the even more distant Andromeda Galaxy. How will we get there? Generation ships? Faster than light engines? Dimensional warping? Wormholes? Submissions will involve space travel in some form to deep space. Stories may start or end planet-side, but the bulk of the tale must be in space. Military sci-fi is welcome.” Deadline: 30 June 2024 Length: 6,000-10,000 words Pay: Half a cent per word, up to $50 Details here . The Deadlands They want death-related fiction from BIPOC writers only for the June submission window. They have extensive guidelines, including, “The Deadlands exists in liminal spaces between life, death, and elsewhere. We are looking for fiction that concerns itself with death—but also everything death may involve . A ghost in a shadowed wood. An afterlife discovered through a rusted door. An abandoned house in the middle of a haunted field. A skeletal figure moving with intent toward something unseen. Death personified. Burials in troubled lands. … We are not simply a “horror market.” Sure, we want your horror, but we also want your litfic, your slipstream, your fantasy, your sf, your chicklit, your hist-fic, your everything fic. Death touches everything and so should our fiction.” Their guidelines have details about the kind of work they like, and also the hard sells. They also accept reprints. While they want fiction from BIPOC writers only for this submission window, they have all their submission periods for the year listed on the website. Deadline: 30 June 2024 Length: Up to 5,000 words Pay: $0.10/word Details here . Zoetic Press: Non-Binary Review – False Memories They want poetry, fiction, essays, translations, and art. They’re reading on the False Memories theme. Please remember, they accept submissions until a cap is reached, or the deadline, whichever comes first. All submissions must have a clear relationship to the theme. Apart from the theme, they are also accepting submissions for Dear Horace Greely and Heartbeats: Visual Verse sections; they also offer feedback to 4 POC poets every month. On the False Memories theme, they say, “False memories first came to public consciousness in the 1980s when a group of pre-schoolers at a California preschool were coached by well-meaning social workers and police investigators into “remembering” Satanic abuse that never happened. The fallout from that episode wasn’t just the persecution of an innocent family, but a nationwide mass delusion now known as “the Satanic Panic,” where authorities were warning the public about supposed widespread satanic cults committing heinous acts of abuse. Not a single one of these warnings were founded in fact, and it is now known that a large number of them were propaganda. But false memories aren’t always bad. There is a common phenomenon wherein people hear stories of their early childhoods so often that those stories turn into “memories.” It is common in dreams to have “memories” of things that happened to the dream self, but not to the real self. Or a person might believe that they took their regular medication, brought in the garbage bins, or picked up the mail when they haven’t. We’re looking for weird and wonderful stories of not just the memories themselves, but of their production, their repercussions, their wider meanings. We’re looking for false memories that might have changed history, that led to remarkable discoveries, that impacted lives.” They do not want works on recovered memory. They would also like to avoid stories centering abuse, trauma, and violence. Deadline: 31 July 2024, or until filled Length: Up to 3,000 words for prose; up to 3 pages for poetry Pay: $0.01/word for prose, $10 for poetry Details here and here .

(They’re also accepting submissions for other sections:  – “ Dear Horace Greeley is our advice column for authors.” Details on the kind of questions you can ask, and publication of the letters, are here and here . — “ Heartbeats: Visual Verse isn’t just poetry. It’s poetry that can only work in a visual medium. We want layers of meaning and emotion; we want evocative images and surprising combinations of words, music, and visuals.” Details here and here . They also offer feedback to 4 POC poets every month – please see their Submittable page for details.) Nonprofit Quarterly Magazine: Fall 2024 Climate Justice Issue NPQ is a general-interest magazine which welcomes submissions that seek to advance the work of nonprofits, philanthropists, and social movements in the US. For the current call, they want climate justice writing by “ movement leaders and practitioners in the field of all ages—including, and especially, youth (ages 18–35) —for a special edition centered on the young people bringing new leadership, energy, and hope to the climate justice movement. Youth are moving beyond talk and into action, including legislation proposals brought to policy tables in the United States and globally. We want to know what the youth climate justice movement needs to support their goals, and what’s next for the youngest generations fighting climate change. We’re seeking articles that describe the current state of youth climate justice work, concerns of youth, and new visions for the planet. What we are looking for… Articles by climate writers and leaders of all ages that describe work being done in the field, visions for the future, personal experiences with the climate movement, and how climate intersects with issues of health, gender, disability, neurodivergence, racial justice, and economic justice. (Word count: 800–3,000) Creative writing by youth —from personal narrative to fiction to poetry—that describes living through the current climate crisis. How is your community being shaped and re-shaped by climate? (Word count: no more than 1,000 words.)” Submission deadline: 30 June 2024 Length: See above Pay: $200-500 for writing, $50-100 for art Details here (theme details) and here (general pitch guide) New York Times: Modern Love Modern Love is NYT’s nonfiction column, and their reading period has just opened. They want “honest personal essays about contemporary relationships. We seek true stories on finding love, losing love and trying to keep love alive. We welcome essays that explore subjects such as adoption, polyamory, technology, race and friendship — anything that could reasonably fit under the heading “Modern Love.” Ideally, essays should spring from some central dilemma you have faced. It is helpful, but not essential, for the situation to reflect what is happening in the world now.” Also, “Love may be universal, but individual experiences can differ immensely and be informed by factors including race, socio-economic status, gender, disability status, nationality, sexuality, age, religion and culture.” Send essays of 1,500-1,700 words. Modern Love has two submission periods, September through December, and March through June. Writers are paid. Send submissions to modernlove (at) nytimes.com. They especially welcome work from historically underrepresented writers, and from those outside the US. Deadline: 30 June 2024 Length: 1,500-1,700 words Pay: Unspecified Details here . (Also see NYT’s Tiny Love Stories column; these are also personal essays similar in theme to Modern Love, but much shorter, of 100 words.)  Thema: A New Routine They publish three themed issues a year. They accept short stories, essays, poetry, and art. Their upcoming theme is ‘ A New Routine ’, and the deadline is 1 July 2024; they have other themes too, with other deadlines. They also accept reprints. Only writers outside of the US can submit by email, US-based writers have to post their submissions. Deadline: 1 July 2024 (see guidelines) Length: Up to 20 pages for fiction, up to 3 poems Pay: $10-25 Details here . Spooky This cozy horror magazine is reading on the Halloween theme, as well as unthemed horror submissions. They have detailed guidelines about the kind of stories they want, including, “Cozy horror. Fun horror. Classy horror. Dare we say, wholesome horror? … perhaps the easiest way to understand what we mean is to read stories by some of the old masters we love: Ray Bradbury, Charles Beaumont, Richard Matheson, Robert Bloch, Roald Dahl. Watch classic episodes of Thriller, The Twilight Zone, and Night Gallery. Read old horror comics. Listen to radio dramas like Suspense, Quiet, Please, and Inner Sanctum Mysteries. … In short, we’re looking to provide a space for a type of storytelling that has largely gone out of style – dark and scary, but playful and approachable with an emphasis on plot.” They also want horror haiku. Deadline: 13 July 2024 Length: Up to 5,000 words (prefer 2,500-3,000 words) for fiction Pay: $0.01/word Details here and here . Black Cat Publishing: Black Cat Tales This is a fiction and poetry anthology. “A black cat approaches, do you eagerly cross its path, or run in the opposite direction? From the superstitious to the unlucky, from a witch’s familiar to a soul stealing grave robber, black cats have captured our imagination and remain solidly in the realm of the dark. Dazzle us with your best black cat story or poem. A black cat or a clowder of black cats must be featured predominantly in your story and not simply set decoration.” Regarding genre, they say, “horror, dark fantasy, sci-fi, erotica, weird westerns, cyberpunk, steampunk…we’re open to all but prefer dark fiction.” Deadline: 15 July 2024 Length: 500 – 3,500 words for story, max 25 lines for poetry Pay: $50 for fiction, $25 for poetry Details here . THEMED CONTESTS

There are also some unthemed contests open this month, including:

— Theatre503 International Playwriting Award — They want script submissions from debut/early-career playwrights around the world. The award aims to identify and champion debut/early career playwrights – see guidelines for eligibility details. They also accept co-written and translated scripts. Musicals are not eligible. Submission is via a portal. Winner gets £3,000 in prize money and £3,000 as an advance against 8% of the gross box office, the deadline is 30 June 2024. Details here .

(And see Soho Theatre’s Verity Bargate Award for UK and Ireland based playwrights, prize £8,000, and other benefits, deadline 17 June 2024, details here .)

— Faber Children’s: FAB Prize – This is for undiscovered BAME writers and illustrators; you can read the prize announcement for 2024 here . Entrants must be of black, Asian or minority ethnic background and UK- or Ireland-based. For writers, they want a maximum of 5,000 words of text (no minimum word count). Also, “it does not have to be a short story (though those are welcome too!) We do strongly advise you to complete your work insofar as you can, even if you do not enter the whole manuscript: after the ceremony agents will request the full manuscript, so in order to get the most out of the prize, it is best to have the whole manuscript ready to go.” Entries must be text or artwork for children. The prize is £1,500; second place £500 each for a writer and an illustrator, and mentorship. The deadline is 28 June 2024.  Details here , here , here , and here . — Drue Heinz Literature Prize – This is for previously published writers – see guidelines. The prize is for a manuscript – they want a short story collection, or two or more novellas. Novellas are only accepted as part of a larger collection. Manuscripts may be no fewer than 150 and no more than 300 pages. The prize is $15,000, and publication by the University of Pittsburgh Press under its standard contract. The deadline is 30 June 2024. Details here , here , and here .)

Fraser Institu te Student Essay Contest This is a prize for Canadian students (high school, undergraduate, and graduate students studying in Canada and Canadian students studying abroad). For this year’s essay contest, the theme is, What would the Fraser Institute’s Essential Scholars say about the world today? (See their guidelines for details). Essays should be 1,000-1,500 words. Value: Prizes ranging from CAD1,500 to CAD250 each in high school, undergraduate, and graduate categories Deadline: 5 June 2024 Open for: Canadian students Details here (download rules and FAQ) and here

Bow Seat Ocean Awareness Contest This is for junior and senior division (11-14 and 15-18) students worldwide. The theme for this ocean awareness contest is Tell Your Climate Story (see guidelines). There are various categories: Visual Art (handcrafted and digital); Poetry & Spoken Word; Creative Writing; Film; Performing Arts: Music & Dance; and Interactive & Multimedia. Please also see their various special awards , including  (but not limited to) the We All Rise Prize – five prizes of $500 each, in each category – for young underrepresented writers in the US . Value: Awards ranging from $1,000 to $100 in each category; various special prizes (see here ) Deadline: 10 June 2024 Open for: Students ages 11-18 Details here .

Goi Peace Foundation: International Essay Contest for Young People This is an international essay contest for people aged up to 25 years, in two categories – children and youth. The theme is, My Experience of Overcoming Conflict . See guidelines for theme details. Entries can be in English, French, (up to 700 words), or Japanese (up to 1,600 characters). Value: For each category, there is one first prize is JPY100,000 (about $660); three second prizes of JPY50,000 (about $330) each; five third prizes, and 25 honorable mentions Deadline: 15 June 2024 Open for: Children ages 14 and under; youth ages 15-25 years Details here .

Imagine 2200: Climate Fiction for Future Ancestors This is a climate fiction contest from Fix, Grit’s solutions lab. They want stories of 2,500-5,000 words. “Imagine 2200 is an invitation to writers from all over the globe to imagine a future in which solutions to the climate crisis flourish and help bring about radical improvements to our world.” They have detailed guidelines on the kind of stories they want, please read them carefully. Additionally, “We are also partnering with Oregon State University’s Spring Creek Project, which will offer the winning writer (or a runner-up, in the case the winner cannot accept) the opportunity to participate in its Environmental Writing Fellowship and Residency, including a writing residency at the Cabin at Shotpouch Creek for the winner to spend up to four weeks in residence to continue their climate writing project. The Fellow will receive a $3,000 honorarium from Spring Creek Project.” Value: $3,000, residency; $2,000, $1,000; and $300 each for nine winners Deadline: 24 June 2024 Open for: All writers Details here and here . 2024 Love Books Competition This is a contest for UK writers, and part of the Malborough Lit Fest. “We want you to tell us why you love your favourite book, poem or play. Your response should be in the form of a piece of text of up to 750 words. Entrants should explain what they love about their chosen read, highlighting key areas of interest, and why they think others should try it. We are looking for creative, passionate, and engaging responses which celebrate your love of reading.” You could write about a novel, a graphic novel, a poem, a collection of poetry, or a play. The contest is for three age groups, 13-15 years, 16-19 years, 20+ years. Entry is via a form. Value: £300, £100 for winners in each age group Deadline: 28 June 2024 Open for: UK residents with a UK bank account Details here . Hubert Butler Essay Prize This is a themed essay contest, of up to 3,000 words, for writers who are UK or European Union citizens. “The Hubert Butler Essay Prize is intended to encourage the art of essay-writing with a European dimension and to expand interest in Butler’s work. … The subject for the 2024 essay prize is: ‘ With narratives of conflict currently distorted by misinformation and the substitution of memory for history, what are the chances of reconciliation? ’“ Value: €1,500; two second prizes of €500 Deadline: 28 June 2024 Open for: UK, European Union citizens Details here (download the entry form). The Fountain Essay Contest They want an essay on the topic, ‘ Where is Home ’. See guidelines for details on the theme. Ideal length is 1,500-2,500 words. Also, “There is no age limit or a condition to fulfill for entry.” Please read the terms carefully, any of the entries may be published in any medium, whether or not they win the prize Value: $1,000, $500, $300, two prizes of $150 each Deadline: 30 June 2024 Details  here and here . Last Stanza Poetry Journal This is a call for a themed poetry issue, on ‘ A Table in the Wilderness ’. A single $100 award will be given for an outstanding poem. An interview with the Editor’s Choice Award winner will be published in the same issue (optional). Poems can be any style, but preferably non-rhyming. Submit up to three poems, each no longer than 64 lines. Value: $100 Deadline: 30 June 2024 Open for: All writers Details here . 

Preservation Foundation Contest: General Non-Fiction This is an international contest for unpublished writers (see guidelines). Their upcoming deadline is for the general non-fictioncategory: “Any appropriate nonfiction topic is eligible. Stories must be true, not semi-fictional accounts. So-called “creative nonfiction” will not be considered.” Entries should be 1,000-5,000 words. Please note, they want all entries, regardless of whether or not they win, to be on their website for as long as the foundation exists (see guidelines). Also see contests in other genres, which have deadlines later in the year.  Value: $200, $100 Deadline: 30 June 2024 Open for: Unpublished writers Details here . The Writers College: My Writing Journey Competition This is an international contest, open to all writers. They want a 600-word essay on the theme, The best writing tip I’ve ever received . Value: NZ$200 (R2000 or £100) Deadline: 30 June 2024 Open for: All writers Details here . (They also have a short story contest with a later deadline, for writers who are unpublished or have been published fewer than four times; see here for theme and other guidelines.) Richard J. Margolis Award The award is for non-fiction writers of social justice journalism. It is for a promising new journalist or essayist whose work combines warmth, humour, wisdom and concern with social justice . Applications should include 2-3 non-fiction writing samples, up to 30 pages. At least one sample should be non-memoir material. Value: $5,000, residency at Blue Mountain Centre artists’ colony; $1,000 for runners-up Deadline: 1 July 2024 Open for: Unspecified Details here and here . The Forum Essay Prize This is an essay prize from Oxford Academic / Oxford University Press and is open to all researchers, whether early-career or established, on the Art(s) of Delight theme. They have detailed guidelines, including, “We are looking for bold, visionary and persuasive essays that use academic research to pursue innovative questions. … The topic may be addressed from the perspective of any of the literatures (including literary linguistics, translation and comparative literature approaches) normally covered by the journal: Arabic, English, French, German, Italian, Portuguese, Russian and Spanish. submissions in comparative literature and literary translation studies are also welcomed, as are those dealing with visual art, film and the performing arts. Forum for Modern Language Studies aims to reflect the essential pluralism of research in modern languages and to provide a forum for worldwide scholarly discussion. We are seeking submissions that focus on literature, film, art, or other cultural outputs that manifest delight in their content or form and/or which provoke us to find joy in how we read, write, research and teach in our discipline(s).” The winning essay will also get published in an issue of Forum for Modern Language Studies. Value: £500 Deadline: 1 July 2024 Open for: All researchers Details here . A couple of contests with later deadlines are:

— The H G Wells Short Story Competition: This is an international short story contest; they want short fiction of 1,500-5,000 words on this year’s theme, The Fool. There is no fee for The Margaret and Reg Turnill Competition for young writers, i.e. for those under 21 years, and the prize for that is £1,000. The deadline is 8 July 2024. Also see their FAQ . Details here and here . — The Mustapha Matura and Alfred Fagon Awards: The Mustapha Matura Award is an opportunity for UK-based playwrights of Caribbean or African descent, resident in the UK, who are 25 years or younger, for a play. The play must be a minimum of 40 pages, and does not need to have been produced. However, if it has, only plays produced since August 2023 will be considered. The prize is £3,000 and mentoring from a top Black British playwright. The deadline is 31 July 2024. Details here . And submissions are also open for Alfred Fagon Awards for UK-based playwrights of Caribbean or African descent, resident in the UK, for a play. The award is £6,000, and the deadline is 31 July 2024. Details here . Please note, writers cannot enter both the Mustapha Matura Award and Alfred Fagon Award. Also see their Roland Rees Bursary . — Amazon: Kindle Storyteller Award: This is an international award for those who publish their work through Amazon’s Kindle Direct Publishing in English in any genre. Entrants must make the book available for sale in both digital and print versions through KDP between 1 st May 2024 and 31 st August 2024. The book must be at least 24 pages long, and can have a maximum of 2 co-authors. Please note, the books must be published through their KDP Select program (be only available on Amazon), and readers play a significant role in winner selection (see Terms & Conditions – which also lists ineligible countries/nationalities – and FAQ ). The book can have up to two co-authors. The prize is £20,000, and the deadline is 31 August 2024. Details here .

Bio:  S. Kalekar is the pseudonym of a regular contributor to this magazine. She can be reached  here

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The Art of Confronting Grief and Loss: A Writer's Journey with Ona Gritz Grief & Happiness

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Trigger Warning: This episode contains discussions on murder and violent crimes. If this may trigger extreme emotional distress for you, you should skip today’s episode.  Is it possible to find peace and healing in writing about our darkest moments? In this episode, I'm joined by the multiple-award-winning and accomplished Author Ona Gritz. Ona is a talented writer and poet, blog editor for "Wordgathering," the recipient of "The Poetry Archive Now: Wordview 2020 Project," and the owner of an uncomplicated, sensitive, and touching writing style. Her latest work, the moving memoir, "Everywhere I Look," is a beautifully written love letter to her sister, brutally murdered in 1982, when Ona was 19 years old, and her sister, Angie, 25. Throughout this episode, Ona talks about why she decided to uncover her sister's life and deal with the aftermath of her tragic murder. Ona also talks about why she chose prose to write about her sister's life as an accomplished poet, writing's role in her healing process, the undeniable healing properties of creative expression, and much more. Tune in and listen to episode 236 of Grief and Happiness and discover how writing can help you navigate pain and grief and bring you closer to the loved ones you've lost. In This Episode, You Will Learn: Ona talks about her background and the tragic loss of her sister, Angie (1:00)How not knowing the details of her sister's death impacted Ona (3:10)Ona talks about the process of writing directly to Angie (7:20)How Ona explored her feelings of guilt and shame through writing (12:20)The cathartic and therapeutic aspects of writing about grief (19:40) Connect with Ona Gritz: WebsiteInstagramBook: Ona Gritz - Everywhere I LookOna Gritz books Let's Connect: WebsiteLinkedInFacebookInstagramTwitterPinterestThe Grief and Happiness AllianceBook: Emily Thiroux Threatt - Loving and Living Your Way Through Grief Hosted on Acast. See acast.com/privacy for more information.

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