teaching creative writing middle school

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How to Teach Creative Writing | 7 Steps to Get Students Wordsmithing

“I don’t have any ideas!”

“I can’t think of anything!”

While we see creative writing as a world of limitless imagination, our students often see an overwhelming desert of “no idea.”

But when you teach creative writing effectively, you’ll notice that  every  student is brimming over with ideas that just have to get out.

So what does teaching creative writing effectively look like?

We’ve outlined a  seven-step method  that will  scaffold your students through each phase of the creative process  from idea generation through to final edits.

7. Create inspiring and original prompts

Use the following formats to generate prompts that get students inspired:

• personal memories (“Write about a person who taught you an important lesson”)
• imaginative scenarios
• prompts based on a familiar mentor text (e.g. “Write an alternative ending to your favorite book”). These are especially useful for giving struggling students an easy starting point.
• lead-in sentences (“I looked in the mirror and I couldn’t believe my eyes. Somehow overnight I…”).
• fascinating or thought-provoking images with a directive (“Who do you think lives in this mountain cabin? Tell their story”).

Don’t have the time or stuck for ideas? Check out our list of 100 student writing prompts

6. unpack the prompts together.

Explicitly teach your students how to dig deeper into the prompt for engaging and original ideas.

Probing questions are an effective strategy for digging into a prompt. Take this one for example:

“I looked in the mirror and I couldn’t believe my eyes. Somehow overnight I…”

Ask “What questions need answering here?” The first thing students will want to know is:

What happened overnight?

No doubt they’ll be able to come up with plenty of zany answers to that question, but there’s another one they could ask to make things much more interesting:

Who might “I” be?

In this way, you subtly push students to go beyond the obvious and into more original and thoughtful territory. It’s even more useful with a deep prompt:

“Write a story where the main character starts to question something they’ve always believed.”

Here students could ask:

• What sorts of beliefs do people take for granted?
• What might make us question those beliefs?
• What happens when we question something we’ve always thought is true?
• How do we feel when we discover that something isn’t true?

Try splitting students into groups, having each group come up with probing questions for a prompt, and then discussing potential “answers” to these questions as a class.

The most important lesson at this point should be that good ideas take time to generate. So don’t rush this step!

5. Warm-up for writing

A quick warm-up activity will:

• allow students to see what their discussed ideas look like on paper
• help fix the “I don’t know how to start” problem
• warm up writing muscles quite literally (especially important for young learners who are still developing handwriting and fine motor skills).

Freewriting  is a particularly effective warm-up. Give students 5–10 minutes to “dump” all their ideas for a prompt onto the page for without worrying about structure, spelling, or grammar.

After about five minutes you’ll notice them starting to get into the groove, and when you call time, they’ll have a better idea of what captures their interest.

Did you know? The Story Factory in Reading Eggs allows your students to write and publish their own storybooks using an easy step-by-step guide.

4. Start planning

Now it’s time for students to piece all these raw ideas together and generate a plan. This will synthesize disjointed ideas and give them a roadmap for the writing process.

Note:  at this stage your strong writers might be more than ready to get started on a creative piece. If so, let them go for it – use planning for students who are still puzzling things out.

Here are four ideas for planning:

Graphic organisers

A graphic organiser will allow your students to plan out the overall structure of their writing. They’re also particularly useful in “chunking” the writing process, so students don’t see it as one big wall of text.

Storyboards and illustrations

These will engage your artistically-minded students and give greater depth to settings and characters. Just make sure that drawing doesn’t overshadow the writing process.

Voice recordings

If you have students who are hesitant to commit words to paper, tell them to think out loud and record it on their device. Often they’ll be surprised at how well their spoken words translate to the page.

Write a blurb

This takes a bit more explicit teaching, but it gets students to concisely summarize all their main ideas (without giving away spoilers). Look at some blurbs on the back of published books before getting them to write their own. Afterward they could test it out on a friend – based on the blurb, would they borrow it from the library?

3. Produce rough drafts

Warmed up and with a plan at the ready, your students are now ready to start wordsmithing. But before they start on a draft, remind them of what a draft is supposed to be:

• a work in progress.

Remind them that  if they wait for the perfect words to come, they’ll end up with blank pages .

Instead, it’s time to take some writing risks and get messy. Encourage this by:

• demonstrating the writing process to students yourself
• taking the focus off spelling and grammar (during the drafting stage)
• providing meaningful and in-depth feedback (using words, not ticks!).

Reading Eggs also gives you access to an ever-expanding collection of over 3,500 online books!

2. share drafts for peer feedback.

Don’t saddle yourself with 30 drafts for marking. Peer assessment is a better (and less exhausting) way to ensure everyone receives the feedback they need.

Why? Because for something as personal as creative writing, feedback often translates better when it’s in the familiar and friendly language that only a peer can produce. Looking at each other’s work will also give students more ideas about how they can improve their own.

Scaffold peer feedback to ensure it’s constructive. The following methods work well:

Student rubrics

A simple rubric allows students to deliver more in-depth feedback than “It was pretty good.” The criteria will depend on what you are ultimately looking for, but students could assess each other’s:

• use of language.

Whatever you opt for, just make sure the language you use in the rubric is student-friendly.

Two positives and a focus area

Have students identify two things their peer did well, and one area that they could focus on further, then turn this into written feedback. Model the process for creating specific comments so you get something more constructive than “It was pretty good.” It helps to use stems such as:

I really liked this character because…

I found this idea interesting because it made me think…

I was a bit confused by…

I wonder why you… Maybe you could… instead.

1. The editing stage

Now that students have a draft and feedback, here’s where we teachers often tell them to “go over it” or “give it some final touches.”

But our students don’t always know how to edit.

Scaffold the process with questions that encourage students to think critically about their writing, such as:

• Are there any parts that would be confusing if I wasn’t there to explain them?
• Are there any parts that seem irrelevant to the rest?
• Which parts am I most uncertain about?
• Does the whole thing flow together, or are there parts that seem out of place?
• Are there places where I could have used a better word?
• Are there any grammatical or spelling errors I notice?

Key to this process is getting students to  read their creative writing from start to finish .

Important note:  if your students are using a word processor, show them where the spell-check is and how to use it. Sounds obvious, but in the age of autocorrect, many students simply don’t know.

A final word on teaching creative writing

Remember that the best writers write regularly.

Incorporate them into your lessons as often as possible, and soon enough, you’ll have just as much fun  marking  your students’ creative writing as they do producing it.

Need more help supporting your students’ writing?

Read up on  how to get reluctant writers writing , strategies for  supporting struggling secondary writers , or check out our huge list of writing prompts for kids .

Watch your students get excited about writing and publishing their own storybooks in the Story Factory

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8 Truths About Teaching Writing to Middle Schoolers

Middle school writers are full of imagination and creativity, and teachers can honor that while teaching writing conventions.

There’s something extraordinary about middle school writers.

Maybe it’s the tension of existing between childhood and adulthood and their ability to articulate this tension. Maybe it’s their fully intact imaginations and natural inclination to creatively express themselves. Whatever it is, they’re capable of astounding us and each other if we teach them well.

What I’ve learned to be true about teaching writing to middle schoolers is rooted in the importance of both coaching them on the conventions of writing in English and giving them room to be who they are.

What I’ve Learned

1. Choice is crucial, but students need help choosing: When students are able to follow their interests and curiosity, it’s more likely that their writing will be honest and compelling. However, if left to their own devices, students sometimes begin writing about topics that don’t lead them anywhere.

Before writing, students should brainstorm and have the opportunity to talk with you—and their peers, if possible—about their ideas. They’ll need your help discerning which idea would yield the most engaging writing for them. Your guidance is invaluable.

2. Clichés are fantastic for teaching creative expression: Middle schoolers often use clichés, in the belief that using them makes their writing better. When we define clichés for them and explain the better choice of describing familiar things in fresh, unique ways, students begin taking more risks in their writing.

A colleague gave me the idea to create a cliché graveyard for my classroom—a poster cut into the shape of a gravestone that we add clichés to as we identify them. This makes hunting for clichés fun, and each time we bury a cliché, students come up with new creative descriptions. Theirs are always better.

3. Simple rubrics make a huge difference: Rubrics let students know what you’re looking for in their writing, and middle schoolers are most attentive to rubrics that include as little text as possible.

I list vertically the five to 10 elements (title, lead, thesis, etc.) that I assess on the left side of the rubric, and horizontally along the top I include four simple categories: AWESOME, Pretty good!, OK..., and a crying emoji. More text can overwhelm students and limit you when you’re grading.

4. Students should interview published writers: Middle schoolers learn a ton about the craft of writing when given opportunities to interview published writers. Thankfully, many writers are happy to visit classrooms and meet with students for free. Visits by video call also work.

Before a visit, students should read a small selection of the writer’s work and prepare five to 10 questions on that work and the writer’s process. As a class, they should ask their questions and take notes on what the writer says. It’s amazing how much ground they can cover in one class.

5. They need to name their strengths and weaknesses: When meeting with students one on one, begin by asking them to identify the strengths and weaknesses of whatever piece they’re working on. Students can often name the strengths of their writing, but you still need to encourage them to be specific: “What makes this sentence work well?”

It’s more difficult for them to name weaknesses. “I just don’t like this part,” they’ll say. Again, your job is to help them be specific.

The more students are encouraged to name the strengths and weaknesses of their writing, the more self-sufficient they become as writers.

6. We can embrace the quirks: It’s important to teach students the terminology and structures of English grammar so that they understand what you mean when you discuss the makeup of a sentence. And generally a writer should know the rules of the language before breaking them.

However, middle schoolers sometimes create sentences with peculiar characteristics that look and sound striking but are grammatically incorrect. Because they haven’t fully internalized English grammar, they’re still playful with the language.

On these occasions, I’ve found it helpful to allow them to break the rules but also let them know how they’re doing so. This way, grammatical conventions aren’t forgotten—they’re purposefully ignored to help students develop a voice on the page.

7. Letting them try on different writing styles is invaluable: A great way to help students develop their writing voices is to let them imitate others. When students read short pieces by authors with distinctive voices and as a class identify how—on the sentence level—the writing is unique and interesting, they learn practical ways to infuse writing with personality.

If given opportunities to use these styles in their own writing, students are one step closer to understanding how to make their written work more representative of who they are.

8. They need to consistently ask themselves two questions: Middle schoolers often leave important ideas off the page because they either assume you know they’re talking about or haven’t pushed themselves to think critically about what they’re saying.

If during class and in your comments you consistently challenge students to answer “How?” and “Why?” they learn to be more thoughtful and thorough in all of their writing. These simple metacognitive questions lead to fuller, more sophisticated thought processes for them and stronger pieces of writing for others to read.

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Creative Writing in the Middle School Classroom

Once upon a time . . . and they all lived happily ever after.

Creative writing that uses phrases like these shows up often in elementary writing. Once a student enters middle school, inventive writing often gets pushed aside. According to recent research, however, creative writing still offers benefits for the student beyond sixth grade.

Researcher Marissa Despins states that creative expression allows students to be able to voice emotions and build confidence. Non-academic writing also gives the writers the opportunity for thinking imaginatively, a skill that can be used for problem solving in all sorts of life areas. Even though creative writing has fewer restrictions than academic writing, it can still allow students to build writing skills, such as using new vocabulary, forming varied sentences, and finding their voice. Additionally, the skill of creative writing can also allow older writers to entertain, clarify thinking, and simply learn to read and write (Essex).

Sometimes instructors find teaching creative writing difficult. What topics do you assign? What steps of the writing process do you require? How do you grade creative pieces? Typically, creative writing works best when the writer goes through the basic writing process of planning, drafting, editing, and publishing. But the parameters might be more lenient than those for an academic writing project. For example, planning might consist of drawing a picture of the setting of a story. Or publishing might mean handwriting a poem in script to hang on the wall. Grading is easiest with a set rubric given at the beginning of the assignment. This might include categories such as “time spent on project,” “details given about characters/setting,” and “use of images.” Typically, word count is not an important factor in grading creative assignments.

Topics for creative writing can extend well beyond the typical writing assignment. Students can be allowed to choose their topics, but often they request some suggestions. Here are a few suggested topics for different genres of creative writing.

• Poetry: Write an abecedarian poem. This is a poem where each line begins with the next sequential letter of the alphabet. The poem does not need to rhyme (although it can), and sentences can continue through several lines. Brian Bilston wrote “An Attempt To Write an Abecedarian Poem In Praise of the Dictionary”; the first lines read,

“An unfaltering ability Bring clarity to the English language Constitutes your Defining quality.”

(You can read the entire poem here .) This type of poem is one that works well to display for other students to read; the poet may also want to illustrate the poem.

• Devotional: While this might be a more informative writing, devotionals provide a strong creative opportunity. Typical guidelines might include to choose a topic and find a Scripture passage that corresponds. Then write two to three paragraphs that tell a story that illustrates the passage. End with a paragraph that explains the point being made. This writing works well to be published in a booklet including the class’s responses–students can use this booklet for an actual devotional time.
• Bible story script: The student can choose a narrative Bible passage and write it in the form of dialogue. Include stage directions and small props. Make sure that the character amount and extras do not exceed what the class can produce, and publish by acting the script as a class project. For this one, the teacher might want to approve topic choices before the student proceeds to make sure that they are class appropriate (e.g. avoid violence and romance).
• Characters: a chef, an artist, a mechanic, a farmer, an archaeologist, a mother, a deep-sea diver, a mountain climber
• Setting: Antarctica, a desert, an inner city, a field, a bookstore, a warehouse, a train, a rocket
• Object: paintbrush, road sign, globe, flower pot, pickup truck, icebreaker ship, shovel, vine
• Conflict: thunderstorm, being chased by a dog, the electricity goes out, lack of water to drink, a broken arm, a displeased customer, a falling brick, a screaming child

Works Cited

Despins, Marissa. “Benefits of Creative Writing in Middle School.” ELA Matters . 30 Nov. 2022. https://elamatters.com/2022/11/08/benefits-of-creative-writing-in-middle-school/. Accessed 20 Dec. 2023.

Essex, Christopher. “Teaching Creative Writing in the Elementary School.” ERIC Digest. ERIC Clearinghouse on Reading, English, and Communication. https://www.readingrockets.org/topics/writing/articles/teaching-creative-writing. Accessed 20 Dec. 2023.

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Creative Writing Lesson Plans: Week One

Looking for creative writing lesson plans? I am developing creative writing lesson ideas! 

I’ve written and revamped my creative writing lesson plans and learned that the first week is vital in establishing a community of writers, in outlining expectations, and in working with a new class.

What are some good creative writing exercises?

Some good creative writing exercises include writing prompts, free writing, character development exercises, and fun writing games.

The first week, though, we establish trust—and then we begin powerful creative writing exercises to engage young writers and our community.

How can add encouragement in creative writing lesson plans?

I’ve found students are shy about writing creatively, about sharing pieces of themselves. A large part of the first week of class is setting the atmosphere, of showing everyone they are free to create. And! These concepts will apply to most writing lesson plans for secondary students.

Feel free to give me feedback and borrow all that you need! Below, find my detailed my day-by-day progression for creative writing lesson plans  for week one.

Creative Writing Lesson Day One: Sharing my vision

Comfort matters for young writers. I’m not a huge “ice breaker” type of teacher—I build relationships slowly. Still, to get student writing, we must establish that everyone is safe to explore, to write, to error.

Here are some ideas.

Tone and attitude

For day one with any lesson plan for creative writing, I think it is important to set the tone, to immediately establish what I want from my creative writing students. And that is…

them not to write for me, but for them. I don’t want them writing what they think I want them to write.

Does that make sense? Limitations hurt young writers. My overall tone and attitude toward young writers is that we will work together, create and write together, provide feedback, and invest in ourselves. Older kiddos think that they must provide teachers with the “correct” writing. In such a course, restrictions and boundaries largely go out the window.

Plus, I specifically outline what I believe they can produce in a presentation to set people at ease.

The presentation covers expectations for the class. As the teacher, I am a sort of writing coach with ideas that will not work for everyone. Writers should explore different methods and realize what works for them. First, not everyone will appreciate every type of writing—which is fine. But as a writing community, we must accept that we may not be the target audience for every piece of work.

Therefore, respect is a large component of the class. Be sure to outline what interactions you find acceptable within your classroom community.

Next, as their writing coach, I plan to provide ideas and tools for use. Their job is to decide what tools work for their creative endeavors. My overall message is uplifting and encouraging.

Finally, when we finish, I share the presentation with students so they can consult it throughout the semester. The presentation works nicely for meet-the-teacher night, too!

After covering classroom procedures and rules, I show students a TED Talk. We watch The Danger of a Single Story by Chimamanda Adichie. My goal is to show students that I don’t have a predetermined idea concerning what they should write. This discussion takes the rest of the class period.

Establishing comfort and excitement precedents my other creative writing activities. Personalize your “vision” activities for your lessons in creative writing. Honestly, doing this pre-work builds relationships with students and creates a positive classroom atmosphere.

Creative Writing Lesson Day Two: Activating prior knowledge

Students possess prior knowledge concerning creative writing, but they might not consider that. Students should realize that they know what constitutes a great story. They might not realize that yet. An easy lesson plan for creative writing that will pay off later is to activate prior knowledge. Brainstorm creative, memorable, unforgettable stories with students. Share your thoughts too! You will start to build relationships with students who share the same tastes as you (and those that are completely different!).

Activation activity

During this activity, I want to see how students work together, and I want to build a rapport with students. Additionally, activating prior knowledge provides a smooth transition into other creative writing activities.

This creative writing activity is simple:

I ask students to tell me memorable stories—books, play, tv shows, movies—and I write them on the board. I add and veto as appropriate. Normally doing these classroom discussions, we dive deeper into comedies and creative nonfiction. Sometimes as we work, I ask students to research certain stories and definitions. I normally take a picture of our work so that I can build creative writing lessons from students’ interests.

This takes longer than you might think, but I like that aspect. This information can help me shape my future lessons.

With about twenty minutes left in class, I ask students to form small groups. I want them to derive what makes these stories memorable. Since students complete group and partner activities in this class, I also watch and see how they interact.

Students often draw conclusions about what makes a story memorable:

• Realistic or true-to-life characters.
• Meaningful themes.
• Funny or sad events.

All of this information will be used later as students work on their own writing. Many times, my creative writing lessons overlap, especially concerning the feedback from young writers.

Creative Writing Lesson Day Three: Brainstorming and a graphic organizer

From building creative writing activities and implementing them, I now realize that students think they will sit and write. Ta-da!  After all, this isn’t academic writing. Coaching creative writing students is part of the process.

Young writers must accept that a first draft is simply that, a first draft. Building a project requires thought and mistakes. (Any writing endeavor does, really.) Students hear ‘creative writing’ and they think… easy. Therefore, a first week lesson plan for creative writing should touch on what creativity is.

Really, creativity is everywhere. We complete a graphic organizer titled, “Where is Creativity?” Students brainstorm familiar areas that they may not realize have such pieces.

The ideas they compile stir all sorts of conversations:

• Restaurants
• Movie theaters
• Amusement parks

By completing this graphic organizer, we discuss how creativity surrounds us, how we can incorporate different pieces in our writing, and how different areas influence our processes.

Creative Writing Lesson, Days Four and Five: Creative Nonfiction

Students need practice writing, and they need to understand that they will not use every word they write. Cutting out lines is painful for them! Often, a lesson plan for creative writing involves providing time for meaningful writing.

For two days, we study and discuss creative nonfiction. Students start by reading an overview of creative nonfiction . (If you need mentor texts, that website has some as well.) When I have books available, I show the class examples of creative nonfiction.

We then continue through elements of a narrative . Classes are sometimes surprised that a narrative can be nonfiction.

The narrative writing is our first large project. As we continue, students are responsible for smaller projects as well. This keeps them writing most days.

Overall, my students and I work together during the first week of any creative writing class. I encourage them to write, and I cheer on their progress. My message to classes is that their writing has value, and an audience exists for their creations.

And that is my week one! The quick recap:

Week One Creative Writing Lesson Plans

Monday: Rules, procedures, TED Talk, discussion.

Tuesday: Prior knowledge—brainstorm the modeling of memorable stories. Draw conclusions about storytelling with anchor charts. Build community through common knowledge.

Wednesday: Graphic organizer.

Thursday and Friday: Creative nonfiction. Start narrative writing.

Students do well with this small assignment for the second week, and then we move to longer creative writing assignments . When classesexperience success with their first assignment, you can start constructive editing and revising with them as the class continues.

These creative writing activities should be easy implement and personalize for your students.

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Are you interested in more creative writing lesson ideas? My Facebook page has interactive educators who love to discuss creative writing for middle school and high school creative writing lesson plans. Join us!

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5 Ways to Help Middle Schoolers Write Beyond the Bare Minimum

Help students go beyond the required word count to create great work.

Teaching writing is not for the faint of heart—especially in middle school! By this age, it’s harder to trick students into thinking writing is fun, and that eagerness to please grown ups may be ancient history. For many students, there is no amount of cajoling, pleading, or threatening that will produce a response other than, “I don’t know what to write.” They seem to want to write the minimum word count and move on to the next task at hand.

It doesn’t have to be this way, though. There are ways to help kids slay the writing dragon while maintaining peace in your kingdom. Er, I mean, classroom.

1. Offer (lots of) word lists and graphic organizers.

This might seem obvious because we all know these supports make writing more accessible for students. But I’ve been in the classroom, and I know they aren’t used often enough. We need to do this as teachers, though. It’s our job to provide students with a battle plan (because writing is a battle for many kids). There are so many graphic organizers out there, and I recommend trying a few different ones to see what your students like. You also want to make word lists easily accessible. Don’t focus on big or fancy words. Instead, concentrate on offering alternatives to “dead” words like very, a lot, great, etc.

2. Embrace mentor texts.

This is a great way to spur reluctant writers into action because they aren’t starting with a blank slate. Mentor texts are a student’s armor as they attempt more sophisticated compositions, protecting students by giving them a guide to good writing while still requiring them to be creative and use their own words. Over the years I’ve used many mentor texts. One of my favorites is the first vignette from The House on Mango Street by Sandra Cisneros. The vignette holds the same title as the book itself, and it describes the different places the main character has lived in her life. Students can model their own writing after Cisneros’ vignette by describing the places they have lived and the people they’ve known in those places along the way.

3. Let the diversity of authors inspire your students.

4. incorporate current events..

Middle school students have lots of opinions, but they often don’t watch the news or get their information from reliable sources. Providing students with a current event article, pairing it with a video, (or song lyrics, or poem, or chapter from a novel or memoir) and then asking them to put down their thoughts really inspire some passionate writing. Current events texts can be paired with nearly any fictitious work to build students’ background knowledge, widen their world view, and yes, nudge them into broadening and deepening their writing lives.

5. Let them choose the adventure.

I know it’s not always possible to let students choose the type of writing they want to do, but when possible, it’s important to let them express themselves. This will definitely help them take ownership of their own work. Think about offering a menu so they have choices—for instance give options such as writing a poem, a chapter in their own memoir, song lyrics, a fictional short story, or even an informative nonfiction article using research (for your fact-loving students!). This will help students see that there are many ways to relate what they know.

Writing is hard, and for many students it can seem like an impossible feat that will never be conquered. However, having your own teacher arsenal of writing strategies and tools will help you lead your mighty army of authors to victory, time and time again. Now, go forth, and WRITE!

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Our 2020-21 Writing Curriculum for Middle and High School

A flexible, seven-unit program based on the real-world writing found in newspapers, from editorials and reviews to personal narratives and informational essays.

Update, Aug. 3, 2023: Find our 2023-24 writing curriculum here.

Our 2019-20 Writing Curriculum is one of the most popular new features we’ve ever run on this site, so, of course, we’re back with a 2020-21 version — one we hope is useful whether you’re teaching in person , online , indoors , outdoors , in a pod , as a homeschool , or in some hybrid of a few of these.

The curriculum detailed below is both a road map for teachers and an invitation to students. For teachers, it includes our writing prompts, mentor texts, contests and lesson plans, and organizes them all into seven distinct units. Each focuses on a different genre of writing that you can find not just in The Times but also in all kinds of real-world sources both in print and online.

But for students, our main goal is to show young people they have something valuable to say, and to give those voices a global audience. That’s always been a pillar of our site, but this year it is even more critical. The events of 2020 will define this generation, and many are living through them isolated from their ordinary communities, rituals and supports. Though a writing curriculum can hardly make up for that, we hope that it can at least offer teenagers a creative outlet for making sense of their experiences, and an enthusiastic audience for the results. Through the opportunities for publication woven throughout each unit, we want to encourage students to go beyond simply being media consumers to become creators and contributors themselves.

So have a look, and see if you can find a way to include any of these opportunities in your curriculum this year, whether to help students document their lives, tell stories, express opinions, investigate ideas, or analyze culture. We can’t wait to hear what your students have to say!

Each unit includes:

Writing prompts to help students try out related skills in a “low stakes” way.

We publish two writing prompts every school day, and we also have thematic collections of more than 1,000 prompts published in the past. Your students might consider responding to these prompts on our site and using our public forums as a kind of “rehearsal space” for practicing voice and technique.

Daily opportunities to practice writing for an authentic audience.

If a student submits a comment on our site, it will be read by Times editors, who approve each one before it gets published. Submitting a comment also gives students an audience of fellow teenagers from around the world who might read and respond to their work. Each week, we call out our favorite comments and honor dozens of students by name in our Thursday “ Current Events Conversation ” feature.

Guided practice with mentor texts .

Each unit we publish features guided practice lessons, written directly to students, that help them observe, understand and practice the kinds of “craft moves” that make different genres of writing sing. From how to “show not tell” in narratives to how to express critical opinions , quote or paraphrase experts or craft scripts for podcasts , we have used the work of both Times journalists and the teenage winners of our contests to show students techniques they can emulate.

“Annotated by the Author” commentaries from Times writers — and teenagers.

As part of our Mentor Texts series , we’ve been asking Times journalists from desks across the newsroom to annotate their articles to let students in on their writing, research and editing processes, and we’ll be adding more for each unit this year. Whether it’s Science writer Nicholas St. Fleur on tiny tyrannosaurs , Opinion writer Aisha Harris on the cultural canon , or The Times’s comics-industry reporter, George Gene Gustines, on comic books that celebrate pride , the idea is to demystify journalism for teenagers. This year, we’ll be inviting student winners of our contests to annotate their work as well.

A contest that can act as a culminating project .

Over the years we’ve heard from many teachers that our contests serve as final projects in their classes, and this curriculum came about in large part because we want to help teachers “plan backwards” to support those projects.

All contest entries are considered by experts, whether Times journalists, outside educators from partner organizations, or professional practitioners in a related field. Winning means being published on our site, and, perhaps, in the print edition of The New York Times.

Webinars and our new professional learning community (P.L.C.).

For each of the seven units in this curriculum, we host a webinar featuring Learning Network editors as well as teachers who use The Times in their classrooms. Our webinars introduce participants to our many resources and provide practical how-to’s on how to use our prompts, mentor texts and contests in the classroom.

New for this school year, we also invite teachers to join our P.L.C. on teaching writing with The Times , where educators can share resources, strategies and inspiration about teaching with these units.

Below are the seven units we will offer in the 2020-21 school year.

September-October

Unit 1: Documenting Teenage Lives in Extraordinary Times

This special unit acknowledges both the tumultuous events of 2020 and their outsized impact on young people — and invites teenagers to respond creatively. How can they add their voices to our understanding of what this historic year will mean for their generation?

Culminating in our Coming of Age in 2020 contest, the unit helps teenagers document and respond to what it’s been like to live through what one Times article describes as “a year of tragedy, of catastrophe, of upheaval, a year that has inflicted one blow after another, a year that has filled the morgues, emptied the schools, shuttered the workplaces, swelled the unemployment lines and polarized the electorate.”

A series of writing prompts, mentor texts and a step-by-step guide will help them think deeply and analytically about who they are, how this year has impacted them, what they’d like to express as a result, and how they’d like to express it. How might they tell their unique stories in ways that feel meaningful and authentic, whether those stories are serious or funny, big or small, raw or polished?

Though the contest accepts work across genres — via words and images, video and audio — all students will also craft written artist’s statements for each piece they submit. In addition, no matter what genre of work students send in, the unit will use writing as a tool throughout to help students brainstorm, compose and edit. And, of course, this work, whether students send it to us or not, is valuable far beyond the classroom: Historians, archivists and museums recommend that we all document our experiences this year, if only for ourselves.

October-November

Unit 2: The Personal Narrative

While The Times is known for its award-winning journalism, the paper also has a robust tradition of publishing personal essays on topics like love , family , life on campus and navigating anxiety . And on our site, our daily writing prompts have long invited students to tell us their stories, too. Our 2019 collection of 550 Prompts for Narrative and Personal Writing is a good place to start, though we add more every week during the school year.

In this unit we draw on many of these resources, plus some of the 1,000-plus personal essays from the Magazine’s long-running Lives column , to help students find their own “short, memorable stories ” and tell them well. Our related mentor-text lessons can help them practice skills like writing with voice , using details to show rather than tell , structuring a narrative arc , dropping the reader into a scene and more. This year, we’ll also be including mentor text guided lessons that use the work of the 2019 student winners.

As a final project, we invite students to send finished stories to our Second Annual Personal Narrative Writing Contest .

DECEMBER-January

Unit 3: The Review

Book reports and literary essays have long been staples of language arts classrooms, but this unit encourages students to learn how to critique art in other genres as well. As we point out, a cultural review is, of course, a form of argumentative essay. Your class might be writing about Lizzo or “ Looking for Alaska ,” but they still have to make claims and support them with evidence. And, just as they must in a literature essay, they have to read (or watch, or listen to) a work closely; analyze it and understand its context; and explain what is meaningful and interesting about it.

In our Mentor Texts series , we feature the work of Times movie , restaurant , book and music critics to help students understand the elements of a successful review. In each one of these guided lessons, we also spotlight the work of teenage contest winners from previous years.

As a culminating project, we invite students to send us their own reviews of a book, movie, restaurant, album, theatrical production, video game, dance performance, TV show, art exhibition or any other kind of work The Times critiques.

January-February

Unit 4: Informational Writing

Informational writing is the style of writing that dominates The New York Times as well as any other traditional newspaper you might read, and in this unit we hope to show students that it can be every bit as engaging and compelling to read and to write as other genres. Via thousands of articles a month — from front-page reporting on politics to news about athletes in Sports, deep data dives in The Upshot, recipes in Cooking, advice columns in Style and long-form investigative pieces in the magazine — Times journalists find ways to experiment with the genre to intrigue and inform their audiences.

This unit invites students to take any STEM-related discovery, process or idea that interests them and write about it in a way that makes it understandable and engaging for a general audience — but all the skills we teach along the way can work for any kind of informational writing. Via our Mentor Texts series, we show them how to hook the reader from the start , use quotes and research , explain why a topic matters and more. This year we’ll be using the work of the 2020 student winners for additional mentor text lessons.

At the end of the unit, we invite teenagers to submit their own writing to our Second Annual STEM writing contest to show us what they’ve learned.

March-April

Unit 5: Argumentative Writing

The demand for evidence-based argumentative writing is now woven into school assignments across the curriculum and grade levels, and you couldn’t ask for better real-world examples than what you can find in The Times Opinion section .

This unit will, like our others, be supported with writing prompts, mentor-text lesson plans, webinars and more. We’ll also focus on the winning teenage writing we’ve received over the six years we’ve run our related contest.

At a time when media literacy is more important than ever, we also hope that our annual Student Editorial Contest can serve as a final project that encourages students to broaden their information diets with a range of reliable sources, and learn from a variety of perspectives on their chosen issue.

To help students working from home, we also have an Argumentative Unit for Students Doing Remote Learning .

Unit 6: Writing for Podcasts

Most of our writing units so far have all asked for essays of one kind or another, but this spring contest invites students to do what journalists at The Times do every day: make multimedia to tell a story, investigate an issue or communicate a concept.

Our annual podcast contest gives students the freedom to talk about anything they want in any form they like. In the past we’ve had winners who’ve done personal narratives, local travelogues, opinion pieces, interviews with community members, local investigative journalism and descriptions of scientific discoveries.

As with all our other units, we have supported this contest with great examples from The Times and around the web, as well as with mentor texts by teenagers that offer guided practice in understanding elements and techniques.

June-August

Unit 7: Independent Reading and Writing

At a time when teachers are looking for ways to offer students more “voice and choice,” this unit, based on our annual summer contest, offers both.

Every year since 2010 we have invited teenagers around the world to add The New York Times to their summer reading lists and, so far, 70,000 have. Every week for 10 weeks, we ask participants to choose something in The Times that has sparked their interest, then tell us why. At the end of the week, judges from the Times newsroom pick favorite responses, and we publish them on our site.

And we’ve used our Mentor Text feature to spotlight the work of past winners , explain why newsroom judges admired their thinking, and provide four steps to helping any student write better reader-responses.

Because this is our most open-ended contest — students can choose whatever they like, and react however they like — it has proved over the years to be a useful place for young writers to hone their voices, practice skills and take risks . Join us!

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The secret to teaching middle school writing

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Middle school writing is an experience like no other, for both the students and their teachers.

Teaching middle school writing can be one of the most rewarding experiences you might have, and if you incorporate some of these strategies, your students will find it equally rewarding.

As Ryan Tahmaseb has discovered, middle school students are “full of imagination and creativity.” This makes the middle school grades the best time for teaching students the writing skills they need. Students in middle school are often more adventurous in trying new writing strategies than at any other time in their lives.

Middle school writing strategies like these will help you develop the writers you know your students can be.

Engage both sides of the brain

Writing can seem like a one-sided analytical task to your students.

Offer your students creative ways, such as graphic organizers , to think about their writing. Graphic organizers help students see organizational patterns, and the graphic structures have words and phrases for additional support.

The idea is to immerse your students in the language they need for writing while providing visuals. Display their completed graphic organizers and keep words lists handy for students.

Every classroom has a Lowry, Rowling, or Riordan

Middle school students like to try their hand at a variety of writing styles, so let them model their sentences after the ones written by their favorite authors.

The goal is to mimic writing styles. Imitation is not only the sincerest form of flattery, but it also teaches students about grammatical structures within sentences. As an added bonus, your students get to visit some of their favorite texts.

Write for a variety of purposes

By focusing exclusively on essay-writing, you’re limiting what your students can do with their writing skills. Hands-on writing techniques are especially effective for the boys in your classroom because these activities are engaging. Involve your students in writing screenplays, scavenger hunts, and more.

Avoid teaching grammar in isolation

Teaching grammar in isolation is ineffective. It’s also boring. Students rarely make connections between stand-alone grammar and what they’re writing. It’s almost as if they are two separate worlds.

Instead, teach grammar concepts by using your students’ writing. Middle school students are more excited about learning concepts when their writing is the at the center of the lesson.

Play with language

Encourage your students to identify clichés, make up idioms, and revel in onomatopoeia. Encourage your students to make up poems and raps, rhymes and songs that exaggerate literary devices.

Let your students tell stories

Storytelling is powerful. We connect across cultures when we share our stories, and with good reason. They captivate us and inspire us. Share some of the power of the written word by letting your students write the stories of what goes on around them.

Make writing relevant to student interests

Middle school students are curious about the world around them. Tap into their natural curiosity and make assignments relevant. Assign authentic tasks, like write a persuasive paragraph in favor of your grade, or introduce real-world examples of good and poor writing.

As you incorporate middle school strategies like these in your instruction, remember that writing with your students will be as much fun as you allow it to be. As a result, your students will be more likely to enjoy writing as they get older.

They’ll undoubtedly be able to express themselves better, too.

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5 Secrets for Helping Middle School Writers Succeed

Even though I spent 19 years as a middle school teacher, I frequently ask myself what makes a middle school writing classroom work. I know successful teaching is a series of flexible moving parts. I know it’s one part inspiration and a bigger part organization. I know that every middle school teacher struggles to achieve more good days than bad.

In  Traits of Writing: The Complete Guide for Middle School , I share meaningful and practical ideas for using what I’ve learned about teaching writing in middle school. My aim is to validate what you already know and give you new ways to support students. I also point out obstacles to watch out for and ways around them, so you don’t sacrifice the integrity of your teaching or the writing lives of your students.

As teachers, our greatest challenge may not be understanding best practices, but implementing those practices in classrooms where writing skills vary, time is precious, and the demand for high test scores can smother even the most creative teaching. But take heart. Teaching writing well is not impossible. Here are 5 secrets I know work in middle school and will help your young writers succeed:

1.     The teacher must model how to learn.

If we want our students to write, we have to show them we are writers ourselves, which means opening ourselves up to scrutiny.

2.      Learning should be infectious.

Look for inspiration everywhere and revise you lesson plans accordingly to foster a fascination with language, not just an understanding of terms. Who knows where this might lead?

3.     Students must be active.

Engaging in lively activities, working in small groups, sitting on the floor, listening to music, using the computer, and talking about works in progress keep students moving, and therefore, learning.

4.     Students will work hard if we give them rigorous, relevant tasks.

Let students take a giant leap forward and come up with their own projects and use the skills they have learned over the years to accomplish it. What they write matters less than the fact that they choose to write with such passion and determination.

5.     Students deserve honest, detailed feedback.

Get serious about providing feedback. Students will appreciate your suggestions for making their writing smoother, clearer, and more interesting, and, like any serious writers, won’t always agree or follow them. But your students trust you to tell them the truth because they know your feedback, as difficult as it sometimes will be to convey, will help propel their work forward.

The secrets of writing, once locked away in the writing teacher’s vault, must be revealed and explored. How else will we sort out what works from what doesn’t? But you know this already. The writing lives of your middle school students depend on our getting it right.

To learn more about  Traits of Writing: The Complete Guide for Middle School , you can purchase the book  here.

About the author:

Ruth Culham, Ed.D.,  has published more than 40 best-selling professional books and resources with Scholastic and the International Literacy Association on the traits of writing and teaching writing using reading as a springboard to success. Her steadfast belief that every student is a writer is the hallmark of her work. As the author of  Traits Writing: The Complete Writing Program for Grades K–8 (2012), she has launched a writing revolution.  Traits Writing  is the culmination of 40 years of educational experience, research, practice, and passion.

4 Activities to Help Middle School Students Uncover New Ideas for Writing

No matter how old you are, no matter how much writing you do, no matter how much you improve over time, finding ideas and writing about them clearly and compellingly is a challenge. Small wonder, then, that middle school writers find the ideas trait difficult to master.

Writing must make sense, and that’s what the ideas trait is all about—choosing a topic, narrowing it down, and supporting it with enough details to make the message clear and engaging. In  Traits of Writing: The Complete Guide for Middle School , I outline the ideas trait’s 4 key qualities:

1.     Finding a topic

2.     Focusing the topic

3.     Developing the topic

4.     Using details

The following activities will help your students develop these qualities. Each is a creative, classroom-tested idea that allows students to try out skills and strategies that you share in warm-ups and focus lessons. These activities can take 5 minutes or 50, depending on your students’ needs and interest levels, and can be carried out by students independently or in small groups.

Finding a topic | Writer’s Notebooks

Often, the best topics are the ones students come up with themselves. As you work with students, encourage them to jot down in a notebook possible ideas for use in writing later—ideas that occur to them during science, social studies, health, fine arts, or English, or in everyday life. Let students select a notebook that makes them feel comfortable. Keep your own notebook and model how you jot down ideas for writing, words and phrases you like, intriguing information and observations, and questions to ponder.

Focusing the topic | The Best and the Worst Activity

Have your students brainstorm a list of real-world jobs that require a great deal of writing: a writer for a late-night talk show, a fund-raiser for a charity, a developer of video games, an author of children’s books, and so on. Write the jobs on a chart. Divide the class into small groups and assign one of the jobs to each group. Ask group members to prepare a panel presentation explaining the best and worst parts of the job and present it to the class, using some sort of visual aid that illustrates key points, such as a chart or diagram. Hang their creations in a prominent place for everyone to read and think about. This activity teaches students that writing is a big part of most professions—a lesson they will come to learn on their own soon enough.

Developing the topic | Top-Ten List

Ask students to write a top-ten list of things every adult should know about middle school students. Encourage them to develop each point in a fun, truthful, and interesting way. Here are examples of 2 developed points:

We don’t like to be told what to do. But if you don’t tell us, we won’t do it. And even when you do tell us, many times we don’t do it unless you get mean about it. We’re kinda flakey.

Remembering to put our names on our papers is harder than being blindfolded and sending a text message with our thumbs.

Using details | Getting Into the Details Activity

Give students a general statement, such as “I love Friday,” and ask them to work with a partner to brainstorm at least 10 details that explain why Friday is their favorite school day. Have pairs share those details with the whole class and make one long list. Now ask students to select their favorite details, at least 5 but no more than 10, and choose the one they consider the most important. From there, have pairs write a paragraph describing all the great things about Friday, emphasizing one detail they feel is most important. When they’re finished, ask students to put their paragraphs on their desks and invite their classmates to walk about and read them. Later, discuss the techniques students used to focus the reader’s attention on one detail more than others.

The time you spend teaching students where ideas come from and how to develop them effectively is critical to their success as writers. Finding a topic, focusing it, developing it, and using precise details to support it is where the writing begins.

Learn more about the ideas trait and other traits critical to writing success with  Traits of Writing: The Complete Guide for Middle School . You can purchase the book  here .

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Home › Study Tips › Creative Writing Resources For Secondary School Students

Creative Writing Prompts For Middle School Students

• Published February 11, 2023

Table of Contents

Creative Writing Prompts for middle school students is a fun list to help unmotivated and uninspired students use their imagination. Do you know one of the major reasons why students struggle with their writing growth is a lack of inspiration and guidance? This can result in low creative thinking leading to lower-quality work and poor confidence.

With these creative writing prompts specifically tailored to middle school students, you’ll have a starting point for your writing. There’s nothing like a spark of inspiration to get you going! Do you need more structured guidance from Oxbridge tutors to give you a massive boost in your creative writing skills? Check out our most in-demand  creative writing summer school !

Are you ready to dive in and feel inspired by exciting writing prompt ideas? Read on!

The Best Writing Prompts for Middle School

Before getting started, you may want to delve deeper into some creative writing examples to get into the swing of things. If you’ve done that, then here are a few of the best writing prompts for middle school students that help spark creativity:

• Who’s your favourite character in a book? Try journaling from the character’s perspective.
• What topic are you passionate about? Write a persuasive essay on the topic. 
• Think about your favourite place on Planet Earth. Write a descriptive essay about it.
• Write a story that begins with the sentence, “It was a dark and stormy night.”
• If you had a time machine, where you would go and what you would do.
• Recall a memorable emotion or experience. Write a poem about it. 
• Think about a current event you find interesting. Write a news article about it. 
• Who would you approach if you could ask for advice from anyone, living or dead? Write them a letter. 
• Imagine you’re an astronaut travelling through space. Write a journal entry about your experience.
• What’s one of the most memorable moments in your life? Write a personal narrative about it. 
• Write a short story about a character who overcomes a challenge or obstacle.
• What topic did you learn about recently? Write an informative essay about it.
• Write a fictional diary entry from the point of view of a historical figure.
• What specific animal do you find beautiful? Write a descriptive poem about it.
• Describe your hopes and dreams for the next five years via a letter to your future self. 
• Imagine that you are stranded on a deserted island. Write a story about your experience.
• Write a scene in a play in an unusual setting.
• What place would you like to visit? Write a descriptive paragraph about it. 
• Write a personal reflection about a significant event or experience and what you have learned from it.
• What’s your favourite animal? Write a fictional story from your fave animal’s perspective.

Creative Story Ideas: 34 Story Starters and Prompts for Middle Schoolers

• A magical pen that brings drawings to life
• A group of friends find a hidden treasure map.
• A world where animals can talk
• A robot who develops human emotions
• A strange creature is discovered in the depths of the ocean.
• A character who can see into the future
• A young detective solves a series of mysterious crimes.
• Teenage superhero navigates the challenges of middle school while saving the world.
• A group of middle school students stumble upon a secret government experiment.
• The magical kingdom is hidden in a scary forest.
• A vengeful ghost haunts the basketball court at a small school.
• Time-travel adventure to the Wild West 100 years ago. 
• Friends have to save their town from a massive alien invasion.
• A character who learns to communicate with animals to save them from illegal hunters.
• A future world where AI technology controls everything.
• A distraught character who can control time and tries to change their past.
• Four teenagers go on a survival camping trip that turns into a nightmare.
• The magical creature must find a way back home against the efforts of evil humans who want to use its powers for their own purposes.
• A young girl discovers she was born 500 years ago.
• An orphan wakes up with no memory of who they are until they accidentally stumble upon an oddly familiar house.
• Students accidentally open a portal to another dimension and try to find their way back home fast because their final exam is a week away.
• A terrifying monster lives beneath the city streets. So why did it start terrorising the city all of a sudden?
• A gamer gets stuck in a video game. How can said gamer get out? Do they even want to?
• A middle school student starts having foreboding dreams that come true. What is the universe trying to warn them?
• Students attend a school for monster-slaying magic. So what monsters are they fighting against?
• A group of kids discover a secret underground society they must fight to save modern civilisation.
• An old man saves his town from a natural disaster in 13 minutes. 
• The dragon wakes up from a century-long slumber. Only to discover it’s the only one left.
• The robot becomes self-aware and must navigate human emotions.
• A young inventor creates a machine that can read minds for a sinister purpose.
• A magical place where everyone has a special ability gets tangled up in a civil war.
• Supernatural mystery in an old, abandoned mansion that can save the world from a looming threat.
• A haunted amusement park contains secrets that can solve a criminal case.
• A young scientist creates a potion that can make people fly.
• An evil character can control the elements. How will the average human hero stop them?

Writing Prompts for Stories That Start with Dialogue for Middle Schoolers

• “I can’t believe you did that,” John says to his best friend. Write a story about what John’s best friend did. 
• “I wish I could go back in time and change everything,” laments Jane. Write a story about Jane’s regrets. What would she do differently if given a chance?
• “I found something bizarre in the backyard,” said Tom to his sister. Write a story about what Tom found. How did the discovery change their lives? 
• “I can’t do this anymore!” screamed Sarah to her parents. What is Sarah complaining about? How did her parents react?
• “I’m going to run away,” whispers Michael to his classmates. Why does Michael plan on running away? What happens when he does?
• “I knew you were hiding something,” said Jack to his friend. Write a story about Jack’s discovery and how it affects their friendship.
• Blake cries to her family, “I’m not who you think I am!” 
• Write a story about how Alex stands up for himself against a bully. Starting with this line: “I’m not going to take it anymore,” 
• “I think we might be lost,” whimpers Lucy to her friends. Where are Lucy and her friends? Why did they get lost in the first place?
• Ryan is grappling with a massive decision. Begin the story with “I think this is a sign.”
• The principal walks through the hallway, saying to Teacher Clare, “Help your students cope with the recent tragedy that plagued our halls.” What happened?

General Creative Writing Ideas for Middle School Students

Here is a list of prompts to get those creative juices flowing:

• Talk about a time you were so happy you wish the moment would last forever.
• You went to art class with a blind friend. How would you describe the painting to them? Use descriptive words.
• If you could go on your dream vacation today, what would it be like?
• Make a list of the most thought-provoking questions you can come up with.
• You’re about to meet your favourite celebrity. What interview questions would you ask them?
• If you could choose what happens next in your life until death, what will your story look like?
• Imagine how your favourite pet was created and use procedural writing to describe the process.
• If you were to insert yourself in a book you read, how would you change the story?

Want more fun writing prompts ? Check these out! Write a/an:

• Short story about reluctant writers whose writing changes the world.
• Acrostic poem about friendship or love.
• Science fiction story about a futuristic world where your favourite toy is a legendary weapon with fearsome power.
• Letter that will help inspire your past self when you were in a difficult part in your life.
• Personal narrative about a memorable event from your childhood.
• Descriptive paragraph about a person you admire.
• Write a horror science fiction story about a world where technology is advanced beyond our current understanding.
• Background story for your least favourite side character.
• List of the benefits of writing. Use persuasive writing
• Instructional essay on how to make a magical portal.
• Mystery story where the main character finds the missing heirloom of an ancient noble family.
• Story about a boy who became a millionaire because of a video game idea.
• Personal letter to a historical figure, asking questions or seeking advice.
• Descriptive poem about a specific season or weather.
• Story about time travel and the consequences of changing the past.
• Fun story about a cross-country road trip you would like to take.
• Story about a character who is an outsider and how they find a sense of belonging.
• Terrifying story about a person haunted by a past event and how they come to terms with it.
• Heroic story about a character who journeys to discover their true identity.
• Persuasive letter to a public figure expressing your thoughts on a current issue

Journaling Prompts for Middle School Writing

Here are journal prompts for middle school kids:

• Describe your hometown.
• What’s your favourite season, and why?
• What are your greatest fears? Do you want to overcome them? Why or why not?
• Where would you go if you could go anywhere?
• Write a descriptive paragraph about your favourite food and why you like it.
• What’s the meaning of your life? Use reflective writing.
• What’s your favourite food and what does it remind you of?
• If you won the lottery today, what would you buy?
• Do you have a pet dog? How do you feel about your furry friend?
• Choose one event in your life you wish didn’t happen. Why?
• What’s your dream dinner party?
• Would you rather become a normal person or a superhero? Why?
• Who would you call first when you’re in a dangerous situation?
• When was the time you felt most peaceful? Describe what was happening.
• Do you enjoy story writing? Why or why not?
• What are your top 3 greatest accomplishments so far?
• If you could have a superpower, what would it be and why?
• What’s the most embarrassing experience you’ve had?
• If you could change one thing about the world, what would it be? Why?
• What’s your dream job? Why?
• Describe your ideal friend.
• Imagine you are stranded on a deserted island, what three things would you want to have with you?
• Write about a time you tried something new and what you learned from the experience.
• What’s the most beautiful movie science you’ve seen? Describe it.
• If you could invent any item, what features would it have? And what is its purpose?

If you feel like challenging yourself then check out our high school creative writing prompts .

There you have it – a fun list of favourite writing prompts for middle schoolers to enjoy. What are your favourite ideas to write so far? And,

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The image above shows the ideal route to the drop off and pick up location. The image below shows the drop off and pick up lane from the street view. 

For those riding COTA, the closest bus stop to the drop-off/pick-up location is N. High Street & E. 15th Avenue. See the COTA website for more information. 

The first day of the program will kick-off with a brief orientation session. At 8:45 a.m. program staff will walk the students to the orientation location. At the orientation, students will receive a program t-shirt and lanyard, the program staff will be introduced, and the daily schedule will be reviewed. After orientation, students will be escorted to their classrooms and the morning session will begin.  

What to Wear

Participants should wear comfortable clothing appropriate for the classroom, as well as for a range of temperatures. For most courses, participants will spend most of the day inside air-conditioned classrooms. However, we will be walking between the drop-off/pick-up location, classrooms, campus locations and the dining hall. Dressing in layers and wearing comfortable walking shoes is recommended. Any course specific requirements are listed in the course description. 

Friday What to Wear

Each Friday on the last day of classes, we will take pictures of each class cohort. We encourage participants to wear their Arts & Sciences Summer Exploration t-shirt on Friday for this event!

Daily Packing List

• Cell phone and charger (optional)
• Any special academic materials needed for courses beyond this basic list will be provided by the program.
• Snacks and water: Participants should bring a refillable water bottle every day. While the program will provide an afternoon snack, participants are allowed to bring their own snacks. However, we request that, for the safety of participants with nut allergies, no snacks containing nuts be brought to the program.
• Personal medications in their original labeled containers (if taken during the day)
• Sunscreen and umbrella or rain jacket (optional)

The documents linked below are samples of the required program forms. Once an applicant accepts their offer of admission, the parent or legal guardian will receive an email from DocuSign with links to these forms. Forms must be reviewed and signed by May 27, 2024 .  

• Arts and Sciences Summer Exploration 2024 Policy Forms
• Arts and Sciences Summer Exploration 2024 Consent Forms

United Middle School teacher honored for KGNS Teacher of the Month

LAREDO, Tex. (KGNS) - Creative writing students at United Middle School have come together to nominate their beloved teacher, Maria Ramirez, affectionately known as Mrs. Ram, for the KGNS Teacher of the Month award.

Mrs. Ram received multiple nominations from her students, who love how she teaches their 7th-grade creative writing class. One student said, “She makes us feel important and that our opinions are valued,” which many others agreed with.

Mrs. Ram herself acknowledges the profound impact of receiving nominations directly from her students, emphasizing how it changes the dynamic of the award. “It makes it a world of difference because we know every day we come to work, we come here to do a job, and we do the best that we possibly can. However, when you know that the people sitting there across from you actually understand and are grateful for what you are doing and just reciprocate this way, it just makes it a thousand times better,” she remarked.

The KGNS Teacher of the Month program, sponsored by the Joey Tellez Law Firm, honors outstanding teachers in the community. The winner gets a $250 gift card, a basket of goodies, and a mug and t-shirt.

For more headlines. click here .

Copyright 2024 KGNS. All rights reserved.

Man injured in north Laredo shooting dies from injuries, five people charged with murder

Update: 32-year-old man hospitalized following head-on collision in north Laredo

Structure fire breaks out in Laredo

Border Patrol officials with ties to Laredo entrepreneur under investigation by federal agency

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Latest news.

An Increasingly Hot Week

Sunday 7 Day Forecast

Local businessman responds to NBC News article relating to his ties with Border Patrol officials

Border leaders meet for bi-national conference along the Rio Grande

Border leaders meet for bi-national conference along the Rio Grande - clipped version

Current time by city

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Current time by country

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Time difference

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Coordinates

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Geographic coordinates of Elektrostal, Moscow Oblast, Russia

City coordinates

Coordinates of Elektrostal in decimal degrees

Coordinates of elektrostal in degrees and decimal minutes, utm coordinates of elektrostal, geographic coordinate systems.

WGS 84 coordinate reference system is the latest revision of the World Geodetic System, which is used in mapping and navigation, including GPS satellite navigation system (the Global Positioning System).

Geographic coordinates (latitude and longitude) define a position on the Earth’s surface. Coordinates are angular units. The canonical form of latitude and longitude representation uses degrees (°), minutes (′), and seconds (″). GPS systems widely use coordinates in degrees and decimal minutes, or in decimal degrees.

Latitude varies from −90° to 90°. The latitude of the Equator is 0°; the latitude of the South Pole is −90°; the latitude of the North Pole is 90°. Positive latitude values correspond to the geographic locations north of the Equator (abbrev. N). Negative latitude values correspond to the geographic locations south of the Equator (abbrev. S).

Longitude is counted from the prime meridian ( IERS Reference Meridian for WGS 84) and varies from −180° to 180°. Positive longitude values correspond to the geographic locations east of the prime meridian (abbrev. E). Negative longitude values correspond to the geographic locations west of the prime meridian (abbrev. W).

UTM or Universal Transverse Mercator coordinate system divides the Earth’s surface into 60 longitudinal zones. The coordinates of a location within each zone are defined as a planar coordinate pair related to the intersection of the equator and the zone’s central meridian, and measured in meters.

Elevation above sea level is a measure of a geographic location’s height. We are using the global digital elevation model GTOPO30 .

Elektrostal , Moscow Oblast, Russia

IELTS Exam Preparation: Free IELTS Tips, 2024

• elektrostal'

Take IELTS test in or nearby Elektrostal'

There is no IELTS test center listed for Elektrostal' but you may be able to take your test in an alternative test center nearby. Please choose an appropriate test center that is closer to you or is most suitable for your test depending upon location or availability of test.

Closest test centers are:

Make sure to prepare for the IELTS exam using our Free IELTS practice tests .

Moscow, Russia

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• Zheleznodorozhnyy
• Orekhovo-Zuyevo
• Sergiyev Posad
• Podol'sk
• Novo-Peredelkino
• Ryazan'

An Overview of the IELTS

The International English Language Testing System (IELTS) is designed to measure English proficiency for educational, vocational and immigration purposes. The IELTS measures an individual's ability to communicate in English across four areas of language: listening , reading , writing and speaking . The IELTS is administered jointly by the British Council, IDP: IELTS Australia and Cambridge English Language Assessment at over 1,100 test centres and 140 countries. These test centres supervise the local administration of the test and recruit, train and monitor IELTS examiners.

IELTS tests are available on 48 fixed dates each year, usually Saturdays and sometimes Thursdays, and may be offered up to four times a month at any test centre, including Elektrostal' depending on local needs. Go to IELTS test locations to find a test centre in or nearby Elektrostal' and to check for upcoming test dates at your test centre.

Test results are available online 13 days after your test date. You can either receive your Test Report Form by post or collect it from the Test Centre. You will normally only receive one copy of the Test Report Form, though you may ask for a second copy if you are applying to the UK or Canada for immigration purposes - be sure to specify this when you register for IELTS. You may ask for up to 5 copies of your Test Report Form to be sent directly to other organisations, such as universities.

There are no restrictions on re-sitting the IELTS. However, you would need to allow sufficient time to complete the registration procedures again and find a suitable test date.

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The reading, writing and listening practice tests on this website have been designed to resemble the format of the IELTS test as closely as possible. They are not, however, real IELTS tests; they are designed to practise exam technique to help students to face the IELTS test with confidence and to perform to the best of their ability.

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