25 Thesis Statement Examples
A thesis statement is needed in an essay or dissertation . There are multiple types of thesis statements – but generally we can divide them into expository and argumentative. An expository statement is a statement of fact (common in expository essays and process essays) while an argumentative statement is a statement of opinion (common in argumentative essays and dissertations). Below are examples of each.
Strong Thesis Statement Examples
1. School Uniforms
“Mandatory school uniforms should be implemented in educational institutions as they promote a sense of equality, reduce distractions, and foster a focused and professional learning environment.”
Best For: Argumentative Essay or Debate
Read More: School Uniforms Pros and Cons
2. Nature vs Nurture
“This essay will explore how both genetic inheritance and environmental factors equally contribute to shaping human behavior and personality.”
Best For: Compare and Contrast Essay
Read More: Nature vs Nurture Debate
3. American Dream
“The American Dream, a symbol of opportunity and success, is increasingly elusive in today’s socio-economic landscape, revealing deeper inequalities in society.”
Best For: Persuasive Essay
Read More: What is the American Dream?
4. Social Media
“Social media has revolutionized communication and societal interactions, but it also presents significant challenges related to privacy, mental health, and misinformation.”
Best For: Expository Essay
Read More: The Pros and Cons of Social Media
5. Globalization
“Globalization has created a world more interconnected than ever before, yet it also amplifies economic disparities and cultural homogenization.”
Read More: Globalization Pros and Cons
6. Urbanization
“Urbanization drives economic growth and social development, but it also poses unique challenges in sustainability and quality of life.”
Read More: Learn about Urbanization
7. Immigration
“Immigration enriches receiving countries culturally and economically, outweighing any perceived social or economic burdens.”
Read More: Immigration Pros and Cons
8. Cultural Identity
“In a globalized world, maintaining distinct cultural identities is crucial for preserving cultural diversity and fostering global understanding, despite the challenges of assimilation and homogenization.”
Best For: Argumentative Essay
Read More: Learn about Cultural Identity
9. Technology
“Medical technologies in care institutions in Toronto has increased subjcetive outcomes for patients with chronic pain.”
Best For: Research Paper
10. Capitalism vs Socialism
“The debate between capitalism and socialism centers on balancing economic freedom and inequality, each presenting distinct approaches to resource distribution and social welfare.”
11. Cultural Heritage
“The preservation of cultural heritage is essential, not only for cultural identity but also for educating future generations, outweighing the arguments for modernization and commercialization.”
12. Pseudoscience
“Pseudoscience, characterized by a lack of empirical support, continues to influence public perception and decision-making, often at the expense of scientific credibility.”
Read More: Examples of Pseudoscience
13. Free Will
“The concept of free will is largely an illusion, with human behavior and decisions predominantly determined by biological and environmental factors.”
Read More: Do we have Free Will?
14. Gender Roles
“Traditional gender roles are outdated and harmful, restricting individual freedoms and perpetuating gender inequalities in modern society.”
Read More: What are Traditional Gender Roles?
15. Work-Life Ballance
“The trend to online and distance work in the 2020s led to improved subjective feelings of work-life balance but simultaneously increased self-reported loneliness.”
Read More: Work-Life Balance Examples
16. Universal Healthcare
“Universal healthcare is a fundamental human right and the most effective system for ensuring health equity and societal well-being, outweighing concerns about government involvement and costs.”
Read More: The Pros and Cons of Universal Healthcare
17. Minimum Wage
“The implementation of a fair minimum wage is vital for reducing economic inequality, yet it is often contentious due to its potential impact on businesses and employment rates.”
Read More: The Pros and Cons of Raising the Minimum Wage
18. Homework
“The homework provided throughout this semester has enabled me to achieve greater self-reflection, identify gaps in my knowledge, and reinforce those gaps through spaced repetition.”
Best For: Reflective Essay
Read More: Reasons Homework Should be Banned
19. Charter Schools
“Charter schools offer alternatives to traditional public education, promising innovation and choice but also raising questions about accountability and educational equity.”
Read More: The Pros and Cons of Charter Schools
20. Effects of the Internet
“The Internet has drastically reshaped human communication, access to information, and societal dynamics, generally with a net positive effect on society.”
Read More: The Pros and Cons of the Internet
21. Affirmative Action
“Affirmative action is essential for rectifying historical injustices and achieving true meritocracy in education and employment, contrary to claims of reverse discrimination.”
Best For: Essay
Read More: Affirmative Action Pros and Cons
22. Soft Skills
“Soft skills, such as communication and empathy, are increasingly recognized as essential for success in the modern workforce, and therefore should be a strong focus at school and university level.”
Read More: Soft Skills Examples
23. Moral Panic
“Moral panic, often fueled by media and cultural anxieties, can lead to exaggerated societal responses that sometimes overlook rational analysis and evidence.”
Read More: Moral Panic Examples
24. Freedom of the Press
“Freedom of the press is critical for democracy and informed citizenship, yet it faces challenges from censorship, media bias, and the proliferation of misinformation.”
Read More: Freedom of the Press Examples
25. Mass Media
“Mass media shapes public opinion and cultural norms, but its concentration of ownership and commercial interests raise concerns about bias and the quality of information.”
Best For: Critical Analysis
Read More: Mass Media Examples
Checklist: How to use your Thesis Statement
✅ Position: If your statement is for an argumentative or persuasive essay, or a dissertation, ensure it takes a clear stance on the topic. ✅ Specificity: It addresses a specific aspect of the topic, providing focus for the essay. ✅ Conciseness: Typically, a thesis statement is one to two sentences long. It should be concise, clear, and easily identifiable. ✅ Direction: The thesis statement guides the direction of the essay, providing a roadmap for the argument, narrative, or explanation. ✅ Evidence-based: While the thesis statement itself doesn’t include evidence, it sets up an argument that can be supported with evidence in the body of the essay. ✅ Placement: Generally, the thesis statement is placed at the end of the introduction of an essay.
Try These AI Prompts – Thesis Statement Generator!
One way to brainstorm thesis statements is to get AI to brainstorm some for you! Try this AI prompt:
💡 AI PROMPT FOR EXPOSITORY THESIS STATEMENT I am writing an essay on [TOPIC] and these are the instructions my teacher gave me: [INSTUCTIONS]. I want you to create an expository thesis statement that doesn’t argue a position, but demonstrates depth of knowledge about the topic.
💡 AI PROMPT FOR ARGUMENTATIVE THESIS STATEMENT I am writing an essay on [TOPIC] and these are the instructions my teacher gave me: [INSTRUCTIONS]. I want you to create an argumentative thesis statement that clearly takes a position on this issue.
💡 AI PROMPT FOR COMPARE AND CONTRAST THESIS STATEMENT I am writing a compare and contrast essay that compares [Concept 1] and [Concept2]. Give me 5 potential single-sentence thesis statements that remain objective.
Chris Drew (PhD)
Dr. Chris Drew is the founder of the Helpful Professor. He holds a PhD in education and has published over 20 articles in scholarly journals. He is the former editor of the Journal of Learning Development in Higher Education. [Image Descriptor: Photo of Chris]
- Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ 15 Animism Examples
- Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ 10 Magical Thinking Examples
- Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ Social-Emotional Learning (Definition, Examples, Pros & Cons)
- Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ What is Educational Psychology?
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How to write a thesis statement + examples
What is a thesis statement?
Is a thesis statement a question, how do you write a good thesis statement, how do i know if my thesis statement is good, examples of thesis statements, helpful resources on how to write a thesis statement, frequently asked questions about writing a thesis statement, related articles.
A thesis statement is the main argument of your paper or thesis.
The thesis statement is one of the most important elements of any piece of academic writing . It is a brief statement of your paper’s main argument. Essentially, you are stating what you will be writing about.
You can see your thesis statement as an answer to a question. While it also contains the question, it should really give an answer to the question with new information and not just restate or reiterate it.
Your thesis statement is part of your introduction. Learn more about how to write a good thesis introduction in our introduction guide .
A thesis statement is not a question. A statement must be arguable and provable through evidence and analysis. While your thesis might stem from a research question, it should be in the form of a statement.
Tip: A thesis statement is typically 1-2 sentences. For a longer project like a thesis, the statement may be several sentences or a paragraph.
A good thesis statement needs to do the following:
- Condense the main idea of your thesis into one or two sentences.
- Answer your project’s main research question.
- Clearly state your position in relation to the topic .
- Make an argument that requires support or evidence.
Once you have written down a thesis statement, check if it fulfills the following criteria:
- Your statement needs to be provable by evidence. As an argument, a thesis statement needs to be debatable.
- Your statement needs to be precise. Do not give away too much information in the thesis statement and do not load it with unnecessary information.
- Your statement cannot say that one solution is simply right or simply wrong as a matter of fact. You should draw upon verified facts to persuade the reader of your solution, but you cannot just declare something as right or wrong.
As previously mentioned, your thesis statement should answer a question.
If the question is:
What do you think the City of New York should do to reduce traffic congestion?
A good thesis statement restates the question and answers it:
In this paper, I will argue that the City of New York should focus on providing exclusive lanes for public transport and adaptive traffic signals to reduce traffic congestion by the year 2035.
Here is another example. If the question is:
How can we end poverty?
A good thesis statement should give more than one solution to the problem in question:
In this paper, I will argue that introducing universal basic income can help reduce poverty and positively impact the way we work.
- The Writing Center of the University of North Carolina has a list of questions to ask to see if your thesis is strong .
A thesis statement is part of the introduction of your paper. It is usually found in the first or second paragraph to let the reader know your research purpose from the beginning.
In general, a thesis statement should have one or two sentences. But the length really depends on the overall length of your project. Take a look at our guide about the length of thesis statements for more insight on this topic.
Here is a list of Thesis Statement Examples that will help you understand better how to write them.
Every good essay should include a thesis statement as part of its introduction, no matter the academic level. Of course, if you are a high school student you are not expected to have the same type of thesis as a PhD student.
Here is a great YouTube tutorial showing How To Write An Essay: Thesis Statements .
Thesis Statements
What this handout is about.
This handout describes what a thesis statement is, how thesis statements work in your writing, and how you can craft or refine one for your draft.
Introduction
Writing in college often takes the form of persuasion—convincing others that you have an interesting, logical point of view on the subject you are studying. Persuasion is a skill you practice regularly in your daily life. You persuade your roommate to clean up, your parents to let you borrow the car, your friend to vote for your favorite candidate or policy. In college, course assignments often ask you to make a persuasive case in writing. You are asked to convince your reader of your point of view. This form of persuasion, often called academic argument, follows a predictable pattern in writing. After a brief introduction of your topic, you state your point of view on the topic directly and often in one sentence. This sentence is the thesis statement, and it serves as a summary of the argument you’ll make in the rest of your paper.
What is a thesis statement?
A thesis statement:
- tells the reader how you will interpret the significance of the subject matter under discussion.
- is a road map for the paper; in other words, it tells the reader what to expect from the rest of the paper.
- directly answers the question asked of you. A thesis is an interpretation of a question or subject, not the subject itself. The subject, or topic, of an essay might be World War II or Moby Dick; a thesis must then offer a way to understand the war or the novel.
- makes a claim that others might dispute.
- is usually a single sentence near the beginning of your paper (most often, at the end of the first paragraph) that presents your argument to the reader. The rest of the paper, the body of the essay, gathers and organizes evidence that will persuade the reader of the logic of your interpretation.
If your assignment asks you to take a position or develop a claim about a subject, you may need to convey that position or claim in a thesis statement near the beginning of your draft. The assignment may not explicitly state that you need a thesis statement because your instructor may assume you will include one. When in doubt, ask your instructor if the assignment requires a thesis statement. When an assignment asks you to analyze, to interpret, to compare and contrast, to demonstrate cause and effect, or to take a stand on an issue, it is likely that you are being asked to develop a thesis and to support it persuasively. (Check out our handout on understanding assignments for more information.)
How do I create a thesis?
A thesis is the result of a lengthy thinking process. Formulating a thesis is not the first thing you do after reading an essay assignment. Before you develop an argument on any topic, you have to collect and organize evidence, look for possible relationships between known facts (such as surprising contrasts or similarities), and think about the significance of these relationships. Once you do this thinking, you will probably have a “working thesis” that presents a basic or main idea and an argument that you think you can support with evidence. Both the argument and your thesis are likely to need adjustment along the way.
Writers use all kinds of techniques to stimulate their thinking and to help them clarify relationships or comprehend the broader significance of a topic and arrive at a thesis statement. For more ideas on how to get started, see our handout on brainstorming .
How do I know if my thesis is strong?
If there’s time, run it by your instructor or make an appointment at the Writing Center to get some feedback. Even if you do not have time to get advice elsewhere, you can do some thesis evaluation of your own. When reviewing your first draft and its working thesis, ask yourself the following :
- Do I answer the question? Re-reading the question prompt after constructing a working thesis can help you fix an argument that misses the focus of the question. If the prompt isn’t phrased as a question, try to rephrase it. For example, “Discuss the effect of X on Y” can be rephrased as “What is the effect of X on Y?”
- Have I taken a position that others might challenge or oppose? If your thesis simply states facts that no one would, or even could, disagree with, it’s possible that you are simply providing a summary, rather than making an argument.
- Is my thesis statement specific enough? Thesis statements that are too vague often do not have a strong argument. If your thesis contains words like “good” or “successful,” see if you could be more specific: why is something “good”; what specifically makes something “successful”?
- Does my thesis pass the “So what?” test? If a reader’s first response is likely to be “So what?” then you need to clarify, to forge a relationship, or to connect to a larger issue.
- Does my essay support my thesis specifically and without wandering? If your thesis and the body of your essay do not seem to go together, one of them has to change. It’s okay to change your working thesis to reflect things you have figured out in the course of writing your paper. Remember, always reassess and revise your writing as necessary.
- Does my thesis pass the “how and why?” test? If a reader’s first response is “how?” or “why?” your thesis may be too open-ended and lack guidance for the reader. See what you can add to give the reader a better take on your position right from the beginning.
Suppose you are taking a course on contemporary communication, and the instructor hands out the following essay assignment: “Discuss the impact of social media on public awareness.” Looking back at your notes, you might start with this working thesis:
Social media impacts public awareness in both positive and negative ways.
You can use the questions above to help you revise this general statement into a stronger thesis.
- Do I answer the question? You can analyze this if you rephrase “discuss the impact” as “what is the impact?” This way, you can see that you’ve answered the question only very generally with the vague “positive and negative ways.”
- Have I taken a position that others might challenge or oppose? Not likely. Only people who maintain that social media has a solely positive or solely negative impact could disagree.
- Is my thesis statement specific enough? No. What are the positive effects? What are the negative effects?
- Does my thesis pass the “how and why?” test? No. Why are they positive? How are they positive? What are their causes? Why are they negative? How are they negative? What are their causes?
- Does my thesis pass the “So what?” test? No. Why should anyone care about the positive and/or negative impact of social media?
After thinking about your answers to these questions, you decide to focus on the one impact you feel strongly about and have strong evidence for:
Because not every voice on social media is reliable, people have become much more critical consumers of information, and thus, more informed voters.
This version is a much stronger thesis! It answers the question, takes a specific position that others can challenge, and it gives a sense of why it matters.
Let’s try another. Suppose your literature professor hands out the following assignment in a class on the American novel: Write an analysis of some aspect of Mark Twain’s novel Huckleberry Finn. “This will be easy,” you think. “I loved Huckleberry Finn!” You grab a pad of paper and write:
Mark Twain’s Huckleberry Finn is a great American novel.
You begin to analyze your thesis:
- Do I answer the question? No. The prompt asks you to analyze some aspect of the novel. Your working thesis is a statement of general appreciation for the entire novel.
Think about aspects of the novel that are important to its structure or meaning—for example, the role of storytelling, the contrasting scenes between the shore and the river, or the relationships between adults and children. Now you write:
In Huckleberry Finn, Mark Twain develops a contrast between life on the river and life on the shore.
- Do I answer the question? Yes!
- Have I taken a position that others might challenge or oppose? Not really. This contrast is well-known and accepted.
- Is my thesis statement specific enough? It’s getting there–you have highlighted an important aspect of the novel for investigation. However, it’s still not clear what your analysis will reveal.
- Does my thesis pass the “how and why?” test? Not yet. Compare scenes from the book and see what you discover. Free write, make lists, jot down Huck’s actions and reactions and anything else that seems interesting.
- Does my thesis pass the “So what?” test? What’s the point of this contrast? What does it signify?”
After examining the evidence and considering your own insights, you write:
Through its contrasting river and shore scenes, Twain’s Huckleberry Finn suggests that to find the true expression of American democratic ideals, one must leave “civilized” society and go back to nature.
This final thesis statement presents an interpretation of a literary work based on an analysis of its content. Of course, for the essay itself to be successful, you must now present evidence from the novel that will convince the reader of your interpretation.
Works consulted
We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.
Anson, Chris M., and Robert A. Schwegler. 2010. The Longman Handbook for Writers and Readers , 6th ed. New York: Longman.
Lunsford, Andrea A. 2015. The St. Martin’s Handbook , 8th ed. Boston: Bedford/St Martin’s.
Ramage, John D., John C. Bean, and June Johnson. 2018. The Allyn & Bacon Guide to Writing , 8th ed. New York: Pearson.
Ruszkiewicz, John J., Christy Friend, Daniel Seward, and Maxine Hairston. 2010. The Scott, Foresman Handbook for Writers , 9th ed. Boston: Pearson Education.
You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill
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Think of yourself as a member of a jury, listening to a lawyer who is presenting an opening argument. You'll want to know very soon whether the lawyer believes the accused to be guilty or not guilty, and how the lawyer plans to convince you. Readers of academic essays are like jury members: before they have read too far, they want to know what the essay argues as well as how the writer plans to make the argument. After reading your thesis statement, the reader should think, "This essay is going to try to convince me of something. I'm not convinced yet, but I'm interested to see how I might be."
An effective thesis cannot be answered with a simple "yes" or "no." A thesis is not a topic; nor is it a fact; nor is it an opinion. "Reasons for the fall of communism" is a topic. "Communism collapsed in Eastern Europe" is a fact known by educated people. "The fall of communism is the best thing that ever happened in Europe" is an opinion. (Superlatives like "the best" almost always lead to trouble. It's impossible to weigh every "thing" that ever happened in Europe. And what about the fall of Hitler? Couldn't that be "the best thing"?)
A good thesis has two parts. It should tell what you plan to argue, and it should "telegraph" how you plan to argue—that is, what particular support for your claim is going where in your essay.
Steps in Constructing a Thesis
First, analyze your primary sources. Look for tension, interest, ambiguity, controversy, and/or complication. Does the author contradict himself or herself? Is a point made and later reversed? What are the deeper implications of the author's argument? Figuring out the why to one or more of these questions, or to related questions, will put you on the path to developing a working thesis. (Without the why, you probably have only come up with an observation—that there are, for instance, many different metaphors in such-and-such a poem—which is not a thesis.)
Once you have a working thesis, write it down. There is nothing as frustrating as hitting on a great idea for a thesis, then forgetting it when you lose concentration. And by writing down your thesis you will be forced to think of it clearly, logically, and concisely. You probably will not be able to write out a final-draft version of your thesis the first time you try, but you'll get yourself on the right track by writing down what you have.
Keep your thesis prominent in your introduction. A good, standard place for your thesis statement is at the end of an introductory paragraph, especially in shorter (5-15 page) essays. Readers are used to finding theses there, so they automatically pay more attention when they read the last sentence of your introduction. Although this is not required in all academic essays, it is a good rule of thumb.
Anticipate the counterarguments. Once you have a working thesis, you should think about what might be said against it. This will help you to refine your thesis, and it will also make you think of the arguments that you'll need to refute later on in your essay. (Every argument has a counterargument. If yours doesn't, then it's not an argument—it may be a fact, or an opinion, but it is not an argument.)
This statement is on its way to being a thesis. However, it is too easy to imagine possible counterarguments. For example, a political observer might believe that Dukakis lost because he suffered from a "soft-on-crime" image. If you complicate your thesis by anticipating the counterargument, you'll strengthen your argument, as shown in the sentence below.
Some Caveats and Some Examples
A thesis is never a question. Readers of academic essays expect to have questions discussed, explored, or even answered. A question ("Why did communism collapse in Eastern Europe?") is not an argument, and without an argument, a thesis is dead in the water.
A thesis is never a list. "For political, economic, social and cultural reasons, communism collapsed in Eastern Europe" does a good job of "telegraphing" the reader what to expect in the essay—a section about political reasons, a section about economic reasons, a section about social reasons, and a section about cultural reasons. However, political, economic, social and cultural reasons are pretty much the only possible reasons why communism could collapse. This sentence lacks tension and doesn't advance an argument. Everyone knows that politics, economics, and culture are important.
A thesis should never be vague, combative or confrontational. An ineffective thesis would be, "Communism collapsed in Eastern Europe because communism is evil." This is hard to argue (evil from whose perspective? what does evil mean?) and it is likely to mark you as moralistic and judgmental rather than rational and thorough. It also may spark a defensive reaction from readers sympathetic to communism. If readers strongly disagree with you right off the bat, they may stop reading.
An effective thesis has a definable, arguable claim. "While cultural forces contributed to the collapse of communism in Eastern Europe, the disintegration of economies played the key role in driving its decline" is an effective thesis sentence that "telegraphs," so that the reader expects the essay to have a section about cultural forces and another about the disintegration of economies. This thesis makes a definite, arguable claim: that the disintegration of economies played a more important role than cultural forces in defeating communism in Eastern Europe. The reader would react to this statement by thinking, "Perhaps what the author says is true, but I am not convinced. I want to read further to see how the author argues this claim."
A thesis should be as clear and specific as possible. Avoid overused, general terms and abstractions. For example, "Communism collapsed in Eastern Europe because of the ruling elite's inability to address the economic concerns of the people" is more powerful than "Communism collapsed due to societal discontent."
Copyright 1999, Maxine Rodburg and The Tutors of the Writing Center at Harvard University
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Tips and Examples for Writing Thesis Statements
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Tips for Writing Your Thesis Statement
1. Determine what kind of paper you are writing:
- An analytical paper breaks down an issue or an idea into its component parts, evaluates the issue or idea, and presents this breakdown and evaluation to the audience.
- An expository (explanatory) paper explains something to the audience.
- An argumentative paper makes a claim about a topic and justifies this claim with specific evidence. The claim could be an opinion, a policy proposal, an evaluation, a cause-and-effect statement, or an interpretation. The goal of the argumentative paper is to convince the audience that the claim is true based on the evidence provided.
If you are writing a text that does not fall under these three categories (e.g., a narrative), a thesis statement somewhere in the first paragraph could still be helpful to your reader.
2. Your thesis statement should be specific—it should cover only what you will discuss in your paper and should be supported with specific evidence.
3. The thesis statement usually appears at the end of the first paragraph of a paper.
4. Your topic may change as you write, so you may need to revise your thesis statement to reflect exactly what you have discussed in the paper.
Thesis Statement Examples
Example of an analytical thesis statement:
The paper that follows should:
- Explain the analysis of the college admission process
- Explain the challenge facing admissions counselors
Example of an expository (explanatory) thesis statement:
- Explain how students spend their time studying, attending class, and socializing with peers
Example of an argumentative thesis statement:
- Present an argument and give evidence to support the claim that students should pursue community projects before entering college
English 101: English Composition I: Creating a Thesis Statement
- Picking a Topic
- Creating a Thesis Statement
- Doing Research
- Creating an Essay
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The second step to writing an essay or a research paper is to create a thesis statement, or the main idea.
What is a thesis statement?
According to Dictionary.com, thesis statement is defined as a short statement, usually one sentence, that summarizes the main point or claim of an essay, research paper, etc., and is developed, supported, and explained in the text by means of examples and evidence.
Video source: https://www.youtube.com/watch?v=LKXkemYldmw
Website(s) about Thesis Statements
- How to Write a Thesis Statement Courtesy: Indiana University
Steps to Writing a Thesis Statement
Tips to Writing a Strong Thesis Statement
- Determine the type of paper you are trying to write.
- A thesis statement should be specific.
- A thesis statement usually is located at the end of your introduction (first) paragraph.
- Your thesis statement may change as you write, revise as needed.
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Argumentative Thesis Statement
Ai generator.
In the realm of persuasive writing, the argumentative thesis statement stands as a pivotal element, guiding the entire context of an essay or research paper. It serves as the beacon that directs your work, letting readers know not only what to expect but also the position you’re advocating. This article dives into the depths of argumentative thesis statement examples, unraveling their significance, and offering a step-by-step guide on how to create one effectively.
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What is an Argumentative Thesis Statement?
Before we delve into the intricacies of crafting a compelling argumentative thesis statement, let’s clarify what this vital element entails. An argumentative thesis statement serves as the core assertion of your essay, presenting your stance on a particular theme or topic. It goes beyond a mere description of the subject; it takes a firm position that you will defend with logical reasoning, evidence, and persuasion.
How to Craft an Argumentative Thesis Statement
Creating an argumentative thesis statement requires a methodical approach. By following these steps, you’ll be better equipped to develop a thesis that not only captures the essence of your argument but also engages readers from the outset.
Step 1: Identify Your Topic and Stance
The first step involves identifying the simple subject you’re addressing and your position on it before starting with the introduction . Your stance could be an assertion, a judgment, or an evaluation, shaping the tone and direction of your entire argument.
Step 2: Analyze Your Audience
Understanding your audience is crucial. Consider their perspectives, beliefs, and potential objections. Tailoring your argumentative thesis statement to resonate with your readers enhances the persuasiveness of your message.
Step 3: Develop a Concise Thesis
A strong thesis is concise and focused. It should encapsulate your main argument while giving a glimpse of the supporting points you’ll discuss. Avoid vague language and ensure your thesis statement is clear and direct.
Step 4: Incorporate Cause and Effect
A compelling argumentative thesis statement often involves demonstrating the cause-and-effect relationship between your stance and the topic. Highlight how certain actions, beliefs, or decisions lead to specific outcomes.
Can my argumentative thesis statement evolve as I research and write?
Absolutely. Your thesis can and should evolve based on your research findings and the development of your argument. Flexibility allows you to refine and strengthen your position.
How can I avoid falling into clichés when crafting my thesis statement?
To avoid clichés , strive for originality. Instead of using well-worn phrases, express your position in a unique way that showcases your perspective and analytical depth.
Should I include counterarguments in my thesis statement?
While it’s not necessary to include counterarguments in your thesis statement, acknowledging opposing viewpoints can add credibility to your argument. However, save the detailed counterarguments for the body of your essay.
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Of Mētis and Cuttlefish: Employing Collective Mētis as a Theoretical Framework for Marginalized Communities , Justiss Wilder Burry
What on earth are we doing (?): A Field-Wide Exploration of Design Courses in TPC , Jessica L. Griffith
Organizations Ensuring Resilience: A Case Study of Cortez, Florida , Karla Ariel Maddox
Theses/Dissertations from 2022 2022
Using Movie Clips to Understand Vivid-Phrasal Idioms’ Meanings , Rasha Salem S. Alghamdi
An Exercise in Exceptions: Personhood, Divergency, and Ableism in the STAR TREK Franchise , Jessica A. Blackman
Vulnerable Resistance in Victorian Women’s Writing , Stephanie A. Harper
Curricular Assemblages: Understanding Student Writing Knowledge (Re)circulation Across Genres , Adam Phillips
PAD Beyond the Classroom: Integrating PAD in the Scrum Workplace , Jade S. Weiss
Theses/Dissertations from 2021 2021
Social Cues in Animated Pedagogical Agents for Second Language Learners: the Application of The Embodiment Principle in Video Design , Sahar M. Alyahya
A Field-Wide Examination of Cross-Listed Courses in Technical Professional Communication , Carolyn M. Gubala
Labor-Based Grading Contracts in the Multilingual FYC Classroom: Unpacking the Variables , Kara Kristina Larson
Land Goddesses, Divine Pigs, and Royal Tricksters: Subversive Mythologies and Imperialist Land Ownership Dispossession in Twentieth Century Irish and American Literature , Elizabeth Ricketts
Oppression, Resistance, and Empowerment: The Power Dynamics of Naming and Un-naming in African American Literature, 1794 to 2019 , Melissa "Maggie" Romigh
Generic Expectations in First Year Writing: Teaching Metadiscoursal Reflection and Revision Strategies for Increased Generic Uptake of Academic Writing , Kaelah Rose Scheff
Reframing the Gothic: Race, Gender, & Disability in Multiethnic Literature , Ashely B. Tisdale
Intersections of Race and Place in Short Fiction by New Orleans Gens de Couleur Libres , Adrienne D. Vivian
Mental Illness Diagnosis and the Construction of Stigma , Katie Lynn Walkup
Theses/Dissertations from 2020 2020
Rhetorical Roundhouse Kicks: Tae Kwon Do Pumsae Practice and Non-Western Embodied Topoi , Spencer Todd Bennington
9/11 Then and Now: How the Performance of Memorial Rhetoric by Presidents Changes to Construct Heroes , Kristen M. Grafton
Kinesthetically Speaking: Human and Animal Communication in British Literature of the Long Eighteenth Century , Dana Jolene Laitinen
Exploring Refugee Students’ Second Language (L2) Motivational Selves through Digital Visual Representations , Nhu Le
Glamour in Contemporary American Cinema , Shauna A. Maragh
Instrumentalization Theory: An Analytical Heuristic for a Heightened Social Awareness of Machine Learning Algorithms in Social Media , Andrew R. Miller
Intercessory Power: A Literary Analysis of Ethics and Care in Toni Morrison’s Song of Solomon , Alice Walker’s Meridian , and Toni Cade Bambara’s Those Bones Are Not My Child , Kelly Mills
The Power of Non-Compliant Logos: A New Materialist Approach to Comic Studies , Stephanie N. Phillips
Female Identity and Sexuality in Contemporary Indonesian Novels , Zita Rarastesa
"The Fiery Furnaces of Hell": Rhetorical Dynamism in Youngstown, OH , Joshua M. Rea
“We developed solidarity”: Family, Race, Identity, and Space-Time in Recent Multiethnic U.S. American Fiction , Kimber L. Wiggs
Theses/Dissertations from 2019 2019
Remembrance of a Wound: Ethical Mourning in the Works of Ana Menéndez, Elías Miguel Muñoz, and Junot Díaz , José Aparicio
Taking an “Ecological Turn” in the Evaluation of Rhetorical Interventions , Peter Cannon
New GTA’s and the Pre-Semester Orientation: The Need for Informed Refinement , Jessica L. Griffith
Reading Rape and Answering with Empathy: A New Approach to Sexual Assault Education for College Students , Brianna Jerman
The Karoo , The Veld , and the Co-Op: The Farm as Microcosm and Place for Change in Schreiner, Lessing, and Head , Elana D. Karshmer
"The weak are meat, and the strong do eat"; Representations of the Slaughterhouse in Twentieth and Twenty-First Century Literature , Stephanie Lance
Language of Carnival: How Language and the Carnivalesque Challenge Hegemony , Yulia O. Nekrashevich
Queer Authority in Old and Middle English Literature , Elan J. Pavlinich
Because My Garmin Told Me To: A New Materialist Study of Agency and Wearable Technology , Michael Repici
No One Wants to Read What You Write: A Contextualized Analysis of Service Course Assignments , Tanya P. Zarlengo
Theses/Dissertations from 2018 2018
Beauty and the Beasts: Making Places with Literary Animals of Florida , Haili A. Alcorn
The Medievalizing Process: Religious Medievalism in Romantic and Victorian Literature , Timothy M. Curran
Seeing Trauma: The Known and the Hidden in Nineteenth-Century Literature , Alisa M. DeBorde
Analysis of User Interfaces in the Sharing Economy , Taylor B. Johnson
Border-Crossing Travels Across Literary Worlds: My Shamanic Conscientization , Scott Neumeister
The Spectacle of The Bomb: Rhetorical Analysis of Risk of The Nevada Test Site in Technical Communication, Popular Press, and Pop Culture , Tiffany Wilgar
Theses/Dissertations from 2017 2017
Traveling Women and Consuming Place in Eighteenth-Century Travel Letters and Journals , Cassie Patricia Childs
“The Nations of the Field and Wood”: The Uncertain Ontology of Animals in Eighteenth-Century British Literature , J. Kevin Jordan
Modern Mythologies: The Epic Imagination in Contemporary Indian Literature , Sucheta Kanjilal
Science in the Sun: How Science is Performed as a Spatial Practice , Natalie Kass
Body as Text: Physiognomy on the Early English Stage , Curtis Le Van
Tensions Between Democracy and Expertise in the Florida Keys , Elizabeth A. Loyer
Institutional Review Boards and Writing Studies Research: A Justice-Oriented Study , Johanna Phelps-Hillen
The Spirit of Friendship: Girlfriends in Contemporary African American Literature , Tangela La'Chelle Serls
Aphra Behn on the Contemporary Stage: Behn's Feminist Legacy and Woman-Directed Revivals of The Rover , Nicole Elizabeth Stodard
(Age)ncy in Composition Studies , Alaina Tackitt
Constructing Health Narratives: Patient Feedback in Online Communities , Katie Lynn Walkup
Theses/Dissertations from 2016 2016
Rupturing the World of Elite Athletics: A Feminist Critical Discourse Analysis of the Suspension of the 2011 IAAF Regulations on Hyperandrogenism , Ella Browning
Shaping Climate Citizenship: The Ethics of Inclusion in Climate Change Communication and Policy , Lauren E. Cagle
Drop, Cover, and Hold On: Analyzing FEMA's Risk Communication through Visual Rhetoric , Samantha Jo Cosgrove
Material Expertise: Applying Object-oriented Rhetoric in Marine Policy , Zachary Parke Dixon
The Non-Identical Anglophone Bildungsroman : From the Categorical to the De-Centering Literary Subject in the Black Atlantic , Jarad Heath Fennell
Instattack: Instagram and Visual Ad Hominem Political Arguments , Sophia Evangeline Gourgiotis
Hospitable Climates: Representations of the West Indies in Eighteenth-Century British Literature , Marisa Carmen Iglesias
Chosen Champions: Medieval and Early Modern Heroes as Postcolonial Reactions to Tensions between England and Europe , Jessica Trant Labossiere
Science, Policy, and Decision Making: A Case Study of Deliberative Rhetoric and Policymaking for Coastal Adaptation in Southeast Florida , Karen Patricia Langbehn
A New Materialist Approach to Visual Rhetoric in PhotoShopBattles , Jonathan Paul Ray
Tracing the Material: Spaces and Objects in British and Irish Modernist Novels , Mary Allison Wise
Theses/Dissertations from 2015 2015
Representations of Gatsby: Ninety Years of Retrospective , Christine Anne Auger
Robust, Low Power, Discrete Gate Sizing , Anthony Joseph Casagrande
Wrestling with Angels: Postsecular Contemporary American Poetry , Paul T. Corrigan
#networkedglobe: Making the Connection between Social Media and Intercultural Technical Communication , Laura Anne Ewing
Evidence of Things Not Seen: A Semi-Automated Descriptive Phrase and Frame Analysis of Texts about the Herbicide Agent Orange , Sarah Beth Hopton
'She Shall Not Be Moved': Black Women's Spiritual Practice in Toni Morrison's The Bluest Eye, Beloved, Paradise, and Home , Rondrea Danielle Mathis
Relational Agency, Networked Technology, and the Social Media Aftermath of the Boston Marathon Bombing , Megan M. Mcintyre
Now, We Hear Through a Voice Darkly: New Media and Narratology in Cinematic Art , James Anthony Ricci
Navigating Collective Activity Systems: An Approach Towards Rhetorical Inquiry , Katherine Jesse Royce
Women's Narratives of Confinement: Domestic Chores as Threads of Resistance and Healing , Jacqueline Marie Smith
Domestic Spaces in Transition: Modern Representations of Dwelling in the Texts of Elizabeth Bowen , Shannon Tivnan
Theses/Dissertations from 2014 2014
Paradise Always Already Lost: Myth, Memory, and Matter in English Literature , Elizabeth Stuart Angello
Overcoming the 5th-Century BCE Epistemological Tragedy: A Productive Reading of Protagoras of Abdera , Ryan Alan Blank
Acts of Rebellion: The Rhetoric of Rogue Cinema , Adam Breckenridge
Material and Textual Spaces in the Poetry of Montagu, Leapor, Barbauld, and Robinson , Jessica Lauren Cook
Decolonizing Shakespeare: Race, Gender, and Colonialism in Three Adaptations of Three Plays by William Shakespeare , Angela Eward-Mangione
Risk of Compliance: Tracing Safety and Efficacy in Mef-Lariam's Licensure , Julie Marie Gerdes
Beyond Performance: Rhetoric, Collective Memory, and the Motive of Imprinting Identity , Brenda M. Grau
Subversive Beauty - Victorian Bodies of Expression , Lisa Michelle Hoffman-Reyes
Integrating Reading and Writing For Florida's ESOL Program , George Douglas Mcarthur
Responsibility and Responsiveness in the Novels of Ann Radcliffe and Mary Shelley , Katherine Marie McGee
Ghosts, Orphans, and Outlaws: History, Family, and the Law in Toni Morrison's Fiction , Jessica Mckee
The "Defective" Generation: Disability in Modernist Literature , Deborah Susan Mcleod
Science Fiction/Fantasy and the Representation of Ethnic Futurity , Joy Ann Sanchez-Taylor
Hermes, Technical Communicator of the Gods: The Theory, Design, and Creation of a Persuasive Game for Technical Communication , Eric Walsh
Theses/Dissertations from 2013 2013
Rhetorical Spirits: Spirituality as Rhetorical Device in New Age Womanist of Color Texts , Ronisha Witlee Browdy
Disciplinarity, Crisis, and Opportunity in Technical Communication , Jason Robert Carabelli
The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic , Kurt Fawver
Unbearable Weight, Unbearable Witness: The (Im)possibility of Witnessing Eating Disorders in Cyberspace , Kristen Nicole Gay
the post- 9/11 aesthetic: repositioning the zombie film in the horror genre , Alan Edward Green, Jr.
An(other) Rhetoric: Rhetoric, Ethics, and the Rhetorical Tradition , Kathleen Sandell Hardesty
Mapping Dissertation Genre Ecology , Kate Lisbeth Pantelides
Dead Man's Switch: Disaster Rhetorics in a Posthuman Age , Daniel Patrick Richards
"Of That Transfigured World" : Realism and Fantasy in Victorian Literature , Benjamin Jude Wright
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12.6: Literary Thesis Statements
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- Page ID 43636
- Heather Ringo & Athena Kashyap
- City College of San Francisco via ASCCC Open Educational Resources Initiative
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The Literary Thesis Statement
Literary essays are argumentative or persuasive essays. Their purpose is primarily analysis, but analysis for the purposes of showing readers your interpretation of a literary text. So the thesis statement is a one to two sentence summary of your essay's main argument, or interpretation.
Just like in other argumentative essays, the thesis statement should be a kind of opinion based on observable fact about the literary work.
Thesis Statements Should Be
- This thesis takes a position. There are clearly those who could argue against this idea.
- Look at the text in bold. See the strong emphasis on how form (literary devices like symbolism and character) acts as a foundation for the interpretation (perceived danger of female sexuality).
- Through this specific yet concise sentence, readers can anticipate the text to be examined ( Huckleberry Finn) , the author (Mark Twain), the literary device that will be focused upon (river and shore scenes) and what these scenes will show (true expression of American ideals can be found in nature).
Thesis Statements Should NOT Be
- While we know what text and author will be the focus of the essay, we know nothing about what aspect of the essay the author will be focusing upon, nor is there an argument here.
- This may be well and true, but this thesis does not appear to be about a work of literature. This could be turned into a thesis statement if the writer is able to show how this is the theme of a literary work (like "Girl" by Jamaica Kincaid) and root that interpretation in observable data from the story in the form of literary devices.
- Yes, this is true. But it is not debatable. You would be hard-pressed to find someone who could argue with this statement. Yawn, boring.
- This may very well be true. But the purpose of a literary critic is not to judge the quality of a literary work, but to make analyses and interpretations of the work based on observable structural aspects of that work.
- Again, this might be true, and might make an interesting essay topic, but unless it is rooted in textual analysis, it is not within the scope of a literary analysis essay. Be careful not to conflate author and speaker! Author, speaker, and narrator are all different entities! See: intentional fallacy.
Thesis Statement Formula
One way I find helpful to explain literary thesis statements is through a "formula":
Thesis statement = Observation + Analysis + Significance
- Observation: usually regarding the form or structure of the literature. This can be a pattern, like recurring literary devices. For example, "I noticed the poems of Rumi, Hafiz, and Kabir all use symbols such as the lover's longing and Tavern of Ruin "
- Analysis: You could also call this an opinion. This explains what you think your observations show or mean. "I think these recurring symbols all represent the human soul's desire." This is where your debatable argument appears.
- Significance: this explains what the significance or relevance of the interpretation might be. Human soul's desire to do what? Why should readers care that they represent the human soul's desire? "I think these recurring symbols all show the human soul's desire to connect with God. " This is where your argument gets more specific.
Thesis statement: The works of ecstatic love poets Rumi, Hafiz, and Kabir use symbols such as a lover’s longing and the Tavern of Ruin to illustrate the human soul’s desire to connect with God .
Thesis Examples
SAMPLE THESIS STATEMENTS
These sample thesis statements are provided as guides, not as required forms or prescriptions.
______________________________________________________________________________________________________________
The Literary Device Thesis Statement
The thesis may focus on an analysis of one of the elements of fiction, drama, poetry or nonfiction as expressed in the work: character, plot, structure, idea, theme, symbol, style, imagery, tone, etc.
In “A Worn Path,” Eudora Welty creates a fictional character in Phoenix Jackson whose determination, faith, and cunning illustrate the indomitable human spirit.
Note that the work, author, and character to be analyzed are identified in this thesis statement. The thesis relies on a strong verb (creates). It also identifies the element of fiction that the writer will explore (character) and the characteristics the writer will analyze and discuss (determination, faith, cunning).
The character of the Nurse in Romeo and Juliet serves as a foil to young Juliet, delights us with her warmth and earthy wit, and helps realize the tragic catastrophe.
The Genre / Theory Thesis Statement
The thesis may focus on illustrating how a work reflects the particular genre’s forms, the characteristics of a philosophy of literature, or the ideas of a particular school of thought.
“The Third and Final Continent” exhibits characteristics recurrent in writings by immigrants: tradition, adaptation, and identity.
Note how the thesis statement classifies the form of the work (writings by immigrants) and identifies the characteristics of that form of writing (tradition, adaptation, and identity) that the essay will discuss.
Samuel Beckett’s Endgame reflects characteristics of Theatre of the Absurd in its minimalist stage setting, its seemingly meaningless dialogue, and its apocalyptic or nihilist vision.
A close look at many details in “The Story of an Hour” reveals how language, institutions, and expected demeanor suppress the natural desires and aspirations of women.
Generative Questions
One way to come up with a riveting thesis statement is to start with a generative question. The question should be open-ended and, hopefully, prompt some kind of debate.
- What is the effect of [choose a literary device that features prominently in the chosen text] in this work of literature?
- How does this work of literature conform or resist its genre, and to what effect?
- How does this work of literature portray the environment, and to what effect?
- How does this work of literature portray race, and to what effect?
- How does this work of literature portray gender, and to what effect?
- What historical context is this work of literature engaging with, and how might it function as a commentary on this context?
These are just a few common of the common kinds of questions literary scholars engage with. As you write, you will want to refine your question to be even more specific. Eventually, you can turn your generative question into a statement. This then becomes your thesis statement. For example,
- How do environment and race intersect in the character of Frankenstein's monster, and what can we deduce from this intersection?
Expert Examples
While nobody expects you to write professional-quality thesis statements in an undergraduate literature class, it can be helpful to examine some examples. As you view these examples, consider the structure of the thesis statement. You might also think about what questions the scholar wondered that led to this statement!
- "Heart of Darkness projects the image of Africa as 'the other world,' the antithesis of Europe and therefore civilization, a place where man's vaunted intelligence and refinement are finally mocked by triumphant bestiality" (Achebe 3).
- "...I argue that the approach to time and causality in Boethius' sixth-century Consolation of Philosophy can support abolitionist objectives to dismantle modern American policing and carceral systems" (Chaganti 144).
- "I seek to expand our sense of the musico-poetic compositional practices available to Shakespeare and his contemporaries, focusing on the metapoetric dimensions of Much Ado About Nothing. In so doing, I work against the tendency to isolate writing as an independent or autonomous feature the work of early modern poets and dramatists who integrated bibliographic texts with other, complementary media" (Trudell 371).
Works Cited
Achebe, Chinua. "An Image of Africa" Research in African Literatures 9.1 , Indiana UP, 1978. 1-15.
Chaganti, Seeta. "Boethian Abolition" PMLA 137.1 Modern Language Association, January 2022. 144-154.
"Thesis Statements in Literary Analysis Papers" Author unknown. https://resources.finalsite.net/imag...handout__1.pdf
Trudell, Scott A. "Shakespeare's Notation: Writing Sound in Much Ado about Nothing " PMLA 135.2, Modern Language Association, March 2020. 370-377.
Contributors and Attributions
Thesis Examples. Authored by: University of Arlington Texas. License: CC BY-NC
ScholarWorks@UMass Amherst
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English Department Dissertations Collection
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Dissertations from 2023 2023
In Search of Middle Paths: Buddhism, Fiction, and the Secular in Twentieth-Century South Asia , Crystal Baines, English
Save Our Children: Discourses of Queer Futurity in the United States and South Africa, 1977-2010 , Jude Hayward-Jansen, English
Epistemologies of the Unknowable in Nineteenth-Century U.S. Literature , Maria Ishikawa, English
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The Diasporic Mindset and Narrative Intersections of British Identity in Transnational Fiction , Joseph A. Mason, English
A 19TH CENTURY ETHNOGRAPHIC EXHIBIT UN/CAGED: NARRATIVES OF INFORMAL EMPIRE, AFROLATINIDAD, AND CONTEMPORARY ARTISTIC (RE)FRAMINGS , Celine G. Nader, English
Dissertations from 2022 2022
Writing the Aftermath: Uncanny Spaces of the Postcolonial , Sohini Banerjee, English
Science Fiction’s Enactment of the Encouragement, Process, and End Result of Revolutionary Transformation , Katharine Blanchard, English
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TRANSNATIONAL POLITICAL AND LITERARY ENCOUNTERS: THE IDEA OF AMERÍKA IN ICELANDIC FICTION, 1920–1990 , Jodie Childers, English
When Choices Aren't Choices: Academic Literacy Normativities in the Age of Neoliberalism , Robin K. Garabedian, English
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Stories Women Carry: Labor and Reproductive Imaginaries of South Asia and the Caribbean , Subhalakshmi Gooptu, English
The Critical Workshop: Writing Revision and Critical Pedagogy in the Middle School Classroom , Andrea R. Griswold, English
Racial Poetics: Early Modern Race and the Form of Comedy , Yunah Kae, English
At the Limits of Empathy: Political Conflict and its Aftermath in Postcolonial Fiction , Saumya Lal, English
The Burdens and Blessings of Responsibility: Duty and Community in Nineteenth- Century America , Leslie Leonard, English
No There There: New Jersey in Multiethnic Writing and Popular Culture Since 1990 , Shannon Mooney, English
Ownership and Writer Agency in Web 2.0 , Thomas Pickering, English
Combating Narratives: Soldiering in Twentieth-Century African American and Latinx Literature , Stacy Reardon, English
“IT DON’T ‘MEAN’ A THING”: TIME AND THE READER IN JAZZ FICTIONAL NARRATIVE , Damien C. Weaver, English
SATURNINE ECOLOGIES: ENVIRONMENTAL CATASTROPHE IN THE EARLY MODERN WORLD, 1542-1688 , John Yargo, English
Dissertations from 2021 2021
"On Neptunes Watry Realmes": Maritime Law and English Renaissance Literature , Hayley Cotter, English
Theater of Exchange: The Cosmopolitan Stage of Jacobean London , Liz Fox, English
“The Badge of All Our Tribe”: Contradictions of Jewish Representation on the English Renaissance Stage , Becky S. Friedman, English
On Being Dispersed: The Poetics of Dehiscence from "We the People" to Abolition , Sean A. Gordon, English
Echoing + Resistant Imagining: Filipino Student Writing Under American Colonial Rule , Florianne Jimenez, English
When Your Words Are Someone Else's Money: Rhetorical Circulation, Affect, and Late Capitalism , Kelin E. Loe, English
Indigenous Impositions in Contemporary Culture: Knotting Ontologies, Beading Aesthetics, and Braiding Temporalities , Darren Lone Fight, English
NEGRITUDE FEMINISMS: FRANCOPHONE BLACK WOMEN WRITERS AND ACTIVISTS IN FRANCE, MARTINIQUE, AND SENEGAL FROM THE 1920S TO THE 1980S , Korka Sall, English
Negotiating Space: Spatial Violation on the Early Modern Stage, 1587-1638 , Gregory W. Sargent, English
Stranger Compass of the Stage: Difference and Desire in Early Modern City Comedy , Catherine Tisdale, English
Dissertations from 2020 2020
AFFECTIVE HISTORIES OF SOUTHERN TRAUMA: SHAME, HEALING, AND VULNERABILITY IN US SOUTHERN WOMEN’S WRITING, 1975–2006 , Faune Albert, English
Materially Queer: Identity and Agency in Academic Writing , Joshua Barsczewski, English
ANGELS WHO STEPPED OUTSIDE THEIR HOUSES: “AMERICAN TRUE WOMANHOOD” AND NINETEENTH-CENTURY (TRANS)NATIONALISMS , Gayathri M. Hewagama, English
WRITING AGAINST HISTORY: FEMINIST BAROQUE NARRATIVES IN INTERWAR ATLANTIC MODERNISM , Annaliese Hoehling, English
Passing Literacies: Soviet Immigrant Elders and Intergenerational Language Practice , Jenny Krichevsky, English
Lisa Ben and Queer Rhetorical Reeducation in Post-war Los Angeles , Katelyn S. Litterer, English
Daring Depictions: An Analysis of Risks and Their Mediation in Representations of Black Suffering , Russell Nurick, English
From Page to Program: A Study of Stakeholders in Multimodal First-Year Composition Curriculum and Program Design , Rebecca Petitti, English
Forms of the Future: Indigeneity, Blackness, and the Visioning Work of Aesthetics in U.S. Poetry, 1822-1863 , Magdalena Zapędowska, English
Dissertations from 2019 2019
Black Men Who Betray Their Race: 20TH Century Literary Representations of the Black Male Race Traitor , Gregory Coleman, English
“The Worlding Game”: Queer Ecological Perspectives in Modern Fiction , Sarah D'Stair, English
Afrasian Imaginaries: Global Capitalism and Labor Migration in Indian Ocean Fictions, 1990 – 2015 , Neelofer Qadir, English
Divided Tongues: The Politics and Poetics of Food in Modern Anglophone Indian Fiction , Shakuntala Ray, English
Globalizing Nature on the Shakespearean Stage , William Steffen, English
Gilded Chains: Global Economies and Gendered Arts in US Fiction, 1865-1930 , Heather Wayne, English
“ÆTHELTHRYTH”: SHAPING A RELIGIOUS WOMAN IN TENTH-CENTURY WINCHESTER , Victoria Kent Worth, English
Dissertations from 2018 2018
Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture , Eli W. Bromberg, English
Rhetorical Investments: Writing, Technology, and the Emerging Logics of the Public Sphere , Dan Ehrenfeld, English
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CIVIC DOMESTICITY: RHETORIC, WOMEN, AND SPACE AT HULL HOUSE, 1889-1910 , Liane Malinowski, English
Charting the Terrain of Latina/o/x Theater in Chicago , Priscilla M. Page, English
The Politics of Feeling and the Work of Belonging in US Immigrant Fiction 1990 - 2015 , Lauren Silber, English
Turning Inside Out: Reading and Writing Godly Identity in Seventeenth-Century Narratives of Spiritual Experience , Meghan Conine Swavely, English
Dissertations from 2017 2017
Tragicomic Transpositions: The Influence of Spanish Prose Romance on the Development of Early Modern English Tragicomedy , Josefina Hardman, English
“The Blackness of Blackness”: Meta-Black Identity in 20th/21st Century African American Culture , Casey Hayman, English
Waiting for Now: Postcolonial Fiction and Colonial Time , Amanda Ruth Waugh Lagji, English
Latina Identities, Critical Literacies, and Academic Achievement in Community College , Morgan Lynn, English
Demanding Spaces: 1970s U.S. Women's Novels as Sites of Struggle , Kate Marantz, English
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Dialogue and "Dialect": Character Speech in American Fiction , Carly Overfelt, English
Materializing Transfer: Writing Dispositions in a Culture of Standardized Testing , Lisha Daniels Storey, English
Theatres of War: Performing Queer Nationalism in Modernist Narratives , Elise Swinford, English
Dissertations from 2016 2016
Multimodal Assessment in Action: What We Really Value in New Media Texts , Kathleen M. Baldwin, English
Addictive Reading: Nineteenth-Century Drug Literature's Possible Worlds , Adam Colman, English
"The Book Can't Teach You That": A Case Study of Place, Writing, and Tutors' Constructions of Writing Center Work , Christopher Joseph DiBiase, English
Protest Lyrics at Work: Labor Resistance Poetry of Depression-Era Autoworkers , Rebecca S. Griffin, English
From What Remains: The Politics of Aesthetic Mourning and the Poetics of Loss in Contemporary African American Culture , Kajsa K. Henry, English
Minor Subjects in America: Everyday Childhoods of the Long Nineteenth Century , Gina M. Ocasion, English
Enduring Affective Rhetorics: Transnational Feminist Action in Digital Spaces , Jessica Ouellette, English
The School Desk and the Writing Body , Marni M. Presnall, English
Sustainable Public Intellectualism: The Rhetorics of Student Scientist-Activists , Jesse Priest, English
Prosthetizing the Soul: Reading, Seeing, and Feeling in Seventeenth-Century Devotion , Katey E. Roden, English
Dissertations from 2015 2015
“As Child in Time”: Childhood, Temporality, and 19th Century U.S. Literary Imaginings of Democracy , Marissa Carrere, English
A National Style: A Critical Historiography of the Irish Short Story , Andrew Fox, English
Homosexuality is a Poem: How Gay Poets Remodeled the Lyric, Community and the Ideology of Sex to Theorize a Gay Poetic , Christopher M. Hennessy, English
Affecting Manhood: Masculinity, Effeminacy, and the Fop Figure in Early Modern English Drama , Jessica Landis, English
Who Do You Think You Are?: Recovering the Self in the Working Class Escape Narrative , Christine M. Maksimowicz, English
Metabolizing Capital: Writing, Information, and the Biophysical World , Christian J. Pulver, English
Audible Voice in Context , Airlie S. Rose, English
The Role of Online Reading and Writing in the Literacy Practices of First-Year Writing Students , Casey Burton Soto, English
Dissertations from 2014 2014
RESURRECTION: REPRESENTATIONS OF THE BLACK CHURCH IN CONTEMPORARY POPULAR CULTURE , Rachel J. Daniel, English
Seeing Blindness: The Visual and the Great War in Literary Modernism , Rachael Dworsky, English
HERE, THERE, AND IN BETWEEN: TRAVEL AS METAPHOR IN MIXED RACE NARRATIVES OF THE HARLEM RENAISSANCE , Colin Enriquez, English
Interactive Audience and the Internet , John R. Gallagher, English
Down from the Mountain and into the Mill: Literacy Sponsorship and Southern Appalachian Women in the New South , Emma M. Howes, English
Transnational Gestures: Rethinking Trauma in U.S. War Fiction , Ruth A.H. Lahti, English
"A More Natural Mother": Concepts of Maternity and Queenship in Early Modern England , Anne-Marie Kathleen Strohman, English
Dissertations from 2013 2013
Letters to a Dictionary: Competing Views of Language in the Reception of Webster's Third New International Dictionary , Anne Pence Bello, English
Staging the Depression: The Federal Theatre Project's Dramas of Poverty, 1935-1939 , Amy Brady, English
Our Story Has Not Been Told in any Moment: Radical Black Feminist Theatre From The Old Left to Black Power , Julie M Burrell, English
Writing for Social Action: Affect, Activism, and the Composition Classroom , Sarah Finn, English
Surviving Domestic Tensions: Existential Uncertainty in New World African Diasporic Women's Literature , Denia M Fraser, English
From Feathers to Fur: Theatrical Representations of Skin in the Medieval English Cycle Plays , Valerie Anne Gramling, English
The Reflexive Scaffold: Metatheatricality, Genre, and Cultural Performance in English Renaissance Drama , Nathaniel C. Leonard, English
The World Inscribed: Literary Form, Travel, and the Book in England, 1580-1660 , Philip S Palmer, English
Shakespearean Signifiers , Marie H Roche, English
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Home > ARTSSCI > English > dissertations
English Dissertations and Theses
The English Department Dissertations and Theses Series is comprised of dissertations and thesis authored by Marquette University's English Department doctoral and master's students.
Theses/Dissertations from 2023 2023
Lifting the Postmodern Veil: Cosmopolitanism, Humanism, and Decolonization in Global Fictions of the 21st Century , Matthew Burchanoski
Gothic Transformations and Remediations in Cheap Nineteenth-Century Fiction , Wendy Fall
Milton’s Learning: Complementarity and Difference in Paradise Lost , Peter Spaulding
“The Development of the Conceptive Plot Through Early 19th-Century English Novels” , Jannea R. Thomason
Theses/Dissertations from 2022 2022
Gonzo Eternal , John Francis Brick
Intertextuality and Sociopolitical Engagement in Contemporary Anglophone Women’s Writing , Jackielee Derks
Innovation, Genre, and Authenticity in the Nineteenth-Century Irish Novel , David Aiden Kenney II
Reluctant Sons: The Irish Matrilineal Tradition of Oscar Wilde, James Joyce, and Flann O’Brien , Jessie Wirkus Haynes
Britain's Extraterrestrial Empire: Colonial Ambition, Anxiety, and Ambivalence in Early Modern Literature , Mark Edward Wisniewski
Theses/Dissertations from 2021 2021
Re-Reading the “Culture Clash”: Alternative Ways of Reading in Indian Horse , Hailey Whetten
Theses/Dissertations from 2020 2020
When the Foreign Became Familiar: Modernism, Expatriation, and Spatial Identities in the Twentieth Century , Danielle Kristene Clapham
Reforming Victorian Sense/Abilities: Disabilities in Elizabeth Gaskell’s Social Problem Novels , Hunter Nicole Duncan
Genre and Loss: The Impossibility of Restoration in 20th Century Detective Fiction , Kathryn Hendrickson
A Productive Failure: Existentialism in Fin de Siècle England , Maxwell Patchet
Inquiry and Provocation: The Use of Ambiguity in Sixteenth-Century English Political Satire , Jason James Zirbel
Theses/Dissertations from 2019 2019
No Home but the World: Forced Migration and Transnational Identity , Justice Hagan
The City As a Trap: 20th and 21st Century American Literature and the American Myth of Mobility , Andrew Joseph Hoffmann
The Fantastic and the First World War , Brian Kenna
Insane in the Brain, Blood, and Lungs: Gender-Specific Manifestations of Hysteria, Chlorosis, & Consumption in 19th-Century Literature , Anna P. Scanlon
Reading Multicultural Novels Melancholically: Racial Grief and Grievance in the Joy Luck Club, Beloved, and Anil's Ghost , Jennifer Arias Sweeney
Theses/Dissertations from 2018 2018
The Ethos of Dissent: Epideictic Rhetoric and the Democratic Function of American Protest and Countercultural Literature , Jeffrey Lorino Jr
Literary Cosmopolitanisms of Salman Rushdie, Amitav Ghosh, and Arundhati Roy , Sunil Samuel Macwan
The View from Here: Toward a Sissy Critique , Tyler Monson
The Forbidden Zone Writers: Femininity and Anglophone Women War Writers of the Great War , Sareene Proodian
Theatrical Weddings and Pious Frauds: Performance and Law in Victorian Marriage Plots , Adrianne A. Wojcik
Theses/Dissertations from 2016 2016
Changing the Victorian Habit Loop: The Body in the Poetry and Painting of Dante Gabriel Rossetti and William Morris , Bryan Gast
Gendering Scientific Discourse from 1790-1830: Erasmus Darwin, Thomas Beddoes, Maria Edgeworth, and Jane Marcet , Bridget E. Kapler
Discarding Dreams and Legends: The Short Fiction of Elizabeth Madox Roberts, Flannery O’Connor, Katherine Anne Porter, and Eudora Welty , Katy L. Leedy
Theses/Dissertations from 2015 2015
Saving the Grotesque: The Grotesque System of Liberation in British Modernism (1922-1932) , Matthew Henningsen
The Pulpit's Muse: Conversive Poetics in the American Renaissance , Michael William Keller
A Single Man of Good Fortune: Postmodern Identities and Consumerism in the New Novel of Manners , Bonnie McLean
Julian of Norwich: Voicing the Vernacular , Therese Elaine Novotny
Theses/Dissertations from 2014 2014
Homecomings: Victorian British Women Travel Writers And Revisions Of Domesticity , Emily Paige Blaser
From Pastorals to Paterson: Ecology in the Poetry and Poetics of William Carlos WIlliams , Daniel Edmund Burke
Argument in Poetry: (Re)Defining the Middle English Debate in Academic, Popular, and Physical Contexts , Kathleen R. Burt
Apocalyptic Mentalities in Late-Medieval England , Steven A. Hackbarth
The Creation of Heaven in the Middle Ages , William Storm
(re)making The Gentleman: Genteel Masculinities And The Country Estate In The Novels Of Charlotte Smith, Jane Austen, And Elizabeth Gaskell , Shaunna Kay Wilkinson
Theses/Dissertations from 2013 2013
Brides, Department Stores, Westerns, and Scrapbooks--The Everyday Lives of Teenage Girls in the 1940s , Carly Anger
Placed People: Rootedness in G. K. Chesterton, C. S. Lewis, and Wendell Berry , David Harden
Rhetorics Of Girlhood Trauma In Writing By Holly Goddard Jones, Joyce Carol Oates, Sandra Cisneros, And Jamaica Kincaid , Stephanie Marie Stella
Theses/Dissertations from 2012 2012
A Victorian Christmas in Hell: Yuletide Ghosts and Necessary Pleasures in the Age of Capital , Brandon Chitwood
"Be-Holde the First Acte of this Tragedy" : Generic Symbiosis and Cross-Pollination in Jacobean Drama and the Early Modern Prose Novella , Karen Ann Zyck Galbraith
Pamela: Or, Virtue Reworded: The Texts, Paratexts, and Revisions that Redefine Samuel Richardson's Pamela , Jarrod Hurlbert
Violence and Masculinity in American Fiction, 1950-1975 , Magdalen McKinley
Gender Politics in the Novels of Eliza Haywood , Susan Muse
Destabilizing Tradition: Gender, Sexuality, and Postnational Identity in Four Novels by Irish Women, 1960-2000 , Sarah Nestor
Truth Telling: Testimony and Evidence in the Novels of Elizabeth Gaskell , Rebecca Parker Fedewa
Spirit of the Psyche: Carl Jung's and Victor White's Influence on Flannery O'Connor's Fiction , Paul Wakeman
Theses/Dissertations from 2011 2011
Performing the Audience: Constructing Playgoing in Early Modern Drama , Eric Dunnum
Paule Marshall's Critique of Contemporary Neo-Imperialisms Through the Trope of Travel , Michelle Miesen Felix
Hermeneutics, Poetry, and Spenser: Augustinian Exegesis and the Renaissance Epic , Denna Iammarino-Falhamer
Encompassing the Intolerable: Laughter, Memory, and Inscription in the Fiction of John McGahern , John Keegan Malloy
Regional Consciousness in American Literature, 1860-1930 , Kelsey Louise Squire
The Ethics of Ekphrasis: The Turn to Responsible Rhetoric in Mid-Twentieth Century American Poetry , Joshua Scott Steffey
Theses/Dissertations from 2010 2010
Cognitive Architectures: Structures of Passion in Joanna Baillie's Dramas , Daniel James Bergen
On Trial: Restorative Justice in the Godwin-Wollstonecraft-Shelley Family Fictions , Colleen M. Fenno
Theses/Dissertations from 2009 2009
What's the point to eschatology : multiple religions and terminality in James Joyce's Finnegans wake , Martin R. Brick
Economizing Characters: Harriet Martineau and the Problems of Poverty in Victorian Literature, Culture and Law , Mary Colleen Willenbring
Submissions from 2008 2008
"An improbable fiction": The marriage of history and romance in Shakespeare's Henriad , Marcia Eppich-Harris
Bearing the Mark of the Social: Notes Towards a Cosmopolitan Bildungsroman , Megan M. Muthupandiyan
The Gothic Novel and the Invention of the Middle-Class Reader: Northanger Abbey As Case Study , Tenille Nowak
Not Just a Novel of Epic Proportions: Ralph Ellison's Invisible Man As Modern American Epic , Dana Edwards Prodoehl
Recovering the Radicals: Women Writers, Reform, and Nationalist Modes of Revolutionary Discourse , Mark J. Zunac
Theses/Dissertations from 2007 2007
"The Sweet and the Bitter": Death and Dying in J.R.R. Tolkien's The Lord of the Rings , Amy M. Amendt-Raduege
The Games Men Play: Madness and Masculinity in Post-World War II American Fiction, 1946-1964 , Thomas P. Durkin
Denise Levertov: Through An Ecofeminist Lens , Katherine A. Hanson
The Wit of Wrestling: Devotional-Aesthetic Tradition in Christina Rossetti's Poetry , Maria M.E. Keaton
Genderless Bodies: Stigma and the Myth of Womanhood , Ellen M. Letizia
Envy and Jealousy in the Novels of the Brontës: A Synoptic Discernment , Margaret Ann McCann
Technologies of the Late Medieval Self: Ineffability, Distance, and Subjectivity in the Book of Margery Kempe , Crystal L. Mueller
"Finding-- a Map-- to That Place Called Home": The Journey from Silence to Recovery in Patrick McCabe's Carn and Breakfast on Pluto , Valerie A. Murrenus Pilmaier
Emily Dickinson's Ecocentric Pastoralism , Moon-ju Shin
The American Jeremiad in Civil War Literature , Jacob Hadley Stratman
Theses/Dissertations from 2006 2006
Literary Art in Times of Crisis: The Proto-Totalitarian Anxiety of Melville, James, and Twain , Matthew J. Darling
(Re) Writing Genre: Narrative Conventions and Race in the Novels of Toni Morrison , Jennifer Lee Jordan Heinert
"Amsolookly Kersse": Clothing in Finnegan's Wake , Catherine Simpson Kalish
"Do Your Will": Shakespeare's Use of the Rhetoric of Seduction in Four Plays , Jason James Nado
Woman in Emblem: Locating Authority in the Work and Identity of Katherine Philips (1632-1664) , Susan L. Stafinbil
When the Bough Breaks: Poetry on Abortion , Wendy A. Weaver
Theses/Dissertations from 2005 2005
Heroic Destruction: Shame and Guilt Cultures in Medieval Heroic Poetry , Karl E. Boehler
Poe and Early (Un)American Drama , Amy C. Branam
Grammars of Assent: Constructing Poetic Authority in An Age of Science , William Myles Carroll III
This Place is Not a Place: The Constructed Scene in the Works of Sir Walter Scott , Colin J. Marlaire
Cognitive Narratology: A Practical Approach to the Reader-Writer Relationship , Debra Ann Ripley
Theses/Dissertations from 2004 2004
Defoe and the Pirates: Function of Genre Conventions in Raiding Narratives , William J. Dezoma
Creative Discourse in the Eighteenth-Century Courtship Novel , Michelle Ruggaber Dougherty
Exclusionary Politics: Mourning and Modernism in the Works of Elizabeth Barrett Browning, Amy Levy, and Charlotte Mew , Donna Decker Schuster
Theses/Dissertations from 2003 2003
Toward a Re-Formed Confession: Johann Gerhard's Sacred Meditations and "Repining Restlessnesse" in the Poetry of George Herbert , Erik P. Ankerberg
Idiographic Spaces: Representation, Ideology and Realism in the Postmodern British Novel , Gordon B. McConnell
Theses/Dissertations from 2002 2002
Reading into It: Wallace Stegner's Novelistic Sense of Time and Place , Colin C. Irvine
Brisbane and Beyond: Revising Social Capitalism in Mid-Nineteenth-Century America , Michael C. Mattek
Theses/Dissertations from 2001 2001
Christians and Mimics in W. B. Yeats' Collected Poems , Patrick Mulrooney
Renaissance Roles and the Process of Social Change , John Wieland
'Straunge Disguize': Allegory and Its Discontents in Spenser's Faerie Queene , Galina Ivanovna Yermolenko
Theses/Dissertations from 2000 2000
Reading American Women's Autobiography: Spheres of Identity, Spheres of Influence , Amy C. Getty
"Making Strange": The Art and Science of Selfhood in the Works of John Banville , Heather Maureen Moran
Writing Guadalupe: Mediacion and (mis)translation in borderland text(o)s , Jenny T Olin-Shanahan
Writing Guadalupe: Mediacion and (Mis)Translation in Borderland Text(o)s , Jenny T. Olin-Shanahan
Theses/Dissertations from 1999 1999
Setting the Word Against the Word: The Search for Self-Understanding in Richard II , Richard J. Erable
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Prize-Winning Thesis and Dissertation Examples. Published on September 9, 2022 by Tegan George.Revised on July 18, 2023. It can be difficult to know where to start when writing your thesis or dissertation.One way to come up with some ideas or maybe even combat writer's block is to check out previous work done by other students on a similar thesis or dissertation topic to yours.
Strong Thesis Statement Examples. 1. School Uniforms. "Mandatory school uniforms should be implemented in educational institutions as they promote a sense of equality, reduce distractions, and foster a focused and professional learning environment.". Best For: Argumentative Essay or Debate. Read More: School Uniforms Pros and Cons.
What that means is that you can't just put any statement of fact and have it be your thesis. For example, everyone knows that puppies are cute. An ineffective thesis statement would be, "Puppies are adorable and everyone knows it." This isn't really something that's a debatable topic. Something that would be more debatable would be, "A puppy's ...
What your thesis statement includes is determined by three things: 1. The subject and topic of the essay. 2. The purpose of the essay. 3. The length of the essay. Let's examine each of those in more detail to see how they can help us refine our thesis statement.
It is a brief statement of your paper's main argument. Essentially, you are stating what you will be writing about. Organize your papers in one place. Try Paperpile. No credit card needed. Get 30 days free. You can see your thesis statement as an answer to a question. While it also contains the question, it should really give an answer to the ...
A thesis statement: tells the reader how you will interpret the significance of the subject matter under discussion. is a road map for the paper; in other words, it tells the reader what to expect from the rest of the paper. directly answers the question asked of you. A thesis is an interpretation of a question or subject, not the subject itself.
Thesis. Your thesis is the central claim in your essay—your main insight or idea about your source or topic. Your thesis should appear early in an academic essay, followed by a logically constructed argument that supports this central claim. A strong thesis is arguable, which means a thoughtful reader could disagree with it and therefore ...
A good thesis has two parts. It should tell what you plan to argue, and it should "telegraph" how you plan to argue—that is, what particular support for your claim is going where in your essay. Steps in Constructing a Thesis. First, analyze your primary sources. Look for tension, interest, ambiguity, controversy, and/or complication.
Schools should start at a later time of day. Inspired by this sample essay about school start times. Beginning the school day at a later time would stabilize students' sleep patterns, improve students' moods, and increase students' academic success. #15. Schools should distribute birth control to teens.
Tips for Writing Your Thesis Statement. 1. Determine what kind of paper you are writing: An analytical paper breaks down an issue or an idea into its component parts, evaluates the issue or idea, and presents this breakdown and evaluation to the audience.; An expository (explanatory) paper explains something to the audience.; An argumentative paper makes a claim about a topic and justifies ...
The second step to writing an essay or a research paper is to create a thesis statement, or the main idea. What is a thesis statement? According to Dictionary.com, thesis statement is defined as a short statement, usually one sentence, that summarizes the main point or claim of an essay, research paper, etc., and is developed, supported, and explained in the text by means of examples and evidence.
Learn how to write a successful thesis statement in Part 1 of our Essay Writing Guide. Read this 2022 update of our popular guide.
In conclusion, the argumentative thesis statement is the heart and soul of your persuasive composition.It shapes the theme, sets the tone, and guides the exploration of your chosen subject. Through careful consideration of your topic, audience, and the cause-and-effect relationships at play, you can draft a compelling and impactful thesis statement that forms the backbone of your argument.
Theses/Dissertations from 2018. Beauty and the Beasts: Making Places with Literary Animals of Florida, Haili A. Alcorn. The Medievalizing Process: Religious Medievalism in Romantic and Victorian Literature, Timothy M. Curran. Seeing Trauma: The Known and the Hidden in Nineteenth-Century Literature, Alisa M. DeBorde.
One way I find helpful to explain literary thesis statements is through a "formula": Thesis statement = Observation + Analysis + Significance. Observation: usually regarding the form or structure of the literature. This can be a pattern, like recurring literary devices. For example, "I noticed the poems of Rumi, Hafiz, and Kabir all use symbols ...
Dissertations from 2022. Writing the Aftermath: Uncanny Spaces of the Postcolonial, Sohini Banerjee, English. Science Fiction's Enactment of the Encouragement, Process, and End Result of Revolutionary Transformation, Katharine Blanchard, English. LITERARY NEGATION AND MATERIALISM IN CHAUCER, Michelle Brooks, English.
Theses/Dissertations from 2018. PDF. The Ethos of Dissent: Epideictic Rhetoric and the Democratic Function of American Protest and Countercultural Literature, Jeffrey Lorino Jr. PDF. Literary Cosmopolitanisms of Salman Rushdie, Amitav Ghosh, and Arundhati Roy, Sunil Samuel Macwan. PDF.
Recent PhD Dissertations. Terekhov, Jessica (September 2022) -- "On Wit in Relation to Self-Division". Selinger, Liora (September 2022) -- "Romanticism, Childhood, and the Poetics of Explanation". Lockhart, Isabel (September 2022) -- "Storytelling and the Subsurface: Indigenous Fiction, Extraction, and the Energetic Present".
Thesis Due Date: April 16, 2024, at 12:00 p.m. EST Submission: For AY 2023-2024, the department is requiring a hardcover bound copy and an electronic copy of your thesis. Both the hardcover bound copy must be dropped off to the English Department office (22 McCosh Hall) and an electronic submission is due to the Senior Thesis Drop Box Folder by ...
This example guides you through the structure of an essay. It shows how to build an effective introduction, focused paragraphs, clear transitions between ideas, and a strong conclusion. Each paragraph addresses a single central point, introduced by a topic sentence, and each point is directly related to the thesis statement.