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A comprehensive guide to crafting a successful comparison essay.

Comparison essays are a common assignment in academic settings, requiring students to analyze and contrast two or more subjects, concepts, or ideas. Writing a comparison essay can be challenging, but with the right approach and guidance, you can craft a compelling and informative piece of writing.

In this comprehensive guide, we will provide you with valuable tips and examples to help you master the art of comparison essay writing. Whether you’re comparing two literary works, historical events, scientific theories, or any other topics, this guide will equip you with the tools and strategies needed to create a well-structured and persuasive essay.

From choosing a suitable topic and developing a strong thesis statement to organizing your arguments and incorporating effective evidence, this guide will walk you through each step of the writing process. By following the advice and examples provided here, you’ll be able to produce a top-notch comparison essay that showcases your analytical skills and critical thinking abilities.

Understanding the Basics

Before diving into writing a comparison essay, it’s essential to understand the basics of comparison writing. A comparison essay, also known as a comparative essay, requires you to analyze two or more subjects by highlighting their similarities and differences. This type of essay aims to show how these subjects are similar or different in various aspects.

When writing a comparison essay, you should have a clear thesis statement that identifies the subjects you are comparing and the main points of comparison. It’s essential to structure your essay effectively by organizing your ideas logically. You can use different methods of organization, such as the block method or point-by-point method, to present your comparisons.

Additionally, make sure to include evidence and examples to support your comparisons. Use specific details and examples to strengthen your arguments and clarify the similarities and differences between the subjects. Lastly, remember to provide a strong conclusion that summarizes your main points and reinforces the significance of your comparison.

Choosing a Topic for Comparison Essay

When selecting a topic for your comparison essay, it’s essential to choose two subjects that have some similarities and differences to explore. You can compare two books, two movies, two historical figures, two theories, or any other pair of related subjects.

Consider selecting topics that interest you or that you are familiar with to make the writing process more engaging and manageable. Additionally, ensure that the subjects you choose are suitable for comparison and have enough material for analysis.

It’s also helpful to brainstorm ideas and create a list of potential topics before making a final decision. Once you have a few options in mind, evaluate them based on the relevance of the comparison, the availability of credible sources, and your own interest in the subjects.

Remember that a well-chosen topic is one of the keys to writing a successful comparison essay, so take your time to select subjects that will allow you to explore meaningful connections and differences in a compelling way.

Finding the Right Pairing

When writing a comparison essay, it’s crucial to find the right pairing of subjects to compare. Choose subjects that have enough similarities and differences to make a meaningful comparison. Consider the audience and purpose of your essay to determine what pairing will be most effective.

Look for subjects that you are passionate about or have a deep understanding of. This will make the writing process easier and more engaging. Additionally, consider choosing subjects that are relevant and timely, as this will make your essay more interesting to readers.

Don’t be afraid to think outside the box when finding the right pairing. Sometimes unexpected combinations can lead to the most compelling comparisons. Conduct thorough research on both subjects to ensure you have enough material to work with and present a balanced comparison.

Structuring Your Comparison Essay

When writing a comparison essay, it is essential to organize your ideas in a clear and logical manner. One effective way to structure your essay is to use a point-by-point comparison or a block comparison format.

Whichever format you choose, make sure to introduce your subjects, present your points of comparison, provide evidence or examples to support your comparisons, and conclude by summarizing the main points and highlighting the significance of your comparison.

Creating a Clear Outline

Before you start writing your comparison essay, it’s essential to create a clear outline. An outline serves as a roadmap that helps you stay organized and focused throughout the writing process. Here are some steps to create an effective outline:

1. Identify the subjects of comparison: Start by determining the two subjects you will be comparing in your essay. Make sure they have enough similarities and differences to make a meaningful comparison.

2. Brainstorm key points: Once you have chosen the subjects, brainstorm the key points you want to compare and contrast. These could include characteristics, features, themes, or arguments related to each subject.

3. Organize your points: Arrange your key points in a logical order. You can choose to compare similar points side by side or alternate between the two subjects to highlight differences.

4. Develop a thesis statement: Based on your key points, develop a clear thesis statement that states the main purpose of your comparison essay. This statement should guide the rest of your writing and provide a clear direction for your argument.

5. Create a structure: Divide your essay into introduction, body paragraphs, and conclusion. Each section should serve a specific purpose and contribute to the overall coherence of your essay.

By creating a clear outline, you can ensure that your comparison essay flows smoothly and effectively communicates your ideas to the reader.

Engaging the Reader

When writing a comparison essay, it is crucial to engage the reader right from the beginning. You want to hook their attention and make them want to keep reading. Here are some tips to engage your reader:

Start with a strong opening statement or question that entices the reader to continue reading.
Use vivid language and descriptive imagery to paint a clear picture in the reader’s mind.
Provide interesting facts or statistics that pique the reader’s curiosity.
Create a compelling thesis statement that outlines the purpose of your comparison essay.

By engaging the reader from the start, you set the stage for a successful and impactful comparison essay that keeps the reader engaged until the very end.

Point-by-Point vs Block Method

When writing a comparison essay, you have two main options for structuring your content: the point-by-point method and the block method. Each method has its own advantages and may be more suitable depending on the type of comparison you are making.

Point-by-Point Method: This method involves discussing one point of comparison at a time between the two subjects. You will go back and forth between the subjects, highlighting similarities and differences for each point. This method allows for a more detailed and nuanced analysis of the subjects.
Block Method: In contrast, the block method involves discussing all the points related to one subject first, followed by all the points related to the second subject. This method provides a more straightforward and organized comparison but may not delve as deeply into the individual points of comparison.

Ultimately, the choice between the point-by-point and block methods depends on the complexity of your comparison and the level of detail you want to explore. Experiment with both methods to see which one best suits your writing style and the specific requirements of your comparison essay.

Selecting the Best Approach

When it comes to writing a comparison essay, selecting the best approach is crucial to ensure a successful and effective comparison. There are several approaches you can take when comparing two subjects, including the block method and the point-by-point method.

The block method: This approach involves discussing all the similarities and differences of one subject first, followed by a thorough discussion of the second subject. This method is useful when the two subjects being compared are quite different or when the reader may not be familiar with one of the subjects.

The point-by-point method: This approach involves alternating between discussing the similarities and differences of the two subjects in each paragraph. This method allows for a more in-depth comparison of specific points and is often preferred when the two subjects have many similarities and differences.

Before selecting an approach, consider the nature of the subjects being compared and the purpose of your comparison essay. Choose the approach that will best serve your purpose and allow for a clear, organized, and engaging comparison.

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Comparative Essay

How to Write a Comparative Essay – A Complete Guide

10 min read

What is a Comparative Essay?

A comparative essay is a type of essay in which an essay writer compares at least two or more items. The author compares two subjects with the same relation in terms of similarities and differences depending on the assignment.

The main purpose of the comparative essay is to:

Highlight the similarities and differences in a systematic manner.
Provide great clarity of the subject to the readers.
Analyze two things and describe their advantages and drawbacks.

A comparative essay is also known as compare and contrast essay or a comparison essay. It analyzes two subjects by either comparing them, contrasting them, or both. The Venn diagram is the best tool for writing a paper about the comparison between two subjects.

Moreover, a comparative analysis essay discusses the similarities and differences of themes, items, events, views, places, concepts, etc. For example, you can compare two different novels (e.g., The Adventures of Huckleberry Finn and The Red Badge of Courage).

However, a comparative essay is not limited to specific topics. It covers almost every topic or subject with some relation.

Comparative Essay Structure

A good comparative essay is based on how well you structure your essay. It helps the reader to understand your essay better.

The structure is more important than what you write. This is because it is necessary to organize your essay so that the reader can easily go through the comparisons made in an essay.

The following are the two main methods in which you can organize your comparative essay.

Point-by-Point Method

The point-by-point or alternating method provides a detailed overview of the items that you are comparing. In this method, organize items in terms of similarities and differences.

This method makes the writing phase easy for the writer to handle two completely different essay subjects. It is highly recommended where some depth and detail are required.

Below given is the structure of the point-by-point method.

Block Method

The block method is the easiest as compared to the point-by-point method. In this method, you divide the information in terms of parameters. It means that the first paragraph compares the first subject and all their items, then the second one compares the second, and so on.

However, make sure that you write the subject in the same order. This method is best for lengthy essays and complicated subjects.

Here is the structure of the block method.

Therefore, keep these methods in mind and choose the one according to the chosen subject.

Mixed Paragraphs Method

In this method, one paragraph explains one aspect of the subject. As a writer, you will handle one point at a time and one by one. This method is quite beneficial as it allows you to give equal weightage to each subject and help the readers identify the point of comparison easily.

How to Start a Comparative Essay?

Here, we have gathered some steps that you should follow to start a well-written comparative essay.

Choose a Topic

The foremost step in writing a comparative essay is to choose a suitable topic.

Choose a topic or theme that is interesting to write about and appeals to the reader.

An interesting essay topic motivates the reader to know about the subject. Also, try to avoid complicated topics for your comparative essay.

Develop a List of Similarities and Differences

Create a list of similarities and differences between two subjects that you want to include in the essay. Moreover, this list helps you decide the basis of your comparison by constructing your initial plan.

Evaluate the list and establish your argument and thesis statement .

Establish the Basis for Comparison

The basis for comparison is the ground for you to compare the subjects. In most cases, it is assigned to you, so check your assignment or prompt.

Furthermore, the main goal of the comparison essay is to inform the reader of something interesting. It means that your subject must be unique to make your argument interesting.

Do the Research

In this step, you have to gather information for your subject. If your comparative essay is about social issues, historical events, or science-related topics, you must do in-depth research.

However, make sure that you gather data from credible sources and cite them properly in the essay.

Create an Outline

An essay outline serves as a roadmap for your essay, organizing key elements into a structured format.

With your topic, list of comparisons, basis for comparison, and research in hand, the next step is to create a comprehensive outline.

Here is a standard comparative essay outline:

How to Write a Comparative Essay?

Now that you have the basic information organized in an outline, you can get started on the writing process.

Here are the essential parts of a comparative essay:

Comparative Essay Introduction

Start off by grabbing your reader's attention in the introduction . Use something catchy, like a quote, question, or interesting fact about your subjects.

Then, give a quick background so your reader knows what's going on.

The most important part is your thesis statement, where you state the main argument , the basis for comparison, and why the comparison is significant.

This is what a typical thesis statement for a comparative essay looks like:

Comparative Essay Body Paragraphs

The body paragraphs are where you really get into the details of your subjects. Each paragraph should focus on one thing you're comparing.

Start by talking about the first point of comparison. Then, go on to the next points. Make sure to talk about two to three differences to give a good picture.

After that, switch gears and talk about the things they have in common. Just like you discussed three differences, try to cover three similarities.

This way, your essay stays balanced and fair. This approach helps your reader understand both the ways your subjects are different and the ways they are similar. Keep it simple and clear for a strong essay.

Comparative Essay Conclusion

In your conclusion , bring together the key insights from your analysis to create a strong and impactful closing.

Consider the broader context or implications of the subjects' differences and similarities. What do these insights reveal about the broader themes or ideas you're exploring?

Discuss the broader implications of these findings and restate your thesis. Avoid introducing new information and end with a thought-provoking statement that leaves a lasting impression.

Below is the detailed comparative essay template format for you to understand better.

Comparative Essay Format

Comparative Essay Examples

Have a look at these comparative essay examples pdf to get an idea of the perfect essay.

Comparative Essay on Summer and Winter

Comparative Essay on Books vs. Movies

Comparative Essay Sample

Comparative Essay Thesis Example

Comparative Essay on Football vs Cricket

Comparative Essay on Pet and Wild Animals

Comparative Essay Topics

Comparative essay topics are not very difficult or complex. Check this list of essay topics and pick the one that you want to write about.

How do education and employment compare?
Living in a big city or staying in a village.
The school principal or college dean.
New Year vs. Christmas celebration.
Dried Fruit vs. Fresh. Which is better?
Similarities between philosophy and religion.
British colonization and Spanish colonization.
Nuclear power for peace or war?
Bacteria or viruses.
Fast food vs. homemade food.

Tips for Writing A Good Comparative Essay

Writing a compelling comparative essay requires thoughtful consideration and strategic planning. Here are some valuable tips to enhance the quality of your comparative essay:

Clearly define what you're comparing, like themes or characters.
Plan your essay structure using methods like point-by-point or block paragraphs.
Craft an introduction that introduces subjects and states your purpose.
Ensure an equal discussion of both similarities and differences.
Use linking words for seamless transitions between paragraphs.
Gather credible information for depth and authenticity.
Use clear and simple language, avoiding unnecessary jargon.
Dedicate each paragraph to a specific point of comparison.
Summarize key points, restate the thesis, and emphasize significance.
Thoroughly check for clarity, coherence, and correct any errors.

Transition Words For Comparative Essays

Transition words are crucial for guiding your reader through the comparative analysis. They help establish connections between ideas and ensure a smooth flow in your essay.

Here are some transition words and phrases to improve the flow of your comparative essay:

Transition Words for Similarities

Correspondingly
In the same vein
In like manner
In a similar fashion
In tandem with

Transition Words for Differences

On the contrary
In contrast
Nevertheless
In spite of
Notwithstanding
On the flip side
In contradistinction

Check out this blog listing more transition words that you can use to enhance your essay’s coherence!

In conclusion, now that you have the important steps and helpful tips to write a good comparative essay, you can start working on your own essay.

However, if you find it tough to begin, you can always hire our college paper writing service .

Our skilled writers can handle any type of essay or assignment you need. So, don't wait—place your order now and make your academic journey easier!

Frequently Asked Question

How long is a comparative essay.

A comparative essay is 4-5 pages long, but it depends on your chosen idea and topic.

How do you end a comparative essay?

Here are some tips that will help you to end the comparative essay.

Restate the thesis statement
Wrap up the entire essay
Highlight the main points

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Dr. Barbara is a highly experienced writer and author who holds a Ph.D. degree in public health from an Ivy League school. She has worked in the medical field for many years, conducting extensive research on various health topics. Her writing has been featured in several top-tier publications.

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The Comparative Essay

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What is a comparative essay?

A comparative essay asks that you compare at least two (possibly more) items. These items will differ depending on the assignment. You might be asked to compare

positions on an issue (e.g., responses to midwifery in Canada and the United States)
theories (e.g., capitalism and communism)
figures (e.g., GDP in the United States and Britain)
texts (e.g., Shakespeare’s Hamlet and Macbeth )
events (e.g., the Great Depression and the global financial crisis of 2008–9)

Although the assignment may say “compare,” the assumption is that you will consider both the similarities and differences; in other words, you will compare and contrast.

Make sure you know the basis for comparison

The assignment sheet may say exactly what you need to compare, or it may ask you to come up with a basis for comparison yourself.

Provided by the essay question: The essay question may ask that you consider the figure of the gentleman in Charles Dickens’s Great Expectations and Anne Brontë’s The Tenant of Wildfell Hall . The basis for comparison will be the figure of the gentleman.
Developed by you: The question may simply ask that you compare the two novels. If so, you will need to develop a basis for comparison, that is, a theme, concern, or device common to both works from which you can draw similarities and differences.

Develop a list of similarities and differences

Once you know your basis for comparison, think critically about the similarities and differences between the items you are comparing, and compile a list of them.

For example, you might decide that in Great Expectations , being a true gentleman is not a matter of manners or position but morality, whereas in The Tenant of Wildfell Hall , being a true gentleman is not about luxury and self-indulgence but hard work and productivity.

The list you have generated is not yet your outline for the essay, but it should provide you with enough similarities and differences to construct an initial plan.

Develop a thesis based on the relative weight of similarities and differences

Once you have listed similarities and differences, decide whether the similarities on the whole outweigh the differences or vice versa. Create a thesis statement that reflects their relative weights. A more complex thesis will usually include both similarities and differences. Here are examples of the two main cases:

While Callaghan’s “All the Years of Her Life” and Mistry’s “Of White Hairs and Cricket” both follow the conventions of the coming-of-age narrative, Callaghan’s story adheres more closely to these conventions by allowing its central protagonist to mature. In Mistry’s story, by contrast, no real growth occurs.

Although Darwin and Lamarck came to different conclusions about whether acquired traits can be inherited, they shared the key distinction of recognizing that species evolve over time.

Come up with a structure for your essay

Note that the French and Russian revolutions (A and B) may be dissimilar rather than similar in the way they affected innovation in any of the three areas of technology, military strategy, and administration. To use the alternating method, you just need to have something noteworthy to say about both A and B in each area. Finally, you may certainly include more than three pairs of alternating points: allow the subject matter to determine the number of points you choose to develop in the body of your essay.

When do I use the block method? The block method is particularly useful in the following cases:

You are unable to find points about A and B that are closely related to each other.
Your ideas about B build upon or extend your ideas about A.
You are comparing three or more subjects as opposed to the traditional two.

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How to Write a Comparative Essay

Last Updated: May 19, 2023 Fact Checked

This article was co-authored by Christopher Taylor, PhD . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. There are 8 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 1,685,233 times.

Perhaps you have been assigned a comparative essay in class, or need to write a comprehensive comparative report for work. In order to write a stellar comparative essay, you have to start off by picking two subjects that have enough similarities and differences to be compared in a meaningful way, such as two sports teams or two systems of government. Once you have that, then you have to find at least two or three points of comparison and use research, facts, and well-organized paragraphs to impress and captivate your readers. Writing the comparative essay is an important skill that you will use many times throughout your scholastic career.

Comparative Essay Outline and Example

How to Develop the Essay Content

Step 1 Analyze the question or essay prompt carefully.

Many comparative essay assignments will signal their purpose by using words such as "compare," "contrast," "similarities," and "differences" in the language of the prompt.
Also see whether there are any limits placed on your topic.

Step 2 Understand the type of comparison essay you are being asked to write.

The assignment will generally ask guiding questions if you are expected to incorporate comparison as part of a larger assignment. For example: "Choose a particular idea or theme, such as love, beauty, death, or time, and consider how two different Renaissance poets approach this idea." This sentence asks you to compare two poets, but it also asks how the poets approach the point of comparison. In other words, you will need to make an evaluative or analytical argument about those approaches.
If you're unclear on what the essay prompt is asking you to do, talk with your instructor. It's much better to clarify questions up front than discover you've written the entire essay incorrectly.

Step 3 List similarities and differences between the items you are comparing.

The best place to start is to write a list of things that the items you are comparing have in common as well as differences between them. [3] X Research source

Step 4 Evaluate your list to find your argument.

You may want to develop a system such as highlighting different types of similarities in different colors, or use different colours if you are using an electronic device.
For example, if you are comparing two novels, you may want to highlight similarities in characters in pink, settings in blue, and themes or messages in green.

Step 5 Establish the basis for your comparison.

The basis for your comparison may be assigned to you. Be sure to check your assignment or prompt.
A basis for comparison may have to do with a theme, characteristics, or details about two different things. [7] X Research source
A basis for comparison may also be known as the “grounds” for comparison or a frame of reference.
Keep in mind that comparing 2 things that are too similar makes it hard to write an effective paper. The goal of a comparison paper is to draw interesting parallels and help the reader realize something interesting about our world. This means your subjects must be different enough to make your argument interesting.

Step 6 Research your subjects of comparison.

Research may not be required or appropriate for your particular assignment. If your comparative essay is not meant to include research, you should avoid including it.
A comparative essay about historical events, social issues, or science-related topics are more likely to require research, while a comparison of two works of literature are less likely to require research.
Be sure to cite any research data properly according to the discipline in which you are writing (eg, MLA, APA, or Chicago format).

Your thesis needs to make a claim about your subjects that you will then defend in your essay. It's good for this claim to be a bit controversial or up for interpretation, as this allows you to build a good argument.

How to Organize the Content

Use a traditional outline form if you would like to, but even a simple list of bulleted points in the order that you plan to present them would help.
You can also write down your main points on sticky notes (or type them, print them, and then cut them out) so that you can arrange and rearrange them before deciding on a final order.

The advantages of this structure are that it continually keeps the comparison in the mind of the reader and forces you, the writer, to pay equal attention to each side of the argument.
This method is especially recommended for lengthy essays or complicated subjects where both the writer and reader can easily become lost. For Example: Paragraph 1: Engine power of vehicle X / Engine power of vehicle Y Paragraph 2: Stylishness of vehicle X / Stylishness of vehicle Y Paragraph 3: Safety rating of vehicle X / Safety rating of vehicle Y

Step 3 Alternate the subjects in each paragraph.

The advantages of this structure are that it allows you to discuss points in greater detail and makes it less jarring to tackle two topics that radically different.
This method is especially recommended for essays where some depth and detail are required. For example: Paragraph 1: Engine power of vehicle X Paragraph 2: Engine power of vehicle Y Paragraph 3: Stylishness of vehicle X Paragraph 4: Stylishness of vehicle Y Paragraph 5: Safety rating of vehicle X Paragraph 6: Safety rating of vehicle Y

Step 4 Cover one subject at a time thoroughly.

This method is by far the most dangerous, as your comparison can become both one-sided and difficult for the reader to follow.
This method is only recommended for short essays with simplistic subjects that the reader can easily remember as (s)he goes along. For example: Paragraph 1: Engine power of vehicle X Paragraph 2: Stylishness of vehicle X Paragraph 3: Safety rating of vehicle X Paragraph 4: Engine power of vehicle Y Paragraph 5: Stylishness of vehicle Y Paragraph 6: Safety rating of vehicle Y

How to Write the Essay

Body paragraphs first . Work through all that information you've been compiling and see what kind of story it tells you. Only when you've worked with your data will you know what the larger point of the paper is.
Conclusion second . Now that you've done all the heavy lifting, the point of your essay should be fresh in your mind. Strike while the iron’s hot. Start your conclusion with a restatement of your thesis.
Intro last . Open your introduction with a "hook" to grab the reader's attention. Since you've already written your essay, choose a hook that reflects what you will talk about, whether it's a quote, statistic, factoid, rhetorical question, or anecdote. Then, write 1-2 sentences about your topic, narrowing down to your thesis statement, which completes your introduction.

Organize your paragraphs using one of the approaches listed in the "Organizing the Content" part below. Once you have defined your points of comparison, choose the structure for the body paragraphs (where your comparisons go) that makes the most sense for your data. To work out all the organizational kinks, it’s recommended that you write an outline as a placeholder.
Be very careful not to address different aspects of each subject. Comparing the color of one thing to the size of another does nothing to help the reader understand how they stack up. [15] X Research source

Be aware that your various comparisons won’t necessarily lend themselves to an obvious conclusion, especially because people value things differently. If necessary, make the parameters of your argument more specific. (Ex. “Though X is more stylish and powerful, Y’s top safety ratings make it a more appropriate family vehicle .”)
When you have two radically different topics, it sometimes helps to point out one similarity they have before concluding. (i.e. "Although X and Y don't seem to have anything in common, in actuality, they both ....”)

Even the best writers know editing is important to produce a good piece. Your essay will not be your best effort unless you revise it.
If possible, find a friend to look over the essay, as he or she may find problems that you missed.
It sometimes helps to increase or decrease the font size while editing to change the visual layout of the paper. Looking at the same thing for too long makes your brain fill in what it expects instead of what it sees, leaving you more likely to overlook errors.

Expert Q&A

The title and introduction really catch the reader's attention and make them read the essay. Make sure you know how to write a catchy essay title . Thanks Helpful 6 Not Helpful 1
Quotes should be used sparingly and must thoroughly complement the point they are being used to exemplify/justify. Thanks Helpful 5 Not Helpful 2
The key principle to remember in a comparative paragraph or essay is that you must clarify precisely what you are comparing and keep that comparison alive throughout the essay. Thanks Helpful 3 Not Helpful 2

Avoid vague language such as "people," "stuff," "things," etc. Thanks Helpful 4 Not Helpful 0
Avoid, at all costs, the conclusion that the two subjects are "similar, yet different." This commonly found conclusion weakens any comparative essay, because it essentially says nothing about the comparison. Most things are "similar, yet different" in some way. Thanks Helpful 4 Not Helpful 0
Some believe that an "unbalanced" comparison - that is, when the essay focuses predominantly on one of the two issues, and gives less importance to the other - is weaker, and that writers should strive for 50/50 treatment of the texts or issues being examined. Others, however, value emphasis in the essay that reflects the particular demands of the essay's purpose or thesis. One text may simply provide context, or historical/artistic/political reference for the main text, and therefore need not occupy half of the essay's discussion or analysis. A "weak" essay in this context would strive to treat unequal texts equally, rather than strive to appropriately apportion space to the relevant text. Thanks Helpful 3 Not Helpful 0
Beware of the "Frying Pan Conclusion" in which you simply recount everything that was said in the main body of the essay. While your conclusion should include a simple summary of your argument, it should also emphatically state the point in a new and convincing way, one which the reader will remember clearly. If you can see a way forward from a problem or dilemma, include that as well. Thanks Helpful 2 Not Helpful 1

↑ http://writingcenter.unc.edu/handouts/comparing-and-contrasting/
↑ http://www.writing.utoronto.ca/advice/specific-types-of-writing/comparative-essay
↑ https://writingcenter.unc.edu/tips-and-tools/comparing-and-contrasting/
↑ http://writingcenter.fas.harvard.edu/pages/how-write-comparative-analysis
↑ https://www.butte.edu/departments/cas/tipsheets/style_purpose_strategy/compare_contrast.html
↑ https://open.lib.umn.edu/writingforsuccess/chapter/10-7-comparison-and-contrast/
↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/proofreading/steps_for_revising.html
How to Structure Paragraphs in an Essay

About This Article

To write a comparative essay, start by writing an introduction that introduces the 2 subjects you'll be comparing. You should also include your thesis statement in the introduction, which should state what you've concluded based on your comparisons. Next, write the body of your essay so that each paragraph focuses on one point of comparison between your subjects. Finally, write a conclusion that summarizes your main points and draws a larger conclusion about the two things you compared. To learn how to do research for your essay, read on! Did this summary help you? Yes No

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The Writing Center • University of North Carolina at Chapel Hill

Comparing and Contrasting

What this handout is about.

This handout will help you first to determine whether a particular assignment is asking for comparison/contrast and then to generate a list of similarities and differences, decide which similarities and differences to focus on, and organize your paper so that it will be clear and effective. It will also explain how you can (and why you should) develop a thesis that goes beyond “Thing A and Thing B are similar in many ways but different in others.”

Introduction

In your career as a student, you’ll encounter many different kinds of writing assignments, each with its own requirements. One of the most common is the comparison/contrast essay, in which you focus on the ways in which certain things or ideas—usually two of them—are similar to (this is the comparison) and/or different from (this is the contrast) one another. By assigning such essays, your instructors are encouraging you to make connections between texts or ideas, engage in critical thinking, and go beyond mere description or summary to generate interesting analysis: when you reflect on similarities and differences, you gain a deeper understanding of the items you are comparing, their relationship to each other, and what is most important about them.

Recognizing comparison/contrast in assignments

Some assignments use words—like compare, contrast, similarities, and differences—that make it easy for you to see that they are asking you to compare and/or contrast. Here are a few hypothetical examples:

Compare and contrast Frye’s and Bartky’s accounts of oppression.
Compare WWI to WWII, identifying similarities in the causes, development, and outcomes of the wars.
Contrast Wordsworth and Coleridge; what are the major differences in their poetry?

Notice that some topics ask only for comparison, others only for contrast, and others for both.

But it’s not always so easy to tell whether an assignment is asking you to include comparison/contrast. And in some cases, comparison/contrast is only part of the essay—you begin by comparing and/or contrasting two or more things and then use what you’ve learned to construct an argument or evaluation. Consider these examples, noticing the language that is used to ask for the comparison/contrast and whether the comparison/contrast is only one part of a larger assignment:

Choose a particular idea or theme, such as romantic love, death, or nature, and consider how it is treated in two Romantic poems.
How do the different authors we have studied so far define and describe oppression?
Compare Frye’s and Bartky’s accounts of oppression. What does each imply about women’s collusion in their own oppression? Which is more accurate?
In the texts we’ve studied, soldiers who served in different wars offer differing accounts of their experiences and feelings both during and after the fighting. What commonalities are there in these accounts? What factors do you think are responsible for their differences?

You may want to check out our handout on understanding assignments for additional tips.

Using comparison/contrast for all kinds of writing projects

Sometimes you may want to use comparison/contrast techniques in your own pre-writing work to get ideas that you can later use for an argument, even if comparison/contrast isn’t an official requirement for the paper you’re writing. For example, if you wanted to argue that Frye’s account of oppression is better than both de Beauvoir’s and Bartky’s, comparing and contrasting the main arguments of those three authors might help you construct your evaluation—even though the topic may not have asked for comparison/contrast and the lists of similarities and differences you generate may not appear anywhere in the final draft of your paper.

Discovering similarities and differences

Making a Venn diagram or a chart can help you quickly and efficiently compare and contrast two or more things or ideas. To make a Venn diagram, simply draw some overlapping circles, one circle for each item you’re considering. In the central area where they overlap, list the traits the two items have in common. Assign each one of the areas that doesn’t overlap; in those areas, you can list the traits that make the things different. Here’s a very simple example, using two pizza places:

Venn diagram indicating that both Pepper's and Amante serve pizza with unusual ingredients at moderate prices, despite differences in location, wait times, and delivery options

To make a chart, figure out what criteria you want to focus on in comparing the items. Along the left side of the page, list each of the criteria. Across the top, list the names of the items. You should then have a box per item for each criterion; you can fill the boxes in and then survey what you’ve discovered.

Here’s an example, this time using three pizza places:

As you generate points of comparison, consider the purpose and content of the assignment and the focus of the class. What do you think the professor wants you to learn by doing this comparison/contrast? How does it fit with what you have been studying so far and with the other assignments in the course? Are there any clues about what to focus on in the assignment itself?

Here are some general questions about different types of things you might have to compare. These are by no means complete or definitive lists; they’re just here to give you some ideas—you can generate your own questions for these and other types of comparison. You may want to begin by using the questions reporters traditionally ask: Who? What? Where? When? Why? How? If you’re talking about objects, you might also consider general properties like size, shape, color, sound, weight, taste, texture, smell, number, duration, and location.

Two historical periods or events

When did they occur—do you know the date(s) and duration? What happened or changed during each? Why are they significant?
What kinds of work did people do? What kinds of relationships did they have? What did they value?
What kinds of governments were there? Who were important people involved?
What caused events in these periods, and what consequences did they have later on?

Two ideas or theories

What are they about?
Did they originate at some particular time?
Who created them? Who uses or defends them?
What is the central focus, claim, or goal of each? What conclusions do they offer?
How are they applied to situations/people/things/etc.?
Which seems more plausible to you, and why? How broad is their scope?
What kind of evidence is usually offered for them?

Two pieces of writing or art

What are their titles? What do they describe or depict?
What is their tone or mood? What is their form?
Who created them? When were they created? Why do you think they were created as they were? What themes do they address?
Do you think one is of higher quality or greater merit than the other(s)—and if so, why?
For writing: what plot, characterization, setting, theme, tone, and type of narration are used?
Where are they from? How old are they? What is the gender, race, class, etc. of each?
What, if anything, are they known for? Do they have any relationship to each other?
What are they like? What did/do they do? What do they believe? Why are they interesting?
What stands out most about each of them?

Deciding what to focus on

By now you have probably generated a huge list of similarities and differences—congratulations! Next you must decide which of them are interesting, important, and relevant enough to be included in your paper. Ask yourself these questions:

What’s relevant to the assignment?
What’s relevant to the course?
What’s interesting and informative?
What matters to the argument you are going to make?
What’s basic or central (and needs to be mentioned even if obvious)?
Overall, what’s more important—the similarities or the differences?

Suppose that you are writing a paper comparing two novels. For most literature classes, the fact that they both use Caslon type (a kind of typeface, like the fonts you may use in your writing) is not going to be relevant, nor is the fact that one of them has a few illustrations and the other has none; literature classes are more likely to focus on subjects like characterization, plot, setting, the writer’s style and intentions, language, central themes, and so forth. However, if you were writing a paper for a class on typesetting or on how illustrations are used to enhance novels, the typeface and presence or absence of illustrations might be absolutely critical to include in your final paper.

Sometimes a particular point of comparison or contrast might be relevant but not terribly revealing or interesting. For example, if you are writing a paper about Wordsworth’s “Tintern Abbey” and Coleridge’s “Frost at Midnight,” pointing out that they both have nature as a central theme is relevant (comparisons of poetry often talk about themes) but not terribly interesting; your class has probably already had many discussions about the Romantic poets’ fondness for nature. Talking about the different ways nature is depicted or the different aspects of nature that are emphasized might be more interesting and show a more sophisticated understanding of the poems.

Your thesis

The thesis of your comparison/contrast paper is very important: it can help you create a focused argument and give your reader a road map so they don’t get lost in the sea of points you are about to make. As in any paper, you will want to replace vague reports of your general topic (for example, “This paper will compare and contrast two pizza places,” or “Pepper’s and Amante are similar in some ways and different in others,” or “Pepper’s and Amante are similar in many ways, but they have one major difference”) with something more detailed and specific. For example, you might say, “Pepper’s and Amante have similar prices and ingredients, but their atmospheres and willingness to deliver set them apart.”

Be careful, though—although this thesis is fairly specific and does propose a simple argument (that atmosphere and delivery make the two pizza places different), your instructor will often be looking for a bit more analysis. In this case, the obvious question is “So what? Why should anyone care that Pepper’s and Amante are different in this way?” One might also wonder why the writer chose those two particular pizza places to compare—why not Papa John’s, Dominos, or Pizza Hut? Again, thinking about the context the class provides may help you answer such questions and make a stronger argument. Here’s a revision of the thesis mentioned earlier:

Pepper’s and Amante both offer a greater variety of ingredients than other Chapel Hill/Carrboro pizza places (and than any of the national chains), but the funky, lively atmosphere at Pepper’s makes it a better place to give visiting friends and family a taste of local culture.

You may find our handout on constructing thesis statements useful at this stage.

Organizing your paper

There are many different ways to organize a comparison/contrast essay. Here are two:

Subject-by-subject

Begin by saying everything you have to say about the first subject you are discussing, then move on and make all the points you want to make about the second subject (and after that, the third, and so on, if you’re comparing/contrasting more than two things). If the paper is short, you might be able to fit all of your points about each item into a single paragraph, but it’s more likely that you’d have several paragraphs per item. Using our pizza place comparison/contrast as an example, after the introduction, you might have a paragraph about the ingredients available at Pepper’s, a paragraph about its location, and a paragraph about its ambience. Then you’d have three similar paragraphs about Amante, followed by your conclusion.

The danger of this subject-by-subject organization is that your paper will simply be a list of points: a certain number of points (in my example, three) about one subject, then a certain number of points about another. This is usually not what college instructors are looking for in a paper—generally they want you to compare or contrast two or more things very directly, rather than just listing the traits the things have and leaving it up to the reader to reflect on how those traits are similar or different and why those similarities or differences matter. Thus, if you use the subject-by-subject form, you will probably want to have a very strong, analytical thesis and at least one body paragraph that ties all of your different points together.

A subject-by-subject structure can be a logical choice if you are writing what is sometimes called a “lens” comparison, in which you use one subject or item (which isn’t really your main topic) to better understand another item (which is). For example, you might be asked to compare a poem you’ve already covered thoroughly in class with one you are reading on your own. It might make sense to give a brief summary of your main ideas about the first poem (this would be your first subject, the “lens”), and then spend most of your paper discussing how those points are similar to or different from your ideas about the second.

Point-by-point

Rather than addressing things one subject at a time, you may wish to talk about one point of comparison at a time. There are two main ways this might play out, depending on how much you have to say about each of the things you are comparing. If you have just a little, you might, in a single paragraph, discuss how a certain point of comparison/contrast relates to all the items you are discussing. For example, I might describe, in one paragraph, what the prices are like at both Pepper’s and Amante; in the next paragraph, I might compare the ingredients available; in a third, I might contrast the atmospheres of the two restaurants.

If I had a bit more to say about the items I was comparing/contrasting, I might devote a whole paragraph to how each point relates to each item. For example, I might have a whole paragraph about the clientele at Pepper’s, followed by a whole paragraph about the clientele at Amante; then I would move on and do two more paragraphs discussing my next point of comparison/contrast—like the ingredients available at each restaurant.

There are no hard and fast rules about organizing a comparison/contrast paper, of course. Just be sure that your reader can easily tell what’s going on! Be aware, too, of the placement of your different points. If you are writing a comparison/contrast in service of an argument, keep in mind that the last point you make is the one you are leaving your reader with. For example, if I am trying to argue that Amante is better than Pepper’s, I should end with a contrast that leaves Amante sounding good, rather than with a point of comparison that I have to admit makes Pepper’s look better. If you’ve decided that the differences between the items you’re comparing/contrasting are most important, you’ll want to end with the differences—and vice versa, if the similarities seem most important to you.

Our handout on organization can help you write good topic sentences and transitions and make sure that you have a good overall structure in place for your paper.

Cue words and other tips

To help your reader keep track of where you are in the comparison/contrast, you’ll want to be sure that your transitions and topic sentences are especially strong. Your thesis should already have given the reader an idea of the points you’ll be making and the organization you’ll be using, but you can help them out with some extra cues. The following words may be helpful to you in signaling your intentions:

like, similar to, also, unlike, similarly, in the same way, likewise, again, compared to, in contrast, in like manner, contrasted with, on the contrary, however, although, yet, even though, still, but, nevertheless, conversely, at the same time, regardless, despite, while, on the one hand … on the other hand.

For example, you might have a topic sentence like one of these:

Compared to Pepper’s, Amante is quiet.
Like Amante, Pepper’s offers fresh garlic as a topping.
Despite their different locations (downtown Chapel Hill and downtown Carrboro), Pepper’s and Amante are both fairly easy to get to.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Comparative Essays

Writing a comparison usually requires that you assess the similarities and differences between two or more theories, procedures, or processes. You explain to your reader what insights can be gained from the comparison, or judge whether one thing is better than another according to established criteria.

How to Write a Comparative Essay

1. Establish a basis of comparison

A basis of comparison represents the main idea, category, or theme you will investigate. You will have to do some preliminary reading, likely using your course materials, to get an idea of what kind of criteria you will use to assess whatever you are comparing. A basis of comparison must apply to all items you are comparing, but the details will be different.

For example, if you are asked to “compare neoclassical architecture and gothic architecture,” you could compare the influence of social context on the two styles.

2. Gather the details of whatever you are comparing

Once you have decided what theme or idea you are investigating, you will need to gather details of whatever you are comparing, especially in terms of similarities and differences. Doing so allows you to see which criteria you should use in your comparison, if not specified by your professor or instructor.

Appeal to Greek perfection
Formulaic and mathematical
Appeal to emotion
Towers and spires
Wild and rustic
Civic buildings

Based on this information, you could focus on how ornamentation and design principles reveal prevailing intellectual thought about architecture in the respective eras and societies.

3. Develop a thesis statement

After brainstorming, try to develop a thesis statement that identifies the results of your comparison. Here is an example of a fairly common thesis statement structure:

e.g., Although neoclassical architecture and gothic architecture have [similar characteristics A and B], they reveal profound differences in their interpretation of [C, D, and E].

4. Organize your comparison

You have a choice of two basic methods for organizing a comparative essay: the point-by-point method or the block method.

The point-by-point method examines one aspect of comparison in each paragraph and usually alternates back and forth between the two objects, texts, or ideas being compared. This method allows you to emphasize points of similarity and of difference as you proceed.

In the block method, however, you say everything you need to say about one thing, then do the same thing with the other. This method works best if you want readers to understand and agree with the advantages of something you are proposing, such as introducing a new process or theory by showing how it compares to something more traditional.

Sample Outlines for Comparative Essays on Neoclassical and Gothic Architecture

Building a point-by-point essay.

Using the point-by-point method in a comparative essay allows you to draw direct comparisons and produce a more tightly integrated essay.

1. Introduction

Introductory material
Thesis: Although neoclassical and gothic architecture are both western European forms that are exemplified in civic buildings and churches, they nonetheless reveal through different structural design and ornamentation, the different intellectual principles of the two societies that created them.

2. Body Sections/Paragraphs

Ornamentation in Text 1
Ornamentation in Text 2
Major appeal in Text 1
Major appeal in Text 2
Style in Text 1
Style in Text 2

3. Conclusion

Why this comparison is important?
What does this comparison tell readers?

Building a Block Method Essay

Using the block method in a comparative essay can help ensure that the ideas in the second block build upon or extend ideas presented in the first block. It works well if you have three or more major areas of comparison instead of two (for example, if you added in a third or fourth style of architecture, the block method would be easier to organize).

Thesis: The neoclassical style of architecture was a conscious rejection of the gothic style that had dominated in France at the end of the middle ages; it represented a desire to return to the classical ideals of Greece and Rome.
History and development
Change from earlier form
Social context of new form
What does the comparison reveal about architectural development?
Why is this comparison important?

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Writing a Paper: Comparing & Contrasting

A compare and contrast paper discusses the similarities and differences between two or more topics. The paper should contain an introduction with a thesis statement, a body where the comparisons and contrasts are discussed, and a conclusion.

Address Both Similarities and Differences

Because this is a compare and contrast paper, both the similarities and differences should be discussed. This will require analysis on your part, as some topics will appear to be quite similar, and you will have to work to find the differing elements.

Make Sure You Have a Clear Thesis Statement

Just like any other essay, a compare and contrast essay needs a thesis statement. The thesis statement should not only tell your reader what you will do, but it should also address the purpose and importance of comparing and contrasting the material.

Use Clear Transitions

Transitions are important in compare and contrast essays, where you will be moving frequently between different topics or perspectives.

Examples of transitions and phrases for comparisons: as well, similar to, consistent with, likewise, too
Examples of transitions and phrases for contrasts: on the other hand, however, although, differs, conversely, rather than.

For more information, check out our transitions page.

Structure Your Paper

Consider how you will present the information. You could present all of the similarities first and then present all of the differences. Or you could go point by point and show the similarity and difference of one point, then the similarity and difference for another point, and so on.

Include Analysis

It is tempting to just provide summary for this type of paper, but analysis will show the importance of the comparisons and contrasts. For instance, if you are comparing two articles on the topic of the nursing shortage, help us understand what this will achieve. Did you find consensus between the articles that will support a certain action step for people in the field? Did you find discrepancies between the two that point to the need for further investigation?

Make Analogous Comparisons

When drawing comparisons or making contrasts, be sure you are dealing with similar aspects of each item. To use an old cliché, are you comparing apples to apples?

Example of poor comparisons: Kubista studied the effects of a later start time on high school students, but Cook used a mixed methods approach. (This example does not compare similar items. It is not a clear contrast because the sentence does not discuss the same element of the articles. It is like comparing apples to oranges.)
Example of analogous comparisons: Cook used a mixed methods approach, whereas Kubista used only quantitative methods. (Here, methods are clearly being compared, allowing the reader to understand the distinction.

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Academic Phrasebank

Compare and contrast.

GENERAL LANGUAGE FUNCTIONS
Being cautious
Being critical
Classifying and listing
Defining terms
Describing trends
Describing quantities
Explaining causality
Giving examples
Signalling transition
Writing about the past

By understanding similarities and differences between two things, we can increase our understanding and learn more about both. This usually involves a process of analysis, in which we compare the specific parts as well as the whole. Comparison may also be a preliminary stage of evaluation. For example, by comparing specific aspects of A and B, we can decide which is more useful or valuable. Many paragraphs whose function is to compare or contrast will begin with an introductory sentence expressed in general terms.

Introducing differences

X is different from Y in a number of respects. X differs from Y in a number of important ways. There are a number of important differences between X and Y. Areas where significant differences have been found include X and Y. In contrast to earlier findings, however, no evidence of X was detected. A descriptive case study differs from an exploratory study in that it uses … Smith (2015) found dramatic differences in the rate of decline of X between Y and Z. Women and men differ not only in physical attributes but also in the way in which they … The nervous systems of Xs are significantly different from those of Ys in several key respects.

Introducing similarities

Both X and Y share a number of key features. There are a number of similarities between X and Y. The effects of X on human health are similar to those of Y. Both X and Y generally take place in a ‘safe environment’. These results are similar to those reported by (Smith et al. 1999). This definition is similar to that found in (Smith, 2001) who writes: The return rate is similar to that of comparable studies (e.g. Smith et al. 1999). The approach used in this investigation is similar to that used by other researchers. Studies have compared Xs in humans and animals and found that they are essentially identical.

Comparing within one sentence

Comparing within one sentence: comparative forms.

In the trial, women made more/fewer errors than men. Women tend to have greater/less verbal fluency than men. Women are more/less likely than men to perform well in tests. Women are more/less accurate in tests of target-directed motor skills. Women tend to perform better/worse than men on tests of perceptual speed. Women are faster/slower than men at certain precision manual tasks, such as … Women are more/less likely to suffer from X when the front part of the brain is damaged. The part of the brain connecting the two hemispheres may be more/less extensive in women.

Indicating difference across two sentences

Indicating similarity across two sentences.

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English Comparative Linking Phrases

Daniel Paul

It is important not to repeat the same words over and over again in your English comparative essay on paper 2. Use different linking words to keep your writing interesting. Listed here are some examples of comparing and contrasting words.

Comparing Similarities

… is common in…
Equally noticeable is…
Furthermore
Both authors take the same approach in…
A common feature of all the texts are…
This is mirrored in…
This can also be observed in…
… is equally important in both texts.

Contrasting Phrases

The texts are different in the area of…
On the other hand
This is contrasted in…
On the contrary…
However, the opposite is seen in…
In contrast/contrastingly…
Nothing like this occurs in…
Quite the reverse is seen in…
This is the only text where we notice…

Transition Words For A Compare And Contrast Essay

Table of contents

1 What Are Comparison Transition Words?
2.1 Comparison Words
2.2 Contrast Words
2.3 Universal Transition words for compare and contrast essays
3.1 Comparison
3.2 Contrast

Many students today have to deal with writing complex and time-consuming essays. These include topics where two different viewpoints have to be introduced and debated. For more professional essay help like this and plenty of other writing resources related to using transition words for compare and contrast essays.

So what do we mean by compare and contrast transition words? Before we delve into these two terms, let’s look at what a ‘transition word’ is. Simply put, transition words describe the relationship between two ideas; they are words for similarities and differences. If we were to dissect their purposes to a more nuanced degree, they can:

Show vague or strong similarities between one concept and another

Show a correlation between one concept and another

Show a causal relationship between one concept and the other

Show the opposing natures of one concept and another

What Are Comparison Transition Words?

As the name clearly implies, they are transition words that establish a comparison or a contrast between one thing and another. These are very useful and quite widely used in any form of writing. The overall effect of comparing and contrasting expressions is that they make your essays flow much better. Using them ensures that every point you introduce in the piece has a context for each other. It may seem confusing to some, so if you don’t want to go into detail, you can buy essays online and not worry about your grades.

Compare And Contrast Transition Words: Defined And Explained

Comparison words.

What are some ‘similarity transition words or transition words’ for explaining what two things have in common? Here are a few comparison transition words examples :

In the same way
In like manner
By the same token

Hence, for example, if you were describing the likeness between the speeds of two different subspecies of lions, you could word it like so: ‘subspecies A can reach speeds up to 40 mph. Similarly, subspecies B can achieve a maximum of 35 mph.

Could “in addition” transitions also fit into the domain of comparative phrases?

The answer is “yes.” It is possible to link multiple traits or features to one entity. For instance, if you want to discuss the multiple benefits of exercise but don’t want your sentences to be too lengthy. You could use compare transition words like ‘in addition’ and “furthermore” to list more benefits in a new sentence. Here are a few examples of these comparison transition signals in use:

“Keeping your tires properly inflated can help prevent random blowouts on the road. In addition, it will also mean that you don’t have to spend money as often to replace them.”
“A morning cup of coffee will give you the energy you need to start the day. Furthermore, it will make sure that you don’t get grumpy as the day progresses.”
“Learning to play instruments as a family will help you become much closer with each other. On top of that, you’ll have a really great time.”

Contrast Words

What is a comparison transition signal, and what would we do without transitions signifying contrast? There would be no way for us to articulate our polar, different, and conflicting ideas, so debates could not exist. Therefore, contrast words are very important to any essay.

Let’s take a look at some different “categories” of these contrasting words:

What are some “opposite” transition words or phrases?

In contrast
At the other end of the spectrum

What are some “difference” transition words or phrases?

Dissimilarly
A clear difference

What are some ‘conflict’ transition words or phrases?

Nevertheless
On the one hand
On the other hand

Transition words for compare and contrast essays are important for academic essay writers to include in their writing. They help connect ideas and points in a compare-and-contrast essay and make the argument or point more easily understood. Transition words for compare and contrast essays can help make an essay more effective and structured. They can link ideas and facts, create emphasis, and help to organize information.

Universal Transition words for compare and contrast essays

Not everything is black and white in terms of which words fit into which category of transition words. There are, in fact, grey areas where words can be used to both compare and contrast depending on the context. Let’s take a look at these grey areas.

Signal words for compare and contrast – what are they?

These are general words that fall under both contrast and comparative phrases. For example:

At the same time
On the same token

What are summary transition words and phrases?

These are words that can be both contrast and comparative terms, which can help tie many points together during a wrap-up. These include:

All things considered
To summarize
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Accurate results
Intuitive interface

Comparison And Contrast Example Sentences

One of the best ways to learn about something is to see how it is applied. Hence, we’ve compiled a large list of comparison and contrast phrases in action.

Here’s how these transition phrases are applied:

Regular cardio exercise does wonders for your overall heart health. Likewise, it contributes to the betterment of your mental health.
Listening to your spouse and adjusting your behavior to address their concerns can do wonders for your marriage. In the same way, arranging spontaneous fun dates can certainly throw more excitement into things.
Leonardo Da Vinci and Francisco Goya were renowned painters in their respective eras. Similarly, Hieronymus Bosch was an accomplished painter whose works are still revered today.
Followers of Islam believe that there is only one God in existence. In like manner, Christianity is also a monotheistic religion.
Be careful not to harm yourself while roofing your own house. Moreover, take measures to keep tools from falling down and accidentally injuring passersby.
The average life expectancy is greater than it was ten years ago. Furthermore, studies have shown that people are also happier now.
I don’t think I’ll ever quit eating ice cream. Besides, I exercise daily and take great care of my teeth.
Make sure you make a habit of keeping an eye on the fluid levels of your car. That, coupled with regular inspection of your tires, should ensure that your vehicle remains healthy for a long while.
The number of college-educated people is on the rise as well as the number of women in the STEM fields.

Let’s take a look at a few examples of how contrast transition words are used in essays:

People who play basketball are generally quite tall. In contrast, gymnasts and jockeys are typically short.
India is an undeniably beautiful country with a rich heritage and vibrant culture. Nevertheless, the country’s reputation has been tarnished over the years due to its rampant corruption problems.
On the one hand, a career in the military earns a lot of respect from everyone. On the other hand, soldiers tend to experience severe depression fairly commonly.
People of the Christian faith strongly believe in the afterlife, while Hindus and Buddhists preach the concept of reincarnation and nirvana.
Both vegans and vegetarians avoid the consumption of meat. However, the former also avoids all animal products in all instances.
Bohemian Rhapsody received largely negative reviews from critics when it was released. At the same time, it helped propel them into stardom.
Everyone expects life to go smoothly all the time. In truth, it is filled with constant ups and downs.
Feminism is on the rise now, but so is resistance to it.

Using transition words in your paper can elevate your writing to a whole new level since these words make your writing more professional and strengthen the connections between the ideas and concepts you describe. Using transitions wisely is where the difference between a good and a great writer is, so let’s find out more about those.

As you can see from the name, these words indicate either similarity or contradiction between different concepts or ideas you describe. You can click here to find out more about those and the proper ways to use them or use some help with essay writing. You can choose any of those as long as they fit the context.

Those are fairly simple, and you can put them between ideas that either entail one another or do not contradict directly. These are:

Consequently
In the same manner

You can use those whenever a continuation of your ideas is in order.

Contrasting

In contrast to the comparison transitions, these serve to draw the line between the ideas you describe and show your reader that right now, you are about to talk about something entirely different in nature:

Nonetheless

These and other similar words make it easier to define the difference between the ideas you describe.

Using transition words requires some finesse because you should never stuff your essays too much with those. Use them wisely and only where necessary, and your writing will reach a new level.

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Tips on How to Write a Comparative Essay

Writing a comparative essay can be a challenging yet rewarding academic endeavour. At DR. STUDY Learning, we believe that understanding the nuances of how to write a comparative essay not only enhances your writing skills, but also sharpens your analytical thinking. In the points below, you’ll find some helpful tips and tricks to keep in mind while writing, all of which will help you excel in crafting comparative essays that stand out.

Understand the Essence of Your Topic

The first step in how to write a comparative analysis is to read and understand the topic carefully. Every word in the essay prompt is significant, and can guide the direction of your analysis. It’s crucial to decipher exactly what the topic asks of you – whether to compare, contrast, or discuss both elements in relation to two or more texts, ideas, or scenarios.

Balance Your Discussion

A well-written comparative essay offers a balanced view of the subjects under discussion. It’s important to allocate approximately the same amount of detail and analysis to each text or idea. This balance helps maintain an unbiased perspective and ensures that each side receives fair treatment in your discussion.

Choose a Consistent Structure

When it comes to comparative essay structure, there are primarily two approaches you can adopt: the “block” approach or the “woven” approach. Both structures have their merits, and the choice depends on the complexity of the topics and your personal preference. Whichever structure you choose, consistency is key to clarity and coherence.

The Block Approach

The block approach to structuring a comparative essay allows you to fully explore each subject independently before moving to the next. This method is particularly useful when dealing with very distinct subjects where the connections between them are not immediately apparent. It involves organising your essay into larger sections that focus solely on one subject at a time.

For example, the first half of your essay might discuss all relevant aspects of Book A – its themes, characters, narrative style, and historical context. Then, the second half would shift to Book B, mirroring the structure used to discuss Book A. This approach is straightforward and keeps your arguments clear and organised, making it easier for readers to understand each subject separately before comparing them together.

The Woven Approach

On the other hand, the woven approach integrates discussions of both subjects throughout the essay, alternating between them as you progress through various points of comparison. This method is advantageous for highlighting the direct contrasts and similarities as they appear in real-time within the essay.

For instance, a paragraph might start by discussing a theme in Book A, then immediately compare or contrast this with the same theme in Book B, followed by another point or theme in the subsequent paragraph. The woven approach keeps the comparison dynamic and can engage readers more actively, as it constantly draws links between the two subjects. This structure tends to be more complex, but it can lead to a deeper integration of comparative analysis.

Examine Both Similarities and Differences

Writing a comparative essay goes beyond surface-level comparisons and dives into both similarities and differences. This comprehensive exploration not only enriches your essay, but also provides a deeper understanding of the subjects. Analysing how and why these elements are similar or different can lead to more insightful conclusions.

Utilise Linking Words and Phrases

To effectively connect your ideas and points of comparison, use linking words and phrases such as “similarly,” “likewise,” “on the other hand,” and “conversely.” These linguistic tools help smooth transitions between sections and clarify relationships between concepts, enhancing the flow of your essay.

Explore a Diverse Range of Elements

Don’t limit your comparison to obvious aspects like themes or characters – consider a variety of elements including but not limited to tone, structure, underlying philosophies, or historical contexts. This breadth in analysis not only demonstrates your comprehensive understanding but also engages your readers with a richer discussion.

How DR. STUDY Learning Can Help

At DR. STUDY Learning, our expert tutors specialise in guiding students through the intricacies of academic writing. Whether the subject is humanities , English , psychology or otherwise, our personalised tutoring services are designed to help you master the skills needed to write exceptional comparative essays and more. Whether you need help understanding your essay topic, structuring your thoughts, or refining your writing style, our experienced tutors are here to support your academic journey.

To learn more about our services and how we can assist you in achieving academic excellence, don’t hesitate to get in touch .

Ready to get started?

Writing a comparative essay doesn’t have to be daunting – with these tips and the right guidance, you can transform this challenge into an opportunity to showcase your critical thinking and writing prowess. Remember, practice makes perfect, and with DR. STUDY Learning, you’re never alone on your academic journey. Let us help you succeed and shine in your academic pursuits.

Olga has a PhD in Management from Monash University. Her research focused on how personal differences and social networking impact creativity in the tech industry. She has extensive teaching experience at universities and private tutoring centers, praised for her engaging methods and clear insights. Olga also writes for top academic journals and creates innovative programs that enhance skills and consulting methods. She believes in the power of education to inspire ongoing growth in both studies and careers.

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The Ultimate Guide to VCE Comparative

May 8, 2019

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Go ahead and tilt your mobile the right way (portrait). the kool kids don't use landscape....

Updated 14/07/2022

What Is a Comparative?
What Are You Expected To Cover? (Comparative Criteria)
School Assessed Coursework (SAC), Exams and Allocated Marks
How To Prepare for Your Comparative SAC and Exam
How To Write a Comparative Essay

1. What Is a Comparative?

Comparative is also known as 'Reading and Comparing', 'Comparative Essay' and less frequently, 'Compare and Contrast'. For our purposes, we'll just stick to 'Comparative'.

As its name may indicate, a Comparative is when you analyse and write on two texts, comparing their similarities and differences. In VCE, there are 8 pairs of texts Year 12s can choose from (or more accurately, your school chooses for you!). The most popular combination of texts include novels and films, however, plays also make it onto the list.

When you start doing Comparative at school, you will move through your texts just as you have for Text Response (except...instead of one text it's actually two) - from watching the film and/or reading the novel, participating in class discussions about similar and different themes and ideas, and finally, submitting one single essay based on the two texts. So yep, if you've only just gotten your head around Text Response, VCAA likes to throw a spanner in the works to keep you on your toes!

But, don't worry. The good news is all of your Text Response learning is applicable to VCE’s Comparative, and it's really not as hard as it might first appear. Here's a video I created introducing Comparative ( I've time-stamped it to start at 0:55 - when the Comparative section starts - thank me later! ).

‍ 2. What Are You Expected To Cover? (Comparative Criteria)

What are teachers and examiners expecting to see in your essays? Below are the VCE criteria for Comparative essays (sourced from the VCAA English examination page ).

Note: Some schools may express the following points differently, however, they should all boil down to the same points - what is necessary in a Comparative essay.

a) Knowledge and understanding of both texts, and the ideas and issues they present

Society, history and culture all shape and influence us in our beliefs and opinions. Authors use much of what they’ve obtained from the world around them and employ this knowledge to their writing. Understanding their values embodied in texts can help us, as readers, identify and appreciate theme and character representations.

For example: Misogyny is widespread in both Photograph 51 and The Penelopiad , and both writers explore the ways in which females deal with such an environment. Photograph 51 is set in the 1950s when women begun to enter the workforce, whereas The Penelopiad is set in Ancient Greece, a period when women were less likely to speak out against discrimination.

b) Discussion of meaningful connections, similarities or differences between the texts, in response to the topic;

More about this later in 4. How To Prepare for Your Comparative SAC and Exam, Step 2: Understand both your texts - as a pair (below) .

c) Use of textual evidence to support the comparative analysis

While you should absolutely know how to embed quotes in your essay like a boss , you want to have other types of evidence in your Comparative essay. You must discuss how the author uses the form that he/she is writing in to develop their discussion. This encompasses a huge breadth of things from metaphors to structure to language.

For example: "The personification of Achilles as ‘wolf, a violator of every law of men and gods', illustrates his descent from human to animal..." or "Malouf’s constant use of the present voice and the chapter divisions allow the metaphor of time to demonstrate the futility and omnipresence of war..."

To learn more about metalanguage, read our What Is Metalanguage? post.

d) Control and effectiveness of language use, as appropriate to the task.

When examiners read essays, they are expected to get through about 12-15 essays in an hour! This results in approximately 5 minutes to read, get their head around, and grade your essay - not much time at all! It is so vital that you don’t give the examiner an opportunity to take away marks because they have to reread certain parts of your essay due to poor expression and grammar.

3. School Assessed Coursework (SAC), Exams and Allocated Marks

Comparative is the first Area of Study (AoS 1) in Unit 2 (Year 11) and Unit 4 (Year 12) - meaning that majority of students will tackle the Comparative SAC in Term 3. The number of allocated marks are:

Unit 2 – dependant on school
Unit 4 – 60 marks (whopper!)

The time allocated to your SAC is school-based. Schools often use one or more periods combined, depending on how long each of your periods last. Teachers can ask you to write anywhere from 900 to 1200 words for your essay (keep in mind that it’s about quality, not quantity!)

In your exam, you get a whopping total of 3 hours to write 3 essays ( Text Response , Comparative, and Language Analysis ). The general guide is 60 minutes on Comparative, however, it is up to you exactly how much time you decide to dedicate to this section of the exam. Your Comparative essay will be graded out of 10 by two different examiners. Your two unique marks from these examiners will be combined, with 20 as the highest possible mark.

4. How To Prepare for Your Comparative SAC and Exam

Preparation is a vital component in how you perform in your SACs and exam so it’s always a good idea to find out what is your best way to approach assessments. This is just to get you thinking about the different study methods you can try before a SAC. Here are my top strategies (ones I actually used in VCE) for Comparative preparation that can be done any time of year (including holidays - see How To Recharge Your Motivation Over the School Holidays for more tips):

Step 1: Understand each text - individually

This doesn’t mean reading/watching your texts a specific amount of times (though twice is usually a recommended minimum), but rather, coming to an understanding of your texts. Besides knowing important sections, quotes, themes and characters (which are still important and which you should definitely know), here are some other matters which are also necessary to consider:

Why has it been chosen by VCAA (out of literally millions of other books)?
Why are you reading it (especially if it’s an old text, and how it’s still important throughout the ages)?
Why did the author write it?
What kind of social commentary exists within the text (especially on specific issues and themes)?

These kinds of questions are important because quite often in this area of study, you’ll be defending and interpreting your own ideas alongside the author’s. When you find a solid interpretation of the text as a whole, then no essay topic will really throw you off - because you’ll know already what you think about it. Moreover, because you’re comparing two texts in this section, understanding a text and being specific (e.g. 'both texts argue that equality is important' vs. 'while both texts A and B agree with the notion of equality, A focuses on ____ whereas B highlights ____') will help your writing improve in sophistication and depth.

If you need any more tips on how to learn your texts in-depth, Susan's (English study score 50) Steps for Success in Text Study guide provides a clear pathway for how to approach your texts and is a must read for VCE English students!

And, if you're studying texts you hate (ugh!), you'll also want to check out Lavinia's guide which teaches you how to do well even when you hate your texts .

Step 2: Understand both your texts - as a pair

Avoid simply drawing connections between the texts which are immediately obvious. When writing a Comparative, the key strategy that'll help you stand out from the crowd is the CONVERGENT and DIVERGENT strategy . I discuss this in more detail below, under 'eBooks'.

We'll use George Orwell's Animal Farm and Shakespeare's Macbeth as an example ( don't worry if you haven't studied either of these texts, it's just to prove a point ). The most obvious connection simply from reading the plot is that both Napoleon and Macbeth are powerful leaders. However, you want to start asking yourself more questions to develop an insightful comparison between the two men:

For example: In Macbeth and Animal Farm a common theme is power

Q: How do they achieve power?

A: In Animal Farm , Napoleon is sly about his intentions and slowly secures his power with clever manipulation and propaganda. However , Shakespeare’s Macbeth adopts very different methods as he uses violence and abuse to secure his power.

Q: How do they maintain power?

A: Both Napoleon and Macbeth are tyrants who go to great length to protect their power. They believe in killing or chasing away anyone who undermines their power.

Q: What is the effect of power on the two characters?

A: While Macbeth concentrates on Macbeth’s growing guilty conscience and his gradual deterioration to insanity, Animal Farm offers no insight into Napoleon’s stream of consciousness. Instead, George Orwell focuses on the pain and suffering of the animals under Napoleon’s reign. This highlights Shakespeare’s desire to focus on the inner conflict of a man, whereas Orwell depicted the repercussions of a totalitarian regime on those under its ruling.

Check out our comparative scene analysis of The Longest Memory & The 7 Stages of Grieving for another example of understanding texts as a pair!

Step 3: Know your comparative words

Having a list of comparative words will help you understand your texts as a pair, and helps make your life easier when you start writing your essays. Here's a list we've compiled below:

Similarities

Additionally
At the same time
Correspondingly
Furthermore
In addition
In parallel

Differences

Compared to
Despite that
Even though
In contrast
Nevertheless
On the contrary
On the other hand
Nonetheless

Feel free to download the PDF version of this list for your own studies as well!

Step 4: Understand the construction of your texts

Besides comparing ideas and themes, and having an understanding of what the text says, it’s also imperative that you understand HOW the texts say it. This type of analysis focuses on metalanguage (also known as literary devices or literary techniques). When you get technical with this and focus on metalanguage, it brings out more depth in your writing.

You could start asking yourself:

What kind of description is used?
What kind of sentences are used?
Are they long and winding or rather short and bare?
Are they dripping with adjectives or snappy?
What is the structure of the text?
Does one begin with a prologue/end with an epilogue?
Is the text continuous or divided e.g. through letters or days or parts?
Does the text end at a climax or end with a true finality?
What reoccurs throughout the text? (specific lines, symbols or images)

These kinds of understanding are important as they are evidentiary material for your arguments. What you say and believe the authors have said, as well as how you believe the texts differ, may rely heavily on these techniques. You'd then translate this analysis to develop your arguments further in your essay. For example:

His depiction of Chapel serves as a subversion of the conventional type of slave; he is 'half a slave, half the master' and belongs to 'another way of life'. His defiance and rebellion against the dictations of society is exemplified through his speech, which consists of rhythmic and poetic couplets, filled with flowery language; which ultimately challenges the idea of illiterate slaves.

Step 5: Read and watch Lisa's Study Guides' resources

Doing this study all by yourself can be rather daunting, so we've got your back. We specialise in supporting VCE English students by creating helpful videos, study guides and ebooks. Here are some just to get your started:

YouTube Videos

We create general study advice videos like this:

We also create Comparative pair-specific videos:

If you prefer learning through videos, check out our entire YouTube channel (and don't forget to subscribe for regular new videos!).

Study Guides

Our awesome team of English high-achievers have written up study guides based on popular VCE texts. Here's a compilation of all the ones we've covered so far including current and older text pairs:

Bombshells and The Penelopiad

I Am Malala and Pride

Reckoning and The Namesake

Reckoning and The Namesake (Quote Analysis)

Ransom and Invictus

Ransom and The Queen

Stasiland and 1984

Stasiland and Never Let Me Go

Stasiland and Never Let Me Go (yes this is a different guide to the one above!)

The Crucible and The Dressmaker

The Crucible and The Dressmaker (Understanding Context)

The Crucible and Year of Wonders

The Hate Race and Charlie's Country

The Longest Memory and Black Diggers

The Longest Memory and The 7 Stages of Grieving

The Penelopiad and Photograph 51

Tracks and Charlie's Country

Tracks and Into the Wild

Tip: You can download and save the study guides for your own study use! How good is that?

And if that isn't enough, I'd highly recommend my How To Write A Killer Comparative ebook. What's often the most difficult part of Comparative is finding the right examples and evidence to ensure that you're standing out against hundreds of other students studying VCE.

Unlike Text Response where there are over 30 texts for schools to choose from, Comparative only has 8 pairs of texts. This means that the likelihood of other students studying the same texts as you is much higher. And what does that mean?

It means that your competition is going to be even tougher. It's likely the character or quote you plan to use will also be used by other students. So, this means that there needs to be a way for you to differentiate yourself. Enter my golden CONVERGENT and DIVERGENT strategy .

This strategy can be used for any example you wish to use, but by approaching your example with the CONVERGENT and DIVERGENT mindset, you'll immediately be able to establish a unique perspective that should earn you some bonus marks.

If you've ever had a teacher tell you that you needed to ‘elaborate’, ‘go into more detail’, or ‘more analysis’ needed in your essays - this strategy will help eliminate all those criticisms. It will also show your teacher how you are comfortable writing an in-depth analysis using fewer examples, rather than trying to overload your essay with as many examples as possible because you barely have anything to say about each one.

To learn more about the CONVERGENT and DIVERGENT strategy, get a free preview of this study guide on the Shop page or at the bottom of this blog.

Step 6: Brainstorm and write plans

Once you've done some preliminary revision, it's time to write plans! Plans will help ensure you stick to your essay topic, and have a clear outline of what your essay will cover. This clarity is crucial to success in a Comparative essay.

Doing plans is also an extremely time-efficient way to approach SACs. Rather than slaving away hours upon hours over writing essays, writing plans will save you the burnout and get you feeling confident faster.

I've also curated essay topic breakdown videos based on specific VCE texts. In these videos, I explore keywords, ideas and how I'd plan an essay with corresponding examples/evidence.

Step 7: Get your hands on essay topics

Often, teachers will provide you with a list of prompts to practice before your SAC. Some teachers can be kind enough to nudge you in the direction of a particular prompt that may be on the SAC. If your teacher hasn’t distributed any, don’t be afraid to ask.

We have a number of free essay topics curated by our team at LSG, check some of them out:

I Am Malala and Made In Dagenham Prompts

Ransom and Invictus Prompts

Stasiland and Never Let Me Go Prompts

The Crucible and Year Of Wonders Prompts

The Penelopiad and Photograph 51 Prompts

Psst...see these fully annotated sample essays where we show you exactly how we analysed the prompt, brainstormed our ideas and created a plan for our essay:

Comparing Photograph 51 and The Penelopiad: Essay Topic Breakdown

Ransom and The Queen: Comparative Essay Topic Breakdown

The Longest Memory and Black Diggers - A Comparative Essay Breakdown

‍ Step 8: Write essays

Yes, sad but it’s a fact. Writers only get better by actually writing . Even if you just tackle a couple of essays then at least you will have started to develop a thinking process that will help you to set out arguments logically, utilise important quotes and time yourself against the clock. It will help you write faster as well – something that is a major problem for many students. With that said, let's get into how to write a Comparative next.

‍ 5. How To Write a Comparative Essay

Comparative essay structure.

Here are a couple of resources to get your Comparative essay structure sorted. Firstly a video (time-stamped at 1:38) :

Secondly, jump over to Sarah's (English study score 47) Compare the Pair: A Guide to Structuring a Reading and Comparing Essay post where she delves into two different types of Comparative essay structures.

Comparative Essay Example

Introduction.

In an introduction, you're expected to have the following:

Context (or background)
Both authors' (or director's) names
Both text titles
Main arguments

Here's an example from Mida (English study score 43), in her post The Longest Memory and Black Diggers - A Comparative Essay Breakdown :

The hopes and dreams of oppressed individuals can be fulfilled to a certain extent. This degree of fulfilment, however, can ultimately become restricted by the entrenched beliefs and dictations of society; and thus, this process of fulfilment is presented to be difficult and rare to achieve. In Fred D’Aguiar’s novella, The Longest Memory , the hopes and dreams for equality and racial acceptance is revealed to coerce oppressed individuals to subvert social norms, all in an attempt to gain liberty and fairness. Similarly, Tom Wright’s play, Black Diggers , explores the collective yearning of oppressed Indigenous Australians who seek to gain a sense of belonging and recognition in society. Both D’Aguiar and Wright expose how the obstacles of social inequality, deep-rooted prejudice and beliefs can essentially restrict the fulfilment of such desires and dreams.

Try to keep your introduction to the point. There's no need to prolong an introduction just to make a set number of sentences. It's always better to be concise and succinct, and move into your main body paragraphs where the juicy contents of your essay resides.

Body Paragraph

Most of you will be familiar with TEEL learnt in Text Response. TEEL can stand for:

Topic sentence
Linking sentence

If your teacher or school teaches you something slightly different that's okay too. At the end of the day, the foundations are the same.

In Comparative, you can still use TEEL, except that you'll be making comparisons between the two texts throughout your paragraph.

The below example adopts the 'Alternate' Comparative essay structure where the first part of the body paragraph focuses on Text 1 ( The Longest Memory ) and the second half of the body paragraph focuses on Text 2 ( Black Diggers ).

The ambitions of the oppressed are achieved to a certain extent. However, they are not maintained and thus become restricted due to the beliefs and conventions entrenched in society. D’Aguiar asserts that a sense of liberation can indeed be achieved in the unjust system of slavery, and this is demonstrated through his characterisation of Chapel. His depiction of Chapel serves as a subversion of the conventional type of slave; he is 'half a slave, half the master' and belongs to 'another way of life'. His defiance and rebellion against the dictations of society is exemplified through his speech, which consists of rhythmic and poetic couplets, filled with flowery language; which ultimately challenges the idea of illiterate slaves. D’Aguiar also associates the allusion of the 'two star-crossed lovers' in regards to the relationship between Lydia and Chapel; who were 'forbidden' to 'read together'. Despite this, the two characters take on a form of illicit, linguistic, sexual intercourse with each other, as they 'touch each other’s bodies in the dark' and 'memorise [their] lines throughout'. Here, D’Aguiar illustrates their close intimacy as a form of rebellion against the Eurocentric society, who believed such interrelation between blacks and whites was 'heinous' and 'wicked'. The individualistic nature of Chapel is also paralleled in Black Diggers , where Wright’s portrayal of Bertie expresses the yearning for a sense of belonging. Just like Chapel, Bertie desires free will, and he decides to 'fight for the country'. This aspiration of his however, is restrained by both his Mum and Grandad; who in a similar manner as Whitechapel, represent the voice of reality and reason. Wright employs the metaphor of the Narrandera Show to depict the marginalisation and exclusion of Aboriginal people, as they will never be 'allowed through the wire', or essentially, ever be accepted in Australia. This notion of exclusion is further reinforced through Bertie’s gradual loss of voice and mentality throughout Wright’s short vignettes, as he soon becomes desensitised and is 'unable to speak'. Here, Wright seems to suggest that the silenced voices of the Indigenous soldiers depict the eternal suffering they experienced; from both the horrors of war, but also the continual marginalisation and lack of recognition they faced back home. Consequently, D’Aguiar and Wright highlight how the ambitions of young individuals are limited by the truths and history of reality, and are essentially rarely achieved.

Conclusions should be short and sweet. Summarise your main points while comparing the two texts (just as you have throughout your entire essay).

D’Aguiar and Wright both illustrate oppressed individuals fighting against the beliefs and conventions of society; in order to gain their freedom and achieve their hopes and dreams. However, both reveal the harsh truths of reality that ultimately inhibit and restrict the capacity of people’s ambitions. D’Aguiar and Wright compel their readers to try and grasp an understanding of the past of slaves and Aboriginal soldiers, in order to seek remembrance and closure of this fundamental truth. They both convey the need for memories and the past to never be forgotten; and instead remembered and recognised in history.

For further detail from Sarah (English study score 45), read her advice on 5 Tips For A Mic-Drop Worthy Essay Conclusion .

If you're looking for more A+ Comparative essay examples, then you can also get your hands on any of our LSG study guide ebooks. Each study guide has 5 comparative essays, all fully annotated so you can see into the mind of a high achiever. These comparative essay examples also adopt different essay structures (block, alternating, and integrated) so you can see all three in action.

Ransom & The Queen

The Crucible & The Dressmaker

The 7 Stages of Grieving & The Longest Memory

I Am Malala & Pride

Photograph 51 & My Brilliant Career

‍ This blog guide is fantastic to get you started - there are certain strategies you can implement to ensure your Comparative essay wows your examiner and gives you an A-grade ranking. These strategies have been adopted by high-achievers in the past few years and have resulted in student achieving study scores of 45+. Make sure you don't miss out on these strategies by accessing a free sample of our How To Write A Killer Comparative ebook. In the meantime, good luck!

Get our FREE VCE English Text Response mini-guide

Now quite sure how to nail your text response essays? Then download our free mini-guide, where we break down the art of writing the perfect text-response essay into three comprehensive steps. Click below to get your own copy today!

Unsure how to study for your Comparative SAC or exam?

Learn LSG's unique CONVERGENT and DIVERGENT strategy which has helped hundreds of students achieve A+ in their assessments
Includes sample A+ essays with EVERY essay annotated and broken down on HOW and WHY students achieved A+ so you reach your goals quicker
Different types of essay structures broken down so you understand what to do and what not to do with confidence
Learn how to stand out from other students with unique points of comparison

Stasiland and 1984 are studied as part of VCE English's Comparative. For one of most popular posts on Comparative (also known as Reading and Comparing), check out our Ultimate Guide to VCE Comparative.

‍ 1. Introductions

Stasiland is a memoir-style recollection of the author Anna Funder’s encounters with people affected by the years of the German Democratic Republic (GDR), or when Germany was divided into east and west. It marries the author’s personal growth and development during her period of research with the personal histories of those who acted as both perpetrator and victim of the regime’s atrocities. The result is an emotional and deeply human perspective of this heavily-documented period of history which delves into the lasting yet often invisible marks the GDR left on those it touched.

1984 is on the surface the dystopian narrative of the struggles and ultimate downfall of a man named Winston who lives in the depressingly grungy and hopeless world of Big Brother and The Party. In a more profound sense, however, it is author George Orwell’s warning concerning the possibilities inherent in the development of totalitarianism and how these might come to damage the human race.

3. Character Analysis and Comparison

When comparing the characters presented in these two texts, it is important to remember that Orwell’s are fictional and Funder’s are her retellings of real people’s stories. Take care to avoid discussing Funder’s characters as constructions, and focus instead on how she has chosen to portray them.

4. Sample Paragraphs

Prompt: Discuss the different ways in which the authors of Stasiland and 1984 explore the intricacies of state power and knowledge.

Sample Introduction

When significant knowledge in any form is gained, it follows that it can be used in any way an individual or group sees fit. Stasiland and 1984 both show that the same piece of information can be used in drastically different ways to suit the purpose of that information’s owner. In both texts, we can observe this in many areas: mass surveillance for security or espionage purposes, recordkeeping to retain the truth or warp it, and medical or physiological advancements used to solve humanity’s problems or deliberately harm and deform people. Such examples force us to consider two well-known maxims, and to decide between the bliss of ignorance and the power of knowledge.

Sample Body Paragraph

In theory, mass surveillance has many benefits; it could be used to prevent criminal activity such as large-scale terrorist attacks and ensure the happiness and wellbeing of citizens. However, it is almost never associated with anything positive. In George Orwell’s 1984 , we are introduced to his hypothesis concerning what it would be like if it were to become developed to its full extent. The concept can be divided into three levels; firstly there is the obvious, external activities that we observe in both texts, which include mail screening, a military or gendarme presence in the streets and a network of informers. Secondly there is the introduction of the state into the home, which is achieved by The Party mainly through the telescreen, the most prominent and sinister instrument of mass surveillance in Oceania which gives total access to individual behaviour in the privacy of the home. While Winston seems to have found a loophole in this area by being ‘able to remain outside the range of the telescreen’, The Party carries its mass surveillance to the truest sense of the expression by extending it to a seemingly impossible third level, which introduces the state into ‘the few cubic centimetres inside [the] skull’. Interestingly, while the Thought Police cannot truly ‘see’ what is inside someone’s head, they can still control it; as long as people think that someone can see their thoughts, they will censor them themselves. This shows that the beauty of mass surveillance is that it does not actually have to be universal or all-encompassing to be successful. This is why the Stasi did not need to go to the lengths of The Party to achieve a similar result; the people merely need to believe that it is so on the basis of some evidence, and through this they can be controlled. Ultimately, mass surveillance can never be anything but destructive for this reason; it could put a complete halt to all terrorist plots and it would still act against the people by insidiously forcing them to censor their own thoughts out of fear.

Sample Conclusion

Both Stasiland and 1984 show absolutely that knowledge is a fundamental and intrinsic part of power, as it cannot exist without knowledge. While it is true that knowledge can be held without exercising it in some external display of power, it always shapes the person who holds it in ways both subtle and direct. Knowledge can therefore be seen as similar to Pandora’s Box; once it exists in a mind, it alters it, and the actions it prompts depend only on the desires and will of that mind .

In order to properly understand either of these texts, you’ll need to put on your history hat. Both of them are very firmly rooted in historical events, and to get a good grasp on what they really mean, you need to understand these events. You should research communism and socialism fairly extensively as well as the GDR, but you don’t need to sit for hours and write a book on the subject. All you need to do is trawl through Wikipedia for half an hour, or as long as it takes to get a sense of the subject. They key is to not ignore things that you don’t understand; if you see terms like ‘Eastern Bloc’ or ‘Marxism’ or ‘The Iron Curtain’ and you’ve got no idea what they are, research them! Even terms that you might believe you’re familiar with, like ‘Communism’ could also use a refresher.

The other main point is that 1984 particularly deals very heavily in ideological and philosophical argument. Orwell constructed the events of the plot as one giant hypothetical situation, so try and think to yourself – could that really happen? Is that really possible, or is this whole thing just plain silly? Remember that this text is much, much more than a simple narrative, and address it as such

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As non-native speakers living and studying in Australia, we would want nothing more than to improve our English skills both for the comfort of living in an English-speaking country and our career prospects. This blog aims to change the belief that only the naturally talented language learners can do well in the EAL exams and helps ESL speakers better their writing skills.

Contents of this study guide:

Knowing Your Sentence Structure
Expand Your vocabulary
Build Your Own 'Essay Formulas'

1. Knowing Your Sentence Structure ‍

I cannot stress how important it really is to really know your sentence structure and grammar because, without a solid understanding of how it is supposed to be structured, grammatical errors can easily be made which will preclude you from articulating your ideas in the clearest manner possible.

Simplest form: Subject + Verb + Object

Example: Arthur Miller’s play The Crucible (S) is (V) an allegory for the McCarthyism trials (O). ‍

While not all sentences have objects, it is not a sentence without a subject and a verb that goes with that subject. Sometimes you can have more than one subject or more than one objects:

Variation 1: Subject 1 + Subject 2 + Verb + Object or Subject 1 + Verb + Object 1 + Object 2

Example: Both To Kill a Mocking Bird (S1) and V for Vendetta (S2) present (V) a strong protagonist (O1) that advocate for their beliefs.

Example: The eponymous character Medea (S1) is (V) a diatribe against the patriarchal society (O1) and a paradigm of Hellenic women (O2).

Dependent clauses and linking phrases can also be added to improve the flow of your writing and enrich your ideas. They can also be used to ensure that your writing remains concise and coherent.

Variation 2: Clause + Subject + Verb + Object or Subject + Verb + Object + Clause

Examples of dependent clauses:

- In addition (C), Brooks (S) also demonstrates (V) the ways in which individuals can start questioning their ideology in time of crisis (O).

- Set in a patriarchal society (C), Women of Troy (S) warns (V) the audience of the detrimental consequences of wars and the ways in which innocent bystanders are affected by them (O).

- As the story unveils (C), it (S) becomes (V) more difficult for the audience to sympathise with the titular character (O) due to his many flaws (C).

Examples of linking words:

EMPHASIS: Undoubtedly, Particularly, In particular, Specifically, Especially, Obviously, Clearly

ADDITION : Additionally, In addition, Furthermore, Also, Plus, Moreover, Besides

‍ CONTRAST : Unlike, Nevertheless, On the other had, Conversely, Despite, In spite of, Whereas

It never hurts to have some sentence structured memorized if you are not yet fluent. For instance, have a few sentence formulas for each essay type that will be in the exams.

Text response:

- In particular, the protagonist (verb) (object), which enables the audience to (verb).

- This thereby (verb) the audience to (verb).

- While the character (verb) (object), the audience still (verb) as (pronoun) (verb).

- From the outset of the (text type), the writer presents (character’s name) as (adjective), (verb +ing) the audience to (verb).

- This is epitomized/ exemplified through the way in which the writer (EVIDENCE), seeking to (EFFECTS ON READERS) through (TECHNIQUE)

Language Analysis:

- By (TECHNIQUE + EVIDENCE), the writer (ARGUMENT e.g. fortify the notion that technology is more beneficial than detrimental ), thereby (EFFECTS ON THE AUDIENCE)

- So as to (ARGUMENT e.g. amplify the cataclysmic effects of such behaviours on the society), the write (TECHNIQUE) This in turn/ thereby/ therefore (EFFECTS ON READERS) as EVIDENCE e.g. the writer posits _______).

- Compounding this notion with (TECHNIQUE) the writer ARGUMENT) in order to (EFFECTS ON THE AUDIENCE) as the (EVIDENCE e.g. term “slaughter” invokes connotations of brutality and destruction).

- This notion is bolstered/ fortified/ augmented/ amplified/ accentuated/ magnified through (TECHNIQUE/EVIDENCE).

2. Expand Your Vocabulary

While it is sometimes helpful to memorise words from glossaries found on the Internet, it is not the most the effective way to thoroughly improve your vocabulary. In fact, learning words from a glossary or dictionary by heart can often lead to students misusing the words due to their misinterpretation of the new words.

From what I’ve seen from my and other students’ experience, the best way to upgrade your word bank for your essays is to slowly word up from what you already know. Start off with a simple paragraph and you will see your writing get better after every time you edit or rewrite your paragraphs.

Avoid generic verbs

Words like “make” or “create” should be avoided at all cost because there are often words with connotation that can replace generic terms. For instance, instead of saying “the writer makes the audience sympathise with the characters, you can say “the writer compels the audience to sympathise with the characters”. Replacing words like “make” with words like “compel” improves your writing because unlike the first sentence which only mentions how the audience feel, the second sentence also focuses on the writer’s intention as the writer is using force or pressure to ensure the audience feels obliged to sympathise with the characters. It is always better to expand your vocab from what you already know rather than learning completely new words with new meanings you have never seen before.

Know the word’s connotations

Most English words have really clear connotation. An example of this would be how the term “slaughter” invokes connotation of brutality and destruction while the term “kill” does not evoke as many feelings within the reader.

Use strong adjectives ‍

This is a way to avoid using generic adverbs such as “very” and “extremely”. “Exquisite” is a much more poetic sounding term than “very pretty” and “daunting” is better than “hard”. Having descriptive and expressive words at the back of your head will enable you to write paragraphs that will resonate within the readers, and by extension, boost your EAL results. I would highly recommend you build your own personal word bank for each of the writing section and re-use those words as many times as possible so those words stay engrained in your mind, making it much easier for you to look for words to write under exam condition.

It is also important to note that there is no fast-track way to improve your writing because memorizing a deck of vocabulary flashcards or a Quizlet topic will not get you what you want regardless of how good your memory is. Out of all the ‘fancy’ words that you learn from a glossary like that, you will probably only remember and use 1 or 2 of them. Vocabulary exercises will help you much more! You need to spend time practice using the words for them to be deeply engrained in your knowledge, which will in turn enable you to instinctively come up with better words to use.

If you’ve got a bit of extra time every week to work in your vocabulary, I recommend using the following books:

- Cambridge English Vocabulary in Use ( Elementary or Intermediate ): This book is suitable for students whose English is not yet fluent and proficient. Each of the topic only has a small group of words and there are short exercises that allow you to better remember the words.

- Cambridge English Collocation in Use (Intermediate) : This book is suitable for mostly everyone because collocations not only will help you show off your English but will also improve your flow and coherence. For instance, “commit a murder” is a collocation, a group of words that go well together. It is not ideal to replace “commit” with anything else because “make a murder” just does not sound right.

- Sadlier Vocabulary Workshop (Level D to Level H): This series of books are not for ESL learners. They aim to strengthen native speakers’ writing skills and vocabulary, which thereby means that they are much more difficult. If you are already fluent and proficient, I highly recommend these books because they have a range of reading comprehension exercises that focus on a group of words and offer you heaps of exercises to practice that particularly group of words in different context as well! (Kill two birds with one stone because this will definitely help you nail that Section C short answer task!)

However, I do understand if you do not have the luxury of time, year 12 is hectic and is never a breeze. If that is the case though, try doing the following steps after finishing every of your essay.

1. Write that one “perfect” essay – doesn’t matter if you take days to finish it

2. Have it marked by your teacher/ tutor and read their feedback

3. Edit your essay/ rewrite them where you take into account people’s feedback – look at sample essays while you work on that one essay

4. Get feedback again!

5. Look at your newly improved essay and highlight all the points and vocabs that your teacher considered as good

6. Write your second essay while trying to use those good points and vocab that you had from your previous essay, you will find that you will not take you way too much time. You can also re-use the structure of your introduction to save time coming up with a new one. Just be careful with your coherence and relevance

7. Repeat the process again!

Well, that’s how I did it do keep in mind that it is merely a suggestion, but everyone is different in away so please do find what works best for you.

English grammar is often seen as one of the more challenging one due to it having so many tenses and irregular cases. However, if you know how to break it down, it is not that scary because there are actually only 13 tenses and future, past and present tenses. Plus, in our EAL exams, we rarely need to use any other tenses aside from the present tenses anyway.

Also, it is important to pay attention to your subject verb agreement. While it is not a common error for EAL students, many students make careless errors such as this under time pressure. You would be surprised how rusty your writing can get when you are trying to write 700+ words within an hour! If your subject is singular, your verb must also be singular. Compare the following sentences:

WRONG: Hecuba and Helen is both responsible for the Fall of Troy.

CORRECT: Hecuba and Helen are both responsible for the Fall of Troy.

The main takeaway message is that if grammar is not your thing, you should definitely not try to overcomplicate things and because fluency and simplicity are much better than errors and verbosity.

4. Build Your Own ‘Essay Formulas’

In other words, you can try ‘rote-learning’. It saves time and it can ensure that the quality of your writing under exam conditions match up to your actual ability. It worked really well for me as a safe guard because I have a history of freaking out and underperforming in exams. Having pieces of analysis and paragraphs structure at the back of my head definitely saved me whenever I felt sick or overly stressed in SACs and exams.

WARNING: While it saves you so much time and guarantees better outcomes for some people, you should be extra cautious if you decide to use this as a way to tackle the essay sections in the EAL exams because you can also easily fall into the trap of writing essays that sound memorised. This is merely a suggestion different people learn differently – this is what I and some of my peers did and it worked well for us but it does not mean that it will guarantee you an A+.

For each Area of Study, I have a revision document that contains the following:

Introduction ‘formula’
Sample paragraph
Super extensive word bank (my own thesaurus)
Practice essays and sample essays

For example, prior to my text response SAC on Euripides’ play Medea, I prepared a writing formula that can be applied to all of my Medea essays that look something like this: ‍

Introduction: Set in a patriarchal society, Euripides’ tragedy Medea expounds the intricate concepts of (theme) through the (characterization of the protagonist/ depiction the norms that pervade the Hellenic society/ vilification of Jason/ victimization of Medea/ portrayal of Medea as the archetypal woman). In particular, he _________________________ , which enables the audience to _____________ . While (argument 1) and (argument 2), (challenge the prompt). Ultimately, Euripides presents an acerbic critique on _________ . ‍

For each of the section, I also have a mini thesaurus of words that I often use. This is just an example. I recommend creating one by yourself that has around 5-10 words in each row if that is possible!

Persuade: compel, propel, manoeuvre, prompt, galvanise, etc

Strengthen: fortify, enhance, bolster, etc

Highlight: underline, underscore, accentuate, emphasise, etc

Tell: insinuate, assert, purport, articulate, etc

Bombshells and The Penelopiad are studied as part of VCE English's Comparative. For one of most popular posts on Comparative (also known as Reading and Comparing), check out our Ultimate Guide to VCE Comparative.

1. Introductions

Bombshells is a collection of six monologues written by Joanna Murray-Smith, each featuring one female character who is symbolic of a specific stage in life and role. Together, they are a telling account of the struggles of being a woman in a modern world, and the monologue format allows the author to emphasise how they are simultaneously unique and universally relatable.

The Penelopiad is Margaret Atwood’s retelling of Homer’s Odyssey from Odysseus’ wife Penelope’s point of view. The story is narrated first-person by Penelope who resides in the underworld, but is also peppered with spoken, sung or chanted testimonies from the twelve dead maids of the story who act as a Chorus, a traditional part of ancient Greek theatre. Although the story is old and much-retold, the voice is modern and the author’s messages concerning women and their position in the world and their relationship with men are universal, regardless of the historical period.

3. Characters

The Penelopiad

4. Sample paragraphs

Prompt: How do Bombshells and The Penelopiad emphasise the subtleties of the male-female relationship dynamic?

While the narratives of both Bombshells and The Penelopiad are firmly focused on the female perspective of issues relevant to them, the texts also address the male perspective and role in such issues. Like the women, the men created by the authors have instrumental roles in the way the stories play out, which interestingly are sometimes disproportionate to their actual involvement in the plot.

Body paragraph

One of the main differences between the texts, other than the literary format, is the level of dialogue and active participation afforded to the male characters. In The Penelopiad , the male characters arguably largely direct Penelope’s life, from her father essentially selling her into marriage to Odysseus’ life-disrupting departure, return and ‘lies…tricks and… thieving’, not to mention her ‘quite spoiled’ son Telemachus’ will to usurp and disobey his mother. Penelope’s narration gives them large amounts of dialogue and paints them as three-dimensional people in her life, whereas the male characters in Bombshells have barely any dialogue – most of them have none – and yet manage to cause a similar level of turmoil in the female characters. The marriage of Theresa McTerry to her fiancé Ted, for example, sends her into long, capitalised rants heavily punctuated with exclamation marks and profanities; Murray-Smith does not even give Ted a full description. Even without forming the male characters into rich, detailed personas, she still manages to fully showcase the chaos visited upon Theresa by her ill-considered marriage. She draws greater attention to her inner panic and desperation than we see in Penelope, whose voice retains a sense of shocked detachment even when crying or suffering. As such, the differing approaches of the authors both showcase the fact that men can wreak significant havoc with women’s lives, and that we do not actually need to know much about the particulars of the men or their acts to comprehend the women’s suffering.

The approaches of Atwood and Murray-Smith towards the level of engagement of their male characters differ significantly, yet both show the full impact of their actions on the lives of their female counterparts. Even when the men are given only cursory mentions, their presence as an agent of change within the story is sufficient for them to dramatically alter the courses of the characters they consort with.

More full sample A+ essays available in our Ultimate VCE English Study Guide Bundle.

It’s very hard to look past the overt feminist overtones of both try – even though these are some of the most interesting parts of the texts and you definitely should discuss them, there is more to them than messages about women. Maybe expand your view to more general ideas about human beings, how we live our lives and the ways we react to situations of duress.

Also consider that these texts are in two different formats; how does the live performance of Bombshells change the way it is perceived? How do the different media of these texts support or emphasise the authors’ messages? What can a monologue do better than a book in terms of transmitting an idea and vice versa?

Introduction and Key Themes of Reckoning and The Namesake

Families. Love them or hate them, everybody has a family in some shape or form.

Lahiri’s novel The Namesake and Szubanski’s memoir Reckoning both explore just how complex family dynamics can be. In particular, both texts take an intergenerational approach, which means that they look at how children might struggle to understand their parents’ psyches, and vice versa. They also look at how these struggles can play out into adulthood and throughout the course of one’s life in complicated and poignant ways.

And of course, it gets trickier from there: Lahiri and Szubanski tell the stories of families, yes, but they also tell stories of migration, trauma, and heritage. In both texts, these ideas colour the experiences of the central families and are thus just as crucial for our analysis. Let’s go over the key characters of each text first, before having a closer look at how they compare on each of these themes. In particular, we’ll be going through snapshots of scenes from both texts and comparing what they have to say about these themes.

Characters in Reckoning and The Namesake

The namesake.

Lahiri’s novel revolves around the fictional Ganguli family: Ashima and Ashoke have two children, Sonia and Gogol, the latter of whom is the protagonist. The novel spans over three decades, starting from Gogol’s birth shortly after Ashima and Ashoke’s move to America. By the time it finishes, both Gogol and his younger sister have grown up, and Ashoke has passed away. Thus, this story traces the development of this fictional family over time, illustrating how their relationships with one another change over time.

Szubanski’s memoir, on the other hand, is largely about her own family, including her Scottish mother Margaret and her Polish father Zbigniew. In particular, Reckoning is a family history of her dad’s side, who were living in Poland when the Nazis invaded in 1939. There is some exposition of his family, including his parents Jadwiga and Mieczyslaw, his sister Danuta, and her family as well.

Zbigniew would eventually fight as an assassin the Polish resistance, and Reckoning reflects on how that impacted and shaped his relationship with Magda. The memoir is described to be “as much a biography of her father as it is about her.”

In the process, we learn about his migration, moving to Scotland after the war (where he met Margaret), then to England, then to Australia, with Magda their youngest child aged 5. The memoir covers her life from there onwards, including a journey back to Europe to reconnect with the rest of her family.

Themes in Reckoning and The Namesake

At LSG, we use the CONVERGENT and DIVERGENT strategy to help us easily find points of similarity and difference. This is particularly important when it comes to essay writing, because you want to know that you're coming up with unique comparative points (compared to the rest of the Victorian cohort!). I don't discuss this strategy in detail here, but if you're interested, check out my How To Write A Killer Comparative ebook. I use this strategy throughout my discussion of themes below and techniques in the next section.

Family in Reckoning and The Namesake

Evidently, this theme largely underpins the stories of both texts. In particular, The Namesake and Reckoning both show that relationships between family members—whether that be parents, children or siblings—can be really complicated.

Let’s start with The Namesake . Motifs of parenthood and marriage are evident front and centre right from the novel’s get go, as a pregnant Ashima reflects on her life as it stands in 1968. When Gogol is born, his parents’ love for him is also evident: “Ashoke has never seen a more perfect thing.” At the same time, while Ashima is starting to see “pieces of her family in [Gogol’s] face,” her own grandmother is passing away—it’s thus important to remember that parenthood runs both ways (this’ll be important for both texts).

In any case, Ashima struggles with the first few years of parenthood - despite settling into a schedule, she finds herself “despondent” when Gogol begins nursery school. However, she grows accustomed to it in time, making “forays out of the apartment” and settling into some semblance of a routine to keep herself somewhat occupied.

Parenthood isn’t really shown to get any easier though—at his 14th birthday, we see a somewhat awkward exchange between Ashoke and Gogol, now “nearly as tall” as his father. What Ashoke thinks is a nice gift actually sets off a decades-long identity crisis for Gogol regarding his name: “from the little that he knows about Russian writers, it dismays him that his parents chose the weirdest namesake.”

This scene demonstrates how there can be miscommunications between parents and children that make it difficult for them to understand each other. Without explaining his name to his son, Gogol and Ashoke are unable to truly connect; Gogol is annoyed if anything, answering his father “a bit impatiently”. Parents and children may want to understand each other better, but this is evidently not always possible. The consequences of this can often span over years, with Gogol changing his name to Nikhil and training himself to “ignore his parents, to tune out their concerns and pleas” once he goes to college.

Still, familial love perseveres over time, though it sometimes shifts and changes along the way. With Gogol and Sonia both grown up, Ashima reflects on the separate lives they now lead, noting that she “must be willing to accept” her “children’s independence”, and her son’s partner Maxine despite her misgivings. Culture also plays a role here, which we will explore more in the next section. However, what is evoked in this passage (near the start of chapter 7) is that parents have their child’s best interests in mind. Indeed, similar themes flow through both texts.

That said, familial love can be harder to see in Reckoning —in particular, Magda’s father is characterised throughout the memoir as emotionally distant to the point of cruelty. When she first learns of the Holocaust, she finds Zbigniew’s “lack of feeling…monstrous.” She doesn’t understand how he can be so detached from the war having lived “right in the centre of it.” She also doesn’t understand why he yearns more than anything to escape that period of his life.

The texts are similar in that both of them illustrate how parents and children often struggle with barriers in communication despite their love for each other. In particular, children may not always understand their parents’ experiences from before they were born, or how those experiences affect them in the present.

It’s not all bad though—love perseveres, and sometimes parents can surprise you. When Magda finally comes out to her parents, their response is generally quite receptive, and her father is perhaps uncharacteristically touching in this scene: “Whatever his misgivings were he didn’t dwell on them and he never let the come between us. As I was about to leave they both put their arms around me. ‘We love you,’ they said.”

Trauma in Reckoning and The Namesake

Additionally, both texts deal with parent-child relationships that are affected by experiences of trauma that parents attempt to suppress.

In The Namesake , it’s largely Ashoke’s brush with death that jars his world view, to the point where he names Gogol after the author whose book saved his life after his accident. However, because he doesn’t process his trauma or tell Gogol the story, it leads to a gap in understanding that compromises some elements of their relationship.

These themes are more strongly present in Reckoning , where Zbigniew’s experiences in the war shape many of his opinions and attitudes, as well as his approach to parenting. Tennis, for example, becomes a vehicle for him to teach Magda about winning and losing, “never once let[ting Magda] win.” They have a similarly clinical experience with hunting, where Zbigniew “los[es] patience” with Magda for mourning the death of a rabbit.

Correctly, though retrospectively, Magda hypothesises that this came from a need to “prove himself” after the war ended, and to “discharge the pent-up killer energy inside him.” Even though she would only understand this in time, it didn’t change how her father’s trauma shaped her childhood in ways that she couldn’t have understood at the time.

Reckoning also shows that trauma can be intergenerational, or as Magda puts it “passed on genetically.” She discovers that her maternal grandfather Luke lived through the Irish famine, and watched ten of his siblings die of poverty, causing her to wonder about the “gift of [her] Irish inheritance” that was left on her psyche.

What’s worth remembering here is that it isn’t just the fathers who bury traumatic events from their past (surprising, I know). When Magda’s mother slaps her for the first time, it is because Magda repeats one of her own deepest regrets, soiling a dress made to visit their respective fathers in hospital: “I understand now, of course, that it was herself she was slapping.”

So, while it is true in both texts that traumatic memories impact how parents relate to their children, Reckoning is a deeper and broader exploration of intergenerational trauma. In particular, Magda not only looks at her relationship with her parents, but also her parents’ relationship with theirs.

Migration & Heritage in Reckoning and The Namesake

This is the final piece of the puzzle in terms of major themes and how they fit together. With how characters relate to culture and heritage, we also see both texts evince some rich, intergenerational differences.

In The Namesake , there’s a marked cultural schism between Gogol and his parents. Gogol is desperate to escape his ethnicity, and his status as a second-generation migrant means he is well-assimilated into American culture—he wears his shoes in the house, addresses his parents in English, and dresses like an American. He is also comfortable dating American people, feeling “effortlessly incorporated” into Maxine’s family and daily life. On the other hand, Ashima is demonstrated to struggle more with the move, describing it as a “lifelong pregnancy”, a burden that people treat with “pity and respect.” There are ties to other themes here as well—for example Ashima’s homesickness is sharpened by the fact that she is separated from her family, in particular her parents. It also means that she becomes a part of the life from which Gogol is so desperate to escape.

In Reckoning however, this generational gap is reversed. It is Zbignew who yearns to escape his home culture, while Magda desperately wishes to understand her father: “while I was racing backwards towards my Polishness, my father was rushing in the other direction, assimilating at a rate of knots.” Though this is reversed, there are still ties into other themes: intergenerational misunderstandings for instance are perpetuated by their differing stances on migration. Trauma is also relevant, as Zbigniew is trying to escape it, while Magda is simply working towards understanding her father.

Put this way, we can understand how familial relationships can be complicated by migration, trauma, and the different attitudes it can engender.

Reckoning and The Namesake are two texts that explore many similar themes—family, migration, trauma, heritage, identity—over the span of decades. I would probably argue that family is the central theme that grounds many of the others; it shapes the identity of children—migrant children—and brings out traumatic memories in spite of your best efforts to suppress them.

Hopefully, this gives you a good overview of the themes across these two texts, how they fit together, and how they are similar or different. Don’t forget that themes can overlap and intersect, as is often the case here.

Reckoning and The Namesake Essay Prompt Breakdown

The topic draws on two quotes:

“But in the meantime I had been given a great gift—my parents’ unconditional love.” ( Reckoning )

“‘Don’t worry,’ his father says. ‘To me and your mother you will never be anyone but Gogol.’” ( The Namesake )

And the prompt itself is:

Compare what the two texts suggest about parent-child relationships.

Topics for comparative essays are usually pretty broad, but let’s pull out some key words and questions that the topic and the quotes seem to raise.

The one that stands out the most to me is this idea of ‘unconditional love’. For parents, this usually means they’ll love and support their child no matter what mistakes or choices they make . In the context of Reckoning , this was brought up in terms of Magda’s sexuality , which is neither a mistake nor a choice, but consider how it permeates through the memoir, and how it’s always been there in some of her parents’ thoughts, words and actions. And how might it compare with The Namesake ?

The other quote is a little more interesting, in particular the ‘to me and your mother’ bit, which I think complicates the idea of unconditional love . Is love still unconditional if parents define who you are and who you will “never be”? I think what’s implied here is that you want to include some discussion of parental expectations, which is another can of worms. It might include things like how parents want you to behave, what career choices they might want you to make, whether or not they approve of your friends or romantic partners .

Now, let’s dive into a possible plan to tackle a topic like this...

Paragraph One

So firstly, let's establish that parent-child relationships are often laden with expectations .

It may not be the obvious example, but Ashima’s family had undoubtedly expected her to marry Ashoke , a PhD student in Boston at the time, as conveyed through “her mother’s salesmanship” . We see this mirrored in the life of Moushumi as well, whose parents orchestrated a “series of unsuccessful schemes” to see her married in her adolescence. Gogol experiences expectations that aren’t all so intentional—while his parents don’t mean him any harm by naming him Gogol, he feels trapped by the name, “ always hated it” in fact. Still, his parents are markedly “ disappointedly ” when he chooses Columbia over MIT, and are “ distressed ” by his low income while he’s at college.

Szubanski’s parents have somewhat similar expectations in this regard: “t he ranks of the second generation are full of doctors and lawyers and professionals.” She felt that “ all of the family’s educational hopes rested on [her].”

These examples mightn’t be the most obvious, but they’re effective for making this point, and don’t need too much explanation to tie it into the prompt .

Paragraph Two

Let’s keep this in mind for our second paragraph: trauma can be passed on intergenerationally through how parents treat their children, and this can bring its own set of expectations as well.

Gogol feels trapped by his name, but it is a result of his father’s traumatic experiences . What Ashoke might not realise is that this has caused Gogol even more distress of his own. This is probably stronger in Reckoning , where Peter’s emotional capacity is compromised as a result of war . When Magda looks through the book filled with pictures of decomposing bodies and feels uneasy, her father’s comment, “ don’t be silly, it’s just a picture,” m akes her feel ashamed of herself for her “stupidity and weakness” . So, parental expectations can be distorted by their traumatic experiences, which only serves to pass that trauma on.

Paragraph Three

To conclude, let’s flip this around to look at how children respond to their parents: in both texts, there’s a sense that being able to confront these expectations and memories from the past helps children to synthesise their own identity and move forward in their own lives.

In The Namesake , Gogol only reads The Overcoat after his father dies, in fact saving it from a box that was about to be donated, “ destined to disappear from his life altogether.” The novel ends here, which could represent that he is able to move into a new phase of his life only after having grappled with this one. Szubanski’s pilgrimage back to Poland and Ireland come from similar desires to better understand her parents. She “wondered if Europe might provide the sense of home [she] craved” particularly given her father’s desire to never look back at his traumatic past there.

I think the bottom line is that parent-child relationships are already complex, and can be further complicated by a number of factors. Still, it’s up to children to grapple with the burden of expectations, and to forge our own path forward from there.

This blog was updated on 28/10/2021.

Essay Topic Breakdown

Sample Essay Topics
Useful Resources

Themes (Similarities and Differences)

[Video Transcription]

We’ll be applying the CONVERGENT and DIVERGENT strategy from LSG’s How To Write A Killer Comparative and at how ideas are developed in similar or different thematic directions in these texts. CONVERGENT ideas lead to similar conclusions and messages, while DIVERGENT ideas take us to different conclusions. If you’d like to learn more about this strategy which can help you build more insightful discussions of the text by finding unique points of comparison, then I’d recommend you check out the LSG’s How To Write A Killer Comparative study guide. In the meantime, let’s start with some CONVERGENT ideas.

Power, Race and Oppression

In both texts, we see racial systems that take power away from Bla(c)k people. In the play, settler-colonialism is a big one. It’s depicted as a home invasion, a ship taking up a whole harbour, and as a process of devaluing land and ignoring its custodians. This trickles into contemporary institutions (widely understood patterns, rules or structures within society) which perpetuate these dynamics of race and power, such as the police and the media. Oppression is similarly maintained in The Longest Memory , where physical violence, and even just the threat of possible physical violence, is used to enslave African Americans. Plus, all of this racial violence was justified by the socio-economic interests of enslavers . Both texts see Bla(c)k people disempowered by a range of white institutions.

Check out our comparative scene analysis where we explore this theme in more depth.

Family and Community

On the other hand, family and the wider community are depicted as a galvanising or healing force in both texts. In The 7 Stages of Grieving , we see how death can bring together entire communities to commiserate, dance and mourn collectively, drawing on one another’s strength. Depictions of families in projections of photographs also outline how joy and solidarity can be drawn from community. In the novel, family ties are also important. Whitechapel and Cook build a committed relationship to one another; she even says, “he proves he loves me every day.” At the same time, Cook also provides her unconditional love and support to Chapel, whose education and eventual relationship with Lydia are facilitated by her.

Memory and Grief

Both texts show how memory and grief are significant burdens for Bla(c)k people and operate at multiple dimensions. The play is sort of built around the five stages of grief but demonstrates how First Nations grief isn’t neat or linear. It can go from highly expressive to numb in moments. It also has roots in Australia’s genocidal history such that the death of any First Nations person—but especially elders—is felt widely. In The Longest Memory , there’s a physical dimension to Whitechapel’s grief. He earns the name “Sour-face” because of the worry lines that developed after Chapel’s death. He feels extremely guilty and only after Chapel dies does he realise why Chapel disagreed with him so stubbornly in life. He actually learned the tough lesson that he’d been hoping to teach Chapel.

What about divergent ideas? Let’s break down two now.

Struggle and resistance.

Both texts offer ideas about what the fight against racism might look like, but at times these ideas are more different than similar. In The 7 Stages of Grieving , the main struggle is to be heard and understood . In the play and in real life even, we can see how the media is stacked against First Nations peoples, so their fight is about cutting through the bias and making sure they are fairly represented. In The Longest Memory , the fight against slavery is portrayed quite differently. In a scenario where physical violence was used the way it was in order to oppress, self-emancipation was seen by many as the only path out. Enslaved workers weren’t fighting to be heard, they were fighting to survive. It’s also worth bearing in mind the history of abolition, which happened in Northern states first. This gave them a destination, as well as hope.

The Generation Gap

The other thing that the texts diverge on is the relationship between parents and children. In the play, family is consistently shown to provide support and community. As the woman speaks about her father and brother, the unconditional love and support between them is palpable. However, the novel depicts a bit more conflict— Whitechapel argued with Chapel based on his lived experience, and the many young people he had seen be killed for trying to free themselves. However, Chapel was far more committed to freedom than to survival. There isn’t necessarily a ‘right’ answer either way, but this definitely isn’t a tension that we see in the play.

I discuss all these themes in further detail in A Killer Comparative Guide: The 7 Stages of Grieving & The Longest Memory . In this guide, I offer you a deep dive into these two texts through plot summaries and analyses, structural features, critical readings, and best of all, 5 sample A+ essays fully annotated so you can understand exactly how to achieve better marks in your own essays.

As with all our essay topic breakdowns, we'll follow LSG's THINK and EXECUTE technique, as taught in our How To Write A Killer Text Response . The LSG's THINK and EXECUTE technique follows three steps in the THINK phase - A nalyse, B rainstorm, and C reate a Plan. Learn more about this technique in this video:

Let's use essay topic #1 from the section below.

Compare the ways in which the two texts explore the possibility of social change.

Step 1: Analyse

‘Social change’ is a key term here, but the word ‘possibility’ also stands out to me. Social change—probably towards equality—isn’t something that just happens, so the prompt also wants us to think about how to get there, and whether that seems achievable in the contexts of these stories. The prompt is phrased as an instruction (“Compare”) which invites you to analyse both texts together, but you totally knew that already!

Step 2: Brainstorm

I’d probably start by brainstorming what exactly needs to be changed. In each text, we see institutions and structures which are violent and harmful—from the play, police and the media, and from the novel, the economy itself. However, these institutions are upheld in different ways, and require different mechanisms of change—while the play emphasises grieving and unity, the novel focuses more on emancipation.

Step 3: Create a Plan

Because we’ve got two sets of ideas for each text, let’s alternate the texts (Essay Structure 1, as discussed in How To Write A Killer Comparative ) to cover these ideas in four paragraphs.

P1: Starting with The 7 Stages of Grieving , social change is required at the institutional level. Police and the media are racially biased, and Aboriginal people aren’t given a platform to tell their stories. Reconciliation needs to include Aboriginal voices.

P2: With The Longest Memory , social change is required across the economy that depends on enslaving people and stealing their labour, while others have an economic interest in the status quo.

P3: Because of this, change seems more possible in the play, and we start seeing it happen towards the end, as the ice thaws and people, Bla(c)k and white, march across the bridge together.

P4: On the other hand, emancipation is seen as the only path to change in the novel, as intergenerational social pressures among the enslaving class in the South are insurmountable.

So our contention will probably revolve around the idea that ‘social change’ means different things in each text as social inequalities exist at different levels (Paragraph 1&2)—as such, the ‘possibilities’ for that change look different as well (P3&4), particularly the extent to which white people can be involved in that change.

If you'd like to see the sample A+ essay we wrote up for this essay topic, then you might want to check out our A Killer Comparative Guide: The 7 Stages of Grieving & The Longest Memory!

Sample Essay Topics

Now it's your turn! Give these essay topics a go.

1. Compare the ways in which the two texts explore the possibility of social change.

2. How do The 7 Stages of Grieving and The Longest Memory present the emotional pain of racism?

3. What do Aunty Grace and Chapel illustrate about the complexities of belonging to a racial minority?

4. Compare how the narrative structures of The 7 Stages of Grieving and The Longest Memory enhance their storytelling effect.

5. “People called him Boonie! He was known as Boonie…” (The 7 Stages of Grieving)

6. “I literally saw the boy surrender to that whip …” (The Longest Memory) ‍

7. Compare how the two texts explore innocence.

If you're interested in reading a 50 study scorer's completed essays, along with annotations so you can understand my thinking process, then I would highly recommend checking out LSG's A Killer Comparative Guide: The 7 Stages of Grieving & The Longest Memory.

Useful Resources

How To Write A Killer Comparative study guide

Compare the Pair- A guide to structuring a reading and comparing essay

The link between your contention and topic sentences in relation to the prompt

‍ ‍ A Guide to Structuring a Reading and Comparing Essay

Reading and Comparing Essays

Listening is always viewed as the easiest section in an EAL exam, however, it is also the easiest section for students to lose marks as many of them may carelessly misread the question and/or comprehensively fail to answer the question. I personally find listening really challenging as it requires you to concentrate on multiple things at the same time, for example, the characters’ main contention, emotions, tone shift, and the context of the recording. However, as long as you do more practice, you will soon be able to master the listening skills! Here are the 4 steps that you will have to know if you want to do well in listening!

1. Read the background information of the text

Use your reading time (15 minutes) wisely and spend around 2-3 minutes in the listening section. The background information of the text is extremely important as it tells you the context of the recording which can also give you a basic idea of the characters involved in the text and the content they will be talking about. From the background information quoted from the VCAA 2019 EAL Exam , you will be able to recognise the two characters (Sue and Joe) involved in the text and you can also relate their conversations to the garage sale.

“Sue lives in a small seaside town. She presents a regular podcast called Sue’s Local Stories for the local radio station. Today she is talking about garage sales with John, who has just moved to the town. A garage sale is a sale located in a person’s garage or in front of their house, where they sell their unwanted items.” - Background information of Text 2

2. Scan through the questions carefully

Look for the keywords in the question, such as the 5W1H (Who, When, Where, What, Which, How), the character names, and the number of points that needs to be answered in each question. READ THE QUESTIONS FOR EACH SECTION CAREFULLY. That’s the only piece of advice I can give you to avoid losing marks on careless mistakes. Usually, the questions in listening are quite straightforward and easy to follow. Hence, it is particularly important for you to understand what the question is actually asking and what you are expected to answer in order to secure full marks in that specific question.

Examples of the 5W1H Questions

Who is he referring to when he says “You”?
When did he open his first bookshop?
Where did he go after his graduation?
What message is he trying to convey in his speech?
Which phrase did he use to express how dry it was in the desert?
How does he express his anger?

3. Note taking

You should be using the spaces provided in the exam answer booklet to jot down any key words and phrases that are related to the questions. Do not bother to fill in the answers on the answer line just yet, as you are very likely to get distracted, hence, it may increase the risk of missing the answer for the next question. Remember that your notes should be as concise and clear as possible so you will be able to write down the answers immediately once the recording stops.

Examples of notes

Question 1: Which type of animal does Sarah think is cleaner? Give an example and comment on her delivery.

“MUCH MUCH cleaner” → emphasis

Question 2: How does Ryan show his feelings about plastic waste? Comment on his language choice and delivery.

Exclaims → “putting sea life in a serious situation”
Critical tone → emphasise the harm caused

4. Focus on the questions that you’ve missed

Bear in mind that you will have the chance to listen to the recording two times in total so please DO NOT stress if you miss out any answers or you are not sure about the answers after the first time. Highlight the questions that you have trouble with and focus on them when the recording is played the second time.

If you have any spare time, I would recommend you to go through all your answers and check them in case you have any careless mistakes. Alternatively, if you are really confident with all your answers in the listening section, you could definitely start doing other sections in the exam, such as the Language Analysis and Text Response section.

Types of Questions you may get in Listening

In this section, I am going to introduce a few question types that can be seen in SACs and EAL exams. You will be able to perform well in all listening tasks if you do enough practices and are very familiar with these different questions:

Support your answer with one piece of evidence from the text
Give an example of delivery and language use to support your answer
Give an example of the character’s indirect language
What is the purpose of the text?
Describe the character’s tone
Describe the interaction between the characters

1. Support your answer with one piece of evidence from the text

This is a basic question type that can be seen in nearly every single listening task. It just means that you will have to quote a word or a phrase from the text in order to support your answer. Please ensure that your spelling is correct and the phrase that you quote is in the exact same wording as what the characters have said in the recording. You will only get the mark for your evidence if the above two rules are followed.

2. Give an example of delivery and language use to support your answer

You have to pay attention to the tone, pace and wording of the characters in order to answer this question. This kind of question is kind of tough, however, as long as you can memorise couples of examples of delivery, you will be able to answer this question effectively.

Here are some examples of delivery and language use:

Repetition — “No, no, no”
Imperatives — “Do not do this…”
Fast pace — “[quickly] What are we supposed to do now?”
Pausing — “But…”
Place emphasis on words — “We have to STRIVE for our rights!”
Increased volume
Asking a question rather than making a direct statement
Emphatic tone — “Do what I said!

3. Give an example of the character’s indirect language

An indirect language refers to an expression of the content of a statement in a longer or unclear fashion. It is often used in negotiation, diplomacy and in different types of embarrassing situations which can avoid the person from directly saying what he/she means.

Here are some examples:

“Oh… well… I am just browsing”

"Ummm… I am still thinking about it”

4. What is the character’s main argument?

In order to answer this question, you will have to pay attention to the standpoint of the character and be able to find the strongest point raised by him/her in the text. That’s why you have to read the background information of the listening task carefully and deliberately before you actually start looking into specific questions. This will enable you to have a basic idea of the character’s viewpoint towards the issue. Besides, the aim of this question is to test your understanding towards the text and your ability to interpret the character’s reasonings. Therefore, I would recommend you to focus on how the character is structuring his/her argument in order to help you to find the strongest argument. Bear in mind that your answer will have to be precise in order to secure full marks. No marks will be awarded to you if your answer is vague and not straightforward.

5. Describe the character’s tone

Outraged tone — “Can you stop?”
Astonished tone — “Wow!”
Nostalgic tone — “I missed my hometown”
Patriotic tone — “I am proud to be an Australian.”
Amiable tone — “Nice to meet you.”
Encouraging tone — “You can do it!”
Accusing tone — “How could you make that mistake!”

You can also read through 195 Language Analysis Tones if you want to learn more tone words in order to drastically improve and expand your vocabulary. You are encouraged to memorise tone words as you will be able to apply them on your Language Analysis section as well!

6. Describe the interaction between the characters

Words to describe positive interactions:

Words to describe negative interactions:

Disrespectful

For more resources on the Listening Exam and VCE EAL, check out The Ultimate Guide to EAL . To see further advice, resources and samples for listening practice, see EAL Listening Practice And Resources (Part 1), EAL Listening Practice (Part 2), Tips on EAL Listening and How To Take Speedy Notes During Listening Component of VCE EAL Exam .

For many VCE Students, Language Analysis is most commonly their ‘weakest’ section out of all three parts of VCE English. Throughout my years of tutoring, when I’ve asked these students why they struggle, they usually blame the difficulty in grasping the most important component of Language Analysis:

Understanding how the author intends to persuade their readers.

You’ll see that I have italicised the words, ‘how’ and ‘intends’ in the above statement to highlight where your focus needs to be. If you’re currently trying to get your head around Language Analysis, or if you don’t understand where you’re going wrong, don’t worry. We’re going to look at the incorrect assumptions students make about Language Analysis, how to avoid it and also what you should do instead! So first, let’s have a look at a couple of common student errors. Students (including yourself perhaps) may believe that:

1. Language Analysis is about finding language techniques that persuade readers.

Stop right there! This certainly isn’t a treasure hunt ( but that would be pretty awesome right? ). If an essay was just about identifying language techniques, everyone would get an A+ ( we wish! ). Once you’ve had some practice under your belt, you’ll notice that anyone can find rhetorical questions, inclusive language and statistics, so there is a lot more to it than simply pointing out language techniques. Also, steer clear from throwing in all the possible language techniques you’ve found in an article too, because it’s not a competition about who can find the most techniques and even if you did, it doesn’t guarantee you an amazing score on your essay.

2. Language analysis is about if authors successfully persuade their readers.

Sorry to tell you, but this definitely isn’t it either. Our job as the student isn’t to figure out whether or not the author successfully persuades their reader. You can’t really speak for all the people reading an article if they do or do not agree with the author’s contention. Just like if you see an advertisement on television for MacDonalds, you can’t tell if the next person who watches the ad will be persuaded to go out and buy a Big Mac meal. That’s why at the end of the day, it’s not up to you to figure out the extent to which the author persuades their readers. So in that case, what should you be doing instead?

The ultimate goal is to demonstrate your understanding of how the author attempts to persuade the reader to agree with his or her contention.

Let’s break up the essential parts of analysing language so we can pinpoint exactly the part that is most problematic and also how we can finally get a strong grasp of how to be successful in this area:

The TEE rule

Technique – what persuasive technique is used?

Example – which text that shows it?

Effect – what is the intended impact on readers’ attitudes?

1. Technique

There are so many persuasive techniques around, once you’ve got your hands on a bunch of language technique lists then you’re pretty much set in this area. Be wary however, as I have mentioned in the past (and above) how simply ‘labelling’ language techniques is not enough for you to do well in language analysis.

This is quite frankly, the easiest part of Language Analysis! All you need to do is quote your evidence! Straightforward? If quoting is not your forte, you can check out: how to embed quotes in your essay like a boss

3. Effect

Ok, this is the core of most students’ issues. We already know that the author is trying to persuade readers but here, we’re going to look how their choice of words or phrases creates a certain effect on readers so that they will be encouraged to agree with the author. When thinking about the effect, the best way is to put yourself in the reader’s shoes – you are after all, a reader! So in order to understand the effect think about the following three points:

What readers may feel – emotions
What readers may think – thoughts
And what readers may want – wishes

Example 1: “You are my smartest friend, I’m really stuck on this question and I need help!”

Think about it realistically. If someone said this to you, how would you feel? There must’ve been a time where you were complimented (whether it be about your clothes, how you did something well, or how friendly you are with others), and you used this experience to your advantage. Each time you analyse a language technique, contemplate on what emotions, thoughts or wishes emerge as a result. When someone gives you a compliment, you probably feel flattered, or maybe even proud. And this is exactly what you need to include in your analysis! You should garner these everyday experiences as a trigger to help you understand how readers may respond to a certain technique. So if we broke it down via the TEE formula:

T echnique: Compliment

E xample: “You are my smartest friend, I’m really stuck on this question and I need help!”

E ffect: You feel feel proud and as a result want to assist your friend.

And let’s put it all together coherently and concisely:

Analysis: The compliment, “You are my smartest friend, I’m really stuck on this question and I need help!” encourages the listener to feel a sense of pride and this in turn, may encourage them to assist their friend.

Example 2: “The pet puppy was stuck inside a car on a 32 degree summer day, with no windows left open, and no room for fresh air.”

Again, think about the three points – how do you feel? What do you think of this scenario? What do you want as a result? You probably feel sorry for the puppy and want to save it from this situation.

T echnique: Appeal to sympathy

E xample: “The pet puppy was stuck inside a car on a 32 degree summer day, with no windows left open, and no room for fresh air.”

E ffect: You may feel that it is unfair for the puppy to be in such a horrendous and potentially life-threatening situation.

Analysis: Through the appeal to sympathy, “the pet puppy was stuck inside a car on a 32 degree summer day, with no windows left open, and no room for fresh air”, readers may believe that it is unfair for the puppy to be subjected to such a horrendous and potentially life-threatening situation and thus, may be persuaded to take action to prevent further harm to pets.

Ultimately, focus on the potential effect language can have on the reader and as a result, how this may encourage the reader to agree with the author. If you do that, then you’re definitely on the right track. If this study guide has helped you gain further insight into Language Analysis, then you may be interested in my upcoming workshop where I spend a few hours offering advanced advice on Language Analysis! No matter what scores you have been attaining in Language Analysis, whether high or low, my workshop is loaded with tips which will undoubtedly help you achieve the best you possibly can. You are welcome to register here: VCE English Intensive Spring Break Workshop . Join the Facebook event here today to keep updated on all the latest information in the lead up to the workshop and invite your friends!

The life of an English teacher during assessment time is miserable. This is great for us! If you know how to use their misery to your advantage.

Hello, I am here to teach you how you can claim some easy English points off these poor, poor, professors. Let’s begin 😊

1. Engage with the historical context

This should be a baseline expectation! Yet, if I had a dollar for every student I see launching into an essay not even considering the socio-cultural context in which their book was written, I’d have enough to purchase the VCAA institution and have historical context made mandatory with the punishment being immediate expulsion from VCE.

Just put some historical context into your introduction, it’ll make it beefier and add some spice to your essay. Historical context generally entails listing the form (novella, play, etc…) of your text; the time period in which it was written (Victorian, 20th century, etc…), its genre (Gothic, biographical, etc…), and finally, any of the relevant literary titles it could be classed under (Romantic, Feminist, post-colonial, etc…)

For example: “Mary Shelley’s Victorian Gothic Romantic novella Frankenstein…”

Bonus points if you can actively engage in a set of philosophical ideas that were present at the time, eg: “Age of Enlightenment values”, or the “Feminist movement”.

2. Write a strong introduction

You must impress an assessor within two minutes. With this in mind, what do you think looks better: a little five-line intro vaguely outlining your points and just barely tickling on the structure and context of the texts; or a sprawling introduction which hits the historical context on the head and articulates beautifully the direction your essay is going and how it plans to get there. It’s a simple Virgin vs Chad dichotomy, be a chad, write a strong introduction.

3. Clear and concise topic sentences

Your topic sentences NEED to be easy to read and easy to follow. Apply the K.I.S.S rule here (Keep it Simple, Stupid). State the point of your paragraph with clarity, there should be nothing too complex or vague about it. For example: “The architecture of Frankenstein enables the story to act as a cautionary tale”. If you feel you cannot encapsulate your topic within a single sentence, then I suggest dialling back the complexity of your paragraph topic. Remember, text response is a process of stating a concept, then proving it – nothing more, nothing less.

You know ‘Grammar Nazis’? Well English assessors are Grammar Hitler’s. Make sure your expression is on point. Avoid run on sentences, break them up with full stops, a comma is not a substitute for a period.

5. Understand language

I’m hoping we all know what verbs, adjectives, adverbs, nouns, conjunctions and etcetera are here? This kind of rather basic English knowledge can seriously pepper up your analysis once you understand how language works. Begin by simply noting how an adjective modifies a verb within a sentence and what affect that has. Once you master this, you can move onto actually classifying the language under specific tones; for example: a pejorative verb, or a superlative adjective of degree. I’ll throw a few free ones your way! A pejorative verb is a doing word with negative connotations, such as: “penetrate” or “molest”. Whilst a superlative adjective is a describing word of the highest degree, for example: “grandest” or “calmest” (as opposed to simply “grand” or “calm”. Although this language seems complex, it’s deceivingly simple once you understand some basic English rules.

6. Write about structure

Structure is the ‘secret high scoring English students don’t want you to know!!’ If you aren’t writing about structure, then you are missing out on an absolute gold mine of analysis. If you understand how structure works within a text and can write it out coherently you’re essentially guaranteed a 40+. Y’all may call that an exaggeration, but knowing how to write about structure in an essay is like crossing the threshold, your eyes become open – you attain nirvana. Structure is the Bifrost which separates the land of Gods from the land of mortals. Some good ways to begin thinking about structure include: pondering how the text begins and ends, does it begin as a jovial and upbeat story and end as a depressing mess, why might the author have structured the text this way? Or, think about which characters we follow throughout the text and what journey they undergo, are their multiple narrators? Why might this be relevant or what may the author be trying to emphasise? Another great one is just looking for recurring themes and motifs across the text, such as a repeated phrase or similarities between characters. The key to writing on structure is understanding how the text has been structured, and then connecting that to a meaning or using it to support your contention.

7. Structure your essays

PSYCHE I’M STILL NOT DONE TALKING ABOUT STRUCTURE. Structure. Your. Essays. I cannot stress this enough, use TEEL (topic sentence, evidence, elaboration, link), use whatever your teacher taught, but use it! This one is especially important in language analysis, legit, lang anal essays are almost 100% structure, just WHW (what, how, why) your way through that essay. Once you understand how to structure an essay, everything else improves. So, structure your essays!!

8. Write about allusions

Now we’re getting into the big boy material. An allusion is any reference within a text to another text. So when Peter Griffin from Family Guy pokes fun at the Simpsons, he is making an allusion to the Simpsons. Or when your protagonist happens across a bible verse, that is a biblical allusion. Whenever I hear a student mention a literary allusion, my day improves and so does their mark. Most every text has allusions in it somewhere, do your research. Frankenstein has Rime of the Ancient Mariner, about half the books on the planet have biblical allusions, just ask your teacher or research online and you’re bound to come up with some excellent analysis material. Bonus points for allusions to classic texts such as: the Faust mythos, Greek/Roman tales such as Prometheus, the Bible, Paradise Lost, etc…

9. Reference influential philosophical ideas

This one is eating from the tree of knowledge. Including a philosophical concept in your essay immediately places you in the upper echelons. It separates plebs from patricians. You’ll have to do a bit of research here, but it is well worth it. Once you can mention that an idea is “characteristic of the Romantic period”, or that a concept is “Lockean (referring to John Locke)”, you’re balling, you’ll be hustling A+s in no time. Bonus points for philosophical ideas that were relevant to the time period (historical context, remember).

10. Authorial Agenda

Referencing the authorial agenda is just minty fresh, it demonstrates a clear understanding of concepts even beyond just the text itself. Guaranteed to put a sparkle in your teachers’ eye. Although adding authorial agenda augments your essay extraordinary, don’t overdo it.

If you made it to the end of this then great work! Proud of you <3. Including these tips in your essays is a surefire way to push them to the next level. For sticking through, I’ll give you a few quick bonus tips. Have pre-prepared zingers: you should write out and memorise a few bits of analysis that are intensely high quality, (do it in your own writing) this not only helps with ironing out your language, it also ensures you’ll have some mic drops in your essays. Analyse all included images and titles: this one’s just for language analysis, but you should analyse everything, including logos! And finally… RESPOND TO THE ESSAY QUESTION, this should be a given but there are hordes of people just spewing out words which are absolutely irrelevant to the actual essay topic.

Thanks again for getting this far, unless you just scrolled to the bottom hoping for a TLDR. I wish you all best of luck in your VCE and the exam season, try to make it enjoyable 😊

‍ Read your text several times

Examiners and teachers love nuanced responses. The key to developing a complex response is by reading your text several times (at least three times before the exam). Each time you read it you should annotate, take notes down and you’ll notice more elements and recurring themes. Every student has a different interpretation to an essay question. As long as you justify your arguments (using quotes, meta-language etc), there is no ‘right’ or ‘wrong’ interpretation in English.

Do not retell the story & integrate meta-language

Your teachers and tutors harp on this for a reason! Examiners have read the texts before, so you must assume that they know the plot inside out. Text response is an analysis of how the author (or director) constructs a text and the ways they imply a point of view or values. You will analyse the ideas, cultural references, context, narration explored in the text and answer some of the following questions: Why has the author included specific recurring motifs or portrayed the protagonist in a particular manner? What is the author suggesting? How does the author explore the theme of ‘x’?

For example, the themes of love and death are explored in Burial Rites by Hannah Kent. Think about how it is explored and what the author is attempting to do or convey. Include meta-language (language that describes language) such as ‘imagery’, ‘motif’, ‘juxtaposition’ etc.

E.g ‘Agnes’ crave for love influences her path to execution (idea and exploration of themes). All her life, she had lacked love. She recounts through her first-person narrative that ‘everything I love is taken from me’, such as her beloved foster mother, Inga (evidence). Kent uses Agnes’ retrospective narrative (how) to allow readers to empathise (why) with Agnes’ ……

Quote banks

Allocate quotes to specific themes, and memorise them. Have at least 20 quotes up your sleeve! Pick quotes that aren’t the stock-standard and obvious ones as seen in study guide books so that you stand out amongst your peers. You should also be aware of how to embed and integrate them into an essay, as well as picking quotes that aren’t too long.

If you are a visual learner, mind maps are a great tool for any subject you are studying and particularly useful for English. Collate all your notes, sort them into sub-categories such as THEMES, CHARACTERS, ELEMENTS and you’ll find overlaps between all sorts of elements.

To read a detailed guide on Text Response (including a sample essay), head over to our Ultimate Guide to VCE Text Response .

We’ve explored historical context, themes, essay planning and essay topics over on our Like a House on Fire by Cate Kennedy blog post. If you need a quick refresher or you’re new to studying this text, I highly recommend checking it out!

Hey guys, welcome back to Lisa's Study Guides. So this week I have another essay topic breakdown for you. So eventually I'm going to get through all of the VCAA texts that are on the study design, but we're slowly going to get there and are just want to say yet again, even though this one is like a house on fire, I am really glad if you've clicked on this video and you're not necessarily studying it because as always with all my videos, I try to give you an overall message for you to take away that can be applied to any single text. So that is the same for this particular text today. And so even though the takeaway message for this video is quite specific to short stories, it's still an important consideration for any text that you're studying. Ideally, you want to use a diverse range of evidence for any text, but in particular, for short stories, you don't just want to rely on a small handful, but to try and make links between the different short stories. So let's see what that means on the other side of this quick overview of the text. Like a House on Fire is a collection of short stories by the author, Cate Kennedy, and unlike a lot of other texts on the study design, this book portrays a lot of very domestic situations, which seems fairly boring compared to some of the other texts that other students might be doing. However, I'm really excited about this text because the short stories are great. Not because they have groundbreaking premises, which they don't, but because of how effortlessly and deeply emotive they are. So the domestic scenarios actually help us relate to the characters in the stories and empathize with the complexity of their experiences. The essay topic we'll be looking at today is in Like a House on Fire, Kennedy finds strength in ordinary people. Discuss. Here, the term which you really have to think about is strength. We already know that she depicts the story of ordinary people, of people like you or me, or even just people we may know, but does she find strength in them? It could be physical strength, but more often than not, it might be other types of strength. For instance, the mental strength it takes to cope with intense pressure or the emotional strength it takes to make a difficult choice or action. It's important to think about how they might actually apply throughout the book. In this sense, our essay will have essentially two halves. The first two body paragraphs we'll look at scenarios of intense pressure, be it through the loss of control in one's life or a domestic situation which has become emotionally tense. The last two body paragraphs will then consider the types of strength that Kennedy evinces in these stories. And we'll contend that she does find strength in the characters who face a difficult decision, but that she also finds a lot more strength in the characters who managed to cope with their situation and grapple with the tensions in their lives.

Paragraph one

In many of her stories, Kennedy portrays characters who experience powerlessness. This loss of power can come a number of ways. For instance, both Flexion and Like a House on Fire tell the story of men who have injured their previously reliable bodies and have thus been rendered immobile. But they also tell the story of their respective wives who have lost some control over their lives now that they have to care for their husbands. On the other hand, there are the kids in Whirlpool whose mother insists that they dress a certain way for a Christmas photo. Her hand on your shoulders, exerting pressure that pushes you down. Kennedy's use of second person really makes you feel this pressure that keeps you from going out to the pool you so desperately desire to be in. Evidently powerlessness is an experience that comes in many shapes and forms in several stories.

Paragraph two

In addition to this, Kennedy explores other emotional tensions across the collection, subverting the idea that the home is necessarily a safe sanctuary. This is where she really goes beyond just the idea of powerlessness, but actually jumps into scenarios that are much more emotionally complex. In Ashes for instance, we see the homosexual protagonist struggle with feeling useless and tongue tied, embarrassed by the floundering pause between his mother and himself. There is a significant emotional hurdle there, which is particularly poignant given that mothers are usually considered a source of safety and comfort for their children. Kennedy's story of domesticity actually subvert or question what we might think of the domestic space shared by family members. If you have the Scribe edition of the book, the artwork on the cover would depict a vase of wilting flowers, an empty picture frame, and a spilt cup of coffee. These are all visual symbols of an imperfect domestic life. A similar rift exists between husband and wife in both Five Dollar Family and Waiting, the women find themselves unable to emotionally depend on their partners. While Michelle in Five Dollar Family despises her husbands startled, faintly incredulous expression, an inability to care for their child, the protagonist in Waiting struggles to talk about her miscarriages with her husband who is already worn down as it is. Kennedy takes these household roles of mother, son, husband, wife, and really dives into the complex shades of emotion that lies within these relationships. We realize through her stories that a mother can't always provide comfort to a child and that a husband isn't always the dependable partner that he's supposed to be.

Paragraph three

However, Kennedy does find strength in some characters who do take a bold or courageous leap in some way. These are really important moments in which she is able to show us the strength that it takes to make these decisions. And she triumphs however small or insignificant that can be achieved. A moment that really stands out to me is the ending of Laminex and Mirrors, where the protagonist rebelliously smuggles a hospital patient out for a smoke only to have to take him back into his ward through the main entrance and therefore get them both caught. She recounts this experience as the one I remember most clearly from the year I turned 18. The two of us content, just for this perfect moment. And their success resonates with the audience, even though the protagonist would have lost her job and therefore the income she needed for her trip to London, Kennedy demonstrates her strength in choosing compassion for an elderly patient. Even the sister in Whirlpool, who wasn't exactly kind to the protagonist in the beginning, forms an unlikely alliance with her against their mother, sharing a reckless moment and cutting their photo shoot short. Bold leaps such as these are ones that take strength and therefore deserve admiration.

Paragraph four

However, more often than not, Kennedy's stories are more about the strength needed to simply cope with life, one day at a time. She explores the minutiae of her characters lives in a way that conveys the day to day struggles, but also hints at the underlying fortitude needed to deal with these things on a daily basis. In Tender, the wife feels as if everything at home is on the verge of coming apart since her husband is only able to cook tuna and pasta casserole for their kids. However, when she must get a possibly malignant tumor removed, her concern of whether there'll be tuna and pasta in the pantry just in case, demonstrates her selfless nature. Kennedy thus creates a character who is strong for others, even when her own life at home is disorderly and her health may be in jeopardy. The strength of gritting one's teeth and getting on with things in spite of emotional tension is a central idea across this collection, and many other examples are there for you to consider as well. And so we come to the end of our essay. Hopefully going through this gives you an idea of how to cover more bases with your evidence. Remember that you don't have to recount lots and lots of events, but it's more important to engage with what the events are actually telling us about people. This is particularly important for prompts like this one, where it heavily focuses on the people involved. That is it for me this week, please give this video a thumbs up. If you wanted to say thanks to Mark, who has been helping me write these scripts up for a lot of the text response essay, topic breakdowns. If you enjoyed this, then you might also be interested in the live stream coming up next week, which will be on Friday the 25th of May at 5:00 PM. I'll be covering the topic of analyzing argument for the second time, just because there's so much to get through. I'll also be announcing some special things during that particular live stream. So make sure you're there so you're the first to hear it. I will see you guys next week. Bye.

Like a House on Fire by Cate Kennedy

How To Get An A+ On Your Like A House On Fire Essay

Close Analysis Of 'Cake' From Like A House On Fire

To elaborate further on the example using Macbeth and Animal Farm:

Avoid simply drawing connections between the texts which are immediately obvious. It is clear that both Napoleon and Macbeth are powerful leaders. The questions below start to delve into a more insightful comparison between the two men (comparative words are bolded ):

Macbeth and Animal Farm: common theme = power

How do they achieve power?

In Animal Farm , Napoleon is sly about his intentions and slowly secures his power with clever manipulation and propaganda. However , Shakespeare’s Macbeth adopts very different methods as he uses violence and abuse to secure his power.

How do they maintain power?

Both Napoleon and Macbeth are tyrants who go to great length to protect their power. They believe in killing or chasing away anyone who undermines their power.

What is the effect of power on the two characters?

While Macbeth concentrates on Macbeth’s growing guilty conscience and his gradual deterioration to insanity, Animal Farm offers no insight into Napoleon’s stream of consciousness. Instead , George Orwell focuses on the pain and suffering of the animals under Napoleon’s reign. This highlights Shakespeare’s desire to focus on the inner conflict of a man, whereas Orwell depicted the repercussions of a totalitarian regime on those under its ruling.

For one of most popular posts on Comparative (also known as Reading and Comparing), check out our Ultimate Guide to VCE Comparative.

Many students receive feedback from teachers to ‘avoid retelling the story’ along with red scribbles across their essay that state, ‘paragraph needs further development’ or ‘develop your contention further’. It’s a common issue across the VCE cohort and fixing it does take some time and practice. However, keep in mind that it is definitely possible, you just have to understand what exactly what ‘retelling the story’ means!

So, ‘retelling the story’ – it’s pretty much stated right there the phrase – it’s when you are re-describing or repeating the plot based on whichever text you’re writing on. The reason why it is so cringe-worthy is because: 1. you should assume that your teacher or examiner has already read the book before so they don’t need a summary of the events occurring in the text, and 2. you are wasting time by writing something probably a year 8 student could when instead, you should focus your time on providing a comprehensive analysis of the text when responding to your essay topic.

Here is an example of a student who ‘retells the story’ (using Reginald Rose’s Twelve Angry Men – “Twelve Angry Men explores the importance of moral responsibility. Discuss.”):

“The importance of moral responsibility is shown through those who fail to possess any sense of decency or righteousness. The 3rd juror has had an estranged relationship with his son for 2 years. He does not get along with his son since the son is disrespectful to his father. This is unlike the 3rd juror, who used to show respect to his elders by calling his father ‘sir’ going up. He is ashamed of his son since his son once ran away from a fight which made the 3rd juror ‘almost thr[o]w up’. As a result of his personal problems with his child, he sees the defendant as another young kid that needs punishment for his wrongdoings. He believes that ‘we’d be better off if we took these tough kids and slapped ’em down before they make trouble, you know?’. Since he is blinded by his own experience, he lacks the moral responsibility required to be a juror on the trial.”

As you can see, the student above has provided a lengthy explanation of the plot, rather than focusing on the keywords. ‘moral responsibility’, ‘decency’ and ‘righteousness’. The student could easily have cut down on the plot details and used the essential events in the play to act as the basis of his/her analysis. So what are the things you can do in order to provide an insightful passage without falling into the trap of this major English student faux pas? Let’s have a look.

Remember that an essay is based on your interpretation of the prompt – that is, whether or not you agree or disagree with the essay topic. Since you are putting forth a contention, it is important that you try to convince the reader of your own point of view. Unfortunately, this is not possible through merely summarising the plot. Try to break down themes, characters, views and values and language construction when elaborating on your contention. By using your own words to explain an idea, you can then successfully use the book as support for your reasoning.

Remember that repeating the plot is not the same as analysing a plot. Some students rely heavily on quotes, but this in itself can become a repetition of what occurs in the novel. Never simply rely on quotes to tell the reader what you want to say; quotes are there again for support and so, use quotes as a basis of interpreting your own opinions and views. Keep this in mind, don’t tell me what I already know, tell me something I’d like to learn . This will force you to write about your own ideas, rather than repeating the author’s words. Concentrate on a specific section of a plot, or a small passage in the novel. Avoid talking about too much at once. If you are able to achieve this, it will prevent you from falling into the path of wanting to write about an overall event of the book, which is inevitably summarising the plot.If you believe that it is absolutely necessary to write about some of the plot in your essay body paragraphs, try to keep it to a minimum. Practice expressing the vital plot points in one phrase, rather than using 2 or 3 sentences to explain what occurs in the book.

Now let’s have a look at the example below. The discussion is based on the same topic sentence as that above however this time, the student has focused on developing their ideas into an insightful exploration:

“The importance of moral responsibility is shown through those who fail to possess any sense of decency or righteousness. The 3rd juror is shown to be someone who is arrogant and narrow-minded as a direct result of a troubled relationship with his own son. Although he is personally unacquainted with the defendant, he draws a parallel between the youngster with his own young son, stating that ‘we’d be better off if we took these tough kids and slapped ’em down before they make trouble, you know?’. It is ironic when he asserts that ‘everybody deserves a fair trial’ since he is the juror that adopts the most prejudice towards the case, thus demonstrating his failure to possess righteousness. His shortcomings are further highlighted through the stage directions whereby he ‘shouts’ and ‘leap(s) into the breach’, displaying his lack of interest in other jurors’ opinions as he is adamant that his view that the defendant is guilty is indeed, correct. Therefore, it is clear through his narrow-mindedness that he has little sense of moral responsibility.”

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Category Archives: Comparative

Advice and notes for tackling the Comparative section.

Tackling the Comparative

This article first appeared in the Irish Independent Written Word supplement on Tuesday 27th January 2015.

Knowing your individual texts is a vital starting point, but there’s more to comparative than knowing your texts. You also need to be clear what your modes of comparison are so you can draw connections between texts, analysing similarities and differences. The idea behind this section is, after all, the comparison of texts to each other. Once they stand in sharp contrast to each other you’ll find that you can see each text more clearly. With that in mind, consciously embedding linking phrases in your writing (until they flow naturally), answering the question that’s asked (not the one you wish was asked because you’ve it prepared) and aiming to achieve depth in your comparisons are three further skills you need to develop.

Modes of comparison

At higher level, your modes for 2015 are theme or issue, general vision and viewpoint and literary genre. [At ordinary level, theme is also one of the modes, alongside relationships and hero, heroine, villain]. If you’re not entirely sure what the modes mean, google it, there are plenty of definitions out there. Every year the modes change, so if you’re sitting the LC in 2016, 2017 or later, make sure you check which modes apply to your year.

For theme or issue you might consider some of the following:

How is this theme introduced? How does this theme affect the central character/characters?
How is this theme developed? Do the central characters embrace or fight against it? How?
Do other characters influence how this theme unfolds?
How does the text end & what are our final impressions of this theme as a result?

Asking the same question of each text allows you to come up with the all important links (similarities & differences) but try not to over-simplify (more on this later).

For general vision & viewpoint you might ask yourself some of these questions:

How do I feel as I read/watch this text?
What view is offered of humanity (are the main characters likable or deplorable?)
What view is offered of society (is this society largely benign or does it negatively impact on the characters)
How does the text end & what vision are we left with (positive or negative) as a result?

Alternatively you could just take a beginning, middle, end approach but you must at all times focus on whether the vision/feelings/atmosphere is positive or negative and how this impacts on the reader/viewers experience. Be specific about the atmosphere in the text; the feelings experienced by the audience or reader. Showing an awareness of the way this vision is communicated (through the musical score, the editing, the use of symbolism, stage directions etc…) may also be important, depending on the way the question is phrased.

For literary genre, things are a bit more complicated. Literary genre deals with how a story is told and it’s worth remembering that ‘genre’ has multiple meanings. It can refer to whether a text is a tragedy, a comedy, a morality tale etc. It will also denote the conventions of certain types of stories – science fiction, thriller, romance, horror. On a basic level, it also references the fact that texts tell their stories differently depending on whether they are a novel, play or film. For the novel, this involves the use of descriptive prose with a narrator(s) unfolding the plot for us. In a play, the story is told through dialogue and stage directions. While we may study drama by reading its text, it is often easy to lose sight of the fact that playwrights intend for their work to be performed on stage and not simply read in a classroom. In this light, the performance of actors and indeed the production will be as critical as the text. This also applies to film but we don’t study a film by reading its screenplay or simply watching it, we engage instead with the language of cinema; with framing, camera angles, editing, mis-en-scene, the musical score etc…

You must focus on the aspects mentioned in the question – possibly some of the following, but this list is not exhaustive and you may well focus on other aspects:

Genre – differences between novel/play/film
Literary devices specific to that mode of storytelling
Narrator / point of view
Characterisation
Chronology – flashback / flashforward
Climax / twist
Linking phrases

If you’re not used to making comparisons, at first your use of these phrases may be a bit clunky. The only way to achieve a natural flow is to practice, practice, practice until making the links happens organically, unconsciously. This is what will lead to good comparative writing.

To say the texts are similar :

In the same way / In much the same way
In ______, we also see ___________
These characters react in the same way, both __________ because _____
These characters react similarly but for completely different reasons….
Both texts reveal that __________
This is also obvious in ________ when _______, just like ____ decides __________
We also see this in ________
Likewise, in __________
This is mirrored in _________
The two texts share a similarity in that __________

To point out differences :

By contrast, in _________
In a different way ________
The opposite is seen in _________
Unlike _________
A completely different situation is clear in _________
In direct contrast to this, in _________, _________
The reverse is true in ________
Nothing like this is evident in _________ because they don’t value _______
These two texts could not be more different, particularly in thier outlook on _________
This is very different to ___________
This is somewhat different to _______
Answer the question asked.

Again and again we’re told that those who genuinely engage with the question on the paper are rewarded and those who reproduce a stock learnt off answer are not.

Here’s an extract from the Chief Examiner’s Report

“ examiners were pleased when they saw candidates trust in their own personal response and demonstrate a willingness to challenge the ‘fixed meaning’ of texts. The best answers managed to remain grounded, both in the question asked and in the texts ”.

Examiners complained that students had pre-prepared answers which they refused to adapt to the question asked. Don’t get confused here: in the comparative section you have to have done a lot of preparation prior to the exam. The similarities and differences are unlikely to simply occur to you on the day under exam conditions and the structure of comparing and contrasting, weaving the texts together using linking phrases and illustrating points using key moments is not something you can just DO with no practice. It’s a skill you have to learn. But you MUST be willing to change, adapt, and select from what you know to engage fully with the question asked.

As we’ve already established, there are two fundamental errors you’re in danger of making when writing your comparative answers

You fail to answer the question.
Your links are weak and superficial.

Let’s look at depth in more detail now. Imagine the question is “What did you enjoy about exploring the general vision & viewpoint of the texts you studied?”

Below is the kind of answer that will get you a D2 ( I made up this answer. I’m not slagging off a real student’s work)

“I really enjoyed studying the general vision and viewpoint of my three texts. The opening scene of DAL is quite nostalgic as Michael looks back on his childhood in Donegal but it’s also pessimistic because he says things weren’t really what they seemed and he mentions Fr. Jack coming home but not being nearly as impressive as they expected. We then see the Mundy sisters together, they are a close family but Kate tends to boss them around and the others resent this, particularly Agnes. When she decides they can’t go to the harvest dance the sisters are pissed off but Kate thinks it wouldn’t be right. Similarly the opening scene of IID is quite pessimistic. Michael sits on his own in Carrigmore home for the disabled and he can’t communicate because he is handicapped and can’t speak properly. He tries to warn one of the workers that there’s a cable that might get snagged and someone will trip but they don’t understand what he’s trying to say. He seems really frustrated and I would hate to be in his situation. The first scene in HMB is also pessimistic. Alec is waiting to die and he won’t get in touch with anybody in his family to tell them what’s happening. He doesn’t seem to even care and when the priest comes in he sends him away after making jokes about his own death. So I enjoyed seeing how awful some people’s lives can be because mine is way better and that made me happy”

What’s wrong with this answer?

Question is thrown in at the beginning and end of the paragraph but no effort is made to actually engage with the question.
Sentences go on – and on – and on. The writer clearly has no control over what they’re trying to say. It comes out in a stream of consciousness onto the page.
Informal conversational language and slang “she bosses them around” “pissed off” “he doesn’t even care” “mine is way better”
Inaccurate and vague details: “handicapped” instead of “cerebral palsy”, “can’t speak properly” instead of “has a speech impediment”, “he says things weren’t as they seemed” instead of including the quote “I had an awareness of a widening breech between what seemed to be and what was”, reference to the “priest” instead of the “padre”.
Texts dealt with separately with superficial links barely established “similarly” “also”.

Now let’s have a look at how to do it really well (this is a difficult skill to master):

“Studying the general vision and viewpoint of my three texts offered me a fascinating insight into the quiet lives of desperation many people lead and I found myself on tenterhooks, rooting for the central characters as they attempted to create a better life for themselves. The opening scene of DAL is full of nostalgia as Michael the narrator launches into a flashback of the summer when Fr. Jack returned from the missions. Despite the closeness of the family unit (Michael remembers his aunts dancing wildly to the music from the wireless) there is an aura of mystery and foreboding, an awareness “of a widening breach between what seemed to be and what was”. This aura makes DAL in many ways similar to HMB (from the beginning of both texts the reader feels something bad is about to happen) but the atmosphere of fear and foreboding are much more pronounced in HMB. The opening scene fills us with unease as Alec waits to die. Unlike the Mundy sisters (DAL) we have no sense that he feels close to his family – in fact he bluntly admits “I love no living person, I am committed to no cause…I have not communicated with either my father or mother”. I found his indifference to his plight deeply unsettling. Thus although I felt compelled to read on, I cannot say I ‘enjoyed’ watching him suffer.

The same is true of IID, where the central character’s difficulties fill the reader with sympathy. Michael’s cerebral palsy and speech impediment isolate him from the other residents but what makes this film subtly (yet significantly) different to HMB is that in IID we can see Michael’s frustration, through a series of close-ups of his face as he tries to communicate with Eileen and warn her of the impending accident (he has seen a vacuum cable snag and knows it will trip someone up). By contrast Alec (HMB) expresses no desire to escape the awful situation he finds himself in. Yet there are also interesting similarities between HMB and IID , for example the complete lack of family support and in some ways this makes DAL the most positive of the three – no matter what their difficulties at least the Mundy sisters have each other. Thus I can honestly say that all three texts captured my imagination, roused my curiosity and engaged my sympathy for the central characters in the opening scene, thus adding to my enjoyment and compelling me to read (or watch!) on.

Why is this so good by comparison?

The question is fully engaged with throughout by the writer.
Sentences are complex but highly controlled (writer uses brackets if adding something significant that would make the sentence unwieldy).
Formal language of critical analysis is used at all times.
Details are accurate and specific, including occasional use of quotes (perhaps four or five in total in your essay is more than sufficient).
Texts are interwoven; links are complex, recognising obvious similarities and differences but also going further to establish subtle distinctions.

NOTE: Always check the list of texts to see which ones are prescribed for your year. Above two of the three texts I mention are not on the list for 2015. For our purposes, that’s no harm: I want you to ignore the content and focus on the style of writing instead. But if you write on a text that’s not on the list for your year in the exam you will lose all of the marks available for discussing that text.

Posted in Comparative , Leaving Cert Paper 2

Let it flow…

This article first appeared in the Irish Independent Written Word supplement on Monday January 2th 2015

Good writers value flow. When an idea works, they grab it, massage it and make it their own. When it doesn’t, they cut it loose and, like Frozen, they just ‘let it go’.

I’m not saying they don’t get writer’s block – they do!

Nor am I saying that words and ideas flow out of them like water from a tap. Their words are just squiggles on a page, the same as the rest of us. And thank god, or we’d have lots of empty taps and sopping wet pages on our hands, not to mention the cost in water charges!

But what good writers understand, in their deep heart’s core, is the importance of generating flow for the reader. Ideas need to be linked to each other; paragraphs need to be sequenced logically and the reader needs to be eased in – and eased out – of the reading experience.

So how, good reader, do you achieve this in your writing?

First and foremost you should do something with that brainstorm your teacher insisted you create! The ideas are there but which one will you start with? Something to really seize the reader’s attention? A quote? A shocking statistic? Now where will you go next? What ideas have something in common, even something tenuous, that will enable you to segue from one to the next so that they seem like logical progressions akin to steps on a staircase to wisdom? And when the journey’s over and the essay is nearly done, how will you loop back to your starting point yet add a depth that did not exist when the reader stepped out bravely on this journey with you?

Secondly, you need a thread which ties everything together. It can help to think of the paragraphs in your essay as the seven dwarfs. Each one has it’s own defining identity: not sleepy or dopey hopefully, but with recognisable features that make it distinct from all of the others. Yet there’s no question that they belong together! You can look from one to the next to the next and see how they all form an inseparable unit that would be weaker if any one of them went missing or was left behind.

CONNECTIVES

Now that you’ve got a plan, a certain amount of flow will emerge from the sequence you’ve decided to implement. However, you need flow within your paragraphs as well as between them. This is where the third vital element of connectives comes in. These are words which form bridges, both within and between sentences. You’ll see a list of examples below but a word of warning here: connectives used well are almost invisible. Used badly, they’re like your Dad at a wedding with his trousers rolled up, wearing his tie as a headband and playing air guitar. They just look all wrong!

Here’s an example of connectives used well:

“ Ireland undoubtedly has a tradition of neutrality. Clearly this is the will of the people. However , it would be foolish of us to assume that this desire to remain neutral will continue indefinitely into the future. We live in an era of growing global terrorism and were we to be targeted by terrorists we would need to respond, not just for our safety but also for the safety of our neighbours. Furthermore, we are socially, economically and emotionally tied to Europe and so an attack on Europe would also be an attack on us.”

And here’s an example of connectives used badly:

Ireland has a tradition of neutrality. Furthermore this is the will of the people. Nevertheless it would be foolish of us to assume that this desire to remain neutral will continue. We live in an era of growing global terrorism and were we targeted by terrorists we would need to respond. At the same time we are tied to Europe socially, economically and emotionally so to conclude an attack on Europe would also be an attack on us.

Just typing that second example was like scrapping my nails down a blackboard and reading it back is like jabbing hot pokers in my eyeballs.

The bottom line is this: using connectives for the sake of it or because some teacher in the Indo supplement told you to won’t work. You need to understand the words you’re using. You need to know how they work to create flow in your writing.

There is no shortcut to this knowledge. You won’t just innately know how to use connectives properly, unless you’ve been reading voraciously from an early age and engaging in family debates around the dinner table on a daily basis all of your life, so you’ll need to practice. Reading a lot and reading the right kind of material (speeches, debates, newspaper articles, academic essays) will increase your familiarity with connectives and help them to flow more naturally into your own writing.

Sample connectives:

First of all…secondly…thirdly

In the beginning… then… ultimately…finally

Nonetheless, nevertheless, although, even though, however

Furthermore, in addition, above all, essentially

Thus, therefore, hence, as a result

On the other hand… alternatively… besides

Clearly, obviously, evidently, logically

So you’ve got the guidelines. You’re good to go. And now, to paraphrase Frozen once more, it’s time to ‘Let it flow, let it flow, can’t hold it back anymore…’

Comments Off on Let it flow…

Posted in Comparative , Composing , Comprehensions , Leaving Cert Paper 1 , Leaving Cert Paper 2 , Poetry

Comparative Q’s By Type

I’m trying to wrap my head around the mental checklist a student needs to have ticked off in their brain to feel confident that they can tackle whatever question comes up in the comparative. Apologies for ignoring gv&v and literary genre, I’m sure I’ll get to them eventually. For now, I’ve re-organised the questions for theme or issue and cultural context into the following categories:

Theme or Issue:

Questions which focus on key moments / dramatic or interesting moments in texts.

Questions on what you’ve learned from studying this theme (personal & universal insights)

Questions on the extent to which this theme or issue is resolved

Cultural Context:

Questions that ask you to compare the cultural context in general & the values/attitudes which are evident in each society

Questions that ask you to discuss how you feel about these societies / studying these societies

Questions that ask you to discuss the impact of the society on the central characters

Questions that ask how the cultural context effects the unfolding of the plot

Questions that ask you to discuss ONE aspect of the cultural context (gender roles, social class)

————————————————————————————————————-

If anyone wants the full list of questions, organised by type, here they are:

Theme or Issue

Questions which focus on key moments / dramatic or interesting moments in texts

1. “ Important themes are often expressed in key moments in texts ” Compare how the authors of the three comparative texts studied by you used key moments to heighten your awareness of an important theme.

2. “ There are key moments in a text when a theme comes sharply into focus ” Discuss.

3. “ The dramatic presentation of a theme or issue can add greatly to the impact of narrative texts”

4. “ Exploring a theme or issue through different texts allows us to make interesting comparisons ”

5. (a) Choose a theme from 1 text you have studied & say how it helped maintain your interest in the text. (30) (b) Compare how the theme is treated by the authors of 2 other texts to maintain the reader’s interest. (40)

6. (a) Compare how key moments in 2 of your texts raised an important theme or issue (40)

(b) In a third text show how a key moment helped your understanding of the same theme (30)

1. “ Studying a theme or issue enables a reader to form both personal and universal reflections on that theme or issue ” Discuss in relation to two or more texts.

2. “ A reader’s view of a theme or issue can be either changed or reinforced through interaction with texts .”

3. “ A theme or issue explored in a group of narrative texts can offer us valuable insights into life ”

4. “ The comparative study of a theme or issue allows the reader to gain a variety of viewpoints on that theme or issue ”

(a) Describe the viewpoint on your chosen theme in one text you have studied. (30)

(b) Compare the viewpoint on the same theme in your other two texts. (40)

5. “The study of a theme or issue can offer a reader valuable lessons and insights.”

(a) Identify and discuss at least one valuable lesson or insight that you gained through the study of a theme or issue in one text on your comparative course. (30)

(b) Compare at least one valuable lesson or insight that you gained, from studying the same theme or issue (as discussed in (a) above), in two other texts on your comparative course. The valuable lesson or insight may be the same, or different, to the one discussed in (a) above.(40)

Questions on the extent to which the issue is resolved :

1. “ In many texts, a theme or issue may not be resolved to the complete satisfaction of the reader” Discuss

2. (a) Discuss the extent to which a theme or issue is resolved to your satisfaction in one text on your comparative course.

(b) Compare the extent to which the same theme or issue is resolved to your satisfaction in two other texts on your comparative course.

Cultural Context Questions

Questions that ask you to compare the cultural context in general & the values/attitudes in each society:

1. In the light of your understanding of the term the cultural context write an essay in which you compare the texts you have studied in your comparative course. (70)

2. (a) With reference to one of the texts you have studied in your comparative course, write a note on the ways in which the cultural context is established by the author. (b) Compare the ways in which the cultural context is established by the authors of two other texts on your comparative course.

3. “ In any cultural context, deeply embedded values and attitudes can be difficult to change ” (70)

4. “ Understanding the cultural context of a text allows you to see how values and attitudes are shaped ”

(a) Discuss in relation to one text you have studied (30) (b) Compare the way the values and attitudes are shaped in two other texts you have studied. (4 0 )

Questions that ask you to discuss how you feel about these societies / studying these societies:

1. “A reader can feel uncomfortable with the values and attitudes presented in texts” (70)

2. “A narrative text creates its own unique world in which the reader can share” (70)

3. “Understanding the cultural context of a text adds to our enjoyment of a good narrative” (70)

4. Imagine that you are a journalist sent to investigate the cultural context of the worlds of the three texts from your comparative course. (a) Write an article on the cultural context you found most interesting. (30) (b) In a second article compare the cultural contexts of the other two worlds with each other. (40)

Questions that ask you to discuss the impact of the culture / society on the central characters:

1. “ The main characters in texts are often in conflict with the world or culture they inhabit ” (70)

2. “ The cultural context can have a significant influence on the behaviour of the central character ( s ) in a text ”

3. “ The opportunities or lack of opportunities available to characters in the society or world in which they live have a huge impact on them ” (70)

Questions that ask how the cultural context effects the unfolding of the plot:

“ The cultural context of a narrative usually determines how the story will unfold ” (a) Compare the way in which the cultural context influenced the storyline in two of the texts you have studied (40) (b) Show how the cultural context influenced the storyline in a third text you have studied (30)

Questions that focus on ONE aspect of the cultural context:

1. “ The issue of social class is important in shaping our understanding of the cultural context of a text ”

(a) Discuss the importance of social class in shaping your understanding of the cultural context of one text you have studied (30 marks)

(b) Compare the importance of social class in shaping your understanding of the cultural context of two other texts you have studied. (40 marks)

2. “ The roles & status allocated to males or females can be central to understanding the cultural context of a text ”

(a) Show how this statement might apply to one text on your comparative course. In your answer you may refer to the roles and status allocated to either males or females or both. (30)

(b) Compare how the roles and status allocated to males or females, or both, aided your understanding of the cultural context in two other texts on your comparative course. (40)

28 Comments

Posted in Comparative

Tagged comparative , cultural context , leaving cert , questions , theme or issue

Linking Phrases

To say the texts are similar:

To point out differences

Here’s another list of linking phrases: http://jamietuohy.com/2012/04/12/essential-words-for-the-comparative-question-jamie-tuohy/

Tagged comparative , comparisons , leaving cert english , linking phrases

Sample comparative link

You are asked the following question:

“ The society we encounter in a text can be deeply disturbing for the reader/viewer ” – Discuss.

You write this as part of your answer:

In ‘Casablanca’ & ‘Sive’ corruption is a feature I found deeply disturbing in both societies. In Casablanca pickpockets roam the streets and men are shot dead for daring to challenge those in authority. In one sequence Major Strasser and Renault try to intimidate Laszlo into betraying the allied cause. I was shocked to hear Renault comment of Urgarte’s death “we haven’t decided if he commit suicide or if he died trying to escape”, thereby suggesting that it would be easy for them to kill Laszlo too and get away with it. Similarly in Sive, Mena and Thomasheen are utterly corrupt and, like Renault and Strasser, use intimidation to get their way, threatening Nanna with the county home if she won’t go along with their plan to ‘auction’ Sive off to Sean Dota. One significant difference between these societies is that although the locals in Sive disapprove of this match (“In the village the public houses are full of the mockery of it”), they are unwilling to intervene, whereas, in Casablanca, all of the refugees stand together and challenge Strasser’s authority in the scene where they sing ‘La Marseilles’ to drown out the Nazis’ singing. However, despite the disgusting and disturbing lack of bravery shown by the community in support of Sive, I think selfishly I’d prefer to live in this society simply because it’s not as dangerous as Casablanca and you’re less likely to be putting your life at risk if you challenge those in authority.

Now, before I analyse the ingredients for you, can you answer the following questions:

Identify the 6 linking phrases used above:
Find 2 direct references to the Q asked & 2 implicit references to how I felt about these societies.
Number the 6 key moments I referenced above.

Right, here it is again but with the different elements colour-coded:

In ‘ Casablanca ’ & ‘ Sive ’ corruption is a feature I found deeply disturbing in both societies. In Casablanca pickpockets roam the streets and men are shot dead for daring to challenge those in authority. In one sequence Major Strasser and Renault try to intimidate Laszlo. I was shocked when Renault commented of Urgarte’s death “ we haven’t decided if he commit suicide or if he died trying to escape ”, thereby suggesting it would be easy for them to kill Laszlo too. Similarly in Sive, Mena and Thomasheen are corrupt and, like Renault and Strasser, use intimidation to get their way, threatening Nanna with the county home if she won’t go along with their plan to ‘auction’ Sive off to Sean Dota. One significant difference between the texts is that the locals in Sive disapprove of this match (“ In the village the public houses are full of the mockery of it ”), yet are unwilling to do anything to stop it, whereas, in Casablanca, all of the refugees come together to stand up to Strasser and challenge his authority in the scene where they sing La Marseillese. Despite the disgusting lack of bravery shown by the community in support of Sive, I think selfishly I’d prefer to live in this society as it’s not as dangerous as Casablanca and you’re less likely to be putting your life at risk if you challenge those in authority.

Now let’s analyse the different ingredients in the answer:

In ‘ Casablanca ’ & ‘ Sive ’ corruption is a feature I found deeply disturbing in both societies . = statement linking the texts, linking phrase (both), direct reference to the question asked.

In Casablanca pickpockets roam the streets and men are shot dead for daring to challenge those in authority. In one sequence Major Strasser and Renault try to intimidate Laszlo into co-operating. I was shocked when Renault commented of Urgarte’s death “ we haven’t decided if he commit suicide or if he died trying to escape ”, thereby suggesting that it would be easy for them to kill Laszlo too. = Key moments & examples from text 1

Similarly in Sive, Mena and Thomasheen are corrupt and, like Renault and Strasser , use intimidation to get their way, threatening Nanna with the county home if she won’t go along with their plan to ‘auction’ Sive off to Sean Dota. = Make a comparison with key moment(s) from text 2

One significant difference between the texts (contrast/difference) is that the locals in Sive disapprove of this match (“In the village the public houses are full of the mockery of it”), yet are unwilling to do anything to stop it, whereas, in Casablanca, all of the refugees come together to stand up to Strasser and challenge his authority in the scene where they sing La Marseillese. (point out a significant difference between the texts/societies)

Despite the disgusting lack of bravery shown by the community in support of Sive, which I found both disturbing and upsetting, I think selfishly I’d prefer to live in this society as it is not as dangerous as Casablanca and you’re less likely to be putting your life at risk if you challenge those in authority. (final sentence gives personal response/preference)

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Compare and contrast transition words for essays, discussions and more

When you are trying to compare and contrast different things, it helps to have the right words and phrases to explain your ideas clearly. This is where compare and contrast transition words come in handy.

A transition word or phrase guides the listener or reader through what the speaker or writer is saying. We use transition words, also known as ‘ discourse markers ‘, or ‘signal words’, to help us structure what we say and make our meaning clearer.

So, let’s take a look at some common transition words for comparing and contrasting – as well as some which you may not be familiar with. We have included plenty of example sentences so you can understand how to use them correctly.

Compare and contrast transition words

Comparing and contrasting involves explaining how one thing is the same as or different to something else, and examining alternatives. You may get a compare and contrast essay assignment, for example, or you might need to write a business plan exploring different possible outcomes.

Whatever the situation, these transition words for comparing and contrasting will help you transition from one point to the next in a clear and logical way.

Transition words for comparing similarities

When you want to highlight the similarities between two things, or talk about how they are the same, these are the comparison transition words you should use.

The following signal words can be used to compare two things in the same sentence:

“Cats are as friendly as dogs.” “That cloud looks like a face.” “I look similar to my mother.”

The next group of comparing words are used after one point has been stated or mentioned, and they begin the following sentence that contains the second point:

in the same way

“The sales team need to work hard to meet their targets this month. Similarly , all warehouse staff must make an effort to despatch all orders on time.”

Find more examples of alternative words for ‘similarly’ here.

Transition words for contrast emphasis

When presenting something that contrasts with what was previously written or said, or what would be expected as a result of a previous point, we can use these contradictory transition words.

In a simple sentence when presenting the two pieces of information together, we can use:

“I’m really good at playing the guitar but I can’t play the flute.” “Alan is a great singer whereas Anna is an excellent painter.” “Spain is good for beach holidays, unlike Austria, which is good for skiing.”

To add information that contradicts or contrasts with what has previously been said in a separate sentence, we can use one of the following:

in contrast
on the contrary
On the one hand… On the other hand

Here are some sentences with discourse markers to express contrast:

“Our children’s products have performed very well this year. Conversely , sales of menswear have fallen slightly.” “It’s been sunny today; however , I think it’s going to rain tomorrow.” “I’m not sure if we should continue working with this supplier. On the one hand , they have the best pricing in the market and a good reputation. On the other hand , we have had many problems with their service recently.”

Find some more emphasis transition words here.

Transition words to signal contrast in an outcome

When talking about one thing happening in spite of another thing (in contrast to the expected outcome), we can use transition words and phrases such as:

all the same
in spite of this
nevertheless
nonetheless

“The away team fought really hard to secure a victory. Still , the home team eventually won 2:1.” “I will try to pick up some groceries on the way home. All the same , it would be nice if you had time to do the shopping this afternoon.” “It has been a very tough year for the hospitality sector. In spite of this , our restaurant has managed to turn a good profit.”

In the same situation as above, but with the two points joined in the same sentence, you can use these signal words:

in spite of
even though

“ Even though the kids hadn’t met before, they got on really well at the party.” “We managed to afford a holiday despite our financial problems.” “We had a great time at the beach, in spite of the clouds.”

Find some more transition words for ending and concluding here.

Transition words for contrasting solutions and suggestions

And finally, these signal words can be used when you’re making a suggestion or offering a solution that contrasts with another suggestion or solution:

alternatively
another option is to

“ Instead of cooking dinner tonight, why don’t we get a takeaway?” “We could hire a new staff member for this project. Alternatively we could just use a consultant on a temporary basis.”

And that concludes this list of compare and contrast transition words. If you have any other examples or are unsure how to use these compare and contrast words in a sentence, please leave a comment below.

If you found this article useful, take a look at these others which cover different categories of transition word:

Transition words for addition Transition words for cause and effect Transition words for giving examples Transition words for time order and sequence

Finally, if you have a compare and contrast essay assignment, this resource might help you structure it well and cover the topic in full.

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11 Comments

Is the word “while” one of the compare and contrast signal/transition words?

Yes, that’s another good one. ‘While’ is used in the same way as ‘whereas’ in the context of comparing and contrasting.

What about “other than”? Can it be considered a contrast and comparison word?

Good question! In some cases, yes, ‘other than’ could be used to contrast positive and negative points. For example: “Other than the broken taillight and faulty speedometer, this car is in perfect condition.”

Hi Amanda. Please help me with this.

He changed his mind about coming over even though we have prepared the meal and everything else for him.

I have a feeling the marker even though doesn’t quite work there. I’d like to emphasize the host great disappointment about the guest’s change of plan. Do you have another suggestion?

The sentence you proposed works well with ‘even though’. The only change you should make is to the tense, either:

“He changed his mind about coming over even though we had prepared the meal and everything else for him.” (reporting a past event)

“He has changed his mind about coming over even though we have prepared the meal and everything else for him.” (speaking about it as it happens).

An alternative would be to replace ‘even though’ with ‘despite the fact that’; that might hint at even stronger disappointment with the decision.

Hi Amanda, i want to ask you why ‘than’ is not part of signal words for comparison and contrast?

You’re right, this is an important word for comparing when paired with a comparative adjective.

Thank you Amanda, but i want to make sure gain that “than” is not a part of signal words in comparison and contrast, except “more than” or “less than”. Is that right?

You can use ‘than’ with any comparative adjective. For example, “Your dessert looks tastier than mine.” “This car is slower than when I bought it.” “Joshua is more intelligent than James.” I hope this helps!

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By Sam Corbin

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TUESDAY PUZZLE — I was excited to see Daniel Bodily’s byline at the top of today’s crossword for two reasons. The first is that, as a relatively recent addition to the Games desk, I still get a thrill whenever I recognize constructors’ names from past puzzles — a novel way of marking time, somewhat similar to notching a wall to track growth spurts. The second reason is that I had a lot of fun solving one of Mr. Bodily’s previous puzzles for The New York Times, a Thursday thinker from Oct. 5, 2023, in which common phrases had their halves reversed to create new ones — “craps tables” became “table scraps,” and so on.

It won’t be that hard to spot Mr. Bodily’s trick this go-round. But solving the puzzle is a real throwback — as in, you might just throw out your back laughing, once you figure out the theme.

Today’s Theme

My, my, my. How did it feel when you applied a certain famous “MC Hammer lyric” — the words of which are split across the bottom row of the grid at 66-, 67- and 68A — to all of the starred clues?

The sheer catchiness of (U) CAN’T TOUCH THIS, the 1990 hip-hop hit, is part of what makes this revealer so satisfying. I recommend listening to the song while reviewing the puzzle’s list of things you CAN’T TOUCH (or can, but really shouldn’t): a CAMERA LENS (17A), WET PAINT (31A), an ELECTRIC FENCE (38A), a LIMBO BAR (44A) and anything at a CRIME SCENE (60A).

If this theme feels strangely familiar to regular solvers, you’re not imagining things: A recent Sunday puzzle by Nathan Hasegawa ran under the title “Hammer time,” which is another memorable phrase from the song. (Mr. Hasegawa’s theme was about Whac-a-Mole.)

Tricky Clues

21/24A. After the hubbub surrounding cold coffees in yesterday’s crossword, I expected to be just as fazed by this split entry for “some summer coffee orders.” So it was refreshing to find that the answer was ICED LATTES.

43A. When a clue tells you that its entry can be found in a specific phrase, the best place to look is in the space between the words of that phrase. In “Drug whose name can be found in ‘spel ls d anger,’” for instance, the answer is LSD.

23D. To “Expire” means to rot, go bad or die. But the word can also have a less bleak meaning, which is the one intended here: LAPSE.

31D. Adjectives that end in Y tend to flip-flop between comparative forms in the Times Crossword. “More sardonic” solves to WRIER today, but it also has been spelled WRyER a handful of times in past puzzles.

40D. And speaking of adjectives, take a look at the answer for “Like zirconium on the periodic table”: FORTIETH. The clue was certainly an original way to get us to that entry. Its only other appearance in the Times Crossword was in 1995, with the clue “Ruby anniversary.”

Constructor Notes

I had a blast (and a blast from the past) making this puzzle. It brought back some fond memories and, like my puzzle from a few weeks ago, gave me some to enjoy during the weeks that I made it. Hopefully the tune strikes a chord with you as well. Looking to collaborate on an idea? DM me here .

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COMMENTS

Ultimate Guide to Writing a Comparison Essay: Tips and Examples
Make sure they have enough similarities and differences to make a meaningful comparison. 2. Brainstorm key points: Once you have chosen the subjects, brainstorm the key points you want to compare and contrast. These could include characteristics, features, themes, or arguments related to each subject. 3.
Comparative Essay
Moreover, a comparative analysis essay discusses the similarities and differences of themes, items, events, views, places, concepts, etc. For example, you can compare two different novels (e.g., The Adventures of Huckleberry Finn and The Red Badge of Courage). However, a comparative essay is not limited to specific topics.
The Comparative Essay
A comparative essay asks that you compare at least two (possibly more) items. These items will differ depending on the assignment. You might be asked to compare. Although the assignment may say "compare," the assumption is that you will consider both the similarities and differences; in other words, you will compare and contrast.
Comparative Phrases for Essays
However, using comparative phrases excessively can make your essay sound contrived. Instead, punctuate your essay with comparative phrases periodically where ideas could benefit from being more clearly linked. Also, substitute short one- or two-word phrases for long phrases wherever possible to avoid wordiness.
How to Write a Comparative Essay (with Pictures)
1. Analyze the question or essay prompt carefully. You may have a great idea for a paper in your head, but if it doesn't perfectly match the prompt, you may not create the product your instructor has asked for. Look over the prompt (and rubric, if you have one) carefully and underline key phrases.
Comparing and Contrasting
Making a Venn diagram or a chart can help you quickly and efficiently compare and contrast two or more things or ideas. To make a Venn diagram, simply draw some overlapping circles, one circle for each item you're considering. In the central area where they overlap, list the traits the two items have in common.
Comparing and Contrasting in an Essay
Making effective comparisons. As the name suggests, comparing and contrasting is about identifying both similarities and differences. You might focus on contrasting quite different subjects or comparing subjects with a lot in common—but there must be some grounds for comparison in the first place. For example, you might contrast French ...
Writing Comparative Essays: Making Connections to Illuminate Ideas
Here are some tips, with student examples to illustrate each. 1. Make sure you're focusing on a manageable theme or idea. One of the first ways to get on the wrong track in writing a comparative ...
Comparative Essays
How to Write a Comparative Essay. 1. Establish a basis of comparison. A basis of comparison represents the main idea, category, or theme you will investigate. You will have to do some preliminary reading, likely using your course materials, to get an idea of what kind of criteria you will use to assess whatever you are comparing.
Writing a comparative essay
The broad structure of a comparative essay is already very familiar to you, and consists of an introduction, several body paragraphs and a conclusion. The introduction should include a clear contention that alerts the reader to your response to the topic, as well as the main ideas your essay will explore. It must contain references to both texts.
Tackling the Comparative
Linking phrases; If you're not used to making comparisons, at first your use of these phrases may be a bit clunky. The only way to achieve a natural flow is to practice, practice, practice until making the links happens organically, unconsciously. This is what will lead to good comparative writing. To say the texts are similar: Similarly
Academic Guides: Writing a Paper: Comparing & Contrasting
Use Clear Transitions. Transitions are important in compare and contrast essays, where you will be moving frequently between different topics or perspectives. Examples of transitions and phrases for comparisons: as well, similar to, consistent with, likewise, too. Examples of transitions and phrases for contrasts: on the other hand, however ...
Academic Phrasebank
Compare and contrast. By understanding similarities and differences between two things, we can increase our understanding and learn more about both. This usually involves a process of analysis, in which we compare the specific parts as well as the whole. Comparison may also be a preliminary stage of evaluation. For example, by comparing ...
English Comparative Linking Phrases
English Comparative Linking Phrases. Daniel Paul. over 4 years ago · 1 min read · 21,206 views Comments (0) It is important not to repeat the same words over and over again in your English comparative essay on paper 2. Use different linking words to keep your writing interesting. Listed here are some examples of comparing and contrasting words.
Transition Words For Compare And Contrast Essay
The answer is "yes.". It is possible to link multiple traits or features to one entity. For instance, if you want to discuss the multiple benefits of exercise but don't want your sentences to be too lengthy. You could use compare transition words like 'in addition' and "furthermore" to list more benefits in a new sentence.
PDF Compare & Contrast Transitions
Transitional words and phrases keep your ideas connected together, make your writing coherent, and help your reader understand the logic of your paper. Below is a list of some transitional words you can use in a compare and contrast essay. Make sure you use them in the right place to convey the right meaning.
Linking Phrases
This entry was posted in Comparative and tagged comparative, comparisons, leaving cert english, linking phrases. Bookmark the permalink . ← Essay Writing (Othello)
Tips on How to Write a Comparative Analysis Essay
Utilise Linking Words and Phrases. To effectively connect your ideas and points of comparison, use linking words and phrases such as "similarly," "likewise," "on the other hand," and "conversely.". These linguistic tools help smooth transitions between sections and clarify relationships between concepts, enhancing the flow of ...
How to compare texts
A comparison response still follows the basic essay structure: an introduction; four or five main points supported by details; ... Some key phrases can help you to compare texts.
The Ultimate Guide to VCE Comparative
Comparative is the first Area of Study (AoS 1) in Unit 2 (Year 11) and Unit 4 (Year 12) - meaning that majority of students will tackle the Comparative SAC in Term 3. The number of allocated marks are: Unit 2 - dependant on school. Unit 4 - 60 marks (whopper!) The time allocated to your SAC is school-based.
Comparative
Linking phrases; If you're not used to making comparisons, at first your use of these phrases may be a bit clunky. The only way to achieve a natural flow is to practice, practice, practice until making the links happens organically, unconsciously. This is what will lead to good comparative writing. To say the texts are similar: Similarly
32 Compare and contrast transition words (with examples)
When talking about one thing happening in spite of another thing (in contrast to the expected outcome), we can use transition words and phrases such as: "The away team fought really hard to secure a victory. Still, the home team eventually won 2:1.". "I will try to pick up some groceries on the way home.
NYT Crossword Answers for June 4, 2024
43A. When a clue tells you that its entry can be found in a specific phrase, the best place to look is in the space between the words of that phrase. In "Drug whose name can be found in 'spel ...

Essay Papers Writing Online

Understanding the Basics

Choosing a Topic for Comparison Essay

Finding the Right Pairing

Structuring Your Comparison Essay

Creating a Clear Outline

Engaging the Reader

Point-by-Point vs Block Method

Selecting the Best Approach

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The Comparative Essay

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Develop a list of similarities and differences

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Come up with a structure for your essay

How to Write a Comparative Essay

Comparative Essay Outline and Example

How to Develop the Essay Content

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Comparing and Contrasting

Introduction

Recognizing comparison/contrast in assignments

Using comparison/contrast for all kinds of writing projects

Discovering similarities and differences

Two historical periods or events

Two ideas or theories

Two pieces of writing or art

Deciding what to focus on

Your thesis

Organizing your paper

Subject-by-subject

Point-by-point

Cue words and other tips

Comparative Essays

How to Write a Comparative Essay

Sample Outlines for Comparative Essays on Neoclassical and Gothic Architecture

Building a Block Method Essay

Writing a Paper: Comparing & Contrasting

Address Both Similarities and Differences

Make Sure You Have a Clear Thesis Statement

Use Clear Transitions

Structure Your Paper

Include Analysis

Make Analogous Comparisons

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