how long are senior thesis papers

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Senior Thesis Formatting Guidelines

Contents and form.

Length : The required length is between 10,000 and 20,000 words, not counting notes, bibliography, and appendices. The precise length of the main body text must be indicated on the word count page  immediately following the title page . If a student expects the thesis to exceed 20,000 words, the student’s tutor should consult the Director of Studies. Please note that students’ requests to exceed 20,000 words must go through their tutors and that these requests must be made in early February. Any extension of the thesis beyond the maximum must be justified by the nature of the topic, or sustained excellence in the treatment of the subject, or both. Theses that receive permission to exceed 20,000 words can still be penalized if readers do not think that the excess length is warranted.

Acknowledgments : Please do not include acknowledgments in your final copy of the thesis. If you wish, you can add acknowledgments after your thesis has been read. Readers prefer not to know who directed your thesis, lest they be somehow swayed by that knowledge.

Illustrations : Illustrations, also called figures, might include anything from a photograph to a printed advertisement to a map to a chart. Illustrations may be inserted in the body of your thesis or included in an appendix at the end. Writers often choose to reference an illustration in the body of text, signaling to readers to refer to a particular figure that’s being discussed by turning to a nearby page or to an appendix (e.g., “See Figure 1.”) The inclusion of illustrations in a senior thesis, which has a fairly circumscribed audience, falls under fair use, so you do not need permissions to reproduce illustrations in your thesis. However, all images should be accompanied by a caption that identifies the image and may include brief explanatory text. You may also use the caption to attribute the source where you found the illustration (e.g., a url or the name of the archive where you photographed the item), or you can cite the illustration in a footnote or endnote. You do not need to cite your images in your bibliography. For more detailed guidelines on including illustrations in your thesis, see The Chicago Manual of Style or the MLA Style Manual .

Format : Pages should be 8 1/2" x 11". Margins should be 1 inch, and pages should be numbered. Do not right-justify. The lines of type must be double-spaced, except for quotations of five lines or more, which should be indented and single-spaced.

Style : If you have questions beyond those covered on this page, consult the University of Chicago's A Manual of Style or the Modern Language Association's Style Manual . Kate L. Turabian's A Manual for Writers is a good, inexpensive, brief guide to Chicago style. The Expository Writing Program guide, Writing with Sources , is very useful.

Table of Contents : Every thesis requires a Table of Contents to guide the reader.

Quotations : Quotations of four lines or fewer, surrounded by quotation marks, may be incorporated into the body of the text. Longer extracts should be indented and single-spaced; they should not be included in quotation marks. Each full quotation should be accompanied by a reference. Follow the general practice in the best periodicals in your field, and be consistent. Foreign words that are not quotations should be underlined or italicized.

Appendices : An appendix provides additional material that helps support your argument and is too lengthy to be included as a footnote or endnote. Appendices might include images, passages from primary texts in a non-English language or in your translation, or archival material that is difficult to access. It is rare but perfectly acceptable for theses to include appendices, so make sure to discuss with your tutor whether an appendix makes sense for your project.

Notes : You may use either footnotes (at bottom of page), endnotes (at end of the thesis) or MLA style parenthetical notes. However, for a History & Literature thesis, Chicago style is generally better. Footnote or endnotes are properly used:

• To state precisely the source or other authority for a statement in the text, or to acknowledge indebtedness for insights or arguments taken from other writers. Quotations should be given when necessary.
• To make minor qualifications, to prevent misunderstanding, or otherwise to clarify the text when such statements, if put in the text, would interrupt the flow.
• To carry further some topic discussed in the text, when such discussion is needed but does not fit into the text.

Bibliography : You must append a list of works cited to your thesis. It's a good idea to compile your bibliography as you write, rather than try to put it together all at once at the end (there are very powerful bibliography programs available, such as Zotero and Endnote, that generate bibliographies automatically). The purpose of the bibliography is to be a convenience to your reader. In the works cited list, primary and secondary sources should be listed under separate headings.

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Doing a senior thesis is an exciting enterprise. It’s often the first time students are engaging in truly original research and trying to develop a significant contribution to a field of inquiry. But as joyful as an independent research process can be, you don’t have to go it alone. It’s important to have support as you navigate such a large endeavor, and the ARC is here to offer one of those layers of support.

Whether or not to write a senior thesis is just the first in a long line of questions thesis writers need to consider. In addition to questions about the topic and scope of your thesis, there are questions about timing, schedule, and support. For example, if you are collecting data, when should data collection start and when should it be completed? What kind of schedule will you write on? How will you work with your adviser? Do you want to meet with your adviser about your progress once a month? Once a week? What other resources can you turn to for information, feedback, and support?

Even though there is a lot to think about and a lot to do, doing a thesis really can be an enjoyable experience! Keep reminding yourself why you chose this topic and why you care about it.

Tips for Tackling Big Projects:

Break the process down into manageable chunks.

• When you’re approaching a big project, it can seem overwhelming to look at the whole thing at once, so it’s essential to identify the smaller steps that will move you towards the completed project.
• Your adviser is best suited to help you break down the thesis process with field-specific advice.
• If you need to refine the breakdown further so it makes sense for you, schedule an appointment with an  Academic Coach . An academic coach can help you think through the steps in a way that works for you.

Schedule brief writing sessions at regular times.

• Pre-determine the time, place, and duration.
• Keep it short (15 to 60 minutes).
• Have a clear and reasonable goal for each writing session.
• Make it a regular event (every day, every other day, MWF).
• time is not wasted deciding to write if it’s already in your calendar;
• keeping sessions short reduces the competition from other tasks that are not getting done;
• having an achievable goal for each session provides a sense of accomplishment (a reward for your work);
• writing regularly can turn into a productive habit.

Create accountability structures.

• In addition to having a clear goal for each writing session, it's important to have clear goals for each week and to find someone to communicate these goals to, such as your adviser, a “thesis buddy,” your roommate, etc. Communicating your goals and progress to someone else creates a useful sense of accountability.
• If your adviser is not the person you are communicating your progress to on a weekly basis, then request to set up a structure with your adviser that requires you to check in at less frequent but regular intervals.
• Commit to attending Accountability Hours  at the ARC on the same day every week. Making that commitment will add both social support and structure to your week. Use the ARC Scheduler to register for Accountability Hours.
• Set up an accountability group in your department or with thesis writers from different departments.

Create feedback structures.

• It’s important to have a means for getting consistent feedback on your work and to get that feedback early. Work on large projects often lacks the feeling of completeness, so don’t wait for a whole section (and certainly not the whole thesis) to feel “done” before you get feedback on it!
• Your thesis adviser is typically the person best positioned to give you feedback on your research and writing, so communicate with your adviser about how and how often you would like to get feedback.
• If your adviser isn’t able to give you feedback with the frequency you’d like, then fill in the gaps by creating a thesis writing group or exploring if there is already a writing group in your department or lab.
• The Harvard College Writing Center is a great resource for thesis feedback. Writing Center Senior Thesis Tutors can provide feedback on the structure, argument, and clarity of your writing and help with mapping out your writing plan. Visit the Writing Center website to schedule an appointment with a thesis tutor .

Accept that there will be some anxious moments.

• To reduce this source of anxiety, try keeping a separate document where you jot down ideas on how your research questions or central argument might be clarifying or changing as you research and write. Doing this will enable you to stay focused on the section you are working on and to stop worrying about forgetting the new ideas that are emerging.
• You might feel anxious when you realize that you need to update your argument in response to the evidence you have gathered or the new thinking your writing has unleashed. Know that that is OK. Research and writing are iterative processes – new ideas and new ways of thinking are what makes progress possible.
• Breaking down big projects into manageable chunks and mapping out a schedule for working through each chunk is one way to reduce this source of anxiety. It’s reassuring to know you are working towards the end even if you cannot quite see how it will turn out.
• It may be that your thesis or dissertation never truly feels “done” to you, but that’s okay. Academic inquiry is an ongoing endeavor.

Focus on what works for you.

• Just because your roommate wrote 10 pages in a day doesn’t mean that’s the right pace or strategy for you.
• If you are having trouble figuring out what works for you, use the  ARC Scheduler  to make an appointment with an  Academic Coach , who can help you come up with daily, weekly, and semester-long plans.

Use your resources.

• There’s a lot of the thesis writing process that has to be done independently, but there are also a lot of free resources at Harvard to help you do the work.
• If you’re having trouble finding a source, email your question or set up a research consult via Ask a Librarian .
• If you’re looking for additional feedback or help with any aspect of writing, contact the Harvard College Writing Center . The Writing Center has Senior Thesis Tutors who will read drafts of your thesis (more typically, parts of your thesis) in advance and meet with you individually to talk about structure, argument, clear writing, and mapping out your writing plan.
• If you need help with breaking down your project or setting up a schedule for the week, the semester, or until the deadline, use the  ARC Scheduler  to make an appointment with an  Academic Coach .
• If you would like an accountability structure for social support and to keep yourself on track, come to Accountability Hours at the ARC.

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The Senior Essay or Senior Thesis

Every student who completes the major in Comparative Studies writes a senior essay or a thesis.  The essay or the thesis is completed in CS 4990, “Senior Seminar,” a writing workshop offered every Spring in which students share drafts, present their work orally, and receive detailed feedback from their peers. 

You may choose between two options:

• The Senior Essay , usually between 12 to 15 pages, written largely during the semester you take CS 4990, though often building on earlier class work.
• The Senior Thesis , which requires a semester of CS 4999 or 4999H (usually taken autumn of senior year; that is, ideally before the spring term you plan to graduate), “Undergraduate Thesis” or “Honors Thesis,” working closely with a professor who you select to serve as advisor to your thesis. This option is usually between 25 to 40 pages. Students who choose to write a Senior Thesis may plan to fulfill the requirements for either “Research Distinction” or “Honors Research Distinction" . Details on these options are offered below.

Whichever is chosen, the senior research project serves as a capstone experience for students in the major, and results in a piece of original work that can be shared with the Comparative Studies community.  The essay or thesis may also be valuable as a writing sample if students apply to graduate or professional schools, or pursue a wide range of careers that value individual initiative and effective communication.

The Process: What You Need to Know to Get Started

Both the senior essay and the thesis require some advance planning, though the timeline for the thesis is typically longer.  If you choose to write the senior essay, you should have selected a paper to revise and expand, or else identified a topic for a new research paper, no later than the semester  before  you enroll in COMPSTD 4990.  You will need to submit your draft or proposal for a first round of peer review early in Spring semester. 

If you choose to write the thesis, you should have identified a topic and an advisor by the start of Autumn term of your senior year (some students choose a topic in the Spring of junior year and begin work in the summer) so you can enroll in COMPSTD 4999/4999H and begin your research.

In either case, take note that prior to enrolling in COMPSTD 4990, you'll have already taken the required 4000-level course (all of which require the completion of a research paper). The research paper written for that course often provides / may provide the paper that you choose to use for the senior essay or the senior thesis option.

Whether you write the senior essay or the thesis, nothing is more important than the choice of a topic.  It should be something that engages you, that sparks your curiosity or imagination, and that has stakes that matter to you.   But it should also be a topic of manageable scale, one that can adequately be explored in the time available to you.  Your faculty advisor can help you to shape your project at the outset, and to make any necessary adjustments along the way.

No formal advisor is required for the senior essay.  If you choose to revise and expand an earlier paper (such as the one you would have written for your 4000-level research course), you may want to reconnect with the instructor for whom you wrote the original.  They may be willing to serve as an informal advisor as you undertake your revisions.  If choosing a new topic, you may wish to speak with a professor in the department or on our affiliated faculty with expertise in the subject matter.  Each of you also has your own faculty advisor with whom you can confer, as well as the professor who will be teaching COMPSTD 4990.

If you write a thesis you must have a formal thesis advisor; you may also elect to have a co-advisor. They will supervise any thesis research courses you take (COMPSTD 4999), the writing of the thesis itself, and the oral exam at the end of the process. This might be the same person as your faculty advisor but it need not be. You should choose someone with whom you are comfortable (usually because you have been in a class together before) and who has enough knowledge of the subject matter to guide your work. You may wish to speak informally with more than one professor before making a final decision.

Senior Essay or Thesis?

If you choose to write the senior essay you will complete most of the work of research and writing during the Spring semester of your senior year, while enrolled in CS 4990, “Senior Seminar.”  You may either revise and expand a paper you wrote for another course (usually, but not always, a course in Comparative Studies), or begin and complete a research paper on a new topic.  Senior essays vary in length, but are typically around 12–15 pages (and sometimes longer if they are expanded versions of earlier essays).

If you who choose to write a thesis you will typically begin working on it during the Autumn semester of senior year (and sometimes during the preceding summer) by enrolling in CS 4999 or 4999H (“Undergraduate Thesis” or “Honors Thesis”).  You will then complete the writing while enrolled in CS 4990, “Senior Seminar.”  Theses vary considerably in length, but are typically between 25 and 40 pages.  The thesis process also includes an oral "defense" (really more like a conversation about the completed work with your advisor and one or more other faculty members).  If you choose the thesis option you may be eligible to graduate with “Research Distinction” or “Honors Research Distinction.”

To graduate with Research Distinction in Comparative Studies or with Research Distinction (if the thesis is completed in another discipline), you must meet the following requirements:

• Complete a minimum of 60 graded credit hours at Ohio State
• Graduate with minimum GPA of 3.0
• Students intending to graduate at the end of Autumn term: Application due no later than the first Friday of the previous February
• Students intending to graduate at the end of the Spring term: Application due no later than the first Friday of the previous October
• Students intending to graduate at the end of the Summer term: Application due by the first Friday of December
• Complete at least 4 credit hours of COMPSTD 4999 (these may be spread over more than one term)
• Complete and successfully defend the thesis during an oral examination

For a more detailed list of instructions, see:  https://artsandsciences.osu.edu/academics/current-students/advising-academics/graduation

If you are in the Honors Program you may graduate with Honors Research Distinction in Comparative Studies or with Honors Research Distinction (if the thesis is completed in another discipline) by meeting the following requirements:

• Be enrolled in the ASC Honors Program and complete an approved Honors Contract
• Graduate with minimum GPA of 3.4
• Submit “Undergraduate Thesis Application” to the ASC Honors Office upon enrolling in COMPSTD 4999H, or no later than the 3rd Friday of the semester you intend to graduate
• Complete at least 4 credit hours of COMPSTD 4999H (may be spread over more than one term)

For a more detailed list of instructions, see:  https://aschonors.osu.edu/honors/research-thesis

Other Useful Information

There are several sources of funding for undergraduate research.  Arts and Sciences awards two kinds of scholarships on a competitive basis each academic year; each requires a letter of support from an academic advisor, and preference is given to students planning to write a thesis. Undergraduate Research Scholarships range from $500 to $12,000.  Applications for a given academic year are due in early February of the preceding year.  International Research Grants provide up to $4,000 for research-related travel abroad for students in Arts and Sciences.  There are two application cycles per academic year.  For more information, see:  http://aschonors.osu.edu/opportunities/scholarships/undergrad .

The Division of Arts and Humanities provides Undergraduate Research Small Grants (up to $500) to help fund travel to things like conferences, research collections, and exhibitions and to purchase materials for research or creative activity.  The Aida Cannarsa Endowment Fund offers grants of $500 to $3,000 to students in arts and humanities, with priority given to those with demonstrated financial need.  Applications for both are reviewed twice a year.

See:  https://artsandsciences.osu.edu/academics/current-students/scholarships-grants/research .

There may be additional sources of funding, on and off campus, for particular kinds of projects.  You should consult with your advisor and the Office of Undergraduate Research.

Please note that research funding involving human subjects may require prior IRB approval .

Every Spring, there are opportunities for Comparative Studies students to present the results of their research, whether they choose to write the senior essay or the thesis.  The Richard J. and Martha D. Denman Undergraduate Research Forum is a university-wide showcase of undergraduate work that awards prizes by areas of interest (for example, Humanities).  There is a competitive abstract submission process in January, and a day devoted to presentations in late March.  Though most of the forum involves poster presentations, Humanities majors give brief oral presentations (8-10 minutes) on their work to faculty judges.

In April, the Department of Comparative Studies hosts its own Undergraduate Research Colloquium.  Working closely with their advisor, students prepare and submit paper abstracts in February—300 words or fewer that describe the project’s central questions, methodologies, theoretical framework, and (tentative) conclusions.  Students may choose to give a 10-minute presentation on work in progress or a 20-minute presentation on completed work (by April everyone enrolled in 4990 should be ready to give a presentation).  This is a more relaxed atmosphere, with an audience of your peers and friends, as well as faculty and graduate students in the department.

Autumn of senior year

• Choose a topic

Spring of senior year

• Enroll in COMPSTD 4990, “Senior Seminar”

Spring of junior year

• Identify an advisor

Summer between junior and senior years (optional)

• Enroll in COMPSTD 4998 or 4998H, “Undergraduate Research in Comparative Studies” (2 credits)
• Submit “Application for Graduation with Research Distinction” or “Undergraduate Thesis Application”
• Enroll in COMPSTD 4999, “Undergraduate Thesis” or 4999H, “Honors Thesis” (2 credits)
• Enroll in Enroll in COMPSTD 4999, “Undergraduate Thesis” or 4999H, “Honors Thesis” (2 credits)

Additional Information

• You can find copies of undergraduate theses online at the OSU Knowledge Bank:  https://kb.osu.edu/dspace/handle/1811/134 .
• Further information on undergraduate research opportunities is available at:  http://www.undergraduateresearch.osu.edu/ .

Honors Theses

What this handout is about.

Writing a senior honors thesis, or any major research essay, can seem daunting at first. A thesis requires a reflective, multi-stage writing process. This handout will walk you through those stages. It is targeted at students in the humanities and social sciences, since their theses tend to involve more writing than projects in the hard sciences. Yet all thesis writers may find the organizational strategies helpful.

Introduction

What is an honors thesis.

That depends quite a bit on your field of study. However, all honors theses have at least two things in common:

• They are based on students’ original research.
• They take the form of a written manuscript, which presents the findings of that research. In the humanities, theses average 50-75 pages in length and consist of two or more chapters. In the social sciences, the manuscript may be shorter, depending on whether the project involves more quantitative than qualitative research. In the hard sciences, the manuscript may be shorter still, often taking the form of a sophisticated laboratory report.

Who can write an honors thesis?

In general, students who are at the end of their junior year, have an overall 3.2 GPA, and meet their departmental requirements can write a senior thesis. For information about your eligibility, contact:

• UNC Honors Program
• Your departmental administrators of undergraduate studies/honors

Why write an honors thesis?

Satisfy your intellectual curiosity This is the most compelling reason to write a thesis. Whether it’s the short stories of Flannery O’Connor or the challenges of urban poverty, you’ve studied topics in college that really piqued your interest. Now’s your chance to follow your passions, explore further, and contribute some original ideas and research in your field.

Develop transferable skills Whether you choose to stay in your field of study or not, the process of developing and crafting a feasible research project will hone skills that will serve you well in almost any future job. After all, most jobs require some form of problem solving and oral and written communication. Writing an honors thesis requires that you:

• ask smart questions
• acquire the investigative instincts needed to find answers
• navigate libraries, laboratories, archives, databases, and other research venues
• develop the flexibility to redirect your research if your initial plan flops
• master the art of time management
• hone your argumentation skills
• organize a lengthy piece of writing
• polish your oral communication skills by presenting and defending your project to faculty and peers

Work closely with faculty mentors At large research universities like Carolina, you’ve likely taken classes where you barely got to know your instructor. Writing a thesis offers the opportunity to work one-on-one with a with faculty adviser. Such mentors can enrich your intellectual development and later serve as invaluable references for graduate school and employment.

Open windows into future professions An honors thesis will give you a taste of what it’s like to do research in your field. Even if you’re a sociology major, you may not really know what it’s like to be a sociologist. Writing a sociology thesis would open a window into that world. It also might help you decide whether to pursue that field in graduate school or in your future career.

How do you write an honors thesis?

Get an idea of what’s expected.

It’s a good idea to review some of the honors theses other students have submitted to get a sense of what an honors thesis might look like and what kinds of things might be appropriate topics. Look for examples from the previous year in the Carolina Digital Repository. You may also be able to find past theses collected in your major department or at the North Carolina Collection in Wilson Library. Pay special attention to theses written by students who share your major.

Choose a topic

Ideally, you should start thinking about topics early in your junior year, so you can begin your research and writing quickly during your senior year. (Many departments require that you submit a proposal for an honors thesis project during the spring of your junior year.)

How should you choose a topic?

• Read widely in the fields that interest you. Make a habit of browsing professional journals to survey the “hot” areas of research and to familiarize yourself with your field’s stylistic conventions. (You’ll find the most recent issues of the major professional journals in the periodicals reading room on the first floor of Davis Library).
• Set up appointments to talk with faculty in your field. This is a good idea, since you’ll eventually need to select an advisor and a second reader. Faculty also can help you start narrowing down potential topics.
• Look at honors theses from the past. The North Carolina Collection in Wilson Library holds UNC honors theses. To get a sense of the typical scope of a thesis, take a look at a sampling from your field.

What makes a good topic?

• It’s fascinating. Above all, choose something that grips your imagination. If you don’t, the chances are good that you’ll struggle to finish.
• It’s doable. Even if a topic interests you, it won’t work out unless you have access to the materials you need to research it. Also be sure that your topic is narrow enough. Let’s take an example: Say you’re interested in the efforts to ratify the Equal Rights Amendment in the 1970s and early 1980s. That’s a big topic that probably can’t be adequately covered in a single thesis. You need to find a case study within that larger topic. For example, maybe you’re particularly interested in the states that did not ratify the ERA. Of those states, perhaps you’ll select North Carolina, since you’ll have ready access to local research materials. And maybe you want to focus primarily on the ERA’s opponents. Beyond that, maybe you’re particularly interested in female opponents of the ERA. Now you’ve got a much more manageable topic: Women in North Carolina Who Opposed the ERA in the 1970s and 1980s.
• It contains a question. There’s a big difference between having a topic and having a guiding research question. Taking the above topic, perhaps your main question is: Why did some women in North Carolina oppose the ERA? You will, of course, generate other questions: Who were the most outspoken opponents? White women? Middle-class women? How did they oppose the ERA? Public protests? Legislative petitions? etc. etc. Yet it’s good to start with a guiding question that will focus your research.

Goal-setting and time management

The senior year is an exceptionally busy time for college students. In addition to the usual load of courses and jobs, seniors have the daunting task of applying for jobs and/or graduate school. These demands are angst producing and time consuming If that scenario sounds familiar, don’t panic! Do start strategizing about how to make a time for your thesis. You may need to take a lighter course load or eliminate extracurricular activities. Even if the thesis is the only thing on your plate, you still need to make a systematic schedule for yourself. Most departments require that you take a class that guides you through the honors project, so deadlines likely will be set for you. Still, you should set your own goals for meeting those deadlines. Here are a few suggestions for goal setting and time management:

Start early. Keep in mind that many departments will require that you turn in your thesis sometime in early April, so don’t count on having the entire spring semester to finish your work. Ideally, you’ll start the research process the semester or summer before your senior year so that the writing process can begin early in the fall. Some goal-setting will be done for you if you are taking a required class that guides you through the honors project. But any substantive research project requires a clear timetable.

Set clear goals in making a timetable. Find out the final deadline for turning in your project to your department. Working backwards from that deadline, figure out how much time you can allow for the various stages of production.

Here is a sample timetable. Use it, however, with two caveats in mind:

• The timetable for your thesis might look very different depending on your departmental requirements.
• You may not wish to proceed through these stages in a linear fashion. You may want to revise chapter one before you write chapter two. Or you might want to write your introduction last, not first. This sample is designed simply to help you start thinking about how to customize your own schedule.

Sample timetable

Avoid falling into the trap of procrastination. Once you’ve set goals for yourself, stick to them! For some tips on how to do this, see our handout on procrastination .

Consistent production

It’s a good idea to try to squeeze in a bit of thesis work every day—even if it’s just fifteen minutes of journaling or brainstorming about your topic. Or maybe you’ll spend that fifteen minutes taking notes on a book. The important thing is to accomplish a bit of active production (i.e., putting words on paper) for your thesis every day. That way, you develop good writing habits that will help you keep your project moving forward.

Make yourself accountable to someone other than yourself

Since most of you will be taking a required thesis seminar, you will have deadlines. Yet you might want to form a writing group or enlist a peer reader, some person or people who can help you stick to your goals. Moreover, if your advisor encourages you to work mostly independently, don’t be afraid to ask them to set up periodic meetings at which you’ll turn in installments of your project.

Brainstorming and freewriting

One of the biggest challenges of a lengthy writing project is keeping the creative juices flowing. Here’s where freewriting can help. Try keeping a small notebook handy where you jot down stray ideas that pop into your head. Or schedule time to freewrite. You may find that such exercises “free” you up to articulate your argument and generate new ideas. Here are some questions to stimulate freewriting.

Questions for basic brainstorming at the beginning of your project:

• What do I already know about this topic?
• Why do I care about this topic?
• Why is this topic important to people other than myself
• What more do I want to learn about this topic?
• What is the main question that I am trying to answer?
• Where can I look for additional information?
• Who is my audience and how can I reach them?
• How will my work inform my larger field of study?
• What’s the main goal of my research project?

Questions for reflection throughout your project:

• What’s my main argument? How has it changed since I began the project?
• What’s the most important evidence that I have in support of my “big point”?
• What questions do my sources not answer?
• How does my case study inform or challenge my field writ large?
• Does my project reinforce or contradict noted scholars in my field? How?
• What is the most surprising finding of my research?
• What is the most frustrating part of this project?
• What is the most rewarding part of this project?
• What will be my work’s most important contribution?

Research and note-taking

In conducting research, you will need to find both primary sources (“firsthand” sources that come directly from the period/events/people you are studying) and secondary sources (“secondhand” sources that are filtered through the interpretations of experts in your field.) The nature of your research will vary tremendously, depending on what field you’re in. For some general suggestions on finding sources, consult the UNC Libraries tutorials . Whatever the exact nature of the research you’re conducting, you’ll be taking lots of notes and should reflect critically on how you do that. Too often it’s assumed that the research phase of a project involves very little substantive writing (i.e., writing that involves thinking). We sit down with our research materials and plunder them for basic facts and useful quotations. That mechanical type of information-recording is important. But a more thoughtful type of writing and analytical thinking is also essential at this stage. Some general guidelines for note-taking:

First of all, develop a research system. There are lots of ways to take and organize your notes. Whether you choose to use note cards, computer databases, or notebooks, follow two cardinal rules:

• Make careful distinctions between direct quotations and your paraphrasing! This is critical if you want to be sure to avoid accidentally plagiarizing someone else’s work. For more on this, see our handout on plagiarism .
• Record full citations for each source. Don’t get lazy here! It will be far more difficult to find the proper citation later than to write it down now.

Keeping those rules in mind, here’s a template for the types of information that your note cards/legal pad sheets/computer files should include for each of your sources:

Abbreviated subject heading: Include two or three words to remind you of what this sources is about (this shorthand categorization is essential for the later sorting of your sources).

Complete bibliographic citation:

• author, title, publisher, copyright date, and page numbers for published works
• box and folder numbers and document descriptions for archival sources
• complete web page title, author, address, and date accessed for online sources

Notes on facts, quotations, and arguments: Depending on the type of source you’re using, the content of your notes will vary. If, for example, you’re using US Census data, then you’ll mainly be writing down statistics and numbers. If you’re looking at someone else’s diary, you might jot down a number of quotations that illustrate the subject’s feelings and perspectives. If you’re looking at a secondary source, you’ll want to make note not just of factual information provided by the author but also of their key arguments.

Your interpretation of the source: This is the most important part of note-taking. Don’t just record facts. Go ahead and take a stab at interpreting them. As historians Jacques Barzun and Henry F. Graff insist, “A note is a thought.” So what do these thoughts entail? Ask yourself questions about the context and significance of each source.

Interpreting the context of a source:

• Who wrote/created the source?
• When, and under what circumstances, was it written/created?
• Why was it written/created? What was the agenda behind the source?
• How was it written/created?
• If using a secondary source: How does it speak to other scholarship in the field?

Interpreting the significance of a source:

• How does this source answer (or complicate) my guiding research questions?
• Does it pose new questions for my project? What are they?
• Does it challenge my fundamental argument? If so, how?
• Given the source’s context, how reliable is it?

You don’t need to answer all of these questions for each source, but you should set a goal of engaging in at least one or two sentences of thoughtful, interpretative writing for each source. If you do so, you’ll make much easier the next task that awaits you: drafting.

The dread of drafting

Why do we often dread drafting? We dread drafting because it requires synthesis, one of the more difficult forms of thinking and interpretation. If you’ve been free-writing and taking thoughtful notes during the research phase of your project, then the drafting should be far less painful. Here are some tips on how to get started:

Sort your “evidence” or research into analytical categories:

• Some people file note cards into categories.
• The technologically-oriented among us take notes using computer database programs that have built-in sorting mechanisms.
• Others cut and paste evidence into detailed outlines on their computer.
• Still others stack books, notes, and photocopies into topically-arranged piles.There is not a single right way, but this step—in some form or fashion—is essential!

If you’ve been forcing yourself to put subject headings on your notes as you go along, you’ll have generated a number of important analytical categories. Now, you need to refine those categories and sort your evidence. Everyone has a different “sorting style.”

Formulate working arguments for your entire thesis and individual chapters. Once you’ve sorted your evidence, you need to spend some time thinking about your project’s “big picture.” You need to be able to answer two questions in specific terms:

• What is the overall argument of my thesis?
• What are the sub-arguments of each chapter and how do they relate to my main argument?

Keep in mind that “working arguments” may change after you start writing. But a senior thesis is big and potentially unwieldy. If you leave this business of argument to chance, you may end up with a tangle of ideas. See our handout on arguments and handout on thesis statements for some general advice on formulating arguments.

Divide your thesis into manageable chunks. The surest road to frustration at this stage is getting obsessed with the big picture. What? Didn’t we just say that you needed to focus on the big picture? Yes, by all means, yes. You do need to focus on the big picture in order to get a conceptual handle on your project, but you also need to break your thesis down into manageable chunks of writing. For example, take a small stack of note cards and flesh them out on paper. Or write through one point on a chapter outline. Those small bits of prose will add up quickly.

Just start! Even if it’s not at the beginning. Are you having trouble writing those first few pages of your chapter? Sometimes the introduction is the toughest place to start. You should have a rough idea of your overall argument before you begin writing one of the main chapters, but you might find it easier to start writing in the middle of a chapter of somewhere other than word one. Grab hold where you evidence is strongest and your ideas are clearest.

Keep up the momentum! Assuming the first draft won’t be your last draft, try to get your thoughts on paper without spending too much time fussing over minor stylistic concerns. At the drafting stage, it’s all about getting those ideas on paper. Once that task is done, you can turn your attention to revising.

Peter Elbow, in Writing With Power, suggests that writing is difficult because it requires two conflicting tasks: creating and criticizing. While these two tasks are intimately intertwined, the drafting stage focuses on creating, while revising requires criticizing. If you leave your revising to the last minute, then you’ve left out a crucial stage of the writing process. See our handout for some general tips on revising . The challenges of revising an honors thesis may include:

Juggling feedback from multiple readers

A senior thesis may mark the first time that you have had to juggle feedback from a wide range of readers:

• your adviser
• a second (and sometimes third) faculty reader
• the professor and students in your honors thesis seminar

You may feel overwhelmed by the prospect of incorporating all this advice. Keep in mind that some advice is better than others. You will probably want to take most seriously the advice of your adviser since they carry the most weight in giving your project a stamp of approval. But sometimes your adviser may give you more advice than you can digest. If so, don’t be afraid to approach them—in a polite and cooperative spirit, of course—and ask for some help in prioritizing that advice. See our handout for some tips on getting and receiving feedback .

Refining your argument

It’s especially easy in writing a lengthy work to lose sight of your main ideas. So spend some time after you’ve drafted to go back and clarify your overall argument and the individual chapter arguments and make sure they match the evidence you present.

Organizing and reorganizing

Again, in writing a 50-75 page thesis, things can get jumbled. You may find it particularly helpful to make a “reverse outline” of each of your chapters. That will help you to see the big sections in your work and move things around so there’s a logical flow of ideas. See our handout on  organization  for more organizational suggestions and tips on making a reverse outline

Plugging in holes in your evidence

It’s unlikely that you anticipated everything you needed to look up before you drafted your thesis. Save some time at the revising stage to plug in the holes in your research. Make sure that you have both primary and secondary evidence to support and contextualize your main ideas.

Saving time for the small stuff

Even though your argument, evidence, and organization are most important, leave plenty of time to polish your prose. At this point, you’ve spent a very long time on your thesis. Don’t let minor blemishes (misspellings and incorrect grammar) distract your readers!

Formatting and final touches

You’re almost done! You’ve researched, drafted, and revised your thesis; now you need to take care of those pesky little formatting matters. An honors thesis should replicate—on a smaller scale—the appearance of a dissertation or master’s thesis. So, you need to include the “trappings” of a formal piece of academic work. For specific questions on formatting matters, check with your department to see if it has a style guide that you should use. For general formatting guidelines, consult the Graduate School’s Guide to Dissertations and Theses . Keeping in mind the caveat that you should always check with your department first about its stylistic guidelines, here’s a brief overview of the final “finishing touches” that you’ll need to put on your honors thesis:

• Honors Thesis
• Name of Department
• University of North Carolina
• These parts of the thesis will vary in format depending on whether your discipline uses MLA, APA, CBE, or Chicago (also known in its shortened version as Turabian) style. Whichever style you’re using, stick to the rules and be consistent. It might be helpful to buy an appropriate style guide. Or consult the UNC LibrariesYear Citations/footnotes and works cited/reference pages  citation tutorial
• In addition, in the bottom left corner, you need to leave space for your adviser and faculty readers to sign their names. For example:

Approved by: _____________________

Adviser: Prof. Jane Doe

• This is not a required component of an honors thesis. However, if you want to thank particular librarians, archivists, interviewees, and advisers, here’s the place to do it. You should include an acknowledgments page if you received a grant from the university or an outside agency that supported your research. It’s a good idea to acknowledge folks who helped you with a major project, but do not feel the need to go overboard with copious and flowery expressions of gratitude. You can—and should—always write additional thank-you notes to people who gave you assistance.
• Formatted much like the table of contents.
• You’ll need to save this until the end, because it needs to reflect your final pagination. Once you’ve made all changes to the body of the thesis, then type up your table of contents with the titles of each section aligned on the left and the page numbers on which those sections begin flush right.
• Each page of your thesis needs a number, although not all page numbers are displayed. All pages that precede the first page of the main text (i.e., your introduction or chapter one) are numbered with small roman numerals (i, ii, iii, iv, v, etc.). All pages thereafter use Arabic numerals (1, 2, 3, 4, 5, etc.).
• Your text should be double spaced (except, in some cases, long excerpts of quoted material), in a 12 point font and a standard font style (e.g., Times New Roman). An honors thesis isn’t the place to experiment with funky fonts—they won’t enhance your work, they’ll only distract your readers.
• In general, leave a one-inch inch margin on all sides. However, for the copy of your thesis that will be bound by the library, you need to leave a 1.25-inch margin on the left.

How do I defend my honors thesis?

Graciously, enthusiastically, and confidently. The term defense is scary and misleading—it conjures up images of a military exercise or an athletic maneuver. An academic defense ideally shouldn’t be a combative scene but a congenial conversation about the work’s merits and weaknesses. That said, the defense probably won’t be like the average conversation that you have with your friends. You’ll be the center of attention. And you may get some challenging questions. Thus, it’s a good idea to spend some time preparing yourself. First of all, you’ll want to prepare 5-10 minutes of opening comments. Here’s a good time to preempt some criticisms by frankly acknowledging what you think your work’s greatest strengths and weaknesses are. Then you may be asked some typical questions:

• What is the main argument of your thesis?
• How does it fit in with the work of Ms. Famous Scholar?
• Have you read the work of Mr. Important Author?

NOTE: Don’t get too flustered if you haven’t! Most scholars have their favorite authors and books and may bring one or more of them up, even if the person or book is only tangentially related to the topic at hand. Should you get this question, answer honestly and simply jot down the title or the author’s name for future reference. No one expects you to have read everything that’s out there.

• Why did you choose this particular case study to explore your topic?
• If you were to expand this project in graduate school, how would you do so?

Should you get some biting criticism of your work, try not to get defensive. Yes, this is a defense, but you’ll probably only fan the flames if you lose your cool. Keep in mind that all academic work has flaws or weaknesses, and you can be sure that your professors have received criticisms of their own work. It’s part of the academic enterprise. Accept criticism graciously and learn from it. If you receive criticism that is unfair, stand up for yourself confidently, but in a good spirit. Above all, try to have fun! A defense is a rare opportunity to have eminent scholars in your field focus on YOU and your ideas and work. And the defense marks the end of a long and arduous journey. You have every right to be proud of your accomplishments!

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Atchity, Kenneth. 1986. A Writer’s Time: A Guide to the Creative Process from Vision Through Revision . New York: W.W. Norton.

Barzun, Jacques, and Henry F. Graff. 2012. The Modern Researcher , 6th ed. Belmont, CA: Wadsworth Cengage Learning.

Elbow, Peter. 1998. Writing With Power: Techniques for Mastering the Writing Process . New York: Oxford University Press.

Graff, Gerald, and Cathy Birkenstein. 2014. “They Say/I Say”: The Moves That Matter in Academic Writing , 3rd ed. New York: W.W. Norton and Company.

Lamott, Anne. 1994. Bird by Bird: Some Instructions on Writing and Life . New York: Pantheon.

Lasch, Christopher. 2002. Plain Style: A Guide to Written English. Philadelphia: University of Pennsylvania Press.

Turabian, Kate. 2018. A Manual for Writers of Term Papers, Theses, Dissertations , 9th ed. Chicago: University of Chicago Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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What Is a Senior Thesis?

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• Writing Research Papers
• Writing Essays
• English Grammar
• M.Ed., Education Administration, University of Georgia
• B.A., History, Armstrong State University

A senior thesis is a large, independent research project that students take on during their senior year of high school or college to fulfill their graduation requirement. It is the culminating work of their studies at a particular institution, and it represents their ability to conduct research and write effectively. For some students, a senior thesis is a requirement for graduating with honors.

Students typically work closely with an advisor and choose a question or topic to explore before carrying out an extensive research plan.

Style Manuals and the Paper's Organization

The structure of your research paper will depend, in part, on the style manual that is required by your instructor. Different disciplines, such as history, science, or education, have different rules to abide by when it comes to research paper construction, organization, and modes of citation. The styles for different types of assignment include:

Modern Language Association (MLA): The disciplines that tend to prefer the MLA style guide include literature, arts, and the humanities, such as linguistics, religion, and philosophy. To follow this style, you will use parenthetical citations to indicate your sources and a works cited page to show the list of books and articles you consulted.

American Psychological Association (APA): The APA style manual tends to be used in psychology, education, and some of the social sciences. This type of report may require the following:

• Introduction

Chicago style: "The Chicago Manual of Style" is used in most college-level history courses as well as professional publications that contain scholarly articles. Chicago style may call for endnotes or footnotes corresponding to a bibliography page at the back or the author-date style of in-text citation, which uses parenthetical citations and a references page at the end.

Turabian style: Turabian is a student version of Chicago style. It requires some of the same formatting techniques as Chicago, but it includes special rules for writing college-level papers, such as book reports. A Turabian research paper may call for endnotes or footnotes and a bibliography.

Science style: Science instructors may require students to use a format that is similar to the structure used in publishing papers in scientific journals. The elements you would include in this sort of paper include:

• List of materials and methods used
• Results of your methods and experiments
• Acknowledgments

American Medical Association (AMA): The AMA style book might be required for students in medical or premedical degree programs in college. Parts of an AMA research paper might include:

• Proper headings and lists
• Tables and figures
• In-text citations
• Reference list

Choose Your Topic Carefully

Starting off with a bad, difficult, or narrow topic likely won't lead to a positive result. Don't choose a question or statement that's so broad that it's overwhelming and could comprise a lifetime of research or a topic that's so narrow you'll struggle to compose 10 pages. Consider a topic that has a lot of recent research so you won't struggle to put your hands on current or adequate sources.

Select a topic that interests you. Putting in long hours on a subject that bores you will be arduous—and ripe for procrastination. If a professor recommends an area of interest, make sure it excites you.

Also, consider expanding a paper you've already written; you'll hit the ground running because you've already done some research and know the topic. Last, consult with your advisor before finalizing your topic. You don't want to put in a lot of hours on a subject that is rejected by your instructor.

Organize Your Time

Plan to spend half of your time researching and the other half writing. Often, students spend too much time researching and then find themselves in a crunch, madly writing in the final hours. Give yourself goals to reach along certain "signposts," such as the number of hours you want to have invested each week or by a certain date or how much you want to have completed in those same timeframes.

Organize Your Research

Compose your works cited or bibliography entries as you work on your paper. This is especially important if your style manual requires you to use access dates for any online sources that you review or requires page numbers be included in the citations. You don't want to end up at the very end of the project and not know what day you looked at a particular website or have to search through a hard-copy book looking for a quote that you included in the paper. Save PDFs of online sites, too, as you wouldn't want to need to look back at something and not be able to get online or find that the article has been removed since you read it.

Choose an Advisor You Trust

This may be your first opportunity to work with direct supervision. Choose an advisor who's familiar with the field, and ideally select someone you like and whose classes you've already taken. That way you'll have a rapport from the start. 

Consult Your Instructor

Remember that your instructor is the final authority on the details and requirements of your paper. Read through all instructions, and have a conversation with your instructor at the start of the project to determine his or her preferences and requirements. Have a cheat sheet or checklist of this information; don't expect yourself to remember all year every question you asked or instruction you were given. 

• What Is a Bibliography?
• Turabian Style Guide With Examples
• What Is a Citation?
• Formatting Papers in Chicago Style
• What Is a Style Guide and Which One Do You Need?
• Definition of Appendix in a Book or Written Work
• Bibliography: Definition and Examples
• What Are Endnotes, Why Are They Needed, and How Are They Used?
• Tips for Typing an Academic Paper on a Computer
• How to Organize Research Notes
• Bibliography, Reference List or Works Cited?
• What's the Preferred Way to Write the Abbreviation for United States?
• How to Write a Research Paper That Earns an A
• Definition and Examples of Analysis in Composition
• MLA Style Parenthetical Citations
• Formatting APA Headings and Subheadings

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Where do i start: how to prepare for your senior thesis.

All majors here at Yale require the completion of a senior requirement in order to graduate. For some seniors, that may mean completing a project or taking a written or oral exam. For others, like myself, that means writing a semester or year-long thesis about a topic relating to your major of study. According to the Handbook for Directors of Undergraduate Studies in Yale College, “the senior requirement measures whether the student can demonstrate some form of mastering or substantial competence in some significant aspect of the subject of the major.” In other words, this requirement exists to show the knowledge and expertise you have developed through your time here at Yale. So, where do you begin?

One of the first things to complete on your “Senior Thesis To-Do List” is finding an advisor. Having an advisor who you are not only comfortable with but who also has experience in the topic you’re interested in is incredibly important. You’ll be spending a lot of time with your advisor and ideally, you want someone who will both push you in exploring your interests and be able to guide you on how best to approach a long thesis paper.

Once you have found an advisor, you should start narrowing down your thesis idea. Do not worry if you don’t have a specific thesis topic right off the bat. I surely didn’t and I’m glad I was able to have the opportunity to talk about topics at length with my advisor before we made a final decision. Begin BIG and then slowly start finding ways to make your thesis specific. My advisor and I had several meetings where we discussed the big topics I was interested in - gender, health, political science - and the various routes my paper could go in depending on the specific question I came up with. You want to find a topic that you are generally interested or passionate about, so take your time and explore.

After deciding on the specific thesis topic that you’ll be tackling in your paper, it’s time to begin your research and prep for the writing process. Writing a senior essay is a very daunting task. For my major - political science - the senior paper needs to be 25 pages minimum. This paper has the potential of being the longest paper you’ll write during your entire Yale undergraduate career and so, preparation is necessary.

A great resource offered by Yale to undergrads writing their thesis (or any other type of paper)  are library consultations, which you can schedule through the Yale Library Homepage. I recently had a consultation with a librarian in the social studies library and it was such a great experience. We spent about an hour and half talking about my thesis, sections I was possibly thinking about including in my essay and then explored the various databases I could use to find sources.

Tackling the senior thesis is all about patience and time management. It is going to be a long process, whether you’re writing it in one semester or taking the whole academic year. If you don’t pace yourself, it can soon feel overwhelming. So, ease yourself into the research process and take advantage of the resources your advisor and Yale can offer you.

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The senior essay.

The Senior Essay Handbook

Requirements and Guidelines for the Senior Essay

In the English Department, as in other departments, the Senior Essay consists of an extended research and writing project (critical, not creative) undertaken with the guidance of a faculty advisor. The Senior Essay is not a requirement for completing the English major, nor is it required for receiving distinction in the major. It does, however, offer a satisfying way to fulfill one semester of the senior requirement. Writing an essay provides an opportunity for those who are eager to pursue a special interest, who like to write long papers, and who work well independently. Be warned that it entails inexorable deadlines and exacting effort; it can be thrilling to write a senior essay, but only if you are committed to the project. Procrastination has repeatedly proved a grave mistake. Given an essay of this magnitude, you cannot leave reading, writing, and ruminating until the last minute. If you have any doubts, take a Senior Seminar.

In addition to the prospectus and final draft, you will be asked to hand in, at the end of four weeks, five to ten pages of writing or, if appropriate, an annotated bibliography so that you, your advisor, and the department will know how your work is proceeding relatively early in the term.  By the end of the seventh week, an extended piece of writing should be submitted.  And by the end of the tenth week, a rough draft is due (to ensure the essay will be carefully thought through and receives feedback from your advisor before you revise).

You will be expected to consult frequently with your advisor throughout the semester, both about your research and about the substance of your developing argument; we recommend at least four meetings, with bi-weekly meetings as the norm. Typically, finished senior essays range from 30-40 pages. Some drafts are considerably longer (40-50 pages) and require cutting as well as revising; other drafts are shorter (25-30 pages) and require expansion as well as revision of the argument.

Specific requirements are as follows:

1. In the term before you intend to write your essay (see I mportant Dates ), you must hand in to the DUS office a completed proposal form for ENGL 490 or 491 and a prospectus, which includes the following information:

(a) a description of your topic (approximately 2 pages)

(b) a bibliography of the reading and research, both primary and secondary, you intend to undertake (If part of your project will consist in looking for sources, you must still indicate subjects that you will pursue in your research.)

(c) a list of the introductory and advanced courses you have taken that have prepared you to do independent work on your topic

(d) a schedule of meetings with your advisor

(e) your advisor’s signature

If you intend to pursue a two-semester essay (not commonly done, but a possibility for substantial research projects), please conceptualize your project in two parts so that you can submit an essay for evaluation at the end of the fall semester.

Within two weeks after you submit your prospectus, you will receive an email from the senior essay committee, via the Registrar in the DUS’s office, granting approval or asking for clarification. Approval is not automatic, and the Senior Essay committee may stipulate revisions to the project as a condition of approval.

2. By the end of Week 4 of classes, you must hand in five to ten pages of writing, along with an annotated list of at least two secondary sources relevant to your essay;  or , if the project requires a substantial amount of research, an annotated bibliography of the works you have consulted together with an outline of the reading you have still to do. You may decide, in consultation with your advisor, which of these options is the more appropriate for you. This work should be turned in to your advisor.

3. By the end of Week 7 of classes, you must hand in ten to twelve pages of writing (possibly inclusive of your earlier five pages) and, as part of that writing or separately, a brief discussion of your project’s engagement with one or more secondary sources.  This work should be turned in to your advisor.

4. By the end of Week 10, you must hand in a full or almost full draft to your advisor: consult your advisor for details.

Failure to submit the draft on time or the preliminary work described above may affect the final grade received for the essay.

5. The final essay is due by noon on the last day of classes in the fall term and on the Friday before the last day of classes in the spring term (see  I mportant Dates ); it should include a bibliography of works consulted. Submit the essay to the DUS office electronically (pdf preferred) by emailing it to the departmental registrar.

Your essay will be read, graded, and commented upon both by your advisor and by a second reader chosen by the Senior Essay Committee. The two readers’ reports, will be available from the DUS office two to three weeks after you hand in the final draft. The department will keep a copy on file so that students in the future can see what kinds of projects have been undertaken.

Why the Senior Thesis? (Updated for 2022)

Is your student in Challenge IV , preparing and writing for their Senior Thesis? Or, will your child soon enter Challenge IV and is intimidated at the prospect of writing such an intensive paper? Although Senior Thesis can be a difficult task, the rewards of this capstone project that ends students’ high school journey are abundant.

What Is the Challenge IV Senior Thesis?

The Greek word thesis means “something put forth.” And the Classical Conversations Senior Thesis is an opportunity for Challenge IV students to “put forth” their ideas. Students pick any academic topic that interests them and incorporate significant and relevant ideas from across the Challenge program. They develop a persuasive thesis statement and then prove their claim in a sizable paper. Later, they present and defend their thesis before a panel in lieu of final exams. The Senior Thesis is the culmination of a student’s entire school experience in which they offer up the fruits of their labors.

As ominous as a paper of this size may sound, this project doesn’t need to be intimidating. As students work through the process of writing their papers over the course of the second semester, they have rich conversations with their Director each step of the way. In addition, they are guided by parents and chosen mentors. And, Challenge IV students follow a writing process similar to the one learned in their study of The Lost Tools of Writing in the earlier Challenge levels but adapted for older, more mature students.

Using the Five Canons of Rhetoric

Senior Thesis naturally takes students through the Five Canons of Rhetoric to create a compelling, well-researched paper. Beginning with invention, students select a topic and ask questions about it using the Five Common Topics of Dialectic to develop a claim (or thesis) to be proven. At this stage, an ANI (affirmative-negative-interesting) chart is helpful to build arguments and to select and then sort supporting evidence. Next comes arrangement, in which students solidify the vision and reinforce the direction of their papers, organizing their information and creating outlines. In the elocution stage, ideas finally hit the paper as students write and refine their first drafts. Through numerous reviews, students and advisors consider the flow of ideas, the argumentation, the style, and the mechanics of the paper. Students then write an abstract — a short, clear summary of the thesis and main ideas included in the paper. Finally, students memorize their abstracts and prepare for delivering an oral presentation and defense of their work in front of judges at a Senior Thesis defense held at their local community.

Why Write a Senior Thesis?

The benefits of writing a Senior Thesis are many. Students produce a rhetorical artifact that represents the skills and abilities gained throughout their years in the Classical Conversations programs. They demonstrate true ownership of their education by coordinating with an advisor, planning and completing a long-term project, and publicly defending their positions. Presenting their theses before a panel allows students to incorporate all three modes of persuasion: logos (logic), ethos (character), and pathos (emotion). Throughout the Challenge years, students encounter and discuss big ideas, and the Senior Thesis is a beautiful culmination of their educational experience.

Not yet a Classical Conversations member and interested in our community-based approach to homeschooling? We’d love to hear from you! To learn more about us, click here .

This post was originally published on January 11, 2016.

Written by:

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Tufts seniors see their academic achievements come to fruition, one thesis at a time

Seniors julio dominguez, olivia calkins and becca kaplan discuss thesis origins and research..

Olivia Calkins examines cells under a microscope in the Kaplan Lab in the Science and Technology Center on Nov. 17, 2023.

As the Class of 2024 approaches the end of their final semester at Tufts , some have concluded this year with a senior thesis, a culmination of their academic journey. These students have worked incredibly hard throughout the year to complete extensive papers and capstone projects in their respective courses of study.

Julio Dominguez  is a senior double-majoring  in sociology and international relations. Dominguez wrote his senior thesis on how second-generation Latinos balance their ethnicities and sexuality.

“ I’m  looking at how they balance and navigate these different identities ,” Dominguez said. “ [Queer Latinos a re] very marginalized since their forms of masculinity are not aligned with hegemonic masculinity … [and] Latino circles  … tend to be very homogenous thinking, especially in terms of culture and expectations.”

For his thesis, Dominguez pulled from his own lived experiences.

“ I, m yself, am a queer, second-generation Latino. My parents are also foreign-born,” Dominguez said. “I’ve always had these tensions, and there’s a lot of literature on the subject.”

Dominguez views these cultural expectations as something that causes queer individuals to hide or conceal their sexuality. When researching these themes, he focused on literature relating to queer identities, masculinity and belonging.

“ I  attem pted to look at masculinity as a very multifaceted topic in the sense that there’s so many different types of masculinity that people can perform or embody,” Dominguez said. “ Gender itself exists in a hierarchy .  … A t the top is this form of hegemonic masculinity that essentially   perpetuates these marginalizations of other masculinities.”

To incorporate more perspectives into his thesis, Dominguez also interviewed 12 people about their personal experiences.

“ In ter ms of recruitment, I couldn’t find too many people … there was sort of a lack of community for them, ” Dominguez said.

Dominguez also noted that a hookup culture contributes to this lack of community.

“Ge nerally, many queer second-generation Latino men aren’t friends with many people of the same community,”  Dominguez said. “[And there is a] stigma of like, ‘Oh, they’re messy,’ and many of them have hooked up with each other.”

Dominguez recommends pursuing a senior thesis, especially on a topic that is particularly important to you.

“I was able to employ my own positionality [and] perspectives on different issues,” Dominguez said. “It was very empowering.”

Dominguez will be working for the nonprofit organization Teach for America  for two years, and is interested in attending graduate school after.  

Olivia Calkins  is a senior majoring in chemical engineering and minoring in both food systems and cellular agriculture. Calkins was first introduced to the idea of cultivated meat while taking an introductory biomedical engineering course with p rofessor David Kaplan  during her freshman year.

“I took a BME class with Dr . David Kaplan, and on the first day, he was talking about how he works on cultivated meat, which is growing meat in a lab to essentially completely replace animal agriculture,”  Calkins said. “That helps not only the environment, but also my personal interest in animal welfare. And then I was like, ‘This is the perfect combination.’”

After reaching out to Professor Kaplan, Calkins got to work in his lab during her freshman summer . Within the Kaplan Lab , Calkins developed a particular interest in insect cell culture, which develops insect cell lines for food purposes. Specifically, the lab works with the tobacco hornworm  caterpillar.

“ The reason why insect cells are so beneficial to this field is because they’re able to grow at ambient room temperature, and they can withstand fluctuations in pH , and if you are thinking about growing meat for so many people, you want cells that are so adaptable,”  Calkins said.

This interest in insect cells eventually developed into a full-fledged senior thesis.

“Specifically, my t hesis is focused on scaling up insect cells [and] making them more adaptable to be able to grow,”  Calkins said. “I rea lly just wanted to tie [my research] all together in this one nice project and then share with everyone.”

Calkins’ senior thesis includes a written paper and a defense, which consists of a presentation of her research and time for questions from professors.

“ I’ve bee n really focused on building this story over the past year, ” Calkins said. “ It’s b een such a good learning opportunity for me to actually have independence and control over my projects.”

After graduation, Calkins plans to dedicate time to exploring a potential specialization before entering a Ph.D . prog ram.

Becca Kaplan  is a senior double-majoring in English and political science. Kaplan recently completed her English senior thesis entitled “ Split at the Root: A Critical Analysis of the Intersectional Feminism of Adrienne Rich and Audre Lorde .”

“ [I was] s pecifically looking at Adrienne Rich  and Audre Lorde , and how intersectionality, which is really a new term, came to fruition in practice much earlier,” Kaplan said. “So, f or Audre Lorde, she is both black and queer and also a feminist. For Adrienne Rich, she is a feminist but also Jewish and queer. So [I am] talking about their work and seeing how all of those identities are intertwined and expressed in their poetry and their prose.”  

Kaplan originally became interested in Adrienne Rich’s poems after taking an English course titled American Women Writers .

“We wer e reading her poetry and I was like, ‘This is amazing, and totally speaks to something that I felt in my life,’”  Kaplan said.  “So, I bought the whole book, read all of that poetry and just became kind of obsessed with her.”

Similar to Dominguez, Kaplan was inspired by her own experiences.

“It was re ally cool to see some of my own identities in their work, and how I can relate to what they’ve written,”  Kaplan said. “I think that was really the inspiration for [my thesis]: how Judaism and queerness has impacted my own version of feminism, and seeing how that has worked for these two women.”

Kaplan’s paper is around 40 pages, but English theses can range from  35 to more than 80 pages.

“It’s a very di fferent project than anything I’ve done,” Kaplan said. “This is so much longer, so the focus is not just the one thesis that you’re carrying all the way through. It’s essentially a bunch of mini essays together that all have a general overarching theme.”

Kaplan plans to work after graduation but hopes to later return to school for a Ph.D. in English.

Spanning sociology, English and engineering, each thesis is a unique reflection of these seniors’ passions and learnings from the past four years.

Peace in the unknown: Maddy Noah looks back on her time at Tufts

Senior Profile: Carl Svahn brings his love for art, journalism to the Daily and beyond

Breaking the mold: Unique double majors explore intersection of humanities, STEM

Letter to the editor, op-ed: today’s jewish life remains connected as ever to the past, faculty told to prepare for upcoming budget cuts, op-ed: tufts administration should respect protesters, not silence them, tufts denies medford alpha epsilon pi’s affiliation request.

How to Write a 3000 word Essay in Less Than 60 Minutes

Writing a 3000 word essay in under an hour might seem impossible, especially when facing a tight deadline. However, with the right approach, it's not as daunting as it sounds. A good example of this is our guide on how to write a 1000 word essay .

This article shares 5 practical tips and strategies to help you write efficiently and effectively within a limited timeframe.

EssayPro Guide on How to Write Your Essay Faster

Our team of experts has created a how-to guide for you on how to write your essay fast. Here you go:

Voice-to-Text Software

Voice-to-text software can significantly expedite essay writing by allowing users to dictate their thoughts and ideas, bypassing manual typing verbally. This technology enables a continuous writing flow, as individuals can speak their ideas naturally and conversationally without interruptions. 

For example, instead of pausing to search for the right words or phrases, users can express their thoughts fluidly, resulting in a faster and more efficient writing process. Additionally, voice-to-text software eliminates the physical strain associated with typing for extended periods, allowing users to maintain productivity and focus for longer durations.

Furthermore, voice-to-text software offers flexibility in writing environments, as users can dictate their essays from virtually anywhere using a smartphone, tablet, or computer. For instance, individuals can dictate their essays while commuting, exercising, or completing other tasks, maximizing their time and productivity.

You can use the following voice-to-text tools:

• Dragon NaturallySpeaking
• Google Docs Voice Typing
• Microsoft Dictate
• Apple Dictation

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The Stream-of-Consciousness Writing

Stream-of-consciousness writing is a technique that involves recording thoughts as they come to mind, without filtering or censoring them. This approach can be particularly useful for writing essays in less than 60 minutes as it allows for a rapid flow of ideas and content generation. 

By bypassing the need for careful planning and organization, stream-of-consciousness writing enables writers to quickly capture their thoughts on paper and generate raw material for their essays. For example, writers can focus solely on expressing their ideas and arguments instead of worrying about sentence structure or grammar, resulting in a faster and more spontaneous writing process.

Moreover, stream-of-consciousness writing can help writers overcome writer's block and tap into their creativity more effectively. This can lead to more original and compelling essay content. For instance, writers may discover new angles or perspectives on their topic that they hadn't considered before, enriching their essays with fresh insights and perspectives.

Here’s a step-by-step guide on how to use the stream-of-consciousness technique to write an essay:

• Set a timer.
• Clear distractions.
• Choose a topic.
• Begin writing.
• Write continuously.
• Don't edit or censor.
• Keep the pen moving.
• Embrace tangents.
• Stay in the moment.
• Review and edit later.

AI Writing Tools

AI writing tools can significantly expedite the essay writing process by automating various aspects of content creation, such as generating ideas, structuring arguments, and even drafting entire paragraphs. These tools leverage advanced natural language processing (NLP) algorithms to analyze input data and produce coherent, contextually relevant text output. 

For example, platforms like OpenAI's GPT-3 and Grammarly's AI-powered writing assistant offer features such as auto-completion, grammar and style suggestions, and even content generation based on user prompts. 

Furthermore, AI writing tools can assist writers in overcoming writer's block and generating ideas more efficiently. For instance, tools like Articoolo and QuillBot can generate article outlines or paraphrase existing text to provide inspiration and generate new content. 

Here are reliable AI essay writing tools:

• EssayPro Writing App

WARNING: While these tools can aid in content creation and idea generation, relying too heavily on them may lead to plagiarism or submitting low-quality, unoriginal work. Writers should use AI writing tools to supplement their research and writing process rather than replace critical thinking and academic rigor.

Collage Essay Method

The collage essay method is a creative approach to essay writing that involves assembling visual and textual materials into a collage to represent different aspects of the essay topic. This technique can be particularly effective in generating ideas quickly and organizing thoughts in a visually engaging manner. 

For example, imagine you're tasked with writing an essay on climate change. You could gather images, quotes, statistics, and diagrams related to climate change and arrange them on a poster board or digital canvas. The collage is a brainstorming tool to spark ideas and inspire the writing process by visually representing key concepts and arguments.

Moreover, the collage essay method encourages a nonlinear approach to essay writing, allowing writers to explore ideas from multiple perspectives and make connections between different topic elements. 

For instance, while arranging materials for the climate change collage, you might notice patterns or themes emerging that you hadn't considered before. This can lead to new insights and angles for your essay, enriching the content with diverse perspectives and supporting evidence.

Here are some useful tips for using the collage essay method for writing an essay fast:

• Gather diverse materials.
• Start with a central theme.
• Arrange materials strategically.
• Focus on visual impact.
• Incorporate text and images.
• Make connections between elements.
• Be open to unexpected insights.
• Iterate and refine as needed.

Role-Playing Scenario

The role-playing scenario method offers a fresh and engaging approach to essay writing, injecting creativity and empathy into the process. By immersing oneself in a specific role, writers can tap into their imagination and explore complex topics from various angles. 

For instance, if you're tasked with writing about the ethical implications of artificial intelligence, you could adopt the perspective of a futuristic AI developer or a concerned citizen living in a world dominated by AI technology. This imaginative exercise sparks inspiration and encourages deeper reflection on the subject matter, leading to more insightful and thought-provoking essays.

Furthermore, the role-playing scenario cultivates empathy and understanding by encouraging writers to embody diverse viewpoints and experiences. Whether you're writing about climate change, social justice, or economic policy, stepping into the shoes of different characters allows you to see the world through their eyes and develop a more nuanced understanding of complex issues. 

For example, by pretending to be a climate scientist researching the effects of deforestation, you might gain a deeper appreciation for the urgency of environmental conservation efforts. This empathetic approach to essay writing fosters a greater connection with both the subject matter and the audience, resulting in essays that are not only informative but also engaging and impactful.

How to adopt the role-playing scenario technique for writing an essay:

• Choose a relevant persona.
• Research and understand their background.
• Embody the persona's mindset.
• Write from their perspective.
• Maintain consistency with the persona.
• Review and adjust as needed.
• Use insights to enrich your essay.

There’s nothing impossible if you put an effort into it. Although 60 minutes sounds like a very limited period, a smart student can use it to produce a pretty decent essay and even have a few minutes left! So, how to write essays faster ?

The tips we gave you above do work, which thousands of students with hectic schedules have already proved. A word of warning, though – don’t rush to use tools like ChatGPT to generate an essay in 5 minutes because it’s hazardous for academic integrity. Remember – AI tools are assistants, and generated texts are to be rewritten from A to Z, which can also be done in an hour or less. If you’re awfully tired and physically can’t think or type, you better ask a professional human writer to help you. 

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Can i write a 3000 word essay in 1 hour, how long does it take to write a 3000 words essay.

Daniel Parker

is a seasoned educational writer focusing on scholarship guidance, research papers, and various forms of academic essays including reflective and narrative essays. His expertise also extends to detailed case studies. A scholar with a background in English Literature and Education, Daniel’s work on EssayPro blog aims to support students in achieving academic excellence and securing scholarships. His hobbies include reading classic literature and participating in academic forums.

is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.

• Howard, D. (2022, December 15). How to Write an Essay Fast . Nexus Education. https://nexus-education.com/blog-posts/how-to-write-an-essay-fast/
• 20 Top Tips for Writing an Essay in a Hurry . (2024, February 20). Oxford Royale. https://www.oxford-royale.com/articles/writing-essay-hurry/ ‍
• 4 Ways to Write Essays Faster – The Bookshelf . (n.d.). https://blogs.cornell.edu/learning/4-ways-to-write-essays-faster/

Related Articles

Chronological Highlights of the Great Depression: Key Events and their Impact

This essay about the Great Depression portrays it as an orchestral masterpiece, where each historical event adds to a complex symphony of adversity and recovery during the 1930s. It starts with the catastrophic stock market crash of 1929 and moves through the impact of the Smoot-Hawley Tariff, the rise of Hoovervilles, and the transformative New Deal under Franklin D. Roosevelt. It highlights the resilience and unity that emerged from the era’s trials, concluding with the economic revival spurred by World War II.

How it works

The Great Depression unfolds like an elaborate orchestral piece, with every event contributing a unique note to the expansive composition that defined the 1930s. The dramatic overture began with the stock market collapse on October 29, 1929, known as Black Tuesday, casting a long shadow over the globe. This day marked more than a financial catastrophe; it set the stage for a profound saga of adversity. Banks failed, businesses ceased operations, and countless dreams were dashed as America plunged into despair.

Following this upheaval, the U.

S. Congress introduced the Smoot-Hawley Tariff in 1930, aiming to stabilize the domestic market. However, this act misfired, setting off international trade conflicts and deepening the global economic crisis. Nations floundered in this newly erratic economic environment, like performers struggling to maintain rhythm amidst a disruptive score.

In this environment of despair, makeshift communities known as Hoovervilles emerged, symbols of the broken promises of then-President Herbert Hoover. At the same time, the Bonus Army’s march on Washington provided a percussive beat of despair, met with a harsh response rather than aid, adding a tragic finale to their plea.

A shift in melody occurred in 1933 when Franklin D. Roosevelt assumed the presidency, initiating the New Deal. This suite of programs, from job creation efforts like the Civilian Conservation Corps to the Social Security Act, orchestrated a movement of hope and societal reform. The federal government assumed a newfound role as the maestro of relief, recovery, and reform.

Despite these efforts, the melody wavered again with the downturn of 1937, underscoring the non-linear path of recovery. This period reminded the populace of the enduring challenges ahead. However, throughout these trying times, flickers of perseverance and unity shone through, like distant stars piercing a dark sky.

The composition found its resolution with the onset of World War II in 1939, which ultimately quelled the economic strife of the Depression era. The war’s demands rejuvenated global economies through significant government expenditure, closing the somber chapter of the Great Depression.

Thus, the Great Depression transcended being a mere economic slump; it was a pivotal moment that redefined societal structures and underscored the vital themes of unity and endurance. As we reflect on this period, it’s crucial to honor the intricate tapestry of strife and resilience that left an indelible mark on the historical landscape.

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Joseph Epstein, conservative provocateur, tells his life story in full

In two new books, the longtime essayist and culture warrior shows off his wry observations about himself and the world

Humorous, common-sensical, temperamentally conservative, Joseph Epstein may be the best familiar — that is casual, personal — essayist of the last half-century. Not, as he might point out, that there’s a lot of competition. Though occasionally a scourge of modern society’s errancies, Epstein sees himself as essentially a serious reader and “a hedonist of the intellect.” His writing is playful and bookish, the reflections of a wry observer alternately amused and appalled by the world’s never-ending carnival.

Now 87, Epstein has just published his autobiography, “ Never Say You’ve Had a Lucky Life: Especially if You’ve Had a Lucky Life ,” in tandem with “ Familiarity Breeds Content: New and Selected Essays .” This pair of books brings the Epstein oeuvre up to around 30 volumes of sophisticated literary entertainment. While there are some short-story collections (“The Goldin Boys,” “Fabulous Small Jews”), all the other books focus on writers, observations on American life, and topics as various as ambition, envy, snobbery, friendship, charm and gossip. For the record, let me add that I own 14 volumes of Epstein’s views and reviews and would like to own them all.

Little wonder, then, that Epstein’s idea of a good time is an afternoon spent hunched over Herodotus’s “Histories,” Marguerite Yourcenar’s “Memoirs of Hadrian” or almost anything by Henry James, with an occasional break to enjoy the latest issue of one of the magazines he subscribes to. In his younger days, there were as many as 25, and most of them probably featured Epstein’s literary journalism at one time or another. In the case of Commentary, he has been contributing pieces for more than 60 years.

As Epstein tells it, no one would have predicted this sort of intellectual life for a kid from Chicago whose main interests while growing up were sports, hanging out, smoking Lucky Strikes and sex. A lackadaisical C student, Myron Joseph Epstein placed 169th in a high school graduating class of 213. Still, he did go on to college — the University of Illinois at Urbana-Champaign — because that’s what was expected of a son from an upper-middle-class Jewish family. But Urbana-Champaign wasn’t a good fit for a jokester and slacker: As he points out, the president of his college fraternity “had all the playfulness of a member of the president’s Council of Economic Advisers.” No matter. Caught peddling stolen copies of an upcoming accounting exam for $5 a pop, Epstein was summarily expelled.

Fortunately, our lad had already applied for a transfer to the University of Chicago, to which he was admitted the next fall. Given his record, this shows a surprising laxity of standards by that distinguished institution, but for Epstein the move was life-changing. In short order, he underwent a spiritual conversion from good ol’ boy to European intellectual in the making. In the years to come, he would count the novelist Saul Bellow and the sociologist Edward Shils among his close friends, edit the American Scholar, and teach at Northwestern University. His students, he recalls, were “good at school, a skill without any necessary carry-over, like being good at pole-vaulting or playing the harmonica.”

Note the edge to that remark. While “Never Say You’ve Had a Lucky Life” is nostalgia-laden, there’s a hard nut at its center. Epstein feels utter contempt for our nation’s “radical change from a traditionally moral culture to a therapeutic one.” As he explains: “Our parents’ culture and that which came long before them was about the formation of character; the therapeutic culture was about achieving happiness. The former was about courage and honor, the latter about self-esteem and freedom from stress.” This view of America’s current ethos may come across as curmudgeonly and reductionist, but many readers — whatever their political and cultural leanings — would agree with it. Still, such comments have sometimes made their author the focus of nearly histrionic vilification.

Throughout his autobiography, this lifelong Chicagoan seems able to remember the full names of everyone he’s ever met, which suggests Epstein started keeping a journal at an early age. He forthrightly despises several older writers rather similar to himself, calling Clifton Fadiman, author of “The Lifetime Reading Plan,” pretentious, then quite cruelly comparing Mortimer J. Adler, general editor of the “Great Books of the Western World” series, with Sir William Haley, one of those deft, widely read English journalists who make all Americans feel provincial. To Epstein, “no two men were more unalike; Sir William, modest, suave, intellectually sophisticated; Mortimer vain, coarse, intellectually crude.” In effect, Fadiman and Adler are both presented as cultural snake-oil salesmen. Of course, both authors were popularizers and adept at marketing their work, but helping to enrich the intellectual lives of ordinary people doesn’t strike me as an ignoble purpose.

In his own work, Epstein regularly employs humor, bits of slang or wordplay, and brief anecdotes to keep his readers smiling. For instance, in a chapter about an editorial stint at the Encyclopaedia Britannica, Epstein relates this story about a colleague named Martin Self:

“During those days, when anti-Vietnam War protests were rife, a young woman in the office wearing a protester’s black armband, asked Martin if he were going to that afternoon’s protest march. ‘No, Naomi,’ he said, ‘afternoons such as this I generally spend at the graveside of George Santayana.’”

Learned wit, no doubt, but everything — syntax, diction, the choice of the philosopher Santayana for reverence — is just perfect.

But Epstein can be earthier, too. Another colleague “was a skirt-chaser extraordinaire," a man "you would not feel safe leaving alone with your great-grandmother.” And of himself, he declares: “I don’t for a moment wish to give the impression that I live unrelievedly on the highbrow level of culture. I live there with a great deal of relief.”

In his many essays, including the sampling in “Familiarity Breeds Content,” Epstein is also markedly “quotacious,” often citing passages from his wide reading to add authority to an argument or simply to share his pleasure in a well-turned observation. Oddly enough, such borrowed finery is largely absent from “Never Say You’ve Had a Happy Life.” One partial exception might be the unpronounceable adjective “immitigable,” which appears all too often. It means unable to be mitigated or softened, and Epstein almost certainly stole it from his friend Shils, who was fond of the word.

Despite his autobiography’s jaunty title, Epstein has seen his share of trouble. As a young man working for an anti-poverty program in Little Rock, he married a waitress after she became pregnant with his child. When they separated a decade later, he found himself with four sons to care for — two from her previous marriage, two from theirs. Burt, the youngest, lost an eye in an accident while a toddler, couldn’t keep a job, fathered a child out of wedlock and eventually died of an opioid overdose at 28. Initially hesitant, Epstein came to adore Burt’s daughter, Annabelle, as did his second wife, Barbara, whom he married when they were both just past 40.

Some pages of “Never Say You’ve Had a Lucky Life” will be familiar to inveterate readers of Epstein’s literary journalism, all of which carries a strong first-person vibe. Not surprisingly, however, the recycled anecdotage feels less sharp or witty the second time around. But overall, this look back over a long life is consistently entertaining, certainly more page-turner than page-stopper. To enjoy Epstein at his very best, though, you should seek out his earlier essay collections such as “The Middle of My Tether,” “Partial Payments” and “A Line Out for a Walk.” Whether he writes about napping or name-dropping or a neglected writer such as Somerset Maugham, his real subject is always, at heart, the wonder and strangeness of human nature.

Never Say You’ve Had a Lucky Life

Especially if You’ve Had a Lucky Life

By Joseph Epstein

Free Press. 304 pp. $29.99

Familiarity Breeds Content

New and Selected Essays

Simon & Schuster. 464 pp. $20.99

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