how to write main idea in essay

How to Find the Main Idea

ThoughtCo / Mary McLain 

• B.A., English, University of Michigan

Questions about the "main idea" of a passage are popular on reading comprehension tests, but sometimes, those questions are pretty difficult to answer, especially for students who are not completely sure they understand what the main idea really is.  Finding the main idea of a paragraph or longer passage of text is one of the most important reading skills to master, along with concepts like making an inference , finding the author's purpose , or understanding vocabulary words in context.

Here are a few techniques to help understand what, exactly, is a "main idea" and how to identify it accurately in a passage.

How to Define the Main Idea

The main idea of a paragraph is the primary point or concept that the author wants to communicate to the readers about the topic. Hence, in a paragraph, when the main idea is stated directly, it is expressed in what is called the topic sentence . It gives the overarching idea of what the paragraph is about and is supported by the details in subsequent sentences in the paragraph. In a multi-paragraph article, the main idea is expressed in the thesis statement, which is then supported by individual smaller points.

Think of the main idea as a brief but all-encompassing summary. It covers everything the paragraph talks about in a general way, but does not include the specifics. Those details will come in later sentences or paragraphs and add nuance and context; the main idea will need those details to support its argument.

For example, imagine a paper discussing the causes of World War I . One paragraph might be dedicated to the role that imperialism played in the conflict. The main idea of this paragraph might be something like: "Constant competition for massive empires led to increasing tensions in Europe that eventually erupted into World War I." The rest of the paragraph might explore what those specific tensions were, who was involved, and why the countries were seeking empires, but the main idea just introduces the overarching argument of the section.

When an author does not state the main idea directly, it should still be implied , and is called an implied main idea. This requires that the reader look closely at the content—at specific words, sentences, images that are used and repeated—to deduce what the author is communicating.

Finding the main idea is critical to understanding what you are reading. It helps the details make sense and have relevance, and provides a framework for remembering the content. Try these specific tips to pinpoint the main idea of a passage.

1) Identify the Topic

Read the passage through completely, then try to identify the topic. Who or what is the paragraph about? This part is just figuring out a topic like "cause of World War I" or "new hearing devices;" don't worry yet about deciding what argument the passage is making about this topic.

2) Summarize the Passage

After reading the passage thoroughly, summarize it in your own words in one sentence . Pretend you have just ten to twelve words to tell someone what the passage is about—what would you say?

3) Look at the First and Last Sentences of the Passage

Authors often put the main idea in or near either the first or last sentence of the paragraph or article, so isolate those sentences to see if they make sense as the overarching theme of the passage. Be careful: sometimes the author will use words like but , however ,  in contrast , nevertheless , etc. that indicate that the second sentence is actually the main idea. If you see one of these words that negate or qualify the first sentence, that is a clue that the second sentence is the main idea.

4) Look for Repetition of Ideas

If you read through a paragraph and you have no idea how to summarize it because there is so much information, start looking for repeated words, phrases, or related ideas. Read this example paragraph :

A new hearing device uses a magnet to hold the detachable sound-processing portion in place. Like other aids, it converts sound into vibrations, but it is unique in that it can transmit the vibrations directly to the magnet and then to the inner ear. This produces a clearer sound. The new device will not help all hearing-impaired people—only those with a hearing loss caused by infection or some other problem in the middle ear. It will probably help no more than 20 percent of all people with hearing problems. Those people who have persistent ear infections, however, should find relief and restored hearing with the new device.

What does this paragraph consistently talk about? A new hearing device. What is it trying to convey? A new hearing device is now available for some, but not all, hearing-impaired people. That's the main idea!

Avoid Main Idea Mistakes

Choosing a main idea from a set of answer choices is different than composing a main idea on your own. Writers of multiple choice tests are often tricky and will give you distractor questions that sound much like the real answer. By reading the passage thoroughly, using your skills, and identifying the main idea on your own, though, you can avoid making these 3 common mistakes : selecting an answer that is too narrow in scope; selecting an answer that is too broad; or selecting an answer that is complex but contrary to the main idea. 

Resources and Further Reading

• How to Find a Stated Main Idea
• How to Find an Implied Main Idea
• Finding the Main Idea Practice
• Finding Main Ideas In Paragraphs,  http://english.glendale.cc.ca.us/topic.html
• Finding the Main Idea , Columbia College

Updated by Amanda Prahl 

• Questions for Each Level of Bloom's Taxonomy
• How to Find the Implied Main Idea
• How to Find the Stated Main Idea
• Find the Main Idea Worksheets and Practice Questions
• Finding the Main Idea Worksheet 2
• How to Outline a Textbook Chapter
• Top 5 ACT Reading Strategies
• Paragraph Unity: Guidelines, Examples, and Exercises
• How To Write an Essay
• How to Find the Main Idea - Worksheet
• How to Teach Topic Sentences Using Models
• How to Boost Reading Comprehension With Reciprocal Teaching
• How to Write a Descriptive Paragraph
• An Introduction to Academic Writing
• How to Make an Inference in 5 Easy Steps
• What is The Author's Purpose?

Evaluating a Text

Main idea, purpose, & audience.

Text evaluation and analysis usually start with the core elements of that text: main idea, purpose, and audience.  An author needs to consider all three of these elements before writing, as they help determine the author’s content and language.  As a reader, it’s important to ascertain these aspects of a text which exist as a foundation for the author’s content and language.

Always start with the main idea.  Main ideas may be stated directly in the text or implied; you need to read a text carefully in order to determine the main idea. Put the main idea into your own words, so that it’s expressed in a way that makes sense to you.  Then ask and answer the following basic questions about that main idea:

• Is the main idea reasonable/believable to most readers?
• Is the main idea clear and if not, why do you think the author embedded it?
• Is the main idea the author’s opinion, or is it something that the author asserts about an issue?

Asking and answering these questions should help you get a sense of the author’s intention in the text, and lead into considering the author’s purpose.

Main idea and purpose are intricately linked. There are a few basic purposes for texts; figuring out the basic purpose leads to more nuanced text analysis based on its purpose. Basic purposes of a text include:

• to inform – to describe, explain, or teach something to your audience
• to persuade/argue – to get your audience to do something, to take a particular action, or to think in a certain way
• to entertain – to provide your audience with insight into a different reality, distraction, and/or enjoyment

The following video more fully explains these different purposes of a text, and adds a fourth, to share insights or feelings.

Main Idea & Purpose Determine Analysis

The author’s main idea and purpose in writing a text determine whether you need to analyze and evaluate the text.  They also determine the pieces of the text you should analyze—content or language or both.

If the purpose is to persuade or argue

You always need to analyze the text to see if the main idea is justified.  Do the supporting ideas relate to and develop the main idea? Is the supporting evidence taken from recognized, valid sources?  Is the author arguing via language instead of evidence or facts?  Persuasion and argument need to present logically valid information to make the reader agree intellectually (not emotionally) with the main idea.

If the purpose is to inform

You usually need to analyze the text, since the text needs to present valid information in as objective a way as possible, in order to meet its purpose of explaining concepts so a reader understands.

If the purpose is to entertain

You may or may not need to analyze the text. Writing that entertains does not necessarily have to be either logical or complete in order to accomplish its purpose. You may want to analyze the text for language, though, to see how the author manipulates language to accomplish their purpose.

Who are the author’s intended readers?  Figuring out this will help you understand an author’s approach to providing the main idea with a particular purpose. Does the audience know little or nothing about the topic, or are they already knowledgeable?  Is the audience’s knowledge at beginner or expert level, somewhere in between, or mixed? Does the audience include people who may be skeptical of the author’s ideas?  Does the audience include people who outright oppose the author’s ideas? As you can see, asking and answering questions about audience can help an author determine the type and amount of content to include in a text. As a reader, it’s important to figure out the author’s intended audience, to help you analyze the type, amount, and appropriateness of the text’s information.

The following video presents the concept of audience from a writer’s perspective, but the concepts are applicable to you as a reader who needs to consider audience as a foundation for evaluating a text.

You may also want to link to one of Purdue’s Online Writing Lab’s page on Author and Audience to get a sense of the wide array of variables that can influence an author’s purpose, and that an author may consider about an audience.

Read the article “ Forget Shorter Showers ” by Derrick Jensen.

Note that most of the Try It exercises in this section of the text will be based on this article, so you should read carefully, annotate, take notes, and apply appropriate strategies for reading to understand a text.

Then answer the following questions about the article’s main idea, purpose, and audience.

Which selection best represents the author’s main idea?

• We have it in our power and right to take action to stop the industrial economy over-using and wasting our natural resources.
• We are victims of a campaign of misdirection, being told and accepting that our personal use of natural resources is both the cause of scarcity and the solution to preservation.
• Because we have accepted our identities as consumers, we reduce our forms of political existence to consuming and not consuming.
• Simple living is better for the planet than over-consumption.

Sentence 1 is the best answer. Although sentences 2 and 3 extract main ideas from the text, they are key supporting points that help lead to the author’s conclusion and main idea.

Which selection best represents the author’s purpose?

• to inform readers about the actual use of resources by individuals vs. the industrial economy
• to persuade readers to consider taking action against an unjust situation that assigns blame to individuals instead of big business in regard to the depletion of natural resources
• to persuade readers to re-think their personal attempts to live more simply and more “green”
• to entertain readers interested in nature with accusations against the industrial economy

Selection 2 best represents the author’s purpose. The author’s purpose is to get readers thinking about conservation of resources in order to spur them to action against a system that, in his opinion, exploits those resources as well as individuals. His purpose is both to inform and persuade, but persuasion seems to take precedence, as he both starts and ends with a reminder about historically justified instances of activism.

Who comprises the author’s audience and what cues can you use to determine that audience?

The author is writing to an audience of readers who are interested in nature and conservation. If you look on the Orion website and read the “About” section on Mission and History, you’ll see that this publication started as a magazine about nature and grew from there. Based on reading the text, the author’s intended audience has the following characteristics:

• Educated – The author assumes that readers know about WWII, the Civil Rights Act of 1974, and other historic events.  The author also uses language such as “systematic misdirection,” “solar photovoltaics,” and even “consensus” (instead of agreement).
• Concerned about the environment – because they are reading this magazine in the first place
• Willing to entertain the idea of taking action to improve quality of life and preserve resources
• Comfortable enough (with themselves? with their social status? with their personal philosophies?) to feel that their voices might make a difference if they choose to protest the current use of natural resources
• Purpose & Audience. Authored by : Susan Oaks. Project : Introduction to College Reading & Writing. License : CC BY-NC: Attribution-NonCommercial
• video The Author's Purpose. Authored by : Marc Franco. Provided by : Snap Language. Located at : https://www.youtube.com/watch?v=z6H2NLPqWtI . License : Other . License Terms : YouTube video
• video Audience: Introduction & Overview. Authored by : Gracemarie Mike and Daniel Liddle. Provided by : The Purdue Online Writing Lab. Located at : https://www.youtube.com/watch?v=4_ypxLRYsrE . License : Other . License Terms : YouTube video
• image of woman with a stack of books instead of a head, facing shelves of books. Authored by : Gerd Altmann. Provided by : Pixabay. Located at : https://pixabay.com/photos/books-question-mark-student-stack-4158244/ . License : CC0: No Rights Reserved
• image of the word Evaluation. Authored by : Gerd Altmann. Provided by : Pixabay. Located at : https://pixabay.com/illustrations/district-evaluation-assessment-1264717/ . License : CC0: No Rights Reserved

Privacy Policy

Reading to Understand

• Reading to Understand (8 minutes)
• Working with Context Clues (5 minutes)
• The Main Idea

Steps for Identifying the Main Idea

• Knowledge Check
• Academic Reading Challenges (7 minutes)

The main idea is the point or message - what an author presents and what a reader takes from a text. 

Searching for that main idea is a very important activity in understanding a text. It is usually found in the opening paragraph when the author is  setting up the topic  and  expressing the thesis.  

However, the location can vary according to the type of reading. For example, a research article's main idea is toward the end, whereas a persuasive essay's main idea is conveyed at the beginning.

Pre-read to Determine the Overall Topic

Examine the title and then skim the text to determine who or what the reading is about. If you see the same word repeated you know that it is likely the topic or at least an important element of the topic. The topic should be a noun or a noun phrase such as "online education." The topic itself does not convey any meeting us you must read on to determine the main idea.

Ask yourself questions about the text as you read in-depth. Pay close attention to the introduction, the first sentence of body paragraphs, and the conclusion. In these places, the author typically states and supports the main idea. 

Questions to Ask Yourself While Reading : 

• What elements make up this topic?
• What is the author saying about this topic?
• What does the author want me to know or believe about this topic?

Reflect on what you have read. If the main idea is not immediately apparent to you review the introduction and conclusion. The  main idea should be a complete thought  such as "because of its flexibility, comfort, and lower-cost online education is increasing in popularity for younger generations."

Questions to Ask Yourself While Reflecting:

• What is the message I take away from this reading?
• What point does the information add up to?
• What idea does the author reinforce in the conclusion?
• What is the final impression I have about this topic?

Finding the Main Idea

Once you believe you have found the main idea, check that each body paragraph relates to that main idea. The body paragraph should include  supporting ideas  that reinforce and provide greater detail about the main idea. 

Some students find it beneficial to sketch the main idea and supporting ideas in their notes as a concept map.

• Previous Page: Working with Context Clues (5 minutes)
• Next Page: Academic Reading Challenges (7 minutes)
• Office of Student Disability Services

Walden Resources

Departments.

• Academic Residencies
• Academic Skills
• Career Planning and Development
• Customer Care Team
• Field Experience
• Military Services
• Student Success Advising
• Writing Skills

Centers and Offices

• Center for Social Change
• Office of Academic Support and Instructional Services
• Office of Degree Acceleration
• Office of Research and Doctoral Services
• Office of Student Affairs

Student Resources

• Doctoral Writing Assessment
• Form & Style Review
• Quick Answers
• ScholarWorks
• SKIL Courses and Workshops
• Walden Bookstore
• Walden Catalog & Student Handbook
• Student Safety/Title IX
• Legal & Consumer Information
• Website Terms and Conditions
• Cookie Policy
• Accessibility
• Accreditation
• State Authorization
• Net Price Calculator
• Contact Walden

Walden University is a member of Adtalem Global Education, Inc. www.adtalem.com Walden University is certified to operate by SCHEV © 2024 Walden University LLC. All rights reserved.

TOPIC SENTENCE/ In his numerous writings, Marx critiques capitalism by identifying its flaws. ANALYSIS OF EVIDENCE/ By critiquing the political economy and capitalism, Marx implores his reader to think critically about their position in society and restores awareness in the proletariat class. EVIDENCE/ To Marx, capitalism is a system characterized by the “exploitation of the many by the few,” in which workers accept the exploitation of their labor and receive only harm of “alienation,” rather than true benefits ( MER 487). He writes that “labour produces for the rich wonderful things – but for the worker it produces privation. It produces palaces—but for the worker, hovels. It produces beauty—but for the worker, deformity” (MER 73). Marx argues capitalism is a system in which the laborer is repeatedly harmed and estranged from himself, his labor, and other people, while the owner of his labor – the capitalist – receives the benefits ( MER 74). And while industry progresses, the worker “sinks deeper and deeper below the conditions of existence of his own class” ( MER 483).  ANALYSIS OF EVIDENCE/ But while Marx critiques the political economy, he does not explicitly say “capitalism is wrong.” Rather, his close examination of the system makes its flaws obvious. Only once the working class realizes the flaws of the system, Marx believes, will they - must they - rise up against their bourgeois masters and achieve the necessary and inevitable communist revolution.

Not every paragraph will be structured exactly like this one, of course. But as you draft your own paragraphs, look for all three of these elements: topic sentence, evidence, and analysis.

• picture_as_pdf Anatomy Of a Body Paragraph

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

36 Writing the Essay Body: Supporting Your Ideas

Whether the drafting of a paragraph begins with a main idea or whether that idea surfaces in the revision process, once you have that main idea, you’ll want to make sure that the idea has enough support. The job of the paragraph body is to develop and support the topic. Here’s one way that you might think about it:

• Topic sentence : what is the main claim of your paragraph; what is the most important idea that you want your readers to take away from this paragraph?
• Support in the form of evidence : how can you prove that your claim or idea is true (or important, or noteworthy, or relevant)?
• Support in the form of analysis or evaluation : what discussion can you provide that helps your readers see the connection between the evidence and your claim?
• Transition : how can you help your readers move from the idea you’re currently discussing to the next idea presented? For more specific discussion about transitions, see the following section on “ Transitions .”

For more on methods of development that can help you to develop and organize your ideas within paragraphs, see “ Patterns of Organization and Methods of Development ” later in this text.

Types of support might include

Now that we have a good idea what it means to develop support for the main ideas of your paragraphs, let’s talk about how to make sure that those supporting details are solid and convincing.

Strong vs. Weak Support

What questions will your readers have? What will they need to know? What makes for good supporting details? Why might readers consider some evidence to be weak?

If you’re already developing paragraphs, it’s likely that you already have a plan for your essay, at least at the most basic level. You know what your topic is, you might have a working thesis, and you probably have at least a couple of supporting ideas in mind that will further develop and support your thesis.

So imagine you’re developing a paragraph on one of these supporting ideas and you need to make sure that the support that you develop for this idea is solid. Considering some of the points about understanding and appealing to your audience (from the Audience and Purpose and the Prewriting sections of this text) can also be helpful in determining what your readers will consider good support and what they’ll consider to be weak. Here are some tips on what to strive for and what to avoid when it comes to supporting details.

Breaking, Combining, or Beginning New Paragraphs

Like sentence length, paragraph length varies. There is no single ideal length for “the perfect paragraph.”  There are some general guidelines, however.

Some writing handbooks or resources suggest that a paragraph should be at least three or four sentences; others suggest that 100 to 200 words is a good target to shoot for.

In academic writing, paragraphs tend to be longer, while in less formal or less complex writing, such as in a newspaper, paragraphs tend to be much shorter. Two-thirds to three-fourths of a page—or seven to twelve sentences—is usually a good target length for paragraphs at your current level of academic writing.

The amount of space needed to develop one idea will likely be different than the amount of space needed to develop another. So when is a paragraph complete? The answer is: when it’s fully developed. The guidelines above for providing good support should help.

Signs to end a paragraph and start a new one:

• You’re ready to begin developing a new idea.
• You want to emphasize a point by setting it apart.
• You’re getting ready to continue discussing the same idea but in a different way (e.g., shifting from comparison to contrast).
• You notice that your current paragraph is getting too long (more than three-fourths of a page or so), and you think your writers will need a visual break.

Signs to combine paragraphs include:

• You notice that some of your paragraphs appear to be short and choppy.
• You have multiple paragraphs on the same topic.
• You have undeveloped material that needs to be united under a clear topic.

Finally, paragraph number is a lot like paragraph length. You may have been asked in the past to write a five-paragraph essay. There’s nothing inherently wrong with a five-paragraph essay, but just like sentence length and paragraph length, the number of paragraphs in an essay depends upon what’s needed to get the job done. There’s really no way to know that until you start writing. So try not to worry too much about the proper length and number of things unless those are specified in your assignment. Just start writing and see where the essay and the paragraphs take you. There will be plenty of time to sort out the organization in the revision process. You’re not trying to fit pegs into holes here. You’re letting your ideas unfold. Give yourself—and them—the space to let that happen.

Text Attributions

• This chapter was adapted from “ The Paragraph Body: Supporting Your Ideas ” in The Word on College Reading and Writing by Carol Burnell, Jaime Wood, Monique Babin, Susan Pesznecker, and Nicole Rosevear, which is licensed under a CC BY-NC 4.0 Licence . Adapted by Allison Kilgannon.

Advanced English Copyright © 2021 by Allison Kilgannon is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.

Share This Book

Identifying the main idea of the story: A Guide for Students and Teachers

READING FOR MEANING: IDENTIFYING THE MAIN IDEA OF THE STORY

We have all been there, though it can often feel as futile as the search for that proverbial needle in a haystack…

Finding the main idea of a piece of writing can be challenging, but it is an essential reading comprehension skill for our students to develop. Students that become skilled in this art will benefit from it far beyond the perimeters of the school gates. From the small print of an insurance document to writing a book review, the ability to filter a text and identify its central idea is as much a crucial life skill as an essential literacy-based learning objective. Though it isn’t always easy, luckily, there is much we can do to help our students hone their abilities in this area.

WHAT IS ‘THE MAIN IDEA’? DEFINITION

Whether we are talking about the main idea of a paragraph, a poem, a chapter, or a longer text, finding the main idea requires the reader to identify the topic of a piece of writing and then uncover what the writer wants us to know about that topic.

As is so often the case, it is best to start small. When working with students on how to identify the main idea, begin by having students locate the main idea in a sentence before building up to locating it in a longer paragraph. As students gradually build their confidence in identifying the main idea in paragraphs, they will soon be ready to move on to longer texts in the form of chapters and eventually full-length books.

125 Guided Reading Activities

Ensure your students are constantly engaged with these INDEPENDENT & GROUP Reading Activities for ANY BOOK.

⭐⭐⭐⭐⭐ ( 215 reviews )

A WORD ON PARAGRAPHS

The main idea of a sentence is usually fairly straightforward to identify. Often it is as simple as identifying the subject of the sentence. Whole chapters or books, on the other hand, can seldom be easily reduced to expression in the form of a single, main idea. For these reasons, the paragraph offers the student the most suitable format in which to practice their main idea identification skills.

Usually, if the writer knows what they are doing, we can identify a single main idea in every paragraph. We can think of this as the key point that is usually expressed as a topic sentence. It is often found in the paragraph’s first sentence, with subsequent sentences providing the supporting details. It can, however, occur in the middle, at the end, or even be split across the paragraph. It may not even be there at all – at least not explicitly.

Writers are a creative bunch, and so students will require more sophisticated means to accurately identify the main idea in all cases and that is exactly what this article will help you help your students to do.

HOW IS A MAIN IDEA EXPRESSED?

It can appear to be a reasonably clear-cut task to define the main idea, so why is it often so problematic for students to identify it? Well, the truth is that it needn’t be so. Often the central concept is expressed directly in the text and is as easy to identify as your own face in the mirror.

However, the main idea will not always be expressed so explicitly, and students must learn to identify it, whether it is expressed directly or merely implied, if they are to fully comprehend what they are reading.

  THE STATEMENT OF THE MAIN IDEA

Attention is the key to pulling the main idea from a text, whatever the genre. Students need to identify the most relevant information from the work and use it to develop a statement expressing what they perceive as the main idea.

We can refer to this as The Statement of the Main Idea . This statement should be a lean sentence or two. The process of composing this statement starts with asking questions about the text. Not all questions will apply to every text, but they will provide a good starting point for extracting the main idea from any piece of writing.

●     Who – Can the student identify the person or people the text is about?

●     What – Can the student identify the topic or underlying theme of the text?

●     When – Can the student identify a reference to a specific time or period?

●     Where – Can the student identify a specific place or a setting ?

●     Why – Can the student identify a reason or explanation for what happens in the text?

●     How – Can the student identify a method or theory in the text?

These questions, and variations of these questions, can help students draw out what the text is about. The two most important questions of those above are who and what . These will sufficiently elicit the information required to identify the main idea in most circumstances. But, the actual litmus test of whether the student can absorb the text’s central idea is whether or not they can summarize what they have read in their own words.

The Litmus Test: Summarizing and Paraphrasing

We know through our experience in the classroom that learning through teaching is a highly effective instructional strategy. It also offers teachers opportunities to observe and assess their students’ grasp of the concepts they have been working on. Similarly, when we ask our students to summarize or paraphrase the main idea of an extract, we are creating an opportunity to observe their comprehension of what they have read and their ability to identify the main idea therein.

You can also encourage students to regularly practice these skills by challenging them to paraphrase and summarize things you have said or read to them in class, even during lessons entirely unrelated to literacy. Encourage them to be concise and to the point; you may even wish to set a word limit of 10 or 15 words within which they must express the main idea. Keep it lean!

STRATEGIES FOR SUCCESS IN IDENTIFYING THE MAIN IDEA

Get The Gist

In this method, give each student a copy of a nonfiction paragraph. If you wish, you can differentiate for students’ different abilities by choosing extracts of varying complexities. Regardless of the level of difficulty, the approach will remain the same. Have students:

1. Ask themselves who or what the paragraph is about.

2. Ask themselves what is the most essential information about the who or what.

3. Restate the main idea in 10 words or less.

You can model this strategy for your students by first walking them through the process. Project the text onto the whiteboard for shared reading and, with focused support and prompting, have them answer the initial questions.

Part 3 of the process above can be undertaken as a piece of shared writing which will model the correct approach before students begin to do it independently. Later, when students have written independent statements of the main idea, they can compare their responses and offer each other feedback. After feedback sessions, they can be given a further opportunity to redraft and modify their statements for accuracy and brevity.

Through these processes, students will improve their ability to identify and express the main idea clearly and concisely.

Get the Gist – Longer Texts

As we mentioned earlier, it isn’t always easy to reduce a longer extract, such as a chapter, down to a single central idea – much less a whole book! There will be times, however, when students will be asked to do just that. They will need a systematic approach to help them in such circumstances. The following process provides for a practical approach:

1. Look at the title – Often, the title provides a good indication of the topic of the text or at least helps to orientate the reader in the direction of the main idea.

2. Look at the extract’s first and last sentences/paragraphs – Often, the main idea will be introduced and summarized respectively in these parts of the text.

3. Look for repeated words and phrases in the extract -The frequency with which they occur will be a strong indicator of their relative importance and will point students toward that elusive main idea.

4. Instruct students to ask themselves, “ What does the writer want me to know? ” – Answering this question successfully will require them to uncover the text’s main idea.

As the students work through the above steps, they can highlight, underline, or circle the keywords and phrases and then use these to help them form their main idea statement.

HOW TO LOCATE THE MAIN IDEA WHEN IT IS IMPLIED

Inferring the main idea requires students to look for patterns in the details as they read. When the main idea is explicit, the student must first identify the topic of the writing before determining what it is the writer wants the reader to know about it. If the main idea is not stated explicitly in a sentence or paragraph, then it is implied, and students must consciously work to uncover it by analysing the details to infer the main idea. Conscious practice of this strategy will soon see it become second nature, and the student will quickly become skilled in identifying the main idea even when it is not stated explicitly.

To efficiently identify the main idea in a piece of writing, students should first determine the text’s topic. Then, they will need to work out what it is the writer wants us to understand about that topic. This is the essence of how to identify the main idea.

Students should understand that the main idea may not always be explicit, and they may need to work hard to uncover precisely what the text implies. Regardless of whether the main idea is explicit or implicit, every paragraph will have the main idea. Students should understand that it can be located at the beginning, in the middle, at the end, or even be split up throughout the paragraph.

With perseverance and hard-earned experience, students can use various methods and, at times, a fusion of these methods to uncover the main idea with speed and accuracy. Soon they will be able to apply these methods to a broad range of texts over a wide range of lengths and complexities.

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

 MAIN IDEA GRAPHIC ORGANIZER (FREE DOWNLOAD)

 VIDEO TUTORIAL ON TEACHING THE MAIN IDEA

ARTICLES RELATED TO THE MAIN IDEA OF THE STORY

Sequencing events in reading and writing

Teaching Cause and Effect in Reading and Writing

Elements of Literature

Teaching Compare and Contrast

What Is An Inference? And How To Teach It.

Get science-backed answers as you write with Paperpal's Research feature

How to Write an Essay Introduction (with Examples)   

The introduction of an essay plays a critical role in engaging the reader and providing contextual information about the topic. It sets the stage for the rest of the essay, establishes the tone and style, and motivates the reader to continue reading. 

Table of Contents

What is an essay introduction , what to include in an essay introduction, how to create an essay structure , step-by-step process for writing an essay introduction , how to write an introduction paragraph , how to write a hook for your essay , how to include background information , how to write a thesis statement .

• Argumentative Essay Introduction Example: 
• Expository Essay Introduction Example 

Literary Analysis Essay Introduction Example

Check and revise – checklist for essay introduction , key takeaways , frequently asked questions .

An introduction is the opening section of an essay, paper, or other written work. It introduces the topic and provides background information, context, and an overview of what the reader can expect from the rest of the work. 1 The key is to be concise and to the point, providing enough information to engage the reader without delving into excessive detail. 

The essay introduction is crucial as it sets the tone for the entire piece and provides the reader with a roadmap of what to expect. Here are key elements to include in your essay introduction: 

• Hook : Start with an attention-grabbing statement or question to engage the reader. This could be a surprising fact, a relevant quote, or a compelling anecdote. 
• Background information : Provide context and background information to help the reader understand the topic. This can include historical information, definitions of key terms, or an overview of the current state of affairs related to your topic. 
• Thesis statement : Clearly state your main argument or position on the topic. Your thesis should be concise and specific, providing a clear direction for your essay. 

Before we get into how to write an essay introduction, we need to know how it is structured. The structure of an essay is crucial for organizing your thoughts and presenting them clearly and logically. It is divided as follows: 2  

• Introduction:  The introduction should grab the reader’s attention with a hook, provide context, and include a thesis statement that presents the main argument or purpose of the essay.  
• Body:  The body should consist of focused paragraphs that support your thesis statement using evidence and analysis. Each paragraph should concentrate on a single central idea or argument and provide evidence, examples, or analysis to back it up.  
• Conclusion:  The conclusion should summarize the main points and restate the thesis differently. End with a final statement that leaves a lasting impression on the reader. Avoid new information or arguments. 

Here’s a step-by-step guide on how to write an essay introduction: 

• Start with a Hook : Begin your introduction paragraph with an attention-grabbing statement, question, quote, or anecdote related to your topic. The hook should pique the reader’s interest and encourage them to continue reading. 
• Provide Background Information : This helps the reader understand the relevance and importance of the topic. 
• State Your Thesis Statement : The last sentence is the main argument or point of your essay. It should be clear, concise, and directly address the topic of your essay. 
• Preview the Main Points : This gives the reader an idea of what to expect and how you will support your thesis. 
• Keep it Concise and Clear : Avoid going into too much detail or including information not directly relevant to your topic. 
• Revise : Revise your introduction after you’ve written the rest of your essay to ensure it aligns with your final argument. 

Here’s an example of an essay introduction paragraph about the importance of education: 

Education is often viewed as a fundamental human right and a key social and economic development driver. As Nelson Mandela once famously said, “Education is the most powerful weapon which you can use to change the world.” It is the key to unlocking a wide range of opportunities and benefits for individuals, societies, and nations. In today’s constantly evolving world, education has become even more critical. It has expanded beyond traditional classroom learning to include digital and remote learning, making education more accessible and convenient. This essay will delve into the importance of education in empowering individuals to achieve their dreams, improving societies by promoting social justice and equality, and driving economic growth by developing a skilled workforce and promoting innovation. 

This introduction paragraph example includes a hook (the quote by Nelson Mandela), provides some background information on education, and states the thesis statement (the importance of education). 

This is one of the key steps in how to write an essay introduction. Crafting a compelling hook is vital because it sets the tone for your entire essay and determines whether your readers will stay interested. A good hook draws the reader in and sets the stage for the rest of your essay.  

• Avoid Dry Fact : Instead of simply stating a bland fact, try to make it engaging and relevant to your topic. For example, if you’re writing about the benefits of exercise, you could start with a startling statistic like, “Did you know that regular exercise can increase your lifespan by up to seven years?” 
• Avoid Using a Dictionary Definition : While definitions can be informative, they’re not always the most captivating way to start an essay. Instead, try to use a quote, anecdote, or provocative question to pique the reader’s interest. For instance, if you’re writing about freedom, you could begin with a quote from a famous freedom fighter or philosopher. 
• Do Not Just State a Fact That the Reader Already Knows : This ties back to the first point—your hook should surprise or intrigue the reader. For Here’s an introduction paragraph example, if you’re writing about climate change, you could start with a thought-provoking statement like, “Despite overwhelming evidence, many people still refuse to believe in the reality of climate change.” 

Including background information in the introduction section of your essay is important to provide context and establish the relevance of your topic. When writing the background information, you can follow these steps: 

• Start with a General Statement:  Begin with a general statement about the topic and gradually narrow it down to your specific focus. For example, when discussing the impact of social media, you can begin by making a broad statement about social media and its widespread use in today’s society, as follows: “Social media has become an integral part of modern life, with billions of users worldwide.” 
• Define Key Terms : Define any key terms or concepts that may be unfamiliar to your readers but are essential for understanding your argument. 
• Provide Relevant Statistics:  Use statistics or facts to highlight the significance of the issue you’re discussing. For instance, “According to a report by Statista, the number of social media users is expected to reach 4.41 billion by 2025.” 
• Discuss the Evolution:  Mention previous research or studies that have been conducted on the topic, especially those that are relevant to your argument. Mention key milestones or developments that have shaped its current impact. You can also outline some of the major effects of social media. For example, you can briefly describe how social media has evolved, including positives such as increased connectivity and issues like cyberbullying and privacy concerns. 
• Transition to Your Thesis:  Use the background information to lead into your thesis statement, which should clearly state the main argument or purpose of your essay. For example, “Given its pervasive influence, it is crucial to examine the impact of social media on mental health.” 

A thesis statement is a concise summary of the main point or claim of an essay, research paper, or other type of academic writing. It appears near the end of the introduction. Here’s how to write a thesis statement: 

• Identify the topic:  Start by identifying the topic of your essay. For example, if your essay is about the importance of exercise for overall health, your topic is “exercise.” 
• State your position:  Next, state your position or claim about the topic. This is the main argument or point you want to make. For example, if you believe that regular exercise is crucial for maintaining good health, your position could be: “Regular exercise is essential for maintaining good health.” 
• Support your position:  Provide a brief overview of the reasons or evidence that support your position. These will be the main points of your essay. For example, if you’re writing an essay about the importance of exercise, you could mention the physical health benefits, mental health benefits, and the role of exercise in disease prevention. 
• Make it specific:  Ensure your thesis statement clearly states what you will discuss in your essay. For example, instead of saying, “Exercise is good for you,” you could say, “Regular exercise, including cardiovascular and strength training, can improve overall health and reduce the risk of chronic diseases.” 

Examples of essay introduction 

Here are examples of essay introductions for different types of essays: 

Argumentative Essay Introduction Example:  

Topic: Should the voting age be lowered to 16? 

“The question of whether the voting age should be lowered to 16 has sparked nationwide debate. While some argue that 16-year-olds lack the requisite maturity and knowledge to make informed decisions, others argue that doing so would imbue young people with agency and give them a voice in shaping their future.” 

Expository Essay Introduction Example  

Topic: The benefits of regular exercise 

“In today’s fast-paced world, the importance of regular exercise cannot be overstated. From improving physical health to boosting mental well-being, the benefits of exercise are numerous and far-reaching. This essay will examine the various advantages of regular exercise and provide tips on incorporating it into your daily routine.” 

Text: “To Kill a Mockingbird” by Harper Lee 

“Harper Lee’s novel, ‘To Kill a Mockingbird,’ is a timeless classic that explores themes of racism, injustice, and morality in the American South. Through the eyes of young Scout Finch, the reader is taken on a journey that challenges societal norms and forces characters to confront their prejudices. This essay will analyze the novel’s use of symbolism, character development, and narrative structure to uncover its deeper meaning and relevance to contemporary society.” 

• Engaging and Relevant First Sentence : The opening sentence captures the reader’s attention and relates directly to the topic. 
• Background Information : Enough background information is introduced to provide context for the thesis statement. 
• Definition of Important Terms : Key terms or concepts that might be unfamiliar to the audience or are central to the argument are defined. 
• Clear Thesis Statement : The thesis statement presents the main point or argument of the essay. 
• Relevance to Main Body : Everything in the introduction directly relates to and sets up the discussion in the main body of the essay. 

Writing a strong introduction is crucial for setting the tone and context of your essay. Here are the key takeaways for how to write essay introduction: 3  

• Hook the Reader : Start with an engaging hook to grab the reader’s attention. This could be a compelling question, a surprising fact, a relevant quote, or an anecdote. 
• Provide Background : Give a brief overview of the topic, setting the context and stage for the discussion. 
• Thesis Statement : State your thesis, which is the main argument or point of your essay. It should be concise, clear, and specific. 
• Preview the Structure : Outline the main points or arguments to help the reader understand the organization of your essay. 
• Keep it Concise : Avoid including unnecessary details or information not directly related to your thesis. 
• Revise and Edit : Revise your introduction to ensure clarity, coherence, and relevance. Check for grammar and spelling errors. 
• Seek Feedback : Get feedback from peers or instructors to improve your introduction further. 

The purpose of an essay introduction is to give an overview of the topic, context, and main ideas of the essay. It is meant to engage the reader, establish the tone for the rest of the essay, and introduce the thesis statement or central argument.  

An essay introduction typically ranges from 5-10% of the total word count. For example, in a 1,000-word essay, the introduction would be roughly 50-100 words. However, the length can vary depending on the complexity of the topic and the overall length of the essay.

An essay introduction is critical in engaging the reader and providing contextual information about the topic. To ensure its effectiveness, consider incorporating these key elements: a compelling hook, background information, a clear thesis statement, an outline of the essay’s scope, a smooth transition to the body, and optional signposting sentences.  

The process of writing an essay introduction is not necessarily straightforward, but there are several strategies that can be employed to achieve this end. When experiencing difficulty initiating the process, consider the following techniques: begin with an anecdote, a quotation, an image, a question, or a startling fact to pique the reader’s interest. It may also be helpful to consider the five W’s of journalism: who, what, when, where, why, and how.   For instance, an anecdotal opening could be structured as follows: “As I ascended the stage, momentarily blinded by the intense lights, I could sense the weight of a hundred eyes upon me, anticipating my next move. The topic of discussion was climate change, a subject I was passionate about, and it was my first public speaking event. Little did I know , that pivotal moment would not only alter my perspective but also chart my life’s course.” 

Crafting a compelling thesis statement for your introduction paragraph is crucial to grab your reader’s attention. To achieve this, avoid using overused phrases such as “In this paper, I will write about” or “I will focus on” as they lack originality. Instead, strive to engage your reader by substantiating your stance or proposition with a “so what” clause. While writing your thesis statement, aim to be precise, succinct, and clear in conveying your main argument.  

To create an effective essay introduction, ensure it is clear, engaging, relevant, and contains a concise thesis statement. It should transition smoothly into the essay and be long enough to cover necessary points but not become overwhelming. Seek feedback from peers or instructors to assess its effectiveness. 

References  

• Cui, L. (2022). Unit 6 Essay Introduction.  Building Academic Writing Skills . 
• West, H., Malcolm, G., Keywood, S., & Hill, J. (2019). Writing a successful essay.  Journal of Geography in Higher Education ,  43 (4), 609-617. 
• Beavers, M. E., Thoune, D. L., & McBeth, M. (2023). Bibliographic Essay: Reading, Researching, Teaching, and Writing with Hooks: A Queer Literacy Sponsorship. College English, 85(3), 230-242. 

Paperpal is a comprehensive AI writing toolkit that helps students and researchers achieve 2x the writing in half the time. It leverages 21+ years of STM experience and insights from millions of research articles to provide in-depth academic writing, language editing, and submission readiness support to help you write better, faster.  

Get accurate academic translations, rewriting support, grammar checks, vocabulary suggestions, and generative AI assistance that delivers human precision at machine speed. Try for free or upgrade to Paperpal Prime starting at US$19 a month to access premium features, including consistency, plagiarism, and 30+ submission readiness checks to help you succeed.  

Experience the future of academic writing – Sign up to Paperpal and start writing for free!  

Related Reads:

• What is an Argumentative Essay? How to Write It (With Examples)
• How to Paraphrase Research Papers Effectively
• How to Cite Social Media Sources in Academic Writing? 
• How Long Should a Chapter Be?

Similarity Checks: The Author’s Guide to Plagiarism and Responsible Writing

Types of plagiarism and 6 tips to avoid it in your writing , you may also like, 4 ways paperpal encourages responsible writing with ai, what are scholarly sources and where can you..., how to write a hypothesis types and examples , what is academic writing: tips for students, what is hedging in academic writing  , how to use ai to enhance your college..., how to use paperpal to generate emails &..., ai in education: it’s time to change the..., is it ethical to use ai-generated abstracts without..., do plagiarism checkers detect ai content.

Generating Ideas for Your Paper

• Introduction

Good writing requires good ideas—intriguing concepts and analysis that are clearly and compellingly arranged. But good ideas don’t just appear like magic. All writers struggle with figuring out what they are going to say. And while there is no set formula for generating ideas for your writing, there is a wide range of established techniques that can help you get started.

This page contains information about those techniques. Here you’ll find details about specific ways to develop thoughts and foster inspiration. While many writers employ one or two of these strategies at the beginning of their writing processes in order to come up with their overall topic or argument, these techniques can also be used any time you’re trying to figure out how to effectively achieve any of your writing goals or even just when you’re not sure what to say next.

What is Invention?

Where do ideas come from? This is a high-level question worthy of a fascinating TED Talk or a Smithsonian article , but it also represents one of the primary challenges of writing. How do we figure out WHAT to write?

Even hundreds of years ago, people knew that a text begins with an idea and that locating this idea and determining how to develop it requires work. According to classical understandings of rhetoric, the first step of building an argument is invention. As Roman thinker Cicero argued, people developing arguments “ought first to find out what [they] should say” ( On Oratory and Orators 3.31). Two hundred years before Cicero, the Greek philosopher Aristotle detailed a list of more than two dozen ideas a rhetor might consider when figuring out what to say about a given topic ( On Rhetoric , 2.23). For example, Aristotle suggested that a good place to start is to define your key concepts, to think about how your topic compares to other topics, or to identify its causes and effects. (For ideas about using Aristotle’s advice to generate ideas for your own papers, check out this recommended technique .)

More recently, composition scholar Joseph Harris has identified three values important for writers just starting a project. Writers at early stages in their writing process can benefit from being: Receptive to unexpected connections You never know when something you read or need to write will remind you of that movie you watched last weekend or that anthropology theory you just heard a lecture about or that conversation you had with a member of your lab about some unexpected data you’ve encountered. Sometimes these connections will jump out at you in the moment or you’ll suddenly remember them while you’re vacuuming the living room. Harris validates the importance of “seizing hold of those ideas that do somehow come to you” (102). While you can’t count on these kinds of serendipities, be open to them when they occur. Be ready to stop and jot them down! Patient Harris supports the value of patience and “the usefulness of boredom, of letting ideas percolate” (102). It can take time and long consideration to think of something new. When possible, give yourself plenty of time so that your development of ideas is not stifled by an immediate due date. Compelled by the unknown According to Harris, “a writer often needs to start not from a moment of inspiration ( eureka! ) but from the need to work through a conceptual problem or roadblock. Indeed, I’d suggest that most academic writing begins with such questions rather than insights, with difficulties in understanding rather than moments of mastery” (102). Sometimes a very good place to begin is with what you don’t know, with the questions and curiosities that you genuinely want resolved.

In what follows, we describe ten techniques that you can select from and experiment with to help guide your invention processes. Depending on your writing preferences, context, and audience, you might find some more productive than others. Also, it might be useful to utilize various techniques for different purposes. For example, brainstorming might be great for generating a variety of possible ideas, but looped freewriting might help you develop those ideas. Think of this list as a collection of recommended possibilities to implement at your discretion. However, we think the first technique described below—“Analyzing the Assignment or Task”—is a great starting point for all writers.

Any of these strategies can be useful for generating ideas in connection to any writing assignment. Even if the paper you’re writing has a set structure (e.g., scientific reports’ IMRAD format or some philosophy assignments’ prescribed argumentative sequence), you still have to invent and organize concepts and supporting evidence within each section. Additionally, these techniques can be used at any stage in your writing process. Your ideas change and develop as you write, and sometimes when you’re in the middle of a draft or when you’re embarking on a major revision, you find yourself rethinking key elements of your paper. At these moments, it might be useful to turn to some of these invention techniques as a way to slow down and capture the ephemeral thoughts and possibilities swirling around your writing tasks. These practices can help guide you to new ideas, questions, and connections. No matter what you’re writing or where you are in the process, we encourage you to experiment with invention strategies you may not have tried before. Mix and match. Be as creative and adventurous with how you generate ideas just as you are creative and adventurous with what ideas you generate.

Some Invention Techniques

Analyzing the assignment or task.

What do I do? If you are writing a paper in response to a course instructor’s assignment, be sure to read the prompt carefully while paying particular attention to all of its requirements and expectations. It could be that the assignment is built around a primary question; if so, structure your initial thoughts around possible answers to that question. If it isn’t, use your close consideration of this assignment to recast the prompt as a question.

The following list of questions are ones that you can ask of the assignment in order to understand its focus and purpose as well as to begin developing ideas for how to effectively respond to its intensions. You may want to underline key terms and record your answers to these questions:

• When is this due?
• How long is supposed to be?
• Is the topic given to me?
• If I get to choose my topic, are there any stipulations about the kind of topic and I can choose?
• What am I expected to do with this topic? Analyze it? Report about it? Make an argument about it? Compare it to something else?
• Who is my audience and what does this audience know, believe, and value about my topic?
• What is the genre of this writing (i.e., a lab report, a case study, a research paper, a reflection, a scholarship essay, an analysis of a work of literature or a painting, a summary and analysis of a reading, a literature review, etc.), and what does writing in this genre usually look like, consist of, or do?

Why is this technique useful? Reading over the assignment prompt may sound like an obvious starting point, but it is very important that your invention strategies are informed by the expectations your readers have about your writing. For example, you might brainstorm a fascinating thesis about how Jules Verne served as a conceptual progenitor of the nuclear age, but if your assignment is asking you to describe the differences between fission and fusion and provide examples, this great idea won’t be very helpful. Before you let your ideas run free, make sure you fully understand the boundaries and possibilities provided by the assignment prompt.

Additionally, some assignments begin to do the work of invention for you. Instructors sometimes identify specifically what they want you to write about. Sometimes they invite you to choose from several guiding questions or a position to support or refute. Sometimes the genre of the text can help you identify how this kind of assignment should begin or the order your ideas should follow. Knowing this can help you develop your content. Before you start conjuring ideas from scratch, make sure you glean everything you can from the prompt.

Finally, just sitting with the assignment and thinking through its guidelines can sometimes provide inspiration for how to respond to its questions or approach its challenges.

Reading Again

What do I do? When your writing task is centered around analyzing a primary source, information you collected, or another kind of text, start by rereading it. Perhaps you are supposed to develop an argument about an interview you conducted, an article or short story you read, an archived letter you located, or even a painting you viewed or a particular set of data. In order to develop ideas about how to approach this object of analysis, read and analyze this text again. Read it closely. Be prepared to take notes about its interesting features or the questions this second encounter raises. You can find more information about rereading literature to write about it here and specific tips about reading poetry here .

Why is this technique useful? When you first read a text, you gain a general overview. You find out what is happening, why it’s happening, and what the argument is. But when you reread that same text, your attention is freed to attend to the details. Since you know where the text is heading, you can be alert to patterns and anomalies. You can see the broader significance of smaller elements. You can use your developing familiarity with this text to your advantage as you become something of a minor expert whose understanding of this object deepens with each re-read. This expertise and insight can help lead you towards original ideas about this text.

Brainstorming/Listing

What do I do? First, consider your prompt, assignment, or writing concern (see “Analyzing the Assignment or Task”). Then start jotting down or listing all possible ideas for what you might write in response. The goal is to get as many options listed as possible. You may wish to develop sub-lists or put some of your ideas into different categories, but don’t censor or edit yourself. And don’t worry about writing in full sentences. Write down absolutely everything that comes to mind—even preposterous solutions or unrealistic notions. If you’re working on a collaborative project, this might be a process that you conduct with others, something that involves everyone meeting at the same time to call out ideas and write them down so everyone can see them. You might give yourself a set amount of time to develop your lists, or you might stretch out the process across a couple of days so that you can add new ideas to your lists whenever they occur to you.

Why is this technique useful? The idea behind this strategy is to open yourself up to all possibilities because sometimes even the most seemingly off-the-wall idea has, at its core, some productive potential. And sometimes getting to that potential first involves recognizing the outlandish. There is time later in your writing process to think critically about the viability of your options as well as which possibilities effectively respond to the prompt and connect to your audience. But brainstorming or listing sets those considerations aside for a moment and invites you to open your imagination up to all options.

Freewriting

What do I do? Sit down and write about your topic without stopping for a set amount of time (i.e., 5-10 minutes). The goal is to generate a continuous, forward-moving flow of text, to track down all of your thoughts about this topic, as if you are thinking on the page. Even if all you can think is, “I don’t know what to write,” or, “Is this important?” write that down and keep on writing. Repeat the same word or phrase over again if you need to. If you’re writing about an unfamiliar topic, maybe start by writing down everything you know about it and then begin listing questions you have. Write in full sentences or in phrases, whatever helps keep your thoughts flowing. Through this process, don’t worry about errors of any kind or gaps in logic. Don’t stop to reread or revise what you wrote. Let your words follow your thought process wherever it takes you.

Why is this technique useful? The purpose of this technique is to open yourself up to the possibilities of your ideas while establishing a record of what those ideas are. Through the unhindered nature of this open process, you are freed to stumble into interesting options you might not have previously considered.

Invisible Writing

What do I do? In this variation of freewriting, you dim your computer screen so that you can’t see what you’ve written as you type out your thoughts.

Why is this technique useful? This is a particularly useful technique if while you are freewriting you just can’t keep yourself from reviewing, adjusting, or correcting your writing. This technique removes that temptation to revise by eliminating the visual element. By temporarily limiting your ability to see what you’ve written, this forward-focused method can help you keep pursuing thoughts wherever they might go.

Looped Freewriting

What do I do? This is another variation of freewriting. After an initial round of freewriting or invisible writing, go back through what you’ve written and locate one idea, phrase, or sentence that you think is really compelling. Make that the starting point for another round of timed freewriting and see where an uninterrupted stretch of writing starting from that point takes you. After this second round of freewriting, identify a particular part of this new text that stands out to you and make that the opening line for your third round of freewriting. Keep repeating this process as many times as you find productive.

Why is this technique useful? Sometimes this technique is called “mining” because through it writers are able to drill into the productive bedrock of ideas as well as unearth and discover latent possibilities. By identifying and expanding on concepts that you find particularly intriguing, this technique lets you focus your attention on what feels most generative within your freewritten text, allowing you to first narrow in and then elaborate upon those ideas.

Talking with Someone

What do I do? Find a generous and welcoming listener and talk through what you need to write and how you might go about writing it. Start by reading your assignment prompt aloud or just informally explaining what you are thinking about saying or arguing in your paper. Then be open to your listener’s reactions, curiosities, suggestions, and questions. Invite your listener to repeat in his or her own words what you’ve been saying so that you can hear how someone else is understanding your ideas. While a friend or classmate might be able to serve in this role, writing center tutors are also excellent interlocutors. If you are a currently enrolled UW-Madison student, you are welcome to make an appointment at our main writing center, stop by one of our satellite locations , or even set up a Virtual Meeting to talk with a tutor about your assignment, ideas, and possible options for further exploration.

Why is this technique useful? Sometimes it’s just useful to hear yourself talk through your ideas. Other times you can gain new insight by listening to someone else’s understanding of or interest in your assignment or topic. A genuinely curious listener can motivate you to think more deeply and to write more effectively.

Reading More

Sometimes course instructors specifically ask that you do your analysis on your own without consulting outside sources. When that is the case, skip this technique and consider implementing one of the others instead.

What do I do? Who else has written about your topic, run the kind of experiments you’ve developed, or made an argument like the one you’re interested in? What did they say about this issue? Do some internet searches for well-cited articles on this concept. Locate a book in the library stacks about this topic and then look at the books that are shelved nearby. Read where your interests lead you. Take notes about things other authors say that you find intriguing, that you have questions about, or that you disagree with. You might be able to use any of these responses to guide your developing paper. (Make sure you also record bibliographic information for any texts you want to incorporate in your paper so that you can correctly cite those authors.)

Why is this technique useful? Exploring what others have written about your topic can be a great way to help you understand this issue more fully. Through reading you can locate support for your ideas and discover arguments you want to refute. Reading about your topic can also be a way of figuring out what motivates you about this issue. Which texts do you want to read more of? Why? Capitalize on and expand upon these interests.

Visualizing Ideas

Mindmapping, clustering, or webbing.

What do I do? This technique is a form of brainstorming or listing that lets you visualize how your ideas function and relate. To make this work, you might want to locate a large space you can write on (like a whiteboard) or download software that lets you easily manipulate and group text, images, and shapes (like Coggle , FreeMind , or MindMapple ). Write down a central idea then identify associated concepts, features, or questions around that idea. If some of those thoughts need expanding, continue this map, cluster, or web in whatever direction is productive. Make lines attaching various ideas. Add and rearrange individual elements or whole subsets as necessary. Use different shapes, sizes, or colors to indicate commonalities, sequences, or relative importance.

Why is this technique useful? This technique allows you to generate ideas while thinking visually about how they function together. As you follow lines of thought, you can see which ideas can be connected, where certain pathways lead, and what the scope of your project might look like. Additionally, by drawing out a map of you may be able to see what elements of your possible paper are underdeveloped and may benefit from more focused brainstorming.

The following sample mindmap illustrates how this invention technique might be used to generate ideas for an environmental science paper about Lake Mendota, the Wisconsin lake just north of UW-Madison. The different branches and connections show how your mind might travel from one idea to the next. It’s important to note, that not all of these ideas would appear in the final draft of this eventual paper. No one is likely to write a paper about all the different nodes and possibilities represented in a mindmap. The best papers focus on a tightly defined question. But this does provide many potential places to begin and refine a paper on this topic. This mindmap was created using shapes and formatting options available through PowerPoint.

Notecarding

What do I do? This technique can be especially useful after you’ve identified a range of possibilities but aren’t sure how they might work together. On individual index cards, post-its, or scraps of paper, write out the ideas, questions, examples, and/or sources you’re interested in utilizing. Find somewhere that you can spread these out and begin organizing them in whatever way might make sense. Maybe group some of them together by subtopic or put them in a sequential order. Set some across from each other as conflicting opposites. Make the easiest organization decisions first so that the more difficult cards can be placed within an established framework. Take a picture or otherwise capture the resulting schemata. Of course, you can also do this same kind of work on a computer through software like Prezi or even on a PowerPoint slide.

Why is this technique useful? This technique furthers the mindmapping/clustering/webbing practice of grouping and visualizing your thoughts. Once ideas have been generated, notecarding invites you to think and rethink about how these ideas relate. This invention strategy allows you to see the big picture of your writing. It also invites you to consider how the details of sections and subsections might connect to each other and the surrounding ideas while giving you a sense of possible sequencing options.

The following example shows what notecarding might look like for a paper being written on the Clean Lakes Alliance—a not-for-profit organization that promotes the improvement of water quality in the bodies of water around Madison, Wisconsin. Key topics, subtopics, and possible articles were brainstormed and written on pieces of paper. These elements were then arranged to identify possible relationships and general organizational structures.

What do I do? Take the ideas, possibilities, sources, and/or examples you’ve generated and write them out in the order of what you might address first, second, third, etc. Use subpoints to subordinate certain ideas under main points. Maybe you want to identify details about what examples or supporting evidence you might use. Maybe you just want to keep your outline elements general. Do whatever is most useful to help you think through the sequence of your ideas. Remember that outlines can and should be revised as you continue to develop and refine your paper’s argument.

Why is this technique useful? This practice functions as a more linear form of notecarding. Additionally, outlines emphasize the sequence and hierarchy of ideas—your main points and subpoints. If you have settled on several key ideas, outlining can help you consider how to best guide your readers through these ideas and their supporting evidence. What do your readers need to understand first? Where might certain examples fit most naturally? These are the kinds of questions that an outline can clarify.

Asking Questions

Topoi questions.

In the introduction, we referenced the list that Aristotle developed of the more than two dozen ideas a person making an argument might use to locate the persuasive possibilities of that argument. Aristotle called these locations for argumentative potential “topoi.” Hundreds of years later, Cicero provided additional advice about the kinds of questions that provide useful fodder for developing arguments. The following list of questions is based on the topoi categories that Aristotle and Cicero recommended.

What do I do? Ask yourself any of these questions regarding your topic and write out your answers as a way of identifying and considering possible venues for exploration. Questions of definition: What is ____? How do we understand what ____ is? What is ____ comprised of?

Questions of comparison: What are other things that ____ is like? What are things that are nothing like ____?

Questions of relationship: What causes ____? What effects does ____ have? What are the consequences of ____?

Questions of circumstances: What has happened with ____ in the past? What has not happened with ____ in the past? What might possibly happen with ____ in the future? What is unlikely to happen with ____ in the future?

Questions of testimony: Who are the experts on ____ and what do they say about it? Who are people who have personal experience with ____ and what do they think about it?

If any of these questions initiates some interesting ideas, ask follow-up questions like, “Why is this the case? How do I know this? How might someone else answer this question differently?”

Why is this technique useful? The questions listed above draw from what both Aristotle and Cicero said about ways to go about inventing ideas. Questions such as these are tried-and-true methods that have guided speakers and writers towards possible arguments for thousands of years.

Journalistic Questions

What do I do? Identify your topic, then write out your answers in response to these questions:      Who are the main stakeholders or figures connected to ____?      What is ____?      Where can we find ____?  Where does this happen?      When or under what circumstances does ____ occur?      Why is ____ an issue?  Why does it occur? Why is it important?      How does ____ happen?

Why is this technique useful? This line of questioning is designed to make sure that you understand all the basic information about your topic. Traditionally, these are the kinds of questions that journalists ask about an issue that they are preparing to report about. These questions also directly relate to the Dramatistic Pentad developed by literary and rhetorical scholar Kenneth Burke. According to Burke, we can analyze anyone’s motives by considering these five parts of a situation: Act ( what ), Scene ( when and where ), Agent ( who ), Agency ( how ), and Purpose ( why ). By using these questions to identify the key elements of a topic, you may recognize what you find to be most compelling about it, what attracts your interest, and what you want to know more about.

Particle, Wave, Field Questions

One way to start generating ideas is to ask questions about what you’re studying from a variety of perspectives. This particular strategy uses particles, waves, and fields as metaphorical categories through which to develop various questions by thinking of your topic as a static entity (particle), a dynamic process (wave), and an interrelated system (field).

What do I do?

Ask yourself these questions about your issue or topic and write down your responses:

• In what ways can this issue be considered a particle, that is, a discrete thing or a static entity?
• How is this issue a wave, that is, a moving process?
• How is this issue a field, that is, a system of relationships related to other systems?

Why is this technique useful?

This way of looking at an issue was promoted by Young, Becker, and Pike in their classic text Rhetoric: Discovery and Change . The idea behind this heuristic is that anything can be considered a particle, a wave, and a field, and that by thinking of an issue in connection to each of these categories you’ll able to develop the kind of in-depth questions that experts ask about a topic. By identifying the way your topic is a thing in and of itself, an activity, and an interrelated network, you’ll be able to see what aspects of it are the most intriguing, uncertain, or conceptually rich.

The following example takes the previously considered topic—environmental concerns and Lake Mendota—and shows how this could be conceptualized as a particle, a wave, and a field as a way of generating possible writing ideas.

Particle: Consider Lake Mendota and its environmental concerns as they appear in a given moment. What are those concerns right now? What do they look like? Maybe it’s late spring and an unseasonably warm snap has caused a bunch of dead fish to wash up next to the Tenney Lock. Maybe it’s a summer weekend and no one can go swimming off the Terrace because phosphorous-boosted blue-green algae is too prevalent. Pick one, discrete environmental concern and describe it. Wave: Consider environmental concerns related to Lake Mendota as processes that have changed and will change over time. When were the invasive spiny water fleas first discovered in Lake Mendota? Where did they come from? What has been done to respond to the damage they have caused? What else could be proposed to resolve this problem. How is this (or any other environmental concern) a dynamic process? Field: Consider Lake Mendota’s environmental concerns as they relate to a range of disciplines, populations, and priorities. What recent limnology findings would be of interest to ice fishing anglers? How could the work being done on agricultural sustainability connect to the discoveries being made by chemists about the various compounds present in the water? What light could members of the Ho-Chunk nation shed on Lake Mendota’s significance? Think about how environmental and conservation concerns associated with this lake are interconnected across different community members and academic disciplines.

Moving Around

Get away from your desk and your computer screen and do whatever form of movement feels comfortable and natural for you. Get some fresh air, take a walk, go jogging, get on your bike, go for a swim, or do some yoga. There is no correct degree or intensity of movement in this process; just do what you can and what you’re most likely to enjoy. While you’re moving, you may want to zone out and give yourself a strategic break from your writing task. Or you might choose to mull your tentative ideas for your paper over in your mind. But whether you’re hoping to think of something other than your paper or you need to generate a specific idea or resolve a particular writing problem, be prepared to record quickly any ideas that come up. If bringing along paper or a small notebook and a pen is inconvenient, just texting yourself your new idea will do the trick. The objective with this technique is both to distance yourself from your writing concerns and to encourage your mind to build new connections through engaging in physical activity.

Numerous medical studies have found that aerobic exercise increases your body’s concentration of the proteins that help nerves grow in the parts of your brain where learning and higher thinking happens (Huang et al.). Similarly, from their review of the literature about how yoga benefits the brain, Desei et al. conclude that yoga boosts overall brain activity. Which is to say that moving physiologically helps you think.

Dr. Bonnie Smith Whitehouse, an associate professor of English at Belmont University and an alum of UW-Madison’s graduate program in Composition and Rhetoric Program and a former assistant director of Writing Across the Curriculum at UW-Madison, investigates the writerly benefits of walking. She provides a full treatment of how this particular form of movement can productively support writing in her book Afoot and Lighthearted: A Mindful Walking Log . In the following passage, she argues for a connection between creative processes and walking, but much of what she suggests is equally applicable to the beneficial value of other forms of movement.

A walk stimulates creativity after a ramble has concluded, when you find yourself back at your desk, before your easel, or in your studio. In 2014, Stanford University researchers Marily Opprezzo and Daniel L. Schwarz confirmed that walking increases creative ideation in real time (while the walker walkers) and shortly after (when the walker stops and sits down to create). Specifically, they found that walking led to an increase in “analogical creativity” or using analogies to develop creative relationships between things that may not immediately look connected. So when ancient Greek physician Hippocrates famously declared that walking is “the best medicine,” he seems to have had it right. When we walk, blood and oxygen circulate throughout the body’s organs and stimulate the brain. Walking’s magic is in fact threefold: it increases physical activity, boosts creativity, and brings you into the present moment.

Similarly, in her post about writing and jogging for the UW-Madison Writing Center’s blog, Literary Studies PhD student Jessie Gurd has explained:

What running allows me to do is clear my head and empty it of a grad student’s daily anxieties. Listening to music or cicadas or traffic, I can consider one thing at a time and turn it over in my mind. It’s a groove I hit after a couple of miles; I engage with the problem, question, or task I choose and roll with it until my run is over. In this physical-mental space, I sometimes feel like my own writing instructor as I tackle some stage of the writing process: brainstorming, outlining, drafting.

While Bonnie Smith Whitehouse walks as an important part of her writing process and Jessie Gurd runs to write, what intentional movement looks like for you can be adapted according to your interests, preferences, and abilities. Whether it’s strolling, jogging, doing yoga, or participating in some other form of movement, these physical activities allow you to take a purposeful break that can help you concentrate your mind and even generate new conceptual connections.

All aspects of writing require hard work. It takes work to develop organizational strategies, to sequence sentences, and to revise paragraphs. And it takes work to come up with the ideas that will fill these sentences and paragraphs in the first place. But if you feel burdened by the necessity to develop new concepts, the good news is that you’re not the first writer who’s had to begin responding to an assignment from scratch. You are backed by a vast history of other writers’ experiences, a history that has shaped a collective understanding of how to get started. So, use the experience of others to your advantage. Try a couple of these techniques and maybe even develop some other methods of your own and see what new ideas these old strategies can help you generate!

Works Cited

Aristotle. On Rhetoric: A Theory of Civic Discourse . Edited and translated by George Kennedy, Oxford University Press, 1991.

Burke, Kenneth. A Grammar of Motives . University of California Press, 1969.

Cicero, Marcus Tullius. On Oratory and Orators . Edited and translated by J.S. Watson, Southern Illinois University Press, 1986.

Desai, Radhika, et al. “Effects of Yoga on Brain Waves an Structural activation: A review.” Complementary Therapies in clinical Practice ,vol, 21, no, 2, 2015, pp. 112-118.

Gurd, Jessie. “Writing Offstage.” Another Word , The Writing Center at the University of Wisconsin-Madison, 7 October 2013, https://writing.wisc.edu/blog/writing-offstage/ . Accessed 5 July 2018.

Harris, Joseph. Rewriting: How to Do Things with Texts . Utah State University Press, 2006.

Huang, T. et al. “The Effects of Physical Activity and Exercise on Brain-Derived Neurotrophic Factor in Healthy Humans: A Review.” Scandinavian Journal of Medicine and Science in Sports , vol. 24, no. 1, 2013. Wiley Online Library , https://doi.org/10.1111/sms.12069 .

Oppezzo, Marily, and Daniel L. Schwartz. “Give Your Ideas Some Legs: The Positive Effect of Walking on Creative Thinking.” Journal of Experimental Psychology: Learning, Memory, and Cognition , vol. 40, no. 4, 2014, pp. 1142-52.

Smith Whitehouse, Bonnie, email message to author, 19 June 2018.

Young, Richard E., Alton L. Becker, and Kenneth L. Pike. Rhetoric: Discovery and Change . Harcourt College Publishing, 1970.

Writing Process and Structure

This is an accordion element with a series of buttons that open and close related content panels.

Getting Started with Your Paper

Interpreting Writing Assignments from Your Courses

Creating an Argument

Thesis vs. Purpose Statements

Developing a Thesis Statement

Architecture of Arguments

Working with Sources

Quoting and Paraphrasing Sources

Using Literary Quotations

Citing Sources in Your Paper

Drafting Your Paper

Introductions

Paragraphing

Developing Strategic Transitions

Conclusions

Revising Your Paper

Peer Reviews

Reverse Outlines

Revising an Argumentative Paper

Revision Strategies for Longer Projects

Finishing Your Paper

Twelve Common Errors: An Editing Checklist

How to Proofread your Paper

Writing Collaboratively

Collaborative and Group Writing

The Paragraph Body: Supporting Your Ideas

Whether the drafting of a paragraph begins with a main idea or whether that idea surfaces in the revision process, once you have that main idea, you’ll want to make sure that the idea has enough support. The job of the paragraph body is to develop and support the topic. Here’s one way that you might think about it:

• Topic sentence : what is the main claim of your paragraph; what is the most important idea that you want your readers to take away from this paragraph?
• Support in the form of evidence : how can you prove that your claim or idea is true (or important, or noteworthy, or relevant)?
• Support in the form of analysis or evaluation : what discussion can you provide that helps your readers see the connection between the evidence and your claim?
• Transition : how can you help your readers move from the idea you’re currently discussing to the next idea presented? (For more specific discussion about transitions, see the following section on “ Developing Relationships between Ideas ”).

For more on methods of development  that can help you to develop and organize your ideas within paragraphs, see “Patterns of Organization and Methods of Development” later in this section of this text.

Types of support might include

• Statistics.
• Quotations.

Now that we have a good idea what it means to develop support for the main ideas of your paragraphs, let’s talk about how to make sure that those supporting details are solid and convincing.

Good vs. Weak Support

What questions will your readers have? What will they need to know? What makes for good supporting details? Why might readers consider some evidence to be weak?

If you’re already developing paragraphs, it’s likely that you already have a plan for your essay, at least at the most basic level. You know what your topic is, you might have a working thesis, and you probably have at least a couple of supporting ideas in mind that will further develop and support your thesis.

So imagine you’re developing a paragraph on one of these supporting ideas and you need to make sure that the support that you develop for this idea is solid. Considering some of the points about understanding and appealing to your audience (from the Audience and Purpose and the Prewriting sections of this text) can also be helpful in determining what your readers will consider good support and what they’ll consider to be weak. Here are some tips on what to strive for and what to avoid when it comes to supporting details.

Breaking, Combining, or Beginning New Paragraphs

Like sentence length, paragraph length varies. There is no single ideal length for “the perfect paragraph.”  There are some general guidelines, however. Some writing handbooks or resources suggest that a paragraph should be at least three or four sentences; others suggest that 100 to 200 words is a good target to shoot for. In academic writing, paragraphs tend to be longer, while in less formal or less complex writing, such as in a newspaper, paragraphs tend to be much shorter. Two-thirds to three-fourths of a page is usually a good target length for paragraphs at your current level of college writing. If your readers can’t see a paragraph break on the page, they might wonder if the paragraph is ever going to end or they might lose interest.

The most important thing to keep in mind here is that the amount of space needed to develop one idea will likely be different than the amount of space needed to develop another. So when is a paragraph complete? The answer is, when it’s fully developed. The guidelines above for providing good support should help.

Some signals that it’s time to end a paragraph and start a new one include that

• You’re ready to begin developing a new idea.
• You want to emphasize a point by setting it apart.
• You’re getting ready to continue discussing the same idea but in a different way (e.g. shifting from comparison to contrast).
• You notice that your current paragraph is getting too long (more than three-fourths of a page or so), and you think your writers will need a visual break.

Some signals that you may want to combine paragraphs include that

• You notice that some of your paragraphs appear to be short and choppy.
• You have multiple paragraphs on the same topic.
• You have undeveloped material that needs to be united under a clear topic.

Finally, paragraph number is a lot like paragraph length. You may have been asked in the past to write a five-paragraph essay. There’s nothing inherently wrong with a five-paragraph essay, but just like sentence length and paragraph length, the number of paragraphs in an essay depends upon what’s needed to get the job done. There’s really no way to know that until you start writing. So try not to worry too much about the proper length and number of things. Just start writing and see where the essay and the paragraphs take you. There will be plenty of time to sort out the organization in the revision process. You’re not trying to fit pegs into holes here. You’re letting your ideas unfold. Give yourself—and them—the space to let that happen.

The Word on College Reading and Writing Copyright © by Carol Burnell, Jaime Wood, Monique Babin, Susan Pesznecker, and Nicole Rosevear is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.

Share This Book

Developing Your Ideas

Updated Fall 2022

Details bring our ideas to life. A conversation without details is like a blank canvas, plain and lacking color until the painter arrives. When we talk with others, the details we provide help our listeners better understand our ideas. Providing details and support for our ideas is called development. Writers who develop their ideas usually do a better job of keeping their readers' attention and gaining their trust. To develop your ideas, you'll need to know what types of development you should use with your particular audience and focus. With this information, you can then present convincing details to your readers.

A Definition of Development

Development is how writers choose to elaborate their main ideas. Typically, we associate development with details because specifics help make generalizations (the main idea, claim or thesis) more concrete.

Reasons for Developing Your Writing

Kate Kiefer, English Department Students need to be concerned with development for two main reasons:

• Details tend to be more persuasive, memorable, and engaging.
• Details show what we know. Providing details proves to your reader that you have a strong understanding of the topic you are writing about.

Things to Consider Before Developing

All readers have expectations. They assume certain details should be included within certain texts. For instance, readers would be shocked to read NFL statistics in a fashion magazine. Biology students wouldn't expect a paragraph on the artistic value of a pond in a research article about pond algae.

How you develop your ideas depends on your audience and focus. While it may seem obvious to include certain details, some forms of development work better with particular audiences. Ultimately, your details should work together to support the overall idea of your writing.

Development and Audience

Michael Palmquist, English Department

Your audience is who will read what you write. Different audiences expect certain details from texts. For instance, suppose you are writing about the representation of women in a particular novel. You will need to provide background details about the characters if your audience has not read the work. Or suppose you are writing to an organization to propose a new facility. Your audience might expect financial details, design details, or a mixture of both. Knowing who your audience is will help you determine what details to provide.

Donna Lecourt, English Department

What counts as evidence depends on the content area you are writing about. A quote from a novel is evidence. So is data from research. However, you probably wouldn’t include both types of evidence within the same piece because a literary argument has different goals than a scientific one. Whether you are sharing your personal experience or interviewing multiple people, you should always consider how your readers will receive your ideas.

Development and Focus

Kate Kiefer, English Department

The focus of your writing is the main idea you convey. Focus is what guides how you develop your ideas. For instance, perhaps your focus is proving a scientific concept incorrect through an experiment you conducted. You would then develop your report by describing what you did, your results, and how your experiment disproves the concept. Or perhaps you're writing to disagree with a philosophical concept. You would then develop your essay by presenting the concept and the reasons why you disagree with it. These reasons might be your opinions, criticisms from another philosopher, or perhaps even interviews with instructors.

Strategies for Development

You can often make a claim based on the similarity of one thing to another. You might argue, for instance, that buying a home computer is like buying a new car: before you buy it, you want to take it out for a test drive. The purchase is likely to be a major one -- you may want to get a loan. Once you take it home, it will take a little while to get used to it.

Analogies are convincing because they can make something unfamiliar or complex easier to understand. If the reader can see how something complex is like something they are familiar with, then the claim will be more effective.

In your paper, you can present an analysis of your supporting information, like quotes or statistics, in order to strengthen your writing. If your supporting information is the “what,” then your analysis is the “why.” For example, if a quote from a novel is your support, your analysis would explain (in your own words) why that quote supports your argument.

Association

Association is an effective strategy. Many companies use this strategy through celebrity endorsements. Sports drink companies hire famous athletes to be the “face” of their product so buyers will associate the drink with athletic excellence. Makeup companies will hire models to promote their products so users will associate the makeup line with incredible beauty.

Using association doesn’t necessarily mean that what you’re saying is true; for example, Drinking Powerade probably won’t turn you into an elite athlete. However, it is an effective strategy for getting people to agree that your product is the best. The same thing is true for writing: association can help you convince readers that your claim is the strongest. Just be sure your audience would respond positively to the person or people you’re associating your ideas with!

Cause/Effect

Consider this strategy if you need to show your readers why something happened or the consequences of a decision or event. For example, company executives decide to use electronic mail because employees are not communicating job tasks with one another (cause). As a result, employees not only increase work production, but they also use the mail system to advertise social events (effects).

Depending on your focus, you may need to present only the causes or only the effects of your topic.

Compare/Contrast

If you are writing about a complex topic, you might consider using a comparison or a contrast. This will help your readers understand your topic by reminding them of something they already know. For instance, email is like hand-delivered mail in that both require an address to deliver a message. However, they are different because one is delivered more quickly than the other, one may seem more personal than the other, etc. This type of strategy is similar to analogy.

Citing Authority

Trying to persuade someone using only your opinion can be challenging and ineffective. Your audience is more likely to listen to and agree with you if you use reliable, credible sources to back your claims up. This is called citing an authority. An authority figure is knowledgeable about the topic you are writing about; often, this is an expert in the field or someone who has personal experience with the topic. Two ways to cite an authority are conducting interviews and finding sources through the library.

Interviews allow you to quote information from a respected person in the field in which you are writing about. This makes your ideas more believable since someone else – someone relevant -- also agrees with what you have to say. Direct quotes can be powerful pieces of evidence in an argument, but they can take longer or be more difficult to get.

A popular way to find an authority figure to cite is using the library (online or in person) to locate books and articles on your topic. Using outside resources in your writing conveys to readers you have researched your topic. This makes your ideas more believable. If you are a student, you should have access to your university’s database. Additionally, public libraries and academic search engines, such as Google Scholar, can help you conduct research. Still stuck? Try talking to a librarian – they are extremely knowledgeable and helpful!

Make sure that the source you’re citing is relevant to what you’re writing about. Consider who wrote it, when their writing was published, where the writing was published, and how your audience might react to hearing from the source.

Finally, it is important that you give credit to those whose work you are using to improve your writing. There are several different citation styles, and one may be more appropriate than the other based on the type of writing you are doing. There are many resources that can help you understand how to implement each style, including Purdue OWL, university websites, and writing center websites. Several of these resources will be linked at the end of this document. Below is a brief overview of the three most common citation styles.

MLA stands for Modern Language Association. This citation style is typically used in the Humanities, especially Literature. This style incorporates in-text citations and a Works Cited page.

APA stands for American Psychological Association. This style is typically used in fields like psychology, education, and the sciences. This style incorporates in-text citations and a References page.

CMS stands for Chicago Manual of Style. This style is typically used in publications, as well as in cases where footnotes might be helpful. This style incorporates footnotes and a Bibliography page.

Provide your readers with a definition if they may not know what a certain term means or is referring to. This may look like explaining what a scientific term means, what a concept is, or even clarifying the specific definition of a word that may have more than one meaning.

Rhetorical Appeals

Pathos (appeal to emotions)

An appeal to emotions can make your claim(s) more effective. If your words make readers feel something, whether that be anger, joy, excitement, or concern, they will be more likely to agree with your stance.

When making an appeal to emotions, consider which emotion(s) would be most helpful for a reader to feel if you want them to agree with you. Are they more likely to be on your side if they feel excited, sad, or scared? Also, think about how you can make readers feel these emotions. Depending on the type of writing you are doing, you may want to use descriptive language, include shocking statistics, or ask thought-provoking questions.

Ethos (appeal to credibility)

Showing your readers that you are a trustworthy writer is important. Three popular ways of proving credibility are providing credentials, sharing personal experience, and citing authority. Credentials show you are qualified in a certain area. They are typically related to school (ex: degrees earned) or work (jobs you’ve held). Personal experience shows that you have a real connection to the topic you are writing about. Citing authority shows that you have done the research needed to make a strong argument.

Logos (appeal to logic)

Supporting your claims with facts will help you convince your readers that you are right. Unlike an opinion, a fact can’t be argued with! Make sure that you cite your sources when including factual evidence in your work, and make sure to include your own analysis of why those facts back up your argument.

Visual Representations

Charts, graphs, figures, and drawings help readers envision your ideas and, in some cases, better understand your data. For example, if you are trying to show that there has been a dramatic increase or decrease of something, it might be more effective to include a bar graph that shows the difference in bar sizes than if you just listed the numbers by themselves.

Be careful not to rely too heavily on visual representations; this can be overwhelming for the reader and may make it seem like you are relying more on the images than your own analysis.

Your Experiences

Using your personal experience shows your readers you have first-hand experience with your topic. In a way, you become an authority figure on the topic, too. For example, if you are writing to argue that more research should be done on a certain disease, your credibility would increase if you were able to share your own personal experience with the disease.

Consider what type of writing you are doing. Be sure that using personal experience is appropriate for your audience and subject matter. Ask yourself whether your readers will accept personal experience as evidence.

Hopkins, Haley, Stephen Reid, & Dawn Kowalski. (2022). Developing Your Ideas. Writing@CSU . Colorado State University. https://writing.colostate.edu/guides/guides.cfm?guideid=27

Writing in Art History

This guide provides a brief introduction to writing in the field of  art history  through the lens of  threshold concepts.  It includes:

• A statement of threshold concepts in art history
• “So you’re taking an art history course”: A Description of Writing Characteristics Valued in Art History
• “This is how we write and do research in art history”: Resources for Writers

A Statement of Threshold Concepts in Art History

“Seeing comes before words, the child looks and recognizes before it can speak.” (John Berger,  Ways of Seeing )

“Seeing establishes our place in the world.” (John Berger,  Ways of Seeing )

“We do not explain pictures: we explain remarks about pictures.” (Michael Baxandall,  Patterns of Intention )

Threshold Concept #1: Connections between Looking and Writing

The statement:   It is not easy to write what you see. If seeing establishes our place in the world, art history is a tool to make sense of the visual world in which we all live.

What this means for our students:   Looking well is a time-intensive and skilled practice. Visual information is not self-evident, and writing about what is seen involves thinking about how and why visual information is understood in a particular way.

Where/how we teach this Threshold Concept : Visual analysis assignment in ART 285; Short essays in 100-level courses. Writing about and describing what is seen is also modeled in class examples and discussions.

Threshold Concept #2: Context Matters

The statement:   All art is conditioned by historical and cultural circumstances. Art history endeavors to understand these circumstances or contexts in order to explain the crucial role art occupies in humanity. The contexts that produced the work of art help art historians contextualize why art matters.

What this means for students:  Art is never understood by its visual appearance or form alone. The goal of art history is to place a work of art within its historic, religious, political, economic, and aesthetic contexts. Students should also understand that various contexts do not stand on their own, but usually overlap. Only by unpacking the circumstances that give rise to a work of art is one able to communicate how art matters and how its meanings change through time and place.      

Where/how we teach this Threshold Concept:  100-level courses engage with this concept while upper-level courses provide students with practical applications through the execution of research and writing assignments.

Threshold Concept #3: Frames of interpretation

The statement:  Art historical writing involves multiple frames of interpretation and—perhaps more importantly—the ability to hold multiple frames in suspension at the same time while producing an original argument. While there is no one “right” interpretation of a work of art, there are interpretations and scholarly arguments that have more quality or staying power than others. (See below for examples of quality art historical arguments)

What this means for students:   Research done in preparation for writing is framed not only as a search for facts to be relayed to the reader through writing, but also as discourses of interpretation within which the writer seeks to interject. This kind of writing involves a conversation with artworks, contexts, and prior interpretations and scholarship in service of an original argument.

Where/how we teach this Threshold Concept:   Research papers in upper level courses, at the end of Art 285 and the Art 480 seminar, and as part of the capstone project and honors theses ideally move students through this threshold. Being able to do this involves building upon awareness and skills gained in Threshold Concepts 1 and 2.

“So You’re Taking an Art History Course”: A Description of Writing Characteristics Valued in Art History

Art history is rooted in the study of visual, performed, and material expression. Goals for our work include interpretation, producing frameworks, narratives, and histories to understand the human experience and condition, and the expansion of what is considered “art”. We want you to know that there are some key things that we value in our field. We value the  complexity of seeing and the diversity of different ways of seeing . We tend not to value or prioritize subjective opinion and unsubstantiated claims.

What is considered effective or good writing in our field varies by genre and purpose, but overall we expect to see:

• a direct address of the subject or work of art.
• an interpretive analysis of a work of art backed by research from credible sources.
• engagement with significant interpretive and theoretical frameworks.

Writers in our field must provide evidence for their claims. We understand evidence to include:

• Formal analysis. Formal analysis is the description of the visual and material features of an object to support an argument. It can include a consideration of color, line, size, weight, form, shape, depth. Formal analysis is often a place to generate questions for research.
• Biographical records or artists’ statements
• Archival records
• Ethnographic data
• Historical events
• Significant secondary literature
• Adjacent artistic and cultural production (music, literature, theatre, etc.)

Writers in our field seem credible when they:

• Address current and historical debates about the interpretation of a topic
• Demonstrate an awareness of the historical and cultural context of a topic
• Cite credible sources accurately.  Credible sources  include peer-reviewed journals, books, or websites from reputable institutions and organizations.
• For more information on citing sources accurately, see the “ Quick Guide to Citations for Art Historical Writing ”

This is How We Write and Do Research in Art History

Art historical writing is about analyzing works of art to make a point or argument. Not every student in our classes needs to be able to write in the professional way of the field. However, depending on the reasons for taking our courses, we want students to become proficient and comfortable with analyzing art and the important place writing occupies in that process. Students taking an art history course should expect to write in the following genres:

• research papers
• exhibition reviews/evaluations
• book reviews
• visual analyses
• reading reflection/canvas posts
• museum labels
• essay exams

Writing goals and outcomes are different depending on the level of the course.  For example:

• Undergraduates taking Miami Plan (100-level) or elective courses  should recognize the relationship between how to develop a thesis and employ visual evidence in support of that thesis. Such a skill is undoubtedly useful for all students since looking closely coupled with the ability to make sense of what one sees are crucial for many other kinds of writing and ways of thinking. We argue the complexity and diversity of “looking deeply” is too often taken for granted in the visual world in which we live. In 100-level classes, students start to become familiar with how to write and think about art.
• Undergraduates majoring in our field  should recognize that art historical writing is approached as a conversation or dialogue. As students progress through the major, being able to place a topic and research paper within previous published and ongoing debates is crucial. In other words, students should start to understand that writing in Art History is about creating a dialog between one’s ideas and the sources the student engages. We also want our students to understand the value of inserting their own voice when writing. Over time, majors will need to become skilled at synthesizing their ideas and arguments with original research. This very process is how objects tell us something distinctive about their historical context and their value within human history.  

Resources for Art History Writers

Annotated Sample of Writing from Art History (ART 188)

The following is a student paper from the course ART 188: History of Western Art (Renaissance to Modern). Miami faculty from Art History have inserted comments to indicate and explain disciplinary writing conventions in Art History.

This sample contains 8 comments. These comments appear within the text of the article and are noted with bold text, brackets [ ], and the word "comment" before the text they refer to.  You can also view these annotations and the original paper in a  Google Doc format .

Sample Annotated Student Essay for ART 188

The essay prompt.

Compare Hyacinthe Rigaud’s painting  Louis XIV  (1701) (on the left) to Jacques-Louis David’s  Death of Marat  (1793) (on the right). Both of these artworks were made for explicitly political purposes, though they clearly depict very different types of figures and employ very different styles. Compare these two artworks in terms of how they convey their particular political message to the viewer. What strategies does each artist employ and why? What are they trying to communicate to the viewer about the state?

Introduction (2 comments)

A Martyr of Royal Proportions

[Comment 1: Introduction sets the context without making claims that are too broad or general. Also sets the tone for a focus on class conflict.]  For the majority of the eighteenth-century, French farmers stayed starving and cold while an elite class of nobility consumed them. For years, the upper echelon of French society relied on the blood and sweat of the layman to provide them with ample nourishment. But after the spring of 1791, the fields would be nourished by the blood of laymen and aristocrat alike, and the old ways would be no more. A revolution had begun, and revolutionary figures like Jean Paul Marat would be painted in stark contrast to the grandiose portraiture of King Louis the Fourteenth nearly a century prior.  [Comment 2: Clear thesis signals what the argument will be and why comparing these two paintings is worthwhile.]  Indeed, the transition in composition from the early eighteenth century spoke to more than simple brushstrokes. It represented the political enlightenment of the French people attempting to secure for themselves unalienable liberties they had been denied so long. Marat, therefore, was not simply a brutalized revolutionary lying lifeless in his bathtub;  The Death of Marat  depicts the efforts of the enlightenment revolution ferociously contesting with the old paradigm of French government.

Analysis (6 comments)

[Comment 3: Clear topic sentences signal what each paragraph will analyze.]  When comparing two pieces it is important to recognize their respective contexts first. The Louis XIV portrait is painted by Hyacinthe Rigaud during the early Enlightenment period of France in 1701. This painting has King Louis XIV surrounded by opulence in a very stately posture. Louis states, “I am the state,” reinforcing his role as monarch of France for anyone viewing his kingly grandeur.  The Death of Marat , however, imparts a very different sentiment. Painted by French revolutionary artist Jacques-Louis David in 1793,  The Death of Marat  displays the infamous revolutionary writer is lifeless in a tub. At the height of the French revolution, he is soaking in a mixture of medicinal sulfur used to treat a rare skin condition he contracted in the sewers of France. Indeed, this disease that Marat contracted in the sewers placed him in the tub he would be murdered in. In this way, the poverty that drove him into the sewers also drove him to his demise; the French aristocracy could expunge the poor from the streets, but they could never extricate the ideas Marat imbued. The piece evoked compassion and provided justification to the many rebellious Parisians for whom he spoke. Furthermore, the painting immortalized Marat as a martyr and freedom fighter in the eyes of his fellow revolutionaries. The Louis XIV portrait flaunts power and status while  The Death of Marat  condemns monarchical rule in France.

After examining context, it is crucial to integrate the content of the works to get at their underlying meaning. Examining the content of the Louis XIV portrait gives the viewer an idea of the intentions and priorities of the French king. It is especially apparent that the king has a lot of money.  [Comment 4:  Descriptive prose points to specific aspects in the work of art.]  His encrusted sword and outrageously fanciful robe serve to bolster his status and wealth. It would almost seem that in a secondary effort to avoid being directly arrogant, these items are also imbued with a national relevance. The ludicrous robe displays the three-pronged lily representing the French monarchy, and his encrusted sword represents French military might. It is his shoes that cannot be accounted for. The king, old and sickly as he actually was, adorns some stylish footwear to juxtapose his position as self-proclaimed “Sun King” with some suave contemporary sneakers and a cheeky flash of the thigh. As powerful and sophisticated as he may have been, this portraiture shows  [Comment 5: Returns the analysis of symbols within the painting to the context of class conflict signaled in the introduction.]  a clear separation from reality; the wealth and power of “France” depicted in Louis’ portrait was not representative of the people who actually lived there. It was only relatable to the fancifully rich. Comparatively, the Marat portrait makes King Louis look like a bad attempt at humor.  The Death of Marat  was something extremely real and very relatable. It illustrated a man who suffered dearly at the hand of the monarchy and was ultimately killed by those who supported its rule. The rich and famous could never relate to  The Death of Marat  in the same way Parisians did; Marat would have been more honorable in the eyes of the public than any would-be king. Marat is shown in his tub, papers under arm and his quill in hand. It would appear that he was working on some enlightenment literature when he received a letter which tricked him into granting his killer access to him. Similar to the Louis XIV portrait, Marat’s body is sculpted with the precision and attention expected of the neoclassical age. The sickly and bleeding body of Marat elicits a specific emotional reaction of resentment and remorse. That the Marat painting gained the popularity that it did supports the idea that people began to relate more with enlightenment concepts and less of the idea of a king.

The skillful hand of each artist has a unique place in the message of each painting. The separate pieces are painted with unique and very different forms. Looking at the Louis XIV painting one notices that it is very full. This is assumed to be an intentional detail, as a king would surely have many possessions. Small shadows hide in the creases of cloth behind him. The only true shadow that rivals that of the king is in the very back of the painting almost out of sight. It would not be a stretch to say that the painting is full of cloth, and every cloth is radiant with color.  [Comment 6:  Attention to formal detail reasserts and supports the main argument about class and the king’s presentation within the painting.]  Light comes from the right-side illuminating Louis the XIV making him look larger with his robe on. The piece is extremely skilled but has some element of blurring when looked at closely. The overall atmosphere is one of style, color, and power regarding the king. The Marat piece does not share much with the Louis portrait; it is of a bath tub, a man, and a desk. The details of Marat are more vivid and retain their integrity upon close inspection. Marat himself is so realistic, he truly looks lifeless.  [Comment 7:  Formal analysis here connects to prior class content, and points to the art historical references within the painting.]   His posture is very reminiscent of pieta, reinforcing his martyr status in a Christ-like fashion. Despite the detail and realism of Marat,  [Comment 8:  Looks not only to what is in the painting, but how absences are treated, considering the entire composition.]  the stark ambiguity of the upper half of the painting is both unconventional and genius. With a black top half, there is nothing but Marat himself to focus on, the only thing one can really see and feel is Marat. As a result, the piece evokes keeps the viewers attention and feeling on the death of the man. One might ask who would do such a thing. Then answer inevitably reached is the monarchy.

Conclusion (0 comments)

The differences in context, content, and form of  The Death of Marat  and  Louis XIV  vary widely. These aspects are essential to the message and reception of the works. Their comparison brings out everything that is right, or wrong, with the messages they impart. In the case of David’s painting, it simply elicits the exact emotions people needed to feel; the emotions they needed reassurance of if they were to carry out their cause. The power of  The Death of Marat  inspired people to carry on fighting for the French Revolution. The influence of art certainly stretches beyond the construct of the mind, art is part and parcel of society, and should be regarded so dearly.

Annotated Sample of Read, Look, Reflect Essay

This sample contains 10 comments. These comments appear within the text of the article and are noted with bold text, brackets [ ], and the word "comment" before the text they refer to.  You can also view these annotations and the original paper in a  Google Doc format .

Assignment Context

As a student in ART 188, you might be asked to write a series of Read, Look, Reflect papers. The following paper is an example of exemplary student work. For this assignment, students are asked to read two sonnets by Michelangelo and look closely at Michelangelo’s sculpture Awakening Slave. Then they are asked to reflect on the questions below. This is a paper in which all students referenced the same assigned texts. No outside research was necessary, so footnotes were not required. Only clear references to the specific sonnet being discussed were necessary.

How does the allusion to the creative process in Michelangelo’s poems help us understand his philosophy of carving sculpture? How is that process visually apparent in the sculpture,  Awakening Slave ?

Introduction (3 comments)

Read, Look, Reflect: Michelangelo’s  Awakening Slave

[Comment 1: This introductory paragraph is effective because it begins providing an answer to the essay prompt. The author begins to explain a connection between hand and mind, which suggests a particular approach to the creative process.]   [Comment 2:  The author also gets straight to the point without making any sweeping historical claims or claims about beauty or greatness of a work of art.]  Michelangelo’s sonnets give insight into his beliefs about the mind’s vision and the hand’s product. Using sonnets to discuss the creative process and its resulting translation to Michelangelo’s sculptures is a testament to Michelangelo’s own mental capabilities, for both forms of art are quite difficult to produce well. Poetry and art require excessive refinement and revision on the part of the creator to convey what he or she wants to with a finished product. In the sonnet numbered 151, Michelangelo describes the “hand that obeys the intellect”,  [Comment 3:  Here’s one place where the author provides an interpretation of a specific quote.]  an indication that he believes that the mind is central to sculpting a vision from inspiration before the hand sculpts the stone itself. Further, Michelangelo’s choice of words here shows his reverence for the mind in its central creative role. In this paper, demonstrate how Michelangelo’s sonnets and the sculpture,  Awakening Slave , express a tension between idea and execution.

Analysis (7 comments)

With this in mind, Michelangelo’s second sonnet, numbered 152, delves further into the carving process.  [Comment 4:  The author focuses on a specific part of the poem here.]  Michelangelo speaks of a living figure “that grows larger wherever the stone decreases” in this poem, a more direct allusion to what stone is literally subtracted as artistic additions are made to the stone. From there, the sonnet further describes the process of addition, discussing how one cannot see his or her own good in the same way that others can.  [Comment 5:  The author comes to a thoughtful interpretation of the quote here.]  Rather, according to Michelangelo, other people seem to see the good in an individual and can bring it out to the surface in a way that the individual is unable to introspectively.  [Comment 6:  The author continues to reflect on the significance of that interpretation to the creative process.]  This is a powerful observation both psychologically and artistically, and though Michelangelo is commenting on both, the latter alludes more to the creative process. Artistically, it seems like Michelangelo is alluding to his personal definition of inspiration. When artists like himself create, they seek to bring out qualities worth displaying, whether they be qualities like grace and beauty, or in the case of his sculpture,  Awakening Slave , a quality like the beauty of struggle.

Because Michelangelo’s sculpture,  Awakening Slave , is still very much confined to the stone, viewers can see his poetic description of replacing raw stone with a mental vision in artistic practice. It could be argued that the sculpture is either intentionally or accidentally unfinished, but with the information from the sonnets, the former seems to be a more accurate reflection of Michelangelo’s beliefs in this art. For Michelangelo, crafting a seemingly unfinished sculpture can successfully show the struggles of the creative process, especially conflicts with inspiration itself. Conflicts could entail a situation such as if inspiration were to run dry, or a time when the pressure on the creator to produce a fully developed vision becomes too much.

The man who is supposed to be awakening in the sculpture is facing a personal struggle that he cannot escape from.  [Comment 7:  The author makes a clear and specific observation about the sculpture.]  It is worth noting that a body is more clearly defined in the sculpture than a head.  [Comment 8:  The author suggests a possible interpretation of the observation above.]  This structural observation could mean that the head, and therefore the mind, is the source of the struggle for the man depicted in the stone.  [Comment 9:  The author again makes a specific observation in the next sentence and then moves into interpretation for the rest of the paragraph.]  The central parts of the body are more prominent in the stone than the upper and lower regions of the body, giving the sculpture a warped look on the top, but also a little bit on the bottom as well. This further enhances the theme of struggle and the overtaking of the mind by said struggle. The all- consuming nature of struggle is made more powerful and central to the sculpture by that design choice, especially since viewers know that Michelangelo’s anatomical accuracy was part of what has made many of his other works so respected.

The ability that viewers have to pair Michelangelo’s  Awakening Slave  with written explanations from the artist centuries later undoubtedly adds to one’s interpretation of the art. Michelangelo’s decision to reflect on his own creative process shows that while he was a renowned artist, the talent was accompanied by other highly developed talents, too. In more than one respect, Michelangelo continues to succeed in making critics and common viewers alike understand the complexity of the artistic profession.

Howe Writing Center

501 E. High Street Oxford, OH 45056

• Online: Miami Online
• Main Operator 513-529-1809
• Office of Admission 513-529-2531
• Vine Hotline 513-529-6400
• Emergency Info https://miamioh.edu/emergency

1601 University Blvd. Hamilton, OH 45011

• Online: E-Campus
• Main Operator 513-785-3000
• Office of Admission 513-785-3111
• Campus Status Line 513-785-3077
• Emergency Info https://miamioh.edu/regionals/emergency

4200 N. University Blvd. Middletown, OH 45042

• Main Operator 513-727-3200
• Office of Admission 513-727-3216
• Campus Status 513-727-3477

7847 VOA Park Dr. (Corner of VOA Park Dr. and Cox Rd.) West Chester, OH 45069

• Main Operator 513-895-8862
• From Middletown 513-217-8862

Chateau de Differdange 1, Impasse du Chateau, L-4524 Differdange Grand Duchy of Luxembourg

• Main Operator 011-352-582222-1
• Email [email protected]
• Website https://miamioh.edu/luxembourg

217-222 MacMillan Hall 501 E. Spring St. Oxford, OH 45056, USA

• Main Operator 513-529-8600

Initiatives

• Miami THRIVE Strategic Plan
• Miami Rise Strategic Plan
• Boldly Creative
• Annual Report
• Moon Shot for Equity
• Miami and Ohio
• Majors, Minors, and Programs
• Inclusive Excellence
• Employment Opportunities
• University Safety and Security
• Parking, Directions, and Maps
• Equal Opportunity
• Consumer Information
• Land Acknowledgement
• Privacy Statement
• Title IX Statement
• Report an Accessibility Issue
• Annual Security and Fire Safety Report
• Report a Problem with this Website
• Policy Library

How to Write an Essay – Best Method Explained

B efore we dive into this article, we highly recommend you check out bestessaywriter.net if you are looking to get your essay written by highly qualified writers with over 30 years of experience. 

Are you passionate about a topic and eager to share it? Write an essay! Do you disagree with a common viewpoint and want to persuade others to see it your way? Write an essay! Are you required to submit a piece of writing to get into your dream college? Write an essay! 

Writing essays is a powerful way to express your thoughts, challenge prevailing opinions, and fulfill academic requirements. Whether you're driven by passion or necessity, crafting a well-thought-out essay can make a significant impact. 

The term "essay" broadly describes any written piece where the author presents their viewpoint on a topic. This can be academic, editorial, or even humorous in nature. Despite the vast number of approaches and topics available, successful essay writing generally adheres to a consistent framework. 

Good essays are structured effectively to guide the reader through the author's arguments and insights. Whether you're exploring complex theories or sharing personal experiences, a clear, logical structure is key to making your essay compelling and coherent. 

In the following sections, we'll dive into that framework and explain how you can apply it to your essays, regardless of their type. But first, let's begin with a basic overview of essay writing. 

How to Write an Essay 

If you are having trouble writing an essay, you can hire an essay writer from BestEssayWriter.net but if you want to learn how to write an essay on your own, we will lay down the exact steps in this guide.  

Steps to write an essay: 

• Generate Ideas and Choose a Type of Essay : Start by brainstorming potential topics and deciding on the type of essay you want to write, whether it's persuasive, descriptive, expository, or another style. 
• Outline Your Essay : Plan your essay by outlining each paragraph. This helps organize your thoughts and ensures a logical flow of information. 
• Write a Rough Draft : Begin with a rough draft, focusing on getting your ideas down on paper. Don't worry about perfect word choice or grammar at this stage. 
• Edit and Revise : After completing your rough draft, go back and refine it. Pay attention to details like word choice, sentence structure, and overall coherence. 
• Proofread : Finally, review your essay for any typos, errors, or other issues that might detract from your message. 

We'll explore each of these steps in more detail below, but first, let's focus on a crucial element of any effective essay: choosing the right topic. 

Crafting Your Essay's Thesis Statement 

Before you start writing your essay, there are three critical aspects to consider: 

• Thesis  
• Type  
• Audience  

Among these, the thesis is the most crucial. It represents the core argument or main point of your essay. For instance, Bertrand Russell's thesis in "In Praise of Idleness" argues that society overly prioritizes work, neglecting the value of leisure. 

Your thesis statement should encapsulate this central idea. It's what you want your readers to remember most when they finish reading. If you're struggling to define your thesis, ask yourself: "What's the one thing I want my readers to remember?" 

It's best to state your thesis early, ideally in the first few sentences, and to reiterate it throughout your essay, particularly in the conclusion. This repetition ensures that your central idea is clear and resonant. 

The rest of your essay should support this thesis. You can use various forms of evidence to bolster your argument, including empirical data, testimonials, logical reasoning, or persuasive language. The key is to consistently build upon your initial thesis without veering off into unrelated topics. 

The Essay-Writing Process 

Writing encompasses a range of formats, from essays and research papers to novels, poems, screenplays, and blog articles. No matter the format, following an efficient writing process is essential. Even if you begin with a stream-of-consciousness style for your rough draft, a structured system is crucial for revision and refinement. 

Here’s a five-step writing process recommended for essay writing:  

• Brainstorming : Start by gathering your thoughts. Based on your prompt or thesis, generate as many ideas as you can. This is your chance to think freely and note down everything that comes to mind, knowing you can later discard what doesn’t fit. 
• Preparing : In this stage, you filter and organize your ideas. Select those that best support your thesis and arrange them logically. This phase also involves outlining your essay’s structure and gathering resources for evidence. If your essay requires citations, now is the time to collect these, following the appropriate style guide (MLA, APA, or Chicago) depending on your academic or publication requirements. 
• Drafting : Now, you write your first draft. Don’t aim for perfection. The goal is to get your ideas down on paper. Focusing too much on perfecting each word can detract from the overall flow of your essay. 
• Revising : This involves multiple drafts. Here, refine your essay by enhancing word choice, clarity, and overall flow. Avoid common pitfalls like passive voice and run-on sentences. Tools like Grammarly can be particularly helpful in this stage, offering suggestions for sentence structure and clarity to ensure your writing is concise and readable. 
• Proofreading : After revising, the final step is proofreading. This is your chance to catch any misspellings, grammatical errors, or formatting issues. Using a tool like Grammarly’s AI-powered writing assistant can be beneficial for catching these common mistakes, providing instant feedback to refine your essay further. 

This structured approach helps maintain focus throughout the writing process, ensuring that each part of your essay contributes effectively to the whole. 

Essay Structure: An Overview 

The structure of an essay typically adheres to a simple format of introduction, body, and conclusion. However, the content within these sections is what truly makes an essay effective. 

Introduction : The introduction sets the stage for your essay. It follows general writing guidelines but places extra emphasis on presenting the thesis statement prominently, ideally within the first few sentences. By the end of your introductory paragraph, the reader should clearly understand the topic of your essay. Following conventional best practices for writing an introduction will ensure a strong start. 

Body Paragraphs : The body forms the bulk of your essay. Here, each paragraph supports your thesis with evidence. How you organize these paragraphs is crucial. In cases where arguments build on each other, a logical progression ensures clarity and enhances the reader's understanding. It's important to remember that the reader may not be as familiar with the subject as you are, so the structure should aid their comprehension. 

When writing an argumentative essay, the organization of points can vary. You might start with your own argument, presenting evidence before introducing opposing views, or you might begin by addressing the opposition's views and then refute them. The arrangement depends on the strategy you choose: 

• Aristotelian (Classical) : Focuses on establishing the validity of your position. 
• Rogerian : Acknowledges the opposing perspectives before presenting a middle ground. 
• Toulmin : Breaks down arguments into their fundamental parts, including counter-arguments and supporting evidence. 

For simpler essays, a straightforward approach can be effective: 

• Your Point : Clearly state your argument. 
• Counterpoint : Introduce opposing viewpoints. 
• Evidence : Provide evidence that supports your point and/or refutes the counterpoint. 

This basic framework ensures that your essay is not only structured and coherent but also persuasive and comprehensive. 

Conclusion: Wrapping Up Your Essay 

The conclusion of an essay serves to effectively summarize and reinforce your thesis, making it digestible and memorable for the reader. It's the final opportunity to solidify your arguments and leave a lasting impression. 

A good conclusion will: 

• Restate the Thesis : Reiterate your main argument to remind the reader of its importance and relevance. 
• Summarize Key Points : Briefly recap the major arguments or evidence presented in the body paragraphs to reinforce the thesis. 
• Offer Closure : Provide a final statement that signals the essay is coming to an end, often linking back to the broader implications of your argument. 

While it's tempting to introduce new ideas or fresh perspectives in the conclusion, it's important to avoid presenting new evidence or arguments that weren't previously discussed. Instead, you can: 

• Provide Context : Expand on the implications of your thesis in a broader context, suggesting areas for further exploration or the potential impact of your findings. 
• Reflect on the Journey : Acknowledge any changes in perspective or insights gained through the process of writing the essay. 

The conclusion should leave the reader with a clear understanding of your central thesis and the confidence that the essay has fully explored and supported that thesis. By effectively wrapping up your essay, you ensure that your ideas resonate with the reader long after they finish reading. 

The Five-Paragraph Essay: A Simple Structure 

The five-paragraph essay is a straightforward and efficient structure ideal for short, time-constrained writing tasks. This format is especially useful during exams or when a quick response is required. Here’s how it breaks down: 

• Introduction Paragraph : This is where you introduce the topic and present your thesis statement. The introduction sets the stage for the discussion and aims to grab the reader's interest. 
• Three Body Paragraphs : Each paragraph should focus on a single main idea that supports your thesis, elaborated with examples, facts, or arguments. This is the core section where you develop your thesis and make your case to the reader. 
• Conclusion Paragraph : The conclusion summarizes the main points and restates the thesis in light of the evidence presented. It should bring a sense of closure and completeness to the essay, reinforcing your initial argument and perhaps suggesting broader implications or future considerations. 

While the five-paragraph essay structure may not accommodate more complex or nuanced topics, its simplicity and clarity make it highly effective for straightforward subjects and settings where clarity and brevity are essential. This structure ensures that your essay is organized and coherent, making it easier for the reader to follow and understand your points quickly. 

Understanding Your Essay's Audience 

Knowing who will read your essay is crucial—it influences everything from the tone to the complexity of your language. Your audience can range from a teacher or admissions counselor to your peers or a broader internet audience. Each group has different expectations and preferences that should guide how you write. 

Formality : The level of formality required often depends on your readers. Academic and professional settings typically demand a formal tone, precise word choice, and a structured approach. In contrast, a blog post or a piece for your peers might allow for a more relaxed style. 

Language and Style : Consider the familiarity of your audience with the subject matter. This understanding will determine how much background information you need to provide and how complex your vocabulary should be. For example, technical jargon might be appropriate for a specialist audience but confusing for general readers. 

Use of Language Devices : Devices like emojis can enhance a casual piece by adding personality and aiding emotional expression. However, they are generally inappropriate in formal essays where they can seem unprofessional and out of place. 

Tailoring your essay to your audience not only makes your writing more effective but also ensures that it is received and understood as intended. Whether you’re drafting a formal research paper or a casual blog post, considering your audience’s expectations will lead to clearer, more effective communication. 

Exploring the Six Common Types of Essays 

Essays can vary significantly in style and purpose, often dictated by the assignment or the writer's intent. Understanding the different types of essays can enhance your ability to choose the most effective approach for your writing. Here are six common types of essays that you might encounter: 

Argumentative Essay 

Argumentative essays are foundational in academic settings, primarily aiming to assert and defend a position. These essays require you to present a strong case for your viewpoint, making them a staple in many school assignments, especially in college. 

Admissions Essay 

Used in college applications, admissions essays ask you to explain why you are interested in a particular school. This type of essay is your opportunity to communicate your passion, goals, and suitability for a college program. 

Persuasive Essay 

Similar to argumentative essays, persuasive essays aim to convince the reader of a specific viewpoint. However, the key difference lies in the intent; persuasive essays not only present an argument but also seek to persuade the reader to adopt this perspective, often through emotional appeal and logical reasoning. 

Compare-and-Contrast Essay 

This format is ideal for discussing two opposing viewpoints or different aspects of a topic, giving equal attention to each. Compare-and-contrast essays are excellent for exploring the similarities and differences between two subjects, providing a balanced view without bias toward one side. 

Personal Essay 

Personal essays are narrative in nature, often relaying anecdotes or personal experiences. Writers like David Sedaris excel in this form, offering stories that resonate on a personal level. While these essays may have a thesis, it is often more interpretive, reflecting personal growth or insights. 

Expository Essay 

Expository essays are informative, explaining a topic in detail to enhance the reader's understanding. Unlike argumentative or persuasive essays, they maintain an objective tone, presenting facts without personal bias. 

Each type of essay serves a different purpose and requires a specific approach. Whether you're arguing a point, sharing a personal story, or providing an objective explanation, understanding these distinctions can help you craft more effective, tailored content. 

Enhancing Your Essay Writing Skills 

Mastering the fundamentals .

To excel in essay writing, especially in academic settings, mastering the fundamentals is crucial. Understanding essay structure and the writing process is essential, but your ability to apply these concepts is what will truly make your essays stand out. Focus on developing your thesis logically and coherently, using an appropriate language style, and ensuring that your references and citations are reliable. For advanced tips that build on these basics, consider exploring more detailed guides on improving your essay skills. 

Getting Feedback 

One of the best ways to improve your writing is to seek feedback. Having someone else review your work can provide new insights and catch errors that you might have missed. This is because working on the same piece can lead to tunnel vision. If possible, exchange essays with a friend for mutual editing, utilize writing centers, or join online writing communities. If these options aren't available, taking a break and revisiting your work with fresh eyes can also be very beneficial. 

The Importance of Grammar and Form 

How you present your ideas can be as important as the ideas themselves. Even a strong, clear thesis can be undermined by poor grammar, confusing structure, or unclear writing. For essays that need to make a strong impact, consider tools like Grammarly Premium, which offers sentence restructuring for clarity, grammar corrections, and readability enhancements. These tools are also invaluable for non-native English speakers looking to refine their language skills. 

Focusing on these elements will not only improve the clarity and persuasiveness of your essays but also enhance your overall writing skills, making your arguments more compelling and your points clearer to your reader. 

Literary Analysis Essay Writing

Literary Analysis Essay Outline

Literary Analysis Essay Outline - A Step By Step Guide

People also read

How to Write a Literary Analysis Essay - A Step-by-Step Guide

Interesting Literary Analysis Essay Topics & Ideas

Have you ever felt stuck, looking at a blank page, wondering what a literary analysis essay is? You are not sure how to analyze a complicated book or story? 

Writing a literary analysis essay can be tough, even for people who really love books. The hard part is not only understanding the deeper meaning of the story but also organizing your thoughts and arguments in a clear way.

But don't worry!

In this easy-to-follow guide, we will talk about a key tool: The Literary Analysis Essay Outline. 

We'll provide you with the knowledge and tricks you need to structure your analysis the right way. In the end, you'll have the essential skills to understand and structure your literature analysis better.   So, let’s dive in!

Tough Essay Due? Hire Tough Writers!

• 1. How to Write a Literary Analysis Essay Outline?
• 2. Literary Analysis Essay Format 
• 3. Literary Analysis Essay Outline Example
• 4. Literary Analysis Essay Topics 

How to Write a Literary Analysis Essay Outline?

An outline is a structure that you decide to give to your writing to make the audience understand your viewpoint clearly. When a writer gathers information on a topic, it needs to be organized to make sense.

When writing a literary analysis essay, its outline is as important as any part of it. For the text’s clarity and readability, an outline is drafted in the essay’s planning phase.

According to the basic essay outline, the following are the elements included in drafting an outline for the essay:

• Introduction
• Thesis statement
• Body paragraphs

A detailed description of the literary analysis outline is provided in the following section.

Literary Analysis Essay Introduction

An introduction section is the first part of the essay. The introductory paragraph or paragraphs provide an insight into the topic and prepares the readers about the literary work.

A literary analysis essay introduction is based on three major elements:

Hook Statement: A hook statement is the opening sentence of the introduction. This statement is used to grab people’s attention. A catchy hook will make the introductory paragraph interesting for the readers, encouraging them to read the entire essay.

For example, in a literary analysis essay, “ Island Of Fear,” the writer used the following hook statement:

“As humans, we all fear something, and we deal with those fears in ways that match our personalities.”

Background Information: Providing background information about the chosen literature work in the introduction is essential. Present information related to the author, title, and theme discussed in the original text.

Moreover, include other elements to discuss, such as characters, setting, and the plot. For example:

“ In Lord of the Flies, William Golding shows the fears of Jack, Ralph, and Piggy and chooses specific ways for each to deal with his fears.”

Thesis Statement: A thesis statement is the writer’s main claim over the chosen piece of literature. 

A thesis statement allows your reader to expect the purpose of your writing. The main objective of writing a thesis statement is to provide your subject and opinion on the essay.

For example, the thesis statement in the “Island of Fear” is:

“...Therefore, each of the three boys reacts to fear in his own unique way.”

Paper Due? Why Suffer? That's our Job!

Literary Analysis Essay Body Paragraphs

In body paragraphs, you dig deep into the text, show your insights, and build your argument.

 In this section, we'll break down how to structure and write these paragraphs effectively:

Topic sentence: A topic sentence is an opening sentence of the paragraph. The points that will support the main thesis statement are individually presented in each section.

For example:

“The first boy, Jack, believes that a beast truly does exist…”

Evidence: To support the claim made in the topic sentence, evidence is provided. The evidence is taken from the selected piece of work to make the reasoning strong and logical.

“...He is afraid and admits it; however, he deals with his fear of aggressive violence. He chooses to hunt for the beast, arms himself with a spear, and practice killing it: “We’re strong—we hunt! If there’s a beast, we’ll hunt it down! We’ll close in and beat and beat and beat—!”(91).”

Analysis: A literary essay is a kind of essay that requires a writer to provide his analysis as well.

The purpose of providing the writer’s analysis is to tell the readers about the meaning of the evidence.

“...He also uses the fear of the beast to control and manipulate the other children. Because they fear the beast, they are more likely to listen to Jack and follow his orders...”

Transition words: Transition or connecting words are used to link ideas and points together to maintain a logical flow.  Transition words  that are often used in a literary analysis essay are:

• Furthermore
• Later in the story
• In contrast, etc.

“...Furthermore, Jack fears Ralph’s power over the group and Piggy’s rational thought. This is because he knows that both directly conflict with his thirst for absolute power...”

Concluding sentence: The last sentence of the body that gives a final statement on the topic sentence is the concluding sentence. It sums up the entire discussion held in that specific paragraph.

Here is a literary analysis paragraph example for you: 

Literary Essay Example Pdf

Literary Analysis Essay Conclusion

The last section of the essay is the conclusion part where the writer ties all loose ends of the essay together. To write appropriate and correct concluding paragraphs, add the following information:

• State how your topic is related to the theme of the chosen work
• State how successfully the author delivered the message
• According to your perspective, provide a statement on the topic
• If required, present predictions
• Connect your conclusion to your introduction by restating the thesis statement.
• In the end, provide an opinion about the significance of the work.

For example,

“ In conclusion, William Golding’s novel Lord of the Flies exposes the reader to three characters with different personalities and fears: Jack, Ralph, and Piggy. Each of the boys tries to conquer his fear in a different way. Fear is a natural emotion encountered by everyone, but each person deals with it in a way that best fits his/her individual personality.”

Literary Analysis Essay Outline (PDF)

Literary Analysis Essay Format 

A literary analysis essay delves into the examination and interpretation of a literary work, exploring themes, characters, and literary devices. 

Below is a guide outlining the format for a structured and effective literary analysis essay.

Formatting Guidelines 

• Use a legible font (e.g., Times New Roman or Arial) and set the font size to 12 points.
• Double-space your essay, including the title, headings, and quotations.
• Set one-inch margins on all sides of the page.
• Indent paragraphs by 1/2 inch or use the tab key.
• Page numbers, if required, should be in the header or footer and follow the specified formatting style.

Literary Analysis Essay Outline Example

To fully understand a concept in a writing world, literary analysis outline examples are important. This is to learn how a perfectly structured writing piece is drafted and how ideas are shaped to convey a message. 

The following are the best literary analysis essay examples to help you draft a perfect essay. 

Literary Analysis Essay Rubric (PDF)

High School Literary Analysis Essay Outline

Literary Analysis Essay Outline College (PDF)

Literary Analysis Essay Example Romeo & Juliet (PDF)

AP Literary Analysis Essay Outline

Literary Analysis Essay Outline Middle School

Literary Analysis Essay Topics 

Are you seeking inspiration for your next literary analysis essay? Here is a list of literary analysis essay topics for you:

• The Theme of Alienation in "The Catcher in the Rye"
• The Motif of Darkness in Shakespeare's Tragedies
• The Psychological Complexity of Hamlet's Character
• Analyzing the Narrator's Unreliable Perspective in "The Tell-Tale Heart"
• The Role of Nature in William Wordsworth's Romantic Poetry
• The Representation of Social Class in "To Kill a Mockingbird"
• The Use of Irony in Mark Twain's "The Adventures of Huckleberry Finn"
• The Impact of Holden's Red Hunting Hat in the Novel
• The Power of Setting in Gabriel García Márquez's "One Hundred Years of Solitude"
• The Symbolism of the Conch Shell in William Golding's "Lord of the Flies"

Need more topics? Read our literary analysis essay topics blog!

All in all, writing a literary analysis essay can be tricky if it is your first attempt. Apart from analyzing the work, other elements like a topic and an accurate interpretation must draft this type of essay.

If you are in doubt to draft a perfect essay, get professional assistance from our essay service .

We are a professional essay writing company that provides guidance and helps students to achieve their academic goals. Our qualified writers assist students by providing assistance at an affordable price. 

So, why wait? Let us help you in achieving your academic goals!

Write Essay Within 60 Seconds!

Cathy has been been working as an author on our platform for over five years now. She has a Masters degree in mass communication and is well-versed in the art of writing. Cathy is a professional who takes her work seriously and is widely appreciated by clients for her excellent writing skills.

Paper Due? Why Suffer? That’s our Job!

Keep reading

Wayne State University

School of information sciences, school of information sciences current students, instructions for writing reflective essays.

In the reflective essay, the student will demonstrate their competency in  two (2)  of the degree-specific student learning outcomes, and develop a Professional Information Philosophy that is grounded in the learning outcomes.

Instructions

In the reflective essay, the student will discuss how s/he has developed as an information professional during the School. The student will discuss  two (2)  of the degree-specific student learning outcomes, and demonstrate how they have become proficient in these learning outcomes.

Of the two learning outcomes,  one is randomly selected by the School , and is announced to students at the beginning of each semester. The selected learning outcome will be posted on the Graduation Assessment website the second week into the semester, and will be included in the email sent to student body announcing the dates associated with graduation application and Graduation Assessment submission.

The student will choose the other student learning outcome  to reflect on in the Essay. In the Introduction section, the student needs to clearly identify, justify, and cite the learning outcome they choose to include in Graduation Assessment.

In the  main body  of the reflective essay, the student discusses how he/she developed as an information professional, and demonstrates how he/she became proficient in the two learning outcomes. For each learning outcome, the student uses 500-600 words to demonstrate their understanding of the learning outcome, and use two course artifacts to support their competency in each of them.

As a  concluding  piece of the essay, the student will include their stance or philosophy of the information profession. The student will gird the philosophy piece using readings of the research, professional literature, personal experiences, and the learning outcomes. Students can address questions like:  What is an information professional? What are the characteristics, qualities and knowledge that will be most important to you as an information professional?

Use of writing in the first person is encouraged. Essay Submission

The final product will be a 1300-1700 word reflective essay, with suitable and ethical citation practices followed (final word count excludes bibliography). Please note that this is not a personal history or review of courses taken during the School. Instead, it is an articulation of your growth as an information professional and your adoption of a personal professional philosophy.

You may submit the reflective essay in .doc, .docx, or pdf formats. Please do not submit the essay in .zip or .rar format.

AskEasy: AI ChatBot Assistant 12+

Ask chat bot・your 24/7 helper, zilingial limited, designed for iphone.

• #54 in Productivity
• 4.7 • 18.3K Ratings
• Offers In-App Purchases

iPhone Screenshots

Description.

AskEasy: simplify your life with a smart assistant! Looking for a good recipe to surprise your guests? Need ideas for a birthday party? Or some help with writing an essay or composing a resume? Simply open the app and ask! AskEasy is a real lifesaver. It finds answers to any questions, generates texts and brainstorms ideas, helps with daily tasks, proofreads and improves your content, and even acts as a fun empathetic friend always open for a chat! All you need to do is just type in your request and see how an accurate answer magically appears on your screen! What sets this app apart are its four most powerful chat models: GPT 3.5, GPT 4, Llama 2, and Gemini. These cutting-edge AI technologies ensure that you can easily choose the model that best meets your specific needs, providing tailored, intelligent responses in real-time. Have questions about a YouTube video? Or need a short summary of a video instead of watching it whole? Now, you can simply paste the video link and ask away. Our chatbot will answer your questions based on the video content and provide a concise summary of it. Need to create unique visuals for your project? Go to Image Generator and get inspiring images generated by AI in seconds! All you have to do is just to type in the text description – and see how it magically transforms into images. Moreover, you can easily get creative captions, tags and stories based on your images by using the Text to Image tool. AI understands and interprets the context and emotions of your photos, and brings the ideas of creative texts that will enhance your social media presence. With """"Upload & Ask,"""" you have the power to directly upload a PDF document and effortlessly ask questions about its content. This feature deciphers the text, providing you with precise answers and insights without the need for manual searching or reading. Meanwhile, """"Ask by Link"""" offers an equally innovative capability where you can insert a link to a web page and receive answers derived from its content. Whether it's a detailed explanation, summary, or specific information, this feature ensures you get the answers you need quickly and efficiently. Your creativity is your only limit! Experiment with your queries to discover everything the chatbot can do for you, and you will be amazed by the mind-blowing results: - Choose the chat model (GPT 3.5, GPT 4, Llama 2, or Gemini) to solve your tasks quickly and efficiently - Write anything: from tweets, email responses, and ad copies to essays, poems, and creative stories - Brainstorm ideas: new recipes, movie and song recommendations, places to go, party ideas, etc. - Check and improve your writing - Simplify your texts by summarizing them - Insert a link to YouTube video and ask your questions based on it - Get quick and concise summary of a video on YouTube - Get AI-generated images from your word description - Transform any text into visually captivating quotes - Generate captivating captions, relevant tags, or stories for your pics - Create original jokes and holiday greetings - Translate texts into other languages or even into programmatic commands - Use it for analytics and business intelligence - Get prepared for an exam or job interview - Or simply check out your daily horoscope! Features: - Smart chat for iPhone - GPT 3.5, GPT 4, Llama 2, and Gemini support - Spell and grammar check - Images Generator - Quote Maker - Text for Image - “Ask by Link” and “Upload & Ask” features - Ask Youtube and Youtube Summary - Text writing and facts search - History of your queries - CV and social profile builder - Clear and smart design - Simple and blazingly fast to use Privacy Policy Url - https://mychat-ai.cloud/pp Term Of Use Url - https://mychat-ai.cloud/tou Support Address - [email protected]

Version 2.1

Why update the app that already works great? To get the most out of it, of course! The benefits of the new version: —Flawless bug-free experience —Improved user interface and app's navigation Your positive reviews in the App Store will inspire us to new achievements!

Ratings and Reviews

18.3K Ratings

Ok so I have a problem

The concept of having ai write you a story is amazing. The stories are amazing. But, what good is it if it doesn’t give an ending. It doesn’t have to be long to end well. But it leaves you hanging. Not a fan of that. Especially since I paid for it UPDATE: ok, so I changed most review from three stars to 5z mainly because regardless of if the story ends or not, I’m able to end it myself quite well. I enjoy the app and it helps me a lot in my work

Developer Response ,

Dear Juliabrown1966!!!!!Thank you for your feedback. We apologize for the inconvenience caused and we understand your frustration with the limitations you've encountered in the application. The application has certain restrictions in place due to server limitations and the significant computing resources required for advanced AI technology like GPT-4. These limitations are in place to ensure the app's performance and availability for all users. We have increased the limit of characters to the maximum allowed from GPT itself and we cannot go beyond it. Thank you for understanding. Warmest regards, AI ChatBot: Smart Assistant Support Team

Not as described

Right after installing presented programs not functioning, i didn’t get try all, with in two minutes was forced to rated with 5 stars if i was too quick to press buttons. I didn’t even get to read what was the gpt’s response to me but as it was typing things really fast noticed everything being typed was flickering like screen power is too low. Remember after 3 days i trial you will be charged automatically. This look good but just like most of them, taking a freeware altering in some cases not much from the original and start chasing the money with tricks and dancing around the truth with lies. I think today’s browsers gpt is good as most of these tricksters version unless you need a serious one for school or work then I suggest getting a real one pay a few more dollars than what these people are asking and have a real one, if that’s not the case stick with ones as browsers add on is my opinion.

Dear User! We are very grateful to you for taking the time to leave us a review. We consider a customer-centric approach and always put ourselves in our customer’s mind. That way, we can align the learning experience with their expectations and improve our application. We will definitely take into account the fact that the users need more time to evaluate the application and will not force them to rate the app too quickly. We have our users' best interests at heart and will continue to work tirelessly to better ourselves and our application. Best regards, AI ChatBot: Smart Assistant Support Team

Concern over longevity

I have tried numerous AI Assistants. And this one, by far, is my favorite. I even went so far as to opt in for paying for full features. However, as an assistant or even aid, it is limited and out dated. When querying about the up-to-date information it could provide me, my assistant informs me that it is only as up-to-date as 2021. So, I queried about when the databases may be updated. And there was no information on that. The databases are already years behind and this is concerning. I didn’t pay to have something that can’t actually do as it is alleged to be able to perform. I can google and get more current information.

Dear Crashed and Lost! Thank you for your feedback and for choosing our AI ChatBot as your favorite assistant. We apologize for any inconvenience caused by the limitations of the up-to-date information provided. We are constantly working on improving our databases and ensuring the latest information is available. But as we use the official open AI api and their system is based on data up to 2021, the assistant informs you that it is only as up-to-date as 2021. Best regards, AI ChatBot: Smart Assistant Support Team

App Privacy

The developer, Zilingial Limited , indicated that the app’s privacy practices may include handling of data as described below. For more information, see the developer’s privacy policy .

Data Used to Track You

The following data may be used to track you across apps and websites owned by other companies:

• Identifiers

Data Not Linked to You

The following data may be collected but it is not linked to your identity:

• Diagnostics

Privacy practices may vary, for example, based on the features you use or your age. Learn More

Information

English, French, German, Italian, Japanese, Korean, Portuguese, Simplified Chinese, Spanish, Traditional Chinese

• AI ChatBot: 1 Week Access $7.99
• AI ChatBot - 1 Week Access $7.99
• AI ChatBot: Access for 1 Year $49.99
• AI Chat Bot: Weekly Access $7.99
• AI ChatBot: 1 Week Access $4.99
• AI Assistant - 1 Month $19.99
• AI ChatBot for 1 Year $19.99
• AI ChatBot: 1 Year $39.99
• AI ChatBot: 1 Year Access $49.99
• AI Helper for 1 Week $4.99
• Developer Website
• App Support
• Privacy Policy

More By This Developer

AI Wallpapers & Widgets - Flex

Updates on KSL Oval protest and adjustments to campus operations: May 2, 2024

To the university community,

I write today with an update on the protest at the Kelvin Smith Library (KSL) Oval and adjustments we are making to campus operations. 

At Case Western Reserve, we support the free exchange of ideas and viewpoints in accordance with university policies. We also believe that constructive dialogue—and the meaningful action that can result from it—should never involve harassment, incitement, or behavior that threatens and is intimidating to our community.  

On Monday morning, a group of individuals began protesting on KSL Oval. At the time, we made the university community—including the protesters—aware of specific guidelines for their actions on private property, which included limitations on time (8 a.m.–8 p.m.), place (defined space in front of Kelvin Smith Library) and manner (ensuring their actions do not interfere with university operations, including setting up encampments on campus property and the use of disruptive sound).

Recognizing our students’ right to protest and as a gesture of trust with the protest’s student leaders, on Monday evening we made an exception to these rules. As we attempted to gather more information and assess safety concerns in a quickly evolving situation, we allowed protesters who were current students, faculty and staff (verified by showing CWRU IDs and obtaining a wristband) to remain at the site overnight and to set up tents for the evening. Any individual without a CWRU ID was asked to leave campus at 8 p.m. but was permitted to return Tuesday morning, at which point tents needed to be removed. This decision was thought reasonable when we knew that the overnight protesters were current students, faculty and staff. Protesters continued to receive protection from Case Western Reserve University police.

It was our expectation that such guidelines would again be followed Tuesday and beyond. However, Tuesday evening the protesters broke the temporary revised guidelines described above, and they have allowed third parties, not currently affiliated with CWRU, to remain. Some protesters have disrupted university operations and access to university spaces such that some students, faculty and staff feel threatened.

As a result, the protest on the KSL Oval is no longer approved. The protesters’ continued presence and occupation is considered trespassing and is a violation of university policies. Students, faculty or staff who break such policies will be held accountable through the respective conduct process. These actions may also result in prosecution of protestors for criminal trespass and other crimes, whether or not they are affiliated with CWRU. In addition, protesters will be accountable for any anti-Semitic or other intimidating or harassing speech. The university will not engage with protesters about their demands until the protesters leave the KSL Oval and the CWRU community members have completed the conduct process. 

As always, the safety of our campus community is our highest priority. As we continue to assess the protest, we are making the following adjustments to campus operations:

• Beginning at 6 p.m. on Thursday, May 2, all campus buildings will require a CWRU ID to enter.
• Two buildings in the direct vicinity of the protest site—Tinkham Veale University Center and Thwing Center—will be closed from 6 p.m. to 6 a.m. daily, beginning Friday, May 3.
• Leutner Commons’ Division of Student Affairs room and Lower-Level Fireside Lounge will be open 24/7, beginning Friday.
• In Fribley Commons, Elephant Step Inn’s late-night seating area and second floor lounges will have 24/7 access, beginning Friday.
• The Biomedical Research Building cafeteria will remain open until midnight.
• Shuttles will be available throughout the week, 7 a.m. to 11 p.m., to transport to and from Samson Pavilion. As always, Safe Ride is available until 3 a.m. each night.

Faculty, staff and students seeking to avoid the KSL Oval are encouraged to take alternate routes through campus.

We continue to support the rights of our students, faculty and staff to protest and express their ideas when they are in accord with university policy, and we have applied these interim measures to enhance the safety of our campus community.

Sincerely, Eric W. Kaler President