ks1 creative writing ideas

25 Creative Writing Prompts For KS1 And KS2

While they may not be in the classroom currently, teaching children the benefits of learning to write creatively is a fantastic way to boost their confidence, and help them develop reading and problem-solving skills.

These resources and prompts are aimed to help children come up with new and exciting ideas for stories and to consider all the different elements of storytelling.

So, kids can head over to heir home study space, wherever it may be, and experiment to their heart's content with these fun writing prompts.

Top Tip: Why not check out this post written by a real children's author, with many more tips on how children can write their very own storybooks?

Writing Ideas For Key Stage One Children (Ages 5-7)

With KS1 children, it's a great idea to use their interests and surroundings as inspiration for their creative writing. Coming up with a whole new story can be a big challenge, so the ideas and activities are aimed to help KS1 children to consider one or two things they are really interested in writing, before they create their stories:

• Imagine your favourite toy came to life! What would a day in their life look like? Where would they go and what would they get up to? What would their favourite meals be, and what would their voice sound like?
• Describe the place you live as if you were talking to an alien from another planet. How can you recognise where it is? What is inside? What are all the different things used for and what are some funny human habits that aliens would find interesting?
• Write about the best day out ever. It can be real or just a fantasy day out that you would love to do in the future.
• Imagine a monster came over for dinner. What would they look like? What is their name? What would they eat and how would they eat it?
• Write a letter to your favourite character. Whether it's from a movie, TV show, book or play, imagine what you would write if they were your pen pal.
• Design your own animal, and write a short description about it. Maybe it has lots of fangs, or pink fur. Perhaps it's a mixture of lots of other animals. Draw out a picture of your animal, and then write a short paragraph to describe what it's called, where it lives, what it eats and what it does for fun!
• Think about your favourite book character. Write a short story about what they got up to after the end of the book.

Develop these ideas further by:

-Incorporating the creatures you've invented into a new story.

-Making illustrations to accompany your description of your day out.

-Storyboarding your ideas, to make a cartoon-like sequence of events with images and text.

Writing Ideas For Key Stage 2 Children (Ages 7-11)

Even if English isn't their favourite subject, there are lots of ways to help KS2 aged children get interested in storytelling and creative writing. By allowing kids to select their own books to read away from the classroom, they can figure out which genres and writing styles they enjoy the most.

Exposing children to new ideas and techniques through encouraging reading books, will also, in turn, help their writing abilities to blossom.

A good way to prepare children for these activities is to search online for books they enjoy, and let them pick one or two to read.

This will allow them to get familiar with the type of writing they enjoy. The following ideas are suggestions intended to aid creative thinking and spark inspiration for whatever direction children want to take their stories in:

• What would a day on Earth be like if mythical creatures existed? What would day-to-day be life if dragons, unicorns, mermaids and fairies wandered the streets? Write a short story about a day in your life, if mythical creatures were around.
• Imagine you were small as a bug. Describe the world from your new perspective. Do you have interactions with people? Insects or animals? Where do you go? Do you discover you have any insect-like abilities?
• Imagine you woke up one day with a superpower. What is it? Are you able to turn invisible, read minds, or fly? What is the first thing you would do with your new power and what would a day in your life look like?
• Write a diary entry as if you had travelled to another period of time. Is it Victorian England, Ancient Egypt or perhaps the Middle Ages? How do you blend in, and what new things do you learn?
• A rocket launches you to an unknown planet. You find a civilisation of aliens have already made it their own and they welcome you. Describe your experience, what you see, and what happens next. Write a short story about your adventures.

The following prompts are suggestions of an opening line that kids can use at the beginning of their story, and continue on from:

• 'The dark figure began to emerge from the mist. She could see the outline of a human-like figure as it started to get closer...'
• 'Simon did his homework, liked skateboarding and his favourite food was pizza. He thought he was an ordinary boy, until...'
• 'Deep beneath the North Sea, hidden away from human eyes, lies a great secret...'
• 'The door was painted white, with cracked paint and a small golden handle. I couldn't help but wonder what was inside...'
• 'The sun was shining, the birds were singing and the street outside was hot and quiet. But everything was about to change...  

Develop these ideas by:

-Creating illustrations to go alongside your story. Show what your characters and landscapes would look like, and make them correspond with the story.

-Thinking about other books you've been reading. How would the character you've written interact with a character from one of your favourite books?

-Making a character profile of the characters in your stories. What are their interests and hobbies? What do they like to wear? What books and films do they like? Create a drawing of your character in the middle of the page, and label different things about them in a profile down the side.

-Doing a character swap. Imagine your character found themselves in the world of another book, or vice versa. What would happen next?

-Design a front and back cover for your book. Consider the title, blurb and cover illustrations. Perhaps even make an author profile too!

For five quick and easy creative writing tasks, download your prompt sheet below!

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Diploma of Education, Fine Arts, Bachelor of Arts specializing in Illustration and Visual media

Sarah Hallam Diploma of Education, Fine Arts, Bachelor of Arts specializing in Illustration and Visual media

With a Diploma in Education specializing in Fine Arts (Painting) and a Bachelor of Arts specializing in Illustration and Visual media from the University of Arts London, Sarah previously was a London-based teacher who brought her passion for art and culture to the classroom. Her creative endeavors include painting classes and experimenting with new recipes. She draws inspiration from the world around her and enjoys sharing her knowledge with others while sipping a cup of tea.

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Fun Writing Activities for KS1

Looking for some ideas to engage children in writing? Check out some of our favourite, fun writing activities for KS1 children! 

Salt Tray Fun

Salt trays are a great alternative to writing on the traditional pencil and paper and supports early writers in letter formation. Start by laying out some trays on a table, then line each tray with coloured paper and cover with a generous layer of salt. 

Lay out letters or words on the table for children to choose and challenge them to write the words in their salt tray. These word cards could be linked to a particular subject or topic, or even tricky words that children need to practise.  

An easy but fun activity that will get children active and moving around the classroom. Choose the words you would like children to find, these could be words that when used together can make a sentence or link to the genre of writing you are teaching at the time, such as time conjunctions for instruction writing. 

Hide the words around the classroom and set children to work. Can they collect words and use them to form a sentence?

Story Dice 

Give children different story dice to support them in writing their own story, including where the story is set and what characters they might come across. 

Give children different settings such as the rainforest, Santa's grotto, a fairground or a swimming pool. Ask children to  describe the scene and write what they would see, hear, smell, feel or touch in the setting. Children could be challenged to guess which setting the person next to them chose based on their senses description.

Character swap

What would happen if Winnie the Pooh entered the story of the Gruffalo? Or if Winnie the Witch entered the story of Peter Rabbit? Think of some stories that are familiar to the children and tell them that the characters have wandered into the wrong storylines! Can children write an alternative storyline for each character?

What would you do?

Give children a variety of scenarios and ask them to write a description of what they would do in each situation. What would you do if you found an alien under your bed? What would you do if your cat started talking to you? What would you do if you bumped into the Queen in Tesco? 

Nonsense poems

Ask children to write a poem with rhyming words that make no sense.

I had a cat who ate a hat 

upon a mat inside my flat

with my tall rat who swung a bat...

Ask children to think of their favourite book character. Challenge them to write an invitation asking them to come to tea. Children’s invitations should include when and where the tea party will take place, what they might eat and activities they might do together. 

For more writing activities check out this FREE KS1 writing activity bundle !

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• Creative Writing Prompts Worksheets Ks1 Ks2

Creative writing prompts – 5 worksheets plus word mats for KS1 and KS2 pupils

5 PDF creative writing prompts worksheets for KS1-KS2, plus 7 PDF word mats

Want to fit more creative writing into your school timetable but not sure where to start? These fun writing prompts take just ten minutes and are perfect for slotting in to small gaps in your day.

They’ll get children’s creative juices flowing and hopefully improve their writing skills too. 

This download contains five creative writing prompts , suitable for KS1 and KS2 pupils, including:

Write your own Harry Potter paragraph

In this challenge, pupils will create a new character for Harry Potter to meet while aboard the Hogwarts Express train. They’ll need to think about who the character is, what they look like (including any distinguishing feature), and why they’re on the train.

Children can then use these ideas to write the next paragraph of the story starter on the worksheet.

Browse more ideas for  teaching with Harry Potter .

Character capers

You’ll need a 1-6 dice for this activity. Pupils roll a dice three times to find out who their character is, what their personality is like and what job they do. For example, they might be a grumpy dinosaur who works in a museum, or an excitable superhero who works in a school.

Children can then use this information to draw their character, think about questions they’d like to ask them, or come up with story ideas featuring their character.

Setting soup

This worksheet features four intriguing setting photos. Children can select their favourite then fill in a mind map about it, imagining what they see, hear, feel and smell. 

Next they need to create an ingredients list for their setting, such as:

• A dollop of calmness
• A drizzle of a beautiful sunset
• A generous helping of a still ocean 

Browse more resources for setting description .

Writing consequences template

This classic classroom game will help children come up with the basic outline for a complete story. Working in pairs or groups, they’ll need to fill in character names, locations, actions and dialogue to create an amusing outcome.

Roll and write a story

Use a dice alongside this worksheet to generate two characters and a setting – such as a mythical creature and a time machine traveller in a busy city. 

Pupils can use their generated ideas to write a story outline or create a book cover and blurb. For younger children, do the activity as a class and draw a picture or write about the outcome.

Bonus download: creative writing word mats

Assist students with their independent creative writing by printing out these useful vocabulary mats. Pupils can browse a range of exciting phrases and select ones to use in their own work. Included in the download:

• Create a spooky atmosphere
• Write an adventure story
• Describe a character’s appearance
• Describe a character’s personality
• Describe how a character moves
• Describe how a character speaks
• Describe a mythical beast

Browse more  story writing  resources and creative writing ideas for  National Writing Day .

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Primary English: Creative writing

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Let young learners' imaginations run wild with help from these creative writing resources

Creative writing can be one of the most rewarding aspects of literacy, however the terror of a blank page can panic even the most willing writers in your class. So, to make sure every pupil has the confidence to put pen to paper, we've hand-picked this selection of lessons, activities and help sheets, all created by the Tes community.

My Lunch is Alive! KS2 creative writing resource

Rainforest Poetry

Creative writing worksheets for KS2

Writing Narratives KS2 Knowledge Organisers Bundle!

Creative Writing Story Prompts

Story Builder

Story Writing Planning Template

Storytime Fairy Tale Pack

Differentiated story mountain

KS2 poetry - write a poem about the seasons

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KS1 Creative Writing Pack

How is creative writing taught in the primary-school classroom? How can parents inspire their kids to share their ideas and write thrilling, exciting stories?

From story structure tips to style guides and editing suggestions, the KS1 creative writing toolkit offers everything you need to help your child express themselves with confidence. Perhaps they'd like to write about having a super-hero teacher? About life when you have a dragon as a pet? About meeting an alien, eating a magic food or stepping into a fairy tale? Grab a pencil and some scrap paper – it's time to get writing!

Are you a TheSchoolRun subscriber? You can download the KS1 creative writing toolkit for free as part of your subscription . Interested in finding out what you could download as part of a TheSchoolRun subscription? Read our subscription benefits page.

Now Press Play

How to inspire creative learning with our follow-on Writing Opportunities

It’s not always easy to inspire great literacy work from your class, particularly with reluctant and less confident writers. However, when you witness experiences in person, research shows that it’s far easier to retain key information, vocabulary, and imaginative ideas to use in creative writing.

This is where now>press>play’s resources come in. Our Writing Opportunities are linked to 60+ topics across the KS1 and KS2 curriculum, designed to follow on from each of our immersive Experiences  and inspire every pupil to be creative.

How our Writing Opportunities work

In a now>press>play Experience, children learn through imagination and emotion. Our Writing Opportunities give them the framework for translating this into their own words.

Each resource contains several options for descriptive, persuasive, narrative, expository and journal writing, inspired by the events children have witnessed in the Experience. This means you can either choose what you want your class to produce or let them pick the task that inspires them the most.

By using our Glossary follow-on resource alongside this, you can further embed key topic vocabulary in your pupils’ writing.

Our Writing Opportunities include:

• Newspaper reports
• Instruction booklets/leaflets
• Diary entries
• Adventure stories & narratives
• Persuasive letters

And more…

Why not read our Exceptional Explorers competition winners blog to find examples of creative work across various topics inspired by our Writing Opportunities?

The benefits of using now>press>play Writing Opportunities

Our Writing Opportunities are:

• Available across the curriculum: The prompts are linked to topics spanning literacy, science, maths, history, PSHE and beyond.
• Built around children’s experiences: Because they’ve been part of an Experience, children retain information and key vocabulary and can more easily convey emotion and descriptive language in their writing.
• Inclusive and accessible: Our Product Impact Report shows that now>press>play helps reluctant and less confident learners to translate their physical experiences into writing.
• Easy to use: Teachers can access all our follow-on resources through the now>press>play app and send them to their school email address at the touch of a button.

Read more about our other follow-on resources

• Reading Comprehension
• KS2 Grammar & Punctuation tests
• Recap, Discuss & Quiz
• EYFS Discussion Questions, Actions Storyboard and Song Sheets
• EYFS Word Mats

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Writing skills - creative and narrative writing

Part of English Writing skills

Imaginative or creative writing absorbs readers in an entertaining way. To succeed with this kind of writing you will need to write in a way that is individual, original and compelling to read.

Responding to Prompts

Imagine you’re in an exam and you are asked to write a creative piece called ‘The Party’. What does this title make you think of?Before you decide what you’d write, it’s useful to remember that you do whatever you want with the prompt as long as it’s somehow connected to a party.

• It doesn’t have to be something that really happened
• It doesn’t have to be based on exactly what the title says or is
• It can be as abstract or as mundane as you want it to be.

So this means that for the title ‘The Party’, you could write a lovely descriptive piece about your dream birthday party, or a personal account of a party you attended that was very good – or very bad. You could write a story about a political party, or a doll’s tea party, or a party held by fans to watch the final episode of a TV show everyone is very excited about, or a party that didn’t actually happen because no one turned up. The most important thing is that you choose a story you can write well, showing off your skill in using language effectively and keeping your reader entertained.

Original ideas

There is no formula for having a great idea – but to begin your writing, you do need, at least, some kind of idea. Then you need to find ways to turn your idea into something a reader would enjoy reading. This is the creative part, taking something ordinary and turning it into something extraordinary.

For example, think about writing a description of a coastline. You might start to think straight away about a crowded beach - children playing, deck chairs, sun shining, happy sounds; but, if you stop for a moment, you’ll recall that that's been done before. It's okay, but it's hardly original.

The 'plot hook' in this example is 'What could possibly go wrong?'.

Establish the time and place, as well as the general situation. This can also be used to help develop a suitable mood or atmosphere. It can sometimes help to use a familiar place that your reader can relate to in some way. At this stage, you need to 'set up' the story and begin to introduce the main character(s).

Fiction trigger (or inciting incident)

Use your narrator to tell of an incident or event that the reader feels will spark a chain of events. This helps make the reader feel that the story has really started. From this point, life cannot be quite the same for your main character (that is your protagonist). There is a problem that has to be faced and overcome.

The fiction trigger can be an event that really starts the story. It will develop from the 'plot hook'. If the story is about a day out at the zoo, then maybe an animal has escaped. If it is about a robbery, it might be the event that makes a character consider carrying out a robbery; and if it is about an accident, it will be the event that causes it to happen.

Keeping up the momentum (plot development or rising action)This section builds the tension – keeps the reader absorbed and guessing where it will all lead.

This is where you will move the story forward and will use lots of techniques to keep the reader guessing, 'What will happen next?!'

The problem reaches a head, with suspense creating lots of tension for the reader– showing the reader the possible result of what has come before.

This is not the end of your story – not quite. It will be the key event but your protagonist will, somehow, overcome it and all will be well.

Conclusion (the resolution)

This must leave your reader with a sense of satisfaction, or it could be a twist in the tale leaving questions that linger in the mind.

This is the ending of your story – where all loose ends are tied up to the satisfaction of the reader. A good story will cause the reader to go, 'Hmm – I liked that' or even 'Wow'

By following this story structure, and planning under each of the above headings, you should be able to come up with a tense plot for your own story, one that will engage and absorb your reader.

Writing techniques

Throughout your own story, you will also need to use writing techniques that will work to keep your reader engaged and absorbed. An important skill is to put clear images of the setting and characters in your reader’s mind, as well as to create a sense of atmosphere that suits each part of the story.

• Narration - the voice that tells the story, either first person (I/me) or third person (he/him/she/her). This needs to have the effect of interesting your reader in the story with a warm and inviting but authoritative voice.
• Description - describing words such as adjectives close adjective A word which describes a noun or pronoun. , adverbs close adverb An adverb gives more information about the verb, an adjective or another adverb. , similes close simile A literary technique where a comparison is made between two things using ‘as’ or ‘like’. and metaphors close metaphor Makes a direct comparison by presenting one thing as if it were something else with the characteristic. For example describing a brave person as a lion. that add detail. This is told by the narrator. It helps engage readers by creating vivid pictures and feelings in their 'mind’s eye'.
• Dialogue - the direct speech of characters, shown inside quotation marks. We all judge characters by what they talk about and by the way they speak. This makes dialogue a key technique for creating interest and realism.
• Alliteration - repetition of the same beginning sounds in nearby words.This can create a useful emphasis, maybe to highlight a sound or movement, or to intensify feeling or even to bind words together.
• Connotation - a word’s meaning can be literal, as in 'It looked like a cat', or it can create connotations as in 'As soon as the food reached the table, the boy pounced on it like a cat.' A connotation is a meaning created by a special use of a word in a particular way or context. It works by adding some kind of emotion or a feeling to a word’s usual meaning. All literature depends upon using language that creates connotations. They engage the reader because they evoke reactions and feelings.
• Pathetic fallacy - personification is a kind of metaphor and when nature is described in this way, it is called a use of pathetic fallacy. This can help suggest a suitable atmosphere or imply what the mood of the characters is at a certain point, eg in a ghost story, the storm clouds could be said to 'glower down angrily upon the group of youngsters'. A pathetic fallacy can add atmosphere to a scene. It can even give clues to the reader as to what is to come, acting as a kind of foreshadowing close foreshadow Hint at something that will happen later and have greater significance .
• Personification - this is a technique of presenting objects as if they have feelings, eg 'the rain seemed to be dancing merrily on the excited tin roof.' This creates a sense of emotion and mood for the reader.
• Repetition - the action of repeating a word or idea. This can add emphasis or create an interesting pattern of sound or ideas.
• Onomatopoeia - use of words which echo their meaning in sound, for example, 'whoosh' 'bang'. Using this can add emotion or feeling that helps give the reader a vivid sense of the effect being described.
• Simile - a kind of description. A simile compares two things so that the thing described is understood more vividly, eg 'The water was as smooth as glass.' (Hint - 'like' or 'as' are key words to spot as these create the simile). A simile can create a vivid image in the reader’s mind, helping to engage and absorb them.
• Symbolism - we grow up learning lots of symbols and these can be used in stories to convey a lot of meaning as well as feeling in a single idea or word, eg a red rose can symbolise romantic love; a heavy buckled belt can hint at the power held by the character; an apple can even symbolize temptation if it is used in a way that the reader links to the apple that tempted Eve in the biblical Garden of Eden.
• Impact - symbols help writers pack a lot of meaning into just a single word. They work to engage the reader, too, for the reader automatically gets involved in working out the meaning.

Examples of narration

First person narrator.

I held on to the tuft of grass and slowly looked down - I was too shocked to speak. One moment I had been strolling along the cliff with Vicki, the next I was hanging over the edge. And where was Vicki?

The only thing you shouldn't do is swap the narrative point of view during the story - don’t start with 'I' and then switch to 'he', as it is likely to confuse your reader.

Third person narrator

Steve held on to the tuft of grass and slowly looked down - he was too shocked to speak. One moment he had been strolling along the cliff with Vicki, the next he was hanging over the edge. And where was Vicki?

Ending a short story

The ending of a story doesn't necessarily have to be happy but it has to make sense in a way that ties up what has happened.

There are different types of story endings, for example:

• The cliff-hanger - this isn’t an ending as such, it’s a way of tempting the reader to read the next chapter or instalment. Charles Dickens wrote his chapters like this as they were originally published in magazines in serial form. For example, does the spy manage to stop the bomb in time?
• The twist-in-the-tale - the reader will feel fairly sure about the ending, but in the final part everything changes and we are surprised. For example, we learn that it isn’t a bomb after all, it’s a birthday present!
• The enigma ending - the story stops, but the reader is left a little unsure what will come to happen, yet is intrigued by the possibilities - and still feels satisfied. For example, the bomb is defused and everyone is safe, but then an army commander reports the theft of another bomb… only this time twice as powerful.

There are many possibilities; but there are two endings you should try to avoid:

• The trick ending - a bomb will inevitably explode and as it does, the narrator wakes up - it was all a dream. This is too clichéd and unsatisfying for modern readers.
• The disconnected ending - the secret agent suddenly stops worrying about the bomb, retires, and goes off to play golf. Readers don't like this because the ending has nothing to do with the story – very unsatisfying.

Whatever kind of story you write, work out a satisfying ending and include it in your plan.

Writing that is creative and imaginative needs to be entertaining. You need to experiment a little and not be frightened to try something new.

What might you write about if the following tasks came up in an exam? Take a few minutes to think about different ways you could interpret the task, and maybe sketch a quick plan for your best idea.

• The Best Day of My Life
• The Mysterious Door
• Never Again
• Stormy Weather
• How to be a Hero
• Sunday at the Beach
• My Life as an Expert
• Greetings from the Future
• What I REALLY Learned at School

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Creative Writing Ideas

Here are some ideas that you can use as part of creative writing activities with your children:

1) Writing Traditional Stories from a Different Point of View

Read “The True Story of the Three Little Pigs” (by Jon Scieszka) with the children. This tells the “Three Little Pigs” story from the wolf’s point of view.

Ask the children to think of a story that they know well and to write another version from another point of view.

e.g. Write “Cinderella” from the point of view of one of the ugly sisters,

OR Write “The Three Billy Goats Gruff” from the point of view of the troll,

OR Write “Goldilocks and the Three Bears” from the point of view of Goldilocks.

2) Design a New Room for the Chocolate Factory

Based on “Charlie and the Chocolate Factory” by Roald Dahl.

Remind the children of the story and read chapter 15 – a description of the Chocolate Room.

Ask the children who have read the story if they can think of any of the other rooms in the factory. Make a list of these on the board for the children to refer to later.

Now ask the children to make up a new room for the chocolate factory, making sure that they are as descriptive as possible.

Jessica Miller has also suggested the following idea:

What might have happened if any of the other children had gotten the factory?

3) Missing Person

The following activity is great fun and usually produces great results, but it must be used with caution. Only try it with a class you are comfortable with and who you think will cope with the situation. Also, try to add a little humour where possible, ensuring that the children are aware that it’s not real – you’re just pretending!

Choose a name for a missing person (e.g. “Paul”), making sure that this is not the name of someone in the class. Before the lesson, put a chair in an empty space in the classroom. For the purposes of the lesson, pretend that this space is where “Paul” normally sits.

Ask the children where “Paul” is. They will probably look at you as though you are mad, but continually ask them where “Paul” is today. Tell them that he normally sits in his space (point to the empty chair) and that he was there yesterday, but he isn’t there today. Insist that they tell you where he is. Hopefully, someone will make up a reason why “Paul” isn’t in today. Argue with them, saying that you have heard differently. Ask if anyone knows anything else. Ask who was the last person to see him. Continue like this for a while, with the children explaining where he is.

Finally, say that as Paul is missing, we will have to make some missing person posters, explaining who Paul is (with a picture so others can identify him!), where he was last seen and who to contact if he is found. When these are made, you could post them around the school.

A missing person poster template can be found below.

4) Supermoo’s New Adventures

Based on the book “Supermoo” by Babette Cole.

Read the story through with the children. Discuss the main characters (Supermoo, Calf Crypton, the BOTS, Miss Pimple’s class), and ask the children to produce a new adventure for a series of new Supermoo books. This could be in the form of a story, or a storyboard with accompanying pictures.

When finished, the children could actually make the books for younger children in the school to read.

5) Recipes for Dreams

Based on “The BFG” by Roald Dahl.

Remind the children of the story and read the “Dreams” chapter to give the children some ideas. Ask them to make a recipe for a dream. They could set it out like a cooking recipe with ingredients and mixing instructions and there should also be a short description of the dream (which could be a “Golden Phizzwizard” or a “Trogglehumper”).

When all of the recipes are finished, they could be made into a “Dream Recipe Cook Book”.

6) Dr. Xargle’s Book of …..

This activity is based on the Dr. Xargle series of books written by Jeanne Willis and illustrated by Tony Ross.

Read through some of the books in the series.

The children should write their own Dr. Xargle story in which he teaches his class about a different aspect of Earth life (e.g. school, work). This will encourage them to look at everyday life from a different point of view. If there is enough time, they could also make illustrations to accompany their text.

7) Class Mascot Activity

Find a small soft toy or puppet which will become the class mascot. With the class, choose a name for the mascot, and discuss its background (where it comes from, its friends and family, its likes and dislikes etc.).

Let each child take the mascot (and a book in which to write) home for a few days at a time. While they are looking after the mascot, they should write a short story in the book outlining what the mascot has done during its stay with them. This can be true or the children can make up events (e.g. a trip to the moon). Encourage them to be as creative as possible.

When the mascot returns to school, spend some time discussing what it has done and where it has been. The class could make a book describing the mascot’s travels.

8) When I am famous…

“In the future, everyone will be famous for 15 minutes” – Andy Warhol

Discuss the above quote with the children, and talk about what it means to be famous. Would they like to be famous? What would they like to be famous for?

The children could then write:

• An account of what they would like to be famous for and why.
• A diary, written as if the child was famous in the future. How are they feeling? What things do they have to do?
• A newspaper interview, written as if in the future, with the child who is now famous.

9) How did the elephant get its trunk?

Can the children think of a story which describes how the elephant got its trunk? Or how about explaining how a giraffe got its long neck? How did the leopard get its spots? Why has a rabbit got long ears? Why is a zebra stripy?

10) Description of a New Animal

A good way of asking children to use their descriptive writing skills is to ask them to invent a new animal. Ask them to describe what it looks like, where it lives, what it does, what it eats etc. It might be useful to discuss existing animals and their characteristics beforehand.

11) Writing a story based on adverts

In the back of many books, there are often adverts for other stories. Why not get the children to choose one of these adverts, and write a story based on the description of the story in the advert. They don’t need to have read the book which is being advertised, and you can get them to compare their own story to the real version when they have finished.

12) Using Objects

Take 4 or 5 unrelated but interesting objects and challenge children to create either a skit or a character description of the owner. Great for oral discussion but also useful for character analysis. Suggested by Jane Knight.

13) Name Characters

This is using art and creative writing, and was suggested by Jeanette Carpenter:

• Fold a piece of paper in half and on the fold line, write your name.
• Cut around the outside shape of your name.
• Open your name and you will have a shape based on your letters.
• Colour and design your shape into a character.
• Glue your finished character to a piece of construction paper.
• Write a descriptive paragraph about your character as if it is an alien arriving here on earth for the first time. Give it a name, place of origin, the reason for being here, etc.

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Resources you can trust

Creative story writing

A lovely creative writing activity suitable for Y2 and lower KS2.

Children create their own story by choosing their own who, what, where, when words.

This resource also i ncludes a PowerPoint for the teacher to model the process.

All reviews

Resources you might like.

70 Picture Prompts for Creative Writing (with Free Slides)

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Visual writing prompts help young writers generate new ideas and overcome writer’s block. We’ve put together 70 picture prompts for creative writing that you can use for morning work or in your writing centers or lesson plans to get your students’ creative juices flowing.

The Benefits of Using Visual Writing Prompts

Writers of all ages and experience levels can get stuck thinking about what to write. Writer’s block is not just a challenge for reluctant writers. Even professional writers have days when they feel less than inspired.

Visual prompts can result in a vast array of story ideas. A single image viewed by ten writers will result in ten completely different short stories. Even if you use verbal cues to get students thinking about the picture, each student will still write a unique response to the image.

Visual creative writing prompts are fantastic for elementary school because younger students often relate more to a pictorial prompt than a written one, but don’t shy away from using these with high school and middle school students as well. Pictures make a fun alternative to your typical writing prompts and story starters and can help shake up your regular English language arts routine.

How to Use Picture Prompts for Creative Writing

There’s no limit to the ways you can use writing prompts. Here are some of our favorite ways to incorporate image prompts into your weekly lesson plans .

• Writing Center. Print cards or writing pages with these images on them and put them in a writing center for your students to discover at their own pace.
• Specific Skills. Use story picture prompts to help kids work on specific writing skills. For example, you could work on descriptive writing by having them describe the setting of the picture in detail, character development by having them make up a history for a person (or animal) in the picture, or narrative writing by having them make up a story based on the picture.
• Warm-up Activity: Download the slides that accompany this post and project an image on a screen or whiteboard for the first fifteen minutes of class and have students work on a short story as soon as they enter. This helps jumpstart the creative process before you move into your regular writing program.
• Independent Work: If you need a fun activity for kids to do when they’ve completed their assignment and are waiting for other students’ to finish, keep a supply of these images on hand and challenge them to write flash fiction of 250 words or less while they wait.
• Sub binders: Want to have some easy, no-prep projects on hand for those days when you’re unexpectedly away? Elementary picture writing prompts are perfect for substitute teachers to do with your students in your absence.
• Distance learning: If you are working with students whom you don’t see face-to-face, picture writing prompts are a great way to inspire them. You can use them in a virtual lesson to kickstart a discussion on brainstorming story ideas or post a few of these images to your learning management system and let students select the one they want to write about.

No matter how you decide to use them—whether at home or in the classroom—photographic writing prompts are a great way to cultivate a daily writing habit and encourage kids to explore new topics.

Picture Writing Prompts for Kids

We’ve selected 70 of the most interesting pictures we could find for this exercise. When choosing photos for writing prompts, we look for high-quality photos with intriguing subject matter, but we try to go beyond that. We want to share images that suggest a story, that make the viewer ask questions and wonder why things are the way they are.

We want to feel propelled to explore questions like, What happened before the photo that led to this moment? What are we witnessing in this photo? What’s about to happen?

A photo doesn’t make much of a story starter if it doesn’t suggest that there might be a bigger picture lurking beneath the surface.

We hope you and your students love these picture prompts for creative writing as much as we do. If you love them, go ahead and fill out the form below to grab your own copy.

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We’ve included a couple of questions with each picture that you could use to spark pre-writing conversations in your classroom, which can be helpful when working with younger students who might need a little more direction.

Bear in mind though that some kids really struggle with these types of questions that ask them to make inferences about details that they can’t possibly know the ‘answer’ to. When you ask them things like, “What was the author probably trying to do?” they have no idea and won’t dare to hazard a guess. If you are working with kids who feel paralyzed by these questions, now is not the time to push them. Ignore the questions completely and have them simply focus on the picture.

It could be a good idea to write a few short stories yourself based on a single picture to show demonstrate how there are no wrong answers in this exercise—only endless possibilities.

70 Picture for Story Writing with Guiding Questions

• Whose cat is this? What is he looking at? Where is he?

2. What is the owl thinking about? Is he alone? What does he hope to eat for dinner?

3. Who are these frogs? What is their relationship with each other? Why are they taking photos?

4. How did the dog get a phone? Why is he taking selfies? What is he doing with the pictures he takes?

5. This cat doesn’t look too happy. What’s bugging him? Did he get too many phone calls or is he waiting on an important call that’s taking too long to come?

6. What do these chicks think of the dog? What does the dog think of the chicks? Do you think they can communicate with each other? If so, what would they say?

7. Where do these lemurs live? What are they looking at? What is something unusual that might happen to them?

8. What is this fox doing? Is he yawning and stretching or is he trying to scare someone away? What kind of mischief does he like to get up to?

9. Is this wolf alone? If not, who is with him? What is he planning to do? Does he have a family to feed or protect?

10. What is this child doing on the laptop? Can he actually read and type or is he just playing? If he can read and type, how did he learn that at such a young age? What other cool things can he do?

11. Where is this woman? Is she lost? How did she get to this street? What interesting things might she discover as she explores this new city?

12. Why is the dog wearing glasses? Can he see through them? What are he and the girl doing? How does he feel about it?

13. Who are these two little boys? What is their relationship with each other? What is the teddy bear’s story?

14. Who are these children? Why are they running? Is it a race or are they playing a game? Who’s going to win?

15. Whose horse is this? Does the little boy own it or does he just visit it? Can the horse talk? How does the boy feel when he’s with the horse?

16. What is this boy reading? Does the book have a magical power? Does the boy? Do the stories in the book become real or does something else special happen?

17. Where is this man? How did he get there? What is he looking for?

18. Who is walking over the bridge? What’s on the other side? Is it worth the risk?

19. What are these people doing on the elephant? Where are they? Are they tourists or is the elephant their pet? What would life with an elephant be like?

20. Who made this map? It looks old. Has it been hidden away for a long time? Who discovered it and how? What does it lead to?

21. Whose typewriter is this? What important or secretive thing might they be working on? What could happen if the wrong person finds their work?

22. Who are these three stuffed animals? Are they living? What is their story?

23. Whose ukulele is this? Why did they leave it here? Who might find it?

24. Where is the owner of the bike? Where does this path lead? What if the bike’s not there when the owner returns?

25. Whose shoes are these? Why did they leave them here? Why are they so dirty?

26. Who was reading the newspaper? What was the most interesting thing they read? Where have they disappeared to?

27. Who put this sign on the old truck? What do you think of it? How did the truck end up in its current condition and location?

28. Who set the table? Who are they expecting? What special occasion are they celebrating? What could go wrong?

29. Whose birthday cake is this? Are they having a party? Who is there? Who did they want to have there that didn’t show up?

30. Who lives here? How do they access their home? What is their life like?

31. Who built the igloo? Where is it? How does it feel to spend the night inside it?

32. What is the history of this castle? Who lives in it now? Does it have any special or magical features?

33. Is this barn abandoned or do people live on the property? What kind of animals might live here? How do they keep themselves entertained?

34. What is it like living on a houseboat? What kind of community do you think forms among the neighbors? Imagine you live on one of these boats and think about how your daily life might change. What interesting things could you do if you lived here? What would you miss the most?

35. Where is this hut? Who lives here? What mystery might unfold if a stranger came knocking at their door?

36. What is this lighthouse called? Who runs it? How often do they leave? What is the most memorable experience they’ve had as a lighthouse operator?

37. How did this house get here? Does anyone live in it? What would life be like here?

38. Where is this festive street? Are the people there celebrating something? Where is everybody?

39. Who lives here? How did they build this house? Are they hiding from something? What does it look like inside?

40. Whose notebook is this? Why did they leave it here? What’s written in it and how might it change the life of the person who finds it?

41. What are these women doing? What are they supposed to be doing? Will they be in trouble if they get caught?

42. Who might be represented in this statue? Why is she being pulled by lions? What amazing things might she have done to deserve a statue in this prominent place?

43. Where is this? Who is riding in the hot air balloons? Where are they going and why?

44. How old is this large tree? Where is it? What are some of the most fascinating stories it could tell?

45. Where is this carousel? Who is riding it? Can you think of a special or strange story about how it came to exist in this particular place?

46. What are these people thinking about? What’s at stake for them? What happens if one of them sneezes?

47. Where are these penguins? What are they talking about? Which one of them is the leader?

48. What is this place? Was it designed to be open like this or was it once part of someone’s home or a public building? How have people’s opinions of this place changed over time?

49. Who are these kids? Is this what they’re supposed to be doing? What happens when their teacher sees them?

50. Who is supposed to ride in this boat? Where are they going? Will they make it there?

51. Is this plane special to someone? What did they have to do to get it/build it? Where will they fly to in it?

52. Who decorated this train car? Which passengers will fill it up? What will they talk about?

53. Whose skis are these? Why are they sticking out of the snow? How did their owner get down the mountain without them?

54. Where does this gondola go? Who rides it? How does it feel to ride it?

55. Who’s driving the monster truck? Why is it at the beach? What is it going to crush? Who is watching?

56. Where is the boat going? Who is on it? What is their mission?

57. What city is the helicopter flying over? Why? Is the driver looking for something specific or do they have a special delivery?

58. What’s the little boy doing in the boat? Is he alone or is someone with him? Where is he trying to go?

59. Who is in the sub? What’s it like inside? What are they doing?

60. Whose book is this? What’s it about? What’s happening to it?

61. How did that piece of land with the house on it break off from the rest of the world? Why? Where is it going? Is anyone in the house?

62. Who is this girl? Where is she? Who is she shooting at?

63. Where does this scene take place? Is the lizard/dragon good or bad? What is its relationship with the girl?

64. What do these books represent? What kind of world is this? What (or who) is inside the books?

65. What are these dinosaurs discussing? Where are they? What do they do for fun?

66. Whose cottage is this? Do they still live there? If not, where have they gone? If so, what do they do there?

67. What is the moth thinking about? Is it alone? What’s the biggest challenge it faces in this moment?

68. Who is the owl looking at? Has it read these books? What is its greatest talent?

69. Where are these trees? Why are they pink? Do they have any special powers or features?

70. What are these best friends thinking about? Do they have something to hide? What adventures do they go on together?

What do you think? Which kind of pictures do you like best for creative writing prompts ? Let us know in the comments.

Thursday 9th of May 2024

I love this website because I was using it with my kindergartners and it work so so so well!!!!

Monday 20th of May 2024

That's wonderful. Thanks for sharing!

Tuesday 5th of March 2024

I LOVE these! My daughter has always struggled with written story prompts and an internet search this week convinced me of the value of picture prompts for reluctant readers/writers (https://youcanjournal.com/journal-picture-prompts/ if you're interested!). I'll definitely be using these to help improve her writing skills. Thanks so much!

Tuesday 26th of December 2023

I think the idea of using picture prompts is a great idea. It initiates oral language thus building vocabulary. It allows lends itself to students working in small groups to stimulate new ideas. The prompts engage the students and gives the teacher the opportunity to focus on specific writing skills.

luke elford

Wednesday 13th of December 2023

cloey mckay

Tuesday 17th of October 2023

I tried this with myself and my 6th-grade students, and they love it. it gives room for so much creativity.

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Creative Writing in the Early Elementary Grades

A project that incorporates both standard and creative elements of storytelling can help young learners strengthen their literacy skills.

What can creative writing look, feel, and sound like in a first grade classroom? How can creative writing become a joyful and meaningful learning experience, and how can we educators facilitate the creative process and allow young writers to use their imagination when writing?

Graphic organizers, mind maps, and storyboards are certainly great tools for narrative building and planning, but they do not necessarily scaffold the creative process that story writing requires. In reality, they might even restrict students’ creativity while they “box” ideas in predetermined templates. This year, in my class, going play-based and hands-on has turned out to be a tremendous success.

Examining Elements of Creative Writing in First Grade 

For this particular unit, my first grade students were examining literature and storytelling. After they had enjoyed several read-alouds, explored story elements, and studied the story mountain (beginning, rising action, conflict, resolution, and ending) as a team, it was time for them to write their very own stories. 

They kicked off by creating their main character and decided on the character’s appearance, personality, likes, and dislikes. They also had the choice to play the main character role in the story. In both cases, while still brainstorming, it was time for action: They drew and decorated their characters with markers and pencils, cut them out, and used a Popsicle stick to make a puppet.

They became even more motivated to continue as they saw their characters come to life. My students spontaneously started interacting with each other and their puppets—creating stories and being imaginative—they went right into storytelling mode. This created the perfect opportunity for me to step back and observe my students’ initiative, creativity, and social and communication skills, not to mention their sense of accomplishment and joy. 

Adding Artful Components to the Story

After they had engaged with their characters and interacted with others, it was time for the young writers to further develop their stories and think of a scenario leading to the rising action and resolution. This was the point when loose parts played a crucial role in the storytelling process. Counters, pipe cleaners, bits of paper, pebbles, dice, and buttons became houses, trees, magic wands, you name it. These bits and bobs from around the classroom became a valuable, zero-cost resource. 

While students actively arranged and rearranged their chosen loose parts, they wondered about what would happen next in their stories. Unexpectedly, some students chose to collaborate and co-created stories by joining their imagination and characters in one story. In this step of the creative process, the use of loose parts was truly empowering: Before jotting anything down in their notebooks, my students physically, mentally, and verbally constructed their narratives and shared them with their partners. 

Turning Ideas Into Words

With the mental representation of their narratives ready, it was all a matter of scribing their ideas. For that, we followed our usual class routines and resources such as word banks, sentence starters, and buddy support. All my students were engaged and confident, and when struggling with ideas, they resorted to loose parts again. As my first grade is a multicultural classroom, some of my students needed language support . However, with all of them hooked on their stories, supporting those who needed help with vocabulary, sentence construction, and spelling was simplified. 

I conferred with students individually and in small groups to understand their thinking and offered feedback on paragraphing and some word choice. Instead of using notebooks for their first drafts, they chose to use mini-boards, which motivated them even more and supported them to make quick adjustments to their narratives. Finally, after receiving feedback, they moved on to writing their final drafts and designing their covers in order to turn their stories into books. Each student took their book home to share it with their family after reading it with the class.

Sharing Stories and Making Memorable Learning Experiences

What good is a book if it isn’t read and enjoyed? Buddy reading was the last step of the process but certainly not the least exciting. My students read aloud to each other, commenting on their favorite bits of the story and appreciating the illustrations. The whole project, from getting their characters ready to publishing and reading their books, took around five hours divided into five days. 

When reflecting on the writing process, my students said that what they appreciated the most was the making of their puppets and illustrating their stories, highlighting the importance of integrating arts and writing. When asked about what was challenging, they replied that it was creating all the parts of the story mountain. However, they all said that using loose parts was a helpful strategy that they would use again—which they spontaneously have done in subsequent writing engagements. Lastly, when asked how they felt, some of the words they used were “proud,” “good,” and “joyful!”

A recent UNESCO report on the importance of happiness in learning refers to neuroscience research that proves our affective and cognitive domains are interconnected and interdependent. Therefore, emotions do affect learning! Joy is not a trade-off for academic achievement. Creating positive learning experiences makes learning stick.

Very often, students fear and avoid writing as a consequence of previous negative writing experiences. Combining art and a play-based approach to creative writing in first grade can set students on a path to success by building on their confidence, creativity, imagination, and sense of accomplishment. I have witnessed that the integration of art and writing has helped my students discover how writing can be a joyful and memorable experience where they can all be amazing storytellers and writers.

Mighty Writer Blog

Activities for teaching writing genres in ks1 & 2, writing is a skill which is learnt over time..

Starting in the first year of school (and even pre-school), learning how to be a proficient writer takes plenty of practice and patience – often right into adulthood if you truly want to master your craft (Laura Ingalls Wilder, who wrote the classic ‘Little House On The Prairie’, didn’t publish her first book until she was in her sixties!).

Several key components of literacy, however, are most useful when they can be learned early on – handwriting, spelling, grammar and punctuation, for example. Genres, although a little more advanced than the most basic nuts-and-bolts of writing, are also vital to understand if you truly want to make the most of a child’s budding creativity.

Genre is essentially a form of classification – fantasy or nonfiction, for example.

1. Visit the Library

2. Act it Out

Let’s face it, plays on paper can be a little bland. After all, they’re designed to be seen by an audience, not read during silent reading time. To delight your class, why not choose a very simple script (or write one yourself!) and get your pupils to act it out in the classroom? Move the tables aside and encourage some amateur dramatics! You could then go one step further and divide your class into smaller groups and set a task to write their own scripts.

These scripts could even be acted out by the other groups. This task would provide plenty of opportunity for fun, laughter and collaboration, all while learning about different types of play, and the individual genres that they follow.  

3. Making Muffins 

4. Dear Diary

When you think of famous diaries our thoughts might go to Anne Frank, or maybe even Adrian Mole! However, your class may be more likely to associate the diary genre with Jeff Kinney’s Diary of a Wimpy Kid, and who could blame them? These books (and films) are funny and relatable.

To encourage your class to embrace the diary genre, you could get them to imagine they have just had the most embarrassing day of their lives and get them write a fictional diary entry all about it. Prizes for the most embarrassing fictional day!  

5. Leaflets

Designing an informative leaflet can be included in almost any pre-existing teaching module. From learning about the Ancient Egyptians to the Fire of London, Recycling to Road Safety – creating a leaflet provides an opportunity not only to be creative, but also to recall learned information on a subject, while cementing the writing genre of leaflets.    

6. News 

7. Integrating KS2 Writing Genres Across Subjects

Genre writing can be incorporated across the curriculum, meaning that learning about writing genres doesn’t have to sit on the shoulders of literacy lessons alone. Writing out how to solve a maths problem or writing up the findings of a science experiment with an introduction, method and conclusion are both examples of how to incorporate genre writing in other subjects.

The key to learning about writing genres, as with anything, is repetition. Frequently exposing your class to different writing genres and texts will help them get to grips with this fundamental component of writing. They will soon be able to switch between writing genres without even thinking about it.

Excited to teach writing genres in a new way? Mighty Writer can help!

Mighty Writer supports children to write in a range of genres, helping them to use the relevant vocabulary and structure text appropriately.

As their understanding develops, so does their ability to write in increasingly complex and mature styles!

 Click below to find out more about the impact mighty writer could have in your classroom.