uea ma creative writing poetry

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MA Creative Writing Poetry University of East Anglia UEA

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Qualification.

MA - Master of Arts

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• ENTRY REQUIREMENT
• UNIVERSITY INFO

Course summary

You’ve been writing poetry for so long that it’s become a vital part of your life. You may have tried one-off workshops or short courses but find that they are no longer enough. So now is the time to take it further!

This MA is your chance to immerse yourself in writing and reading, and discover more about your imaginative, artistic and intellectual capabilities as a poet. You’ll work intensively on your writing practice with expert guidance and support. And you’ll be part of a group that’s of a consistently high standard, which offers (and expects in return) rigorous feedback and discussion.

An academic context allows you to develop yourself through learning more about poetry across time and place, about form and technique, concept and theory, cause and effect. It’s a chance to read the kinds of poetry you’ve never come across before, and to discover the potential of poetry beyond the forms and approaches you already know.

In our MA Creative Writing (Poetry), we aim to support you in writing poetry of a publishable standard, and to create an encouraging but rigorous environment. You’ll join UEA’s renowned creative writing community in Norwich, a beautiful and historic UNESCO City of Literature.

During the one-year (or two-year part-time) course of intensive reading, writing, exploration and risk-taking, you’ll develop a body of work close in length to a first collection. Through your two Poetry Workshops, you’ll be encouraged to test, extend and refine your poetic technique – an experience that is often exciting and sometimes uncomfortable, but always rewarding. With this in mind, we also give you the chance to learn more about publishing procedures and opportunities, readings, literary awards and more. In the Describing Poetry module that accompanies the first Poetry Workshop, you will be introduced to some of the key thinking about poetry throughout literary history, and encouraged to explore creative-critical approaches to your work. You’ll also choose an optional module from a wide range of creative and critical modules across the Faculty of Arts and Humanities. You’ll benefit from the ways in which the study of poetry enhances analytical, conceptual and verbal skills, as well as refine your powers of precision, argument and logic.

Within UEA’s world-famous writing community, you’ll have the opportunity to meet some of the UK’s leading poets and poetry editors, and to benefit from their insight and expertise. Our annual anthology is professionally published and distributed to a key list of poetry houses and other contacts.

UEA also hosts an annual Poetry Festival, part of which is an event showcasing the MA poets’ work. You’ll have the opportunity to attend a masterclass and to discuss your writing one-to-one with the Poetry Festival Fellow. UEA is also part of a thriving network of regional poetry activity, which offers plenty of opportunities to gain performance experience and to get involved in publication.

Application deadline

31 July 2024

Tuition fees

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£ 21,200 per year

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University of East Anglia UEA, Norwich Research Park, Norwich, Norfolk, NR4 7TJ, England

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Creative Writing: Poetry

Entry requirements.

Degree Subject - Any subject

Degree Classification - Bachelors (Hons) degree - 2.1 or equivalent preferred

For more information please see our website .

Months of entry

Course content.

In our MA Creative Writing (Poetry), we aim to support you in writing poetry of a publishable standard, and to create an encouraging but rigorous environment. You’ll join UEA’s renowned creative writing community in Norwich, a beautiful and historic UNESCO City of Literature.

During the one-year (or two-year part-time) course of intensive reading, writing, exploration and risk-taking, you’ll develop a body of work close in length to a first collection. Through your two Poetry Workshops, you’ll be encouraged to test, extend and refine your poetic technique – an experience that is often exciting and sometimes uncomfortable, but always rewarding. With this in mind, we also give you the chance to learn more about publishing procedures and opportunities, readings, literary awards and more. In the Describing Poetry module that accompanies the first Poetry Workshop, you will be introduced to some of the key thinking about poetry throughout literary history, and encouraged to explore creative-critical approaches to your work. You’ll also choose an optional module from a wide range of creative and critical modules across the Faculty of Arts and Humanities. You’ll benefit from the ways in which the study of poetry enhances analytical, conceptual and verbal skills, as well as refine your powers of precision, argument and logic.

Within UEA’s world-famous writing community, you’ll have the opportunity to meet some of the UK’s leading poets and poetry editors, and to benefit from their insight and expertise. Our annual anthology is professionally published and distributed to a key list of poetry houses and other contacts.

UEA also hosts an annual Poetry Festival, part of which is an event showcasing the MA poets’ work. You’ll have the opportunity to attend a masterclass and to discuss your writing one-to-one with the Poetry Festival Fellow. UEA is also part of a thriving network of regional poetry activity, which offers plenty of opportunities to gain performance experience and to get involved in publication.

Information for international students

International - For more information for international students, please go to UEA’s website .

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Find out more about UEA’s fees and funding options .

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• Campus-based learning is available for this qualification

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MA Creative Writing Poetry

University of east anglia uea, different course options.

• Key information

Course Summary

Tuition fees, entry requirements, university information, similar courses at this uni, key information data source : idp connect, qualification type.

MA - Master of Arts

Subject areas

Poetry Writing

Course type

You’ve been writing poetry for so long that it’s become a vital part of your life. You may have tried one-off workshops or short courses but find that they are no longer enough. So now is the time to take it further!

This MA is your chance to immerse yourself in writing and reading, and discover more about your imaginative, artistic and intellectual capabilities as a poet. You’ll work intensively on your writing practice with expert guidance and support. And you’ll be part of a group that’s of a consistently high standard, which offers (and expects in return) rigorous feedback and discussion.

An academic context allows you to develop yourself through learning more about poetry across time and place, about form and technique, concept and theory, cause and effect. It’s a chance to read the kinds of poetry you’ve never come across before, and to discover the potential of poetry beyond the forms and approaches you already know.

In our MA Creative Writing (Poetry), we aim to support you in writing poetry of a publishable standard, and to create an encouraging but rigorous environment. You’ll join UEA’s renowned creative writing community in Norwich, a beautiful and historic UNESCO City of Literature.

During the one-year (or two-year part-time) course of intensive reading, writing, exploration and risk-taking, you’ll develop a body of work close in length to a first collection. Through your two Poetry Workshops, you’ll be encouraged to test, extend and refine your poetic technique – an experience that is often exciting and sometimes uncomfortable, but always rewarding. With this in mind, we also give you the chance to learn more about publishing procedures and opportunities, readings, literary awards and more. In the Describing Poetry module that accompanies the first Poetry Workshop, you will be introduced to some of the key thinking about poetry throughout literary history, and encouraged to explore creative-critical approaches to your work. You’ll also choose an optional module from a wide range of creative and critical modules across the Faculty of Arts and Humanities. You’ll benefit from the ways in which the study of poetry enhances analytical, conceptual and verbal skills, as well as refine your powers of precision, argument and logic.

Within UEA’s world-famous writing community, you’ll have the opportunity to meet some of the UK’s leading poets and poetry editors, and to benefit from their insight and expertise. Our annual anthology is professionally published and distributed to a key list of poetry houses and other contacts.

UEA also hosts an annual Poetry Festival, part of which is an event showcasing the MA poets’ work. You’ll have the opportunity to attend a masterclass and to discuss your writing one-to-one with the Poetry Festival Fellow. UEA is also part of a thriving network of regional poetry activity, which offers plenty of opportunities to gain performance experience and to get involved in publication.

UK fees Course fees for UK students

For this course (per year)

International fees Course fees for EU and international students

Bachelors (Hons) degree - 2.1 or equivalent preferred in any subject. Candidates will be expected to submit a portfolio of writing for assessment - up to 20 pages of poetry.

The University of East Anglia (UEA) is a world-renowned university known for its high standard across both taught and research postgraduate courses. Based in Norwich, in the county of Norfolk, the university has an excellent international reputation for the high standard of its research output. UEA is home to over 17,000 students, of which around 25% are postgraduate students. UEA is part of one of the biggest research communities in Europe... more

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Creative Writing Poetry

University of East Anglia (UEA)

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Learn more about this course.

Course Overview - Creative Writing Poetry

**Overview** You’ve been writing poetry for so long that it’s become a vital part of your life. You may have tried one-off workshops or short courses but find that they are no longer enough. So now is the time to take it further! This MA is your chance to immerse yourself in writing and reading, and discover more about your imaginative, artistic and intellectual capabilities as a poet. You’ll work intensively on your writing practice with expert guidance and support. And you’ll be part of a group that’s of a consistently high standard, which offers (and expects in... Read more

**Overview**<br/><br/>You’ve been writing poetry for so long that it’s become a vital part of your life. You may have tried one-off workshops or short courses but find that they are no longer enough. So now is the time to take it further! <br/><br/>This MA is your chance to immerse yourself in writing and reading, and discover more about your imaginative, artistic and intellectual capabilities as a poet. You’ll work intensively on your writing practice with expert guidance and support. And you’ll be part of a group that’s of a consistently high standard, which offers (and expects in return) rigorous feedback and discussion. <br/><br/>An academic context allows you to develop yourself through learning more about poetry across time and place, about form and technique, concept and theory, cause and effect. It’s a chance to read the kinds of poetry you’ve never come across before, and to discover the potential of poetry beyond the forms and approaches you already know. <br/><br/>**About This Course**<br/><br/>In our MA Creative Writing (Poetry), we aim to support you in writing poetry of a publishable standard, and to create an encouraging but rigorous environment. You’ll join UEA’s renowned creative writing community in Norwich, a beautiful and historic city and England’s first UNESCO City of Literature. <br/><br/>During the one-year (or two-year part-time) course of intensive reading, writing, exploration and risk-taking, you’ll develop a body of work close in length to a first collection. Through your two Poetry Workshops, you’ll be encouraged to test, extend and refine your poetic technique – an experience that is often exciting and sometimes uncomfortable, but always rewarding. With this in mind, we also give you the chance to learn more about publishing procedures and opportunities, readings, literary awards and more. In the Describing Poetry module that accompanies the first Poetry Workshop, you will be introduced to some of the key thinking about poetry throughout literary history, and encouraged to explore creative-critical approaches to your work. You’ll also choose an optional module from a wide range of creative and critical modules across the Faculty of Arts and Humanities. You’ll benefit from the ways in which the study of poetry enhances analytical, conceptual and verbal skills, as well as refine your powers of precision, argument and logic. <br/><br/>Within UEA’s world-famous writing community, you’ll have the opportunity to meet some of the UK’s leading poets and poetry editors, and to benefit from their insight and expertise. Our annual anthology is professionally published and distributed to a key list of poetry houses and other contacts. <br/><br/>UEA also hosts an annual Poetry Festival, part of which is an event showcasing the MA poets’ work. You’ll have the opportunity to attend a masterclass and to discuss your writing one-to-one with the Poetry Festival Fellow. UEA is also part of a thriving network of regional poetry activity, which offers plenty of opportunities to gain performance experience and to get involved in publication. <br/><br/>**Disclaimer**<br/><br/>Course details are subject to change. You should always confirm the details on the providers website: **www.uea.ac.uk**

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Norwich Research Park, Norwich, NR4 7TJ

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University of east anglia uea: creative writing poetry.

You’ve been writing poetry for so long that it’s become a vital part of your life. You may have tried one-off workshops or short courses but find that they are no longer enough. So now is the time to take it further!

This MA is your chance to immerse yourself in writing and reading, and discover more about your imaginative, artistic and intellectual capabilities as a poet. You’ll work intensively on your writing practice with expert guidance and support. And you’ll be part of a group that’s of a consistently high standard, which offers (and expects in return) rigorous feedback and discussion.

An academic context allows you to develop yourself through learning more about poetry across time and place, about form and technique, concept and theory, cause and effect. It’s a chance to read the kinds of poetry you’ve never come across before, and to discover the potential of poetry beyond the forms and approaches you already know.

About This Course

In our MA Creative Writing (Poetry), we aim to support you in writing poetry of a publishable standard, and to create an encouraging but rigorous environment. You’ll join UEA’s renowned creative writing community in Norwich, a beautiful and historic city and England’s first UNESCO City of Literature.

During the one-year (or two-year part-time) course of intensive reading, writing, exploration and risk-taking, you’ll develop a body of work close in length to a first collection. Through your two Poetry Workshops, you’ll be encouraged to test, extend and refine your poetic technique – an experience that is often exciting and sometimes uncomfortable, but always rewarding. With this in mind, we also give you the chance to learn more about publishing procedures and opportunities, readings, literary awards and more. In the Describing Poetry module that accompanies the first Poetry Workshop, you will be introduced to some of the key thinking about poetry throughout literary history, and encouraged to explore creative-critical approaches to your work. You’ll also choose an optional module from a wide range of creative and critical modules across the Faculty of Arts and Humanities. You’ll benefit from the ways in which the study of poetry enhances analytical, conceptual and verbal skills, as well as refine your powers of precision, argument and logic.

Within UEA’s world-famous writing community, you’ll have the opportunity to meet some of the UK’s leading poets and poetry editors, and to benefit from their insight and expertise. Our annual anthology is professionally published and distributed to a key list of poetry houses and other contacts.

UEA also hosts an annual Poetry Festival, part of which is an event showcasing the MA poets’ work. You’ll have the opportunity to attend a masterclass and to discuss your writing one-to-one with the Poetry Festival Fellow. UEA is also part of a thriving network of regional poetry activity, which offers plenty of opportunities to gain performance experience and to get involved in publication.

Course details are subject to change. You should always confirm the details on the provider's website: www.uea.ac.uk

Full-Time, 1 years starts Sep 2024

Part-time, 2 years starts sep 2024.

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Course overview

Entry requirements, university of east anglia (uea), ma, creative writing (prose, poetry and scriptwriting).

This course has 3 parallel entry points in prose fiction, in poetry, and in writing for stage, screen and radio; each programme provides an intensive examination of students’ own work, and also draws on aspects of teaching in 19th- and 20th-century literature, poetics and literary theory, and film, cultural and performance studies; emphasis is placed on both the theoretical and practical aspects of writing, including the possibilities of publication and performance or production.

The Creative Writing MA at UEA is the longest-running in the UK and has enjoyed unparalleled success in terms of the publications and prizes achieved by its alumni (see News, Alumni and Interview pages). Our continuing success means we are fortunate in being able to attract many writers of great talent and potential.  

This course offers an intensive immersion in the study of the writing of prose fiction. You will take core creative modules, but can also choose from a wide range of critical courses, and benefit from our proven strengths in modernism and creative-critical studies, among others.

Our faculty teach our core courses. At UEA we also maintain close links with our alumni, who regularly come to UEA to give lectures, seminars and masterclasses; recently Ian McEwan, Kazuo Ishiguro and Andrew Miller have spoken to our students. Recent and upcoming visiting professors include Margaret Atwood, James Lasdun, Ian Rankin, Ali Smith, Stephen Poliakoff and Tim Parks. Our Creative Writing Teaching Fellows also contribute to teaching on this course; UEA alumni James Scudamore, Joe Dunthorne, John Boyne and Helen Cross are all associated with the programme.

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The University of East Anglia is based in the vibrant city of Norwich, located in the east of England. The city is less than two hours by train from London and is a unique blend of historic English architecture and modern design, which creates a dynamic and unforgettable atmosphere.

Norwich is home to eight theatres, five museums, four cinemas, two cathedrals, four music venues and a castle. There are 300 pubs, restaurants and bars,1500 historic buildings as well as modern developments such as The Forum, which is the home of the regional BBC studio and the award-winning Millennium Library.

As a base for exploring Britain, Norwich is just a short journey from Cambridge and other key cities with coaches and trains conveniently connecting you with the rest of the UK. International students are also able to take advantage of Norwich International Airport which is conveniently located 15 minutes from campus.

Creative Writing Poetry MA University of East Anglia

• On campus - h University of East Anglia
• Sep 23, 2024 Part-time - 2 years
• Sep 23, 2024 Full-time - 1 years

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Below you can see course specific reviews of 55 graduates of Creative Writing Poetry MA and other courses in Pharmacology, Toxicology and Pharmacy at University of East Anglia for each of the survey questions in comparison to the average for all UK degree courses in Pharmacology, Toxicology and Pharmacy.

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Course description.

You’ve been writing poetry for so long that it’s become a vital part of your life. You may have tried one-off workshops or short courses but find that they are no longer enough. So now is the time to take it further!

This MA is your chance to immerse yourself in writing and reading, and discover more about your imaginative, artistic and intellectual capabilities as a poet. You’ll work intensively on your writing practice with expert guidance and support. And you’ll be part of a group that’s of a consistently high standard, which offers (and expects in return) rigorous feedback and discussion.

An academic context allows you to develop yourself through learning more about poetry across time and place, about form and technique, concept and theory, cause and effect. It’s a chance to read the kinds of poetry you’ve never come across before, and to discover the potential of poetry beyond the forms and approaches you already know.

About This Course

In our MA Creative Writing (Poetry), we aim to support you in writing poetry of a publishable standard, and to create an encouraging but rigorous environment. You’ll join UEA’s renowned creative writing community in Norwich, a beautiful and historic city and England’s first UNESCO City of Literature.

During the one-year (or two-year part-time) course of intensive reading, writing, exploration and risk-taking, you’ll develop a body of work close in length to a first collection. Through your two Poetry Workshops, you’ll be encouraged to test, extend and refine your poetic technique – an experience that is often exciting and sometimes uncomfortable, but always rewarding. With this in mind, we also give you the chance to learn more about publishing procedures and opportunities, readings, literary awards and more. In the Describing Poetry module that accompanies the first Poetry Workshop, you will be introduced to some of the key thinking about poetry throughout literary history, and encouraged to explore creative-critical approaches to your work. You’ll also choose an optional module from a wide range of creative and critical modules across the Faculty of Arts and Humanities. You’ll benefit from the ways in which the study of poetry enhances analytical, conceptual and verbal skills, as well as refine your powers of precision, argument and logic.

Within UEA’s world-famous writing community, you’ll have the opportunity to meet some of the UK’s leading poets and poetry editors, and to benefit from their insight and expertise. Our annual anthology is professionally published and distributed to a key list of poetry houses and other contacts.

UEA also hosts an annual Poetry Festival, part of which is an event showcasing the MA poets’ work. You’ll have the opportunity to attend a masterclass and to discuss your writing one-to-one with the Poetry Festival Fellow. UEA is also part of a thriving network of regional poetry activity, which offers plenty of opportunities to gain performance experience and to get involved in publication.

Jobs & Career Perspectives

15 months after graduation, graduates of this course were asked about what they do and, if they are working, about their current job and their perspectives.

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Current jobs, job in line with future plans, utilise skills from studies, work is meaningful, required skill level of job after 15 months, % skilled jobs, jobs of graduates of this course (15 months after graduation).

Example below based on all graduates of Creative Writing Poetry MA at University of East Anglia

Assessment Methods

Entry requirements / admissions, ucas tariff of accepted students for this course, english language requirements, ucas sponsorship information.

Degree classification: 2:1 or equivalent. Degree subject: Any subject area. ADDITIONAL REQUIREMENTS: Applicants must also submit a sample of their work (up to 20 pages of poetry).

Tuition Fees Creative Writing Poetry MA

Additional fee information.

Tuition fees are reviewed annually and subject to increase. Some fees are regulated by the UK government and will be changed in line with advice from them. For further information about additional costs for your course and information on fee status please see our website.

Average student cost of living in the UK

London costs approx 34% more than average, mainly due to rent being 67% higher than average of other cities. For students staying in student halls, costs of water, gas, electricity, wifi are generally included in the rental. Students in smaller cities where accommodation is in walking/biking distance transport costs tend to be significantly smaller.

University Rankings

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The University of East Anglia (UEA) is a government funded research university located in Norwich, England. The university operates from a single campus site which includes the Norwich Research Park and the Bob Champion Research and Education Building, as well a 24-hour library, a concert and gig venue, and the on-campus accommodation.

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MA in Writing Poetry

Currently open to applications, the next step: our master’s degree in poetry, the ma in writing poetry is an accredited degree with newcastle university and the poetry school, delivered as a part-time course over two years. students are based either in london or newcastle upon tyne during term time, and come together to participate in a one week summer school which alternates between the two cities each year..

The MA is firmly rooted in the publishing, performing and promoting poetry world with established poets, including Glyn Maxwell and Meryl Pugh in London, and Jacob Polley in Newcastle. There will also be guest tutors from the Poetry School’s teaching community and from Newcastle University.

A full fee scholarship is available each year to an outstanding applicant.

To find out more about the MA in Writing Poetry, and to hear from our tutors and students (past and present), please watch this short video:

COURSE OUTLINE

Year One: Poetry Masterclass (1), Poetry Workshop (1), Summer School (1) Year Two: Poetry Masterclass (2), Poetry Workshop (2), Summer School (2), Portfolio

The Poetry Masterclasses and Poetry Workshops are taught from September to May (on alternate weeks), with weekly group meetings, and 1:1 tutorials.

Summer Schools run for one week, and the Portfolio is a work in progress throughout the course, with individual tutorials held towards the end of the second year.

Glyn Maxwell

Glyn Maxwell’s collections include Pluto (Picador), Hide Now (Picador), The Nerve (Picador) , and The Breakage (Faber) , all of which won or were shortlisted for major prizes. His epic poem Time’s Fool (Picador) is in development as a feature film with Fox Searchlight. On Poetry (Oberon) , a guidebook for the general reader, was described as ‘the best book about poetry I’ve ever read’ in The Guardian . In 2016, he published its sequel, Drinks With Dead Poets . His plays and opera libretti have been performed in many countries. He has taught at Amherst, Princeton, Columbia, and NYU in the USA; Warwick, Essex, and Goldsmiths in the UK.

‘A great teacher, Derek Walcott, led me to the three most important voices in my development – Auden, Frost, and Edward Thomas. This may make me sound like a dyed-in-the-wool formalist – perhaps I was long ago, though I’ve never been conservative with any kind of c – but the love of these poets, and countless different others, led me to a much broader and wilder sense of what poetry can be. The subjects and styles of poetry are infinitely various, and the best thing a teacher can do is raise awareness of how form works.

I don’t do this in an academic way, as I didn’t learn it like that. There are two dangerous pathways facing a new poet. The first is to feel that poetry used to be great and is now a mess of fragments. The second is to feel that all beauty is nostalgia and only the contemporary matters. Both attitudes are dumb. Form in poetry is the sound of captured time, so to ignore it is to reduce poems to the constant reiteration of a personal passing moment. Which is literally unmemorable.

I illustrate uses of form both in the canonical works we look at, and the work-in-progress of the students. My only canon is what has survived, my only praxis figuring out the reasons why. I tend to avoid the contemporary. Partly because I feel students will be immersed in it anyway, but more so because the worst course for a new poet is to set off in search of “the sound that gets published”. I love all the forms of poetry that are not the isolated subjective statement: drama, libretto, translation, song, anything where the “I” is somehow all of us, and not one lone heart. I constantly invent games and exercises by way of illustration.’

Meryl Pugh’s latest publication is a work of creative non-fiction, Feral Borough (Penned in the Margins, 2022).  She is the author three pamphlets, Wife of Osiris (Verve Poetry Press, 2021), The Bridle (Salt, 2011) and Relinquish (Arrowhead Press, 2007) and one full collection.  Natural Phenomena (Penned in the Margins, 2018) was a Poetry Book Society Guest Choice and longlisted for the inaugural Laurel Prize. Having previously worked in secondary and museum education, she has also taught for Morley College and Poetry School.  She holds a PhD in Critical and Creative Writing from University of East Anglia, where she taught for nearly ten years, and is currently at work on her second collection.  

My early influences were John Donne, Shakespeare and T S Eliot, the result of a rigidly ‘canonical’ education.  Their meticulous use of form and precision in word choice is something to which I still aspire.  My other influences are the poets who’ve taught me, both inside and outside the University; Mimi Khalvati, Pascale Petit, Lavinia Greenlaw, Denise Riley.  From their work I’ve taken the productive use of tension, the centrality of image and form and an interest in the strangeness of language; the way in which a poem might refuse to be ‘transparent’, to ‘make sense’, to meet you on anything other than its own grounds.  

My research interests stem from the work I did during my PhD, where I considered the modes of the feral and pastoral as sites of witness to the frictions between culture and nature.  So it’s safe to say that ecopoetics – and more broadly, the negotiations between environment and interiority – continue to be particular obsessions of mine.  I’m also fascinated by the fragmentation and condensing of poetic utterance, the tension within a poem between the visual and the aural – and the counterpoint of page space and text.  

On the MA, I offer a module on ‘Writing Environment’ in which we think about the relationship between humans and our planet’s cohabitees, as well as ‘Ekphrasis’ –  broadly, how we might respond to the ‘made’; objects and artworks in museums and galleries.    

I also lead sessions on free verse lineation, prose poetry, the contemporary sonnet, experiment and ritual, and indeterminacy and ‘difficulty’ in poetry.  

Poetry Masterclass

Poetry Masterclasses consist of ten self-contained seminars constituted of a mixture of exercise and discussion-based learning and delivered by both core and guest tutors, plus tutorial and drop-in sessions to discuss progress and to prepare for submission. Students are required to engage with the topic of each seminar through practical work and direct discussion. Students will strengthen their knowledge of a range of forms, techniques and thematic concerns present in contemporary poetry and of a variety of perspectives from which these can be approached. They will develop the confidence to experiment with their own work and to produce considered and disciplined revision of their poems. They will also learn to provide practical criticism of others’ work and to receive and utilise constructive criticism of their own work.

Poetry Workshop

In Poetry Workshops, students will develop: their knowledge of a range of literary forms and techniques, an awareness of the contemporary poetic landscape in which they are intervening, and the inheritances on which they might draw as poets. They will also gain knowledge of how, critically and constructively, to address issues within their own and other peoples’ writing. Within the group workshops, students will become familiar with poetic forms, schools and styles both within the context of US and UK poetry, and with issues of contemporary poetry and the tradition, through prescribed reading and critical discussion. The two individual tutorials will offer the chance for intensive critical discussion of students’ work, coupled with tailored guidance on further reading and the development of their writing practice. The file of work enables writers to consolidate their work in the light of all comments received; the commentary on process encourages responsible critical insight into the processes of revision, theme and influence.

Summer School

Summer School offers an intensive course in professional development. On the Poetry School campus Summer School, this course will improve students’ awareness of the market for their work and give them an insight into the opportunities for publication, funding, and publicity available to poets. Students will become familiar with the context in which the professional poet can pursue their craft and develop strategies by which to further pursue, and to develop an audience for, the writing they have undertaken on the various other modules of this degree. On the Newcastle University campus Summer School, students will acquire a sound knowledge of the options available for writers to teach their craft and of the pathways and requisites for doing so, as well as developing their awareness of the possible ways in which they can progress their academic development. Students will become familiar with the context in which the professional poet can pursue their craft within an academic context and how their writing practice might be pursued in tandem with teaching the skills they have to future writers. They will also become aware of the routes by which they might teach creative writing and the necessary qualifications required to do so, via a discussion of the possible options for their further academic development.

Summer Schools are an important — and exciting — part of the MA in Writing Poetry. The costs associated with attending Summer Schools (including travel and accommodation) are to be covered by the student, although Newcastle University does provide a partial bursary towards these costs.

Annual Submission

Summer Schools are an important part of the MA in Writing Poetry, and students tell us that they are two of the most exciting and inspiring modules of the programme.

However — in exceptional cases, and with the permission of the Degree Programme Director — a student may be able to complete the Annual Submission, a module which is offered in lieu of a student’s participation in Summer School. This module will consist of a semester of independent study, plus three one-hour tutorials.

Students will prepare a file of work consisting of around 30 poems or equivalent, and will show through the file a finally shaped work or body of work along with a reflection on the processes of the work. This module will consist of a semester of individual supervision followed by a semester of independent study. Each student must consult the module leaders with an initial proposal, submitting an opening plan/draft for comment and discussion.

How to apply

For more information on fees and entry requirements, please visit the Newcastle University webpage . For further enquiries, please email Tessa Foley at [email protected] for study in London, or Melanie Birch at [email protected] for study in Newcastle.

A full fee scholarship is available for outstanding applicants (or two 50% scholarships where there are two equally outstanding applicants). For more information and to apply, click here .

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University of East Anglia

MA in Creative Writing Poetry

University of East Anglia, Norfolk

Literature, Drama and Creative Writing

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Creative Writing

Maybe you’re a novelist.

You sit, for hours every day, pouring over your laptop screen, your keyboard struggling to keep up with the velocity of your fingers. It’s your second instalment of a seven-book series, and your fans are waiting eagerly. It’s three am. You’ve been writing for weeks.

Or perhaps you’re a poet.

After your lectures, you sit leisurely in a café, tea at the ready, articulating your weekly musings. The spine of the notebook groans, you’ve written so much, it can hold no more. The paper awaits your contemplations, your handwriting speeds up.

You could be a scriptwriter. A short-story enthusiast. You might be a writer of haikus, on bits of napkin, or letters to your granny in the highlands – or perhaps you’ve only ever written inside birthday cards. Even if you’ve only ever considered putting pen to paper, we’re asking you: do you want to write?

UEA’s Creative Writing Society is proud to exist in one of the UK’s most vibrant scenes for writing and literature. The city of Norwich is brimming with writers’ events: poetry open mics, famous authors, independent publishing houses, and we’re right in the heart of it!

Of course, we don’t just sit silently and scribble. Most of our writing workshops round off with a drink in the union bar or café, and we also collaborate with other societies, like Litsoc, Eggbox Publishing and Headucate.

But most we’re famous at UEA for our open mics, when three or four times a semester, we head out to a venue in town. Members bring friends and flatmates, grab a drink, and then get behind a mic to read, shout, sing, whisper, perform, pour water over their heads (yes, we had that once) by way of sharing their work! It’s always an amazing variation of talent, and an inspiration to see what you come up with.

If any of this has roused your interest, please get in touch with us! We're always more than happy to meet new members...

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• International

MA Creative Writing Prose Fiction

Key Details

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Any questions? Chat online with current students, staff and experts. This is your chance to ask anything about UEA, university life, Norwich and more.

Course Overview

Our course will help transform you as a writer, giving you a surer sense of the imaginative, artistic and intellectual challenges involved in any act of writing.

You’ll study the craft of prose fiction with an international cohort of other excellent writers, and you’ll be taught by an outstanding and committed faculty – which includes Jean McNeil, Naomi Wood and Tessa McWatt, to name a few – alongside internationally recognised visiting writers – recent examples include Tsitsi Dangarembga, Margaret Atwood, Ali Smith, Caryl Phillips and Preti Taneja.

We’ll challenge you to explore your notions about writing and being a writer, provoking you into play, experimentation and risk, with the intention of making you the best writer you can be.

After this intensive year, you’ll leave the course confident of technique and craft, as well as your own voice. It’s no wonder that our students’ success is unparalleled, with many of our graduates going on to publish their own work, and others moving into publishing, journalism or teaching.

The MA in Prose Fiction at UEA is the oldest and most prestigious Creative Writing programme in the UK. Solely focused on the writing of fiction, we take a rigorous and creative approach to enable you to develop your ideas, voice, technique and craft.

You’ll experience an intensive immersion in the study of writing prose fiction. You’ll take core creative modules but can also choose from a wide range of critical modules, and benefit from our proven strengths in modernism and creative-critical studies, among others.

Graduates of our MA Creative Writing Prose Fiction have enjoyed extraordinary success in terms of publications and prizes. Our alumni include Nobel Laureate Sir Kazuo Ishiguro, fellow Booker Prize winners Ian McEwan and Anne Enright, Costa First Book Award Winners Emma Healey and Christie Watson, and many other internationally renowned novelists including Ayobami Adebayo, Naomi Alderman, Tash Aw, Stephen Buoro, Tracy Chevalier, Joe Dunthorne, Diana Evans, Mohammed Hanif, Elizabeth Macneal and Catriona Ward. The continuing success of our graduates means we are fortunate in being able to attract the best writers from around the world – writers like you.

While you are at UEA, the focus will be on exploring your creative potential, in a highly supportive and well-resourced environment.

In 2011, UEA’s Creative Writing programme was awarded the Queen’s Anniversary Prize for Higher and Further Education in recognition of our continuing excellence in delivering innovative courses at a world-class level.

Study and Modules

This MA is a one-year full-time course (you can also take it part-time over two years). The full-time course consists of two semesters of 12 weeks, followed by a dissertation period of six weeks. The autumn semester lasts from September to December, and the spring semester from January to April. The dissertation supervision period ends in June, and you’ll submit your final piece of work in September.

In each semester, you’ll study two modules. One of these – in both semesters – is the compulsory Prose Fiction workshop. This is a weekly three-hour session, during which your group will discuss your fellow students’ works-in-progress. You’ll get the chance to attend a follow-up tutorial with your class tutor each time your work is discussed in these workshops.

Each workshop is assigned a tutor for the autumn semester, and a different tutor for the spring semester. Groups are ‘shuffled’ in December so you can encounter the widest range of peer responses to your work during the course. Teaching styles vary, but typically three students each week will have their work discussed by the group. The work-in-progress (around 5,000 words) is circulated a week in advance, and annotated copies are returned to the student at the end of the session. The emphasis is always on constructive criticism, and the expectation is that the group will gain as much from the discussion as will the individual whose work is being discussed. You can expect your writing to be workshopped multiple times over the course of the two semesters.

In each semester, you’ll choose a second module from the broad range of modules, both creative and critical, available in the School of Literature, Drama and Creative Writing .

In the summer dissertation period, you’ll be assigned a supervisor for individual tutorials in which you’ll discuss your dissertation. You’ll then write this independently over the summer.

Compulsory Modules

Creative writing workshop: prose 1, creative writing workshop: prose 2, creative writing research methodology conference, creative writing (prose) dissertation, optional a modules, the transformation of the book 1500-1700, the art of short fiction, fiction 'after' modernism: re-reading the 20th century, the art of the novel, japanese literature, living modernism, optional b modules, crime, mystery and the novel, ludic literature, east anglian literature, the non fiction novel, the poetics of place, creative encounters, the northern renaissance, 1500-1620, theory and practice of fiction, creative-critical writing, adaptation and interpretation.

Whilst the University will make every effort to offer the modules listed, changes may sometimes be made arising from the annual monitoring, review and update of modules. Where this activity leads to significant (but not minor) changes to programmes and their constituent modules, the University will endeavour to consult with students and others. It is also possible that the University may not be able to offer a module for reasons outside of its control, such as the illness of a member of staff. In some cases optional modules can have limited places available and so you may be asked to make additional module choices in the event you do not gain a place on your first choice. Where this is the case, the University will inform students.

Teaching and Learning

You’ll be taught by an internationally renowned cohort of prize-winning authors, who have many years of experience in teaching Creative Writing. Current staff members who have taught on the MA include Trezza Azzopardi, Stephanie Bishop, Philip Langeskov, Giles Foden, Jean McNeil, Tessa McWatt, Julianne Pachico, and Naomi Wood. You’ll also be taught via one-to-one tutorials with your workshop leader to enrich your understanding of the key insights to come out of your workshop.

The one-to-one dissertation supervisions are intended to emulate the relationship that you may go on to have with an editor at a publishing house. Over the dissertation period, your tutor will be able to discuss your work and your ambitions for your project so that you will be best placed to draft and then finalise your work over the summer vacation.   Independent study

One of the great benefits of this year is that you’ll have ample time to read and write on your own. Some students use their independent study time to write a draft of a whole novel; others want to experiment over the course of the year with different projects and different styles.

You’ll submit 5,000 words of original fiction at the end of the autumn semester, and another 5,000 words at the end of the spring semester. You will also submit a 5,000-word piece of creative work or an essay (requirements vary) for each of your two optional modules.

For your dissertation, you’ll write 15,000 words of original fiction, to be submitted in September. All assessed work is marked and moderated by two members of the Creative Writing faculty, with the mark agreed between them.

Your work will be read and commented upon by faculty members around sixteen times over the course of the MA – this includes workshops, dissertation tutorials and the marking of assignments. Since this course and its tutors focus on prose fiction and the development of your abilities as a writer of prose fiction, we cannot workshop or assess other work you might produce, such as poetry or creative non-fiction. However, we would encourage you to circulate such work informally among your fellow students.

Entry Requirements

Applications from students whose first language is not English are welcome. We require evidence of proficiency in English (including writing, speaking, listening and reading):   

IELTS: 7.0 overall (minimum 7.0 in writing and 6.0 in all other components)

Test dates should be within 2 years of the course start date.  

We also accept a number of other English language tests. Review  our English Language Equivalencies  for a list of qualifications that we may accept to meet this requirement.  

If you do not yet meet the English language requirements for this course, INTO UEA offer a variety of English language programmes which are designed to help you develop the English skills necessary for successful undergraduate study:   

Pre-sessional English at INTO UEA    

Academic English at INTO UEA   

Promising candidates will be invited to one of our online interview days, which are scheduled across the academic year. Typically a candidate will be interviewed by two members of the Creative Writing faculty and we aim to inform candidates of the outcome within five working days. Unsuccessful candidates are welcome to re-apply, though not within the same academic year. Successful candidates will either be offered a place for the forthcoming academic year or a place for the following academic year (if it is felt that they need more time to develop as a writer). Once the forthcoming year is full candidates will be offered a place on our reserve list with the option of a place for the following academic year if a place does not become available. 

This course is open to UK and International applicants. The annual intake for this course is in September each year.

Please note that those candidates offered a place on the course will not be able to defer their offer to the next year if they are unable to take up the offer of a place, however they are welcome to reapply the next year.

Additional Information or Requirements

Candidates are required to submit a portfolio of writing for assessment of between 3000 and 5000 words with their application.  This could be part of a novel in progress or a piece or pieces of short fiction.

Our Admissions Policy applies to the admissions of all postgraduate applicants. 

Fees and Funding

Tuition fees for the Academic Year 2024/25 are: 

UK Students: £11,000 (full time) 

International Students: £22, 450 (full time)

If you choose to study part-time, the fee per annum will be half the annual fee for that year, or a pro-rata fee for the module credit you are taking (only available for Home students). 

We estimate living expenses at £1,023 per month. 

Further Information on tuition fees can be found  here . 

Scholarships and Bursaries 

The University of East Anglia offers a range of  Scholarships ; please click the link for eligibility, details of how to apply and closing dates.

The University of East Anglia offers a range of Scholarships . The following have the most relevance to the MA in Creative Writing:

Annabel Abbs Scholarship The Difference scholarship Global Voices Scholarships  Kowitz Scholarship  Maggie Humm Scholarship  Miles Morland Foundation African Writers' Scholarship Seth Donaldson Memorial Bursary  Sonny Mehta India Scholarship  Sonny Mehta Scholarship for Writers  UEA Booker Prize Foundation Scholarship  UEA Crowdfunded Writers' Scholarship 

To find out more, please go to the Scholarships Finder . Select the name of the scholarship, then select ‘view more’ to see if you meet the criteria, and ‘apply here’ to make an application.  

Course Related Costs

Please see Additional Course Fees for details of course-related costs.

How to Apply

Applications for Postgraduate Taught programmes at the University of East Anglia should be made directly to the University. 

The closing date for receipt of complete applications is 1 June 2024, including the relevant supporting documents and references. 

To apply please use our   online application form . 

FURTHER INFORMATION 

If you would like to discuss your individual circumstances prior to applying, please do contact us: 

Postgraduate Admissions Office 

Tel: +44 (0)1603 591515  Email:  [email protected]  

International candidates are also encouraged to access the  International Students  section of our website. 

Employability

After the course.

You’ll graduate as a better writer, reader and editor. You will graduate knowing how to best critique others’ work and your own. Many students go on to publish, others go on to a career in publishing, journalism, or teaching.

A degree at UEA will prepare you for a wide variety of careers. We've been ranked 1st for Job Prospects by StudentCrowd in 2022.

Example of careers that you could enter include:

    Writing

    Publishing

    Journalism

    Teaching

    Advertising

    Film and television

Discover more on our Careers webpages .

Creative Writing Prose Fiction starting September 2024 for 1 years