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Nine brilliant student essays on honoring your roots.

Read winning essays from our fall 2019 student writing contest.

For the fall 2019 student writing contest, we invited students to read the YES! article “ Native and European—How Do I Honor All Parts of Myself? ” by Kayla DeVault. Like the author, students reflected on their heritage and how connected they felt to different parts of their identities. Students then wrote about their heritage, family stories, how they honor their identities, and more.

The Winners

From the hundreds of essays written, these nine were chosen as winners. Be sure to read the author’s response to the essay winners, literary gems and clever titles that caught our eye, and even more essays on identity in our Gallery of Voices.

Middle School Winner: Susanna Audi

High School Winner: Keon Tindle

High School Winner: Cherry Guo

University Winner: Madison Greene

Powerful Voice: Mariela Alschuler

Powerful Voice: Reese Martin

Powerful Voice: Mia De Haan

Powerful Voice: Laura Delgado

Powerful Voice: Rowan Burba

From the Author, Kayla DeVault: Response to All Student Writers and Essay Winners

Gallery of voices: more essays on identity, literary gems, titles we loved, middle school winner.

Susanna Audi

Ethical Culture Fieldston School, Bronx, N.Y.

BRAZIL: MY HEART’S HOME

Saudades. No word in the English language sums up the meaning of this Portuguese term: a deep feeling of longing that makes your heart ache and pound like a drum inside your chest. I feel saudades for Brazil, its unique culture, and my Brazilian family. When I’m in my second home, Bahia, Brazil, I’m a butterfly emerging from its cocoon—colorful, radiant, and ready to explore the world. I see coconut trees waving at the turquoise waves that are clear as glass. I smell the familiar scent of burning incense. I hear the rhythm of samba on hand-beaten drums, and I feel my grandma’s delicate fingers rub my back as I savor the mouth-watering taste of freshly made doce de leite .  Although I’m here for only two precious weeks a year, I feel a magnetic connection to my father’s homeland, my heart’s home.

My grandfather or vovô , Evandro, was born in Brazil to a family who had immigrated from Lebanon and was struggling to make ends meet. His parents couldn’t afford to send him to college, so he remained at home and sold encyclopedias door-to-door. My vovô eventually started a small motorcycle parts company that grew so much that he was able to send my father to the U.S. at age sixteen. My father worked hard in school, overcoming language barriers and homesickness. Even though he has lived in America for most of his life, he has always cherished his Brazilian roots. 

I’ve been raised with my father’s native language, foods, and customs. At home, I bake Brazilian snacks, such as the traditional cheese bread, pão de queijo , which is crunchy on the outside but soft and chewy on the inside. My family indulges in the same sweet treats that my father would sneak from the cupboard as a child. Two relaxing customs we share are listening to Brazilian music while we eat breakfast on weekends and having conversations in Portuguese during meals. These parts of my upbringing bring diversity and flavor to my identity. 

Living in the U.S. makes me feel isolated from my Brazilian family and even more distant from Brazilian culture. It’s hard to maintain both American and Brazilian lifestyles since they are so different. In Brazil, there are no strangers; we treat everybody like family, regardless if that person works at the local shoe store or the diner. We embrace each other with loving hugs and exchange kisses on the cheeks whenever we meet. In the U.S., people prefer to shake hands. Another difference is that I never come out of Starbucks in New York with a new friend. How could I when most people sit with their eyes glued to their laptop screens? Life seems so rushed. To me, Brazilians are all about friendships, family, and enjoying life. They are much more relaxed, compared to the stressed and materialistic average American. 

As Kayla DeVault says in her YES! article “Native and European—How Do I Honor All Parts of Myself,” “It doesn’t matter how many pieces make up my whole: rather, it’s my relationship with those pieces that matters—and that I must maintain.”  I often ask myself if I can be both American and Brazilian. Do I have to choose one culture over the other? I realize that I shouldn’t think of them as two different cultures; instead, I should think of them as two important, coexisting parts of my identity. Indeed, I feel very lucky for the full and flavorful life I have as a Brazilian American. 

Susanna Audi is an eighth-grader who lives in the suburbs of New York. Susanna loves painting with watercolors, cooking Brazilian snacks, and playing the cello. On weekends, she enjoys babysitting and plays several sports including lacrosse, soccer, and basketball. Susanna would love to start her own creative design business someday. 

High School Winner

Keon Tindle

Kirkwood High School, Kirkwood, Mo.

Walking Through the Forest of Culture

What are my roots? To most people, my roots only go as far as the eye can see. In a world where categorization and prejudice run rampant, the constant reminder is that I am Black. My past is a living juxtaposition: my father’s father is a descendant of the enslaved and oppressed and his wife’s forefathers held the whips and tightened the chains. Luckily for me, racial hatred turned to love. A passion that burned brighter than any cross, a love purer than any poison. This is the past I know so well. From the slave ship to the heart of Saint Louis, my roots aren’t very long, but they are deeply entrenched in Amerikkkan history.

This country was made off of the backs of my brothers and sisters, many of whom have gone unrecognized in the grand scheme of things. From a young age, White children are told stories of heroes—explorers, politicians, freedom fighters, and settlers whose sweat and determination tamed the animalistic lands of America. They’re given hope and power through their past because when they look in the mirror they see these heroes. But what about me? My stories are conveniently left out of the textbooks; I have never been the son of a king or a powerful African leader, just expensive cargo to be bought and sold to the highest bidder. It seems we, as a people, never truly left the ship.

Even now, we’re chained to the whitewashed image of Black history. I can never truly experience the Black tradition because there are multiple perspectives. The truth is clouded and lost due to the lack of documentation and pervasive amount of fabrication. How am I supposed to connect to my heritage? America tells me to celebrate the strength of my ancestors, the strength of the slaves, to praise something they helped create. The Afrocentrics tell me to become one with the motherland, celebrate the culture I was pulled away from. However, native Africans make it clear I’ll never truly belong.

Even the honorable Elijah Muhammad tells me to keep my chin pointed to the clouds, to distrust the creation of Yakub, and to take my place among the rest of Allah’s children. Most people don’t have the luxury of “identifying with all of the pieces of [themselves],” as Kayla DeVault says in the YES! article “Native and European—How Do I Honor All Parts of Myself?” 

They’re forced to do research and to formulate their own ideas of who they are rather than follow the traditions of an elder. For some, their past works as a guide. A walk through life that has been refined over generations. Others, however, are forced to struggle through the dark maze of life. Hands dragging across the walls in an attempt to not lose their way. As a result, their minds create stories and artwork from every cut and scratch of the barriers’ surface. Gaining direction from the irrelevant, finding patterns in the illogical. 

So what are my roots? My roots are my branches, not where I come from but where this life will take me. The only constant is my outstretched arms pointed towards the light. A life based on the hope that my branches will sprout leaves that will fall and litter the path for the next generation.

Keon Tindle is unapologetically Black and embraces his African American background. Keon is an esports competitor, musician, and producer, and especially enjoys the craft of pairing history with hip-hop music. He is always ecstatic to dabble in new creative outlets and hopes to pursue a career in neuroscience research.

Thomas Jefferson High School for Science and Technology, Alexandria, Va.

Tying the Knot

The kitchen smells like onions and raw meat, neither unpleasant nor pleasant. Nainai’s house slippers slap against our kitchen floor as she bustles around, preparing fillings for zongzi: red bean paste, cooked peanuts, and marinated pork. I clap my pudgy hands together, delighted by the festivities. 

Nainai methodically folds the bamboo leaves into cones, fills them up with rice, and binds the zongzi together with string that she breaks between her teeth. I try to follow suit, but when I try to tie the zongzi together, half the rice spills out. Tired from my lack of progress, I abandon Nainai for my parents, who are setting up the mahjong table. 

After raising me to the age of ten, my grandparents returned to China. They dropped back into their lives like they had never left, like they hadn’t shaped my entire upbringing. Under their influence, my first language was not English, but Chinese. 

At school, my friends cajoled me into saying Chinese words for them and I did so reluctantly, the out-of-place syllables tasting strange on my palate. At home, I slowly stopped speaking Chinese, embarrassed by the way my tongue mangled English words when I spoke to classmates. One particular memory continually plagues me. “It’s Civil War, silly. Why do you pronounce “L” with an ‘R’?” Civil. Civil. Civil.

At dinner, my dad asked us to speak Chinese. I refused, defiantly asking my brother in English to pass the green beans. I began constructing false narratives around my silence. Why would I use my speech to celebrate a culture of foot binding and feudalism? In truth, I was afraid. I was afraid that when I opened my mouth to ask for the potatoes, I wouldn’t be able to conjure up the right words. I was afraid I would sound like a foreigner in my own home. If I refused to speak, I could pretend that my silence was a choice.

In Kayla DeVault’s YES! article “Native and European – How Do I Honor All Parts of Myself?” she insists that “Simply saying “I am this” isn’t enough. To truly honor my heritage, I found I must understand and participate in it.” And for the first time, I wonder if my silence has stolen my cultural identity. 

I decide to take it back.

Unlike DeVault, I have no means of travel. Instead, my reclamation starts with collecting phrases: a string of words from my dad when he speaks to Nainai over the phone, seven characters from two Chinese classmates walking down the hall, another couple of words from my younger sister’s Chinese cartoons. 

The summer before my senior year marks the eighth year of my grandparents’ return to China. Once again, I am in the kitchen, this time surrounded by my parents and siblings. The bamboo leaves and pot of rice sit in front of me. We all stand, looking at each other expectantly. No one knows how to make zongzi. We crowd around the iPad, consulting Google. Together, we learn how to shape the leaves and pack the rice down. 

The gap in knowledge bothers me. Does it still count as honoring a family tradition when I follow the directions given by a nameless pair of hands on YouTube rather than hearing Nainai’s voice in my mind? 

Instead of breaking the string with my teeth like Nainai had shown me, I use scissors to cut the string—like I had done with my ties to Chinese language and culture all those years ago. And now, I’m left with the severed string that I must hurriedly tie around the bamboo leaf before the rice falls out of my zongzi.

Cherry Guo is a senior at Thomas Jefferson High School for Science and Technology in Alexandria, Virginia. Cherry rows for her school’s crew team and plays the viola in her school orchestra. She spends what little free time she has eating pretzel crisps and listening to podcasts about philosophy.

University Winner

Madison Greene

Kent State University, Kent, Ohio

Carrying the Torch

I have been called a pizza bagel–the combination of a Catholic Italian and an Ashkenazi Jew. Over time, I have discovered the difficulty of discretely identifying the ratio of pizza to bagel. It is even more arduous when the pizza and the bagel have theologies that inherently contradict each other. Therefore, in a society that emphasizes fine lines and exact distinctions, my identity itself becomes a contradiction.  

In the winter, my family tops our Christmas tree with the Star of David. I’ve recited the Lord’s Prayer; I’ve prayed in Hebrew. I attended preschool at a church, and my brother was a preschooler in a synagogue. Every week at Sunday morning mass, my maternal family donates money to the collection basket during the offertory. My paternal family has donated authentic Holocaust photographs to a local Jewish heritage museum. Growing up, none of this was contradictory; in fact, it all seemed complementary. My Jewish and Catholic identities did not cancel each other out but rather merged together.

However, the compatibility of my Catholic-Jewish identities was in upheaval when I decided to become acquainted with the Jewish community on campus. While attending Hillel events, I felt insecure because I did not share many of the experiences and knowledge of other Jewish students. Despite this insecurity, I continued to participate — until a good friend of mine told me that I was not Jewish enough because of my Catholic mother. She also said that families like mine were responsible for the faltering of Jewish culture. I wanted my identity to be validated. Instead, it was rejected. I withdrew and avoided not only my Jewish identity but also my identity as a whole.

I soon realized that this friend and I look at my situation using different filters. My Catholic-Jewish identities have evolved into a codependent relationship, and I am entitled to unapologetically embrace and explore both aspects of my identity. I realized that even without my friend’s validation of my identity, I still exist just the same. Any discredit of my Catholic-Jewish identities does not eliminate my blended nature. So, after a few months of avoiding my Jewish identity, I chose to embrace my roots; I resumed participating in the Jewish community on campus, and I have not stopped since.

Kayla DeVault’s YES! article “Native and European – How Do I Honor All Parts of Myself?” describes the obligation to one’s ancestral chain. The best way to fulfill this duty is to fully dedicate oneself to understanding the traditions that accompany those cultural origins. In this generation, my mother’s Catholic-Italian maiden name has no men to carry it on to the next generation. It is difficult to trace my last name past the mid-1900s because my Jewish ancestors shortened our surname to make it sound less Semitic, to be less vulnerable to persecution. Given the progressive fading of my family’s surnames, how do I continue the legacies of both family lines?

On behalf of my ancestors and for the sake of the generations still to come, I feel obligated to blend and simultaneously honor my Jewish and Catholic heritage to ensure that both prevail. 

Now I know that whether I am sitting next to my Jewish father at my young cousin’s baptism, or whether I am sitting at the Passover Seder table with my mother’s Catholic parents, it is up to me to keep both flames of my ancestry burning bright. The least I can do is hold each family’s candle in my hands. Imagine the tremendous blaze I could create if I brought the flames of my two families together.

Madison Greene is a Communication Studies major at Kent State University. Madison is also pursuing a minor in Digital Media Production. She is currently the president of her sorority.

Powerful Voice Winner

Mariela Alschuler

Behind My Skin

My roots go deeper than the ground I stand on. My family is from all over the world with extended branches that reach over whole countries and vast oceans.

Though I am from these branches, sometimes I never see them. My Dominican roots are obvious when I go to my abuela’s house for holidays. My family dances to Spanish music. I fill my plate with platanos fritos and my favorite rice and beans. I feel like a Dominican American girl. Maybe it’s the food. Maybe it’s the music. Or maybe it’s just the way that my whole family—aunts, uncles, grandparents, and cousins— laugh and talk and banter in my grandparents’ small, beautiful apartment.

Even though I am blood to this family, I stick out like a sore thumb. I stick out for my broken Spanish, my light skin, my soft, high-pitched voice and how I do my hair. I feel like I don’t belong to my beautiful, colorful family, a disordered array of painted jars on a shelf.

If my Dominican family is like a disorganized and vibrant shelf of colors, then my European family is a neat and sparse one with just a hint of color. For Christmas in New York, there are dozens of us crammed in the small apartment. For Thanksgiving in Massachusetts, there are rarely more than twelve people in the grandiose, pristine house that looks like something out of House Beautiful . I adore my grandparent’s house. It is expansive and neatly painted white. After growing up in a small house on a school campus and visiting my other grandparents’ small apartment in New York, I thought that their house was the greatest thing in the world. I would race up the stairs, then slide down the banister. I would sip Grandma’s “fancy” gingerbread tea, loving the feeling of sophistication. There, I could forget about the struggles of my Dominican family. I was the granddaughter of a wealthy, Jewish, Massachusetts couple rather than the granddaughter of a working-class second-generation Dominican abuela and abuelo from the Bronx.  

I don’t fit in with my European family either. My dark skin and my wild hair don’t belong in this tidy family. In Massachusetts, the branches of my Dominican family, no matter how strong and extensive, are invisible. The same way my European roots are lost when I am in New York.

So what am I? For years I have asked myself this question. Wondering why I couldn’t have a simple garden of a family rather than the jungle that I easily get lost in. As Kayla DeVault says in her YES! article “Native and European—How can I honor all parts of myself?,” “Simply saying ‘I am this’ isn’t enough.” And it isn’t. My race, color, and ethnicity do not make up who I am. I am still a daughter. A sister. A cousin. A friend. My mixed identity does not make me less whole, less human. I may have lightly tanned skin and my lips may not form Spanish words neatly, but behind my skin is bright color and music. There is warm gingerbread tea and golden platanos fritos. There is Spanish singing from my abuelo’s speaker and “young people” songs that play from my headphones. There is a little, cozy apartment and a large, exquisite house. Behind my skin is more than what you can see. Behind my skin is what makes me me. 

Mariela Alschuler is a seventh-grader at Ethical Culture Fieldston School and lives in the Bronx, New York. When she’s not in school, Mariela likes to read, write, do gymnastics, watch Netflix, and spend time with her friends and family. She hopes to be a doctor and writer when she grows up.

Reese Martin

University Liggett School, Grosse Point Woods, Mich.

A True Irishman?

Similar to Kayla Devault in her YES! article “Native and European-How Do I Honor All Parts of Myself,” I hold holistic pride in my cultural identity. As a descendant of Irish immigrants, my childhood was filled with Irish folk music, laughter, and all things green. I remember being a toddler, sitting on my Popo’s lap wearing a shiny green, slightly obnoxious, beaded shamrock necklace. There, in the living room, I was surrounded by shamrocks hanging on the walls and decorations spread throughout, courtesy of my grandmother who always went overboard. My father and his siblings were Irish fanatics, as well. My aunt, whom I loved spending time with as a child, was notorious for wild face painting, ear-splitting music, and crazy outfits on St. Patrick’s Day. The holiday typically started in Detroit’s historic Corktown for the annual St. Patrick’s Day Parade with the promise of authentic Irish corned beef and soda bread at the Baile Corcaigh Irish Restaurant following the festivities. Charlie Taylor, a local Irish musician, belted folk songs from Baile Corcaigh’s makeshift stage. It was one of the few days a year my father and his large family came together. Although my aunt and grandparents have passed, our family’s Irish pride is eternal.

There was, however, one peculiar thing about our Irish heritage— none of my family looked classic Irish. My father and his five siblings have nearly black eyes and fairly dark skin, not the typical Irish traits of blue eyes and light skin. DeVault wrote, “When I was older, the questions came, which made me question myself.” I fell into a similar predicament, questioning my heritage. It truly came as a shock when a couple of my paternal aunts and several cousins took DNA tests through 23andMe and AncestryDNA. The results revealed the largest percentage of our ethnicity was Lebanese and Middle Eastern, not Irish.

It felt like a punch to the gut. I was clueless on how to move forward. According to the numbers, we possessed an insignificant amount of Irish blood. How was it possible to be wrong about such a huge part of my identity? Not only was I confused about my culture and history, but I also experienced a great deal of shame—not of my newfound Middle Eastern heritage, but the lack of Irish DNA, which I had previously held so close and felt so proud of. It felt as though I was betraying the memory of my late grandparents and aunt.

Even amidst my confusion, I found this new heritage intriguing; I was excited to explore all that my newly found Lebanese culture had to offer: unique foods, unfamiliar traditions, and new geography. In addition to the familiar boiled and mashed potatoes, my family now eats hummus and shawarma. I also know more about the basic facts, history, and government of Lebanon. One thing dampens my enthusiasm, however. I wonder how I can fully develop a love for my newly discovered culture without being too deliberate and appearing to be insensitive to cultural appropriation.

It is here, in the depths of uncertainty and intrigue, I relate most to DeVault’s question, “How do I honor all parts of myself?” Although my Irish ancestry may not be as authentic as I once believed, I still feel a strong connection to the Irish culture. I’ve found that to truly honor all pieces of my identity, I must be willing to accept every aspect of my ancestry. I don’t need to reject Lebanese ethnicity, nor disregard the Irish memories of my childhood. I am allowed to be everything all at once. At the end of the day, with both Irish culture and Lebanese heritage, I am still simply and perfectly me.

Reese Martin is a junior at University Liggett School in Grosse Pointe Woods, Michigan. Reese plays hockey and soccer, swims competitively and is a violinist in her school orchestra. She enjoys volunteering, especially peer tutoring and reading with young children.

Rowan Burba

Saluting Shadows

On the floor, a murdered woman lays bloody and dead. Two young boys stare in horror at their dead mother. At only 10 years old, my great-grandfather experienced unfathomable suffering. A generation later, my grandfather and two great-uncles grew up under an abusive roof. My great-uncle Joe, the youngest of three boys, endured the worst of the abuse. Joe’s scarred brain altered during the sexual and emotional abuse his father subjected him to. From the time he was 18 months old, trusted adults of Joe’s community violated him throughout his childhood. These traumas spiraled into a century of silence, the silence I am determined to break. 

My father’s lineage is littered with trauma. Our family doesn’t openly share its past. We constantly masquerade as “normal” so we can fit in, but the alienation we experience is understandable. In Kayla DeVault’s YES! article “Native and European—How Do I Honor All Parts of Myself?” she explains her numerous identities, which include Shawnee, Anishinaabe, Eastern European, Scottish, and Irish. Although I don’t have her rich ethnic ancestry, I question my roots just as she does. I have limited photos of my deceased relatives. There are only two prominent ones: my paternal grandmother as a child with her siblings and my maternal grandmother’s obituary photo. These frosted images hide the truth of my family’s history. They’re not perfect 4″ x 6″ moments frozen in time. They’re shadowed memories of a deeply disturbed past.

For 17 years, my family was clueless about our past family trauma. Two months ago, my great-aunt explained Joe’s story to me. Joe developed Dissociative Identity Disorder (DID) as a result of his abuse. By the age of 18, his brain contained 95 alters (fragments of his identity that broke off and developed into true individuals), causing Joe to appear as the “weird one,” the one who my family dismissed, the outcast of my dad’s childhood. My dad only learned one year ago, long after Joe died, about Joe’s DID. My family’s adamancy to hold secrets outweighed accepting and helping Joe. The shadows around these secrets quickly dispersed. 

The silence and shame from a mother’s death a century ago still have a chokehold on my family today. My family appears a disaster to outsiders.  My mom’s side is so religious they would never fathom a conversation about these harsh realities. In addition to Joe, my dad’s side has uncles who struggle with codependency and trauma from past abuses. Joe’s brother coped by latching onto another “normal” family, and my grandfather coped by never talking about issues. My parents married soon after my maternal grandmother and three of her four siblings died within a few weeks of each other. Despite years of therapy, my parents divorced when I was 11 years old. I grew up surrounded by dysfunction without recognizing it. 

How do I honor my roots? I work to break the silence and stigmas of abuse and mental health. I’ve participated in therapy for about five years and have been on medicine for about two. I must reprogram my brain’s attachment to codependent tendencies and eliminate the silence within me. I’m working through my intrusive thoughts and diving into my family’s past and disrupting harmful old patterns. I’m stepping away from the shadows of my ancestors and into the light, ensuring that future generations grow up with knowledge of our past history of abuse and mental illness. Knowledge that allows us to explore the shadows without living in them. Knowledge that there’s more in life outside of the frames.

Rowan Burba, a junior at Kirkwood High School in Missouri, loves to participate as a witness in Mock Trial competitions, build and paint sets for the KHS theatre department, play viola in her school orchestra, and do crafts with kids. She is involved in politics and wants to help change the world for the better.

Mia De Haan

Estrella Mountain Community College, Avondale, Ariz.

What Being a Part of the LGBTQ+ Community Means to Me

Being queer is that one thing about me I am most proud of, yet also most scared of. Knowing that I am putting my life at risk for the simplest thing, like being gay, is horrifying.

Let’s talk about my first crush. Her name was Laurel, and she was always in front of me when we lined up after recess in first grade. I remember wishing that girls could marry girls because she had the prettiest long, blonde hair. I left these thoughts in the back of my head until middle school. I couldn’t stop staring at a certain girl all day long. That one girl who I would have sleepovers with every weekend and slow dance with at school dances—but only as friends. She changed my life. She was the first person to tell me that I was accepted and had no reason to be afraid. 

Being part of the LGBTQ+ community isn’t all rainbows and Pride parades. It is watching your family turn away from you in disgust but never show it on their faces. It’s opening Twitter and learning that it’s still illegal to be gay in 71+ countries. It’s astonishing that we had to wait until 2015 for the U.S. Supreme Court to make it legal to marry in all 50 states.  

My identity is happiness yet pain, so much pain. I hated myself for years, shoved myself back into a closet and dated my best friend for two years because maybe if I brought a boy home my family would wish me “Happy Birthday” again or send me Christmas presents like they do for my brother and sister.

When I began to explore my identity again, I asked myself, “Am I safe?” “Will I still be loved?” I was horrified. I am horrified. Legally, I am safe, but I am not safe physically. I can still be beaten up on the streets for holding a girl’s hand. Protesters at Pride festivals are still allowed to shout profanities at us and tell us that we are going to burn in hell—and the cops protect them. I am not safe mentally because I still allow the words of people and homophobes in the media and on my street get inside of my head and convince me that I am a criminal. 

When I read Kayla DeVault’s YES! article “Native and European—How Do I Honor All Parts of Myself?” I could feel how proud DeVault is to be Shawnee and Irish. While we do not share the same identity, I could tell that we are the same because we both would do anything for our cultures and want to show our pride to the rest of the world.

I honor my LGBTQ+ identity by going to Pride festivals and events. I also participate in an LGBTQ+ church and club, where, for years, was the only place I could be myself without the fear of being outed or harmed. Whenever I hear people being ignorant towards my community, I try to stay calm and have a conversation about why our community is great and valid and that we are not doing anything wrong. 

I don’t know if the world will ever change, but I do know that I will never change my identity just because the world is uncomfortable with who I am. I have never been one to take risks; the idea of making a fool of myself scares me. But I took one because I thought someone might listen to my gay sob story. I never expected it to be heard. If you have your own gay sob story, I will listen, and so will many others, even if you don’t realize it yet.  

Amelia (Mia) De Haan was born and raised in Phoenix, Arizona. Mia has devoted her entire life to art, specifically theatre and dance. While she has struggled to figure out what she wants to do for the rest of her life, she does know that she wants to inspire people and be a voice for the people of the LGBTQ+ community who still feel that no one is listening. Mia dreams of moving to New York with her cat Loki and continuing to find a way to inspire people.

Laura Delgado

Spring Hill College, Mobile, Ala.

I moved to the United States when I was eight years old because my father knew Venezuela was becoming more corrupt. He wanted to give his family a better life. My sense of self and belonging was wiped clean when I moved to the United States, a country that identified me and continues to label me as an “alien.” On U.S Citizenship and Immigration Services (USCIS) documents, I am Alien Number xxx-xxx-xxx.  I will not let that alien number define who I am: a proud Venezuelan and American woman.

In her YES! article “Native and European—How Do I Honor All Parts of Myself?” author Kayla DeVault says that “to truly honor [her] heritage, [she] found [she] must understand and participate in it.” This is why during Christmas I help my mom make hallacas (a traditional Venezuelan dish made out of cornmeal, stuffed with beef, pork, chicken, raisins, capers, and olives, wrapped in a banana leaf that is boiled to perfection), pan de jamón (a Christmas bread filled with ham, cheese, raisins, and olives—the perfect sweet and salty combination, if you ask me), and ensalada de gallina (a chicken, potatoes, and green apple salad seasoned with mayonnaise, salt, and pepper). While the gaitas (traditional Venezuelan folk music) is playing, we set up the Christmas tree and, under it, the nativity scene. The smell of Venezuelan food engulfs our small apartment. Every time I leave the house, the smell of food sticks to me like glue, and I love it.

We go to our fellow Venezuelan friend’s house to dance, eat, and laugh like we were back in Venezuela. We play bingo and gamble quarters as we talk over each other.  My favorite thing is how we poke fun at each other, our way of showing our love. There is nothing better than being surrounded by my Venezuelan family and friends and feeling like I belong.

My ancestors are Spanish settlers, West African slaves, and Indigenous Venezuelans. To my peers, I am a Latina woman who can speak Spanish and comes from a country they have never heard of. To my family, I am a strong and smart Venezuelan woman who is succeeding in this country she calls home. 

I was immediately an outcast as a young newcomer to this country. I was the new, exotic girl in class who did not speak a word of English; all of that led to bullying. Growing up in a country that did not want me was—and still is—hard. People often ask me why I would ever want to identify as American. My answer to their question is simple: This is my home. I knew that the chances of us going back to Venezuela were slim to none so I decided to make this country my home. At first, I fought it. My whole life was back in Venezuela. Eventually, I made lifelong friends, had my first kiss and my first heartbreak. I went to all of the homecoming and prom dances and made memories with my best friends to last me a lifetime. Yes, I was born in Venezuela and the pride of being a Venezuelan woman will never be replaced, but my whole life is in the United States and I would never trade that for the world. 

I am Venezuelan and I am American. I am an immigrant and I am Latina. The United States government will always know me as Alien Number xxx-xxx-xxx, but they will not know that my heritage is rich and beautiful and that I am a proud Venezuelan and a proud American woman.

Laura Delgado is a Junior at Spring Hill College in Mobile, Alabama, majoring in Graphic Design and minoring in Hispanic Studies. Laura and her family migrated to the United States from Venezuela in 2007 to escape the Chavez regime. She is a DACA recipient and a first-generation college student who has a passion for graphic design and hopes to one day open her own interior design company.

Dear every human who wrote in this contest or thought about writing,

I want to start by addressing all of you. 

I think stepping out of your comfort zone and writing your truth—even if you think you aren’t a writer— is a brave thing to do. 

I want you to understand that not being selected does not mean your story isn’t valid or that your identity wasn’t “enough.” Remember, you’re always enough. You’re enough to God, to Allah, to your Higher Power, to the Flying Spaghetti Monster in the sky, to your parents, and to your ancestors who endured long enough for you to come into existence. 

As I read through the various essays, I saw a common thread of food . Whether it’s the pierogi sales at churches in Pittsburgh, the neverias around Phoenix, or the soul food joints in Birmingham, the history of our ancestors’ movements have left their impressions in our cuisine. 

Another theme I found in several essays was a “uniformed diaspora.” Some of you talked about not being able to fully trace your lineage, having your history stolen by some method of political racism, and even grappling with finding that your genetics are not all you thought they were. As a Native person, I know all too well that we had much taken from us. I know that the conquerors wrote our history, so ours is recorded with bias, racism, and flippancy. 

And now to the essay winners:

To Susanna: Obrigada for your story. I encourage you to keep exploring your identity and how it informs your existence today on Lenape, Rockaway, and Canarsie traditional lands (New York City). Your imagery reflects saudades well. I think there is an intriguing and untapped story embedded in your father’s experience from Lebanon, and I encourage you to explore how that merges with your Brazilian identity.

When I read that passage about Starbucks, I thought about how the average young American seems to be private in public, but public in private—meaning this culture and its technology isolates us (private) when we are around other people (public), yet so many of us share most about ourselves on social media (public) where we can pick and choose if we want to engage with someone (private). By the way, I, too, played lacrosse… Did you know it has Indigenous roots?

To Cherry: 非常感谢你!  Don’t listen to the American stereotypes of who you are, as hard as that can be. You sadly may always hear them, but hearing is not the same as listening. People undermine the things they don’t understand because the things they don’t understand scare them. While it is not your job to feel you have to educate them, you do have the freedom to choose how you navigate those spaces.

I understand how it may feel inauthentic to learn how to make traditional foods like zongzi from a YouTube video. For me, I have had to learn beading and other crafts because I was too ashamed to learn them when I had the elders still in my life. I  tell young folk to know their elders now while they can. Furthermore, please speak every language no matter how imperfect because it’s a gift. Also, I’ll eat your zongzi any day, even if all the rice falls out!

To Keon: The imagery and symbols of slavery you use, powerfully describe a revisionist history that further blocks access to what would be a culturally-rich ancestry. 

I remember standing on the shores of Ouidah, Benin, from where the majority of slaves left, looking through La Porte du Non Retour (The Door of No Return) memorial, and hearing a local say, “Our relatives, they left these shores for the ships and then… we never heard from them again.” And so we come to realize our stories are known only so far as they have been carried. 

I see hope in the way you have embraced your roots as your branches to move forward. I believe that, in looking towards your branches, you have actually found your roots. You are a product of all the stories, told and untold, remembered and forgotten. I encourage you to keep writing and exploring how your seemingly contradicting and somewhat unknown roots shaped your ancestors and shape their product: you. Don’t hold back. 

To Madison: Grazie and תודה. First of all, pizza bagels are delicious… just saying… talk about the best of both worlds! You write about the challenge of fitting into your communities, and I can certainly see how religious differences can become contentious. 

I am sorry that you had a negative Hillel experience. In the end, we can’t let the persecutors steal our ancestral identities from us because that allows them to win. Cultures are fluid, not rigid and defined as peers might bully us into thinking. It’s rotten when people label us with things like “pizza bagel,” but if you boldly embrace it, you can turn it on its head. So I encourage you to be the smartest, wittiest, and most deliciously confident pizza bagel out there, writing your experience for all to read!

To Laura: Gracias , you write with a motif of sorts, one that conflates your identity to a number and the label of “alien.” For people in the United States to be dismissive of immigrants and judgmental of their cultures and languages is for the same people to forget their own origins, their own stories, and their own roles (as benefactors or as victims) in this age-old system of oppression for gain. It is also rather ironic that we call people “aliens;” unless they are from an Indigenous nation. Are not nearly all Americans “aliens” to some degree?

You write about being bullied as the new, exotic girl in school and I have also experienced that as my family moved around a bit growing up; however, I have also had the privilege to speak English.

It’s sad that these experiences are still so proliferate, and so I think it is vital that people like you share their experiences. Perhaps your background can inform how you think about spaces as an interior designer. 

To Mariela: Gracias and תודה for the story you shared. You write about a complex existence that is a mix of poor and wealthy, white and brown, warm and cool. Learning to navigate these contrasting sides of your family will help you work with different kinds of people in your future.

I can understand your point about feeling out of place by your skin color. Lighter skin is largely considered a privilege in society, yet for those of us with non-white heritages, it can make us feel like we don’t belong amongst our own family. We have to walk a fine line where we acknowledge we may be treated better than our relatives in some circumstances but we have to sit with the feeling of not being “brown enough” other times. I encourage you to keep exploring your branches and sharing your feelings with your relatives about these topics. Perhaps one day you can use your deep understanding of human relations to inform your bedside manner as a doctor!

To Mia: Thank you for your brave piece, despite your fears. Your emotional recollection about the first girl you loved is very touching and powerful. 

I am sorry that you don’t feel as though you are treated the same by your family on account of your identity and that you have to take extra steps to be accepted, but I believe your continuing to be your authentic self is the only way to prove you mean what you mean.

I hope the utmost safety and acceptance for you. I also thank you for seeing and relating to my pride that I have for myself, and I encourage you to consider creative outlets— maybe even podcast hosting—to uplift your story and the stories of others, spread awareness, and facilitate change.

To Reese: Go raibh maith agat . That’s how you thank a singular person in Irish, if you didn’t know already. I enjoyed your piece because, of course, we have an Irish connection that I understand.

I find it pretty interesting that you came back with a lot of Lebanese results in your family tests. Understand those tests only represent the inherited genes, so if both of your parents were a quarter Irish but three-quarters Lebanese, for example, you would get half of each of their genes. You might get half Lebanese from both and you would appear full Lebanese—or any other variation. My point is those tests aren’t exact reports.

I am excited you have found new aspects of your heritage and I hope you will continue to explore—as best you can—what your ancestral history is. And, by the way, I, too, play hockey and the violin—fine choices!

To Rowan: Many families put up a facade, and it’s only the brave ones, like you, addressing the trauma head-on who will be able to break the cycle that causes intergenerational trauma. 

When we explore the parts of our identity, many of us may find how much trauma —including historic policy, racism, and displacement—has impacted our ancestors, perhaps centuries upon centuries ago. Learning about my family history and about religious factors has revealed stories of abuse and secrets that have been hushed wildly, even within my immediate family. Photos can be sad when we know the stories behind them and even when we never knew the person; they’re still a part of us and we can honor them by remembering them. I think you choosing to write about your Uncle Joe and the effects of trauma in your family— especially as you process and heal yourself—will be a tremendous resource both internally and for others. Thank you for sharing and I hope you find happiness in those frames.

Again, thank you all for your essays. It is exciting to see the youth writing. I am grateful for my piece to have been chosen for this contest and, I hope I’ve encouraged readers to consider every part that makes up their whole and how it has informed their life experiences.

Kayla DeVault

“ In seventh grade, I went to an affinity group meeting. And all I remember was being called a bad Asian again and again. I was called a bad Asian because I couldn’t use chopsticks. I was called a bad Asian because I didn’t know what bubble tea or K-pop was. Time and again, I was called a bad Asian because I didn’t know the things I was expected to know, and I didn’t do the things that I was expected to do. That meeting made me truly question my identity. “ . —Sebastian Cynn, Ethical Culture Fieldston Middle School, Bronx, N.Y. Click here to read the entire essay.

“It’s difficult being Dominican but born and raised in New York. I’m supposed to speak fluent Spanish. I’m supposed to listen to their music 24/7, and I’m supposed to follow their traditions. I’m supposed to eat their main foods. I’m unique and it’s not only me. Yes, I may not speak Spanish. Yes, I may not listen to their kind of music, but I don’t think that defines who I am as a Dominican. I don’t think I should be discriminated for not being the same as most Dominicans. Nobody should be discriminated against for being different from the rest because sometimes different is good. “ —Mia Guerrero, KIPP Washington Heights Middle School, New York, N.Y. Click here to read the entire essay.

When I hang out with some of my older friend groups, which are mainly white, straight kids, I don’t mention that I’m Asian or Gay, but as soon as I’m with my friends, I talk about my identifiers a lot. A lot of them are part of the LGBTQ+ community, and 11 out of 14 of them are a person of color. With my grandparents, I am quieter, a good Asian grandchild who is smart, gets good grades, is respectful. And I don’t act “Gay.” … Why do I have to act differently with different people? Why do I only feel comfortable with all of my identities at school?

—Gillian Okimoto, Ethical Culture Fieldston Middle School, Bronx, N.Y. Click here to read the entire essay .

“ Torah, Shema, yarmulke, all important elements of Jewish identity—except for mine. All these symbols assume the existence of a single God, but that doesn’t resonate with me. Religion is a meaningful part of my family’s identity. After all, wanting to freely practice their religion was what brought my great-grandparents to America from Eastern Europe. Being very interested in science, I could never wrap my head around the concept of God. Can I be Jewish while not believing in God? “ —Joey Ravikoff, Ethical Culture Fieldston Middle School, Bronx, N.Y. Click here to read the entire essay.

“ Yes, I am transgender, but I am also a son, a friend, an aspiring writer, and a dog trainer. I love riding horses. I’ve had the same volunteer job since sixth grade. I love music and trips to the art museum. I know who I am and whether other people choose to see me for those things is out of my control.  Holidays with my family feels like I’m suffocating in a costume. I’ve come out twice in my life. First, as a lesbian in middle school. Second, as a transgender man freshman year. I’ve gotten good at the classic sit-down. With hands folded neatly in front of me, composure quiet and well-kept, although I’m always terrified. “ —Sebastian Davies-Sigmund, Kirkwood High School, Kirkwood, Mo. Click here to read the entire essay.

“ No longer do I wish to be stared at when civil rights and slavery are discussed. In every Socratic seminar, I shudder as expectant white faces turn to mine. My brown skin does not make me the ambassador for Black people everywhere. Please do not expect me to be the racism police anymore. Do not base the African American experience upon my few words. Do not try to be relatable when mentioning Hannukah is in a few days. Telling me you tell your White friends not to say the N-word doesn’t do anything for me. “ —Genevieve Francois, Kirkwood High School, Kirkwood, Mo. Click here to read the entire essay.

“ I often walk into the kitchen greeted by my mother sitting on her usual stool and the rich smells of culture—the spicy smell of India, the hearty smell of cooked beans, or the sizzling of burgers on the grill. Despite these great smells, I find myself often yearning for something like my friends have; one distinct culture with its food, people, music, and traditions. I don’t have a one-click culture. That can be freeing, but also intimidating . People who know me see me as a fraction: ¼ black, ¾ white, but I am not a fraction. I am human, just human. “ —Amaela Bruce, New Tech Academy at Wayne High School, Fort Wayne, Ind. Click here to read the entire essay.

“‘We just don’t want you to go to hell. ‘ I am not an atheist. I am not agnostic. I have no religion nor do I stand strong in any one belief. My answer to the mystery of life is simple: I don’t know. But I live in a world full of people who think they do.  There will be a day when that capital G does not control my conversations. There will be a day when I can speak of my beliefs, or lack thereof, without judgment, without the odd stare, and without contempt. The day will come when a life without religion is just another life. That is the day I wait for. That day will be Good. “ —Amara Lueker, New Tech Academy at Wayne High School, Fort Wayne, Ind. Click here to read the entire essay.

“¡Correle!” yell the people around him. He runs to the grass, ducks down and starts to wait. He’s nervous. You can smell the saltiness of sweat. He looks up and hears the chopping of helicopter blades. You can see the beam of light falling and weaving through the grass field … out of a group of thirteen, only four were left hidden. He and the others crossed and met up with people they knew to take them from their own land down south to the opportunity within grasp up north. That was my father many years ago. I’ve only asked for that story once, and now it’s committed to memory. “ —Luz Zamora, Woodburn Academy of Art Science & Technology, Woodburn, Ore. Click here to read the entire essay.

“ How do I identify myself? What do I connect to? What’s important to you? Here’s the answer: I don’t. Don’t have a strong connection. Don’t know the traditions. Don’t even know the languages. I eat some of the food and kinda sorta hafta** the major holidays but thinking about it I don’t know anything important. I think that the strongest connection to my family is my name, Mei Li (Chinese for “beautiful” Ana (a variation on my mother’s very American middle name: Anne) Babuca (my father’s Mexican last name). “ —Mei Li Ana Babuca, Chief Sealth International High School, Seattle, Wash. Click here to read the entire essay.

“ My whole life I have felt like I don’t belong in the Mexican category. I mean yeah, I’m fully Mexican but, I’ve always felt like I wasn’t. Why is that you ask? Well, I feel that way because I don’t know Spanish. Yes, that’s the reason. It may not sound like a big deal, but, for me, I’ve always felt disconnected from my race. I felt shameful. I felt like it was an obligation to know what is supposed to be my mother tongue. My whole family doesn’t really know fluent Spanish and that has always bothered me growing up. “ —Yazmin Perez, Wichita North High School, Wichita, Kan Click here to read the entire essay.

“ I believe differently from DeVault, who believes it’s important to connect and participate with your heritage. I believe that our personal pasts have more to do with who we are as people than any national identity ever could. Sure, our heritage is important, but it doesn’t do nearly as much to shape our character and perspective as our struggles and burdens do. Out of all my past experiences, illness—and especially mental illness—has shaped me. “ —Chase Deleon, Central York High School, York, Penn. Click here to read the entire essay.

“ … I can now run that whole grape leaf assembly line, along with other traditional plates, by myself. I have begun speaking out on current topics, such as Middle-Eastern representation in acting. I have become so much closer with my relatives and I don’t mind busting a move with them on the dance floor. Although a trip to Syria is not in my near future, DeVault made me realize that a connection to your geographical cultural roots is important. According to my aunt, I have become a carefree, happy, and more passionate person. I no longer feel stuck in the middle of ethnicity and society. Becoming one with and embracing my identity truly is ‘A Whole New World.’” —Christina Jarad, University Ligget School, Grosse Pointe Woods, Mich. Click here to read the entire essay.

“While my bow is not made of wood and my arrows lack a traditional stone tip, the connections are always present, whether I am stalking bull elk in the foothills of the Rockies or fly fishing in the mystical White River. The methods and the technologies may be different, but the motivations are the same. It is a need to be connected to where my food originates. It is a desire to live in harmony with untouched lands. It is a longing to live wild, in a time where the wild is disappearing before our eyes. “ —Anderson Burdette, Northern Oklahoma University, Stillwater, Okla. Click here to read the entire essay.

“Black people always say that White people don’t use seasoning. This saying is one of those sayings that I always heard, but never understood. I am Black, but I was adopted into a White household … Even though I identify as a Black woman, all my life I have struggled with breaking into the Black culture because other people around me consciously or unconsciously prevent me from doing so. “ —Brittany Hartung, Spring Hill College, Mobile, Ala. Click here to read the entire essay.

We received many outstanding essays for the Fall 2019 Student Writing Competition. Though not every participant can win the contest, we’d like to share some excerpts that caught our eye:

How can other people say that I only have one identity before I can even do that for myself? —Arya Gupta, Ethical Culture Fieldston Middle School, Bronx, N.Y.

‘Middle Child’ by J. Cole blasts through the party. Everyone spits the words like they’re on stage with him. J. Cole says the N-Word, and I watch my Caucasian peers proudly sing along. Mixed Girl is perplexed. Black Girl is crestfallen that people she calls friends would say such a word. Each letter a gory battlefield; White Girls insists they mean no harm; it’s how the song’s written. Black Girl cries. —Liz Terry, Kirkwood High School, Kirkwood, Mo.

To me, valuing my ancestors is a way for me to repay them for their sacrifices. —Jefferson Adams Lopez, Garrison Middle School, Walla Walla, Wash.

A one-hour drive with light traffic. That’s the distance between me and my cousins. Short compared to a 17-hour flight to the Philippines, yet 33 miles proved to create a distance just as extreme. Thirty-three miles separated our completely different cultures. —Grace Timan, Mount Madonna High School, Gilroy, Calif.

What does it mean to feel Korean? Does it mean I have to live as if I live in Korea? Does it mean I have to follow all the traditions that my grandparents followed? Or does it mean that I can make a decision about what I love? —Max Frei, Ethical Culture Fieldston Middle School, Bronx, N.Y.

Not knowing feels like a safe that you can’t open (speaking about her ancestry) . —Madison Nieves-Ryan, Rachel Carson High School, New York, N.Y.

As I walked down the halls from classroom to classroom in high school, I would see smiling faces that looked just like mine. At every school dance, in every school picture, and on every sports team, I was surrounded by people who looked, thought, and acted similar to me. My identity was never a subject that crossed my mind. When you aren’t exposed to diversity on a daily basis, you aren’t mindful of the things that make you who you are. —Jenna Robinson, Kent State University, Kent, Ohio

When my Great-Great-Grandfather Bill was 12, he ran away to work with his uncles. And then when he was older and married, he called up his wife and said, “Honey, I’m heading off to college for a few years. Buh-Bye!” Because of his adventurous spirit, Bill Shea was the first Shea to go to college. Ever since my mom told me this story, I’ve always thought that we could all use a little Bill attitude in our lives.  —Jordan Fox, Pioneer Middle School, Walla Walla, Wash.

I defy most of the stereotypes of the Indian community. I’m a gender-fluid, American, Belizean kid who isn’t very studious. I want to be a writer, not a doctor, and I would hang out with friends rather than prepare for the spelling bee. —Yadna Prasad, Ethical Culture Fieldston Middle School, Bronx, N.Y.

While my last name may be common, the history behind my family is not. A line of warriors, blacksmiths, intellectuals, and many more. I’m someone who is a story in progress. —Ha Tuan Nguyen, Chief Sealth International High School, Seattle, Wash.

My family is all heterosexual. I did not learn about my identity from them. LGBTQ+ identity is not from any part of the world. I cannot travel to where LGBTQ+people originate. It does not exist. That is the struggle when connecting with our identities. It is not passed on to us. We have to find it for ourselves. —Jacob Dudley, Kent State University, Kent, Ohio

My race is DeVault’s childhood kitchen, so warm and embracing. Familiar. My sexuality is DeVault’s kitchen through adulthood: disconnected. —Maddie Friar, Kirkwood High School, Kirkwood, Mo.

At school, I was Dar-SHAW-na and at home DAR-sha-na. There were two distinct versions, both were me, but neither were complete. \ —Darshana Subramaniam, University Liggett School, Grosse Pointe Woods, Mich.

I do not think that heritage and ethnic roots are always about genetics. It is about the stories that come with it, and those stories are what shapes who you are. —Lily Cordon-Siskind, Ethical Culture Fieldston Middle School, Bronx, N.Y.

In my sixteen-year-old mind, the two ethnicities conflicted. I felt like I couldn’t be both. I couldn’t be in touch with Southern roots and Cuban ones at the same time. How could I, they contradict each other? The Cuban part of me ate all my food, was loud and blunt, an underdog and the Southerner was reserved, gentle, and polite. —Grace Crapps, Spring Hill College, Mobile, Ala.

I thought I was simply an American. However, I learned that I am not a jumbled mix of an untraceable past, but am an expertly woven brocade of stories, cultures, and hardships. My ancestors’ decisions crafted me…I am a story, and I am a mystery. —Hannah Goin, Pioneer Middle School, Walla Walla, Wash.

We received many outstanding essays for the Fall 2019 Student Writing Competition, and several students got clever and creative with their titles. Here are some titles that grabbed our attention:

“A Mixed Child in a Mixed-Up Family” Caitlin Neidow, Ethical Culture Fieldston Middle School, Bronx, N.Y.

“Diggin’ in the DNA” Honnor Lawton, Chestnut Hill Middle School, Liverpool, N.Y.

“Hey! I’m Mexican (But I’ve Never Been There)” Alexis Gutierrez-Cornelio, Wellness, Business & Sports School, Woodburn, Ore.

“What It Takes to Be a Sinner” Amelia Hurley, Kirkwood High School, Kirkwood, Mo.

“Mirish” Alyssa Rubi, Chief Sealth International High School, Seattle, Wash.

“Nunca Olvides de Donde Vienes ” ( Never forget where you came from ) Araceli Franco, Basis Goodyear High School, Goodyear, Ariz.

“American Tacos” Kenni Rayo-Catalan, Estrella Mountain Community College, Avondale, Ariz.

“Corn-Filled Mornings and Spicy Afternoons” Yasmin Medina, Tarrant County Community College, Fort Worth, Tex.

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What is cultural heritage?

Leonardo da Vinci, Mona Lisa , c. 1503–05, oil on panel, 30-1/4 x 21 inches ( Musée du Louvre )

We often hear about the importance of cultural heritage. But what is cultural heritage? And whose heritage is it? Whose national heritage, for example, does the Mona Lisa by Leonardo da Vinci belong to? Is it French or Italian?

First of all, let’s have a look at the meaning of the words. “Heritage” is a property, something that is inherited, passed down from previous generations. In the case of “cultural heritage,” the heritage doesn’t consist of money or property, but of culture, values, and traditions. Cultural heritage implies a shared bond, our belonging to a community. It represents our history and our identity; our bond to the past, to our present, and the future.

Medallion Carpet, The Ardabil Carpet, Unknown artist (Maqsud Kashani is named on the carpet’s inscription), Persian: Safavid Dynasty, silk warps and wefts with wool pile (25 million knots, 340 per square inch), 1539–40 C.E., Tabriz, Kashan, Isfahan or Kirman, Iran (Victoria and Albert Museum)

Tangible and intangible cultural heritage

Cultural heritage often brings to mind artifacts (paintings, drawings, prints, mosaics, sculptures), historical monuments and buildings, as well as archaeological sites. But the concept of cultural heritage is even wider than that, and has gradually grown to include all evidence of human creativity and expression: photographs, documents, books and manuscripts, and instruments, etc. either as individual objects or as collections. Today, towns, underwater heritage, and the natural environment are also considered part of cultural heritage since communities identify themselves with the natural landscape.

Moreover, cultural heritage is not only limited to material objects that we can see and touch. It also consists of immaterial elements: traditions, oral history, performing arts, social practices, traditional craftsmanship, representations, rituals, knowledge, and skills transmitted from generation to generation within a community.

Intangible heritage, therefore, includes a dizzying array of traditions, music, and dances such as tango and flamenco, holy processions, carniva ls, falconry, Viennese coffee house culture, the Azerbaijani carpet and its weaving traditions, Chinese shadow puppetry, the Mediterranean diet, Vedic chanting , Kabuki theatre , the polyphonic singing of the Aka o f Central Africa (to name a few examples).

Djingareyber Mosque, built 1327, Timbuktu, Mali. Two tombs at this mosque were attacked by Islamic extremists in 2012. (photo: Johannes Zielcke , CC BY-NC-ND 2.0)

The importance of protecting cultural heritage

But cultural heritage is not just a set of cultural objects or traditions from the past. It is also the result of a selection process: a process of memory and oblivion that characterizes every human society constantly engaged in choosing—for both cultural and political reasons—what is worthy of being preserved for future generations and what is not.

All peoples make their contribution to the culture of the world. That’s why it’s important to respect and safeguard all cultural heritage, through national laws and international treaties. Illicit trafficking of artifacts and cultural objects, pillaging of archaeological sites , and destruction of historical buildings and monuments cause irreparable damage to the cultural heritage of a country. UNESCO (United Nations Educational, Scientific and Cultural Organization), founded in 1954, has adopted international conventions on the protection of cultural heritage, to foster intercultural understanding while stressing the importance of international cooperation.

The protection of cultural property is an old problem. One of the most frequently recurring issues in protecting cultural heritage is the difficult relationship between the interests of the individual and the community, the balance between private and public rights.

Ancient Romans established that a work of art could be considered part of the patrimony of the whole community, even if privately owned. For example, sculptures decorating the façade of a private building were recognized as having a common value and couldn’t be removed, since they stood in a public site, where they could be seen by all citizens.

Lysippos of Sikyon, Apoxyomenos (Scraper) , c. 50 A.D., Hellenistic or Roman copy after Greek original, c. 390–306 B.C.E., 207.3 cm / 6 feet 9 inches high ( Vatican Museums )

Lysippos of Sikyon, Apoxyomenos (Scraper), Hellenistic or Roman copy after 4th c. Greek original, c. 390–306 B.C.E., 207.3 cm  high ( Vatican Museums )

In his Naturalis Historia, the Roman author Pliny the Elder (23–79 C.E.) reported that the statesman and general Agrippa placed the Apoxyomenos , a masterpiece by the very famous Greek sculptor Lysippos, in front of his thermal baths. The statue represented an athlete scraping dust, sweat, and oil from his body with a particular instrument called a “strigil, or scraper .  Emperor Tiberius deeply admired the sculpture and ordered it be removed from public view and placed in his private palace. The Roman people rose up and obliged him to return the Apoxyomenos to its previous location, where everyone could admire it.

Our right to enjoy the arts, and to participate in the cultural life of the community is included in the United Nation’s 1948 Universal Declaration of Human Rights . [1]

Whose cultural heritage?

The term “cultural heritage” typically conjures up the idea of a single society and the communication between its members. But cultural boundaries are not necessarily well-defined. Artists, writers, scientists, craftsmen, and musicians learn from each other, even if they belong to different cultures, far removed in space or time. Just think about the influence of Japanese prints on Paul Gauguin ’s paintings; or of African masks on Pablo Picasso ’s works. Or you could also think of western architecture in Liberian homes in Africa. When some o f the freed African-American enslaved people went back to their homeland * , they built homes inspired by the neoclassical style of mansions on American plantations . American neoclassical style was in turn influenced by the Renaissance architect Andrea Palladio , who had been influenced by Roman and Greek architecture .

Let’s take another example, that of the Mona Lisa painted in the early sixteenth century by Leonardo da Vinci, and displayed at the Musée du Louvre in Paris. From a modern point of view, whose national heritage does the Mona Lisa belong to?

People taking photos of the Mona Lisa  (photo: Heather Anne Campbell , CC BY-NC-ND 2.0)

Leonardo was a very famous Italian painter, that’s why the Mona Lisa is obviously part of the Italian cultural heritage. When Leonardo went to France, to work at King Francis I ’s court, he probably brought the Mona Lisa with him. It seems that in 1518 King Francis I acquired the Mona Lisa , which therefore ended up in the royal collections : that’s why it is obviously part of the French national heritage, too. This painting has been defined as the best known, the most visited, the most written about, and the most parodied work of art in the world: as such, it belongs to the cultural heritage of all mankind.

Cultural heritage passed down to us from our parents must be preserved for the benefit of all. In an era of globalization, cultural heritage helps us to remember our cultural diversity, and its understanding develops mutual respect and renewed dialogue amongst different cultures.

[1] See Article 27 of the Universal Declaration of Human Rights .

Additional resources

UNESCO on falconry

UNESCO on Chinese shadow puppetry

UNESCO on Vedic Chanting

UNESCO on Polyphonic singing of the Aka Pygmies of Central Africa

More from Smarthistory on at-risk cultural heritage education series (ARCHES).

More stories of protecting our heritage and fostering creativity from UNESCO.

The Universal Declaration of Human Rights from the United Nations.

Smarthistory images for teaching and learning:

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Cultural heritage: 7 successes of UNESCO’s preservation work

The power of preserving cultural heritage to build a better world

Why do we go to great lengths to preserve culture and make it bloom? Culture is a resource for the identity and cohesion of communities. In today’s interconnected world, it is also one of our most powerful resources to transform societies and renew ideas. It is UNESCO’s role to provide the tools and skills we need to make the most of its ultimate renewable energy.

Historical landmarks, living heritage and natural sites enrich our daily lives in countless ways, whether we experience them directly or through the medium of a connected device. Cultural diversity and creativity are natural drivers of innovation. In many ways, artists, creators and performers help us change our perspective on the world and rethink our environment. These are precious assets to respond to current global challenges, from the climate crisis to the COVID-19 pandemic.

The notion of culture has greatly evolved over the last 75 years. UNESCO’s actions over the past decades bear witness to the many ways in which humanity tried to understand how culture can strengthen the sense of who we are – from the awareness of the necessity to protect heritage from destruction at the end of World War II, to the launch of international campaigns to safeguard World Heritage sites and the concept of living and intangible heritage, a focus on creative economy and the need to sustain cultural jobs and livelihoods. Our relationship with culture has deeply evolved over the last century. If we look into the past, we might be better prepared to tackle further changes ahead.

The United States will be participating in an international effort which has captured the imagination and sympathy of people throughout the world. By thus contributing to the preservation of past civilizations, we will strengthen and enrich our own.

Abu Simbel – We do not have to choose between the living and the dead

A few minutes before sunrise, thousands of visitors line up inside the temple of Abu Simbel, holding their breath. They are about to witness a rare phenomenon that has taken place twice a year for the last 3,000 years. Every February and October at 6:29 am, the light of the rising sun pierces through the narrow entrance. The rays penetrate over 70 metres deep across the giant pillared hall up to the inner sanctuary, illuminating the statue of the man who built the temple during the 13th century BC, Pharaoh Ramses II.

Carved out of a rocky hill, the Temple of the Rising Sun had been conceived to show the might of Egypt’s greatest pharaoh to the Nubian people in the Upper Nile. Over time, the great temple and the smaller buildings became covered in sand and lay forgotten for centuries, until their rediscovery in 1813. The supreme example of ancient Egypt’s knowledge of astronomy and the skill of its architects could be admired again.

But just over a century later, the southernmost relics of this ancient human civilization were threatened with underwater oblivion and destruction by the rising waters of the Nile following the construction of the Aswan High Dam. The construction of the Dam was meant to develop agriculture as well as Egyptian independence and economy, and triggered a global debate that has fuelled media front pages and discussions ever since: should we have to choose between the monuments of the past and a thriving economy for the people living today? Why should people care for ancient stones and buildings when so many people need food and emergency assistance?

In the course of an unprecedented safeguarding campaign to save the temples of Egypt, UNESCO demonstrated that humanity does not have to sacrifice the past to thrive in the present – quite the opposite. Monuments of outstanding universal value help us understand who we are and also represent massive opportunities for development. Two millennia after a Greek author and scientist drew the famous list of the world’s seven wonders, the very notion of World Heritage came to life.

The race against time began in 1964 , when experts from 50 nations started working together under the coordination of UNESCO in one of the greatest challenges of archaeological engineering in history. The entire site was carefully cut into large blocks, dismantled, lifted and reassembled in a new location 65 metres higher and 200 metres back from the river, preserving it for future generations.

Today, the four majestic statues that guard the entrance to the great temple stare at the river and the rising sun every day. As they did 3,000 years ago. The success of the international cooperation to save Abu Simbel raised awareness about the fact that all over the world there are places of outstanding universal value. Just like the Nile valley temples, they must be protected from many threats such as armed conflict, deliberate destruction, economic pressure, natural disasters and climate change.

The World Heritage Convention was adopted in 1972 as the most important global instrument to establish this notion, bringing all nations together in the pursuit of the preservation of the World’s Natural and Cultural Heritage. With its 194 signatory Member States, it is today one of the world’s most ratified conventions.

How is a site inscribed on the UNESCO World Heritage List?

For a site to be inscribed on the UNESCO World Heritage List, it must first be nominated by the country where it is located. The nomination is examined by international experts who decide whether the inclusion is justified. Finally, the World Heritage Committee, a body of 21 UNESCO elected Member States, takes a vote.

Venice – Can the safeguard of cultural heritage and global tourism coexist?

Launched only a few years after the Nubian temples initiative, the safeguarding campaign for Venice was a response to various challenges including the rising waters and the explosion of global tourism.

Stepping  outside the railway station early on an autumnal morning, visitors are met with the view of the chilly air colliding with the water, forming a thick, soft blanket of fog over the Grand Canal, the ‘main street’ of Venice. The church of San Simeone Piccolo, with its oversized dome and slender neoclassical columns, and the neighbouring buildings appear to be floating on the water of the lagoon. It’s a sight that has welcomed millions of visitors from all over the world since the heydays of the Serenissima, when the city ruled as one of Europe’s economic superpowers.

Yet, the breath-taking beauty that inspired countless painters, writers and artists over the centuries remains fragile and at risk of being lost forever. Like the Abu Simbel temples, the city’s survival is threatened by rising water levels. The inexorable increase in sea level has caused flooding to become a regular occurrence. Humidity and microorganisms are eating away the long wooden piles that early dwellers drove deep into the muddy ground of the lagoon to build the first foundations of Venice, 1,600 years ago.

After 1966, the year of the worst flooding in Venice’s history, UNESCO and the Italian Government launched a major campaign to save the city. An ambitious project involving giant mobile flood gates was undertaken to temporarily isolate the lagoon from the high tides and protect the lowest areas from flooding. Thirty years later there is unanimous agreement on the successful results both of the technical achievements and international cooperation.

But Venice still needs attentive care, and its continued survival calls for unflagging vigilance. The city remains threatened on several fronts – mass tourism, the potential damage of subsequent urban development and the steady stream of giant cruise ships crushing its brittle foundations.

International mobilization and pressure around the status of Venice led to the Italian Government’s decision in 2021 to ban large ships from the city centre, as a necessary step to protect the environmental, landscape, artistic and cultural integrity of Venice. This decision came a few days after UNESCO announced its intention to inscribe the city on its World Heritage in Danger list. Until a permanent big cruise docking place is identified and developed, liners will be permitted to pull up in Marghera, an industrial suburb of Venice. Such decisions illustrate the great complexity of protecting historic cities and cultural heritage urban centres, which in this particular situation called for tailor-made measures and techniques different from those implemented for the safeguarding of the fabled Egyptian temples.

If every museum in the New World were emptied, if every famous building in the Old World were destroyed and only Venice saved, there would be enough there to fill a full lifetime with delight. Venice, with all its complexity and variety, is in itself the greatest surviving work of art in the world.

Angkor – A successful example of longstanding international cooperation

Deep in the forests of Cambodia, in the Siem Reap Province, the five lotus-flower-shaped towers of majestic Angkor Wat soar towards the sky. When approaching from the main gate, the vast scale of the temple and the precise symmetry of the buildings are awe inspiring. This is the world's largest religious monument.

Angkor Wat was part of a sprawling city as big as London, the heart of an empire that between the 9th and 15th centuries extended from southern Vietnam to Laos, and from the Mekong River to Eastern Myanmar. By around 1500 A.D., the Khmer capital was abandoned, most likely after heavy floods and lengthy droughts. Its temples, buildings and complex irrigation network were swallowed by the surrounding forests and lay hidden until their rediscovery in 1860.

By the early 1990s, the site was under major threat, with many of the temples at high risk of collapse and several sites looted. Conservation work at Angkor had not been possible since the outbreak of the civil war, the rise of the Khmer Rouge regime and the following civil unrest.

Angkor Wat’s inclusion in UNESCO’s World Heritage List in 1992 marked a milestone in the country’s recovery after years of conflict. The UNESCO-backed preservation of the temples aimed to assist in nation-building and national reconciliation. The action of the International Coordinating Committee (link is external) (ICC-Angkor) for the safeguarding and development of this exceptional cultural site is a striking example of international solidarity and testifies to one of UNESCO's most impressive achievements for heritage. Thirty countries and an ad hoc experts group for scientific, restoration and conservation projects were brought together under an innovative approach, closely linking safeguarding operations to sustainable development efforts.

In 25 years, Angkor has thus become a living laboratory demonstrating the potential of sustainable tourism and crafts, with the mobilization of local communities for social cohesion in 112 villages. The gigantic site now supports 700,000 inhabitants and attracts some five million visitors whose flow must be managed each year. The park authorities are carrying out several projects aimed at improving the lives of communities through the implementation of sustainable tourism that respects local sensitivities. The removal from UNESCO’s List of World Heritage in Danger just fourteen years later is a credit to the Cambodian people.

The fact that a project of such magnitude was successfully carried out in a country emerging from more than two decades of conflict in 1992 is a testament to the potential of the World Heritage Convention and the international solidarity led by UNESCO.

Walking through the temple, I saw reminders of the prosperous civilization that built it: hundreds of beautiful figures carved into the walls telling the stories of these ancient people; wide galleries they must have prayed in; long hallways lined with pillars they must have walked down.

No one knows for sure what caused the empire to abandon this temple and the surrounding city, but in the 15th century almost everyone left. Trees grew over the stones. Only Buddhist monks stayed behind to care for — and pray in — the hidden temples.

But that didn’t stop pilgrims and visitors from continuing to journey here to take in these incredible structures. And now, centuries later, I couldn’t be more thankful to count myself as one of these visitors

Mostar – Symbols do matter, in war and peace

It’s the end of July in Bosnia-Herzegovina. Peak summer means an influx of tourists to the cobbled alleys of Mostar. The cosy medieval town has a long, rich history marked by the peaceful coexistence of three communities: Muslim Bosniaks, Orthodox Serbs and Catholic Croats. Once they arrive in town, visitors from all over the world make a beeline for Mostar’s most emblematic monument, the Old Bridge.

A masterpiece of Ottoman architecture, Stari Most – as it’s known locally – is a symbol of the different communities that have existed side-by-side in the area. Since the 16th century, the bridge had brought them together across the Neretva river – until the Bosnian war. The bridge was a symbol of unity between the Bosnian community (Muslim), in the east of the city, and the Croats and Serbs to the west. The bridge of Mostar (of Ottoman, therefore Muslim origin) served as a link between all these communities – as a pedestrian bridge, it had no military or strategic value. Its destruction in 1993 was only meant to force the communities to separate, to deny their mixing with their neighbours. The bridge was in ruins and, with it, the values of peace and understanding this centuries-old structure had embodied.

Five years later, UNESCO coordinated a reconstruction project to rebuild the Old Bridge. Despite the scars of the war that are still visible today on the city walls, the reconstructed bridge has now become a symbol of reconciliation and post-conflict healing.

Today, the crowds jam the street to watch the traditional diving contest from the top of the bridge, a long-held custom resumed once Stari Most was restored to its former glory. Every July, young people of Mostar’s three communities compete with courage by jumping into the river 29 metres below, just like they did before the war.

For over four years after the ceasefire, former enemies worked together to retrieve the stones from the riverbed and rebuild their former symbol of friendship. Reconstructed in 2004 and inscribed on UNESCO’s World Heritage list in 2006, Stari Most today is a bridge between a common past and a common future. It is certainly not enough to rebuild a bridge to restore confidence and rebuild peace in a war-torn society. But it certainly matters to care for the symbols of peace.

I was in my office, working to the sound of mortar fire, when we heard the cries in the street – cries that the bridge had fallen. And what happened then was so impressive that I will never forget it. Everyone came out to see. Grenades and bombs were falling everywhere, but still they came out of their hiding places: young and old, weak and strong, Muslim and Christian, they all came, all crying. Because that bridge was part of our identity. It represented us all.

Timbuktu – When warlords target heritage, peacemakers respond with more heritage

Sitting at the gateway to the Sahara Desert, Timbuktu conjures images of a mythical city at the end of the world, where Arab and African merchants would travel from afar to trade salt, gold, cattle and grain. In the English language, the city in northern Mali has come to represent a place far away. Undaunted, caravans still ply the cross-desert route and come to the city several times a year. They carry rock salt extracted from the northern Sahara, just like their ancestors did for centuries.

In its heyday, during the 16th century, the city had 100,000 inhabitants, as its mosques and holy sites played an essential role in the spread of Islam in Africa. The city became an important centre of learning in Africa and its libraries the repository of at least 700,000 historical manuscripts on art, science and medicine, as well as copies of the Qur’an. These manuscripts, written in ornate calligraphy, bear witness to the richness of African history and intellectual life.

During the conflict of 2012–2013, more than 4,000 of the 40,000 manuscripts kept at the Ahmed Baba Institute were lost. Some were burnt or stolen, while more than 10,000 remained in a critical condition. The inhabitants of Timbuktu helped save their precious heritage by secretly spiriting away more than 300,000 manuscripts to the capital, Bamako. Other texts were sheltered between mud walls or buried. Although protected from immediate destruction, the manuscripts are now preserved in conditions that may not safeguard them for future generations.

To help preserve Timbuktu’s cultural heritage and encourage reconciliation, UNESCO has been supporting the local communities to take part in ancient manuscript conservation projects and ensure their lasting preservation for humanity.

UNESCO has coordinated the work to rebuild the fourteen mausoleums inscribed on the World Heritage List, as well as the Djingareyber and Sidi Yaha mosques, that were deliberately destroyed by armed groups during the conflict.

The reconstruction of Timbuktu’s devastated cultural heritage aimed to foster reconciliation among communities and restore trust and social cohesion. An important aspect of the project was the drive to include the reconstruction of the mausoleums in an overall strategy aimed at revitalizing building traditions and ensuring their continuity, through on-the-job training activities and conservation projects.

To ensure the rebuilt shrines matched the old ones as closely as possible, the reconstruction work was checked against old photos and local elders were consulted. Local workers used traditional methods and local materials, including alhor stone, rice stalks and banco – a mixture of clay and straw.

The destruction of the mausoleums of Timbuktu has been a shock, and a clear turning point revealing the importance taken of culture and heritage in modern conflicts fuelled by violent extremism and fundamentalist ideologies. It has shown how strongly fundamentalists are willing to destroy other Islamic cultures, and any other vision which differs from their own. Similar direct destruction of Islamic, pre-Islamic, Christian or Jewish heritage, has then been seen in Iraq and Syria. The need to restore heritage has become far more than a mere cultural issue – it has become a security issue, and a key component for the resilience and further cohesion of societies torn by conflicts.

At present, the monuments in Timbuktu are living heritage, closely associated with religious rituals and community gatherings. Their shape and form have always evolved over time both with annual cycles (that of the rain and the erosion of the plastering); that of regular maintenance (every three to five years); repairs of structural pathologies, often adding buttresses; and at times more important works, including extensions and raising of the roof structure. How to take that into account while trying to guide and assist the local people in their self-capacity, their resilience in keeping their heritage as they have done for over 600 years? What should be done and to what extent? Who should be responsible for what? These are tricky questions of heritage preservation, far beyond the mere inscription of a site on the famous World Heritage list.

Salt comes from north, gold from south and silver from the land of Whites, but the Word of God, the famous things, histories and fairy tales, we only find them in Timbuktu.

Preserving cultural identity and Korean traditions: The bond of living heritage

It’s the end of November in the countryside near Jeonju, the capital of the North Jeolla Province. The weather is getting chilly and winter is just a couple of weeks away.

It’s time to prepare for the long, icy-cold season. It’s time to make kimchi.

The Republic of Korea’s staple food is a side dish of salted and fermented vegetables that makes its appearance at every meal. It’s not just the country’s emblematic dish: its preparation ( kimjang ) is a community event.

Housewives monitor weather forecasts to determine the most favourable date and temperature for preparing kimchi. Entire families, friends and neighbours gather together to make it. The process is rather laborious and requires many hands to process the large quantities of vegetables required to last throughout the winter months. They all work together, exchange tips and tighten their relationships through kimjang. Families take turns making kimchi to form closer bonds.

Today, the entire village will get together in one of the houses for the occasion. Together, they will wash the napa cabbage that was pickled in salt the night before and mix in the seasonings that will give kimchi its unique sour-and-spicy flavour. The specific methods and ingredients are transmitted from mother to daughter so that kimjang culture is preserved through the generations.

Since 2013, kimjang has been included in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity as an important part of Korean culture, embodying the country’s cooperative and sharing team spirit. Kimjang is a vital cultural asset of a community and worth preserving and celebrating for the rest of humanity. Even though there may be regional differences in the preparation of kimchi, it transcends class, regional and even national borders.

Cultural practices often precede the instauration of national borders and the start of conflict among its citizens. Shared cultural practices may even be a path to reconciliation. 

Such hopes materialized in 2018, when the Democratic People’s Republic of Korea and the Republic of Korea decided to work together to submit a joint submission for traditional wrestling as an element of UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

Ssirum/Ssireum (wrestling) is a physical game and a popular form of entertainment widely enjoyed all across the Korean peninsula. In the North, two opponents try to push each other to the ground using a satpa (a fabric strap connecting the waist and leg), their torso, hands and legs. Ssirum/Ssireum is distinguished by the use of the satpa and the awarding of a bull to the winner. In the South, Ssirum/Ssireum is a type of wrestling in which two players wearing long fabric belts around their waists and one thigh grip their opponents’ belt and deploy various techniques to send them to the ground. The winner of the final game for adults is awarded an ox, symbolizing agricultural abundance, and the title of ‘Jangsa’.

As an approachable sport involving little risk of injury, Ssirum/Ssireum also offers a means to improve mental and physical health. Koreans are widely exposed to Ssirum/Ssireum traditions within their families and local communities: children learn the wrestling skills from family members; local communities hold annual open wrestling tournaments; its instruction is also provided in schools.

Following UNESCO’s mediation, the two States Parties agreed for their respective nomination files to be jointly examined by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage in November 2018. UNESCO welcomed this initiative of regional cooperation and, through a historic decision, inscribed "Traditional Korean wrestling (Ssirum/Ssireum)" on the Representative List of the Intangible Cultural Heritage of Humanity, as a joint inscription from the Democratic People’s Republic of Korea and the Republic of Korea. While the Lists of the Convention include several examples of multinational nominations prepared by several States (from couscous to the art of falconry and the Mediterranean diet), the coming together of the two States Parties for the joint inscription of Korean traditional wrestling by the Committee is unprecedented. It marks a highly symbolic step on the road to inter-Korean reconciliation. It is also a victory for the longstanding and profound ties between both sides of the inter-Korean border, and for the role cultural diplomacy may have in international relations.

It was the time when the women would gather and gossip. There would be matchmaking. There would be some marriages that came about during the time of kimchi making.

Promoting culture in a post-COVID-19 world

The cultural and creative industries are among the fastest growing sectors in the world. With an estimated global worth of US$ 4.3 trillion per year, the culture sector now accounts for 6.1 per cent of the global economy. They generate annual revenues of US$ 2,250 billion and nearly 30 million jobs worldwide, employing more people aged 15 to 29 than any other sector. The cultural and creative industries have become essential for inclusive economic growth, reducing inequalities and achieving the goals set out in the 2030 Sustainable Development Agenda.

The adoption of the 2005 Convention for the Protection and Promotion of the Diversity of Cultural Expressions was a milestone in international cultural policy. Through this historic agreement, the global community formally recognized the dual nature, both cultural and economic, of contemporary cultural expressions produced by artists and cultural professionals. Shaping the design and implementation of policies and measures that support the creation, production, distribution of and access to cultural goods and services, the 2005 Convention is at the heart of the creative economy.

Recognizing the sovereign right of States Parties to maintain, adopt and implement policies to protect and promote the diversity of cultural expression, both nationally and internationally, the 2005 Convention supports governments and civil society in finding policy solutions for emerging challenges.

Based on human rights and fundamental freedoms, the 2005 Convention ultimately provides a new framework for informed, transparent and participatory systems of governance for culture.

A constant rethinking of culture and heritage

The history of UNESCO bears witness to the deep transformation of the concept of culture over the past decades. From global Conventions mostly dealing with building and stones in the 60’s and 70’s, the international cooperation opened new fronts for the protection and promotion of culture, including intangible cultural heritage, cultural diversity and creative economy. The definition of "culture" was spearheaded by the committee led by former UN Secretary-General Javier Pérez de Cuellar and the Mondiacult Conference in 1982. In 2022, the global Mondiacult conference is expected to take stock of progress made in the past 40 years in cultural policies, and re-imagine its future in a post-COVID-19 world.

Have a look at these World Heritage sites

The 30,000-kilometre-long road system was built by the Inca Empire across mountains, valleys, rainforests and deserts to link the Inca capital, Cuzco, with distant areas of the empire, from the Amazon to the Andes. Thanks to its sheer scale, Qhapaq Ñan is a unique achievement of engineering skills, highlighting the Incas' mastery of construction technology.

The granting of World Heritage status in 2019 has made its trail – which every year sees thousands of visitors on their way to the area’s archaeological sites such as Machu Picchu in Peru – eligible for much-needed restoration funds.

Borobudur Temple Compound

Borobudur is the largest Buddhist temple in the world and one of the great archaeological sites of Southeast Asia. This imposing Buddhist temple, dating from the 8th and 9th centuries, is located in central Java. It was built in three tiers: a pyramidal base with five concentric square terraces, the trunk of a cone with three circular platforms and, at the top, a monumental stupa. The walls and balustrades are decorated with fine low reliefs, covering a total surface area of 2,500 m 2 . Around the circular platforms are 72 openwork stupas, each containing a statue of the Buddha. The monument was restored with UNESCO's help in the 1970s.

Bamiyan Valley, Afghanistan

This cultural landscape was simultaneously inscribed on the World Heritage List and the List of World Heritage in Danger in 2003. The property is in a fragile state of conservation, having suffered from abandonment, military action and dynamite explosions. Parts of the site are inaccessible due to the presence of anti-personnel mines.

Related items

• Lists and designations
• Intangible cultural heritage
• Intangible heritage
• Diversity of Cultural Expressions-2005 Convention
• Intangible Cultural Heritage-2003 Convention
• Underwater Cultural Heritage-2001 Convention
• World Heritage 1972 Convention
• Fight Illicit Trafficking-1970 Convention
• Armed Conflict and Heritage-1954 Convention
• Culture & Sustainable Development
• UNESCO Creative Cities Network

The Importance of Cultural Heritage

This essay will discuss the significance of cultural heritage and its impact on individual and collective identity. It will explore how cultural heritage, encompassing traditions, languages, history, and artifacts, contributes to the sense of belonging and continuity in societies. The piece will discuss the role of cultural heritage in fostering diversity, understanding, and respect among different communities. It will also examine the challenges in preserving cultural heritage in the face of globalization and modernization. Additionally, PapersOwl presents more free essays samples linked to Cultural Diversity.

How it works

Cultural heritage is the backbone of every nation around the world. Culture was developed naturally in the lives of every human being. It provides individuals with an automatic sense of unity and belonging within a group and allows people to share stories of the past and the history of where we come from. Cultures are not developed over a decade or even a century but require many years of practice to be considered as the tradition and culture of a particular place or a country.

For example, the country of Bhutan has relied on it’s geographic isolation and their government to protect their culture from outside influences. A small populated country bordered by India to the south, Bhutan has maintained a strict isolation both culturally and economically with the goal of preserving its own cultural heritage and independence (GCC News). In the 20th century, the Bhutan government started allowing limited numbers of foreigners to visit the country. In this way, Bhutan has successfully preserved many aspects of its culture, art, architecture and handicrafts which date back to the mid 17th century.

The emergence of the concept of cultural heritage is a result of a long historical development in which different values are attached to tangible cultural heritage such as monuments, buildings, works of arts, artifacts, landscapes and intangible cultural heritage such as rituals, language and traditions. The destruction and misuse of these significant cultural elements has a lot to do with the controversial issues that are related to cultural arrogance, cultural appropriation and cultural borrowing in today’s society. Instead of taking the time to learn and understand the traditions of a particular culture, people often take elements of culture for their own personal gain.

Cultural heritage and traditions represent a critical piece of culture. Both constituents form the structure and foundation of our families and society. They remind people that they are part of a history that defines their past, shapes who they are today and who they can become. If they ignore the meaning of our traditions, they are in danger of diminishing our identity.

Culture is an important part of many people’s lives. It influences views, values, hopes, loyalties and the way we take action in today’s society. For this reason, It is important that when an individual is working with different people and building relationships with them, they have some perspective and an understanding of different cultures. As we explore culture, it is important to acknowledge the fact that while we do have differences, we also have many things in common with others. Many people observe the world very differently, but they know what it is like to wake up and face another day. We are all human beings. We were all taught to love, learn, to have hopes and dreams, and we all experience pain and fear. However we cannot pretend our individual cultural differences do not matter. In today’s society, it is common for people not to acknowledge other cultures and their traditions and as a result to disrespect and even discriminate against them.

One particular example of an issue associated with cultural heritage is the issue of cultural arrogance. Cultural arrogance is considered an attitude of superiority in an overbearing manner. It often implies that one believes or acts as though their culture or beliefs are better than another culture. The recent death of American missionary John Allen Chau caused a lot of controversy after the young missionary was killed approaching the shores of North Sentinel Island. This young man from Washington state had decided that the small tribe on a remote island needed him to personally deliver them a taste of his religion. A self-styled Christian missionary, Chau tried to foist his presence and beliefs on the Sentinelese tribe who wished to be left alone. What he found was an early grave. Chau did not die from the tribes. He was killed by his own arrogance. (Review News). John Allen Chau’s death was a result of cultural arrogance. The Sentinelese who killed John Allen Chau were soldiers defending their culture and society against a potential threat; they were not murderers. Chau met his fate after ignoring the rules and regulations, as well as the warnings that were given to him by authorities to protect the Sentinelese people.

The Sentinelese were expected to respond to his intrusion exactly as they did. Chau brought his death upon himself. When people are unaware or chose not to respect the beliefs and practices of cultural groups, they could harm the people of that culture and also themselves. Those who adopt ideas of another culture may only be interested in what they have to offer and hope to gain from it by selfishly adopting the cultures values. It is important that tourists take the time to learn and develop different elements of a culture before representing these cultures. It is a code and form of respect that should be followed by all. Cultural arrogance can also imply that one believes or acts as though their culture is better than another culture. For example, there are a lot of Americans who arrogantly assume that Americans are better than Europeans or there are Japanese who believe they are superior to Chinese. In the US, Americans tend to believe that the American way of life is better or more superior than any other country when it comes to pursuing life goals, freedom and happiness. When people watch American films, they are given a over-fantasize the idea of the “American dream” and they promote the ideal of the american lifestyle to make Americans appear more dominant than other cultures.

Another example of an problem associated with cultural heritage is the issue of Culture appropriation. Cultural appropriation is the taking of intellectual property, traditional knowledge, cultural expressions, or artifacts from another culture without permission. This can include unauthorized use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc (Thought.co). In a way it can harmful when the source community is a minority group that has been racially discriminated or exploited in other ways or when the object of appropriation hold a significant meaning to them, e.g. sacred items. In the United States, cultural appropriation tends to involve people of the dominant culture (or those who identify with it) borrowing from minority cultural groups. African Americans, Asian Americans, Native Americans and Africans are often targeted for Cultural Appropriation(thought.co).

For example, ancient African artifacts like Traditional mask have been stolen and replicated to sell to people all around the world. African artefacts have also been stolen from archaeological sites and placed on display in European museums. Cultural Appropriation takes many forms. Native American fashion, decoration, cultural symbols and designs, and Asian martial arts and dress have been targeted for cultural appropriation. In many cases, Buddhist designed tattoos, Muslim-inspired headdresses as fashion, the wearing of native american headdresses for halloween and white gay men adopting the dialect of black women are other examples of cultural appropriation that are often called out (Thought.co). The examples are endless but it is important to consider the context of these situations. For example, is a tattoo performed on a person because it holds significance to that person or is the person receiving the tattoo because think it is cool? Why are musicians like Pharrell appearing on the front page of Elle fashion magazine wearing a traditional Native American headdress when this is considered a sacred item of the Native American culture which is only to be worn by war chiefs and warriors of native tribes?

Cultural appropriation is a huge concern for many reasons. For one, the concept of negative stereotypes is exploitative because it robs cultural groups of the respect and acknowledgement they ultimately deserve. In addition, a variety of Art and music forms had originated from minority cultural groups who then became associated with members of the dominant cultural groups who have been known to discredit the minority. The dominant group is usually deemed innovative, while the minority group are labelled with negative stereotypes that imply they lack in intelligence and creativity. During the 2013 American Music Awards, Katy Perry performed with a geisha-inspired performance of her new single, “Unconditionally.”

She claimed that she was paying homage to the Japanese culture. Asian Americans disagreed as they believed that her “yellowface”performance. They also believed there was an issue with the song choice, “Unconditionally,” with the stereotypical presentation of a passive Asian women. What one person perceives as a tribute to a culture, another group of people will perceive as a mockery or a form of disrespect. Katy Perry may not have intended to hurt or afford asian people, however, it was considered offensive that she was taking parts of the Japanese culture to promote her music. She took the beautiful, visual elements of the culture but did not embrace the significant and core traditions associated with it.

When adopting anything from a foreign culture it is crucial to follow some fundamental steps to create cultural awareness and avoid being accused of cultural appropriation. There are many people who have made cultural infringements that have affected another person or another cultural group without even realizing they are doing so. For this reason, it is important that people are aware of the steps they need to take to embrace other cultures and to also avoid disrespecting cultures unintentionally. The first step you should take towards avoiding cultural appropriation is to take the time to research the culture. Prior to adopting another culture, it pays to properly research and understand it. Taking elements of a culture without respect, knowledge or insight will ultimately lead to accusations of cultural theft and misrepresentation.

The second step is to ensure you do not overlook the sacred traditions of a culture. In western societies, it can be easy to completely ignore the sacred aspect of a culture. What might seem like a joke, or an innocent mistake to some, can actually cause serious distress and anger to others. Much of the world still holds some things sacred, whether that be God, gods, spirits, or any other symbolism. Using and abusing the sacred is an absolute no-no, unless you intentionally want to cause trouble.

The third step is to avoid encouraging shallow, one-dimensional stereotypes of a culture. One of the biggests problems with adopting from other cultures is that it can be based on stereotypes, which are often negative and incorrect. Stereotypes are often rigid generalized ideas that society imposes on others with whom they are unfamiliar or do not understand. The less people know about another person or cultural group, the more people have become dependent on stereotypes.. Hence, it is important that people decided to make a conscious effort to learn about a culture in more depth to understand it’s true identity and to avoid shallow stereotypes.

The fourth step is to acknowledge the diversity of the culture that you are embracing and promoting. An understanding of other cultures and traditions is vital when it comes to the long-term survival of humanity on earth. According to UNESCO, the conservation of many cultures and, in particular indigenous cultures is as important as the conservation of species and ecosystems to life (Butterworth-Heinemann). When people take the time to pay attention to the significance of other cultures and traditions, people are able develop a wider perspective and succeed in different areas of life. Recognizing and acknowledging other cultures is important aspect in the workforce as it encourages mutual knowledge and understanding between people by encouraging education and spreading culture and knowledge. For example, paying attention to the cultural differences in a business company can raise levels of co-operation and capitalize on different skills and abilities which can be an important asset in the productivity of a company. The ability to understand and utilize cultural differences can provide can cause a company to become a competitive threat.

Overall, it is important that people take the time to engage, promote and share the benefits of embracing the true traditions of a culture. It is important to engage with the culture you are adopting from to avoid cultural appropriation. Spend time in it, understand it, and then when you use a pattern, symbol, headdress or anything else, make sure you use that platform to promote that culture, its people and if possible share the benefits. To effectively build communities that are powerful enough to change, we need more people working together. If cultural groups join forces, they will be more effective in reaching common goals, than if each group operates in isolation.

Every culture has unique strengths and perspectives that all other cultures can benefit from. If people take the time to truly understand different cultures, there would be less racial and ethnic divisions. Racial and ethnic divisions result in misunderstandings, loss of opportunities, and can also lead to violence. Racial and ethnic conflicts drain communities of financial and human resources and they distract cultural groups from resolving the key issues they have in common.

An appreciation of cultural diversity is strongly connected to with an equal society. For example, research reveals that when students’ cultures are understood and they are appreciated by teacher, the students and friends, they tend to do better in school. In turn, students are more accepted and they feel as though they are a part of the school community. Hence, they work harder to achieve in life, and they are more successful in school. If we do not learn about the influences that cultural groups have had on our different cultures, we are all going to miss out on an accurate view of society and our communities. We would lose the unique, sacred, and beautiful part of who we are and also lose the meaning behind the traditions and beliefs of our ancestors.

Cultural heritage is the glue that binds us together as people. If we value our heritage, we can then to pass it on to our children with a little bit of ourselves attached to it. What we do now, how we live our lives and the character we build, will add to the heritage we leave behind for the next generation. It is important that people address the cultural issues of cultural arrogance, cultural appropriation and cultural borrowing so that we can continue to protect and preserve the importance of cultural heritage. The present is our priority. We need to protect and maintain what is still left of our culture heritage to ensure that the next generation can also embrace it.

Cited sources

• Barker, Neave. “Bhutan: What It Means to Be Happy in the ‘Happiest Country’.” GCC News | Al Jazeera, Al Jazeera, 31 Oct. 2018, www.aljazeera.com/news/2018/10/bhutan-means-happy-happiest-country-181031111711933.html.
• Fallas, Amy.”The Landmark 85-Year-Old Report Absent From Debates Over Missionary’s Death” Rewire News, Nov. 29, 2018, https://rewire.news/religion-dispatches/2018/11/29/the-landmark-85-year-old-report-absent-from-debates-over-missionarys-death/
• Feeney, Nolan.”Katy Perry’s ‘Geisha-Style’ Performance Needs to Be Called Out”, The Atlantic, NOV 25, 2013
• https://www.theatlantic.com/entertainment/archive/2013/11/katy-perrys-geisha-style-performance-needs-to-be-called-out/281805/
• Nittle, Nadra. “A Guide to Understanding and Avoiding Cultural Appropriation”, Thought.co. June 01, 2018, https://www.thoughtco.com/cultural-appropriation-and-why-iits-wrong-2834561
• Reisinger, Yvette. “International Tourism: Cultures and Behavior”. Butterworth-Heinemann, 2008.

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Home — Essay Samples — Arts & Culture — Heritage — Cultural Heritage: Preserving Identity and Tradition

Cultural Heritage: Preserving Identity and Tradition

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Defining culture, heritage and identity

What is heritage and identity?

Questions of heritage and identity are not as straightforward as they might first appear. Perhaps the first and best place to begin addressing these topics is by acknowledging that in a country like South Africa, there is not one heritage, or an easily delineated set of distinct identities. The cultures, languages and heritages of South Africa are multiple, diverse, and dynamic. Intersectional issues of gender, ethnicity, and race further complicate the matter of identity and make it highly inadvisable to categorise the different people contained within South Africa’s borders. This is especially true in the wake of segregationsit Apartheid policies which attempted to divide and conquer the majority of the country's population by emphasising the ontological immiscibility of different races.

South Africa is heir to a legacy of autochthonous livelihoods (see, most famously, the Khoi and the San) as well as Bantu immigration; slavery ; colonisation; settler economies ; and liberation movements. These histories have all had a drastic effect on the make up of South Africa's population. Yet somehow through the interchange of cultures and sharing of cultural influences in the age of globalisation, there defiantly remains a tapestry of phenomena which can identifiably and unabmiguously to termed 'South Africa.' In this article we look at heritage, culture, identity in South Africa and attempt to provide some overview of what is meant when people speak of South African Heritage.

Like 'heritage' and 'identity,' 'culture' is a term that causes much confusion and suffers from its misuse. Traditionally it has been used to refer to the ways of life of a specific group of people, including various ways of behaving, belief systems, values, customs, dress, personal decoration, social relationships, religion, symbols and codes. The pitfalls of the term are however, considerable. For instance, it is not unusal for European visitors to South Africa or Africa at large, to innocently enquire into the nature of "African Culture." Such an enquiry clearly makes little sense, for the Xhosa, Zulu, Pedi, Dinka, Himba, Berber, Arab, and so forth all represent vastly different modes of practice and have little in common save for the relative geographic proximity in relation to the rest of the globe. Even to ask about 'Zulu culture' is potentially wide of the mark, given how varied and dynamic the Zulu population is. While it is a stretch of the imagination to state that culture simply does not exist, as has been claimed by certain postmodern intellectuals, it remains difficult to reach a consensus about what the term really denotes. Is there such a thing as 'White culture' or 'Coloured culture,' for instance? 

Throughout history, various people and institutions have attempted to define what is meant by culture. In 1871, one of the fathers of British social anthropology, Edward Burnett Tylor attempted to describe it in the following way: "Culture or civilization, taken in its wide ethnographic sense, is that complex whole which includes knowledge, belief, art, morals, law, custom, and any other capabilities and habits acquired by man as a member of society." More recently, the United Nations Educational, Scientific and Cultural Organization (UNESCO) (2002) described culture as follows: "... culture should be regarded as the set of distinctive spiritual, material, intellectual and emotional features of society or a social group, and that it encompasses, in addition to art and literature, lifestyles, ways of living together, value systems, traditions and beliefs." Once one begins to search for an adequate definition of culture, one quickly realises that there are so many to choose from it is virtually impossible to decide which one is best. 

In South Africa, the question of definition according to race and culture carries an especially sharp edge to it, which potentially makes it a more contentious issue here than elsewhere. This is primarily due to the policies of the Apartheid government that sought to distinguish and segregate the country according to rigid definitions of race between 1948-1991. These policies reached their apotheosis in the establishment of the 'Bantustans,' which were created as homelands for the major different ethnic groups represented within South Africa's borders. For this reason, subsequent attempts to define the people of South Africa may easily carry an unpleasant connotation of racist categorisation from the past. With this proviso, South Africa has a hugely diverse population, representative of a vast spectrum of different languages, practices, and values.  

Culture in South Africa

South Africa has been famously referred to as the rainbow nation because it is made up of so many diverse cultures and religions.  Contained within South Africa's borders are Zulu, Xhosa, Pedi, Tswana, Ndebele, Khoisan, Hindu, Muslim, and Afrikaner people to name but a few. All of these people are united by calling South Africa home, and therefore their lives all contribute to forming a part of the country’s heritage, identity and culture. Understanding that South Africa is composed of all these various influences is essential for helping South Africans to understand and respect each other and to learn from each other’s cultural practices. This is part of the healing that democracy has brought after culture was used to divide South Africans in the past. 

A person’s identity is made up of their own character combined with their family and social roots. Identity, like culture, is ever changing. For example a person can be a teacher, parent, spouse and driver to their children, as well as being a famous politician fighting for justice or a farmer growing crops for food. To this person it is possible to be all of these and much more. At the same time being a person of a particular race or class also influences one's identity. When people speak of 'intersectionality,' they are broadly referring to this way that a single person can be at the intersection of multiple different social identities. The experiences of a White, heterosexual, urban, and middle-class mother, for instance, will be vastly different to that of a Black, homosexual, rural, and working class single woman. Identity, in short, is made up of a multitude of factors and an individual is both subject to their circumstance and an agent able to influence which parts of themselves they present to the world. 

Heritage might be best broken up into two types: natural and cultural. A country’s natural heritage is its environment and natural resources, like gold and water. Areas that are very special and where animals or plants are in danger of extinction like the St. Lucia Wetlands and uKhahlamba Drakensberg Parks in KwaZulu Nata l are often designated World Heritage sites. They are respected and internationally protected against harm. Cultural heritage, on the other hand, can be an altogether more contentious issue. Normally, the term 'cultural heritage' is used to describe those things that contribute to the sense of identity of a particular population or community of people. These can be special monuments, like a building, sculpture, painting, a cave dwelling or anything important because of its history, artistic or scientific value. The area in which this can become problematic is when a part of somebody's cultural heritage seems to clash directly with the dignity of another person's, or where it appears to transgress established global human rights practices (as set out in the Universal Declaration of Human Rights). An example might be the practice of female genital mutilation or the display of monuments that celebrate the lives of people who were responsible for the deaths of vast numbers of people, such as Cecil John Rhodes . 

Heritage and the South African Constitution

A constitution is the guiding law on a country's values and rules. A constitution directs the government and all the people who live in a country on the rules for how citizens should be treated and how they should treat others. A constitution supports and protects a country and the heritage and culture of its peoples. South Africa is widely considered to have one of the fairest and most progressive constitutions in the world.

In South Africa the vision of the constitution is for everybody to be equal. This means that nobody should be permitted to discriminate against anyone else because of things like skin colour, age, religion, language or gender. South Africans have human rights that are protected. For example, some schools have turned away children who have AIDS . However, the law protects these children’s rights to an education. In the same way the right to practice different religious beliefs is protected. Every person has the right to be part of any religion and to use the language of their choice. For this reason South Africa has 11 official languages so that all the major languages used in the country are given recognition. These languages are Sepedi, Sesotho, Setswana, siSwati, Tshivenda, Xitsonga, Afrikaans, English, isiNdebele, isiXhosa and isiZulu. Languages used by smaller groups such as the Khoi, Nama, San and sign language must also be respected under the constitution. Other languages used in South Africa include Shona, French, Swahili, Lingala, Portuguese, German, Greek, Gujarati, Hindi, Tamil, Portuguese, Telegu and Urdu. Other languages like Arabic, Hebrew and Sanskrit, used in certain religions, must also be respected.

World Heritage Sites in South Africa

A World Heritage Site is declared by the United Nations Educational, Scientific and Cultural Organisation (UNESCO). There are two types of World Heritage Sites: the first represents cultural and the second natural heritage. 

Cultural sites

Cultural heritage sites have to show a masterpiece of human creativity or an important exchange of human values over a long period of time. This exchange must be seen in architecture or technology, the planning of the town or city and the design of the landscape. It has to show evidence of a tradition or civilisation that has disappeared or is still alive. It can also be a very good example of a type of building, group of buildings, and use of technology or reflect important stages in human history.

A place where humans settled and used the land in a way that represents their culture can also be a cultural heritage site, especially if the area is affected by change that cannot be reversed. The authenticity and the way the site is protected and managed are also important factors.

Natural sites

Natural sites that can be considered to become World Heritage Sites must display major stages in the earth’s history. They can be in fossils, rocks or other geological features. 

If an area contains rare natural formations, like unique rock shapes, or is very beautiful, or has habitats and species of animals and plants that can only exist there, it becomes important to protect it. This also makes it a possible World Heritage Site. As with cultural sites, preservation is very important.

Some special places fall into both cultural and natural heritage sites and in 1992 UNESCO decided that places that show the relationship between people and their environment could also be cultural landscapes.

South Africa has 8 places declared as World Heritage Sites. These are:

• The iSimangaliso Greater St. Lucia Wetland Park
• The uKhahlamba Drakensberg Park
• Robben Island
• The Fossil Hominid Sites of Sterkfontein, Swartkrans, Kromdraai and environs
• The Mapungubwe Cultural Landscape
• Vredefort Dome
• The Cape Floral Region
• The Richtersveld Cultural and Botanical Landscape

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612 Culture Essay Topic Ideas & Examples

If you are writing a culture essay, topics are easy to find. However, their abundance can quickly become overwhelming – so we prepared this handy list of culture title ideas, along with writing tips and examples.

🤫 Culture Essays: Topics and Writing Tips

🏆 best culture topic ideas & essay examples, 👍 good essay topics about culture, 🎓 simple & easy culture title ideas, 📌 cultural topics and writing prompts, 🥇 most interesting culture topics to write about, ❓ research questions about culture.

Describing culture is a challenging task. You have probably stumbled across the concept if you study sociology, media, or a variety of other subjects. There are many cultural differences across the Earth. Each nation, community, and subgroup of people have its own values, vocabulary, and customs. In the 21st century, we can document and share them thanks to cross-cultural communication.

Since there is an almost infinite number of things to consider about this broad topic, our team has collected 582 topics about culture. Check them out on this page!

Culture essays present excellent opportunities for conducting extensive research. They allow students to analyze acute global problems and investigate the topic of diversity, customs, and traditions, as well as the significance of individuals’ cultural backgrounds. You can choose one of the many topics for your culture essay. You can find culture essay ideas online or ask your professor.

We suggest the following culture essay topics and titles:

• The significance of cultural identity in an individual
• Culture as a political instrument in the modern world
• The differences between the Eastern and the Western culture
• The role of culture in people from mixed origins
• The impact of religious views on culture
• Cultural diversity in the workplace
• Are there similarities among different cultures?
• The link between culture and gender roles

After selecting culture essay questions for discussion, you can start working on your paper. Here are some secrets of the powerful paper on the topic:

• Conduct preliminary research on the selected issue. Remember that you should find as much relevant information as possible while presenting a multifaceted perspective on the issue. Ask your professor about the sources you can use and stick to the instructions. Avoid using personal blogs or Wikipedia as the primary sources of information. Do not make a statement if you cannot support it with evidence.
• If you are writing a paper about a particular culture, think about whether you can talk to someone coming from this background. Such an approach can help you to include all the relevant information in your paper and avoid possible crucial mistakes.
• Remember that a well-organized culture essay outline is key for your paper. Think of the main points you want to discuss and decide how you structure your paper. Remember that each topic or subtopic should be stated in a separate paragraph, if possible.
• If it is necessary, check out essay examples online to see how you can organize the information. In addition, this step can help you to evaluate the relevance of the issue you want to discuss. Remember to include an introductory and concluding paragraph in which you will state the main points and findings of your paper.
• Avoid discriminating against some cultures in your essay. Remember that even if you do not understand the causes of some behaviors or norms, you should not criticize them in your paper. Instead, help the reader to understand them better and provide insight into important differences between cultures.
• Be accepting and try to be as accurate as possible. Support your claims with evidence from your preliminary research.
• If relevant, include graphs and charts to represent significant information. For example, you can visualize the presence of diversity in the workplace in different countries.
• Remember that the reader should understand the goal and idea of your paper clearly. Define all terms and avoid using overly complex sentences. Be concise but provide enough relevant information on the topic.
• Make sure that you use correct grammar and sentence structures in your essay. Even an excellent essay can look bad with grammatical mistakes. Grammar-free papers allow the reader to see that your opinion is credible. Check the essay several times before sending it to your instructor.

Do not forget to find a free sample in our collection that will help you get the best ideas for your writing!

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• Globalization and Food Culture Essay The interviewee gave the examples of France, America, and China in her description of how food can affect the culture of a place and vice versa.
• Porsche’s Strategy, Structure, and Culture The change of the legal form of the company allowed other people who were not members of the Porsche family to become members of the Executive Board of the company.
• Nok Culture’s Main Characteristic Features One of the most significant pieces of art is the Nok art, a testament of the Nok culture. Discovery of the sculptures in 1943 indicate the use of iron, the practice of smelting for tools […]
• The Bhagavad Gita: The Role of Religion in Relation to the Hindu Culture From this point, it is important to focus on the Bhagavad Gita and its role for the Hindu culture in the context of the role of religion in the Hindu society because the scripture contains […]
• Cultural Differences Between Turkey and USA Spanish, Polish and Greek languages are also part of the oral communication of the people in America. The use of suffixes in Turkish language is very important and we can feel the grammatical functions of […]
• The Literature of the Renaissance Period The main features of the Renaissance culture which also determine the elements of the Renaissance literature are the philosophy of humanism, the secular character of the art pieces, and the orientation on the antique patterns.
• Pashtun Culture: Cultural Presentation This presentation will overview one of such groups – the Pashtun culture and the challenges a nurse may face working with its representatives.
• Chinese Traditional Festivals and Culture Of all the Chinese festivals, the Spring Festival has the greatest value to the Chinese people with its value equated to the value of the Westerners attachment to Christmas.
• Birthing Traditions and Practices Among Russian-Speaking Cultural Group Many things about Russia, its people, and its traditions remain a mystery for the average American, as a history of geopolitical and military confrontation, as well as the distance between the two countries, cause many […]
• Philippines Dressing Culture and Customs The country borders South China Sea to the North and West, the Sulu Sea and Celebs Sea to the southwest, and the Philippines Sea to the east.
• Japanese Animations’ Effects on the Japanese Economy and Their Cultural Influence on Foreign Countries These artists incorporate the characteristic anime stylizations, gags and methodology in their piece of work to produce animations that are a bit similar to Japanese anime. The growing interest among foreign artists in anime is […]
• Reasons for Not Appreciating Different Cultural Point of View One of the reasons why people may not appreciate the cultural point of view of others is because of the differences in cultural values.
• Cancel Culture: A Persuasive Speech Cancel culture is a phenomenon of modern society that has arisen thanks to the development of social media. However, in this situation, it is difficult to determine who sets the boundaries of the morally correct […]
• Japan vs. Germany: Cultural Differences The first aspect of the matter is people’s activity in Japan and Germany within businesses as determined by culture and their habits and preferences in terms of distinguishing their work time and families.
• Cultural Competence: Indian Culture and Healthcare They also believed that, the disease was heredity and that if one member of the family suffered from one of the diseases, chances that somebody from the same family would contract the disease are high.
• Intercultural Communication Essay: Differences in Cultural, Religious, and Ethnic Backgrounds Identity management theories are also a form of intercultural communication theory developed to explain the cross-cultural aspect of communication where intercultural communication under this theory is seen to originate from the intercultural and intracultural types […]
• How to Avoid Ethnocentrism – Essay on Promoting Cultural Relativism In an effort to understand ethnocentrism which is defined as, the tendency to believe that one’s cultural beliefs and their culture’s ethnic values to be superior to others.
• Ramen Culture as a Vital Part of the Traditions in Japan Studying the history of the transformation of ramen culture and the role it plays in modern Japanese popular culture helps to explore the uniqueness of the phenomenon and understand the origins of its immense popularity.
• The Effect of Globalization on a World Culture The net result is a global culture; the effect and extent that global culture has gone in the world varied among nations and continents; developed countries have their culture more diffused and uniformity can be […]
• Cross-Cultural Management Major Theories The study of different languages helps one in comprehending what people have in common and also assist in comprehending the diversity that underlies languages, methods of creating and organizing knowledge and the several different realities […]
• Egypt’s History, Culture, Religion, and Economy Over the next three millennia, Egypt would see the rise and fall of several civilizations, including the Old Kingdom, the Middle Kingdom, and the New Kingdom.
• Diverse Contexts and Intercultural Communication at Work As the world moves to the global environment, the modern workplace becomes more and more diverse. When individuals are educated about intercultural differences are more likely to alter their communication styles to suit the needs […]
• The Importance of Organizational Culture Essay Organizational culture and change is most valuable to an aspiring manager because it they form the basis of organizational success. It is imperative for managers to introduce change in the organization to encourage innovation and […]
• Toyota’s Culture and Leadership Strategy Toyota’s Leadership and Culture Irrespective of numerous difficulties, the company is still one of the leaders of the industry. To understand the essence of the lean leadership, it is crucial to consider some peculiarities of […]
• Communication Challenges in Intercultural Interactions This essay aims to show that communication in intercultural interactions is hindered by the communication style, body language, stereotypes, the tendency to evaluate, high anxiety, and differences in ways of completing tasks.
• ABC Manufacturing Company’s Organisational Structure and Culture So, the owner has vast knowledge in this sector, which helps him to contribute the company for future development; Resources: Now, the company has two brand new large and modern CNC centres with all essential […]
• Impacts of Culture on Consumer Behaviour In addition, the impacts of the environment on the conduct of these consumers are made evident. For example, in the field of marketing, the phrase refers to acts and patterns of purchasing and buying.
• Importance of Cultural Diversity Campaigns such as the Black Lives Matter may be attributed to lack of inclusion and appreciation of different cultures. For instance, the discussion of inclusivity in the 1970s focused on primary and secondary dimensions of […]
• Communication Culture: Hall’s High and Low-Context Model of Culture The differences in the modes and styles of communication are due to diverse cultures of the people from different countries. The aim of this report is to evaluate the concept of different communication cultures through […]
• Managing Cultural Diversity: A Case Analysis of Hilton Hotels Corporation The hospitality industry, in particular, is at the core of recent developments in globalization and labor migration as can be witnessed by the increasing mobility of the workforce and attempts within the industry to expand […]
• The Kikuyu Community: Religion and Culture The community speaks the Kikuyu language. Kenya’s Kikuyu people are the most popular and largest ethnic group.
• Celebrity Culture and Its Influence on Society Before discussing the way Angelina Jolie and other celebrities affect modern society, it is necessary to identify the origins of the celebrity culture.
• My Big Fat Greek Wedding (2002) Cultural Analysis And the root of the word Miller is Greek and means apple in Greek. Overall, the treatment of the Greek culture in the movie is inelegant.
• The United States of America’s Culture These are however just general views on what the American culture really is, the next section of this paper will go to the specifics, and zero in into the following factors that determine the true […]
• Cultural Assimilation: Benefits and Challenges The mass migration of people leads to the fact that the population of the country is constantly growing, new nations come, and cultures are mixed, forming the so-called “melting pot”.
• Social and Cultural Aspects of Pre-Colonial Africa in Chinua Achebe: Things Fall Apart The novel emphasize on the encounters of the pre-colonial Africa and the effect of British colonialism during the 19th century. Gender disparity is clear in this village and the crimes are identified with gender where […]
• Cultural Diversity in the UAE: Social and Economic Development This view is in line with Rabah’s emphasis on the importance of respecting cultural diversity in the process of nation-building because the concept is useful in solving conflicts and developing solutions that are beneficial to […]
• Managing Cultural Diversity in the Hospitality Industry This is common due to confusion and the inability to interact with others in the society. This refers to the level of integration in the society.
• Religion and Cultural Belonging: “The Flea Palace” by Elif Shafak The old and the new, the Christianity and Islam, the East and the West are shown closely interconnected for example in the description of the two ancient cemeteries in Istanbul and in the development of […]
• The Zulu Nation’s History and Culture The Zulu people live on the continent of Africa, in the southern part of it, which is known as KwaZulu-Natal. In this family, the husband stands for the chief, and institution of marriage is hallowed.
• Ethnicity Essay: Cultural Background in the Daily Lives of Children and Young People The idea of a child according to Montgomery and Kellett refers to a representation of a whole category of young people that are identified by their age and intellectual development and also their social maturity […]
• Tolerance and Respect for Cultural Differences The author concludes the essay in the third section by revisiting the thesis statement and highlighting the various approaches used to develop attitudes that promote respect and tolerance.
• Apple’s Cross-Cultural Problems in China In the case of Apple, the main issues have to do with employee management issues mostly associated with working conditions and compliance to Chinese labor laws.
• Culture and Development in Nigeria The following are some of the organizations that are concerned with cultural developments in Nigeria:- The African development bank is involved in major activities in the water sector and in sanitation projects across Nigeria.
• Cultural Norms: Fair and Lovely and Advertising Is the advertising of Fair & Lovely demeaning to women or is it portraying a product not too similar to cosmetics in general?
• Heritage Tourism and Cultural Tourism In the preservation of the sites for tourism purposes, it is clear that what is termed as the “culture of today” becomes the heritage of the future. There is a need to unveil the complexity […]
• Cultural Pollution:Traditions and Historical Concepts The cultures traditions and historical concepts of the Middle East have over the centuries been characterised as by a distinct sense of variety that stems from a whirlwind of customs and traditions.
• The Beautiful Country of Kazakhstan: Kazakh Culture The report on the culture must broaden the audience’s ideas about the country and explain some of the most respected traditions every Kazakh follows.
• British and Brazilian People: Cultural Differences It is critical to make appointments in advance, not to begin business discussions before the host, and to be on time for a business meeting.
• Adolf Hitler’s Cultural Theories in “Mein Kampf” So, according to Adolf Hitler, the foreign Aryan spirit was the awakener of Japanese people hence the bore a culture that they did not create.
• East Meets West: Culture Differences He described the Japanese as the best people known among the heathens.[2] “Portuguese Views of Chinese”[3] is an account of the first impression the Portuguese had upon encountering the Chinese.
• The Culture Industry According to Adorno and Horkheimer, the culture industry refers to the collection of all the aspects of technology in the modern society that brings change in the lifestyles of many.
• Culture and Agriculture: Nature and Significance Understanding Seeing that agriculture shapes the society and defines the course of its further development, promoting the ideas of environmentalism and sustainability, it will be reasonable to assume that agriculture belongs to the domain of cultures.
• Convergence vs. Divergence of Culture and Literature – Examples The notion of culture emerged for the first time in the course of the 18th century. It was used to identify the culture of the people.
• Existential Therapy and Multicultural Perspective Paying attention to the entire idea of existential therapy, the exploring meaning and values of the issue will be considered referencing to the authenticity of the ideas, priorities, and values.
• Culture and Communication: Egypt Egypt is the origin of the earliest civilizations and has taken an important position in the Middle East as the connection between the Arab and Europe regions.
• Cultural Analysis – China and the Us In a bid to survive in such a market, it is crucial for the American investors to conduct a broad analysis of the cultural differences between China and the United States.
• Cultural Identity Theory: “How to Be Chinese” by Celeste Ng Thus, while recognizing the role that the specified cultural signifiers have for Asian American people in their attempts to retain their cultural identity, Ng also demonstrates the urge to introduce immediate change to prevent the […]
• Cultural Pride and Cultural Baggage One of the articles that was written by Kincaid gives her experiences in England which portrays her cultural baggage as she finds it quite hard to fit in this society and to adopt a similar […]
• Cross Cultural Management and International Business In this essay we will focus on the role of culture in international business situations and also the strategies and frameworks that are appropriate in cross-cultural management.
• Culture and Health Beliefs in Korea Buddhism and Confucianism have had the most profound impact on the spiritual world and the life of the Korean people, and more than half of the country’s cultural heritage is associated with these two religions.
• Social Cultural Causes of Crime There is need to highlight the social cultural factors of crime and describe the necessary positive measures to prevent the occurrences of crime.
• Born Red: A Chronicle of the Cultural Revolution With the fine details included in the memoir, it helps a reader to walk through the Chinese revolutionary era and witness the havoc that the revolution triggered by Mao Zedong had on the Chinese people. […]
• Verbal and Non-Verbal Communication Styles Across Ethnic and Cultural Backgrounds In the essay, I discuss verbal and non-verbal communication styles across ethnic and cultural background, communication styles that a counselor may come across when dealing with culturally diverse clients and how a therapist can succeed […]
• The Luo Culture of Kenya The Luo people are the indigenous people of Kenya living around lake Victoria, which lies in the western part of the country.
• Italian Culture There is no post of the vice president in Italy and in the event that the president dies, elections will have to be held.
• Multicultural Education Benefits: Functioning in a Pluralistic and Egalitarian Society Students are thus required to acquire knowledge and skills necessary to function effectively in a pluralistic and egalitarian society. The teacher is thus able to enhance socialization and transmission of culture while providing academic skills […]
• The Nature of People and Culture The first key point is the understanding that culture is the framework of life and influences the aspects of life for every individual.
• The Fashion of the Hippie Culture Studying the fashion of the hippie culture is important because it illustrates the changes that society had undergone in the 1960s not only with regards to the style of clothing that people wore but also […]
• Hofstede’s Cultural Model in Negotiations It is important to include terms and conditions of the relationship as a measure of reducing conflicts where third parties are involved.
• Political and Cultural Impact of Alexander the Great’s Conquests Due to many territories that he conquered, the dominion that Alexander the Great had was regarded as one of the greatest in the history of the world.
• The Impact of the Internet in Culture and Daily Habits The growth of the internet has greatly improved our culture and society today with services it offers in the enrichment of our lives at work and at home.
• Cultural Theory and Popular Culture: Structuralism and Post-Structuralism In the fields of literature, and design, architecture, in addition to marketing business and the interpretation of culture, history and law are started to analyze on the basis of post-structuralism in the nineteen sixties of […]
• Campinha-Bacote’s Model of Cultural Competence It is valid to specify that the original title of the model is the Process of Cultural Competence in the Delivery of Healthcare Services.
• Cross-Cultural Environment Negotiations: Japan and America Based on this understanding, this paper shows that understanding the need for neutrality, cultural sensitivity, and flexibility is the key to having a positive outcome in a cross-cultural business negotiation. To have a proper understanding […]
• Material and Nonmaterial Culture of Middle East The cultural heritage of the Middle Eastern countries is rooted in the deep history of humanity. The states of this territory almost entirely belong to the countries of the eastern part of the Islamic world.
• The “Brave” Intercultural Film Analysis In their discourse in the forest, the princess and her mother realized the need for relationship rebuilding, mending the bond that led to a solution for the kingdom’s survival.
• Jamaican Family Cultural Practices The history of the Jamaicans in the United States began in 1619 when some blacks from Jamaica, as well as from the Caribbean islands migrated to the United States.
• Cultural Identity in “White Teeth” by Zadie Smith Exploring the thematic significance of the novels title “White Teeth” it would be instrumental to argue that the title touches on the aspects of cultural identity.
• Cultural Differences Among Families in the “Hotel Rwanda” Film Arguably, the existence of cultural differences between families across the lifespan is the most significant problem affecting the family of Rusesabagina as he attempts to play the role of a corporate manager and a family […]
• The Role of Ethnocentrism in Intercultural Communication The only way to control ethnocentrism is to avoid biases as we find better ways to understand other people’s point of view.
• Hall Stuart: Questions of Cultural Identity Hall states that it is important to theorize the notion of identity to make it more applicable. However, Hall still claims that it is important to understand what identity is.
• Importance of Cross-Cultural Management in International Business As earlier pointed out, a vital requirement for success in an international business setup is the ability of managers to comprehend and appreciate other cultures across the world.
• Three Stages of Cultural Development The main goal of this paper is to describe my personal experience along the lines of the stages of cultural development.
• Emerson’s, Whitman’s and Thoreau’s Cultural Impact This movement was based on the belief in the unity of the world and God. The doctrine of “self-confidence” and individualism was developed by convincing the reader that the human soul was connected with God […]
• Organizational Culture & Leadership: Whirlpool Corporation At the heart of the discussion of management and leadership are the concepts of goal setting and results. Common to both managers and leaders is the focus on the results they produce, which are based […]
• Cultural Identity and Heritage in the “Everyday Use” by Alice Walker In the broad context, Walker designs the story to underscore the conflict that African Americans faced concerning their cultural identity and heritage after the abolition of slavery.
• A Comparison Between Swedish and Australian Culture Impact of Culture on Life Experience and Belief System The interviewee explained that having been born in Sweden, where Lutheran is the main church, he followed the teachings of the Lutheran church.
• Deaf in America: Voices From a Culture by Carol A. Padden, Tom L. Humphries Carol Padden and Tom Humphries, the authors of the book, “Deaf in America: voices from a culture”, state their intent in writing the book as that of presenting the culture of Deaf people in America.
• Comparison of the Australian and Indonesian Culture On the other hand, Indonesia is one of the countries with the largest population in the world and it has over two hundred ethnic groups who use different languages. Marriage is also important in the […]
• Impact of Globalization on the Maasai Peoples` Culture This essay will therefore focus on the roles the aforementioned forces have played in changing the culture of the Maasai. Moreover, tourism has resulted in environmental degradation which is putting the Maasai on the brink […]
• Western Culture Impacts on the UAE Local Lifestyle One of the countries that observe the impact of western culture on the life of the young generation in the United Arad Emirates.
• Culture and Identity: “The House on Mango Street” by Sandra Cisneros The past is a driving force for the future and it is hard to erase that part of an individual’s life.
• Gang Culture in the USA: Symbols, Norms, Values The term culture refers to the norms and social behavior of a given community or group of people. Having the objects makes them feel brave and ready to act in the interest of the group […]
• Cultural Diversity in the Play “Othello” It is the role of men to support women in this society, and that is why Desdemona’s father goes to court immediately, he is convinced that his daughter was bewitched by Othello.
• Cultural Aspects in Different Societies For example, in some cultures, funerals represent a time of feasting and making merry whereas in majority of cultures funerals represent a time of grief and mourning. Their different cultures enable them to tolerate the […]
• The Preservation of Our Cultural Heritage: Music for Entertainment and Communication Similar to how music plays a significant role in the lives of many people, it is an important aspect of history and culture.
• The UAE Cultural Analysis: Adherence to Traditions, Cultural Beliefs, and Values The other important information for the pavement industry with regards to location is that the region lies in a longitude range of 56 to 25 degrees north and in a latitude range of 22 to […]
• Cultural Hybridization: The Beliefs, Language, and Social Habits The interaction between the Tai, Han and Zhuang was through conflicts between the majority group, the Han in the Northern regions and the minority Zhuang and the Tai in the southern regions of China.
• The Overall Effects of Cultural Diversity in the Hospitality Industry The report focuses on analyzing the overall effects of cultural diversity in the hospitality industry. The nature of the industry’s workplaces and the way they deal with the issues concerning management of cultural diversity.
• Adorno and Horkheimer ‘The Culture Industry’ Review The underlying principle of this theory was to encourage the liberation of the user from the oppression of the manufacturers by inducing the user, to subject attitudes and beliefs to questioning.
• Culture of the Dominican Republic In the end, we attempt to relate the relationship between each aspect and the developments in politics, economics and social lives of the Dominicans.
• Body Ritual Among the Nacirema: Cultural Study For instance, the research by Professor Linton is qualitative in the aspect that it tries to unearth the cultural practices and belief system of the Nacirema people.
• Kazakhstani Culture Through Hofstede’s Theory The purpose of the research paper is to discuss cultural similarities and dissimilarities, challenges of acculturation, helpful patterns of behavior, and look at the featured culture through the prism of Hofstede’s cultural dimensions theory.
• Cultural Competence: Jamaican Heritage Self-reflection as a way to improve one’s cultural competence Jamaican cultural ancestry Addressing social norms, cultural beliefs, behaviors, and the impact on health care Self-reflection has been regarded as an effective way to self-develop […]
• Culture and Health Correlation People’s culture influences the type of food they purchase and the way they prepare it, which is a vital determinant of health.
• Geography, Peoples and Culture Areas of Oceania Oceania is a geographical region of the planet that is located in the central and western parts of the Pacific Ocean and is mostly composed of a large number of small islands and atolls.
• Multicultural Education: Action Plan for Professional Development of the School’s Staff Multicultural education has to be emphasized in the discussion to make it the core of a future action plan for the next academic year. It is a chance for teachers to recognize their roles in […]
• Greek Culture and Traditions The current culture and traditions is rich and varied representing the region’s customs has an overlap between the western culture and the eastern culture.
• Servant Leadership in Indian Culture and Hindu Religion The basis of this approach is the reorientation of the values of the leader, who considers the empowerment of followers as a means and goal of his activity.
• Cross Cultural Management Strategies: Brazil vs. America The failures in cross-cultural management mainly arise from the weaknesses of managers to consider the impact of cultural differences in their management practices.
• Culture Comparison Between China and Japan In Japan, it can be proved by the fact that the name Japan is written in the Chinese Kanji and not the Japanese Katakana or Hiragana.
• Indian Custom and Culture Community For example, there were various activities used to illustrate this marking, and these would include invitation and welcoming of the bridegroom, exchange of flower garlands, presentation of the would-be wife, the ceremony of the sacred […]
• The Mughal Empire: Culture and Heritage The combination of the regions’ economic independence, the tensions between Hindus and Muslims, and the penetration of the subcontinent by the European economic powers led to the decline of the Mughal Empire.
• Racial and Cultural Identity Development Model At the stage of dissonance, a person is in a conflict between group-appreciating and depreciating within the attitude toward self as well as in a conflict between the emotions of shared experiences and group-depreciating views […]
• Consumerism Culture: Challenges and Solutions In order to avoid further spread of consumerism and its influence on popular culture, the government should introduce change to the education of children and their parents.
• The Marriage Traditions of Wolof Culture These include the role that marriage plays in the family formation in the Wolof society, what the economic background of the plural marriages is, and which traditions describe the marriage ceremony of the Wolof culture.
• The Cultural-Individual Dialectic and Social Nature of Intercultural Relationships This specific type of dialectics is based on the idea that communication of persons depends not only on cultural aspects and differences but also on their individual attributes and visions. Thus, the cultural-individual dialectic is […]
• eBay in Japan, Its Strategic and Cultural Missteps Its strategy of purchasing local companies in target countries as a measure of the quick establishment made it thrive in the European and the American markets.
• The Erosion of Cultural Differences and Globalised Consumer Culture This paper looks into globalisation via cultural perspective whereby the mobility of people in the contemporary world has facilitated the understanding of new cultures and identities in a globalised world.
• Hospitality Industry: Coping with Culture Shock This is the same case in business because if an employee is transferred to a new working station and decides to introduce a different menu from the previous one, this menu is likely to better […]
• Saudi Arabian Culture In this view, observation of Islamic beliefs, norms, values, and traditions enables people to understand the Saudi Arabian culture and adopt it.
• Concept of Globalisation and Cultural Diversity The Concept of Globalisation Globalisation can be defined as the minimisation of the differences between people of the world and the maximisation of their similarities through interactions, cooperation and communication.
• Cultural, Political, Economic and Legal Aspects of Doing Business in France The economy of this country is very strong, considered as the second largest in Europe, and fifth largest in the world.
• How Geography Has Impacted the Development of Ancient Cultures They include: the Gobi and Taklamakan Deserts, the Yellow and Yangtze Rivers, and The Himalayas. To the Egyptians, the Nile River was also a source of transport, facilitating the movements of the people up and […]
• Exploring the Human Culture
• History of Children’s Literature in Western Culture
• Cultural Diversity and Cultural Integration in Western Societies
• Cultural Intelligence by Christopher and Elaine Mosakowski
• Culture Identity: Asian Culture
• Principles of Effective Cross-Cultural Communication Essay
• Cultural Assimilation, Acceptance and Identity in Julia Alvarez’s Poetry
• Gender in Cross-Cultural Perspective by Brettell & Sargent
• Football Impact on England’s Culture
• Language and Culture Interaction in English Language Teaching
• Taiwan and the U.S. Cultural Elements
• Authenticity in Cultural Tourism Sites: A Critical Discussion
• Cultural Convergence: The Interactions Between Different Cultures
• Cultural Diffusion: Factors and Effects
• Dance Analysis: Social and Cultural Context
• Hamlet’s Renaissance Culture Conflict
• Identity, Language, and Culture
• Differences in Culture between America and Sudan
• Subjectivism and Cultural Relativism: Objections and Differences
• Disney and Its Impact on Popular Culture and Society
• IKEA Company’s Organizational Culture
• Anthropological Approach to Culture
• Diversity of Jamaican Culture
• African Cultural Traditions and Communication
• Culture Influence on Intimacy and Human Relationships
• Culture and Identity as Depicted in Kay’s “Trumpet”
• Socialization for the Transmission of Culture
• Sustaining a Culture in Multinational Corporations
• Threats of Globalization on Culture of Individual Countries
• The “Friends” TV Show as a Cultural Artifact
• Leading a Culture of Excellence in Healthcare Industry
• Multicultural Communication and Its Origin
• IKEA’s and Home Depot’s Cross-Cultural Management
• Cultural Factors and Their Influence on Individuals
• Cross Culture Management
• Chinese New Year Foods: Chinese Culture and Traditions
• Five Cultural Dimensions for Understanding the Values
• Culturally Sensitive Care For Jehovah’s Witnesses
• The Impact of Fashion Marketing on Culture
• African and Western Culture in the “Touki Bouki” Film
• Nacirema Culture
• The Renaissance and Its Cultural, Political and Economic Influence
• The Spread of European Culture
• Culture, Language and Influences on Development
• Tesco and Global Supermarket Chain in Hungary: Cultural Issues
• Music and Its Effects on Culture
• Organizational Culture of Google Incorporation
• Intercultural Awareness and Multicultural Society in a Global Village
• What Role Does Food Play in Cultural Identity?
• Korean Culture: History and Principles
• Cultural Differences in International Business
• Islamic Culture and Civilization
• The Jarawa People and Their Culture
• American Culture Pros & Cons
• Youth Culture and Globalization
• Intercultural Understanding in Hala Alyan’s Poems
• Cultural Role of Crepes in France
• Cultural Family Assessment in “Under the Same Moon” Film
• Heritage Tourism vs. Cultural Tourism Definition
• Ways in Which an Organization’s Culture is Transmitted to its Members
• Global Business Cultural Analysis: Japan
• The Influence of the Cultural Current “Modernism” on the Conception of Music in the 20th Century
• Cultural Prostitution: Okinawa, Japan, and Hawaii
• History of Multicultural America by Ronald Takaki
• Vanilla: History, Culture and Production
• Cultural Traditions and Practices in the Novel the Namesake by Jhumpa Lahiri
• Haiti History and Culture
• Culture Clash as a Great Conflict
• Paisà (1946) by Roberto Rossellini: Style, Theme, and Cultural Value
• Dubai’s Food, Dress Code and Culture
• Cultural Criminology: Inside the Crime
• Race Matters, Cancel Culture, and “Boys Go to Jupiter”
• Qantas Airways: Cross Culture and Safety Management
• Food, Eating Behavior, and Culture in Chinese Society
• Does Copyright Enhance Creativity and Culture?
• Intercultural Relations: Physical, Economic, and Linguistic
• Japanese and Emirati Cultural Differences
• Starbucks in China and Cross-Cultural Values
• History: Cultural Exchanges in the Medieval Period
• Intercultural Communication Patterns in the U.S. and UK
• Cross-Cultural Sleeping Arrangements in Children
• Struggle to Retain Culture: McDonaldization in China
• Columbia Under Hofstede’s Cultural Analysis
• Intercultural Relationships Importance
• Culture, Subculture, and Their Differences
• Enron Company’s Organisational Culture Problem
• Compare and Contrast the Political Culture of Australia and Saudi Arabia
• Cultural Belief System: Experiences and Traditions
• Handy and Schein Models in Organizational Culture
• The Depiction of Cultural Conformity and Moral Values in Shirley Jackson’s “The Lottery”
• Organizational Culture and Physical Structure
• Intellectual, Scientific and Cultural Changes in Europe Towards the End of 19th Century
• Mass Society and Popular Culture Theories
• Cultural Diversity Management in the Workplace
• The Influence of Heavy Metal on Japanese Culture
• Implications of Korean Culture on Health
• Gender Roles and Family Systems in Hispanic Culture
• Cross-Cultural Marketing and Cultural Differences in Markets
• Cultural Diversity in Hotel Industry
• Arab Music and Cinema Development: Western Culture Impact
• Coping With Cultural Shock and Adaptation to a New Culture
• Subculture Theories: Response to the Dominant Culture
• Cultural Traditions: Arranged vs. Autonomous Marriage
• Sushi: History, Origin and the Cultural Landscape
• Chicano Culture in “First Communion” by T. Rivera
• Influence of Political, Social, and Cultural Issues
• Cultural Significance of Flynn Rider in “Tangled” by Greno
• Pokémon Go as a Pop Culture Phenomenon
• Cross-Cultural Management and HRM in Walmart
• The Bushmen: Culture and Traditions
• Society, Culture, and Civilization
• “Family Supper” by Ishiguro: Eastern and Western Family Attitudes Cultural Differences
• Matthew Arnold’s and Raymond Williams’ Ideas About Culture
• The History of the Hippie Cultural Movement
• Cultural Diversity and Cultural Universals Relations: Anthropological Perspective
• The Effects of Modern Popular Culture on Personal Beliefs and Values
• Google’s Corporate Culture and its Success
• Classroom Behavior and Culturally Diverse
• The White House as a Cultural Symbol in US
• Billboard as an Element of the Popular Culture
• Roman & Greek Mythology in Pop Culture: Examples, Referenses, & Allusions
• Colombia’s and the US’ Cultural Dimensions
• Culture and Communication Problems in HRM
• Muriel’s Wedding as a Representation of Australian Culture
• Intercultural Communication Led by UNESCO
• The Educational Organization’s Culture
• Disneyland’s Cultural Dimension: USA v. France
• Globalization: Not a Threat to Cultural Diversity
• Beauty and Culture
• Culture Values Expression through Humanities
• Theory of Culture Care Diversity and Universality
• The Cross-cultural Construct of Bronfenbrenner’s Ecological Systems
• Intercultural Communication: Paul Haggis’ “Crash”
• Multicultural Literature. Juliet Kono’s “Sashimi” Poem
• Cross-Cultural Differences Between the US and Pakistan
• The Culture of Smartness in Education
• The Culture of the Nacirema Society
• The Role of Chinese Hats in Chinese Culture
• Irish Culture and Stereotypes in The Quiet Man
• Cultural Diversity: Diversification and Integration
• Hofstede and Trompenaars Theories of Culture Diversity
• An Academic Critique of Hofstede’s Cultural Dimensions Theory
• HR Managers and Cultural Differences
• Fundamentals of Intercultural Communication
• Cultural, Legal, Economic, and Political Aspects of Doing Business in China
• People and Culture in Morocco
• Challenges of Effective Intercultural Communication
• Tribal Tattoos: Cultural Appropriation and Appreciation
• Cultural Change: Mechanisms and Examples
• Socio-Cultural Approach of Humanity Examination
• American Culture and Indian Culture Comparison
• Disneyland Hong Kong Company: Cultural Adaptation
• Food Preferences and Nutrition Culture
• Cultural Bias in Counseling Practices
• The Role of Culture in Gospel Communication
• Starbucks Corporation Organizational Culture
• What Is the Relationship Between the Social Definition of Deviance and the Media’s Role in the Dissemination of Popular Culture?
• Ways to Improve Intercultural Communication
• How Does Culture Affect the Self Identity Personal Essay
• Bombas Firm’s Organizational Structure and Culture
• Socio-Cultural Issues and Health Assessment in Nursing
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• Essay on Indian Heritage

English Essay on Indian Heritage

An introduction.

This article helps you in getting a gist of how to go about writing an essay on Indian heritage. So, continue reading to have a gist of various points on writing an essay on Indian Heritage.

The Indian Heritage

Indian heritage dates back several centuries. It is vast and vibrant. Flora and fauna, music, architecture, classical dance, and the innate secular philosophy of its people are the highlights of India's treasure. Ever since the beginning, we have preserved culture and tradition beautifully for our upcoming generations. We can never forget our tradition and culture as they are embedded in us and are an inseparable part of our lives no matter how far we plan to reach and how much we have progressed in all these years.

In India, people from numerous religious castes and creeds reside in the same country and so it is the land of diversified cultures and traditions. Each religion and caste has its own traditions and Customs. Each religious group follows the culture and has a deep unwavering faith and underlying roots.

Every religion has its own set of music, dance forms, festivals, and several other forms of art that have their own charming essence. Our respect towards our culture is equally divided in the culture and tradition of other religions as well, which is the reason for the survival of the vivid Indian heritage for centuries.

We take pride in our heritage and we also have a magnification of monumental Heritage. Most of the beautiful edifices exhibit a royal past that was built by the rulers and still stands tall.

Unity in Diversity

‘Unity in diversity’ - this depicts India very well. Thus the range of Indian heritage is also quite vast. As the number of religions is quite innumerable in India so does the diversity and so does the heritage sites. One will find various historical heritage sites in every corner of India (basically every state). These heritage sites are built decades ago and still stand alive with all the significance. These historical monuments and sites are proof of how India witnessed the footsteps of various religions, various dynasties, and traditions.

Below is a long and short essay on Indian culture and heritage that covers the richness of Indian traditions and the significance of the heritage sites.

Long and Short Essay on Indian Heritage

Sometimes we often stumble around to write an essay on any topic no irrespective of its difficulty level. Keeping that in mind, we have provided a few sample essays of Indian Heritage. These will help you to understand the structure of an essay and how to write it well during the exam.

Long Essay on Indian Culture and Heritage

If you get a question that reads ‘write an essay on Indian Heritage and Culture’, you must not be worried because you can now prepare yourself for the examination.

India is renowned for its rich history. From north to south, from east to west, every corner of India has its own story. Almost every state of India has one or more special Indian heritage sites which have now become the attractions of tourists. Some of the sites are so significant and ancient in world history that the United Nations Educational, Scientific and Cultural Organization (UNESCO) has recognized them as world heritage sites. These sites have immense historical and cultural significance in today’s date.

Various Architectural Sites

Among all the Indian heritage, architectural sites are the treat to the eyes of travelers from all over the world. Besides, Indians’ love for its rich history keeps these heritage sites alive. It is the duty of the older generations to invoke the same love and respect for these sites. They shall learn the significance and keep their willingness to preserve the heritage for future generations.

There are so many architectural gems lying around surrounding us.

Starting from Ajanta Ellora caves to Khajuraho to Hampi, all these sites are really marvellous. These hold immense value to the Indian tourism industry. Many people’s lives revolve around these. Some other names which deserve to be mentioned are Taj Mahal, Lal Kila, Qutub Minar, Fatehpur Sikri, Bhulbhulaiya, etc.

UNESCO World Heritage Sites

Heritage sites don’t necessarily mean only historical monuments or sites, it also includes various forests, temples, churches, etc. India has a total of 38 total UNESCO world heritage sites i.e. 30 sites are cultural sites, 7 are natural sites and 1 is from mixed-criteria sites. Below are some of the world heritage sites in India recognized by UNESCO.

Ajanta Caves in India (Maharashtra)

Ellora Caves in India (Maharashtra)

Agra Fort in India (Uttar Pradesh)

Taj Mahal in India (Uttar Pradesh)

Sun Temple in India (Orissa)

Group of Monuments at Mahabalipuram in India

Kaziranga National Park in India

Manas Wildlife Sanctuary in India

Churches and convents in Goa

Khajuraho in India

Hampi in India

Bodh Gaya in India

Red Fort in India

Sanchi in India

Chola Temples in India

Short Essay on Indian Heritage

It might not be easy to write a 100 words essay on Indian heritage, which is why we have provided a sample essay for the same below. Give it a read.

Indian history is as rich as its culture. If we look at the architectural marvels of the heritage sites such as Hampi, Khajuraho, Taj Mahal, Lal Kila, Qutub Minar, Fatehpur Sikri, Bhulbhulaiya, these still hold immense significance in terms of their marvelous art, engineering, construction, and labor behind each site. There are many ancient and historical monuments that stand alive. Some of them took literally one decade to hundred years to be built properly. Such beautiful heritage sites are very rarely seen these days if we talk about modern-day architecture.

Hence, as responsible citizens, it is our duty to take care of these Indian heritage sites and monuments so that these could be preserved and witnessed by our future generations as well.

India is one of the world’s oldest countries which is deeply rooted in the ancient history of human civilization. Hence these heritage sites still remain perfectly preserved to date. Hence it is our responsibility as a citizen of India to preserve these beautiful monuments for our future generations.

Our various art forms, literature monuments, tradition, and culture forms a part of our heritage. These works have been appreciated worldwide. We should be proud of such a vivacious culture that prevails in our country. India's natural heritage invokes a sense of pride in each and every citizen of this country. The diversity adds beauty and richness to this country.

FAQs on Essay on Indian Heritage

1. Name a Few UNESCO World Heritage Sites in India.

There are 38 total UNESCO world heritage sites in India i.e. 30 sites are cultural sites, seven are natural sites and one is mixed-criteria sites. A few names are - Ajanta Caves in India (Maharashtra), Ellora Caves in India (Maharashtra), Agra Fort in India (Uttar Pradesh), Taj Mahal in India (Uttar Pradesh), Sun Temple in India (Orissa), Group of Monuments at Mahabalipuram in India, Kaziranga National Park in India, Khajuraho in India, Hampi in India, Chola Temples in India.

2. How to Write an Essay on Indian Heritage and Culture Easily?

With the help of the internet, it is very easy to write essays these days. Here are many sample essays on Indian heritage and culture easily available online. You can visit any renowned ed-tech portal to get access to such samples.

3. What is the Indian heritage?

It is an all-embracing confluence of traditions, customs, and religions. It is one of the world's oldest civilizations. Indian cotton textiles, the ethnicity of jewellery, the richness of silk, handiwork, and everything from ancient times still prevail and is kept alive generation after generation. Indian food is a part of Indian Heritage and is a legacy differing in taste and look in every state of the country.

4. What is the importance of our Indian heritage?

The heritage of our country provides evidence of evolution and our past. It helps us to develop an awareness of ourselves and examine our traditions and history. It helps us to explain and understand the reason for the way we are. Our heritage plays an important role in our business, society, worldview, and politics and is a keystone of our culture. It inspires, influences, and informs policy and public debate directly and indirectly.

5. Why is preserving our heritage important?

Heritage is fragile, it delivers so much in terms of enjoyment and important human experience. It allows us to define ourselves and enriches our lives but also needs consistent development and protection. The acknowledgment of the significance of our heritage is essential to be recognized by the government and reflected in inappropriate and reformed structures and increased funding. This ensures that the most suitable elements are passed on to our children and eventually to their future generations as well.

6. What is UNESCO?

The United Nations Educational Scientific and Cultural Organization encourages the preservation, protection, and identification of the natural heritage around the world and is considered to be of outstanding value to humanity. The international treaty called the Convention is concerned with the protection of the world’s cultural and natural heritage which was adopted by UNESCO in 1972.

Cultural Identity Essay

27 August, 2020

12 minutes read

Author:  Elizabeth Brown

No matter where you study, composing essays of any type and complexity is a critical component in any studying program. Most likely, you have already been assigned the task to write a cultural identity essay, which is an essay that has to do a lot with your personality and cultural background. In essence, writing a cultural identity essay is fundamental for providing the reader with an understanding of who you are and which outlook you have. This may include the topics of religion, traditions, ethnicity, race, and so on. So, what shall you do to compose a winning cultural identity essay?

Cultural Identity Paper: Definitions, Goals & Topics 

Before starting off with a cultural identity essay, it is fundamental to uncover what is particular about this type of paper. First and foremost, it will be rather logical to begin with giving a general and straightforward definition of a cultural identity essay. In essence, cultural identity essay implies outlining the role of the culture in defining your outlook, shaping your personality, points of view regarding a multitude of matters, and forming your qualities and beliefs. Given a simpler definition, a cultural identity essay requires you to write about how culture has influenced your personality and yourself in general. So in this kind of essay you as a narrator need to give an understanding of who you are, which strengths you have, and what your solid life position is.

Yet, the goal of a cultural identity essay is not strictly limited to describing who you are and merely outlining your biography. Instead, this type of essay pursues specific objectives, achieving which is a perfect indicator of how high-quality your essay is. Initially, the primary goal implies outlining your cultural focus and why it makes you peculiar. For instance, if you are a french adolescent living in Canada, you may describe what is so special about it: traditions of the community, beliefs, opinions, approaches. Basically, you may talk about the principles of the society as well as its beliefs that made you become the person you are today.

So far, cultural identity is a rather broad topic, so you will likely have a multitude of fascinating ideas for your paper. For instance, some of the most attention-grabbing topics for a personal cultural identity essay are:

• Memorable traditions of your community
• A cultural event that has influenced your personality 
• Influential people in your community
• Locations and places that tell a lot about your culture and identity

Cultural Identity Essay Structure

As you might have already guessed, composing an essay on cultural identity might turn out to be fascinating but somewhat challenging. Even though the spectrum of topics is rather broad, the question of how to create the most appropriate and appealing structure remains open.

Like any other kind of an academic essay, a cultural identity essay must compose of three parts: introduction, body, and concluding remarks. Let’s take a more detailed look at each of the components:

Introduction 

Starting to write an essay is most likely one of the most time-consuming and mind-challenging procedures. Therefore, you can postpone writing your introduction and approach it right after you finish body paragraphs. Nevertheless, you should think of a suitable topic as well as come up with an explicit thesis. At the beginning of the introduction section, give some hints regarding the matter you are going to discuss. You have to mention your thesis statement after you have briefly guided the reader through the topic. You can also think of indicating some vital information about yourself, which is, of course, relevant to the topic you selected.

Your main body should reveal your ideas and arguments. Most likely, it will consist of 3-5 paragraphs that are more or less equal in size. What you have to keep in mind to compose a sound ‘my cultural identity essay’ is the argumentation. In particular, always remember to reveal an argument and back it up with evidence in each body paragraph. And, of course, try to stick to the topic and make sure that you answer the overall question that you stated in your topic. Besides, always keep your thesis statement in mind: make sure that none of its components is left without your attention and argumentation.

Conclusion 

Finally, after you are all finished with body paragraphs and introduction, briefly summarize all the points in your final remarks section. Paraphrase what you have already revealed in the main body, and make sure you logically lead the reader to the overall argument. Indicate your cultural identity once again and draw a bottom line regarding how your culture has influenced your personality.

Best Tips For Writing Cultural Identity Essay

Writing a ‘cultural identity essay about myself’ might be somewhat challenging at first. However, you will no longer struggle if you take a couple of plain tips into consideration. Following the tips below will give you some sound and reasonable cultural identity essay ideas as well as make the writing process much more pleasant:

• Start off by creating an outline. The reason why most students struggle with creating a cultural identity essay lies behind a weak structure. The best way to organize your ideas and let them flow logically is to come up with a helpful outline. Having a reference to build on is incredibly useful, and it allows your essay to look polished.
• Remember to write about yourself. The task of a cultural identity essay implies not focusing on your culture per se, but to talk about how it shaped your personality. So, switch your focus to describing who you are and what your attitudes and positions are. 
• Think of the most fundamental cultural aspects. Needless to say, you first need to come up with a couple of ideas to be based upon in your paper. So, brainstorm all the possible ideas and try to decide which of them deserve the most attention. In essence, try to determine which of the aspects affected your personality the most.
• Edit and proofread before submitting your paper. Of course, the content and the coherence of your essay’s structure play a crucial role. But the grammatical correctness matters a lot too. Even if you are a native speaker, you may still make accidental errors in the text. To avoid the situation when unintentional mistakes spoil the impression from your essay, always double check your cultural identity essay. 

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Indian Culture and Tradition Essay for Students and Children

500+ words essay on indian culture and tradition.

India has a rich culture and that has become our identity. Be it in religion, art, intellectual achievements, or performing arts, it has made us a colorful, rich, and diverse nation. The Indian culture and tradition essay is a guideline to the vibrant cultures and traditions followed in India. 

India was home to many invasions and thus it only added to the present variety. Today, India stands as a powerful and multi-cultured society as it has absorbed many cultures and moved on. People here have followed various religion , traditions, and customs.

Although people are turning modern today, hold on to the moral values and celebrates the festivals according to customs. So, we are still living and learning epic lessons from Ramayana and Mahabharata. Also, people still throng Gurudwaras, temples, churches, and mosques. 

The culture in India is everything from people’s living, rituals, values, beliefs, habits, care, knowledge, etc. Also, India is considered as the oldest civilization where people still follows their old habits of care and humanity.

Additionally, culture is a way through which we behave with others, how softly we react to different things, our understanding of ethics, values, and beliefs.

People from the old generation pass their beliefs and cultures to the upcoming generation. Thus, every child that behaves well with others has already learned about their culture from grandparents and parents.

Also, here we can see culture in everything like fashion , music , dance , social norms, foods, etc. Thus, India is one big melting pot for having behaviors and beliefs which gave birth to different cultures. 

Get the huge list of more than 500 Essay Topics and Ideas

Indian Culture and Religion

There are many religions that have found their origin in age-old methods that are five thousand years old. Also, it is considered because Hinduism was originated from Vedas.

Thus, all the Hindu scriptures that are considered holy have been scripted in the Sanskrit language. Also, it is believed that Jainism has ancient origin and existence in the Indus valley. Buddhism is the other religion that was originated in the country through the teachings of Gautam Buddha. 

There are many different eras that have come and gone but no era was very powerful to change the influence of the real culture. So, the culture of younger generations is still connected to the older generations. Also, our ethnic culture always teaches us to respect elders, behave well, care for helpless people, and help needy and poor people.

Additionally, there is a great culture in our country that we should always welcome guest like gods. That is why we have a famous saying like ‘Atithi Devo Bhava’. So, the basic roots in our culture are spiritual practices and humanity. 

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May 14, 2024 | Tiana Tran

A Reflection on Asian Culture

UConn Health Pharmacist Tiana Tran shares an essay for Asian American and Pacific Islander Heritage Month

From left: UConn Health pharmacist Tiana Tran celebrates Tết with her sister, Viviana Tran, mother, Bachloan Phan, and father, Thoi Tran, February 2024. (Photo provided by Tiana Tran)

Growing up as a Vietnamese American, Vietnamese culture was perpetually ingrained into my home life. While both my sister and I were born in America, our parents made sure to include our culture in our childhoods. We were raised speaking Vietnamese and we spent quality time with our grandparents, which helped to solidify our language skills. We listened to Vietnamese music, played Vietnamese board games, and learned the history of our family. We enjoyed Vietnamese dishes nearly every day and celebrated Vietnamese traditions such as welcoming our departed ancestors home to eat dinner with us as well as colorful Lunar New Year festivities with family. As a result, my culture is very integral to my identity and I am proud of who I am.

Today, my family and I still perpetuate these traditions; just this February, my family got together and celebrated Tết, the Lunar New Year, in our own special way. I feel very grateful that my family and my culture are so present in my life.

A large part of my culture, and most East Asian, Southeast Asian, and South Asian cultures, revolves around community and family. In the spring, we celebrate Tết with our loved ones. We welcome the new year, full of new beginnings and good fortune, with our community. The celebrations are a chance for everyone to become closer and for communities to get together. It’s a chance for us to appreciate our roots, pay respects to our ancestors, and share well wishes for the new year with our loved ones.

With May’s arrival and spring in full bloom, I reflect upon the community I am a part of at UConn Health, and the immense pride I feel for working in and with a health system that truly cares for everyone. I am so incredibly grateful for the opportunities I have received that allowed me to contribute to the health care system as a pharmacist. This spring, I reflect on my identity and my culture, and how I am so proud of my heritage because it has made me the person I am today.

This May, I reflect on my roots, how my loved ones, my ancestors, and my culture have led me to where I am now. To everyone who has Asian or Pacific Islander heritage, I am so proud to see us represented at UConn Health, where we work together to cultivate a community of care in our health care system.

And to everyone in general, I invite you to do the same and reflect on your roots, and how they have led you to where you are today. Happy Asian American Heritage Month!

Tiana Tran, Pharm.D., is a 2022 graduate of the UConn School of Pharmacy. She completed her pharmacy residency at UConn Health a year later, and started as a staff pharmacist at UConn Health last August.

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Hot spots and trends in microbial disease research on cultural heritage: a bibliometric analysis

• Research Article
• Published: 14 May 2024

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• Weilin Chen 1 ,
• Baorong Fu 1 ,
• Fang Ma 1 , 2 ,
• Zhe He 1 &
• Ming Li 1  

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This study is to understand and analyze the development history, research hotspots, and research trends in the study of microbial diseases of cultural heritage through bibliometric analyses in order to fill the current gap of no literature review in this research field and to make certain contributions to the research in this field and the protection of cultural heritage. Bibliometric and visual analyses of the literature on cultural heritage microbial diseases in the Web of Science (WoS) core collection were carried out using VOSviewer and R-bibliometrix, choosing the two main literature types of papers and reviews. The emphasis was placed on analyzing and summarizing core research strengths, hotspots, and trends. Six hundred sixty-seven documents (573 articles and 94 reviews) were retrieved. αIn the WoS core collection, the first literature on cultural heritage microbial disease research was published in January 2000, and the annual number of publications from 2000 to 2009 did not exceed one; the annual number of publications from 2010 onwards increased rapidly, and after 2018, the number of publications per year exceeded 60, reaching 94 in 2020, which indicates that cultural heritage microbial disease research is booming. Our research showed that Italy, the USA, and China were the leading research countries, and Univ Milan was the institution with the most publications. International Biodeterioration &Biodegradation was the most published and co-cited journal, and Gu JD was the most prolific author. The research hotspots in the study of microbial diseases of cultural heritage mainly include biological degradation of cultural heritage; identification of diseased microorganisms and disease mechanisms; cultural heritage microbial disease prevention and control methods; monitoring, prevention, and control of diseased microorganisms in indoor air; antibacterial agents, especially essential oils, nanoparticles, and other safe and efficient antibacterial products research and development; and exploration of the mechanisms of biofilm protection of cultural heritage on cultural heritage surfaces. Monitoring and identifying cultural heritage microbial communities, identifying disease mechanisms, and researching safe and efficient bacteriostatic products such as essential oils and nanoparticles will be the main research directions in the field of cultural heritage microbial disease prevention and control in the future.

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Visualization and mapping of literature on the scientific analysis of wall paintings: a bibliometric analysis from 2011 to 2021

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Acknowledgements

The authors are all grateful to the editor and reviewers for their valuable comments and suggestions, which improved the quality of the manuscript a lot.

This work was supported by the State Key Laboratory Project of the State Key Laboratory of Urban Water Resources and Environment, Harbin Institute of Technology, China (grant number ES201916).

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Weilin Chen, Baorong Fu, Fang Ma, Zhe He & Ming Li

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WC and BF designed this study. WC, FM, and ZH performed the search. The data was collated and analyzed by WC, BF, FM, and ML. ZH rechecked the data. WC contributed to writing the original draft. All authors read and approved the final manuscript.

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Monitoring and identifying cultural heritage microbial communities, identifying disease mechanisms, and researching safe and efficient bacteriostatic products such as essential oils and nanoparticles will be the main research directions in the field of cultural heritage microbial disease prevention and control in the future.

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Essay on Odisha Culture

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100 Words Essay on Odisha Culture

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Odisha, an eastern Indian state, is known for its rich cultural heritage. Its culture is a blend of art, religion, music, dance, and cuisine.

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250 Words Essay on Odisha Culture

Odisha, formerly known as Orissa, is a culturally diverse state in Eastern India. Its rich cultural heritage, deeply ingrained in its art, architecture, literature, and dance forms, is a testament to the centuries-old traditions and historical influences.

Odisha’s art and architecture are renowned worldwide. The state’s architectural prowess is evident in the ancient temples of Bhubaneswar, Puri, and Konark. These temples, built during the Kalinga era, showcase intricate carvings, reflecting the deep-rooted spirituality and craftsmanship. Odisha’s artistry also extends to Pattachitra, a traditional cloth-based scroll painting, and Tarakasi, a silver filigree work.

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Odissi, one of the oldest classical dance forms in India, originates from Odisha. It’s a beautiful blend of grace, passion, and devotion. Odisha’s music includes traditional folk, tribal and classical genres, with instruments like Mardala and Gini playing pivotal roles.

Odisha’s cuisine is a delightful blend of local ingredients and traditional cooking methods. Known for its subtle yet distinct flavors, dishes like Dalma and Pahala Rasgulla are celebrated.

Odisha’s culture is an amalgamation of its historical legacy, artistic expressions, and spiritual ethos. It is a testament to the region’s resilience, creativity, and reverence for tradition. The exploration of Odisha’s culture offers a profound understanding of India’s diverse cultural tapestry.

500 Words Essay on Odisha Culture

Introduction.

Odisha, an eastern Indian state on the Bay of Bengal, is known for its rich cultural heritage that has flourished for centuries. The culture of Odisha is a harmonious blend of art, religion, and philosophy that has been influenced by several dynasties and rulers over time.

Odisha’s art and architecture are deeply rooted in its history and spirituality. The state is renowned for its ancient temples, including the famous Jagannath Temple in Puri and the Sun Temple in Konark. These architectural marvels, built in the Kalinga style, are a testament to the skilled craftsmanship of the ancient Odia artisans. The intricate carvings and sculptures narrate the stories of Hindu mythology and the lives of the people of the time.

Parallel to its architectural feats, Odisha is also famous for its Pattachitra paintings – one of the oldest and most unique art forms of Odisha. These paintings, made on cloth, depict stories of gods, goddesses, and scenes from the epics Ramayana and Mahabharata.

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Odisha’s performing arts, particularly dance and music, are an integral part of its culture. Odissi, one of the eight classical dances of India, originated in Odisha. This dance form, with its fluid movements and expressive gestures, is a beautiful representation of the state’s artistic traditions.

The music of Odisha, particularly Odissi music, complements the dance form. Chhau, another dance form, is a vibrant fusion of martial arts, acrobatics, and dance, reflecting the region’s tribal culture.

Odia, the official language of Odisha, has a rich literary tradition. Odia literature dates back to the 13th century and has been enriched by the works of eminent poets and writers like Sarala Das, Upendra Bhanja, and Fakir Mohan Senapati. The language itself is unique, being the only language from the Indo-Aryan linguistic group that has been given the status of a classical language by the Government of India.

Festivals and Cuisine

Festivals in Odisha are a vibrant display of its culture. The most famous is the Rath Yatra, the chariot festival of Lord Jagannath. This festival, which attracts millions of devotees from around the world, is a symbol of communal harmony and inclusivity.

Odisha’s cuisine, influenced by its agriculture and geography, is a unique blend of flavors. Rice is a staple, and seafood is popular due to the state’s long coastline. Dishes like Dalma and Pakhala are well-known, and sweets like Rasagola and Chhena Poda are loved by all.

The culture of Odisha is a rich tapestry of art, architecture, literature, performing arts, festivals, and cuisine. It is a testament to the state’s historical legacy and the resilience and creativity of its people. Despite modern influences, Odisha has successfully retained its cultural identity, making it a fascinating study for anyone interested in Indian culture.

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