how to write photo essay captions

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How to Create an Engaging Photo Essay (with Examples)

Photo essays tell a story in pictures. They're a great way to improve at photography and story-telling skills at once. Learn how to do create a great one.

Learn | Photography Guides | By Ana Mireles

Photography is a medium used to tell stories – sometimes they are told in one picture, sometimes you need a whole series. Those series can be photo essays.

If you’ve never done a photo essay before, or you’re simply struggling to find your next project, this article will be of help. I’ll be showing you what a photo essay is and how to go about doing one.

You’ll also find plenty of photo essay ideas and some famous photo essay examples from recent times that will serve you as inspiration.

If you’re ready to get started, let’s jump right in!

Table of Contents

What is a Photo Essay?

A photo essay is a series of images that share an overarching theme as well as a visual and technical coherence to tell a story. Some people refer to a photo essay as a photo series or a photo story – this often happens in photography competitions.

Photographic history is full of famous photo essays. Think about The Great Depression by Dorothea Lange, Like Brother Like Sister by Wolfgang Tillmans, Gandhi’s funeral by Henri Cartier Bresson, amongst others.

What are the types of photo essay?

Despite popular belief, the type of photo essay doesn’t depend on the type of photography that you do – in other words, journalism, documentary, fine art, or any other photographic genre is not a type of photo essay.

Instead, there are two main types of photo essays: narrative and thematic .

As you have probably already guessed, the thematic one presents images pulled together by a topic – for example, global warming. The images can be about animals and nature as well as natural disasters devastating cities. They can happen all over the world or in the same location, and they can be captured in different moments in time – there’s a lot of flexibility.

A narrative photo essa y, on the other hand, tells the story of a character (human or not), portraying a place or an event. For example, a narrative photo essay on coffee would document the process from the planting and harvesting – to the roasting and grinding until it reaches your morning cup.

What are some of the key elements of a photo essay?

• Tell a unique story – A unique story doesn’t mean that you have to photograph something that nobody has done before – that would be almost impossible! It means that you should consider what you’re bringing to the table on a particular topic.
• Put yourself into the work – One of the best ways to make a compelling photo essay is by adding your point of view, which can only be done with your life experiences and the way you see the world.
• Add depth to the concept – The best photo essays are the ones that go past the obvious and dig deeper in the story, going behind the scenes, or examining a day in the life of the subject matter – that’s what pulls in the spectator.
• Nail the technique – Even if the concept and the story are the most important part of a photo essay, it won’t have the same success if it’s poorly executed.
• Build a structure – A photo essay is about telling a thought-provoking story – so, think about it in a narrative way. Which images are going to introduce the topic? Which ones represent a climax? How is it going to end – how do you want the viewer to feel after seeing your photo series?
• Make strong choices – If you really want to convey an emotion and a unique point of view, you’re going to need to make some hard decisions. Which light are you using? Which lens? How many images will there be in the series? etc., and most importantly for a great photo essay is the why behind those choices.

9 Tips for Creating a Photo Essay

Credit: Laura James

1. Choose something you know

To make a good photo essay, you don’t need to travel to an exotic location or document a civil war – I mean, it’s great if you can, but you can start close to home.

Depending on the type of photography you do and the topic you’re looking for in your photographic essay, you can photograph a local event or visit an abandoned building outside your town.

It will be much easier for you to find a unique perspective and tell a better story if you’re already familiar with the subject. Also, consider that you might have to return a few times to the same location to get all the photos you need.

2. Follow your passion

Most photo essays take dedication and passion. If you choose a subject that might be easy, but you’re not really into it – the results won’t be as exciting. Taking photos will always be easier and more fun if you’re covering something you’re passionate about.

3. Take your time

A great photo essay is not done in a few hours. You need to put in the time to research it, conceptualizing it, editing, etc. That’s why I previously recommended following your passion because it takes a lot of dedication, and if you’re not passionate about it – it’s difficult to push through.

4. Write a summary or statement

Photo essays are always accompanied by some text. You can do this in the form of an introduction, write captions for each photo or write it as a conclusion. That’s up to you and how you want to present the work.

5. Learn from the masters

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Making a photographic essay takes a lot of practice and knowledge. A great way to become a better photographer and improve your storytelling skills is by studying the work of others. You can go to art shows, review books and magazines and look at the winners in photo contests – most of the time, there’s a category for photo series.

6. Get a wide variety of photos

Think about a story – a literary one. It usually tells you where the story is happening, who is the main character, and it gives you a few details to make you engage with it, right?

The same thing happens with a visual story in a photo essay – you can do some wide-angle shots to establish the scenes and some close-ups to show the details. Make a shot list to ensure you cover all the different angles.

Some of your pictures should guide the viewer in, while others are more climatic and regard the experience they are taking out of your photos.

7. Follow a consistent look

Both in style and aesthetics, all the images in your series need to be coherent. You can achieve this in different ways, from the choice of lighting, the mood, the post-processing, etc.

8. Be self-critical

Once you have all the photos, make sure you edit them with a good dose of self-criticism. Not all the pictures that you took belong in the photo essay. Choose only the best ones and make sure they tell the full story.

9. Ask for constructive feedback

Often, when we’re working on a photo essay project for a long time, everything makes perfect sense in our heads. However, someone outside the project might not be getting the idea. It’s important that you get honest and constructive criticism to improve your photography.

How to Create a Photo Essay in 5 Steps

Credit: Quang Nguyen Vinh

1. Choose your topic

This is the first step that you need to take to decide if your photo essay is going to be narrative or thematic. Then, choose what is it going to be about?

Ideally, it should be something that you’re interested in, that you have something to say about it, and it can connect with other people.

2. Research your topic

To tell a good story about something, you need to be familiar with that something. This is especially true when you want to go deeper and make a compelling photo essay. Day in the life photo essays are a popular choice, since often, these can be performed with friends and family, whom you already should know well.

3. Plan your photoshoot

Depending on what you’re photographing, this step can be very different from one project to the next. For a fine art project, you might need to find a location, props, models, a shot list, etc., while a documentary photo essay is about planning the best time to do the photos, what gear to bring with you, finding a local guide, etc.

Every photo essay will need different planning, so before taking pictures, put in the required time to get things right.

4. Experiment

It’s one thing to plan your photo shoot and having a shot list that you have to get, or else the photo essay won’t be complete. It’s another thing to miss out on some amazing photo opportunities that you couldn’t foresee.

So, be prepared but also stay open-minded and experiment with different settings, different perspectives, etc.

5. Make a final selection

Editing your work can be one of the hardest parts of doing a photo essay. Sometimes we can be overly critical, and others, we get attached to bad photos because we put a lot of effort into them or we had a great time doing them.

Try to be as objective as possible, don’t be afraid to ask for opinions and make various revisions before settling down on a final cut.

7 Photo Essay Topics, Ideas & Examples

Credit: Michelle Leman

• Architectural photo essay

Using architecture as your main subject, there are tons of photo essay ideas that you can do. For some inspiration, you can check out the work of Francisco Marin – who was trained as an architect and then turned to photography to “explore a different way to perceive things”.

You can also lookup Luisa Lambri. Amongst her series, you’ll find many photo essay examples in which architecture is the subject she uses to explore the relationship between photography and space.

• Process and transformation photo essay

This is one of the best photo essay topics for beginners because the story tells itself. Pick something that has a beginning and an end, for example, pregnancy, the metamorphosis of a butterfly, the life-cycle of a plant, etc.

Keep in mind that these topics are linear and give you an easy way into the narrative flow – however, it might be difficult to find an interesting perspective and a unique point of view.

• A day in the life of ‘X’ photo essay

There are tons of interesting photo essay ideas in this category – you can follow around a celebrity, a worker, your child, etc. You don’t even have to do it about a human subject – think about doing a photo essay about a day in the life of a racing horse, for example – find something that’s interesting for you.

• Time passing by photo essay

It can be a natural site or a landmark photo essay – whatever is close to you will work best as you’ll need to come back multiple times to capture time passing by. For example, how this place changes throughout the seasons or maybe even over the years.

A fun option if you live with family is to document a birthday party each year, seeing how the subject changes over time. This can be combined with a transformation essay or sorts, documenting the changes in interpersonal relationships over time.

• Travel photo essay

Do you want to make the jump from tourist snapshots into a travel photo essay? Research the place you’re going to be travelling to. Then, choose a topic.

If you’re having trouble with how to do this, check out any travel magazine – National Geographic, for example. They won’t do a generic article about Texas – they do an article about the beach life on the Texas Gulf Coast and another one about the diverse flavors of Texas.

The more specific you get, the deeper you can go with the story.

• Socio-political issues photo essay

This is one of the most popular photo essay examples – it falls under the category of photojournalism or documental photography. They are usually thematic, although it’s also possible to do a narrative one.

Depending on your topic of interest, you can choose topics that involve nature – for example, document the effects of global warming. Another idea is to photograph protests or make an education photo essay.

It doesn’t have to be a big global issue; you can choose something specific to your community – are there too many stray dogs? Make a photo essay about a local animal shelter. The topics are endless.

• Behind the scenes photo essay

A behind-the-scenes always make for a good photo story – people are curious to know what happens and how everything comes together before a show.

Depending on your own interests, this can be a photo essay about a fashion show, a theatre play, a concert, and so on. You’ll probably need to get some permissions, though, not only to shoot but also to showcase or publish those images.

4 Best Photo Essays in Recent times

Now that you know all the techniques about it, it might be helpful to look at some photo essay examples to see how you can put the concept into practice. Here are some famous photo essays from recent times to give you some inspiration.

Habibi by Antonio Faccilongo

This photo essay wan the World Press Photo Story of the Year in 2021. Faccilongo explores a very big conflict from a very specific and intimate point of view – how the Israeli-Palestinian war affects the families.

He chose to use a square format because it allows him to give order to things and eliminate unnecessary elements in his pictures.

With this long-term photo essay, he wanted to highlight the sense of absence and melancholy women and families feel towards their husbands away at war.

The project then became a book edited by Sarah Leen and the graphics of Ramon Pez.

Picture This: New Orleans by Mary Ellen Mark

The last assignment before her passing, Mary Ellen Mark travelled to New Orleans to register the city after a decade after Hurricane Katrina.

The images of the project “bring to life the rebirth and resilience of the people at the heart of this tale”, – says CNNMoney, commissioner of the work.

Each survivor of the hurricane has a story, and Mary Ellen Mark was there to record it. Some of them have heartbreaking stories about everything they had to leave behind.

Others have a story of hope – like Sam and Ben, two eight-year-olds born from frozen embryos kept in a hospital that lost power supply during the hurricane, yet they managed to survive.

Selfie by Cindy Sherman

Cindy Sherman is an American photographer whose work is mainly done through self-portraits. With them, she explores the concept of identity, gender stereotypes, as well as visual and cultural codes.

One of her latest photo essays was a collaboration with W Magazine entitled Selfie. In it, the author explores the concept of planned candid photos (‘plandid’).

The work was made for Instagram, as the platform is well known for the conflict between the ‘real self’ and the one people present online. Sherman started using Facetune, Perfect365 and YouCam to alter her appearance on selfies – in Photoshop, you can modify everything, but these apps were designed specifically to “make things prettier”- she says, and that’s what she wants to explore in this photo essay.

Tokyo Compression by Michael Wolf

Michael Wolf has an interest in the broad-gauge topic Life in Cities. From there, many photo essays have been derived – amongst them – Tokyo Compression .

He was horrified by the way people in Tokyo are forced to move to the suburbs because of the high prices of the city. Therefore, they are required to make long commutes facing 1,5 hours of train to start their 8+ hour workday followed by another 1,5 hours to get back home.

To portray this way of life, he photographed the people inside the train pressed against the windows looking exhausted, angry or simply absent due to this way of life.

You can visit his website to see other photo essays that revolve around the topic of life in megacities.

Final Words

It’s not easy to make photo essays, so don’t expect to be great at it right from your first project.

Start off small by choosing a specific subject that’s interesting to you –  that will come from an honest place, and it will be a great practice for some bigger projects along the line.

Whether you like to shoot still life or you’re a travel photographer, I hope these photo essay tips and photo essay examples can help you get started and grow in your photography.

Let us know which topics you are working on right now – we’ll love to hear from you!

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Ana Mireles is a Mexican researcher that specializes in photography and communications for the arts and culture sector.

Penelope G. To Ana Mireles Such a well written and helpful article for an writer who wants to inclue photo essay in her memoir. Thank you. I will get to work on this new skill. Penelope G.

Herman Krieger Photo essays in black and white

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How to Create a Photo Essay in 9 Steps (with Examples)

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What is a photo essay?

• Photo essays vs photo stories
• How photo essays help you
• 9 Steps to create photo essays

How to share your photo essays

Read Time: 11 minutes

Gather up a handful of images that seem to go together, and voila! It’s a photo essay, right? Well… no. Though, this is a common misconception.

In reality, a photo essay is much more thoughtful and structured than that. When you take the time to craft one, you’re using skills from all facets of our craft – from composition to curation.

In this guide, you’ll learn what makes a photo essay an amazing project that stretches your skills. You'll also learn exactly how to make one step by step.

• Photo essay vs photo story

A photo essay is a collection of images based around a theme, a topic, a creative approach, or an exploration of an idea. Photo essays balance visual variety with a cohesive style and concept.

What's the difference between a photo essay and a photo story?

The terms photo essay and photo story are often used interchangeably. Even the dictionary definition of “photo essay” includes using images to convey either a theme or a story.

But in my experience, a photo essay and a photo story are two different things. As you delve into the field of visual storytelling, distinguishing between the two helps you to take a purposeful approach to what you’re making .

The differences ultimately lie in the distinctions between theme, topic and story.

Themes are big-picture concepts. Example: Wildness

Topics are more specific than themes, but still overarching. Example : Wild bears of Yellowstone National Park

Stories are specific instances or experiences that happen within, or provide an example for, a topic or theme. Example: A certain wild bear became habituated to tourists and was relocated to maintain its wildness

Unlike a theme or topic, a story has particular elements that make it a story. They include leading characters, a setting, a narrative arc, conflict, and (usually) resolution.

With that in mind, we can distingush between a photo essay and a photo story.

Themes and Topics vs Stories

A photo essay revolves around a topic, theme, idea, or concept. It visually explores a big-picture something .

This allows a good deal of artistic leeway where a photographer can express their vision, philosophies, opinions, or artistic expression as they create their images.

A photo story  is a portfolio of images that illustrate – you guessed it – a story.

Because of this, there are distinct types of images that a photo story uses that add to the understanding, insight, clarity and meaning to the story for viewers. While they can certainly be artistically crafted and visually stunning, photo stories document something happening, and rely on visual variety for capturing the full experience.

A photo essay doesn’t need to have the same level of structured variety that a photo story requires. It can have images that overlap or are similar, as they each explore various aspects of a theme.

Photo essays can be about any topic. If you live in a city, consider using your nature photography to make an essay about the wildlife that lives in your neighborhood . 

The role of text with photos

A photo story typically runs alongside text that narrates the story. We're a visual species, and the images help us feel like we are there, experiencing what's happening. So, the images add significant power to the text, but they're often a partner to it.

This isn’t always the case, of course. Sometimes photo stories don’t need or use text. It’s like reading a graphic novel that doesn’t use text. Moving through the different images that build on each other ultimately unveils the narrative.

Photo essays don’t need to rely on text to illuminate the images' theme or topic. The photographer may use captions (or even a text essay), or they may let the images speak for themselves.

Definitions are helpful guidelines (not strict rules)

Some people categorize photo essays as either narrative or thematic. That's essentially just calling photo stories “narrative photo essays” and photo essays “thematic photo essays.”

But, a story is a defined thing, and any writer/editor will tell you themes and topics are not the same as stories. And we use the word “story” in our daily lives as it’s defined. So, it makes far more sense to name the difference between a photo essay and a photo story, and bask in the same clarity writers enjoy .

Photo stories illustrate a particular experience, event, narrative, something that happened or is happening.

Photo essays explore an idea, concept, topic, theme, creative approach, big-picture something .

Both photo essays and photo stories are immensely powerful visual tools. And yes, the differences between them can certainly be blurred, as is always the case with art.

Simply use this distinction as a general guideline, providing extra clarity around what you’re making and why you're making it.

To dig into specific types of images used to create powerful photo stories, check out this training: 6 Must-Have Shots for a Photo Story. 

Meanwhile, let’s dig deeper into photo essays.

Photo essays are a chance to try new styles or techniques that stretch your skills and creativity. This image was part of an essay exploring simplicity and shape, and helped me learn new skills in black and white post-processing.

How photo essays improve your photography

Creating photo essays is an amazing antidote if you’ve ever felt a lack of direction or purpose in your photography. Photo essays help build your photographic skills in at least 3 important ways.

1. You become more strategic in creating a body of work

It's easy to get stuck in a rut of photographing whatever pops up in front of you. And when you do, you end up with a collection of stand-alone shots.

These singles may work fine as a print, a quick Instagram post, or an addition to your gallery of shots on your website. But amassing a bunch of one-off shots limits your opportunities as a photographer for everything from exhibits to getting your work published.

Building photo essays pushes you to think strategically about what you photograph, why, and how. You're working toward a particular deliverable – a cohesive visual essay – with the images you create.

This elevates your skills in crafting your photo essay, and in how you curate the rest of your work, from galleries on your website to selecting images to sell as prints .

2. You become more purposeful in your composition skills

Composition is so much more than just following the rule of thirds, golden spirals, or thinking about the angle of light in a shot.

Composition is also about thinking ahead in what you’re trying to accomplish with a photograph – from what you’re saying through it to its emotional impact on a viewer – and where it fits within a larger body of work.

Photo essays push you to think critically about each shot – from coming up with fresh compositions for familiar subjects, to devising surprising compositions to fit within a collection, to creating compositions that expand on what’s already in a photo essay.

You’re pushed beyond creating a single pleasing frame, which leads you to shoot more thoughtfully and proactively than ever.

(Here’s a podcast episode on switching from reactive shooting to proactive shooting.)

3. You develop strong editing and curation skills

Selecting which images stay, and which get left behind is one of the hardest jobs on a photographer’s to-do list. Mostly, it’s because of emotional attachment.

You might think it’s an amazing shot because you know the effort that went into capturing it. Or perhaps when you look at it, you get a twinge of the joy or exhilaration you felt the moment you captured it. There’s also the second-guessing that goes into which of two similar images is the best – which will people like more? So you’re tempted to just show both.

Ultimately, great photographers appear all the more skilled because they only show their best work. That in and of itself is a skill they’ve developed through years of ruthlessly editing their own work.

Because the most powerful photo essays only show a handful of extraordinary images, you’re bound to develop the very same critical skill (and look all the more talented because of it).

Photo essays are also a great stepping stone to creating photo stories. If you’re interested in moving beyond stand-alone shots and building stories, shooting photo essays will get your creative brain limbered up and ready for the adventure of photo stories.

A photo essay exploring the natural history of a favorite species is an exciting opportunity for an in-depth study. For me, that was a photo essay on emotive images of the American dipper (Cinclus mexicanus) as it hunts in streams. 

9 Simple steps to create your photo essays

1. clarify your theme.

Choose a theme, topic, or concept you want to explore. Spend some time getting crystal clear on what you want to focus on. It helps to write out a few sentences, or even a few paragraphs noting:

• What you want the essay to be about
• What kinds of images you want to create as part of it
• How you’ll photograph the images
• The style, techniques, or gear you might use to create your images
• What “success” looks like when you’re done with your photo essay

You don’t have to stick to what you write down, of course. It can change during the image creation process. But fleshing your idea out on paper goes a long way in clarifying your photo essay theme and how you’ll go about creating it.

2. Create your images

Grab your camera and head outside!

As you’re photographing your essay, allow yourself some freedom to experiment. Try unusual compositions or techniques that are new to you.

Stretch your style a little, or “try on” the style of other photographers you admire who have photographed similar subjects.

Photo essays are wonderful opportunities to push yourself outside of your comfort zone and grow as a photographer.

Remember that a photo essay is a visually cohesive collection of images that make sense together. So, while you might stretch yourself into new terrain as you shoot, try to keep that approach, style, or strategy consistent.

Don’t be afraid to create lots of images. It’s great to have lots to choose from in the editing process, which comes up next.

3. Pull together your wide edit

Once you’ve created your images, pull together all the images that might make the cut. This could be as many as 40-60 images. Include anything you want to consider for the final essay in the wide edit.

From here, start weeding out images that:

• are weaker in composition or subject matter
• stand out like a sore thumb from the rest of the collection
• Are similar to other stronger images in the collection

It's helpful to review the images at thumbnail size. You make more instinctive decisions and can more easily see the body of work as a whole. If an image is strong even at thumbnail size to stand out from similar frames while also partnering well with other images in the collection, that's a good sign it's strong enough for the essay.

4. Post-process your images for a cohesive look

Now it’s time to post-process the images. Use whatever editing software you’re comfortable with to polish your images.

Again, a photo essay has a cohesive visual look. If you use presets, filters, or other tools, use them across all the images.

5. Finalize your selection

It’s time to make the tough decisions. Select only the strongest for your photo essay from your group of images.

Each image should be strong enough to stand on its own and make sense as part of the whole group.

Many photo essays range from 8-12 images. But of course, it varies based on the essay. The number of images you have in your final photo essay is up to you.

Remember, less is more. A photo essay is most powerful when each image deserves to be included.

6. Put your images in a purposeful order

Create a visual flow with your images. Decide which image is first, and build from there. Use compositions, colors, and subject matter to decide which image goes next, then next, then next in the order.

Think of it like music: notes are arranged in a way that builds energy, or slows it down, surprise listeners with a new refrain, or drop into a familiar chorus. How the notes are ordered creates emotional arcs for listeners.

How you order your images is similar.

Think of the experience a viewer will have as they look at one image, then the next, and the next. Order your images so they create the experience you want your audience to have.

7. Get feedback

The best photographers make space for feedback, even when it’s tough to hear. Your work benefits from not just hearing feedback, but listening to it and applying what you learn from it.

Show your photo essay to people who have different sensibilities or tastes. Friends, family members, fellow photographers – anyone you trust to give you honest feedback.

Watch their reactions and hear what they say about what they’re seeing. Use their feedback to guide you in the next step.

8. Refine, revise, and finalize

Let your photo essay marinate for a little while. Take a day or two away from it. Then use your freshened eyes and the feedback you received from the previous step to refine your essay.

Swap out any selects you might want to change and reorder the images if needed.

9. Add captions

Even if you don’t plan on displaying captions with your images, captioning your images is a great practice to get into. It gives context, story, and important information to each image. And, more than likely, you will want to use these captions at some point when you share your photo essay, which we dive into later in this article.

Add captions to the image files using Lightroom, Bridge, or other software programs.

Create a document, such as a Google or Word doc, with captions for each image.

In your captions, share a bit about the story behind the image, or the creation process. Add whatever makes sense to share that provides a greater understanding of the image and its purpose.

Photo essays allow you to explore deliberate style choices, such as a focus on shapes, patterns, textures, and lines. Since each photo is part of a larger essay, it encourages you to be bold with choices you might not otherwise make. 

5 Examples of amazing nature photo essays

1. “how the water shapes us” from the nature conservancy.

This gorgeous essay, crafted with the work of multiple photographers, explores the people and places within the Mississippi River basin. Through the images, we gain a sense of how the water influences life from the headwater all the way to the Gulf of Mexico. Notice how each photographer is tasked with the same theme, yet approaches it with their own distinct style and vision. It is a wonderful example of the sheer level of visual variety you can have while maintaining a consistent style or theme.

View it here

2. “A Cyclist on the English Landscape” from New York Times’ The World Through A Lens series

This photo essay is a series of self-portraits by travel photographer Roff Smith while “stuck” at home during the pandemic. As he peddled the roads making portraits, the project evolved into a “celebration of traveling at home”. It’s a great example of how visually consistent you can be inside a theme while making each image completely unique.

3. “Vermont, Dressed In Snow” from New York Times’ The World Through A Lens series

This essay by aerial photographer Caleb Kenna uses a very common photo essay theme: snow. Because all images are aerial photographs, there’s a consistency to them. Yet, the compositions are utterly unique from one another. It’s a great example of keeping viewers surprised as they move from one image to the next while still maintaining a clear focus on the theme.

4. “Starling-Studded Skies” from bioGraphic Magazine

This beautiful essay is by Kathryn Cooper, a physicist trained in bioinformatics, and a talented photographer. She used a 19th century photographic technique, chronophotography, to create images that give us a look at the art and science of starling murmurations. She states: “I’m interested in the transient moments when chaos briefly changes to order, and thousands of individual bodies appear to move as one.” This essay is a great example of deep exploration of a concept using a specific photographic technique.

View it here   (Note: must be viewed on desktop)

5. “These Scrappy Photos Capture the Action-Packed World Beneath a Bird Feeder” from Audubon Magazine

This photo essay from conservation photographer Carla Rhodes explores the wildlife that takes advantage of the bounty of food waiting under bird feeders . Using remote camera photography , Rhodes gives viewers a unique ground-level perspective and captures moments that make us feel like we’re in conversation with friends in the Hundred Acre Woods. This essay is a great example of how perspective, personality, and chance can all come into play as you explore both an idea and a technique.

25 Ideas for creative photo essays you can make

The possibilities for photo essays are truly endless – from the concepts you explore to the techniques you use and styles you apply.

Choose an idea, hone your unique perspective on it, then start applying the 9 simple steps from above. 

• The life of a plant or animal (your favorite species, a species living in your yard, etc)
• The many shapes of a single species (a tree species, a bird species, etc)
• How a place changes over time
• The various moods of a place
• A conservation issue you care about
• Math in nature
• Urban nature
• Seasonal changes
• Your yard as a space for nature
• Shifting climate and its impacts
• Human impacts on environments
• Elements: Water, wind, fire, earth
• Day in the life (of a person, a place, a stream, a tree…)
• Outdoor recreation (birding, kayaking, hiking, naturalist journaling…)
• Wildlife rehabilitation
• Lunar cycles
• Sunlight and shadows
• Your local watershed
• Coexistence

As you zero in on a photo essay theme, consider two things: what most excites you about an idea, and what about it pushes you out of your comfort zone. The heady mix of joy and challenge will ensure you stick with it. 

Your photo essay is ready for the world! Decide how you’d like to make an impact with your work. You might use one or several of the options below.

1. Share it on your website

Create a gallery or a scrollytelling page on your website. This is a great way to drive traffic to your website where people can peruse your photo essay and the rest of the photography you have.

Putting it on your website and optimizing your images for SEO helps you build organic traffic and potentially be discovered by a broader audience, including photo editors.

2. Create a scrollytelling web page

If you enjoy the experience of immersive visual experiences, consider making one using your essay. And no, you don’t have to be a whiz at code to make it happen.

Shorthand helps you build web pages with scrollytelling techniques that make a big impression on viewers. Their free plan allows you to publish 3 essays or stories.

3. Create a Medium post

If you don’t have a website and want to keep things simple, a post on Medium is a great option.

Though it’s known for being a platform for bloggers, it’s also possible to add images to a post for a simple scroll.

And, because readers can discover and share posts, it’s a good place for your photos to get the attention of people who might not otherwise come across it.

4. Share it on Instagram

Instagram has changed a lot over the last couple of years, but it’s still a place for photographers to share their work thoughtfully.

There are at least 3 great ways to share your photo essay on the platform.

– Create a single post for each image. Add a caption. Publish one post per day until the full essay is on your feed. Share each post via Instagram Stories to bring more attention and interaction to your photo essay.

– Create a carousel post. You can add up 10 photos to a carousel post, so you may need to create two of them for your full photo essay. Or you might create a series of carousel posts using 3-4 images in each.

– Create a Reel featuring your images as a video.  The algorithm heavily favors reels, so turning your photo essay into a video experience can get it out to a larger audience.

I ran a “create a reel” challenge in my membership community. One member created a reel with her still images around a serious conservation issue. It gathered a ton of attention and landed her opportunities to share her message through YouTube and podcast interviews and publishing opportunities. Watch it here.

5. Exhibit it locally

Reach out to local galleries, cafes, pubs, or even the public library to see if they’re interested in hanging your photo essay for display. Many local businesses and organizations happily support the work of local artists.

6. Pitch your photo essay to publications

One of the best ways to reach an audience with your work is to get it published. Find publications that are a great fit for the theme and style of your photo essay, then pitch your essay for consideration. You gain a fantastic opportunity to share your work widely and can earn a paycheck at the same time.

Remember that if you want to get your photo essay published, you may want to hold back from sharing it publicly before you pitch it to publications.

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from training.npr.org: https://training.npr.org/2016/01/12/these-are-nprs-photo-caption-guidelines/

• Style Guide

These are NPR's photo caption guidelines

• More on Visual
• Subscribe to Visual

Note: This content is out of date. Our latest caption rules can always be found here .

Captions are journalism, too. They should be fact-checked and typo-checked. They should be complete sentences that present the who, what, where, when and (sometimes) why without necessarily stating the obvious (i.e., he sits, she waves, they clap). Captions give photos context, telling viewers what’s going on in a photo so they don’t have to guess or jump to conclusions.

As with any content NPR produces, we follow a style guide. Below are some rules to keep in mind when writing and editing captions.

The who : Use parentheses, not commas, to identify who’s who in the photo (a departure from AP’s style for “caption directionals”). For example: “Laurel Dalrymple (left) and Susan Vavrick watch the Newscast anchors bicker.” But give our readers some credit. If Janey Adams is in the photo with President Obama, assume our readers can figure out who is who. Use directionals only if they’re really necessary to identify the people.

An example under this photo by Kainaz Amaria :

The when : Use the day of the week: “Amy Morgan eats her signature Nutella sandwich Monday.” If the event took place more than a week ago, use the month and the day: “Pam Webster attends the Tiny Desk Concert on Dec. 15.” If it took place a year or more ago, throw in the year: “Amy Morgan dressed up as a Zhu Zhu hamster on Dec. 11, 2009.” BUT — if the specific date is irrelevant, consider dropping it altogether or just giving the year or writing something like “last month.”

Also, please remember to put a comma after the year if the date doesn’t come at the end of the sentence (NO: On June 6, 1972 a star was born; YES: On June 6, 1972, a star was born).

The where : Some cities don’t require a state or country after them; please see the dateline entry of the AP Stylebook to see which ones. For all others, include the abbreviated state name (and/or country name, not abbreviated). State abbreviations are NOT the same as the two-letter postal codes. (We use Calif., not CA. Find all the others in the AP’s state names entry, including the eight states that are always spelled out.)

Also, please remember to put a comma after the state or country if the location doesn’t come at the end of the sentence (NO: She was born in Vienna, Va. the crossroads of civilization; YES: She was born in Vienna, Va., the crossroads of civilization).

Keep it brief : You do not need to summarize the entire story in the caption; it should supplement or complement the story. If the caption is as deep as the photo, it’s too long! Please keep captions to a couple lines.

An example under this photo by Ariel Zambelich :

Don’t repeat : Assume the reader looks at a page from top to bottom. You do not need to include everything in every caption. If the top photo says Amy Morgan delivers the commencement address to Barnard College in New York City on Monday, and there is a second photo from the event, you do not need to repeat that it was at Barnard College in New York City on Monday.

“File photo” : DON’T USE this common descriptor from wire services. It’s jargon, and no one cares.

Bylines and credits : Sometimes they are imported in all caps. Please keep an eye out and fix. There should be no spaces alongside the slashes. Also, we shorten The Associated Press to AP in caption credits.

Style : Here’s the style we use when crediting a photo.

• AP photos: Jane Smith/AP (not “Associated Press)
• Getty photos: Jane Smith/Getty Images (not “Getty”)
• If a wire image is credited as “Stringer” or “Uncredited,” only credit the organization.
• Freelance photos assigned by NPR: Jane Smith for NPR NPR staffers: Jane Smith/NPR
• Station Reporter photos should be credited with the station’s call letters: Jane Smith/WAMU
• Photos paid for by NPR but that are not commissioned by NPR should be credited to the photographer: Jane Smith
• Flickr photos: Jane Smith/Flickr (and the source should link back to the URL of the CC license they’ve released the image under)
• Handout, free photos, PR images, museum photos or anything we didn’t pay for should be credited “Courtesy of Jane Smith” (not just “courtesy” or “Courtesy”).
• Approved screenshots should be credited to the name of the company: “Amazon” or “Apple.” Also, indicate in the caption that the image is a screenshot.
• Approved use of an image from an individual or group’s social media feed should only be credited to the individual or group; Facebook or Twitter do not have to be included.

Stephanie Federico is a former NPR homepage editor.

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How to create a photo essay

By Marissa Sapega

According to LDV Capital, there will be 45 billion cameras in the world by 2022 . The proliferation of smartphones with hi-res cameras — coupled with our obsession with documenting the mundane on social media — has led to a glut of images shared on the web .

We're talking 3.2 billion images shared online every single day.

A decade ago, observers were predicting that this would spell the end of professional photography. But as we all know from our Instagram feeds, the need for professional photography — properly produced, contextualised, and published — has never been greater.

With the emergence of next generation digital publishing platforms, we're seeing a new era for photographic essays. Many of the most powerful examples are from journalism, where immersive photos are transforming long-form journalism into a more dynamic and interactive experience.

But powerful photos — coupled with immersive, interactive digital storytelling techniques — are being increasingly incorporated in marketing and communications across multiple industries, from brands to nonprofits. 

In this guide, we'll cover:

• The main types of photo essays
• The new era of photo essays
• Tips for making thoughtful and powerful photo essays
• How to make a compelling photo essay
• We'll also provide a range of photo essay examples as we go

If you're looking for more examples, check out our roundup of photo essay examples .

Let's dive in!

What do the BBC, Tripadvisor, and Penguin have in common? They craft stunning, interactive web content with Shorthand. And so can you! Publish your first story for free — no code or web design skills required. Sign up now.

Types of photo essays

There are two primary types of photo essays: thematic and narrative.

Thematic photo essays

Thematic essays focus on a topical story (like a natural disaster). One example of a great thematic essay comes from NBC News Olympics photos: Emotion runs high .

This piece encapsulates the overall gloom of the 2021 Tokyo Olympics — through a series of powerful behind-the-scenes photographs of athletes in varying levels of distress — but does not focus on a particular subject. 

Another example of a great photo story comes from the BBC. In “ From Trayvon Martin to Colin Kaepernick , they tell the story of how Black Lives Matter became entwined with sports. 

Narrative photo essays

Narrative photo essays take the story a step further and tell a specific story through images. 

One striking example is SBS's 28 Days in Afghanistan . This narrative essay documents photojournalist Andrew Quilty's time in the war-ravaged nation through stark photographs and supplementary text.

What is a photo essay in 2023?

A traditional photo essay aims to replace the written word with photographs. Done poorly, it is nothing more than series of images lumped together. Done well, though, the photojournalist or artist takes the reader on an engaging journey.

The main difference between photo essays of yore and photo essays in 2023 is the sophistication of digital publishing. With the rise of digital storytelling platforms, we're seeing a rise in truly interactive and immersive digital photo essays. 

Today, many digital photo essays include quotes and text to supplement the visuals and are formatted using interactive scrollytelling techniques. Scrollytelling is a form of visual storytelling that leverages user engagement (scrolling) to reveal images and text in an interesting and dynamic way. The interactivity compels the viewer to continue consuming the content, and creators have a wide latitude when designing the overall effect.    

Given the benefits of a more dynamic and interactive form of photo essays, it’s easy to see why they have become so popular in recent years. But as with any photo essay, creating an exceptional digital photo essays requires planning, structure, and know-how.

Let's take a closer look with ten tips for great photo essays.

Looking to learn more about interactive visual storytelling? Check out our guide, 8 tips for powerful visual storytelling .

10 tips for great photo essays

1. Create visual structure

An authentic photo essay requires visual markers to help transform a collection of images into a narrative. For example, photo chapter headings in Growing up young introduce each new girl in the story.

Similarly, in SBS’s photojournalism story — 28 days in Afghanistan , mentioned above — each dated header delineates a part of the story, providing an easy-to-follow chronological structure and pace.

Daniel Boud intersperses his own thoughts in between a haunting series of photographs of the iconic Sydney Opera House as it underwent a restoration during the early days of the Covid-19 pandemic in The Sydney Opera House at Rest .

Text can add depth to the photo essay—but take care where you add it. It should support and enhance the final product, not overshadow it.

2. Make it interactive

In 2023, the best photo essays are interactive. 

One great example of an interactive photo essay is WaterAid’s essay, Water and Climate . This photo essay highlights the people climate change has impacted most brutally, including a video, stark close-up photography, and graphics to get its point across. 

The photo essay uses minimal text, preferring to allow the images to speak for themselves. As a user scrolls, it exposes them to more content. Each visual and supplemental text further immerses the viewer into the story until the end, where they encounter a call to action to join WaterAid in helping those in need.

Nonprofits like WaterAid often use interactive photo essays to compel people to act , because they work. Half the battle of convincing someone to part with their money is creating an emotional connection with them—something a photo essay does particularly well.

3. Produce more content than you need

Have you ever seen how much film footage ends up on the cutting room floor for the average movie (known as the shooting ratio)? It’s a lot.   

Why is this? First, filmmakers know that many of the shots they take will be either poor-quality or simply not up to their exacting standards. Second, if a director included all the footage they took throughout the entire production in the final product, her movie would be a bloated mess.

The editor’s job is to strip away the dead weight to reveal a clean, refined, final product that keeps viewers raptly engaged. However, an editor may struggle to do his job if the director has not provided enough usable footage.

The same principles apply to creating an exceptional photo essay. Always assemble more visuals and content than you think you’ll need so you can use the cream of the crop for the final product. Shedding content may be difficult, but it’s necessary, so be prepared to edit your piece without mercy.

Publishing photos on the web, but confused about the range of file formats? Check out our guide to file formats .

4. Use only the best photos

A photo essay is not an excuse to throw together all the imagery you have. Just like any good story, it needs a focused and compelling narrative that keeps things connected. Each image needs to bring something to the table. 

Remember that photo quality plays a significant role in the overall caliber of a photo essay. If your iPhone isn’t doing your subject justice, don’t be afraid to pull in a professional to make your work come alive.

A great example of this comes from Sky Sports. In their photo essay, Pictured: Diego Maradona , they had to be ruthless when deciding upon the imagery to include.

They no doubt had hundreds — perhaps thousands — of photos to choose from from the many photo shoots in Maradona's life. Yet they knew that each one had to be poignant and compelling in its own way. 

5. Don’t be afraid to edit your photos

Not everyone can be Ansel Adams or Annie Leibovitz. Happily, with the readily available photo-editing software like Photoshop and high-quality cameras on every smartphone, you don’t need to be. Do your best to acquire top-quality photos, but don’t be timid about improving them!

Thanks to heavy exposure to advertising, viewers today now expect doctored images. Whether you’re refining a photo for a flawless finish or adding a touch of grittiness, use this expectation to your advantage. Dial up the contrast, crop out unnecessary elements, and use filters if they suit your needs.

6. Visit the archives

With so many gleaming, airbrushed-to-perfection photographs online today, exposure to imagery that’s not polished within an inch of its life can be a refreshing change. 

For example, take a look at Mancity’s My Debut Trevor Francis (v Stoke 1981) , which exclusively uses archival images. Not only was this a necessity (the focus was on a decades-old football match), but it lent the entire piece a tattered legitimacy. You wouldn’t expect “Insta-worthy” images because that’s not the experience the author is trying to convey.

7. Storyboard before building

You wouldn’t build a house without drafting a blueprint, would you? (Well, not unless you weren’t too invested in the end-product.) Much like a blueprint, a storyboard helps you convert the vision inside your head into a concrete plan for construction. It can also contribute to your shot list for your photography project. 

Storyboarding forces you to take a step back and evaluate how each element fits into the larger narrative. You may find that half your content is no longer necessary, and that’s okay. It may seem like a barrier to “getting to the fun part” of adding fancy flourishes and creative details, but it’s a critical step for building a good photo essay that genuinely influences viewers.

8. Experiment!

While there are certainly best practices to follow when creating a photo essay, no “one true path” will culminate in perfection every time. Photo essays are a way to express a story; such art is not limited to a template or cookie-cutter outputs.

So, mix it up! Test out different photos, filter effects, text, quotes, and visuals. Pretend you’re playing with a Rubik’s cube when you’re storyboarding and shuffle the content around with abandon. There is no right way to draft a photo essay, and you’ll never settle on one that you believe best conveys your story without a bit of experimentation. (Of course, your first iteration may end up being your best, but at least this way you won’t have any doubts.)

9. Combine data and maps

Adding hard metrics and maps to a photo essay can help support a narrative in ways that photographs can’t. In this essay on segregation in Detroit , NBC included interactive maps of the city that underscored the severity of Detroit’s redlining policy. 

These maps drive home this multimedia photo essay’s primary takeaway: Detroit’s enforced segregation has resulted in almost a century of lower quality of life for its black residents.

10. Get inspired

No matter how compelling the vision in your head is, you can still benefit from a little inspiration. If you're looking for photo essay ideas, consider: 

• Focusing on a single subject for a day (known as a day in the life photo essay).
• Document local events, such as art shows, protests, or community gatherings — this is an endless source of photo essay topics.
• Capture social issues from your local area.
• Start a photo series, in which you document the same specific subject over a period of time.
• Research the great photo essayists from history, such as W. Eugene Smith, and James Nachtwey.
• Dive into the archives of the great photo essay magazines, such as National Geographic and Life Magazine.
• Do some research on your potential subject. This will help you formulate different angles from which to approach your photo essay.
• Sign up to Shorthand's newsletter , which rounds up the best visual stories on the web every other week. 

Now, let's dive into how to make a stunning photo essay using Shorthand.

How to make a stunning digital photo essay

Traditionally, photo essays on the web were little more than a series of images pasted into a blog post. Because most blogs are structured primarily for words, these photos essays didn't do justice to their source media. 

However, as web browsers became more powerful and bandwidth increased, a range of content platforms — including no-code digital storytelling platforms like Shorthand — have evolved to make it easier to create stunning visual stories. We've linked to many of these in this guide. 

In this section, we're going to run through how to make a photo essay using Shorthand. If you're not a Shorthand customer, you can sign up here and follow along.

1. Create a new story

In your Shorthand dashboard, click 'New Story.' If you'd like, you can choose from any of our templates to help you get started. For now, though, we're going to start with a blank canvas.

The template chooser

2. Add your title image

Every photo essay needs a stunning title image to hook the reader. Depending on what kind of photo essay you're creating, this could be a photo of the subject or theme of the piece. You can also choose to add a title, subtitle, and author. 

3. Add a text section

Every photo essay needs a written introduction, to help contextualise the images that follow. Simply click 'New Section' and 'Text', before pasting in your introductory copy.

Adding a Text section.

4. Add your first photo

Now it's time to add the first photo in your essay. Simply click 'New Section' and 'Media.' In photo essays, hierarchy is critical, so make sure you've thought about which photo is most appropriate at the top of your essay. In Shorthand, your photo will appear in all its  full-screen glory.

Image in a 'Media' section.

5. Add a Reveal section

You also have the option of adding a 'Reveal' section, which allows you to add text that floats over your images. This text can act as a commentary or de facto caption for each photo in your essay.

Simply click 'New Section' and 'Reveal.' You'll be able to also upload a version of the image for mobile, and set focus areas to make sure the most important parts of your image are shown.

A 'Reveal' section with accompanying text box.

6. Add transition effects

Depending on the nature of your photo essay, you may wish to add transition effects between some images. A ‘Reveal’ section is the best way to achieve this. You'll have the option of choosing from several types of transitions that occur as your reader scrolls from one full-screen image to the next, and each image can have its own text box, too.

Testing a Reveal section in the Shorthand editor

7. Add Scrollmation effects

If you want to use images in concert with large amounts of text, then consider using Shorthand's Scrollmation feature. This allows you to transition through a range of images as the reader scrolls down a column of text. 

To do this — you guessed it — simply click 'New Section' and 'Scrollmation' or 'Background Scrollmation.' 

The difference between the two is simple: In a Scrollmation section, the text appears in a column beside your images, while in a Background Scrollmation section,  images fill the screen and the text column appears over the images. A sequence of related images can give the effect of animation triggered by the reader’s scrolling.

A Scrollmation section within the editor

Background Scrollmation in the editor

8. Add a Media Gallery

If you have many different images, and want to create a mosaic effect in your essay, then you can use a media gallery. To do this, simply click 'New Section' and 'Media Gallery.' 

You can then upload your images, and experiment with their size and arrangement to achieve your intended effect.

Creating a Media Gallery section in the editor

9. Preview your story

Photo essays — more than many other genres of content on the web — can run into problems with different screen sizes. Before you publish, make sure you test your story using Shorthand's preview option. 

You'll be able to see what your story looks like on desktop, mobile, and tablet viewports, and make adjustments as needed. You can also share your preview link with collaborators, and get pre-publication feedback and quality-assurance.

Story previews in the editor, simulating a phone and iPad.

10. Publish 🚀

The final step is to publish your essay to the world! You now have an immersive, potentially interactive photo essay — without writing a line of code. 

Contemporary photo essays are creative endeavours rife with opportunities for interactivity. Organisations and artists alike use them as modern, impactful vehicles to convey powerful stories. Try creating one for yourself using Shorthand for free today!

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How to create a photo essay

• Author Picfair
• Level Intermediate
• Reading Time 8 minutes

Cover images by James Gourley

Create a meaningful set of images by producing a photo essay or story

A photographic essay is a deeper and more meaningful way to use your photography than a single image tends to be. Typically associated with documentary and news-gathering, a photo essay doesn’t necessarily have to follow those genres, but can be used as a way to tell a longer or more in-depth story about all manner of subjects. Creating a photo essay however is about more than just taking a set of images and presenting them as one package. They require more forethought, planning and editing than many other forms of photography, but the results are often more rewarding, too. Follow our guide below if it’s something you’d like to consider putting together. ‍ ‍

1 Find a story

The first thing you will need to do is to figure out what you want to do your photo essay on.

"Inspiration can come from anywhere, but a good starting to place is to look at news sources to see if something catches your eye."

Inspiration can come from anywhere, but a good starting to place is to look at news sources to see if something catches your eye. If you’re not sure where to begin, you could start by looking at what’s going on in your local area - if nothing else, it’ll make the practicalities easier. Start jotting down ideas that you can explore and figure out exactly why you want to do it. Try to be as active as you can in discovering what’s going on in the world and eventually something will keep your attention for long enough that it will seem like the right idea.

‍ 2 Do your research

‍ Next, try and find out as much as you can about whatever it is you want to create your photo story on.

"If you find that others have done photo essays on the same or similar subject, then that’s something you should be aware of."

Importantly, you’ll need to see what else already exists out there - if anything - on your story. If you find that others have done photo essays on the same or similar subject, then that’s something you should be aware of. That’s not to say that you can’t also do one, but it pays to be prepared so that you can perhaps approach it in a different way. You’ll also need to do some research into the practicalities that will be required to help you along the way. You’ll need to look into people you should be contacting, how you will get to the destination (if it’s not local), any requirements you need for visiting the location, any restrictions on what you can and cannot shoot and so on. Doing as much research ahead of time as possible will make the project run smoothly when it comes to actually shooting it. ‍

3 Make a structured plan  

Once your research is complete, it’s time to make a detailed and structured plan about how you’re going to go about shooting your photo essay. It doesn’t have to be completely rigid so as to disallow flexibility, but sorting out shoot times, shoot dates, shoot locations will give you something to work with, even if things eventually go off plan. Some photo essays can be shot in an afternoon, others might take several months or even years to complete. Having an idea of how long you want to spend on a particular project can help focus your mind and give you an end date for when you might want to publish the essay. It’s also useful to tell subjects and those involved with the shoot a rough timeline of events. You might find it helpful to organise everything together in one easily accessible place - such as online calendars and spreadsheets, so you can quickly refer to anything you need to.

4 Tell a story

Your photo essay needs to be more than just a set of images on a similar theme.

"...including some introductory or contextualising shots before you get into the heart of the subject matter is a good approach."

Think of it exactly like a story, which usually requires a beginning, a middle and an end. That’s a very simplistic way of putting it, but photographically, including some introductory or contextualising shots before you get into the heart of the subject matter is a good approach. There might not necessarily be a neat “resolution” to whatever story you’re trying to tell, and it might not always be a happy ending, but having that at least in your mind as you go along can help to create a neatly-packaged story that has a definite and well-constructed narrative.

5 Stick with a cohesive style

Exactly how you’re going to shoot your photo essay is entirely up to you, but in order for your story to have a cohesive look, it’s usually best if you stick to the same style throughout.

"With a photo essay, you want the images to hang extremely well together as a set, so keeping things consistent will help you do that..."

That could be as simple as not mixing black and white and colour, always using a particular lens, always shooting in a particular way, or even applying the same post-processing techniques to the finished shots. With a photo essay, you want the images to hang extremely well together as a set, so keeping things consistent will help you do that - that is, unless you’re actively trying to use disparate styles as an artistic or storytelling technique. ‍

5 Create a strong edit

The chances are that in the process of creating your photo essay, you will have shot dozens, if not hundreds of images.

"It can help to step away from your essay for at least a few days if you can to give yourself some distance and perspective - don’t be afraid to be brutal and keep your final selection down to only those that are the strongest or the best."

For the final edit of your photo story, you need to make sure that the images selected to appear are the strongest of the set, with each adding something unique to the finished story. Try to avoid “padding out” your story with too many fillers, even if you think they are strong images on their own. It’s a good idea to avoid too much repetition, and here again you should look to include images that create a strong story arc with a defined beginning, middle and end. It can help to step away from your essay for at least a few days if you can to give yourself some distance and perspective - don’t be afraid to be brutal and keep your final selection down to only those that are the strongest or the best. There’s no defined number for how many images should be included in a final story, but as a general rule, you’ll probably want it to be under 20 for the most impact.  ‍

6 Ask for input

It’s very easy to get so close to your subject and your images that you become blind to any flaws in them, or the structure of your story. Asking for advice and input from somebody you trust can help to tighten up your story even further.

"Asking for advice and input from somebody you trust can help to tighten up your story even further."

In certain situations, it can be helpful to ask the subject of the photographs themselves what they think, to make it more of a collaborative process - but you should be able to determine whether that’s appropriate on a case-by-case basis. If you have any contacts who are photographers, editors or publishers, asking them to cast an eye over your finished story is a good idea, too. ‍

7 Add some text  

It can be a good idea to add some text or individual captions for a photo essay, to give some background information and context to whatever is shown in the pictures. If you’re not a writer, try to keep it as basic as possible - including things such as names, locations and dates. A short introduction to the piece to give some background information is useful, too. Ask somebody you trust to check it over for sense, clarity and mistakes.

8 Get the story seen

Once your story is complete and you’re happy with it, the next stage is to get it seen - also known as, the hard part.

"Once your story is complete and you’re happy with it, the next stage is to get it seen - also known as, the hard part."

A sensible first step is to create an album on your Picfair store which is dedicated to your photo essay. That way, anybody who is looking for that particular piece won’t have to wade through all of your other work to find it. ‍ You can then start sending out information about the work to editors and publishers, including a link to the album on your Picfair page as an easy way for them to look at it.

Editor's tip: ‍ If you're not sure where to begin with pitching to publishers, be sure to check our how to pitch guide .

Expertly crafted guides and tutorials brought to you directly from the Team Picfair.

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Writing photo captions

In most photo captions, the first sentence identifies the people and place in the photograph, and the date and location where it was taken. The second (and perhaps third) sentence should provide contextual information to help readers understand what they are looking at.

The exact format for captions vary from publication to publication, but a basic photo captions should:

• Clearly identify the people and locations  that appear in the photo. Professional titles should be included as well as the formal name of the location. SPELL NAMES CORRECTLY (check against the spellings in the article if necessary). For photographs of more than one person, identifications typically go from left to right. In the case of large groups, identifications of only notable people may be required and sometimes no identifications are required at all. Your publication should establish a standard for its photographers.
• Include the date and day the photograph was taken. This is essential information for a news publication. The more current a photo is, the better. If an archive photograph or photograph taken prior to the event being illustrated is used, the caption should make it clear that it is a “file photo.”
• Provide some context or background to the reader so he or she can understand the news value of the photograph. A sentence or two is usually sufficient.
• Photo captions should be written in complete sentences and in the present tense . The present tense gives the image a sense of immediacy. When it is not logical to write the entire caption in the present tense, the first sentence is written in the present tense and the following sentences are not.
• Be brief . Most captions are one or two short, declarative sentences. Some may extend to a third sentence if complex contextual information is needed to explain the image completely.

Here are a few examples:

• New York City Police Officers check subway cars at Columbus Circle on Friday, Oct. 7, 2005. Security in the city's mass transit system has been increased following yesterday's announcement of a specific terrorist threat to the subway system. (AP Photo/John Smock)
• A school bus is towed following a collision with a car on the Major Deagan Expressway (I-87) in the Bronx on Friday, Sept. 30, 2005. There were no major injuries reported among the 42 students and eight adults on board from St. Joseph School in the Bronx. (AP Photo/John Smock)
• General Pervez Musharraf, President of Pakistan, addresses the audience at the Columbia University World Leadership Forum in New York on Friday, Sept. 16, 2005. In town for the United Nations World Summit this week, several heads of state are speaking at the university . (AP Photo/John Smock)
• (L-R) New York City Mayor Michael R. Bloomberg, New York City Schools Chancellor Joel Klein and Deputy Mayor for Education Denis Wolcott at PS 40 in Brooklyn on Thursday, Sept. 22, 2005, announce the highest scores for New York City public school 4th graders on state math exams since standards-based testing began four years ago.
• 9 Nov. - Cairo, Egypt - A woman displays her ink-stained finger after voting. Egyptians took to the polls today for the first round of parliamentary election. President Hosni Mubarak and his ruling National Democratic Party (NDP) have allowed several opposition groups, most notably the formerly banned Muslim Brotherhood party, to be among the 5,000 candidates campaigning for more than 400 seats. Photo credit: John Smock/SIPA
• 9 June, 2005 – Kabul, Afghanistan -- A child severely burned by a car bomb yesterday receives care at the Indira Gandi Institute of Child Medicine. Doctors are struggling with limited medicines to treat the growing number of child victims, whose injuries are often compounded by other medical problems such as poor nutrition that diminish a child's ability to heal. John Smock/SIPA.
• Musician Phil Stewart uses software by Ejamming Inc. to play online with musicians (pictured on the screen) in other parts of New York City at the DigitalLife Expo on Friday, Oct. 14, 2005. The three-day DigitalLIfe Expo features cutting-edge technology for work, home and play. (AP Photo/John Smock)
• Esquire magazine Editor-in-Chief David Granger, left, and Publisher Kevin O'Malley, right, pose with actress Jessica Biel at her unveiling as the magazine's 2005 'Sexiest Woman Alive' on Thursday, Oct. 6, 2005, in New York City. (AP Photo/John Smock)

Here are some things to watch out for:

• Don’t be vague in your caption, and make sure names of people and places are correctly identified and spelled. Be accurate. A photojournalist is a journalist.
• If a photo is manipulated digitally beyond sizing and color control, it should be labeled as a “photo illustration” in the caption, or in the photo credit. If unusual photo techniques are used, such as time-lapse photography, it should be noted. Explanations are also needed for special effects, such as the use of an inset or a picture sequence.
• Do not use verbs or verb phrases such as “looks on,”  “poses” or “is pictured above” when writing captions. They are obvious and boring.
• Do not editorialize or make assumptions about what someone in a picture is thinking. For example, “an unhappy voter…” or “a fortunate survivor…” The reader should be given the facts and allowed to decide for herself or himself what the feelings or emotions are.
• Do not characterize the content of a picture as beautiful, dramatic, horrifying or in any other descriptive terms that should be evident in the photograph. If it's not evident in the photograph, telling the reader won't make it happen.
• “Wild Art,” standalones, and day shots are all terms used to describe photographs that are published independently of a written story. They often require a more comprehensive caption. Some publications even provide small headlines.

Collecting caption information

This is the news business, and time counts. Photographers often do research and collect the names and spelling of expected participants prior to the event — the internet can be very helpful with this. Some will often begin writing their captions in spare moments before or during an event. This expedites filing when the event is over. At well-organized events, press releases are provided that will include the names of notable participants.

However, the information required for a caption often isn’t available before a picture is taken. Gathering caption information during an event is difficult, and photographers do it in a variety of ways. Most photographers carry small notebooks (sometimes hung around their necks) in which to write the required info. Increasingly, professional cameras have small audio recorders built in that allow you to record required information. Other journalists at an event can also be a source for information. But, be careful: other journalists are often wrong.

Over time photographers develop techniques and timing to make collecting caption information easier. For example, at events where several photos are filed, photographers will often use the same general description in all of their captions, merely changing the significant names in the individual photos.

This article was first published on IJNet on August 14, 2008.

John Smock is a photographer, educator and story experimenter. Smock is the director of photography at the CUNY Graduate School of Journalism and a freelance photographer based in New York City, and a former ICFJ Knight International Journalism Fellow.

Main image CC-licensed by Flickr via  tangi bertin .

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Writing workshops, communication consulting and writing services

How to write a good photo caption

Cutlines get 16% more readership than text.

Too often, communicators crank out captions (aka cutlines) in the 15 minutes before happy hour on a Friday night.

Their loss.

“Too often, [captions] are the first thing the reader reads (sometimes even before the headlines),”  writes the late communication trainer Steve Buttry, “and the last thing [news organizations] slap together.”

Handled well, captions can be workhorses of communication. That’s because:

• Images get the most viewership on a page . That makes the caption, or caption under the image, a power point for communication. (And no, you don’t need to be National Geographic or offer time-lapse photography for this to be true!)
• Captions get 16% more readership than text.
• Telling people what to look for in a picture increased comprehension , according to research by W.H. Levie and R. Lentz.
• Adding captions to a series of cartoons increased recall by 81% , according to a study by Richard E. Mayer, et al. And it reduced problem solving, or the ability to apply the information, by 66%.
• Text that’s larger or bolder than body copy gets more readership . Caption style stands out from the text.

As a result, captions offer an opportunity to draw the reader in and communicate to flippers and skimmers.

Captions “can be to stories what trailers are to movies — intriguing, compelling previews,” says Monica L. Moses, deputy managing editor/visuals for the Minneapolis Star Tribune .

So don’t slap yours together at the last minute.

Catch readers with captions

Here are 12 ways to make the most of social media and other captions:

1. Include a caption with every image.

Yep, every image. Even if:

• It’s a small image.
• The reader can easily tell what the image is.
• It’s a conceptual illustration.

Because you’re not writing captions to explain what’s in the picture. You’re writing captions to draw readers in and communicate to flippers and skimmers.

2. Write subject, verb, object.

Call them “action captions.” The way to capture the action is with a simple sentence and active verb. Which means you need to …

3. Avoid label captions.

That’s where you simply describe what’s in the photo, such as “Bill, 42, holds a fish.” Even worse: “Loring Leifer, president, WordsWorth Communications.”

“Don’t insult your readers,” writes Gregg McLachlan, associate managing editor of the Simcoe Reformer. “If you have a photo of an environmentalist standing next to a fence at a toxic dump site, don’t write, ‘John Johnson is standing next to the fence …’”

Instead, use the photo as a jumping-off point to …

4. Deliver a key message.

Go beyond just identifying the people in the picture. Skip, “Bill, 42, holds a fish.” Readers know what they’re seeing — you don’t need to tell them.

Instead, encapsulate one of your key ideas into the caption. More people will get it than if you just run it in the body copy.

5. Add a catchline.

A catchline is a mini “headline” for your caption. Adding one increases caption readership. The catchline on here is “Reach ‘em where their eyes are”:

Reach ’em where their eyes are Captions can be workhorses of communications — but only if you use them and use them well.

6. compliment the other display copy..

Captions work as a package with headlines, subheads, callouts and the other display copy on the page. Don’t repeat or contradict what you say in the other display elements.

7. Answer reader questions.

If the CEO is wearing a cast, explain why. Otherwise, readers will be distracted by wondering.

8. Use a special typeface.

Make the caption larger or bolder than the text. That will increase readership.

9. Use the present tense.

Give a sense of immediacy. Write your caption as if it’s happening now. (No need to include the date.)

“Your caption represents a specific moment in time captured by a photograph,” McLachlan says. “The photo is the window that takes readers to the scene and captures ‘live’ action.”

10. Keep it short.

Limit the length to 14 to 21 words. If your caption doesn’t look brief and scannable, it will lose its ability to attract.

11. Avoid awkward navigation.

If you’re writing “Bottom photo, clockwise from top left,” there’s too much going on.

“Don’t write, ‘John Johnson, second from left in the middle row starting next to the boiler room door opposite the men’s washroom,’” McLachlan counsels. “Don’t turn your cutline into a maze.”

12. Expand the caption into a mini-story.

Given the power of images and captions, why not run an entire super-short story under the photo? Cover the 5 W’s, or at least the who, what, when and where. That will transform your photos and captions into little information modules. ____

Sources: Steve Buttry, “ Writing Alluring Cutlines ,” NoTrain-NoGain.org

Mario R. Garcia and Pegie Stark, Eyes On the News: The Poynter Institute Color Research, The Poynter Institute for Media Studies , 1991

Peter S. Houts, Cecilia C. Doak, Leonard G. Doak,  Matthew J. Loscalzo, “ The Role of Pictures in Improving Health Communication: A Review of Research on Attention, Comprehension, Recall, and Adherence ” (PDF), Patient Education and Counseling , vol. 61, 2006, p.173-190.

W.H. Levie, R. Lentz, “Effects of text illustrations: a review of research,” ECTJ1982, vol. 30, pp. 195-232

Richard E. Mayer, William Bove, Alexandra Bryman, Rebecca Mars, and Lene Tapangco, “When Less is More: Meaningful Learning From Visual and Verbal Summaries of Science Textbook Lessons,” Journal of Educational Psychology , Vol. 88, No. 1, 1996, pp. 64-73.

Gregg McLachlan, “10 Tips for Better Cutlines: Improve Your Captions Today,” NoTrain-NoGain.org

Monica L. Moses, “Sell Stories! Write Great Captions,” More Eyes on the News, The Poynter Institute, Jan. 10, 2002

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Photo Essay

We all know that photographs tell a story. These still images may be seen from various perspectives and are interpreted in different ways. Oftentimes, photographers like to give dramatic meaning to various scenarios. For instance, a blooming flower signifies a new life. Photographs always hold a deeper meaning than what they actually are.

In essay writing , photographs along with its supporting texts, play a significant role in conveying a message. Here are some examples of these kinds of photo-text combinations.

What is Photo Essay? A photo essay is a visual storytelling method that utilizes a sequence of carefully curated photographs to convey a narrative, explore a theme, or evoke specific emotions. It goes beyond individual images, aiming to tell a cohesive and impactful story through the arrangement and combination of pictures.

Photo Essay Format

A photo essay is a series of photographs that are intended to tell a story or evoke a series of emotions in the viewer. It is a powerful way to convey messages without the need for many words. Here is a format to guide you in creating an effective photo essay:

1. Choose a Compelling Topic

Select a subject that you are passionate about or that you find intriguing. Ensure the topic has a clear narrative that can be expressed visually.

2. Plan Your Shots

Outline the story you wish to tell. This could involve a beginning, middle, and end or a thematic approach. Decide on the types of shots you need (e.g., wide shots, close-ups, portraits, action shots) to best tell the story.

3. Take Your Photographs

Capture a variety of images to have a wide selection when editing your essay. Focus on images that convey emotion, tell a story, or highlight your theme.

4. Edit Your Photos

Select the strongest images that best convey your message or story. Edit for consistency in style, color, and lighting to ensure the essay flows smoothly.

5. Arrange Your Photos

Order your images in a way that makes sense narratively or thematically. Consider transitions between photos to ensure they lead the viewer naturally through the story.

6. Include Captions or Text (Optional)

Write captions to provide context, add depth, or explain the significance of each photo. Keep text concise and impactful, letting the images remain the focus.

7. Present Your Photo Essay

Choose a platform for presentation, whether online, in a gallery, or as a printed booklet. Consider the layout and design, ensuring that it complements and enhances the visual narrative.

8. Conclude with Impact

End with a strong image or a conclusion that encapsulates the essence of your essay. Leave the viewer with something to ponder , reflecting on the message or emotions you aimed to convey.

Best Photo Essay Example?

One notable example of a powerful photo essay is “The Photographic Essay: Paul Fusco’s ‘RFK Funeral Train'” by Paul Fusco. This photo essay captures the emotional journey of the train carrying the body of Robert F. Kennedy from New York to Washington, D.C., after his assassination in 1968. Fusco’s images beautifully and poignantly document the mourning and respect shown by people along the train route. The series is a moving portrayal of grief, unity, and the impact of a historical moment on the lives of ordinary individuals. The photographs are both artistically compelling and deeply human, making it a notable example of the potential for photo essays to convey complex emotions and historical narratives.

Photo Essay Examples and Ideas to Edit & Download

• A Day in the Life Photo Essay
• Behind the scenes Photo Essay
• Event Photo Essay
• Photo Essay on Meal
• Photo Essay on Photo walking
• Photo Essay on Protest
• Photo Essay on Abandoned building
• Education photo essay
• Photo Essay on Events
• Follow the change Photo Essay
• Photo Essay on Personal experiences

Photo Essay Examples & Templates

1. narrative photo essay format example.

nytimes.com

2. Student Photo Essay Example

3. Great Depression Essay Example

thshistory.files.wordpress.com

4. Example of Photo Essay

weresearchit.co.uk

5. Photo Essay Examples About Nature

cge-media-library.s3.ca-central-1.amazonaws.com

6. Travel Photo Example

theguardian.com

7. Free Photo Essay Example

vasantvalley.org

Most Interesting Photo Essays of 2019

Now that you are educated with the fundamentals of photo essays, why not lay eyes on some great photo essays for inspiration. To give you a glimpse of a few epitomes, we collected the best and fascinating photo essays for you. The handpicked samples are as follows:

8. Toys and Us

journals.openedition.org

This photo essay presents its subject which is the latest genre of photography, toy photography. In this type of picture taking, the photographer aims to give life on the toys and treat them as his/her model. This photography follows the idea of a toy researcher, Katrina Heljakka, who states that also adults and not only children are interested in reimagining and preserving the characters of their toys with the means of roleplay and creating a story about these toys. This photo essay is based on the self-reflection of the author on a friend’s toys in their home environment.

9. The Faces of Nature Example

godandnature.asa3.org

This photo essay and collection caters the creativity of the author’s mind in seeing the world. In her composition, she justified that there are millions of faces that are naturally made that some of us have not noticed. She also presented tons of photos showing different natural objects that form patterns of faces. Though it was not mentioned in the essay itself, the author has unconsciously showcased the psychological phenomenon, pareidolia. This is the tendency to translate an obscure stimulus that let the observer see faces in inanimate objects or abstract patterns, or even hearing concealed messages in music.

10. The Country Doctor Example

us1.campaign-archive.com

This photo essay depicts the medical hardships in a small rural town in Colorado called Kremling. For 23 days, Smith shadowed Dr. Ernest Ceriani, witnessing the dramatic life of the small town and capturing the woeful crisis of the region. The picture in this photographic essay was photographed by Smith himself for Life magazine in 1948 but remained as fascinating as it was posted weeks ago.

11. New York City Coffeehouses

lens.blogs.nytimes.com

Café Latte, cappuccino, espresso, or flat white—of course, you know these if you have visited a coffee shop at least once. However, the photographer of this photo essay took it to a whole new level of experience. Within two to three days of visiting various coffee places, Mr. Gavrysh stayed most of his day observing at the finest details such as the source of the coffee, the procedure of delivering them, and the process of roasting and grounding them. He also watched how did the baristas perfect the drinks and the reaction of the customers as they received their ordered coffee with delights in their faces. Gavrysh did not mean to compose a coffeehouse guide, but to make a composition that describes modern, local places where coffee is sipped and treated with respect.

12. Hungry Planet: What The World Eats

13. Photo Essay Example

cah.utexas.edu

14. Photo Essay in PDF

condor.depaul.edu

15. Sample Photo Essay Example

colorado.edu

16. Basic Photo Essay Example

adaptation-undp.org

17. Printable Photo Essay Example

One of the basic necessity of a person to live according to his/her will is food. In this photo essay, you will see how these necessities vary in several ways. In 2005, a pair of Peter Menzel and Faith D’ Aluisio released a book that showcased the meals of an average family in 24 countries. Ecuador, south-central Mali, China, Mexico, Kuwait, Norway, and Greenland are among the nations they visited.  This photo essay is written to raise awareness about the influence of environment and culture to the cost and calories of the foods laid on the various dining tables across the globe.

Photo essays are not just about photographic aesthetics but also the stories that authors built behind those pictures. In this collection of captivating photo essays, reflect on how to write your own. If you are allured and still can’t get enough, there’s no need for you to be frantic about. Besides, there are thousands of samples and templates on our website to browse. Visit us to check them all out.

What are good topics for a photo essay?

• Urban Exploration: Document the unique architecture, street life, and cultural diversity of urban environments.
• Environmental Conservation: Capture the beauty of natural landscapes or document environmental issues, showcasing the impact of climate change or conservation efforts.
• Everyday Life in Your Community: Showcase the daily lives, traditions, and activities of people in your local community.
• Family Traditions: Document the customs, rituals, and special moments within your own family or another family.
• Youth Culture: Explore the lifestyle, challenges, and aspirations of young people in your community or around the world.
• Behind-the-Scenes at an Event: Provide a backstage look at the preparation and execution of an event, such as a concert, festival, or sports competition.
• A Day in the Life of a Profession: Follow a professional in their daily activities, offering insights into their work, challenges, and routines.
• Social Issues: Address important social issues like homelessness, poverty, immigration, or healthcare, raising awareness through visual storytelling.
• Cultural Celebrations: Document cultural festivals, ceremonies, or celebrations that showcase the diversity of traditions in your region or beyond.
• Education Around the World: Explore the various facets of education globally, from classrooms to the challenges students face in different cultures.
• Workplace Dynamics: Capture the atmosphere, interactions, and diversity within different workplaces or industries.
• Street Art and Graffiti: Document the vibrant and dynamic world of street art, capturing the expressions of local artists.
• Animal Rescues or Shelters: Focus on the efforts of organizations or individuals dedicated to rescuing and caring for animals.
• Migration Stories: Explore the experiences and challenges of individuals or communities affected by migration.
• Global Food Culture: Document the diversity of food cultures, from local markets to family meals, showcasing the role of food in different societies.

How to Write a Photo Essay

First of all, you would need to find a topic that you are interested in. With this, you can conduct thorough research on the topic that goes beyond what is common. This would mean that it would be necessary to look for facts that not a lot of people know about. Not only will this make your essay interesting, but this may also help you capture the necessary elements for your images.

Remember, the ability to manipulate the emotions of your audience will allow you to build a strong connection with them. Knowing this, you need to plan out your shots. With the different emotions and concepts in mind, your images should tell a story along with the essay outline .

1. Choose Your Topic

• Select a compelling subject that interests you and can be explored visually.
• Consider the story or message you want to convey. It should be something that can be expressed through images.

2. Plan Your Essay

• Outline your narrative. Decide if your photo essay will tell a story with a beginning, middle, and end, or if it will explore a theme or concept.
• Research your subject if necessary, especially if you’re covering a complex or unfamiliar topic.

3. Capture Your Images

• Take a variety of photos. Include wide shots to establish the setting, close-ups to show details, and medium shots to focus on subjects.
• Consider different angles and perspectives to add depth and interest to your essay.
• Shoot more than you need. Having a large selection of images to choose from will make the editing process easier.

4. Select Your Images

• Choose photos that best tell your story or convey your theme.
• Look for images that evoke emotion or provoke thought.
• Ensure there’s a mix of compositions to keep the viewer engaged.
• Sequence your images in a way that makes narrative or thematic sense.
• Consider the flow and how each image transitions to the next.
• Use juxtaposition to highlight contrasts or similarities.

6. Add Captions or Text (Optional)

• Write captions to provide context or additional information about each photo. Keep them brief and impactful.
• Consider including an introduction or conclusion to frame your essay. This can be helpful in setting the stage or offering a final reflection.

7. Edit and Refine

• Review the sequence of your photos. Make sure they flow smoothly and clearly convey your intended story or theme.
• Adjust the layout as needed, ensuring that the visual arrangement is aesthetically pleasing and supports the narrative.

8. Share Your Essay

• Choose the right platform for your photo essay, whether it’s a blog, online publication, exhibition, or print.
• Consider your audience and tailor the presentation of your essay to suit their preferences and expectations.

Types of Photo Essay

Photo essays are a compelling medium to tell a story, convey emotions, or present a perspective through a series of photographs. Understanding the different types of photo essays can help photographers and storytellers choose the best approach for their project. Here are the main types of photo essays:

1. Narrative Photo Essays

• Purpose: To tell a story or narrate an event in a chronological sequence.
• Characteristics: Follows a clear storyline with a beginning, middle, and end. It often includes characters, a setting, and a plot.
• Examples: A day in the life of a firefighter, the process of crafting traditional pottery.

2. Thematic Photo Essays

• Purpose: To explore a specific theme, concept, or issue without being bound to a chronological sequence.
• Characteristics: Centers around a unified theme, with each photo contributing to the overall concept.
• Examples: The impact of urbanization on the environment, the beauty of natural landscapes.

3. Conceptual Photo Essays

• Purpose: To convey an idea or evoke a series of emotions through abstract or metaphorical images.
• Characteristics: Focuses on delivering a conceptual message or emotional response, often using symbolism.
• Examples: Loneliness in the digital age, the concept of freedom.

4. Expository or Informative Photo Essays

• Purpose: To inform or educate the viewer about a subject with a neutral viewpoint.
• Characteristics: Presents factual information on a topic, often accompanied by captions or brief texts to provide context.
• Examples: The process of coffee production, a day at an animal rescue center.

5. Persuasive Photo Essays

• Purpose: To convince the viewer of a particular viewpoint or to highlight social issues.
• Characteristics: Designed to persuade or elicit action, these essays may focus on social, environmental, or political issues.
• Examples: The effects of plastic pollution, the importance of historical preservation.

6. Personal Photo Essays

• Purpose: To express the photographer’s personal experiences, emotions, or journeys.
• Characteristics: Highly subjective and personal, often reflecting the photographer’s intimate feelings or experiences.
• Examples: A personal journey through grief, documenting one’s own home during quarantine.

7. Environmental Photo Essays

• Purpose: To showcase landscapes, wildlife, and environmental issues.
• Characteristics: Focuses on the natural world or environmental challenges, aiming to raise awareness or appreciation.
• Examples: The melting ice caps, wildlife in urban settings.

8. Travel Photo Essays

• Purpose: To explore and present the culture, landscapes, people, and experiences of different places.
• Characteristics: Captures the essence of a location, showcasing its uniqueness and the experiences of traveling.
• Examples: A road trip across the American Southwest, the vibrant streets of a bustling city.

How do you start a picture essay?

1. choose a compelling theme or topic:.

Select a theme or topic that resonates with you and has visual storytelling potential. It could be a personal project, an exploration of a social issue, or a visual journey through a specific place or event.

2. Research and Conceptualize:

Conduct research on your chosen theme to understand its nuances, context, and potential visual elements. Develop a conceptual framework for your photo essay, outlining the key aspects you want to capture.

3. Define Your Storytelling Approach:

Determine how you want to convey your narrative. Consider whether your photo essay will follow a chronological sequence, a thematic structure, or a more abstract and conceptual approach.

4. Create a Shot List:

Develop a list of specific shots you want to include in your essay. This can help guide your photography and ensure you capture a diverse range of images that contribute to your overall narrative.

5. Plan the Introduction:

Think about how you want to introduce your photo essay. The first image or series of images should grab the viewer’s attention and set the tone for the narrative.

6. Consider the Flow:

Plan the flow of your photo essay, ensuring a logical progression of images that tells a cohesive and engaging story. Consider the emotional impact and visual variety as you sequence your photographs.

7. Shoot with Purpose:

Start capturing images with your conceptual framework in mind. Focus on images that align with your theme and contribute to the overall narrative. Look for moments that convey emotion, tell a story, or reveal aspects of your chosen subject.

8. Experiment with Perspectives and Techniques:

Explore different perspectives, compositions, and photographic techniques to add visual interest and depth to your essay. Consider using a variety of shots, including wide-angle, close-ups, and detail shots.

9. Write Descriptive Captions:

As you capture images, think about the accompanying captions. Captions should provide context, additional information, or insights that enhance the viewer’s understanding of each photograph.

What are the key elements of a photo essay?

1. Theme or Topic:

Clearly defined subject matter or theme that unifies the photographs and tells a cohesive story.

2. Narrative Structure:

An intentional narrative structure that guides the viewer through the photo essay, whether chronological, thematic, or conceptual.

3. Introduction:

A strong introduction that captures the viewer’s attention and sets the tone for the photo essay.

4. Captivating Images:

A series of high-quality and visually compelling images that effectively convey the chosen theme or story.

5. Variety of Shots:

A variety of shots, including wide-angle, close-ups, detail shots, and different perspectives, to add visual interest and depth.

6. Sequencing:

Careful sequencing of images to create a logical flow and emotional impact, guiding the viewer through the narrative.

7. Captions and Text:

Thoughtful captions or accompanying text that provide context, additional information, or insights, enhancing the viewer’s understanding.

8. Conclusion:

A concluding section that brings the photo essay to a satisfying close, leaving a lasting impression on the viewer.

Purpose of a Photo Essay

With good writing skills , a person is able to tell a story through words. However, adding images for your essay will give it the dramatic effect it needs. The photographs and the text work hand in hand to create something compelling enough to attract an audience.

This connection goes beyond something visual, as photo essays are also able to connect with an audience emotionally. This is to create an essay that is effective enough to relay a given message.

5 Tips for Creating a Photo Essay

• Don’t be afraid to experiment. Find the right angle and be dramatic with your description, just be creative.
• Pay attention to detail. Chances are, your audience will notice every single detail of your photograph.
• Shoot everything. Behind a single beautiful photo is a hundred more shots.
• Don’t think twice about editing. Editing is where the magic happens. It has the ability to add more drama to your images.
• Have fun. Don’t stress yourself out too much but instead, grow from your experience.

What is a photo essay for school?

A school photo essay is a visual storytelling project for educational purposes, typically assigned to students. It involves creating a narrative using a series of carefully curated photographs on a chosen theme.

How many pictures should be in a photo essay?

The number of pictures in a photo essay varies based on the chosen theme and narrative structure. It can range from a few impactful images to a more extensive series, typically around 10-20 photographs.

Is a photo essay a story?

Yes, a photo essay is a visual storytelling form. It uses a series of carefully curated photographs to convey a narrative, evoke emotions, or communicate a specific message or theme.

What makes a photo essay unforgettable?

An unforgettable photo essay is characterized by a powerful theme, emotionally resonant images, a well-crafted narrative structure, attention to detail, and a connection that leaves a lasting impact on viewers.

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Discuss the story of a local community event through a Photo Essay.

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What Are Photo Captions? Explained With Examples!

Table of Contents

Photo captions are frequently read before other parts of a publication. An essential component of a news photographer’s job is writing captions for photos.

A caption should give the reader the vital details to comprehend the image. In order for news organizations to publish the photo as soon as possible, it should be written in a consistent format.

In this article, we are going to look at some examples of photo captions and how you can come up with your own.

What Are Photo Captions?

Caption writing should adhere to the same professional standards of clarity, accuracy, and thoroughness as any other writing that appears in a publication. A poor caption can lessen the impact of a good photo and damage its journalistic credibility by being uninformative or, worse, misleading.

Why should people believe the rest of the publication if they can’t trust the accuracy of the specific information in a caption?

Most photo captions list the subjects of the photograph, where they are located when they took it, and who they are. To help people understand what they are looking at , the second (and possibly third) phrase should provide background information.

Although each publication has its specific requirements, a fundamental photo caption should have these features below.

Captions should be simple to identify the subjects and environments in the image. You should mention professional titles and the location’s legal name.

Large groups may only need the identification of prominent members, and on rare occasions, no identification is required. Expectations should be made for your publication’s photographers.

Captions must mention when and where you took the picture. These facts are essential for a news organization.

The better a photo, the more recent it should be. If an old photo or one from before the illustration’s event is used, the caption should specify that it’s a “file photo.

Assist the reader in understanding the news value of the image by giving him or her some context or background. Usually, one or two sentences will do.

Guidelines to Follow for the Best Captions

Your caption style may vary depending on the platform. Is your picture on display at a show? Is it considered photojournalism? Does it fit photojournalism?

There are particular news outlets and platforms with strict rules regarding photo captions. You have to abide by their rules if you are submitting for them.

The photographer has more freedom when posting photos to your website or a social media platform. You can choose whether or not to mention the date you took the picture on your blog or website. In addition, you can tell longer stories and produce photo essays.

When speaking to a friend or family member, write your caption in this manner. Unnecessarily complex sentences turn readers off.

The photographer must take the degree of education of your audience into account. An effective photo caption appeals to a broad audience with various backgrounds. Everyone should be able to comprehend and interpret it with ease. However, don’t simplify too much. The caption must capture the complete story of the image .

Remember that the caption and the image should have the same tone. If the picture isn’t amusing, don’t try to be funny except when deliberately employing irony or sarcasm.

It’s critical to understand to whom your images are speaking. What are their nationality, age, and area of interest? Your audience has an impact on the platform you choose as well as the goal of your photo caption.

You can’t use your photo caption to address every single person directly. We can all understand some universal signs, and a picture can communicate with a large audience—a kiss or smile of that nature.

Examples of Photo Captions for Journalism

• People are celebrating New Year’s Eve in Times Square, on December 31, 2019.
• A number of armed policemen using tear gas on protesters, August 15, 2016.
• A large number of migrants, including children, on their way to the Greek and Bulgarian borders on November 20, 2018.
• Unnamed healthcare worker using a PCR test on a patient, April 20, 2021.
• Victory Day celebrations in Red Square, in Moscow.
• Miners in Chile leaving work at 6 PM.
• A young child using the new iPhone to play mobile games.
• Chef wearing mask adding some paprika to his soup.

Examples of Photo Captions for Social Media

• I know I shouldn’t, but I ate them all anyway!
• By mere chance, I was able to create the right lighting for this picture!
• Home is where the heart is. Follow your heart!
• On my way to the new place of work — excited!
•  I would like to present to you — my new garden!
• This city — is full of opportunities and misery.
• Couldn’t find a good caption for this. Anybody knows better?
• I need a short story for this image, anyone more creative than I am?
• Picture of me getting my business degree. Wasn’t easy, but I think it was worth it!
• I didn’t know people actually needed to use plungers in this day and age. I thought that only happened in cartoons!
• Make sure you check my blog — huge variety of relevant content, updated every week!
• Here’s a tip: learn the language of the country you want to visit!
• Leaving Mexico today. I am out of words, I hope I can stay here forever! Sharing the picture I have of this great place!
• Does anybody know where I can buy ice cream like the one above in Buffalo?
• Running a business when I make toys like these. Link to the page below.
• Use the promo code below to enter. Service charge not included.

Captions for pictures change greatly according to the platform you are using them. As you might expect, captions for a social media platform such as Instagram don’t have to be formal. You don’t have to add the time in a day month year format. There is no right or wrong way to write, in many senses.

However, if you are using the picture for journalism purposes, you have to include all the relevant information. People who are reading this should be able to know all the important details, such as the time and the place. If the photo isn’t yours, you have to give credit to where it’s due. The caption should include all these details in as few words as possible. 

Now that you know a lot about captions, you can start writing captions for your own photos! If you have any questions that relate to the topic of captions, let us know! We would love to help!

Pam is an expert grammarian with years of experience teaching English, writing and ESL Grammar courses at the university level. She is enamored with all things language and fascinated with how we use words to shape our world.

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How to write great captions for your photos

Get more information

Naturally, National Geographic puts a lot of emphasis on photo captioning, but it’s interesting to note that they have full-time staff dedicated to the task.

Brindley says photo captioners will interview the photographers and photo editors; they’ll even talk to people in the photo. If the image is of nature or an animal, they will talk to an expert in the field and get information on what is going on in the background. He says they often quote the experts in the cutline.

Find out what happened before and after the photo was taken to provide context

Look at the photo itself and find what is curious or interesting about that photo. Find out what the subjects were looking at or laughing about. Get the context, the story beyond the photo.

Tell a story without rewriting the accompanying article

People look at the photos sometimes and don’t read the stories, so National Geographic wants to tell them what is going on without repeating too much information that is in the accompanying article.

For example, the cover story in the May issue is on the intelligence of dolphins. If you only look at the photos, you’ll find a lot of information about the intelligence of dolphins and research about how dolphins communicate with each other.

To learn more about photo captioning from Brindley, check out the Webinar

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How to Write a Caption

Last Updated: December 30, 2022 Fact Checked

This article was co-authored by Heather Gallagher . Heather Gallagher is a Photojournalist & Photographer based in Austin, Texas. She runs her own photography studio named "Heather Gallagher Photography" which was voted Austin's Best Family Photographer and top 3 Birth Photographers in 2017, 2018, and 2019. Heather specializes in family Photojournalism and has over 15 years of experience documenting individuals, families, and businesses all over the world. Her clients include Delta Airlines, Oracle, Texas Monthly, and her work has been featured in The Washington Post and The Austin American Statesman. She is a member of the International Association of Professional Birth Photographers (IAPBP). This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 47,258 times.

Captions to tables, figures and images give the reader context for what they are seeing. Therefore, it’s important to provide a good caption for each table, figure and image in your text. [1] X Research source

Writing the Caption

• For instance, if you’re including a picture of a field in a paper about biology, your caption should tell why the field is important to your discussion.

Including Source Information

• Note: The caption goes before the “from.”

• Note: In this one, the source goes after the caption.

Expert Q&A

• Don’t be overly wordy. The best captions are simple—they don’t distract from the image or figure. Thanks Helpful 1 Not Helpful 0

You Might Also Like

• ↑ https://pressbooks.bccampus.ca/technicalwriting/chapter/figurestables/
• ↑ https://writingcenter.unc.edu/tips-and-tools/figures-and-charts/
• ↑ https://gradstudents.carleton.ca/2014/guidelines-using-figures-tables-scientific-engineering-thesis/
• ↑ https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_formatting_and_style_guide.html
• ↑ https://owl.purdue.edu/owl/research_and_citation/apa6_style/apa_formatting_and_style_guide/in_text_citations_the_basics.html
• ↑ https://owl.purdue.edu/owl/research_and_citation/chicago_manual_17th_edition/cmos_formatting_and_style_guide/chicago_manual_of_style_17th_edition.html

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Matador Original Series

How to Write Compelling Captions for Your Photos

S TRONG CAPTIONS are often either overlooked or not given significant thought by journalists, which leads to obvious captions that read almost like afterthoughts, essentially repackaging or restating what the viewer can already see in the shot for him or herself. An example would be the shot / caption above.

Giving context: what the viewer can’t see

Instead of simply reducing / restating what’s already obvious in the photo, strong captions — what we at Matador call “narrative” captions — give the viewer context, backstory, information that the viewer CAN’T see for him or herself. This includes things like:

• Place names
• Subject names
• Backstory on the scene (example: at what point of the trip the shot occurred)
• Backstory or technical info on the shot itself
• Challenges or special circumstances not identifiable in the shot itself
• Information on future events the shot puts into perspective

With that in mind, let’s look at this same shot again with the actual caption (both from Matador Ambassador Drew Tabke):

This is an image taken from Chopo Diaz’s GoPro which our pilot, Drake Olsen, attached to the tail of his Cessna 180. Drake, a former Le Mans Porche race car driver, is an amazing pilot capable of doing amazing things with his plane. In this image he is flying straight towards the wall of spines on the high peak above our camp which we eventually skied.

The reason we refer to these as “narrative” captions is because if done correctly, they create narrative layers, a sense not of the moment simply “frozen in time” but part of a story.  It adds the temporal sense, the transparency, the window into the journalist’s experience that helps us as readers / viewers to enter the story.

Here’s another example from the same photo essay from Drew:

During the Klondike Gold Rush, the Lynn Canal was a major route for miners heading to Skagway, Alaska, hoping to strike it rich. We experienced the same feeling of heading into the unknown as we sailed north on this historic and dramatic waterway with our expedition equipment packed below deck. The ferry took us from Alaska’s capital, Juneau, four hours north to the fishing town of Haines.

One last example of narrative captioning comes from Matador contributing editor Daniel Britt. Notice how the photographer’s descriptions imply not just his passing through the area but having spent significant time and developing a relationship with the culture.

A street merchant bags a few grams of naswar — Afghan snuff — in Herat. The fine, moist, green powder — typically taken sublingually — is derived from tobacco treated with lime for its alkaline capabilities. It produces a dizzying high that quickly gives way to nausea and oral-esophageal burning. You’ll grow to love it, especially in the dry, cold Afghan Decembers, or waiting around for a tuk-tuk, slaughtering a sheep, any of those. It’s pain that amplifies the senses. It’s also one of the few vices I’ve seen Afghan women enjoy — embarassing because it took me two trips and several months to figure out a functional dosage. Try a pinch placed between your cheek and gum tissue grasping your left-side molars. Photo by Daniel C. Britt

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How to Write Captions for Your Photos

By Jennifer Leigh Warner, NANPA Ethics Committee Chair

It’s exciting when you decide to make the leap from viewing your image on the back of your camera to publishing that image for the whole world to see. So many thoughts are buzzing around your head, like “What will others think of my image?” and “Will this image impact the way people see the world?” With so much going through your mind, it’s important to not forget the ethical obligation you have to properly caption those photos for viewers.  

Why captions are important

A caption is more than just a label. Yes, it describes what’s in the photo, but good captions also convey crucial additional information. Captions can provide the context that leads to a deeper, richer understanding for a viewer, whether that’s learning about animal behavior, technical information, or safe and ethical practices. While there’s an art to writing great captions, it’s pretty easy to construct good ones.

Different captions for different viewers

How you caption your photos depends on the intended audience. If the viewers are other photographers, you may spend more time focusing on the technical aspects of the image, such as camera brand and model, as well as what settings you used to make your image. Many photography publications require this kind of caption information to help inform their readers, who often want to know specifics about the gear used.

Images posted on social media have less strict captioning guidelines. However, including the subject’s name and location as well as an explanation of the animal’s behavior or the landscape’s importance can help viewers build a better understanding of what they are seeing and why you took the photo.

In the case of sensitive subjects, such as owl nests, omitting specific location data may serve as a way of protecting the subject from harassment or persecution by overenthusiastic people. There is a movement on Instagram, for instance, to stop using location tagging in order to preserve fragile environments .

You may want to consider adding additional information regarding any specialized equipment you used to make your image. For example, if you publish a frame-filling portrait of a bear, then explaining that you used a 600mm lens with a 2X teleconverter, and cropped the image by 50%, helps your audience understand how you were able to make such an intimate image while still maintaining a safe distance from the bear and following ethical guidelines for nature photography, such as NANPA’s Ethical Field Practices .

Including descriptions and explanations of specific wildlife behaviors, the ecological role of a plant or insect, or the importance of a cypress swamp helps viewers better understand what is interesting, unique, or important about your image and develop an appreciation for those aspects of nature.

Embed photo captions in metadata

Whenever possible, captions should be embedded into the image’s metadata. By providing it in the image file, caption information will remain with the image as it is shared online with audiences you may never see or speak with. Image tags and personal information can also be added to the metadata to optimize image searchability.

Including this information in your metadata also helps maintain and protect your copyright as well as aiding others who may be interested in your subjects or your work find you.

Five must-have elements for photo captions

When deciding what to include in your caption, try to remember the five must-have elements for an effective caption.

• The What – Informative description of what the image depicts
• The When – The time of year the image was taken
• The Where – The location where the image was taken
• The How it was photographed – Truthful disclosure of the conditions under which the image was captured
• The How it was post processed – Truthful disclosure of any post-processing and digital manipulation.

If you include these five elements in your captions, you will have much greater success affecting viewers’ understanding of and attitude toward your subjects. In so doing, your images will have more positive impact on the natural world.

Useful terms for photo captions

NANPA’s Truth in Captioning Statement provides suggestions for terms that might be included in photo captions to help viewers better understand how the image was captured. These include:

• Wild – The term “wild” applies to any animal having the freedom to go anywhere and to disregard artificially set boundaries, with the exception of preserves established to protect the animal for its own sake, and where it lives in a natural state.
• Captive – The term “captive” applies to any animal that is living under human care and control for an extended period of time. This includes, but is not limited to, zoos, game farms, falconry, rescue facilities, and research facilities. Including the name of the facility in the caption may also help convey the captive nature of the animal. Many educational and documentary photo users require this information.
• Controlled – The term “controlled” applies to an animal temporarily under human control but otherwise wild. Examples include animals in a cage, net, trap, temporary aquarium, or in refrigerated, drugged or tethered conditions.
• Baited – The term “baited” refers to the use of live, dead, or fake food to attract a predatory bird, mammal, or reptile.
• Attracted – The term “attracted” applies when using food, water, scent, audio, decoys, or any other introduced means to attract a non-predatory animal. It also applies to using anything other than food (e.g. decoys) to attract a predatory bird or other animal.

In some situations, providing additional information about how the image was taken can help viewers learn how to photograph their own subjects more responsibly. For example:

• Images taken on public land usually off-limits to the general public may be labeled as having been done under permit, or with appropriate permission.
• Wildlife images taken while working with wildlife biologists to minimize impact can note that guidance and supervision were provided.
• Images taken using remote cameras can acknowledge that the technology enabled the photographer to have minimal impact on delicate landscapes.

This type of captioning can help discourage photographers from taking similar images without obtaining the proper permits, precautions, and expertise.

Additional terms can help viewers understand that some images are digitally manipulated during post-processing, helping them distinguish a literal documentary image from an artistically-rendered one. These include:

• “ As Shot ” – Nothing has been added to the original image and nothing removed. Standard digital adjustments may have been employed, such as global or selective adjustments to contrast, brightness, and saturation, as well as cropping, sharpening, dust spot removal, and noise reduction.
• “ Cleanup ” – Minor elements, such as a stick, have been removed. No new elements have been added to the original image.
• “ Manipulated ” – Major elements have been removed and/or new elements have been added, while maintaining the basic natural history of the scene at the time of capture. Examples of added elements include adding canvas, replacing eyes, adding wing tips.
• “ Composite ” – Visual elements from separate single images were combined to create a new scene. Examples include replacing an entire background or adding a subject.
• “ Multiple Exposures ” – The image consists of multiple single images. These may have been captured at the same location at the same time, captured in the same location at different times, or captured in different locations at different times They are merged in-camera or during post-processing. Examples include HDR, stitched panoramas, focus stacking, and multiple in-camera exposures. Photographers may caption such images with the technique used, such as, simply, “HDR” or “stitched panorama.”

As nature photographers, we have the unique opportunity to educate viewers with every image we share, whether publishing the image in a popular magazine, hanging it in an exhibit, posting it on social media, or sharing it in a blog or e-newsletter. Using the tips presented in this article, we can anticipate what audiences need to know and ensure that our work not only reveals the beauty of nature but also protects it for years to come even, maybe especially, when our images reach viewers well beyond those our originally intended audience.

As the Chair of NANPA’s Ethics Committee, Jennifer promotes the ethical practice of photographing wildlife.

Jennifer works closely with conservation organizations to help support their missions to protect wildlife and the world around us. She believes that photography is a powerful tool to share these stories, educate photo viewers on important topics, and inspire change.

You can learn more about Jennifer and the conservation work that she does by visiting her website at www.experiencewildlife.com .

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Taylor Swift’s ‘Poets’ Arrives With a Promotional Blitz (and a Second LP)

The pop superstar’s latest album was preceded by a satellite radio channel, a word game, a return to TikTok and an actual library. For her fans, more is always welcome.

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By Ben Sisario

Taylor Swift was already the most ubiquitous pop star in the galaxy, her presence dominating the music charts, the concert calendar, the Super Bowl, the Grammys.

Then it came time for her to promote a new album.

In the days leading up to the release of “The Tortured Poets Department” on Friday, Swift became all but inescapable, online and seemingly everywhere else. Her lyrics were the basis for an Apple Music word game . A Spotify-sponsored, Swift-branded “ library installation ,” in muted pink and gray, popped up in a shopping complex in Los Angeles. In Chicago, a QR code painted on a brick wall directed fans to another Easter egg on YouTube. Videos on Swift’s social media accounts, showing antique typewriters and globes with pins, were dissected for clues about her music. SiriusXM added a Swift radio station; of course it’s called Channel 13 (Taylor’s Version).

About the only thing Swift didn’t do was an interview with a journalist.

At this stage in Swift’s career, an album release is more than just a moment to sell music; it’s all but a given that “The Tortured Poets Department” will open with gigantic sales numbers, many of them for “ghost white,” “phantom clear” and other collector-ready vinyl variants . More than that, the album’s arrival is a test of the celebrity-industrial complex overall, with tech platforms and media outlets racing to capture whatever piece of the fan frenzy they can get.

Threads, the newish social media platform from Meta, primed Swifties for their idol’s arrival there, and offered fans who shared Swift’s first Threads post a custom badge. Swift stunned the music industry last week by breaking ranks with her record label, Universal, and returning her music to TikTok, which Universal and other industry groups have said pays far too little in royalties. Overnight, TikTok unveiled “The Ultimate Taylor Swift In-App Experience,” offering fans digital goodies like a “Tortured Poets-inspired animation” on their feed.

Before the album’s release on Friday, Swift revealed that a music video — for “Fortnight,” the first single, featuring Post Malone — would arrive on Friday at 8 p.m. Eastern time. At 2 a.m., she had another surprise: 15 more songs. “I’d written so much tortured poetry in the past 2 years and wanted to share it all with you,” she wrote in a social media post , bringing “The Anthology” edition of the album to 31 tracks.

“The Tortured Poets Department,” which Swift, 34, announced in a Grammy acceptance speech in February — she had the Instagram post ready to go — lands as Swift’s profile continues to rise to ever-higher levels of cultural saturation.

Her Eras Tour , begun last year, has been a global phenomenon, crashing Ticketmaster and lifting local economies ; by some estimates, it might bring in as much as $2 billion in ticket sales — by far a new record — before it ends later this year. Swift’s romance with the Kansas City Chiefs tight end Travis Kelce has been breathlessly tracked from its first flirtations last summer to their smooch on the Super Bowl field in February. The mere thought that Swift might endorse a presidential candidate this year sent conspiracy-minded politicos reeling .

“The Tortured Poets Department” — don’t even ask about the missing apostrophe — arrived accompanied by a poem written by Stevie Nicks that begins, “He was in love with her/Or at least she thought so.” That establishes what many fans correctly anticipated as the album’s theme of heartbreak and relationship rot, Swift’s signature topic. “I love you/It’s ruining my life,” she sings on “Fortnight.”

Fans were especially primed for the fifth track, “So Long, London,” given that (1) Swift has said she often sequences her most vulnerable and emotionally intense songs fifth on an LP, and (2) the title suggested it may be about Joe Alwyn, the English actor who was Swift’s boyfriend for about six years, reportedly until early 2023 . Indeed, “So Long” is an epic breakup tune, with lines like “You left me at the house by the heath” and “I’m pissed off you let me give you all that youth for free.” Tracks from the album leaked on Wednesday, and fans have also interpreted some songs as being about Matty Healy , the frontman of the band the 1975, whom Swift was briefly linked to last year.

The album’s title song starts with a classic Swift detail of a memento from a lost love: “You left your typewriter at my apartment/Straight from the tortured poets department.” It also name-drops Dylan Thomas, Patti Smith and, somewhat surprisingly given that company, Charlie Puth, the singer-songwriter who crooned the hook on Wiz Khalifa’s “See You Again,” a No. 1 hit in 2015. (Swift has praised Wiz Khalifa and that song in the past.)

Other big moments include “Florida!!!,” featuring Florence Welch of Florence + the Machine, in which Swift declares — after seven big percussive bangs — that the state “is one hell of a drug.” Jack Antonoff and Aaron Dessner, the producers and songwriters who have been Swift’s primary collaborators in recent years, both worked on “Tortured Poets,” bringing their signature mix of moody, pulsating electronic tracks and delicate acoustic moments, like a bare piano on “Loml” (as in “love of my life”).

As the ninth LP Swift has released in five years, “Tortured Poets” is the latest entry in a remarkable creative streak. That includes five new studio albums and four rerecordings of her old music — each of which sailed to No. 1. When Swift played SoFi Stadium near Los Angeles in August, she spoke from the stage about her recording spurt, saying that the forced break from touring during the Covid-19 pandemic had spurred her to connect with fans by releasing more music.

“And so I decided, in order to keep that connection going,” she said , “if I couldn’t play live shows with you, I was going to make and release as many albums as humanly possible.”

That was two albums ago.

Ben Sisario covers the music industry. He has been writing for The Times since 1998. More about Ben Sisario

Inside the World of Taylor Swift

A Triumph at the Grammys: Taylor Swift made history  by winning her fourth album of the year at the 2024 edition of the awards, an event that saw women take many of the top awards .

‘The T ortured Poets Department’: Poets reacted to Swift’s new album name , weighing in on the pertinent question: What do the tortured poets think ?  

In the Public Eye: The budding romance between Swift and the football player Travis Kelce created a monocultural vortex that reached its apex  at the Super Bowl in Las Vegas. Ahead of kickoff, we revisited some key moments in their relationship .

Politics (Taylor’s Version): After months of anticipation, Swift made her first foray into the 2024 election for Super Tuesday with a bipartisan message on Instagram . The singer, who some believe has enough influence  to affect the result of the election , has yet to endorse a presidential candidate.

Conspiracy Theories: In recent months, conspiracy theories about Swift and her relationship with Kelce have proliferated , largely driven by supporters of former President Donald Trump . The pop star's fans are shaking them off .

Gig workers are writing essays for AI to learn from

• Companies are hiring highly educated gig workers to write training content for AI models .
• The shift toward more sophisticated trainers comes as tech giants scramble for new data sources.
• AI could run out of data to learn from by 2026, one research institute has warned. 

As artificial intelligence models run out of data to train themselves on, AI companies are increasingly turning to actual humans to write training content.

For years, companies have used gig workers to help train AI models on simple tasks like photo identification , data annotation, and labelling. But the rapidly advancing technology now requires more advanced people to train it.

Companies such as Scale AI and Surge AI are hiring part-timers with graduate degrees to write essays and creative prompts for the bots to gobble up, The New York Times reported . Scale AI, for example, posted a job last year looking for people with Master's degrees or PhDs, who are fluent in either English, Hindi, or Japanese and have professional writing experience in fields like poetry, journalism, and publishing.

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Their mission? To help AI bots "become better writers," Scale AI wrote in the posting.

And an army of workers are needed to do this kind of work. Scale AI has as many as tens of thousands of contractors working on its platform at a time, per the Times.

"What really makes the A.I. useful to its users is the human layer of data, and that really needs to be done by smart humans and skilled humans and humans with a particular degree of expertise and a creative bent," Willow Primack, the vice president of data operations at Scale AI, told the New York Times. "We have been focusing on contractors, particularly within North America, as a result."

The shift toward more sophisticated gig trainers comes as tech giants scramble to find new data to train their technology on. That's because the programs learn so incredibly fast that they're already running out of available resources to learn from. The vast trove of online information — everything from scientific papers to news articles to Wikipedia pages — is drying up.

Epoch, an AI research institute, has warned that AI could run out of data by 2026.

So, companies are finding more and more creative ways to make sure their systems never stop learning. Google has considered accessing its customers' data in Google Docs , Sheets, and Slides while Meta even thought about buying publishing house Simon & Schuster to harvest its book collection, Business Insider previously reported.

Watch: Nearly 50,000 tech workers have been laid off — but there's a hack to avoid layoffs

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Taylor Swift's 'Tortured Poets' is written in blood

On Taylor Swift's 11th album, The Tortured Poets Department , her artistry is tangled up in the details of her private life and her deployment of celebrity. But Swift's lack of concern about whether these songs speak to and for anyone but herself is audible throughout the album. Beth Garrabrant /Courtesy of the artist hide caption

On Taylor Swift's 11th album, The Tortured Poets Department , her artistry is tangled up in the details of her private life and her deployment of celebrity. But Swift's lack of concern about whether these songs speak to and for anyone but herself is audible throughout the album.

For all of its fetishization of new sounds and stances, pop music was born and still thrives by asking fundamental questions. For example, what do you do with a broken heart? That's an awfully familiar one. Yet romantic failure does feel different every time. Its isolating sting produces a kind of obliterating possessiveness: my pain, my broken delusions, my hope for healing. A broken heart is a screaming baby demanding to be held and coddled and nurtured until it grows up and learns how to function properly. This is as true in the era of the one-percent glitz goddess as it was when blues queens and torch singers organized society's crying sessions. It's true of Taylor Swift , who's equated songwriting with the heart's recovery since she released " Teardrops on my Guitar " 18 years ago, and whose 11th album, The Tortured Poets Department , is as messy and confrontational as a good girl's work can get, blood on her pages in a classic shade of red.

Taylor Swift, Beyoncé and 50 more albums coming out this spring

Turning the Tables

Taylor swift is the 21st century's most disorienting pop star.

Back in her Lemonade days, when her broken heart turned her into a bearer of revolutionary spirit, Swift's counterpart and friendly rival, Beyoncé , got practical, advising her listeners that while feelings do need tending, a secured bank account is what counts. "Your best revenge is your paper," she sang .

For Swift, the best revenge is her pen. One of the first Tortured Poets songs revealed back in February (one of the album's many bonus tracks, it turns out, but a crucial framing device) is called " The Manuscript "; in it, a woman re-reads her own scripted account of a "torrid love affair." Screenwriting is one of a few literary ambitions Swift aligns with this project. At The Grove mall in Los Angeles, Swift partnered with Spotify to create a mini-library where new lyrics were inscribed in weathered books and on sheets of parchment in the days leading up to its release. The scene was a fans' photo op invoking high art and even scripture. In the photographs of the installation that I saw, every bound volume in the library bears Swift's name. The message is clear: When Taylor Swift makes music, she authors everything around her.

For years, Swift has been pop's leading writer of autofiction , her work exploring new dimensions of confessional songwriting, making it the foundation of a highly mediated public-private life. The standard line about her teasing lyrical disclosures (and it's correct on one level) is that they're all about fueling fan interest. But on Tortured Poets , she taps into a much more established and respected tradition. Using autobiography as a sword of justice is a move as ancient as the women saints who smote abusive fathers and priests in the name of an early Christian Jesus; in our own time, just among women, it's been made by confessional poets like Sylvia Plath, memoirists from Maya Angelou to Joyce Maynard and literary stars like the Nobel prize winner Annie Ernaux. And, of course, Swift's reluctant spiritual mother, Joni Mitchell .

Even in today's blather-saturated cultural environment, a woman speaking out after silence can feel revolutionary; that this is an honorable act is a fundamental principle within many writers' circles. "I write out of hurt and how to make hurt okay, how to make myself strong and come home, and it may be the only home I ever have," Natalie Goldberg declares in Writing Down the Bones , the most popular writing manual of the 20th century. When on this album's title track, Swift sings, "I think some things I never say," she's making an offhand joke; but this is the album where she does say all the things she thinks, about love at least, going deeper into the personal zone that is her métier than ever before. Sharing her darkest impulses and most mortifying delusions, she fills in the blank spaces in the story of several much-mediated affairs and declares this an act of liberation that has changed and ultimately strengthened her. She spares no one, including herself; often in these songs, she considers her naiveté and wishfulness through a grown woman's lens and admits she's made a fool of herself. But she owns her heartbreak now. She alone will have the last word on its shape and its effects.

This includes other people's sides of her stories. The songs on Tortured Poets , most of which are mid- or up-tempo ballads spun out in the gossamer style that's defined Swift's confessional mode since Folklore , build a closed universe of private and even stolen moments, inhabited by only two people: Swift and a man. With a few illuminating exceptions that stray from the album's plot, she rarely looks beyond their interactions. The point is not to observe the world, but to disclose the details of one sometimes-shared life, to lay bare what others haven't seen. Tortured Poets is the culmination of a catalog full of songs in which Swift has taken us into the bedrooms where men pleasured or misled her, the bars where they charmed her, the empty playgrounds where they sat on swings with her and promised something they couldn't give. When she sings repeatedly that one of the most suspect characters on the album told her she was the love of her life, she's sharing something nobody else heard. That's the point. She's testifying under her own oath.

Swift's musical approach has always been enthusiastic and absorbent. She's created her own sounds by blending country's sturdy song structures with R&B's vibes, rap's cadences and pop's glitz; as a personality and a performer, she's all arms, hugging the world. The sound of Tortured Poets offers that familiar embrace, with pop tracks that sparkle with intelligence, and meditative ones that wrap tons of comforting aura around Swift's ruminations. Beyond a virtually undetectable Post Malone appearance and a Florence Welch duet that also serves as an homage to Swift's current exemplar/best friendly rival, Lana Del Rey , the album alternates between co-writes with Jack Antonoff and Aaron Dessner, the producers who have helped Swift find her mature sound, which blends all of her previous approaches without favoring any prevailing trend. There are the rap-like, conversational verses, the reaching choruses, the delicate piano meditations, the swooning synth beats. Antonoff's songs come closest to her post- 1989 chart toppers; Dessner's fulfill her plans to remain an album artist. Swift has also written two songs on her own, a rarity for her; both come as close to ferocity as she gets. As a sustained listen, Tortured Poets harkens back to high points throughout Swift's career, creating a comforting environment that both supports and balances the intensity of her storytelling.

It's with her pen that Swift executes her battle plans. As always, especially when she dwells on the work and play of emotional intimacy, her lyrics are hyper-focused, spilling over with detail, editing the mess of desire, projection, communion and pain that constitutes romance into one sharp perspective: her own. She renders this view so intensely that it goes beyond confession and becomes a form of writing that can't be disputed. Remember that parchment and her quill pen; her songs are her new testaments. It's a power play, but for many fans, especially women, this ambition to be definitive feels like a necessary corrective to the misrepresentations or silence they face from ill-intentioned or cluelessly entitled men.

"A great writer can be a dangerous creature, however gentle and nice in person," the biographer Hermione Lee once wrote . Swift has occasionally taken this idea to heart before, especially on her once-scorned, now revered hip-hop experiment, Reputation . But now she's screaming from the hilltop, sparing no one, including herself as she tries to prop up one man's flagging interest and then falls for others' duplicity. "I know my pain is such an imposition," Swift sang in last year's " You're Losing Me ," a prequel to the explosive confessional mode of Tortured Poets , where that pain grows nearly suicidal, feeds romantic obsession, and drives her to become a "functional alcoholic" and a madwoman who finds strength in chaos in a way that recalls her friend Emma Stone's cathartic performance as Bella in Poor Things . (Bella, remember, comes into self-possession by learning to read and write.) " Who's afraid of little old me? " Swift wails in the album's window-smashing centerpiece bearing that title; in " But Daddy I Love Him ," she runs around screaming with her dress unbuttoned and threatens to burn down her whole world. These accounts of unhinged behavior reinforce the message that everybody had better be scared of this album — especially her exes, but also her business associates, the media and, yes, her fans, who are not spared in her dissection of just who's made her miserable over the past few years.

Listen to the album

I'm not getting into the dirty details; those who crave them can listen to Tortured Poets themselves and easily uncover them. They're laid out so clearly that anyone who's followed Swift's overly documented life will instantly comprehend who's who: the depressive on the heath, the tattooed golden retriever in her dressing room. Here's my reading of her album-as-novel — others' interpretations may vary: Swift's first-person protagonist (let's call her "Taylor") begins in a memory of a long-ago love affair that left her melancholy but on civil terms, then has an early meeting with a tempting rogue, who declares he's the Dylan Thomas to her Patti Smith; no, she says, though she's sorely tempted, we're "modern idiots," and she leaves him behind for a while. Then we get scenes from a stifling marriage to a despondent and distracted child-man. "So long, London," she declares, fleeing that dead end. From then on, it's the rogue on all cylinders. They connect, defy the daddy figures who think they're bad for each other, speak of rings and baby carriages. Those daddies continue to meddle in this newfound freedom.

In this main story arc, Swift writes about erotic desire as she never has before: She's "fresh out the slammer" (ouch, the rhetoric) and her bedsheets are on fire. She cannot stop rhapsodizing about this new love object and her commitment to their outlaw hunger for each other. It's " Love Story ," updated and supersized, with a proper Romeo at its center — a forbidden, tragic soulmate, a perfect match who's also a disastrous one. Swift peppers this section of Tortured Poets with name-drops ("Jack" we know, " Lucy " might be a tricky slap at Romeo, hard to tell) and instantly searchable references; he sends her a song by The Blue Nile and traces hearts on her face but tells revolting jokes in the bar and eventually reveals himself as a cad, a liar, a coward. She recovers, but not really. In the end, she does move on but still dreams of him hearing one of their songs on a jukebox and dolefully realizing the young girl he's now with has never heard it before.

Insert the names yourself. They do matter, because her backstories are key to Swift's appeal; they both keep her human-sized and amplify her fame. Swift's artistry is tied up in her deployment of celebrity, a slippery state in which a real life becomes emblematic. Like no one before, she's turned her spotlit day-to-day into a conceptual project commenting on women's freedom, artistic ambition and the place of the personal in the public sphere. As a celebrity, Swift partners with others: her model and musician friends, her actor/musician/athlete consorts, brands, even (warily) political causes. And with her fans, the co-creators of her stardom.

Her songs stand apart, though. They remain the main vehicle through which, negotiating unimaginable levels of renown, Swift continually insists on speaking only for herself. A listener has to work to find the "we" in her soliloquies. There are plenty of songs on Tortured Poets in which others will find their own experiences, from the sultry blue eroticism of " Down Bad " to the click of recognition in " I Can Fix Him (No Really I Can) ." But Swift's lack of concern about whether these songs speak for and to anyone besides herself is audible throughout the album. It's the sound of her freedom.

Taylor Swift: Tiny Desk Concert

She also confronts the way fame has cost her, fully exploring questions she raised on Reputation and in " Anti-Hero ." There are hints, more than hints, that her romance with the rogue was derailed partly because her business associates found it problematic, a danger to her precious reputation. And when she steps away from the man-woman predicament, Swift ponders the ephemeral reality of the success that has made private decisions nearly impossible. A lovely minuet co-written with Dessner, " Clara Bow " stages a time-lapsed conversation between Swift and the power players who've helped orchestrate her rise even as she knows they won't be concerned with her eventual obsolescence. "You look like Clara Bow ," they say, and later, "You look like Stevie Nicks in '75." Then, a turn: "You look like Taylor Swift," the suits (or is it the public, the audience?) declare. "You've got edge she never did." The song ends abruptly — lights out. This scene, redolent of All About Eve , reveals anxieties that all of Swift's love songs rarely touch upon.

One reason Swift went from being a normal-level pop star to sharing space with Beyoncé as the era's defining spirit is because she is so good at making the personal huge, without fussing over its translation into universals. In two decades of talking back to heartbreakers, Swift has called out gaslighting, belittling, neglect, false promises — all the hidden injuries that lovers inflict on each other, and that a sexist society often overlooks or forgives more easily from men. In "The Manuscript," which calls back to a romantic trauma outside the Tortured Poets frame, she sings of being a young woman with an older man making "coffee in a French press" and then "only eating kids cereal" and sleeping in her mother's bed when he dumps her; any informed Swift fan's mind will race to songs and headlines about cads she's previously called out in fan favorites like "Dear John" and "All Too Well" — the beginnings of the mission Tortured Poets fulfills.

Reviews of more Taylor Swift albums on NPR

In the haze of 'Midnights,' Taylor Swift softens into an expanded sound

Let's Talk About Taylor Swift's 'Folklore'

Show And Tell: On 'Lover,' Taylor Swift Lets Listeners In On Her Own Terms

The Old Taylor's Not Dead

The Many New Voices Of Taylor Swift

Taylor Swift Leaps Into Pop With 'Red'

Swift's pop side (and perhaps her co-writers' influence) shows in the way she balances the claustrophobic referentiality of her writing with sparkly wordplay and well-crafted sentimental gestures. On Tortured Poets , she's less strategic than usual. She lets the details fall the way they would in a confession session among besties, not trying to change them from painful memories into points of connection. She's just sharing. Swift bares every crack in her broken heart as a way of challenging power structures, of arguing that emotional work that men can sidestep is still expected from women who seem to own the world.

Throughout Tortured Poets, Swift is trying to work out how emotional violence occurs: how men inflict it on women and women cultivate it within themselves. It's worth asking how useful such a brutal evisceration of one privileged private life can be in a larger social or political sense; critics, including NPR's Leah Donnella in an excellent 2018 essay on the limits of the songwriter's reach, have posed that question about Swift's work for years. But we should ask why Swift's work feels so powerful to so many — why she has become, in the eyes of millions, a standard-bearer and a freedom fighter. Unlike Beyoncé, who loves a good emblem and is always thinking about history and serving the culture and communities she claims, Swift is making an ongoing argument about smaller stories still making a difference. Her callouts can be viewed as petty, reflecting entitlement or even narcissism. But they're also part of her wrestling with the very notion of significance and challenging hierarchies that have proven to be so stubborn they can feel intractable. That Swift has reached such a peak of influence in the wake of the #MeToo movement isn't an accident; even as that chapter in feminism's history can seem to be closing, she insists on saying, "believe me." That isn't the same as saying "believe all women," but by laying claim to disputed storylines and fighting against silence, she at the very least reminds listeners that such actions matter.

Listening to Tortured Poets , I often thought of "The Last Day of Our Acquaintance," a song that Sinéad O'Connor recorded when she was in her young prime, not yet banished from the mainstream for her insistence on speaking politically. Like Swift's best work, its lyrics are very specific — allegedly about a former manager and lover — yet her directness and conviction expand their reach. In 1990, that a woman in her mid-20s would address a belittling man in this way felt startling and new. Taylor Swift came to prominence in a culture already changing to make room for such testimonies, if not — still — fully able to honor them. She has made it more possible for them to be heard. "I talk and you won't listen to me," O'Connor wailed . "I know your answer already." Swift doesn't have to worry about whether people will listen. But she knows that this could change. That's why she is writing it all down.

• Taylor Swift