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Queen Mary University of London Theses

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LibAnswers: Open Research Services

Does the library have past student doctoral theses.

Library Services holds copies of theses awarded by Queen Mary University of London and its historically affiliated institutions. The collection is held in print form 1910-2012 and electronic only from 2013-.

Print copies can be searched for using  Library Search , electronic copies are held in the institutional repository  QMRO (Queen Mary Research Online) . A significant number of pre 2013 awarded theses have been digitised, these are also available in the institutional repository.

If you would like to view a thesis from the collection please fill in our  Thesis Request Form  with details of the thesis author, title and year awarded. We will then provide information on its availability and conditions for grating access.

• Academic Skills
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• Last Updated Mar 28, 2023
• Answered By Open Research Services

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Institutional Tools for Research Publications

3. Queen Mary Research Online - QMRO

QMRO ( https://qmro.qmul.ac.uk/ ) is an open access institutional repository of research output, containing full content text, images, and audio files pertaining to research undertaken at Queen Mary, University of London.  QMRO also holds the eThesis collection, in particular the electronic copies of theses awarded from 2009-, and also digitised theses provided to the College as part of the British Library ETHoS (Electronic Theses Online Service) programme.

QMRO does not require any login; it is an Open Access repository.  Research staff can upload their published papers to QMRO via PubLists and can set licences and embargo periods in PubLists before uploading their work to QMRO.  Research students' theses get uploaded automatically to QMRO, but there is an option to embargo a thesis for a certain period.

Use the search box below or browse communities, collections, authors, or subjects to check theses by student researchers and publications by staff researchers in QMRO.

This is a list of past PhDs successfully completed in the Centre for Digital Music.

Our current students are listed here . Would you like to study with us ?

• Pedro SARMENTO, " Guitar Tablature Generation with Deep Learning " (Supervisor: Mathieu Barthet)
• Mei ZHANG, "Supporting Textile and Fashion Designers in Designing with Interactive Technology Through a Material Lens" (Supervisors: Nick Bryan-Kinns and Becky Stewart)
• Tim KIRBY, "Towards Real-time Synthesis of Percussive Instruments" (Supervisor: Mark Sandler)
• Jianing ZHENG, "The Role of Materials in Musical Interaction" (Supervisor: Andrew McPherson)
• Elizabeth WILSON, "Affective Live Coding: Fostering Human-Machine Collaboration with Autonomous Agents" (Supervisors: George Fazekas, Geraint Wiggins, Elaine Chew)
• Charlotte NORDMOEN, "From rational to relational: more-than-human perspectives on crafting technology" (Supervisor: Andrew McPherson)
• Brendan O'CONNOR, " Analysis, Disentanglement, and Conversion of Singing Voice Attributes " (Supervisor: Simon Dixon)
• Saurjya SARKAR, " Time-domain Music Source Separation for Choirs and Ensembles " (Supervisor: Mark Sandler)
• Jon PIGREM, "The role of materials in digitally mediated musical interactions" (Supervisor: Nick Bryan-Kinns)
• Angeliki MOURGELA, " Perceptually Motivated, Intelligent Audio Mixing Approaches for Hearing Loss " (Supervisor: Josh Reiss)
• Arjun PANKAJAKSHAN, " Sound Event Detection by Exploring Audio Sequence Modelling " (Supervisor: Emmanouil Benetos)
• Syed RAFEE, " Unveiling the Art of Piano Performance: A Study of Pianist Identification through Statistical and Hierarchical Models " (Supervisors: George Fazekas, Geraint Wiggins)
• Carlos LORDELO, " Deep Learning Methods for Instrument Separation and Recognition " (Supervisors: Emmanouil Benetos and Simon Dixon)
• Edward HALL, " Modelling Perception of Large-Scale Thematic Structure in Music " (Supervisor: Marcus Pearce)
• Ben WHITE, "Archival Engineering: Computational Art Practice in the Archive" (Supervisor: Mark Sandler)
• Dalia SENVAITYTE, " Informed Source Separation for Monotimbral Musical Instruments " (Supervisor: Mark Sandler)
• Joseph Taylor (JT) COLONEL, " Music Production Behaviour Modelling " (Supervisor: Josh Reiss)
• Andrea GUIDI, " Evaluating embodiment in musical instrument modification and augmentation " (Supervisor: Andrew McPherson)
• Lia MICE, " Go large: the impact of size on gestural interaction in digital musical instrument design " (Supervisor: Andrew McPherson)
• Courtney REED, " Imagining & Sensing: Understanding and Extending the Vocalist-Voice Relationship Through Biosignal Feedback " (Supervisor: Andrew McPherson)
• Vinod SUBRAMANIAN, " Understanding Audio Deep Learning Classifiers Through Adversarial Attacks and Interpretability " (Supervisor: Mark Sandler)
• Alejandro DELGADO LUEZAS, " Data-Driven Query by Vocal Percussion " (Supervisor: Mark Sandler)
• An LIANG, " Design of an E-Textile Sensing System for Dance Applications " (Supervisors: Becky Stewart, Nick Bryan-Kinns)
• Rémi DE FLEURIAN, " Modelling chills in music " (Supervisor: Marcus Pearce)
• Antonio DANIELE, " The Problem of Expression in Generative and Human Drawing Agents " (Supervisor: Nick Bryan-Kinns)
• Rishi SHUKLA, " Binaural virtual auditory display for music discovery and recommendation " (Supervisors: Mark Sandler and Rebecca Stewart)
• Angela McARTHUR, " Aesthetic potentials of distance in spatial sound for immersive environments " (Supervisors: Mark Sandler and Rebecca Stewart)
• Yudong ZHAO, " A Study in Violinist Identification using Short-term Note Features " (Supervisor: Mark Sandler)
• Emir DEMIREL, "Deep Neural Networks for Automatic Lyrics Transcription" (Supervisor: Simon Dixon)
• Ruchit AGRAWAL, " Towards Context-Aware Neural Performance-Score Synchronisation " (Supervisor: Simon Dixon)
• Fred BRUFORD, " Intelligent Tools for Drum Loop Retrieval and Generation " (Supervisor: Mark Sandler)
• Hazar TEZ, " Exploring Collaborative Music Making Through Design Constraints and Collaboration-Driven Digital Music Instruments " (Supervisor: Nick Bryan-Kinns)
• Jack ARMITAGE, " Subtlety and Detail in Digital Musical Instrument Design " (Supervisor: Andrew McPherson)
• Antonella NONNIS, " Playful E-textile Sonic Interaction for Socially Engaged and Open-Ended Play Between Autistic Children " (Supervisor: Nick Bryan-Kinns)
• Changhong WANG, " Scattering transform for playing technique recognition " (Supervisors: Elaine Chew and Emmanouil Benetos)
• Callum GODARD, " Virtuosity in Computationally Creative Musical Performance for Bass Guitar " (Supervisors: Geraint Wiggins and Mathieu Barthet)
• Thomas DEACON, " Shaping Sounds in Space: Exploring the Design of Collaborative Virtual Reality Audio Production Tools " (Supervisor: Mathieu Barthet)
• Vanessa POPE, "That's What She Said: A computational approach to analysing structure and timing in stand-up comedy" (Supervisors: Becky Stewart, Elaine Chew, Nick Bryan-Kinns)
• Ireti OLOWE, " Bountiful Data: Leveraging Multitrack Audio and Content-based Features for Audiovisual Performance " (Supervisors: Mathieu Barthet)
• Alessia MILO, " Developing Aural Awareness in Acoustic Design of Everyday Spaces " (Supervisor: Josh Reiss)
• Marco A. MARTÍNEZ RAMÍREZ, " Deep learning for audio effects modeling " (Supervisor: Josh Reiss)
• Bhusan CHETTRI, " Voice biometric system security: Design and analysis of countermeasures for replay attacks " (Supervisors: Bob Sturm and Emmanouil Benetos)
• Jacob HARRISON, " Instruments and Access: the Role of Instruments in Music and Disability " (Supervisor: Andrew McPherson)
• Daniel STOLLER, " Deep Learning for Music Information Retrieval in Limited Data Scenarios " (Supervisors: Simon Dixon and Sebastian Ewert)
• Francisco RODRIGUEZ-ALGARRA, " A Critical Look at the Music Classification Experiment Pipeline: Using Interventions to Detect and Account for Confounding Effects " (Supervisors: Simon Dixon and Bob Sturm)
• Simin YANG, " Understanding Agreement and Disagreement in Listeners’ Perceived Emotion in Live Music Performance " (Supervisors: Mathieu Barthet and Elaine Chew)
• Emmanouil CHOURDAKIS " Computational Methods for Assisting Radio Drama Production "(Supervisor: Josh Reiss)
• Saumitra MISHRA, " Interpretable Machine Learning for Machine Listening " (Supervisor: Simon Dixon)
• Adrien YCART, " Music language models for automatic music transcription " (Supervisor: Emmanouil Benetos)
• Delia FANO YELA, " Signal processing and graph theory techniques for sound source separation " (Supervisors: Mark Sandler and Dan Stowell)
• Peter HARRISON, " Modelling the perception and composition of Western musical harmony " (Supervisor: Marcus Pearce)
• Di SHENG, " Intelligent Control of the Dynamic Range Compressor " (Supervisor: Gyorgy Fazekas)
• Pablo ALVARADO DURAN, " Acoustically Inspired Probabilistic Time-domain Music Transcription and Source Separation " (Supervisor: Dan Stowell)
• Giulio MORO, " Beyond Key Velocity: Continuous Sensing for Expressive Control on the Hammond organ and Digital Keyboards " (Supervisor: Mark Sandler)
• Liang MEN, " Exploring Collaborative Music Making Experience in Shared Virtual Environments " (Supervisor: Nick Bryan-Kinns)
• Beici LIANG, " Modelling Instrumental Gestures and Techniques: A case study of piano pedalling " (Supervisor: Mark Sandler)
• Veronica MORFI, " Automatic detection and classification of bird sounds in low-resource wildlife audio datasets " (Supervisor: Dan Stowell)
• Will WILKINSON, " Gaussian Process Modelling for Audio Signals " (Supervisors: Dan Stowell and Josh Reiss)
• Feng FENG, " Examining the Effect of Crossmodal Perception and Implicit Memory on Gestural Input Behaviour " (Supervisor: Tony Stockman)
• Jiajie DAI, " Modelling Intonation and Interaction in Vocal Ensembles " (Supervisor: Simon Dixon)
• Vincent AKKERMANS, " A formal descriptive theory of software-based creative practice " (Supervisor: Geraint Wiggins)
• Rod SELFRIDGE, " Real-time sound synthesis of aeroacoustic sounds using physical models " (Supervisor: Josh Reiss)
• Yongmeng WU, " Design and Evaluate Support for Non-musicians’ Creative Engagement with Musical Interfaces " (Supervisor: Nick Bryan-Kinns)
• Dave MOFFAT, " Evaluation of Synthesised Sound Effects " (Supervisor: Josh Reiss)
• David RONAN, " Intelligent subgrouping of multitrack audio " (Supervisor: Josh Reiss)
• Keunwoo CHOI, " Deep Neural Networks for Music Tagging " (Supervisor: Mark Sandler)
• Robert JACK, " Tangibility and richness in digital musical instrument design " (Supervisors: Tony Stockman and Andrew McPherson)
• Maria PANTELI, " Computational analysis of world music corpora " (Supervisor: Simon Dixon)
• Adib MEHRABI, " Vocal imitation for query by vocalisation " (Supervisor: Simon Dixon)
• Astrid BIN, " The Show Must Go Wrong: Towards an understanding of audience perception of error in digital musical instrument performance " (Co-supervisors: Nick Bryan-Kinns, Andrew McPherson)
• Sarah SAUVE: " Prediction in polyphony: modelling musical auditory scene analysis " (Supervisor: Marcus Pearce)
• Yonghao WANG, " Low Latency Audio Processing " (Supervisor: Josh Reiss)
• Josh MYCROFT, " The Design of Audio Mixing: Software Displays to Support Critical Listening " (Supervisors: Tony Stockman and Josh Reiss)
• Liam DONOVAN, " Travelling wave control of stringed musical instruments " (Supervisor: Andrew McPherson)
• Luwei YANG, " Computational Modelling and Analysis of Vibrato and Portamento in Expressive Music Performance " (Supervisors: Elaine Chew and Khalid Rajab)
• Zulfadhli MOHAMAD, " Estimating performance parameters from electric guitar recordings " (Co-supervisors: Chris Harte and Simon Dixon)
• Antonella MAZZONI, " Mood Glove: Enhancing mood in film music through haptic sensations for an enriched film experience " (Supervisor: Nick Bryan-Kinns)
• Julie FREEMAN, " Defining data as an art material " (Supervisor: Mark Sandler)
• Sarah SAUVÉ, " Prediction in Polyphony: Modelling Auditory Scene Analysis " (Supervisor: Marcus Pearce)
• Siying WANG, " Computational Methods for the Alignment and Score-Informed Transcription of Piano Music " (Co-supervisors: Sebastian Ewert, Simon Dixon)
• Doon MACDONALD, " The Development and Evaluation of an Approach to Auditory Display Design Based on Soundtrack Composition " (Supervisor: Tony Stockman)
• Katerina KOSTA, " Computational Modelling and Quantitative Analysis of Dynamics in Performed Music " (Supervisor: Elaine Chew)
• Elio QUINTON, " Towards the Automatic Analysis of Metric Modulations " (Supervisor: Mark Sandler)
• Christian HEINRICHS, " Human Expressivity in the Control and Integration of Computationally Generated Audio " (Supervisor: Andrew McPherson)
• Brecht DE MAN, " Towards a better understanding of mix engineering " (Supervisor: Josh Reiss)
• Laurel PARDUE, " Violin Augmentation Techniques for Learning Assistance " (Supervisor: Andrew McPherson)
• Mi TIAN, " A Cross-Cultural Analysis of Music Structure " (Supervisor: Mark Sandler)
• Siddharth SIGTIA, " Neural Networks for Analysing Music and Environmental Audio " (Supervisor: Simon Dixon)
• Magdalena CHUDY, " Discriminating music performers by timbre: On the relation between instrumental gesture, tone quality and perception in classical cello performance " (Supervisor: Simon Dixon)
• Zheng MA, " Intelligent tools for multitrack dynamics and frequency processing " (Supervisor: Josh Reiss)
• Robert TUBB, " Creativity, Exploration and Control in Musical Parameter Spaces " (Supervisor: Simon Dixon)
• Tian CHENG, " Exploiting Piano Acoustics in Automatic Transcription " (Supervisors: Simon Dixon and Matthias Mauch)
• Louis MCCALLUM, " Friend Me Your Ears: A Musical Approach to Human-Robot Relationships " (Supervisor: Peter McOwan)
• Sara HEITLINGER, " Talking Plants and a Bug Hotel: Participatory Design of ludic encounters with an urban farming community " (Supervisor: Nick Bryan-Kinns)
• Shengchen LI, " Expressive timing analysis in classical piano performance by mathematical model selection " (Supervisors: Simon Dixon and Mark Plumbley)
• Henrik EKEUS, " Parameter Search for Aesthetic Design and Composition " (Supervisors: Peter McOwan and Andrew McPherson)
• Dena AL-THANI, " Understanding and Supporting Cross-modal Collaborative Information Seeking " (Supervisor: Tony Stockman)
• Sonia WILKIE, " The effect of audio cues and sound source stimuli on looming perception " (Supervisor: Tony Stockman)
• David MECKIN, "Context and Constraint: Designing Novel Technologies for Group Music Making by Young People Who Have Complex Needs" (Supervisor: Nick Bryan-Kinns)
• Yading SONG, " The Role of Emotion and Context in Musical Preference " (Supervisor: Simon Dixon)
• Duncan MENZIES, " Technological Support for Highland Piping Tuition and Practice " (Supervisor: Andrew McPherson)
• Ben BENGLER, " Let’s walk up and play! Design and evaluation of collaborative interactive musical experiences for public settings " (Supervisor: Nick Bryan-Kinns)
• Peter FOSTER, " Information-Theoretic Measures of Predictability for Music Content Analysis " (Supervisors: Simon Dixon and Anssi Klapuri)
• Sam DUFFY, " Shaping Musical Performance Through Conversation " (Supervisor: Pat Healey)
• Amélie ANGLADE, " Logic-based Modelling of Musical Harmony for Automatic Characterisation and Classification " (Supervisor: Simon Dixon)
• Dimitrios GIANNOULIS, " Recognition of Sound Sources and Acoustic Events in Music and Environmental Audio " (Supervisors: Mark Plumbley and Anssi Klapuri)
• Chunyang SONG, " Syncopation: unifying music theory and perception " (Supervisor: Mark Sandler)
• Daniele BARCHIESI, " Sparse Approximation and Dictionary Learning with Applications to Audio Signals " (Supervisor: Mark Plumbley)
• Thomas WILMERING, " Applications of Semantic Web Technologies in Music Production (Supervisor: Mark Sandler)
• Andrew SIMPSON, " Selectivity and Adaptation in the Human Auditory System " (Supervisor: Josh Reiss)
• Holger KIRCHOFF, " A User-Assisted Approach to Multiple Instrument Music Transcription " (Supervisor: Simon Dixon)
• Steven HARGREAVES, " Music Metadata Capture in the Studio from Audio and Symbolic Data " (Supervisor: Mark Sandler)
• Jordan SMITH, " Explaining Listener Differences in the Perception of Musical Structure " (Supervisor: Elaine Chew)
• Martin MORRELL, "Gesture controlled spatial audio" (Supervisor: Josh Reiss)
• Alice CLIFFORD, "Microphone interference in live sound" (Supervisor: Josh Reiss)
• Lesley MEARNS, " The Computational Analysis of Harmony in Western Art Music " (Supervisor: Simon Dixon)
• Ken O'HANLON, " Automatic music transcription using sparse representations " (Supervisor: Mark Plumbley)
• Louise VALGERÐUR NICKERSON, " Overviews and their effect on interaction in the auditory interface " (Supervisor: Tony Stockman)
• Asteris ZACHARAKIS, "Musical timbre: bridging perception with semantics" (Supervisor: Josh Reiss)
• György FAZEKAS, " Semantic Audio Analysis - Utilities and Applications " (Supervisor: Mark Sandler)
• Robin FENCOTT, "Multi-person musicking" (Supervisor: Nick Bryan-Kinns)
• Robert MACRAE, " Linking Music Metadata " (Supervisor: Simon Dixon)
• Emmanouil BENETOS, " Automatic transcription of polyphonic music exploiting temporal evolution " (Supervisor: Simon Dixon)
• Tim MURRAY-BROWNE, " Interactive music: Balancing creative freedom with musical development " (Supervisors: Mark Plumbley and Nick Bryan-Kinns)
• Aris GRETSISTAS, "Sparse Representations & Compressed Sensing applied to the problem of Direction-of-Arrival estimation" (Supervisor: Mark Plumbley)
• Mark LEVY, " Retrieval and Annotation of Music Using Latent Semantic Models " (Supervisor: Mark Sandler)
• Kurt JACOBSON, " Connections in Music " (Supervisor: Mark Sandler)
• Oussama METATLA, "Interactive sonification of diagrams" (Supervisor: Nick Bryan-Kinns)
• Adam STARK, " Musicians and Machines: Bridging the Semantic Gap In Live Performance " (Supervisor: Mark Plumbley)
• Stephen WELBURN, " Object coding of music using expressive MIDI " (Supervisor: Mark Plumbley)
• Christopher HARTE, " Towards automatic extraction of harmony information from music signals "
• Matthias MAUCH, " Automatic Chord Transcription from Audio Using Computational Models of Musical Context " (Supervisor: Simon Dixon)
• Shahin NABAVIAN, "The nature of collaborative composition" (Supervisor: Nick Bryan-Kinns)
• Enrique PEREZ-GONZALEZ, " Advanced automatic mixing tools for music " (Supervisor: Josh Reiss)
• Rebecca STEWART, " Spatial auditory display for acoustics and music collections " (Supervisor: Mark Sandler)
• Dan STOWELL, " Making music through real-time voice timbre analysis: machine learning and timbral control " (Supervisor: Mark Plumbley)
• Jean-Baptiste THIEBAUT, " Sketching music: representation and composition " (Supervisor: Patrick Healey)
• Arash ESHGHI, " Uncommon ground: the distribution of dialogue contexts " (Supervisor: Patrick Healey)
• Chris FRAUENBERGER, " Auditory Display Design: An Investigation of a Design Pattern Approach " (Supervisor: Tony Stockman)
• Yves RAIMOND, " A distributed music information system " (Supervisor: Mark Sandler)
• Katy NOLAND, " Computational Tonality Estimation: Signal Processing and Hidden Markov Models " (Supervisor: Mark Sandler)
• Andrew ROBERTSON, " Interactive real-time musical systems " (Supervisor: Mark Plumbley)
• Beiming WANG, "Single-Channel Musical Audio Separation" (Supervisor: Mark Plumbley)
• Andrew NESBIT, "Audio Source Separation by Time-Frequency Masking" (Supervisor: Mark Plumbley)
• Paul BROSSIER, " Automatic Annotation of Musical Audio for Interactive Applications " (Supervisor: Mark Plumbley)
• Dawn BLACK, "High Quality Speech for Packet Switched Networks" (Supervisor: Mark Sandler)
• Matthew DAVIES, " Towards Automatic Rhythmic Accompaniment " (Supervisor: Mark Plumbley)
• Wen XUE, "Harmonic Sinusoidal Modelling of Tonal Music Events" (Supervisor: Mark Sandler)
• Nicolas CHETRY, "Computer Models for Musical Instrument Identification" (Supervisor: Mark Sandler)
• Thomas BLUMENSATH, "Bayesian Modelling of Music: Algorithmic Advances and Experimental Studies of Shift-Invariant Sparse Coding" (Supervisor: Mike Davies)
• Giuliano MONTI, "A Multipitch Prediction-driven Approach to Polyphonic Music Transcription" (Supervisor: Mark Sandler)
• Nikolaos MITIANOUDIS, "Audio Source Separation using Independent Component Analysis" (Supervisor: Mike Davies)
• Christopher DUXBURY, "Signal Models for Polyphonic Music" (Supervisor: Mark Sandler)
• Juan BELLO, " Towards the Automated Analysis of Simple Polyphonic Music: A Knowledge-based Approach " (Supervisor: Mark Sandler)
• Samer ABDALLAH, " Towards Music Perception by Redundancy Reduction and Unsupervised Learning in Probabilistic Models " (Supervisor: Mark Plumbley)

The QMUL repository "QMRO" has a section for all QMUL PhD theses .