this personal essay is usually posted online

80 Best Magazines & Websites That Publish Personal Essays

Wouldn’t it be great to find a whole list of magazines that publish personal essays, and even pay you for the privilege?

Well, you’re in luck because you’ve just found a list of magazines that accept essay submissions around pop culture, personal finance, personal stories, and many other topics. If you’re passionate about crafting personal essays and your work typically falls within a range of 600 to 10,000 words, consider submitting your essays to the organizations listed below. They generally offer compensation of $50-$250 for each accepted essay. After this guide, you may also want to check my list of the best essays of all time .

Here are the top magazines and publications that publish thought-provoking essays:

1. the new york times – modern love.

“Modern Love” accepts essay submissions via email at [email protected] with the essay subject or potential title as the email subject line. Submissions should be original, true stories between 1,500 and 1,700 words, sent both as an attached Microsoft Word-compatible document and pasted into the body of the email. The team collaborates with writers on editing, and authors are compensated for published work. Submission info .

2. The New York Times – Opinion Essays

To submit an essay to this publication, fill out the provided submission form with the essay and a brief explanation of your professional or personal connection to its argument or idea. The essay should include sources for key assertions (either as hyperlinks or parenthetical citations). Although all submissions are reviewed, the publication may not be able to respond individually due to the high volume of entries. If there’s no response within three business days, authors are free to submit their work elsewhere. Submission info .

3. Dame Magazine

DAME is a women’s magazine that prioritizes accessible and intersectional journalism that dives into context rather than breaking news. Their stories are unexpected, emotional, straightforward, illuminating, and focused on people rather than policy. They aim to reveal new or surprising information, provoke action or empathy, simplify complex issues, introduce fresh ideas, and foreground the people most affected by discussed topics. Submission info .

4. The New Yorker

The New Yorker welcomes letters to the editor sent to [email protected] and includes your postal address and phone number. For fiction submissions, send your work as a PDF to [email protected] or mail it to their New York address. They review all submissions within ninety days and will only contact you if they decide to publish your work. Submission info .

5. The Atlantic

The Atlantic is keen on high-quality nonfiction, fiction, and poetry. Familiarity with their past publications can guide your submission. All manuscripts should be submitted as a Word document or PDF. They only respond if they’re interested in discussing your submission further. Separate submission channels exist for fiction and poetry. Submission info .

6. The Globe and Mail

The Globe and Mail welcomes your original experiences, viewpoints, and unique perspectives for your daily first-person essay. A good essay should have an original voice, an unexpected view, humor, vivid details, and anecdotes that illuminate a wider theme. While a successful essay could be funny, surprising, touching, or enlightening, it should always be personal and truthful, rather than political or fictional. Submission info .

7. The Guardian

To contribute to this publication, you should identify the most relevant section and contact the commissioning editor with a brief outline of your idea. You may be invited to submit your work speculatively, meaning payment will only be provided if your contribution is published. It’s important to note that your contribution should be sent electronically and will be published under standard copyright terms with payment at normal rates unless agreed otherwise before publication. Submission info .

8. Los Angeles Times

The Los Angeles Times is open to opinion articles on any subject, with most published pieces being about 750 words long. Submissions must be exclusive to them and not published elsewhere, including personal blogs or social media. Full drafts of articles are required for consideration and should include the author’s name, the topic, the full text, a short author biography, and contact information. Submission info .

9. The Sun Magazine

The Sun publishes personal essays, short stories, and poems from both established and emerging writers globally, particularly encouraging submissions from underrepresented perspectives. Their contributors’ work often garners recognition in prestigious anthologies and prizes. The Sun seeks personal essays that are deeply reflective, celebrating hard-won victories or exploring big mistakes, aiming to make newsworthy events feel intimate and wrestle with complex questions. Submission info .

Slate invites pitches that are fresh, and original, and propose strong arguments. They appreciate ideas that challenge conventional wisdom and encourage you to clearly articulate the insights your reporting can uncover. A concise pitch is preferred, even if a full draft is already written. You should include a short bio and any relevant published work. They advise waiting a week before pitching to other publications, and if an editor passes, refrain from sending it to another editor at Slate. Submission info .

VICE is primarily interested in mid-length original reports, reported essays, narrative features, and service journalism related to contemporary living and interpersonal relationships. They welcome stories informed by personal experiences and insight but advise writers to consider what makes their story unique, why they’re the right person to tell it, and why it should be on VICE. While all stories don’t need to be tied to current events, a timely element can distinguish a pitch. They also accept quick-turnaround blogs and longer features. Submission info .

12. Vox Culture

Vox Culture seeks to provide readers with context and analysis for understanding current entertainment trends. They are interested in pitches that answer significant questions about major movies, TV shows, music artists, internet culture, fame, and women’s issues in the entertainment business. Notably, they are not interested in personal essays or celebrity interviews. Past successful stories have ranged from exploring Disney’s move away from traditional villains to analyzing historical inaccuracies in popular shows. They accept story pitches ranging between 1,000 and 2,500 words. Submission info .

Aeon, a unique digital magazine since 2012, is known for publishing profound and provocative ideas addressing big questions. Their signature format is the Essay, a deep dive into a topic, usually between 2,500-5,000 words, approached from a unique angle and written with clarity to engage curious and intelligent general readers. Aeon’s contributors are primarily academic experts, but they also welcome those with significant professional or practical expertise in various fields. Submission info .

14. BuzzFeed Reader

This platform welcomes freelance pitches on cultural criticism, focusing on current or timeless topics in various categories like books, technology, sports, etc. Essays should offer a unique perspective on how these subjects reflect our society. The content must be relevant, advance ongoing dialogues, and add value to the existing discourse. Submission info .

15. The Boston Globe

Boston Globe Ideas welcomes a variety of content including op-eds, reported stories, book excerpts, first-person essays, and Q&A features. Submissions should be sent directly, not as pitches. Please include your submission in the body of the email, not as an attachment. Briefly explain why you’re uniquely qualified to write this piece. Ensure your submission hasn’t been published or under review elsewhere. Submissions page .

16. The Bold Italic

This platform is actively seeking submissions in the genre of personal narrative essays. These pieces can encompass a broad range of experiences from the hilariously light-hearted to deeply poignant, encapsulating the vibrant and diverse experiences of living in your community. Submission info .

Before pitching to a Medium Publication, thoroughly understand its unique style by reviewing published content and submission guidelines. This ensures your work aligns with their preferences. With numerous Medium Publications available, persist in your submissions until you find a fitting outlet. Submission info .

18. Refinery29

Refinery29 Australia is committed to empowering women and underrepresented groups, with a particular focus on Australian women and trans and gender-diverse individuals, primarily Gen-Z and millennials. We publish a diverse array of content, from timely personal essays to reports on race, reproductive rights, and pop culture, all with a distinctly local perspective. They aim to shed light on the world around us, and highly value pieces that capture the unique Australian experience, be it in subject matter or authorial voice. Submission info .

ELLE’s annual talent competition is back for, seeking out the next superstar in writing. The winner will have their 500-word piece, inspired by the hashtag #RelationshipGoals and focusing on a significant relationship in their life. Submission info .

20. Cosmopolitan

Cosmopolitan is looking for first-person features that cover all aspects of beauty. This can include writing personal essays or narratives about your struggles with adult acne, your journey to an all-natural beauty routine, or other unique beauty experiences. We are also open to opinion pieces about beauty trends or movements that resonate with you. Submission info .

Bustle encourages freelance pitches across different verticals such as Lifestyle, Books, News and politics, Fashion and beauty, and Entertainment. We value pitches that are brief yet comprehensive, including a sample headline, a 2-3 sentence description of the piece, your plan for photos, sources you have access to, your clips if you haven’t written for us before, and your standard rate. Make sure to understand what we’re looking for and convey your story idea clearly and professionally. Submission info .

22. The Walrus

The Walrus seeks short essays (up to 1,200 words) that are timely, focused, and sourced from Canada and globally. These can be reported narratives, memoirs, or mini-features on specific topics. Each essay should exhibit a distinct argument, a strong writing voice, and present an original and significant viewpoint. Writers new to The Walrus or those without long-form journalism experience are particularly encouraged to contribute to this section. Submission info .

23. Autostraddle

Autostraddle welcomes pitches, works in progress, and completed submissions. Any issues with the submission form should be emailed to Laneia Jones with the subject line “SUBMISSION ERROR”. Questions about the submission process can be directed to Kayla Kumari Upadhyaya with “SUBMISSION PROCESS” in the subject line. Please note that pitches or submissions sent via email will not be accepted. Submission info .

24. Narratively

Narratively focuses on original and untold human stories, welcoming pitches and completed submissions from diverse voices. They use Submittable for managing submissions. To better understand what they’re looking for in new writers, contributors can review their guidelines, and the best pitches they’ve received, and ask questions to their editors about how to pitch. Submission info .

25. Catapult

Catapult offers a regularly updated list of submission and freelancing opportunities. Some current options include Black Fox Literary Magazine, open for fiction submissions; Carina Press, seeking romance manuscripts; Elegant Literature, welcoming submissions for its contest; Inkspell Publishing, looking for romance manuscripts; Interlude Press, seeking original novels featuring diverse casts; and Intrepid Times, accepting stories about romance while traveling. Submission info .

26. Jezebel

At Jezebel, the high volume of daily emails (over 500), including tips and questions from readers, makes it impossible to respond to all of them, even though they are all read and appreciated. Their primary job involves posting 60+ items a day, and due to workload constraints, they may not always be able to reply to your email. Submission info .

27. Bitch Media

Bitch Media seeks pitches offering feminist analysis of culture, covering a wide array of topics including social trends, politics, science, health, life aspects, and popular culture phenomena. They publish critical essays, reported features, interviews, reviews, and analyses. First-person essays should balance personal perspectives with larger themes. Both finished work and query letters are welcome. However, due to the volume of submissions, they cannot guarantee a response or that every pitch will be read. Submission info .

28. Broadview

Broadview magazine prefers pitches from professional writers for unique, audience-focused stories. While unsolicited articles may be accepted, the initial idea pitch is recommended. Responses to each pitch are not guaranteed due to high submission volumes. Submission info .

29. Briarpatch Magazine

Briarpatch Magazine accepts pitches on a variety of political and social issues, valuing stories from diverse voices. They seek well-researched, fact-backed pieces aimed at a non-specialist, progressive audience. They recommend writers to first pitch their ideas, including contact info, estimated word count, recent publications, and a short writing sample. The magazine aims to respond within one to two weeks after the pitch deadline for each issue. Submission info .

30. Maisonneuve

Maisonneuve Magazine welcomes non-fiction writing submissions in various forms (reporting, essays, memoirs, humor, reviews) and visual art (illustration, photography, comics). They do not accept fiction, poetry, or previously published work. They prefer well-developed, well-researched pitches, but also accept polished drafts if the writer is open to edits. To understand what the magazine is looking for, it’s recommended to read some recent issues or check their website. Submission info .

31. Room Magazine

Room Magazine seeks original fiction, poetry, creative non-fiction, and art from individuals of marginalized genders, including women (cisgender and transgender), transgender men, Two-Spirit, and nonbinary people. Simultaneous submissions are welcome, and submissions can be made through Submittable. Submission info .

32. Hazlitt

Hazlitt is currently not accepting submissions but it might reopen soon. They seek original journalism, investigative features, international reporting, profiles, essays, and humor pieces, but they are not considering unsolicited fiction. Pitches with proposed word counts are preferred, and they have a section called “Hazlitt Firsts” for reviews of experiencing mundane things for the first time as adults. Submission info .

33. This Magazine

This Magazine seeks pitches for their annual Culture Issue with a DIY theme, open to various topics related to DIY spirit. They publish Canadian residents only and prefer queries over already completed essays or manuscripts. They look for unique stories with a social justice angle, and pitches should include reasons for telling the story, relevant sources, and potential takeaways for readers. Submission info .

34. Geist Magazine

Geist magazine seeks submissions with a literary focus, including short non-fiction for the Notes & Dispatches section (around 800-1200 words) with a sense of place, historical narrative, humor, and personal essays on art, music, and culture. They encourage submissions from diverse writers and will pay writers $300-500 for accepted pieces. Submission info .

35. Discover Magazine

Discover magazine seeks pitches from freelance writers for science-related stories that enlighten and excite readers, with a conversational tone and high reader interest. Pitch one idea per email, mentioning the newness of the science and specific studies and researchers to be cited. Include your science-writing credentials and best clips in the pitch and send them to [email protected]. Payment starts at $1/word for print and typically $300/story for web, with rights purchased for both. Submission info .

36. Eater Voices

Eater Voices accepts personal essays from chefs, restaurateurs, writers, and industry insiders about the food world. To pitch, email a brief explanation of the topic and why you are the right person to write about it to [email protected]. Submission info .

37. The Temper

The Temper is an online publication focused on sobriety, addiction, and recovery, challenging drinking culture. They seek diverse and intersectional stories written through the lens of addiction, covering various topics like sex, food, relationships, and more. Submissions are currently closed, but they are especially interested in amplifying voices from marginalized and underrepresented groups. Submission info .

38. Chatelaine

Chatelaine is a prominent Canadian women’s magazine covering health, current events, food, social issues, decor, fashion, and beauty. To pitch, read the magazine first, and submit a one-page query letter explaining the idea’s fit for the magazine, section, and format. They prefer email submissions with at least two previously published writing samples, and response time may take six to eight weeks. Submission info .

39. Conde Nast Traveler

Condé Nast Traveler seeks pitches for reported and personal travel stories with inclusive coverage, including BIPOC, LGBTQ+, and disabled communities. Focus on stories and angles rather than destinations, check for previous coverage, and offer a fresh perspective. If pitching a personality, indicate exclusivity and access. Consider your expertise in telling stories, especially about marginalized communities, and disclose any sponsorships. Keep pitches brief, including a suggested headline, angle, sources, and why it’s timely. Responsible travel stories are prioritized during the pandemic. Submission info .

40. Boston Globe Ideas

Globe Ideas is dedicating an entire issue to young people’s voices and stories. Teens are invited to share their aspirations, concerns, and experiences about mental health, school, social media, and more, up to 700 words or through short notes, videos, or illustrations. This is a chance for teens to set the record straight and tell the world what matters most to them. Submission info .

41. Babbel Magazine

Babel welcomes submissions from all linguists, focusing on accessible and stimulating articles about language. Writers can submit feature articles or propose ideas for regular features, and guidelines for contributions are available for download. For those with ideas but not interested in writing, they can also suggest topics for articles through email. Submission info .

42. HuffPost Personal

HuffPost seeks to amplify voices from underrepresented communities, including BIPOC, LGBTQ, and people with disabilities. They accept freelance pitches on a wide range of topics, providing clear guidelines for submissions. They also encourage visual creatives to submit their work, and all published contributors are paid for their work. Please note that due to the volume of submissions, individual responses may not be possible. Submission info .

43. Adelaide Literary Magazine

Adelaide magazine accepts submissions in various categories, including fiction, poetry, creative nonfiction, translations, book reviews, interviews, and art/photography. Fiction and nonfiction submissions have a size limit of 5,000 words, while book reviews have a limit of 2,000 words. They do not accept previously published work or simultaneous submissions. Artists retain all rights to their work, and upon publication, rights revert to the author/artist. Submission info .

44. bioStories

BioStories welcomes nonfiction prose submissions of 500 to 7500 words, with the typical piece being around 2500 words. Submit via email to [email protected], pasting the submission in the email body with the subject line “biostories submission” and your last name. Simultaneous submissions are accepted, but immediate notification is required if accepted elsewhere. Multiple submissions are allowed at a one-month interval, and the work must be previously unpublished in print and online. Noncompliant submissions will not receive a response. Submission info .

45. Quarter After Eight

Quarter After Eight welcomes innovative writing submissions in any genre from both new and established writers. To withdraw work, use the “withdraw” option on Submittable for the entire submission or the “note” function to specify which pieces to withdraw; do not email about withdrawals. Submission info .

46. The Rappahannock Review

The Rappahannock Review accepts original and innovative writing in various genres, including fiction, nonfiction, poetry, and audio pieces. They encourage experimentation and creativity, seeking enthralling voices and compelling narratives. Additionally, the magazine showcases a variety of visual artists and welcomes submissions for consideration in each new issue. Submission info .

Allure is seeking writers to contribute pieces that explore beauty, style, self-expression, and liberation. They are looking for writers with relevant credentials and experience in the field, and they offer compensation of $350 for reported stories and $300 for personal essays. Submission info .

48. MLA Style Center

The Modern Language Association is inviting students to submit research papers written in MLA style for consideration in their online collection “Writing with MLA Style.” Essays should be 2,000 to 3,000 words in length and must be written in English. Works-cited-list entries do not count toward the word limit. Submission info .

49. Marie Claire

Marie Claire magazine is dedicated to highlighting the diversity and depth of women’s experiences. They offer award-winning features, essays, and op-eds, as well as coverage of sustainable fashion, celebrity news, fashion trends, and beauty recommendations. Submission info .

SELF magazine is actively seeking new writers, particularly from marginalized communities, to contribute to their health and wellness content. They are interested in pitches that offer helpful insights on topics related to health, fitness, food, beauty, love, and lifestyle. The focus should be on improving personal or public health clearly and straightforwardly. Submission info .

51. Her Story

HerStry is a platform that focuses on the experiences of women-identifying persons, including cisgender women, transgender women, non-binary persons, and more. They accept personal essays that are true stories about the author, with a length between 500 to 3,000 words. They pay $10 for each published personal essay here, but there is a $3 submission fee (with limited free submission periods). Stories are read blind, and explicit or offensive content is not accepted. Submission info .

52. Griffith Review

Griffith Review accepts submissions based on specific themes for each edition. They welcome new and creative ideas, allowing writers to express their voices in essays, creative and narrative nonfiction-fiction, and analytical pieces. Submissions should generally range from 2,000 to 5,000 words, with up to four poems allowed on theme. Submission info .

53. Literary Review of Canada

The Literary Review of Canada welcomes prospective writers, photographers, and illustrators to submit specific review proposals, essay pitches, or general queries. They prefer to receive unsolicited review topics and essay ideas rather than completed work and do not accept simultaneous submissions. Submission info .

54. Harper’s Magazine

For Harper’s Magazine, nonfiction writers should send queries accompanied by a self-addressed, stamped envelope. Ideas for the Readings section can be sent to [email protected], but individual acknowledgment is not guaranteed due to volume. All submissions and queries must be sent by mail to their New York address. Submission info .

55. Virginia Quarterly Review

VQR only considers unpublished work, submitted online via Submittable. One prose piece and four poems are allowed per reading period, but multiple submissions in the same genre will be declined unread. Simultaneous submissions are permitted, but if accepted elsewhere, notify them immediately via Submittable. Submission info .

56. The New England Review

New England Review is open for submissions in all genres during specific periods. They accept fiction, poetry, nonfiction, dramatic writing, and translations. The magazine only considers previously unpublished work, and simultaneous submissions are allowed. They welcome submissions from writers of all backgrounds and encourage diverse perspectives. Submission info .

57. One Story

One Story seeks literary fiction between 3,000 and 8,000 words, any style, and subject. They pay $500 and provide 25 contributor copies for First Serial North American rights. Only unpublished material is accepted, except for stories published in print outside North America. Simultaneous submissions allowed; prompt withdrawals upon acceptance elsewhere. Accepts DOC, DOCX, PDF, and RTF files via Submittable. No comments on individual stories. No revisions of previously rejected work. Translations are accepted with proper attribution. No emailed or paper submissions, except for incarcerated individuals. Submission info .

58. The Threepenny Review

The Threepenny Review accepts submissions for fiction, poetry, travel essays, and Table Talk pieces. They pay $400 per story/article and $200 per poem, granting first serial rights and copyright reversion to the author. Mailed manuscripts require a self-addressed stamped envelope, while online submissions should be in Word format with a single document for prose or poetry. Submission info .

59. Zoetrope: All-Story

Zoetrope: All-Story is currently not accepting general submissions. They will announce when submissions reopen and update the guidelines accordingly. Submission info .

60. American Short Fiction

American Short Fiction accepts regular submissions of short fiction from September to December. The magazine publishes both established and new authors , and submissions must be original and previously unpublished. Manuscripts should be typed, double-spaced, and accompanied by the author’s contact information. Simultaneous submissions are allowed, but authors must withdraw their work if accepted elsewhere. Payment is competitive and upon publication, with all rights reverting to the author. American Short Fiction does not accept poetry, plays, nonfiction, or reviews. Submission info .

61. The Southern Review

The Southern Review accepts work during its submission period. They only consider unpublished pieces in English and accept simultaneous submissions. If your work is accepted elsewhere, promptly notify them via email with the subject line “withdrawal.” Do not submit work via email, as it will be discarded. They do not consider submissions from anyone currently or recently affiliated with Louisiana State University within the past four years. It is recommended to familiarize yourself with the journal’s aesthetic by subscribing before submitting your work. Submission info .

62. Boulevard Magazine

Boulevard seeks to publish exceptional fiction, poetry, and non-fiction from both experienced and emerging writers. They accept works of up to 8,000 words for prose and up to five poems of up to 200 lines. They do not consider genres like science fiction, erotica, horror, romance, or children’s stories. Payment for prose ranges from $100 to $300, while payment for poetry ranges from $50 to $250. Natural Bridge Online publication offers a flat rate of $50. Submission info .

63. The Cincinnati Review

The Cincinnati Review accepts submissions for its print journal during specific periods: September, December, and May. miCRo submissions are open almost year-round, except during the Robert and Adele Schiff Awards and backlogs. They welcome submissions from writers at any stage, except current/former University of Cincinnati affiliates. Simultaneous submissions are allowed, and response time is around six months. Payment is $25/page for prose, $30/page for poetry in print, and $25 for miCRo posts/features. Submission info .

64. The Antioch Review

The Antioch Review seeks nonfiction essays that appeal to educated citizens, covering various social science and humanities topics of current importance. They aim for interpretive essays that draw on scholarly materials and revive literary journalism. The best way to understand their preferences is to read previous issues and get a sense of their treatment, lengths, and subjects used in the publication. Submission info .

AGNI’s online Submission Manager is open from September 1st to midnight December 15th, and again from February 15th to midnight May 31st. Manuscripts can also be submitted by mail between September 1st and May 31st. AGNI considers prose in various genres, including personal essays, short stories, prose poems, and more. They do not publish academic essays or genre romance, horror, mystery, or science fiction. Simultaneous submissions are welcome, and sending through the online portal incurs a $3 fee, but regular mail submissions can be made to avoid the fee. Submission info .

66. Barrelhouse

Barrelhouse accepts unsolicited submissions for book reviews through their Submittable online submissions manager. They pay $50 to each contributor and accept simultaneous submissions. There is no maximum length, but most published pieces are shorter than 8,000 words. They only accept Word or rich-text (.rtf) files and prefer poetry to be submitted as a single document. Submissions for their print and online issues are currently closed, but book reviews are open. Response time is approximately six months. Submission info .

67. Tin House Online

Tin House is a good company that offers a two-day submission period three times a year for writers without a current agent and no previous book publication (chapbooks accepted). They accept fiction, literary nonfiction, and poetry, both in English and in translation (with formal permission). Completed drafts are required. They are particularly interested in engaging with writers from historically underrepresented communities. Submission info .

68. One Teen Story

One Teen Story publishes 3 stories annually and welcomes submissions from teen writers aged 13-19. They seek original, unpublished fiction across genres, focusing on the teen experience. Great short stories with compelling teen characters, strong writing, and a well-structured narrative are encouraged for submission to their contest. Submission info .

69. Bennington Review

Bennington Review accepts unsolicited submissions through Submittable during their reading periods in fall, winter, and spring. They seek innovative and impactful fiction, creative nonfiction, poetry, film writing, and cross-genre work. Response times vary, but they aim to respond within five to eight months. Accepted contributors will receive payment ranging from $25 per poem to $250 for prose over six typeset pages, along with two copies of the published issue and a copy of the subsequent issue. Submission info .

70. Epoch Literary

Epoch Literary accepts poetry submissions of up to five poems, short fiction or essay submissions as a single piece or a suite of smaller pieces, and visual art and comics for the cover. They do not publish literary criticism or writing for children and young adults. Electronic submissions are open in August and January, with a $3 fee, part of which supports the Cornell Prison Education Program. Submission info .

71. The Gettysburg Review

The Gettysburg Review accepts poetry, fiction, essays, and essay reviews from September 1 to May 31, with a focus on quality writing. Full-color graphics submissions are accepted year-round. It’s recommended to read previous issues before submitting, and sample copies are available for purchase. The journal stays open during the summer for mailed submissions or those using Submittable and purchasing a subscription or the current issue. Submission info .

72. Alaska Quarterly Review

The publication accepts submissions of fiction, poetry, drama, literary nonfiction, and photo essays in traditional and experimental styles. Fiction can be short stories, novellas, or novel excerpts up to 70 pages, and poetry submissions can include up to 6 poems. They aim to respond within 4 to 12 weeks, but authors can inquire about their manuscript status after 4 weeks if needed. Submission info .

73. Colorado Review

Colorado Review only accepts submissions through its Submittable portal and no longer accepts paper submissions. They encourage writers to be familiar with their publication before submitting and provide sample copies and examples of recently published work on their website. They look for engaging stories with original characters, crisp language , and a provocative central problem or issue. Submission info .

74. The Georgia Review

The Georgia Review accepts submissions both online and by post, but not via email. Submissions are free for current subscribers. They do not consider unsolicited manuscripts between May 15 and August 15 and aim to respond within eight months. Previously published work will not be considered, and simultaneous submissions are allowed if noted in the cover letter. They offer different prizes for poetry and prose and accept submissions in fiction, poetry, essays, and book reviews. Submission info .

75. New Letters

New Letters accepts submissions year-round through Submittable, with a small fee waived for current subscribers. They welcome up to six poems, one chapbook, one piece of nonfiction, one short story (graphic or traditional), or one novella per submission. Simultaneous submissions are allowed if notified, and response time is approximately six months. They publish short stories up to 5,000 words, novellas up to 30,000 words, graphic short stories up to ten pages in color or black and white, and chapbooks up to 30 pages. Submission info .

76. Shenandoah

Submissions for comics will reopen soon. The Graybeal-Gowen Prize for Virginia Poets will be open for a limited time. Poetry submissions are considered in November and spring. Prose submissions will open soon. Short stories, creative nonfiction, and flash fiction are welcome. Editor Beth Staples looks for writing that challenges and offers diverse perspectives. Submission info .

77. TriQuarterly

TriQuarterly, the literary journal of Northwestern University, welcomes submissions in poetry, fiction, creative nonfiction, video essays, short drama, and hybrid work from both established and emerging writers. They are especially interested in work that engages with global cultural and societal conversations. Submissions are accepted through Submittable, and they charge a small reading fee. Submission windows vary by genre. Submission info .

78. E-International Relations

E-International Relations invites current and former undergraduate and Master’s students to submit their highest-graded essays and dissertations for publication. They seek work that is of academic utility to other students and demonstrates engagement with the subject, using pertinent case studies/examples and engaging with complex literature and ideas. Submissions must meet specific entry criteria, including word count, language standards, and full bibliographic references. Submission info .

79. Longreads

Longreads publishes the best long-form nonfiction storytelling and accepts pitches for original work. They pay competitive rates and prefer pitches via email to [email protected]. Fiction is not accepted, and submissions using generative AI tools will be rejected. You can also nominate published stories by tweeting with the #longreads hashtag. Submission info .

80. Education Week

EdWeek welcomes submissions from various perspectives within the K-12 education community, including teachers, students, administrators, policymakers, and parents. Submissions should be concise, relevant to a national audience, and have a clear point of view backed by factual evidence. We value solution-oriented and practical pieces that offer best practices, policy recommendations, personal reflections and calls to action. Essays longer than 1,000 words or shorter than 600 words will not be considered. Please submit in Word format via email. Submission info .

If you want to get your essays published in a print magazine or an online publication, it’s time to approach the appropriate section editor or send your work via a submissions page. Even in a world where so much content is produced by AI, publications are still interested in receiving great writing written in a conversational tone. Just make sure to follow the guidelines (especially those around word count) and show off your flamboyant writing style in a prestigious online magazine. Next up, you might want to check a list of the top sites that will pay you to write,  or my extensive list of publishing companies .

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11 Tips For Writing A Publishable Personal Essay

I'm not gonna lie: the hardest thing to get printed on Bustle as a freelancer is a personal essay . That said, personal essays are also what I'm most in need of as our features editor . The reason they're so difficult to get accepted is not because I don't need or want them — it's because they are among the hardest to write well.

Though personal essays sometimes have an unfair reputation for being somehow "soft" or "self-indulgent," in my opinion, they are actually one of the most effective ways to communicate a point, experience, or even a feeling to a wide audience. So if you're thinking of pitching a personal essay to Bustle — or any other online publication, for that matter — know that we very much want to hear your stories.

But before you pitch, there are several things you can do to ensure you have the best chance possible of actually getting your essay printed . When it comes to writing for the web, the rules are not the same as they might be in school, or in a literary journal — and you're going to need to know how to adjust your essay accordingly.

Here are my tips, as the editor who decides what runs — and the writer who's totally been there.

1. When In Doubt, Start With What's On The Tip Of Your Pen

Having an idea of what you're going to write about is obviously where you want to start. Sometimes I get pitches that seem like four essays in one — even though the topics might be interesting, there's too much material to fit into an (ideally for us) 1000-1400 essay with any real resonance.

So how do you narrow things down — or figure out what to write about in the first place? I recommend free writing to find out . Take out a journal and write longhand for ten to twenty minutes. Don't let yourself pause — the important thing here is to keep writing without censoring yourself. Don't worry about it being intelligible. If you're stuck, write, "I'm stuck, I'm stuck," until something else comes out. You might try starting each sentence with "I remember" or "I see/smell/hear/feel" in order to drum up more details from the recesses of your mind.

2. Scan Your Freewrite For Details

When you're done with your freewrite, your creative muscles will already be warmed up — and you'll be able to see the patterns in your verbal diarrhea. Chances are, there's more good stuff there than you think. You might pick out a particular moment — a line even — that sparks a memory.

I suggest starting small: perhaps you notice that you're writing a lot about your ex. Is there one line about them that stands out to you, like maybe the memory of the time they snatched the remote away from you? Then I recommend starting your essay at that scene, and going from there. Remember, you can always change your beginning — the important thing is to pick a jumping-off point that feels doable rather than daunting. Is there a memory you can start with? Some dialogue? Remember, details are your friend, and, as a rule, the most powerful personal essays are quite specific.

3. Map Your Arc

Structure is the main place I see personal essays stumble. I like the advice I heard on a Moth podcast a few years ago, which I'll paraphrase here: Every good story gives the audience a sense of where the protagonist began, a moment of change when something in the protagonist shifts, and ends with a sense of where the protagonist is now — and why it matters.

Now, that might sound a lot like a beginning, middle, and end — but it's not quite the same. This kind of arc can be nonlinear as well, as long as it communicates those three things. (Nor should your essay ever be tied up in a pretty, simple bow.)

For example, I wrote a personal essay about my experience of realizing that being gluten-free wasn't right for me. The essay began with a very visual moment of me squatting in the woods, anxious about whether I'd be able to poop. (Hey, whatever draws the reader in.) From there, the essay then details my experience — why I became gluten-free in the first place, and how I started questioning whether I needed to be. The essay then ends back in those woods — chronologically, we're in the same moment we started, but are left with my aha moment, and a clear sense of how my perspective changed.

I picked such a graphic scene to begin and end my essay because looking back on an experience that spanned two years, I didn't know where to start. But in journaling, I found that my mind kept returning to that moment in the woods as a turning point and a clear image connected to my experience. Starting it with a scene made an overwhelming essay feel much more doable. Knowing that would be both my starting an ending point, it became much less daunting to write everything in between.

I suggest mapping out what your arc is, and making sure it's clear in your mind before you start writing. It will make your essay much clearer, and easier for the reader to draw meaning from.

4. Write Like Your Family Won't Read It

This advice comes straight from the most talented personal essayist I know — Bustle's own Gabrielle Moss. She jokes that this is easier for her since she's actually estranged from her family, but even if you're not, it's good advice to write like they aren't watching. Often, we censor ourselves way more than we need to, and it keeps us from writing with the kind of honesty that makes an essay connect.

See if you can write as though no one's reading. Tell yourself you can always edit out certain details later, and try to write with as much honesty as possible. You'll end up with more details this way, and likely, a much better personal essay.

If you feel scared about telling the whole truth, think about the personal essays and books that have most affected you. Chances are they resonated because they were honest, and expressed something you'd felt that you hadn't been able to put into words yet. If you can tell your story honestly and with vulnerability, it is a real gift to give your reader. They aren't going to judge you for it — in fact, it's exactly what will make them respect you as a writer.

Which brings me to...

5. Value & Cultivate Honesty

Whenever you write, keep the question Am I being honest? in the front of your mind. If something reads somewhat disingenuous, or you're only telling half the truth — know that readers and editors can smell it a mile away. It's natural to want to protect your ego or privacy, but try to stay genuine and raw; it's a personal essay, after all. Often, a couple days of distance between you and a first draft can help provide perspective on this one, tempting as it is to keep tinkering.

As a writer, it's also important that you continue working on your own self-awareness . Therapy, meditation, walking, yoga, journaling, spending time alone — all of these practices help us get to know ourselves better so that we can call ourselves on being disingenuous in our writing (and life). The time you spend processing your thoughts is what gives your words meaning, so you should spend as much time getting to know yourself as you do trying to write honestly.

6. Make The Personal Political

This doesn't mean you literally have to make every personal essay political (though I love that too and here are some great examples !). What I mean is, as you're writing, try to keep this question at the front of your mind: Is this relevant to someone who doesn't know me?

Now, this certainly doesn't mean you need to explain yourself, or your point, explicitly. Some of the best personal essays let the reader infer meaning, simply by evoking universal feelings. That said, I often see writers stumble under the assumption that because an experience was important to them or happened to them, it will be important to everyone.

That can be true — but you need to have a sense of how it matters before you start writing, otherwise it can be easy to get too caught up in your own *feels*.

Ask yourself: How is this relevant to people who don't care about me personally? Does my story represent a larger struggle or common experience?

The answers should be yes, even if you're writing, say, about the experience of coming out, and know all women are not gay. This essay is a great example of a writer communicating a very specific experience in universal terms that the reader can empathize with.

7. Review Your Essay For "Texture"

It's a writing class cliche, but it's true: show, don't tell. That doesn't mean you can't ever tell; it just means that after you've written your essay, you should review it for texture, as I like to think about it.

A good essay usually has some moments of telling, some scenes, some beautiful descriptive language, some dialogue, and often, some outside perspective (i.e. stats, quotes from other essays or articles, social/political context). Those are not hard-and-fast rules of course — you might write an essay that is pretty uniform and simple in style, like this one . But where I see most people tripping up is in describing everything and showing next to nothing.

Once you've finished a first draft, look at the essay and see where you can replace a telling graph with a scene or dialogue that illustrates the same point.

8. Be A Ruthless Self-Editor

Often, I get personal essays that have clearly not been closely edited. They have typos, lack structure, or have too much repetition and rambling. When you're pitching for online publication, you need to assume that the editor reviewing your essay is completely inundated with emails and pressed for time. She has potentially already read dozens of pitches that day. One way to make your essay stand out among them is to make sure your copy is as clean and tight as possible.

After you feel pretty good about your draft, read it out-loud to yourself.

Ask yourself: Where can I condense this? Do I repeat myself anywhere? Are there any places I could turn a "telling" graph into a scene or dialogue, or otherwise give it more texture? Does anything sound like something I wouldn't really say or believe? Is my arc clear?

Of course, you'll also want to read for typos, style, and punctuation. I also suggest trying to break your paragraphs up as much as possible so that you're not sending huge walls of text to an editor's screen — once again, the experience of reading something online is not the same as in print. You're targeting an audience with a shorter attention span.

You can read more about all my tips for being a good self-editor here .

9. Have Someone Else Read It Before You Pitch

I can't emphasize enough how valuable it is to have a trusted friend, partner — whoever — as an editor. I'm lucky in that my partner is actually a professional editor, but even if he weren't, I'd show him my work before sending it off to pitch because he knows me. Even if your trusted person isn't a writer or editor, someone who knows you well will be able to tell you where something doesn't make sense, and perhaps, where you're not being as genuine as you could be.

Ask them to consider the same questions I asked in section six, and also add: What did you think the point of this was? How did it make you feel? If they aren't getting what you want the essay to communicate, or seem unaffected by it, you might want to keep tinkering before you send it off.

10. Know How To Pitch To The Site You're Emailing

Knowing how to pitch is extremely important. Each site is different, and you should tailor your pitch to their preferences. But no matter the site, I do think it's safe to assume that any editor is relatively pressed for time. You want to package your piece as clearly as possible. Don't write a huge introduction, and I suggest copying and pasting the essay in the body of the email to save them even more time, unless they specify otherwise.

These days, many sites like ours also require images of the author themselves for personal essays, so you could make your piece even more approval-ready by attaching a few relevant photos of yourself as well. My article on how to pitch to Bustle will break down the details of what you need to know even further, so check it out, no matter what you're pitching.

11. Stay In Shape

It isn't easy to get a personal essay accepted to Bustle. But that doesn't mean you shouldn't keep trying, or pitch a rejected essay elsewhere. If you have several pitches rejected in a row, don't get discouraged — but don't keep trying the same things either. This might be when you want to follow up with me or another editor and ask what you could do to improve.

Of course, it is also very important that you continue to read writers you admire and study the craft of the personal essay . You can't expect yourself to spew genius if you don't allow other writers to inform and inspire you. You should also read personal essays on the sites that you are pitching to; if you're not familiar with the publication's tone and general form, it will be apparent to the editor and will put you at a disadvantage.

Finally, as every writer knows, writing is a muscle, and the more you keep exercising, the better shape you'll be in. Make your routine targeted, regular, and tailored to you, and you'll be kicking ass in no time.

Images: Pexels; Giphy

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How to Write a Personal Essay for Your College Application

What does it take to land in the “accept” (instead of “reject”) pile?

How can you write an essay that helps advance you in the eyes of the admissions officers and makes a real impression? Here are some tips to get you started.

• Start early.  Do not leave it until the last minute. Give yourself time when you don’t have other homework or extracurriculars hanging over your head to work on the essay.
• Keep the focus narrow.  Your essay does not have to cover a massive, earth-shattering event. Some people in their teens haven’t experienced a major life event. Some people have. Either way, it’s okay.
• Be yourself.  Whether writing about a painful experience or a more simple experience, use the narrative to be vulnerable and honest about who you are. Use words you would normally use. Trust your voice and the fact that your story is interesting enough in that no one else has lived it.
• Be creative.  “Show, don’t tell,” and that applies here — to an extent. The best essays typically do both. You can help your reader see and feel what you are describing by using some figurative language throughout your piece.
• Make a point. As you finish your final body paragraphs ask yourself “So what?” This will help you hone in on how to end your essay in a way that elevates it into a story about an insight or discovery you made about yourself, rather than just being about an experience you had.

Where your work meets your life. See more from Ascend here .

We’ve all heard about the dreaded “college essay,” the bane of every high school senior’s existence. This daunting element of the college application is something that can create angst for even the most accomplished students.

• AA Amy Allen is a writer, educator, and lifelong learner. Her freelance writing business,  All of the Write Words , focuses on providing high school students with one-on-one feedback to guide them through the college application process and with crafting a thoughtful personal essay. A dedicated poet, Amy’s work has also been published in several journals including  Pine Row Press ,  Months to Years,  and  Atlanta Review .

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Writing a strong essay can make a huge difference in job and college applications. Here are 15 online classes and books to learn how to do it.

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• Communicating ideas in a clear way is a crucial life skill no matter which field you work in.
• Writing personal essays can help perfect your storytelling and presentation skills.
• Below are 15 online classes, books, podcasts, and resources to start with.

Everyone has a story, but not everyone knows how to tell their story. One place to start is finding the perfect container for your experiences and insights. Enter: the personal essay. 

Well-crafted essays mark the difference between a meandering group of paragraphs and a clear, resonant idea. Almost every occupation can benefit from stronger communication, research, and persuasion skills — all of which can be sharpened from essay writing classes.

Think about the application prompts you've muddled through or the chances for publication you've felt too intimidated to attempt. The confidence to explore a topic, land on a perspective, and express it effectively is universally valuable, whether you're writing a personal statement for college, crafting a cover letter for a new job, or giving a presentation at work. 

The essay writing resources below range from 200-page books to eight-week online courses. Some require submitting original work to receive feedback, while others are prompts meant to inspire new ideas. 

15 essay writing online courses, workshops, and books to strengthen your storytelling skills: 

For the basics.

How to Write a Personal Essay (CreativeLive)

Joyce Maynard is a celebrated memoirist and personal essayist who knows what it takes to get an essay noticed for publication. In five hours of video instruction, students will learn how to identify ideas that could become pieces, how to build an outline, create an interesting character, and even end an essay to emphasize the final discovery. With a review rating of 100% from former students, this course is the perfect place to start your next essay. 

How to Write an Essay (edX)

This UC Berkeley class hones in on the hidden mechanisms of essays. The five-week course is more academic than creative, but ideal for those hoping to write with immaculate grammar and rigorous self-editing habits. The course (which is free to audit) provides both instructional videos and readings, and students will produce one essay as a takeaway from the class. 

Memoir and Personal Essay: Write About Yourself Specialization (Coursera)

Presented by Wesleyan University, this four-month specialization is instructed by four published essayists and memoirists. Through 16 writing assignments across four courses, students develop an approach to their own storytelling skills. And for those looking to take their writing out of the classroom, this course leaves you with a portfolio of work upon completion. 

"The Situation and The Story" by Vivian Gornick

Drawing on her experience from teaching MFA programs, Vivian Gornick challenges the writer to step back and evaluate their role in relation to the work. Are they the same person as the narrator? What details matter to the story? It's an invitation to look below the surface of life as it unfolds and ask questions of larger significance. The book is short, but explores diverse greats of the genre, from Joan Didion to Oscar Wilde. 

For coming up with ideas

Creative Writing for All: A 10-Day Journaling Challenge (Skillshare)

Seasoned journalist, novelist, and publisher Emily Gould only wants ten minutes of your time a day. In a 10-day course described as "perfect for writers and enthusiasts eager to rekindle creativity in a personal and artful way," she packs in countless creative prompts and revision tricks. It's great for writers who are crunched for time and looking to discover a new topic right under their nose.

The New York Times' Writing Prompts

This archive of questions inspired by the NYT's own stories is a perfect place to start, since jumping in can often feel like the hardest part. The Learning Network is targeted towards students, but the conversations following each prompt can be helpful for writers of all ages. After all, many essays begin as questions. Why not borrow some from the Times? 

Personal Essay Independent Study: Generating Fresh Ideas for the Personal Essay (Catapult)

Writing from life can make it difficult to be objective. What's interesting? What could become a full length essay? Led by essayist and editor Lilly Dancyger , this independent study is the perfect place to start coming up with fresh ideas. Self-guided, with three separate lessons ranging in topics from perspective to conversation, is an ideal fit for new writers looking to demystify the craft of storytelling via essays.  

"Writing Down the Bones" by Natalie Goldberg

The best writers are always avid readers and this book is a great start. With over one million copies sold and translations in 12 languages, it's hard to deny the creative jumpstart writers find from "Writing Down the Bones." The tone of the book is conversational and approachable, and it's full of compelling personal narratives and prompts. Goldberg integrates tenets of Zen meditation with writing in order to create what she coins a "Writing Practice." The practice includes self-interrogation, creating a specific space, and carving out time to read. 

For developing style

Creative Writing: Crafting Personal Essays with Impact (Skillshare)

Let The New York Times bestselling author and revered professor Roxane Gay inspire your writing to ask questions of deep resonance. Her one-hour masterclass is an insightful lesson on transforming your personal essay with cultural context. Learn how to take yourself (and your essay) seriously by expanding your story and connecting with the audience you want to reach. The class comes with a downloadable worksheet and links to additional resources. 

David Sedaris Teaches Humor and Storytelling (MasterClass)

No one writes humor like David Sedaris . With 10 bestselling essay collections under his belt, there's hardly a more qualified teacher. In his MasterClass, he explores how to pull meaning out of the mundane, how humor helps us move through the dark subjects of our stories, and how everything depends on an attention-grabbing opening. Prepare to learn, laugh, and be charmed for over three hours of his beautifully shot video lessons.

Begin with the Body (Skillshare)

Chelsea Hodson's essays have been described as, " anchors for the themes  —  identity, sexuality, loss  —  we so often see reflected back at us ." In under 45 minutes, you'll be inspired to examine a strong starting point for any essay — your own body. Plus, Hodson's demonstration of her editing process in real time and analysis of other creative works leaves you with no excuse but to, as she says, "write without expectation." She also occasionally offers feedback on essays submitted through the class.

For practice and feedback

8-Week Personal Essay & Memoir Writing (Sackett Street Writers)

For writers with some experience or an essay ready to be workshopped, writing workshops like Sackett Street 's are an excellent option. This particular class is taught by published author Anna Qu , exploring the responsibility of nonfiction writing while learning literary techniques to create a compelling story. On top of Qu's guidance, the comradery with fellow students, even online, can lead to new perspectives and creative inspiration through in-class writing prompts.

"Bird by Bird: Some Instructions on Writing and Life" by Anne Lamott

Few books reign supreme when it comes to authors' favorites "books on books" like "Bird by Bird." Lamott's down-to-earth, homespun advice on life and writing has sold over a million copies. Simultaneously practical and profound, the book leans on the basic tenet that the most important practice is sitting down every day and simply writing. As Lamott writes: "One of the gifts of being a writer is that it gives you an excuse to do things, to go places and explore. Another is that writing motivates you to look closely at life, at life as it lurches by and tramps around."

Memoir Monday (Substack)

Every Monday, a collection of the best essays published the previous week on sites like Granta, Longreads, and Literary Hub are mailed directly to your inbox. A monthly reading series, plus interviews with notable authors provide a dose of inspiration and a curated look at up and coming work. 

WMFA Podcast hosted by Courtney Balestier

" Writing can be lonely work ," and this podcast sees conversation as a combatant to that problem. Writers across all genres and walks of life are interviewed by writer Courtney Balestier , and talks range from craft practices to book recommendations. There's also a minisode (around five minutes) on a single topic, like paying attention or restraint, released every other week. The conversation continues in a monthly newsletter featuring links, news, and recommendations. 

• Main content

How to Write a Personal Essay: Your Easy Guide

The power of a well-written personal essay should never be underestimated. Inspiring readers with your experiences, lessons learned from past mistakes, or simply describing the joy you felt from doing a fun activity can literally change people's lives. Take a moment to reflect upon this. How much influence you can have on your audience with just a pen and paper in your hand and thoughts flowing through your head is insane.

To take the reins of your floating thoughts and put them into perspective, you need to know how to write a personal essay. Otherwise defined as a nonfiction narrative story, the personal essay format differs slightly from other kinds of writing with its implicit structure. Once we touch upon those, we will also explore some personal essay topics with our online essay writing service . After reading this article, we promise you'll be so confident writing your personal statement that you might want to craft many personal essays in one go!

Proper Format

When trying to understand what is a personal essay, you must start with the formatting specifics. And no, we didn't mean to scare you off if this sounded too complicated! The format for personal essay can be similar to most academic tasks with just a few distinct aspects. Let's examine the details from our paper writer :

• Font : Unless required to write in a Harvard essay format , you can use any readable fonts - Times New Roman, Arial, or Calibri in size 12.
• Margins : Just like in most writings, set your margins to one inch on all sides.
• Spacing : This is a classic! Use double-spacing throughout the essay, including between paragraphs.
• Indentation : Indent the first line of each paragraph by 0.5 inches or use the tab key. This might be a little too specific, but it's a true-and-tried method!
• Page numbers : Include page numbers in the top right corner of each page. You don't have to do this necessarily, but it can add more spark to your paper!
• Title : Include a title that reflects the theme or subject of your essay. Center the title on the page. Did we really have to elaborate on this?
• Header : Include a header with your last name and the page number in the top right corner of each page. After all, it's your personal story; why would you want to miss your name here?
• Length : The length of a personal essay can vary but typically ranges from 500 to 2,000 words. Well, unless you're discussing healing from a generational trauma... Then you'd probably need a few more extra pages.
• Tone : The tone of a personal essay should be conversational, reflective, and sincere. At least, this is what we recommend not to sound dull.
• Personal pronouns : Use first-person pronouns such as 'I,' 'me,' and 'my.' Remember, the spotlight is directed at you as you're the true hero of the story.

Personal Essay Topics

If you have got a lot of exciting stories to tell, your personal essay can shine brightly by interactively engaging the reader. Put in a little extra effort and dig deeper to find a unique or interesting experience or an unusual moment in your life.

Looking at a life lesson from another angle can turn into deep and purposeful subject matter. If you decide to pick a topic from a huge list of personal essay topics that you found in the internet, be precise and careful because not all of them can meet the requirements of your professor.

Personal Narrative Essay Topics

In this type of writing, try to explore a unique experience that creates a sense of conflict in your life. Explore how and why you were confused, annoyed, or hurt by the experience. Imagine your piece of paper as a place where you can freely express your emotions, discuss significant moments, & reflect on their impact on your life. This tip can help you create many really good essay topics, but if you need motivation, you can find some examples below.

• 'One small step that helped me skyrocket in my career!'
• 'Why controlling urges teaches you to master self-control.'
• 'People only learn from their own mistakes.'
• 'Life is not a one-dimensional path: it is curvier than a snake!'
• 'What I learned about conquering my fears.'
• 'The moment when I should have made a better choice.'
• 'The moment I overcame my public speaking fear.'
• 'How I conquered adversity with strength.'
• 'The impact of mentorship: valuable lessons learned from my mentor.'
• 'My journey to finding a place to belong.'

Personal Essay Topics on Specific Emotions

You may also talk about a specific event in your life that left a long-lasting impression on you. Usually, this type of essay reflects an incident that took place in your life and shifted it in some way. Dive deeper into your mind and find an event that is unique and personal to you. The weirder the occurrence, the more likely the essay will be engaging to read.

• 'How I ran away from fear: the power of exercising.'
• 'How I overcame the trauma through painting.'
• 'My quest to reclaim my cultural identity
• 'How I tackled cultural shock while studying abroad.'
• 'The year I went from being an amateur to a professional artist.'
• 'The best solo hike of my life
• 'The moment I beat my eating disorder and learned to love my true self.'
• 'How practicing gratitude helped me find beauty in the ordinary.'
• 'The power of letting go of toxic relationships
• 'How I lived up to my family's legacy.'

If you have not noticed, each of these titles can bring a fascinating vibe to the table. The names grab your attention, but you can only honestly know what they are about when reading them. That is the secret to a provocative title!

And if you'd rather have a pro write your personal essay for college, purchase essay on our platform and lay back in peace knowing your task is in expert hands!

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Crafting an Outline for Personal Essay

Like most academic tasks, the personal essay can be easily structured into 5 paragraphs . This is one of the most important steps of personal narrative essay writing at any level. Your outline for personal essay will serve as a navigator, so you don't want to get off track. Understanding how to start a personal essay, what to write in body paragraphs, and how to conclude it appropriately will be important.

How to Start a Personal Essay?

Start your writing with an introductory paragraph. As it gives your reader a clear understanding of what the story will be about. Employ a hook sentence to catch their attention and motivate them to read the rest of the paper with a whimsical thesis statement. It can be a narrative thesis, for example. But it must be written in one concise sentence that will bring the reader to the starting point of your essay.

Don't leave your readers in the dark in the introduction by explaining the important things such as:

• Who are the major characters?
• When and where is it taking place?
• What kind of story is it?

Creating the Personal Essay Body 

After creating an introduction, you must formulate three body paragraphs supporting your thesis statement. Each new point should contain its own body paragraph. Don't forget to make transitions from one paragraph to another to make sure that everything flows smoothly.

Usually, the body section is presented in the form of your experiences and your reflections on these events. You should also note the passage of time in your body sections, so make sure that the reader is aware of when and how each specific chapter took place.

How to Write a Conclusion Paragraph for Personal Essay?

Ultimately, it will be essential to wrap everything up and give your audience a sense of completeness by writing a proper conclusion. Restate your thesis, summarize the main points you have stated in body paragraphs, and leave your reader with a specific emotion, depending on the subject of your paper.

Readers should also discover a life lesson by going through the story. It is a moment where you show what you have learned from your experiences or how previous events have changed your life.

Tips for Personal Essay Writing Process

If you think you already possess sufficient knowledge of personal essays, we've yet to supply you with more information. Now let's explore the various stages of personal essay writing. Follow the list of valuable tips and advice without skipping a beat from our service where you can buy personal statement too.

Start with an Engaging Opening Sentence

Open your personal essay with an introductory section that will be engaging and interesting for your reader. In the opening section, introduce the principal characters of the story as well as the central theme or themes. It should also present the fundamental question of the essay.

Write from Your Unique Point of View

You are free to write from your point of view or in your own unique style. In contrast to other types of essays, writing from your perspective or in your personal manner is welcomed. For instance, if you are writing about a trip adventure, you might express your individual writing style by describing the sights and sounds that captured your attention. As a result, your writing will be more interesting and genuine and will better convey your experiences and feelings.

Take the Characters into Account

Be sure to describe your characters from all angles. Even though it is your real-life experience, you should still consider storytelling elements like the plot and characters. Using these ingredients in your writing will keep your reader engaged and help your essay flow smoothly.

Shed Light on a Deep Truth

Discuss your background experience with honesty and curiosity. Don't be afraid to uncover a hidden truth or a truth you didn't know was there at the time. Expose a thing that is uncomfortable or difficult for you to discuss. No matter who will read your essay. Whether it will be a teacher or somebody else, they will definitely appreciate your honesty and strive to share your experience.

Write a Rough Draft & Submit

After you have completed all the previous steps, it's time to write a rough draft. Writing a rough draft lets you get new ideas for a personal essay. Moreover, it's a great place to polish your essay and correct small grammar, spelling, and other types of mistakes. Get a second pair of eyes: No one can rate your writing as well as a neutral party. Once you have checked everything, you can start writing the final paper.

Before submitting your personal essay, double-check everything once again and make sure to present the central theme. After it, go through it and proofread your entire piece. Reading an essay full of grammatical mistakes is somewhat frustrating, which can be easily avoided. You can ask your classmate for help, so in that way, you will save each other. Don't forget to meet the deadline - and you're officially finished!

Personal Essay Examples

In our time it’s much more easier to find things on the Internet, and examples are not an exception. Remember one simple thing: not everything that you can find on the Internet is done correctly. If you need some inspiration to get started, you can find several examples of personal essays below, or you can use our free essay samples to sharpen your skills on any type of writing.

As we scratched the surface of the personal essay writing process and delved deep into the specific stages of creating a flawless paper, we hope you gained some valuable insights. These tips are all you'll ever need to inspire readers or even WOW the admissions officers!

If you want our experienced writers to help you with any writing assignment, whether a persuasive essay , creative nonfiction, or any type of college essay, hit us up with your ' do my homework for me ' request and consider it done with the highest caliber!

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Related Articles

What is a Personal Essay?

Are you wondering what is a personal essay? Discover more about personal essay, its examples and structures.

A personal essay is a short written work that lets a writer describe a personal experience or significant event based on their experiences or worldview. It is a short piece of creative nonfiction, and it’s often written in the first person.

Personal essays provide you with the chance to create a piece of writing about a life experience, personal accomplishment or worldview. They’re also a literary form of expression that many non-fiction writers use when considering an experience, idea or event.

It is not a memoir or academic essay requiring detailed citations. If you have ever applied for a job or college admission, this type of essay is necessary to help those making decisions about you.

In short, learning how to write one is a valuable skill for many different types of writers. Here is everything you need to know about writing your personal essay, with examples.

Examples of Personal Essays

What makes a strong personal essay, personal essay writing 101, choosing essay topics, examples of personal essayists, introduction, body paragraphs, 1. know your main points, 2. consider a universal truth, 3. grab reader’s attention, 4. establish a sequence of events, 5. write your personal truth, 6. summarize your essay, a final word on what is a personal essay, what is a personal statement essay, what is a personal essay for college, essay writing resources.

Some examples of personal essays include:

• College essay. The college essay is typically written in high school as part of the college admissions process.
• Personal statement . A personal statement may be part of a job application or resume.
• Personal story. A personal story summarizes something that happened in the writer’s life, without the particular purpose of getting a job or getting into college.

A strong personal essay is one that grabs the reader’s attention, explains the main problem or challenge the writer faced and takes them to a turning point and conclusion. It is short, which means every word has a purpose. It uses compelling language to encourage the reader to keep reading. Typically it’s:

• Entertaining
• Inspirational

A strong personal essay also depends on choosing the right topic. While the overriding topic is the individual’s life, personal essayists must learn how to pull an event or topic from their life to write the essay on. Personal essay topics drive the writing and keep it focused on a particular point, which makes the essay strong and effective.

To write a personal essay, you will need to understand how to choose personal essay topics, the structure of a formal essay, and make your writing compelling. Reading and studying examples from other personal essay writers can also help.

A personal essay is not a biography. That’s because an essay is usually much shorter than a book or a memoir. Plus, and essayist focuses on a topic and not themselves. To write one, you will need to brainstorm specific topics from your life. Ideas may include:

• An incident you view as a turning point in your life e.g. a birth, death, passage or turning point
• How you learned from a mistake or error or personal set back.
• The impact of someone specific , like a mentor or family member, who taught you an important lesson
• How you made a major life improvement or change a personality trait that was causing negativity in your life
• A pivotal moment in your life like a near death experience, addiction or crisis.

Anyone can write a personal essay, but some authors have been able to make a career out of it. 

Annie Dillard’s famous work “Total Eclipse” is an  example of a personal essay . In this short work, Dillard masterfully tells her experience of watching a total eclipse. From the very first word, she engages the reader with sensory-rich language.

David Sedaris  is another popular personal essayist. His collections, including Naked , Me Talk Pretty One Day , and Dress Your Family in Corduroy and Denim all show his ability to take his personal life and weave it into engaging nonfiction writing .

Sedaris is an unusual essayist in that many of his essays start as journal entries. He writes several thousand words about what happened to him any given day. Then, he takes on of these anecdotes and edits and rewrites it until a personal essay takes shape. Finally, he performs his personal essay in person, on stage and on tour to gauge what parts readers respond to.

To read some other personal essay examples, I’d recommend checking out some of the personal essay compilations edited by Philip Lopate .

Structure of a Personal Essay

Personal essays follow a specific structure. They should include these elements:

Your introduction will help you grab the reader’s attention and provide an interesting tidbit bout yourself or your personal experience. This can be a fact or short story, but it should give the reader a reason to engage with your essay. Start with a strong sentence, an image or an inciting incident .

If you’re struggling with the introduction of a personal essay, leave this section until last as it’s easier to set up a piece, once you know what it’s about.

Most academic essays will have at least three paragraphs, but you can have more or less depending on the main topic of your essay. Literary personal essays can span thousands of words or dozens of pages. Include descriptive details and go through the events in order to reach the defining moment of the story.

In the body paragraphs, make sure you keep the main point of your essay in mind. You aren’t just telling a story about your life. You are using the essay to make a specific point. Take the reader along a journey so that you can tell your story and present an argument of some sort.

Finish your essay with a memorable conclusion that calls back to the introduction. This should summarize what you have written about, bring closure for the reader and give you the chance to reflect on what the life event taught you. A good personal essay conclusion leaves a reader wanting more or encourage them to reconsider their worldview.

Tips for Writing a Personal Narrative Essay

When writing a personal essay, these tips will help you stay on track.

Before you start writing, know what your main points will be. Structure an outline that determines what each part of your essay structure will talk about. This will drive your writing.

Your main points may simply be the order of events, or they may be more specific facts that drive the details of your story. Choose the main points before you start writing. That said, if you’re writing a literary personal essay, you can always explore these main points through free writing .

Is there a universal truth you wish to convey with your essay? For example, you may want the reader to come away feeling as though they can do anything if they work hard and push through obstacles, or you may want to explore the impact that one person can make on another’s life.

If your essay has a universal truth, state it in the introduction and use it as you plan your outline. Keep this truth in mind as you write, ensuring that every sentence continues that truth. 

The reader doesn’t have to agree with your universal truth, but it should still inform the central argument of your essay. When in doubt, write this truth as if you’re speaking or writing a letter to a good friend.

Effective personal essays grab a reader’s attention from the first sentence and keep it through the conclusion. Use words that appeal to the senses to craft your writing, but avoid dipping into cliches or overly flowery language, which can detract from your meaning.

You can grab the reader’s attention with an interesting anecdote, common quote or shocking statistic in your introduction. Then pull from that attention grabber to naturally draw the reader into your essay.

If you need help, check out our self-editing checklist .

Because personal essays discuss something that happened to you, you will need to have a clear sequence of events. This will usually be the order that you saw the events happening, but a different order may make sense depending on your writing goal .

No matter what order or sequence you choose, stay consistent. If you’re a new essayist, going out of order may confuse the reader, so keep things in order through your writing. More experienced writers and essayists regularly play around with narrative structure and time to keep things interesting for the reader.

Don’t embellish your story to make it larger than life. Pull meaning from the events that happened, and stay true to those while writing your essay. That said, you can focus on a single detail or event and magnify it for the reader.

The key to writing a successful personal essay is taking an event that may seem trivial and transforming it into an essay that keeps the reader engaged. Embellishing the truth is not necessary if you are using your writing skills well.

Good personal essay end with strong conclusions. If it’s an academic essay, summarize the lesson learned and your overall journey.

In the conclusion, summarize your thesis statement or main idea and your overall essay points. Bring the reader to a satisfying conclusion. It’s sometimes helpful to callback to an image, metaphor or a moment from the introduction. Again, it’s easier to do this if you write the conclusion and introduction last.

Literary essayists sometimes like to end an essay by leaving the reader a point, image, scene or piece of dialogue to ponder.

A personal essay showcases your writing skills to readers, editors, academics and interviewers. It takes the reader on a journey that is personal to you because it is your journey. It’s a popular form of literary expression for many non-fiction writers, across genres. And confessional personal essays are increasingly popular online too.

The personal essay is often an important part of both college admittance and job selection. It demonstrates your abilities with the written word and reveals who you are as a person, which is why it’s a vital skill. Learn how to write a personal esay well, and you will be ready for whatever the future holds.

Need help? Check out our guide to the best essay checkers .

FAQs About What Is a Personal Essay

A personal statement essay is a type of personal essay used to introduce yourself to people who are making a decision, such as potential employers or a college selection committee. It contains many of the same features as a resume, introducing the reader to who you are and what your accomplishments are. 

A personal essay for college is what an admissions team or selection committee looks at to determine if they will accept a student into a program. It should include academic achievements and some career goal information. 

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Nicole Harms has been writing professionally since 2006. She specializes in education content and real estate writing but enjoys a wide gamut of topics. Her goal is to connect with the reader in an engaging, but informative way. Her work has been featured on USA Today, and she ghostwrites for many high-profile companies. As a former teacher, she is passionate about both research and grammar, giving her clients the quality they demand in today's online marketing world.

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The Writer’s Journey: Where To Publish Personal Essays

Table of Contents:

1. what is a personal essay , 2. key features of personal essays:, authenticity: , individual perspective: , emotional connection: , 3. how to write a personal essay, choosing a topic: , organizing your thoughts: , adding details: , being honest: , 4. where can you publish personal essays, online literary magazines: , writing communities and blogs: , newspaper and magazine op-ed sections: , literary anthologies and essay collections: , online writing contests: , specialized niche websites: , 5. guidelines for submission:, 6. reading submission guidelines:, word count: , formatting requirements: , theme or topic preferences: , submission method: , rights and originality: , 7. craft an engaging title and introduction:, 8. polishing your essay:, proofreading: , clarity and coherence: , conciseness: , 9. originality and avoiding plagiarism:, 10. adhering to ethics and sensitivity:, 11. submission process and follow-up:, key concepts and profound details, conclusion:.

Just Press Play To Hear The Piece.

While no one can deny the power of personal essays, there are many reasons why you might be looking for a place to publish your own. You may have been asked to submit an essay to a contest or publication and want to know if it meets their standards, or maybe you’re just hoping to get some feedback on your latest writing project.

Whatever your reason is for Essay Publishing, book publishers New York  got you covered! Keep reading for information on where to publish personal essays and what they look like.

Personal essays are a great way for individuals to express their thoughts, experiences, and opinions on a personal topic. Whether a lighthearted tale or a heartfelt reflection, these essays give readers a glimpse into the writer’s mind and emotions.

To ensure that your essay is impactful and engaging, it can be beneficial to seek professional assistance. Ghostwriting services can help you bring your ideas to life and create a well-crafted essay that resonates with your readers. These services enable you to collaborate with an experienced writer who can transform your thoughts into clear and engaging prose.

Moreover, proofreading services can play a crucial role in enhancing the quality of your essay. These services involve meticulously reviewing your essay to identify and correct grammar, spelling, and punctuation errors. Additionally, professional proofreaders can offer valuable feedback on the overall clarity, structure, and coherence of your writing.

It’s important to find your unique voice and share your personal experiences with the reader when it comes to personal essays. However, don’t underestimate professional assistance’s impact on the final result. 

When writing a personal essay, make sure that the following key features are included in it

Personal essays are all about being true to yourself. You can be honest and authentic, sharing your genuine feelings and experiences.

Each personal essay is unique because it comes from your viewpoint. It’s your chance to share what matters and how you see the world.

These essays often aim to connect with readers emotionally. Whether it’s joy, sadness, excitement, or contemplation, personal essays can evoke various emotions in readers.

By understanding and emphasizing the key features of personal essays, writers can craft compelling pitches to attract publishers’ attention. Pitching to publishers opens doors for personal essays to be published, shared, and appreciated by a wider readership, creating opportunities for meaningful connections and impact.

For Essay Publishing, you first need to know how to write it. Here is how you can write a personal essay in a few steps:

Select a topic, akin to finding a book title by its plot, that is meaningful to you…

. It could be a personal story, an idea, or an experience you want to share. 

Plan how you want to present your story. Consider the beginning, middle, and end of your essay. You also need to plan on formatting for publishing according to the requirements of where you want to publish. When you think through all of this, the process of writing an essay further can be easy.

Use descriptive language, as detailed in how a writer can edit a narrative , to paint a vivid picture for your readers. Include sensory details to make your essay more engaging.

Be true to yourself. Don’t be afraid to share your true feelings and experiences, even if they might feel vulnerable.

When it comes to sharing your work with the world, finding the right platform is crucial. Here are various places where you can consider sharing your stories:

These websites are like treasure troves of interesting content. Places such as “The Sun Magazine,” “Tin House,” and “Narratively” love personal essays. 

They’re on the lookout for captivating stories that touch the hearts of their readers. These platforms aim to collect different perspectives and thoughts, making them perfect for your essays.

Websites like “Medium” and “WordPress” offer spaces for writers for Essay Publishing. They provide an excellent opportunity to showcase your work to a broad audience. 

Additionally, Medium has a Partner Program that could reward you based on how much people enjoy reading your essays.

Consider sharing your essays with the opinion sections of well-known newspapers like “The New York Times,” “The Guardian,” or “The Washington Post.”

These places have lots of readers and discussions. Contributing here allows you to be part of important conversations happening in society.

Some organizations create collections of essays on particular themes. Submitting your work to these collections can get your essays published in print or online, giving you exposure to a wider audience.

Writing contests hosted by websites like “Writer’s Digest”  and “The Writer Magazine” are great avenues for getting your essays noticed. 

These contests often have different themes and offer prizes, making them an exciting way to share your stories.

Depending on the topic of your essay, there are websites dedicated to specific interests. Whether about travel, parenting, mental health, or lifestyle, these platforms cater to diverse topics, providing a perfect space for your unique stories.

Submitting your essays to different platforms requires attention to specific publishing contracts , guides and practices. Here’s a comprehensive breakdown to help you ace the submission process:

Before submitting, carefully read and understand the submission guidelines and publisher-author relations of the platform you’re interested in. 

Each platform has its own set of rules, preferences, and expectations for submissions. Pay close attention to details such as:

Ensure your essay meets the specified word count requirements. Some platforms might have a specific range they prefer.

Check for specific formatting guidelines, such as font size, spacing, or file format (e.g., .docx, .pdf).

Some platforms might have themes or topics they’re particularly interested in. Align your essay’s subject matter accordingly.

Note whether submissions are accepted via email, online forms, or submission portals. Follow the specified submission procedure.

Understand the platform’s policies regarding ownership of the content. Ensure your essay is original and not previously published elsewhere.

Capturing the attention of editors or readers starts with an enticing title and introduction. Craft a title, similar to how you’d write a thank you note , that reflects the essence of your essay and compels the reader to delve deeper. 

Your introduction should be engaging, drawing in the audience and setting the tone for the rest of the essay.

Editing and revising your essay are crucial steps before submission. Ensure your writing is clear, concise, and error-free. Here are some tips:

Check for grammatical errors, spelling mistakes, and punctuation issues. Consider using grammar-checking tools or seeking assistance from a trusted proofreader.

Ensure your ideas flow logically and are presented coherently. Avoid overly complex sentences or jargon that might hinder readability.

Eliminate unnecessary details or repetitive information. Keep your essay focused on its central theme or message.

Maintain the authenticity of your work by ensuring it is entirely original. Avoid plagiarism by attributing sources correctly if using external references or quotes. Plagiarism can severely impact the credibility of your submission.

Be mindful of sensitive topics or personal information shared in your essay. Respect the privacy of the individuals mentioned and adhere to ethical considerations. Ensure your content does not harm or offend any particular group or individual.

Follow the platform’s submission instructions meticulously. Submit your essay within the specified timeframe, if provided. After submission, be patient. Responses may take time. If allowed, follow up politely if you haven’t received a response within the expected timeframe.

The world of personal essays offers a myriad of opportunities for aspiring writers. From online journals to renowned newspapers, the options are vast. Selecting the right platform involves understanding your essay’s theme, audience, and aspirations as a writer. 

Authenticity, clarity, and adherence to submission guidelines are paramount for Essay Publishing. Lastly, embracing your unique voice makes your essays resonate with readers across the globe.

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Philip Roth: The Biography

Appointed by Philip Roth and granted independence and complete access, Blake Bailey spent years poring over Roth’s personal archive, interviewing his friends, lovers, and colleagues, and engaging Roth himself in breathtakingly candid conversations. The result is an indelible portrait of an American master and of the postwar literary scene.

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5 places to submit your personal essays

The best stories often come from real-life experiences. If you enjoy writing personal essays, consider submitting your work to one of the publications on this list. (Fiction writers and poets, there are some gems for you here too.) All the journals on our list are currently open for submissions and none charge fees.

Note: We are a creative writing school and compile these lists for the benefit of our students. Please don’t send us your publishing queries or submissions :). Click on the links to go to the publication’s website and look for their submissions page.

Adelaide Literary Magazine accepts personal essays and narrative nonfiction (up to 5,000 words) written in English and Portuguese. You can also submit short stories (up to 5,000 words) and poetry (up to 5 pieces per submission). They publish online once per month and generally respond within two months.

bioStories focuses exclusively on personal essays (500-7500 words). They publish essays on nearly any topic and are especially interested in work that celebrates the extraordinary within the ordinary. Pieces are published as they are accepted, and the editors generally respond to submissions within two months.

HuffPost Personal wants personal stories from writers of diverse experiences and welcomes essays on nearly any topic so long as they’re told with an authentic voice and point of view. There are no specific word limits, but writers are asked to pitch the editors before submitting their piece for consideration.

Quarter After Eight is an online literary journal published once per year. The editors are seeking work that ‘directly challenges the conventions of language, style, voice, or idea’. In addition to essays and creative nonfiction (no specific word limits), they also accept flash fiction, short stories (up to 7,500 words), and poetry (up to 4 pieces per submission). Submissions are open through 15 April 2021, and the average response time is 2-3 months.

The Rappahannock Review is an online literary magazine that publishes twice per year. In addition to essays and creative nonfiction (up to 8,000 words), they’re also looking for flash fiction, short stories (up to 7,500 words), and poetry (up to 5 poems per submission). They generally respond within one month.

3 responses on "5 places to submit your personal essays"

Just found this- Thanks for the info!

Hi, thank you very much for sharing this useful information. Now, I know where I can submit my personal essays. Writing essays make me occupied with writing and reading everyday.

Thank you! I was looking for places to submit personal essays!

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Post Your Writing Online: 3 Mistakes and 4 Tips

by Writer's Relief Staff | Author Websites , Marketing Your Writing , Promotion And Publicity | 39 comments

Review Board is now open! Submit your Short Prose, Poetry, and Book today!

Deadline: thursday, april 18th.

Before you post anything else, you must follow some basic rules (and avoid certain pitfalls) in order to avoid getting yourself into hot water down the line.

Most Common Mistakes

Mistake #1: Posting unpublished work that’s fit for literary journals. We’ve written again and again about the issues surrounding previously published writing —warning authors that most literary magazine editors will automatically reject work that has been published anywhere online. If you plan to submit a short piece to a literary journal, err on the side of caution and don’t publish it online first.

Mistake #2: Poor formatting. These days, people are reading more and more online. We’re getting comfortable spending long hours at the computer. But if you post your story in light gray font on a dark gray background, potential readers will take one glance at your writing and look away.

Mistake #3: Jamming all excerpts and writing samples on one page. If your writing samples page is starting to get too long, break it up and spread it out over multiple pages.

Four Strategies To Make Your Online Writing Shine

If you want to have a reputation for being a professional writer, you must exhibit your writing online. The days of “optional” author websites  are over. Here is your to-do list for publishing your writing on the Web:

1. Maintain an author website so that you have a central hub for your writing . Without a centralized, official author site, your writing will have no online storefront, which means potential readers will be scattered and distracted. Learn more about Web Design Relief for author website design.

2. Link to other websites that have published your work. When you link to a reputable website that has published your writing, your authority goes up a notch. So rather than posting your work on your site, consider directing your readers (via the “open in a new window” technique) to the fancy-pants publishers who originally posted a work. When they read your published work in the context of its original publication, the effect can be powerful.

3. Post excerpts or pieces from already published work directly on your own site. If a work appeared in print and you can’t link to a place where readers can view it online, then go ahead and post the work on your own webpage. Want to increase your ROI (return on investment)? Put some social share buttons at the top of the excerpt so that visitors can Like and Share with friends.

4. Post “the right amount” of material. This is going to be different for every author. If you’re a book author who is looking for an agent, there is no reason to post your entire book online (unless you have launched a highly successful and intense social media campaign for a self-published book). In fact, most literary agents don’t want to see you posting your whole book online. You can include an invitation for agents to query you for more information about the project. The amount you post should be in keeping with your goals.

For short stories, poems, and essays, know when to stop. Featuring a handful of your best works (with full-length excerpts) is enough. Overkill can bore readers and can work against you (in terms of supply and demand).

Psssst! Stay tuned for next week when we’ll teach you how to MAXIMIZE the reach of your online publications!

39 Comments

Oh wow, I didn’t know any of this. I didn’t realize putting my short stories up online would have such big consequences. I’ll have to think more about what I post in the future.

I have post poems online and my readers seem to like it. So even if it means i won’t get them published in a lit mag, it’s worth the trade off to me. but i do sumbit some poems to lit mags in order to have an “official” bio.

I remember doing a few of these mistakes in the past; Shortly after making them, I found it wasn’t the smartest idea. I ended up having one of my short stories stolen, and the guy who stole the story, published it in a book at the very same POD publisher I published with. My story wasn’t copywritten, so I couldn’t take him to court. Live and learn.

Sorry to hear about your stolen story. But you are misinformed about copyrights. You need not copyright through the US Copyright Office, they often discourage doing so.

The moment you put your words down on paper, or computer, that provides you with your copyright. Anything original that you write is automatically copyright protected. Your word document details, ie, date document was created, any other versions or drafts you created, are all copyright protected without you needing to do a thing!

You should contact the thief that stole your work, ask that it be removed from his book or other medium. You can also contact your POD provider and tell them you dispute ownership of the story.

This is an excerpt from the Copyright Alliance:

Copyright protection for literary works applies automatically when a work is originally authored and fixed in a tangible form, such as writing something down on paper or typing up a document and saving it on the computer.

I aleady knew most of the tips and warnings in the article, but I try to keep up with publishers and their wants and needs. This is excellent advice to all writer’s and published authors as well. Thank you for this much needed article for all writer’s who blog.

Interesting.

I write on Hub Pages, mostly informative articles and some small amount of poetry.

None of that content is anything I would consider submitting as a book.

If I do decide, later on, to self-publish anything, I do not have a rule against myself about ‘previously published elsewhere,’ so that is within my control as well.

I might look into e-books when and if I decide to write a book, but again, all of that content would be new.

Questions on E.O.’s comment, I thought that once you wrote something, and put it on paper or blog form, your work was/is automatically protected. What if E.O. spoke with the publisher? Shouldn’t they retracted the story, fine the person who stole it, and give E.O. credit/payment?

Read this from Sally Stuart’s “Guide to Getting Published,” Published by Waterbrook Press, 2003— “The first thing you need to know is that everything you write has copyright protection from the time it reaches a tangible form (such as being typed or entered in your computer). This protection is automatic—you do not have to register the copyright. Note that registering a copyright is what most people consider the appropriate protection, but the automatic protection is just as viable. This copyright protection gives you control over how and when your material can be used.”

Copyright(not ‘write’) is automatic. If you have any early drafts or can show you posted this story before this jerk ‘published’ it, you can fight back. Don’t let him get away with this.

I use each novel’s cover page to post an excerpt from that novel. For people who access the site from time to time I change the excerpts once in a while. Before you do the same thing, make sure your publisher won’t object.

If I’m living in the world of “indie” authors (self-published independent writers) I’m not worried about anyone else’s rights with my work. And if ever I am able to be recognized by a publisher or literary agent, I would expect to turn out new writing for them.

And I agree, anything posted on your own website is copyrighted immediately. The web host that I use has the printed into the bottom of every page. My name, copyright, year published.

But what about snippets of unpublished work for novels – a chapter or two? I’ve heard a lot of agents mentioning not to do excerpts online at least until the novel’s been sold.

Rin, Our feeling is that excerpts from unpublished novels can be quite helpful. We haven’t heard any agents saying otherwise on our end.

Thanks for this. I have been tormented by this issue. My blogs are now neglected as I regret publishing so much material in them. Even though they were first drafts, but then that’s not your best foot forward is it? I have had lots of stories accepted by zines and anthologies so have outgrown my blogging. I need a whole new website where I can put in buttons for stories and drive traffic to their sites. Thanks again, AdeW

For Eo – Just wanted to second was Margaret said. Copyright is automatic and resides with the person who created the work. You don’t have to register it anywhere. You do need to be able to show that you created the work (old drafts? Maybe having it up on your site before this guy stole it).

I hadn’t thought of using online excerpts to attract an agent. Useful hint.

I have a totally different take on this topic — first of all, websites are works in progress, not museums where everything is frozen in cyberspace forever. I have deleted stuff as it became irrelevant; conversely, I have taken the opportunity to update posts or excerpts from my back pages (so to speak).

Websites can be great forums for articles, essays or other writing that didn’t get to see the light of day, or didn’t get a fair shake. I also use my site to give other people an outlet, especially if they can’t get a publisher behind it — that’s always useful, and besides, in the event that you did get a deal, you’d probably end up reworking the material, anyhow.

I can’t see too many writers with integrity wanting to recycle their website between the covers of a book (or ebook), and calling it a day. Who’d want to buy it? If you put a different twist on some old material, that’s an entirely different matter, but one that definitely motivates more people to buy.

Novelty and newness are important weapons to winning over the punter’s attention, which is why websites come in handy for just that purpose — as well as the instant feedback that you can get, which may force you to rethink previous assumptions that went into the original writing…at any rate, I agree, less is definitely more!

I’ve never posted any of my fiction on-line, except for the first chapters of each of my novels (they’re on my website). I do post essays and ruminations, since I have no plans to ‘publish’ them anywhere else.

Thanks for the second, Rhoda! Many new writers are unaware of this. Get the word out!

If you have a website then regular updates are essential otherwise the site remains inactive. The link building options won’t be effective with other networking sites if the website is updated once a year. Some amount of content is needed to keep the website alive and buzzing. It depends on the author to decide what he/she would like presented on the site and which should be sent to online/print magazines for publication.

Nayanna, Great point! Updating your site regularly with new content is important to search engines. We recommend blogging. Not only does it keep the site fresh for Google, but it creates an interactive and lively experience for visitors too.

E.O. So sorry to hear about your experience. Your work is copyrighted the moment you set it down.

Learn more about copyright law here: https://www.writersrelief.com/blog/2008/06/copyright-urban-legend-mailing-your-writing-to-yourself/

Here is an excerpt from that article:

“Anyone who creates an original creative work may claim copyright. However—and this is unclear for many writers—you do not have to do anything to secure a copyright for your work. Once the words you are reading are down on paper or saved to your hard drive (fixed in a tangible form of expression), they are automatically protected by copyright and immediately become the property of the author. What you write today will be protected for the length of your life, plus at least 70 years.

So why would a writer formally copyright his or her projects if it’s not necessary? By filing for copyright protection, you would be entitled to legal fees in the event that you were sued regarding the work but won the case.”

A few further notes about copyright–it differs from country to country. When you’re looking at links with information, be sure you know which country the information is for. Also, while copyright may exist, proving it legally can be an entirely different matter.

I shudder when I hear authors say they’ve burned their first draft. Anyone can date stamp their notes but track-able revisions of a work while it was in progress might help to back up a claim. And if your books become best sellers your notebook might become a collector’s item.

Another way to protect copyright is to snail mail a copy of the paper draft to yourself; you can even put your address on the reverse side of the envelope with the stamps on the seal (to prove the envelope was never opened after you mailed it). Then keep it in your files as another “proof of copyright.” This was once recommended in a writer’s magazine.

Paula, Thanks for the comment! Although we’re not lawyers, the research that we’ve done indicates that “mailing the manuscript to yourself” is something of an urban legend. Please see the link to the article that we posted earlier for details. Mailing a copy of a manuscript to yourself does not necessarily provide legal protection.

I email to myself and have two files: ongoing edit and finished work so that I have access on any PC anywhere in the world. However, word of advice: a new date is esencial each time you edit. I keep a back-up of my original work is on that’s on the hard drive. Should you need evidence you can make a copy of your backup files on a USB and send it in the post. I have enjoyed reading all the posts with enthusiasm to learn, Thank you.

I post flash fiction on my new blog, but never any excerpts from my WIP / novel. I lost my master’s thesis due to someone plagiarizing my work from articles and presentations on my website and conference presentations. I am now somewhat paranoid and copyright everything.

Okay. I did something extremely stupid. I posted VERY LITTLE of my work online. And I want it published. OH GOOD LORD. It’s a novel and I posted not even half a chapter online. Any chances that I will be published?

You should be fine, Ranny, don’t fret! Posting an excerpt of a larger work does not make it ineligible for publication. It’s when you post a shorter work—poems, short stories, personal essays—online that you have to worry. Posting an excerpt, however, is good publicity, and generates attention for your work as a whole.

On the other hand, posting that excerpt online means that you cannot submit it to literary journals as a short story, so avoid doing so. Choose another section of your book and send it out to journals as a short story to not only garner attention, but gain publication credits to impress agents as well!

Thank you for this informative post. I have a question about #3. If I can’t easily post direct links to my articles, and, as you suggest,” Post excerpts or pieces from already published work directly on your own site. If a work appeared in print and you can’t link to a place where readers can view it online, then go ahead and post the work on your own webpage.”

Is there a way to post a copy of the articles directly onto my site, rather than posting a link to the publication? I’m not sure of the mechanics of this. Or do you mean just post my writing from my own files? That would seem to defeat the purpose of showing “clips.”

Maria, If you are unable to post direct links to your articles, much like print publications, you can post the article directly on your website. Or you can post an excerpt, if you don’t want to give it all away. It’s up to your discretion. Just be sure to add a note saying where the article originally appeared, and it’s specific volume/edition/etc.

Woah! I’m really loving the template/theme of this website. It’s simple, yet effective. A lot of times it’s tough to get that “perfect balance” between usability and appearance.

I must say you have done a amazing job with this. Additionally, the blog loads extremely quick for me on Chrome.

Outstanding Blog!

An intriguing discussion is worth comment. There’s no doubt that you need to write more on this issue, it may not be a taboo matter but typically people do not speak about such topics. To the next! Many thanks!!

I get that your writing is protected with a copyright once you post it on your Website (say an essay from a book in progress). But how do you prevent someone from copy/pasting your writing for their own use without your permission? Is there a way to post your writing so the copy/paste function is disabled or will not work?

I have learned some good stuff here. Definitely bookmarking for revisiting. Very informative site.

I have never posted my work poems (100+ or so ) except a couple on Facebook. A writer asked me if they could use a poem of mine on a CD insert, and I’m not sure if I should. Can I give them the right to post it there and no where else? How and where can I post my work, not on a shared blog like Facebook. I want a place I can point people to where they can read my stuff if it picks their fancy and perhaps a place where they can leave a comment. ?

Hello Daniel,

This article on what is considered previously published writing may be helpful: https://writersrelief.com/blog/2013/11/what-is-considered-previously-published-writing/

Writer’s Relief

This information saves my day. Poetry is an arrangement of satisfaction and torment and marvel, with a scramble of the word reference.

I really love to write books and I get some informative tips from here. Thanks for sharing helpful article!

Hats off to the author for delivering an exceptionally well-written article.

Insightful article with valuable tips for aspiring writers!

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Picturing the Personal Essay: A Visual Guide

A design professor from Denmark once drew for me a picture of the creative process, which had been the subject of his doctoral dissertation. “Here,” he said. “This is what it looks like”:

Nothing is wasted though, said the design professor, because every bend in the process is helping you to arrive at your necessary structure. By trying a different angle or creating a composite of past approaches, you get closer and closer to what you intend. You begin to delineate the organic form that will match your content.

The remarkable thing about personal essays, which openly mimic this exploratory process, is that they can be so quirky in their “shape.” No diagram matches the exact form that evolves, and that is because the best essayists resist predictable approaches. They refuse to limit themselves to generic forms, which, like mannequins, can be tricked out in personal clothing. Nevertheless, recognizing a few basic underlying structures may help an essay writer invent a more personal, more unique form. Here, then, are several main options.

Narrative with a lift

Take, for example, Jo Ann Beard’s essay “The Fourth State of Matter.” The narrator, abandoned by her husband, is caring for a dying dog and going to work at a university office to which an angry graduate student has brought a gun. The sequence of scenes matches roughly the unfolding of real events, but there is suspense to pull us along, represented by questions we want answered. In fact, within Beard’s narrative, two sets of questions, correlating to parallel subplots, create a kind of double tension. When the setting is Beard’s house, we wonder, “Will she find a way to let go of the dying dog, not to mention her failing marriage?” And when she’s at work, we find ourselves asking, “What about the guy with the gun? How will he impact her one ‘safe place’?”

One interesting side note: trauma, which is a common source for personal essays, can easily cause an author to get stuck on the sort of plateau Kittredge described. Jo Ann Beard, while clearly wrestling with the immobilizing impact of her own trauma, found a way to keep the reader moving both forward and upward, until the rising tension reached its inevitable climax: the graduate student firing his gun. I have seen less-experienced writers who, by contrast, seem almost to jog in place emotionally, clutching at a kind of post-traumatic scar tissue.

The whorl of reflection

Let’s set aside narrative, though, since it is not the only mode for a personal essay. In fact, most essays are more topical or reflective, which means they don’t move through time in a linear fashion as short stories do.

One of the benefits of such a circling approach is that it seems more organic, just like the mind’s creative process. It also allows for a wider variety of perspectives—illuminating the subject from multiple angles. A classic example would be “Under the Influence,” Scott Russell Sanders’s essay about his alcoholic father. Instead of luring us up the chronological slope of plot, Sanders spirals around his father’s drinking, leading us to a wide range of realizations about alcoholism: how it gets portrayed in films, how it compares to demon-possession in the Bible, how it results in violence in other families, how it raises the author’s need for control, and even how it influences the next generation through his workaholic over-compensation. We don’t read an essay like this out of plot-driven suspense so much as for the pleasure of being surprised, again and again, by new perspective and new insight.

The formal limits of focus

My own theory is that most personal essayists, because of a natural ability to extrapolate, do not struggle to find subjects to write about. Writer’s block is not their problem since their minds overflow with remembered experiences and related ideas. While a fiction writer may need to invent from scratch, adding and adding, the essayist usually needs to do the opposite, deleting and deleting. As a result, nonfiction creativity is best demonstrated by what has been left out. The essay is a figure locked in a too-large-lump of personal experience, and the good essayist chisels away all unnecessary material.

Virginia Woolf’s “Street Haunting” is an odd but useful model. She limits that essay to a single evening walk in London, ostensibly taken to buy a pencil. I suspect Woolf gave herself permission to combine incidents from several walks in London, but no matter. The essay feels “brought together” by the imposed limits of time and place.

As it happens, “Street Haunting” is also an interesting prototype for a kind of essay quite popular today: the segmented essay. Although the work is unified by the frame of a single evening stroll, it can also be seen as a combination of many individual framed moments. If we remove the purpose of the journey—to find a pencil—the essay falls neatly into a set of discrete scenes with related reveries: a daydreaming lady witnessed through a window, a dwarfish woman trying on shoes, an imagined gathering of royalty on the other side of a palace wall, and eventually the arguing of a married couple in the shop where Woolf finally gets her pencil.

Dipping into the well

Our attention to thematic unity brings up one more important dynamic in most personal essays. Not only do we have a horizontal movement through time, but there is also a vertical descent into meaning. As a result, essayists will often pause the forward motion to dip into a thematic well.

In fact, Berry uses several of these loops of reflective commentary, and though they seem to be digressions, temporarily pulling the reader away from the forward flow of the plot, they develop an essential second layer to the essay.

Braided and layered structures

Want an example? Look at Judith Kitchen’s three-page essay “Culloden,” which manages to leap back and forth quite rapidly, from a rain-pelted moor in 18th-century Scotland to 19th-century farms in America to the blasted ruins of Hiroshima on August 6, 1945, the author’s birthday. The sentences themselves suggest the impressionistic effect that Kitchen is after, being compressed to fragments, rid of the excess verbiage we expect in formal discourse: “Late afternoon. The sky hunkers down, presses, like a lover, against the land. Small sounds. A far sheep, faint barking. . . .” And as the images accumulate, layer upon layer, we begin to feel the author’s fundamental mood, a painful awareness of her own inescapable mortality. We begin to encounter the piece on a visceral level that is more intuitive than rational. Like a poem, in prose.

Coming Full Circle

First of all, endings are related to beginnings. That’s why many essays seem to circle back to where they began. Annie Dillard, in her widely anthologized piece “Living Like Weasels,” opens with a dried-out weasel skull that is attached, like a pendant, to the throat of a living eagle—macabre proof that the weasel was carried aloft to die and be torn apart. Then, at the end of the essay, Dillard alludes to the skull again, stating, “I think it would be well, and proper, and obedient, and pure, to grasp your one necessity and not let it go, to dangle from it limp wherever it takes you.”

See how deftly Dillard accomplishes this effect simply by positing one last imagined or theoretical possibility—a way of life she hopes to master, that we ourselves might master: “Seize it and let it seize you up aloft even, till your eyes burn out and drop; let your musky flesh fall off in shreds, and let your very bones unhinge and scatter, loosened over fields, over fields and woods, lightly, thoughtless, from any height at all, from as high as eagles.” Yes, the essay has come full circle, echoing the opening image of the weasel’s skull, but it also points away, beyond itself, to something yet to be realized. The ending both closes and opens at the same time.

All diagrams rendered by Claire Bascom. An earlier version of this essay appeared in Volume I, issue 1 of The Essay Review .

This essay is fabulously This essay is fabulously useful! I’ll be showing it to my creative writing students semester after semester, I’m sure. I appreciate the piece’s clarity and use of perfect examples.

I love the succinct diagrams and cited writing examples. Very instructive and useful as A.P. comments above. I also loved that I had read the Woolf journey to buy a pencil–one of my favorite essays because it is such a familiar experience–that of observing people.

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Be Heard: Where to Submit Essays Related to Current Events

June 5, 2020.

Hello, friends! As lovers and publishers of creative nonfiction we’re aware that, right now, it’s so important to express ourselves through words. As writers, putting pen to paper is how we move forward, either to help ourselves or others understand things more clearly or to speak the truth and influence change. While some might be journaling privately, others may be urgently submitting their stories to lit mags, websites, dailies, and more.

Hippocampus publishes our regular issues bi-monthly; as of today, that means our next issue is our July/August 2020 issue.

But… much of the work being created now needs to be heard NOW.

As we aren’t the right outlet for a timely piece, we wanted to point our readers/submitters to places where their submissions will get more immediate attention, whether literary magazines or outlets that publish personal essays more frequently, even daily, or to special calls for submissions, either for special issues or forthcoming anthologies.

Curated Lists of Opps from Our Friends Around the Web

Other publications and outlets have spent time creating lists and curating opps, so we’d like to link directly to their work:

• Submittable created a COVID-19 Creative Calls for Submission , which seems to be updated to add new content as they find it; multigenre.
• The New York Times article, “12 Ideas for Writing Through the Pandemic” includes some submission info
• We’ll continue to add to this list as we find resources or receive suggestions

Literary Magazines & Other Publications: Specific Calls

• COVID Lit – various genres/forms (rolling submissions)
• “For this issue, we want to examine the truths and the lies that we’re uncovering amid this global pandemic. With this call, we seek to elevate the already and the always, the ordinary and the overlooked.” — from the submission guidelines
• The Syndrome Magazine – Black Voices Matter – submissions from women/non-binary writers – deadline June 30
• Uncomfortable Revolution – seeking timely articles/stories on the intersection of pop culture, disability, race, and ethnicity. (rolling submissions)
• The HerStories Project – GenX women and impact of COVID-19 – June 30 deadline
• essays, poems, and art, “… that amplify the experiences of Black and African American writers in American society.” — from the guidelines
• “Art as resistance is not naïve or futile—it is bold and courageous. It embraces that which makes us human—our love, our anger, and our passion.” — from the guidelines
• Allegory Ridge – open to personal essays with the theme “Grow” (complete or pitch) – deadline June 12
• Vessel – op-eds (complete or pitch) – (rolling submissions)
• “…Queer Loving while also elevating Black and queer voices and creating a space of love, courage, and solidarity…” – from the guidelines
• PlanPhilly/WHYY – op-eds (Philadelphia-related) for the Eyes on the Street Section – (rolling submissions)
• Policy Network (based in Europe) – op-eds/articles for new series, Aftershock: Society and Politics After the Pandemic
• Longreads – current themes include Life in the Time of Covid and Amplify: Stories of Racism in America
• Entropy – new series, Food and COVID-19 (rolling submissions for now)
• T MI Project – COVID-related submisions (rolling submissions for now)

National Publications & Other Outlets: General Rolling Submissions

These publications traditionally accept personal essays, op-eds, and story pitches. (We linked to submissions pages where we could find them; others only list contact information.)

• How to submit an op-ed
• Inspired Life
• Boston Globe (essays, op-eds)
• General submissions
• Guardian Opinion
• Vox First Person
• Business Insider (op-eds and personal essays)
• HuffPost Personal
• Well + Good
• New York/The Cut
• Toward Freedom
• Various Outlets , the Op-Ed Project offers a database of papers and pubs that accept opinion submissions
• Medium publications , various – explore the many editorial publications at Medium that are open for submissions

Miscellaneous

Our suggestions are geared toward personal essays/literary CNF because that’s our main audience, but because we’re sharing this post on social media, we know a broader audience might see this. So we also wanted to include ideas for other ways to publish work/share your voice:

• An op-ed to your local or regional newspaper
• An op-ed to a local, independent online news publication
• A letter or story pitch to your alumni magazine or college publications (if they are publishing online during the summer)

If you’re working on something super-timely, we hope that this list of resources is helpful in finding your words a home. Hippocampus Magazine is always open to simultaneous submissions, so you may also submit work to us and withdraw it if it’s accepted elsewhere.

Special Note About Our July/August 2020 Issue

Right now, Hippocampus Magazine is selecting and finalizing pieces for the July/August issue. Typically, we have a 3-4 month lead time to review submissions, since we read pieces in the order that we receive them. However, given the gravity of the moment and the urgency and necessity of writing that reflects the world as it truly is, we plan to keep a close eye on more recent submissions as well.

(If you know of another opportunity not listed here, you can share it with us in the comments; we’ll try to update this post to add new suggestions, elevating them from the comments.)

P.S. Additional Opportunities (related, but longer-term deadlines)

While not timely in the sense of being published within the next few weeks, the following are related calls for submissions for magazines, special projects, and anthologies; we discovered them in our search and thought we should still share them here:

• 805 Lit + Art – special 19th Amendment/Black Women Issue (August 2020) – deadline June 7
• Flash Nonfiction COVID-19 : 73 Short, True Stories from the Front Lines of the Pandemic (publishes fall 2020) – deadline June 30
• CATALYST ( from Prevention at the Intersections, debut issue, Sept. 2020) – Mind, Body & Gender theme – deadline July 31
• Being Home: An Essay Anthology – Madville Publishing – deadline August 1
• About Place Journal – Works of Resistance, Resilience (for fall issue) – deadline August 1
• We’ll continue to add to this list as we spot opps or receive suggestions

IMAGE CREDIT: Flickr Creative Commins/ Pierre Metivier

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Choose Your Test

Sat / act prep online guides and tips, getting college essay help: important do's and don’ts.

College Essays

If you grow up to be a professional writer, everything you write will first go through an editor before being published. This is because the process of writing is really a process of re-writing —of rethinking and reexamining your work, usually with the help of someone else. So what does this mean for your student writing? And in particular, what does it mean for very important, but nonprofessional writing like your college essay? Should you ask your parents to look at your essay? Pay for an essay service?

If you are wondering what kind of help you can, and should, get with your personal statement, you've come to the right place! In this article, I'll talk about what kind of writing help is useful, ethical, and even expected for your college admission essay . I'll also point out who would make a good editor, what the differences between editing and proofreading are, what to expect from a good editor, and how to spot and stay away from a bad one.

Table of Contents

What Kind of Help for Your Essay Can You Get?

What's Good Editing?

What should an editor do for you, what kind of editing should you avoid, proofreading, what's good proofreading, what kind of proofreading should you avoid.

What Do Colleges Think Of You Getting Help With Your Essay?

Who Can/Should Help You?

Advice for editors.

Should You Pay Money For Essay Editing?

The Bottom Line

What's next, what kind of help with your essay can you get.

Rather than talking in general terms about "help," let's first clarify the two different ways that someone else can improve your writing . There is editing, which is the more intensive kind of assistance that you can use throughout the whole process. And then there's proofreading, which is the last step of really polishing your final product.

Let me go into some more detail about editing and proofreading, and then explain how good editors and proofreaders can help you."

Editing is helping the author (in this case, you) go from a rough draft to a finished work . Editing is the process of asking questions about what you're saying, how you're saying it, and how you're organizing your ideas. But not all editing is good editing . In fact, it's very easy for an editor to cross the line from supportive to overbearing and over-involved.

Ability to clarify assignments. A good editor is usually a good writer, and certainly has to be a good reader. For example, in this case, a good editor should make sure you understand the actual essay prompt you're supposed to be answering.

Open-endedness. Good editing is all about asking questions about your ideas and work, but without providing answers. It's about letting you stick to your story and message, and doesn't alter your point of view.

Think of an editor as a great travel guide. It can show you the many different places your trip could take you. It should explain any parts of the trip that could derail your trip or confuse the traveler. But it never dictates your path, never forces you to go somewhere you don't want to go, and never ignores your interests so that the trip no longer seems like it's your own. So what should good editors do?

Help Brainstorm Topics

Sometimes it's easier to bounce thoughts off of someone else. This doesn't mean that your editor gets to come up with ideas, but they can certainly respond to the various topic options you've come up with. This way, you're less likely to write about the most boring of your ideas, or to write about something that isn't actually important to you.

If you're wondering how to come up with options for your editor to consider, check out our guide to brainstorming topics for your college essay .

Help Revise Your Drafts

Here, your editor can't upset the delicate balance of not intervening too much or too little. It's tricky, but a great way to think about it is to remember: editing is about asking questions, not giving answers .

Revision questions should point out:

• Places where more detail or more description would help the reader connect with your essay
• Places where structure and logic don't flow, losing the reader's attention
• Places where there aren't transitions between paragraphs, confusing the reader
• Moments where your narrative or the arguments you're making are unclear

But pointing to potential problems is not the same as actually rewriting—editors let authors fix the problems themselves.

Bad editing is usually very heavy-handed editing. Instead of helping you find your best voice and ideas, a bad editor changes your writing into their own vision.

You may be dealing with a bad editor if they:

• Add material (examples, descriptions) that doesn't come from you
• Use a thesaurus to make your college essay sound "more mature"
• Add meaning or insight to the essay that doesn't come from you
• Tell you what to say and how to say it
• Write sentences, phrases, and paragraphs for you
• Change your voice in the essay so it no longer sounds like it was written by a teenager

Colleges can tell the difference between a 17-year-old's writing and a 50-year-old's writing. Not only that, they have access to your SAT or ACT Writing section, so they can compare your essay to something else you wrote. Writing that's a little more polished is great and expected. But a totally different voice and style will raise questions.

Where's the Line Between Helpful Editing and Unethical Over-Editing?

Sometimes it's hard to tell whether your college essay editor is doing the right thing. Here are some guidelines for staying on the ethical side of the line.

• An editor should say that the opening paragraph is kind of boring, and explain what exactly is making it drag. But it's overstepping for an editor to tell you exactly how to change it.
• An editor should point out where your prose is unclear or vague. But it's completely inappropriate for the editor to rewrite that section of your essay.
• An editor should let you know that a section is light on detail or description. But giving you similes and metaphors to beef up that description is a no-go.

Proofreading (also called copy-editing) is checking for errors in the last draft of a written work. It happens at the end of the process and is meant as the final polishing touch. Proofreading is meticulous and detail-oriented, focusing on small corrections. It sands off all the surface rough spots that could alienate the reader.

Because proofreading is usually concerned with making fixes on the word or sentence level, this is the only process where someone else can actually add to or take away things from your essay . This is because what they are adding or taking away tends to be one or two misplaced letters.

Laser focus. Proofreading is all about the tiny details, so the ability to really concentrate on finding small slip-ups is a must.

Excellent grammar and spelling skills. Proofreaders need to dot every "i" and cross every "t." Good proofreaders should correct spelling, punctuation, capitalization, and grammar. They should put foreign words in italics and surround quotations with quotation marks. They should check that you used the correct college's name, and that you adhered to any formatting requirements (name and date at the top of the page, uniform font and size, uniform spacing).

Limited interference. A proofreader needs to make sure that you followed any word limits. But if cuts need to be made to shorten the essay, that's your job and not the proofreader's.

A bad proofreader either tries to turn into an editor, or just lacks the skills and knowledge necessary to do the job.

Some signs that you're working with a bad proofreader are:

• If they suggest making major changes to the final draft of your essay. Proofreading happens when editing is already finished.
• If they aren't particularly good at spelling, or don't know grammar, or aren't detail-oriented enough to find someone else's small mistakes.
• If they start swapping out your words for fancier-sounding synonyms, or changing the voice and sound of your essay in other ways. A proofreader is there to check for errors, not to take the 17-year-old out of your writing.

What Do Colleges Think of Your Getting Help With Your Essay?

Admissions officers agree: light editing and proofreading are good—even required ! But they also want to make sure you're the one doing the work on your essay. They want essays with stories, voice, and themes that come from you. They want to see work that reflects your actual writing ability, and that focuses on what you find important.

On the Importance of Editing

Get feedback. Have a fresh pair of eyes give you some feedback. Don't allow someone else to rewrite your essay, but do take advantage of others' edits and opinions when they seem helpful. ( Bates College )

Read your essay aloud to someone. Reading the essay out loud offers a chance to hear how your essay sounds outside your head. This exercise reveals flaws in the essay's flow, highlights grammatical errors and helps you ensure that you are communicating the exact message you intended. ( Dickinson College )

On the Value of Proofreading

Share your essays with at least one or two people who know you well—such as a parent, teacher, counselor, or friend—and ask for feedback. Remember that you ultimately have control over your essays, and your essays should retain your own voice, but others may be able to catch mistakes that you missed and help suggest areas to cut if you are over the word limit. ( Yale University )

Proofread and then ask someone else to proofread for you. Although we want substance, we also want to be able to see that you can write a paper for our professors and avoid careless mistakes that would drive them crazy. ( Oberlin College )

On Watching Out for Too Much Outside Influence

Limit the number of people who review your essay. Too much input usually means your voice is lost in the writing style. ( Carleton College )

Ask for input (but not too much). Your parents, friends, guidance counselors, coaches, and teachers are great people to bounce ideas off of for your essay. They know how unique and spectacular you are, and they can help you decide how to articulate it. Keep in mind, however, that a 45-year-old lawyer writes quite differently from an 18-year-old student, so if your dad ends up writing the bulk of your essay, we're probably going to notice. ( Vanderbilt University )

Now let's talk about some potential people to approach for your college essay editing and proofreading needs. It's best to start close to home and slowly expand outward. Not only are your family and friends more invested in your success than strangers, but they also have a better handle on your interests and personality. This knowledge is key for judging whether your essay is expressing your true self.

Parents or Close Relatives

Your family may be full of potentially excellent editors! Parents are deeply committed to your well-being, and family members know you and your life well enough to offer details or incidents that can be included in your essay. On the other hand, the rewriting process necessarily involves criticism, which is sometimes hard to hear from someone very close to you.

A parent or close family member is a great choice for an editor if you can answer "yes" to the following questions. Is your parent or close relative a good writer or reader? Do you have a relationship where editing your essay won't create conflict? Are you able to constructively listen to criticism and suggestion from the parent?

One suggestion for defusing face-to-face discussions is to try working on the essay over email. Send your parent a draft, have them write you back some comments, and then you can pick which of their suggestions you want to use and which to discard.

Teachers or Tutors

A humanities teacher that you have a good relationship with is a great choice. I am purposefully saying humanities, and not just English, because teachers of Philosophy, History, Anthropology, and any other classes where you do a lot of writing, are all used to reviewing student work.

Moreover, any teacher or tutor that has been working with you for some time, knows you very well and can vet the essay to make sure it "sounds like you."

If your teacher or tutor has some experience with what college essays are supposed to be like, ask them to be your editor. If not, then ask whether they have time to proofread your final draft.

Guidance or College Counselor at Your School

The best thing about asking your counselor to edit your work is that this is their job. This means that they have a very good sense of what colleges are looking for in an application essay.

At the same time, school counselors tend to have relationships with admissions officers in many colleges, which again gives them insight into what works and which college is focused on what aspect of the application.

Unfortunately, in many schools the guidance counselor tends to be way overextended. If your ratio is 300 students to 1 college counselor, you're unlikely to get that person's undivided attention and focus. It is still useful to ask them for general advice about your potential topics, but don't expect them to be able to stay with your essay from first draft to final version.

Friends, Siblings, or Classmates

Although they most likely don't have much experience with what colleges are hoping to see, your peers are excellent sources for checking that your essay is you .

Friends and siblings are perfect for the read-aloud edit. Read your essay to them so they can listen for words and phrases that are stilted, pompous, or phrases that just don't sound like you.

You can even trade essays and give helpful advice on each other's work.

If your editor hasn't worked with college admissions essays very much, no worries! Any astute and attentive reader can still greatly help with your process. But, as in all things, beginners do better with some preparation.

First, your editor should read our advice about how to write a college essay introduction , how to spot and fix a bad college essay , and get a sense of what other students have written by going through some admissions essays that worked .

Then, as they read your essay, they can work through the following series of questions that will help them to guide you.

Introduction Questions

• Is the first sentence a killer opening line? Why or why not?
• Does the introduction hook the reader? Does it have a colorful, detailed, and interesting narrative? Or does it propose a compelling or surprising idea?
• Can you feel the author's voice in the introduction, or is the tone dry, dull, or overly formal? Show the places where the voice comes through.

Essay Body Questions

• Does the essay have a through-line? Is it built around a central argument, thought, idea, or focus? Can you put this idea into your own words?
• How is the essay organized? By logical progression? Chronologically? Do you feel order when you read it, or are there moments where you are confused or lose the thread of the essay?
• Does the essay have both narratives about the author's life and explanations and insight into what these stories reveal about the author's character, personality, goals, or dreams? If not, which is missing?
• Does the essay flow? Are there smooth transitions/clever links between paragraphs? Between the narrative and moments of insight?

Reader Response Questions

• Does the writer's personality come through? Do we know what the speaker cares about? Do we get a sense of "who he or she is"?
• Where did you feel most connected to the essay? Which parts of the essay gave you a "you are there" sensation by invoking your senses? What moments could you picture in your head well?
• Where are the details and examples vague and not specific enough?
• Did you get an "a-ha!" feeling anywhere in the essay? Is there a moment of insight that connected all the dots for you? Is there a good reveal or "twist" anywhere in the essay?
• What are the strengths of this essay? What needs the most improvement?

Should You Pay Money for Essay Editing?

One alternative to asking someone you know to help you with your college essay is the paid editor route. There are two different ways to pay for essay help: a private essay coach or a less personal editing service , like the many proliferating on the internet.

My advice is to think of these options as a last resort rather than your go-to first choice. I'll first go through the reasons why. Then, if you do decide to go with a paid editor, I'll help you decide between a coach and a service.

When to Consider a Paid Editor

In general, I think hiring someone to work on your essay makes a lot of sense if none of the people I discussed above are a possibility for you.

If you can't ask your parents. For example, if your parents aren't good writers, or if English isn't their first language. Or if you think getting your parents to help is going create unnecessary extra conflict in your relationship with them (applying to college is stressful as it is!)

If you can't ask your teacher or tutor. Maybe you don't have a trusted teacher or tutor that has time to look over your essay with focus. Or, for instance, your favorite humanities teacher has very limited experience with college essays and so won't know what admissions officers want to see.

If you can't ask your guidance counselor. This could be because your guidance counselor is way overwhelmed with other students.

If you can't share your essay with those who know you. It might be that your essay is on a very personal topic that you're unwilling to share with parents, teachers, or peers. Just make sure it doesn't fall into one of the bad-idea topics in our article on bad college essays .

If the cost isn't a consideration. Many of these services are quite expensive, and private coaches even more so. If you have finite resources, I'd say that hiring an SAT or ACT tutor (whether it's PrepScholar or someone else) is better way to spend your money . This is because there's no guarantee that a slightly better essay will sufficiently elevate the rest of your application, but a significantly higher SAT score will definitely raise your applicant profile much more.

Should You Hire an Essay Coach?

On the plus side, essay coaches have read dozens or even hundreds of college essays, so they have experience with the format. Also, because you'll be working closely with a specific person, it's more personal than sending your essay to a service, which will know even less about you.

But, on the minus side, you'll still be bouncing ideas off of someone who doesn't know that much about you . In general, if you can adequately get the help from someone you know, there is no advantage to paying someone to help you.

If you do decide to hire a coach, ask your school counselor, or older students that have used the service for recommendations. If you can't afford the coach's fees, ask whether they can work on a sliding scale —many do. And finally, beware those who guarantee admission to your school of choice—essay coaches don't have any special magic that can back up those promises.

Should You Send Your Essay to a Service?

On the plus side, essay editing services provide a similar product to essay coaches, and they cost significantly less . If you have some assurance that you'll be working with a good editor, the lack of face-to-face interaction won't prevent great results.

On the minus side, however, it can be difficult to gauge the quality of the service before working with them . If they are churning through many application essays without getting to know the students they are helping, you could end up with an over-edited essay that sounds just like everyone else's. In the worst case scenario, an unscrupulous service could send you back a plagiarized essay.

Getting recommendations from friends or a school counselor for reputable services is key to avoiding heavy-handed editing that writes essays for you or does too much to change your essay. Including a badly-edited essay like this in your application could cause problems if there are inconsistencies. For example, in interviews it might be clear you didn't write the essay, or the skill of the essay might not be reflected in your schoolwork and test scores.

Should You Buy an Essay Written by Someone Else?

Let me elaborate. There are super sketchy places on the internet where you can simply buy a pre-written essay. Don't do this!

For one thing, you'll be lying on an official, signed document. All college applications make you sign a statement saying something like this:

I certify that all information submitted in the admission process—including the application, the personal essay, any supplements, and any other supporting materials—is my own work, factually true, and honestly presented... I understand that I may be subject to a range of possible disciplinary actions, including admission revocation, expulsion, or revocation of course credit, grades, and degree, should the information I have certified be false. (From the Common Application )

For another thing, if your academic record doesn't match the essay's quality, the admissions officer will start thinking your whole application is riddled with lies.

Admission officers have full access to your writing portion of the SAT or ACT so that they can compare work that was done in proctored conditions with that done at home. They can tell if these were written by different people. Not only that, but there are now a number of search engines that faculty and admission officers can use to see if an essay contains strings of words that have appeared in other essays—you have no guarantee that the essay you bought wasn't also bought by 50 other students.

• You should get college essay help with both editing and proofreading
• A good editor will ask questions about your idea, logic, and structure, and will point out places where clarity is needed
• A good editor will absolutely not answer these questions, give you their own ideas, or write the essay or parts of the essay for you
• A good proofreader will find typos and check your formatting
• All of them agree that getting light editing and proofreading is necessary
• Parents, teachers, guidance or college counselor, and peers or siblings
• If you can't ask any of those, you can pay for college essay help, but watch out for services or coaches who over-edit you work
• Don't buy a pre-written essay! Colleges can tell, and it'll make your whole application sound false.

Ready to start working on your essay? Check out our explanation of the point of the personal essay and the role it plays on your applications and then explore our step-by-step guide to writing a great college essay .

Using the Common Application for your college applications? We have an excellent guide to the Common App essay prompts and useful advice on how to pick the Common App prompt that's right for you . Wondering how other people tackled these prompts? Then work through our roundup of over 130 real college essay examples published by colleges .

Stressed about whether to take the SAT again before submitting your application? Let us help you decide how many times to take this test . If you choose to go for it, we have the ultimate guide to studying for the SAT to give you the ins and outs of the best ways to study.

Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

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