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The Writing Process | 5 Steps with Examples & Tips

Published on April 24, 2020 by Jack Caulfield . Revised on December 8, 2023.

Good academic writing requires effective planning, drafting, and revision.

The writing process looks different for everyone, but there are five basic steps that will help you structure your time when writing any kind of text.

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Table of contents

Step 1: prewriting, step 2: planning and outlining, step 3: writing a first draft, step 4: redrafting and revising, step 5: editing and proofreading, other interesting articles, frequently asked questions about the writing process.

Before you start writing, you need to decide exactly what you’ll write about and do the necessary research.

Coming up with a topic

If you have to come up with your own topic for an assignment, think of what you’ve covered in class— is there a particular area that intrigued, interested, or even confused you? Topics that left you with additional questions are perfect, as these are questions you can explore in your writing.

The scope depends on what type of text you’re writing—for example, an essay or a research paper will be less in-depth than a dissertation topic . Don’t pick anything too ambitious to cover within the word count, or too limited for you to find much to say.

Narrow down your idea to a specific argument or question. For example, an appropriate topic for an essay might be narrowed down like this:

Doing the research

Once you know your topic, it’s time to search for relevant sources and gather the information you need. This process varies according to your field of study and the scope of the assignment. It might involve:

• Searching for primary and secondary sources .
• Reading the relevant texts closely (e.g. for literary analysis ).
• Collecting data using relevant research methods (e.g. experiments , interviews or surveys )

From a writing perspective, the important thing is to take plenty of notes while you do the research. Keep track of the titles, authors, publication dates, and relevant quotations from your sources; the data you gathered; and your initial analysis or interpretation of the questions you’re addressing.

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Especially in academic writing , it’s important to use a logical structure to convey information effectively. It’s far better to plan this out in advance than to try to work out your structure once you’ve already begun writing.

Creating an essay outline is a useful way to plan out your structure before you start writing. This should help you work out the main ideas you want to focus on and how you’ll organize them. The outline doesn’t have to be final—it’s okay if your structure changes throughout the writing process.

Use bullet points or numbering to make your structure clear at a glance. Even for a short text that won’t use headings, it’s useful to summarize what you’ll discuss in each paragraph.

An outline for a literary analysis essay might look something like this:

• Describe the theatricality of Austen’s works
• Outline the role theater plays in Mansfield Park
• Introduce the research question: How does Austen use theater to express the characters’ morality in Mansfield Park ?
• Discuss Austen’s depiction of the performance at the end of the first volume
• Discuss how Sir Bertram reacts to the acting scheme
• Introduce Austen’s use of stage direction–like details during dialogue
• Explore how these are deployed to show the characters’ self-absorption
• Discuss Austen’s description of Maria and Julia’s relationship as polite but affectionless
• Compare Mrs. Norris’s self-conceit as charitable despite her idleness
• Summarize the three themes: The acting scheme, stage directions, and the performance of morals
• Answer the research question
• Indicate areas for further study

Once you have a clear idea of your structure, it’s time to produce a full first draft.

This process can be quite non-linear. For example, it’s reasonable to begin writing with the main body of the text, saving the introduction for later once you have a clearer idea of the text you’re introducing.

To give structure to your writing, use your outline as a framework. Make sure that each paragraph has a clear central focus that relates to your overall argument.

Hover over the parts of the example, from a literary analysis essay on Mansfield Park , to see how a paragraph is constructed.

The character of Mrs. Norris provides another example of the performance of morals in Mansfield Park . Early in the novel, she is described in scathing terms as one who knows “how to dictate liberality to others: but her love of money was equal to her love of directing” (p. 7). This hypocrisy does not interfere with her self-conceit as “the most liberal-minded sister and aunt in the world” (p. 7). Mrs. Norris is strongly concerned with appearing charitable, but unwilling to make any personal sacrifices to accomplish this. Instead, she stage-manages the charitable actions of others, never acknowledging that her schemes do not put her own time or money on the line. In this way, Austen again shows us a character whose morally upright behavior is fundamentally a performance—for whom the goal of doing good is less important than the goal of seeming good.

When you move onto a different topic, start a new paragraph. Use appropriate transition words and phrases to show the connections between your ideas.

The goal at this stage is to get a draft completed, not to make everything perfect as you go along. Once you have a full draft in front of you, you’ll have a clearer idea of where improvement is needed.

Give yourself a first draft deadline that leaves you a reasonable length of time to revise, edit, and proofread before the final deadline. For a longer text like a dissertation, you and your supervisor might agree on deadlines for individual chapters.

Now it’s time to look critically at your first draft and find potential areas for improvement. Redrafting means substantially adding or removing content, while revising involves making changes to structure and reformulating arguments.

Evaluating the first draft

It can be difficult to look objectively at your own writing. Your perspective might be positively or negatively biased—especially if you try to assess your work shortly after finishing it.

It’s best to leave your work alone for at least a day or two after completing the first draft. Come back after a break to evaluate it with fresh eyes; you’ll spot things you wouldn’t have otherwise.

When evaluating your writing at this stage, you’re mainly looking for larger issues such as changes to your arguments or structure. Starting with bigger concerns saves you time—there’s no point perfecting the grammar of something you end up cutting out anyway.

Right now, you’re looking for:

• Arguments that are unclear or illogical.
• Areas where information would be better presented in a different order.
• Passages where additional information or explanation is needed.
• Passages that are irrelevant to your overall argument.

For example, in our paper on Mansfield Park , we might realize the argument would be stronger with more direct consideration of the protagonist Fanny Price, and decide to try to find space for this in paragraph IV.

For some assignments, you’ll receive feedback on your first draft from a supervisor or peer. Be sure to pay close attention to what they tell you, as their advice will usually give you a clearer sense of which aspects of your text need improvement.

Redrafting and revising

Once you’ve decided where changes are needed, make the big changes first, as these are likely to have knock-on effects on the rest. Depending on what your text needs, this step might involve:

• Making changes to your overall argument.
• Reordering the text.
• Cutting parts of the text.
• Adding new text.

You can go back and forth between writing, redrafting and revising several times until you have a final draft that you’re happy with.

Think about what changes you can realistically accomplish in the time you have. If you are running low on time, you don’t want to leave your text in a messy state halfway through redrafting, so make sure to prioritize the most important changes.

Editing focuses on local concerns like clarity and sentence structure. Proofreading involves reading the text closely to remove typos and ensure stylistic consistency. You can check all your drafts and texts in minutes with an AI proofreader .

Editing for grammar and clarity

When editing, you want to ensure your text is clear, concise, and grammatically correct. You’re looking out for:

• Grammatical errors.
• Ambiguous phrasings.
• Redundancy and repetition .

In your initial draft, it’s common to end up with a lot of sentences that are poorly formulated. Look critically at where your meaning could be conveyed in a more effective way or in fewer words, and watch out for common sentence structure mistakes like run-on sentences and sentence fragments:

• Austen’s style is frequently humorous, her characters are often described as “witty.” Although this is less true of Mansfield Park .
• Austen’s style is frequently humorous. Her characters are often described as “witty,” although this is less true of Mansfield Park .

To make your sentences run smoothly, you can always use a paraphrasing tool to rewrite them in a clearer way.

Proofreading for small mistakes and typos

When proofreading, first look out for typos in your text:

• Spelling errors.
• Missing words.
• Confused word choices .
• Punctuation errors .
• Missing or excess spaces.

Use a grammar checker , but be sure to do another manual check after. Read through your text line by line, watching out for problem areas highlighted by the software but also for any other issues it might have missed.

For example, in the following phrase we notice several errors:

• Mary Crawfords character is a complicate one and her relationships with Fanny and Edmund undergoes several transformations through out the novel.
• Mary Crawford’s character is a complicated one, and her relationships with both Fanny and Edmund undergo several transformations throughout the novel.

Proofreading for stylistic consistency

There are several issues in academic writing where you can choose between multiple different standards. For example:

• Whether you use the serial comma .
• Whether you use American or British spellings and punctuation (you can use a punctuation checker for this).
• Where you use numerals vs. words for numbers.
• How you capitalize your titles and headings.

Unless you’re given specific guidance on these issues, it’s your choice which standards you follow. The important thing is to consistently follow one standard for each issue. For example, don’t use a mixture of American and British spellings in your paper.

Additionally, you will probably be provided with specific guidelines for issues related to format (how your text is presented on the page) and citations (how you acknowledge your sources). Always follow these instructions carefully.

If you want to know more about AI for academic writing, AI tools, or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
• Post hoc fallacy
• Appeal to authority fallacy
• False cause fallacy
• Sunk cost fallacy
• Deep learning
• Generative AI
• Machine learning
• Reinforcement learning
• Supervised vs. unsupervised learning

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• Grammar Checker
• Paraphrasing Tool
• Text Summarizer
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Revising, proofreading, and editing are different stages of the writing process .

• Revising is making structural and logical changes to your text—reformulating arguments and reordering information.
• Editing refers to making more local changes to things like sentence structure and phrasing to make sure your meaning is conveyed clearly and concisely.
• Proofreading involves looking at the text closely, line by line, to spot any typos and issues with consistency and correct them.

Whether you’re publishing a blog, submitting a research paper , or even just writing an important email, there are a few techniques you can use to make sure it’s error-free:

• Take a break : Set your work aside for at least a few hours so that you can look at it with fresh eyes.
• Proofread a printout : Staring at a screen for too long can cause fatigue – sit down with a pen and paper to check the final version.
• Use digital shortcuts : Take note of any recurring mistakes (for example, misspelling a particular word, switching between US and UK English , or inconsistently capitalizing a term), and use Find and Replace to fix it throughout the document.

If you want to be confident that an important text is error-free, it might be worth choosing a professional proofreading service instead.

If you’ve gone over the word limit set for your assignment, shorten your sentences and cut repetition and redundancy during the editing process. If you use a lot of long quotes , consider shortening them to just the essentials.

If you need to remove a lot of words, you may have to cut certain passages. Remember that everything in the text should be there to support your argument; look for any information that’s not essential to your point and remove it.

To make this process easier and faster, you can use a paraphrasing tool . With this tool, you can rewrite your text to make it simpler and shorter. If that’s not enough, you can copy-paste your paraphrased text into the summarizer . This tool will distill your text to its core message.

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Caulfield, J. (2023, December 08). The Writing Process | 5 Steps with Examples & Tips. Scribbr. Retrieved April 9, 2024, from https://www.scribbr.com/academic-writing/writing-process/

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How to write a speech that your audience remembers

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Whether in a work meeting or at an investor panel, you might give a speech at some point. And no matter how excited you are about the opportunity, the experience can be nerve-wracking . 

But feeling butterflies doesn’t mean you can’t give a great speech. With the proper preparation and a clear outline, apprehensive public speakers and natural wordsmiths alike can write and present a compelling message. Here’s how to write a good speech you’ll be proud to deliver.

What is good speech writing?

Good speech writing is the art of crafting words and ideas into a compelling, coherent, and memorable message that resonates with the audience. Here are some key elements of great speech writing:

• It begins with clearly understanding the speech's purpose and the audience it seeks to engage. 
• A well-written speech clearly conveys its central message, ensuring that the audience understands and retains the key points. 
• It is structured thoughtfully, with a captivating opening, a well-organized body, and a conclusion that reinforces the main message. 
• Good speech writing embraces the power of engaging content, weaving in stories, examples, and relatable anecdotes to connect with the audience on both intellectual and emotional levels. 

Ultimately, it is the combination of these elements, along with the authenticity and delivery of the speaker , that transforms words on a page into a powerful and impactful spoken narrative.

What makes a good speech?

A great speech includes several key qualities, but three fundamental elements make a speech truly effective:

Clarity and purpose

Remembering the audience, cohesive structure.

While other important factors make a speech a home run, these three elements are essential for writing an effective speech.

The main elements of a good speech

The main elements of a speech typically include:

• Introduction: The introduction sets the stage for your speech and grabs the audience's attention. It should include a hook or attention-grabbing opening, introduce the topic, and provide an overview of what will be covered.
• Opening/captivating statement: This is a strong statement that immediately engages the audience and creates curiosity about the speech topics.
• Thesis statement/central idea: The thesis statement or central idea is a concise statement that summarizes the main point or argument of your speech. It serves as a roadmap for the audience to understand what your speech is about.
• Body: The body of the speech is where you elaborate on your main points or arguments. Each point is typically supported by evidence, examples, statistics, or anecdotes. The body should be organized logically and coherently, with smooth transitions between the main points.
• Supporting evidence: This includes facts, data, research findings, expert opinions, or personal stories that support and strengthen your main points. Well-chosen and credible evidence enhances the persuasive power of your speech.
• Transitions: Transitions are phrases or statements that connect different parts of your speech, guiding the audience from one idea to the next. Effective transitions signal the shifts in topics or ideas and help maintain a smooth flow throughout the speech.
• Counterarguments and rebuttals (if applicable): If your speech involves addressing opposing viewpoints or counterarguments, you should acknowledge and address them. Presenting counterarguments makes your speech more persuasive and demonstrates critical thinking.
• Conclusion: The conclusion is the final part of your speech and should bring your message to a satisfying close. Summarize your main points, restate your thesis statement, and leave the audience with a memorable closing thought or call to action.
• Closing statement: This is the final statement that leaves a lasting impression and reinforces the main message of your speech. It can be a call to action, a thought-provoking question, a powerful quote, or a memorable anecdote.
• Delivery and presentation: How you deliver your speech is also an essential element to consider. Pay attention to your tone, body language, eye contact , voice modulation, and timing. Practice and rehearse your speech, and try using the 7-38-55 rule to ensure confident and effective delivery.

While the order and emphasis of these elements may vary depending on the type of speech and audience, these elements provide a framework for organizing and delivering a successful speech.

How to structure a good speech

You know what message you want to transmit, who you’re delivering it to, and even how you want to say it. But you need to know how to start, develop, and close a speech before writing it. 

Think of a speech like an essay. It should have an introduction, conclusion, and body sections in between. This places ideas in a logical order that the audience can better understand and follow them. Learning how to make a speech with an outline gives your storytelling the scaffolding it needs to get its point across.

Here’s a general speech structure to guide your writing process:

• Explanation 1
• Explanation 2
• Explanation 3

How to write a compelling speech opener

Some research shows that engaged audiences pay attention for only 15 to 20 minutes at a time. Other estimates are even lower, citing that people stop listening intently in fewer than 10 minutes . If you make a good first impression at the beginning of your speech, you have a better chance of interesting your audience through the middle when attention spans fade. 

Implementing the INTRO model can help grab and keep your audience’s attention as soon as you start speaking. This acronym stands for interest, need, timing, roadmap, and objectives, and it represents the key points you should hit in an opening. 

Here’s what to include for each of these points: 

• Interest : Introduce yourself or your topic concisely and speak with confidence . Write a compelling opening statement using relevant data or an anecdote that the audience can relate to.
• Needs : The audience is listening to you because they have something to learn. If you’re pitching a new app idea to a panel of investors, those potential partners want to discover more about your product and what they can earn from it. Read the room and gently remind them of the purpose of your speech. 
• Timing : When appropriate, let your audience know how long you’ll speak. This lets listeners set expectations and keep tabs on their own attention span. If a weary audience member knows you’ll talk for 40 minutes, they can better manage their energy as that time goes on. 
• Routemap : Give a brief overview of the three main points you’ll cover in your speech. If an audience member’s attention starts to drop off and they miss a few sentences, they can more easily get their bearings if they know the general outline of the presentation.
• Objectives : Tell the audience what you hope to achieve, encouraging them to listen to the end for the payout. 

Writing the middle of a speech

The body of your speech is the most information-dense section. Facts, visual aids, PowerPoints — all this information meets an audience with a waning attention span. Sticking to the speech structure gives your message focus and keeps you from going off track, making everything you say as useful as possible.

Limit the middle of your speech to three points, and support them with no more than three explanations. Following this model organizes your thoughts and prevents you from offering more information than the audience can retain. 

Using this section of the speech to make your presentation interactive can add interest and engage your audience. Try including a video or demonstration to break the monotony. A quick poll or survey also keeps the audience on their toes. 

Wrapping the speech up

To you, restating your points at the end can feel repetitive and dull. You’ve practiced countless times and heard it all before. But repetition aids memory and learning , helping your audience retain what you’ve told them. Use your speech’s conclusion to summarize the main points with a few short sentences.

Try to end on a memorable note, like posing a motivational quote or a thoughtful question the audience can contemplate once they leave. In proposal or pitch-style speeches, consider landing on a call to action (CTA) that invites your audience to take the next step.

How to write a good speech

If public speaking gives you the jitters, you’re not alone. Roughly 80% of the population feels nervous before giving a speech, and another 10% percent experiences intense anxiety and sometimes even panic. 

The fear of failure can cause procrastination and can cause you to put off your speechwriting process until the last minute. Finding the right words takes time and preparation, and if you’re already feeling nervous, starting from a blank page might seem even harder.

But putting in the effort despite your stress is worth it. Presenting a speech you worked hard on fosters authenticity and connects you to the subject matter, which can help your audience understand your points better. Human connection is all about honesty and vulnerability, and if you want to connect to the people you’re speaking to, they should see that in you.

1. Identify your objectives and target audience

Before diving into the writing process, find healthy coping strategies to help you stop worrying . Then you can define your speech’s purpose, think about your target audience, and start identifying your objectives. Here are some questions to ask yourself and ground your thinking : 

• What purpose do I want my speech to achieve? 
• What would it mean to me if I achieved the speech’s purpose?
• What audience am I writing for? 
• What do I know about my audience? 
• What values do I want to transmit? 
• If the audience remembers one take-home message, what should it be? 
• What do I want my audience to feel, think, or do after I finish speaking? 
• What parts of my message could be confusing and require further explanation?

2. Know your audience

Understanding your audience is crucial for tailoring your speech effectively. Consider the demographics of your audience, their interests, and their expectations. For instance, if you're addressing a group of healthcare professionals, you'll want to use medical terminology and data that resonate with them. Conversely, if your audience is a group of young students, you'd adjust your content to be more relatable to their experiences and interests. 

3. Choose a clear message

Your message should be the central idea that you want your audience to take away from your speech. Let's say you're giving a speech on climate change. Your clear message might be something like, "Individual actions can make a significant impact on mitigating climate change." Throughout your speech, all your points and examples should support this central message, reinforcing it for your audience.

4. Structure your speech

Organizing your speech properly keeps your audience engaged and helps them follow your ideas. The introduction should grab your audience's attention and introduce the topic. For example, if you're discussing space exploration, you could start with a fascinating fact about a recent space mission. In the body, you'd present your main points logically, such as the history of space exploration, its scientific significance, and future prospects. Finally, in the conclusion, you'd summarize your key points and reiterate the importance of space exploration in advancing human knowledge.

5. Use engaging content for clarity

Engaging content includes stories, anecdotes, statistics, and examples that illustrate your main points. For instance, if you're giving a speech about the importance of reading, you might share a personal story about how a particular book changed your perspective. You could also include statistics on the benefits of reading, such as improved cognitive abilities and empathy.

6. Maintain clarity and simplicity

It's essential to communicate your ideas clearly. Avoid using overly technical jargon or complex language that might confuse your audience. For example, if you're discussing a medical breakthrough with a non-medical audience, explain complex terms in simple, understandable language.

7. Practice and rehearse

Practice is key to delivering a great speech. Rehearse multiple times to refine your delivery, timing, and tone. Consider using a mirror or recording yourself to observe your body language and gestures. For instance, if you're giving a motivational speech, practice your gestures and expressions to convey enthusiasm and confidence.

8. Consider nonverbal communication

Your body language, tone of voice, and gestures should align with your message . If you're delivering a speech on leadership, maintain strong eye contact to convey authority and connection with your audience. A steady pace and varied tone can also enhance your speech's impact.

9. Engage your audience

Engaging your audience keeps them interested and attentive. Encourage interaction by asking thought-provoking questions or sharing relatable anecdotes. If you're giving a speech on teamwork, ask the audience to recall a time when teamwork led to a successful outcome, fostering engagement and connection.

10. Prepare for Q&A

Anticipate potential questions or objections your audience might have and prepare concise, well-informed responses. If you're delivering a speech on a controversial topic, such as healthcare reform, be ready to address common concerns, like the impact on healthcare costs or access to services, during the Q&A session.

By following these steps and incorporating examples that align with your specific speech topic and purpose, you can craft and deliver a compelling and impactful speech that resonates with your audience.

Tools for writing a great speech

There are several helpful tools available for speechwriting, both technological and communication-related. Here are a few examples:

• Word processing software: Tools like Microsoft Word, Google Docs, or other word processors provide a user-friendly environment for writing and editing speeches. They offer features like spell-checking, grammar correction, formatting options, and easy revision tracking.
• Presentation software: Software such as Microsoft PowerPoint or Google Slides is useful when creating visual aids to accompany your speech. These tools allow you to create engaging slideshows with text, images, charts, and videos to enhance your presentation.
• Speechwriting Templates: Online platforms or software offer pre-designed templates specifically for speechwriting. These templates provide guidance on structuring your speech and may include prompts for different sections like introductions, main points, and conclusions.
• Rhetorical devices and figures of speech: Rhetorical tools such as metaphors, similes, alliteration, and parallelism can add impact and persuasion to your speech. Resources like books, websites, or academic papers detailing various rhetorical devices can help you incorporate them effectively.
• Speechwriting apps: Mobile apps designed specifically for speechwriting can be helpful in organizing your thoughts, creating outlines, and composing a speech. These apps often provide features like voice recording, note-taking, and virtual prompts to keep you on track.
• Grammar and style checkers: Online tools or plugins like Grammarly or Hemingway Editor help improve the clarity and readability of your speech by checking for grammar, spelling, and style errors. They provide suggestions for sentence structure, word choice, and overall tone.
• Thesaurus and dictionary: Online or offline resources such as thesauruses and dictionaries help expand your vocabulary and find alternative words or phrases to express your ideas more effectively. They can also clarify meanings or provide context for unfamiliar terms.
• Online speechwriting communities: Joining online forums or communities focused on speechwriting can be beneficial for getting feedback, sharing ideas, and learning from experienced speechwriters. It's an opportunity to connect with like-minded individuals and improve your public speaking skills through collaboration.

Remember, while these tools can assist in the speechwriting process, it's essential to use them thoughtfully and adapt them to your specific needs and style. The most important aspect of speechwriting remains the creativity, authenticity, and connection with your audience that you bring to your speech.

5 tips for writing a speech

Behind every great speech is an excellent idea and a speaker who refined it. But a successful speech is about more than the initial words on the page, and there are a few more things you can do to help it land.

Here are five more tips for writing and practicing your speech:

1. Structure first, write second

If you start the writing process before organizing your thoughts, you may have to re-order, cut, and scrap the sentences you worked hard on. Save yourself some time by using a speech structure, like the one above, to order your talking points first. This can also help you identify unclear points or moments that disrupt your flow.

2. Do your homework

Data strengthens your argument with a scientific edge. Research your topic with an eye for attention-grabbing statistics, or look for findings you can use to support each point. If you’re pitching a product or service, pull information from company metrics that demonstrate past or potential successes. 

Audience members will likely have questions, so learn all talking points inside and out. If you tell investors that your product will provide 12% returns, for example, come prepared with projections that support that statement.

3. Sound like yourself

Memorable speakers have distinct voices. Think of Martin Luther King Jr’s urgent, inspiring timbre or Oprah’s empathetic, personal tone . Establish your voice — one that aligns with your personality and values — and stick with it. If you’re a motivational speaker, keep your tone upbeat to inspire your audience . If you’re the CEO of a startup, try sounding assured but approachable. 

4. Practice

As you practice a speech, you become more confident , gain a better handle on the material, and learn the outline so well that unexpected questions are less likely to trip you up. Practice in front of a colleague or friend for honest feedback about what you could change, and speak in front of the mirror to tweak your nonverbal communication and body language .

5. Remember to breathe

When you’re stressed, you breathe more rapidly . It can be challenging to talk normally when you can’t regulate your breath. Before your presentation, try some mindful breathing exercises so that when the day comes, you already have strategies that will calm you down and remain present . This can also help you control your voice and avoid speaking too quickly.

How to ghostwrite a great speech for someone else

Ghostwriting a speech requires a unique set of skills, as you're essentially writing a piece that will be delivered by someone else. Here are some tips on how to effectively ghostwrite a speech:

• Understand the speaker's voice and style : Begin by thoroughly understanding the speaker's personality, speaking style, and preferences. This includes their tone, humor, and any personal anecdotes they may want to include.
• Interview the speaker : Have a detailed conversation with the speaker to gather information about their speech's purpose, target audience, key messages, and any specific points they want to emphasize. Ask for personal stories or examples they may want to include.
• Research thoroughly : Research the topic to ensure you have a strong foundation of knowledge. This helps you craft a well-informed and credible speech.
• Create an outline : Develop a clear outline that includes the introduction, main points, supporting evidence, and a conclusion. Share this outline with the speaker for their input and approval.
• Write in the speaker's voice : While crafting the speech, maintain the speaker's voice and style. Use language and phrasing that feel natural to them. If they have a particular way of expressing ideas, incorporate that into the speech.
• Craft a captivating opening : Begin the speech with a compelling opening that grabs the audience's attention. This could be a relevant quote, an interesting fact, a personal anecdote, or a thought-provoking question.
• Organize content logically : Ensure the speech flows logically, with each point building on the previous one. Use transitions to guide the audience from one idea to the next smoothly.
• Incorporate engaging stories and examples : Include anecdotes, stories, and real-life examples that illustrate key points and make the speech relatable and memorable.
• Edit and revise : Edit the speech carefully for clarity, grammar, and coherence. Ensure the speech is the right length and aligns with the speaker's time constraints.
• Seek feedback : Share drafts of the speech with the speaker for their feedback and revisions. They may have specific changes or additions they'd like to make.
• Practice delivery : If possible, work with the speaker on their delivery. Practice the speech together, allowing the speaker to become familiar with the content and your writing style.
• Maintain confidentiality : As a ghostwriter, it's essential to respect the confidentiality and anonymity of the work. Do not disclose that you wrote the speech unless you have the speaker's permission to do so.
• Be flexible : Be open to making changes and revisions as per the speaker's preferences. Your goal is to make them look good and effectively convey their message.
• Meet deadlines : Stick to agreed-upon deadlines for drafts and revisions. Punctuality and reliability are essential in ghostwriting.
• Provide support : Support the speaker during their preparation and rehearsal process. This can include helping with cue cards, speech notes, or any other materials they need.

Remember that successful ghostwriting is about capturing the essence of the speaker while delivering a well-structured and engaging speech. Collaboration, communication, and adaptability are key to achieving this.

Give your best speech yet

Learn how to make a speech that’ll hold an audience’s attention by structuring your thoughts and practicing frequently. Put the effort into writing and preparing your content, and aim to improve your breathing, eye contact , and body language as you practice. The more you work on your speech, the more confident you’ll become.

The energy you invest in writing an effective speech will help your audience remember and connect to every concept. Remember: some life-changing philosophies have come from good speeches, so give your words a chance to resonate with others. You might even change their thinking.

Elizabeth Perry, ACC

Elizabeth Perry is a Coach Community Manager at BetterUp. She uses strategic engagement strategies to cultivate a learning community across a global network of Coaches through in-person and virtual experiences, technology-enabled platforms, and strategic coaching industry partnerships. With over 3 years of coaching experience and a certification in transformative leadership and life coaching from Sofia University, Elizabeth leverages transpersonal psychology expertise to help coaches and clients gain awareness of their behavioral and thought patterns, discover their purpose and passions, and elevate their potential. She is a lifelong student of psychology, personal growth, and human potential as well as an ICF-certified ACC transpersonal life and leadership Coach.

10 examples of principles that can guide your approach to work

The 11 tips that will improve your public speaking skills, 10+ interpersonal skills at work and ways to develop them, make the connection: 10 effective ways to connect with people, create a networking plan in 7 easy steps, are you being passed over for a promotion here’s what to do, how to write an impactful cover letter for a career change, what are analytical skills examples and how to level up, wondering how to change careers 12 steps to switch it up, similar articles, how to write an executive summary in 10 steps, the importance of good speech: 5 tips to be more articulate, how to pitch ideas: 8 tips to captivate any audience, how to give a good presentation that captivates any audience, anxious about meetings learn how to run a meeting with these 10 tips, writing an elevator pitch about yourself: a how-to plus tips, how to make a presentation interactive and exciting, 6 presentation skills and how to improve them, how to write a memo: 8 steps with examples, stay connected with betterup, get our newsletter, event invites, plus product insights and research..

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Rhetoric and Composition/The Stages of the Writing Process

• 2 Five Evaluation Criteria
• 3.1 Collaborating
• 3.2 Researching
• 3.3 Drafting
• 3.4 Reviewing
• 3.5 Revising
• 3.6 Editing
• 3.7 Publishing

Overview [ edit | edit source ]

The writing process is complicated, and often seems loosely defined. According to Webster’s, writing is “ the way you use written words to express your ideas or opinions." Although we may think of it as little more than arranging letters and words on a page, a few moments' reflection reveals that it is much more than that. On the one hand, writing is an art--we don't say Shakespeare's language is "correct" but rather that it is beautiful. On the other hand, writing is a science--we want the instructions that came with our Blu-Ray player to be accurate, precise, and easy to understand.

Then there is the matter of what makes writing "good writing." Although we might say that both an instruction manual and a play are "well written," we appreciate them for different reasons. A play written in the clear, unambiguous language of an instruction manual would not be a hit on Broadway. In other words, writing must be judged according to its context--what is its purpose and audience? Finally, even readers with a great deal in common may not agree about the quality of any particular text, just as people's opinions differ about which bands are really great. We really don't know why people have such preferences and can't make accurate predictions about what they will like or dislike. Simply put, writing isn't simple.

If writing is so complicated and mysterious, can it be taught? Since Aristotle, great teachers have taught complex processes to their students by breaking them into smaller, more understandable processes. Aristotle thought that effective communication skills, like good math skills, can be learned and taught. Math teachers don't teach trigonometry to their elementary students; instead, they begin with addition and subtraction. Everything else builds on those simple processes. No one is born a mathematician. Similarly, while luck certainly plays a role in any successful writer's career, successful writers (or speakers) are not just born into the role--and everyone else is not just fated to flunk English. You can learn to write with substance and style. It takes work, but it is within your power. You have already taken the first step.

Most of what we know about writing is also true of speaking. Aristotle wrote a famous treatise on the subject of effective communication called "The Rhetoric." This book is meant for speakers; however, teachers and students also have long used it to polish their writing. "The Rhetoric" is still widely read and applied today by people desiring to learn how to speak and write more convincingly to an audience. Your first-year composition course may even have the word "rhetoric" or "rhetorical" as part of its title. Aristotle taught us that rhetoric isn't just about winning arguments. Instead, rhetoric is the ability to determine all the available means of persuasion at our disposal. Ultimately, it's up to you to guess the best course of action, but rhetoric helps you make this a more educated guess.

Compared to speaking, writing is a much more recent phenomenon, and for many centuries it was assumed that the best way to learn to write well was either to pray, entreat the muses, or carefully imitate writings that were already considered great. Eventually, as more people wanted to write, teachers created rules to help them write "correctly." Unfortunately, this heavy emphasis on correctness and writing with a narrow set of rules did little to improve student writing. Simply knowing how to write grammatically correct prose is important, but it is not enough, by itself, to make writing effective or persuasive. Indeed, too much attention to correctness can result in unintentionally rigid or even comical writing. Legend has it that Winston Churchill grew so irritated at pedants telling him not to end his sentences with prepositions that he said to one of them, "Madame, that is a rule up with which I shall not put."

Since the 1970s, writing instructors have been teaching writing not as the following of fixed rules but rather as a dynamic process: a series of steps that writers follow to produce texts. At first in the '70s, these steps were taught as a somewhat rigid sequence. Now, however, writing teachers emphasize "recursivity"--moving forward through some steps and then circling back to redo previous steps--as the more natural way that many successful writers work. In other words, while we still think of writing as a process taking place in a series of steps, we now understand that good writers tend to switch frequently among the different steps as they work. An insight gained while editing one chapter might convince the writer that an additional chapter is needed; as a result, she might start another drafting phase--or even decide to divide one chapter into two or three, and begin reorganizing and developing new drafts. Likewise, failure to satisfy a publisher--whether it is your boss looking at a pamphlet you've written or a book publisher deciding whether to print and sell your book--might lead the author all the way back to the idea-development or organizing stages. In short, while it is very useful to think of writing as a process, the process is not a clear, always-the-same series of steps. Instead, it is a sometimes messy, forward-and-backward process in which you strive for simplicity but try to appeal to your audience, create but also organize, enjoy yourself if possible but also follow some rules, and eventually create a product that works.

If this sounds difficult, it's not--at least, not if you learn a few lessons this book can teach you--and you practice, practice, practice. The more real writing you do, the more of a real writer you will become. If you are reading this book, then your first goal likely is to do well in a college (or upper-level high school) "composition" or "rhetoric" class. In short, you want to learn how to write a good academic paper. There are a large number of tips and methods this book can show you. They will work best if, like the writing process itself, you go back and forth between reading this book and doing some actual writing: try some of these lessons out by writing; then return to new lessons or review some of the lessons you've already read to discover what you next can do with what you've written--or with a new writing. Your next goal after learning to write a good general academic paper (or several types, perhaps--some of the most common being a summary, an analysis, an argument or "thesis," an evaluation, and a research paper) is to write in your specific discipline or major. Each discipline or major has its own writing style, organizational method, and purpose or goal. Your major or discipline teachers can help you quite a bit as you learn to apply your academic writing skills to their discipline. And eventually, your goal is to write for your work--for your future profession.

With each of these types of writing--general academic, specific discipline/major, and future profession--you'll eventually become increasingly successful. As you learn the types better, you will find--like the experienced journalist on a quick deadline for a story--that often your writing will come more quickly and easily. However, whenever you have a major challenge in your future as a writer, you will know how to return to the circular or "recursive" steps of the process to develop difficult ideas, explain difficult concepts to your audience, and create pleasure and knowledge in both yourself and your audience because of your writing skills.

Five Evaluation Criteria [ edit | edit source ]

There are five criteria we can use to evaluate any piece of writing. These criteria are Focus, Development, Organization, Style, and Conventions.

Focus . What are you writing about? What claim or thesis are you defending? This criterion is the broadest, concerned with the context, purpose, and coherence of a piece of writing. Is your topic appropriate for an assignment? Do you stay on that topic or drift off on unhelpful tangents? Have you focused too minutely or too widely? For instance, an essay about the American Civil War in general is probably too broad for most college essays. You might be better off writing about a particular battle, general, or incident.

Development . Development is concerned with details and evidence. Do you provide enough supporting material to satisfy the expectations of your readers? A proper research paper, for instance, usually includes many references and quotations to many other relevant works of scholarship. A description of a painting would probably include details about its appearance, composition, and maybe even biographical information about the artist who painted it. Deciding what details to include depends on the intended audience of a piece. An article about cancer intended for young children would look quite different than one written for senior citizens.

Organization . Organization, often called "arrangement," concerns the order and layout of a paper. Traditionally, a paper is divided into an introduction, body, and conclusion. Paragraphs are focused on a single main idea or topic (unity), and transitions between sentences and paragraphs are smooth and logical. A poorly organized paper rambles, drifting among unrelated topics in a haphazard and confusing fashion.

Style . Style is traditionally concerned with clarity, elegance, and precision. An effective stylist is not only able to write clearly for an audience, but can also please them with evocative language, metaphors, rhythm, or figures of speech. Effective stylists take pains not just to make a point, but to make it well.

Conventions . This criterion covers grammar, mechanics, punctuation, formatting, citing sources, and other issues that are dictated by convention or rules. Although many students struggle with conventions, the knowledge of where to place a comma in a sentence is usually not as important as whether that sentence was worth writing in the first place. Nevertheless, excessive errors can make even a brilliant writer seem careless or ignorant, qualities that will seldom impress one's readers.

Stages of the Writing Process [ edit | edit source ]

Although we've mentioned that writers often work recursively--that is, frequently switching between drafting, editing, proofreading, and so on--it is useful to break the writing process into different functions or activities. To that end, we have divided it into eight smaller processes: Planning and Prewriting, Collaborating, Researching, Drafting, Reviewing, Revising, Editing, and Publishing. Not all of these steps will be necessary for every piece of writing.

Planning and Prewriting (brainstorming) Writers generally plan their documents in advance. This stage, often called "prewriting," includes everything from brainstorming, making a tentative outline, or chatting with friends or colleagues about the topic. For some writers, the prewriting stage is mostly mental--they think about their projects, but do not write until they are ready to start the actual document. Others plan extensively and map out exactly how they want their document to look when it's finished.

This chapter describes common planning and prewriting strategies and should help you "hit the ground running" when starting out your writing projects.

Collaborating [ edit | edit source ]

While there is a long history of thinking of writing as a wholly individual act, most workplace compositions (and composing in many disciplines) involve collaboration. If you're working on a collaborative text, this chapter will help you develop a collaboration plan, establish strengths and weaknesses in the group, assign roles, and do what ever else will help in producing a co-authored text.

This chapter offers some helpful tips and strategies for collaborating on documents. Collaboration can be very helpful to the writing process. It is vital for students to have their work read by others. In writing, the more the better. We profit from the views and suggestions of our readers.

Researching [ edit | edit source ]

Writers frequently require reliable information to support their documents. A writer's personal opinions and experience are sufficient evidence for many types of documents, but audiences will often demand more. Seeking out the information required to support your writing is called "research," and it comes in many forms.

One form of research is the interview, in which you call up or meet with someone who has information on the topic you are pursuing. Another type, "field research," involves travel to places where the topic can be studied first-hand. You might also circulate a survey. These three examples are all part of what is called "primary research" -- research you conduct yourself.

While many writing teachers assign primary research to their students in the process of writing a "research paper," much of the research that writing at the college level asks you to do is "secondary research" -- exploring other people's writing in the form of books, scholarly journals, newspapers, magazines, websites, and government documents.

This chapter describes different research strategies and provides you with the tools you'll need to properly back up the claims you make in your writing.

Drafting [ edit | edit source ]

Drafting means writing or adding to a piece of writing--composing it. It may seem like a straightforward process, but can often be made difficult by writer's block or other anxieties.

This chapter describes drafting strategies and how to avoid common pitfalls like perfectionism and writer's block.

Reviewing [ edit | edit source ]

Having other people review your writing is essential to producing the best piece you possibly can. We often don't make the best readers of our own work because we are so close to it. Reviewers, on the other hand, bring valuable perspective we can't get any other way. A reviewer is anyone who is willing to look at your work and provide feedback. You're a reviewer, too -- for others' texts.

This chapter explains how to successfully review a document as well as how to make the most of the feedback you receive from other reviewers.

Revising [ edit | edit source ]

Revising and editing are two separate processes that are often used interchangeably by novice writers. Revising requires a significant alteration in a piece of writing, such as enriching the content, or giving the piece clarity; editing, however, is not as involved and would include fixing typos and grammatical errors. Revising is hard work, but it's probably some of the most valuable work you can do to become a better writer. Dive into the task with the willingness to wrestle with your writing and bring out the best in it, and you will learn why revising is often considered the "meat" of the writing process.

This chapter examines the revision process and identifies some strategies that will help you improve your documents and reduce the likelihood of creating even bigger problems.

Editing [ edit | edit source ]

Editing means going through a piece of writing and making grammatical corrections or sentence-level changes. Unlike publishers, who hire professional editors to work with their writers, student writers do most of their own editing, with occasional help from peer reviewers.

This chapter describes micro editing (editing at the sentence level), and provides strategies for improving your text. This chapter will also cover proofreading, or carefully scanning a document for typos and other simple errors.

Publishing [ edit | edit source ]

What's the point of writing if no one will ever read it? Though some of us are content to write diaries or notes to ourselves, most writers desire for others to read and hopefully enjoy or benefit from their documents. This is where publishers come in: They help connect writers to readers. The Internet has introduced countless new ways for writers to publish their own documents electronically, but print publishing is still the preferred avenue for most professional writers. Of course, getting your documents accepted for publication can be a long and frustrating ordeal. We've all heard the stories of now-famous novelists who were rejected time and time again by unimaginative or overly-cautious publishers.

This chapter describes the print and electronic publishing industry, then identifies strategies that will help you distribute your documents to their intended audience. We will also discuss why so many authors fail to ever secure a publisher for their work.

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Speechwriting in Theory and Practice pp 187–196 Cite as

The General Steps in the Speechwriting Process

• Jens E. Kjeldsen 7 ,
• Amos Kiewe 8 ,
• Marie Lund 9 &
• Jette Barnholdt Hansen  
• First Online: 15 March 2019

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Part of the book series: Rhetoric, Politics and Society ((RPS))

In this chapter, we outline the general steps speechwriters ought to follow in the process of writing speeches for others. These guidelines are flexible and allow for comfortable adaptation given the varied implementation of speechwriting practices as well as the different approaches in the European and American systems. Our model follows the classical perspective that focuses on topic selection, the speaker-speechwriter negotiation of rhetorical constraints of context and audience as well as determining the fitting style and delivery. The chapter also develops a master rhetorical plan that can be used as a prompt or an outline for speechwriters when drafting a speech, covering the key variables of speech, situation, audience, and a suitable mode of communication.

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Department of Information Science and Media Studies, University of Bergen, Bergen, Norway

Jens E. Kjeldsen

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Kjeldsen, J.E., Kiewe, A., Lund, M., Barnholdt Hansen, J. (2019). The General Steps in the Speechwriting Process. In: Speechwriting in Theory and Practice. Rhetoric, Politics and Society. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-03685-0_13

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7.3: Organizing your Speech

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• Page ID 135723

Learning Objectives

• Explain the process of organizing a speech.
• Identify common organizational patterns.
• Incorporate supporting materials into a speech.
• Employ verbal citations for various types of supporting material.
• List key organizing signposts.
• Identify the objectives of a speech introduction.
• Identify the objectives of a speech conclusion.

When organizing your speech, you should think of it as three components: Introduction, Body and Conclusion, In Figure 7.3.1 (below). The Introduction starts broad and funnels into the Body, which is the main content of your speech, and then the Body funnels out to the conclusion.  Although the Introduction is the beginning of the speech, when organizing your speech, you want to start with the body because it’s difficult to introduce and preview something that you haven’t yet developed.Think of this structure as a human body. This type of comparison dates back to Plato, who noted, “every speech ought to be put together like a living creature” (Winans, 1917). The introduction is the head, the body is the torso and legs, and the conclusion is the feet. The information you add to this structure from your research and personal experience is the organs and muscle. The transitions you add are the connecting tissues that hold the parts together, and a well-practiced delivery is the skin and clothing that makes everything presentable.

General speech structure

Organizing the Body of Your Speech

Writing the body of your speech takes the most time in the speech-writing process. Your specific purpose and thesis statements should guide the initial development of the body, which will then be more informed by your research process. You will determine main points that help achieve your purpose and match your thesis. You will then fill information into your main points by incorporating the various types of supporting material discussed previously. Before you move on to your introduction and conclusion, you will connect the main points together with transitions and other signposts.

Determining Your Main Points

Think of each main point as a miniature speech within your larger speech. Each main point will have a central idea, meet some part of your specific purpose, and include supporting material from your research that relates to your thesis. Reviewing the draft of your thesis and specific purpose statements can lead you to research materials. As you review your research, take notes on and/or highlight key ideas that stick out to you as useful, effective, relevant, and interesting. It is likely that these key ideas will become the central ideas of your main points, or at least subpoints. Once you’ve researched your speech enough to achieve your specific purpose, support your thesis, and meet the research guidelines set forth by your instructor, boss, or project guidelines, you can distill the research down to a series of central ideas. As you draft these central ideas, use parallel wording, which is similar wording among key organizing signposts and main points that helps structure a speech. Using parallel wording in your central idea statement for each main point will also help you write parallel key signposts like the preview statement in the introduction, transitions between main points, and the review statement in the conclusion. The following example shows parallel wording in the central ideas of each main point in a speech about the green movement and schools:

• The green movement in schools positively affects school buildings and facilities.
• The green movement in schools positively affects students.
• The green movement in schools positively affects teachers.

While writing each central idea using parallel wording is useful for organizing information at this stage in the speech-making process, you should feel free to vary the wording a little more in your actual speech delivery. You will still want some parallel key words that are woven throughout the speech, but sticking too close to parallel wording can make your content sound forced or artificial.

After distilling your research materials down, you may have several central idea statements. You will likely have two to five main points, depending on what your instructor prefers, time constraints, or the organizational pattern you choose. All the central ideas may not get converted into main points; some may end up becoming subpoints and some may be discarded. Once you get your series of central ideas drafted, you will then want to consider how you might organize them, which will help you narrow your list down to what may actually end up becoming the body of your speech.

Organizing Your Main Points

There are several ways you can organize your main points, and some patterns correspond well to a particular subject area or speech type. Determining which pattern you will use helps filter through your list of central ideas generated from your research and allows you to move on to the next step of inserting supporting material into your speech. Here are some common organizational patterns.

Topical Pattern

When you use the topical pattern, you are breaking a large idea or category into smaller ideas or subcategories. In short you are finding logical divisions to a whole. While you may break something down into smaller topics that will make two, three, or more main points, people tend to like groups of three. In a speech about the Woodstock Music and Art Fair, for example, you could break the main points down to (1) the musicians who performed, (2) the musicians who declined to perform, and (3) the audience. You could also break it down into three specific performances—(1) Santana, (2) The Grateful Dead, and (3) Creedence Clearwater Revival—or three genres of music—(1) folk, (2) funk, and (3) rock.

The topical pattern breaks a topic down into logical divisions but doesn’t necessarily offer any guidance in ordering them. To help determine the order of topical main points, you may consider the primacy or recency effect. You prime an engine before you attempt to start it and prime a surface before you paint it. The primacy effect is similar in that you present your best information first in order to make a positive impression and engage your audience early in your speech. The recency effect is based on the idea that an audience will best remember the information they heard most recently. Therefore you would include your best information last in your speech to leave a strong final impression. Both primacy and recency can be effective. Consider your topic and your audience to help determine which would work best for your speech.

Chronological Pattern

A chronological pattern helps structure your speech based on time or sequence. If you order a speech based on time, you may trace the development of an idea, product, or event. A speech on Woodstock could cover the following: (1) preparing for the event, (2) what happened during the event, and (3) the aftermath of the event. Ordering a speech based on sequence is also chronological and can be useful when providing directions on how to do something or how a process works. This could work well for a speech on baking bread at home, refinishing furniture, or harvesting corn. The chronological pattern is often a good choice for speeches related to history or demonstration speeches.

Spatial Pattern

The spatial pattern arranges main points based on their layout or proximity to each other. A speech on Woodstock could focus on the layout of the venue, including (1) the camping area, (2) the stage area, and (3) the musician/crew area. A speech could also focus on the components of a typical theater stage or the layout of the new 9/11 memorial at the World Trade Center site.

Problem-Solution Pattern

The problem-solution pattern entails presenting a problem and offering a solution. This pattern can be useful for persuasive speaking—specifically, persuasive speeches focused on a current societal issue. This can also be coupled with a call to action asking an audience to take specific steps to implement a solution offered. This organizational pattern can be applied to a wide range of topics and can be easily organized into two or three main points. You can offer evidence to support your claim that a problem exists in one main point and then offer a specific solution in the second main point. To be more comprehensive, you could set up the problem, review multiple solutions that have been proposed, and then add a third main point that argues for a specific solution out of the ones reviewed in the second main point. Using this pattern, you could offer solutions to the problem of rising textbook costs or offer your audience guidance on how to solve conflicts with roommates or coworkers.

Cause-Effect Pattern

The cause-effect pattern sets up a relationship between ideas that shows a progression from origin to result. You could also start with the current situation and trace back to the root causes. This pattern can be used for informative or persuasive speeches. When used for informing, the speaker is explaining an established relationship and citing evidence to support the claim—for example, accessing unsecured, untrusted websites or e-mails leads to computer viruses. When used for persuading, the speaker is arguing for a link that is not as well established and/or is controversial—for example, violent video games lead to violent thoughts and actions. In a persuasive speech, a cause-effect argument is often paired with a proposed solution or call to action, such as advocating for stricter age restrictions on who can play violent video games. When organizing an informative speech using the cause-effect pattern, be careful not to advocate for a particular course of action.

Monroe’s Motivated Sequence

Monroe’s Motivated Sequence is a five-step organization pattern that attempts to persuade an audience by making a topic relevant, using positive and/or negative motivation, and including a call to action. The five steps are (1) attention, (2) need, (3) satisfaction, (4) visualization, and (5) action (Monroe & Ehninger, 1964).

The attention step is accomplished in the introduction to your speech. Whether your entire speech is organized using this pattern or not, any good speaker begins by getting the attention of the audience. We will discuss several strategies in Section 9 “Getting Your Audience’s Attention” for getting an audience’s attention. The next two steps set up a problem and solution.

After getting the audience’s attention you will want to establish that there is a need for your topic to be addressed. You will want to cite credible research that points out the seriousness or prevalence of an issue. In the attention and need steps, it is helpful to use supporting material that is relevant and proxemic to the audience.

Once you have set up the need for the problem to be addressed, you move on to the satisfaction step, where you present a solution to the problem. You may propose your own solution if it is informed by your research and reasonable. You may also propose a solution that you found in your research.

The visualization step is next and incorporates positive and/or negative motivation as a way to support the relationship you have set up between the need and your proposal to satisfy the need. You may ask your audience to visualize a world where things are better because they took your advice and addressed this problem. This capitalizes on positive motivation. You may also ask your audience to visualize a world where things are worse because they did not address the issue, which is a use of negative motivation. Now that you have hopefully persuaded your audience to believe the problem is worthy of addressing, proposed a solution, and asked them to visualize potential positive or negative consequences, you move to the action step.

The action step includes a call to action where you as basically saying, “Now that you see the seriousness of this problem, here’s what you can do about it.” The call to action should include concrete and specific steps an audience can take. Your goal should be to facilitate the call to action, making it easy for the audience to complete. Instead of asking them to contact their elected officials, you could start an online petition and make the link available to everyone. You could also bring the contact information for officials that represent that region so the audience doesn’t have to look them up on their own. Although this organizing pattern is more complicated than the others, it offers a proven structure that can help you organize your supporting materials and achieve your speech goals.

Incorporating Supporting Material

So far, you have learned several key steps in the speech creation process, which are reviewed in Figure 9.4. Now you will begin to incorporate more specific information from your supporting materials into the body of your speech. You can place the central ideas that fit your organizational pattern at the beginning of each main point and then plug supporting material in as subpoints.

This information will also make up the content of your formal and speaking outlines, which we will discuss more in Section 9.4 “Outlining”. Remember that you want to include a variety of supporting material (examples, analogies, statistics, explanations, etc.) within your speech. The information that you include as subpoints helps back up the central idea that started the main point. Depending on the length of your speech and the depth of your research, you may also have sub-subpoints that back up the claim you are making in the subpoint. Each piece of supporting material you include eventually links back to the specific purpose and thesis statement. This approach to supporting your speech is systematic and organized and helps ensure that your content fits together logically and that your main points are clearly supported and balanced.

One of the key elements of academic and professional public speaking is verbally citing your supporting materials so your audience can evaluate your credibility and the credibility of your sources. You should include citation information in three places: verbally in your speech, on any paper or electronic information (outline, PowerPoint), and on a separate reference sheet. Since much of the supporting material you incorporate into your speech comes directly from your research, it’s important that you include relevant citation information as you plug this information into your main points. Don’t wait to include citation information once you’ve drafted the body of your speech. At that point it may be difficult to retrace your steps to locate the source of a specific sentence or statistic. As you paraphrase or quote your supporting material, work the citation information into the sentences; do not clump the information together at the end of a sentence, or try to cite more than one source at the end of a paragraph or main point. It’s important that the audience hear the citations as you use the respective information so it’s clear which supporting material matches up with which source.

Writing key bibliographic information into your speech will help ensure that you remember to verbally cite your sources and that your citations will be more natural and flowing and less likely to result in fluency hiccups. At minimum, you should include the author, date, and source in a verbal citation. Sometimes more information is necessary. When citing a magazine, newspaper, or journal article, it is more important to include the source name than the title of the article, since the source name—for example, Newsweek —is what the audience needs to evaluate the speaker’s credibility. For a book, make sure to cite the title and indicate that the source is a book. When verbally citing information retrieved from a website, you do not want to try to recite a long and cumbersome URL in your speech. Most people don’t even make it past the “www.” before they mess up. It is more relevant to audiences for speakers to report the sponsor/author of the site and the title of the web page, or section of the website, where they obtained their information. When getting information from a website, it is best to use “official” organization websites or government websites. When you get information from an official site, make sure you state that in your citation to add to your credibility. For an interview, state the interviewee’s name, their credentials, and when the interview took place. Advice for verbally citing sources and examples from specific types of sources follow:

• “According to an article by Niall Ferguson in the January 23, 2012, issue of Newsweek , we can expect much discussion about ‘class warfare’ in the upcoming presidential and national election cycle. Ferguson reports that…”
• “As reported by Niall Ferguson, in the January 23, 2012, issue of Newsweek , many candidates denounce talking points about economic inequality…”
• “On November 26, 2011, Eithne Farry of The Daily Telegraph of London reported that…”
• “An article about the renewed popularity of selling products in people’s own homes appeared in The Daily Telegraph on November 26, 2011. Eithne Farry explored a few of these ‘blast-from-the-past’ styled parties…”
• “According to information I found at ready.gov, the website of the US Department of Homeland Security, US businesses and citizens…”
• “According to information posted on the US Department of Homeland Security’s official website,…”
• “Helpful information about business continuity planning can be found on the U.S. Department of Homeland Security’s official website, located at ready.gov…”
• “An article written by Dr. Nakamura and Dr. Kikuchi, at Meiji University in Tokyo, found that the Fukushima disaster was complicated by Japan’s high nuclear consciousness. Their 2011 article published in the journal Public Administration Today reported that…”
• “In a 2012 article published in Public Administration Review , Professors Nakamura and Kikuchi reported that the Fukushima disaster was embarrassing for a country with a long nuclear history…”
• “Nakamura and Kikuchi, scholars in crisis management and public policy, authored a 2011 article about the failed crisis preparation at the now infamous Fukushima nuclear plant. Their Public Administration Review article reports that…”
• Bad example (doesn’t say where the information came from). “A 2011 study by Meiji University scholars found the crisis preparations at a Japanese nuclear plant to be inadequate…”
• “In their 2008 book At War with Metaphor , Steuter and Wills describe how we use metaphor to justify military conflict. They report…”
• “Erin Steuter and Deborah Wills, experts in sociology and media studies, describe the connections between metaphor and warfare in their 2008 book At War with Metaphor . They both contend that…”
• “In their 2008 book At War with Metaphor , Steuter and Wills reveal…”
• “On February 20 I conducted a personal interview with Dr. Linda Scholz, a communication studies professor at Eastern Illinois University, to learn more about Latina/o Heritage Month. Dr. Scholz told me that…”
• “I conducted an interview with Dr. Linda Scholz, a communication studies professor here at Eastern, and learned that there are more than a dozen events planned for Latina/o Heritage Month.”
• “In a telephone interview I conducted with Dr. Linda Scholz, a communication studies professor, I learned…”

“Getting Critical”: Plagiarism

During the process of locating and incorporating supporting material into your speech, it’s important to practice good research skills to avoid intentional or unintentional plagiarism. Plagiarism, as we have already learned, is the uncredited use of someone else’s words or ideas. It’s important to note that most colleges and universities have strict and detailed policies related to academic honesty. You should be familiar with your school’s policy and your instructor’s policy. At many schools, there are consequences for academic dishonesty whether it is intentional or unintentional. Although many schools try to make a learning opportunity out of an initial violation, multiple violations could lead to suspension or expulsion. At the class level, plagiarism may result in an automatic “F” for the assignment or the course.

Over my years of teaching, I have encountered more than a dozen cases of plagiarism. While that is not a large percentage in relation to the large number of students I have taught, I have noticed that the instances have steadily increased over the past few years. I don’t think this is because students are becoming more dishonest; I think it’s become easier to locate and copy information and easier to catch those who do. I always remind my students that they do not have access to a secret version of the Internet that faculty can’t access. If it takes a student five seconds to find a speech to plagiarize online, it will take me the same amount of time. Software programs like Turnitin.com also aid instructors in detecting plagiarism.

Being organized and thorough in your research can help avoid a situation where you feel backed into a corner and fake some sources or leave out some citations because you’re out of time. One key to avoiding this type of situation is to keep good records as you research and write. First, as you locate sources, always record all the key bibliographic information. I know from experience how frustrating it can be to try to locate a source after you’ve already worked it into your speech or paper, and you have the quote or paraphrase but can’t retrace your steps to find where you took it from. Printing the source, downloading the PDF, or copying and pasting the URL as soon as you locate the source can help you retrace your steps if needed.

Save drafts of your writing as you progress. Each day I work on a chapter for this book, I go to the “File” menu, choose “Save As,” and amend the file name to include that day’s date. That way I have a record that shows my work. The various style guides for writing also offer specific advice on how to cite sources and how to conduct research. You are probably familiar with MLA (Modern Language Association), used mostly in English and the humanities, and APA (American Psychological Association), which is used mostly in the social sciences. There’s also the Chicago Manual of Style (CMS), used in history and also the style this book is in, and CBE (developed by the Council of Science Editors), which is used in biological and earth sciences. Since each manual is geared toward a different academic area, it’s a good source for specific research-related questions. When in doubt about how to conduct or cite research, you can also ask your instructor for guidance.

• Why do you think instances of academic dishonesty have been steadily increasing over the past few years?
• What is your school’s policy in academic honesty? What is your instructor’s policy? What are the potential consequences for violating this policy at the school and classroom levels?
• Based on what you learned here, what are some strategies you can employ to make your research process more organized?

Signposts on highways help drivers and passengers navigate places they are not familiar with and give us reminders and warnings about what to expect down the road. Signposts in speeches are statements that help audience members navigate the turns of your speech. There are several key signposts in your speech. In the order you will likely use them, they are preview statement, transition between introduction and body, transitions between main points, transition from body to conclusion, and review statement (see Table 9.3 for a review of the key signposts with examples). While the preview and review statements are in the introduction and conclusion, respectively, the other signposts are all transitions that help move between sections of your speech.

There are also signposts that can be useful within sections of your speech. Words and phrases like Aside from and While are good ways to transition between thoughts within a main point or subpoint. Organizing signposts like First , Second , and Third can be used within a main point to help speaker and audience move through information. The preview in the introduction and review in the conclusion need not be the only such signposts in your speech. You can also include internal previews and internal reviews in your main points to help make the content more digestible or memorable.

In terms of writing, compose transitions that are easy for you to remember and speak. Pioneer speech teacher James A. Winans wrote in 1917 that “it is at a transition, ninety-nine times out of a hundred, that the speaker who staggers or breaks down, meets his [or her] difficulty” (Winans, 1917). His observation still holds true today. Key signposts like the ones in Table 9.3 should be concise, parallel, and obviously worded. Going back to the connection between speech signposts and signposts that guide our driving, we can see many connections. Speech signposts should be one concise sentence. Stop signs, for example, just say, “STOP.” They do not say, “Your vehicle is now approaching an intersection. Please bring it to a stop.”

Try to remove unnecessary words from key signposts to make them more effective and easier to remember and deliver. Speech signposts should also be parallel. All stop signs are octagonal with a red background and white lettering, which makes them easily recognizable to drivers. If the wording in your preview statement matches with key wording in your main points, transitions between main points, and review statement, then your audience will be better able to follow your speech. Last, traffic signposts are obvious. They are bright colors, sometimes reflective, and may even have flashing lights on them. A “Road Closed” sign painted in camouflage isn’t a good idea and could lead to disaster.

Being too vague or getting too creative with your speech signposts can also make them disappear into the background of your speech. My students have expressed concern that using parallel and obvious wording in speech signposts would make their speech boring or insult the intelligence of their audience. This is not the case. As we learned in the chapter titled “Listening”, most people struggle to be active listeners, so making a speech more listenable is usually appreciated. In addition, these are just six sentences in a much larger speech, so they are spaced out enough to not sound repetitive, and they can serve as anchor points to secure the attention of the audience.

In addition to well-written signposts, you want to have well-delivered signposts. Nonverbal signposts include pauses and changes in rate, pitch, or volume that help emphasize transitions within a speech. I have missed students’ signposts before, even though they were well written, because they did not stand out in the delivery. Here are some ways you can use nonverbal signposting: pause before and after your preview and review statements so they stand out, pause before and after your transitions between main points so they stand out, and slow your rate and lower your pitch on the closing line of your speech to provide closure.

Introduction

After you have organized the Body of your speech. You can begin creating the Introduction which will set the tone of your speech. We all know that first impressions matter. Research shows that students’ impressions of instructors on the first day of class persist throughout the semester (Laws et al., 2010). First impressions are quickly formed, sometimes spontaneous, and involve little to no cognitive effort. Despite the fact that first impressions aren’t formed with much conscious effort, they form the basis of inferences and judgments about a person’s personality (Lass-Hennemann, et al., 2011). For example, the student who approaches the front of the class before their speech wearing sweatpants and a t-shirt, looks around blankly, and lets out a sigh before starting hasn’t made a very good first impression. Even if the student is prepared for the speech and delivers it well, the audience has likely already associated what they observed with personality traits of the student (i.e., lazy, indifferent), and those associations now have staying power in the face of contrary evidence that comes later.

Your introduction is only a fraction of your speech, but in that first minute or so, your audience decides whether or not they are interested in listening to the rest of the speech. There are four objectives that you should accomplish in your introduction. They include getting your audience’s attention, introducing your topic, establishing credibility and relevance, and previewing your main points.

Getting Your Audience’s Attention

There are several strategies you can use to get your audience’s attention. Although each can be effective on its own, combining these strategies is also an option. A speaker can get their audience’s attention negatively, so think carefully about your choice. The student who began his speech on Habitat for Humanity by banging on the table with a hammer definitely got his audience’s attention during his 8:00 a.m. class, but he also lost credibility in that moment because many in the audience probably saw him as a joker rather than a serious speaker. The student who started her persuasive speech against animal testing with a little tap dance number ended up stumbling through the first half of her speech when she was thrown off by the confused looks the audience gave her when she finished her “attention getter.” These cautionary tales point out the importance of choosing an attention getter that is appropriate, meaning that it’s unusual enough to get people interested—but not over the top—and relevant to your speech topic.

In one of my favorite episodes of the television show The Office , titled “Dwight’s Speech,” the boss, Michael Scott, takes the stage at a regional sales meeting for a very nervous Dwight, who has been called up to accept an award. In typical Michael Scott style, he attempts to win the crowd over with humor and fails miserably. I begin this section on using humor to start a speech with this example because I think erring on the side of caution when it comes to humor tends to be the best option, especially for new speakers. I have had students who think that cracking a joke will help lighten the mood and reduce their anxiety. If well executed, this is a likely result and can boost the confidence of the speaker and get the audience hooked. But even successful comedians still bomb, and many recount stories of excruciating instances in which they failed to connect with an audience. So the danger lies in the poorly executed joke, which has the reverse effect, heightening the speaker’s anxiety and leading the audience to question the speaker’s competence and credibility. In general, when a speech is supposed to be professional or formal, as many in-class speeches are, humor is more likely to be seen as incongruous with the occasion. But there are other situations where a humorous opening might fit perfectly. For example, a farewell speech to a longtime colleague could start with an inside joke. When considering humor, it’s good to get feedback on your idea from a trusted source.

Cite a Startling Fact or Statistic

As you research your topic, take note of any information that defies your expectations or surprises you. If you have a strong reaction to something you learn, your audience may, too. When using a startling fact or statistic as an attention getter, it’s important to get the most bang for your buck. You can do this by sharing more than one fact or statistic that builds up the audience’s interest. When using numbers, it’s also good to repeat and/or repackage the statistics so they stick in the audience’s mind, which you can see in the following example:

In 1994, sixteen states reported that 15–19 percent of their population was considered obese. Every other state reported obesity rates less than that. In 2010, no states reported obesity rates in that same category of 15–19 percent, because every single state had at least a 20 percent obesity rate. In just six years, we went from no states with an obesity rate higher than 19 percent, to fifty. Currently, the national obesity rate for adults is nearly 34 percent. This dramatic rise in obesity is charted on the Center for Disease Control and Prevention’s website, and these rates are expected to continue to rise.

The speaker could have just started by stating that nearly 34 percent of the US adult population was obese in 2011. But statistics aren’t meaningful without context. So sharing how that number rose dramatically over six years helps the audience members see the trend and understand what the current number means. The fourth sentence repackages and summarizes the statistics mentioned in the first three sentences, which again sets up an interesting and informative contrast. Last, the speaker provides a verbal citation for the source of the statistic.

Use a Quotation

Some quotations are attention getting and some are boring. Some quotations are relevant and moving and some are abstract and stale. If you choose to open your speech with a quotation, choose one that is attention getting, relevant, and moving. The following example illustrates some tips for using a quote to start a speech: “‘The most important question in the world is ‘Why is the child crying?’’ This quote from author Alice Walker is at the heart of my speech today. Too often, people see children suffering at the hands of bullies and do nothing about it until it’s too late. That’s why I believe that all public schools should adopt a zero-tolerance policy on bullying.”

Notice that the quote is delivered first in the speech, then the source of the quote is cited. Since the quote, like a starting fact or statistic just discussed, is the attention-getting part, it’s better to start with that than the citation. Next, the speaker explains why the quote is relevant to the speech. Just because a quote seems relevant to you doesn’t mean the audience will also pick up on that relevance, so it’s best to make that explicit right after you use and cite the quote. Also evaluate the credibility of the source on which you found the quote. Many websites that make quotations available care more about selling pop-up ads than the accuracy of their information. Students who don’t double-check the accuracy of the quote may end up attributing the quote to the wrong person or citing a made-up quote.

Ask a Question

Starting a speech with a question is a common attention getter, but in reality many of the questions that I have heard start a speech are not very attention getting. It’s important to note that just because you use one of these strategies, that doesn’t make it automatically appealing to an audience. A question can be mundane and boring just like a statistic, quotation, or story can.

A rhetorical question is different from a direct question. When a speaker asks a direct question, they actually want a response from their audience. A rhetorical question is designed to elicit a mental response from the audience, not a verbal or nonverbal one. In short, a rhetorical question makes an audience think. Asking a direct question of your audience is warranted only if the speaker plans on doing something with the information they get from the audience. I can’t recall a time in which a student asked a direct question to start their speech and did anything with that information. Let’s say a student starts the speech with the direct question “By a show of hands, how many people have taken public transportation in the past week?” and sixteen out of twenty students raise their hands. If the speaker is arguing that more students should use public transportation and she expected fewer students to raise their hands, is she going to change her speech angle on the spot? Since most speakers move on from their direct question without addressing the response they got from the audience, they have not made their attention getter relevant to their topic. So, if you use a direct question, make sure you have a point to it and some way to incorporate the responses into the speech.

A safer bet is to ask a rhetorical question that elicits only a mental response. A good rhetorical question can get the audience primed to think about the content of the speech. When asked as a series of questions and combined with startling statistics or facts, this strategy can create suspense and hook an audience. The following is a series of rhetorical questions used in a speech against the testing of cosmetics on animals: “Was the toxicity of the shampoo you used this morning tested on the eyes of rabbits? Would you let someone put a cosmetic in your dog’s eye to test its toxicity level? Have you ever thought about how many products that you use every day are tested on animals?” Make sure you pause after your rhetorical question to give the audience time to think. Don’t pause for too long, though, or an audience member may get restless and think that you’re waiting for an actual response and blurt out what he or she was thinking.

Tell a Story

When you tell a story, whether in the introduction to your speech or not, you should aim to paint word pictures in the minds of your audience members. You might tell a story from your own life or recount a story you found in your research. You may also use a hypothetical story, which has the advantage of allowing you to use your creativity and help place your audience in unusual situations that neither you nor they have actually experienced. When using a hypothetical story, you should let your audience know it’s not real, and you should present a story that the audience can relate to. Speakers often let the audience know a story is not real by starting with the word imagine . As I noted, a hypothetical example can allow you to speak beyond the experience of you and your audience members by having them imagine themselves in unusual circumstances. These circumstances should not be so unusual that the audience can’t relate to them. I once had a student start her speech by saying, “Imagine being held as a prisoner of war for seven years.” While that’s definitely a dramatic opener, I don’t think students in our class were able to really get themselves into that imagined space in the second or two that we had before the speaker moved on. It may have been better for the speaker to say, “Think of someone you really care about. Visualize that person in your mind. Now, imagine that days and weeks go by and you haven’t heard from that person. Weeks turn into months and years, and you have no idea if they are alive or dead.” The speaker could go on to compare that scenario to the experiences of friends and family of prisoners of war. While we may not be able to imagine being held captive for years, we all know what it’s like to experience uncertainty regarding the safety of a loved one.

Introducing the Topic

Introducing the topic of your speech is the most obvious objective of an introduction, but speakers sometimes forget to do this or do not do it clearly. As the author of your speech, you may think that what you’re talking about is obvious. Sometimes a speech topic doesn’t become obvious until the middle of a speech. By that time, however, it’s easy to lose an audience that didn’t get clearly told the topic of the speech in the introduction. Introducing the topic is done before the preview of main points and serves as an introduction to the overall topic. The following are two ways a speaker could introduce the topic of childhood obesity: “Childhood obesity is a serious problem facing our country,” or “Today I’ll persuade you that childhood obesity is a problem that can no longer be ignored.”

Establishing Credibility and Relevance

The way you write and deliver your introduction makes an important first impression on your audience. But you can also take a moment in your introduction to explicitly set up your credibility in relation to your speech topic. If you have training, expertise, or credentials (e.g., a degree, certificate, etc.) relevant to your topic, you can share that with your audience. It may also be appropriate to mention firsthand experience, previous classes you have taken, or even a personal interest related to your topic. For example, I had a student deliver a speech persuading the audience that the penalties for texting and driving should be stricter. In his introduction, he mentioned that his brother’s girlfriend was killed when she was hit by a car driven by someone who was texting. His personal story shared in the introduction added credibility to the overall speech.

I ask my students to imagine that when they finish their speech, everyone in the audience will raise their hands and ask the question “Why should I care about what you just said?”

This would no doubt be a nerve-racking experience. However, you can address this concern by preemptively answering this question in your speech. A good speaker will strive to make his or her content relevant to the audience throughout the speech, and starting this in the introduction appeals to an audience because the speaker is already answering the “so what?” question. When you establish relevance, you want to use immediate words like I , you , we , our , or your . You also want to address the audience sitting directly in front of you. While many students are good at making a topic relevant to humanity in general, it takes more effort to make the content relevant to a specific audience.

Previewing Your Main Points

The preview of main points is usually the last sentence of your introduction and serves as a map of what’s to come in the speech. The preview narrows your introduction of the topic down to the main ideas you will focus on in the speech. Your preview should be one sentence, should include wording that is parallel to the key wording of your main points in the body of your speech, and should preview your main points in the same order you discuss them in your speech. Make sure your wording is concise so your audience doesn’t think there will be four points when there are only three. The following example previews the main points for a speech on childhood obesity: “Today I’ll convey the seriousness of the obesity epidemic among children by reviewing some of the causes of obesity, common health problems associated with it, and steps we can take to help ensure our children maintain a healthy weight.”

Just like your Introduction sets the tone of your speech, the conclusion should leave an impression on your audience.There are three important objectives to accomplish in your conclusion. They include summarizing the importance of your topic, reviewing your main points, and closing your speech.

Summarizing the Importance of Your Topic

After you transition from the body of your speech to the conclusion, you will summarize the importance of your topic. This is the “take-away” message, or another place where you can answer the “so what?” question. This can often be a rewording of your thesis statement. The speech about childhood obesity could be summarized by saying, “Whether you have children or not, childhood obesity is a national problem that needs to be addressed.”

Reviewing Your Main Points

Once you have summarized the overall importance of your speech, you review the main points. The review statement in the conclusion is very similar to the preview statement in your introduction. You don’t have to use the exact same wording, but you still want to have recognizable parallelism that connects the key idea of each main point to the preview, review, and transitions. The review statement for the childhood obesity speech could be “In an effort to convince you of this, I cited statistics showing the rise of obesity, explained common health problems associated with obesity, and proposed steps that parents should take to ensure their children maintain a healthy weight.”

Closing Your Speech

Like the attention getter, your closing statement is an opportunity for you to exercise your creativity as a speaker. Many students have difficulty wrapping up the speech with a sense of closure and completeness. In terms of closure, a well-written and well-delivered closing line signals to your audience that your speech is over, which cues their applause. You should not have to put an artificial end to your speech by saying “thank you” or “that’s it” or “that’s all I have.” In terms of completeness, the closing line should relate to the overall speech and should provide some “take-away” message that may leave an audience thinking or propel them to action. A sample closing line could be “For your health, for our children’s health, and for our country’s health, we must take steps to address childhood obesity today.” You can also create what I call the “ribbon and bow” for your speech by referring back to the introduction in the closing of your speech. For example, you may finish an illustration or answer a rhetorical question you started in the introduction.

Although the conclusion is likely the shortest part of the speech, I suggest that students practice it often. Even a well-written conclusion can be ineffective if the delivery is not good. Conclusions often turn out bad because they weren’t practiced enough. If you only practice your speech starting from the beginning, you may not get to your conclusion very often because you stop to fix something in one of the main points, get interrupted, or run out of time. Once you’ve started your speech, anxiety may increase as you near the end and your brain becomes filled with thoughts of returning to your seat, so even a well-practiced conclusion can fall short. Practicing your conclusion by itself several times can help prevent this.

Key Takeaways

• The speech consists of an introduction, a body, and a conclusion. When organizing a speech, start with the body.
• Determine the main points of a speech based on your research and supporting materials. The main points should support the thesis statement and help achieve the general and specific purposes.
• The organizational patterns that can help arrange the main points of a speech are topical, chronological, spatial, problem-solution, cause-effect, and Monroe’s Motivated Sequence.
• Incorporating supporting material helps fill in the main points by creating subpoints. As supporting material is added to the speech, citation information should be included so you will have the information necessary to verbally cite your sources.
• Organizing signposts help connect the introduction, body, and conclusion of a speech. Organizing signposts should be written using parallel wording to the central idea of each main point.
• A speaker should do the following in the introduction of a speech: get the audience’s attention, introduce the topic, establish credibility and relevance, and preview the main points.
• A speaker should do the following in the conclusion of a speech: summarize the importance of the topic, review the main points, and provide closure.
• Identifying the main points of reference material you plan to use in your speech can help you determine your main points/subpoints. Take one of your sources for your speech and list the main points and any subpoints from the article. Are any of them suitable main points for your speech? Why or why not?
• Which organizational pattern listed do you think you will use for your speech, and why?
• Write out verbal citations for some of the sources you plan to use in your speech, using the examples cited in the chapter as a guide.
• Draft the opening and closing lines of your speech. Remember to tap into your creativity to try to engage the audience. Is there any way you can tie the introduction and conclusion together to create a “ribbon and bow” for your speech?

Lass-Hennemann, J., Linn K. Kuehl, André Schulz, Melly S. Oitzl, and Hartmut Schachinger, “Stress Strengthens Memory of First Impressions of Others’ Positive Perosnality Traits,” PLoS ONE 6, no. 1 (2011): 1.

Laws, E. L., Jennifer M. Apperson, Stephanie Buchert, and Norman J. Bregman, “Student Evaluations of Instruction: When Are Enduring First Impressions Formed?” North American Journal of Psychology 12, no. 1 (2010): 81.

Monroe, A. H., and Douglas Ehninger, Principles of Speech , 5th brief ed. (Chicago, IL: Scott, Foresman, 1964).

Winans, J. A., Public Speaking (New York: Century, 1917), 411.

Table of Contents

• Collaboration

Information Literacy

Writing process, the writing process – research on composing.

• © 2023 by Joseph M. Moxley - University of South Florida

The writing process refers to everything you do in order to complete a writing project. Over the last six decades, researchers have studied and theorized about how writers go about their work. They've found that the writing process can be seen in three main ways: (1) a series of steps or stages ; (2) a cognitive, problem-solving activity ; and (3) a creative, intuitive, organic, dialogic process that writers manage by listening to their inner speech and following their felt sense . Learn about scholarship on the writing process so you can understand how to break through writing blocks and find fluency as a writer, researcher, and thought leader.

Synonymous Terms

Composing process.

In writing studies , the writing process may also be known as the composing process . This may be due to the dramatic influence of Janet Emig’s (1971) dissertation, The Composing Processes of Twelfth Graders . Emig’s research employed think-aloud protocols and case-study methods to explore the composing processes of high school students.

Creative Process

In creative writing and literature, the writing process may be known as the creative process .

In the arts and humanities the term creative process is reserved for artistic works, such as paintings, sculptures, performance art, films, and works of literature.

Related Concepts: Composition Studies ; Creativity; Felt Sense ; Growth Mindset ; Habits of Mind ; Intellectual Openness ; Professionalism and Work Ethic ; Resilience ; Self Regulation & Metacognition

What is the Writing Process?

The writing process refers to everything you do in order to complete a writing project.

People experience and define the writing process differently, according to their historical period, literacy history, knowledge of writing tools, media , genres — and more.

One of the takeaways from research on composing is that we’ve learned writers develop their own idiosyncratic approaches to getting the work done. When it comes to how we all develop, research , and communicate information , we are all special snowflakes. For example,

• Hemingway was known for standing while he wrote at first light each morning.
• Truman Capote described himself as a “completely horizontal author.” He wrote lying down, in bed or on a couch, with a cigarette and coffee handy.
• Hunter S. Thompson wrote through the nights, mixing drinking and partying with composing
• J.K. Rowling tracked the plot lines for her Harry Potter novels in a data.
• Maya Angelou would lock herself away in a hotel room from 6:30 a.m. to 2 p.m. so she has no distractions.

Research on composing processes conducted over the past 60 years has led to three major distinct ways of defining and conceptualizing the writing process:

• prewriting , invention , research , collaboration , planning , designing , drafting , rereading , organizing , revising , editing , proofreading , and sharing or publishing
• The writing process refers to cognitive, problem-solving strategies
• The writing process refers to the act of making composing decisions based on nonrational factors such as embodied knowledge , felt sense , inner speech, and intuition.

1. The writing process refers to writing process steps

The writing process is often characterized as a series of steps or stages. During the elementary and middle-school years, teachers define the writing process simply as prewriting , drafting , revising , and editing . Later, in high-school and college, as writing assignments become more challenging, teachers introduce additional writing steps: invention , research , collaboration , designing , organizing , proofreading , and sharing or proofreading.

2. The writing process refers to Problem-Solving Strategies

As an alternative to imagining the writing process to be a series of steps or stages that writers work through in linear manner, Linda Flower and John Hayes suggested in 1977 that writing should be thought of as a “thinking problem,” a “problem-solving process,” a “cognitive problem solving process,” or a “goal-directed thinking process.”

3. The writing process refers to the act of making composing decisions based on flow, felt sense and other elements of embodied knowledge

For some writers, viewing the writing process as a series of steps or problems feels to mechanistic, impersonal and formulaic. Rather than view that the writing process to be a series of writing steps or problem solving strategies , Sondra Perl , an English professor, suggests that composing is largely a process of listening to one’s felt sense — one’s “bodily awareness of a situation or person or event:

“A felt sense doesn’t come to you in the form of thoughts or words or other separate units, but as a single (though often puzzling and very complex) bodily feeling”. (Gendlin 1981, 32-33)

What are Writing Process Steps?

In elementary and middle schools in the U.S., the writing process is often simplified and presented at four or five key steps: prewriting , writing , revising , and editing –and sometimes and publishing or sharing . As students progress through school, the writing process is presented in increasingly complex ways. By high school, teachers present “the writing process steps” as

• Proofreading
• Sharing – Publishing

Is there one perfect way to work with the writing process?

No, there is no one ideal writing process. The steps of the writing process a writer engages in vary from project to project. At times  composing  may be fairly simple. Some situations  require little planning ,  research ,  revising  or  editing , such as

• a grocery list, a to-do list, a reflection on the day’s activity in a journal
• documents you routinely write, such as the professor’s letter of recommendation, a bosses’ performance appraisal, a ground-water engineer’s contamination report.

Over time, writers develop their own unique writing processes. Through trial and error, people can learn what works for them.

Composing  may be especially challenging

• when you are unfamiliar with the  topic ,  genre ,  medium ,  discourse community
• when the thesis/research question/topic  is complicated yet needs to be explained simply
• when you are endeavoring to synthesize other’s ideas and research
• when you don’t have the time you need to perfect the document.

What are the main factors that effect how writers compose documents?

Writers adjust their writing process in response to

• Writers assess the importance of the exigency, the call to write, before commiting time and resources to launching
• the writers access to information
• What they know about the canon, genre, media and rhetorical reasoning
• their writerly background
• the audience
• the schedule.

Why Does the Writing Process Matter?

The writing processes that you use to compose documents play a significant role in determining whether your communications are successful. If you truncate your writing process, you are likely to run out of the time you need to write with clarity and authority .

• Studying the writing processes of successful writers can introduce you to new rhetorical moves, genres , and composing processes. Learning about the composing processes of experienced writers can help you learn how to adjust your rhetorical stance and your writing styles to best accomplish your purpose .
• By examining your writing processes and the writing processes of others, you can learn how to better manage your work and the work of other authors and teams.
• By recognizing that writing is a skill that can be developed through practice and effort, you can become more resilient and adaptable in your writing endeavors.

[ For an example of  process pedagogy , see professional writing, which breaks the processes involved in writing a recommendation report down into a 15-week schedule. ]

Do experienced writers compose in different ways than inexperienced writers?

Yes. Experienced writers engage in more substantive, robust writing processes than less experienced writers.

• Experienced writers tend to have more rhetorical knowledge and a better understanding of composing steps and strategies than inexperienced writers.
• Experienced writers tend to be more willing than inexperienced writers to make substantive changes in a draft, often making changes that involve rethinking the meaning of a text. Some professional writers may revise a document hundreds of times before pushing send or publishing it.
• Experienced writers engage in revision as an act of internal conversation, a form of inner speech that they have with themselves and an imagined other–the internalized target audience. In contrast, inexperienced writers tend to confuse editing for revision . They tend to make only a few edits to their initial drafts, focusing primarily on surface-level changes such as correcting grammar, spelling, or punctuation errors.
• Experienced writers are adept at working collaboratively, leveraging the strengths of team members and effectively coordinating efforts to produce a cohesive final product. Inexperienced writers may struggle with collaboration, communication, and division of labor within a writing team

What is Process Pedagogy?

Process pedagogy, which is also known as the process movement, emerged in the United States during the late 1960s and early 1970s. In The Making of Knowledge in Composition , Steve North (1987) links the emergence of process pedagogy to

• Sputnik and America’s concern it was falling behind Russia
• the GI Bill and the changing demographics of undergraduate students in the post-war era.

Additionally, process pedagogy emerged in response to dissatisfaction with traditional, product-oriented approaches to teaching writing. In the current-traditional paradigm of writing, the focus of the classroom was on “the composed product rather than the composing process; the analysis of discourse into words, sentences, and paragraphs; the classification of discourse into description, narration, exposition, and argument; the strong concern with usage (syntax, spelling, punctuation) and with style (economy, clarity, emphasis)” (Young, 1978, p. 25).

The process movement reflected a sea change on the part of middle schools, high schools, and universities in the U.S. Traditionally, classroom instruction focused on analysis and critique of the great works of literature:

“The student is (a) exposed to the formal descriptive categories of rhetoric (modes of argument –definition, cause and effect, etc. — and modes of discourse — description, persuasion, etc.), (b) offered good examples (usually professional ones) and bad examples (usually his/her own) and (c) encouraged to absorb the features of a socially approved style, with emphasis on grammar and usage. We help our students analyze the product, but we leave the process of writing up to inspiration” (Flower and Hayes, 1977, p. 449).

In contrast to putting the focus of class time on analyzing great literary works,  the canon , process pedagogy calls for teachers to put the emphasis on the students’ writing:

• Students need help with prewriting , invention , research , collaboration , writing , designing , revising , organizing , editing , proofreading , and sharing
• Teachers do not comment on grammar and style matters in early drafts. Instead, they focus on global perspectives . They prioritize the flow of ideas and expression over correctness in grammar and mechanics.
• Students engage in prewriting and invention exercises to discover and develop new ideas
• Students repeatedly revise their works in response to self-critique , peer review , and critiques from teachers
• Teachers should provide constructive feedback throughout the writing process.

What does “teach the process and not the product mean”?

“Teach the process not the product ” is both the title of a Donald Murray (1972) article and the mantra of the writing process movement, which emerged during the 1960s.

The mantra to teach the process not the product emerged in response to the research and scholarship conducted by Donald Murray, Janet Emig, Peter Elbow, Ann Berthoff, Nancy Sommers, Sondra Perl, John Hayes and Linda Flower.

What does it mean to describe the writing process as recursive ?

The term  recursive writing process  simply means that writers jump around from one activity to another when  composing . For instance, when first drafting a document, a writer may pause to reread something she wrote. That might trigger a new idea that shoots her back to Google Scholar or some other database suitable for  strategic searching .

How do researchers study the writing process?

The writing process is a major subject of study of researchers and scholars in the fields of composition studies , communication, writing studies , and AI (artificial intelligence).

The writing process  is something of a black box: investigators can see  inputs  (e.g., time on task) or  outputs  (e.g.,  written discourse ), yet they cannot  empirically observe  the internal workings of the writer’s mind.

At the end of the day investigators have to jump from what they observe to making informed guesses about what is really going on in the writer. Even if investigators ask a writer to talk out loud about what they are thinking as they compose , the investigators can only hear what the writer is saying: they cannot see the internal machinations associated with the writer’s thoughts. If a writer goes mute, freezes, and just stares blankly at the computer screen, investigators cannot really know what’s going on. They can only speculate about how the brain functions.

Research Methods

To study or theorize about the writing process, investigators may use a variety of research methods .

Doherty, M. (2016, September 4). 10 things you need to know about banyan trees. Under the Banyan. https://underthebanyan.blog/2016/09/04/10-things-you-need-to-know-about-banyan-trees/

Emig, J. (1967). On teaching composition: Some hypotheses as definitions. Research in The Teaching of English, 1(2), 127-135. Retrieved from http://files.eric.ed.gov/fulltext/ED022783.pdf

Emig, J. (1971). The composing processes of twelfth graders (Research Report No. 13). Urbana, IL: National Council of Teachers of English.

Emig, J. (1983). The web of meaning: Essays on writing, teaching, learning and thinking. Upper Montclair, NJ: Boynton/Cook Publishers, Inc.

Ghiselin, B. (Ed.). (1985). The Creative Process: Reflections on the Invention in the Arts and Sciences . University of California Press.

Hayes, J. R., & Flower, L. (1980). Identifying the Organization of Writing Processes. In L. W. Gregg, & E. R. Steinberg (Eds.), Cognitive Processes in Writing: An Interdisciplinary Approach (pp. 3-30). Hillsdale, NJ: Lawrence Erlbaum.  

Hayes, J. R. (2012). Modeling and remodeling writing. Written Communication, 29(3), 369-388. https://doi: 10.1177/0741088312451260

Hayes, J. R., & Flower, L. S. (1986). Writing research and the writer. American Psychologist, 41(10), 1106-1113. https://doi.org/10.1037/0003-066X.41.10.1106

Leijten, Van Waes, L., Schriver, K., & Hayes, J. R. (2014). Writing in the workplace: Constructing documents using multiple digital sources. Journal of Writing Research, 5(3), 285–337. https://doi.org/10.17239/jowr-2014.05.03.3

Lundstrom, K., Babcock, R. D., & McAlister, K. (2023). Collaboration in writing: Examining the role of experience in successful team writing projects. Journal of Writing Research, 15(1), 89-115. https://doi.org/10.17239/jowr-2023.15.01.05

National Research Council. (2012). Education for Life and Work: Developing Transferable Knowledge and Skills in the 21st Century . Washington, DC: The National Academies Press.https://doi.org/10.17226/13398.

North, S. M. (1987). The making of knowledge in composition: Portrait of an emerging field. Boynton/Cook Publishers.

Murray, Donald M. (1980). Writing as process: How writing finds its own meaning. In Timothy R. Donovan & Ben McClelland (Eds.), Eight approaches to teaching composition (pp. 3–20). National Council of Teachers of English.

Murray, Donald M. (1972). “Teach Writing as a Process Not Product.” The Leaflet, 11-14

Perry, S. K. (1996).  When time stops: How creative writers experience entry into the flow state  (Order No. 9805789). Available from ProQuest Dissertations & Theses A&I; ProQuest Dissertations & Theses Global. (304288035). https://www.proquest.com/dissertations-theses/when-time-stops-how-creative-writers-experience/docview/304288035/se-2

Rohman, D.G., & Wlecke, A. O. (1964). Pre-writing: The construction and application of models for concept formation in writing (Cooperative Research Project No. 2174). East Lansing, MI: Michigan State University.

Rohman, D. G., & Wlecke, A. O. (1975). Pre-writing: The construction and application of models for concept formation in writing (Cooperative Research Project No. 2174). U.S. Office of Education, Department of Health, Education, and Welfare.

Sommers, N. (1980). Revision Strategies of Student Writers and Experienced Adult Writers. College Composition and Communication, 31(4), 378-388. doi: 10.2307/356600

Vygotsky, L. (1962).  Thought and language.  (E. Hanfmann & G. Vakar, Eds.). MIT Press.  https://doi.org/10.1037/11193-000

Related Articles:

Discovering Your Unique Writing Process: A Guide to Self-Reflection

Problem-Solving Strategies for Writers: a Review of Research

The 7 Habits of Mind & The Writing Process

The Secret, Hidden Writing Process: How to Tap Your Creative Potential

The Ultimate Blueprint: A Research-Driven Deep Dive into The 13 Steps of the Writing Process

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• Joseph M. Moxley

Understanding your writing process is a crucial aspect of developing as a writer. For both students and professional writers, reflection on the process of writing can lead to more effective...

Traditionally, in U.S. classrooms, the writing process is depicted as a series of linear steps (e.g., prewriting, writing, revising, and editing). However, since the 1980s the writing process has also...

In contrast to the prevailing view that the writing process refers to writing steps or problem solving strategies, a third view is that the writing process involves nonrational factors, such...

This article provides a comprehensive, research-based introduction to the major steps, or strategies, that writers work through as they endeavor to communicate with audiences. Since the 1960s, the writing process has...

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The Speech Writing Process

By Philippe John Fresnillo Sipacio & Anne Balgos (Page 62)

Just like events planning, or any other activities, writing an effective speech follows certain steps or processes. The process for writing is not chronological or linear ; rather, it is recursive . That means you have the opportunity to repeat a writing procedure indefinitely, or produce multiple

drafts first before you can settle on the right one.

By Philippe John Fresnillo Sipacio & Anne Balgos

The following are the components of the speech writing process.

• Audience analysis entails looking into the profile of your target audience. This is done so you can tailor-fit your speech content and delivery to your audience. The profile includes the following information.

Q demography (age range, male-female ratio, educational background and affiliations or degree program taken, nationality, economic status, academic or corporate designations)

Q situation (time, venue, occasion, and size)

Q psychology (values, beliefs, attitudes, preferences, cultural and racial ideologies , and needs)

A sample checklist is presented below.

The purpose for writing and delivering the speech can be classified into three — to inform, to entertain, or to persuade .

• An informative speech provides the audience with a clear understanding of the concept or idea presented by the speaker.
• An entertainment speech provides the audience with amusement.
• A persuasive speech provides the audience with well-argued ideas that can influence their own beliefs and decisions.

The purpose can be general and specific. Study the examples below to see the differences. The general purpose is to inform ….

These are examples of specific purpose….

• To inform Grade 11 students about the process of conducting an
• automated student government election
• To inform Grade 11 students about the definition and relevance of

information literacy today

• To inform Grade 11 students about the importance of effective money management

The purpose can be general and specific. Study the examples below to see the differences. The general purpose is to entertain ….

• To entertain Grade 11 students with his/her funny experiences in

automated election

• To entertain Grade 11 students with interesting observations of people who lack information literacy
• To entertain Grade 11 students with the success stories of the people in the community

The purpose can be general and specific. Study the examples below to see the differences. The general purpose is to persuade ….

• To persuade the school administrators to switch from manual to
• To persuade Grade 11 students to develop information literacy skills
• To persuade the school administrators to promote financial literacy
• among students

The topic is your focal point of your speech, which can be determined once you have decided on your purpose. If you are free to decide on a topic, choose one that really interests you. There are a variety of strategies used in selecting a topic, such as using your personal experiences, discussing with your family members or friends, free writing, listing, asking questions, or semantic webbing .

Narrowing down a topic means making your main idea more specific and focused. The strategies in selecting a topic can also be used when you narrow down a topic. In the example below, “Defining and developing effective money management skills of Grade 11 students” is the specific topic out of a general one, which is “ Effective money management.”

Data gathering is the stage where you collect ideas, information, sources, and references relevant or related to your specific topic. This can be done by visiting the library, browsing the web, observing a certain phenomenon or event related to your topic, or conducting an

interview or survey. The data that you will gather will be very useful in making your speech informative, entertaining, or persuasive .

Writing patterns, in general, are structures that will help you organize the ideas related to your topic. Examples are biographical , categorical / topical , causal , chronological , comparison / contrast , problem-solution, and spatial .

The different writing patterns

An outline is a hierarchical list that shows the relationship of your ideas. Experts in public speaking state that once your outline is ready, two-thirds of your speech writing is finished. A good outline helps you see that all the ideas are in line with your main idea or message. The elements of an outline include introduction, body, and conclusion. Write your outline based on how you want your ideas to develop. Below are some of the suggested formats.

The body of the speech provides explanations, examples, or any details that can help you deliver your purpose and explain the main idea of your speech. One major consideration in developing the body of your speech is the focus or central idea. The body of your speech should only have one central idea.

The following are some strategies to highlight your main idea.

• Present real-life or practical examples
• Show statistics
• Present comparisons
• Share ideas from the experts or practitioners

The introduction is the foundation of your speech. Here, your primary goal is to get the attention of your audience and present the subject or main idea of your speech. Your first few words should do so. The following are some strategies.

• Use a real-life experience and connect that experience to your subject.
• Use practical examples and explain their connection to your subject.
• Start with a familiar or strong quote and then explain what it means.
• Use facts or statistics and highlight their importance to your subject.
• Tell a personal story to illustrate your point.

The conclusion restates the main idea of your speech. Furthermore, it provides a summary, emphasizes the message, and calls for action. While the primary goal of the introduction is to get the attention of your audience, the conclusion aims to leave the audience with a memorable statement.

The following are some strategies.

• Begin your conclusion with a restatement of your message.
• Use positive examples, encouraging words, or memorable lines from songs or stories familiar to your audience.
• Ask a question or series of questions that can make your audience reflect or ponder.

Editing/Revising your written speech involves correcting errors in mechanics, such as grammar, punctuation, capitalization, unity, coherence, and others. Andrew Dlugan (2013), an awar di ng public speaker, lists six power principles for speech editing.

• Edit for focus.

“So, what’s the point? What’s the message of the speech?”

Ensure that everything you have written, from introduction to conclusion, is related to your central message.

• Edit for clarity.

“I don’t understand the message because the examples or supporting details were confusing.”

Make all ideas in your speech clear by arranging them in logical order (e.g., main idea first then supporting details, or supporting details first then main idea).

• Edit for concision.

“The speech was all over the place; the speaker kept talking endlessly as if no one was listening to him/her.”

Keep your speech short, simple, and clear by eliminating unrelated stories and sentences and by using simple words.

• Edit for continuity.

“The speech was too difficult to follow; I was lost in the middle.”

Keep the flow of your presentation smooth by adding transition words and phrases.

• Edit for variety.

“I didn’t enjoy the speech because it was boring.”

Add spice to your speech by shifting tone and style from formal to conversational and vice-versa, moving around the stage, or adding humor.

• Edit for impact and beauty.

“There’s nothing really special about the speech.”

Make your speech memorable by using these strategies: surprise the audience, use vivid descriptive images, write well-crafted and memorable lines, and use figures of speech.

Rehearsing gives you an opportunity to identify what works and what does not work for you and for your target audience. Some strategies include reading your speech aloud, recording for your own analysis or for your peers or coaches to give feedback on your delivery. The best

thing to remember at this stage is: “Constant practice makes perfect.”

Some Guidelines in Speech Writing

1. Keep your words short and simple. Your speech is meant to be heard by your audience, not read.

2. Avoid jargon , acronyms, or technical words because they can confuse your audience.

3. Make your speech more personal. Use the personal pronoun “I,” but take care not to overuse it. When you need to emphasize collectiveness with your audience, use the personal pronoun “we.”

4. Use active verbs and contractions because they add to the personal and conversational tone of your speech.

5. Be sensitive of your audience. Be very careful with your language, jokes, and nonverbal cues.

6. Use metaphors and other figures of speech to effectively convey your point.

7. Manage your time well; make sure that the speech falls under the time limit.

Differentiate the Stages or Processes in Speech Writing 

Back to: Pedagogy of English- Unit 5

Differentiate the Stages or Processes in Speech Writing

Speech is an oral presentation of information or delivery of messages through the use of words of spoken words delivered in front of or to an audience who have gathered in a seminar, meeting, conference, or some other event. It is a form of oral communication which is the oldest method and also the most effective method of communication. 

Differences between the stages and processes in speech writing

The main differences between the stages and processes in speech writing are as follows: 

1. Stage refers to the different phases of completing a task whereas processes refers to the different procedures or steps involved in completing a task. 

2. The stages of speech writing can be evolutionary and may take a series of steps whereas in process, the steps are more prescriptive. 

3. The stages of speech writing mainly includes introduction, body, and conclusion whereas the process of speech writing may include knowing your audience and identifying a clear message that you need to deliver to them. 

4. In stages, the speech should be structured whereas in process, the proper steps of writing a speech must be followed. 

5. The stages of speech writing also include speaking strategy, the audience journey, and editing whereas the process of speech writing includes identifying the objective, gathering information, interviewing the speaker, defining a clear message, and the like.

Components of speech writing

The components of speech writing are as follows:

Introduction

A speech should start with an introduction to the topic or the subject matter that is being presented in the speech. It should not last more than 1 to 2 minutes and it should be brief.

This section includes the main messages of the speech and should cover all the information that needs to be presented in the speech.

The conclusion should summarize the central ideas presented in the speech and give the speech a closure and a sense of completion. It should also be shorter than both the introduction and the body.

Speech is considered to be one of the most effective ways of delivering a message in any event. A speaker can present his thoughts and opinions on various matters to a large group of audience through his or her speech. Due to its efficacy, it is widely used around the world. Be it for social purposes or religious purposes, a speech can come in handy for several kinds of events

Module 1: An Overview of the Writing Process

Defining the writing process.

People often think of writing in terms of its end product—the email, the report, the memo, essay, or research paper, all of which result from the time and effort spent in the act of writing. In this course, however, you will be introduced to writing as the recursive process of planning, drafting, and revising.

Writing is Recursive

You will focus as much on the process of writing as you will on its end product (the writing you normally submit for feedback or a grade).  Recursive means circling back; and, more often than not, the writing process will have you running in circles. You might be in the middle of your draft when you realize you need to do more brainstorming, so you return to the planning stage. Even when you have finished a draft, you may find changes you want to make to an introduction. In truth, every writer must develop his or her own process for getting the writing done, but there are some basic strategies and techniques you can adapt to make your work a little easier, more fulfilling and effective.

Developing Your Writing Process

The final product of a piece of writing is undeniably important, but the emphasis of this course is on developing a writing process that works for you. Some of you may already know what strategies and techniques assist you in your writing. You may already be familiar with prewriting techniques, such as freewriting, clustering, and listing. You may already have a regular writing practice.  But the rest of you may need to discover what works through trial and error. Developing individual strategies and techniques that promote painless and compelling writing can take some time. So, be patient.

A Writer’s Process: Ali Hale

Read and examine The Writing Process  by Ali Hale. Think of this document as a framework for defining the process in distinct stages: Prewriting, Writing, Revising, Editing, and Publishing. You may already be familiar with these terms. You may recall from past experiences that some resources refer to prewriting as planning and some texts refer to writing as drafting.

What is important to grasp early on is that the act of writing is more than sitting down and writing something. Please avoid the “one and done” attitude, something instructors see all too often in undergraduate writing courses. Use Hale’s essay as your starting point for defining your own process.

A Writer’s Process: Anne Lamott

In the video below, Anne Lamott, a writer of both non-fiction and fiction works, as well as the instructional novel on writing Bird by Bird: Instructions on Writing , discusses her own journey as a writer, including the obstacles she has to overcome every time she sits down to begin her creative process. She will refer to terms such as “the down draft,” “the up draft,” and “the dental draft.”

As you watch, think about how her terms, “down draft,” “up draft,” “dental draft,” work with those presented by Hale’s The Writing Process . What does Lamott mean by these terms?  Can you identify with her process or with the one Hale describes? How are they related?

Also, when viewing the interview, pay careful attention to the following timeframe: 11:23 to 27:27 minutes and make a list of tips and strategies you find particularly helpful. Think about how your own writing process fits with what Hale and Lamott have to say. Is yours similar? Different? Is there any new information you have learned that you did not know before exposure to these works?

• Provided by : Lumen Learning. Located at : http://lumenlearning.com/ . License : CC BY: Attribution
• Authored by : Daryl Smith O' Hare and Susan C. Hines. Provided by : Chadron State College. Project : Kaleidoscope Open Course Initiative. License : CC BY: Attribution
• Image: Computer and notebook. Located at : https://unsplash.com/ . License : CC0: No Rights Reserved
• A Conversation with Anne Lamott 2007. Provided by : University of California Television (UCTV). Located at : http://youtu.be/PhP5GmybvPM . License : All Rights Reserved . License Terms : Standard YouTube License

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Make Marketing Suck Less

The 5 stages of writing a speech that gets you booked to speak.

By Michelle Mazur > May 2, 2017

Filed Under Craft Your Signature Talk , Strategy , Tell Your Story

Your speech is not a speech. It's your next best-selling product.

That's the strategy that I outlined in my book Speak For Impact .

It's one of the core pillars of building a successful, thriving speaking business. It's one of the things that you should be focusing on whether you're just starting out as a speaker or you're an old pro.

But here is what I see happen all the time in the speaking industry. You create a speech and it's good enough.

It's good enough to get you applause.

It's good enough to get you booked a couple of times.

It might even be good enough to get you a standing ovation and that feels really, really amazing.

It's definitely good enough to get you good enough evaluations.

But what if it could be remarkable?

What if you're leaving money on the table, you're leaving speaking opportunities on the table, you're leaving clients on the table because you're not upgrading your speech to make it truly remarkable?

For the next three posts, we are going to be diving into the lost art of speech writing and how that can make an exponential difference to the bottom line of your speaking business.

I'm going to take you through the five stages of writing a speech that gets you booked to speak and paid.

These are the five stages that I use when I'm working with a client, whether they are starting from scratch in writing a speech or are optimizing something that they have already written and used.

These stages work and they will make for a better product. If you want to go through these stages with me, you can always apply for a strategy session at Drmichellemazur.com/speak and we'll talk about your speaking and how to take your speech and your message so that you get on the stages you want to be on and get paid.

So let's talk about these five strategies.

Prefer to listen?

Table of Contents

• 1 Stage 1: Speaking Strategy
• 2 Stage 2: The Audience Journey
• 3 Stage 3: Writing the SFD
• 4 Stage 4: The Alpha & the Omega
• 5 Stage 5: The Magic of Editing

Stage 1: Speaking Strategy

The first phase will be familiar to you if you have listened to my podcast before – this is the strategy phase.

For me, this is the key to making sure that you're on the path to a truly remarkable speech and that you're on a path to a successful speaking business.

In this phase, it's all about curiosity. First, you're going to get curious about the audience and figuring out what they actually need from you. When they walk through the door, they are not blank slates. They are looking to you as the speaker to give them some insight into their life.

So how are you going to do that? What do they need from you? When you figure out what they need from you, you can start getting curious about the places or the organizations or the associations and figure out why they would hire you for that message.

Because sometimes, what your audience needs from you and why you get hired are two different things. From a strategy perspective, this helps you build around that knowledge, which makes writing your speech, and crafting the related sales conversations so much easier.

The final part of the strategy is developing what I used to call the big idea. I have begun to rethink that name because I don't think it needs to be all that big. I'm calling this now the anchoring idea . This is essentially the message that you want to be known for. It positions you as a speaker in the marketplace and helps you get known for what you do. It is also the anchors your speech because that is the direction you are steering your speech toward. The anchoring idea is the transformation. It is where you want the audience to end up. You want them to end with your idea.

Stage 2: The Audience Journey

Once we have a firm strategy in place, it is easy to move to Stage 2 and map out we the audience's' journey. This is where it gets messy.

It's time to get down and dirty because you're an expert! You have a ton of ideas about your topic floating in your head. There are multiple ways that you can get the audience from the #1 challenge they face to your anchoring idea.  

The first step is to do a brain dump. It doesn’t matter if you do it on post-it notes, in mind mapping software, or through making big lists (this is what I do!) but just get those ideas out of your head.

Having all the stories you could tell or the research you could site at your fingertips allows you to sort through it and then map the best journey that your audience can take.

Since there are multiple routes, you might create multiple maps but at the end of the day, you will want to settle on three to five main points.  

You don’t want more than that because otherwise, your speech is going to be too long. You'll have these three three or five points that you're going to be taking the audience through and that's going to make up 80% of your speech.  This is the meat of your speech.

Once you have got the basic outline and where we're taking the audience, you have your map.  Now the fun starts.

Stage 3: Writing the SFD

In Stage 3 we begin actually writing with the SFD, shitty first draft. This is a term that comes from Anne Lamott, her book Bird by Bird is all about writing.  This is the perfect term to describe this part of the process. Because you're going to get even messier.

Your goal with creating this SFD is to go for the D plus version of your speech. You want to start writing it out or outlining it in more detail or creating a PowerPoint, however you best write, it's totally up to you.

But this draft is not about perfection – which is so hard for a lot of my clients because my clients are high achievers. They are so amazing and they really want to get it right. But there is no right. There is just D plus and crappy.  So that's what you're going for.

The most important rule that comes into effect right now is that when you are writing this SFD, no editing. You cannot write and edit at the same time. We will get to editing very shortly. It's a very important part of this process but right now – no editing. So get that SFD out onto paper, into PowerPoint or however you're creating this product but just get it out there.

Once you have that, you can move to phase number four and start crafting the beginning and ending of the speech.

Stage 4: The Alpha & the Omega

Now, you might be thinking I'm kind of crazy. Why wouldn't I tell you to write the intro first then write the rest of the speech and then do the conclusion?

The reason I have people do the intro and conclusion together is because they are the two most important parts of the speech. The intro is where you get buy-in from the audience. You grab their attention. You set their expectations. You get them to trust and connect with you. The conclusion is where you give them their marching orders. It's where you give them something to remember you and your speech by.

Research shows that through the primacy-recency effect that these are the two most memorable parts of the speech. They are the most commonly remembered parts of any speech.

Also, frankly, I do it because of practicality.

Writing an opening line is probably the hardest part of the speech writing process. I am not joking. You can spend hours finding it, or you can get lucky and it comes really quickly – but either way, it is the all-important line of your speech. It doesn’t make sense for people to get stuck here – so I advise my clients to write their crappy draft and get it out. Then once they have that, then write that beginning and ending.

Stage 5: The Magic of Editing

Now we get to the fifth phase of speech building: adding the shine.  You can think about it as polishing, editing or how I like to think about it, this is where the magic happens.

Unfortunately, a lot of people don't spend enough time in this phase. Sure, they'll polish up their SFD a little bit. They'll make it a little bit better, make sure they have transitions. But there's something truly magical that happens when you start playing with the words and with the stories because editing is the place where a connection will happen with your audience. It's where engagement happens. It's where curiosity about your topic happens. It's where that hunger to want to know more about you and what you do happens.

You can't create any of that magic until you get that SFD out of you and start the editing process.

Stage five is something you will revisit again and again and again in your speech writing. It is important to spend time here.  (Sneak Peek! Next time  I will tell you what to look for in that editing process.)

So there you have it, those are the five phases that I use with all of my clients when we are either writing a signature talk from scratch or we're going through and optimizing their talk.

If you would like my eyes and this process for your own speaking business, then apply for a strategy session. We'll have a great conversation about your speaking goals, how we can get your speech to a whole other level so that you're not leaving money on the table and you can apply for that at drmichellemazur.com/speak .

Until next time. Use these five stages to write your speech, to optimize and edit your speech. When you use the structure, it will make speech writing far easier and more effective for you and for your audience and for the people who hire you.

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Do You Know The 7 Steps Of The Writing Process?

How much do you know about the different stages of the writing process? Even if you’ve been writing for years, your understanding of the processes of writing may be limited to writing, editing, and publishing. 

It’s not your fault. Much of the writing instruction in school and online focus most heavily on those three critical steps. 

Important as they are, though, there’s more to creating a successful book than those three. And as a writer, you need to know.   

The 7 Steps of the Writing Process

Read on to familiarize yourself with the seven writing process steps most writers go through — at least to some extent. The more you know each step and its importance, the more you can do it justice before moving on to the next. 

1. Planning or Prewriting

This is probably the most fun part of the writing process. Here’s where an idea leads to a brainstorm, which leads to an outline (or something like it). 

Whether you’re a plotter, a pantser, or something in between, every writer has some idea of what they want to accomplish with their writing. This is the goal you want the final draft to meet. 

With both fiction and nonfiction , every author needs to identify two things for each writing project: 

• Intended audience = “For whom am I writing this?”
• Chosen purpose = “What do I want this piece of writing to accomplish?”

In other words, you start with the endpoint in mind. You look at your writing project the way your audience would. And you keep its purpose foremost at every step. 

From planning, we move to the next fun stage. 

2. Drafting (or Writing the First Draft)

There’s a reason we don’t just call this the “rough draft,” anymore. Every first draft is rough. And you’ll probably have more than one rough draft before you’re ready to publish. 

For your first draft, you’ll be freewriting your way from beginning to end, drawing from your outline, or a list of main plot points, depending on your particular process. 

To get to the finish line for this first draft, it helps to set word count goals for each day or each week and to set a deadline based on those word counts and an approximate idea of how long this writing project should be. 

Seeing that deadline on your calendar can help keep you motivated to meet your daily and weekly targets. It also helps to reserve a specific time of day for writing. 

Another useful tool is a Pomodoro timer, which you can set for 20-25 minute bursts with short breaks between them — until you reach your word count for the day. 

3. Sharing Your First Draft

Once you’ve finished your first draft, it’s time to take a break from it. The next time you sit down to read through it, you’ll be more objective than you would be right after typing “The End” or logging the final word count. 

It’s also time to let others see your baby, so they can provide feedback on what they like and what isn’t working for them.

You can find willing readers in a variety of places: 

• Social media groups for writers
• Social media groups for readers of a particular genre
• Your email list (if you have one)
• Local and online writing groups and forums

This is where you’ll get a sense of whether your first draft is fulfilling its original purpose and whether it’s likely to appeal to its intended audience. 

You’ll also get some feedback on whether you use certain words too often, as well as whether your writing is clear and enjoyable to read. 

4. Evaluating Your Draft

Here’s where you do a full evaluation of your first draft, taking into account the feedback you’ve received, as well as what you’re noticing as you read through it. You’ll mark any mistakes with grammar or mechanics. 

And you’ll look for the answer to important questions: 

• Is this piece of writing effective/ Does it fulfill its purpose?
• Do my readers like my main character? (Fiction)
• Does the story make sense and satisfy the reader? (Fiction)
• Does it answer the questions presented at the beginning? ( Nonfiction )
• Is it written in a way the intended audience can understand and enjoy?

Once you’ve thoroughly evaluated your work, you can move on to the revision stage and create the next draft. 

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5. Revising Your Content

Revising and editing get mixed up a lot, but they’re not the same thing. 

With revising, you’re making changes to the content based on the feedback you’ve received and on your own evaluation of the previous draft. 

• To correct structural problems in your book or story
• To find loose ends and tie them up (Fiction)
• To correct unhelpful deviations from genre norms (Fiction)
• To add or remove content to improve flow and/or usefulness

You revise your draft to create a new one that comes closer to achieving your original goals for it. Your newest revision is your newest draft. 

If you’re hiring a professional editor for the next step, you’ll likely be doing more revision after they’ve provided their own feedback on the draft you send them. 

Editing is about eliminating errors in your (revised) content that can affect its accuracy, clarity, and readability.

By the time editing is done, your writing should be free of the following: 

• Grammatical errors
• Punctuation/mechanical and spelling errors
• Misquoted content
• Missing (necessary) citations and source info
• Factual errors
• Awkward phrasing
• Unnecessary repetition

Good editing makes your work easier and more enjoyable to read. A well-edited book is less likely to get negative reviews titled, “Needs editing.” And when it comes to books, it’s best to go beyond self-editing and find a skilled professional. 

A competent editor will be more objective about your work and is more likely to catch mistakes you don’t see because your eyes have learned to compensate for them. 

7. Publishing Your Final Product

Here’s where you take your final draft — the final product of all the previous steps — and prepare it for publication. 

Not only will it need to be formatted (for ebook, print, and audiobook), but you’ll also need a cover that will appeal to your intended audience as much as your content will. 

Whether you budget for these things or not depends on the path you choose to publish your book: 

• Traditional Publishing — where the publishing house provides editing, formatting, and cover design, as well as some marketing
• Self-Publishing — where you contract with professionals and pay for editing, formatting, and cover design. 
• Self-Publishing with a Publishing Company — where you pay the company to provide editing, formatting, and cover design using their in-house professionals.

And once your book is live and ready to buy, it’s time to make it more visible to your intended audience. Otherwise, it would fail in its purpose, too. 

Are you ready to begin 7 steps of the writing process?

Now that you’re familiar with the writing process examples in this post, how do you envision your own process?

While it should include the seven steps described here, it’ll also include personal preferences of your own — like the following: 

• Writing music and other ambient details
• Writing schedule
• Word count targets and time frames

The more you learn about the finer details of the writing process, the more likely you are to create content your readers will love. And the more likely they are to find it. 

Wherever you are in the process, our goal here is to provide content that will help you make the most of it. 

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Steps of the Writing Process

If you think that a blank sheet of paper or a blinking cursor on the computer screen is a scary sight, you are not alone. Many writers, students, and employees find that beginning to write can be intimidating. When faced with a blank page, however, experienced writers remind themselves that writing, like other everyday activities, is a process. Every process, from writing to cooking, bike riding, and learning to use a new cell phone, will get significantly easier with practice.

Just as you need a recipe, ingredients, and proper tools to cook a delicious meal, you also need a plan, resources, and adequate time to create a good written composition. In other words, writing is a process that requires following steps and using strategies to accomplish your goals.

The Writing Process

The writing process is a series of steps that a writer goes through in order to move from a blank page to a completed written composition. Understanding and using the steps of the writing process can help you avoid the all-too-common mistake of trying to write a completed final draft from scratch as one single step, which is doomed to produce inferior work.  Although experienced writers eventually customize their own personal writing processes, nearly all successful writers–from students to professionals–use some form of this writing process, of which there are five steps:

These are the five steps in the writing process:

Of course, you must keep in mind that in every step of the writing process, you must guide your decisions based on your subject, your audience, and your purpose, as noted at the beginning of this textbook.

What does each step involve?

• In this step, the writer generates ideas to write about and begins developing these ideas.
• In this step, the writer determines the overall organizational structure of the writing and creates an outline to organize ideas. Usually this step involves some additional fleshing out of the ideas generated in the first step.
• In this step, the writer uses the work completed in prewriting to develop a first draft. The draft covers the ideas the writer brainstormed and follows the organizational plan that was laid out in the first step.
• In this step, the writer revisits the draft to review and, if necessary, reshape its content. This stage involves moderate and sometimes major changes: adding or deleting a paragraph, phrasing the main point differently, expanding on an important idea, reorganizing content, and so forth.
• In this step, the writer reviews the draft to make additional changes. Editing involves making changes to improve style and adherence to standard writing conventions—for instance, replacing a vague word with a more precise one or fixing errors in grammar and spelling. Once this stage is complete, the work is a finished piece and ready to share with others.

It is likely that you have already used this process as a writer. You may also have used it for other types of creative projects, such as developing a sketch into a finished painting or composing a song. The steps listed above apply broadly to any project that involves creative thinking. You come up with ideas (often vague at first), you work to give them some structure, you make a first attempt, you figure out what needs improving, and then you refine it until you are satisfied.

Most people have used this creative process in one way or another, but many people have misconceptions about how to use it to write. Here are a few of the most common misconceptions students have about the writing process:

• “I do not have to waste time on prewriting if I understand the assignment.” Even if the task is straightforward and you feel ready to start writing, take some time to develop ideas before you plunge into your draft. Freewriting—writing about the topic without stopping for a set period of time—is one prewriting technique you might try in that situation.
• “It is important to complete a formal, numbered outline for every writing assignment.” For some assignments, such as lengthy research papers, proceeding without a formal outline can be very difficult. However, for other assignments, a structured set of notes or a detailed graphic organizer may suffice. The important thing is that you have a solid plan for organizing ideas and details.
• “My draft will be better if I write it when I am feeling inspired.” By all means, take advantage of those moments of inspiration. However, understand that sometimes you will have to write when you are not in the mood. Sit down and start your draft even if you do not feel like it. If necessary, force yourself to write for just one hour. By the end of the hour, you may be far more engaged and motivated to continue. If not, at least you will have accomplished part of the task.
• “My instructor will tell me everything I need to revise.” If your instructor chooses to review drafts, the feedback can help you improve. However, it is still your job, not your instructor’s, to transform the draft to a final, polished piece. That task will be much easier if you give your best effort to the draft before submitting it. During revision, do not just go through and implement your instructor’s corrections. Take time to determine what you can change to make the work the best it can be.
• “I am a good writer, so I do not need to revise or edit.” Even talented writers still need to revise and edit their work. At the very least, doing so will help you catch an embarrassing typo or two. Revising and editing are the steps that make good writers into great writers.

For a more thorough explanation of the steps of the writing process as well as for specific techniques you can use for each step, see the next sections in this chapter.

The writing process also applies to timed writing tasks, such as essay exams. Before you begin writing, read the question thoroughly and think about the main points to include in your response. Use scrap paper to sketch out a very brief outline. Keep an eye on the clock as you write your response so you will have time to review it and make any needed changes before turning in your exam.

The Writing Textbook Copyright © 2021 by Josh Woods, editor and contributor, as well as an unnamed author (by request from the original publisher), and other authors named separately is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Process Of Writing: Three Steps For Effective Writing

Writing an effective, conversational, and engaging piece of content is no easy feat. Has it ever happened that you feel…

Writing an effective, conversational, and engaging piece of content is no easy feat. Has it ever happened that you feel ready to write, but all you do is stare at the blank screen for an hour?

It happens to most of us, including professional, experienced writers. Though you are completely in your creative zone coming up with innovative ideas, presenting adequate information in an organized format, and backing up your points with facts and research can become an uphill task sometimes.

And it doesn’t stop there. You also have to be careful about the choice of words, sentence structure, writing style, and spelling and grammar. What if there was a process you could follow for effective writing ? Well, you can!

While every writer follows a few writing rituals and a personally derived process of writing, these three basic steps always do the work: pre-writing, drafting, and editing.

Most writers know what they want to say. But by following this process, you will also learn how to convert your thoughts into compelling words.

Process of writing

1. pre-writing.

It is essential to have pre-writing skills to help you identify everything you need to do before you start writing.

Here’s what you need to do to build your pre-writing skills:

• Find your ideas: Ideas are everywhere. You can even get inspired by an everyday situation or a childhood memory. Alternatively, you can keep a notebook specifically to jot down your ideas as they pop up. Remember, your observation and imagination is the only limit to finding new inspiration.
• Work on your idea: The two most practical methods you can try out to develop your ideas are brainstorming and free writing. Free writing, as the name suggests, is writing every idea that comes to your mind. Just let your ideas flow. Don’t stop to revise or edit your mistakes.
• Brainstorm:  You can also try brainstorming. Visualize your narrative. Write down your ideas at the center of the page and work outwards in all directions. Think about the possibilities of how you can take your story into different directions.

Plan and structure: Once you find and brainstorm your ideas, bringing these ideas together comes next. Sort through your ideas and choose the one you want to use to create your content. Don’t rush to delete these notes as you may find inspiration for your next writing.

2. Drafting

The next step in the writing process steps is the time you are ready to sit down and write. Start using your pre-writing skills as a checklist and develop your content as you write. As you are writing, make sure you are using proper paragraph and sentence structures.

Explain your thoughts and ideas clearly so your readers can understand the message you are trying to convey. Use your research, facts, and details as corroborations to accomplish your goal. During the phase of drafting in the writing process, you should just focus on getting the content down. When you get to the editing phase, you can revise and edit your mistakes.

Once you completed the draft, take a short break before you sit down for editing the draft. In the editing process, you approach the content with fresh eyes and a clear mind. Start reading the content as if you are a reader or client.

Review the draft meticulously and check if you have managed to complete your checklist. Does your content maintain the logical flow? Does it achieve the desired goal? Also, check if the content follows the proper formatting, citation, and writing style to make it more engaging and readable.

Once you have gone through the content, edit, delete and rewrite what seems necessary. Check for transitions, choice of words, sentence and paragraph structure. Try to get a peer-review from your colleague or friend before you finalize the content.

Congrats! You have finished writing your content! Follow these writing process steps every time you write. And with regular practice, you will notice an improvement in your writing. The more you stick to these writing steps, the easier and quicker writing will be for you.

Effective writing has immense importance in every profession today and Harappa’s courses help you refine all your skills, including writing skills.

Explore topics such as the Importance of Writing Skills , English Writing Skills and Business Email Writing from our Harappa Diaries blog section to build your skills for workplace success.

The Writing Process

  The Writing Process Explained

Understanding the writing process provides a student with a straightforward step-by-step procedure that they can follow. It means they can replicate the process no matter what type of nonfiction text they are asked to produce.

In this article, we’ll look at the 5 step writing process that guides students from prewriting to submitting their polished work quickly and easily.

While explaining each stage of the process in detail, we’ll suggest some activities you can use with your students to help them successfully complete each stage. 

THE STAGES OF THE WRITING PROCESS

The five steps of the writing process are made up of the following stages:

• Pre-writing: In this stage, students brainstorm ideas, plan content, and gather the necessary information to ensure their thinking is organized logically.
• Drafting: Students construct ideas in basic sentences and paragraphs without getting caught up with perfection. It is in this stage that the pre-writing process becomes refined and shaped.
• Revising: This is where students revise their draft and make changes to improve the content, organization, and overall structure. Any obvious spelling and grammatical errors might also be improved at this stage.
• Editing: It is in this stage where students make the shift from improving the structure of their writing to focusing on enhancing the written quality of sentences and paragraphs through improving word choice, punctuation, and capitalization, and all spelling and grammatical errors are corrected. Ensure students know this is their final opportunity to alter their writing, which will play a significant role in the assessment process.
• Submitting / Publishing: Students can share their writing with the world, their teachers, friends, and family through various platforms and tools.

Be aware that this list is not a definitive linear process, and it may be advisable to revisit some of these steps in some cases as students learn the craft of writing over time.

Daily Quick Writes For All Text Types

Our FUN DAILY QUICK WRITE TASKS will teach your students the fundamentals of CREATIVE WRITING across all text types. Packed with 52 ENGAGING ACTIVITIES

STAGE ONE: THE WRITING PROCESS

GET READY TO WRITE

The prewriting stage covers anything the student does before they begin to draft their text. It includes many things such as thinking, brainstorming, discussing ideas with others, sketching outlines, gathering information through interviewing people, assessing data, and researching in the library and online.

The intention at the prewriting stage is to collect the raw material that will fuel the writing process. This involves the student doing 3 things:

• Understanding the conventions of the text type
• Gathering up facts, opinions, ideas, data, vocabulary, etc through research and discussion
• Organizing resources and planning out the writing process.

By the time students have finished the pre-writing stage, they will want to have completed at least one of these tasks depending upon the text type they are writing.

• Choose a topic: Ensure your students select a topic that is interesting and relevant to them.
• Brainstorm ideas: Once they have a topic, brainstorm and write their ideas down, considering what they already know about the topic and what they need to research further. Students might want to use brainstorming techniques such as mind mapping, free writing, or listing.
• Research: This one is crucial for informational and nonfiction writing. Students may need to research to gather more information and use reliable sources such as books, academic journals, and credible websites.
• Organize your ideas: This can be challenging for younger students, but once they have a collection of ideas and information, help them to organize them logically by creating an outline, using headings and subheadings, or grouping related ideas.
• Develop a thesis statement: This one is only for an academic research paper and should clearly state your paper’s main idea or argument. It should be specific and debatable.

Before beginning the research and planning parts of the process, the student must take some time to consider the demands of the text type or genre they are asked to write, as this will influence how they research and plan.

PREWRITING TEACHING ACTIVITY

As with any stage in the writing process, students will benefit immensely from seeing the teacher modelling activities to support that stage.

In this activity, you can model your approach to the prewriting stage for students to emulate. Eventually, they will develop their own specific approach, but for now, having a clear model to follow will serve them well.

Starting with an essay title written in the center of the whiteboard, brainstorm ideas as a class and write these ideas branching from the title to create a mind map. 

From there, you can help students identify areas for further research and help them to create graphic organizers to record their ideas.

Explain to the students that while idea generation is an integral part of the prewriting stage, generating ideas is also important throughout all the other stages of the writing process.

STAGE TWO: THE WRITING PROCESS

PUT YOUR IDEAS ON PAPER

Drafting is when the student begins to corral the unruly fruits of the prewriting stage into orderly sentences and paragraphs. 

When their writing is based on solid research and planning, it will be much easier for the student to manage. A poorly executed first stage can see pencils stuck at the starting line and persistent complaints of ‘writer’s block’ from the students.

However, do encourage your students not to get too attached to any ideas they may have generated in Stage 1. Writing is thinking too and your students need to leave room for their creativity to express itself at all stages of the process.

The most important thing about this stage is for the student to keep moving. A text is written word-by-word, much as a bricklayer builds a wall by laying brick upon brick. 

Instill in your students that they shouldn’t get too hung up on stuff like spelling and grammar in these early stages. 

Likewise, they shouldn’t overthink things. The trick here is to get the ideas down fast – everything else can be polished up later.

DRAFTING TEACHING ACTIVITY

As mentioned in the previous activity, writing is a very complex process and modeling goes a long way to helping ensure our students’ success. 

Sometimes our students do an excellent job in the prewriting stage with understanding the text purpose, the research, and the planning, only to fall flat when it comes to beginning to write an actual draft.

Often, students require some clear modeling by the teacher to help them transition effectively from Stage 1 to Stage 2. 

One way to do this for your class is to take the sketches, notes, and ideas one of the students has produced in Stage 1, and use them to model writing a draft. This can be done as a whole class shared writing activity.

Doing this will help your students understand how to take their raw material and connect their ideas and transition between them in the form of an essay.

STAGE THREE: THE WRITING PROCESS

POLISH YOUR THINKING

In Stage two, the emphasis for the student was on getting their ideas out quickly and onto the paper. 

Stage three focuses on refining the work completed earlier with the reader now firmly at the forefront of the writer’s mind.

To revise, the student needs to cast a critical eye over their work and ask themselves questions like:

• Would a reader be able to read this text and make sense of it all?
• Have I included enough detail to help the reader clearly visualize my subject?
• Is my writing concise and as accurate as possible?
• Are my ideas supported by evidence and written in a convincing manner?
• Have I written in a way that is suitable for my intended audience?
• Is it written in an interesting way?
• Are the connections between ideas made explicit?
• Does it fulfill the criteria of the specific text type?
• Is the text organized effectively?

The questions above represent the primary areas students should focus on at this stage of the writing process. 

Students shouldn’t slip over into editing/proofreading mode just yet. Let the more minor, surface-level imperfections wait until the next stage.

REVISING TEACHING ACTIVITY

When developing their understanding of the revising process, it can be extremely helpful for students to have a revision checklist to work from.

It’s also a great idea to develop the revision checklist as part of a discussion activity around what this stage of the writing process is about.

Things to look out for when revising include content, voice, general fluency, transitions, use of evidence, clarity and coherence, and word choice.

It can also be a good idea for students to partner up into pairs and go through each other’s work together. As the old saying goes, ‘two heads are better than one’ and, in the early days at least, this will help students to use each other as sounding boards when making decisions on the revision process.

STAGE FOUR: THE WRITING PROCESS

CHECK YOUR WRITING

Editing is not a different thing than writing, it is itself an essential part of the writing process.

During the editing stage, students should keep an eagle eye out for conventional mistakes such as double spacing between words, spelling errors, and grammar and punctuation mistakes. 

While there are inbuilt spelling and grammar checkers in many of the most popular word processing programs, it is worth creating opportunities for students to practice their editing skills without the crutch of such technology on occasion.

Students should also take a last look over the conventions of the text type they are writing. 

Are the relevant headings and subheadings in place? Are bold words and captions in the right place? Is there consistency across the fonts used? Have diagrams been labelled correctly?

Editing can be a demanding process. There are lots of moving parts in it, and it often helps students to break things down into smaller, more manageable chunks.

Focused edits allow the student the opportunity to have a separate read-through to edit for each of the different editing points.

For example, the first run-through might look at structural elements such as the specific structural conventions of the text type concerned. Subsequent run-throughs could look at capitalization, grammar, punctuation , the indenting of paragraphs, formatting, spelling, etc.

Sometimes students find it hard to gain the necessary perspective to edit their work well. They’re simply too close to it, and it can be difficult for them to see what is on the paper rather than see what they think they have put down.

One good way to help students gain the necessary distance from their work is to have the student read their work out loud as they edit it.

Reading their work out loud forces the student to slow down the reading process and it forces them to pay more attention to what’s written on the page, rather than what’s in their head. 

It’s always helpful to get feedback from someone else. If time permits, get your students to ask a friend or other teacher to review their work and provide feedback. They may catch errors or offer suggestions your students haven’t considered.

All this gives the student a little more valuable time to catch the mistakes and other flaws in their work.

WRITING CHECKLISTS FOR ALL TEXT TYPES

EDITING TEACHING ACTIVITY

Students must have a firm understanding of what they’re looking to correct in the editing process to edit effectively. One effective way to ensure this understanding is to have them compile an Editing Checklist for use when they’re engaged in the editing process.

The Editing Checklist can be compiled as a whole-class shared writing activity. The teacher can scribe the students’ suggestions for inclusion on the checklist onto the whiteboard. This can then be typed up and printed off by all the students.

A fun and productive use of the checklist is for the students to use it in ‘editing pairs’. 

Each student is assigned an editing partner during the editing stage of a writing task. Each student goes through their partner’s, work using the checklist as a guide, and then gives feedback to the other partner. The partner, in turn, uses the feedback in the final edit of their work.

STAGE FIVE: THE WRITING PROCESS

HAND IN YOUR WRITING

Now, it’s time for our students’ final part of the writing process. This is when they hand in their work to their teacher – aka you !

At this point, students should have one final reread of their work to ensure it’s as close to their intentions as possible, and then, finally, they can submit their work.

Giving the work over to an audience, whether that audience comes in the form of a teacher marking an assignment, publishing work in print or online, or making a presentation to classmates, can be daunting. It’s important that students learn to see the act of submitting their work as a positive thing.

Though this is the final stage of the writing process, students should be helped to see it for all it is. It is another step in the journey towards becoming a highly-skilled writer. It’s a further opportunity for the student to get valuable feedback on where their skills are currently at and a signpost to help them to improve their work in the future.

When the feedback comes, whether that’s in the form of teacher comments, grades, reviews, etc it should be absorbed by the student as a positive part of this improvement process. 

Submitting TEACHING Activity

This activity is as much for the teacher as it is for the student.

Sometimes, our students think of feedback as a passive thing. The teacher makes some comments either in writing or orally and the student listens and carries on largely as before. We must help our students to recognize feedback as an opportunity for growth.

Feedback should be seen as a dialogue that helps our students to take control of their own learning. 

For this to be the case, students need to engage with the feedback they’ve been given, to take constructive criticisms on board, and to use these as a springboard to take action. 

One way to help students to do this lies in the way we format our feedback to our students. A useful format in this vein is the simple 2 Stars and a Wish . This format involves giving feedback that notes two specific areas of the work that the student did well and one that needs improvement. This area for improvement will provide a clear focus for the student to improve in the future. This principle of constructive criticism should inform all feedback.

It’s also helpful to encourage students to process detailed feedback by noting specific areas to focus on. This will give them some concrete targets to improve their writing in the future.

VIDEO TUTORIAL ON THE WRITING PROCESS

And there we have it. A straightforward and replicable process for our students to follow to complete almost any writing task.

But, of course, the real writing process is the ongoing one whereby our students improve their writing skills sentence-by-sentence and word-by-word over a whole lifetime.

OTHER GREAT ARTICLES RELATED TO THE WRITING PROCESS

7 Evergreen Writing Activities for Elementary Students

Text Types and Different Styles of Writing: The Complete Guide

Top 5 Essay Writing Tips

7 ways to write great Characters and Settings | Story Elements

6 Simple Writing Lessons Students Will Love

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Home » Literacy Lines » Stages of the Writing Process

Stages of the Writing Process

Beginning in the 1960’s, Hayes and Flower (1980) researched the steps that proficient writers take in order to better understand how to teach writing. They initially developed a model of the writing process with three stages: planning , translating , and reviewing . Over the years, the model was informed by new research and modified to include four stages (Hayes, 1996, 2004): Pre-Writing, Text Production, Revising, Editing. Today, it is accepted practice that students be taught to follow the stages of the writing process when they write.

One of the Common Core anchor writing standards focuses on the writing process : Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach. The Institute of Education Sciences research guide Teaching Elementary School Students to Be Effective Writers (Graham et al., 2012) recommends teaching students to use the writing process for a variety of purposes, noting, “It is a process that requires that the writer think carefully about the purpose for writing, plan what to say, plan how to say it, and understand what the reader needs to know.” The report goes on to explain, “Writing is not a linear process, like following a recipe to bake a cake. It is flexible; writers should learn to move easily back and forth between components of the writing process, often altering their plans and revising their text along the way. Components of the writing process include planning, drafting, sharing, evaluating, revising, and editing.” (pp 12, 14)

Teaching the Stages of the Writing Process

Ten years ago I proposed a model for teaching the writing process that includes four stages: THINK , PLAN , WRITE , REVISE . The title of this model, T he P rocess W riting R outine , is designed to help students recall the stages of the writing process by linking the four stages to the first letters of the words in the title. The graphic below shows the four stages with details about the tasks associated with each stage. One of the modules in the Keys to Content Writing professional development course is focused on the stages of the writing process Click here to access a copy of this handout from the free resources section of the Keys to Literacy website.

As the IES guide notes, writers repeat and revisit the stages several times as they develop a piece of writing. For example, students may realize while they are writing a first draft of an informational piece that they need to go back to the THINK stage to gather more information about the topic. While revising the draft, they may determine that they need to go back to the PLAN stage to reorganize the content. The arrow serves as a reminder that writing stages are overlapping parts of a process that may be repeated multiple times as writing unfolds.

It is helpful to provide a visual reminder of the writing process to students such as displaying The Process Writing Routine in a classroom anchor chart, as a handout for students to keep in their notebooks, or as a digital resource file. The poster shown below is available from Keys to Literacy .

Too often, students assume the focus of their attention should be on writing. They do not spend sufficient time at the THINK and PLAN stages, or they skip them altogether. The amount of time spent on each stage will vary depending on the writing task, but a common recommendation is to spend 40% of the time reading, gathering ideas and information, and taking notes (THINK and PLAN); 20% of the time draft writing (WRITE); and 40% of the time rewriting and revising, including editing for conventions (REVISE). Students need to learn that in most cases, spending more time at the THINK and PLAN stages will produce a better writing draft and save time at the REVISE stage.

Introducing the Stages to Young Students

I have simplified the stages for young students in the primary grades, as shown below and addressed in one of the modules in the Keys to Early Writing professional development course. The more basic model combines the first two stages and includes visual cues. A copy of this graphic is available at the free resources section of the Keys to Literacy website.

Students in kindergarten and grade 1 may not be developmentally ready to formally revise their work and instead may focus their editing on adding more to their drawings, labels, phrases, or sentences. View the suggestions below for introducing young students to the stages of the writing process.

• Generating Ideas and Organizing: What do I want to say? How will I present what I want to say?
• Using Drawing and Words: How can I use drawings, words, and sentences to communicate what I want to say?
• Improving: Can I add more detail to my drawing or words?

Teaching Students Strategies for Each Stage of the Writing Process

Research consistently confirms that teaching strategies to students for planning, revising, and editing their writing pieces can have a dramatic effect on the quality of their writing (Graham & Perin, 2007; Graham et al., 2012; Graham et al., 2017). Strategy instruction involves explicitly teaching generic processes such as peer collaboration or note taking, or strategies for accomplishing specific types of writing tasks such as writing a summary or a story. Some strategies incorporate a scaffold such as a graphic organizer or a writing template. The following earlier blog posts provide instructional suggestions for writing strategies:

• Teaching Text Structure to Support Writing and Comprehension
• The Might Paragraph
• Teaching Handwriting
• The Power of Transition Words
• Syntactic Awareness: Teaching Sentence Structure Part 1
• Syntactic Awareness: Teaching Sentence Structure Part 2
• Explicit Instruction of Note Taking Skills
• Patterns of Organization

RELATED RESOURCES

• Vide o: Teach Students to Use the Writing Process for a Variety of Purposes (Institute of Education Sciences)
• The Writing Process (University of Kansas Writing Center)
• Stages of the Writing Process (Purdue Online Writing Lab)
• Graham, S., Bollinger, A., Booth Olson, C., D’Aoust, C., MacArthur, C., McCutchen, D., & Olinghouse, N. (2012). Teaching elementary school students to be effective writers: A practice guide (NCEE 2012- 4058). Washington, DC: National Center for Education Evaluation and Regional Assistance, Insti­tute of Education Sciences, U.S. Department of Education.
• Graham, S., Bruch, J., Fitzgerald, J., Friedrich, L., Furgeson, J., Greene, K., Kim, J., Lyskawa, J., Olson, C.B., & Smither Wulsin, C. (2016). Teaching secondary students to write effectively (NCEE 2017-4002). Washington, DC: National Center for Education Evaluation and Regional Assistance (NCEE), Institute of Education Sciences, U.S. Department of Education.
• Graham, S., & Perin, D. (2007). Writing next: Effective strategies to improve the writing of adolescents in middle and high schools – A report to Carnegie Corporation of New York. Washington, DC: Alliance for  Excellent Education.
• Sedita, J. (2020). Keys to Early Writin g. Rowley, MA: Keys to Literacy.
• Sedita, J. (2020). Keys to Content Writing. Rowley, MA: Keys to Literacy.
• Joan Sedita

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