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Essays on Iron Man

The importance of writing an essay on iron man.

Iron Man is one of the most iconic and beloved superheroes in the Marvel Universe. Writing an essay on Iron Man not only allows you to explore the character's history and impact on popular culture, but also provides an opportunity to analyze his complex personality and the themes present in his stories.

When writing an essay on Iron Man, it's important to consider the following tips:

• Research: Take the time to thoroughly research Iron Man's origins, character development, and key storylines. This will provide you with a well-rounded understanding of the character and his significance.
• Analysis: Dive deep into Iron Man's personality, motivations, and relationships with other characters. Consider how his actions and decisions reflect larger themes and issues.
• Context: Place Iron Man within the context of the Marvel Universe and the broader cultural landscape. How does he compare to other superheroes? What impact has he had on the superhero genre?
• Critical Thinking: Offer your own critical insights and interpretations of Iron Man's character and stories. Don't be afraid to challenge existing interpretations or provide a fresh perspective.
• Clarity and Structure: Ensure that your essay has a clear and logical structure, with a strong , well-developed body paragraphs, and a compelling . Use evidence from the comics and other sources to support your arguments.

By writing an essay on Iron Man, you can engage with a character that has captivated audiences for decades and has become a symbol of resilience, innovation, and heroism. Whether you're a fan of the comics, the movies, or both, exploring Iron Man in an essay allows you to delve into the complexities of this beloved superhero.

The Evolution of Iron Man: From Comics to the Big Screen Iron Man is one of the most iconic and beloved superheroes in the Marvel universe. Created by writer and editor Stan Lee, along with artist Larry Lieber and designed by artists Don Heck and Jack Kirby, Iron Man made his first appearance in Tales of Suspense #39 in 1963. Since then, the character has undergone numerous changes and developments, both in the comics and in various media adaptations, including the blockbuster film franchise starring Robert Downey Jr. This essay will explore the evolution of Iron Man from his early comic book appearances to his modern-day portrayal in the Marvel Cinematic Universe.

The Psychology of Tony Stark: Behind the Mask of Iron Man Tony Stark, the man behind the Iron Man suit, is a complex and fascinating character. A genius inventor and billionaire playboy, Stark is also a deeply flawed and troubled individual. Throughout the comics and films, Stark struggles with issues of guilt, addiction, and the burden of his responsibilities as a superhero. This essay will delve into the psychology of Tony Stark, examining the motivations and inner turmoil that drive his actions as both a hero and a man.

Iron Man and the Military-Industrial Complex: A Critical Analysis One of the defining aspects of Iron Man's character is his connection to the military-industrial complex. As a weapons manufacturer turned superhero, Stark's story raises important questions about the role of technology and warfare in the modern world. This essay will explore the themes of militarism and corporate ethics in Iron Man's narrative, examining how the character's arc reflects broader societal issues surrounding war, capitalism, and the arms trade.

Iron Man and the Ethics of Superheroism Superheroes are often held up as paragons of moral virtue, but Iron Man challenges this notion in compelling ways. Throughout his history, Tony Stark has grappled with questions of morality, accountability, and the consequences of his actions as a superhero. This essay will analyze the ethical dilemmas faced by Iron Man, exploring how the character's choices and decisions resonate with larger discussions about the responsibilities of those with power and privilege.

Iron Man and the Legacy of Robert Downey Jr. Since his debut in the Marvel Cinematic Universe, Robert Downey Jr.'s portrayal of Tony Stark/Iron Man has become synonymous with the character. Downey's charismatic and nuanced performance has left an indelible mark on the superhero genre, and his departure from the role in Avengers: Endgame has sparked discussions about the future of Iron Man in the MCU. This essay will examine the impact of Downey's portrayal on the character and the broader cultural significance of his tenure as Iron Man.

Iron Man's Influence on Science and Technology Tony Stark's technological prowess and inventive genius have inspired real-world innovations in the fields of engineering, robotics, and artificial intelligence. This essay will explore the ways in which Iron Man has shaped public perceptions of technology and its potential for both good and harm, as well as the real-world impact of the character's influence on scientific research and development.

Iron Man and the Concept of Identity The concept of identity is a recurring theme in Iron Man's narrative, as Tony Stark grapples with questions of self-discovery, personal growth, and the nature of heroism. This essay will examine the ways in which the character's journey reflects universal struggles with identity and self-actualization, as well as the ways in which Iron Man's story has resonated with audiences as a metaphor for the human experience.

Iron Man and the Myth of the Superhero As one of Marvel's most iconic and enduring characters, Iron Man has become an emblem of the superhero mythos. This essay will explore the ways in which the character's story embodies timeless themes of heroism, redemption, and the struggle for justice, as well as the ways in which Iron Man's narrative challenges and subverts traditional superhero tropes.

Iron Man in the Context of the Marvel Universe Iron Man's interactions with other Marvel characters and storylines have played a significant role in shaping the larger Marvel universe. This essay will examine the character's impact on key events and crossover story arcs, as well as the ways in which Iron Man's relationships with other superheroes and villains have influenced the broader continuity of the Marvel comics and films.

Iron Man and the Legacy of Stan Lee As one of Stan Lee's most enduring creations, Iron Man stands as a testament to the late comic book legend's creativity and vision. This essay will explore the character's legacy within the larger framework of Lee's contributions to the Marvel universe, as well as the ways in which Iron Man continues to embody the spirit of innovation and imagination that defined Lee's legendary career.

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Iron Man (Tony Stark)

The character of Iron Man is played by Robert Downey Jr. This character is present in comic books and different animated television shows as well as direct-to video films. However, Tony Stark is not simply Tony Stark, except when he is played by a person who will relapse at any particular time. Additionally, the Iron Man story as narrated in the Downy Jr. films is now the definitive take on the character, that is, in Iron Man 1, 2 and 3 and in The Avengers. It has been argued that for a comic book character who has been present for more than 50 years, it appears not fair to delete half a century of history in favor of something that is hardly 5 years old. However, this is the power of a hugely widespread film franchise. Consequently, if the films are the first experience with the character, people expect everything they believe about the Iron Man story to be to be correct and applicable to other recapitulations of the character. Downey Jr.’s films have turned out to be faithful to the comic books as compared to other superhero franchises. However, there are still some differences, ranging from main to minor storylines that the film seems not to have yet (Duncan & Smith, 2013).

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One example of such discrepancy would be disclosing the identity of Iron Man in the film. Super heroes tend to have a secret identity, and they appear to have an obsession with it as they frequently die and come back to life. Therefore, to a dilettante, it was quite stunning when Iron Man cliff annoyed its audience by having Tony Stark step in front of a platform and proclaim in front of national television viewers that he was the Iron Man. The usual super heroes do not willingly disclose their identities to any person, let alone the whole world. However, before Stark goes on the stage, he is heard telling Terrence Howard, who is playing the version of James Rhodes, that he does not think he is not really sold on the story they had created, where he would allege that Iron Man was simply his body guard. In the comics, there was a crafty reference to the fact that till 2003, as far as the comic books’ world, Iron Man was the body guard and a corporate symbol of Tony Stark. This involved many storylines in which certain bad things would happen, which would be the mistake of Iron Man, either collateral damage or deliberate evil-doings as a result of being influenced by a bad person (Duncan & Smith, 2013). However, Stark was free to whore his way through Eastern Europe as far as the government of the United States was concerned, as they did not have any clue that he and Iron Man were the same person. Ultimately, people close to Stark such as Pepper Potts would know his secret, but this was not disclosed to the world. When Stark finally let out his secret, the President of the United States appointed him to be the Secretary of Defense. As would be anticipated, Iron Man resigned from that job one year later. Iron Man 2 has a joking reference to this unfolding story, when Stark is called before the Armed Services Committee. He answers to a proposal from Don Cheadle version of Rhodes that Iron Man should be folded into the existing chain of military command with the phrase, ‘I am not a joiner, but I will consider Secretary of Defense… if ask nice’ (White, 2010).

Another difference between the Iron Man movie and the cone from the comic books is the character of Pepper Potter being able to become a cyborg, who is capable of flying and possesses her own Iron Man armor suit. Pepper’s basic super power in the Iron Man films to the present day has been mainly described as “sass with a side of Olympic –grade eye –rolling”. She is seen to be running across a glass surface when putting on high-heels without getting hurt or falling as the Iron Man movie comes to an end. In Iron Man 3, Pepper is shown at a certain point putting on the Iron Man armor. In the comic, Pepper is a straight super-hero on her own. During the time when the first Iron Man film was being released, the comics had Pepper at near death by Stark’s enemy who saves her in the similar manner he saved himself, that is, providing her with a new electronic chest implant. He also provides her with extra cybernetic enhancements which make her more cyborg than human. Stark also constructs a special set of armor for her, which she gives the name Rescue and regularly uses in doing superhero things. Then the computer program which controls Rescue falls in love with her, making it get very complex. However, prior to that robot-on-woman act, Pepper is a suitable superhero. Pepper’s eventuality in one of the suits of Iron Man in Iron Man 3 is seemingly a tribute to Rescue (Duncan & Smith, 2013).

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In the film, Stark has an interconnected computer program with which he is able to make interactions with. This is because he removed the heart of Alfred and put it in the machine. He names it J.A.R.V.I.S. and utilizes it in controlling the Iron Man suit armor, and also as a friend who he can have a conversation with when he is lonely. In the comics, Edwin Jarvis is one of the many friends that Stark has; he plays the role of his butler and serves Stark with loyalty, especially after the death of his parents and after Stark’s transformation into Iron Man. The personality of J.A.R.V.I.S. in the film is demonstrated after Jarvis’s character in the comics. However, the idea of the presence of a computer program with a ghostly voice, which is making interactions with Stark instead of an actual being, is created in the films. Therefore, the comic books incorporated the automated version of J.A.R.V.I.S. into the Rescue armor of Pepper, which she is able to control through conversations with J.A.R.V.I.S. in a manner in which Downey Jr. does in the films. Other films, such as The Avengers and other animated series, have incorporated the film version of J.A.R.V.I.S. into their own form of Iron Man (DiMare, 2011).

In the comics, many people had gained access to Stark’s armor designs, which prompted him into figuring out a way out to bring to an end to the misuse of his armor technology. Stark came up with a way of disabling the armors of any other person who used technology on the basis of his design. Stark even disabled SHIELD armors, which were referred to as Mandroids, which he had created for their application, and which made governments pursue Iron Man as an enemy and a danger to the society. Tony avoided to be captured through deceiving them into believing that Iron Man had become rascal. He finally fakes the death of the rascal Iron Man and then comes back to action in the new Iron Man armor, alleging to be a completely different individual behind the mask. For example, in the Golden Avenger, Stark developed a gold-colored type of armor with an array of improvements to the original armor for the purpose of making the armor less scary to the general public (White, 2010). This new armor had a technology that enabled it to be folded up and kept in his briefcase during its inactive period. The chest line had been streamlined to allow it be worn under normal cloths to make it less visible. It also had a metallic exterior to ensure that it provided similar protection as the previous suit did. The original armor was gray and had a chest plate that was built around to protect him. The armor would protect him from physical attacks, certain energy forms, and excessive temperatures, among others. All the devices of the armor used to be controlled manually, and Stark built the golden armor to supplement the defects of this original armor (Thomas, 2011).

In the movies, the intelligence of Tony Stark enables him to be in a position of upgrading his armor designs frequently. He has recently injected himself with Extremis technology virus with the aim of saving his life. As a result, the inner layers of his suit became capable of being stored in the hollows of his bones, and he also became capable of controlling the suit using his mind by use of direct brain impulses. He is also able to make connections remotely to any communication instruments such as computers all over the world. Stark also became able to generate organs because of the enhancement. Extremis enabled Stark to interface with his armor in a quicker and more efficient way, leading thereby to dramatic increment of his response time. When he does not have his armor, Stark is regarded as being above the peak person and displays superhuman level of strength, speed, and reflexes. The abilities of Iron Man are also changing frequently due to his constant technological enhancements of the armors. Generally, he possesses super strength because of the make of his armor. The precise amount of his strengths is not known, but it appears that he is in a position of lifting and pressing more than 100 tons. His armor is also very durable and able to endure a lot of punishment. Stark’s armor has a muscularly designed matrix of crystallized iron improved with magnetic fields on top of layers of other metals like titanium. This gives him the ability to endure high caliber bullets easily. The armor also helps the Iron Man in flying at high speeds because of the rocked driven boots (Thomas, 2011).

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Another difference between the Iron Man in the comics and in the movies is that the comics show Obadiah Stane as being not a close friend to Stark who even tries to seize him by using physical attacks and dirty deceits. The movie version of Iron Man depicts Stane as a close friend of Stark’s parents who even assisted in bringing up Stark. Also, the film has adopted a romantic chemistry between Stark and Pepper. This chemistry is developed in the first and the second films prior to their starting a relationship when Iron Man 2 is coming to an end. The comics, however, depict Pepper as romantically admiring Stark from a distance, and she falls for Stark’s assistant and chauffer, Hogan, who she gets married to.

This way, Tony Stark has developed a range of armors that he uses as Iron Man. The way they appear and their abilities continue to evolve as Stark upgrades his technology, both in the film and in the comics. His constant change of technology in his armors is effective in upgrading his protection in both the comics and the film. For example, in the movies, the intelligence of Tony Stark enables him to be in a position of upgrading his armor designs frequently. He has also injected himself with Extremis technology virus with the aim of saving his life. In the comics, he upgraded from the gray armor to the golden armor, which helped him to avoid scaring the public and also disclose his armor by putting it on top of the normal cloths he would be wearing. In both the film and the comics, Stark’s armor is also very durable and able to endure a lot of punishment. The armor also helps the Iron Man in flying at high speed because of the rocket driven boots.

There are, however, several differences between the comic Iron Man and the film Iron Man. For instance, in the comics, Stark discloses his identity as the Iron Man in front of the whole world as he made his announcement in front of a national television. In the comics, however, Stark discloses his identity but later; his close friends discover his secret. He later discloses his secret, and the President makes him the Secretary of Defense. In the film, Stark interacts with an interconnected computer program called J.A.R.V.I.S., and he utilizes it in controlling the Iron Man suit armor and also as a friend who he can have a conversation with when he is lonely. In the comics, Edwin Jarvis is one of the many friends that Stark has and plays the role of his butler who serves Stark with loyalty. Another difference between the Iron Man movie and the cone from the comic books is the character of Pepper Potter being able to become a cyborg who is capable of flying and possesses her own Iron Man armor suit. The relationship between Stark and Pepper is also another difference in the comics and the film, with the films depicting them as being romantically involved while the comics showed Pepper married to the chauffer of Stark. The character of Iron Man has, therefore, been played in many comic films and has also been re-established in movies. Downey Jr.’s films have turned out to be faithful to the comic books as compared to other superhero franchises. However, there are still some differences, ranging from main to minor storylines that the film seems not to have yet as they have been discussed and illustrated above.

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Iron Man : The science behind the fiction

By Rowan Hooper and Celeste Biever

A couple of things make Iron Man different to your regular comic-book superhero movie.

First, there is the hero himself, Tony Stark, a scientific genius who for once is not the timid or bespectacled geek we are used to in Hollywood, but is charismatic, confident, and a hit with the ladies.

Stark is played by Robert Downey Jr, and we think he deserves to go in any list of the top 10 coolest fictional scientists

But it is the technology that Stark uses to turn himself into Iron Man that gets us going. The tech in the movie is probably more firmly rooted in reality than you might think – unless, that is, you are a regular New Scientist reader.

We have spotted at least five classes of tech in the movie that we have written about before. So, for those keen to find more about the real science behind the fictional Iron Man, read on…

Superhero skin

Stark is a brilliant engineer who has made billions from building weapons. Kidnapped in Afghanistan, he questions his life, and resolves to put his genius to better use: to protecting rather than destroying. To that end, he builds himself a suit of armour that gives him superhuman powers. Watch a short excerpt from the film showing the suit’s capabilities

No such suit exists – yet. The leg sections of a wearable exoskeleton have been built, however.

This contraption does not yet give the wearer added strength, but it does make the backpack they are carrying feel lighter, by transferring its weight to the ground. This can makes a 36-kilogram (79-pound) load feel about 80% lighter. Other teams are building similar suits , and a Japanese company plans to sell one later this year .

Flying machines

Of course, the coolest thing about Stark’s suit is not its strength but its ability to fly. In the film, Stark zooms to Afghanistan, just in the nick of time to stop warlords killing a group of poor villagers.

It couldn’t reach Afghanistan, perhaps, but SoloTrek was a flying exoskeleton that was apparently capable of travelling more than 200 kilometres. (The project shut down after a crash in 2002.)

Danger and possible financial ruin hasn’t put everyone off . UK inventor and pilot Stuart Ross reckons his Rocketbelt packs enough power to lift him 2500 metres in the air and plans to test fly the latest model this year.

Friendly bots

In the movie, Stark has a friendly robot to help him build his armour. It looks too clever to be true, but in fact it is highly reminiscent of AUR . Built last year by MIT scientists, AUR is a robotic desk lamp that calculates where you are looking and moves its flexible neck to shine light on that spot.

And while Stark’s robotic helper doesn’t always correctly guess what he wants, as real-world software grows evermore sophisticated, it too is making the same mistakes humans do .

In the great tradition of robots in movies, Stark forms emotional bonds with his. At one point, his assistant Pepper (Gwyneth Paltrow) catches him in what looks like a compromising position with his robots (“Let’s face it, this isn’t the worst thing you’ve walked in on me doing,” says Stark).

Will humans and robots ever have relationships like this? It’s certainly something NASA is trying to figure out. Should robots be better tools or better teammates ?

Owners of the robotic vacuum cleaner Roomba seem to think the latter, treating the machine more like part of the family than a tool .

Cunning computing

Moving from robots to software, when Pepper sees a video clip sent by terrorists who have captured Stark, she uses nifty real-time translation program to understand their demands.

The most fashionable way for software right now to learn how to translate is for it to scan through thousands of previously translated documents. But the approach doesn’t always work , with sometimes unfortunate results .

This is just some of the tech used in Iron Man that is rooted in reality. Others include a 3D tactile interface that Stark uses to design his armour, targeting software that homes in on human heads, and the problem of ice formation when flying .

For the scoop on technology that will no doubt feature in the sequel to Iron Man – you know where to look.

Watch a short excerpt from the film showing the suit’s capabilities

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When I caught up with "Iron Man," a broken hip had delayed me and the movie had already been playing for three weeks. What I heard during that time was that a lot of people loved it, that they were surprised to love it so much, and that Robert Downey Jr.'s performance was special. Apart from that, all I knew was that the movie was about a big iron man. I didn't even know that a human occupied it, and halfway thought that the Downey character's brain had been transplanted into a robot, or a fate equally weird.

Yes, I knew I was looking at sets and special effects--but I'm referring to the reality of the illusion, if that make any sense. With many superhero movies, all you get is the surface of the illusion. With "Iron Man," you get a glimpse into the depths. You get the feeling, for example, of a functioning corporation. Consider the characters of Pepper Potts ( Gwyneth Paltrow ), Stark's loyal aide, and Obadiah Stane ( Jeff Bridges ), Stark's business partner. They don't feel drummed up for the occasion. They seem to have worked together for awhile.

Much of that feeling is created by the chemistry involving Downey, Paltrow and Bridges. They have relationships that seem fully-formed and resilient enough to last through the whole movie, even if plot mechanics were not about to take them to another level. Between the two men, there are echoes of the relationship between Howard Hughes and Noah Dietrich in Scorsese's " The Aviator " (2004). Obadiah Stane doesn't come onscreen waving flags and winking at the camera to announce he is the villain; he seems adequately explained simply as the voice of reason at Stark's press conference. (Why did "Stark," during that scene, make me think of "staring mad?"). Between Stark and Pepper, there's that classic screen tension between "friends" who know they can potentially become lovers.

Downey's performance is intriguing, and unexpected. He doesn't behave like most superheroes: he lacks the psychic weight and gravitas. Tony Stark is created from the persona Downey has fashioned through many movies: irreverent, quirky, self-deprecating, wise-cracking. The fact that Downey is allowed to think and talk the way he does while wearing all that hardware represents a bold decision by the director, Jon Favreau . If he hadn't desired that, he probably wouldn't have hired Downey. So comfortable is Downey with Tony Stark's dialogue, so familiar does it sound coming from him, that the screenplay seems almost to have been dictated by Downey's persona.

There are some things that some actors can safely say onscreen, and other things they can't. The Robert Downey Jr. persona would find it difficult to get away with weighty, profound statements (in an "entertainment," anyway--a more serious film like " Zodiac " is another matter). Some superheroes speak in a kind of heightened, semi-formal prose, as if dictating to Bartlett's Familiar Quotations. Not Tony Stark. He could talk that way and be Juno's uncle. "Iron Man" doesn't seem to know how seriously most superhero movies take themselves. If there is wit in the dialog, the superhero is often supposed to be unaware of it. If there is broad humor, it usually belongs to the villain. What happens in "Iron Man," however, is that sometimes we wonder how seriously even Stark takes it. He's flippant in the face of disaster, casual on the brink of ruin.

It's prudent, I think, that Favreau positions the rest of the characters in a more serious vein. The supporting cast wisely does not try to one-up him. Gwyneth Paltrow plays Pepper Potts as a woman who is seriously concerned that this goofball will kill himself. Jeff Bridges makes Obadiah Stane one of the great superhero villains by seeming plausibly concerned about the stock price. Terrence Howard , as Col. Rhodes, is at every moment a conventional straight arrow. What a horror show it would have been if they were all tuned to Tony Stark's sardonic wave length. We'd be back in the world of " Swingers " (1996) which was written by Favreau.

Another of the film's novelties is that the enemy is not a conspiracy or spy organization. It is instead the reality in our own world today: Armaments are escalating beyond the ability to control them. In most movies in this genre, the goal would be to create bigger and better weapons. How unique that Tony Stark wants to disarm. It makes him a superhero who can think, reason and draw moral conclusions, instead of one who recites platitudes.

The movie is largely founded on its special effects. When somebody isn’t talking, something is banging, clanging or laying rubber. The armored robotic suits utilized by Tony and Obadiah would upstage lesser actors than Downey and Bridges; it's surprising how much those two giant iron men seem to reflect the personalities of the men inside them. Everything they do is preposterous, of course, but they seem to be doing it, not the suits. Some of their moments have real grandeur--as when Tony tests his suit to see how high it will fly, and it finally falls back toward earth in a sequence that reminded me of a similar challenge in " The Right Stuff ." The art direction is inspired by the original Marvel artists. The movie doesn't reproduce the drawings of Jack Kirby and others, but it reproduces their feeling, a vision of out-scale enormity, seamless sleekness, secret laboratories made not of nuts and bolts but of...vistas.

A lot of big budget f/x epics seem to abandon their stories with half an hour to go, and just throw effects at the audience. This one has a plot so ingenious it continues to function no matter how loud the impacts, how enormous the explosions. It’s an inspiration to provide Tony with that heart-saving device; he’s vulnerable not simply because Obadiah might destroy him, but because he might simply run out of juice.

That leaves us, however, with a fundamental question at the bottom of the story: Why must the ultimate weapon be humanoid in appearance? Why must it have two arms and two legs, and why does it matter if its face is scowling? In the real-world competitions between fighting machines, all the elements of design are based entirely on questions of how well they allow the machines to attack, defend, recover, stay upright, and overturn their enemies. It is irrelevant whether they have conventional eyes, or whether those eyes narrow. Nor does it matter whether they have noses, because their oxygen supply is obviously not obtained by breathing.

The solution to such dilemmas is that the armored suits look the way they do for entirely cinematic reasons. The bad iron man should look like a mean machine. The good iron man should utilize the racing colors of Tony Stark's favorite sports cars. It wouldn't be nearly as much fun to see a fight scene between two refrigerators crossed with the leftovers from a boiler room.

At the end of the day it 's Robert Downey Jr. who powers the lift-off separating this from most other superhero movies. You hire an actor for his strengths, and Downey would not be strong as a one-dimensional mighty-man. He is strong because he is smart, quick and funny, and because we sense his public persona masks deep private wounds. By building on that, Favreau found his movie, and it's a good one.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Iron Man (2008)

Rated PG-13 for some intense sequences of sci-fi action and violence, and brief suggestive content

126 minutes

Robert Downey Jr. as Tony Stark

Terrence Howard as Rhodey

Jeff Bridges as Obadiah Stane

Gwyneth Paltrow as Pepper Potts

Directed by

• Jon Favreau

Screenplay by

• Mark Fergus
• Matt Holloway

Based on characters by

• Larry Lieber

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How Iron Man launched the MCU and remade Hollywood

15 years ago this month, long before marvel became the behemoth it is today, a few passionate people brought an unconventional superhero to the big screen.

Marvel Studios’ first solo film, Iron Man , boldly launched the Marvel Cinematic Universe on May 2, 2008. The $200 million production would go on to gross $585 million worldwide and $200 million more on domestic home video sales. The two-hour epic boosted the careers of two of its stars, solidified its director’s cred, and proved that a superhero slugfest could be equally thought-provoking, somewhat plugged into world affairs, and quicken one’s pulse. Critics embraced the film, it landed two Oscar nominations, and last year it was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”

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But when it was being made, many inside Marvel Studios didn’t think it would fly.

“First of all, not too many people were thinking Iron Man was going to have an opening weekend or do much of anything, so we were a little bit left alone,” Downey recalled of the production process during a DGA screening and Q&A in late 2022. “I find out more every day about how that thing was financed. It was basically ready to be written off if it tanked.” He added, “It was the perfect thing where there were not a lot of creatively aggressive eyes on us. And by the time they gave it to us, it was like [artist-owned movie studio] United Artists, like the lunatics took over the asylum.”

The creation of Iron Man sounds like it was controlled chaos. And it’s a little bizarre to look back and think the company that unleashed the popular, armor-clad hero on the world lacked confidence in Ol’ Shellhead’s ability to generate box office revenue. They even had the effects genius of companies like ILM and Stan Winston Studio behind them.

In retrospect, however, the modern superhero movie revolution had not quite kicked into high gear. Since its inception in 1993 (first as Marvel Films), Marvel Studios had been licensing out their well-known properties: Blade to New Line Cinema; X-Men, Daredevil, and Fantastic Four to Fox; and Spider-Man and Ghost Rider to Sony. Most were moderate to big hits, but as sequel budgets increased, box office receipts were not swelling accordingly. (On the DC side, Batman Begins fared well financially but Catwoman bombed and Superman Returns disappointed.)

Fighting for Downey

When director Jon Favreau joined the production in 2006, he had scored a big hit with the Will Ferrell holiday comedy Elf . As Marvel Studios president Kevin Feige has recalled, despite being a talented actor and filmmaker, Favreau was not yet the film and TV powerhouse he is today. But Favreau understood character and comedy, two key ingredients to the success of the film. He had appeared as Foggy Nelson in the ill-fated big-screen adaptation of Daredevil , the theatrical cut for which suffered from the removal of many key character scenes featuring him (among other things). He no doubt learned from that error in judgment.

Favreau originally had wanted to cast a lesser-known actor in the titular role of Iron Man, but then it dawned on him that he knew the perfect person for the gig: Robert Downey Jr. The suits at Marvel pushed back against his top pick. While Downey had done a series of critically acclaimed films following his two-year stint in jail on drug and weapons charges, he was not the box office draw he once was. But he had been sober since 2003, and the director fought hard to get his star—whose selection was also supported by co-star Terrence Howard, who played Stark’s close friend and Air Force liaison James “Rhodey” Rhodes—and he ultimately won.

“Everybody knew he was talented,” Favreau told Texas radio station Jack 100.3 back in 2014. “Certainly by studying the Iron Man role and developing that script I realized that the character seemed to line up with Robert in all the good and bad ways. And the story of Iron Man was really the story of Robert’s career.”

It translated for a celebrity addict who battled his demons and won to play a freewheeling arms merchant who had to face down the malevolent consequences of his actions. The opening scene of the movie showcases Tony Stark sipping what looks like bourbon while riding in a “Funvee” with starstruck soldiers following the Jericho missile demonstration to top military brass. Indeed, the opening scenes highlighted a playboy and brilliant scientist who was out of control with women, booze, and zero accountability for the weapons his company sold globally. But after being attacked and kidnapped by Afghan terrorists, who used his own missiles against him and demanded he build a Jericho for them, Stark learned that enemies of world peace, including his treacherous business partner Obadiah Stane (Jeff Bridges), lay within his own country’s borders. He was contributing to the madness, and his decision to change his ways and reform his corporate model later led to a showdown with the greedy, vindictive Stane as Iron Monger.

“A $200 million student film”

The story may seem solid now, but during production reportedly much of the original script—first version by Art Marcum and Matt Holloway, with a new version written by Mark Fergus and Hawk Ostby—had been tossed out. The story about rewriting while filming proceeded gets muddled. Bridges groused both during the original press junket and in recent interviews that new lines were being written every day. It certainly took a village.

“It drove me absolutely crazy until I made a slight adjustment in my brain,” Bridges told Vanity Fair last year, “and that adjustment was, ‘Jeff, just relax. You’re making a $200 million student film. Just relax and have fun.’ And that kind of did the trick because here I get to play with these two incredible artists and just jam, and that’s what we ended up doing.”

Favreau, Downey, and co-star Gwenyth Paltrow (playing Stark’s personal assistant and love interest Pepper Potts) have acknowledged that some improvisation occurred on set. There was a lot of scripted material as well. But let’s face it, Downey’s biggest improv line of the film—when Stark admits at the end that “I am Iron Man”—completely changed the trajectory of the series and the MCU.

In terms of Bridges’ “student film” comment, Feige acknowledged to Vanity Fair in 2017 that “Marvel didn’t have money on the line. They would have lost the film rights to some of the characters, but it was sort of a great experiment. People forget Iron Man was an independent movie. I had to do a lot. I pitched that movie dozens of times to foreign buyers because we had to get, I don’t remember exactly what the percentage was, but a large percentage of financing it from selling it, pre-selling the foreign. We had a completion bond company.” (They also landed Paramount as the distributor.)

The gamble paid off. Focusing on Southern California locales as opposed to the common New York spots in many other Marvel adaptations, Iron Man was hipper than many other superhero films had been and at times more layered. Tony Stark was a complicated and contradictory character: brilliant and visionary yet also cocky and narcissistic. He listened to Suicidal Tendencies, Ghostface Killah, and AC/DC (who had a big comeback that year which would soon be mirrored by Downey). He treated women as playthings but cared deeply for Pepper Potts. He liked to party it up but could also quote Machiavelli. He claimed to create WMDs to ensure peace, then when he decided that Stark Industries should stop making them he turned himself into a high-powered weapon. (The politics of the film itself are contradictory to many as well, but that’s a whole other discussion.)

Iron Man was also loaded with Easter eggs. There were references to James Bond’s Goldfinger , specific Jackson Pollock art, future Iron Man ally War Machine, a cameo from Rage Against The Machine guitarist Tom Morello, and the first of many Stan Lee cameos to come. Favreau surreptitiously played Stark’s head of security Happy Hogan, taking on a bigger role in later films. Plus, there was the post-credits Nick Fury stinger that let audiences know Marvel had plans to build up to something greater with the Avengers Initiative.

Fan-first filmmaking

During the film’s NYC junket in April 2008, it was clear that Favreau and Downey were the driving creative forces here and were passionate about the material. When one reporter had brought in the Iron Man issue with the famous “Demon In A Bottle” cover , Downey teased, “You must be loving that.” Then during that roundtable, he began to thumb through that copy while answering someone else’s question. It should be noted that the star said he had a palette of Iron Man comics delivered to him during the making of the first movie to better learn the character and mythos.

Downey also told journalists that day that he battled with some suits over their ideas by saying, “Tony Stark faithful to the fans is the best Tony Stark there will ever be. I just like this idea where there’s so much reference, and then you get new people involved, and they go, ‘We don’t need to look at those comic books. The action sequence with the F-22s ...’ I’m like, ‘Wait! Whoa! Hi guys, really smart people and talented artists spent 45 years on this. Don’t you think we can give this 45 minutes? Don’t we have to?’ Artistic license sometimes is the license to not realize that what you need is already there.”

When Favreau saw the “Demon In A Bottle” issue at the junket, he endearingly remarked, “That’s awesome. Oddly, if you sign that, the value goes down. I had Stan Lee sign one. You’re not supposed to sign those things. I did it anyway. I don’t care. I’m going to sell it. Can I see it? Can I pull it out of here? My hands are clean!”

The enthusiastic reception to press screenings and the junket easily stoked the creative talent behind the film. When asked if alcoholism might play a factor in the next Iron Man movie, Downey replied, “Seeing as I will be entirely calling the shots for the storyline for Iron Man 2, 3, and 7 … I don’t know. I think an interesting way to address it would not be an obvious way.” Someone was cocky about Iron Man ’s success. But it wasn’t unwarranted.

“We ended up landing a tone with Iron Man that became the formula moving forward,” Favreau told Vanity Fair in 2017. “You want to mix great casting, stay true to the characters, a combined universe that would allow cross-pollination. And having humor and adherence to canon.”

The blockbuster success also revitalized both Robert Downey Jr.’s and Jeff Bridges’ careers. (The latter had been doing acclaimed but not necessarily high-grossing work then.) Over the next decade, Downey would portray Iron Man onscreen nine more times, including his Hulk movie cameo. He also found success in two movies with his brainy and brawling version of Sherlock Holmes. Over the next three years, Bridges would go on to win the Oscar for Best Actor for the musical drama Crazy Heart , head up the big-budget sequel Tron: Legacy , and blast his way to another Best Actor nom and big box office in the Coen Brothers’ remake of True Grit . And Bridges’ self-titled country solo album went Top 30 and sold around 350,000 copies.

Favreau’s star also rose. He would go on to direct Iron Man 2 , live-action remakes of The Lion King and The Jungle Book , executive produce numerous Marvel movies, and create the Star Wars series The Mandalorian and The Book Of Boba Fett . The movie was also a nice blockbuster boost for Paltrow as Pepper would appear in six more MCU films. On the flip side, Terrence Howard was edged out of the MCU after he made larger salary demands that Marvel rejected.

Thanks to the success of Iron Man , nearly all of the subsequent Marvel movies would not only grow the franchise but continue to grow their box office. The 20-movie arc of the first three phases of the Marvel Cinematic Universe led up to the epic Infinity War and Endgame movies for the Avengers. Tragically and yet fittingly, this would lead to the death of Tony Stark and Iron Man. But it makes sense that after playing that hero for a decade the accomplished actor would want to go on to other roles.

Even for those who don’t like superhero movies, Iron Man still resonates because it finds the right balance between fantasy and a sense of connection to the modern world. It’s witty and smart escapism. Fifteen years later, it remains one of the crown jewels of Marvel Studios. Not bad for a $200 million “independent movie.”

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Essay Samples on Iron Man

The art of creating a superhero cinematic universe.

Endgame, the absolute culmination of 11 years and 22 interconnected films worth of storytelling, all leading to the climatic finale of the infinity saga that started all the way back in 2008 with Jon Favreau’s Iron Man. Truly the movie to end all marvel movies....

The Faults of Superman and Iron Man

To a great extent, superheroes being regular Joes with faults and how people can achieve success not in spite of their faults, but because of them applies to both Man of Steel & Iron Man. In general, the role and purpose of a superhero is...

Batman Vs. Iron Man: Superheroes Without Superpowers

I’ve always wanted to compare and contrast about Iron Man and Batman, since both of them are my favourite superheroes. Iron Man and Batman have some similarities, both of them fight the villains to protect the people and the city. They don’t have superpowers; they...

How is the American Dream Portrayed in Iron Man and Man of Steel

Superhero movies usually represent the ideal life of Americans. Superheroes have suddenly become an example of how Americans see their lives. Comic books, superheroes and their movies are the new age American Dream. Iron Man Iron Man represents the new American Dream with his intellect,...

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Superhero Comprasion: Captain America and Iron Man

To a large extent,Captain America and Iron Man differ from each other and therefore is a sign that there is an evolution of the superhero. To a lesser extent,the two films have paralleling similarities. The first obvious difference between Captain America and Iron Man is...

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What Made Marvel Studios One of the Best S.F. Movie Companies

Iron Man is a fictional superhero appearing in American Comic books published by Marvel Comics. Based on this character, Iron Man (2008 film) is an American superhero film produced by Marvel Studios and distributed by Paramount Pictures. The summary of the Iron Man is a...

• Movie Summary

Best topics on Iron Man

1. The Art of Creating a Superhero Cinematic Universe

2. The Faults of Superman and Iron Man

3. Batman Vs. Iron Man: Superheroes Without Superpowers

4. How is the American Dream Portrayed in Iron Man and Man of Steel

5. Superhero Comprasion: Captain America and Iron Man

6. What Made Marvel Studios One of the Best S.F. Movie Companies

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Iron Man 3 Movie Essay

Introduction, a synopsis of iron man 3, analysis of iron man 3, works cited.

Conventionally, a film bears a central message in its plot. Despite being medium of entertainment, embedded deep within a film’s plot is often a central idea or theme that the writer and the producer seek to convey. In this respect, moviemakers strive to depict virtually all aspects of life. In the year 2013, Hollywood produced a superhero film by the name Iron Man 3 . This essay seeks to examine this film with a focus on the analysis of violence as a central theme within the movie.

The movie Iron Man 3 is a creation of Shane Black who doubles as a writer and director. It features Robert Downey, Jr. as Tony Stark as the main actor around whom all the action revolves. The film commences in the wake of the events of The Avengers in which Tony participated to save the New York City from the attack of aliens (the Loki). Riddled with severe insomnia and posttraumatic stress, Tony spends his time building iron man suits ( Iron Man 3 ).

This new lifestyle begins to weigh him down, but before long, a dangerous terrorist, only identified as the Mandarin, wreaks havoc. The Mandarin strips Tony off everything; it kills his bodyguard, destroys his home, car, and kills his girlfriend (Pepper Potts). Consequently, Tony is left with only a badly damaged iron man suit with which to face the vicious enemy ( Iron Man 3 ). With the help of Col. James Rhodes and Harley, a young boy, Tony solves the puzzle of the Mandarin just before he actualizes his worst threat.

The movie exudes violence right from the very beginning to its conclusion. The scenes are designed to embody a nature of violence that is often associated with terrorism in real life. The film commences in the wake of an alien invasion of the New York City. It takes the intervention Tony and his compatriots (The Avengers) to save the city.

The idea of alien invasion already creates an image of violence even before the movie starts. The harrowing experiences that Tony goes through due to his New York experience are not gentle by any standard. They are violent experiences that render him sleepless. Clearly, the beginning of the movie sets the stage for the violent action witnessed all the way to the end of the movie.

Violence in Iron Man 3 is perpetrated by everyone ranging from women, children, and men including Tony himself in the process of trying to rid the world of the villains. Pepper, Tony’s girlfriend, is shown violently killing a villain after which she exclaims, “that was really violent” ( Iron Man 3 ).

In fact, the writer of the movie seems to be fully aware of the violence that is embedded in the movie, and thus by incorporating such a line, he appears to be drawing the audience’s attention to the violent nature of the movie. Pitching Harley, a ten-year-old boy, as one of the main accomplices of Tony in the final conquest, is a clear indicator that violence as depicted in the movie is not limited to gender or age. He participates in the violent termination of the villains until they are ultimately defeated.

The portrayal of a young boy participating in violent acts as shown in this movie may elicit criticism from a large fraction of society because according to Yildiz, children are associated with innocence, purity, and gentleness (40). However, even in the real life, children have been reported to perpetrate morbid criminal acts.

For instance, Yildiz notes that a case was reported in Britain in which two young boys, six years old and eight years old, took the hand of a five-year old before leading him to a secluded location where they murdered him in cold blood (40). All the theories and possible models that attempted to explain the incident fell short of giving a concrete reason to explain the occurrence of the bizarre incident.

Shane’s depiction of violence is thus not extreme or out of the ordinary as many may think. It truly reflects where society is today because just like children, women who were traditionally perceived as the weak gender, have become vicious killers in real life. The movie, being a 2013 production, rightly captures what is actually going on in society. Shane adds an extra dimension to his depiction of violence. He attempts to make the violence extreme by picturing the mechanisms used in the killings as extremely dangerous.

They do not only kill, but also vaporize the bodies of the victims to leave only eerie shadows ( Iron Man 3 ). Besides the bombings such as that of the Chinese theater in which innocent tourists and other people are killed, “suicide” bombers in the movie actually explode after heating up from inside. The movie creates a morbid impression filled with violence and bloodshed. Tony himself goes through most of the movie with a blood stained face.

The writer cum producer of the movie succeeds in capturing the ravages of violence with the accompanying emotional effect he intended. In terms of the emotional appeal, the movie succeeds in reaching out to the audience quite easily. Violence is an emotive issue and based on the levels of violence exhibited in the movie, it becomes apparent that the producer of the movie is quite aware of how to evoke emotion.

He does it by glorifying violence in a manner that would cause someone watching the movie think that the life of the people in the movie depended on it. Starting with Tony, the trauma and sleeplessness and the destruction of his home and the bodyguard as well the near strangling of his girlfriend elicits sympathy for him. A person watching the movie cannot help but feel sympathetic for Tony especially when he has to face the vicious enemy in an old iron-man prototype suit that is also partly damaged.

Another instance when the movie significantly appeals to the audience emotionally occurs when the Mandarin captures the president from Air Force One successfully. Tony is in a position to save other people at the time, but not the president. Given the vicious nature of the Mandarin and his painful killing styles, one cannot help but feel sympathy for the president due to what he is likely going through. Such is the pathos of this film .

Anyone watching the movie is in a position to link it successfully with the real life situations such as the Boston Marathon bombings and other terror attacks that have been witnessed in the US. The fact that the Mandarin is given Muslim or Arab like appearance, which is again not very clear, is a method that the producer uses to pass his message.

In real life, terrorism has been associated with Muslims, although sometimes such stereotypes are based on mere speculations. The producer of the movie is successful at causing the audience to make sense out of the events of the movie and link them with real life occurrences, which is logical.

In the ethical sense, the author of the movie is in a position to depict the modern society correctly as one that is fast being derailed of ethical values. Like many other movies, good triumphs over evil in the end, thus giving the very important lesson that good will eventually triumphs over evil in every situation. However, the issue of concern is the channels that Shane chooses to use in dispensing the “good” in the movie. He uses a young boy as well as some women on both sides of the battle.

In a sense, this aspect gives the impression of a society in which ethical values have gone to very low levels so that anyone can engage in violent acts as long as the result is justified. Conventionally, as espoused by almost all movies, the end justifies the means. The movie is also littered with scenes of sexual undertones that successfully depict what goes on in the modern society. In this manner, the producer of the movie clearly presents the movie’s ethos of to the audience.

The movie Iron Man 3 arguably glorifies violence all through. The villains perpetrate violence and the good people use violence to squash the villains. The movie seems to be advancing the argument that only violence can abate violence. In spite of its violent nature, the movie is widely acclaimed as being one of the best movies of its time.

These acclamations are in order as Iron Man 3 carries with it invaluable lessons for a keen individual. The deeply embedded message, especially for this generation, is that technology is only good as long as the people using it are good, and the message is quite timely.

Iron Man 3. Dir. Shane Black. New York: Marvel Studios. 2013. Film.

Yildiz, Murat. “Terrorism and violence: Turkish case.” Turkish Journal of Police Studies 3 .1 (n.d): 38-55. Print.

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1. IvyPanda . "Iron Man 3 Movie." November 28, 2019. https://ivypanda.com/essays/iron-man-3-movie/.

Bibliography

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20 best iron man quotes from the mcu.

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The MCU Has Officially Killed The Best Original Avengers Theory

Loki explains the real reason he invaded earth in the avengers, 10 saddest iron man moments to mourn his canon mcu death date passing in real life.

• Iron Man's quotes range from witty to emotional, with some even predicting the future of the MCU.
• Tony Stark's growth from egotistical industrialist to hero is highlighted in his iconic lines.
• Iron Man's impact on the MCU goes beyond his death, with his words continuing to resonate in the Multiverse Saga.

Throughout Infinity Saga, Iron Man delivered some of the best lines in the Marvel Cinematic Universe. Aside from being a genius, being sarcastic and witty are some of the hallmarks of Tony Stark, which makes him very entertaining to watch. Robert Downey Jr.'s penchant for words and improvisation only adds to the character's appeal. Given this, it shouldn't be surprising there isn't any scarcity of great quotes from Iron Man during his time in the MCU.

What makes Tony's quotes great is that they have a wide variation. Many of them highlight just how truly witty he is, but there are some that are surprisingly emotional, either they are earnest and enlightening or downright heartbreaking. Most impressively, Iron Man also has several quotes that predict the future in the MCU. In fact, a couple of his lines still ring very much true years after he died in Avengers: Endgame . So while Iron Man has already been dead for quite a while now, he remains relevant in the Multiverse Saga through his words.

20 "Is It Better To Be Feared Or Respected? I Say, Is It Too Much To Ask For Both?"

Iron man (2008).

The production of Iron Man is nothing short of legendary. Director Jon Favreau was able to craft an opening that effectively introduces the MCU's inaugural hero was impressive. Tony's whole interaction inside the Humvee with his military escort was great, but it was his introduction of the Stark Industries-newly-created Jericho Missiles that gives the public a great explanation of why he's so successful as an industrialist even though he can be egotistical.

The specific quote is also a great example of just how far Iron Man has come , by showcasing that he wasn't just in the weaponry business, but arguably understood it on a personal level, even if the line is meant to some degree in jest. While this makes Tony Stark's early characterization more complicated, it also serves to make his turn to heroism more noteworthy, by showing it wasn't something he was always inherently destined for but rather was a result of personal growth.

19 “I Shouldn’t Be Alive... Unless It Was For A Reason."

After Tony's captivity in Afghanistan, he returned a changed man in Iron Man . He spent his time perfecting the version of Mark I in his workshop, not having anyone distract him. When Pepper Potts finally confronts him about his dangerous activities, he delivers a surprisingly emotional confession on how he sees his second chance in life . This speech also gains more significance further down the line in the MCU, as it's clear this mentality is what leads Iron Man to eventually sacrifice himself in Avengers: Endgame .

18 "The Truth Is, I Am Iron Man"

At the end of Iron Man, MCU changed the superhero movie game forever with just one line from Tony — an admission that he is indeed Iron Man after much speculation. The line had a major impact both inside and outside of the universe itself , as the twist rocked audiences, made all the more impactful by the reveal that Robert Downey Jr. had indeed improved the line, and changed the future of the franchise immensely by doing so.

The moment effectively diminishes secret identities in the franchise, allowing the Avengers to have their true personas out in the open. For the longest time, this has remained to be the norm in the MCU, and remains an integral aspect of what sets the franchise apart from many other similar superhero series, even within Marvel's own umbrella.

17 "You Want My Property, You Can't Have It. But I Did You A Big Favor, I've Successfully Privatized World Peace. What More Do You Want?"

Iron man 2 (2010).

At the start of Iron Man 2 , Tony is put on trial for his creation of the Iron Man suit and his independent operation. Despite the efforts of Justin Hammer and some politicians, Tony sassily and cleverly showed why it's best for Stark Industries to keep his inventions, showing that his tech in other hands would be immensely more dangerous. It's a reminder that despite his renewed sense of responsibility, Tony remains cocky, and isn't afraid to cause a scene either.

More importantly, this whole interaction is poised to play a role in Armor Wars , which is set to see others actively steal Stark tech and use it for their own purposes. While the scene in Iron Man 2 is played for laughs, it's an early look at how concerning it should be that others are using this technology seemingly without the combination of morals and tech know how of that the likes of Tony Stark or Riri Williams demonstrate, setting up for future catastrophe.

16 “I Told You I Don’t Want To Join Your Super-Secret Boy Band.”

After Nick Fury's Iron Man post-credits scene cameo, he spends Iron Man 2 trying to recruit Tony into the initiative. While also secretly trying to deal with his arc reactor poisoning, he repeatedly turns down the offer, but this is arguably his best put-down to the invitation, playfully addressing the idea that the superhero team would be controlled by external forces and would require him to be part of a group instead of working on his own.

This put down becomes fairly ironic as the Avengers movies go on, as it's clear that not only is Iron Man a key member of the team, he's arguably often even their leader, showing his initial complaints may have been more about the concept of having to work with others to some degree. However, this contempt for the team does tease the Avengers not being a permanent fixture from the MCU's offset as well, making their disillusion, while certainly a big event, something that had been hinted as a possibility from the start.

15 "Genius, Billionaire, Playboy, Philanthropist"

The avengers (2012).

Iron Man and Captain America have always had a complicated dynamic. While the team discusses what to do with Loki, the pair gets into a heated contest in terms of who has most say. Steve Rogers mistakenly asks Tony who he thinks he is, prompting arguably the sassiest reply the genius billionaire could have given. This sets up the duo as opposing forces of sorts in the MCU , and also shows that Iron Man's ego is alive and well, even if it also risks his alliances at points.

After the events of Loki season 2, episode 2, "Breaking Brad," Marvel Studios has officially debunked the best theory about the Avengers' assembly.

14 “If We Can’t Protect The Earth, You Can Be Damned Well Sure We’ll Avenge it!”

The intense one-on-one conversation between Iron Man and Loki in Stark Tower is one of the best verbal tennis in The Avengers . Both characters are known for their incredible way with words. However, what makes Tony's line really special is how it incorporates the newly-created team name into his threat to the God of Mischief, in many ways marking the official inauguration of the group in the MCU.

Iron Man's threat to Loki also belies his confidence in the group , as the line reveals he believes the Avengers can find ways to deal with threats in some capacity even if they're too strong for them to fully protect the Earth from. However, the moment also foreshadows his decision to create Ultron - as this is a move made to try and protect the Earth in a way the Avengers themselves cannot - and the start of his paranoia surrounding whether a villain will eventually destroy his home planet and all those he cares for on it, which increases through the franchise.

13 "Threat Is Imminent, And I Have To Protect The One Thing I Can't Live Without."

Iron man 3 (2013).

Tony's near-death experience in the fight against Loki in the Battle of New York leaves him shaken. This is the central story of Iron Man 3 , which sees the hero experiencing PTSD. In his most vulnerable and even romantic confession, he admits to Pepper that he is so afraid that he won't be able to protect her from the imminent threat that is coming.

This marks the start of the real impact of Iron Man's hero career becoming clear, and humanizes Tony Stark once more despite the larger the life stories he take part in. Showing how raw and scared even the MCU's greatest hero is at points grounds the franchise by extension too, showing that Tony's hero arc is born out of his compassion for others rather than just a desire to be adored.

12 "You Can Take Away My House, All My Tricks And Toys. One Thing You Can't Take Away... I Am Iron Man."

Iron Man 3 ends with Tony undergoing surgery to get the shrapnel out of his body. This frees him from needing to use an arc reactor to stay alive. Despite this, he laments in his ending voice-over that despite no longer having it or any of his high-tech gadgets, he is and will always be Iron Man. This escapsulates Tony's growth throughout the trilogy, showing that he's gone from focusing on the suits and what they can do to understanding he is a hero with or without his high tech tools.

11 "Isn't That Why We Fight, So That We Can End The Fight So We Can Go Home?"

Avengers: age of ultron (2015).

Iron Man and Captain America may have found a way to work together in The Avengers , but they are still significantly different. Their conversation at the Barton farm in Avengers: Age of Ultron showcases that, with Tony emphasizing the goal of being able to retire from being a hero. The moment serves to set up their biggest conflict in Captain America: Civil War , but also manages to be a useful spot of foreshadowing for Endgame, wherein it's revealed Tony has gone to live with his family out in the countryside during his temporary retirement.

After a little bit more than a decade, the Marvel Cinematic Universe finally resolves one massive character insult in 2012's The Avengers.

10 "If We Can't Accept Limitations, We're No Better Than The Bad Guys."

Captain america: civil war (2017).

Marvel leans into the difference between Tony and Steve in Captain America: Civil War when the film introduces the Sokovia Accords . Motivated by his personal experience, Iron Man makes a compelling case for why they need to adhere to the UN's mandate . Unfortunately, that isn't enough to convince Captain America to oppose it.

In effect, the argument between the two heroes not only shows the differences in their ideologies, but also in their personal experiences throughout their own trilogies. Iron Man faced a series of antagonists directly or indirectly created by his hand, and this combined with his role in creating Ultron naturally encourages him to look at ways to accept some external controls and oversight in the future of his career. For Captain America - who has had a different arc - the opposite is true, drawing the pair into an inevitable and intense conflict.

9 “I’m Doing What Has To Be Done, To Save Us From Something Worse.”

As the Sokovia Accords divide the Avengers in Captain America: Civil War , Iron Man makes one final plea to Captain America about finding a compromise. While it isn't clear yet back then, Tony's insistence on keeping the team together is rooted in his perceived threat of coming to Earth.

Two years after that, his words are proven right with the arrival of Thanos. Not only does this drastically change how Civil War and this line particular can be read, it also shows that Iron Man's ardent passion wasn't misplaced, underlining just how legitimate his concerns were and how understandable it was that he'd go against even some of his biggest allies in order to do what he felt was best for everyone.

8 "If You're Nothing Without The Suit, Then You Shouldn't Have It."

Spider-man: homecoming (2017).

While the Avengers are on a break, Tony spends his time mentoring Spider-Man. However, after Peter Parker messed up in Spider-Man: Homecoming , he gives him a stern lecture about his responsibilities as a superhero. This prompts him to deliver this line that teaches Spider-Man where his power truly comes from.

Though this line may initially seem somewhat ironic coming from a hero who needs suits more than most others, it actually carries more impact based on Tony's personal experiences being close to Peter's. Where Iron Man's protege thinks his mentor is admonishing him, he's often just trying to teach Spider-Man what he learned the hard way, and this is never clearer than in Homecoming , where it becomes increasingly clear that Tony worries about Peter as much as he downplays how much he cares about his pupil.

7 “I’m Sorry, Earth Is Closed Today. You Better Pack It Up And Get Outta Here.”

Avengers: infinity war (2018).

The arrival of Ebony Maw and Cull Obsidian in New York at the start of Avengers: Infinity War re-confirms Iron Man's suspicion of an alien invasion coming to Earth. Despite his worst nightmare coming to life, he still manages to come up with some witty lines while dealing with Thanos' minions.

In light of Tony Stark's real-time canon death in Avengers: Endgame, here are the top 10 saddest moments in Iron Man's brilliant MCU arc.

6 "I Love You 3,000"

Avengers: endgame (2019).

Arguably one of the most quotable lines from Avengers: Endgame is Tony and his daughter Morgan's adorable send-off. The line itself doesn't really make sense, but the fact that it is inspired by Downey's own relationship with his real-life kids makes it so much more special. Now, the quote is largely associated with Iron Man and the love he has for his family.

5 “I Just Want Peace. Turns Out Resentment Is Corrosive, And I Hate It.”

Initially against the proposed time heist in Avengers: Endgame , Tony eventually comes to the rescue of the Avengers after he is able to crack the code for time travel. He is first greeted by Captain America, who is frustrated after their failed attempt to send Ant-Man back in time. While the film never brings up what happened to them in Captain America: Civil War , this line essentially puts that water under the bridge for Tony .

4 “It’s Not About How Much We Lost. It’s About How Much We Have Left. We’re The Avengers. We Gotta Finish This.”

As with every plan, things don't go exactly how the Avengers expect during the Battle of New York's leg of the time heist in Avengers: Endgame . Motivated to ensure that they win the war, Iron Man gives a rare but rousing speech about taking a leap of faith with Captain America. Luckily for him, Steve is also fully committed to the cause.

3 "You Mess With Time, It Tends To Mess Back."

Iron Man correctly predicted the arrival of Thanos in the Infinity Saga, and while he is dead, he may have also prophetized the threat that Kang the Conqueror brings to the Multiverse Saga. During an almost missable scene in Avengers: Endgame , Tony remarks how time tends to mess back if one messes with it. With his death, his contemporaries are left to deal with the ramifications of that.

2 "And I Am Iron Man."

Avengers: Endgame is praised for a lot of things, including the way it poignantly wraps up Iron Man's story in the MCU. Bringing back the character's signature line from the first Iron Man film in 2008 is genius. Interestingly, however, it almost didn't happen, as the scene was reworked long after the movie was done filming. However, Marvel Studios knew it was the best way to send off Tony, so they went to do the additional work just to add it to the epic blockbuster - which has certainly paid off, since it created the movie's most iconic scene.

1 “Everybody wants a happy ending. Right? But it doesn’t always roll that way.”

Iron Man ends his MCU journey with a retrospective message that serves his story, as well as a meta-commentary on the evolution of the franchise. In the video message, he frames his death in a way that is supposed to be comforting to everyone who is grieving his death.

The moment is a perfect encapsulation of the comedic, pathos, and heart that made Iron Man the center of the MCU for many years, and that sustains his legacy long after his movie passing. It also serves to give MCU's in-universe cast and audiences alike one final send off for Iron Man , proving both thoughtful and memorable — exactly the best way to send off the universe's best hero.

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Iron Man is the first film in the long-running Marvel Cinematic Universe franchise. Robert Downey Jr. stars as Tony Stark, who becomes Iron Man after he is kidnapped and discovers terrorists are using weapons developed by Stark Industries. Gwyneth Paltrow stars as Tony's love interest Pepper Potts alongside Jon Favreau as Happy Hogan and Jeff Bridges as the villainous Obadiah Stane.

Sardar Vallabhbhai Patel Essay for Students and Children

500+ words essay on sardar vallabhbhai patel.

Sardar Vallabhbhai Patel is also known as the Iron Man of India. He is remembered as a very strong and dynamic freedom fighter of India . He had actively contributed to the Indian Freedom Movement. Sardar Patel was one of the most eminent and prominent leaders of the Indian Freedom struggle. He has immense contribution in bringing Independence to our country.

Early Life and Education

Sardar Vallabhbhai Patel was born on 31st October 1875 in Leuva Patel Patidar community in Nadiad village in Gujarat. His full name is Vallabhbhai Jhaverbhai Patel and popularly known as Sardar Patel. Sardar Patel’s father, Zaverbhai Patel, served in the Army of Queen of Jhansi and mother, Ladbai, was inclined towards spirituality. Patel was a very brave character since childhood.

There had been an instance when he treated a painful boil without any hesitation using a hot iron rod. At the age of 22, when everyone completes their graduation, Sardar Patel completed his matriculation and due to this everyone thought that he would be doing ordinary jobs.

After completing his matriculation, Sardar Patel continued his studies and became a law graduate and later traveled to England to become a barrister. After returning to India he continued practicing law in Ahmedabad, Gujarat.

Contribution towards India’s Independence Movement

A meeting with M K Gandhi in October 1917 brought him closer to the Indian Independence movement. He joined Indian National Congress and his initial movements started with Satyagraha in Gujarat against British atrocities. Later he actively participated and volunteered the Quit India Movement in 1942 closely working with Gandhiji .

Patel had a very strong contribution in uniting the people of India during India Freedom movements. During this time, he was jailed, many times. The feeling of patriotism and urge to expel out British from Indian Territory became his first and only objective.

Sardar Patel – The Iron Man Of India

His life has been an inspiring and motivating one. Firstly, he achieved his professional goals with very little support from others and thereafter playing a major decisive role in bringing the people of India together to fight for the nation’s independence. His belief in the principle of Unity in Diversity and stand united for the common cause of India’s Independence made him the Iron Man of India. Due to his leadership qualities and ability to connect to masses, he has been given the title of Sardar Patel, meaning leader Patel.

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Life after India’s Independence

After Independence, he played a prominent role in the Integration of India. He persuaded the rulers of princely states to be united and be part of One India – One Nation, by traveling to far-flung areas and border areas. Initially, after Independence, he was appointed as 1 st Home Minister of India and simultaneously the Commander in Chief of Indian Armed Forces.

Later he also became the 1 st Deputy Prime Minister of India . He is among one of the three leaders who led India from 1947 to 1950. Sardar Patel started keeping unwell rapidly since the summer of 1950 and Patel died on 15 th December 1950 after suffering a massive heart attack at Birla House in Bombay, now Mumbai in Maharashtra, India.

Sardar Patel’s contribution to the Indian Freedom struggle has been remarkable and incomparable. He was an immense source of inspiration for the youth of Nation, not only during the Freedom movement but also in the current day. He is being termed as the self-made man in True sense. His ideologies of Integration have laid the foundation of Unity. He was conferred as the Bharat Ratna Award posthumously in 1991.

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