where to publish personal essays

80 Best Magazines & Websites That Publish Personal Essays

Wouldn’t it be great to find a whole list of magazines that publish personal essays, and even pay you for the privilege?

Well, you’re in luck because you’ve just found a list of magazines that accept essay submissions around pop culture, personal finance, personal stories, and many other topics. If you’re passionate about crafting personal essays and your work typically falls within a range of 600 to 10,000 words, consider submitting your essays to the organizations listed below. They generally offer compensation of $50-$250 for each accepted essay. After this guide, you may also want to check my list of the best essays of all time .

Here are the top magazines and publications that publish thought-provoking essays:

1. the new york times – modern love.

“Modern Love” accepts essay submissions via email at [email protected] with the essay subject or potential title as the email subject line. Submissions should be original, true stories between 1,500 and 1,700 words, sent both as an attached Microsoft Word-compatible document and pasted into the body of the email. The team collaborates with writers on editing, and authors are compensated for published work. Submission info .

2. The New York Times – Opinion Essays

To submit an essay to this publication, fill out the provided submission form with the essay and a brief explanation of your professional or personal connection to its argument or idea. The essay should include sources for key assertions (either as hyperlinks or parenthetical citations). Although all submissions are reviewed, the publication may not be able to respond individually due to the high volume of entries. If there’s no response within three business days, authors are free to submit their work elsewhere. Submission info .

3. Dame Magazine

DAME is a women’s magazine that prioritizes accessible and intersectional journalism that dives into context rather than breaking news. Their stories are unexpected, emotional, straightforward, illuminating, and focused on people rather than policy. They aim to reveal new or surprising information, provoke action or empathy, simplify complex issues, introduce fresh ideas, and foreground the people most affected by discussed topics. Submission info .

4. The New Yorker

The New Yorker welcomes letters to the editor sent to [email protected] and includes your postal address and phone number. For fiction submissions, send your work as a PDF to [email protected] or mail it to their New York address. They review all submissions within ninety days and will only contact you if they decide to publish your work. Submission info .

5. The Atlantic

The Atlantic is keen on high-quality nonfiction, fiction, and poetry. Familiarity with their past publications can guide your submission. All manuscripts should be submitted as a Word document or PDF. They only respond if they’re interested in discussing your submission further. Separate submission channels exist for fiction and poetry. Submission info .

6. The Globe and Mail

The Globe and Mail welcomes your original experiences, viewpoints, and unique perspectives for your daily first-person essay. A good essay should have an original voice, an unexpected view, humor, vivid details, and anecdotes that illuminate a wider theme. While a successful essay could be funny, surprising, touching, or enlightening, it should always be personal and truthful, rather than political or fictional. Submission info .

7. The Guardian

To contribute to this publication, you should identify the most relevant section and contact the commissioning editor with a brief outline of your idea. You may be invited to submit your work speculatively, meaning payment will only be provided if your contribution is published. It’s important to note that your contribution should be sent electronically and will be published under standard copyright terms with payment at normal rates unless agreed otherwise before publication. Submission info .

8. Los Angeles Times

The Los Angeles Times is open to opinion articles on any subject, with most published pieces being about 750 words long. Submissions must be exclusive to them and not published elsewhere, including personal blogs or social media. Full drafts of articles are required for consideration and should include the author’s name, the topic, the full text, a short author biography, and contact information. Submission info .

9. The Sun Magazine

The Sun publishes personal essays, short stories, and poems from both established and emerging writers globally, particularly encouraging submissions from underrepresented perspectives. Their contributors’ work often garners recognition in prestigious anthologies and prizes. The Sun seeks personal essays that are deeply reflective, celebrating hard-won victories or exploring big mistakes, aiming to make newsworthy events feel intimate and wrestle with complex questions. Submission info .

Slate invites pitches that are fresh, and original, and propose strong arguments. They appreciate ideas that challenge conventional wisdom and encourage you to clearly articulate the insights your reporting can uncover. A concise pitch is preferred, even if a full draft is already written. You should include a short bio and any relevant published work. They advise waiting a week before pitching to other publications, and if an editor passes, refrain from sending it to another editor at Slate. Submission info .

VICE is primarily interested in mid-length original reports, reported essays, narrative features, and service journalism related to contemporary living and interpersonal relationships. They welcome stories informed by personal experiences and insight but advise writers to consider what makes their story unique, why they’re the right person to tell it, and why it should be on VICE. While all stories don’t need to be tied to current events, a timely element can distinguish a pitch. They also accept quick-turnaround blogs and longer features. Submission info .

12. Vox Culture

Vox Culture seeks to provide readers with context and analysis for understanding current entertainment trends. They are interested in pitches that answer significant questions about major movies, TV shows, music artists, internet culture, fame, and women’s issues in the entertainment business. Notably, they are not interested in personal essays or celebrity interviews. Past successful stories have ranged from exploring Disney’s move away from traditional villains to analyzing historical inaccuracies in popular shows. They accept story pitches ranging between 1,000 and 2,500 words. Submission info .

Aeon, a unique digital magazine since 2012, is known for publishing profound and provocative ideas addressing big questions. Their signature format is the Essay, a deep dive into a topic, usually between 2,500-5,000 words, approached from a unique angle and written with clarity to engage curious and intelligent general readers. Aeon’s contributors are primarily academic experts, but they also welcome those with significant professional or practical expertise in various fields. Submission info .

14. BuzzFeed Reader

This platform welcomes freelance pitches on cultural criticism, focusing on current or timeless topics in various categories like books, technology, sports, etc. Essays should offer a unique perspective on how these subjects reflect our society. The content must be relevant, advance ongoing dialogues, and add value to the existing discourse. Submission info .

15. The Boston Globe

Boston Globe Ideas welcomes a variety of content including op-eds, reported stories, book excerpts, first-person essays, and Q&A features. Submissions should be sent directly, not as pitches. Please include your submission in the body of the email, not as an attachment. Briefly explain why you’re uniquely qualified to write this piece. Ensure your submission hasn’t been published or under review elsewhere. Submissions page .

16. The Bold Italic

This platform is actively seeking submissions in the genre of personal narrative essays. These pieces can encompass a broad range of experiences from the hilariously light-hearted to deeply poignant, encapsulating the vibrant and diverse experiences of living in your community. Submission info .

Before pitching to a Medium Publication, thoroughly understand its unique style by reviewing published content and submission guidelines. This ensures your work aligns with their preferences. With numerous Medium Publications available, persist in your submissions until you find a fitting outlet. Submission info .

18. Refinery29

Refinery29 Australia is committed to empowering women and underrepresented groups, with a particular focus on Australian women and trans and gender-diverse individuals, primarily Gen-Z and millennials. We publish a diverse array of content, from timely personal essays to reports on race, reproductive rights, and pop culture, all with a distinctly local perspective. They aim to shed light on the world around us, and highly value pieces that capture the unique Australian experience, be it in subject matter or authorial voice. Submission info .

ELLE’s annual talent competition is back for, seeking out the next superstar in writing. The winner will have their 500-word piece, inspired by the hashtag #RelationshipGoals and focusing on a significant relationship in their life. Submission info .

20. Cosmopolitan

Cosmopolitan is looking for first-person features that cover all aspects of beauty. This can include writing personal essays or narratives about your struggles with adult acne, your journey to an all-natural beauty routine, or other unique beauty experiences. We are also open to opinion pieces about beauty trends or movements that resonate with you. Submission info .

Bustle encourages freelance pitches across different verticals such as Lifestyle, Books, News and politics, Fashion and beauty, and Entertainment. We value pitches that are brief yet comprehensive, including a sample headline, a 2-3 sentence description of the piece, your plan for photos, sources you have access to, your clips if you haven’t written for us before, and your standard rate. Make sure to understand what we’re looking for and convey your story idea clearly and professionally. Submission info .

22. The Walrus

The Walrus seeks short essays (up to 1,200 words) that are timely, focused, and sourced from Canada and globally. These can be reported narratives, memoirs, or mini-features on specific topics. Each essay should exhibit a distinct argument, a strong writing voice, and present an original and significant viewpoint. Writers new to The Walrus or those without long-form journalism experience are particularly encouraged to contribute to this section. Submission info .

23. Autostraddle

Autostraddle welcomes pitches, works in progress, and completed submissions. Any issues with the submission form should be emailed to Laneia Jones with the subject line “SUBMISSION ERROR”. Questions about the submission process can be directed to Kayla Kumari Upadhyaya with “SUBMISSION PROCESS” in the subject line. Please note that pitches or submissions sent via email will not be accepted. Submission info .

24. Narratively

Narratively focuses on original and untold human stories, welcoming pitches and completed submissions from diverse voices. They use Submittable for managing submissions. To better understand what they’re looking for in new writers, contributors can review their guidelines, and the best pitches they’ve received, and ask questions to their editors about how to pitch. Submission info .

25. Catapult

Catapult offers a regularly updated list of submission and freelancing opportunities. Some current options include Black Fox Literary Magazine, open for fiction submissions; Carina Press, seeking romance manuscripts; Elegant Literature, welcoming submissions for its contest; Inkspell Publishing, looking for romance manuscripts; Interlude Press, seeking original novels featuring diverse casts; and Intrepid Times, accepting stories about romance while traveling. Submission info .

26. Jezebel

At Jezebel, the high volume of daily emails (over 500), including tips and questions from readers, makes it impossible to respond to all of them, even though they are all read and appreciated. Their primary job involves posting 60+ items a day, and due to workload constraints, they may not always be able to reply to your email. Submission info .

27. Bitch Media

Bitch Media seeks pitches offering feminist analysis of culture, covering a wide array of topics including social trends, politics, science, health, life aspects, and popular culture phenomena. They publish critical essays, reported features, interviews, reviews, and analyses. First-person essays should balance personal perspectives with larger themes. Both finished work and query letters are welcome. However, due to the volume of submissions, they cannot guarantee a response or that every pitch will be read. Submission info .

28. Broadview

Broadview magazine prefers pitches from professional writers for unique, audience-focused stories. While unsolicited articles may be accepted, the initial idea pitch is recommended. Responses to each pitch are not guaranteed due to high submission volumes. Submission info .

29. Briarpatch Magazine

Briarpatch Magazine accepts pitches on a variety of political and social issues, valuing stories from diverse voices. They seek well-researched, fact-backed pieces aimed at a non-specialist, progressive audience. They recommend writers to first pitch their ideas, including contact info, estimated word count, recent publications, and a short writing sample. The magazine aims to respond within one to two weeks after the pitch deadline for each issue. Submission info .

30. Maisonneuve

Maisonneuve Magazine welcomes non-fiction writing submissions in various forms (reporting, essays, memoirs, humor, reviews) and visual art (illustration, photography, comics). They do not accept fiction, poetry, or previously published work. They prefer well-developed, well-researched pitches, but also accept polished drafts if the writer is open to edits. To understand what the magazine is looking for, it’s recommended to read some recent issues or check their website. Submission info .

31. Room Magazine

Room Magazine seeks original fiction, poetry, creative non-fiction, and art from individuals of marginalized genders, including women (cisgender and transgender), transgender men, Two-Spirit, and nonbinary people. Simultaneous submissions are welcome, and submissions can be made through Submittable. Submission info .

32. Hazlitt

Hazlitt is currently not accepting submissions but it might reopen soon. They seek original journalism, investigative features, international reporting, profiles, essays, and humor pieces, but they are not considering unsolicited fiction. Pitches with proposed word counts are preferred, and they have a section called “Hazlitt Firsts” for reviews of experiencing mundane things for the first time as adults. Submission info .

33. This Magazine

This Magazine seeks pitches for their annual Culture Issue with a DIY theme, open to various topics related to DIY spirit. They publish Canadian residents only and prefer queries over already completed essays or manuscripts. They look for unique stories with a social justice angle, and pitches should include reasons for telling the story, relevant sources, and potential takeaways for readers. Submission info .

34. Geist Magazine

Geist magazine seeks submissions with a literary focus, including short non-fiction for the Notes & Dispatches section (around 800-1200 words) with a sense of place, historical narrative, humor, and personal essays on art, music, and culture. They encourage submissions from diverse writers and will pay writers $300-500 for accepted pieces. Submission info .

35. Discover Magazine

Discover magazine seeks pitches from freelance writers for science-related stories that enlighten and excite readers, with a conversational tone and high reader interest. Pitch one idea per email, mentioning the newness of the science and specific studies and researchers to be cited. Include your science-writing credentials and best clips in the pitch and send them to [email protected]. Payment starts at $1/word for print and typically $300/story for web, with rights purchased for both. Submission info .

36. Eater Voices

Eater Voices accepts personal essays from chefs, restaurateurs, writers, and industry insiders about the food world. To pitch, email a brief explanation of the topic and why you are the right person to write about it to [email protected]. Submission info .

37. The Temper

The Temper is an online publication focused on sobriety, addiction, and recovery, challenging drinking culture. They seek diverse and intersectional stories written through the lens of addiction, covering various topics like sex, food, relationships, and more. Submissions are currently closed, but they are especially interested in amplifying voices from marginalized and underrepresented groups. Submission info .

38. Chatelaine

Chatelaine is a prominent Canadian women’s magazine covering health, current events, food, social issues, decor, fashion, and beauty. To pitch, read the magazine first, and submit a one-page query letter explaining the idea’s fit for the magazine, section, and format. They prefer email submissions with at least two previously published writing samples, and response time may take six to eight weeks. Submission info .

39. Conde Nast Traveler

Condé Nast Traveler seeks pitches for reported and personal travel stories with inclusive coverage, including BIPOC, LGBTQ+, and disabled communities. Focus on stories and angles rather than destinations, check for previous coverage, and offer a fresh perspective. If pitching a personality, indicate exclusivity and access. Consider your expertise in telling stories, especially about marginalized communities, and disclose any sponsorships. Keep pitches brief, including a suggested headline, angle, sources, and why it’s timely. Responsible travel stories are prioritized during the pandemic. Submission info .

40. Boston Globe Ideas

Globe Ideas is dedicating an entire issue to young people’s voices and stories. Teens are invited to share their aspirations, concerns, and experiences about mental health, school, social media, and more, up to 700 words or through short notes, videos, or illustrations. This is a chance for teens to set the record straight and tell the world what matters most to them. Submission info .

41. Babbel Magazine

Babel welcomes submissions from all linguists, focusing on accessible and stimulating articles about language. Writers can submit feature articles or propose ideas for regular features, and guidelines for contributions are available for download. For those with ideas but not interested in writing, they can also suggest topics for articles through email. Submission info .

42. HuffPost Personal

HuffPost seeks to amplify voices from underrepresented communities, including BIPOC, LGBTQ, and people with disabilities. They accept freelance pitches on a wide range of topics, providing clear guidelines for submissions. They also encourage visual creatives to submit their work, and all published contributors are paid for their work. Please note that due to the volume of submissions, individual responses may not be possible. Submission info .

43. Adelaide Literary Magazine

Adelaide magazine accepts submissions in various categories, including fiction, poetry, creative nonfiction, translations, book reviews, interviews, and art/photography. Fiction and nonfiction submissions have a size limit of 5,000 words, while book reviews have a limit of 2,000 words. They do not accept previously published work or simultaneous submissions. Artists retain all rights to their work, and upon publication, rights revert to the author/artist. Submission info .

44. bioStories

BioStories welcomes nonfiction prose submissions of 500 to 7500 words, with the typical piece being around 2500 words. Submit via email to [email protected], pasting the submission in the email body with the subject line “biostories submission” and your last name. Simultaneous submissions are accepted, but immediate notification is required if accepted elsewhere. Multiple submissions are allowed at a one-month interval, and the work must be previously unpublished in print and online. Noncompliant submissions will not receive a response. Submission info .

45. Quarter After Eight

Quarter After Eight welcomes innovative writing submissions in any genre from both new and established writers. To withdraw work, use the “withdraw” option on Submittable for the entire submission or the “note” function to specify which pieces to withdraw; do not email about withdrawals. Submission info .

46. The Rappahannock Review

The Rappahannock Review accepts original and innovative writing in various genres, including fiction, nonfiction, poetry, and audio pieces. They encourage experimentation and creativity, seeking enthralling voices and compelling narratives. Additionally, the magazine showcases a variety of visual artists and welcomes submissions for consideration in each new issue. Submission info .

Allure is seeking writers to contribute pieces that explore beauty, style, self-expression, and liberation. They are looking for writers with relevant credentials and experience in the field, and they offer compensation of $350 for reported stories and $300 for personal essays. Submission info .

48. MLA Style Center

The Modern Language Association is inviting students to submit research papers written in MLA style for consideration in their online collection “Writing with MLA Style.” Essays should be 2,000 to 3,000 words in length and must be written in English. Works-cited-list entries do not count toward the word limit. Submission info .

49. Marie Claire

Marie Claire magazine is dedicated to highlighting the diversity and depth of women’s experiences. They offer award-winning features, essays, and op-eds, as well as coverage of sustainable fashion, celebrity news, fashion trends, and beauty recommendations. Submission info .

SELF magazine is actively seeking new writers, particularly from marginalized communities, to contribute to their health and wellness content. They are interested in pitches that offer helpful insights on topics related to health, fitness, food, beauty, love, and lifestyle. The focus should be on improving personal or public health clearly and straightforwardly. Submission info .

51. Her Story

HerStry is a platform that focuses on the experiences of women-identifying persons, including cisgender women, transgender women, non-binary persons, and more. They accept personal essays that are true stories about the author, with a length between 500 to 3,000 words. They pay $10 for each published personal essay here, but there is a $3 submission fee (with limited free submission periods). Stories are read blind, and explicit or offensive content is not accepted. Submission info .

52. Griffith Review

Griffith Review accepts submissions based on specific themes for each edition. They welcome new and creative ideas, allowing writers to express their voices in essays, creative and narrative nonfiction-fiction, and analytical pieces. Submissions should generally range from 2,000 to 5,000 words, with up to four poems allowed on theme. Submission info .

53. Literary Review of Canada

The Literary Review of Canada welcomes prospective writers, photographers, and illustrators to submit specific review proposals, essay pitches, or general queries. They prefer to receive unsolicited review topics and essay ideas rather than completed work and do not accept simultaneous submissions. Submission info .

54. Harper’s Magazine

For Harper’s Magazine, nonfiction writers should send queries accompanied by a self-addressed, stamped envelope. Ideas for the Readings section can be sent to [email protected], but individual acknowledgment is not guaranteed due to volume. All submissions and queries must be sent by mail to their New York address. Submission info .

55. Virginia Quarterly Review

VQR only considers unpublished work, submitted online via Submittable. One prose piece and four poems are allowed per reading period, but multiple submissions in the same genre will be declined unread. Simultaneous submissions are permitted, but if accepted elsewhere, notify them immediately via Submittable. Submission info .

56. The New England Review

New England Review is open for submissions in all genres during specific periods. They accept fiction, poetry, nonfiction, dramatic writing, and translations. The magazine only considers previously unpublished work, and simultaneous submissions are allowed. They welcome submissions from writers of all backgrounds and encourage diverse perspectives. Submission info .

57. One Story

One Story seeks literary fiction between 3,000 and 8,000 words, any style, and subject. They pay $500 and provide 25 contributor copies for First Serial North American rights. Only unpublished material is accepted, except for stories published in print outside North America. Simultaneous submissions allowed; prompt withdrawals upon acceptance elsewhere. Accepts DOC, DOCX, PDF, and RTF files via Submittable. No comments on individual stories. No revisions of previously rejected work. Translations are accepted with proper attribution. No emailed or paper submissions, except for incarcerated individuals. Submission info .

58. The Threepenny Review

The Threepenny Review accepts submissions for fiction, poetry, travel essays, and Table Talk pieces. They pay $400 per story/article and $200 per poem, granting first serial rights and copyright reversion to the author. Mailed manuscripts require a self-addressed stamped envelope, while online submissions should be in Word format with a single document for prose or poetry. Submission info .

59. Zoetrope: All-Story

Zoetrope: All-Story is currently not accepting general submissions. They will announce when submissions reopen and update the guidelines accordingly. Submission info .

60. American Short Fiction

American Short Fiction accepts regular submissions of short fiction from September to December. The magazine publishes both established and new authors , and submissions must be original and previously unpublished. Manuscripts should be typed, double-spaced, and accompanied by the author’s contact information. Simultaneous submissions are allowed, but authors must withdraw their work if accepted elsewhere. Payment is competitive and upon publication, with all rights reverting to the author. American Short Fiction does not accept poetry, plays, nonfiction, or reviews. Submission info .

61. The Southern Review

The Southern Review accepts work during its submission period. They only consider unpublished pieces in English and accept simultaneous submissions. If your work is accepted elsewhere, promptly notify them via email with the subject line “withdrawal.” Do not submit work via email, as it will be discarded. They do not consider submissions from anyone currently or recently affiliated with Louisiana State University within the past four years. It is recommended to familiarize yourself with the journal’s aesthetic by subscribing before submitting your work. Submission info .

62. Boulevard Magazine

Boulevard seeks to publish exceptional fiction, poetry, and non-fiction from both experienced and emerging writers. They accept works of up to 8,000 words for prose and up to five poems of up to 200 lines. They do not consider genres like science fiction, erotica, horror, romance, or children’s stories. Payment for prose ranges from $100 to $300, while payment for poetry ranges from $50 to $250. Natural Bridge Online publication offers a flat rate of $50. Submission info .

63. The Cincinnati Review

The Cincinnati Review accepts submissions for its print journal during specific periods: September, December, and May. miCRo submissions are open almost year-round, except during the Robert and Adele Schiff Awards and backlogs. They welcome submissions from writers at any stage, except current/former University of Cincinnati affiliates. Simultaneous submissions are allowed, and response time is around six months. Payment is $25/page for prose, $30/page for poetry in print, and $25 for miCRo posts/features. Submission info .

64. The Antioch Review

The Antioch Review seeks nonfiction essays that appeal to educated citizens, covering various social science and humanities topics of current importance. They aim for interpretive essays that draw on scholarly materials and revive literary journalism. The best way to understand their preferences is to read previous issues and get a sense of their treatment, lengths, and subjects used in the publication. Submission info .

AGNI’s online Submission Manager is open from September 1st to midnight December 15th, and again from February 15th to midnight May 31st. Manuscripts can also be submitted by mail between September 1st and May 31st. AGNI considers prose in various genres, including personal essays, short stories, prose poems, and more. They do not publish academic essays or genre romance, horror, mystery, or science fiction. Simultaneous submissions are welcome, and sending through the online portal incurs a $3 fee, but regular mail submissions can be made to avoid the fee. Submission info .

66. Barrelhouse

Barrelhouse accepts unsolicited submissions for book reviews through their Submittable online submissions manager. They pay $50 to each contributor and accept simultaneous submissions. There is no maximum length, but most published pieces are shorter than 8,000 words. They only accept Word or rich-text (.rtf) files and prefer poetry to be submitted as a single document. Submissions for their print and online issues are currently closed, but book reviews are open. Response time is approximately six months. Submission info .

67. Tin House Online

Tin House is a good company that offers a two-day submission period three times a year for writers without a current agent and no previous book publication (chapbooks accepted). They accept fiction, literary nonfiction, and poetry, both in English and in translation (with formal permission). Completed drafts are required. They are particularly interested in engaging with writers from historically underrepresented communities. Submission info .

68. One Teen Story

One Teen Story publishes 3 stories annually and welcomes submissions from teen writers aged 13-19. They seek original, unpublished fiction across genres, focusing on the teen experience. Great short stories with compelling teen characters, strong writing, and a well-structured narrative are encouraged for submission to their contest. Submission info .

69. Bennington Review

Bennington Review accepts unsolicited submissions through Submittable during their reading periods in fall, winter, and spring. They seek innovative and impactful fiction, creative nonfiction, poetry, film writing, and cross-genre work. Response times vary, but they aim to respond within five to eight months. Accepted contributors will receive payment ranging from $25 per poem to $250 for prose over six typeset pages, along with two copies of the published issue and a copy of the subsequent issue. Submission info .

70. Epoch Literary

Epoch Literary accepts poetry submissions of up to five poems, short fiction or essay submissions as a single piece or a suite of smaller pieces, and visual art and comics for the cover. They do not publish literary criticism or writing for children and young adults. Electronic submissions are open in August and January, with a $3 fee, part of which supports the Cornell Prison Education Program. Submission info .

71. The Gettysburg Review

The Gettysburg Review accepts poetry, fiction, essays, and essay reviews from September 1 to May 31, with a focus on quality writing. Full-color graphics submissions are accepted year-round. It’s recommended to read previous issues before submitting, and sample copies are available for purchase. The journal stays open during the summer for mailed submissions or those using Submittable and purchasing a subscription or the current issue. Submission info .

72. Alaska Quarterly Review

The publication accepts submissions of fiction, poetry, drama, literary nonfiction, and photo essays in traditional and experimental styles. Fiction can be short stories, novellas, or novel excerpts up to 70 pages, and poetry submissions can include up to 6 poems. They aim to respond within 4 to 12 weeks, but authors can inquire about their manuscript status after 4 weeks if needed. Submission info .

73. Colorado Review

Colorado Review only accepts submissions through its Submittable portal and no longer accepts paper submissions. They encourage writers to be familiar with their publication before submitting and provide sample copies and examples of recently published work on their website. They look for engaging stories with original characters, crisp language , and a provocative central problem or issue. Submission info .

74. The Georgia Review

The Georgia Review accepts submissions both online and by post, but not via email. Submissions are free for current subscribers. They do not consider unsolicited manuscripts between May 15 and August 15 and aim to respond within eight months. Previously published work will not be considered, and simultaneous submissions are allowed if noted in the cover letter. They offer different prizes for poetry and prose and accept submissions in fiction, poetry, essays, and book reviews. Submission info .

75. New Letters

New Letters accepts submissions year-round through Submittable, with a small fee waived for current subscribers. They welcome up to six poems, one chapbook, one piece of nonfiction, one short story (graphic or traditional), or one novella per submission. Simultaneous submissions are allowed if notified, and response time is approximately six months. They publish short stories up to 5,000 words, novellas up to 30,000 words, graphic short stories up to ten pages in color or black and white, and chapbooks up to 30 pages. Submission info .

76. Shenandoah

Submissions for comics will reopen soon. The Graybeal-Gowen Prize for Virginia Poets will be open for a limited time. Poetry submissions are considered in November and spring. Prose submissions will open soon. Short stories, creative nonfiction, and flash fiction are welcome. Editor Beth Staples looks for writing that challenges and offers diverse perspectives. Submission info .

77. TriQuarterly

TriQuarterly, the literary journal of Northwestern University, welcomes submissions in poetry, fiction, creative nonfiction, video essays, short drama, and hybrid work from both established and emerging writers. They are especially interested in work that engages with global cultural and societal conversations. Submissions are accepted through Submittable, and they charge a small reading fee. Submission windows vary by genre. Submission info .

78. E-International Relations

E-International Relations invites current and former undergraduate and Master’s students to submit their highest-graded essays and dissertations for publication. They seek work that is of academic utility to other students and demonstrates engagement with the subject, using pertinent case studies/examples and engaging with complex literature and ideas. Submissions must meet specific entry criteria, including word count, language standards, and full bibliographic references. Submission info .

79. Longreads

Longreads publishes the best long-form nonfiction storytelling and accepts pitches for original work. They pay competitive rates and prefer pitches via email to [email protected]. Fiction is not accepted, and submissions using generative AI tools will be rejected. You can also nominate published stories by tweeting with the #longreads hashtag. Submission info .

80. Education Week

EdWeek welcomes submissions from various perspectives within the K-12 education community, including teachers, students, administrators, policymakers, and parents. Submissions should be concise, relevant to a national audience, and have a clear point of view backed by factual evidence. We value solution-oriented and practical pieces that offer best practices, policy recommendations, personal reflections and calls to action. Essays longer than 1,000 words or shorter than 600 words will not be considered. Please submit in Word format via email. Submission info .

If you want to get your essays published in a print magazine or an online publication, it’s time to approach the appropriate section editor or send your work via a submissions page. Even in a world where so much content is produced by AI, publications are still interested in receiving great writing written in a conversational tone. Just make sure to follow the guidelines (especially those around word count) and show off your flamboyant writing style in a prestigious online magazine. Next up, you might want to check a list of the top sites that will pay you to write,  or my extensive list of publishing companies .

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29 Publishers that Pay for Personal Essays

For those who have a true story to share, this list is for you. It’s a list of publishers that pay for personal essays.

I’ve included a wide variety of publications here. All of them pay for the essays they publish. You’ll find contact information, as well.

For those interested in learning more about writing and publishing personal essays, I highly recommend watching my hour long discussion with the editor of HuffPost Personal. (Essays published in HuffPost often reach millions of readers.)

Also, for those looking for even more options, you may want to look into literary journals that publish creative nonfiction. Literary journals tend to want submissions of complete drafts, and are less likely to pay, but are still a good option for many writers. Authors Publish has an older list of such journals here.

For paid subscribers, if you have any requests, in terms of future lists you would like me to put together, please let me know! (This list was requested by a subscriber.)

Open Secrets is an online magazine (hosted by Substack) that publishes memorable and revealing personal essays on the topics we are taught to keep “secret.” They are open to essays (1,000 to 1,500 words) on all personal experiences. They pay authors $100 per essay. For more information, refer to this page .

The Doe is a digital publication that shares anonymous, verified personal narratives to promote civil discourse. They are accepting pitches for stories from voices across the spectrum, including first-time writers. They publish anonymous, first-person narrative pieces and personal, verified non-fiction pieces full of vivid anecdotes. They want writers to keep their drafts to 500-700 words. According to their Twitter post, they pay around $100-300 per story. To learn more, visit this page .

HuffPost Personal is a personal stories section in HuffPost (a news and opinion website). Their personal stories are “original, authentic, compelling and told in the first person.” To pitch, refer to this page . Watch our interview with the editor here.

Oh Reader is a print and online magazine about reading. They are “looking for stories about your experiences as a reader, insight into the effect of reading on humans, humorous takes on the world of words, and anything else you as a reader or writer might be interested in sharing.” They pay a flat rate of $200 per published article. Details here .

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Urban Book Publishers: The Final Revival of Opal & Nev

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The Writer’s Journey: Where To Publish Personal Essays

Table of Contents:

1. what is a personal essay , 2. key features of personal essays:, authenticity: , individual perspective: , emotional connection: , 3. how to write a personal essay, choosing a topic: , organizing your thoughts: , adding details: , being honest: , 4. where can you publish personal essays, online literary magazines: , writing communities and blogs: , newspaper and magazine op-ed sections: , literary anthologies and essay collections: , online writing contests: , specialized niche websites: , 5. guidelines for submission:, 6. reading submission guidelines:, word count: , formatting requirements: , theme or topic preferences: , submission method: , rights and originality: , 7. craft an engaging title and introduction:, 8. polishing your essay:, proofreading: , clarity and coherence: , conciseness: , 9. originality and avoiding plagiarism:, 10. adhering to ethics and sensitivity:, 11. submission process and follow-up:, key concepts and profound details, conclusion:.

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While no one can deny the power of personal essays, there are many reasons why you might be looking for a place to publish your own. You may have been asked to submit an essay to a contest or publication and want to know if it meets their standards, or maybe you’re just hoping to get some feedback on your latest writing project.

Whatever your reason is for Essay Publishing, book publishers New York  got you covered! Keep reading for information on where to publish personal essays and what they look like.

Personal essays are a great way for individuals to express their thoughts, experiences, and opinions on a personal topic. Whether a lighthearted tale or a heartfelt reflection, these essays give readers a glimpse into the writer’s mind and emotions.

To ensure that your essay is impactful and engaging, it can be beneficial to seek professional assistance. Ghostwriting services can help you bring your ideas to life and create a well-crafted essay that resonates with your readers. These services enable you to collaborate with an experienced writer who can transform your thoughts into clear and engaging prose.

Moreover, proofreading services can play a crucial role in enhancing the quality of your essay. These services involve meticulously reviewing your essay to identify and correct grammar, spelling, and punctuation errors. Additionally, professional proofreaders can offer valuable feedback on the overall clarity, structure, and coherence of your writing.

It’s important to find your unique voice and share your personal experiences with the reader when it comes to personal essays. However, don’t underestimate professional assistance’s impact on the final result. 

When writing a personal essay, make sure that the following key features are included in it

Personal essays are all about being true to yourself. You can be honest and authentic, sharing your genuine feelings and experiences.

Each personal essay is unique because it comes from your viewpoint. It’s your chance to share what matters and how you see the world.

These essays often aim to connect with readers emotionally. Whether it’s joy, sadness, excitement, or contemplation, personal essays can evoke various emotions in readers.

By understanding and emphasizing the key features of personal essays, writers can craft compelling pitches to attract publishers’ attention. Pitching to publishers opens doors for personal essays to be published, shared, and appreciated by a wider readership, creating opportunities for meaningful connections and impact.

For Essay Publishing, you first need to know how to write it. Here is how you can write a personal essay in a few steps:

Select a topic, akin to finding a book title by its plot, that is meaningful to you…

. It could be a personal story, an idea, or an experience you want to share. 

Plan how you want to present your story. Consider the beginning, middle, and end of your essay. You also need to plan on formatting for publishing according to the requirements of where you want to publish. When you think through all of this, the process of writing an essay further can be easy.

Use descriptive language, as detailed in how a writer can edit a narrative , to paint a vivid picture for your readers. Include sensory details to make your essay more engaging.

Be true to yourself. Don’t be afraid to share your true feelings and experiences, even if they might feel vulnerable.

When it comes to sharing your work with the world, finding the right platform is crucial. Here are various places where you can consider sharing your stories:

These websites are like treasure troves of interesting content. Places such as “The Sun Magazine,” “Tin House,” and “Narratively” love personal essays. 

They’re on the lookout for captivating stories that touch the hearts of their readers. These platforms aim to collect different perspectives and thoughts, making them perfect for your essays.

Websites like “Medium” and “WordPress” offer spaces for writers for Essay Publishing. They provide an excellent opportunity to showcase your work to a broad audience. 

Additionally, Medium has a Partner Program that could reward you based on how much people enjoy reading your essays.

Consider sharing your essays with the opinion sections of well-known newspapers like “The New York Times,” “The Guardian,” or “The Washington Post.”

These places have lots of readers and discussions. Contributing here allows you to be part of important conversations happening in society.

Some organizations create collections of essays on particular themes. Submitting your work to these collections can get your essays published in print or online, giving you exposure to a wider audience.

Writing contests hosted by websites like “Writer’s Digest”  and “The Writer Magazine” are great avenues for getting your essays noticed. 

These contests often have different themes and offer prizes, making them an exciting way to share your stories.

Depending on the topic of your essay, there are websites dedicated to specific interests. Whether about travel, parenting, mental health, or lifestyle, these platforms cater to diverse topics, providing a perfect space for your unique stories.

Submitting your essays to different platforms requires attention to specific publishing contracts , guides and practices. Here’s a comprehensive breakdown to help you ace the submission process:

Before submitting, carefully read and understand the submission guidelines and publisher-author relations of the platform you’re interested in. 

Each platform has its own set of rules, preferences, and expectations for submissions. Pay close attention to details such as:

Ensure your essay meets the specified word count requirements. Some platforms might have a specific range they prefer.

Check for specific formatting guidelines, such as font size, spacing, or file format (e.g., .docx, .pdf).

Some platforms might have themes or topics they’re particularly interested in. Align your essay’s subject matter accordingly.

Note whether submissions are accepted via email, online forms, or submission portals. Follow the specified submission procedure.

Understand the platform’s policies regarding ownership of the content. Ensure your essay is original and not previously published elsewhere.

Capturing the attention of editors or readers starts with an enticing title and introduction. Craft a title, similar to how you’d write a thank you note , that reflects the essence of your essay and compels the reader to delve deeper. 

Your introduction should be engaging, drawing in the audience and setting the tone for the rest of the essay.

Editing and revising your essay are crucial steps before submission. Ensure your writing is clear, concise, and error-free. Here are some tips:

Check for grammatical errors, spelling mistakes, and punctuation issues. Consider using grammar-checking tools or seeking assistance from a trusted proofreader.

Ensure your ideas flow logically and are presented coherently. Avoid overly complex sentences or jargon that might hinder readability.

Eliminate unnecessary details or repetitive information. Keep your essay focused on its central theme or message.

Maintain the authenticity of your work by ensuring it is entirely original. Avoid plagiarism by attributing sources correctly if using external references or quotes. Plagiarism can severely impact the credibility of your submission.

Be mindful of sensitive topics or personal information shared in your essay. Respect the privacy of the individuals mentioned and adhere to ethical considerations. Ensure your content does not harm or offend any particular group or individual.

Follow the platform’s submission instructions meticulously. Submit your essay within the specified timeframe, if provided. After submission, be patient. Responses may take time. If allowed, follow up politely if you haven’t received a response within the expected timeframe.

The world of personal essays offers a myriad of opportunities for aspiring writers. From online journals to renowned newspapers, the options are vast. Selecting the right platform involves understanding your essay’s theme, audience, and aspirations as a writer. 

Authenticity, clarity, and adherence to submission guidelines are paramount for Essay Publishing. Lastly, embracing your unique voice makes your essays resonate with readers across the globe.

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Philip Roth: The Biography

Appointed by Philip Roth and granted independence and complete access, Blake Bailey spent years poring over Roth’s personal archive, interviewing his friends, lovers, and colleagues, and engaging Roth himself in breathtakingly candid conversations. The result is an indelible portrait of an American master and of the postwar literary scene.

Bailey shows how Roth emerged from a lower-middle-class Jewish milieu to achieve the heights of literary fame, how his career was nearly derailed by his catastrophic first marriage, and how he championed the work of dissident novelists behind the Iron Curtain.

Bailey examines Roth’s rivalrous friendships with Saul Bellow, John Updike, and William Styron, and reveals the truths of his florid love life, culminating in his almost-twenty-year relationship with actress Claire Bloom, who pilloried Roth in her 1996 memoir, Leaving a Doll’s House.

Tracing Roth’s path from realism to farce to metafiction to the tragic masterpieces of the American Trilogy, Bailey explores Roth’s engagement with nearly every aspect of postwar American culture.

The Hill We Climb: An Inaugural Poem for the Country

In New York Times bestselling author Wendy Corsi Staub's riveting thriller, uncovering secrets in the past draws one woman into a killer's web.

On January 20, 2021, Amanda Gorman became the sixth and youngest poet to deliver a poetry reading at a presidential inauguration. Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special gift edition. Including an enduring foreword by Oprah Winfrey, this keepsake celebrates the promise of America and affirms the power of poetry.

The Midnight Library: A Novel

A dazzling novel about all the choices that go into a life well lived, from the internationally bestselling author of Reasons to Stay Alive and How To Stop Time.

Somewhere out beyond the edge of the universe there is a library that contains an infinite number of books, each one the story of another reality. One tells the story of your life as it is, along with another book for the other life you could have lived if you had made a different choice at any point in your life. While we all wonder how our lives might have been, what if you had the chance to go to the library and see for yourself? Would any of these other lives truly be better?

In The Midnight Library, Matt Haig's enchanting new novel, Nora Seed finds herself faced with this decision. Faced with the possibility of changing her life for a new one, following a different career, undoing old breakups, realizing her dreams of becoming a glaciologist; she must search within herself as she travels through the Midnight Library to decide what is truly fulfilling in life, and what makes it worth living in the first place.

Over twenty years ago, the heiress Patricia Lockwood was abducted during a robbery of her family's estate, then locked inside an isolated cabin for months. Patricia escaped, but so did her captors — and the items stolen from her family were never recovered.

Until now. On the Upper West Side, a recluse is found murdered in his penthouse apartment, alongside two objects of note: a stolen Vermeer painting and a leather suitcase bearing the initials WHL3. For the first time in years, the authorities have a lead — not only on Patricia's kidnapping, but also on another FBI cold case — with the suitcase and painting both pointing them toward one man.

Windsor Horne Lockwood III — or Win, as his few friends call him — doesn't know how his suitcase and his family's stolen painting ended up with a dead man. But his interest is piqued, especially when the FBI tells him that the man who kidnapped his cousin was also behind an act of domestic terrorism — and that the conspirators may still be at large. The two cases have baffled the FBI for decades, but Win has three things the FBI doesn't: a personal connection to the case; an ungodly fortune; and his own unique brand of justice.

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Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

But what Starr does—or does not—say could upend her community. It could also endanger her life.

Want more of Garden Heights? Catch Maverick and Seven’s story in Concrete Rose, Angie Thomas's powerful prequel to The Hate U Give.

But with the odds decidedly not in her favor, Amelia knows this feeling can’t last forever. After all, what can?

The Lost Apothecary: A Novel

Hidden in the depths of eighteenth-century London, a secret apothecary shop caters to an unusual kind of clientele. Women across the city whisper of a mysterious figure named Nella who sells well-disguised poisons to use against the oppressive men in their lives. But the apothecary’s fate is jeopardized when her newest patron, a precocious twelve-year-old, makes a fatal mistake, sparking a string of consequences that echo through the centuries.

Meanwhile in present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, running from her own demons. When she stumbles upon a clue to the unsolved apothecary murders that haunted London two hundred years ago, her life collides with the apothecary’s in a stunning twist of fate—and not everyone will survive.

With crackling suspense, unforgettable characters and searing insight, The Lost Apothecary is a subversive and intoxicating debut novel of secrets, vengeance and the remarkable ways women can save each other despite the barrier of time.

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Flora Mancini has been happily married for more than twenty years. But everything she thought she knew about herself, her marriage, and her relationship with her best friend, Margot, is upended when she stumbles upon an envelope containing her husband’s wedding ring—the one he claimed he lost one summer when their daughter, Ruby, was five.

Flora and Julian struggled for years, scraping together just enough acting work to raise Ruby in Manhattan and keep Julian’s small theater company—Good Company—afloat. A move to Los Angeles brought their first real career successes, a chance to breathe easier, and a reunion with Margot, now a bona fide television star. But has their new life been built on lies? What happened that summer all those years ago? And what happens now?

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The Final Revival of Opal & Nev

Opal is a fiercely independent young woman pushing against the grain in her style and attitude, Afro-punk before that term existed. Coming of age in Detroit, she can’t imagine settling for a 9-to-5 job—despite her unusual looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her at a bar’s amateur night, she takes him up on his offer to make rock music together for the fledgling Rivington Records. In early seventies New York City, just as she’s finding her niche as part of a flamboyant and funky creative scene, a rival band signed to her label brandishes a Confederate flag at a promotional concert. Opal’s bold protest and the violence that ensues set off a chain of events that will not only change the lives of those she loves, but also be a deadly reminder that repercussions are always harsher for women, especially black women, who dare to speak their truth. Decades later, as Opal considers a 2016 reunion with Nev, music journalist S. Sunny Shelton seizes the chance to curate an oral history about her idols. Sunny thought she knew most of the stories leading up to the cult duo’s most politicized chapter. But as her interviews dig deeper, a nasty new allegation from an unexpected source threatens to blow up everything. Provocative and chilling, The Final Revival of Opal & Nev features a backup chorus of unforgettable voices, a heroine the likes of which we’ve not seen in storytelling, and a daring structure, and introduces a bold new voice in contemporary fiction.

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PS: Special thanks to Fatima Saif for contributions to this list.

Modern Love is a regular column published by the New York Times. They are “interested in receiving deeply personal essays about contemporary relationships, marriage, dating, parenthood…” They pay $300 per essay. The submissions page is old, but is still up to date. To learn more, or to submit, be sure to read their submission guidelines.

Dame is a website “For Women Who Know Better.” They are “smart, quick-witted, opinionated and unapologetic.” They publish essays, news, analysis, and unique takes on relationships, gender politics, sex, race, entertainment, the arts, business, politics, Internet culture, health and everything in-between. Pay is negotiated. Previous reports indicate 13 cents per word. Learn more here.

Salon covers “news, politics, entertainment, culture, and technology through investigative reporting, commentary, criticism, and provocative personal essays.” According to their website, the best way of submitting articles and story pitches is by email. Payment reports suggest that they pay an average of $0.12 per word. For more details, visit this page .

Now What? is a monthly e-zine which contains “personal experience stories that show people’s struggles that either led them to faith in Christ or deepened their walk with God.” Some of their stories also include resources for addictions, mental illness, grief, etc. Their feature articles and personal experience stories are 1,000 to 1,500 words long. On publication, they pay an honorarium of $25 to $65. Further details can be found here .

On Parenting is a parenting blog of Washington Post. They are looking for pieces with an interesting angle to parenting. They welcome reported pieces and personal essays. They want the pieces to be no more than 1,200 words long. Payment reports suggest that they pay up to $2.50 per word. According to one of our readers, expect no more than $300 total. To learn more, refer to this page .

Oregon Humanities Magazine is a triannual publication that “offers a forum through which Oregon writers, scholars, and readers can use the humanities to explore timeless and timely ideas and themes.” For shorter department pieces, they pay $50 to $200 and for personal essays and features, they pay $300 to $800. To find out more, refer to this page

Mask Magazine is a monthly “online repository of youth and internet culture packed with interviews, editorials, news, and style in the age of unrest.” Editors look for “expressive, evocative prose”: personal essays, documentation of a singular event, studies of movements or phenomena from history, how-to guides or tutorials. Note: Editors decide whether submissions are featured as free content or content to be paid for. Payment is $40-$200. To learn more, read the writers’ guidelines: http://www.maskmagazine.com/docs/writers .

Extra Crispy is a lifestyle blog owned by Time Inc. They publish “opinion pieces, reported stories, personal essays, works of humor, illustrated narratives, breakfast-y profiles, original recipes, how-tos and unusual points of view on the beloved morning meal are all welcome. ” Payment reports indicate a rate of 50 cents per word, but will need to be negotiated. To learn more, read their submission guidelines.

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After weeks of deliberating over the right words and fine-tuning your creative nonfiction piece , you’re ready to begin submitting to literary nonfiction journals. The only problem is finding the right home for your creative nonfiction submission. What journals or literary nonfiction magazines should you prioritize submitting your work to?

Find your answer here: we’ve searched the net for great creative nonfiction journals, and any of the following 24 publications is a wonderful home for creative nonfiction—guaranteed.

If you’re looking to submit multiple genres of work, take a look at the best places to submit poetry and the best places to submit fiction , too!

24 Creative Nonfiction Magazines to Submit To

Just like our other guides on the best literary journals to submit to, we’ve divided this article into three different categories:

• Great journals to secure your first publications in
• Competitive journals for writers with previous publications
• High-tier creative nonfiction journals at the summit of publishing

Any publication in the following 24 journals is sure to jumpstart your literary career. So, let’s explore the best nonfiction magazines and journals!

Creative Nonfiction Magazines: Great First Publications

The following eight journals sponsor creative nonfiction from both emerging and established writers, making them great opportunities for writers in any stage of their journey.

1. Sundog Lit

Sundog Lit loves the weird and experimental, and it regularly seeks innovative nonfiction for its biannual journal. All submitted works should be well-researched and play with both form and content. Submit your hybrid content to this great creative nonfiction journal!

2. River Teeth Journal

River Teeth Journal specializes in narrative nonfiction. The journal operates with the motto “Good Writing Counts and Facts Matter,” which captures their preference for well-researched and thoughtfully composed CNF. Literary nonfiction submissions are open twice a year, typically between September and May.

3. Atticus Review

Atticus Review posts daily nonfiction, fiction, and poetry. They publish work that is unabashed and resilient, finding hope in even the toughest of situations. All published works after September 19th, 2020 receive a $10 award from this creative nonfiction journal!

4. Barren Magazine

Barren Magazine publishes nonfiction, fiction, poetry, and photography, preferring works with grit and muster. Each publication of this creative nonfiction magazine includes prompts: for their 17th issue, the prompts are “unorthodox, sensational, kinetic, quixotic, & transcendent.”

5. The Offing

The editors at The Offing look for work that’s innovative, genre-bending, and challenges conventions. The Offing is especially keen to support both new and established authors, making them a welcome home for your creative nonfiction submissions.

6. Crazy Horse

Crazy Horse sponsors emerging and diverse voices in its biannual publication. Submissions for this journal remain open between September and May, and they typically range between 2,500 and 5,000 words. This is a great literary journal to submit to for writers of all styles and narratives!

7. Dogwood: a Journal of Poetry and Prose

Dogwood is a journal of poetry and prose based out of Fairfield University. This annual publication only opens for submissions in the Fall, and each edition includes prizes for top pieces. Literary nonfiction from all walks of life are welcome here.

8. Montana Mouthful

Straight out of the Treasure State, Montana Mouthful seeks “just a mouthful” of fiction and nonfiction. Creative nonfiction submissions should not exceed 2,000 words but should still deliver a cogent, memorable story.

Creative Nonfiction Magazines: Reputable Literary Journals to Submit To

The following literary magazines and creative nonfiction journals can be tough competition, but with a few previous publications under your belt and a special story ready for print, the following journals could jumpstart your literary career. All of these journals have fantastic literary nonfiction examples!

9. Conjunctions

Conjunctions publishes daring works of poetry and prose, living by its motto to “Read Dangerously!” Submitted works should provoke, excite, and linger with the reader. Conjunctions publishes both a biannual magazine and a weekly online journal, both of which house fantastic literary journalism.

10. Black Warrior Review

Black Warrior Review is a biannual literary journal run by the University of Alabama in Tuscaloosa. This Whiting Awarded journal nurtures groundbreaking literary nonfiction, fiction, and poetry, with many of its authors going on to win Pushcarts and Best of the Net prizes!

11. Hippocampus

Hippocampus Magazine is one of the best creative nonfiction magazines out there, as it focuses solely on the publication of personal essays and nonfiction stories. Their strictly digital publication is highly literary and has many great creative nonfiction examples and pieces. Despite being a highly competitive journal, both new and emerging writers can find a home at Hippocampus .

12. American Literary Review

The American Literary Review , run out of the University of North Texas, publishes engaging and precise stories and poetry. The journal is currently on hiatus, but read some of its back issues and you’ll understand why it’s a great literary journal to submit to.

13. Fourth Genre

Fourth Genre is a biannual creative nonfiction journal published through Michigan State University. The journal amplifies diverse and powerful voices, seeking stories that are refreshing, earnest, and imaginative. Fourth Genre only publishes nonfiction, so read its back issues for some great creative nonfiction examples!

14. The Cincinnati Review

The Cincinnati Review is interested in literary nonfiction that can “knock your socks off.” Submissions for personal essays are open between September and January; writers can also submit flash nonfiction year-round to its miCRo series.

15. Creative Nonfiction

“True stories, well told” is the motto of Creative Nonfiction , the aptly-named journal of all things CNF. Creative Nonfiction celebrates a diverse range of voices and experiences, championing both new and established essayists. Between its literary publications and its creative nonfiction blog, writers can learn a lot from this journal. Send your creative nonfiction submissions to Creative Nonfiction !

16. Witness

Witness publishes prose and poetry that examines and analyzes the modern day. They seek stories about modern issues and events, often publishing bold and eclectic takes on serious issues. Witness is a more politically-oriented journal, making it a leader in contemporary literary journalism.

Creative Nonfiction Magazines: The Summit of Literary Nonfiction

The following journals are notoriously difficult to publish in, as writers often have to have a name built for themselves in the literary world. Nonetheless, the following publications exist at the summit of CNF, so keep these publications on your radar as top literary journals to submit to.

AGNI , a highly literary publication run at Boston University, publishes fiery, transformative prose and poetry. Creative nonfiction submissions should be polished, inventive, and highly original. Be sure to read their previous publications for an idea of what they look for!

18. The Atlantic

The Atlantic is well-respected for its literary journalism, making it a premier publisher of creative nonfiction. Though many of its published pieces are solicited, The Atlantic is always looking for fresh, bold stories and poetry, so it’s a premier place for nonfiction magazine submissions.

Salon does not present itself as a creative nonfiction journal, but many of its previous magazine issues are highly literary in nature, examining current issues with a sharp, educated lens. If you have nonfiction stories that are both personal and global in nature, Salon accepts queries for articles and editorials, so check them out!

20. The Antioch Review

The Antioch Review is a real page-turner, as their past publications can attest to. This highly literary journal publishes fantastic prose and poetry, and if you have a creative nonfiction piece that’s riveting and influential, The Antioch Review is looking for your creative nonfiction submissions.

21. The Colorado Review

The Colorado Review is a tri-annual publication steeped in history, with original issues featuring poetry and prose from Langston Hughes, E. E. Cummings, Henry Miller, etc. The journal is committed to contemporary literature, seeking voices that are transformative and capture today’s (or tomorrow’s) zeitgeist. The Colorado Review is a fantastic space for literary journalism and will certainly welcome your creative nonfiction.

22. The Virginia Quarterly

The Virginia Quarterly publishes a wide array of literary nonfiction, fiction, and poetry, promising both ample readership and ample pay. VQR seeks inventive and imaginative stories, and it accepts both personal essays and nonfiction pieces on literary and cultural criticism. Submissions are generally open in July, but keep tuned for any special announcements or brief reading periods!

23. New England Review

New England Review is a quarterly publication of all things literary. The journal is dedicated to publishing both emerging and established voices, though it remains a highly competitive journal for creative nonfiction. NER is a great literary journal to submit to for stories that are engaged, critical, and sparkling.

24. North American Review

The North American Review is the oldest literary magazine in the United States. Since its inception in 1815, it remains one of the best nonfiction magazines to submit to, publishing strong literary voices with imaginative story arcs and moving messages. Nonfiction magazine submissions at North American Review are always spectacular—go check them out!

Tips for Publishing Your Creative Nonfiction Submissions

“How do I get my nonfiction published with so many other voices in the room?” This is a question we hear often, and as writers in the modern day, we can’t help but notice how diverse the publishing world is, and how everything “has already been written.” How can you make sure your story gets published in the right creative nonfiction magazines?

Of course, no story is guaranteed publication, but if you’ve written an earnest, sparkling story with grit, character, and truth, then the right literary journals to submit to are in this list. Additionally, you can boost your chances of success with the following publishing tips:

Start With a Powerful Title

Your creative nonfiction submissions should draw the reader in right away, which means starting with an attention-grabbing title. Your title could be a singular and obscure word, or it could be a long description, or anything in-between—the goal is to stand out while representing your story faithfully.

Here are some great titles we saw from a brief glance at the literary nonfiction examples from Hippocampus :

• Bar Bathroom Graffiti in New Orleans: A One Year Catalog by Kirsten Reneau
• Necrokedeia for Children by Mark Hall
• Ford Motor Company Tells Me About Perseverance by Alexis Annunziata

These titles give you an idea about the story itself while also drawing you in with wit, humor, or obscurity. Literary editors have thousands of stories to read each year; give them something to notice so you can stand out among the rest!

Follow the Creative Nonfiction Journal’s Formatting Guidelines

A surefire way to receive rejections on your literary nonfiction is to ignore the formatting guidelines. Each journal has its own requirements, though they often align with MLA formatting requirements, but be sure you follow the journal’s instructions faithfully, or else they may discard your submission without even reading it.

Read the Creative Nonfiction Magazine’s Past Issues

The 24 publications mentioned in this article are some of the best nonfiction magazines in the world, in part because they adhere so strongly to their tastes and preferences. As such, no two journals are alike, and each publication has its own expectations for the nonfiction they read and publish. Before you submit your creative nonfiction, be sure to read some past publications and gauge whether your essay will fit in with the journal’s literary tastes.

Keep Track of Your Submissions

Many creative nonfiction journals allow simultaneous submissions, meaning you can submit the same piece to multiple journals. However, if one journal accepts your work, you need to notify the other journals that it has been accepted and is no longer available for consideration.

Keeping track of your creative nonfiction submissions in a spreadsheet or personal organizer is essential: if multiple journals publish your story, it could harm your chances of getting published in the future.

Aim High—But Not Too High

Your personal essay deserves to be read, but if you’re only submitting to journals like VQR or The Atlantic, it might never see the light of day. Part of the publishing process means building your publication history and portfolio.

Your literary journalism will one day get published in Salon or the New York Times, but until then, focus on getting recognized in smaller and medium sized journals—and don’t let rejections bring you down, because it’s only up from here!

Fine-Tune Your Creative Nonfiction Submissions with Writers.com

Looking for extra help on writing your personal essay, lyric essay, or hybrid nonfiction piece? The instructors at Writers.com are ready to assist you. Gain valuable insight and diverse perspectives on your nonfiction stories before submitting them to the 24 creative nonfiction magazines we’ve listed.

Good luck, and happy writing!

Sean Glatch

This is a very well written, informative and inclusive article, and I will follow up. The art piece is wonderful.

Here is another market that pays authors https://www.authormag.com/paying-market/

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How To Publish Personal Essays – From Small Press To Collections

• by Robert Wood
• June 1, 2015
• One Comment

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Though they get less press than novels and short fiction , personal essays actually have one of the most welcoming markets in publishing. Dedicated essayists have a great chance of seeing some form of publication, so long as they’re willing to put the work in and understand the marketplace.

That’s why in this article I’ll be exploring the ins and out of publishing your personal essays, starting with how you can secure publication on the lowest rungs of the industry ladder, and then leading up to the anthology or collection publication of multiple essays. But whether you’re a writer of novels, plays, or personal essays, the first piece of advice will always be the same…

Read, read, read

As with any art form, there are trends in the personal essay market. It’s also the case that most publications will have preferences about things like tone, length, subject, and structure. Because of this, whether you’re writing essays in general or for a particular publication, the first step is reading as many as you can get your hands on.

Your research should be focused, however. Reading the great essays , collections by writers such as George Orwell or Oscar Wilde , is of course a good idea but the bulk of your reading needs to be targeted at the sort of publication you’re writing for.

There are many kinds of small touches, technicalities of rhythm and pace, which can only be learnt by reading good examples, but most publishers won’t just be interested in whether your work is good – they’ll be interested in whether or not your work suits their publication. The key is to study their publications relentlessly, first deliberately striving for the ‘feel’ of the work they publish and then gradually allowing it to become a natural style.

This sounds difficult, and at first it will be, but there are two facts which should make beginner essayists feel better:

• The ability to assume a style is one which gets easier and easier with practice. The more different styles you learn, the easier you’ll find the whole process, and very quickly you’ll have a wardrobe full of styles you can slip into to suit the occasion.
• Generally speaking, the better established the publication the less strict they’ll be about conforming to a set style. The demands on quality go up of course, but publications with existing industry and readership respect will be less concerned with the safety of conformity, and more concerned with showcasing the best of your unique talents.

It will take a while for these facts to come into play, but you should feel reassured that however difficult you find it starting out, that’s as difficult as it gets.

Reading should be a constant through your attempts to gain publication, but what you read should change according to where you are on the essayist’s pyramid.

The pyramid

The essayist’s pyramid is a way of combining the different levels of essay publication with the work it takes to move from one to the next. The pyramid basically consists of four levels. At the base are local and specialist publications, the next level up is regional publications, then national and international publications, then successful collections.

The pyramid doesn’t just represent a hierarchy; it’s a guide to progressing from one level to the next. One of the biggest deciding factors in whether a publication will consider your work is your reputation and publication history. Because of this, it’s necessary to have a lot of local publications under your belt before you contact a regional publication, a lot of regional publications before you try for national, and finally to be a frequently published national essayist before you can expect to be successful with a collection of essays.

Self-publishing gives you the ability to skip any of these steps, releasing your work to the world through blogging or e-books. While these are valid routes they’re unlikely to lead to success on their own unless you have a unique viewpoint or presentation. Instead it’s advisable to view websites as you would any other publication. Yes all websites are available to anyone, but realistically they still fall into a structure so similar to ‘local / regional / national’ that they can be discussed in the same breath. Once you have a few essays on a few minor websites you can try moving up, and keep going until there’s sufficient audience to follow you to your own online venues and digital publications.

So now we’ve looked at the route essayists can take to success, it’s time to discuss how they can get started.

Finding publications

The more local a publication the more likely they’ll be to publish you. This isn’t just a matter of circulation, but it doesn’t hurt. A sense of community + a small pool of potential talent = welcoming publishers. For the same reason specialist magazines, those which deal with a specific realm of subjects, are likely to be similarly well disposed towards your work.

Local publications can be found… well… locally. Eateries, libraries, and healthcare centers are good places to search. Established local publications, especially newspapers, will often have adverts for less well-known magazines.

If you’re working online then it’s just a matter of searching around and gauging which publications will be most appropriate for your work. Either way this approach is one which works all the way to the top of the pyramid. Regional publications will contain adverts for local ones, and national magazines are a good source for regional publications.

Each block of the pyramid stays aware of the block below (everyone wants to know where the talent is coming from), and so the more you work the more recognizable you’ll be to those you need to contact next.

The submission system

As I mentioned in my article on publishing short fiction, if you’re serious about publication then you need to establish a system where you’re always submitting and waiting to hear back about a submission.

Waiting to hear back from one publication before submitting to another is wasted time. Ideally you should have a few articles ready to go ‘out’ when you begin, then spend the time before you hear back writing more.

Every writer experiences more rejection than acceptance (mainly because the same piece can be rejected a hundred times, but only accepted once.) You shouldn’t be disheartened, but equally you shouldn’t let any necessary rejections on your road to success waste time you could spend succeeding.

Reading, writing, and submitting are a constant process. Getting published is a job, and it’s one you have to keep showing up for. Do so, though, and you can reach the achievement every essayist dreams of…

Collections and anthologies of personal  essays

‘Anthologies’ are collections of essays in which your work can be featured, whereas you can publish a ‘collection’ made up entirely of your own work.

To make it into an anthology you need to scour literary magazines for one with a theme you think you’d suit. Here the need to tailor your writing to the publication in question is more important than ever. Hang a list of their guidelines in your writing space and stick to it . Anthologies gather most of their audience based on interest in the overall theme, so deviating from it will get your work quickly dismissed.

If you’ve worked your way up the pyramid those who have already featured your work will likely be thrilled to trumpet your achievements, so if you do make it into an anthology make sure to contact former publishers. They may want to advertise your work, or even have you write something.

This is doubly the case when you publish a collection all your own, as there will be fewer other sources of exposure. Thankfully former publishers will almost always be genuinely happy to acknowledge your success, and it will also help their own prestige to be associated with a successful author. Collections are almost always the exclusive preserve of famous essayists – the kind you see week-to-week in national newspapers – but there is a healthy market for self-published collections by lesser-known but established authors, especially when they deal with specialist topics. Whether you’re a beer brewer, a trout fisher, a doll collector, or really almost any kind of hobbyist, there’s a niche for your work already waiting.

Building the pyramid

As I said before, finding some form of publication is just a matter of hard work. Moving up the pyramid you need to keep experimenting with your style and making sure that the work you’ve done on one level supports what you’re attempting to do on the next. A firm base is vital, and is the greatest tool in what have to be constant efforts to improve both your art and the places it can be found.

Above all, remember these three things:

• Always be reading, writing, and submitting.
• Write with your publication of choice in mind.
• Keep building.

For more advice on the logic behind entering competitions and anthologies try Should you enter a writing competition? Or for how to build an email list, a must for writers who will be moving from publication to publication, check out Why you need to have an email list right now .

Robert Wood

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• Op-Ed Project Op-ed writing resources and submission advice for specific newspapers and online news sites.
• 19 Websites and Magazines That Want to Publish Your Personal Essays Compiled by Lisa Rowan, this site provides links to websites and their submission guidelines for personal essays.
• 20 Great Places to Publish Personal Essays Compiled by freelance writer, Meghan Ward, a list of popular magazines and websites that accept personal essays.
• Tips to Help You Publish Your Personal Essays Authored by Sheila Bender, discusses strategies for identifying popular press, small presses and regional/local publishers to publish your essay in.
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We publish personal essays, short stories, poems, and black-and-white photography in print and online in our monthly magazine.

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First-time authors and award-winners alike find their place in The Sun . We are particularly interested in submissions from marginalized voices.

Our uncommonly supportive community of readers includes 60,000 print subscribers and thousands more website visitors. And The Sun is ad-free, so when we share your work, we don’t crowd it with distracting sales pitches.

Detailed submission guidelines, including our compensation rates, are available below.

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We publish writers who aren’t afraid to be vulnerable, who don’t shy away from difficult truths, and who don’t always deliver what our readers expect. Does your work invite us into a moment of reflection?

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From ‘Lives’ to ‘Modern Love’: Writing Personal Essays With Help From The New York Times

By Katherine Schulten

• Oct. 20, 2016

If you’re a regular Times reader, you’ve no doubt enjoyed, and maybe even taught with, some of the 1,000-plus personal essays from the Magazine’s Lives column , which has run weekly for decades.

But did you know that NYTimes.com also regularly features personal writing on everything from love and family to life on campus , how we relate to animals , living with disabilities and navigating anxiety ?

In this post we suggest several ways to inspire your students’ own personal writing, using Times models as “mentor texts,” and advice from our writers on everything from avoiding “zombie nouns” to writing “dangerous” college essays.

And since we’ve linked to but a fraction of the thousands of engaging personal pieces published in the paper over the years, we also invite you to add your own suggestions in the comments.

Seven Ideas to Inspire and Improve Personal Essays

App smart | digital diaries, a look at apps that help you document your daily life, through words, pictures and social media..

1. Keep a journal.

Research suggests that recording our run-of-the-mill, daily experiences, rather than just our highs and lows, could bring us unexpected joy. And there are apps you can use to make doing that easier.

Read “ How Keeping a Diary Can Surprise You ” to learn more — and check out what other teenagers told us back in 2011 when we asked, Do You Keep a Diary or Journal?

But don’t stop at just journaling. Go back, read over what you wrote, look for patterns and think about what these “personal stories” reveal about you. A recent article on the Well blog suggests that writing and editing stories about yourself can help you see your life differently, and actually lead to behavioral changes:

The concept is based on the idea that we all have a personal narrative that shapes our view of the world and ourselves. But sometimes our inner voice doesn’t get it completely right. Some researchers believe that by writing and then editing our own stories, we can change our perceptions of ourselves and identify obstacles that stand in the way of better health.

Read about how personal story editing helped 40 college freshman at Duke University who were struggling academically, then think about how you can use the techniques yourself.

2. Use current events and issues as a jumping-off point.

That’s what we’ve done every school day since 2009 with our Student Opinion question : we find an interesting article in The Times, pose a question about it, and invite any teenager anywhere in the world to answer it.

In fact, we’ve just published a list of 650 of those questions that ask for personal and narrative writing , on topics like sports, travel, education, gender roles, video games, fashion, family, pop culture, social media and more. Visit the collection to get ideas and to access related Times articles to help you think more about each.

Then, ask you yourself, what issues and current events do you care most about? How do they impact your life? What personal stories can you tell that relate to them in some way?

For instance, maybe the impact of technology on our lives concerns you. In our collection of prompts , you can find nearly 50 different ways we’ve taken that topic on, each linked to a Times article or essay on the topic.

For just one example, though, you might read Gary Shteyngart’s essay “ Only Disconnect ”:

With each post, each tap of the screen, each drag and click, I am becoming a different person — solitary where I was once gregarious; a content provider where I at least once imagined myself an artist; nervous and constantly updated where I once knew the world through sleepy, half-shut eyes; detail-oriented and productive where I once saw life float by like a gorgeously made documentary film.

Does it surprise you to realize this essay was written in 2010? Do you think his observations are even more true today? What stories do you have to tell about life online?

Another excellent place to glean ideas is the Op-Ed page , where writers respond to the news of the day with occasional personal essays. In this one, a classic from 1999, a teenager reacts to the Columbine school shootings — then blamed in part on school cliques that made some feel like outsiders — with an essay headlined, “ Yes, I’m in a Clique .”

Or read this week’s “ How to Vote as an Immigrant and a Citizen ,” an Op-Ed by the novelist Imbolo Mbue about what it means to her to vote on November 8 and, for the first time, have “a say in America’s future.”

Other great places to look for ideas other than our daily Student Opinion question and the Op-Ed page? Check the Trending lists , or visit our monthly Teenagers in The Times series .

3. Take some tips from experts.

Our lesson plan, Writing Rules! Advice From The Times on Writing Well , compiles nine guidelines from many different Times sources on everything from “listening to the voice in your head” to writing with “non-zombie nouns and verbs.”

But for one-stop shopping on the personal essay in particular, you might just read “ How to Write a Lives Essay ,” in which the author asks the magazine’s editors for a “single, succinct piece of advice” for getting an essay published in the long-running column devoted to personal stories.

Here are a few of the answers, but read the whole post to see them all:

• More action, more details, less rumination. Don’t be afraid of implicitness. And the old Thom Yorke line: “Don’t get sentimental. It always ends up drivel.” • Meaning (or humor, or interestingness) is in specific details, not in broad statements. • Write a piece in which something actually happens, even if it’s something small. • Don’t try to fit your whole life into one “Lives.” • Don’t try to tell the whole story. • Do not end with the phrase “I realized that … ” • Tell a small story — an evocative, particular moment. • Better to start from something very simple that you think is interesting (an incident, a person) and expand upon it, rather than starting from a large idea that you then have to fit into an short essay. For example, start with “the day the Santa Claus in the mall asked me on a date” rather than “the state of affairs that is dating in an older age bracket.” • Go to the outer limit of your comfort zone in revealing something about yourself. • Embrace your own strangeness.

How can you apply any, or all, of these pieces of advice to an essay you’re writing?

4. Borrow an opening line for inspiration.

Back in 2011, we ran a contest that invited students to Use Opening Lines From the Magazine’s ‘Lives’ Column as Writing Prompts . Contestants were allowed to write stories, essays, plays, memoirs or poetry, and could use lines like these:

It’s impossible to look cool when you’re part of a tour group. (From “ In Too Deep ”) Mornings are not our best family moments . (From “ Mother’s Little Helper ”) Cosmic forces have a way of turning up the heat to make us change. (From “ The Tractor Driver or the Pothead?” )

After you look at the full list of first lines, jump over to read the work of our winners , and see how they took first sentences like “I am parked in a rental car in front of the house where I grew up,” and made them their own.

Around Valentine’s Day that same year, we invited students to use first lines from the weekly Modern Love column as “passion prompts ,” and that time we showed them how to take the basic idea from the essay and adapt it for themselves:

• Times sentence, from “The Day the House Blew Up” : We went out to the house last month to celebrate Valentine’s Day. But then the house exploded. Sentence starter: We went to [place and time] to celebrate Valentine’s Day. But then… • Times sentence , from “In a Wedding Album From the City’s 5 Borough Halls, Tales as Varied as the Rooms” : It was just another Saturday night on Queens Boulevard two years ago when Eddie Ellis and Gladys Corcino pulled up beside each other at a red light near 65th Street. Sentence starter : It was just another [day/time of the week] on/in [location] when [name] and [name]…

Scroll through all our choices from these two posts, or find your own opening line from a more recent Times essay to inspire you. How can you adapt it and make it your own?

5. Use images to spur memories and ideas.

We’re all about images as inspiration on this site, and this year we even have a new daily writing feature called Picture Prompts , and a lesson plan about teaching with images to go with it.

Scroll through the feature , and either follow the prompts we suggest, or use any of the images that catch your interest to write whatever you like. What memories does it inspire? What personal connection to the content can you make? What stories from your own life does it remind you of?

Other great places to find images in The Times?

• Lens , a Times site for photography, video and photojournalism

• The Lively Morgue , a Tumblr of images from the Times archives

• Looking at Our Hometowns , a 2013 Lens project that asked, “What would happen if you asked high school students to help create a 21st-century portrait of the country by turning their cameras on their neighborhoods, families, friends and schools?”

6. Craft a great college essay.

Our lesson plan, Getting Personal: Writing College Essays for the Common Application , helps students explore the open-ended prompts on the Common Application , then analyze Times pieces that might serve as models for their own application essays.

For example, take this prompt: “ The lessons we take from failure can be fundamental to later success. Recount an incident or time when you experienced failure. How did it affect you, and what did you learn from the experience? ”

Here are some first-person Times essays that could serve as models for writing about the theme of failure:

• “A Rat’s Tale ”: A writer discusses her failure to be the sister her brother wanted and what she learned. • “Pancake Chronicles ”: An entertaining account of a disastrous first job. • “A Heartbroken Temp at Brides.com ”: After a groom changes his mind, his would-be bride, with “no money, no apartment, no job” takes a position at a wedding website.

The lesson also links to a number of Times articles that offer advice on everything from “ Going for the ‘Dangerous’ Essay ” to “ Treating a College Admissions Essay Like a First Date .”

Another source of inspiration is Ron Lieber’s annual contest for the best college essays that address issues of money, work and social class.

These essays, as he wrote in 2015 , are “filled with raw, decidedly mixed feelings about parents and their sacrifices; trenchant accounts of the awkwardness of straddling communities with vastly different socio-economic circumstances; and plain-spoken — yet completely affecting — descriptions of what it means to make a living and a life in America today.”

You can find them all, by year, here:

2016: Memories and Hopes: The Top Essays

2015: Essays About Work and Class That Caught a College’s Eye

2014: Four Stand-Out College Essays About Money

2013: Standing Out From the Crowd

7. Learn from more Times models on popular themes.

What we’ve compiled below is just a very, very small taste of the thousands of essays you can find in The Times on these topics.

Please preview any that you assign to students to make sure they are appropriate.

Love, Romance and Relationships

Most of the selections below are from the long-running Modern Love column , and begin with some winners of their college essay contest. You might also want to read some observations from the editor on “ How We Write About Love ” and his selection of “ The 10 Best Modern Love Columns Ever .”

” Want to Be My Boyfriend? Please Define ”

“ Let’s Not Get to Know Each Other Better ”

“ No Labels, No Drama, Right? ”

“ The Perils of Not Dying for Love ”

“ Swearing Off the Modern Man ”

“ Swiping Right on Tinder, but Staying Put ”

“GPS on a Path to the Heart”

“Alone When the Bedbugs Bite”

“Drowning in Dishes, but Finding a Home”

“ The Ballad of Tribute Steve ”

“Geekdom Revisited”

“ The Summer I Discovered Suburbia ”

“ Safe on the Southbank ”

“Advice; Teen Angst? Nah!”

“ My High-School Hoax ”

“ My New Look ”

“ How Ramen Got Me Through Adolescence ”

“ Forbidden Nonfruit ”

“ Familiar Dish, Familiar Friend ”

“ Memories of Meals Past ”

“We Found Our Son in the Subway”

“ Disco Papa ”

“Nice Girls”

“ Skinny-Dipping With Grandma ”

“ Dive Nights ”

“ Praying for Common Ground at the Christmas-Dinner Table ”

“ A Nanny’s Love ”

“The Subject of the Sibling”

“Montana Soccer-Mom Moment”

Race, Religion, Gender and Sexuality

“ Milwaukee’s Divide Runs Right Through Me ”

“ An Open Letter to the Woman Who Told My Family to Go Back to China ”

“ I’m Ghanaian-American. Am I Black? ”

“ Anti-Semitism at My University, Hidden in Plain Sight ”

“ Intolerance and Love in Jamaica ”

“ What I Learned in the Locker Room ”

“ The Boy of Summer ”

“ Track Changes ”

“ Learning to Embrace Sexuality’s Gray Areas ”

“ The Undress Code ”

“ My Gymnastics Feminism ”

And a Few Extras that Don’t Fit Neatly Into Any of the Previous Categories ...

”The Monkey Suit”

“ Who’s the Jerk Now, Jerk? ”

“Finding That Song”

“ Scanning the Pandas ”

“ Eternal Bragging Rights ”

Places to Find Personal Essays in The New York Times

Lives: A place for true personal essays, this column has been running weekly in the Magazine for decades.

Modern Love : A series of weekly reader-submitted essays that explore the joys and tribulations of love.

On Campus : Dispatches from college students, professors and administrators on higher education and university life.

Ties : Essays on parenting and family from Well .

Essay series from The Opinionator (some no longer taking submissions):

• The Couch: A series about psychotherapy • Private Lives : Personal essays from writers around the globe, on the news of the world and the news of individual lives. • The Stone : A forum for contemporary philosophers and other thinkers on issues both timely and timeless. • Draft : Essays by grammarians, historians, linguists, journalists, novelists and others on the art of writing — from the comma to the tweet to the novel — and why a well-crafted sentence matters more than ever in the digital age. • Townies: A series about life in New York — and occasionally other cities — written by the novelists, journalists and essayists who live there. • Disability : Essays, art and opinion exploring the lives of people living with disabilities. • Anxiety : This series explores how we navigate the worried mind, through essay, art and memoir. • Menagerie : Explores the strange and diverse ways the human and animal worlds intersect.

Metropolitan Diary : Short anecdotes about life in New York City

Complaint Box : Discontinued in 2013, this column was part of the City Room blog and simply asked New Yorkers, “What Annoys You?”

More of Our Lesson Plans on Writing Personal Pieces

I Remember: Teaching About the Role of Memory Across the Curriculum

Creative State of Mind: Focusing on the Writing Process

Reading and Responding: Holding Writing Workshops

Reader Idea | Personal Writing Based on The Times’s Sunday Routine Series

Can’t Complain? Writing About Pet Peeves

Thank You, Thesaurus: Experimenting With the Right Word vs. the Almost-Right Word

Skills Practice | Writing Effective Openings

Best 7 places to publish your personal essays

Best 7 Places to Publish Your Personal Essays, University Degree Advice, Higher Education Tips

Best 7 Places to Publish Your Personal Essays

Readers & Writers – Architectural Higher Education Article

23 July 2019

Personal essays are very popular with both readers and writers. As readers, we can really engage with personal essays, feeling a genuine connection to the emotions and experiences of the writer. As writers, personal essays are a free form of expression, allowing us to allowing us to tell stories from our past or give our views on certain subjects, expressing our thoughts however we choose on an almost limitless range of subjects. Writing personal essays can be a highly enjoyable experience for any student, academic, or professional writer, and here are some of the best places to publish them online.

Best Places to Publish Personal Essays

The Guardian

A British newspaper with history going all the way back to the 1820s, The Guardian ranks right up there as one of the top news, entertainment, sport, and culture sources in the world, so it’s a great place to get your work seen by a big audience. The Guardian makes it easy for writers to submit their work too, with a simple pitch system and basic guidelines to follow. You will probably need help to write my essay . The Guardian even gives writers a list of suggested topics to write about and offers plenty of help and support to its writers, making it one of the best options for submitting your personal essays.

Marie Claire

A leading source of articles and information relating to the worlds of beauty, fashion, love, sex, celebrities, and more, Marie Claire is a great place to send off your personal essays. This publication is always looking for funny, deep, moving, and insightful pieces and really likes relatable content that its readers can engage with and talk about. If you think you can provide that kind of content, Marie Claire is a great choice and past writers have reported that this site pays very well for personal essays too.

The Boston Globe

One of the oldest, most read, and most significant newspapers in the entire United States, the Boston Globe happily accepts submissions of personal essays for its Connections section, which is all about love and relationships. Writers are paid for their work and essays need to be around 650 words in length on average. You can send your submissions over to the following email address: [email protected] . The Boston Globe is able to offer a good rate per word for successfully submitted essays, so it’s a nice way to make a little extra cash.

The New York Times

Another excellent site to submit all your personal essays, The New York Times is read by millions on a daily basis and is well-known for its high standards of quality. The ‘Modern Love’ section of The New York Times takes submissions of essays up to 1,700 words in length, and all you need to do is email your work over to [email protected] and hope you make the cut. You can consult the site’s pages on pitches, writing tips, and other advice to write better content and have a higher chance of success, or you could turn to a custom assignment writing service for help.

One of the best subjects to write about in any personal essay is parenting. Moms and dads go through some extraordinary experiences and often have a lot of funny and very relatable stories to tell, and Motherwell is a great place to share them. This site accepts parenting-related personal essays of around 1,200 words max. Every successful published essay results in payment for the writer, and sharing your own stories of parenthood can be a great way to connect with other moms and dads out there as well.

The New Statesman

The New Statesman is a British magazine focused on politics, news, and culture. It’s a good place to submit your personal essays if you’re interested in current affairs and feel like you have something important to say about political or cultural issues in the world today. This magazine actually offers its own well written guide for contributors, offering advice and support, as well as a list of guidelines to follow in order to give your piece the best chance of being accepted and published.

A very popular women’s magazine that mostly talks about beauty and fashion, but also reports on celebrities, entertainment, and relationships too, Glamour is always looking out for talented writers and interesting personal essays to share with its readers. If you like to read, think, discuss, and write about subjects related to the worlds of beauty and fashion, you’ll have a good chance of getting published with Glamour. To give yourself the edge, you could also seek out an affordable online essay writing service to proofread or edit your work and make some improvements.

Writing personal essays is a great way to get your feelings, thoughts, and experiences down on paper and express your opinions, but the real value to be found in these kinds of essays is getting them out there in the public eye and letting as many people read them as possible. Personal essays can provoke a lot of debate, discussion, and emotional response in your readers, so it’s a great idea to try and get them published on a big site, like those listed above.

Not every submission attempt will be successful, but keep on trying and seeking feedback to improve your writing skills and you’ll start to see your success rate rise.

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Be Heard: Where to Submit Essays Related to Current Events

June 5, 2020.

Hello, friends! As lovers and publishers of creative nonfiction we’re aware that, right now, it’s so important to express ourselves through words. As writers, putting pen to paper is how we move forward, either to help ourselves or others understand things more clearly or to speak the truth and influence change. While some might be journaling privately, others may be urgently submitting their stories to lit mags, websites, dailies, and more.

Hippocampus publishes our regular issues bi-monthly; as of today, that means our next issue is our July/August 2020 issue.

But… much of the work being created now needs to be heard NOW.

As we aren’t the right outlet for a timely piece, we wanted to point our readers/submitters to places where their submissions will get more immediate attention, whether literary magazines or outlets that publish personal essays more frequently, even daily, or to special calls for submissions, either for special issues or forthcoming anthologies.

Curated Lists of Opps from Our Friends Around the Web

Other publications and outlets have spent time creating lists and curating opps, so we’d like to link directly to their work:

• Submittable created a COVID-19 Creative Calls for Submission , which seems to be updated to add new content as they find it; multigenre.
• The New York Times article, “12 Ideas for Writing Through the Pandemic” includes some submission info
• We’ll continue to add to this list as we find resources or receive suggestions

Literary Magazines & Other Publications: Specific Calls

• COVID Lit – various genres/forms (rolling submissions)
• “For this issue, we want to examine the truths and the lies that we’re uncovering amid this global pandemic. With this call, we seek to elevate the already and the always, the ordinary and the overlooked.” — from the submission guidelines
• The Syndrome Magazine – Black Voices Matter – submissions from women/non-binary writers – deadline June 30
• Uncomfortable Revolution – seeking timely articles/stories on the intersection of pop culture, disability, race, and ethnicity. (rolling submissions)
• The HerStories Project – GenX women and impact of COVID-19 – June 30 deadline
• essays, poems, and art, “… that amplify the experiences of Black and African American writers in American society.” — from the guidelines
• “Art as resistance is not naïve or futile—it is bold and courageous. It embraces that which makes us human—our love, our anger, and our passion.” — from the guidelines
• Allegory Ridge – open to personal essays with the theme “Grow” (complete or pitch) – deadline June 12
• Vessel – op-eds (complete or pitch) – (rolling submissions)
• “…Queer Loving while also elevating Black and queer voices and creating a space of love, courage, and solidarity…” – from the guidelines
• PlanPhilly/WHYY – op-eds (Philadelphia-related) for the Eyes on the Street Section – (rolling submissions)
• Policy Network (based in Europe) – op-eds/articles for new series, Aftershock: Society and Politics After the Pandemic
• Longreads – current themes include Life in the Time of Covid and Amplify: Stories of Racism in America
• Entropy – new series, Food and COVID-19 (rolling submissions for now)
• T MI Project – COVID-related submisions (rolling submissions for now)

National Publications & Other Outlets: General Rolling Submissions

These publications traditionally accept personal essays, op-eds, and story pitches. (We linked to submissions pages where we could find them; others only list contact information.)

• How to submit an op-ed
• Inspired Life
• Boston Globe (essays, op-eds)
• General submissions
• Guardian Opinion
• Vox First Person
• Business Insider (op-eds and personal essays)
• HuffPost Personal
• Well + Good
• New York/The Cut
• Toward Freedom
• Various Outlets , the Op-Ed Project offers a database of papers and pubs that accept opinion submissions
• Medium publications , various – explore the many editorial publications at Medium that are open for submissions

Miscellaneous

Our suggestions are geared toward personal essays/literary CNF because that’s our main audience, but because we’re sharing this post on social media, we know a broader audience might see this. So we also wanted to include ideas for other ways to publish work/share your voice:

• An op-ed to your local or regional newspaper
• An op-ed to a local, independent online news publication
• A letter or story pitch to your alumni magazine or college publications (if they are publishing online during the summer)

If you’re working on something super-timely, we hope that this list of resources is helpful in finding your words a home. Hippocampus Magazine is always open to simultaneous submissions, so you may also submit work to us and withdraw it if it’s accepted elsewhere.

Special Note About Our July/August 2020 Issue

Right now, Hippocampus Magazine is selecting and finalizing pieces for the July/August issue. Typically, we have a 3-4 month lead time to review submissions, since we read pieces in the order that we receive them. However, given the gravity of the moment and the urgency and necessity of writing that reflects the world as it truly is, we plan to keep a close eye on more recent submissions as well.

(If you know of another opportunity not listed here, you can share it with us in the comments; we’ll try to update this post to add new suggestions, elevating them from the comments.)

P.S. Additional Opportunities (related, but longer-term deadlines)

While not timely in the sense of being published within the next few weeks, the following are related calls for submissions for magazines, special projects, and anthologies; we discovered them in our search and thought we should still share them here:

• 805 Lit + Art – special 19th Amendment/Black Women Issue (August 2020) – deadline June 7
• Flash Nonfiction COVID-19 : 73 Short, True Stories from the Front Lines of the Pandemic (publishes fall 2020) – deadline June 30
• CATALYST ( from Prevention at the Intersections, debut issue, Sept. 2020) – Mind, Body & Gender theme – deadline July 31
• Being Home: An Essay Anthology – Madville Publishing – deadline August 1
• About Place Journal – Works of Resistance, Resilience (for fall issue) – deadline August 1
• We’ll continue to add to this list as we spot opps or receive suggestions

IMAGE CREDIT: Flickr Creative Commins/ Pierre Metivier

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The 6 Best Self-Publishing Platforms That Get Your Work Out There

W riting is an ever-evolving art form that connects different parts of the world. As the medium changes and grows, so does the method of reaching readers. Once, a difficult-to-please editor stood in the way of new writers getting their work out there. Fortunately, that is no longer the case with the rise of the internet.

There are many options for self-publishing online, the advantages and disadvantages of which can be difficult to navigate. Fortunately, everything you need to know about the best platforms that reach a large audience is right here.

1. Kindle Direct

Amazon has been in the retail and marketing business since Jeff Bezos started the company in 1994. One of the first expansion moves Bezos made was acquiring online booksellers in different parts of the world. Amazon’s self-publishing platform has changed significantly since then, for the better.

One major factor to consider is the dominance of the Kindle in the eReader market. It’s easy to understand why Amazon’s flagship reading tablet corners the market. It checks many boxes on the list of things to consider when buying an eReader .

But the Amazon book store is an even greater accomplishment than the Kindle. It functions in different corners of the world as one of the greatest self-publishing platforms currently available online. Amazon puts the power back in the writer’s hands, allowing you to get your novel out there and keep 70% of the profits accrued.

In addition, Amazon offers books across genres like Romance, Mystery, and Adventure. It also facilitates the publishing of graphic novels and comic books. Users have significant control and input in the publishing process. You can enter key book details on the platform while attempting to publish a book.

What's more, you are responsible for writing a catchy book description that can entice readers enough to pick up a book. You must also enter the book title, author name, genre, and keywords.

Kindle Direct Publishing prioritizes quality over quantity. Any work submitted for publishing is rigorously scrutinized to ensure it adheres to platform guidelines. There is also a limit to the number of books a single author can publish within a given time frame. This is done to reduce delays in the review process.

Amazon has a strong name, and Kindle Direct Publishing benefits from the high traffic on their websites. Consequently, you’re sure to get plenty of eyes glancing at your work if you choose to use this platform. Thus, making it a great place to promote your eBooks .

2. Apple Books

Apple Books launched as iBooks in 2010 as a special feature on the iPad. However, it was later released on the iPhone and iPod that same year and has since been the choice application for literary enthusiasts who use Apple products.

One major merit of publishing on Apple Books is device compatibility. The company has a long list of supported hardware sold to millions of people around the world. As such, readers can browse and read titles on Apple Books on their iPhones, iPads, and MacBooks.

Another merit of the platform is that it allows users to import eBooks into their Apple Books . This versatility in usage attracts a large audience that authors can capitalize on.

The publishing process is fairly straightforward. You’ll need an iTunes Connect account to get started. In addition, converting your book to EPUB format should be the first step before proceeding.

You can also enter relevant metadata to help the Apple Books algorithm market your work from there. The Apple Books publishing portal also includes an entire section dedicated to promotion. This gives you pointers and recommends relevant platforms to get the word out about your new novel.

Apple Books is also a great choice for authors who prioritize audiobooks. You can use a digital voice to narrate your written work on the platform. Or, you can publish an already narrated story. Finally, there are no hidden fees on the platform, and authors earn a 70% royalty on every book sold, regardless of the price.

3. Barnes and Noble

Barnes and Noble is one of the oldest bookstores in America. It began as a traditional book retail merchant in New York City and has since grown into a Fortune 1000 company with an extensive reach.

Over the years, Barnes and Noble has evolved and currently offers self-publishing services on its web platform. They understand authors' needs and offer help with editing, marketing, and publicity. They offer the standard 70% royalty package to self-publishing authors and a chance to earn more when you publish hard-copy books directly through them.

Barnes and Noble simplify the process of uploading your work to their system by detailing what is required, so you can prepare it beforehand. Once you’ve uploaded your book, you can edit it before publishing. They also offer services that enable you to create and customize a front cover.

Authors can enter book details that help the Barnes and Noble platform promote their work, like genre and more. Once published, your book is added to the vast selection of available books and made easy to find.

4. Google Play Books

Google Play Books cuts across various devices, since it operates on anything running the latest version of Android. The platform is supported in over 75 countries worldwide, and three billion people could pick up your book if you choose to publish it on Google Play Books.

They offer authors the standard 70% revenue split, allowing you to maximize your profit with each book sale. The publishing process is as easy as creating an account, uploading your formatted work, and entering the necessary metadata and descriptions to hook new readers.

Google Play Books also allows readers to embed links to their book’s page on whatever platform they choose to self-promote. They also do not require exclusivity, which means you can publish on other platforms and still make the same money in royalties.

As a company, Google is known for effectively using search habits to recommend user products. This level of marketing also works in Google Play Books, reassuring authors that the right eyes will find their books.

5. Draft2Digital

Darft2Digital (D2D) is the parent company of popular distributor, Smash Words. They offer many of the tools other self-publishing platforms do, plus so much more. D2D provides authors with handy templates they can choose from to help organize their work.

Authors can set their price to whatever they want, and the platform only takes 10%, leaving authors with 90% in royalties for every sale. The platform boasts a fast and intuitive user interface, so even less tech-savvy authors are welcome.

Another helpful feature is the author page. D2D allows users to create custom pages that readers can go to when they intend to learn more about the author of their favorite books. It’s a great tool for authors who do not have their own websites.

Lulu is determined to help authors achieve the best results with their work. This includes providing templates as guides during the writing process and offering author toolkits packed with some of the most useful online tools and software for writing.

You can also boost your confidence by hiring a pro on the platform to critique your work and give you some pointers. All services offered on the site contribute to a successful self-publishing venture. They even help you set book prices you can be confident in.

Lulu also offers enticing author splits, only taking 20% for services rendered. This means you make 80% in royalties on each book sale. There is also the Lulu Direct service, which allows authors and users to sell on their own websites outside the Lulu platform.

Placing the Power Back in a Writer’s Hands

Self-publishing has elevated authors around the world, and the platforms detailed above give you the best advantage in terms of reaching the widest reader base and earning the most profit.

So, do a little experimenting. Feel free to use any combination of the six platforms above. Add that to a pretty good marketing strategy, and you’ll be well on your way to publishing your own eBooks as a professional.

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Geoffrey Mak Still Hasn’t Lost Hope in the Personal Essay

By jake nevins, photographed by acudus aranyian, may 7, 2024.

Geoffrey Mak, photographed by Acudus.

Last month, when I spoke to the writer and critic Geoffrey Mak about his debut collection of essays, Mean Boys , a white flower petal floated into his coffee just as he explained how he came to reconcile with his father, a firebrand conservative minister who features prominently in one of the book’s standout pieces, a tough but largely merciful account of their strained relationship and the indignities of the Evangelical church. It was a storybook moment that struck me as almost inappropriately mawkish, since Mak is not one for heavy sentiment. In Mean Boys , he applies a fierce intellect and a certain defiant posture to subjects as varied as edgelords, art fairs, raves, agitprop, organized religion, and mass murderers, but the conclusions reached are rarely tidy or comforting. Paranoia, distrust, and violence, Mak argues, are the defining sensibilities of these strange times. But we nevertheless retain our capacity for joy and intimacy, to be found, perhaps, in the random kindness of a stranger on the dance floor, or in the act of writing itself. “When I write, I care less about admiration and more about connection,” Mak explained. “And this very rich expansion of the soul can only happen with the personal essay.” Just before his book’s release, he and I got together downtown to talk about pain, pleasure, Trump, trad caths, and the Kardashians.

NEVINS: I finished the title essay last night. I feel like I should tell you up front that a very dear friend of mine grew up with Elliot Rodger and is mentioned by name in his manifesto. She’s actually working on this short in which she imagines his mother getting the call about the murders. So that was heavy on my mind as I was reading.

MAK: Oh, wow. Yeah, the mom. I tried not to do the whole “what went wrong” thing. I don’t think anyone wanted my speculation. But I felt really bad for her because like, she wasn’t that Asian parent who wouldn’t give positive affirmation. She really did, and she really had a kind of infinite patience. I don’t think Elliot was going out of his way to portray her well and she still came out pretty loving. So I feel really bad for her. Yeah, I would definitely watch this short.

NEVINS: I’ll keep you posted. Anyway, I was reading the title essay through the lens of your author’s note, in which you kind of riff on the uses and abuses of the personal essay. I’m curious to know what the utility of the form is for you, particularly in regard to these pieces.

MAK: Oh my gosh, I’m so opinionated on this. Where do I start? The personal essay now is really evolving. There are usually two directions it takes. I mean, everybody hates it. So the question is, “How do we make this less hateable?” And you either have one of two choices, which is to make it more like fiction or to make it more like journalism. And I think the pressure to push it in the direction of journalism is to back it up with research or reporting. So it’s like, this was my childhood in the church. Now I’m going to give you the history of the Presbyterian Church in America over the last couple centuries, and then I’m going to go back to myself.

NEVINS: And then in section four, we’ll do some scene work and actually go back to the church you had disavowed…

MAK: Yes, we’ve all read it. And I do really enjoy these essays. But specifically with Elliot Roger, I wanted to ask the question of what role pain has to do in our self-reported personal essays? Because I think our culture gives enormous authority to pain, but that also depends on who you are. If your pain is femme, queer, or non-white, it’s going to be respected as a source of authority. But we don’t seem to give a lot of aesthetic value or respect to stories of class deprivation. And then, in terms of status deprivation, there’s almost no discussion whatsoever because I don’t think our culture understands that status is real. But instead of using pain as a badge, there are other ways to represent it in literature, such as using it to disarm yourself and to become more open to relationships. I mean, something that really excites me about writing a memoir is the intense intimacy I will have with strangers I might never meet. I wanted to open the door to strange and intense intimacies. When I write, I care less about admiration and more about connection. And this very rich expansion of the soul can only happen with the personal essay. It’s special to me.

NEVINS: Yeah, I agree with that. I’m curious if it is any more or less strange than the intimacies that you write about experiencing more fleetingly while, say, K-holed on a dance floor. Those people will presumably know far less about you than your readers.

MAK: That’s true. But I am pretty much an open book. My boyfriend was like, “I’ve never met someone so unembarrassable before.” I write pretty openly about these years-long dry spells where I just wasn’t having any sex. And I think what happened during those years is that my brain and body and soul became really sensitive to opportunities for other kinds of intimacy other than sex. I think that wouldn’t have been the case if I were having a regular sex life. There are so many kinds of intimacy. I was listening to a lecture by the poet, Jorie Graham, and she was talking about how there’s a layer of intelligence in the human mind that is universal, and that’s the sensory one. Another thing about intimacy is that it doesn’t actually require knowledge. So when you’re on the dance floor, you’re radically intimate with all of these people moving together in the same direction, like a flock of birds. It’s really intimate to feel intense, purposeless joy.

NEVINS: I loved the section about how you assume a sort of maternal posture on the dance floor as the person whose job it was to sort of track everyone else’s highs. You and McKenzie Wark are writing more perceptively about nightlife than most people.

MAK: That book’s [ Raving ] amazing.

NEVINS: Yeah, that book’s great. But it does feel like the exception, since a lot of nightlife writing is just like, name-droppy. 

MAK: That’s true. Speaking of, I feel a little bad. I wrote a lot about my dad and I didn’t write a lot about my mom, and I’m actually much closer to my mother.

NEVINS: Well, that doesn’t surprise me after reading about your dad.

MAK: I know…

NEVINS: Has he read it?

MAK: He got the book on Sunday.

NEVINS: You couldn’t get him a galley?

MAK: I didn’t want to because I wanted to give him a finished copy. I was like, “Is it okay if you don’t read certain essays?” And he was like, “Geoff, it’s fine. It’s not going to be a big deal.” I can’t imagine him opening the table of contents and reading the title, My Father, the Minister and not reading it immediately.

NEVINS: It’s so hard, but we’re powerless. When I was 18 and had just moved to New York, I wrote this cringe essay in New York Magazine about getting paid for sex by a very famous artist who was 50 years older than me. It was my very first byline and I didn’t name him. I was like, “Mom, I was published in New York Magazine. But you can’t read it.” I assume she went online and read it anyway.

MAK: If I was more assertive about it, I think my dad would’ve respected it. But I mean, it’s a little bit selfish for me because it actually doesn’t make a huge difference. I wanted to protect him from certain things, but if he’s like, “It’s not a big deal,” then I’d be like, “Yeah, you know yourself. I’ll trust you.” It’s tricky because there’s the essay in the book about my father and then there’s the New Yorker one, which is basically the same exact material, but kind of truncated. But in the New Yorker one, I wanted to celebrate my dad. I wanted to tell the world that it was possible for a firebrand conservative to actually change his mind. But when I wrote the one in the book, I was in utter rage. The one in the book makes me look good. I’m the wronged one. I’m the one with the emotional strength to be like, “I forgive you.” But in the New Yorker one, I look really bad. I’m the burnout, the drug addict. I’m the one who goes home penniless and my dad says, “Yeah, I’ll take you in.” I think it’s a fuller story. 

NEVINS: Well, having read them both, I think this raises interesting questions about form. Narratively, in the container of the personal essay, did you not feel that both of these truths could coexist? By which I mean, do you feel that particular story, as it exists on the page, requires the tension of a character who’s plainly virtuous and one who’s not?

MAK: Well, the two of them together is a story of mutual forgiveness and at the end of the book version, I had this epiphany that we forgive people not because we think they can earn it one day. That’s not how forgiveness works. If you can earn forgiveness, that’s just called penance. What forgiveness really means is that we forgive someone because they can never earn it. There’s this moment where I call my father a coward. It’s pretty harsh, but I had asked him if he’d tell his church about me and he said no. So this kind of really intense failure is actually why I forgive him.

NEVINS: There’s no way a flower petal just fell into your coffee.

MAK: Right as we got to the moment of forgiveness. And to see him change made me radically optimistic about what the human heart is capable of. This isn’t in the book, but I did return to Christianity. Watching my dad model what a Christian was capable of made it quite appealing to me. I left Christianity and embraced queerness. And then when I came back to Christianity, I didn’t leave queerness. I brought it with me. I began reading some hard theology, and by “hard theology” I mean theology that’s meant for theologians. Liberals and leftists really hate Christians. And I’m not surprised. They have reason to. I hate them too. But all of the criticisms that the left has of Christianity, theology has answered them. People just don’t care enough to read it. It’s easier to have a target that’s demonized, and what’s more easy to demonize than the Evangelical church. I mean, they’re awful. But my whole life has been about finding tiny minorities that I could find a home in. I was never going to find a big movement that I felt was speaking to me. So there were the raves, there was theology, there was X, Y, and Z. But the stuff is out there, and it’s really thrilling.

NEVINS: This makes me curious to hear your thoughts on what you might call the kind of shallow iteration of religiosity coursing through downtown New York these days, which seems to me more reactionary than genuinely inquisitive.

MAK: Oh my god, yeah. Well, it is a little reactionary. Obviously, edgelords are a really big theme in the book. It’s hard to say what’s really going on there. Okay, tinfoil hat coming on. I had this epiphany when I was watching The Kardashians . You have this family that’s probably voting liberal. I mean, Caitlin isn’t, but I think most of the family is. But the show itself is a resounding endorsement of conservative ways of being, so to have this culture so loud and syndicated everywhere is to really promote a conservative way of life. And then I began to think of Trad Caths and like, you have all of these people in Dimes Square who are certainly voting liberal.

NEVINS: Well, if they’re voting at all.

MAK: Right, or they’re not voting. But them doing the hard work of stylizing Christianity and Catholicism and making it look cool is actually endorsing a kind of conservative constituency. I can’t not have a little bit of affection for the Trad Cath movement. I kind of love it on some level. I think it’s hilarious. Some people say to me, “Oh, but they’re not real.” They’re not real practitioners, they don’t actually believe. And I’m just like, “I’m not here to police that. I’m not ever here to police who’s the real Catholic, who’s the real trans, who’s the real leftist.” We can have rings of participation and intensities and seriousness.

NEVINS: Well, it’s interesting you say that. It’s such a rhetorical cudgel, but in the last several months I’ve experienced being told I’m not a “real Jew” for being pro-Palestine, which is really frustrating because I’m not only proud to be Jewish, but I also very much partake in all its cultural traditions, which I understand to be a spirit of community and fellowship and intellectual inquiry.

MAK: Who’s saying that to you?

NEVINS: Well, it mostly comes from Zionists. And I hate to create some sort of hierarchy, but the people saying that are certainly not any more observant than I am. They just seem to think that Zionism endows them with some totally arbitrary authority to decide who really is and isn’t Jewish. So I very much appreciate that despite having returned to Christianity yourself, you don’t take it upon yourself to police its other variants.

MAK: I kind of love the Praying shirts without the praying. I don’t have one. The moment’s a little bit over. But I have a little bit of affection.

NEVINS: I want to talk about Edgelords real quick because I think it’s a really impressive and expansive essay. Forgive me if I’m misstating the thesis, but—

MAK: I mean, it’s kind of messy. There are multiple theses.

NEVINS: Chief among them is that you’re identifying paranoia as the spirit of our age. Sometimes it can feel like we’re too close to an era or a scene to really assess it accurately. You write about the ways you were driven to what you call “madness.” I’m curious how you came to this organizing theory of the times.

MAK: Oh my gosh, there’s so much to say. There was a fundamental shift in how politics mobilized culture for its own advantages. There’s this excellent book, Kill All Normies by Angela Nagle. And if anybody reads it now, they’ll be like, “Duh, this is obvious.” But it really wasn’t when it came out. And basically the observation is that before, we thought politics would get to the center of culture and move out from there, just sending out the signals from the center and it’ll reach everyone eventually. And what Nagle tracked was that culture didn’t work top-down anymore. It actually worked bottom-up. You had very obscure communities that were disparate, fragmented, but they were meeting each other online, such as gamers, and they were interacting regularly, and they were organically growing really intense political beliefs and affinities. So if you look at Hillary versus Trump, they didn’t work from the center. Well, Trump was better at doing this than Hillary, but Trump was like, “I’m going to endorse the gamers and then I’ll get them on my side. I’m not going to create the gamers. I’m not going to tell them what to do. I’m just going to look for these obscure things.” So sometimes he would tweet things that only 200 people were meant to see.

NEVINS: Just so I’m understanding correctly, you’re suggesting that, as opposed to dictating to what might be a potential voting bloc or constituency, his politics were instead kind of subordinated to theirs?

MAK: He would pick people who already agreed with him.It was more about signals. Suddenly, signals became really important in a way that I don’t think they were before. I mean, the trans bathroom thing. That was really a Tumblr thing. Just a lot of young people on Tumblr were getting really up in arms about it. And then I think the Democratic Party was like, “Oh, it’s burgeoning in the underground, we need to get ahead of this now.” And then they did. So suddenly this very obscure Tumblr thing became a national discussion. That is kind of how culture works now, but it’s also due to the collapse of the mainstream-underground binary. Now, everyone kind of has their own micro-tribe, which is utterly illegible to other micro-tribes even though they might live a couple blocks away from each other. I mean, we feel that in New York, even just looking at Tribeca versus the Lower East Side. The art worlds that exist in the two are so different, yet they’re so close. And then, to go back to the point about paranoia, the Cambridge Analytica revelations were almost as big as the NSA revelations to me. I don’t think my friends cared as much as I did. But for some reason, I was just really locked onto it. To see how the campaign was explicitly stoking paranoia in their favor was absolutely alarming to me. And then I began to look at the culture and see all of these patterns of paranoia, and this was also happening concurrently with my own psychological degradation. It’s so funny, because the paranoid would see patterns, but as a paranoid, I began to see patterns of paranoia, which actually is what Eve Sedgwick writes about—how paranoia simply looks for itself. I actually see Mean Boys as a more morally and psychologically advanced text than Edgelords . In a way, M ean B oys rejects paranoia and decides to welcome in something that is toxic and harmful, which one might call a reparative gesture. The paranoid always pushes things out, and instead, I wanted to let something in, but without compromising judgment.

NEVINS: There was something really sobering about Mean Boys . You render Elliot Rodger almost grossly human, but I didn’t feel as though you were subject to his manipulations, which I guess is what people worry about when they clutch their pearls about writers “humanizing” bad guys.

MAK: I think it goes back to forgiveness. I’ll never say I forgive Elliot Rodger. I was not the one who was harmed. But  I think there’s an affect that doesn’t have a name, where you hold love and judgment together without one diminishing the other.

NEVINS: Well, you could call that love.

MAK: You’re right. I love that. That’s just love.

NEVINS: Anyway, what are you reading these days?

MAK: I’m literally four pages in, but I am reading Then the War by Carl Phillips. I’m reading a lot of poetry these days. Oh my god, so good. He’s kind of a poet for sentence writers. I think prose writers really like him. And being a prose writer myself, I really like it.

NEVINS: I feel that way about Vijay Seshadri.

MAK: Oh, I should read them. I’ve been reading a lot of Louise Glück.

NEVINS: That makes sense.

MAK: Does it? That’s so funny. I’ve been reading the collections back to back. It’s funny because when you get a 70-page poetry book in the mail, you really can read in one sitting. So I’m just inhaling it. What are you reading?

NEVINS: I just finished Adelle Waldman’s new novel. It’s been like, 10 years since her last one.

MAK: Since [ The Love Affairs of ] Nathaniel P.

NEVINS: I fucking love that book.

MAK: Oh my god, the best. One of the people I dedicate my book to is allegedly the man that Nathaniel P. Is based off of.

NEVINS: Wait, oh my god.

MAK: Yeah, it’s him.

NEVINS: Well, we won’t name him on the record. But if anyone’s curious, go buy Geoff’s book.

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I finally understand my mother's tough love

"you and your mother are just alike," my father would tell me, by randall horton.

I remember, as if it were yesterday, sitting in an Alabama church as the Baptist preacher eulogized my grandmother. I waited patiently for tears to stream down my cheeks. They did not.

Only days before, I’d received notification my grandmother had died from one of the four roommates I shared a house with on Harvard Street in Washington, D.C. It was 1982 and I was a student at Howard University . I’d gone to the fall Homecoming concert featuring musical groups Time and Vanity 6 at Crampton Auditorium on campus. This was before cellphones, texting and other instant communication, so my mother had to call the police station in D.C., give them my address, and ask them to send a patrol car to our house where the message was relayed to me before I was about to go inside the auditorium.

I remembered being in that church — numb, unsure of how to act or respond to death. I’d been close to Grandmother. I loved her dearly; yet, I did not cry.

I wanted to display a sense of love and affection, that tenderness death exposes. I wanted Grandmother to know the crater she left inside my heart was gargantuan, unfillable. However, it is difficult to escape the lessons of supposed manhood from neighborhood cats that specialized in the art of misogynistic behavior, believed in preying on the weak, and being a real N___ was the only thing in life to aspire to. What I mean is from an early age both inside and outside the home, I was taught real men don’t cry. They bet not.

The majority of this I had learned by the tender age of eight, from pouring shots of white and red liquor in my grandmother’s shot house.

During this transformation from college student to drug seller, my mother and I had a difficult time being in the same room without arguing about my life choices.

My grandmother’s shot house was frequented by men hardened by the weatherworn elements of time, those tiny particles of memory that refuse erasure. They held it all in. There was no crying. The emotive was damn near mythological and prohibited by the innate laws that governed these men. I watched them. I learned from them. I wanted to be them.

It was an environment my mother was accustomed to as well, having come of age in that old veridian clapboard house, an experience she never wanted to talk about, especially what it was like for a young woman to be present in a place that sexualized women on the daily. Even before my grandmother died, my mother and I always had this sort of brokenness, a fractured claim to connection. It seemed like we would never find a way to bond as mother and son, or wade in an emotional state of comfort.

By the time I was in that southern church processing Grandmother's death, I’d become a participant in the national narrative of cocaine through a Cuban cartel operating out of Miami.

In the future version of Randall, there would be twin-engine planes, cigarette boats moving through Caribbean waters with fiberglass kilos headed to Miami. There would also be homelessness and prison. There would be near-death misses, near-deaths attempted. I was a lost human drifting through the corridors of consciousness. What I am trying to say is I had become immersed in a culture of drugs. At the time of my grandmother’s death I was a college student in name and appearance only.

I was straddling a wafer-thin allegorical fence: The young man my parents wanted me to be versus who I was becoming.

During this transformation from college student to drug seller, my mother and I had a difficult time being in the same room without arguing about my life choices. To be honest, I did not make it easy. I rebelled at authority. Our disagreements were intense, mainly because, in the end, I wanted her to love me in a way I could not express. So I acted out, even as an adult. Perhaps my father saw this dynamic play out more than anyone, and when I was alone and angry, he would only offer, “You and your mother are just alike.”

My mother was never easy on me. Even as a boy she demanded I be tough, that I not cry. One time when I was homeless in D.C., I called the house late one night, and while my dad wanted to talk to me, my mother told my dad to hang up the damn phone . If I am honest with myself, I know why. I needed a tough love because a conventional love wasn’t working. It would take many years to understand my mother, that the silence she lived with growing up around her mother, the things she witnessed, it all played a part in how she raised me as her son. She saw how society withered those men up and took the joy out of living before they returned to the dirt. The booze, the women of the night, the gambling, the cons, all of these factors of the living she grew up around, as did I.

The day before my mother passed, I was at home in Birmingham, Alabama.

My mother had recently suffered a mild stroke, so mild she wasn’t aware until she went to the hospital and the doctor confirmed bleeding on the brain. The prognosis seemed to be good, so I did not fly home. I came two months later on my way to a literary conference in Dallas.

Perhaps my father saw this dynamic play out more than anyone, and when I was alone and angry, he would only offer, “You and your mother are just alike.”

The night before my flight departed for Texas, I was working on my panel presentation in my father’s office downstairs when I looked up and saw my mother lingering in the doorway with the most angelic smile. At that moment, wading in my own silence, I felt the sincerest connection I’d ever shared with my mother. Her glowing face was full of innocent youth. It was as if she were a teenager, and I was meeting her for the first time. My mother proceeded to explain she’d backed the car out of the garage and back in. A simple task, but for her it was validation that she was on the road to full recovery.

When I finished my panel the next day in Dallas, I checked my cell phone only to see way too many missed calls from my brother-in-law. The sheer volume told something was wrong. My mother had suffered a severe stroke. I needed to return to Birmingham immediately.

At the hospital my dad, sister and I received the prognosis there was nothing else to do, that she would never regain consciousness.  My mother would hang between the balance of life and death for the next five days. I could only think back to our exchange in the doorway of my father's office, that moment when whatever we were battling against with each other was over. In many ways that moment told me that whatever connection we had or did not have, I was her child, and she was my mother. The only way I knew to deal with the impending loss was to visit mother every day in the hospital and read her passages from my soon-to-be published book, "Dead Weight: A Memoir in Essays."

The first essay I read was from “November 2nd and A Mother’s Love,” in which I recall my mother and I attending the Inaugural Ball in honor of President-elect Barak Obama.

I wanted my mother to know how special that moment was when we shared the first dance, dressed to the nines in formal attire in the nation’s capital. This dance came after a five-year bid inside the carceral state, after two years in a drug program, a bachelor's degree, an MFA, and a PhD. After the PhD came my first tenure track job. I was now following in the shadow of my mother, also a lifelong educator.

The second passage came from my essay, “Eleven Days.” It took my mother 57 years to reveal to me — or rather, to my wife, on a visit after our marriage — that after my premature birth in 1961, I’d been separated from my mother for 11 days, for the sole reason of race. I recount what it must have felt like for her to have a child and then not have a child. For all the reasons in the world, this revelation made sense in terms of our broken claim to connection, and why we’d been on this journey since my birth.

Though my mother could not formulate words, I could stare into her fading eyes, and as I did, I became in sync with her every breath. I’d like to think she saw the passion, the writer in me, and never imagined this to be my destiny. I uttered the most difficult words I've had to speak when I told her, "It is OK to let go." 

I cried at the foot of her bed like I’d never lived by the code that weeping is for the weak. I didn’t give a damn. Whatever it was that I could not articulate had to come out. And in the crying came the baptism, and after the baptism came a sense that our love had always been that of mother and son, and maybe in the progression of death we truly understood each other. This was my mother’s final gift to me.

At the funeral, it was assumed, that I — the writer — would say something.

I sat in that same basement study where I last saw my mother alive, and after another good cry,  the first words I wrote were: “Come celebrate with us this life of longevity, a life realized through a commitment to service and achievement, taking every inch of what this social order gives, with all its constructs and ideologies within a nation that never could have imagined the existence of the strong Black woman — who is often cloaked in a sort of invisibility.” I wanted my mother to know she was never invisible.

I returned home a motherless child.

The next morning, while working on a creative nonfiction essay on my backyard deck in North Jersey, two doves appeared on the wooden railing. It is a backyard visited by darting sparrows and dignified blue jays lingering in the skeletal tree branches of spring. Sometimes against the background of a shed and garden, cardinals flash their emblematic red wings. But never doves.

As a poet, I viewed these two birds as Grandma and Momma, the two most important women in my life, checking in on me, letting me know they are always here, there, everywhere. 

personal stories about mothers

• The parasites inside my mother were both real and spiritual
• A mother's vanishing: A secret that haunted my family for generations, hiding in plain sight
• My parents are dead—can I afford avocado toast now?

Randall Horton is the author of " {#289-128}: Poems ," which received the 2021 American Book Award; " Dead Weight: A Memoir in Essays ;" " Hook: A Memoir ," which received the Great Lakes College Association 2017 Award for Creative Nonfiction; and three additional poetry collections. The recipient of a National Endowment of the Arts Fellowship in Literature, Horton is a Cave Canem Fellow and a member of  the Affrilachian Poets , as well as the experimental performance group Heroes Are Gang Leaders, which received the 2018 American Book Award in Oral Literature. He is the co-creator of Radical Reversal , a poetry/music band dedicated to challenging systemic injustice in the American legal system through the installation of recording studios and creative/performance spaces as well as programming in Department of Correction facilities in the United States. Originally from Birmingham, Alabama, he now resides in New Jersey and is a Professor of English at the University of New Haven. 

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Mercury Insurance Taking Tokio Marine’s California Personal Lines Business

Mercury Insurance on Thursday announced a plan that the Los Angeles-based carrier says will help maintain insurance availability and provide coverage for thousands of California consumers as two insurers exit the state’s personal lines market.

Under the plan, 12,556 home policies of Tokio Marine America (TMA) and its subsidiary, Trans Pacific Insurance Co. (TPIC), will be transitioned to Mercury with assistance from a group of California independent insurance agents.

The policies represent premiums of $11.3 million.

TMA offers personal lines insurance only in California and writes only a small percentage of the state’s market. The company announced in April that it would be exiting personal lines in the state in July because it determined it cannot “sustainably support” such a small segment of personal lines business given the cost of updating information technology systems.

The California Department of Insurance reviewed the proposal to transition customers to Mercury after Tokio Marine announced its intent to withdraw.

TMA’s and TPIC’s exit has no impact on any other Tokio Marine Group company, and the company will continue writing commercial coverage for businesses in California and across the country, according to an announcement issued on Thursday.

The transition plan involved partnering with a team of existing Mercury independent agents who also represented TMA, as well as more than a dozen TMA agents who have been offered Mercury agent appointments to help facilitate the transition, according to the announcement.

Other insurers are also ending or reducing coverage as the state grapples with wildfires and other natural disasters. Last May, State Farm announced it had stopped accepting new policy applications for property/casualty insurance in California due to increased risks from wildfires and inflation. Last month, State Farm said it would non-renew 30,000 California homeowners, rental dwelling, and other property insurance policies.

The Hartford announced in January it would discontinue writing new homeowners policies in California. Liberty Mutual in July 2023 stopped offering its business owner’s policy product in the wildfire-prone state and that same month Farmers began limiting new homeowners insurance policies in California.

Mercury Insurance offers personal auto, homeowners, and renters insurance directly to consumers and through independent agents in Arizona, California, Georgia, Illinois, Nevada, New Jersey, New York, Oklahoma, Texas and Virginia, as well as auto insurance in Florida.

TMA sells commercial property/casualty insurance products in all 50 states, Puerto Rico, and the District of Columbia.

Topics California Personal Lines

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