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The Assignment

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Christian Duguay

Aidan Quinn

Lt. Cmdr. Annibal Ramirez

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"The Assignment'' is a canny, tricky thriller that could serve as an illustration of what this week's similar release, "The Peacemaker,'' is not. Both films involve an international hunt for a dangerous terrorist, but "The Peacemaker'' is a cartoon and "The Assignment'' is intelligent and gripping--and it has a third act! Instead of an action orgy, it has more than enough story to see it through to the end and keep us absorbed the whole way. Yes, it ends with a deadly struggle, but as the setting for another stage of the movie's web of deceit.

The film is centered on a CIA plot to discredit and kill Carlos, the feared terrorist who operated for years, despite the best efforts of the free world's security agencies to capture him. Donald Sutherland plays Fields, the CIA agent for whom Carlos has become an obsession, and when he finds a U.S. Navy officer named Ramirez ( Aidan Quinn ) who's a dead-ringer for the terrorist, he devises a risky scheme: He'll train Ramirez to impersonate Carlos, then use the double to convince the KGB that their attack dog is disloyal. As a result, Carlos will either be dead or, almost as good, discredited in the eyes of his sponsors.

Fields works with an Israeli named Amos ( Ben Kingsley ) in training Ramirez, after first using psychological tactics to persuade the reluctant Navy man to leave his wife and family and become a counter-terrorist. (The scene where Fields shows Ramirez a dying child in a hospital is a direct echo of " The Third Man ".) Then the false Carlos, is sent into the field to work the deception, which I will not describe.

"The Assignment'' is fascinating because its characters can be believed, because there is at least a tiny nugget of truth in the story, and because from the deceptive opening credits, this is a film that creates the right world for these characters to inhabit. Sutherland's CIA man is especially well drawn: "I don't have any family,'' he says, "and I don't have any friends. The only people I've ever cared about were the ones I've killed.'' Quinn plays a dual role, as Ramirez and Carlos, and has some tricky scenes, especially one in which a former lover of Carlos helps train him sexually so that he will be a convincing bedmate for another of the terrorist's lovers.

The screenplay, by Dan Gordon and Sabi H. Shabtai , has action scenes that grow from the story and are not simply set pieces for their own sake. It's impressive the way so many different story threads come together all at once near the end.

The director, Christian Duguay , is new to me. What he has is a tactile love of film, of images. He and the cinematographer, David Franco, don't use locations so much as occupy them; we visit Jerusalem, Paris, Vienna, Washington, Tripoli and Moscow (or sets and effects that look like them) and yet the movie's not a travelogue but a story hurtling ahead.

I have seen so many lazy thrillers. They share the same characteristics: Most of the scenes involve the overpriced star, the villain is underwritten, and the plot is merely a set-up for the special effects, the chases and the final action climax. "The Assignment'' gives us ensemble work by fine actors, it has a villain of great complexity (developed through the process of imitating him), and at the end there is a tantalizing situation for us to unravel as we leave the theater.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Film credits.

The Assignment (1997)

Rated R For Strong Violence, Sexuality and Language

115 minutes

Aidan Quinn as Annibal Ramirez/Carlos

Ben Kingsley as Amos

Claudia Ferri as Maura Ramirez

Celine Bonnier as Carla

Directed by

• Christian Duguay
• Sabi H. Shabtai

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The Assignment

Film details, brief synopsis, cast & crew, christian duguay, aidan quinn, donald sutherland, ben kingsley, claudia ferri, celine bonnier, technical specs.

Cuban-American navel officer Annibal Ramirez is a dead ringer for Carlos "The Jackal" Sanchez. His features are so close to those of Sanchez that he is brutally interrogated as a terrorist while on vacation in Israel. American counter-intellegence agent Jack Shaw and his Israeli counterpart Amos realize they can use Ramirez as bait for "The Jackal." Wanting to serve his country, Ramirez is unsure he can survive the physical and psychological trials he must endure to become like Sanchez. By the end of the training, however, Ramirez knows Sanchez better than anyone alive and enters the world as "The Jackal."

Vlasta Vrana

Liliana komorowska, mitchell david rothpan, gregory hlady, gabriel marian oseciuc, frederic desager, kliment denchev, yonathan gordon, ndiouga sarr, manuel aranguiz, leni parker, jacques lavallée, david francis, daniel pilon, richard jutras, hisham zayed, ted whittall, francis del vecchio, lisa wegner, lucie laurier, neil kroetsch, matthew dupuis, paul stewart, claude genest, michael caloz, david franco, heinz becker, louis bouchard, mark knoeffel, andres lange, martin morf, marcello adatto, benoit alarie, francois allard, pierre allard, alec anderson, michael annett, georges archambault, itzik ben aroya, henri aubertin, jean-paul auclair, nancy auclair, cheryl bainum, mihaly balasko, sandor balo, gyula balogh, itzhak bareli, krisztina barkoczky, franco battista, marc h beaulieu, louise bedard, benoit begin, marc bélanger, novek belanger, richard belanger, caroline beliveau, jocelyne bellemare, christian bergeron, sylvain bergevin, josee bernard, jacques f bernier, michel bernier, mickey binyamini, brian black, andras bogdan, jean boivin, michel bolduc, michel b bordeleau, philippe bosse, diane boucher, virginie boudreau, claude boulet, mary bradley, anderson chet bradshaw, cecile braemer, karoly braunner, michel brohez, michel brouillette, joseph lang browns, joseanne brunelle, frances calder, andrew d campbell, jean-francois campeau, helene canse, alain caporicci, johanne caporicci, annie carignan, claudine carpentier, tim j carroll, denis caspar, yves castonguay, jason cavalier, michel cerro, guylaine chagnon, stephane charron, jean chasse, jozsef cirko, steve clark, steven clark, alain clouatre, guy cloutier, gary coates, joseph n cohen, didier communaux, stephane connolly, sam coppola, normand corbeil, ryal cosgrove, francis covan, mike cozons, donna croce, gabor csakovics, zsolt csutak, denise d'amours, francois daignault, louis dandonneau, gary daprato, james darling, luc deguise, jean-yves denis, louise deschenes, marc desourdy, melina dicristo, robert ditchburn, kristen dolenko, jacques dorion, marion doucet, pascal dufaux, gina duhamel, paul dupont, yanick dusseault, john dykstra, bram eisenthal, shimon elimelech, zsolt feher, attila feherhegyi, bruno ferland, deak ferrand, natalie fleurant, raoul fortin, martin fournier, charlene francique, sassi franco, monika frankl, mario fraser, rene frechette, michel frenette, zoltan fulop, yiftach gabai, daniel gagnon, francine gagnon, sylvie gagnon, paul-emile gallant, gilbert garcia, jean-francois garcia, patrick garcia, benoit gauthier, francois gauthier, michel gauvin, sebastien gervais, nimi getter, michel ghorayeb, michel ghoyareb, stephen gilbert, natalie ginat, suzanne gingras, manon girard, moshe gissis, johnny goar, shai goldenberg, francois gosselin, melany goudreau, anne grandbois, jennifer-lys grenier, naama halperin, johnny harkala, avidan hatuka, terry hawkins, claude hazanavicius, simon hebert, r j henning, roger hewett, mark hoffman, julie houle, monika hufnagel, daniel huysman, france hyman, silvi imbeault, yehuda sar israel, pierric jouvante, michael joy, daniel juneau, boaz katzenelson, nick kerridge, shabtai kimhi, yaacov kimmelfeld, bobe kiraly, attila kiss, pini klavir, michael konydes, daria korolus, agota kovacs, balazs kovacs, gabor kovacs, tamas krausz, yohannan kredo, maurice krouche, brigitte labelle, helene lafrance, eric lafrance st-pierre, stephen laidlaw, miscellaneous notes.

Released in United States Fall September 26, 1997

Limited Release in United States September 26, 1997

Released in United States on Video March 17, 1998

Based upon a true story.

Completed shooting June 27, 1996.

Began shooting February 11, 1996.

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The assignment.

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Jack Shaw (Donald Sutherland) has experienced the terror first-hand. He's a top CIA agent who's tracked international killer-for-hire Carlos "The Jackal" Sanchez for over twenty years and barely survived Carlos' devastating bombing of a Parisian cafe. Now, he finally gets a break when he discovers Carlos' dead ringer: American naval officer and dedicated family man Annibal Ramirez (Aidan Quinn). With the aid of his Israeli Intelligence counterpart, Amos (Ben Kingsley), Jack trains Annibal to impersonate Carlos through a series of harrowing physical and psychological exercises and draw the real killer out of hiding and into an elaborate trap.

© 1997 Allegro Film Productions V Inc. All Rights Reserved.

© 2024 Sony Pictures Digital Productions Inc.   All rights reserved

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The Assignment

• Laramie Movie Scope Robert Roten A non-formula spy thriller without the glitz and romanticism usually associated with this genre.
• Chicago Sun-Times Roger Ebert Intelligent and gripping.
• Dennis Schwartz Movie Reviews Dennis Schwartz Like for most action pics, character development is the first casualty.
• Capital Times (Madison, WI) Rob Thomas Stylish spy flick with a surprisingly good cast.
• Boxoffice Magazine Shlomo Schwartzberg Melodramatic pap.
• San Francisco Chronicle Mick LaSalle A film of real finesse, style and intelligence, an espionage thriller of the old school, with some modern technical embellishments.
• New York Times Stephen Holden If you believe that Elvis still lives or that a millennial invasion of flying saucers is imminent, you might buy the bogus premise.
• Christian Science Monitor David Sterritt The plot raises the keenly important question of whether professionals who fight evil may be corrupted by the ruthless means they employ; but the movie takes too much pleasure in sensationalistic digressions to explore this issue very thoroughly.
• JoBlo's Movie Network JoBlo Great premise is executed with enough style and thrills to keep the piece interesting throughout its close to two-hour runtime.
• Film Journal International Glenn Slavin Quinn gives a commanding performance as both Ramirez and Carlos.
• Compuserve Harvey S. Karten An intelligent, imaginative bit a fiction about suggesting one way the killer may have been captured.
• San Francisco Examiner Walter V. Addiego A mediocre action-thriller combination that revolves around a preposterous plan for the same reason that most pot-boilers do; it's just the nature of the beast.
• E! Online The assignment, should you choose to accept it, does pay off in potent thrills.

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Rotten Tomatoes® Score

In its low-rent way, it aims for every frisson, reversal and shock-tactic -- and mostly succeeds.

Like for most action pics, character development is the first casualty.

Stylish spy flick with a surprisingly good cast.

A non-formula spy thriller without the glitz and romanticism usually associated with this genre.

If there's a small saving grace to this crude thriller, it is the work of Montreal-born director Christian Duguay, who shows flashes of real flare.

The plot raises the keenly important question of whether professionals who fight evil may be corrupted by the ruthless means they employ; but the movie takes too much pleasure in sensationalistic digressions to explore this issue very thoroughly.

Quinn is excellent in the dual roles of Jackal and Ramirez.

Additional Info

• Genre : Thriller, Action
• Release Date : September 26, 1997
• Languages : English
• Captions : English, Spanish
• Audio Format : 5.1

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The Assignment (1997)

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Watch The Assignment

• 1 hr 59 min
• 6.8   (9,913)

The Assignment from 1997 is a thrilling crime movie directed by Christian Duguay. The movie stars Aidan Quinn, Donald Sutherland, and Ben Kingsley, who deliver strong performances throughout the film. The film opens with a scene of an international terrorist group led by a notorious criminal, Carlos "The Jackal" Sanchez. He is pursued by an American agent, Anna Lewis (Aidan Quinn), who has been assigned to catch him by any means necessary. However, things take an unexpected turn when Lewis is captured by Carlos and subjected to a controversial experiment that will change her life forever.

Carlos and his team of scientists have devised a plan to turn Lewis into a man. They surgically alter her body to make her more masculine and then give her hormones to alter her voice and body hair. They also give her a new identity as a man, Frank Kitchen. The idea is that Frank Kitchen will infiltrate the American government and spy on their activities.

However, things don't go according to plan. Once Frank Kitchen is created, he becomes the target of a group of people seeking revenge on him for past transgressions. These people take advantage of Frank's new identity to try and kill him, and he finds himself on the run from both his own government and those seeking his death.

The story becomes even more complex when both Carlos and Lewis's employer, Dr. Rachel Jane (Donald Sutherland), begin to question their own motives and the morality of their actions. As the film progresses, the audience is left to wonder who will succeed in the end and what the ultimate outcome will be for Frank Kitchen.

The Assignment explores themes of identity, gender, and morality in a way that was groundbreaking for the time of its release. The film is thought-provoking and full of intense, action-packed moments that keep the audience on the edge of their seats.

One of the film's strengths is its excellent cast. Aidan Quinn delivers a superb performance as both Anna Lewis and Frank Kitchen. He manages to convey the complexity of the character's journey and brings both authenticity and depth to the role. Ben Kingsley is also impressive as Carlos "The Jackal" Sanchez, bringing a sense of danger and intrigue to the character that is compelling to watch. Donald Sutherland delivers as always, bringing his acting chops to the table as the conflicted Dr. Rachel Jane.

Another aspect of the film that stands out is its cinematography. The film is shot in a way that emphasizes the grit and violence of the story, with dark and shadowy visuals that add to the film's overall tone of danger and intrigue.

Overall, The Assignment is an intense and thought-provoking film that is well worth watching. Its exploration of complex themes and the excellent performances by its talented cast make it a standout in the genre.

The Assignment is a 1997 thriller with a runtime of 1 hour and 59 minutes. It has received mostly positive reviews from critics and viewers, who have given it an IMDb score of 6.8.

• Genres Thriller Action Crime
• Cast Aidan Quinn Donald Sutherland Ben Kingsley
• Director Christian Duguay
• Release Date 1997
• MPAA Rating R
• Runtime 1 hr 59 min
• Language English
• IMDB Rating 6.8   (9,913)

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Where does The Assignment rank today? The JustWatch Daily Streaming Charts are calculated by user activity within the last 24 hours. This includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. This includes data from ~1.3 million movie & TV show fans per day.

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The Assignment is 6641 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 4315 places since yesterday. In Canada, it is currently more popular than Plaza Catedral but less popular than An Eye for an Eye.

Jack Shaw has experienced the terror first-hand. He's a top CIA agent who's tracked international killer-for-hire Carlos "The Jackal" Sanchez for over twenty years and barely survived Carlos' devastating bombing of a Parisian cafe. Now, he finally gets a break when he discovers Carlos' dead ringer: American naval officer and dedicated family man Annibal Ramirez.

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Streaming Charts The JustWatch Daily Streaming Charts are calculated by user activity within the last 24 hours. This includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. This includes data from ~1.3 million movie & TV show fans per day.

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(L-R): Bishop (voiced by Isaac Robinson-Smith), Cyclops (voiced by Ray Chase), Jean Grey (voiced by ... [+] Jennifer Hale), Rogue (voiced by Lenore Zann), Morph (voiced by JP Karliak), Magneto (voiced by Matthew Waterson), Wolverine (voiced by Cal Dodd), Jubilee (voiced by Holly Chou), Beast (voiced by George Buza), and Gambit (voiced by AJ LoCascio) in Marvel Animation's X-MEN '97. Photo courtesy of Marvel Animation. © 2024 MARVEL.

X-Men ’97 is wrapping up its first season on May 15 — and the anticipation is building for a second season. Wondering if there will be an X-Men ’97 Season 2 on Disney Plus ? While the future looks bright for the Marvel animated series, there is still uncertainty surrounding who will helm the series moving forward.

X-Men ’97 is Disney+’s new animated series that debuted on Wednesday, March 20. The series revisits the beloved 1990s classic, The X-Men, a group of mutants harnessing their unique abilities to defend a world that hates and fears them. Now, they must confront a dangerous and unexpected path ahead. The new show picks up where the original X-Men: The Animated left off when it ended after five seasons in 1997.

Many of the voice actors from the original series reprised their roles in the Disney+ reboot, including Cal Dodd (Wolverine), Lenore Zann (Rogue), George Buza (Beast), Alison Sealy-Smith (Storm), and Christopher Britton (Mister Sinister). Meanwhile, returning cast members Catherine Disher (Jean Grey), Chris Potter (Gambit), Alyson Court (Jubilee), and Adrian Hough (Nightcrawler) voice new characters in X-Men ’97.

There are a total of 10 episodes in Season 1 of X-Men ’97, with the anticipated conclusion to the three-part finale, “Tolerance is Extinction,” airing on Wednesday, May 15. Episode 9 saw a shocking turn of events. After Wolverine appeared to fatally stab Magneto, the middle finale ended with an explosive cliffhanger: Magneto forcefully extracting the Adamantium from Wolverine's skeleton.

On May 10, X-Men ’97 creator Beau DeMayo gave fans homework ahead of Season 1’s last episode. “Your final #xmen97 homework assignment: X-Men: The Animated Series - ‘The Final Decision’,” DeMayo wrote on X (formerly Twitter) . For context, the finale of the first season of 1992’s X-Men: The Animated Series shows the X-Men and Magneto joining forces to fight Master Mold and the mutant-killing Sentinel.

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Disney Plus has yet to release a premiere date for X-Men '97 Season 2. However, Winderbaum recently gave an update about Season 2's development.

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For Mormon Missionaries, Some ‘Big, Big Changes’

The church has loosened its strict rules for those evangelizing. And many members of Gen-Z are loving it.

Andres Gonzalez stands in front of a statue of Jesus Christ in Los Angeles as another missionary, Alec Crawley, films him for a video for social media. Credit... Isadora Kosofsky for The New York Times

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By Lauren Jackson

Lauren attended church in London, Los Angeles and Paris and spoke with current and former missionaries to report this story.

• May 10, 2024

Andres Gonzalez, 19, stands on the balcony of his Los Angeles apartment, his hands in his suit pockets. It is his first week as a missionary, but today, instead of approaching people on the street, he is shooting a video that he will later post to social media.

After about a dozen takes, he is successful. “Hello! If you would like to learn more about Jesus Christ,” he says to the camera in Spanish, “contact me.”

Mr. Gonzalez is the image of the modern missionary for the Church of Jesus Christ of Latter-day Saints, which has changed many of its practices — from how missionaries preach to how they dress.

The faith, long known for sending tens of thousands of neatly and formally dressed young people across the globe each year to preach door to door, is encouraging new missionaries to spread the gospel on social media and, for some, with acts of community service closer to home.

As a church leader, Dieter F. Uchtdorf, put it, missionaries should feel comfortable sharing their faith in “ normal and natural ways .”

In the last few years, the church has also changed some rules for missionaries themselves — loosening restrictions on dress codes ( women can wear pants ) and how often they can call family members back home ( once a week , not just on Christmas and Mother’s Day).

To outsiders, the adjustments may seem small. But to missionaries who adhere to strict rules while on assignment, the shifts are dramatic.

“We’ve seen a lot of big, big changes,” Jensen Diederich, 23, said. He served his mission in Peru and said it was “monumental” when the church allowed him to call home weekly, instead of just twice a year.

The church believes missionary work is essential for the world’s salvation — that people must be baptized in the faith to get to the highest level of heaven after they die. Missionary work also helps increase the church’s membership, and it deepens many young members’ faith. Many missionaries begin their assignments just after they leave home. Instead of partying on a college campus, they commit themselves to the religion and develop habits that can last a lifetime.

One of those members was Senator Mitt Romney of Utah, who was a missionary in France in the 1960s. He has said the isolation of his mission allowed him to examine his faith without distraction . When asked about the changes, he said, “For young people of my generation, I think the separation from family and friends served us well.”

But he understands times have changed. “With today’s youth in near constant contact with one another, maintaining greater connection during a mission fits their life experience,” he added.

Many young church members say the new rules have made missionary service more attractive and realistic.

Kate Kennington, a 19-year-old with a mission assignment to London, said finding people online and messaging them is a more successful way of approaching potential converts. “It’s how I would want to be contacted,” she said.

“Knocking on doors and approaching people on the street are no longer seen as useful as they once were because of shifts in American culture,” said Matthew Bowman, a professor of religion and history at Claremont Graduate University who holds the chair of Mormon studies. He is also a church member.

For decades, missionaries’ clean-cut suits were signs of prosperity, Mr. Bowman said, and an effective way of appealing to converts. But they now feel “outdated.”

Many of the changes, especially the push to evangelize on social media, were fueled by the pandemic, which shut down in-person church gatherings and forced Latter-day Saints and Jehovah’s Witnesses to find alternatives to door-to-door preaching.

The missionaries use their phones to film videos of themselves promoting the church or sharing messages of faith. In one video , a missionary raps about his faith. In another , two missionaries throw a football and a Frisbee through an obstacle course in a church gym — an object lesson meant to visualize how Jesus Christ can help people overcome challenges.

So far, the changes appear to be working: In the last three years, as pandemic restrictions lifted and young members responded to an appeal from the church’s top leader for them to serve, the number of full-time proselytizing missionaries has risen by around 25 percent , according to church data. At the end of last year, the church had about 72,000 full-time missionaries serving around the world.

The church has just under 17.3 million members globally but has seen growth slow. From 1988 to 1989, during a surge in growth when the church expanded into West Africa , the church grew by about 9 percent . Last year, the church grew by about 1.5 percent .

A tradition of travel

Missionary work is a rite of passage for Latter-day Saints — and has been since the church’s founding in 1830.

The church’s missionaries have traveled the world, growing their faith from a fledgling start-up in upstate New York to a global religion that brings in billions of dollars in revenue .

Church leaders say it is men’s responsibility to become missionaries for two years starting at age 18. Missionary work is optional for women, who serve for 18 months. The church has historically encouraged women to focus on marriage and motherhood. But since 2012, when the church lowered the age women could become missionaries to 19 from 21, more women have been going .

Missionaries leave their families and friends, learn new languages and spend the first years of their adulthood spreading the gospel of Jesus Christ.

While on a mission, they cannot date and must follow the religion’s ban on premarital sex, drinking, smoking, coffee and caffeinated tea. Communication with friends and family back home is restricted. They commit to stay focused on their work, and their proximity to their missionary partner creates a sense of accountability that keeps most from breaking the rules.

Until recently, the experience of young missionaries was similar to that of their parents. They first attended a missionary training center — a religious boot camp of sorts — before then traveling to their missions.

Most missionaries now start their training online at home , where the transition is less jarring. They can adapt to a mission schedule with their family’s support. Being home is also an opportunity for new missionaries to evangelize in their community.

“I’ve had friends who aren’t members of the church,” Tanner Bird, a 19-year-old missionary in Brazil who did part of his training at home in Houston. “And I just get super, super excited and talk to them about the gospel.”

Once deployed, men in some areas are allowed to wear blue shirts and go without ties , while women can wear wrinkle-resistant dress pants in “conservative colors.” Most missionaries now have smartphones and call their families weekly.

Some traditions remain: Young missionaries still do not get to pick their destinations. Many teenagers throw parties to open their assignments, reading their “call letter” aloud for the first time in front of family and friends. Others film elaborate announcement videos — including on ice skates . Some serve close to home (there are 10 missions in Utah). Others go as far as Tahiti or Tokyo.

Mr. Gonzalez, the missionary in Los Angeles, said he first imagined going on a mission when he was a child in Venezuela. His parents, who converted to the faith, often had young missionaries over for meals. After the church helped the family settle in Utah, he said serving as a missionary was part of his “American dream.”

Every morning, he wakes up at 6:30 a.m., the set time for many missionaries, with his “companion,” an assigned missionary partner. They are mandated to “never be alone,” with few exceptions, and each day follow a missionary schedule .

On Facebook, they contact people they have met, including those they have approached on the street in downtown Los Angeles. They also search groups for people who may be open to their message and post videos to generate interest in their faith. They keep track of potential converts’ progress, including lessons they teach. Every Monday, Mr. Gonzalez calls his parents.

Calls are also an opportunity for him to receive support. “It’s a little bit hard,” Mr. Gonzalez said of his mission work, describing people in downtown Los Angeles as “busy.” Still, he remains hopeful: “Some of them, they really are ready. They make time, even just like five minutes.”

The missionary experience is not for everyone. Some people feel isolated, find it difficult to adapt to a location, or struggle with the rules or the pressure to keep their commitment. Some people do leave early; the church does not comment on those who do.

Alex McAlpin, a 23-year-old who went on a mission to Denver, almost did not put in a missionary application. Before her mission, she attended Pepperdine University, where she wrestled with some aspects of church doctrine and history.

Then the church made its dress code change, allowing women to wear pants in 2018.

“That was the first day of my life that I thought maybe I would go” on a mission, Ms. McAlpin said. She saw the new dress code and the church’s other mission changes as a sign the church was evolving and listening to its younger members, many of whom hope their church will modernize in larger ways. “I wanted to be a part of the change.”

Lauren Jackson is an associate editor and writer for The Morning , The Times’s flagship daily newsletter. More about Lauren Jackson

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