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Soul Land Movie: The Battle of Two Gods

The grand finale of Soul Land. Tang San now possesses two divine powers, the Sea God and the Asura God, and is being pitted against the alliance of Bibi Dong, with Bibi Dong as the Rakshasa God and Qian Renxue as the Angel God.

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I am Yu Alexius. I talked about Chinese anime (donghua), Japanese animations; sharing anime reviews, updates, and recommendations.

Soul Land Movie: Two Gods vs Two Gods Updates

Tang San finally became the new Sea God, while Qian Renxue’s transformation into the Angel God adds an intriguing dynamic to the unfolding narrative, these turns of events have made Soul Land ( Douluo Dalu ) an even more exciting ride for its avid viewers. As the denouement draws near, Soul Land captivates its avid viewers with an even more exhilarating, dramatic, and suspenseful ride with Soul Land Movie: The Battle of Two Gods , or Soul Land: Two Gods vs Two Gods

Soul Land Movie Announcement

Last year, we were thrilled to learn that the beloved donghua adaptation of Tang Jia San Shao’s renowned novel would be gracing the big screen. And guess what? The upcoming film promises to deliver the climactic showdown we’ve all been eagerly waiting for. Aptly titled “ The Battle of Two Gods ,” this epic cinematic adventure will showcase the awe-inspiring clash between divine beings. Get ready to witness the mighty Tang San, now the formidable Sea God, go head-to-head against the formidable Qian Renxue, the newly anointed Angel God. But that’s not all! The treacherous Bibi Dong, who has ascended to godhood as the Rakshasa God, adds an extra layer of intrigue to this ultimate face-off.

Last year, the highly-anticipated announcement of the Soul Land movie sent waves of excitement throughout the community. And boy, did it come with a captivating teaser poster that left us craving for more. While the spotlight shines on the enigmatic Bibi Dong, it’s important to remember that she won’t be the only divine presence gracing the screen.

In Tang San’s relentless pursuit of strength, Tang San will awaken his formidable second god inheritance, the Asura God. But here’s the catch – this newfound power comes at a great sacrifice. With the Asura God by his side, Tang San will face the ultimate showdown, pitting him against the combined might of Bibi Dong and Qian Renxue.

Further Announcements & Updates

In the latest update from the production team, it has been announced that the originally planned movie for Soul Land will be released as a continuation of the series. This continuation will serve as the grand finale of Soul Land Season 1, titled “ Two Gods vs Two Gods ,” which references Tang San’s possession of two divine powers, the Sea God and Asura God, pitted against the alliance of Bibi Dong as the Rakshasa God and Qian Renxue as the Angel God.

According to the announcement, Soul Land: Two Gods vs Two Gods will begin with its 261st episode on May 27, 2023. It will consist of a total of three episodes, each with a duration of approximately 30 minutes.

On a personal note, I must admit that I have concerns about how they plan to condense the climax and denouement of the series into just three episodes. The production committee has been criticized for dragging the animation in recent months, and it feels as though the series has been building up to this moment for quite some time. With Bibi Dong’s ascension to godhood occurring in the second episode of Soul Land: Two Gods vs Two Gods, it raises the question of whether the climactic battle of the gods can be adequately portrayed within just two episodes left.

Tang San will become the god Asura, but this was made possible thanks to Xiao Wu. Asura’s sword merged with her body. Tang San will be able to summon the position of Seagod or the position of Asura. Only by becoming stronger, he will get the chance and strength to defeat Qian Renxue and Bibi Dong

Animation Studio & Release Date

While an exact release date is yet to be unveiled at the time of writing this post, one thing is certain—it will grace our screens sometime in 2023 and according to the latest announcement, it’ll start on May 27 as the 3-episode continuation of Soul Land’s donghua series. Fans can rejoice to know that Sparkly Key Animation, the masterminds behind the stunning animation of the donghua series, will once again bring their expertise to the film. Joining forces with Tencent Group and their esteemed partners as producers, it promises to deliver an unforgettable cinematic experience.

As the film follows the conclusion of the donghua series, it ensures that all the essential elements, including Bibi Dong’s transcendence into godhood and Tang San’s triumphant return to the Jialing Pass, have been meticulously checked off the list. So, gear up for an epic adventure that will push the boundaries of imagination and bring the captivating world of Soul Land to life like never before.

What to Expect in Soul Land: The Battle of The Gods?

Tang San’s awakening of Asura’s power promises to be a game-changer, but it won’t come without sacrifices, and his relationship with Xiao Wu will be at the center of it all. As our hero faces formidable adversaries in the form of Qian Renxue and Bibi Dong, setbacks are inevitable. The unlikely alliance between these powerful foes adds another layer of complexity to the already intense narrative.

However, brace yourself for even more surprises and plot twists as the climactic showdown between the Spirit Empire and the rest of the Douluo Continent reaches its zenith. The stakes have never been higher, and the consequences are grave. Blood will be shed, loyalties will be tested, and betrayal will be lurking in the shadows. Yet, amidst the chaos, a glimmer of hope emerges. Tang San’s loyal companions, such as Oscar and Rongrong, will step into the spotlight, wielding their unique powers as heirs apparent of other gods.

Prepare to be on the edge of your seat as the highly anticipated clash between Qian Renxue and Bibi Dong unfolds in Soul Land: The Battle of Two Gods . The dynamic between these formidable adversaries is something that all fans should eagerly anticipate, as their intricate plots and strategies are bound to captivate and surprise us. How will Tang San and his loyal party navigate these treacherous waters? The suspense is palpable.

To keep us all engaged and hyped, the official Weibo page of Soul Land continues to release regular updates and tantalizing promotional videos for the upcoming film. It’s an exciting way to stay connected with the series while the donghua adaptation is still airing. So stay tuned and get ready to immerse yourself in the epic battle that awaits in Soul Land: The Battle of Two Gods .

Last Updated on May 30, 2023 by Yu Alexius

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Robin Wright ’s directorial debut “Land,” premiering this weekend at the Sundance Film Festival, is a confident drama about multiple forms of isolation. Edee (Wright) is isolated emotionally by a horrible tragedy and the lingering grief that has made her suicidal. Almost as if she’s trying to mirror how alone she feels on the inside, she isolates herself physically too, going to a remote cabin and trying to live off the land. Wright’s film is a lyrical character study about two deeply pained people who find purpose in one another. Even as the vast landscape around them seems to recall the insignificance of one person against the beauty of Mother Nature, “Land” suggests that isolation isn’t the answer and connection is what matters. It’s a smart, moving piece of work, hampered a bit by a rushed final act that feels somewhat manipulative but confidently acted throughout.

Wright does a great deal of character work in the film’s first half-hour with almost no dialogue. The long opening credits find Edee driving to a remote cabin in the mountains. When she tells the man who guided her there to come and get the rental car when he can, he suggests that it’s safer to have a vehicle up here. Edee doesn’t care about safety. There’s a lack of preparation for what’s about to face Edee that almost leans into the flashbacks that hint at her suicidal nature following an undisclosed tragedy. It’s as if Edee is fine with the Earth reclaiming her. She doesn’t know how to hunt or trap; she doesn’t have enough supplies; winter is coming. If she dies out here, so be it. It's almost like watching someone slowly drown, hundreds of miles from the ocean.

Writers Jesse Chatham and Erin Dignam withhold the details about what has driven Edee to a place that almost feels built by Mother Nature to kill her other than brief flashbacks to a sister named Emma ( Kim Dickens ) begging Edee not to commit suicide and glimpses of a man and a boy, who it becomes clear are Edee’s lost family. At its core, “Land” is a story of unimaginable grief, the kind of pain that reshapes the landscape. Imagine something so horrible happening to you that the world around you looks entirely different—why not change your setting as extremely as moving from the city of Chicago to the Rocky Mountains? As a performer, Wright smartly imbues Edee with what almost feels like constant pain in the film’s first act. It’s such a stark, gloomy story that we start to feel Edee’s non-stop sadness with her.

And then “Land” shifts gears by introducing a hunter named Miguel ( Demián Bichir ) and a nurse named Alawa (Sarah Dawn Pledge). Not only do they save Edee’s life, Miguel becomes an unexpected ally and even teacher. He promises not to tell Edee anything of the outside world, maintaining her self-isolation, and he doesn’t say much. He’s going to give her the tools to survive, and then be gone. And he has some trauma and grief of his own to bring on the hunting trip.

As a director, Wright and cinematographer Bobby Bukowski (“ 99 Homes ”) strike a nice balance between lyrical shots of the gorgeous backdrop and close-ups that reveal their characters’ trauma. It’s a beautiful film that also never loses its sense of danger. There's a shot late in the film in which Edee is standing near the edge of a cliff and I was convinced she was going to fall. "Land" has a finely tuned balance between the beauty of this world and the fact that that beauty hides so many aspects that can kill you, from bears looking for food to brutal winter snowstorms to, yes, cliffs. Anne McCabe & Mikkel E.G. Nielsen’s editing deserves praise for finding this balance too.

However, “Land” works best as a performance piece for two excellent actors. Wright nails every aspect of this character, particularly the way she internalizes her grief and uses that empty pain to push herself to survive. Bichir matches her with a very different performance that’s no less powerful. Neither character gets much to say—and the dialogue is often the weakest aspect of the film in that it’s sometimes a bit too unrealistic—but that allows Wright and Bichir to do a great deal of physical acting. Most importantly, they sell how these two people end up needing each other without resorting to melodrama. They have chemistry as two fully believable, three-dimensional characters unexpectedly sharing the same space.

Some of the final scenes of “Land” feel unearned, and I found the film far more effective in its silence than its dialogue. A simple shot of a man sitting on a porch with his eyes closed, the sun on his face, can be more powerful than an overwritten monologue.

The song “Everybody Wants to Rule the World” by Tears for Fears becomes a recurring joke in “Land” as Miguel sings it a few times, and it’s tempting to pull apart the lyrics and how they reflect in the story of the film. After all, it does feature the lines “Turn your back on mother nature” and “It’s my own design/It’s my own remorse,” both of which could sound explicitly like they’re about Edee’s story. However, there’s a line in the chorus that is also important to remember when it comes to depression and grief, emotions that can sometimes feel like they’ll never end: “Nothing ever lasts forever.”

This review was filed in conjunction with the world premiere at Sundance on January 31 st , 2021. It will open in theaters on February 12 th , 2021.

Brian Tallerico

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and GQ, and the President of the Chicago Film Critics Association.

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Film Credits

Land (2021)

Rated PG-13

Robin Wright as Edee

Demian Bichir as Miguel

Kim Dickens as Emma

• Robin Wright
• Jesse Chatham
• Erin Dignam

Cinematographer

• Bobby Bukowski
• Anne McCabe
• Mikkel E.G. Nielsen

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• Cast & crew

Soul Land 2: The Peerless Tang Clan

Storyline about the daughter of Tang San and Xiao Wu. 10,000 years after Soul Land 1, a world where magic and machinery co-exist Huo Yuhao and Tang Wutong meet at Shrek Academy. Storyline about the daughter of Tang San and Xiao Wu. 10,000 years after Soul Land 1, a world where magic and machinery co-exist Huo Yuhao and Tang Wutong meet at Shrek Academy. Storyline about the daughter of Tang San and Xiao Wu. 10,000 years after Soul Land 1, a world where magic and machinery co-exist Huo Yuhao and Tang Wutong meet at Shrek Academy.

• Tang Jia San Shao
• Dawei Liang
• Yajing Tang

Episodes 17

• Tang Wutong …
• Huo Yuner …
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Did you know

• Trivia The online animation "Douluo Dalu II Peerless Tangmen" is adapted from the web novel of the same name written by Tang Jia San Shao .
• Connections Follows Douluo Dalu (2018)
• Soundtracks Zhan Ge [Opening Theme] Music by Qiaozhi Sun (KELZIE) Arranged by Qiaozhi Sun (KELZIE) Lyrics by Huixiu Liang Performed by Coco Lee

User reviews

• How many seasons does Soul Land 2: The Peerless Tang Clan have? Powered by Alexa
• June 17, 2023 (China)
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• Sparkly Key Animation Studio
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• Tencent Penguin Pictures
• See more company credits at IMDbPro

Technical specs

• Runtime 20 minutes

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