master thesis novel

Michener Fellow's MFA Thesis Becomes Best-Selling Novel

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A novel written by Michener Center Fellow Lara Prescott (M.F.A ’18) as her master’s thesis at UT Austin has become a New York Times bestseller.

“The Secrets We Kept,” published by Knopf in September, is based upon the real-life story of how the CIA smuggled copies of Boris Pasternak’s classic novel “Doctor Zhivago” into Russia during the Cold War to subvert the Soviet Union.

The novel sparked a bidding war among publishers to acquire the rights. Additionally it has sold for publication in 28 countries and been acquired for adaptation for film or television.

Characters in the novel include two secretaries who were pulled from the typing pool at the CIA for the mission, and Pasternak’s mistress and muse Olga, who served as the inspiration for the character of Lara in “Doctor Zhivago.”

Prescott began writing the novel in 2015 as a creative writing student at UT Austin after reading newly declassified documents about the CIA’s clandestine involvement in the Russian publication and dissemination of “Doctor Zhivago.”

The Michener Center for Writers is a three-year, fully funded M.F.A. program at UT Austin. The center offers accepted fellows full funding packages without teaching duties, enabling them to commit to writing full time.

“My time here at the Michener Center was really special” Prescott said. “I knew the first time that I came ... that this was a close-knit family and more than an M.F.A. program.

“That’s what I took away from the program the most: the friends I made, the people I will stay in touch with my entire life and read their books when they’re published, as well as the mentorship I received from the amazing faculty.”

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Home > HFA > LLC > COMPLIT > COMPLIT_THESES

Comparative Literature Masters Theses Collection

Theses from 2023 2023.

ANTIFASCIST AUTOBIOGRAPHICAL WRITING BY THREE SOUTHERN EUROPEAN WOMEN WRITERS: NATÁLIA CORREIA, CONCHA ZARDOYA, AND LUDOVICA RIPA DI MEANA , Jessica R. Beasley, Comparative Literature

Languages of Exile in the Poetry of Aria Aber and Solmaz Sharif , Malavika Mujumdar, Comparative Literature

The Diaries of Käthe Kollwitz: 1916-1917 , Carolyn Provine, Comparative Literature

Translating Gender and Sexuality in The Awakening by Kate Chopin , Xiaobo Zhang, Comparative Literature

Theses from 2022 2022

Translating Calvino’s Dialectical Style , Ken W. Scriboni Jr, Comparative Literature

Theses from 2020 2020

A Translation of Dominik Nagl’s Grenzfälle with an Introductory Analysis of the Translation Process , Joseph Keady, Comparative Literature

Translating Anxiety in the Poetry of Maya Abu al-Hayyat , Julianne Zala, Comparative Literature

Theses from 2019 2019

The Man Who Had It All but Her: The Construction and Destruction of the Macho Image in Four Mexican Novels , Adriana Marmolejo Soto, Comparative Literature

'Choose a Language Like a Wedding Ring': Polysystems, Norms and Pseudotranslation in Lea Goldberg’s Poetry & Prose , Benjamin Rangell, Comparative Literature

A Translation of Vera Gherarducci’s Giorno Unico , Arianna Valocchi, Comparative Literature

Theses from 2018 2018

Translating Arab Cuisine into English: 101 Recipes , Paiman Salih, Comparative Literature

Theses from 2017 2017

Rewriting the Twentieth-century French Literary Right: Translation, Ideology, and Literary History , Marcus Khoury, Comparative Literature

Women On Trial: Translating Femininity Through Journalism , William B. Ollayos, Comparative Literature

Theses from 2016 2016

Colonialism, Education, and Gabon: an Examination of the Self-translation of Gabonese Citizens in Their Post-colonial Space Through Education and Language , Moussavou F. Batsielilit, Comparative Literature

Vielleicht hier, um zu sagen: Bildung and Elegy in the Duineser Elegien, Du côté de chez Swann, and Misérable miracle , Emily Heilker, Comparative Literature

Collaborative Approaches to Translation in Social Change Movements , Jocelyn D. Langer, Comparative Literature

Reimagining and Rewriting the Guantánamo Bay Detainee Library: Translation, Ideology, and Power , Muira N. McCammon, Comparative Literature

Songs of Ishq, Freedom and Rebellion: Selected Kafis of Bulleh Shah in Translation , Zainab Sattar, Comparative Literature

Re-envisioning a Discipline: Martin Wickramasinghe’s Contribution to Comparative Literature , Chamila Somirathna, Comparative Literature

Theses from 2015 2015

Translating Travel in the Spanish Sahara: English Versions of Sanmao's Stories of the Sahara , Ying Xu, Comparative Literature

Theses from 2013 2013

Rethinking Intersemiotic Translation through Cross-Media Adaptation in the Works of Joss Whedon , Liz Medendorp, Comparative Literature

A Translation of the Introduction and Part Iii of Free Jazz/ Black Power , Joshua Owsley, Comparative Literature

Towards a Neopragmatist Understanding of Translation: A Cross-Disciplinary and Cross-Medial Survey , Steffani Scheer, Comparative Literature

Theses from 2012 2012

A Translation of Shusaku Endo's Menamugawa no Nihonjin , Rio Hernandez, Comparative Literature

A Translation of Yun-T'aek Yi's Faust in Blue Jeans , Yonjoo Hong, Comparative Literature

Theses from 2010 2010

Un pie aquí y otro allá: Translation, Globalization, and Hybridization in the New World (B)Order , Jorge Jimenez-bellver, Comparative Literature

Theses from 2009 2009

A Translation from English to Spanish of Selected Chapters from Dionne Brand's What We All Long For , Lucia I. Prada-Gonzalez, Comparative Literature

On Becoming Virginia: The Story of a Man Who Crashed a Woman's Body: A Translation of Alejandro Tapia y Rivera's Postumo el envirginiado [1882] , Aaron M. M. Suko, Comparative Literature

Theses from 2008 2008

Euripides' Bakkhai and the Colonization of Sophrosune: A Translation with Commentary , Shannon K. Farley, Comparative Literature

On Becoming in Translation: Articulating Feminisms in the Translation of Marie Vieux-Chauvet's Les Rapaces , Carolyn P T Shread, Comparative Literature

Theses from 2007 2007

Queering Translation Studies , Cristiano A. Mazzei, Comparative Literature

Translation, Culture, And Censorship In Saudi Arabia (1988-2006) And Iraq (1979-2005) , Huda A. Yehia, Comparative Literature

Theses from 2006 2006

INTERPRETING IN A DIFFERENT LEGAL CULTURE: A STUDY OF CHINESE INTERPRETERS AT ANGEL ISLAND STATION (1910-1940) , Ting Guo, Comparative Literature

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Home > ACADEMIC-UNITS > College of Arts and Sciences > Department of English Language and Literature > ENGLISH_ETD

MA in English Theses

Theses/dissertations from 2018 2018.

Implementing Critical Analysis in the Classroom to Negate Southern Stereotypes in Multi-Media , Julie Broyhill

Fan Fiction in the English Language Arts Classroom , Kristen Finucan

Transferring the Mantle: The Voice of the Poet Prophet in the Works of Elizabeth Barrett Browning and Emily Dickinson , Heidi Brown Hyde

The Effects of Social Media as Low-Stakes Writing Tasks , Roxanne Loving

Student and Teacher Perceptions of Multiliterate Assignments Utilizing 21st Century Skills , Jessica Kennedy Miller

The Storytellers’ Trauma: A Place to Call Home in Caribbean Literature , Ilari Pass

Post Title IX Representations of Professional Female Athletes , Emily Shaw

Theses/Dissertations from 2017 2017

“Not as She is” but as She is Expected to Be: Representations, Limitations, and Implications of the “Woman” and Womanhood in Selected Victorian Literature and Contemporary Chick Lit. , Amanda Ellen Bridgers

The Intrinsic Factors that Influence Successful College Writing , Kenneth Dean Carlstrom

"Where nature was most plain and pure": The Sacred Locus Amoenus and its Profane Threat in Andrew Marvell's Pastoral Poetry , James Brent King

Colorblind: How Cable News and the “Cult of Objectivity” Normalized Racism in Donald Trump’s Presidential Campaign , Amanda Leeann Shoaf

Gaming The Comic Book: Turning The Page on How Comics and Videogames Intersect as Interactive, Digital Experiences , Joseph Austin Thurmond

Theses/Dissertations from 2016 2016

The Nature, Function, and Value of Emojis as Contemporary Tools of Digital Interpersonal Communication , Nicole L. Bliss-Carroll

Exile and Identity: Chaim Potok's Contribution to Jewish-American Literature , Sarah Anne Hamner

A Woman's Voice and Identity: Narrative Métissage as a Solution to Voicelessness in American Literature , Kali Lauren Oldacre

Pop, Hip Hop, and Empire, Study of a New Pedagogical Approach in a Developmental Reading and English Class , Karen Denise Taylor

Theses/Dissertations from 2015 2015

Abandoning the Shadows and Seizing the Stage: A Perspective on a Feminine Discourse of Resistance Theatre as Informed by the Work of Susanna Centlivre, Eliza Haywood, Frances Sheridan, Hannah Cowley, and the Sistren Theatre Collective , Brianna A. Bleymaier

Mexican Immigrants as "Other": An Interdisciplinary Analysis of U.S. Immigration Legislation and Political Cartoons , Olivia Teague Morgan

Theses/Dissertations from 2014 2014

"I Am a Living Enigma - And You Want To Know the Right Reading of Me": Gender Anxiety in Wilkie Collins's The Haunted Hotel and The Guilty River , Hannah Allford

Theses/Dissertations from 2013 2013

Gender Performance and the Reclamation of Masculinity in Frank Miller's Batman: The Dark Knight Returns , John William Salyers Jr.

Theses/Dissertations from 2012 2012

"That's a Lotta Faith We're Putting in a Word": Language, Religion, and Heteroglossia as Oppression and Resistance in Comtemporary British Dystopian Fiction , Haley Cassandra Gambrell

Theses/Dissertations from 2011 2011

Mirroring the Madness: Caribbean Female Development in the Works of Elizabeth Nunez , Lauren Delli Santi

"Atlas Shrugged" and third-wave feminism: An unlikely alliance , Paul McMahan

"Sit back down where you belong, in the corner of my bar with your high heels on": The use of cross-dressing in order to achieve female agency in Shakespeare's transvestite comedies , Heather Lynn Wright

Theses/Dissertations from 2010 2010

Between the Way to the Cross and Emmaus: Deconstructing Identity in the 325 CE Council of Nicaea and "The Shack" , Trevar Simmons

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Home > ARTSSCI > English > dissertations

English Dissertations and Theses

The English Department Dissertations and Theses Series is comprised of dissertations and thesis authored by Marquette University's English Department doctoral and master's students.

Theses/Dissertations from 2023 2023

Lifting the Postmodern Veil: Cosmopolitanism, Humanism, and Decolonization in Global Fictions of the 21st Century , Matthew Burchanoski

Gothic Transformations and Remediations in Cheap Nineteenth-Century Fiction , Wendy Fall

Milton’s Learning: Complementarity and Difference in Paradise Lost , Peter Spaulding

“The Development of the Conceptive Plot Through Early 19th-Century English Novels” , Jannea R. Thomason

Theses/Dissertations from 2022 2022

Gonzo Eternal , John Francis Brick

Intertextuality and Sociopolitical Engagement in Contemporary Anglophone Women’s Writing , Jackielee Derks

Innovation, Genre, and Authenticity in the Nineteenth-Century Irish Novel , David Aiden Kenney II

Reluctant Sons: The Irish Matrilineal Tradition of Oscar Wilde, James Joyce, and Flann O’Brien , Jessie Wirkus Haynes

Britain's Extraterrestrial Empire: Colonial Ambition, Anxiety, and Ambivalence in Early Modern Literature , Mark Edward Wisniewski

Theses/Dissertations from 2021 2021

Re-Reading the “Culture Clash”: Alternative Ways of Reading in Indian Horse , Hailey Whetten

Theses/Dissertations from 2020 2020

When the Foreign Became Familiar: Modernism, Expatriation, and Spatial Identities in the Twentieth Century , Danielle Kristene Clapham

Reforming Victorian Sense/Abilities: Disabilities in Elizabeth Gaskell’s Social Problem Novels , Hunter Nicole Duncan

Genre and Loss: The Impossibility of Restoration in 20th Century Detective Fiction , Kathryn Hendrickson

A Productive Failure: Existentialism in Fin de Siècle England , Maxwell Patchet

Inquiry and Provocation: The Use of Ambiguity in Sixteenth-Century English Political Satire , Jason James Zirbel

Theses/Dissertations from 2019 2019

No Home but the World: Forced Migration and Transnational Identity , Justice Hagan

The City As a Trap: 20th and 21st Century American Literature and the American Myth of Mobility , Andrew Joseph Hoffmann

The Fantastic and the First World War , Brian Kenna

Insane in the Brain, Blood, and Lungs: Gender-Specific Manifestations of Hysteria, Chlorosis, & Consumption in 19th-Century Literature , Anna P. Scanlon

Reading Multicultural Novels Melancholically: Racial Grief and Grievance in the Joy Luck Club, Beloved, and Anil's Ghost , Jennifer Arias Sweeney

Theses/Dissertations from 2018 2018

The Ethos of Dissent: Epideictic Rhetoric and the Democratic Function of American Protest and Countercultural Literature , Jeffrey Lorino Jr

Literary Cosmopolitanisms of Salman Rushdie, Amitav Ghosh, and Arundhati Roy , Sunil Samuel Macwan

The View from Here: Toward a Sissy Critique , Tyler Monson

The Forbidden Zone Writers: Femininity and Anglophone Women War Writers of the Great War , Sareene Proodian

Theatrical Weddings and Pious Frauds: Performance and Law in Victorian Marriage Plots , Adrianne A. Wojcik

Theses/Dissertations from 2016 2016

Changing the Victorian Habit Loop: The Body in the Poetry and Painting of Dante Gabriel Rossetti and William Morris , Bryan Gast

Gendering Scientific Discourse from 1790-1830: Erasmus Darwin, Thomas Beddoes, Maria Edgeworth, and Jane Marcet , Bridget E. Kapler

Discarding Dreams and Legends: The Short Fiction of Elizabeth Madox Roberts, Flannery O’Connor, Katherine Anne Porter, and Eudora Welty , Katy L. Leedy

Theses/Dissertations from 2015 2015

Saving the Grotesque: The Grotesque System of Liberation in British Modernism (1922-1932) , Matthew Henningsen

The Pulpit's Muse: Conversive Poetics in the American Renaissance , Michael William Keller

A Single Man of Good Fortune: Postmodern Identities and Consumerism in the New Novel of Manners , Bonnie McLean

Julian of Norwich: Voicing the Vernacular , Therese Elaine Novotny

Theses/Dissertations from 2014 2014

Homecomings: Victorian British Women Travel Writers And Revisions Of Domesticity , Emily Paige Blaser

From Pastorals to Paterson: Ecology in the Poetry and Poetics of William Carlos WIlliams , Daniel Edmund Burke

Argument in Poetry: (Re)Defining the Middle English Debate in Academic, Popular, and Physical Contexts , Kathleen R. Burt

Apocalyptic Mentalities in Late-Medieval England , Steven A. Hackbarth

The Creation of Heaven in the Middle Ages , William Storm

(re)making The Gentleman: Genteel Masculinities And The Country Estate In The Novels Of Charlotte Smith, Jane Austen, And Elizabeth Gaskell , Shaunna Kay Wilkinson

Theses/Dissertations from 2013 2013

Brides, Department Stores, Westerns, and Scrapbooks--The Everyday Lives of Teenage Girls in the 1940s , Carly Anger

Placed People: Rootedness in G. K. Chesterton, C. S. Lewis, and Wendell Berry , David Harden

Rhetorics Of Girlhood Trauma In Writing By Holly Goddard Jones, Joyce Carol Oates, Sandra Cisneros, And Jamaica Kincaid , Stephanie Marie Stella

Theses/Dissertations from 2012 2012

A Victorian Christmas in Hell: Yuletide Ghosts and Necessary Pleasures in the Age of Capital , Brandon Chitwood

"Be-Holde the First Acte of this Tragedy" : Generic Symbiosis and Cross-Pollination in Jacobean Drama and the Early Modern Prose Novella , Karen Ann Zyck Galbraith

Pamela: Or, Virtue Reworded: The Texts, Paratexts, and Revisions that Redefine Samuel Richardson's Pamela , Jarrod Hurlbert

Violence and Masculinity in American Fiction, 1950-1975 , Magdalen McKinley

Gender Politics in the Novels of Eliza Haywood , Susan Muse

Destabilizing Tradition: Gender, Sexuality, and Postnational Identity in Four Novels by Irish Women, 1960-2000 , Sarah Nestor

Truth Telling: Testimony and Evidence in the Novels of Elizabeth Gaskell , Rebecca Parker Fedewa

Spirit of the Psyche: Carl Jung's and Victor White's Influence on Flannery O'Connor's Fiction , Paul Wakeman

Theses/Dissertations from 2011 2011

Performing the Audience: Constructing Playgoing in Early Modern Drama , Eric Dunnum

Paule Marshall's Critique of Contemporary Neo-Imperialisms Through the Trope of Travel , Michelle Miesen Felix

Hermeneutics, Poetry, and Spenser: Augustinian Exegesis and the Renaissance Epic , Denna Iammarino-Falhamer

Encompassing the Intolerable: Laughter, Memory, and Inscription in the Fiction of John McGahern , John Keegan Malloy

Regional Consciousness in American Literature, 1860-1930 , Kelsey Louise Squire

The Ethics of Ekphrasis: The Turn to Responsible Rhetoric in Mid-Twentieth Century American Poetry , Joshua Scott Steffey

Theses/Dissertations from 2010 2010

Cognitive Architectures: Structures of Passion in Joanna Baillie's Dramas , Daniel James Bergen

On Trial: Restorative Justice in the Godwin-Wollstonecraft-Shelley Family Fictions , Colleen M. Fenno

Theses/Dissertations from 2009 2009

What's the point to eschatology : multiple religions and terminality in James Joyce's Finnegans wake , Martin R. Brick

Economizing Characters: Harriet Martineau and the Problems of Poverty in Victorian Literature, Culture and Law , Mary Colleen Willenbring

Submissions from 2008 2008

"An improbable fiction": The marriage of history and romance in Shakespeare's Henriad , Marcia Eppich-Harris

Bearing the Mark of the Social: Notes Towards a Cosmopolitan Bildungsroman , Megan M. Muthupandiyan

The Gothic Novel and the Invention of the Middle-Class Reader: Northanger Abbey As Case Study , Tenille Nowak

Not Just a Novel of Epic Proportions: Ralph Ellison's Invisible Man As Modern American Epic , Dana Edwards Prodoehl

Recovering the Radicals: Women Writers, Reform, and Nationalist Modes of Revolutionary Discourse , Mark J. Zunac

Theses/Dissertations from 2007 2007

"The Sweet and the Bitter": Death and Dying in J.R.R. Tolkien's The Lord of the Rings , Amy M. Amendt-Raduege

The Games Men Play: Madness and Masculinity in Post-World War II American Fiction, 1946-1964 , Thomas P. Durkin

Denise Levertov: Through An Ecofeminist Lens , Katherine A. Hanson

The Wit of Wrestling: Devotional-Aesthetic Tradition in Christina Rossetti's Poetry , Maria M.E. Keaton

Genderless Bodies: Stigma and the Myth of Womanhood , Ellen M. Letizia

Envy and Jealousy in the Novels of the Brontës: A Synoptic Discernment , Margaret Ann McCann

Technologies of the Late Medieval Self: Ineffability, Distance, and Subjectivity in the Book of Margery Kempe , Crystal L. Mueller

"Finding-- a Map-- to That Place Called Home": The Journey from Silence to Recovery in Patrick McCabe's Carn and Breakfast on Pluto , Valerie A. Murrenus Pilmaier

Emily Dickinson's Ecocentric Pastoralism , Moon-ju Shin

The American Jeremiad in Civil War Literature , Jacob Hadley Stratman

Theses/Dissertations from 2006 2006

Literary Art in Times of Crisis: The Proto-Totalitarian Anxiety of Melville, James, and Twain , Matthew J. Darling

(Re) Writing Genre: Narrative Conventions and Race in the Novels of Toni Morrison , Jennifer Lee Jordan Heinert

"Amsolookly Kersse": Clothing in Finnegan's Wake , Catherine Simpson Kalish

"Do Your Will": Shakespeare's Use of the Rhetoric of Seduction in Four Plays , Jason James Nado

Woman in Emblem: Locating Authority in the Work and Identity of Katherine Philips (1632-1664) , Susan L. Stafinbil

When the Bough Breaks: Poetry on Abortion , Wendy A. Weaver

Theses/Dissertations from 2005 2005

Heroic Destruction: Shame and Guilt Cultures in Medieval Heroic Poetry , Karl E. Boehler

Poe and Early (Un)American Drama , Amy C. Branam

Grammars of Assent: Constructing Poetic Authority in An Age of Science , William Myles Carroll III

This Place is Not a Place: The Constructed Scene in the Works of Sir Walter Scott , Colin J. Marlaire

Cognitive Narratology: A Practical Approach to the Reader-Writer Relationship , Debra Ann Ripley

Theses/Dissertations from 2004 2004

Defoe and the Pirates: Function of Genre Conventions in Raiding Narratives , William J. Dezoma

Creative Discourse in the Eighteenth-Century Courtship Novel , Michelle Ruggaber Dougherty

Exclusionary Politics: Mourning and Modernism in the Works of Elizabeth Barrett Browning, Amy Levy, and Charlotte Mew , Donna Decker Schuster

Theses/Dissertations from 2003 2003

Toward a Re-Formed Confession: Johann Gerhard's Sacred Meditations and "Repining Restlessnesse" in the Poetry of George Herbert , Erik P. Ankerberg

Idiographic Spaces: Representation, Ideology and Realism in the Postmodern British Novel , Gordon B. McConnell

Theses/Dissertations from 2002 2002

Reading into It: Wallace Stegner's Novelistic Sense of Time and Place , Colin C. Irvine

Brisbane and Beyond: Revising Social Capitalism in Mid-Nineteenth-Century America , Michael C. Mattek

Theses/Dissertations from 2001 2001

Christians and Mimics in W. B. Yeats' Collected Poems , Patrick Mulrooney

Renaissance Roles and the Process of Social Change , John Wieland

'Straunge Disguize': Allegory and Its Discontents in Spenser's Faerie Queene , Galina Ivanovna Yermolenko

Theses/Dissertations from 2000 2000

Reading American Women's Autobiography: Spheres of Identity, Spheres of Influence , Amy C. Getty

"Making Strange": The Art and Science of Selfhood in the Works of John Banville , Heather Maureen Moran

Writing Guadalupe: Mediacion and (mis)translation in borderland text(o)s , Jenny T Olin-Shanahan

Writing Guadalupe: Mediacion and (Mis)Translation in Borderland Text(o)s , Jenny T. Olin-Shanahan

Theses/Dissertations from 1999 1999

Setting the Word Against the Word: The Search for Self-Understanding in Richard II , Richard J. Erable

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The Portrayal of the 'New Woman' in F. Scott Fitzgerald's The Great Gatsby

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How to Write a Master's Thesis: A Guide to Planning Your Thesis, Pursuing It, and Avoiding Pitfalls

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Part 1: Initial Considerations

Who needs to write a master’s thesis.

Thesis writing is one of the more daunting challenges of higher education. That being said, not all master's students have to write a thesis. For example, fields that place a stronger emphasis on applied knowledge, such as nursing, business, and education, tend to have projects and exams to test students on the skills and abilities associated with those fields. Conversely, in disciplines that require in-depth research or highly polished creative abilities, students are usually expected to prove their understanding and independence with a thesis.

What's Your Goal?

Do you want to write a thesis? The process is a long one, often spanning years. It's best to know exactly what you want before you begin. Many people are motivated by career goals. For example, hiring managers may see a master's degree as proof that the candidate is an expert within their field and can lead, motivate, and demonstrate initiative for themselves and others. Others dream of earning their doctorate, and they see a master's degree as a stepping stone toward their Ph.D .

No matter what your desired goal is, you should have one before you start your thesis. With your goal in mind, your work will have a purpose, which will allow you to measure your progress more easily.

Major Types of Theses

Once you've carefully researched or even enrolled in a master's program—a feat that involves its own planning and resources —you should know if you are expected to produce a quantitative (which occurs in many math and science programs), qualitative (which occurs in many humanities programs), or creative (which occurs in many creative writing, music, or fine arts programs) thesis.

Time and Energy Considerations

Advanced degrees are notoriously time and energy consuming. If you have a job, thesis writing will become your second job. If you have a family, they will need to know that your thesis will take a great deal of your attention, energy, and focus.

Your studies should not consume you, but they also should not take a back seat to everything else. You will be expected to attend classes, conduct research, source relevant literature, and schedule meetings with various people as you pursue your master's, so it's important to let those you care about know what's going on.

As a general note, most master's programs expect students to finish within a two-year period but are willing to grant extra time if requested, especially if that time is needed to deal with unexpected life events (more on those later).

Part 2: Form an Initial Thesis Question, and Find a Supervisor

When to begin forming your initial thesis question.

Some fields, such as history, may require you to have already formed your thesis question and to have used it to create a statement of intent (outlining the nature of your research) prior to applying to a master’s program. Others may require this information only after you've been accepted. Most of the time, you will be expected to come up with your topic yourself. However, in some disciplines, your supervisor may assign a general research topic to you.

Overall, requirements vary immensely from program to program, so it's best to confirm the exact requirements of your specific program.

What to Say to Your Supervisor

You will have a supervisor during your master's studies. Have you identified who that person will be? If yes, have you introduced yourself via email or phone and obtained information on the processes and procedures that are in place for your master's program? Once you've established contact, request an in-person meeting with him or her, and take a page of questions along with you. Your questions might include:

• Is there a research subject you can recommend in my field?
• I would like to pursue [target research subject] for my thesis. Can you help me narrow my focus?
• Can you give me an example of a properly formatted thesis proposal for my program?

Don't Be Afraid to Ask for Help (to a Degree)

Procedures and expectations vary from program to program, and your supervisor is there to help remove doubt and provide encouragement so you can follow the right path when you embark on writing your thesis. Since your supervisor has almost certainly worked with other graduate students (and was one at some point), take advantage of their experience, and ask questions to put your mind at ease about how to write a master’s thesis.

That being said, do not rely too heavily on your supervisor. As a graduate student, you are also expected to be able to work independently. Proving your independent initiative and capacity is part of what will earn you your master's degree.

Part 3: Revise Your Thesis

Read everything you can get your hands on.

Whether you have a question or need to create one, your next step is simple and applies to all kinds of theses: read.

Seek Out Knowledge or Research Gaps

Read everything you can that relates to the question or the field you are studying. The only way you will be able to determine where you can go is to see where everyone else has been. After you have read some published material, you will start to spot gaps in current research or notice things that could be developed further with an alternative approach. Things that are known but not understood or understood but not explained clearly or consistently are great potential thesis subjects. Addressing something already known from a new perspective or with a different style could also be a potentially valuable project. Whichever way you choose to do it, keep in mind that your project should make a valuable contribution to your field.

Talk with Experts in Your Field (and Don't Be Afraid to Revise Your Thesis)

To help narrow down your thesis topic, talk to your supervisor. Your supervisor will have an idea of what is current in your field and what can be left alone because others are already working on it. Additionally, the school you are attending will have programs and faculty with particular areas of interest within your chosen field.

On a similar note, don't be surprised if your thesis question changes as you study. Other students and researchers are out there, and as they publish, what you are working on can change. You might also discover that your question is too vague, not substantial enough, or even no longer relevant. Do not lose heart! Take what you know and adjust the question to address these concerns as they arise. The freedom to adapt is part of the power you hold as a graduate student.

Part 4: Select a Proposal Committee

What proposal committees are and why they're useful.

When you have a solid question or set of questions, draft a proposal.

You'll need an original stance and a clear justification for asking, and answering, your thesis question. To ensure this, a committee will review your thesis proposal. Thankfully, that committee will consist of people assigned by your supervisor or department head or handpicked by you. These people will be experts who understand your field of study and will do everything in their power to ensure that you are pursuing something worthwhile. And yes, it is okay to put your supervisor on your committee. Some programs even require that your supervisor be on your committee.

Just remember that the committee will expect you to schedule meetings with them, present your proposal, respond to any questions they might have for you, and ultimately present your findings and thesis when all the work is done. Choose those who are willing to support you, give constructive feedback, and help address issues with your proposal. And don't forget to give your proposal a good, thorough edit and proofread before you present it.

How to Prepare for Committee Meetings

Be ready for committee meetings with synopses of your material for committee members, answers for expected questions, and a calm attitude. To prepare for those meetings, sit in on proposal and thesis defenses so you can watch how other graduate students handle them and see what your committee might ask of you. You can even hold rehearsals with friends and fellow students acting as your committee to help you build confidence for your presentation.

Part 5: Write Your Thesis

What to do once your proposal is approved.

After you have written your thesis proposal and received feedback from your committee, the fun part starts: doing the work. This is where you will take your proposal and carry it out. If you drafted a qualitative or quantitative proposal, your experimentation or will begin here. If you wrote a creative proposal, you will now start working on your material. Your proposal should be strong enough to give you direction when you perform your experiments, conduct interviews, or craft your work. Take note that you will have to check in with your supervisor from time to time to give progress updates.

Thesis Writing: It's Important to Pace Yourself and Take Breaks

Do not expect the work to go quickly. You will need to pace yourself and make sure you record your progress meticulously. You can always discard information you don't need, but you cannot go back and grab a crucial fact that you can't quite remember. When in doubt, write it down. When drawing from a source, always create a citation for the information to save your future self time and stress. In the same sense, you may also find journaling to be a helpful process.

Additionally, take breaks and allow yourself to step away from your thesis, even if you're having fun (and especially if you're not). Ideally, your proposal should have milestones in it— points where you can stop and assess what you've already completed and what's left to do. When you reach a milestone, celebrate. Take a day off and relax. Better yet, give yourself a week's vacation! The rest will help you regain your focus and ensure that you function at your best.

How to Become More Comfortable with Presenting Your Work

Once you start reaching your milestones, you should be able to start sharing what you have. Just about everyone in a graduate program has experience giving a presentation at the front of the class, attending a seminar, or watching an interview. If you haven't (or even if you have), look for conferences and clubs that will give you the opportunity to learn about presenting your work and become comfortable with the idea of public speaking. The more you practice talking about what you are studying, the more comfortable you'll be with the information, which will make your committee defenses and other official meetings easier.

Published authors can be called upon to present at conferences, and if your thesis is strong, you may receive an email or a phone call asking if you would share your findings onstage.

Presenting at conferences is also a great way to boost your CV and network within your field. Make presenting part of your education, and it will become something you look forward to instead of fear.

What to Do If Your Relationship with Your Supervisor Sours

A small aside: If it isn't already obvious, you will be communicating extensively with others as you pursue your thesis. That also means that others will need to communicate with you, and if you've been noticing things getting quiet, you will need to be the one to speak up. Your supervisor should speak to you at least once a term and preferably once a week in the more active parts of your research and writing. If you give written work to your supervisor, you should have feedback within three weeks.

If your supervisor does not provide feedback, frequently misses appointments, or is consistently discouraging of your work, contact your graduate program advisor and ask for a new supervisor. The relationship with your supervisor is crucial to your success, especially if she or he is on your committee, and while your supervisor does not have to be friendly, there should at least be professional respect between you.

What to Do If a Crisis Strikes

If something happens in your life that disrupts everything (e.g., emotional strain, the birth of a child, or the death of a family member), ask for help. You are a human being, and personal lives can and do change without warning. Do not wait until you are falling apart before asking for help, either. Learn what resources exist for crises before you have one, so you can head off trauma before it hits. That being said, if you get blindsided, don't refuse help. Seek it out, and take the time you need to recover. Your degree is supposed to help you become a stronger and smarter person, not break you.

Part 6: Polish and Defend Your Master's Thesis

How to write a master’s thesis: the final stages.

After your work is done and everything is written down, you will have to give your thesis a good, thorough polishing. This is where you will have to organize the information, draft it into a paper format with an abstract, and abbreviate things to help meet your word-count limit. This is also where your final editing and proofreading passes will occur, after which you will face your final hurdle: presenting your thesis defense to your committee. If they approve your thesis, then congratulations! You are now a master of your chosen field.

Conclusion and Parting Thoughts

Remember that you do not (and should not) have to learn how to write a master’s thesis on your own. Thesis writing is collaborative, as is practically any kind of research.

While you will be expected to develop your thesis using your own initiative, pursue it with your own ambition, and complete it with your own abilities, you will also be expected to use all available resources to do so. The purpose of a master's thesis is to help you develop your own independent abilities, ensuring that you can drive your own career forward without constantly looking to others to provide direction. Leaders get master's degrees. That's why many business professionals in leadership roles have graduate degree initials after their last names. If you already have the skills necessary to motivate yourself, lead others, and drive change, you may only need your master's as an acknowledgement of your abilities. If you do not, but you apply yourself carefully and thoroughly to the pursuit of your thesis, you should come away from your studies with those skills in place.

A final thought regarding collaboration: all theses have a section for acknowledgements. Be sure to say thank you to those who helped you become a master. One day, someone might be doing the same for you.

Image source: Falkenpost/Pixabay.com 

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Think of yourself as a member of a jury, listening to a lawyer who is presenting an opening argument. You'll want to know very soon whether the lawyer believes the accused to be guilty or not guilty, and how the lawyer plans to convince you. Readers of academic essays are like jury members: before they have read too far, they want to know what the essay argues as well as how the writer plans to make the argument. After reading your thesis statement, the reader should think, "This essay is going to try to convince me of something. I'm not convinced yet, but I'm interested to see how I might be."

An effective thesis cannot be answered with a simple "yes" or "no." A thesis is not a topic; nor is it a fact; nor is it an opinion. "Reasons for the fall of communism" is a topic. "Communism collapsed in Eastern Europe" is a fact known by educated people. "The fall of communism is the best thing that ever happened in Europe" is an opinion. (Superlatives like "the best" almost always lead to trouble. It's impossible to weigh every "thing" that ever happened in Europe. And what about the fall of Hitler? Couldn't that be "the best thing"?)

A good thesis has two parts. It should tell what you plan to argue, and it should "telegraph" how you plan to argue—that is, what particular support for your claim is going where in your essay.

Steps in Constructing a Thesis

First, analyze your primary sources.  Look for tension, interest, ambiguity, controversy, and/or complication. Does the author contradict himself or herself? Is a point made and later reversed? What are the deeper implications of the author's argument? Figuring out the why to one or more of these questions, or to related questions, will put you on the path to developing a working thesis. (Without the why, you probably have only come up with an observation—that there are, for instance, many different metaphors in such-and-such a poem—which is not a thesis.)

Once you have a working thesis, write it down.  There is nothing as frustrating as hitting on a great idea for a thesis, then forgetting it when you lose concentration. And by writing down your thesis you will be forced to think of it clearly, logically, and concisely. You probably will not be able to write out a final-draft version of your thesis the first time you try, but you'll get yourself on the right track by writing down what you have.

Keep your thesis prominent in your introduction.  A good, standard place for your thesis statement is at the end of an introductory paragraph, especially in shorter (5-15 page) essays. Readers are used to finding theses there, so they automatically pay more attention when they read the last sentence of your introduction. Although this is not required in all academic essays, it is a good rule of thumb.

Anticipate the counterarguments.  Once you have a working thesis, you should think about what might be said against it. This will help you to refine your thesis, and it will also make you think of the arguments that you'll need to refute later on in your essay. (Every argument has a counterargument. If yours doesn't, then it's not an argument—it may be a fact, or an opinion, but it is not an argument.)

This statement is on its way to being a thesis. However, it is too easy to imagine possible counterarguments. For example, a political observer might believe that Dukakis lost because he suffered from a "soft-on-crime" image. If you complicate your thesis by anticipating the counterargument, you'll strengthen your argument, as shown in the sentence below.

Some Caveats and Some Examples

A thesis is never a question.  Readers of academic essays expect to have questions discussed, explored, or even answered. A question ("Why did communism collapse in Eastern Europe?") is not an argument, and without an argument, a thesis is dead in the water.

A thesis is never a list.  "For political, economic, social and cultural reasons, communism collapsed in Eastern Europe" does a good job of "telegraphing" the reader what to expect in the essay—a section about political reasons, a section about economic reasons, a section about social reasons, and a section about cultural reasons. However, political, economic, social and cultural reasons are pretty much the only possible reasons why communism could collapse. This sentence lacks tension and doesn't advance an argument. Everyone knows that politics, economics, and culture are important.

A thesis should never be vague, combative or confrontational.  An ineffective thesis would be, "Communism collapsed in Eastern Europe because communism is evil." This is hard to argue (evil from whose perspective? what does evil mean?) and it is likely to mark you as moralistic and judgmental rather than rational and thorough. It also may spark a defensive reaction from readers sympathetic to communism. If readers strongly disagree with you right off the bat, they may stop reading.

An effective thesis has a definable, arguable claim.  "While cultural forces contributed to the collapse of communism in Eastern Europe, the disintegration of economies played the key role in driving its decline" is an effective thesis sentence that "telegraphs," so that the reader expects the essay to have a section about cultural forces and another about the disintegration of economies. This thesis makes a definite, arguable claim: that the disintegration of economies played a more important role than cultural forces in defeating communism in Eastern Europe. The reader would react to this statement by thinking, "Perhaps what the author says is true, but I am not convinced. I want to read further to see how the author argues this claim."

A thesis should be as clear and specific as possible.  Avoid overused, general terms and abstractions. For example, "Communism collapsed in Eastern Europe because of the ruling elite's inability to address the economic concerns of the people" is more powerful than "Communism collapsed due to societal discontent."

Copyright 1999, Maxine Rodburg and The Tutors of the Writing Center at Harvard University

How a master’s thesis is pushing the boundaries of scholarship

For her thesis project, education grad Meghan Parker made an autobiographical graphic novel that argues for drawing to be recognized as a mode of scholarship.

Editor’s note: this is the fourth of an occasional series, People to Know , profiling notable people working in Canada’s higher education community. Follow the hashtag  #peopletoknow .

Any optimist will tell you that pedagogy in Canada is shifting. Scholarly discourse in several fields is tending towards critical self-reflection, making space for important new modes of knowledge-production in universities. Meghan Parker, who in late 2017 earned her master’s degree in art education from Simon Fraser University, shares this outlook. She would know: her thesis , which considers modes of “unconventional” scholarship and how these might shape education, comprises a 268-page graphic novel. The work is autobiographical, and every single page has been illustrated and written by her own hand.

The medium was a natural choice for Ms. Parker, who found in the comic panel a new language extremely well-suited to her preferred modes of inquiry and expression. This approach grew out of a class assignment from professor Lynn Fels (who would go on to be one of her supervisors): Ms. Parker began drawing images and pairing them with quotes from the week’s course readings. “[I realized] this was actually a good way to express the questions I [was] thinking about,” she says. “It kind of evolved from there once I realized this was a good language for me to express my knowledge, but also to figure it out through the writing.” This question of artistic inquiry is central to her thesis. “Why am I typing about art,” one panel reads, “instead of making Art about Art?!!”

Ms. Parker has been teaching at a school in Greater Vancouver since she started her master’s, but she didn’t always know she wanted to teach. After finishing a bachelor’s degree at Emily Carr University of Art + Design, she says she realized that ““what I missed most was the studio … and being around people who were making things.” So she turned toward other places she could apply her talents – places like schools. “I’ve always loved working with young people,” she says, “so at one point I realized I wasn’t going to be an isolated artist. I figured, ‘Hey, teaching looks kind of interesting!’” This year, Ms. Parker taught art classes for Grades 8, and 10 to 12. And when she presented her thesis, she had one of her students play an accompaniment on the ukulele.

The work is structured in seven sections according to the seven elements of art, which are frequently used to teach brand new artists the basics of rendering: line, colour, form, texture, shape, space and value. In each section, Ms. Parker engages in a close examination of her teaching and artistic practices. It is Ms. Parker herself, drawn into most panels in the graphic novel, who guides the reader through, elucidating an embodied and performative inquiry – a kind of scholarship that is executed by thinking, feeling and doing.  “To talk about teaching like it’s not about who you are, that’s like, get a grip,” she laughs. “It is all about relationships, and to understand those relationships, to understand what you’re teaching and why you’re teaching, I think you really need to reflect on who you are and what your values are. So it kind of seemed obvious [to draw myself into the thesis].”

The form and content of the thesis are inextricable – the graphic novel itself demonstrates what it could mean to engage drawing as a scholarly act while pushing the boundaries which have limited our conceptions of what should be recognized as scholarship. “The thesis honours her work as an arts educator,” Dr. Fels says: Ms. Parker knows that not all students learn the same way, and her thesis embodies her position as an advocate for expanding our view of the forms scholarship can take.

The art educator says her experience creating and presenting her thesis project was overwhelmingly positive – save for a few disrespectful tweets like “So next, all we’ll have to do is a kindergarten hand paint and they’ll grant us a master’s degree?” While meant to be cruel, the comment illuminates a relevant point: it is precisely the question of scholars and young people alike conducting scholarly inquiry through drawing that concerns Ms. Parker’s research and goals. She believes that people, especially young people, should have the option to be educated through embodied inquiry, should be equipped with a critical mode of visual literacy, and should feel encouraged to learn in this way. Ms. Parker’s work and its warm reception at SFU attests not only to the value of the work, but the remarkable potential of drawing scholarship.

• People to know

How to write a fantastic thesis introduction (+15 examples)

The thesis introduction, usually chapter 1, is one of the most important chapters of a thesis. It sets the scene. It previews key arguments and findings. And it helps the reader to understand the structure of the thesis. In short, a lot is riding on this first chapter. With the following tips, you can write a powerful thesis introduction.

Disclosure: This post may contain affiliate links, which means I may earn a small commission if you make a purchase using the links below at no additional cost to you . I only recommend products or services that I truly believe can benefit my audience. As always, my opinions are my own.

Elements of a fantastic thesis introduction

Open with a (personal) story, begin with a problem, define a clear research gap, describe the scientific relevance of the thesis, describe the societal relevance of the thesis, write down the thesis’ core claim in 1-2 sentences, support your argument with sufficient evidence, consider possible objections, address the empirical research context, give a taste of the thesis’ empirical analysis, hint at the practical implications of the research, provide a reading guide, briefly summarise all chapters to come, design a figure illustrating the thesis structure.

An introductory chapter plays an integral part in every thesis. The first chapter has to include quite a lot of information to contextualise the research. At the same time, a good thesis introduction is not too long, but clear and to the point.

A powerful thesis introduction does the following:

• It captures the reader’s attention.
• It presents a clear research gap and emphasises the thesis’ relevance.
• It provides a compelling argument.
• It previews the research findings.
• It explains the structure of the thesis.

In addition, a powerful thesis introduction is well-written, logically structured, and free of grammar and spelling errors. Reputable thesis editors can elevate the quality of your introduction to the next level. If you are in search of a trustworthy thesis or dissertation editor who upholds high-quality standards and offers efficient turnaround times, I recommend the professional thesis and dissertation editing service provided by Editage . 

This list can feel quite overwhelming. However, with some easy tips and tricks, you can accomplish all these goals in your thesis introduction. (And if you struggle with finding the right wording, have a look at academic key phrases for introductions .)

Ways to capture the reader’s attention

A powerful thesis introduction should spark the reader’s interest on the first pages. A reader should be enticed to continue reading! There are three common ways to capture the reader’s attention.

An established way to capture the reader’s attention in a thesis introduction is by starting with a story. Regardless of how abstract and ‘scientific’ the actual thesis content is, it can be useful to ease the reader into the topic with a short story.

This story can be, for instance, based on one of your study participants. It can also be a very personal account of one of your own experiences, which drew you to study the thesis topic in the first place.

Start by providing data or statistics

Data and statistics are another established way to immediately draw in your reader. Especially surprising or shocking numbers can highlight the importance of a thesis topic in the first few sentences!

So if your thesis topic lends itself to being kick-started with data or statistics, you are in for a quick and easy way to write a memorable thesis introduction.

The third established way to capture the reader’s attention is by starting with the problem that underlies your thesis. It is advisable to keep the problem simple. A few sentences at the start of the chapter should suffice.

Usually, at a later stage in the introductory chapter, it is common to go more in-depth, describing the research problem (and its scientific and societal relevance) in more detail.

You may also like: Minimalist writing for a better thesis

Emphasising the thesis’ relevance

A good thesis is a relevant thesis. No one wants to read about a concept that has already been explored hundreds of times, or that no one cares about.

Of course, a thesis heavily relies on the work of other scholars. However, each thesis is – and should be – unique. If you want to write a fantastic thesis introduction, your job is to point out this uniqueness!

In academic research, a research gap signifies a research area or research question that has not been explored yet, that has been insufficiently explored, or whose insights and findings are outdated.

Every thesis needs a crystal-clear research gap. Spell it out instead of letting your reader figure out why your thesis is relevant.

* This example has been taken from an actual academic paper on toxic behaviour in online games: Liu, J. and Agur, C. (2022). “After All, They Don’t Know Me” Exploring the Psychological Mechanisms of Toxic Behavior in Online Games. Games and Culture 1–24, DOI: 10.1177/15554120221115397

The scientific relevance of a thesis highlights the importance of your work in terms of advancing theoretical insights on a topic. You can think of this part as your contribution to the (international) academic literature.

Scientific relevance comes in different forms. For instance, you can critically assess a prominent theory explaining a specific phenomenon. Maybe something is missing? Or you can develop a novel framework that combines different frameworks used by other scholars. Or you can draw attention to the context-specific nature of a phenomenon that is discussed in the international literature.

The societal relevance of a thesis highlights the importance of your research in more practical terms. You can think of this part as your contribution beyond theoretical insights and academic publications.

Why are your insights useful? Who can benefit from your insights? How can your insights improve existing practices?

Formulating a compelling argument

Arguments are sets of reasons supporting an idea, which – in academia – often integrate theoretical and empirical insights. Think of an argument as an umbrella statement, or core claim. It should be no longer than one or two sentences.

Including an argument in the introduction of your thesis may seem counterintuitive. After all, the reader will be introduced to your core claim before reading all the chapters of your thesis that led you to this claim in the first place.

But rest assured: A clear argument at the start of your thesis introduction is a sign of a good thesis. It works like a movie teaser to generate interest. And it helps the reader to follow your subsequent line of argumentation.

The core claim of your thesis should be accompanied by sufficient evidence. This does not mean that you have to write 10 pages about your results at this point.

However, you do need to show the reader that your claim is credible and legitimate because of the work you have done.

A good argument already anticipates possible objections. Not everyone will agree with your core claim. Therefore, it is smart to think ahead. What criticism can you expect?

Think about reasons or opposing positions that people can come up with to disagree with your claim. Then, try to address them head-on.

Providing a captivating preview of findings

Similar to presenting a compelling argument, a fantastic thesis introduction also previews some of the findings. When reading an introduction, the reader wants to learn a bit more about the research context. Furthermore, a reader should get a taste of the type of analysis that will be conducted. And lastly, a hint at the practical implications of the findings encourages the reader to read until the end.

If you focus on a specific empirical context, make sure to provide some information about it. The empirical context could be, for instance, a country, an island, a school or city. Make sure the reader understands why you chose this context for your research, and why it fits to your research objective.

If you did all your research in a lab, this section is obviously irrelevant. However, in that case you should explain the setup of your experiment, etcetera.

The empirical part of your thesis centers around the collection and analysis of information. What information, and what evidence, did you generate? And what are some of the key findings?

For instance, you can provide a short summary of the different research methods that you used to collect data. Followed by a short overview of how you analysed this data, and some of the key findings. The reader needs to understand why your empirical analysis is worth reading.

You already highlighted the practical relevance of your thesis in the introductory chapter. However, you should also provide a preview of some of the practical implications that you will develop in your thesis based on your findings.

Presenting a crystal clear thesis structure

A fantastic thesis introduction helps the reader to understand the structure and logic of your whole thesis. This is probably the easiest part to write in a thesis introduction. However, this part can be best written at the very end, once everything else is ready.

A reading guide is an essential part in a thesis introduction! Usually, the reading guide can be found toward the end of the introductory chapter.

The reading guide basically tells the reader what to expect in the chapters to come.

In a longer thesis, such as a PhD thesis, it can be smart to provide a summary of each chapter to come. Think of a paragraph for each chapter, almost in the form of an abstract.

For shorter theses, which also have a shorter introduction, this step is not necessary.

Especially for longer theses, it tends to be a good idea to design a simple figure that illustrates the structure of your thesis. It helps the reader to better grasp the logic of your thesis.

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Citation guides

All you need to know about citations

How to cite a master's thesis in APA

• Google Docs

To cite a master's thesis in a reference entry in APA style 6th edition include the following elements:

• Author(s) of the thesis: Give the last name and initials (e. g. Watson, J. D.) of up to seven authors with the last name preceded by an ampersand (&). For eight or more authors include the first six names followed by an ellipsis (…) and add the last author's name.
• Year of publication: Give the year in brackets followed by a full stop.
• Title of the master's thesis: Only the first letter of the first word and proper nouns are capitalized.
• URL: Give the full URL where the document can be retrieved from.

Here is the basic format for a reference list entry of a master's thesis in APA style 6th edition:

Author(s) of the thesis . ( Year of publication ). Title of the master's thesis (Master's thesis). Retrieved from URL

If the thesis is available from a database, archive or any online platform use the following template:

• Author(s) of the thesis: Give the last name and initials (e. g. Watson, J. D.) of up to 20 authors with the last name preceded by an ampersand (&). For 21 or more authors include the first 19 names followed by an ellipsis (…) and add the last author's name.
• Title of the Master's thesis: Only the first letter of the first word and proper nouns are capitalized.
• Publication number: Give the identification number of the thesis, if available.
• Name of the degree awarding institution: Give the name of the institution.
• Name of Platform: Give the name of the database, archive or any platform that holds the thesis.
• URL: If the thesis was found on a database, omit this element.

Here is the basic format for a reference list entry of a master's thesis in APA style 7th edition:

Author(s) of the thesis . ( Year of publication ). Title of the Master's thesis ( Publication number ) [Master's thesis, Name of the degree awarding institution ]. Name of Platform . URL

If the thesis has not been published or is available from a database use the following template:

• Location: Give the location of the institution. If outside the United States also include the country name.

Author(s) of the thesis . ( Year of publication ). Title of the master's thesis (Unpublished master's thesis). Name of the degree awarding institution , Location .

If the thesis is not published, use the following template:

Author(s) of the thesis . ( Year of publication ). Title of the master's thesis [Unpublished master's thesis]. Name of the degree awarding institution .

APA reference list examples

Take a look at our reference list examples that demonstrate the APA style guidelines for a master's thesis citation in action:

A master's thesis found in an online platform

Bauger, L . ( 2011 ). Personality, passion, self-esteem and psychological well-being among junior elite athletes in Norway ( Master's Thesis ). Retrieved from https://pdfs.semanticscholar.org/29a9/ef96c34e577211246b83b11813a2585033c5.pdf

Bauger, L . ( 2011 ). Personality, passion, self-esteem and psychological well-being among junior elite athletes in Norway [ Master's Thesis , University of Tromsø ]. Semantic Scholar . https://pdfs.semanticscholar.org/29a9/ef96c34e577211246b83b11813a2585033c5.pdf

An unpublished master's thesis

Aube, K. E . ( 2019 ). A comparison of water main failure prediction models in San Luis Obispo, CA ( Unpublished master's thesis ). Cal Poly , San Luis Obispo, CA .

Aube, K. E . ( 2019 ). A comparison of water main failure prediction models in San Luis Obispo, CA [ Unpublished master's thesis ]. Cal Poly .

This citation style guide is based on the official Publication Manual of the American Psychological Association ( 6 th edition).

More useful guides

• APA Referencing: Theses
• Citation Help for APA: Master's Thesis or Project
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Master’s Thesis Length: How Long Should A Master’s Thesis Be?

Writing a thesis is one of the requirements for obtaining a master’s degree. If you are currently running a postgraduate program, you may be wondering what the actual length of a master’s thesis is.

A thesis is a comprehensive exploration of a topic or area of ​​interest. The idea is to chart your learning journey and conclude by discussing what you have learned and what others might learn from it, including opportunities for further research.

It can be as long as it takes to discuss your topic in detail. This is anything around 50 to 300 pages, including a bibliography. However, different institutions have standards for content, format, and length expectations.

This article discusses the length and structure of a master’s thesis in detail.

What is a master’s thesis?

A master’s thesis is a research project written by students in a master’s degree program to demonstrate their interest and expertise in a specific topic within their field of study. It is the final requirement for a master’s degree.

The thesis is a culmination of existing research and data that master’s students marshal and combine to make up a hypothesis that challenges an existing argument in the field or develops new arguments for academic debate.

Students are usually assigned an advisor who provides guidance and supervises their work. Once the thesis is complete, students must defend their work to a panel of two or more departmental faculty members.

How long is a master’s thesis?

A master’s thesis has no mandatory length. It can be anywhere from 50 to 300 pages depending on factors such as departmental requirements, university guidelines, topic, and research methodology.

However, what is most important is that your thesis contains all the necessary information about the topic clearly and concisely. Your argument must also be well structured with relevant references, figures, and tables to support your claim.

In fact, the quality of your work should be prioritized above the length of your work.

Ultimately, the aim is to demonstrate your mastery in the field by demonstrating the academic expertise and research skills you have developed throughout the master’s program.

Master thesis structure

Given the differences in the degree requirements between universities, Master’s theses do not follow the same structure. However, a typical master’s thesis follows these format:

•   Title page
•   Acknowledgment
•   Table of contents
•   Chapter 1: Introduction
•   Chapter 2: Literature review
•   Chapter 3: Data collection
•   Chapter 4: Analysis
•   Chapter 5: Conclusion
•   Reference list
•   Statement of independent work
•   Appendix (optional)

1. Title page

This is basically a page to tell your name, university, essay topic, and supervisor’s name.

2. Acknowledgment

This is the part where you appreciate those who contributed to the preparation of your thesis. If you probably received a fellowship or obtained data from an institution, then you should recognize and thank them here.

You should also thank your advisor, friends, and family who supported you during the course of your work.

3. Abstract

The abstract is a crucial part of your thesis. It is a one-page summary covering the questions you intend to answer, the data used, the methodology employed, and your findings.

The aim of an abstract is to give the thesis committee a brief but concise insight into what your research work entails.

4. Table of contents

It is a list of all the chapters and subsections contained in your work alongside the page number where each chapter begins.

Additionally, you need to provide a list of figures and tables with the page number to find them in the thesis.

5. Introduction

The introduction is the first chapter of a thesis. It provides context for the rest of the paper, telling readers what the scope of your work is and what you aim to achieve.

It doesn’t have to be technical rather it should communicate why your topic is relevant. The introduction should also highlight other chapters of your work and touch down on at least one research question.

6. Literature review

The literature review is the part of your thesis where you establish your arguments using various pre-existing scholarly publications and demonstrating your knowledge about your topic.

It is aimed to give a scientific overview of how your work contributes to existing knowledge on the subject matter. In other words, it shows readers the literature gap you hope to fill. For instance, your thesis may be based on new sets of data, methods, or applications.

7. Research methods

This chapter details the data used in your research and the method of gathering or collecting them. This could be qualitative data such as open-ended surveys, case studies, and more.

However, not all theses require a section covering research methods. Arts and humanities students for instance do not undertake research that involves fixed methodologies.

Instead, they outline their theoretical perspectives and methods in their introductions without explaining their data collection and analysis methods in detail.

8. Data analysis and findings

Data analysis and finding involve experimenting with the gathered data and presenting your result in a graphical, tabular, or chart form. The result could also be a written description of the research and findings.

9. Discussion

This is the largest part of a thesis containing a series of chapters. The chapters should flow logically and build your arguments from one chapter to the next.

The length of the discussion is based on the total length of the thesis. So, for a thesis of about 20,000 words, the discussion section may be 15,000 words.

10. Conclusion

A thesis conclusion is where you tie up your arguments and evidence and summarize your discussions stating key points.

It should also include explaining whether your research questions are confirmed or rejected based on your research and comparing your findings with existing publications.

Not only that, the conclusion should state parts of your topic that you couldn’t touch. This helps buttress what your research has achieved and parts others can explore for future studies.

11. List of reference

This is simply a list of all the sources you cited in your work.

12. Statement of Independent work

It is a declaration to confirm that your thesis was done independently by you. The declaration takes the format:

“I hereby confirm that this paper was written independently by me and did not use any sources other than citations and that all passages and ideas taken from other sources are cited accordingly”.

13. Appendix (or appendices)

The appendix is usually optional in a thesis. It is material that complements your argument. This could be a questionnaire or a case study.

If the content is too large to go into the body of your paper or could distract readers, then your research could use an appendix.

How to write a master’s thesis

There is a lot that goes into writing a master’s thesis. Aside from the fact that this is a large project that cannot be rushed, there are some requirements that you must adhere to.

That said, the first thing you should consider is approaching your advisor for guidance on your work. Second, look at past publications to see their structure and study their content.

Additionally, when choosing a topic, it’s best to find a subject that interests you, then create an outline to direct your flow, and make sure to keep a list of references used in your work.

A master’s thesis is longer than an undergraduate thesis, so, it would help if you start working on time to avoid rushing or late submission.

How fast can you write a master’s thesis?

Generally, students have two semesters to write their master’s thesis (usually the last two semesters of their degree program).

Can you finish your thesis in 3 weeks?

Let’s say you write at least 1000 words daily in three weeks that would be around 20,000 words. But it will be really difficult to achieve. Plus, it would be hard to do quality work in 3 weeks.

Can a master’s thesis be written in 20 pages?

20 pages may be too little to capture your arguments comprehensively in a master’s thesis. A typical master’s thesis has a length of about 50 pages and above.

A master’s thesis can be any length depending on how long it takes to thoroughly discuss your topic. Basically, you should follow the guideline given by your institution and advisor.

Your work must also demonstrate great quality, so you want to give it your best shot. Perhaps you have a short time to complete your thesis, don’t fret. Simply think about how many words you need to write every day to meet up and develop plans to achieve your goal.

In all of this, you want to avoid plagiarism in your work, as this can have serious consequences. Read this article to know if paraphrasing is plagiarism.

I hope this article helped. Thanks for reading.

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Juan Garcia Bonilla and Elise Scheers recognised for outstanding master thesis

During the VSV symposium: ‘Defying the dark’ in March 2024, two students were honored with awards for their exceptional master's theses. Juan Garcia Bonilla received the Heinz Stoewer Space award 2024 for his research on solar sails, while Elise Scheers received the NVvL Hans Wittenberg Prize 2024 for her work on integrating hybrid-electric aircraft design with strategic airline planning. Both students receive a certificate and €1000 in recognition of their achievements.

The Heinz Stoewer Space Award was initiated in 2018 by Prof. Stoewer when he received the prestigious Space Engineering IEEE Simon Ramo Medal. To encourage and congratulate master's students on their research, he has decided to donate his prize money to promote the visibility of work with great social relevance. In that line, Bonilla has allocated a portion of his award funds to treat teachers and students from his former school in Spain with fun and inspiring space merchandise, as a gesture of gratitude for their support.

Heinz Stower Space Award 2024

Juan Garcia Bonilla's thesis, titled "Uncertainty Quantification for Solar Sails in the Near-Earth Environment," earned him the Heinz Stoewer Space Award 2024. Solar sails are a novel form of space propulsion that utilises radiation pressure from the Sun. These systems are relatively new, which means there is still a lot unknown about their behaviour. Bonilla’s work aims to identify and quantify the effects of the key sources of uncertainty in Solar Sails missions around the Earth. This allows mission designers to design robust systems capable of success amidst uncertainty.

“Juan’s thesis represents one of the few studies ever to investigate the effect of dynamical uncertainties in solar sailing. Despite the complexity of the topic, Juan delved into it in a completely autonomous manner, employing novel methods far beyond the level of an MSc student. The results he found allowed for a significant enhancement of our understanding of solar sailing around the Earth, to the extent that they were used to support the design of NASA’s upcoming ACS3 solar-sail mission”. – Ir. Livio Carzana (Supervisor)

“The main challenge, for me, was that I had to learn a lot of statistics. Before coming to Delft, I wouldn't have said that I liked this branch of mathematics. However, a compelling class on Monte Carlo methods taught by Prof. L.E. Meester inspired this thesis and the methods employed. I had to learn a lot of statistics, which I ended up enjoying”. - Juan Garcia Bonilla, MSc

Bonilla's findings could directly support mission designers, particularly for the Advanced Composite Solar Sail System (ACS3) mission that was used as the main case study for the research. He also demonstrated some uncertainty propagation methods that are applicable to the wider astrodynamics community, some of which he is using in his current job as a simulation software developer.  Bonilla works at the Jet Propulsion Laboratory (JPL), a research center managed by Caltech and funded by NASA, where he develops digital twins for future robotics space missions.

The opportunity to work at NASA for the scientific exploration of space is a dream come true. While I may consider returning to Europe, or try to become a professor in the future, I envision myself in California for the foreseeable future. Juan Garcia Bonilla

Hans Wittenberg Prize 2024

Elise Scheers received the Hans Wittenberg Prize 2024 for her thesis titled: "Coupled Hybrid Electric Aircraft Design and Strategic Airline Planning". Her research focuses on integrating hybrid-electric aircraft design with strategic airline planning, aiming to develop a methodology for optimizing a hybrid-electric aircraft fleet's design while considering its impact on airline operations and network emissions.

“Elise has managed to successfully couple the disciplines of conceptual aircraft design and strategic airline planning, for hybrid-electric aircraft. Her work directly contributed to a conference paper that won two best-paper awards!” – Dr. Maurice Hoogreef (supervisor)

“The greatest challenge for me arose from integrating my background in flight performance, which primarily focused on aircraft design and optimization, with a fleet-and-network model from an operational standpoint. This was a novel endeavour for me”. – Elise Scheers MSc

Scheers currently works as a Research and Development Modelling and Simulation Engineer at the Netherlands Aerospace Center (NLR), where she focuses on modelling conceptual aircraft designs with alternative, more sustainable powertrain systems. She investigates the potentials for more sustainable aviation by assessing the performance and feasibility of these innovative technologies.

The award provides valuable recognition, enhancing my involvement and collaboration within the aerospace community. My aspiration is to continue contributing to disruptive technologies in the aerospace industry. I am really excited to see the possibilities that these innovations hold and hope to see them become reality in the future. Elise Scheers

The NVvL Hans Wittenberg Prize is awarded to the best aviation graduation report from Delft University of Technology, InHolland University of Applied Sciences, Amsterdam University of Applied Sciences or the Netherlands Defense Academy. Named after Hans Wittenberg, who passed away in 2003 and was professor at TU Delft from 1961-1991 and board member of the NNvL from 1959 to 1975, the prize honours outstanding achievements in aviation research by students.

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