what is antithesis poetic device

Definition of Antithesis

Antithesis is a literary device that refers to the juxtaposition of two opposing elements through the parallel grammatical structure. The word antithesis, meaning absolute opposite, is derived from Greek for “ setting opposite,” indicating when something or someone is in direct contrast or the obverse of another thing or person.

Antithesis is an effective literary and rhetorical device , as it pairs exact opposite or contrasting ideas by utilizing the parallel grammatical structure. This helps readers and audience members define concepts through contrast and develop an understanding of something through defining its opposite. In addition, through the use of parallelism , antithesis establishes a repetitive structure that makes for rhythmic writing and lyrical speech.

For example, Alexander Pope states in  An Essay on Criticism , “ To err is human ; to forgive divine.” Pope’s use of antithesis reflects the impact of this figure of speech in writing, as it creates a clear, memorable, and lyrical effect for the reader. In addition, Pope sets human error in contrast to divine forgiveness, allowing readers to understand that it is natural for people to make mistakes, and therefore worthy for others to absolve them when they do.

Examples of Antithesis in Everyday Speech

Antithesis is often used in everyday speech as a means of conveying opposing ideas in a concise and expressive way. Since antithesis is intended to be a figure of speech, such statements are not meant to be understood in a literal manner. Here are some examples of antithesis used in everyday speech:

• Go big or go home.
• Spicy food is heaven on the tongue but hell in the tummy.
• Those who can, do; those who can’t do, teach.
• Get busy living or get busy dying.
• Speech is silver but silence is gold.
• No pain, no gain.
• It’s not a show, friends; it’s show business.
• No guts, no glory.
• A moment on the lips; a lifetime on the hips.
• If you fail to plan, then you plan to fail.

Common Examples of Antithesis from Famous Speeches

Antithesis can be an effective rhetorical device in terms of calling attention to drastic differences between opposing ideas and concepts. By highlighting the contrast side-by-side with the exact same structure, the speaker is able to impact an audience in a memorable and significant way. Here are some common examples of antithesis from famous speeches:

• “I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character .” (Martin Luther King, Jr. “I Have a Dream”)
• “The world will little note, nor long remember what we say here, but it can never forget what they did here.” (Abraham Lincoln “The Gettysburg Address”)
• “‘Some men see things as they are and say why. I dream things that never were and say why not.'” (Edward Kennedy quoting Robert F. Kennedy during eulogy )
• “We observe today not a victory of party, but a celebration of freedom, symbolizing an end as well as a beginning, signifying renewal as well as change.” (John F. Kennedy “Presidential Inaugural Speech”)
• “You see, for any champion to succeed, he must have a team — a very incredible, special team; people that he can depend on, count on, and rely upon through everything — the highs and lows, the wins and losses, the victories and failures, and even the joys and heartaches that happen both on and off the court.” (Michael Chang “ Induction Speech for Tennis Hall of Fame”)

Examples of Proverbs Featuring Antithesis

Proverbs are simple and often traditional sayings that express insight into truths that are perceived, based on common sense or experience. These sayings are typically intended to be metaphorical and therefore rely on figures of speech such as antithesis. Proverbs that utilize antithetical parallelism feature an antithesis to bring together opposing ideas in defined contrast. Therefore, antithesis is effective as a literary device in proverbs by allowing the reader to consider one idea and then it’s opposite. It also makes for lyrical and easily remembered sayings.

Here are some examples of proverbs featuring antithesis:

• Cleanliness is next to godliness.
• Beggars can’t be choosers.
• Easy come, easy go.
• Hope for the best; prepare for the worst.
• Keep your friends close; keep your enemies closer.
• Like father, like son.
• Where there’s smoke, there’s fire.
• An ounce of protection is worth a pound of cure.
• Be slow in choosing, but slower in changing.
• Give them an inch and they’ll take a mile.
• If you can’t beat them, join them.
• Keep your mouth closed and your eyes open.
• One man’s junk is another man’s treasure.
• Out of sight, out of mind.
• Where there’s a will, there’s a way.

Utilizing Antithesis in Writing

As a literary device, antithesis allows authors to add contrast to their writing. This is effective in terms of comparing two contrasting ideas, such as a character’s conflicting emotions or a setting’s opposing elements. In literature, antithesis doesn’t require a pairing of exact opposites, but rather concepts that are different and distinct. In addition, since antithesis creates a lyrical quality to writing through parallel structure , the rhythm of phrasing and wording should be as similar as possible. Like most literary and rhetorical devices, overuse of antithesis will create confusion or invoke boredom in a reader as well as make the writing seem forced.

Antithesis and Parallelism

Both terms demonstrate a fundamental difference. An antithesis comprises two contradictory ideas and parallelism does not necessarily comprise opposite ideas or persons. It could have more than two ideas or persons. As the name suggests that parallelism is a condition where is an antithesis is an opposition. For example, man proposes, God disposes, has two contradictory ideas. However, it is also a parallel sentence . Furthermore, parallelism occurs mostly in structure and less in ideas. Even similar ideas could occur in parallelism, while an antithesis has only dissimilar ideas.

Antithesis and Juxtaposition

As far as juxtaposition is concerned, it means placing two ideas together that are dissimilar. They need not be opposite to each other. In the case of antithesis, they must be opposite to each other as in the case of man proposes, God disposes. Not only these two ideas are dissimilar, but also they are opposite. In the case of juxtaposition, a poet only puts two ideas together and they are not opposed to each other.

Use of Antithesis in Sentences  

• As soon he dies, he becomes a dead living.
• Most people do not understand the value of money when the poor put money ahead of them.
• Some people make money, while some waste it.
• Although they have gone leaps ahead, they have also stepped back just in the nick of time.
• The public comes forward when there is prosperity and moves back when there is adversity.

Examples of Antithesis in Literature

Antithesis is an effective literary device and figure of speech in which a writer intentionally juxtaposes two contrasting ideas or entities. Antithesis is typically achieved through parallel structure, in which opposing concepts or elements are paired in adjacent phrases , clauses , or sentences. This draws the reader’s attention to the significance or importance of the agents being contrasted, thereby adding a memorable and meaningful quality to the literary work.

Here are some examples of antithesis in well-known works of literature:

Example 1:  Hamlet (William Shakespeare)

Give every man thine ear, but few thy voice ; Take each man’s censure, but reserve thy judgment.

In Shakespeare’s well-known play , he utilizes antithesis as a literary device for Polonius to deliver fatherly advice to his son before Laertes leaves for France. In these lines, Polonius pairs contrasting ideas such as listening and speaking using parallel structure. This adds a lyrical element to the wording, in addition to having a memorable and foreboding impact on the characters and audience members with the meaning of each line.

Despite the attempt by Polonius to impart logical thinking, measured response, and wise counsel to his son through antithesis, Laertes becomes so fixated on avenging his father’s death that his actions are impulsive and imprudent. Polonius’s antithetical words are not heeded by his son, resulting in the death of several characters including Hamlet and Laertes himself.

Example 2:  Paradise Lost  (John Milton)

Here at least We shall be free; the Almighty hath not built Here for his envy, will not drive us hence: Here we may reign secure, and in my choice To reign is worth ambition though in Hell: Better to reign in Hell, than serve in Heaven.

In Milton’s epic poem , he explores the Fall of Satan as well as the temptation and subsequent Fall of Man. This passage is spoken by Satan after he has been condemned to Hell by God for attempting to assume power and authority in Heaven. Satan is unrepentant of his actions, and wants to persuade his followers that Hell is preferable to Heaven.

Satan utilizes antithesis in the last line of this passage to encourage his rebellious followers to understand that, in Hell, they are free and rule their own destiny. In this line, Milton contrasts not just the ideas of Hell and Heaven, but also of reign and servitude as concepts applied to the angels , respectively. Pairing these opposites by using this literary device has two effects for the reader. First, Satan’s claim foreshadows his ability to use his words describing independence to tempt Eve, resulting in her and Adam’s expulsion from the Garden of Eden. Second, this antithesis invites the reader to consider Satan’s thought-process and experience to gain a deeper understanding of his motives in the poem.

Example 3:  Fire and Ice  (Robert Frost)

Some say the world will end in fire, Some say in ice. From what I’ve tasted of desire I hold with those who favor fire. But if it had to perish twice, I think I know enough of hate To say that for destruction ice Is also great And would suffice.

In his poem, Frost utilizes antithesis to contrast fire and ice as elements with devastating and catastrophic potential to end the world. Frost effectively demonstrates the equal powers for the destruction of these elements, despite showcasing them as opposing forces. In this case, the poet’s antithesis has a literal as well as figurative interpretation. As the poem indicates, the world could literally end in the fire as well as ice. However, fire and ice are contrasting symbols in the poem as well. Fire represents “desire,” most likely in the form of greed, the corruption of power, domination, and control. Conversely, ice represents “hate” in the form of prejudice, oppression, neglect, and isolation.

The presence of antithesis in the poem is effective for readers in that it evokes contrasting and powerful imagery of fire and ice as opposing yet physically destructive forces. In addition, the human characteristics associated with fire and ice, and what they represent as psychologically and socially destructive symbols, impact the reader in a powerful and memorable way as well. Antithesis elevates for the reader the understanding that the source of the end of the world may not be natural causes but rather human action or behavior; and that the end of the world may not be simply the destruction of the earth, but rather the destruction of humankind.

Example 4: The Gettysburg Address by Abraham Lincoln

We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives so that nation might live.

The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract.

The world will little note, nor long remember what we say here, but it can never forget what they did here.

These three examples from the address of Abraham Lincoln show the use of contradictory ideas put together in one sentence. They show how he mentions living and dead putting them side by side. This antithesis has helped Lincoln as well as America to come out of the ravages of the Civil War.

Function of Antithesis

An antithesis helps make an idea distinct and prominent when it contradicts another idea in the first part of the argument . This contrastive feature helps make readers make their argument solid, cogent, and eloquent. Sentences comprising anthesis also become easy to remember, quote, and recall when required. When an antithesis occurs in a text, it creates an argumentative atmosphere where a dialectic could take place and helps writers and speakers hook their audience easily with antithetical statements.

Synonyms of Antithesis

Antithesis has no exact synonyms but several words come closer in meanings such as opposite, reverse, converse, reversal, inverse, extreme, another side of the coin, or flip side or contrast.

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Antithesis Definition

What is antithesis? Here’s a quick and simple definition:

Antithesis is a figure of speech that juxtaposes two contrasting or opposing ideas, usually within parallel grammatical structures. For instance, Neil Armstrong used antithesis when he stepped onto the surface of the moon in 1969 and said, "That's one small step for a man, one giant leap for mankind." This is an example of antithesis because the two halves of the sentence mirror each other in grammatical structure, while together the two halves emphasize the incredible contrast between the individual experience of taking an ordinary step, and the extraordinary progress that Armstrong's step symbolized for the human race.

Some additional key details about antithesis:

• Antithesis works best when it is used in conjunction with parallelism (successive phrases that use the same grammatical structure), since the repetition of structure makes the contrast of the content of the phrases as clear as possible.
• The word "antithesis" has another meaning, which is to describe something as being the opposite of another thing. For example, "love is the antithesis of selfishness." This guide focuses only on antithesis as a literary device.
• The word antithesis has its origins in the Greek word antithenai , meaning "to oppose." The plural of antithesis is antitheses.

How to Pronounce Antithesis

Here's how to pronounce antithesis: an- tith -uh-sis

Antithesis and Parallelism

Often, but not always, antithesis works in tandem with parallelism . In parallelism, two components of a sentence (or pair of sentences) mirror one another by repeating grammatical elements. The following is a good example of both antithesis and parallelism:

To err is human , to forgive divine .

The two clauses of the sentence are parallel because each starts off with an infinitive verb and ends with an adjective ("human" and "divine"). The mirroring of these elements then works to emphasize the contrast in their content, particularly in the very strong opposite contrast between "human" and "divine."

Antithesis Without Parallelism

In most cases, antitheses involve parallel elements of the sentence—whether a pair of nouns, verbs, adjectives, or other grammar elements. However, it is also possible to have antithesis without such clear cut parallelism. In the Temptations Song "My Girl," the singer uses antithesis when he says:

"When it's cold outside , I've got the month of May ."

Here the sentence is clearly cut into two clauses on either side of the comma, and the contrasting elements are clear enough. However, strictly speaking there isn't true parallelism here because "cold outside" and "month of May" are different types of grammatical structures (an adjective phrase and a noun phrase, respectively).

Antithesis vs. Related Terms

Three literary terms that are often mistakenly used in the place of antithesis are juxtaposition , oxymoron , and foil . Each of these three terms does have to do with establishing a relationship of difference between two ideas or characters in a text, but beyond that there are significant differences between them.

Antithesis vs. Juxtaposition

In juxtaposition , two things or ideas are placed next to one another to draw attention to their differences or similarities. In juxtaposition, the pairing of two ideas is therefore not necessarily done to create a relationship of opposition or contradiction between them, as is the case with antithesis. So, while antithesis could be a type of juxtaposition, juxtaposition is not always antithesis.

Antithesis vs. Oxymoron

In an oxymoron , two seemingly contradictory words are placed together because their unlikely combination reveals a deeper truth. Some examples of oxymorons include:

• Sweet sorrow
• Cruel kindness
• Living dead

The focus of antithesis is opposites rather than contradictions . While the words involved in oxymorons seem like they don't belong together (until you give them deeper thought), the words or ideas of antithesis do feel like they belong together even as they contrast as opposites. Further, antitheses seldom function by placing the two words or ideas right next to one another, so antitheses are usually made up of more than two words (as in, "I'd rather be among the living than among the dead").

Antithesis vs. Foil

Some Internet sources use "antithesis" to describe an author's decision to create two characters in a story that are direct opposites of one another—for instance, the protagonist and antagonist . But the correct term for this kind of opposition is a foil : a person or thing in a work of literature that contrasts with another thing in order to call attention to its qualities. While the sentence "the hare was fast, and the tortoise was slow" is an example of antithesis, if we step back and look at the story as a whole, the better term to describe the relationship between the characters of the tortoise and the hare is "foil," as in, "The character of the hare is a foil of the tortoise."

Antithesis Examples

Antithesis in literature.

Below are examples of antithesis from some of English literature's most acclaimed writers — and a comic book!

Antithesis in Charles Dickens' A Tale of Two Cities

In the famous opening lines of A Tale of Two Cities , Dickens sets out a flowing list of antitheses punctuated by the repetition of the word "it was" at the beginning of each clause (which is itself an example of the figure of speech anaphora ). By building up this list of contrasts, Dickens sets the scene of the French Revolution that will serve as the setting of his tale by emphasizing the division and confusion of the era. The overwhelming accumulation of antitheses is also purposefully overdone; Dickens is using hyperbole to make fun of the "noisiest authorities" of the day and their exaggerated claims. The passage contains many examples of antithesis, each consisting of one pair of contrasting ideas that we've highlighted to make the structure clearer.

It was the best of times , it was the worst of times , it was the age of wisdom , it was the age of foolishness , it was the epoch of belief , it was the epoch of incredulity , it was the season of Light , it was the season of Darkness , it was the spring of hope , it was the winter of despair , we had everything before us, we had nothing before us, we were all going direct to Heaven , we were all going direct the other way —in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

Antithesis in John Milton's Paradise Lost

In this verse from Paradise Lost , Milton's anti-hero , Satan, claims he's happier as the king of Hell than he could ever have been as a servant in Heaven. He justifies his rebellion against God with this pithy phrase, and the antithesis drives home the double contrast between Hell and Heaven, and between ruling and serving.

Better to reign in Hell than serve in Heaven.

Antithesis in William Shakespeare's Othello

As the plot of Othello nears its climax , the antagonist of the play, Iago, pauses for a moment to acknowledge the significance of what is about to happen. Iago uses antithesis to contrast the two opposite potential outcomes of his villainous plot: either events will transpire in Iago's favor and he will come out on top, or his treachery will be discovered, ruining him.

This is the night That either makes me or fordoes me quite .

In this passage, the simple word "either" functions as a cue for the reader to expect some form of parallelism, because the "either" signals that a contrast between two things is coming.

Antithesis in William Shakespeare's Hamlet

Shakespeare's plays are full of antithesis, and so is Hamlet's most well-known "To be or not to be" soliloquy . This excerpt of the soliloquy is a good example of an antithesis that is not limited to a single word or short phrase. The first instance of antithesis here, where Hamlet announces the guiding question (" to be or not to be ") is followed by an elaboration of each idea ("to be" and "not to be") into metaphors that then form their own antithesis. Both instances of antithesis hinge on an " or " that divides the two contrasting options.

To be or not to be , that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them ...

Antithesis in T.S. Eliot's "Four Quartets"

In this excerpt from his poem "Four Quartets," T.S. Eliot uses antithesis to describe the cycle of life, which is continuously passing from beginning to end, from rise to fall, and from old to new.

In my beginning is my end . In succession Houses rise and fall , crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass. Old stone to new building , old timber to new fires ...

Antithesis in Green Lantern's Oath

Comic book writers know the power of antithesis too! In this catchy oath, Green Lantern uses antithesis to emphasize that his mission to defeat evil will endure no matter the conditions.

In brightest day , in blackest night , No evil shall escape my sight. Let those who worship evil's might Beware my power—Green lantern's light!

While most instances of antithesis are built around an "or" that signals the contrast between the two parts of the sentence, the Green Lantern oath works a bit differently. It's built around an implied "and" (to be technical, that first line of the oath is an asyndeton that replaces the "and" with a comma), because members of the Green Lantern corps are expressing their willingness to fight evil in all places, even very opposite environments.

Antithesis in Speeches

Many well-known speeches contain examples of antithesis. Speakers use antithesis to drive home the stakes of what they are saying, sometimes by contrasting two distinct visions of the future.

Antithesis in Patrick Henry's Speech to the Second Virginia Convention, 1775

This speech by famous American patriot Patrick Henry includes one of the most memorable and oft-quoted phrases from the era of the American Revolution. Here, Henry uses antithesis to emphasize just how highly he prizes liberty, and how deadly serious he is about his fight to achieve it.

Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take: but as for me, give me liberty or give me death .

Antithesis in Martin Luther King Jr.'s Oberlin Commencement Address

In this speech by one of America's most well-known orators, antithesis allows Martin Luther King Jr. to highlight the contrast between two visions of the future; in the first vision, humans rise above their differences to cooperate with one another, while in the other humanity is doomed by infighting and division.

We must all learn to live together as brothers —or we will all perish together as fools .

Antithesis in Songs

In songs, contrasting two opposite ideas using antithesis can heighten the dramatic tension of a difficult decision, or express the singer's intense emotion—but whatever the context, antithesis is a useful tool for songwriters mainly because opposites are always easy to remember, so lyrics that use antithesis tend to stick in the head.

Antithesis in "Should I Stay or Should I Go" by The Clash (1981)

In this song by The Clash, the speaker is caught at a crossroads between two choices, and antithesis serves as the perfect tool to express just how confused and conflicted he is. The rhetorical question —whether to stay or to go—presents two opposing options, and the contrast between his lover's mood from one day (when everything is "fine") to the next (when it's all "black") explains the difficulty of his choice.

One day it's fine and next it's black So if you want me off your back Well, come on and let me know Should I stay or should I go ? Should I stay or should I go now? Should I stay or should I go now? If I go, there will be trouble If I stay it will be double ...

Antithesis in "My Girl" by the Temptations (1965)

In this song, the singer uses a pair of metaphors to describe the feeling of joy that his lover brings him. This joy is expressed through antithesis, since the singer uses the miserable weather of a cloudy, cold day as the setting for the sunshine-filled month of May that "his girl" makes him feel inside, emphasizing the power of his emotions by contrasting them with the bleak weather.

I've got sunshine on a cloudy day When it's cold outside I've got the month of May Well I guess you'd say, What can make me feel this way? My girl, my girl, my girl Talkin' bout my girl.

Why Do Writers Use Antithesis?

Fundamentally, writers of all types use antithesis for its ability to create a clear contrast. This contrast can serve a number of purposes, as shown in the examples above. It can:

• Present a stark choice between two alternatives.
• Convey magnitude or range (i.e. "in brightest day, in darkest night" or "from the highest mountain, to the deepest valley").
• Express strong emotions.
• Create a relationship of opposition between two separate ideas.
• Accentuate the qualities and characteristics of one thing by placing it in opposition to another.

Whatever the case, antithesis almost always has the added benefit of making language more memorable to listeners and readers. The use of parallelism and other simple grammatical constructions like "either/or" help to establish opposition between concepts—and opposites have a way of sticking in the memory.

Other Helpful Antithesis Resources

• The Wikipedia page on Antithesis : A useful summary with associated examples, along with an extensive account of antithesis in the Gospel of Matthew.
• Sound bites from history : A list of examples of antithesis in famous political speeches from United States history — with audio clips!
• A blog post on antithesis : This quick rundown of antithesis focuses on a quote you may know from Muhammad Ali's philosophy of boxing: "Float like a butterfly, sting like a bee."

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Literary Devices

Literary devices, terms, and elements, definition of antithesis.

Antithesis is the use of contrasting concepts, words, or sentences within parallel grammatical structures. This combination of a balanced structure with opposite ideas serves to highlight the contrast between them. For example, the following famous Muhammad Ali quote is an example of antithesis: “Float like a butterfly, sting like a bee.” This is an antithesis example because there is the contrast between the animals and their actions (the peaceful floating butterfly versus the aggressive stinging bee) combined with the parallel grammatical structure of similes indicated by “like a.” Ali is indicating the contrasting skills necessary to be a good boxer.

Difference Between Antithesis and Juxtaposition

Antithesis is very similar to juxtaposition, as juxtaposition also sets two different things close to each other to emphasize the difference between them. However, juxtaposition does not necessarily deal with completely opposite ideas—sometimes the juxtaposition may be between two similar things so that the reader will notice the subtle differences. Juxtaposition also does not necessitate a parallel grammatical structure. The definition of antithesis requires this balanced grammatical structure.

Common Examples of Antithesis

The use of antithesis is very popular in speeches and common idioms, as the inherent contrasts often make antithesis quite memorable. Here are some examples of antithesis from famous speeches:

• “We must learn to live together as brothers or perish together as fools.” – Martin Luther King, Jr.
• “And so, my fellow Americans: ask not what your country can do for you — ask what you can do for your country. My fellow citizens of the world: ask not what America will do for you, but what together we can do for the freedom of man.” –John F. Kennedy Jr.
• “We will extend a hand if you are willing to unclench your fist.” –Barack Obama
• “Decided only to be undecided, resolved to be irresolute, adamant for drift, solid for fluidity, all-powerful to be impotent.” –Winston Churchill
• “The world will little note, nor long remember what we say here, but it can never forget what they did here.” –Abraham Lincoln

Significance of Antithesis in Literature

Antithesis can be a helpful tool for the author both to show a character’s mindset and to set up an argument. If the antithesis is something that the character is thinking, the audience can better understand the full scope of that character’s thoughts. While antithesis is not the most ubiquitous of literary devices, some authors use antithesis quite extensively, such as William Shakespeare. Many of his sonnets and plays include examples of antithesis.

Examples of Antithesis in Literature

HAMLET: To be, or not to be, that is the question— Whether ’tis Nobler in the mind to suffer The Slings and Arrows of outrageous Fortune, Or to take Arms against a Sea of troubles, And by opposing, end them?

( Hamlet by William Shakespeare)

Arguably the most famous six words in all of Shakespeare’s work are an example of antithesis. Hamlet considers the important question of “to be, or not to be.” In this line, he is considering the very nature of existence itself. Though the line is quite simple in form it contrasts these very important opposite states. Hamlet sets up his soliloquy with this antithesis and continues with others, including the contrast between suffering whatever fortune has to offer or opposing his troubles. This is a good example of Shakespeare using antithesis to present to the audience or readers Hamlet’s inner life and the range of his thinking.

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way…

( A Tale of Two Cities by Charles Dickens)

The opening paragraph of Charles Dickens’s A Tale of Two Cities employs many different literary devices all at once. There are many examples of antithesis back-to-back, starting with the first contrast between “the best of times” and “the worst of times.” Each pair of contrasting opposites uses a parallel structure to emphasize their differences. Dickens uses these antithetical pairs to show what a tumultuous time it was during the setting of his book. In this case, the use of antithesis is a rhetorical device that foreshadows the conflicts that will be central to the novel.

There was only one catch and that was Catch-22, which specified that a concern for one’s own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn’t, but if he was sane he had to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.

( Catch-22 by Joseph Heller)

In Joseph Heller’s classic anti-war novel Catch-22 , Heller uses a specific type of humor in which antithetical statements show the true absurdity of war. This very famous quote explains the concept of the “Catch-22,” which became a popular idiomatic expression because of the book. In fact, this example is not so much an antithetical statement but instead an antithetical situation. That is to say, the two possible outcomes for Orr are opposite: either he’s deemed crazy and would thus not be forced to fly any more combat missions, or he’s sane and then would indeed have to fly them. However, the one situation negates the possibility of the other, as only a sane man would be clear-headed enough to ask not to fly more missions.

This case is not a difficult one, it requires no minute sifting of complicated facts, but it does require you to be sure beyond all reasonable doubt as to the guilt of the defendant.

( To Kill a Mockingbird by Harper Lee)

In Harper Lee’s novel To Kill a Mockingbird , Atticus Finch is a lawyer representing Tom Robinson. Atticus presents the above statement to the jury, setting up an antithesis. He asserts that the case is not difficult and yet requires the jury to be absolutely sure of their decision. Atticus believes the case to have a very obvious conclusion, and hopes that the jury will agree with him, but he is also aware of the societal tensions at work that will complicate the case.

Test Your Knowledge of Antithesis

1. What is the correct antithesis definition? A. Using two very similar concepts and showing their subtle differences. B. Setting up a contrast between two opposite ideas or phrases in a balanced grammatical structure. C. Using words to convey an opposite meaning to their literal sense. [spoiler title=”Answer to Question #1″] Answer: B is the correct answer. A is one possible definition of juxtaposition, while C is one possible definition of irony.[/spoiler]

2. What is the difference between antithesis and juxtaposition? A. They are exactly the same device. B. They are completely different literary devices. C. Antithesis parallels opposite concepts, while juxtaposition sets up a comparison and contrast between two concepts that can be either similar or different. [spoiler title=”Answer to Question #2″] Answer: C is the correct answer.[/spoiler]

3. Which of the following quotes from Shakespeare’s Macbeth contains an example of antithesis? A. 

WITCHES: Fair is foul, and foul is fair: Hover through the fog and filthy air.

MACBETH: Is this a dagger which I see before me, The handle toward my hand?

WITCHES: Something wicked this way comes.

[spoiler title=”Answer to Question #3″] Answer: A is the correct answer.[/spoiler]

4. Which of the following quotes from Heller’s Catch-22 contains an example of antithesis? A. There are now fifty or sixty countries fighting in this war. Surely so many counties can’t all be worth dying for. B. He had decided to live forever or die in the attempt, and his only mission each time he went up was to come down alive. C. You’re inches away from death every time you go on a mission. How much older can you be at your age? [spoiler title=”Answer to Question #4″] Answer: B is the correct answer.[/spoiler]

What is Antithesis? Definition, Usage, and Literary Examples

Antithesis definition.

Antithesis  (ann-TIH-thuh-suhs), put simply, means the absolute opposite of something. As a literary term, it refers to the juxtaposition of two opposing entities in parallel structure. Antithesis is an effective literary device because humans tend to define through contrast. Therefore, antithesis can help readers understand something by defining its opposite.

Antithesis  comes from the Latin word, via Greek, for “to place against.” It was first used in English in the 1520s as rhetorical term, but the concept goes back at least as far as Aristotle, who believed an argument could be strengthened by illustrating it with contrast.

Examples of Antithesis

• “Spicy food is heaven on the tongue but hell in the tummy.” The concepts of heaven and hell are opposites—the former being very pleasant and ideal, the latter being highly undesirable. This antithetical statement is using these concepts to convey that spicy food is delicious, but it can lead to an unfortunate digestive reaction.
• “I’m either an impressive vegetarian or a disappointing vegan.” On the scale between vegetarianism and the stricter veganism, the speaker’s current diet lies somewhere in the middle. So, while a vegetarian might applaud their efforts, a vegan might berate them for being so lax.
• “Psychiatrists write prescriptions, therapists prescribe writing.” This example includes a humorous inversion to explain the difference between psychiatrists and therapists. The former prescribes medicine to address mental issues on a biological level, while the latter might suggest a more psychologically focused approach, like journaling, as a way of easing mental stress.

Antithesis vs. Other Comparative Terms

There are several literary terms that, like antithesis, make comparisons between two things or concepts that are opposites or contrast in some way. Three such terms are  dichotomy ,  oxymoron , and foil.

Dichotomy is a division between two entities, whereas antithesis pits two opposing entities against each other. For example, the colors black and white are considered opposites, but they are not in opposition; they can’t be in conflict nor do they cancel each other out. The concepts of war and peace, on the other hand, are at odds and can’t be reconciled.

An oxymoron is a contradiction in terms, but unlike antithesis, these terms are working together. The basic oxymoron construction is a word + an antonymic modifier, and the two essentially function as a single unit. For example, calling something a “minor crisis” is an oxymoron because  minor  implies something insignificant, while  crisis  means it requires immediate attention. Based on this, an oxymoron can’t be a component of antithesis because the point of the latter is to pit two things against each other.

Where antithesis is a verbal or written opposition, a foil is a literary opposition, usually embodied by a character in a narrative. For example, Draco Malfoy can be considered Harry Potter’s foil in the  Harry Potter  series because where Harry is honorable and loyal, Draco is somewhat corrupt and unfaithful.

Antithesis Outside of Literature

A common theme in American popular music is the difference between the middle and lower classes. In “Men of Good Fortune” by Lou Reed, the singer describes all the things rich men can do that poor men cannot:

Men of good fortune

Often cause empires to fall

While men of poor beginnings

Often can’t do anything at all

Antithesis is common in political speeches, particularly when it comes to the underrepresented pushing for equitable policies. In Malcolm X’s famous “ Ballot or the Bullet ”  speech, he discusses how America was built by Black and indigenous people for white people’s benefit, saying, “We didn’t land on Plymouth Rock; the rock was landed on us.”

Examples of Antithesis in Literature

1. Charles Dickens,  A Tale of Two Cities

This classic tale of love and sacrifice features the French Revolution as its backdrop. In this tumultuous era, where the differences between the haves and the have-nots was at its starkest, Dickens illustrates the antithetical concepts that existed simultaneously:

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way […]

2. William Shakespeare,  The Merchant of Venice

At the beginning of this romantic comedy, chatty lout Gratiano wants to understand why his friend Antonio is so down—and why anyone would ever be down at all:

And let my liver rather heat with wine

Than my heart cool with mortifying groans.

Gratiano is implying that he’d rather experience life through a chemically altered (and therefore unreliable) lens than face any ordeals, even though they would be truer to reality.

3. John Milton,  Paradise Lost

Milton’s epic poem explores many facets of the Christian bible and belief systems—including the concept of free will. When Lucifer, once one of God’s brightest angels, is cast into Hell, he says, “Better to reign in Hell than serve in Heaven.” This leads the reader to question whether anyone is truly free, though ultimately the Bible’s core argument is that willingly giving over control to God is what will leads to a happy life.

Further Resources on Antithesis

MasterClass’s  How to Use Antithesis in Your Writing  course is a concise guide on the mechanics of antithesis and when to use it.

This excerpt from  Hegel for Beginners  by Lloyd Spencer is a handy introduction to antithesis as a component of dialectics (a system for pursuing truth by way of logical argument).

Related Terms

• Juxtaposition

What is Antithesis? Definition, Examples of Antitheses in Writing

Home » The Writer’s Dictionary » What is Antithesis? Definition, Examples of Antitheses in Writing

Antithesis definition: Antithesis is a literary and rhetorical device where two seemingly contrasting ideas are expressed through parallel structure.

What is Antithesis?

What does antithesis mean? An antithesis is just that—an “anti” “thesis.” An antithesis is used in writing to express ideas that seem contradictory.

An antithesis uses parallel structure of two ideas to communicate this contradiction.

Example of Antithesis:

• “Float like a butterfly, sting like a bee.” –Muhammad Ali

First, the structure is parallel. Each “side” of the phrase has the same number of words and the same structure. Each uses a verb followed by a simile.

Second, the contracting elements of a butterfly and a bee seem contradictory. That is, a butterfly is light and airy while a bee is sharp and stinging. One person (a boxer, in this case) should not be able to possess these two qualities—this is why this is an antithesis.

However, Ali is trying to express how a boxer must be light on his feet yet quick with his fist.

Modern Examples of Antithesis

• “That’s one small step for man, one giant leap for mankind.”

Through parallel structure, this quotation presents an antithesis. It seems contradictory that one action could be a “small step” and a “giant leap.”

However, this contradiction proposes that the action of landing on the moon might have just been a small physical step for the man Neil Armstrong, but it was a giant leap for the progress of mankind.

The Function of Antithesis

An antithesis stands out in writing. Because it uses parallel structure, an antithesis physically stands out when interspersed among other syntactical structures. Furthermore, an antithesis presents contrasting ideas that cause the reader or audience to pause and consider the meaning and purpose.

Oftentimes, the meaning of an antithesis is not overtly clear. That is, a reader or audience must evaluate the statement to navigate the meaning.

Writers utilize antitheses very sparingly. Since its purpose is to cause an audience to pause and consider the argument, it must be used with purpose and intent.

Antithesis Example from Literature

• “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity…”

From the beginning, Dickens presents two contradictory ideas in this antithesis.

How can it be the “best” and the “worst” of times? These two “times” should not be able to coexist.

Similarly, how can the setting of this novel also take place during an “age of wisdom” and an “age of foolishness?”

The antithesis continues.

Dickens opens his with these lines to set the tone for the rest of the novel. Clearly, there are two sides to this story, two tales of what is the truth. These two “sides” should not function peacefully. And, in fact, they do not. That, after all, is the “tale of two cities.”

Dickens sets up this disparity to set the tone for his novel, which will explore this topic.

Summary: What is an Antithesis?

Define antithesis: An antithesis consists of contrasting concepts presented in parallel structure.

Writers use antithesis to create emphasis to communicate an argument.

• Note: The plural form of antithesis is antitheses.

• Literary Terms
• Definition & Examples
• How to Use Antithesis

I. What is an Antithesis?

“Antithesis” literally means “opposite” – it is usually the opposite of a statement, concept, or idea. In literary analysis, an antithesis is a pair of statements or images in which the one reverses the other. The pair is written with similar grammatical structures to show more contrast. Antithesis (pronounced an-TITH-eh-sis) is used to emphasize a concept, idea, or conclusion.

II. Examples of Antithesis

That’s one small step for a man – one giant leap for mankind .  (Neil Armstrong, 1969)

In this example, Armstrong is referring to man walking on the moon. Although taking a step is an ordinary activity for most people, taking a step on the moon, in outer space, is a major achievement for all humanity.

To err is human ; to forgive , divine . (Alexander Pope)

This example is used to point out that humans possess both worldly and godly qualities; they can all make mistakes, but they also have the power to free others from blame.

The world will little note , nor long remember , what we say here, but it can never forget what they did  (Abraham Lincoln, The Gettysburg Address )

In his speech, Lincoln points out that the details of that moment may not be memorable, but the actions would make history, and therefore, never entirely forgotten.

Antithesis can be a little tricky to see at first. To start, notice how each of these examples is separated into two parts . The parts are separated either by a dash, a semicolon, or the word “but.” Antithesis always has this multi-part structure (usually there are two parts, but sometimes it can be more, as we’ll see in later examples). The parts are not always as obvious as they are in these examples, but they will always be there.

Next, notice how the second part of each example contains terms that reverse or invert terms in the first part: small step vs. giant leap; human vs. divine; we say vs. they do. In each of the examples, there are several pairs of contrasted terms between the first part and the second, which is quite common in antithesis.

Finally, notice that each of the examples contains some parallel structures and ideas in addition to the opposites. This is key! The two parts are not simply contradictory statements. They are a matched pair that have many grammatical structures or concepts in common; in the details, however, they are opposites.

For example, look at the parallel grammar of Example 1: the word “one,” followed by an adjective, a noun, and then the word “for.” This accentuates the opposites by setting them against a backdrop of sameness – in other words, two very different ideas are being expressed with very, very similar grammatical structures.

To recap: antithesis has three things:

• Two or more parts
• Reversed or inverted ideas
• (usually) parallel grammatical structure

III. The Importance of Verisimilitude

Antithesis is basically a complex form of juxtaposition . So its effects are fairly similar – by contrasting one thing against its opposite, a writer or speaker can emphasize the key attributes of whatever they’re talking about. In the Neil Armstrong quote, for example, the tremendous significance of the first step on the moon is made more vivid by contrasting it with the smallness and ordinariness of the motion that brought it about.

Antithesis can also be used to express curious contradictions or paradoxes. Again, the Neil Armstrong quote is a good example: Armstrong is inviting his listeners to puzzle over the fact that a tiny, ordinary step – not so different from the millions of steps we take each day – can represent so massive a technological accomplishment as the moon landing.

Paradoxically, an antithesis can also be used to show how two seeming opposites might in fact be similar.

IV. Examples of Verisimilitude in Literature

(adsbygoogle = window.adsbygoogle || []).push({}); Forgive us this day our trespasses as we forgive those who trespass against us . (The Lord’s Prayer)

The antithesis is doing a lot of work here. First, it shows the parallel between committing an evil act and being the victim of one. On the surface, these are opposites, and this is part of the antithesis, but at the same time they are, in the end, the same act from different perspectives. This part of the antithesis is basically just an expression of the Golden Rule.

Second, the antithesis displays a parallel between the speaker (a human) and the one being spoken to (God). The prayer is a request for divine mercy, and at the same time a reminder that human beings should also be merciful.

All the joy the world contains has come through wanting happiness for others . All the misery the world contains has come through wanting pleasure for yourself . (Shantideva, The Way of the Bodhisattva )

The antithesis here comes with some pretty intense parallel structure. Most of the words in each sentence are exactly the same as those in the other sentence. (“All the ___ the world contains has come through wanting ____ for ____.”) This close parallel structure makes the antithesis all the more striking, since the words that differ become much more visible.

Another interesting feature of this antithesis is that it makes “pleasure” and “happiness” seem like opposites, when most of us might think of them as more or less synonymous. The quote makes happiness seem noble and exalted, whereas pleasure is portrayed as selfish and worthless.

The proper function of man is to live , not to exist . I shall not waste my days in trying to prolong  (Jack London, Credo )

The opening antithesis here gets its punch from the fact that we think of living and existing as pretty similar terms. But for London, they are opposites. Living is about having vivid experiences, learning, and being bold; simply existing is a dull, pointless thing. These two apparently similar words are used in this antithesis to emphasize the importance of living as opposed to mere existing.

The second antithesis, on the other hand, is just the opposite – in this case, London is taking two words that seem somewhat opposed (waste and prolong), and telling us that they are in fact the same . Prolonging something is making it last; wasting something is letting it run out too soon. But, says London, when it comes to life, they are the same. If you try too hard to prolong your days (that is, if you’re so worried about dying that you never face your fears and live your life), then you will end up wasting them because you will never do anything worthwhile.

V. Examples of Verisimilitude in Pop Culture

Everybody doesn’t like something, but nobody doesn’t like Sara Lee. (Sara Lee pastry advertisement)

This classic ad uses antithesis to set up a deliberate grammatical error. This is a common technique in advertising, since people are more likely to remember a slogan that is grammatically incorrect. (Even if they only remember it because they found it irritating, it still sticks in their brain, which is all that an ad needs to do.) The antithesis helps make the meaning clear, and throws the grammatical error into sharper relief.

What men must know , a boy must learn . (The Lookouts)

Here’s another example of how parallel structure can turn into antithesis fairly easily. (The structure is noun-“must”-verb. ) The antithesis also expresses the basic narrative of The Lookouts , which is all about kids learning to fend for themselves and become full-fledged adults.

Shut Your Mouth and Open Your Eyes (the band “AFI” – album title)

The antithesis here is a juxtaposition of two different actions (opening and shutting) that are actually part of the same sort of behavior – the behavior of somebody who wants to understand the world rather than be the center of attention. It’s basically a restatement of the old adage that “those who speak the most often have the least to say.”

VI. Related Terms

• Juxtaposition

Antithesis is basically a form of juxtaposition . Juxtaposition, though, is a much broader device that encompasses any deliberate use of contrast or contradiction by an author. So, in addition to antithesis, it might include:

• The scene in “The Godfather” where a series of brutal murders is intercut with shots of a baptism, juxtaposing birth and death.
• “A Song of Ice and Fire” (George R. R. Martin book series)
• Heaven and Hell
• Mountains and the sea
• Dead or alive
• “In sickness and in health”

Antithesis performs a very similar function, but does so in a more complicated way by using full sentences (rather than single words or images) to express the two halves of the juxtaposition.

Here is an antithesis built around some of the common expressions from above

• “ Sheep go to Heaven ; goats go to Hell .”
• “Beethoven’s music is as mighty as the mountains and as timeless as the sea .”
• “In sickness he loved me; in health he abandoned ”

Notice how the antithesis builds an entire statement around the much simpler juxtaposition. And, crucially, notice that each of those statements exhibits parallel grammatical structure . In this way, both Juxtaposition and parallel structures can be used to transform a simple comparison, into antithesis.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

What is Antithesis ?

From the Greek antitithena, meaning “to oppose” or set opposite.” Antithesis is a powerful writing tool that sets two opposing or contrasting works, phrases, or ideas against each other.  It juxtaposes two contrasting ideas against each other in what is commonly referred to as a parallel sentence. An example of what this means is,  “Go big or go home.” Note how in this common example, two contrasting ideas are set in opposition creating a balanced, rhythmic sentence. And if in doubt, always remember that its name may be intimidating but, antithesis is a remarkably easy tool to master.

How to pronounce Antithesis ?

When do writers use antithesis .

Writers use Antithesis to make their writing more memorable by creating rhythmic structure. The juxtapositions of opposing ideas also make writing more believable or authoritative. Antithesis is a rhetorical device that allows writers to create a rhetorical effect and elicit an emotional response in readers. But remember:

 Use antithesis to create contrast . Ideally, you want to use opposites to create contrast . However, you will find that you can often get away with contrasting “implied” opposites.

Use antithesis to create parallel structure as in the example, “Go big or go home.” Parallel structure creates

The 3 Golden Rules

• Focus on Contrast .
• Read your writing out loud.
• Use antithesis sparingly (unless you’re Robert Frost and kind of a poetic genius).

Antithesis in Literature 📚

Literature is ripe with examples of antithesis. Two of its most famous kings will always be William Shakespeare and William Blake. Please note the examples below:

• “To be, or not to be: that is the question” – William Shakespeare, Hamlet
• “It was the best of times, it was the worst of times” – Charles Dickens, A Tale of Two Cities
• “Better to reign in Hell, then serve in Heav’n” – John Milton, Paradise Lost
• “Fair is foul, and foul is fair” – William Shakespeare, Macbeth
• “The path of excess leads to the palace of wisdom” – William Blake, The Marriage of Heaven and Hell

Antithesis in Children Literature 🧸

• “The more you give, the more you get” – Dr. Seuss , The Cat in the Hat
• “Where the sidewalk ends, the grass begins” – Shel Silverstein, “ Where the Sidewalk Ends ”
•  “The more things change, the more they stay the same” – Antoine de Saint-Exupéry, The Little Prince

Antithesis in Songs 🎧

“You say yes, I say no” (But really the entire song) –  The Beatles, “Hello, Goodbye”

Antithesis in Poetry ✍🏽

Always a personal favorite of those who favor antithesis, Robert Frost, “ Fire and Ice ”

Some say the world will end in fire, Some say in ice. From what I’ve tasted of desire I hold with those who favor fire. But if it had to perish twice, I think I know enough of hate To say that for destruction ice Is also great And would suffice.

“Good we must love, and must hate ill,” – John Donne, “ Community ”

“To err is human, to forgive divine” – Alexander Pope “ An Essay on Criticism ”

Antithesis in Movie Dialogue 🎥

• The Dark Knight (2008): “You either die a hero or you live long enough to see yourself become the villain .”
• The Lion King (1994): “Oh yes, the past can hurt. But you can either run from it or learn from it”
• The Shawshank Redemption (1994): “Get busy living or get busy dying”
• Forrest Gump (1994): “Stupid is as stupid does”

Antithesis Throughout History

• “Patience is bitter, but it has a sweet fruit.” –  Aristotle
• “Folks who have no vices have very few virtues.” – Abraham Lincoln
•  “We must learn to live together as brothers or perish together as fools.” – Martin Luther King, Jr.
•  “Unlike short-sighted, egocentric humans, God ‘sees with equal eye’ the fall of a hero and a sparrow, the destruction of an atom or a solar system.” – Alexander Pope

Often Mistaken for … 👥

Juxtaposition – The act or instance of placing two things side-by-side. This does not mean opposites or in contrast or even in comparison. It simply means placing them next to each other, “juxtaposed.” Example: Night , day; light, dark; good, evil; or holiday, break. Note that in these examples, the words are placed next to each other with no other information. That is juxtaposition . Oxymoron – A figure of speech that combines words with opposite meaning into new words with a new meaning. Example: virtual + reality = “virtual reality”.

What is antithesis in literature?

Antithesis is a literary device that juxtaposes opposing or contrasting ideas within a parallel grammatical structure. This contrast of ideas is used to highlight differences, emphasize a point, or create a stark distinction between two concepts, enhancing the text’s rhetorical effect.

How does antithesis enhance a text?

Antithesis enhances a text by creating a clear contrast that can make arguments more persuasive and memorable. It emphasizes the difference between two ideas, making the message more striking and engaging for the reader. The parallel structure often used with antithesis also adds a rhythmic and balanced quality to the writing.

Can antithesis be found in both poetry and prose?

Yes, antithesis can be found in both poetry and prose . In poetry, it contributes to the poem’s aesthetic and thematic depth. In prose , especially in speeches and persuasive writing, it is used to articulate strong contrasts and make arguments more compelling.

Why do speakers and writers use antithesis?

Speakers and writers use antithesis to clarify complex ideas by contrasting them with their opposites, making the distinctions clearer to the audience. This device is effective in persuasion , as the stark comparison between opposing ideas can influence readers’ or listeners’ opinions and emotions, making the message more impactful.

How can I identify antithesis in a text?

To identify antithesis, look for sentences or phrases where two opposing ideas are presented in a parallel manner, often within the same sentence or in adjacent sentences. This device is characterized by a clear and contrasting relationship between the ideas, emphasized by similar grammatical structures.

Antithesis involves the writer employing two sentences of contrasting meanings in close proximity to one another. Whether they are words or phrases of the same sentence, an antithesis is used to create a stark contrast using two divergent elements that come together to create one uniform whole. An antithesis plays on the complementary property of opposites to create one vivid picture. The purpose of using an antithesis in literature is to create a balance between opposite qualities and lend a greater insight into the subject.

Examples of antithesis:

“To be or not to be, that is the question” – This famous line from Shakespeare’s “Hamlet” uses antithesis to contrast the ideas of existence and non-existence, emphasizing the weight of the decision facing the character.

“Love is an ideal thing, marriage a real thing” – In this sentence, the contrast between the ideal and the real creates an antithesis that highlights the differences between the two concepts.

“That’s one small step for man, one giant leap for mankind” – In this famous quote from Neil Armstrong, the contrast between the small step and the giant leap creates an antithesis that emphasizes the magnitude of the achievement.

“Speech is silver, but silence is golden” – This common saying uses antithesis to contrast the value of speaking and staying quiet, emphasizing the idea that sometimes it is better to remain silent.

“We must learn to live together as brothers or perish together as fools” – In this quote from Martin Luther King Jr., the contrast between living together and perishing together creates an antithesis that emphasizes the importance of unity and cooperation.

2 thoughts on “Antithesis”

Man proposes and God disposes… Marriage has many pains but celibacy has no pleasures..

Neil Armstrong was the first person to walk on the moon. the other two people: Am I a joke to you

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Antithesis Definition

Antithesis, which literally means “opposite,” is a rhetorical device in which two opposite ideas are put together in a sentence to achieve a contrasting effect.

Antithesis emphasizes the idea of contrast by parallel structures of the contrasted phrases or clauses. The structures of phrases and clauses are similar, in order to draw the attention of the listeners or readers. For example:

“ Setting foot on the moon may be a small step for a man but a giant step for mankind.”

The use of contrasting ideas, “a small step” and “a giant step,” in the sentence above emphasizes the significance of one of the biggest landmarks of human history.

Common Antithesis Examples

Some famous antithetical statements have become part of our everyday speech, and are frequently used in arguments and discussions. Below is a list of some common antithetical statements:

• Give every man thy ear, but few thy voice .
• Man proposes, God disposes.
• Love is an ideal thing, marriage a real thing.
• Speech is silver, but silence is gold.
• Patience is bitter, but it has a sweet fruit.
• Money is the root of all evil: poverty is the fruit of all goodness.
• You are easy on the eyes, but hard on the heart.

Examples of Antithesis in Literature

In literature, writers employ antithesis not only in sentences, but also in characters and events. Thus, its use is extensive. Below are a few examples of antithesis in literature:

Example #1: A Tale of Two Cities (By Charles Dickens)

The opening lines of Charles Dickens’ novel A Tale of Two Cities provides an unforgettable antithesis example:

“It was the best of times, it was the worst of times, it was the age of wisdom , it was the age of foolishness , it was the epoch of belief , it was the epoch of incredulity , it was the season of Light , it was the season of Darkness , it was the spring of hope , it was the winter of despair , we had everything before us, we had nothing before us, we were all going direct to Heaven , we were all going direct the other way .”

The contrasting ideas, set in parallel structures, markedly highlight the conflict that existed in the time discussed in the novel.

Example #2: Julius Caesar (By William Shakespeare)

In William Shakespeare’s Julius Caesar , we notice antithesis in the characters of Mark Antony and Marcus Brutus. Brutus is portrayed as the “noblest of Romans,” close to Caesar, and a person who loved Rome and Caesar. Antony, on the contrary, is shown as a man with the evil intentions of harming Caesar, and taking charge of Rome. These antithetical characters highlight the conflict in the play.

Example #3: An Essay on Criticism (By Alexander Pope)

Alexander Pope, in his An Essay on Criticism , says:

“To err is human; to forgive divine.”

Fallibility is a trait of humans, and God – the Creator – is most forgiving. Through these antithetical ideas, Pope reveals the basic nature of human beings. He wants to say that God is forgiving because his creation is erring.

Example #4: Community (By John Donne)

We find antithesis in John Donne’s poem Community :

“Good we must love, and must hate ill, For ill is ill, and good good still; But there are things indifferent, Which we may neither hate, nor love, But one, and then another prove, As we shall find our fancy bent.”

Two contrasting words “love” and “hate” are combined in the above lines. It emphasizes that we love good because it is always good, and we hate bad because it is always bad. It is a matter of choice to love or hate things which are neither good nor bad.

Example #5: Paradise Lost (By John Milton)

John Milton, in Paradise Lost , says:

“Better to reign in Hell than serve in Heav’n.”

The contrasting ideas of reign / serve , and Hell / Heav’n are placed in this sentence to achieve an antithetical effect.

Function of Antithesis

A literary device, like antithesis, uses words to convey ideas in different ways from the common words and expressions of daily life. Thus, it conveys meaning more vividly than ordinary speech. When contrasting ideas are brought together, the idea is expressed more emphatically.

As a literary device, antithesis makes contrasts in order to examine pros and cons of a subject under discussion, and helps to bring forth judgment on that particular subject.

English Studies

This website is dedicated to English Literature, Literary Criticism, Literary Theory, English Language and its teaching and learning.

Etymology of Antithesis

Table of Contents

The word “antithesis” comes from the Greek word “antithesis” (αντίθεσις), which is a combination of two words: “anti” (αντί) meaning “against” or “opposite”, and “thesis” (θέσις) meaning “position” or “statement”. Thus, the literal meaning of antithesis in Greek is “opposition” or “contradiction of position”.

The term was later adopted into Latin as “antithesis”, which has the same meaning as the Greek word. In rhetoric and literary analysis, the term “antithesis” refers to the use of contrasting or opposite ideas or phrases in close proximity to one another for effect or emphasis. It is a technique that has been used in literature, speeches, and other forms of communication throughout history to create a powerful and memorable effect on the listener or reader.

Meanings of Antithesis

The literal meanings of the word, antithesis, refer to a contrast or opposition between two things, often used to create a powerful effect in writing or speech. In rhetorical and literary analysis, antithesis refers to the use of contrasting ideas, words, or phrases in close proximity to one another, creating a deliberate contrast or tension between them. This technique has been used throughout history to create emphasis, to highlight differences, or to provoke thought and reflection.

Antithesis in Grammar

Grammatically, antithesis is a noun with plural form “antitheses” which takes a plural verb. For example: “The antitheses of love and hate are often explored in literature.”

Definition of Antithesis as Literary Device

Antithesis is a literary device that involves the use of contrasting concepts, words, or sentences within parallel grammatical structures. The purpose of antithesis is to create a contrast between two ideas, emphasize their differences, and create a memorable and impactful statement. It is a common rhetorical device used in literature, poetry, and speeches.

Types of Antitheses

There are several types of antitheses, each of which is used to contrast different ideas or concepts. Here are some of the common types of antitheses:

• Direct antithesis : This is the most common type of antithesis, which involves the use of contrasting words or phrases in a parallel grammatical structure. For example, “It was the best of times, it was the worst of times.”
• Antithesis through negation: This type of antithesis involves the use of contrasting words or phrases through negation, such as “Not that I loved Caesar less, but that I loved Rome more.”
• Antithesis through chiasmus: This type of antithesis involves the use of a reversed parallelism, such as “Ask not what your country can do for you, ask what you can do for your country.”
• Antithesis through juxtaposition: This type of antithesis involves the use of contrasting ideas or images placed side by side, such as “It was the age of wisdom, it was the age of foolishness.”
• Antithesis through oxymoron: This type of antithesis involves the use of two contradictory words or ideas within a single phrase, such as “sweet sorrow” or “living death.”
• Antithesis through metaphor : This type of antithesis involves the use of two opposing metaphors to create contrast, such as “She is a rose, but with thorns.”
• Antithesis through allusion : This type of antithesis involves the use of a reference to another literary or historical work or event to create contrast, such as “The world is too much with us; late and soon, getting and spending, we lay waste our powers.”
• Antithesis through repetition: This type of antithesis involves the use of repeating words or phrases to create contrast, such as “To err is human, to forgive divine.”
• Antithesis through paradox: This type of antithesis involves the use of a seemingly contradictory statement to create contrast, such as “Less is more.”

Common Examples of Antithesis

Here are some common examples of antithesis in literature and speeches:

• “To be or not to be, that is the question” – William Shakespeare, Hamlet
• “It was the best of times, it was the worst of times” – Charles Dickens, A Tale of Two Cities
• “Love is an ideal thing, marriage a real thing” – Johann Wolfgang von Goethe
• “That’s one small step for man, one giant leap for mankind” – Neil Armstrong
• “Give every man thy ear, but few thy voice” – William Shakespeare, Hamlet
• “We must learn to live together as brothers or perish together as fools” – Martin Luther King Jr.

Shakespearean Antithesis

Here are some examples of Shakespearean antithesis:

• “Not that I loved Caesar less, but that I loved Rome more” – Julius Caesar
• “To be, or not to be, that is the question” – Hamlet
• “Fair is foul and foul is fair” – Macbeth
• “Parting is such sweet sorrow” – Romeo and Juliet
• “All the world’s a stage, and all the men and women merely players” – As You Like It

Literary Examples of Antithesis

Here are a few examples of antithesis in literature with an explanation of their context:

This line from A Tale of Two Cities contrasts two opposing ideas: the best of times and the worst of times. The novel is set against the backdrop of the French Revolution, a time of great upheaval and chaos. The antithesis in this sentence emphasizes the stark contrast between the two extremes and highlights the uncertainty and unpredictability of the time.

• “It was beauty killed the beast” – Merian C. Cooper, King Kong

In the 1933 film King Kong, this line is spoken by the character Carl Denham after the titular character falls to his death from the top of the Empire State Building. The antithesis in this line contrasts the beauty of Ann Darrow, King Kong’s love interest, with the violence and destruction he causes in his pursuit of her. The line suggests that it is not Kong’s violence that led to his demise, but rather his love for Ann, which ultimately proved fatal.

• “Better to reign in Hell than serve in Heaven” – John Milton, Paradise Lost

This line is spoken by Satan in Milton’s epic poem Paradise Lost. The antithesis in this line contrasts the concepts of reigning in Hell and serving in Heaven, emphasizing the pride and rebellion of Satan’s character. The line also suggests that Satan would rather choose his own path, even if it leads to Hell, than submit to a higher power.

How to Create Antithesis

Here are a few steps you can follow to create antithesis:

• Identify the key elements to be contrasted: To create an antithesis, you need to identify the key elements that you want to contrast. This could be ideas, words, phrases, or even entire sentences.
• Choose contrasting words or phrases: Once you have identified the key elements to be contrasted, choose words or phrases that have opposite meanings or connotations. For example, “love” and “hate”, “light” and “darkness”, “good” and “evil”, etc.
• Use parallel structure: To create a strong and effective antithesis, use parallel structure. This means that the two contrasting elements should be structured in a similar way, using the same grammatical structure, word order, or sentence pattern.
• Play with sound and rhythm: Another way to create an effective antithesis is to play with the sound and rhythm of the contrasting words or phrases. For example, you could use alliteration , where the initial sounds of the words are the same (e.g. “sweet sorrow”), or use a rhythmic pattern to emphasize the contrast.
• Consider the context and purpose: Finally, when creating an antithesis, it is important to consider the context and purpose. The contrast should be relevant and meaningful to the topic or theme, and should serve a purpose, such as to create emphasis, to highlight differences, or to provoke thought and reflection.

Remember, antithesis is a powerful tool, but it should be used judiciously. Too much contrast can be overwhelming or confusing for readers, so it’s important to use it sparingly and in service of the overall message of your work

Benefits of Using Antithesis

There are several benefits to using antithesis in your writing:

• Creates Contrast: Antithesis creates a clear contrast between two ideas, which can help to clarify your point and emphasize the importance of the ideas you are presenting.
• Adds Emphasis: By highlighting opposing ideas, antithesis can add emphasis and power to your writing, making it more memorable and persuasive.
• Improves Clarity: Antithesis can help to clarify complex ideas by breaking them down into simpler, contrasting concepts. This can make your writing more accessible and easier to understand.
• Adds Variety: Antithesis can add variety and interest to your writing, helping to engage readers and keep them interested in what you have to say.
• Demonstrates Skill: Using antithesis effectively demonstrates your skill as a writer, showing that you are able to use rhetorical devices to enhance your writing and communicate your ideas more effectively.

Literary Device of Antithesis in Literary Theory

In literary theory , the device of antithesis has been studied and analyzed in different ways, depending on the approach and framework of the theory. Here are some examples:

• Formalism : Formalist literary theory focuses on the formal elements of literature, such as structure, style, and language. Formalists analyze the use of antithesis as a way to create tension and balance in a literary work. They examine how antithesis can be used to create parallelism, repetition, and contrast in a work, and how it can contribute to the overall effect of the work.
• Structuralism : Structuralist literary theory emphasizes the role of language and structure in shaping meaning. Structuralists analyze the use of antithesis as a way to create binary oppositions that structure meaning in a work. They examine how antithesis can be used to create a hierarchy of meaning in a work, and how it can contribute to the overall structure and coherence of the work.
• Post-Structuralism : Post-structuralist literary theory challenges the idea that meaning is stable and fixed, and instead emphasizes the fluidity and multiplicity of meaning. Post-structuralists analyze the use of antithesis as a way to create ambiguity and indeterminacy in a work. They examine how antithesis can be used to deconstruct binary oppositions and challenge traditional concepts of meaning and identity.
• Reader-Response Criticism: Reader-response literary theory focuses on the role of the reader in shaping meaning in a literary work. Reader-response critics analyze the use of antithesis as a way to engage the reader and create a dialogic relationship between the reader and the text. They examine how antithesis can be used to create multiple meanings and interpretations, and how it can contribute to the overall impact of the work on the reader.

Suggested Readings

Cuddon, John Anthony. A Dictionary of Literary Terms and Literary Theory . John Wiley & Sons, 2012.

Krašovec, Jože. “Introduction: The Definition of Antithesis in Literature and its Place in the Hebrew Bible.” Antithetic Structure in Biblical Hebrew Poetry . Brill, 1984. 1-18. Ruzibaeva, Nigora. “Peculiarities Of The Antithesis In The Literary Text.” European Journal of Research and Reflection in Educational Sciences Vol 7.11 (2019).

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• Onomatopoeia: A Literary Device

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• Scriptwriting

What is Antithesis — Definition & Examples in Literature & Film

I f you’ve ever heard sentence structure, met characters, or witnessed ideas that seem diametrically opposed, you’re actually pretty familiar with the idea of the antithesis. But there is more to it than just juxtaposing ideas. Read on to learn exactly what is antithesis, how this tool is used, and how you can include an antithesis in your next project. 

Antithesis Definition

First, let’s define antithesis.

There are a number of terms often confused for antithesis (like paradox or oxymoron ). But an antithesis has a particular grammatical structure that helps differentiate it from the rest. So, here’s the antithesis definition and then we'll look at specific examples:

ANTITHESIS DEFINITION

What is antithesis.

An antithesis is a rhetorical and literary device with parallel grammar structure but which establishes a nearly complete or exact opposition in ideas or characters. It can be effective in emphasizing drastic differences between opposing concepts.

How to pronounce antithesis: [an-TITH-uh-sis]  

Familiar antithesis examples:

• “That’s one small step for man, one giant leap for mankind.”
• “No pain, no gain.”
• “Out of sight, out of mind.”

The word “antithesis” comes from the Greek word meaning “setting opposite,” which is an idea that has been used in various forms. Let’s look at those various forms in more antithesis examples.

Antitheses Examples

How do we use antithesis today.

The purpose of antithetical language is not just mentioning the existence of opposing ideas, but rather emphasizing the stark differences between them.  The often lyrical and rhythmic nature of this device helps accentuate the parallel grammatical structure.

Watch the video below to learn more about how we use antitheses today. 

Antithesis Definition, Examples and Techniques

We use this device in that pure form today (see the examples above) in everyday turns of phrase. But there are more in-depth ways (in actions and story in general) that fit the antithesis definition. 

People and characters can act in an antithetical manner to their beliefs.

Antithesis Examples in Behavior: 

• A character who says they love animals but wears real fur coats.
• Someone who says they are vegetarian but eats a big steak for dinner.
• A person who uses a “Shop Small” tote bag but does their holiday shopping at Walmart. 

In addition, characters in literary or scripted works, much like people, can be antitheses to each other in and of themselves. In fact, this is often how great villains are created.

Check out the video below to see more on writing great villains , and how antagonists can mirror or juxtapose protagonists . 

Page to Picture: How to Write a Villain  •   Subscribe on YouTube

Protagonists can be an “antihero,” or the villain of a story can be portrayed separately as a parallel to the protagonist; therefore, the protagonist and antagonist highlight each other’s strengths and weaknesses, and evil and benevolent qualities. Some classic examples of this pseudo-mirrored antagonist concept are: 

Snow White and the Queen

Batman and Joker

Dumbledore and Voldemort

As you can see, the antithesis is typically the ultimate antagonist, even if the character they are meant to parallel isn’t the protagonist, as is the case in the Harry Potter series. 

Both a strong example of antithesis and nuanced portrayal of complicated character relationships, the Harry Potter series showcases a number of moral ambiguities as they pertain to Dumbledore and Voldemort.

We imported the script into StudioBinder’s screenwriting software to see exactly how this juxtaposition is first established.

Read Full Harry Potter and the Sorcerer's Stone Script

Harry Potter and the Sorcerer’s Stone masterfully establishes the characteristics that Harry and Voldemort share, but it also establishes similarities between Dumbledore and Voldemort.

Throughout the series, these shared traits influence Dumbledore and Voldemort in their objectives and decisions. 

For instance, in the Sorcerer’s Stone , we are introduced to how Voldemort and Dumbledore move through the world. Hagrid tells Harry early on about Voldemort’s rise to power: he was a wizard “who went as bad as you can go [...] anyone who stood up to him ended up dead.” Hagrid frames Voldemort as a powerful wizard, capable of massive destruction. 

Antithesis Example in Harry Potter  •   Read Full Scene

Alternatively, towards the end of the first film Dumbledore explains his tactics in his work with Nicolas Flamel on the Sorcerer’s Stone . “Only a person who wanted to find the stone—find it, but not use it—would be able to get it.” Dumbledore respects power and the laws of magic, and his actions reflect that. 

Further into the series, in Order of the Phoenix , we see what happens when Dumbledore’s tremendous abilities collide with Voldemort’s formidable power in their epic Ministry of Magic duel.

Voldemort’s spells all aim to destruct, whereas Dumbledore’s are equally amazing, but meant to disarm, distinguish, or defend. 

The series is a remarkable example of how antitheses can be essential to a story, and the respective backstories, unique abilities, and of course choices of Voldemort and Dumbledore prove it.  

Implementing Antitheses

How to use antithesis.

With all the ways you can implement and define antithesis, it’s good to have a number of tricks or rules of thumb to keep in your back pocket. Whether you’re writing a short story or your next feature screenplay, here are some things you can keep in mind. 

1. Aim for Moderation

If you’re using antithesis in the form of a rhetorical device, try to keep the number of antitheses to a minimum unless it’s a crucial character trait of the speaker. Using a similar literary device too often can leave your writing predictable or even annoying. The more you use a tool, like antithetical language, the less meaning it can have. 

2. Similar Structure

Keep the structure of your antithesis as similar as possible if you want to highlight the differences more intensely. And try to keep the phrasing itself balanced. Both variables of the equation don’t have to be exact, but the lyrical phrasing can help your antithesis shine and stick long after the read. 

3. Focus on Differences

Focus on contrast but remember to find ways to draw the parallels. How can the characters be compared to the point where their differences become obvious? How can their differences lead to conversation about how the characters may actually be similar? 

Antitheses via characters and sentence structure can assist in not just interesting writing, but memorable writing. They can make your message more understandable and retainable, which should be a top goal in any written work. You never want to give you reader a reason to stop reading.

So, now that you’ve learned more about how an antithesis can strengthen your work, you can implement it  into your next project like a pro.

After all, no guts, no glory. 

What is Irony?

Antithesis is a rhetorical device you can use in everyday speech. Much like an antithesis, we encounter several types of irony in everyday life, too. Keep reading to learn about the types of irony and how they’re used in TV and Film. 

Up Next: Irony Explained →

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• Figures Of Speech

Antithesis: Meaning, Definition and Examples

Figures of speech , otherwise known as rhetorical devices, are used in the English language to beautify and make your language look and sound a lot more effective rather than a literal presentation of information. Each figure of speech has its function and is meant to perform its roles giving the context a unique effect. In this article, you will learn about one such figure of speech called antithesis. Read through the article to learn more about what antithesis is, its definition and how it differs from an oxymoron. You can also check out the examples and analyse how it is written for an in-depth understanding of the same.

Table of Contents

What is antithesis – meaning and definition, what differentiates an antithesis from an oxymoron, some common examples of antithesis, frequently asked questions on antithesis.

An antithesis is a figure of speech that states strongly contrasting ideas placed in juxtaposition. They contain compound sentences with the two independent clauses separated by a comma or a semicolon , in most cases. However, there are also instances where the antithesis is a compound sentence with a conjunction . An antithesis is mainly used to portray the stark difference between the two opposing ideas.

Antithesis, according to the Oxford Learner’s Dictionary, is defined as “a contrast between two things”, and according to the Cambridge Dictionary, “a difference or opposition between two things”. The Merriam-Webster Dictionary gives a more explanatory definition. According to it, antithesis is “the rhetorical contrast of ideas by means of parallel arrangements of words, clauses, or sentences”.

Knowing the difference between an antithesis and an oxymoron will help you comprehend and use both the rhetorical devices effectively. Take a look at the table given below to learn more.

Here are some of the most common examples of antithesis for your reference.

• Hope for the best; prepare for the worst.
• Keep your mouth closed and your eyes open.
• “It was the best of times, it was the worst of times. It was the age of wisdom, it was the age of foolishness.” – Charles Dickens
• “That’s one small step for a man, one giant leap for mankind.” – Neil Armstrong
• “Better to reign in Hell, than to serve in Heaven.” – John Milton
• Speech is silver, but silence is gold.
• “Give every man thy ear, but few thy voice.” – William Shakespeare
• Keep your friends close; keep your enemies closer.
• “To err is human; to forgive divine.” – Alexander Pope
• Money is the root of all evil: poverty is the fruit of all goodness.

What is antithesis?

An antithesis is a figure of speech that states strongly contrasting ideas placed in juxtaposition. They contain compound sentences with the two independent clauses separated by a comma or a semicolon, in most cases. However, there are also instances where the antithesis is a compound sentence with a conjunction.

What is the definition of antithesis?

What is the difference between antithesis and oxymoron.

The main difference between an antithesis and an oxymoron is that antithesis refers to the use of two contrasting ideas or thoughts conveyed in two independent clauses placed in juxtaposition, separated by a comma, a semicolon or a conjunction; whereas, the term ‘oxymoron’ refers to the use of two opposite words within a phrase to create an effect.

Give some examples of antithesis.

Here are a few examples of antithesis for your reference.

• “Love is an ideal thing, marriage a real thing.” – Goethe
• “Folks who have no vices have very few virtues.” – Abraham Lincoln
• “Man proposes, God disposes.”
• Beggars can’t be choosers.
• Be slow in choosing, but slower in changing.

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What is antithesis? A guide with examples

Find out how to use antithesis to improve your writing and see examples of antithesis being used in literature, poetry and advertising.

Introduction

This blog post is part of the Semantix copywriters’ toolkit, which is a great resource for writing professionals and all those looking to improve their writing, including language and marketing students. Firstly, we’ll discuss the definition of antithesis, including how it differs from similar rhetorical devices . Then, we’ll look at how other writers have used antithesis to set contrast and add impact to their work, including some famous examples of antithesis in literature, poetry and marketing.

What is antithesis?

The word antithesis is sometimes used to mean ‘opposite’. For example, “She is slim and sporty – the very antithesis of her brother”. However, ‘antithesis’ (or ‘antitheses’ if plural) is also the name given to a particular rhetorical or literary device. In this blog post, we’ll be looking at ‘antithesis’ in its role as the rhetorical and literary device.

The word ‘antithesis’ comes from the Greek for ‘setting opposite’. It means to express a concept by creating contrast. This can be done in different ways according to different definitions: either using only the content of the expression, or the content and the grammatical structure. Using the content can be as simple as using words with opposite meanings in close proximity to each other, or more complex by describing concepts that contrast with one another. This draws the reader’s attention to the differences between the two things.

Antithesis often presents opposing ideas and presents those ideas in a parallel grammatical structure. This is unlike general parallelism, which presents a balance of elements in a structure (sentence, clause or other) without necessarily involving the content. Antithesis is usually created in two parts, but can also be formed by three or more opposing clauses.

Writers can use antithesis to communicate a concept that is best expressed through opposites. It’s a simple yet effective way to really drive a point home. As with other literary devices , the rules aren’t set in stone, it’s more about using the device in ways that create impact and bring the words to life.

Examples of antithesis in literature

What makes a good piece of writing truly great? You might argue that the key ingredients include memorability, impact and the beauty of a rhythmical grammatical structure – deliverables that can be served skillfully with antitheses.

When you put two antithetical concepts together in a short phrase, you get drama. And drama is what keeps the reader turning the pages.

In addition, the parallel structure often used in antithesis makes the words stand out from the other text on a page. Working like a mental stop sign, it compels the reader to notice the contrasting ideas and consider the meaning of that contrast.

Using antithesis, writers can present contradictions by balancing opposing words and statements. This builds contrasting images in a reader’s mind and creates a powerful impression of either a character or circumstance.

A good portion of the best-known writers in history have been masters of antithesis. For example, antithesis plays a big part in the language used by William Shakespeare. In fact, nearly every character he created uses it. For example, in Mac beth the witches chant, “Fair is foul, and foul is fair” – a simple but dramatic antithesis. One of the best-known Shakespearean quotes of all time is an antithesis from the play Hamlet , when the prince says, “To be, or not to be...”. In just six words Shakespeare creates a perfect contrast between existing and not existing, inviting the audience to ponder the meaning of life itself.

Another famous use of antithesis is the expression, “To err is human; to forgive, divine”, which was written in 1711 by English poet Alexander Pope in ‘ An Essay on Criticism, Part II ’. After the original creation of the statement, further iterations have added the word ‘is’ so, “To err is human; to forgive is divine”, which, arguably, improves the rhythm by creating an equal number of words in each part of the sentence.

And it’s not just the writers of old who wield the sword of antithesis so well: their modern counterparts are equally aware of its power. For example, the Green Lantern comic writers use antithesis at the start of Green Lantern’s oath in order to emphasise his mission to defeat evil at all costs:

In brightest day , in blackest night , No evil shall escape my sight. Let those who worship evil’s might Beware my power – Green Lantern’s light!

Antithesis in poetry.

Poetry is perhaps the writing genre where we find the most graceful use of words. That’s why there are lots of antitheses used in poetry throughout history.

Take a look at the two-part structures and conceptual contrasts from some of the world’s best-known poems:

"Better to reign in Hell , then serve in Heav’n" – Paradise Lost , John Milton, 1667

“much madness is divinest sense ” – 620, emily dickinson, “some say the world will end in fire / some say in ice ” – fire and ice, robert frost, 1920.

Occasionally, a writer might even make use of a triple antithesis:

“Herein lives wisdom, beauty , and increase ; / Without this, folly, age , and cold decay ” – Sonnet 11, William Shakespeare, 1609

Antithesis in speeches.

Of course, what works on paper often works in its spoken form too. Some of the best speeches of all time can thank, at least in part, antithesis for their success.

“That’s one small step for a man – one giant leap for mankind” – Neil Armstrong, 1969

“we must learn to live together as brothers or perish together as fools ” – martin luther king jr, 1964, “on this day, we gather because we have chosen hope over fear, unity of purpose over conflict and discord ” – barack obama, 2009, antithesis in advertising.

Marketers love to make us remember how truly wonderful their services or products are. Antithesis provides marketers with a powerful tool: contrast to underline a unique selling proposition (USP) and a memorable rhythm. That’s why you’ll find the path to marketing gold is littered with antitheses: the antithesis is the life-blood of the tagline or slogan.

Take a look at how each of these taglines uses a parallel structure and creates opposition:

“ Small business. Big future” – Santander

“ heavy on features. light on price” – apple, “ tough on stains. gentle on skin” – persil, “ less calories; more taste” – so good, “inspired by yesterday , built for tomorrow ” – nokia, “ all of the taste. none of the sugars” – alpro, “ smart listens to the head. stupid listens to the heart” – diesel, antithesis, chiasmus and parallelism – what are the differences.

Parallelism, sometimes called parallel structure or parallel construction, is the repetition of grammatical structures in a piece of writing in order to create a balanced, harmonious effect.

Parallelism requires only the repeated grammatical structure, while antithesis uses the content – you can’t set up opposing concepts by only using the structure!

Look at this example, “They have plundered our seas, ravaged our coasts, burnt our towns – all while caring for their own oceans and cities.” The beginning of this statement repeats the same structure while changing the verbs and nouns. It doesn’t create a contrast between each clause or suggest any form of opposition. That’s the key difference between other forms of parallelism and antithesis: parallelism doesn’t need to present opposites, but antithesis is all about the opposites.

If a similar phrase was written using antitheses, it might read something like this. “They have plundered our seas; but have nurtured their seas. They ravaged our coasts; they cared for their own. They burnt our towns while they built their cities.” In the ‘antithesis version’, each clause is juxtaposed with another concept to create impact. You can hear how much more powerful the second phrase is if you read both versions out loud.

While antithesis is parallelism, not all parallelism is antithesis! For example, chiasmus is also a form of parallelism. In fact, it’s sometimes described as an inverted parallelism and happens when word order or grammatical structure is reversed in two phrases. For example, the phrase, “Do I love you because you are beautiful? Or are you beautiful because I love you?” qualifies as a parallelism and a chiasmus but there’s no opposition so it’s not an antithesis.

Semantix’s copywriting toolkit

Our copywriting toolkit is a valuable resource for anyone aiming to improve their writing skills. It contains definitions and examples of rhetorical devices in action, with guidelines on how and why they are used.

Using rhetorical devices, such as antitheses, is a time-proven method of taking your writing to another level and making sure that your words are impactful, memorable and effective. Whether you’re writing for pleasure or writing for business, they create drama and keep your readers or listeners engaged.

Semantix’s copywriting services

As the leading language solution provider in the Nordics, language is our passion. Every day, we help our clients reach new target audiences and enter new global marketplaces. We believe that language should be used as an opportunity to boost business and never be seen as a barrier.

Our copywriting services are available in more than 200 languages, and we only work with native-speaking translators . By matching you with a multilingual copywriter with experience in your specific industry, we’ll help you make every word work hard for your business in every language.

Want to find out more about our multilingual copywriting services?

Further reading.

• A Handlist Of Rhetorical Terms – Richard Lanham, University of California Press, 2013
• Simplified Glossary Of Literary Terms/Devices: An Easy-To-Use Source Of Definitions, Examples And Exercises For Students And Teachers – Victor Igiri, 2022
• The Oxford Dictionary Of Literary Terms (Oxford Quick Reference) 4th Edition – Chris Baldick, OUP Oxford, 2015
• The Elements Of Eloquence – Mark Forsyth, Icon Books, 2013
• The Elements Of Rhetoric – Ryan N S Topping, Angelico Press, 2016
• The Penguin Dictionary Of Literary Terms And Literary Theory – J A Cuddon, Penguin, 2014
• The Rhetorical Device: Literary Resources For The Writer Vol. 1 of 2 – Paul F Kisak, CreateSpace Independent Publishing Platform, 2016
• Writing With Clarity And Style: A Guide To Rhetorical Devices For Contemporary Writers – Robert A Harris, Routledge, 2017
• The Use Of Rhetorical Devices In Selected Speeches by Clinton & Trump: Discourse From The Electoral Campaign 2016 – Larissa Wolf, AV Akademikerverlag, 2018
• American rhetoric (online) Antithesis blog post
• Studiobinder (online) ‘What is antithesis’ blog post
• The Oxford Dictionary O f Literary Terms (Oxford Quick Reference) 4th Edition – Chris Baldick, OUP Oxford, 2015
• Voltaire, The Project Gutenberg EBook Of A Philosophical Dictionary, Volume 4 (of 10).
• Toastmasters (online) ‘The Crafting of Eloquence’ blog post .

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General Education

Looking to spice up your writing? Poetic devices are the salt and pepper (and, if you get really into them, the saffron and caraway) of writing; when deployed effectively, they add flavor and texture to your work.

But what is a poetic device? Do they only work in poetry? In this article, we’ll cover what they are, when you can use them, and how to better understand their function in any literary form!

What Is a Poetic Device?

At its most basic, a poetic device is a deliberate use of words, phrases, sounds, and even shapes to convey meaning. That sounds so broad that it could basically encompass any form of written expression, but poetic devices are generally used to heighten the literal meaning of words by considering sound, form, and function.

There are a lot of poetic devices, just as there are a lot of literary and rhetorical devices. Anything that impacts the way a poem or other written work looks or sounds is a type of poetic device, including devices that are also classified as literary or rhetorical devices .

Consider your writing—whether it’s an essay, poem, or non-fiction article—as a meal you’re cooking. You use good ingredients and put a lot of care into the dish, so you know it’s going to taste good. But there are ways to make it taste even better, little additions that can bring out the taste of each ingredient to make it even tastier—a pinch of salt, a touch of cumin.

That’s what poetic devices do. Like the metaphor I used in the last paragraph, poetic devices infuse literal meanings (what words actually say) with figurative meanings (implications, unexpected connotations, and so on) . You might have gotten the point that poetic devices improve writing without me comparing them to spices, but that metaphor added flavor and enhanced the meaning that was already there.

But metaphors are only one method of enhancing your writing. A poem about a horse may use a hoofbeat rhythm (otherwise known as an anapest or dactyl, depending on which syllable is stressed— da-da-DUH  for the former and DUH-da-da for the latter) to really draw the reader in. The reader doesn’t have to notice the hoofbeat rhythm for it to be effective, either; often, a rhythm helps readers remember what they’ve read without them necessarily realizing it.

One important thing to remember is that literary devices, like spices, are great in moderation, but overpowering if overused. Nobody wants to eat a bowl of pepper, just like nobody wants to read something if its meaning is totally obscured by flowery language. You don’t have to hold back entirely—many wonderful poets, essayists, and authors can use flowery language to great effect—but do make sure that your poetic devices are enhancing rather than overshadowing your point.

Writers commonly use literary devices in poetry to help make their points memorable or their language more evocative. You’ve likely used poetic devices without thinking about it, but deliberate use can make your writing even stronger!

20 Top Poetic Devices to Remember

There are tons of poetic devices out there—it would be nearly impossible to list all of them. But to get you started, we've compiled some of the most common poetry terms, along with a few of the more interesting ones!

An allegory is a story, poem, or other written work that can be interpreted to have a secondary meaning.

Aesop’s Fables are examples of allegories, as they are ostensibly about one thing (such as “The Ant and the Grasshopper” ) but actually have a secondary meaning. Fables are particularly literal examples of allegories, but there are many others, as well, such as George Orwell’s Animal Farm or Christina Rossetti’s “Goblin Fruit.”

Alliteration

Alliteration is the repetition of a sound or letter at the beginning of multiple words in a series.

“Once upon a midnight dreary, while I pondered, weak and weary…”  -  Edgar Allen Poe, “The Raven”

Poe uses alliteration with the “wh,” sound at the beginning of multiple words. The repetition here mimics the sound of the wind (something you might hear on a dreary night), and also sounds a little soothing—something that’s interrupted in the next couple of lines by a different sound, just as Poe interrupts his soothing, round vowel sounds with repetition of the ‘p’ sound in “suddenly there came a tapping, / As of some one gently rapping, rapping at my chamber door….”

An allusion is an indirect reference to something.

“The Cunninghams are country folks, farmers, and the crash hit them hardest.”

- Harper Lee, To Kill a Mockingbird

Lee isn’t speaking of a literal crash—she’s referencing the stock market crash of the late 1920s, which left many people without money. Scout, To Kill a Mockingbird ’s narrator, references the stock market crash in a way that’s appropriate for her context, which readers can gather from the novel’s setting.

Using this allusion allows Lee to do some quick scene-setting. Not only does it establish the novel firmly within its setting, but it also shows that Scout herself is a clear part of that setting —she speaks to the audience in the way that a child of that era would speak, giving the story a greater sense of realism.

An apostrophe is a poetic device where the writer addresses a person or thing that isn’t present with an exclamation.

“O stranger of the future! O inconceivable being! awhatever the shape of your house, no matter how strange and colorless the clothes you may wear, I bet nobody there likes a wet dog either. I bet everybody in your pub even the children, pushes her away.” - Billy Collins, “To A Stranger Born In Some Distant Country Hundreds Of Years From Now”

Though we know from the title that Collins is addressing a stranger from the future, in the final stanza of the poem he addresses that stranger directly. Apostrophe was particularly common in older forms of poetry, going all the way back to Ancient Greece —many works of Greek literature begin with an invocation of the Muses, typically by saying something like, “Sing in me, O Muse.” Because the narrator of Collins’ poem is calling out to someone in the future, he mimics the language of the past and situates this poem in a larger context.

Assonance is the repetition of vowel or diphthong sounds in one or more words found close together.

“ Hear the loud alarum bells—                  Brazen bells!/ What tale of terror, now, their turbulency tells!        In the startled ear of night        How they scream out their affright!         Too much horrified to speak,          They can only shriek, shriek,                  Out of tune….” - Edgar Allen Poe, “The Bells”

When Poe talks about alarm bells, he uses sharp, high-pitch vowels to echo their sound: notice the repetition of long “e” and “i” sounds, both of which sound a bit like screams.

Blank Verse

Blank verse refers to poetry written without rhyme, especially if that poetry is written in iambic pentameter.

“But, woe is me, you are so sick of late, So far from cheer and from your former state, That I distrust you. Yet, though I distrust, Discomfort you, my lord, it nothing must. …” - William Shakespeare, “Hamlet”

Many of Shakespeare’s plays are written in blank verse, including much of “Hamlet.” Here, the dialog is without rhymes, which makes it sound more realistic, but it still follows a strict meter—iambic pentameter. This lends it a sense of grandiosity beyond if Shakespeare had tried to mimic natural speech, and the deliberate space of stressed and unstressed syllables gives it a satisfying sense of rhythm.

Consonance is the repetition of specific consonant sounds in close proximity.

“Tyger Tyger, burning bright, In the forests of the night; What immortal hand or eye, Could frame thy fearful symmetry?” - William Blake, “The Tyger”

Black repeatedly uses multiple sounds in the first stanza of this famous poem. One of the most prominent is ‘r,’ which shows up in every line of the first stanza, and almost every line of the poem as a whole. As Blake is writing about the tiger, he’s musing on its fearsome nature and where it comes from, with the repeated ‘r’ sound mimicking the tiger’s growl like a small, subtle threat in the poem’s background.

An enjambment is the continuation of a sentence beyond a line break, couplet, or stanza without an expected pause.

“What happens to a dream deferred?        Does it dry up       like a raisin in the sun?       Or fester like a sore—       And then run?       Does it stink like rotten meat?       Or crust and sugar over—       like a syrupy sweet?        Maybe it just sags       like a heavy load.         Or does it explode? ” - Langston Hughes, “Harlem”

Hughes plays with multiple methods of ending lines in this poem, including enjambment. The first two lines of the second stanza and the second-to-last stanza are examples of enjambment, as the thought continues from one line to the next without any punctuation. Notice the way these lines feel in comparison to the others, especially the second example, isolated in its own stanza. The way it’s written mimics the exhaustion of carrying a heavy load, as you can’t pause for breath the way that you do with the lines ended with punctuation.

Irony has a few different meanings. The most common is the use of tone or exaggeration to convey a meaning opposite to what's being literally said. A second form of irony is situational irony, in which a situation or event contradicts expectations, usually in a humorous fashion. A third form is dramatic irony, where the audience of a play, movie, or other piece of art is aware of something that the characters are not.

Basic irony, where what someone says doesn't match what they mean, might look something like this:

"Yeah, I  love dogs," she said dryly, holding the miniature poodle at arm's length as hives sprang up along her arms.

Situational irony would include things like a police station getting robbed or a marriage counselor getting a divorce—we would expect police to be able to resist getting robbed and a marriage counselor to be able to save their own marriage, so the fact that these unexpected things occur is darkly funny. 

One of the most famous examples of dramatic irony is in  Romeo and Juliet . The audience knows that Juliet isn't dead when Romeo comes to find her in the tomb, but obviously can't stop Romeo from killing himself to be with her. Unlike other forms of irony, dramatic irony often isn't funny—it heightens tension and increases audience investment, but doesn't necessarily have to make people laugh.

A metaphor is when a writer compares one thing to another.

“An emotional rollercoaster” is a common example of a metaphor—so common, in fact, that it’s become cliche. Experiencing multiple emotions in a short period of time can feel a lot like riding a roller coaster, as you have a series of extreme highs and lows.

Meter refers to the rhythm of a poem or other written work as it’s expressed through the number and length of the feet in each line.

“But, soft! what light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief…” - William Shakespeare, Romeo and Juliet

Shakespeare famously wrote frequently in iambic pentameter ,  a specific type of meter containing five iambic feet. Iambs are a foot—a unit of rhythm—consisting of one unstressed and one stressed syllable. In the first line of this passage, you have five iambs, which produces a sort of heartbeat-esque rhythm.

“But soft / what light / through yon- / -der win- / -dow breaks ?”

Meter like this gives readers expectations about how each line will go, which can be very useful if you want to subvert them, such as how Shakespeare does in Hamlet :

“To be / or not / to be / that is / the ques- / -ion.”

Because we expect iambic pentameter, the rule-breaking here clues us in that something isn’t right with Hamlet.

An ode is a short lyrical poem, often in praise of something.

“Thou still unravish'd bride of quietness,        Thou foster-child of silence and slow time, Sylvan historian, who canst thus express        A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape        Of deities or mortals, or of both,                In Tempe or the dales of Arcady?        What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape?                What pipes and timbrels? What wild ecstasy?” - John Keats, “Ode on a Grecian Urn”

Keats’ “Ode on a Grecian Urn” covers all the required bases of the ode—it’s short at just five stanzas, it’s lyrical (the language is clearly elevated above regular speech), and it’s written in praise of a scene on an imagined Grecian urn, which preserves the beauty of several scenes for eternity.

Though Keats’ ode here may be in earnest, the deliberate use of language far outside our normal method of speaking often makes the form ripe for satire. In this case, Keats is using this language to discuss beauty and truth, two rather lofty themes that work in tandem with the lofty language.

A pun is a play on words, using multiple meanings or similar sounds to make a joke.

"Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing.  "It is a long tail, certainly," said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking...." - Lewis Carroll, Alice’s Adventures in Wonderland

Here, Alice clearly misunderstands what the mouse is saying—he says ‘tale,’ referring to his long and sad story, and she hears ‘tail,’ referring to his literal tail. The result is a misunderstanding between the two that ends with Alice looking rude and uncaring.

Though it makes Alice look bad, it’s quite entertaining for the reader. The world of Wonderland is full of strangeness, so it’s not really a surprise that Alice wouldn’t understand what’s happening. However, in this case it’s a legitimate misunderstanding, heightening the comedy as Alice’s worldview is once again shaken.

Repetition is fairly self-explanatory—it’s the process of repeating certain words or phrases.

“Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light. Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night.” - Dylan Thomas, “Do Not Go Gentle Into That Good Night”

Throughout this poem, Thomas repeats the lines, “Do not go gentle into that good night,” and “Rage, rage against the dying of the light.” The two lines don’t appear together until the final couplet of the poem, cementing their importance in relation to one another. But before that, the repetition of each line clues you in to their importance. No matter what else is said, the repetition tells you that it all comes back to those two lines.

Rhetorical Question

A rhetorical question is a question asked to make a point rather than in expectation of an answer.

“Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain't I a woman? I could work as much and eat as much as a man - when I could get it - and bear the lash as well! And ain't I a woman? I have borne thirteen children, and seen most all sold off to slavery, and when I cried out with my mother's grief, none but Jesus heard me! And ain't I a woman?” - Sojourner Truth, “Ain’t I a Woman?”

Sojourner Truth’s question to the Women’s Convention of 1981 in Akron, Ohio isn’t a question that needs an answer. Of course she’s a woman—she, as well as everybody else in the audience, knew that perfectly well. However, Sojourner Truth was a black woman in the time of slavery. Many white women wouldn’t have considered her to be part of the women’s rights movement despite her gender.

By asking the question, Sojourner Truth is raising the point that she is a woman, and therefore should be part of the conversation about women’s rights. “Ain’t I a woman?” isn’t a question of gender, but a question of race—if it’s a conference about women’s rights, why weren’t black women included? By asking a question about an undeniable truth, Sojourner Truth was in fact pointing out the hypocrisy of the conference.

A rhyme is a repetition of syllables at the end of words, often at the end of a line of poetry, but there are many unique kinds of rhymes .

“It was many and many a year ago,    In a kingdom by the sea, That a maiden there lived whom you may know    By the name of Annabel Lee; And this maiden she lived with no other thought    Than to love and be loved by me.” - Edgar Allen Poe, “Annabel Lee”

Poe’s poem starts off with a fairly typical ABAB rhyme scheme—the first line rhymes with the third, the second with the fourth. However, in line five, we get a jarring line that does not rhyme, which is carried through the rest of the poem. The rhyming sounds hearken back to classic songs and stories, but is undone by something that doesn’t sound right, just as the classic love story of the narrator and Annabel Lee is undone by tragedy.

Rhythm refers to the pattern of long, short, stressed, and unstressed syllables in writing.

“Double, double toil and trouble; Fire burn and caldron bubble. Fillet of a fenny snake, In the caldron boil and bake…” - William Shakespeare, Macbeth

In this scene from Macbeth, the witches are positioned as being strange and unnatural, and the rhyme scheme Shakespeare uses is also unnatural. It lends the passage a sing-song quality that isn’t present in other parts of the play, which is easy to get stuck in your head. This is important, because their prophecies also get stuck in Macbeth’s head, leading him to commit his horrible crimes.

A sonnet is a fourteen-line poem with a strict rhyme scheme, often written in iambic pentameter.

“How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of being and ideal grace. I love thee to the level of every day’s Most quiet need, by sun and candle-light. I love thee freely, as men strive for right; I love thee purely, as they turn from praise. I love thee with the passion put to use In my old griefs, and with my childhood’s faith. I love thee with a love I seemed to lose With my lost saints. I love thee with the breath, Smiles, tears, of all my life; and, if God choose, I shall but love thee better after death.” - Elizabeth Barrett Browning, “How Do I Love Thee”

Sonnets were a standard poetry format for a long time—Shakespeare famously wrote sonnets, as did poets like Browning. As with blank verse, sonnets are often written in iambic pentameter, which gives the writing a sense of realism, as it’s not quite as affected as other rhythms, but also makes it feel purposeful and different from natural speech.

Because sonnets have a rhyme scheme, they feel removed again from realistic speech. But that works in form’s favor— the rigid structure encourages unconventional word use (hence the memorability of “How do I love thee? Let me count the ways.”) and marks poems in this style as having a kind of heightened reality. Because blank and free verse arose later, writing sonnets in modern times gives poems a classic or even intentionally antiquated feeling, which can work in the poet’s favor.

How to Identify and Analyze Poetic Devices

It’s nearly impossible to remember every poetic device, but teaching yourself to identify and analyze them is a great way to increase your vocabulary and writing ability. To learn more about them, you can:

Reading widely in a variety of literary forms—poetry, prose, essays, non-fiction, and so on—is one of the best ways to learn more poetic devices. You may not notice them all, but challenge yourself to find one example of a poetic device every time you read. Remember, there are lots of kinds of poetic devices; they don’t always have to be things you’d only find in poetry.

The more you read, the more exposed you are to different kinds of writing styles. If you read widely, you’ll see more people using language creatively—when you see something interesting, make note of it and see if it’s a poetic device you can use in your own writing!

Use Them In Your Own Writing

Identifying them is great, but to really understand poetic devices, try using them. Not every device is right for every situation, but playing a little with your language can reveal to you exactly how these devices work. Challenge yourself to use new devices to get a better appreciation for how they can elevate your writing.

Question Poetic Devices

When you come upon a poetic device in something you’re reading, ask yourself what the author is doing with it. What purpose does alliteration serve in a specific context? Why did I choose to use that spices metaphor earlier in this article? Was it effective or confusing?

The more you think about these devices, the more you’ll get a feel for how they work and why writers use them. Understanding the different ways they can be used will help you discover how to use them better, so don’t be afraid to start questioning how and why professionals do it!

Key Tips for Literary Devices in Poetry

Enhancing your writing with poetic devices is great, but there are a few things to keep in mind to be sure you’re doing it right.

First, don’t overuse them. Poetic devices can be great for making your writing sound more interesting or to deliver information in a more impactful manner, but too much really stands out. Alliteration is great, but an alliterative sonnet that’s an allusion to Greek literature can feel a little gimmicky. Even too much alliteration can quickly feel hackneyed if it’s not done with a purpose. Ask yourself why you’re using these devices and trim them if you can’t think of a reason—restraint is as much a part of good writing as the skillful use of a poetic device.

Don’t forget that poetic devices are good for more than just poetry. A well-written essay can use a great metaphor. A sonnet can be written in plain English for a great effect. An article for your school newspaper might be improved with a little alliteration. Feel free to experiment with how and when these devices are used—adding in an unexpected poetic device is a great way to elevate your writing.

What’s Next?

Poetic devices are just one of the many kinds of tools you can use to enhance your writing. Check out this list of rhetorical devices for even more things you can do to liven up your work!

Want even more poetic devices? Check out this article on personification , which covers examples of this device in both poetry and literature!

Dylan Thomas' "Do Not Go Gentle Into That Good Night," is a great example of repetition, but there's a lot more to it than that! This article will give you some in-depth information on the meaning of Dylan Thomas' poem , including how to analyze it!

Melissa Brinks graduated from the University of Washington in 2014 with a Bachelor's in English with a creative writing emphasis. She has spent several years tutoring K-12 students in many subjects, including in SAT prep, to help them prepare for their college education.

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She Walks in Beauty

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Key Poetic Devices

The speaker of “She Walks in Beauty” begins with a simile that helps frame the poem’s overall concern with beauty and harmony. Recall that a simile (SIH-muh-lee) is a figure of speech that explicitly compares two unlike things to each other using a word such as “like” or “as.” The speaker introduces the poem’s one and only simile in the opening lines: “She walks in beauty, like the night / Of cloudless climes and starry skies” (lines 1–2). Here, the speaker compares the beauty of an unnamed woman to a night sky that is cloudless and therefore full of stars. After introducing the simile in these first lines, the speaker goes on to develop it, exploring how beauty depends on harmony (lines 3–6):

     And all that’s best of dark and bright      Meet in her aspect and her eyes;      Thus mellowed to that tender light      Which heaven to gaudy day denies.

Here, the speaker likens the harmony of “dark and bright” in the woman’s face to the similar harmony of shadow and light at play in a starry night sky. Just as the subtle shimmer of starlight “mellow[s]” the sheer blackness of night, so too does the gleam in the woman’s eyes slightly brighten her overall appearance. It is precisely this beautifully harmonious contrast that the speaker’s simile aims to describe.

Antithesis (an-TIH-thuh-siss) refers to an instance where a contrast is made using a parallel syntactic structure. By this definition, only one example of antithesis appears in the poem. At the beginning of the second stanza (lines 7–9), the speaker describes the perfect harmony of shadow and light that highlights the woman’s beauty. He says:

     One shade the more, one ray the less,      Had half impaired the nameless grace      Which waves in every raven tress.

The first line contains a technical example of antithesis, in which the speaker uses the same syntactical structure to express an opposition. To paraphrase, he’s saying that even a bit more shadow or a bit less light would disturb the woman’s beauty. The antithesis resides in the contrast between the more and the less . Although the poem has but one instance of syntactical antithesis, the entirety of “She Walks in Beauty” is organized around oppositions. Whereas the speaker develops the opposition between light and dark in the poem’s first half, in the second half he develops an opposition between exterior and interior. 

Byron lends a softness to his language through his frequent use of sibilance, which is a special case of consonance. Whereas consonance (KON-suh-nence) refers to the repetition of consonant sounds in adjacent or nearby words, sibilance (SIH-buh-lence) refers specifically to instances of sibilant consonants, also known as “sibilants.” This family of consonant sounds requires use of the tongue to force a stream of air toward the teeth, producing the kinds of sounds found at the beginning of words like “sap,” “zap,” “shape,” and “genre.” Sibilants have a much softer and more soothing sound quality than the sounds produced by the so-called plosive (PLOH-siv) consonants: B, D, G, K, P, and T. Byron uses sibilants with unusual frequency throughout “She Walks in Beauty,” giving the poetic language a softness that complements the speaker’s quiet meditations on beauty and virtue. The opening lines nicely demonstrate the quieting effect of Byron’s sibilance (lines 1–4):

      Sh e walk s in beauty, like the night      Of cloudle ss clime s and s tarry s kies;      And all that’ s be s t of dark and bright      Meet in her a s pect and her eye s .

Sibilants appear in every line and in various positions within individual words. In a particularly nice example, the second line features two word-pairs that exhibit opposing patterns of sibilance. Whereas the words “cloudless” and “climes” both end with sibilants, the words “starry” and “skies” both begin with them, creating a moment of sibilant alliteration.

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Poetic Devices List: 27 Main Poetic Devices with Examples

by Fija Callaghan

Emerging poets tend to fall into one of two camps.

The first are those who seek to embrace any and all poetic devices they can find and pile them one on top of the other, creating an architectural marvel not entirely dissimilar to a literary jenga puzzle—also known as Art.

The second are those who sit down at a desk/café table/riverside and throw up a beautiful storm of emotions onto the page, creating something so full of shadow and light and color that it could easily be mistaken for a post-impressionist painting or the remnants of a small child’s lunch. This, they assure us, is also Art.

The truth is, most poetry will fall somewhere in the middle. Many poets will begin learning about the technical literary devices used in poetry, read other poets who have used poetic devices successfully, and practice them in their own work until they become a part of their poet’s voice. Then they’ll allow them to surface naturally as they put their emotions down onto the page.

If you read any poetry at all (and if you haven’t, stop reading this, go do that, and come back), you’re probably well on your way. Many of the things we’re going to show you in this list of poetic devices are things you’ll probably recognize from other poems and stories you’ve read in the past.

What are poetic devices?

Poetic devices are techniques and methods writers use to construct effective poems. These poetic devices work on the levels of line-by-line syntax and rhythm, which make your poetry engaging and memorable; and they work on the deeper, thematic level, which makes your poetry matter to the reader.

Poetic devices are the literary techniques that give your poetry shape, brightness, and contrast.

Some of these poetic literary devices you probably already use instinctively. All poetry comes from a place within ourselves that recognizes the power of story and song, and writers have formed these devices in poetry over time as a way for us to communicate that with each other.

While you’re reading about these elements of poetry, see if you can look back at your own work and find where these poetic devices are already beginning to shine through naturally. Then you’ll be able to refine them even more to make your poetry the best it can be.

27 poetic devices used in poetry

Here are some of the literary devices you’ll be able to add to your poet’s toolkit:

1. Alliteration

Hearkening back to the days when poetry was mostly sung or read out loud, this literary device uses repeating opening sounds at the start of a series of successive words, giving them a lovely musical quality. The “Wicked Witch of the West” is an example of alliteration. So are “political power play” and “false friends.”

“Cold cider” is not an example of alliteration, because even though the words begin with the same letter, they don’t have the same sound. A ”sinking circus,” on the other hand, kicks off each word with the same sound even though they look different on the page.

2. Allusion

Allusion is where the poet makes an indirect reference to something outside of the poem, whether that’s a real person, a well-known mythological cycle, or a struggle that’s happening in the world we know. Sometimes this is simply to draw a parallel that the reader will easily understand, but often allusions are used to hint at something that it would be insensitive, or even dangerous, to directly acknowledge.

In Edgar Allen Poe’s The Raven , the bird in question is described as “perched upon a bust of Pallas just above my chamber door.” Some of the poem’s readers may recognize Pallas as a reference to Pallas Athena, Greek goddess of wisdom. This allusion shows that the narrator has a high respect for learning.

3. Anaphora

Anaphora is the act of beginning a series of successive sentences or clauses (sentence fragments) with the same phrase. It’s an older literary device that many writers instinctively still use today, knowing that it lends a unique emphasis and rhythm even if they don’t know the specific term for it. You may have even used it yourself without realizing it!

One of the most famous uses of anaphora in English literature comes from Charles Dickens’ A Tale of Two Cities : “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness.”

It goes on like this for a while, and the audience falls into not only a comfortable rhythm but a sense of audience participation; they begin to anticipate the words as they come, giving them a feeling of singing along to a song they’ve never heard. The repetition at the beginning of each line also draws attention to the contrasting ideas that Dickens is introducing.

This can be particularly effective in a narrative poem, or a poetic form that acts like a short story.

4. Assonance

Also called “vowel rhyme,” assonance is a poetic device that repeats vowel sounds in a word or phrase to create rhythm ( we’ll talk about rhythm a little more later on ). “Go slow down that lonely road” is an example of well-balanced assonance: we hear similar sounds in the “oh,” “go,” and “slow,” and then later in “lonely” and “road” (there’s also a bit of a clever eye rhyme in “slow down”—you’ll learn about eye rhymes when we talk about rhyme down below ). Don’t the deep, repetitive vowels just make you want to snuggle down into them?

You’ll probably find yourself using repeating vowel sounds in your poetry already, because the words just seem to naturally settle in together. As you progress, you’ll be able to see where those balanced vowels are beginning to shine through and then emphasize them even more.

5. Blank Verse

Blank verse is poetry that’s written in a regular meter, but with unrhymed line. It falls somewhere between formal and free verse poetry. While blank verse never has a formal rhyme scheme, it does have a formal meter (you’ll read more about meter a bit further on ).

Most blank verse is written in iambic pentameter, which was popularized by Shakespeare in his plays. “But soft! What light through yonder window breaks?” is a famous example—it doesn’t rhyme, but it follows a pattern of a ten syllable line with alternating unstressed and stressed syllables. Try reading it out loud.

Some blank verse uses internal rhyme, or words that rhyme within a line rather than at the end. Blank verse is a great way to add a poetic levity to writing that would otherwise read like prose.

6. Chiasmus

A chiasmus (a word that brings to mind the word “chimera”, coincidentally enough) is a stylized literary device that plays with the reversal of words or ideas.

Sometimes the words might be used together in a different way—“Never let a Fool Kiss You, or a Kiss Fool You”—or sometimes it may be the concepts of the idea that are presented in reflection—“My heart burned with anguish, and chilled was my body when I heard of his death”—with “heart” and “body” as parallels bookending the contrasting ideas of “burned” and “chilled.”

Like anaphora , chiasmus can draw attention to a contrasting idea and make a memorable impression on the reader.

7. Consonance

Compared to assonance , consonance is the repetition of consonant sounds in a word or phrase. Repeated consonants can occur at the beginning, middle, or ending of a word. You may recognize this from classic children’s tongue twisters like “Betty Botter bought some butter but she said the butter’s bitter”… the repeated B’s and T’s add a jig-and-reel quality to the speech.

You can also use this technique to add musicality and tone to the names of characters, such as the soft consonant sounds of Holly Golightly’s gentle L’s or the Dread Pirate Roberts’ guttural R’s.

In poetry, repeating consonant sounds often cause the reader to stop and linger over the phrase a little longer, teasing out both its music and its meaning (notice the consonance in “linger, little, longer” and “music” and “meaning”?).

8. Enjambment

Enjambment, from a Middle French word meaning “to step over,” is a poetic device in which a thought or an idea in a poem carries over from one line to another without pause. For example, T. S, Eliot’s The Waste Land says, “April is the cruelest month, breeding / Lilacs out of the dead land, mixing / Memory and desire.”

Instead of ending his lines on the comma, where we would normally think to pause in our speech, he includes the verb in the line before moving into the next one. This gives the poem a very different rhythm and complexity than it otherwise would have had.

Enjambment can also be used to create tension and surprise as the story you’re telling through your poem twists and turns.

9. Epistrophe

Unlike to anaphora , epistrophe is a literary device in which successive sentences or sentence fragments end with the same phrase. Our ears naturally attune to the landing point of any given word grouping, and so writers and speakers can use this tool to draw particular attention to a word or idea.

One famous example is Abraham Lincoln’s speech, “A government of the people, by the people, for the people”. We hear this word grouping “the people” landing three consecutive times. This same technique can be used to instill a mood in your poem by landing on evocative words such as “dark,” “gone,” or “again.”

10. Imagery

Imagery one of the most important poetic devices—it’s how you make the big ideas in your poem, as well as the poem’s meaning, come alive for the reader.

Poets will make the most of their limited space by using strong visual, auditory, olfactory, and even tactile sensations to give the reader a sense of time and place. It’s popular in both poetry and prose fiction.

In T. S. Eliot’s Preludes , he says, “… the burnt-out ends of smoky days. And now a gusty shower wraps the grimy scraps of withered leaves about your feet.” This little excerpt is brimming with an intense vision of the scene that plays with all five of the senses. It makes us feel like we’re there.

11. Juxtaposition

Juxtaposition is contrast—comparing dark with light, heroes with villains, night with day, beauty with cruelty. “All’s fair in love and war” is a famous example of juxtaposition—the idea puts two normally conflicting concepts side by side to make us reconsider the relationship they have to each other.

Juxtaposition as a literary device can be lighthearted, such as a friendship between a lion and a mouse, or it can give power and emotional resonance to a scene, such as young soldiers leaving for grim battle on a perfectly beautiful summer’s day. Effective use of juxtaposition can change the tone of an entire poem.

12. Metaphor

Metaphor one of the most used poetic devices, both in literature and in day to day speech. It presents one thing as another completely different thing so as to draw a powerful comparison of images.

“Love is a battlefield” is a metaphor that equates a broad, thematic idea (love) with something we all have at least a basic understanding of (a battlefield). It shows us that there are aspects in each that are also present in the other.

Metaphors can also be implied, when the poet uses a colorful image to suggest something about a character or an action; for instance, “the article sparked a new conversation,” giving the article a quality akin to a flame struck in the darkness.

Rather than stating its literal meaning, a metaphor makes the meaning of the entire poem even stronger.

Meter is the way in which rhythm is measured in a poem. It’s a pattern that functions on two basic premises: the number of syllables in a line of poetry, and how each syllable is either stressed (given emphasis, such as the first syllable of “nature”) or unstressed.

We express the type of meter the poem follows also in two parts: the structure of stressed and unstressed syllables, and how many of them there are in a single line.

There are many kinds of formal meter. Perhaps the most famous one is iambic pentameter, made famous by the sonnets Shakespeare wrote—a fourteen line poem in which the iamb (one unstressed syllable followed by one stressed syllable, like “toNIGHT,” “beLONG,” “beCOME”) is repeated five times in a line.

But there can be many other kinds of meter, depending on how many metrical feet (like an iamb) appear per line. For example, iambic tetrameter uses the same structure as iambic pentameter but with only eight syllables instead of ten.

14. Metonym

Similar to a metaphor , a metonym is a poetic device which uses an image or idea to stand in place of something.

This can be visual, such as in road signs or computer icons, where a downwards arrow stands in place of the concept for “download,” or it can be literary.

To say “the White House is in discussion” usually refers to a group of elected government officials, rather than an actual constructed house that has been painted white.

A “mother tongue” is a native language, and “the press” is often used as a broad metonym for journalists. Some metonyms are no longer in use, and can be worked into poems to show setting and context—for instance, “hot ice” to mean stolen diamonds.

A motif is a symbol or idea that appears repeatedly to help support what the poet is trying to communicate. In poetry, motifs are often things with which we already have a cultural relationship—bodies of water to represent purity, sunrises to represent new beginnings, storm clouds to represent dramatic change.

When these ideas are used once in your poem, they’re a poetic device called symbolism . To be a motif, they’d need to be used in repetition, with each interval creating stronger and stronger links between the themes of the poem and the reader’s understanding of the world.

Myths and legends are perhaps the greatest reservoir of creativity the poet has at their disposal. Though often used interchangeably, myths are stories that tell of how something came to be—for example Noah’s ark, or the story behind the Giant’s Causeway in Ireland. Legends are stories that blur the lines of myth and history, for instance the Greek heroes in the saga of Troy.

It’s worth looking to the stories from your own region and cultural background for inspiration. Contrary to what some might say, there’s also nothing wrong with embracing the stories of other cultures so long as they are done with reverence and respect.

Henry Wadsworth Longfellow, an American poet of European descent, wrote beautifully about Native American myths in his Song of Hiawatha .

17. Onomatopoeia

Onomatopoeia are great poetic devices for adding rhythm and sensory presence to your work. Onomatopoeia are words that, when spoken out loud, imitate sounds like what they’re intended to mean.

“Buzzing,” for instance, is a verb that relates to the action of a traveling bee, but spoken aloud it sounds like the actual sound bees make. “Murmuring,” “humming,” and “smacking” all sound like the actions that they refer to. In poetry, you can have a lot of fun experimenting with onomatopoeia to make your reader feel like they’re in the poem alongside you.

18. Personification

Personification is a poetic device that gives a non-human entity—whether that’s an animal, a plant, or a cantankerous dancing candlestick—human characteristics, actions, and feelings. Sometimes this might be so extreme as to create an entirely human character with a nonhuman shape. Many, many Disney movies follow this pattern.

In poetry, very often the personification is more subtle; “the waves stretching their white fingers up towards the sun,” or “shadows leering down accusingly” are both examples of more subtle personification. These fanciful images come from the narrator’s relationship to the moment in time and their environment.

19. Repetition

Repetition is used both as a poetic device and as an aspect of story structure, particularly when dealing in motifs . In poetry, using the same word or phrase repeatedly allows the reader or listener to settle into a comfortable rhythm, offering them a sense of familiarity even if they’ve never heard that particular piece before.

It can also be used to bring seemingly unrelated lines and stanzas back to the same idea. You can write poems with repeating words or phrases, or you can repeat broader ideas that you come back to again and again as the poem progresses.

When most people think of rhyming words they tend to think of what’s called a “perfect rhyme,” in which the final consonants, final vowels, and the number of syllables in an ending word match completely. These are rhymes like “table” and “fable”, or “sound” and “ground.”

But there are many different kinds of rhymes. Other types include slant rhymes (in which some of the consonants or the vowels match, but not all—for example, “black” and “blank”), internal rhymes (perfect rhymes that are used for rhythmic effect inside a line of poetry, for instance “double, double, toil and trouble)”, and eye rhymes (words that look like they should rhyme only when read and not heard aloud, like “date” and “temperate,” or “love” and “move”).

The rhyme scheme, or pattern of rhyming lines, a poem uses can have a big impact on the poem’s mood and language.

The true purpose of a rhyme scheme is to give your poetry rhythm , which is the shape and pattern a poem takes. What it comes down to is getting your words inside the reader’s bones. Rhyme is one way to do this, and meter is another. So are line-level poetic devices like assonance , consonance , and alliteration .

The length of your lines and your style of language will also play a part; quick, short words in quick, short lines of poetry give the poem a snappy feel, while longer, more indulgent lines will slow down the rhythm. The rhythm of the poem should match the story that it’s telling.

It’s a good idea to experiment with different kinds of rhythm in your poetry, though many poets develop a comfortable rhythmic place in which their poetry feels most at home.

Similes often get lumped together with metaphors as poetic devices that express the similarities between two seemingly unrelated ideas. They serve a very similar purpose in poetry, but are approached slightly differently. Where a metaphor uses one idea to stand in place for another, a simile simply draws a comparison between these two things.

Examples of similes are Shakespeare’s “Her hair, like golden threads, play’d with her breath” and Langston Hughes’ “What happens to a dream deferred? Does it dry up like a raisin in the sun?” The word “like” in these examples is the hint that we’re looking at a simile, and not a metaphor.

Using similes is a great way to impart sensory imagery and to get your readers to think about something in a new way.

23. Symbolism

We looked at motifs earlier as recurring symbols in a poem. Not all symbolism is recurring, but all of it should support what the poet is trying to say as a larger whole.

Symbols in poetry might be sensory images, they might be metaphors for a real life issue, or they might be cultural icons with which we already have deeply-ingrained associations.

Examples could be a skull to represent death, a dove to represent peace, or the sun and the moon to represent masculine and feminine polarities. By tapping into this pre-existing cultural consciousness, the poet has an entirely new language with which to communicate.

24. Synecdoche

Synecdoche is similar to a metonym , in that it takes a small part of something to represent something bigger. But rather than looking at something symbolically representative of a whole, synecdoche is a poetic device that looks at a physical part of that whole. To say “give me a hand”, for instance, means “give me assistance” (which may or may not involve an actual hand), or “all hands on deck” to mean “all bodies, hands and feet included.”

It can sometimes be used in the opposite way too, using a larger picture to represent a smaller part. For example, to say “New York is up against Chicago” probably doesn’t refer to an actual civil war between two warring cities—most likely you’re just talking about a smaller part of a whole, like a sports team.

Tmesis, apart from being a word that kind of looks like a sneeze, is another dialectal poetic device. It comes from a Greek word meaning “to cut,” and involves cutting a word in half for emphasis. Sometimes this is colloquial, like “abso-bloody-lutely” or “fan-bloody-tastic” (really, any time an irate British person sticks “bloody” into a perfectly serviceable word).

It’s also used in poetry and poetic prose to add emphasis to the idea. In Romeo and Juliet , Romeo says, “This is not Romeo, he’s some other where”, interjecting “other” into “somewhere” for emphasis. Tmesis is a fun poetic device to play around with, that allows you to begin looking at words in a different way.

Tone is the not-entirely-quantifiable mood, or atmosphere, of your piece. Some poets are great at crafting dark, haunting poetry; others write poems full of soft sunshine that make you think of a languid summer morning in the grass.

You may find that different themes and messages require different moods, but very likely you’ll find yourself settling into one signature atmosphere as you develop your poet’s voice.

The best way to do this is to read poems of all different tones and styles to see which resonate best with you. You could also try making “mood banks” of words to play around with in your poetry, either as lists or as little bits of paper á la “magnetic poetry.”

Words like “night,” “silence,” and “howl” conjure up one idea; words like “sunday,” “popcorn,” and “sparrow” conjure up something very different.

A zeugma, as well as being your new secret weapon in Scrabble, is a poetic device that was used quite a lot in old Greek poetry but isn’t seen as much these days—largely because it’s difficult to do well. It’s when a poet uses a word in one sentence to mean two different things, often meaning a literal one, and one meaning a figurative one.

For example, “he lost his passport and his temper” or “I left my heart and my favorite scarf in Santa Fé” are two instances where the verb is used in both literal and figurative ways.

How to use poetic devices

Seeing the range of word-level tools available to you as a writer can be both exciting and a little overwhelming. As you can see, the twenty-six unassuming little letters of the English language carry within them a world of possibility—the poet just needs to know how to make them dance.

There are two ways to begin working with poetic devices, both of them essential: the first is to read. Read classic poetry, modern poetry, free verse, blank verse, poetry written by men and women of all walks of life. Look at ways other artists have used these poetic devices effectively, and see which moments in their work resonate with you the most. Then ask yourself why and what you can do to bring that light into your own poetry.

The second is to write. The poet and novelist Margaret Atwood famously said, “You become a writer by writing. There is no other way.” Reading poetry and reading about poetry is an important part of understanding technique, but the only real way to get these poetic devices in your bones and blood is to begin.

If you’ve started writing your own poetry already, go back and look at some of your earlier work. Can you spot any of the poetic devices from this list?

Many of these literary devices work because they resonate with our innate human instincts for rhythm and storytelling. You probably already use some of them without realizing it. See where you can pick out these little seeds and bring them to life even more.

As you progress, your awareness of technical literary devices in poetry such as assonance, epistrophe, metonymy, and poetic form will become as natural as a musician who no longer needs to look at the keys—they simply form a part of your poet’s voice.

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