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Literary Analysis Essay

Literary Analysis Essay Writing

Last updated on: May 21, 2023

Literary Analysis Essay - Ultimate Guide By Professionals

By: Cordon J.

Reviewed By: Rylee W.

Published on: Dec 3, 2019

A literary analysis essay specifically examines and evaluates a piece of literature or a literary work. It also understands and explains the links between the small parts to their whole information.

It is important for students to understand the meaning and the true essence of literature to write a literary essay.

One of the most difficult assignments for students is writing a literary analysis essay. It can be hard to come up with an original idea or find enough material to write about. You might think you need years of experience in order to create a good paper, but that's not true.

This blog post will show you how easy it can be when you follow the steps given here.Writing such an essay involves the breakdown of a book into small parts and understanding each part separately. It seems easy, right?

Trust us, it is not as hard as good book reports but it may also not be extremely easy. You will have to take into account different approaches and explain them in relation with the chosen literary work.

It is a common high school and college assignment and you can learn everything in this blog.

Continue reading for some useful tips with an example to write a literary analysis essay that will be on point. You can also explore our detailed article on writing an analytical essay .

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What is a Literary Analysis Essay?

A literary analysis essay is an important kind of essay that focuses on the detailed analysis of the work of literature.

The purpose of a literary analysis essay is to explain why the author has used a specific theme for his work. Or examine the characters, themes, literary devices , figurative language, and settings in the story.

This type of essay encourages students to think about how the book or the short story has been written. And why the author has created this work.

The method used in the literary analysis essay differs from other types of essays. It primarily focuses on the type of work and literature that is being analyzed.

Mostly, you will be going to break down the work into various parts. In order to develop a better understanding of the idea being discussed, each part will be discussed separately.

The essay should explain the choices of the author and point of view along with your answers and personal analysis.

How To Write A Literary Analysis Essay

So how to start a literary analysis essay? The answer to this question is quite simple.

The following sections are required to write an effective literary analysis essay. By following the guidelines given in the following sections, you will be able to craft a winning literary analysis essay.

Introduction

The aim of the introduction is to establish a context for readers. You have to give a brief on the background of the selected topic.

It should contain the name of the author of the literary work along with its title. The introduction should be effective enough to grab the reader’s attention.

In the body section, you have to retell the story that the writer has narrated. It is a good idea to create a summary as it is one of the important tips of literary analysis.

Other than that, you are required to develop ideas and disclose the observed information related to the issue. The ideal length of the body section is around 1000 words.

To write the body section, your observation should be based on evidence and your own style of writing.

It would be great if the body of your essay is divided into three paragraphs. Make a strong argument with facts related to the thesis statement in all of the paragraphs in the body section.

Start writing each paragraph with a topic sentence and use transition words when moving to the next paragraph.

Summarize the important points of your literary analysis essay in this section. It is important to compose a short and strong conclusion to help you make a final impression of your essay.

Pay attention that this section does not contain any new information. It should provide a sense of completion by restating the main idea with a short description of your arguments. End the conclusion with your supporting details.

You have to explain why the book is important. Also, elaborate on the means that the authors used to convey her/his opinion regarding the issue.

For further understanding, here is a downloadable literary analysis essay outline. This outline will help you structure and format your essay properly and earn an A easily.

DOWNLOADABLE LITERARY ANALYSIS ESSAY OUTLINE (PDF)

Types of Literary Analysis Essay

Close reading - This method involves attentive reading and detailed analysis. No need for a lot of knowledge and inspiration to write an essay that shows your creative skills.
Theoretical - In this type, you will rely on theories related to the selected topic.
Historical - This type of essay concerns the discipline of history. Sometimes historical analysis is required to explain events in detail.
Applied - This type involves analysis of a specific issue from a practical perspective.
Comparative - This type of writing is based on when two or more alternatives are compared

Examples of Literary Analysis Essay

Examples are great to understand any concept, especially if it is related to writing. Below are some great literary analysis essay examples that showcase how this type of essay is written.

A ROSE FOR EMILY LITERARY ANALYSIS ESSAY

TO KILL A MOCKINGBIRD LITERARY ANALYSIS ESSAY

THE GREAT GATSBY LITERARY ANALYSIS ESSAY

THE YELLOW WALLPAPER LITERARY ANALYSIS ESSAY

If you do not have experience in writing essays, this will be a very chaotic process for you. In that case, it is very important for you to conduct good research on the topic before writing.

There are two important points that you should keep in mind when writing a literary analysis essay.

First, remember that it is very important to select a topic in which you are interested. Choose something that really inspires you. This will help you to catch the attention of a reader.

The selected topic should reflect the main idea of writing. In addition to that, it should also express your point of view as well.

Another important thing is to draft a good outline for your literary analysis essay. It will help you to define a central point and division of this into parts for further discussion.

Literary Analysis Essay Topics

Literary analysis essays are mostly based on artistic works like books, movies, paintings, and other forms of art. However, generally, students choose novels and books to write their literary essays.

Some cool, fresh, and good topics and ideas are listed below:

Role of the Three Witches in flaming Macbeth’s ambition.
Analyze the themes of the Play Antigone,
Discuss Ajax as a tragic hero.
The Judgement of Paris: Analyze the Reasons and their Consequences.
Oedipus Rex: A Doomed Son or a Conqueror?
Describe the Oedipus complex and Electra complex in relation to their respective myths.
Betrayal is a common theme of Shakespearean tragedies. Discuss
Identify and analyze the traits of history in T.S Eliot’s ‘Gerontion’.
Analyze the theme of identity crisis in The Great Gatsby.
Analyze the writing style of Emily Dickinson.

If you are still in doubt then there is nothing bad in getting professional writers’ help.

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Frequently Asked Questions

What should a literary analysis essay include.

A good literary analysis essay must include a proper and in-depth explanation of your ideas. They must be backed with examples and evidence from the text. Textual evidence includes summaries, paraphrased text, original work details, and direct quotes.

What are the 4 components of literary analysis?

Here are the 4 essential parts of a literary analysis essay;

No literary work is explained properly without discussing and explaining these 4 things.

How do you start a literary analysis essay?

Start your literary analysis essay with the name of the work and the title. Hook your readers by introducing the main ideas that you will discuss in your essay and engage them from the start.

How do you do a literary analysis?

In a literary analysis essay, you study the text closely, understand and interpret its meanings. And try to find out the reasons behind why the author has used certain symbols, themes, and objects in the work.

Why is literary analysis important?

It encourages the students to think beyond their existing knowledge, experiences, and belief and build empathy. This helps in improving the writing skills also.

What is the fundamental characteristic of a literary analysis essay?

Interpretation is the fundamental and important feature of a literary analysis essay. The essay is based on how well the writer explains and interprets the work.

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Cordon. is a published author and writing specialist. He has worked in the publishing industry for many years, providing writing services and digital content. His own writing career began with a focus on literature and linguistics, which he continues to pursue. Cordon is an engaging and professional individual, always looking to help others achieve their goals.

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Interesting Literary Analysis Essay Topics for Students

Write a Perfect Literary Analysis Essay Outline

How to Write a Good English Literature Essay

By Dr Oliver Tearle (Loughborough University)

How do you write a good English Literature essay? Although to an extent this depends on the particular subject you’re writing about, and on the nature of the question your essay is attempting to answer, there are a few general guidelines for how to write a convincing essay – just as there are a few guidelines for writing well in any field.

We at Interesting Literature call them ‘guidelines’ because we hesitate to use the word ‘rules’, which seems too programmatic. And as the writing habits of successful authors demonstrate, there is no one way to become a good writer – of essays, novels, poems, or whatever it is you’re setting out to write. The French writer Colette liked to begin her writing day by picking the fleas off her cat.

Edith Sitwell, by all accounts, liked to lie in an open coffin before she began her day’s writing. Friedrich von Schiller kept rotten apples in his desk, claiming he needed the scent of their decay to help him write. (For most student essay-writers, such an aroma is probably allowed to arise in the writing-room more organically, over time.)

We will address our suggestions for successful essay-writing to the average student of English Literature, whether at university or school level. There are many ways to approach the task of essay-writing, and these are just a few pointers for how to write a better English essay – and some of these pointers may also work for other disciplines and subjects, too.

Of course, these guidelines are designed to be of interest to the non-essay-writer too – people who have an interest in the craft of writing in general. If this describes you, we hope you enjoy the list as well. Remember, though, everyone can find writing difficult: as Thomas Mann memorably put it, ‘A writer is someone for whom writing is more difficult than it is for other people.’ Nora Ephron was briefer: ‘I think the hardest thing about writing is writing.’ So, the guidelines for successful essay-writing:

1. Planning is important, but don’t spend too long perfecting a structure that might end up changing.

This may seem like odd advice to kick off with, but the truth is that different approaches work for different students and essayists. You need to find out which method works best for you.

It’s not a bad idea, regardless of whether you’re a big planner or not, to sketch out perhaps a few points on a sheet of paper before you start, but don’t be surprised if you end up moving away from it slightly – or considerably – when you start to write.

Often the most extensively planned essays are the most mechanistic and dull in execution, precisely because the writer has drawn up a plan and refused to deviate from it. What is a more valuable skill is to be able to sense when your argument may be starting to go off-topic, or your point is getting out of hand, as you write . (For help on this, see point 5 below.)

We might even say that when it comes to knowing how to write a good English Literature essay, practising is more important than planning.

2. Make room for close analysis of the text, or texts.

Whilst it’s true that some first-class or A-grade essays will be impressive without containing any close reading as such, most of the highest-scoring and most sophisticated essays tend to zoom in on the text and examine its language and imagery closely in the course of the argument. (Close reading of literary texts arises from theology and the analysis of holy scripture, but really became a ‘thing’ in literary criticism in the early twentieth century, when T. S. Eliot, F. R. Leavis, William Empson, and other influential essayists started to subject the poem or novel to close scrutiny.)

Close reading has two distinct advantages: it increases the specificity of your argument (so you can’t be so easily accused of generalising a point), and it improves your chances of pointing up something about the text which none of the other essays your marker is reading will have said. For instance, take In Memoriam (1850), which is a long Victorian poem by the poet Alfred, Lord Tennyson about his grief following the death of his close friend, Arthur Hallam, in the early 1830s.

When answering a question about the representation of religious faith in Tennyson’s poem In Memoriam (1850), how might you write a particularly brilliant essay about this theme? Anyone can make a general point about the poet’s crisis of faith; but to look closely at the language used gives you the chance to show how the poet portrays this.

For instance, consider this stanza, which conveys the poet’s doubt:

A solid and perfectly competent essay might cite this stanza in support of the claim that Tennyson is finding it increasingly difficult to have faith in God (following the untimely and senseless death of his friend, Arthur Hallam). But there are several ways of then doing something more with it. For instance, you might get close to the poem’s imagery, and show how Tennyson conveys this idea, through the image of the ‘altar-stairs’ associated with religious worship and the idea of the stairs leading ‘thro’ darkness’ towards God.

In other words, Tennyson sees faith as a matter of groping through the darkness, trusting in God without having evidence that he is there. If you like, it’s a matter of ‘blind faith’. That would be a good reading. Now, here’s how to make a good English essay on this subject even better: one might look at how the word ‘falter’ – which encapsulates Tennyson’s stumbling faith – disperses into ‘falling’ and ‘altar’ in the succeeding lines. The word ‘falter’, we might say, itself falters or falls apart.

That is doing more than just interpreting the words: it’s being a highly careful reader of the poetry and showing how attentive to the language of the poetry you can be – all the while answering the question, about how the poem portrays the idea of faith. So, read and then reread the text you’re writing about – and be sensitive to such nuances of language and style.

The best way to become attuned to such nuances is revealed in point 5. We might summarise this point as follows: when it comes to knowing how to write a persuasive English Literature essay, it’s one thing to have a broad and overarching argument, but don’t be afraid to use the microscope as well as the telescope.

3. Provide several pieces of evidence where possible.

Many essays have a point to make and make it, tacking on a single piece of evidence from the text (or from beyond the text, e.g. a critical, historical, or biographical source) in the hope that this will be enough to make the point convincing.

‘State, quote, explain’ is the Holy Trinity of the Paragraph for many. What’s wrong with it? For one thing, this approach is too formulaic and basic for many arguments. Is one quotation enough to support a point? It’s often a matter of degree, and although one piece of evidence is better than none, two or three pieces will be even more persuasive.

After all, in a court of law a single eyewitness account won’t be enough to convict the accused of the crime, and even a confession from the accused would carry more weight if it comes supported by other, objective evidence (e.g. DNA, fingerprints, and so on).

Let’s go back to the example about Tennyson’s faith in his poem In Memoriam mentioned above. Perhaps you don’t find the end of the poem convincing – when the poet claims to have rediscovered his Christian faith and to have overcome his grief at the loss of his friend.

You can find examples from the end of the poem to suggest your reading of the poet’s insincerity may have validity, but looking at sources beyond the poem – e.g. a good edition of the text, which will contain biographical and critical information – may help you to find a clinching piece of evidence to support your reading.

And, sure enough, Tennyson is reported to have said of In Memoriam : ‘It’s too hopeful, this poem, more than I am myself.’ And there we have it: much more convincing than simply positing your reading of the poem with a few ambiguous quotations from the poem itself.

Of course, this rule also works in reverse: if you want to argue, for instance, that T. S. Eliot’s The Waste Land is overwhelmingly inspired by the poet’s unhappy marriage to his first wife, then using a decent biographical source makes sense – but if you didn’t show evidence for this idea from the poem itself (see point 2), all you’ve got is a vague, general link between the poet’s life and his work.

Show how the poet’s marriage is reflected in the work, e.g. through men and women’s relationships throughout the poem being shown as empty, soulless, and unhappy. In other words, when setting out to write a good English essay about any text, don’t be afraid to pile on the evidence – though be sensible, a handful of quotations or examples should be more than enough to make your point convincing.

4. Avoid tentative or speculative phrasing.

Many essays tend to suffer from the above problem of a lack of evidence, so the point fails to convince. This has a knock-on effect: often the student making the point doesn’t sound especially convinced by it either. This leaks out in the telling use of, and reliance on, certain uncertain phrases: ‘Tennyson might have’ or ‘perhaps Harper Lee wrote this to portray’ or ‘it can be argued that’.

An English university professor used to write in the margins of an essay which used this last phrase, ‘What can’t be argued?’

This is a fair criticism: anything can be argued (badly), but it depends on what evidence you can bring to bear on it (point 3) as to whether it will be a persuasive argument. (Arguing that the plays of Shakespeare were written by a Martian who came down to Earth and ingratiated himself with the world of Elizabethan theatre is a theory that can be argued, though few would take it seriously. We wish we could say ‘none’, but that’s a story for another day.)

Many essay-writers, because they’re aware that texts are often open-ended and invite multiple interpretations (as almost all great works of literature invariably do), think that writing ‘it can be argued’ acknowledges the text’s rich layering of meaning and is therefore valid.

Whilst this is certainly a fact – texts are open-ended and can be read in wildly different ways – the phrase ‘it can be argued’ is best used sparingly if at all. It should be taken as true that your interpretation is, at bottom, probably unprovable. What would it mean to ‘prove’ a reading as correct, anyway? Because you found evidence that the author intended the same thing as you’ve argued of their text? Tennyson wrote in a letter, ‘I wrote In Memoriam because…’?

But the author might have lied about it (e.g. in an attempt to dissuade people from looking too much into their private life), or they might have changed their mind (to go back to the example of The Waste Land : T. S. Eliot championed the idea of poetic impersonality in an essay of 1919, but years later he described The Waste Land as ‘only the relief of a personal and wholly insignificant grouse against life’ – hardly impersonal, then).

Texts – and their writers – can often be contradictory, or cagey about their meaning. But we as critics have to act responsibly when writing about literary texts in any good English essay or exam answer. We need to argue honestly, and sincerely – and not use what Wikipedia calls ‘weasel words’ or hedging expressions.

So, if nothing is utterly provable, all that remains is to make the strongest possible case you can with the evidence available. You do this, not only through marshalling the evidence in an effective way, but by writing in a confident voice when making your case. Fundamentally, ‘There is evidence to suggest that’ says more or less the same thing as ‘It can be argued’, but it foregrounds the evidence rather than the argument, so is preferable as a phrase.

This point might be summarised by saying: the best way to write a good English Literature essay is to be honest about the reading you’re putting forward, so you can be confident in your interpretation and use clear, bold language. (‘Bold’ is good, but don’t get too cocky, of course…)

5. Read the work of other critics.

This might be viewed as the Holy Grail of good essay-writing tips, since it is perhaps the single most effective way to improve your own writing. Even if you’re writing an essay as part of school coursework rather than a university degree, and don’t need to research other critics for your essay, it’s worth finding a good writer of literary criticism and reading their work. Why is this worth doing?

Published criticism has at least one thing in its favour, at least if it’s published by an academic press or has appeared in an academic journal, and that is that it’s most probably been peer-reviewed, meaning that other academics have read it, closely studied its argument, checked it for errors or inaccuracies, and helped to ensure that it is expressed in a fluent, clear, and effective way.

If you’re serious about finding out how to write a better English essay, then you need to study how successful writers in the genre do it. And essay-writing is a genre, the same as novel-writing or poetry. But why will reading criticism help you? Because the critics you read can show you how to do all of the above: how to present a close reading of a poem, how to advance an argument that is not speculative or tentative yet not over-confident, how to use evidence from the text to make your argument more persuasive.

And, the more you read of other critics – a page a night, say, over a few months – the better you’ll get. It’s like textual osmosis: a little bit of their style will rub off on you, and every writer learns by the examples of other writers.

As T. S. Eliot himself said, ‘The poem which is absolutely original is absolutely bad.’ Don’t get precious about your own distinctive writing style and become afraid you’ll lose it. You can’t gain a truly original style before you’ve looked at other people’s and worked out what you like and what you can ‘steal’ for your own ends.

We say ‘steal’, but this is not the same as saying that plagiarism is okay, of course. But consider this example. You read an accessible book on Shakespeare’s language and the author makes a point about rhymes in Shakespeare. When you’re working on your essay on the poetry of Christina Rossetti, you notice a similar use of rhyme, and remember the point made by the Shakespeare critic.

This is not plagiarising a point but applying it independently to another writer. It shows independent interpretive skills and an ability to understand and apply what you have read. This is another of the advantages of reading critics, so this would be our final piece of advice for learning how to write a good English essay: find a critic whose style you like, and study their craft.

If you’re looking for suggestions, we can recommend a few favourites: Christopher Ricks, whose The Force of Poetry is a tour de force; Jonathan Bate, whose The Genius of Shakespeare , although written for a general rather than academic audience, is written by a leading Shakespeare scholar and academic; and Helen Gardner, whose The Art of T. S. Eliot , whilst dated (it came out in 1949), is a wonderfully lucid and articulate analysis of Eliot’s poetry.

James Wood’s How Fiction Works is also a fine example of lucid prose and how to close-read literary texts. Doubtless readers of Interesting Literature will have their own favourites to suggest in the comments, so do check those out, as these are just three personal favourites. What’s your favourite work of literary scholarship/criticism? Suggestions please.

Much of all this may strike you as common sense, but even the most commonsensical advice can go out of your mind when you have a piece of coursework to write, or an exam to revise for. We hope these suggestions help to remind you of some of the key tenets of good essay-writing practice – though remember, these aren’t so much commandments as recommendations. No one can ‘tell’ you how to write a good English Literature essay as such.

But it can be learned. And remember, be interesting – find the things in the poems or plays or novels which really ignite your enthusiasm. As John Mortimer said, ‘The only rule I have found to have any validity in writing is not to bore yourself.’

Finally, good luck – and happy writing!

And if you enjoyed these tips for how to write a persuasive English essay, check out our advice for how to remember things for exams and our tips for becoming a better close reader of poetry .

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30 thoughts on “How to Write a Good English Literature Essay”

You must have taken AP Literature. I’m always saying these same points to my students.

I also think a crucial part of excellent essay writing that too many students do not realize is that not every point or interpretation needs to be addressed. When offered the chance to write your interpretation of a work of literature, it is important to note that there of course are many but your essay should choose one and focus evidence on this one view rather than attempting to include all views and evidence to back up each view.

Reblogged this on SocioTech'nowledge .

Not a bad effort…not at all! (Did you intend “subject” instead of “object” in numbered paragraph two, line seven?”

Oops! I did indeed – many thanks for spotting. Duly corrected ;)

That’s what comes of writing about philosophy and the subject/object for another post at the same time!

Reblogged this on Scribing English .

Pingback: Recommended Resource: Interesting Literature.com & how to write an essay | Write Out Loud

Great post on essay writing! I’ve shared a post about this and about the blog site in general which you can look at here: http://writeoutloudblog.com/2015/01/13/recommended-resource-interesting-literature-com-how-to-write-an-essay/

All of these are very good points – especially I like 2 and 5. I’d like to read the essay on the Martian who wrote Shakespeare’s plays).

Reblogged this on Uniqely Mustered and commented: Dedicate this to all upcoming writers and lovers of Writing!

I shall take this as my New Year boost in Writing Essays. Please try to visit often for corrections,advise and criticisms.

Reblogged this on Blue Banana Bread .

Reblogged this on worldsinthenet .

All very good points, but numbers 2 and 4 are especially interesting.

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Reblogged this on rainniewu .

Reblogged this on pixcdrinks .

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Great post. Interesting infographic how to write an argumentative essay http://www.essay-profy.com/blog/how-to-write-an-essay-writing-an-argumentative-essay/

Reblogged this on DISTINCT CHARACTER and commented: Good Tips

Reblogged this on quirkywritingcorner and commented: This could be applied to novel or short story writing as well.

Reblogged this on rosetech67 and commented: Useful, albeit maybe a bit late for me :-)

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Introduction

You’ve been assigned a literary analysis paper—what does that even mean? Is it like a book report that you used to write in high school? Well, not really.

A literary analysis essay asks you to make an original argument about a poem, play, or work of fiction and support that argument with research and evidence from your careful reading of the text.

It can take many forms, such as a close reading of a text, critiquing the text through a particular literary theory, comparing one text to another, or criticizing another critic’s interpretation of the text. While there are many ways to structure a literary essay, writing this kind of essay follows generally follows a similar process for everyone

Crafting a good literary analysis essay begins with good close reading of the text, in which you have kept notes and observations as you read. This will help you with the first step, which is selecting a topic to write about—what jumped out as you read, what are you genuinely interested in? The next step is to focus your topic, developing it into an argument—why is this subject or observation important? Why should your reader care about it as much as you do? The third step is to gather evidence to support your argument, for literary analysis, support comes in the form of evidence from the text and from your research on what other literary critics have said about your topic. Only after you have performed these steps, are you ready to begin actually writing your essay.

Writing a Literary Analysis Essay

How to create a topic and conduct research:.

Writing an Analysis of a Poem, Story, or Play

If you are taking a literature course, it is important that you know how to write an analysis—sometimes called an interpretation or a literary analysis or a critical reading or a critical analysis—of a story, a poem, and a play. Your instructor will probably assign such an analysis as part of the course assessment. On your mid-term or final exam, you might have to write an analysis of one or more of the poems and/or stories on your reading list. Or the dreaded “sight poem or story” might appear on an exam, a work that is not on the reading list, that you have not read before, but one your instructor includes on the exam to examine your ability to apply the active reading skills you have learned in class to produce, independently, an effective literary analysis.You might be asked to write instead or, or in addition to an analysis of a literary work, a more sophisticated essay in which you compare and contrast the protagonists of two stories, or the use of form and metaphor in two poems, or the tragic heroes in two plays.

You might learn some literary theory in your course and be asked to apply theory—feminist, Marxist, reader-response, psychoanalytic, new historicist, for example—to one or more of the works on your reading list. But the seminal assignment in a literature course is the analysis of the single poem, story, novel, or play, and, even if you do not have to complete this assignment specifically, it will form the basis of most of the other writing assignments you will be required to undertake in your literature class. There are several ways of structuring a literary analysis, and your instructor might issue specific instructions on how he or she wants this assignment done. The method presented here might not be identical to the one your instructor wants you to follow, but it will be easy enough to modify, if your instructor expects something a bit different, and it is a good default method, if your instructor does not issue more specific guidelines.You want to begin your analysis with a paragraph that provides the context of the work you are analyzing and a brief account of what you believe to be the poem or story or play’s main theme. At a minimum, your account of the work’s context will include the name of the author, the title of the work, its genre, and the date and place of publication. If there is an important biographical or historical context to the work, you should include that, as well.Try to express the work’s theme in one or two sentences. Theme, you will recall, is that insight into human experience the author offers to readers, usually revealed as the content, the drama, the plot of the poem, story, or play unfolds and the characters interact. Assessing theme can be a complex task. Authors usually show the theme; they don’t tell it. They rarely say, at the end of the story, words to this effect: “and the moral of my story is…” They tell their story, develop their characters, provide some kind of conflict—and from all of this theme emerges. Because identifying theme can be challenging and subjective, it is often a good idea to work through the rest of the analysis, then return to the beginning and assess theme in light of your analysis of the work’s other literary elements.Here is a good example of an introductory paragraph from Ben’s analysis of William Butler Yeats’ poem, “Among School Children.”

“Among School Children” was published in Yeats’ 1928 collection of poems The Tower. It was inspired by a visit Yeats made in 1926 to school in Waterford, an official visit in his capacity as a senator of the Irish Free State. In the course of the tour, Yeats reflects upon his own youth and the experiences that shaped the “sixty-year old, smiling public man” (line 8) he has become. Through his reflection, the theme of the poem emerges: a life has meaning when connections among apparently disparate experiences are forged into a unified whole.

In the body of your literature analysis, you want to guide your readers through a tour of the poem, story, or play, pausing along the way to comment on, analyze, interpret, and explain key incidents, descriptions, dialogue, symbols, the writer’s use of figurative language—any of the elements of literature that are relevant to a sound analysis of this particular work. Your main goal is to explain how the elements of literature work to elucidate, augment, and develop the theme. The elements of literature are common across genres: a story, a narrative poem, and a play all have a plot and characters. But certain genres privilege certain literary elements. In a poem, for example, form, imagery and metaphor might be especially important; in a story, setting and point-of-view might be more important than they are in a poem; in a play, dialogue, stage directions, lighting serve functions rarely relevant in the analysis of a story or poem.

The length of the body of an analysis of a literary work will usually depend upon the length of work being analyzed—the longer the work, the longer the analysis—though your instructor will likely establish a word limit for this assignment. Make certain that you do not simply paraphrase the plot of the story or play or the content of the poem. This is a common weakness in student literary analyses, especially when the analysis is of a poem or a play.

Here is a good example of two body paragraphs from Amelia’s analysis of “Araby” by James Joyce.

Within the story’s first few paragraphs occur several religious references which will accumulate as the story progresses. The narrator is a student at the Christian Brothers’ School; the former tenant of his house was a priest; he left behind books called The Abbot and The Devout Communicant. Near the end of the story’s second paragraph the narrator describes a “central apple tree” in the garden, under which is “the late tenant’s rusty bicycle pump.” We may begin to suspect the tree symbolizes the apple tree in the Garden of Eden and the bicycle pump, the snake which corrupted Eve, a stretch, perhaps, until Joyce’s fall-of-innocence theme becomes more apparent.

The narrator must continue to help his aunt with her errands, but, even when he is so occupied, his mind is on Mangan’s sister, as he tries to sort out his feelings for her. Here Joyce provides vivid insight into the mind of an adolescent boy at once elated and bewildered by his first crush. He wants to tell her of his “confused adoration,” but he does not know if he will ever have the chance. Joyce’s description of the pleasant tension consuming the narrator is conveyed in a striking simile, which continues to develop the narrator’s character, while echoing the religious imagery, so important to the story’s theme: “But my body was like a harp, and her words and gestures were like fingers, running along the wires.”

The concluding paragraph of your analysis should realize two goals. First, it should present your own opinion on the quality of the poem or story or play about which you have been writing. And, second, it should comment on the current relevance of the work. You should certainly comment on the enduring social relevance of the work you are explicating. You may comment, though you should never be obliged to do so, on the personal relevance of the work. Here is the concluding paragraph from Dao-Ming’s analysis of Oscar Wilde’s The Importance of Being Earnest.

First performed in 1895, The Importance of Being Earnest has been made into a film, as recently as 2002 and is regularly revived by professional and amateur theatre companies. It endures not only because of the comic brilliance of its characters and their dialogue, but also because its satire still resonates with contemporary audiences. I am still amazed that I see in my own Asian mother a shadow of Lady Bracknell, with her obsession with finding for her daughter a husband who will maintain, if not, ideally, increase the family’s social status. We might like to think we are more liberated and socially sophisticated than our Victorian ancestors, but the starlets and eligible bachelors who star in current reality television programs illustrate the extent to which superficial concerns still influence decisions about love and even marriage. Even now, we can turn to Oscar Wilde to help us understand and laugh at those who are earnest in name only.

Dao-Ming’s conclusion is brief, but she does manage to praise the play, reaffirm its main theme, and explain its enduring appeal. And note how her last sentence cleverly establishes that sense of closure that is also a feature of an effective analysis.

You may, of course, modify the template that is presented here. Your instructor might favour a somewhat different approach to literary analysis. Its essence, though, will be your understanding and interpretation of the theme of the poem, story, or play and the skill with which the author shapes the elements of literature—plot, character, form, diction, setting, point of view—to support the theme.

BC Open Textbooks: English Literature Victorians and Moderns: https://opentextbc.ca/englishliterature/back-matter/appendix-5-writing-an-analysis-of-a-poem-story-and-play/

Literary Analysis

The challenges of writing about english literature.

Writing begins with the act of reading . While this statement is true for most college papers, strong English papers tend to be the product of highly attentive reading (and rereading). When your instructors ask you to do a “close reading,” they are asking you to read not only for content, but also for structures and patterns. When you perform a close reading, then, you observe how form and content interact. In some cases, form reinforces content: for example, in John Donne’s Holy Sonnet 14, where the speaker invites God’s “force” “to break, blow, burn and make [him] new.” Here, the stressed monosyllables of the verbs “break,” “blow” and “burn” evoke aurally the force that the speaker invites from God. In other cases, form raises questions about content: for example, a repeated denial of guilt will likely raise questions about the speaker’s professed innocence. When you close read, take an inductive approach. Start by observing particular details in the text, such as a repeated image or word, an unexpected development, or even a contradiction. Often, a detail–such as a repeated image–can help you to identify a question about the text that warrants further examination. So annotate details that strike you as you read. Some of those details will eventually help you to work towards a thesis. And don’t worry if a detail seems trivial. If you can make a case about how an apparently trivial detail reveals something significant about the text, then your paper will have a thought-provoking thesis to argue.

Common Types of English Papers Many assignments will ask you to analyze a single text. Others, however, will ask you to read two or more texts in relation to each other, or to consider a text in light of claims made by other scholars and critics. For most assignments, close reading will be central to your paper. While some assignment guidelines will suggest topics and spell out expectations in detail, others will offer little more than a page limit. Approaching the writing process in the absence of assigned topics can be daunting, but remember that you have resources: in section, you will probably have encountered some examples of close reading; in lecture, you will have encountered some of the course’s central questions and claims. The paper is a chance for you to extend a claim offered in lecture, or to analyze a passage neglected in lecture. In either case, your analysis should do more than recapitulate claims aired in lecture and section. Because different instructors have different goals for an assignment, you should always ask your professor or TF if you have questions. These general guidelines should apply in most cases:

A close reading of a single text: Depending on the length of the text, you will need to be more or less selective about what you choose to consider. In the case of a sonnet, you will probably have enough room to analyze the text more thoroughly than you would in the case of a novel, for example, though even here you will probably not analyze every single detail. By contrast, in the case of a novel, you might analyze a repeated scene, image, or object (for example, scenes of train travel, images of decay, or objects such as or typewriters). Alternately, you might analyze a perplexing scene (such as a novel’s ending, albeit probably in relation to an earlier moment in the novel). But even when analyzing shorter works, you will need to be selective. Although you might notice numerous interesting details as you read, not all of those details will help you to organize a focused argument about the text. For example, if you are focusing on depictions of sensory experience in Keats’ “Ode to a Nightingale,” you probably do not need to analyze the image of a homeless Ruth in stanza 7, unless this image helps you to develop your case about sensory experience in the poem.
A theoretically-informed close reading. In some courses, you will be asked to analyze a poem, a play, or a novel by using a critical theory (psychoanalytic, postcolonial, gender, etc). For example, you might use Kristeva’s theory of abjection to analyze mother-daughter relations in Toni Morrison’s novel Beloved. Critical theories provide focus for your analysis; if “abjection” is the guiding concept for your paper, you should focus on the scenes in the novel that are most relevant to the concept.
A historically-informed close reading. In courses with a historicist orientation, you might use less self-consciously literary documents, such as newspapers or devotional manuals, to develop your analysis of a literary work. For example, to analyze how Robinson Crusoe makes sense of his island experiences, you might use Puritan tracts that narrate events in terms of how God organizes them. The tracts could help you to show not only how Robinson Crusoe draws on Puritan narrative conventions, but also—more significantly—how the novel revises those conventions.
A comparison of two texts When analyzing two texts, you might look for unexpected contrasts between apparently similar texts, or unexpected similarities between apparently dissimilar texts, or for how one text revises or transforms the other. Keep in mind that not all of the similarities, differences, and transformations you identify will be relevant to an argument about the relationship between the two texts. As you work towards a thesis, you will need to decide which of those similarities, differences, or transformations to focus on. Moreover, unless instructed otherwise, you do not need to allot equal space to each text (unless this 50/50 allocation serves your thesis well, of course). Often you will find that one text helps to develop your analysis of another text. For example, you might analyze the transformation of Ariel’s song from The Tempest in T. S. Eliot’s poem, The Waste Land. Insofar as this analysis is interested in the afterlife of Ariel’s song in a later poem, you would likely allot more space to analyzing allusions to Ariel’s song in The Waste Land (after initially establishing the song’s significance in Shakespeare’s play, of course).
A response paper A response paper is a great opportunity to practice your close reading skills without having to develop an entire argument. In most cases, a solid approach is to select a rich passage that rewards analysis (for example, one that depicts an important scene or a recurring image) and close read it. While response papers are a flexible genre, they are not invitations for impressionistic accounts of whether you liked the work or a particular character. Instead, you might use your close reading to raise a question about the text—to open up further investigation, rather than to supply a solution.
A research paper. In most cases, you will receive guidance from the professor on the scope of the research paper. It is likely that you will be expected to consult sources other than the assigned readings. Hollis is your best bet for book titles, and the MLA bibliography (available through e-resources) for articles. When reading articles, make sure that they have been peer reviewed; you might also ask your TF to recommend reputable journals in the field.

Harvard College Writing Program: https://writingproject.fas.harvard.edu/files/hwp/files/bg_writing_english.pdf

In the same way that we talk with our friends about the latest episode of Game of Thrones or newest Marvel movie, scholars communicate their ideas and interpretations of literature through written literary analysis essays. Literary analysis essays make us better readers of literature.

Only through careful reading and well-argued analysis can we reach new understandings and interpretations of texts that are sometimes hundreds of years old. Literary analysis brings new meaning and can shed new light on texts. Building from careful reading and selecting a topic that you are genuinely interested in, your argument supports how you read and understand a text. Using examples from the text you are discussing in the form of textual evidence further supports your reading. Well-researched literary analysis also includes information about what other scholars have written about a specific text or topic.

Literary analysis helps us to refine our ideas, question what we think we know, and often generates new knowledge about literature. Literary analysis essays allow you to discuss your own interpretation of a given text through careful examination of the choices the original author made in the text.

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The Writing Center • University of North Carolina at Chapel Hill

What this handout is about

This handout describes some steps for planning and writing papers about literary texts. For additional information on writing about drama and poetry specifically, please see the Writing Center’s handouts on writing about drama and on writing poetry explications .

Demystifying the process

Writing an analysis of a piece of literature can be a mystifying process. First, literary analyses (or papers that offer an interpretation of literary texts) rely on the assumption that stories, poems, and plays must mean something. How do such texts mean something? If an author wanted to convey a meaning, wouldn’t they be much better off writing an essay just telling us what she meant?

It’s pretty easy to see how at least some stories, for example, convey clear meanings or morals. Just think about a parable like the prodigal son or a nursery tale about “crying wolf.” Stories like these are reduced down to the bare elements, giving us just enough detail to lead us to their main points, and because they are relatively easy to understand and tend to stick in our memories, they’re often used in some kinds of education.

But if the meanings were always as clear as they are in parables, who would really need to write a paper analyzing them? Interpretations of literature would not be interesting if the meanings of these texts were clear to everyone who reads them. Thankfully (or perhaps regrettably, depending on your perspective) the texts we’re asked to interpret in our classes are a good bit more complicated than most parables. They frequently use characters, settings, syntax, formal elements, and actions to illustrate issues that have no easy resolution. They show different sides of a problem, and they can raise new questions. In short, the literary texts we read in class have meanings that are arguable and complicated, and it’s our job to sort them out.

It might seem that these texts do have specific meanings, and the instructor has already decided what those meanings are. But even the most well-informed professor rarely arrives at conclusions that someone else wouldn’t disagree with. In fact, most professors are aware that their interpretations are debatable and actually love a good argument. But let’s not go to the other extreme. To say that there is no one answer is not to say that anything we decide to say about a literary text is valid, interesting, or valuable. Interpretations of literature are often opinions, but not all opinions are equal.

So what makes a valid and interesting opinion? A good interpretation of fiction will:

avoid the obvious (in other words, it won’t argue a conclusion that most readers could reach on their own from a general knowledge of the story)
support its main points with strong evidence from the story
use careful reasoning to explain how that evidence relates to the main points of the interpretation.

The following steps are intended as a guide through the difficult process of writing an interpretive paper that meets these criteria. Writing tends to be a highly individual task, so adapt these suggestions to fit your own habits and inclinations.

Writing a paper on fiction in 9 steps

1. become familiar with the text.

There’s no substitute for a good general knowledge of your text. A good paper inevitably begins with the writer having a solid understanding of the work that they interpret. Being able to have the whole book, short story, poem, or play in your head—at least in a general way—when you begin thinking through ideas will be a great help and will actually allow you to write the paper more quickly in the long run. It’s even a good idea to spend some time just thinking about the text. Flip back through the book and consider what interests you about this piece of writing—what seemed strange, new, or important?

2. Explore potential topics

Perhaps your instructor has given you a list of topics to choose, or perhaps you have been asked to create your own. Either way, you’ll need to generate ideas to use in the paper—even with an assigned topic, you’ll have to develop your own interpretation. Let’s assume for now that you are choosing your own topic.

After reading your text, a topic may just jump out at you, or you may have recognized a pattern or identified a problem that you’d like to think about in more detail. What is a pattern or a problem?

A pattern can be the recurrence of certain kinds of imagery, vocabulary, formal elements (like rhyme and meter), or events. Usually, repetition of particular aspects tends to render those elements more conspicuous. Let’s say I’m writing a paper on Mary Shelley’s novel Frankenstein . In the course of reading that book, I keep noticing the author’s use of biblical imagery: Victor Frankenstein anticipates that “a new species would bless me as its creator and source” (52) while the monster is not sure whether to consider himself as an Adam or a Satan. These details might help me interpret the way characters think about themselves and about each other, as well as allow me to infer what the author might have wanted her reader to think by using the Bible as a frame of reference. On another subject, I also notice that the book repeatedly refers to types of education. The story mentions books that its characters read and the different contexts in which learning takes place.

A problem, on the other hand, is something that bugs you or that doesn’t seem to add up. For example, a character might act in some way that’s unaccountable, a narrator may leave out what we think is important information (or may focus on something that seems trivial), or a narrator or character may offer an explanation that doesn’t seem to make sense to us. Not all problems lead in interesting directions, but some definitely do and even seem to be important parts of the text. In the novel Frankenstein , Victor works day and night to achieve his goal of bringing life to the dead, but once he realizes his goal, he is immediately repulsed by his creation and runs away. Why? Is there something wrong with his creation, something wrong with his goal in the first place, or something wrong with Victor himself? The book doesn’t give us a clear answer but seems to invite us to interpret this problem.

If nothing immediately strikes you as interesting or no patterns or problems jump out at you, don’t worry. Just start making a list of whatever you remember from your reading, regardless of how insignificant it may seem to you now. Consider an image that stuck with you, a character’s peculiar behavior or comments, a word choice that you found interesting, the unusual way the narrator describes an event, or the author’s placement of an action in an odd context.

There’s a good chance that some of these intriguing moments and oddities will relate to other points in the text, eventually revealing some kind of pattern and giving you potential topics for your paper. Also keep in mind that if you found something peculiar in the text you’re writing about, chances are good that other people will have been perplexed by these moments as well and will be interested to see how you make sense of it all. It’s even a good idea to test your ideas out on a friend, a classmate, or an instructor since talking about your ideas will help you develop them and push them beyond obvious interpretations of the text. And it’s only by pushing those ideas that you can write a paper that raises interesting issues or problems and that offers creative interpretations related to those issues.

3. Select a topic with a lot of evidence

If you’re selecting from a number of possible topics, narrow down your list by identifying how much evidence or how many specific details you could use to investigate each potential issue. Do this step just off the top of your head. Keep in mind that persuasive papers rely on ample evidence and that having a lot of details to choose from can also make your paper easier to write.

It might be helpful at this point to jot down all the elements of the text that have some bearing on the two or three topics that seem most promising. This can give you a more visual sense of how much evidence you will have to work with on each potential topic. It’s during this activity that having a good knowledge of your text will come in handy and save you a lot of time. Don’t launch into a topic without considering all the options first because you may end up with a topic that seemed promising initially but that only leads to a dead end.

4. Write out a working thesis

Based on the evidence that relates to your topic—and what you anticipate you might say about those pieces of evidence—come up with a working thesis. Don’t spend a lot of time composing this statement at this stage since it will probably change. A changing thesis statement is a good sign that you’re starting to say more interesting and complex things on your subject. (Our Thesis Statements handout provides an example of a developing thesis statement for a literary analysis assignment.) At this point in my Frankenstein project, I’ve become interested in ideas on education that seem to appear pretty regularly, and I have a general sense that aspects of Victor’s education lead to tragedy. Without considering things too deeply, I’ll just write something like “Victor Frankenstein’s tragic ambition was fueled by a faulty education.”

5. Make an extended list of evidence

Once you have a working topic in mind, skim back over the text and make a more comprehensive list of the details that relate to your point. For my paper about education in Frankenstein , I’ll want to take notes on what Victor Frankenstein reads at home, where he goes to school and why, what he studies at school, what others think about those studies, etc. And even though I’m primarily interested in Victor’s education, at this stage in the writing, I’m also interested in moments of education in the novel that don’t directly involve this character. These other examples might provide a context or some useful contrasts that could illuminate my evidence relating to Victor. With this goal in mind, I’ll also take notes on how the monster educates himself, what he reads, and what he learns from those he watches. As you make your notes keep track of page numbers so you can quickly find the passages in your book again and so you can easily document quoted passages when you write without having to fish back through the book.

At this point, you want to include anything, anything, that might be useful, and you also want to avoid the temptation to arrive at definite conclusions about your topic. Remember that one of the qualities that makes for a good interpretation is that it avoids the obvious. You want to develop complex ideas, and the best way to do that is to keep your ideas flexible until you’ve considered the evidence carefully. A good gauge of complexity is whether you feel you understand more about your topic than you did when you began (and even just reaching a higher state of confusion is a good indicator that you’re treating your topic in a complex way).

If, for example, you are jotting down your ideas about Frankenstein , you can focus on the observations from the narrator or things that certain characters say or do. These elements are certainly important. It might help you come up with more evidence if you also take into account some of the broader components that go into making fiction, things like plot, point of view, character, setting, and symbols.

Plot is the string of events that go into the narrative. Think of this as the “who did what to whom” part of the story. Plots can be significant in themselves since chances are pretty good that some action in the story will relate to your main idea. For my paper on education in Frankenstein , I’m interested in Victor’s going to the University of Ingolstadt to realize his father’s wish that Victor attend school where he could learn about another culture. Plots can also allow you to make connections between the story you’re interpreting and some other stories, and those connections might be useful in your interpretation. For example, the plot of Frankenstein , which involves a man who desires to bring life to the dead and creates a monster in the process, bears some similarity to the ancient Greek story of Icarus who flew too close to the sun on his wax wings. Both tell the story of a character who reaches too ambitiously after knowledge and suffers dire consequences.

Your plot could also have similarities to whole groups of other stories, all having conventional or easily recognizable plots. These types of stories are often called genres. Some popular genres within fiction include the gothic, the romance, the detective story, the bildungsroman (this is just a German term for a novel that is centered around the development of its main characters), and the novel of manners (a novel that focuses on the behavior and foibles of a particular class or social group). These categories are often helpful in characterizing a piece of writing, but this approach has its limitations. Many novels don’t fit nicely into one genre, and others seem to borrow a bit from a variety of different categories; the same can be said for other forms of literature, like poetry and drama. For example, given my working thesis on education, I am more interested in Victor’s development than in relating Frankenstein to the gothic genre, so I might decide to treat the novel as a bildungsroman.

And just to complicate matters that much more, it’s important to take into account not only the larger genre(s) a literary piece fits within (like the bildungsroman and the gothic) but also the form(s) utilized in that piece. For example, a story might be told in a series of letters (this is called an epistolary form), in a sequence of journal entries, or in a combination of forms ( Frankenstein is actually told as a journal included within a letter).

These matters of form can also introduce questions of point of view, that is, who is telling the story and what do they or don’t they know. Is the tale told by an omniscient or all-knowing narrator who doesn’t interact in the events, or is it presented by one of the characters within the story? Can the reader trust that person to give an objective account, or does that narrator color the story with her own biases and interests?

Character refers to the qualities assigned to the individual figures in the plot. Consider why the author assigns certain qualities to a character or characters and how any such qualities might relate to your topic. For example, a discussion of Victor Frankenstein’s education might take into account aspects of his character that appear to be developed (or underdeveloped) by the particular kind of education he undertakes. Victor tends to be ambitious, even compulsive about his studies, and I might be able to argue that his tendency to be extravagant leads him to devote his own education to writers who asserted grand, if questionable, conclusions.

Setting is the environment in which all of the actions take place. What is the time period, the location, the time of day, the season, the weather, the type of room or building? What is the general mood, and who is present? All of these elements can reflect on the story’s events, and though the setting of a story tends to be less conspicuous than plot and character, setting still colors everything that’s said and done within its context. If Victor Frankenstein does all of his experiments in “a solitary chamber, or rather a cell, at the top of the house, and separated from all the other apartments by a staircase” (53), we might conclude that there is something anti-social, isolated, and stale, maybe even unnatural, about his project and his way of learning.

Obviously, if you consider all of these elements, you’ll probably have too much evidence to fit effectively into one paper. In this example using the novel Frankenstein , your goal is merely to consider each of these aspects of fiction and include only those that are most relevant to your topic and most interesting to your reader. A good interpretive paper does not need to cover all elements of the story—plot, genre, narrative form, character, and setting. In fact, a paper that did try to say something about all of these elements would be unfocused. You might find that most of your topic could be supported, for instance, by a consideration of character alone. That’s fine. For my Frankenstein paper, I’m finding that my evidence largely has to do with the setting, evidence that could lead to some interesting conclusions that my reader probably hasn’t recognized on their own.

6. Select your evidence

Once you’ve made your expanded list of evidence, decide which supporting details are the strongest. First, select the facts which bear the closest relation to your thesis statement. Second, choose the pieces of evidence you’ll be able to say the most about. Readers tend to be more dazzled with your interpretations of evidence than with a lot of quotes from the book. It would be useful to refer to Victor Frankenstein’s youthful reading in alchemy, but my reader will be more impressed by some analysis of how the writings of the alchemists—who pursued magical principles of chemistry and physics—reflect the ambition of his own goals. Select the details that will allow you to show off your own reasoning skills and allow you to help the reader see the story in a way they may not have seen it before.

7. Refine your thesis

Now it’s time to go back to your working thesis and refine it so that it reflects your new understanding of your topic. This step and the previous step (selecting evidence) are actually best done at the same time, since selecting your evidence and defining the focus of your paper depend upon each other. Don’t forget to consider the scope of your project: how long is the paper supposed to be, and what can you reasonably cover in a paper of that length? In rethinking the issue of education in Frankenstein , I realize that I can narrow my topic in a number of ways: I could focus on education and culture (Victor’s education abroad), education in the sciences as opposed to the humanities (the monster reads Milton, Goethe, and Plutarch), or differences in learning environments (e.g. independent study, university study, family reading). Since I think I found some interesting evidence in the settings that I can interpret in a way that will get my reader’s attention, I’ll take this last option and refine my working thesis about Victor’s faulty education to something like this:

“Victor Frankenstein’s education in unnaturally isolated environments fosters his tragic ambition.”

8. Organize your evidence

Once you have a clear thesis you can go back to your list of selected evidence and group all the similar details together. The ideas that tie these clusters of evidence together can then become the claims that you’ll make in your paper. As you begin thinking about what claims you can make (i.e. what kinds of conclusions you can reach) keep in mind that they should not only relate to all the evidence but also clearly support your thesis. Once you’re satisfied with the way you’ve grouped your evidence and with the way that your claims relate to your thesis, you can begin to consider the most logical way to organize each of those claims. To support my thesis about Frankenstein , I’ve decided to group my evidence chronologically. I’ll start with Victor’s education at home, then discuss his learning at the University, and finally address his own experiments. This arrangement will let me show that Victor was always prone to isolation in his education and that this tendency gets stronger as he becomes more ambitious.

There are certainly other organizational options that might work better depending on the type of points I want to stress. I could organize a discussion of education by the various forms of education found in the novel (for example, education through reading, through classrooms, and through observation), by specific characters (education for Victor, the monster, and Victor’s bride, Elizabeth), or by the effects of various types of education (those with harmful, beneficial, or neutral effects).

9. Interpret your evidence

Avoid the temptation to load your paper with evidence from your text. To get your readers’ interest, you need to draw their attention to elements of the story that they wouldn’t necessarily notice or understand on their own. Each time you use a specific reference to your story, be sure to explain the significance of that evidence in your own words. If you’re quoting passages without interpreting them, you’re not demonstrating your reasoning skills or helping the reader. Our handout on Paragraph Development can offer some guidance in this process; it provides a “5 Step Process to Paragraph Development” that prompts writers to explain, or interpret, each piece of evidence they include in a paragraph. In most cases, interpreting your evidence merely involves putting into your paper what is already in your head. Remember that we, as readers, are lazy—all of us. We don’t want to have to figure out a writer’s reasoning for ourselves; we want all the thinking to be done for us in the paper.

General hints

The previous nine steps are intended to give you a sense of the tasks usually involved in writing a good interpretive paper. What follows are just some additional hints that might help you find an interesting topic and maybe even make the process a little more enjoyable.

Make your thesis relevant to your readers

You’ll be able to keep your readers’ attention more easily if you show how your argument relates to something that concerns or interests them. Can you tell your reader something relevant about the context of the text you’re interpreting, about the human condition, or about broader questions? Avoid writing a paper that identifies a pattern in a story but doesn’t quite explain why that pattern leads to an interesting interpretation. Identifying the biblical references in Frankenstein might provide a good start to a paper—Mary Shelley does use a lot of biblical allusions—but a good paper must also tell the reader how those references are meaningful. Your thesis should be able to answer the brutal question “so what?”

For example, you can ask yourself how the topic you’ve selected connects to a larger category of concern. Think broadly. Literature scholars have identified connections between literature and the following: economics, family dynamics, education, religion, mortality, law, politics, sexuality, history, psychology, the environment, technology, animality, citizenship, and migration, among others. For readers, these concerns are also crosscut race, class and gender, which makes these intersecting categories dependable sources of interest. For example, if you’ve traced instances of water imagery in a novel, a next step may be to look at how that imagery is used in the text to imply something about, for instance, femininity and/or race.

Don’t assume that as long as you address one of these issues, your paper will be interesting. As mentioned in step 2, you need to address these big topics in a complex way. Avoid going into a topic with a preconceived notion of what you’ll find. Be prepared to challenge your own ideas about what gender, race, or class mean in a particular text.

Select a topic of interest to you

Though you may feel like you have to select a topic that sounds like something your instructor would be interested in, don’t overlook the fact that you’ll be more invested in your paper and probably get more out of it if you make the topic something pertinent to yourself. Pick a topic that might allow you to learn about yourself and what you find important. At the same time, your argument will be most persuasive if it’s built on the evidence you find in the text (as mentioned in step 5).

Make your thesis specific

The effort to be more specific almost always leads to a thesis that will get your reader’s attention, and it also separates you from the crowd as someone who challenges ideas and looks into topics more deeply. A paper about education in general in Frankenstein will probably not get my reader’s attention as much as a more specific topic about the impact of the learning environment on the main character. My readers may have already thought to some extent about ideas of education in the novel, if they have read it, but the chance that they have thought through something more specific like the educational environment is slimmer.

A note about genre and form

While this handout has used the example of a novel, Frankenstein , to help illustrate how to develop an argument about a literary text, the steps discussed above can apply to other forms of literature, too. But just as, however, fiction has certain features that guide your analysis (like plot and point of view), other literary forms can have their own unique formal elements that must be considered and can also fit within certain larger genres or literary traditions. For example, John Milton’s Paradise Lost is a long poem in the epic tradition that utilizes a specific meter (unrhymed iambic pentameter); these particularities of genre and form would likely shape your analysis of that text. For more information about how to analyze poetry, see our Poetry Explications handout ; for more information about how to analyze drama, see our Drama handout .

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Barnet, Sylvan, and William E. Cain. 2011. A Short Guide to Writing About Literature , 12th ed. New York: Pearson.

Shelley, Mary. 2011. Frankenstein: Norton Critical Edition , edited by J. Paul Hunter, 2nd ed. New York: W.W. Norton.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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The Subtle Art of Writing an Literary Analysis Essay

29 July, 2020

12 minutes read

Author: Tomas White

When studying at school, college, or university, you get dozens of writing tasks, and a literary analysis essay is one of them. You have to study a piece of literature and write about the core idea, characters, or the author’s intentions. In some cases, it’s necessary to explore style, plot, structure, and other elements to explain how they complement or weaken each other.

Although it’s an interesting task, students often don’t have enough time or writing skills to craft a literary analysis essay excellently. Our article will help you cope with the assignment and compose a flawless paper. Discover how to craft an outline, start a literary analysis essay, and many more.

What is a Literary Analysis Essay?

Paper quality depends not only on the writer’s skills or the presence of fresh ideas in a text but also on their understanding of what is a literary analysis essay. Many students make the same mistake and compose reviews or just describe what they’ve read, but it’s not the purpose of this task. Take a look at the explanation of a literary analysis below to avoid the confusion:

Literary analysis essay definition

A literary analysis essay involves studying the text, evaluating the plot, analyzing characters, and determining devices used by the author to engage and influence readers. A novel, tale, poem, play, or another piece of literature can become the object of your research. When composing a literary analysis essay, a writer explores the text form, style, perspective, and characters.

What is the purpose of a literary analysis essay?

An excellently composed literary analysis essay demonstrates that you’ve looked at the events described in the literature piece from different perspectives. Examination of all the major elements, including a text structure, plot, author’s style, characters’ qualities, main theme, and form is an essential stage of the writing process. After you study all the important components, provide a conclusion on how they interact with each other and influence your overall impression.

How to Start a Literary Analysis Essay?

Now that you know a literary analysis essay definition, you’re ready to move further and discover the secrets of writing the paper. When reading the text, you must be very attentive. Notice the tricks the author uses to engage the reader, surprising details, and uncommon character’s features. Use these elements for your analysis.

It’s also necessary to answer a few important questions to discover the essence of the literature piece you’ve just read:

Which parts are the most essential ones?
What literary devices did the author use, and why did they choose them?
Do characters change somehow?

After you’ve answered these questions, you’ll have to determine the relationships between the ideas and storyline, the characters’ behavior, and how their roles change in a piece. Conduct comprehensive research to get information about the text, its background, and the author. These materials will help you understand the writer’s intentions and ideas better.

Literary Analysis Essay Outline

Crafting a literary analysis essay outline is an efficient method to organize your materials and structure a paper. An outline will contain all the core thoughts of your research. It helps an essay writer figure out whether they’ve studied all the essential elements and mentioned all the points.

Before you design an outline, it’s necessary to write a thesis statement that shortly describes your paper’s content. Usually, it contains one sentence and presents the entire sense of the essay. Crafting an outline is the next step after composing a thesis statement. Traditionally, it consists of 3 sections:

Introduction . This part is the most important one, as it should explain the main points of the body text and grab the reader’s attention. However, it’s not only a brief description of the essay’s content – you have to compose a catchy introduction that engages the audience. It’s necessary to use a hook to grab the reader’s attention and make them wonder what happens in the next literary analysis essay’s section. You can add a quote, an interesting fact connected with the book or the author, or write a question and promise to provide the answer in the next part.
Body text . After you’ve composed the introduction, it’s necessary to move to the next step in your writing. Body text will contain all your statements, arguments, and important details supporting your analysis. Usually, this section has 3 paragraphs, but you can extend it depending on the task complexity and the professor’s requirements. When designing an outline, use the columns or bullet points to present the main ideas. These lists will help you figure out which details are unnecessary in your essay.
Conclusion . Your final thoughts will shape the entire paper and influence the reader’s impression. At this point, the audience gets the overall impression of your analysis and decides whether you’re right or wrong. Name the paper’s core thoughts and write your final statement. You can write a sentence or two about the significance of the author’s idea or the impact made by the piece.

Literary Analysis Essay Examples

Check this short list of literary analysis essay example to get the idea:

http://web.cocc.edu/cagatucci/classes/eng104/midtermexamples.htm
https://www.unm.edu/~aobermei/Eng200/sonnet95a.html

20 Literary Analysis Essay Topics

Sometimes professors allow students to pick topics themselves, and it’s a lucky ticket in the academic world. You can choose your favorite book or novel, research it, and provide excellent analysis. If you’ve written about the piece you love before or want to impress the professor, we recommend you to check our list of literary analysis essay topics for more ideas:

Examining the structure of Kurt Vonnegut’s “ Slaughterhouse-Five. ”
Explaining the importance of Ray Bradbury’s “ Fahrenheit 451. ”
Analyzing the changes in Ebenezer Scrooge’s character over the course of “ A Christmas Carol. ”
The importance of symbolism in “ Wuthering Heights .”
Examining Ernest Hemingway’s writing style.
The connection of plot lines in “ Froth of Days ” by Boris Vian.
The lasting influence of “ The Catcher in the Rye .”
Literary devices used by George Orwell in “ 1984. ”
The use of humor in Mark Twain’s short stories.
The impact of “ To Kill a Mockingbird .”
Analyzing the allegory in William Golding’s “ Lord of the Flies .”
“ Pride and Prejudice ” character analysis.
“ Love in the Time of Cholera ”: Florentino Ariza character analysis.
The significance of Herman Melville’s “ Moby-Dick .”
Plot analysis of William Shakespeare’s “ Hamlet. ”
The influence of Jack London’s life on his works.
The analysis of Jane Eyre’s personality.
Mysticism in Edgar Allan Poe’s novels.
Language analysis in Haper Lee’s “ To Kill Mockingbird .”
Stylistic analysis of “ The Great Gatsby .”

Useful Tips for Literary Analysis Essay

A literary analysis essay requires time, patience, and attentiveness. When reading a piece, don’t be lazy to write down all the important details connected with characters, plot, author’s style, ideas, etc. You also must be very attentive to notice important elements. However, attentiveness isn’t the only thing that will help you craft a paper. Read our tips to learn how to write a literary analysis essay flawlessly and get the best grade:

1. Read carefully

Choose a cozy place for reading – it’s where no one will disturb you, and noise won’t interrupt the process. Only in this case, you’ll notice the most important details. If you pick the right environment, you’ll be able to concentrate on a story. You can choose a quiet place in a park, stay in your room, or go to a library.

2. Take notes

Do characters have specific features? What makes the writer’s style special? How does symbolism influence text comprehension? Write down all the interesting or intriguing details you notice. You can use this information in your literary analysis essay.

3. Determine literary devices

Writers use literary devices to create special effects that help readers understand their intentions, interpret their works, and analyze them. Besides, these elements often become the author’s identifying feature that helps them stand out from the crowd. Here’s the list of literary devices you have to know:

Personification
Alliteration
Foreshadowing

4. Consider language style

It’s necessary to pay attention to the length of sentences, terminology, descriptions, presence of metaphors, etc. Does the writer use simple words to describe an object or go poetic? Is it easy to understand the text? Does the author use slang or conventional terms?

The writer’s style tells a lot about their piece – even more than you can imagine. Besides, the characters’ language style is one of their most important features. It helps readers understand their personalities. If your topic is connected with the character analysis, taking notes about language is a must for you.

5. Determine the narrator

Who’s telling the story? It can be told by a character or by an author watching the course of events from a distant perspective. You have to determine the role of the narrator in a story. Do they know everything about other characters? Is their role important for story development? Of course, if an author is a narrator, you won’t have to wonder whether they influence the piece somehow. If a character tells the story, the chances are that they hide some information or don’t know much about different events. In this case, some details may become evident in the end.

Write a Literary Analysis Essay with HandmadeWriting

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Writing a literary analysis essay is an exciting yet time-consuming process. It’s necessary to read the piece of literature carefully to notice all the essential details. Composing a thesis statement, outlining an essay, and writing a meaningful paper are the next steps. If you aren’t sure about your skills or simply don’t have time because of the academic overload, you can address HandmadeWriting for professional help.

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In this section

Subsections.

What is Essay? Definition, Usage, and Literary Examples

Essay definition.

An essay (ES-ey) is a nonfiction composition that explores a concept, argument, idea, or opinion from the personal perspective of the writer. Essays are usually a few pages, but they can also be book-length. Unlike other forms of nonfiction writing, like textbooks or biographies, an essay doesn’t inherently require research. Literary essayists are conveying ideas in a more informal way.

The word essay comes from the Late Latin exigere , meaning “ascertain or weigh,” which later became essayer in Old French. The late-15th-century version came to mean “test the quality of.” It’s this latter derivation that French philosopher Michel de Montaigne first used to describe a composition.

History of the Essay

Michel de Montaigne first coined the term essayer to describe Plutarch’s Oeuvres Morales , which is now widely considered to be a collection of essays. Under the new term, Montaigne wrote the first official collection of essays, Essais , in 1580. Montaigne’s goal was to pen his personal ideas in prose . In 1597, a collection of Francis Bacon’s work appeared as the first essay collection written in English. The term essayist was first used by English playwright Ben Jonson in 1609.

Types of Essays

There are many ways to categorize essays. Aldous Huxley, a leading essayist, determined that there are three major groups: personal and autobiographical, objective and factual, and abstract and universal. Within these groups, several other types can exist, including the following:

Academic Essays : Educators frequently assign essays to encourage students to think deeply about a given subject and to assess the student’s knowledge. As such, an academic essay employs a formal language and tone, and it may include references and a bibliography. It’s objective and factual, and it typically uses a five-paragraph model of an introduction, two or more body paragraphs, and a conclusion. Several other essay types, like descriptive, argumentative, and expository, can fall under the umbrella of an academic essay.
Analytical Essays : An analytical essay breaks down and interprets something, like an event, piece of literature, or artwork. This type of essay combines abstraction and personal viewpoints. Professional reviews of movies, TV shows, and albums are likely the most common form of analytical essays that people encounter in everyday life.
Argumentative/Persuasive Essays : In an argumentative or persuasive essay, the essayist offers their opinion on a debatable topic and refutes opposing views. Their goal is to get the reader to agree with them. Argumentative/persuasive essays can be personal, factual, and even both at the same time. They can also be humorous or satirical; Jonathan Swift’s A Modest Proposal is a satirical essay arguing that the best way for Irish people to get out of poverty is to sell their children to rich people as a food source.
Descriptive Essays : In a descriptive essay, the essayist describes something, someone, or an event in great detail. The essay’s subject can be something concrete, meaning it can be experienced with any or all of the five senses, or abstract, meaning it can’t be interacted with in a physical sense.
Expository Essay : An expository essay is a factual piece of writing that explains a particular concept or issue. Investigative journalists often write expository essays in their beat, and things like manuals or how-to guides are also written in an expository style.
Narrative/Personal : In a narrative or personal essay, the essayist tells a story, which is usually a recounting of a personal event. Narrative and personal essays may attempt to support a moral or lesson. People are often most familiar with this category as many writers and celebrities frequently publish essay collections.

Notable Essayists

James Baldwin, “ Notes of a Native Son ”
Joan Didion, “ Goodbye To All That ”
George Orwell, “ Shooting an Elephant ”
Ralph Waldo Emerson, “ Self-Reliance ”
Virginia Woolf, " Three Guineas "

Examples of Literary Essays

1. Michel De Montaigne, “Of Presumption”

De Montaigne’s essay explores multiple topics, including his reasons for writing essays, his dissatisfaction with contemporary education, and his own victories and failings. As the father of the essay, Montaigne details characteristics of what he thinks an essay should be. His writing has a stream-of-consciousness organization that doesn’t follow a structure, and he expresses the importance of looking inward at oneself, pointing to the essay’s personal nature.

2. Virginia Woolf, “A Room of One’s Own”

Woolf’s feminist essay, written from the perspective of an unknown, fictional woman, argues that sexism keeps women from fully realizing their potential. Woolf posits that a woman needs only an income and a room of her own to express her creativity. The fictional persona Woolf uses is meant to teach the reader a greater truth: making both literal and metaphorical space for women in the world is integral to their success and wellbeing.

3. James Baldwin, “Everybody’s Protest Novel”

In this essay, Baldwin argues that Harriet Beecher Stowe’s novel Uncle Tom’s Cabin doesn’t serve the black community the way his contemporaries thought it did. He points out that it equates “goodness” with how well-assimilated the black characters are in white culture:

Uncle Tom’s Cabin is a very bad novel, having, in its self-righteous, virtuous sentimentality, much in common with Little Women. Sentimentality […] is the mark of dishonesty, the inability to feel; […] and it is always, therefore, the signal of secret and violent inhumanity, the mask of cruelty.

This essay is both analytical and argumentative. Baldwin analyzes the novel and argues against those who champion it.

Further Resources on Essays

Top Writing Tips offers an in-depth history of the essay.

The Harvard Writing Center offers tips on outlining an essay.

We at SuperSummary have an excellent essay writing resource guide .

Related Terms

Academic Essay
Argumentative Essay
Expository Essay
Narrative Essay
Persuasive Essay

Literary Analysis Essay

Literary Analysis Essay - Step by Step Guide

15 min read

Published on: Aug 16, 2020

Last updated on: Jan 29, 2024

What is a Literary Analysis Essay?

Literary analysis is a process of examining a literary work in detail to uncover its meaning and significance.

It involves breaking down the various elements of a work, such as plot, character, setting, and theme. And then analyzing how they work together to create a specific effect on the reader.

In other words, literary analysis is an exercise in interpretation. The reader of a work asks questions about what the author means to say, how they are saying it, and why.

A literary analysis essay is an essay where you explore such questions in depth and offer your own insights.

What is the Purpose of a Literary Analysis Essay?

In general, the purpose of a literary analysis essay is as follows:

To gain a greater understanding and appreciation of the work.
To be able to think critically and analytically about a text.

Content of a Literary Analysis

A literary analysis essay delves deep into the various aspects of a literary work to examine its meaning, symbolism, themes, and more. Here are the key elements to include in your literary analysis essay:

Plot Analysis

Plot refers to the sequence of events that make up the storyline of a literary work. It encompasses the main events, conflicts, and resolutions that drive the narrative forward.

Elements of Plot Analysis

The elements of a plot typically include:

Exposition: The introduction of the story that establishes the setting, characters, and initial circumstances.
Rising action: A set of events or actions that sets the main conflict into motion, often occurring early in the story.
Conflict: The series of events that build tension and develop the conflict, leading to the story's climax.
Climax: The turning point of the story, where the conflict reaches its peak and the outcome hangs in the balance.
Falling Action: The events that occur after the climax, leading towards the resolution of the conflict.
Resolution: The point in the story where the conflict is resolved, providing closure to the narrative.

Character Analysis

Character analysis involves studying the role, development, and motivations of the characters in a literary work. It explores how characters contribute to the overall narrative and themes of the story.

Elements of Character Analysis

Identification of major and minor characters.
Examination of their traits, behaviors, and relationships.
Analysis of character development and changes throughout the story.
Evaluation of the character's role in advancing the plot or conveying themes.

Symbolism and Imagery Analysis

Symbolism and imagery analysis focuses on the use of symbols, objects, or images in a work. It analyzes and explores the use of literary devices to convey deeper meanings and evoke emotions.

Elements of Symbolism and Imagery Analysis

Identification of key symbols or recurring motifs.
Interpretation of their symbolic significance.
Analysis of how imagery is used to create vivid mental pictures and enhance the reader's understanding and emotional experience.

Theme Analysis

Analyzing the theme involves exploring the central ideas or messages conveyed in a literary work. It examines the underlying concepts, or messages that the author wants to convey through the story.

Elements of Theme Analysis

Identification of the main themes or central ideas explored in the text.
Analysis of how the themes are developed and reinforced throughout the story.
Exploration of the author's perspective and the intended message behind the themes.

Setting Analysis

The Setting of a story includes the time, place, and social context in which the story takes place. Analyzing the setting involves how the setting influences the characters, plot, and overall atmosphere of the work.

Elements of Setting Analysis

Description and analysis of the physical, cultural, and historical aspects of the setting.
Examination of how the setting contributes to the mood, atmosphere, and themes of the work.
Evaluation of how the setting shapes the characters' actions and motivations.

Structure and Style Analysis

Structure and style analysis involves studying the organization, narrative techniques, and literary devices employed by the author. It explores how the structure and style contribute to the overall impact and effectiveness of the work.

Elements of Structure and Style Analysis

Analysis of the narrative structure, such as the use of flashbacks, nonlinear timelines, or multiple perspectives.
Examination of the author's writing style, including the use of language, tone, and figurative language.
Evaluation of literary devices, such as foreshadowing, irony, or allusion, and their impact on the reader's interpretation.

Paper due? Why Suffer? That's our job.

How to Write a Literary Analysis Essay?

Writing a great literary analysis piece requires you to follow certain steps. Hereâs what you need to do to write a literary essay:

Preparing for Your Essay

The pre-writing process for writing a literary analysis essay includes the following:

Choosing a literary work to analyze
Reading and analyzing the work
Taking notes and organizing your thoughts
Creating an outline for your essay

Choosing a Work to Analyze

As a student, you would most probably be assigned a literary piece to analyze. It could be a short story, a novel, or a poem. However, sometimes you get to choose it yourself.

In such a case, you should choose a work that you find interesting and engaging. This will make it easier to stay motivated as you analyze the work and write your essay.

Moreover, you should choose a work that has some depth and complexity. This will give you plenty of material to analyze and discuss in your essay. Finally, make sure that your choice fits within the scope of the assignment and meets the expectations of your instructor.

Reading and Analyzing

Once youâve chosen a literary work, it's time to read the work with careful attention. There are several key elements to consider when reading and analyzing a literary work:

Plot - The sequence of events that make up the story. Analyzing the plot involves examining the structure of the story, including its exposition, rising action, climax, falling action, and resolution.
Characters - The people or entities that populate the story. Analyzing characters involves examining their motivations, personalities, relationships, and development over the course of the story.

Want to learn more about character analysis? Head to our blog about how to conduct character analysis and learn easy steps with examples.

Setting - The time, place, and environment in which the story takes place. Analyzing the setting involves examining how the atmosphere contributes to the story's overall meaning.
Theme - The underlying message or meaning of the story. Analyzing themes involves examining the work's central ideas and how they are expressed through the various elements of the story.

Moreover, it's important to consider the following questions while analyzing:

What is the central theme or main point the author is trying to make?
What literary devices and techniques has the author used?
Why did the author choose to write this particular work?
What themes and ideas are present in the work?

These questions will help you dive deeper into the work you are writing about.

Take Notes and Gather Material

As you read and analyze the literary work, it's important to take notes so you donât forget important details and ideas. This also helps you identify patterns and connections between different elements of the piece.

One effective way to take notes is to list important elements of the work, such as characters, setting, and theme. You can also use sticky notes, highlighters, or annotations to mark important passages and write down your ideas.

Writing Your Literary Analysis Essay

Once you have read a piece of literature and taken notes, you have all the material you need to write an essay. Follow the simple steps below to write an effective literary analysis essay.

Create an Outline for Your Essay

Firstly, creating an outline is necessary. This will help you to organize your thoughts and ideas and ensure that your essay flows logically and coherently.

This is what your literary essay outline would look like:

Writing the Introduction

Writing your essay introduction involves the three following parts:

Begin the introductory paragraph with an engaging hook statement that captures the readers' attention. An effective hook statement can take many different forms, such as a provocative quote, an intriguing question, or a surprising fact.

Make sure that your hook statement is relevant to the literary work you are writing about. Here are a few examples of effective hooks:

Afterward, present the necessary background information and context about the literary work. For instance,
Talk about the author of the work or when and where it was written.
Give an overview of the work or why it is significant.
Provide readers with sufficient context so they can know what the work is generally about.
Finally, end the introduction with a clear thesis statement . Your thesis statement should be a concise statement that clearly states the argument you will be making in your essay. It should be specific and debatable, and it should provide a roadmap for the rest of your essay.

For example, a thesis statement for an essay on "Hamlet" might be:

Watch this video to learn more about writing an introduction for a literary analysis essay:

Writing the Body

Here are the steps to follow when writing a body paragraph for a literary analysis essay:

Start with a topic sentence:

The topic sentence should introduce the main point or argument you will be making in the paragraph. It should be clear and concise and should indicate what the paragraph is about.

Provide evidence:

After you have introduced your main point, provide evidence from the text to support your analysis. This could include quotes, paraphrases, or summaries of the text.

Explain and discuss the evidence:

Explain how the evidence supports your main point or argument or how it connects back to your thesis statement.

Conclude the paragraph:

End the paragraph by relating your main point to the thesis and discussing its significance. You should also use transitions to connect the paragraph to your next point or argument.

Writing the Conclusion

The conclusion of a literary analysis essay provides closure to your analysis and reinforces your thesis statement. Hereâs what a conclusion includes:

Restate your thesis statement:

Start by restating your thesis statement in a slightly different way than in your introduction. This will remind the reader of the argument you made and the evidence you provided to support it.

Summarize your main points:

Briefly summarize the main points you made in your essay's body paragraphs. This will help tie everything together and provide closure to your analysis.

Personal reflections:

The conclusion is the best place to provide some personal reflections on the literary piece. You can also explain connections between your analysis and the larger context. This could include connections to other literary works, your personal life, historical events, or contemporary issues.

End with a strong statement:

End your conclusion with a strong statement that leaves a lasting impression on the reader. This could be a thought-provoking question, a call to action, or a final insight into the significance of your analysis.

Finalizing your Essay

Youâve completed the first draft of your literary analysis essay. Congratulations!

However, itâs not over just yet. You need some time to polish and improve the essay before it can be submitted. Hereâs what you need to do:

Proofread and Revise your Essay

After completing your draft, you should proofread your essay. You should look out for the following aspects:

Check for clarity:

Make sure that your ideas are expressed clearly and logically. You should also take a look at your structure and organization. Rearrange your arguments if necessary to make them clearer.

Check for grammar and spelling errors:

Use spelling and grammar check tools online to identify and correct any basic errors in your essay.

Verify factual information:

You must have included information about the work or from within the work in your essay. Recheck and verify that it is correct and verifiable.

Check your formatting:

Make sure that your essay is properly formatted according to the guidelines provided by your instructor. This includes requirements for font size, margins, spacing, and citation style.

Helpful Tips for Revising a Literary Essay

Here are some tips below that can help you proofread and revise your essay better:

Read your essay out loud:

Reading your essay out loud makes it easier to identify awkward phrasing, repetitive language, and other issues.

Take a break:

It can be helpful to step away from your essay for a little while before starting the editing process. This can help you approach your essay with fresh eyes and a clearer perspective.

Be concise:

Remove any unnecessary words or phrases that do not add to your argument. This can help to make your essay more focused and effective.

Let someone else proofread and get feedback:

You could ask a friend or a teacher to read your essay and provide feedback. This way, you can get some valuable insights on what you could include or catch mistakes that you might have missed.

Literary Analysis Essay Examples

Reading a few good examples helps to understand literary analysis essays better. So check out these examples below and read them to see what a well-written essay looks like.

How to Write a Literary Analysis Essay

Literary Analysis Essay Example

Sample Literary Analysis Essay

Lord of the Rings Literary Analysis

The Great Gatsby Literary Analysis

Literary Analysis Example for 8th Grade

Literary Analysis Essay Topics

Need a topic for your literary analysis essay? You can pick any aspect of any work of literature you like. Here are some example topics that will help you get inspired:

The use of symbolism in "The Great Gatsby" by F. Scott Fitzgerald.
The theme of isolation in "The Catcher in the Rye" by J.D. Salinger.
The portrayal of social class in "Pride and Prejudice" by Jane Austen.
The use of magical realism in "One Hundred Years of Solitude" by Gabriel Garcia Marquez.
The role of women in "The Handmaid's Tale" by Margaret Atwood.
The use of foreshadowing in "Lord of the Flies" by William Golding.
The portrayal of race and identity in "Invisible Man" by Ralph Ellison.
The use of imagery in "The Road" by Cormac McCarthy.
The theme of forgiveness in "The Kite Runner" by Khaled Hosseini.
The use of allegory in "Animal Farm" by George Orwell.

To conclude,

Writing a literary analysis essay can be a rewarding experience for any student or writer, But itâs not easy. However, by following the steps you learned in this guide, you can successfully produce a well-written literary analysis essay.

Also, you have got some examples of essays to read and topic ideas to get creative inspiration. With these resources, you have all you need to craft an engaging piece. So donât hesitate to start writing your essay and come back to this blog whenever you need.

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Frequently Asked Questions

What are the 4 components of literary analysis.

The four main components of literary analysis are:

Conflict
Characters
Setting

What is the fundamental characteristic of a literary analysis essay?

Interpretive is the fundamental characteristic of a literary analysis essay.

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Definition of Essay

Essay is derived from the French word essayer , which means “ to attempt ,” or “ to try .” An essay is a short form of literary composition based on a single subject matter, and often gives the personal opinion of the author. A famous English essayist, Aldous Huxley defines essays as, “a literary device for saying almost everything about almost anything. ” The Oxford Dictionary describes it as “ a short piece of writing on a particular subject. ” In simple words, we can define it as a scholarly work in writing that provides the author’s personal argument .

Types of Essay

There are two forms of essay: literary and non-literary. Literary essays are of four types:

Expository Essay – In an expository essay , the writer gives an explanation of an idea, theme , or issue to the audience by giving his personal opinions. This essay is presented through examples, definitions, comparisons, and contrast .
Descriptive Essay – As it sounds, this type of essay gives a description about a particular topic, or describes the traits and characteristics of something or a person in detail. It allows artistic freedom, and creates images in the minds of readers through the use of the five senses.
Narrative Essay – Narrative essay is non- fiction , but describes a story with sensory descriptions. The writer not only tells a story, but also makes a point by giving reasons.
Persuasive Essay – In this type of essay, the writer tries to convince his readers to adopt his position or point of view on an issue, after he provides them solid reasoning in this connection. It requires a lot of research to claim and defend an idea. It is also called an argumentative essay .

Non-literary essays could also be of the same types but they could be written in any format.

Examples of Essay in Literature

Example #1: the sacred grove of oshogbo (by jeffrey tayler).

“As I passed through the gates I heard a squeaky voice . A diminutive middle-aged man came out from behind the trees — the caretaker. He worked a toothbrush-sized stick around in his mouth, digging into the crevices between algae’d stubs of teeth. He was barefoot; he wore a blue batik shirt known as a buba, baggy purple trousers, and an embroidered skullcap. I asked him if he would show me around the shrine. Motioning me to follow, he spat out the results of his stick work and set off down the trail.”

This is an example of a descriptive essay , as the author has used descriptive language to paint a dramatic picture for his readers of an encounter with a stranger.

Example #2: Of Love (By Francis Bacon)

“It is impossible to love, and be wise … Love is a child of folly. … Love is ever rewarded either with the reciprocal, or with an inward and secret contempt. You may observe that amongst all the great and worthy persons…there is not one that hath been transported to the mad degree of love: which shows that great spirits and great business do keep out this weak passion…That he had preferred Helena, quitted the gifts of Juno and Pallas. For whosoever esteemeth too much of amorous affection quitted both riches and wisdom.”

In this excerpt, Bacon attempts to persuade readers that people who want to be successful in this world must never fall in love. By giving an example of famous people like Paris, who chose Helen as his beloved but lost his wealth and wisdom, the author attempts to convince the audience that they can lose their mental balance by falling in love.

Example #3: The Autobiography of a Kettle (By John Russell)

“ I am afraid I do not attract attention, and yet there is not a single home in which I could done without. I am only a small, black kettle but I have much to interest me, for something new happens to me every day. The kitchen is not always a cheerful place in which to live, but still I find plenty of excitement there, and I am quite happy and contented with my lot …”

In this example, the author is telling an autobiography of a kettle, and describes the whole story in chronological order. The author has described the kettle as a human being, and allows readers to feel, as he has felt.

Function of Essay

The function of an essay depends upon the subject matter, whether the writer wants to inform, persuade, explain, or entertain. In fact, the essay increases the analytical and intellectual abilities of the writer as well as readers. It evaluates and tests the writing skills of a writer, and organizes his or her thinking to respond personally or critically to an issue. Through an essay, a writer presents his argument in a more sophisticated manner. In addition, it encourages students to develop concepts and skills, such as analysis, comparison and contrast, clarity, exposition , conciseness, and persuasion .

Elements of an Essay
Narrative Essay
Definition Essay
Descriptive Essay
Analytical Essay
Argumentative Essay
Cause and Effect Essay
Critical Essay
Expository Essay
Persuasive Essay
Process Essay
Explicatory Essay
An Essay on Man: Epistle I
Comparison and Contrast Essay

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8.2: Outlining for Literary Essays

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Heather Ringo & Athena Kashyap
City College of San Francisco via ASCCC Open Educational Resources Initiative

Outlining Basics

The purpose of an outline is twofold: first, to help you organize your ideas. Second, to help readers follow along with your ideas. Think of an outline as a map for your essay. An essay without some kind of structure often flounders because readers get lost. The following are basic principles of essay organization that should help you craft logically organized papers that keep readers (and you!) on track.

Always include a clear thesis . Think of this as the essay's destination. It essentially tells readers where the essay is going. Without a clear destination, readers might wonder why they are there, reading the essay in the first place!
Keep one main idea per paragraph. Including a topic sentence—a one-sentence summary of the paragraph's main idea—is an effective way to keep the paragraph focused. Think of each topic sentence as a mini-thesis in support of the essay's overall thesis.
Include evidence to support all claims. Usually, one quote or paraphrase per paragraph is an effective use of evidence. Spend at least 2-3 sentences analyzing and explaining each quote.
Be flexible. An essay changes over time. Be willing to adapt and adjust the outline to fit the needs of the essay. If it doesn't serve your essay, let it go.

General Essay Template

This essay template is not meant to be prescriptive (the end all, be all), but to provide a commonly used essay structure students can adapt to write their own essays. As with any learning resource, students should choose organizational methods to enhance their learning and writing process.

Paragraph 1: Introduction

Sentence 1: hook.

Captures readers' attention and interest through a quote, one or two-sentence short story, or a startling statistic.

Sentence 2-3: Context/Background

Helps readers understand where the essay fits into the scholarly discourse by providing background information on the essay topic. For example, you might briefly summarize your research on your topic (what other people/scholars have said about your topic) or you might give historical background on your topic, depending on the essay prompt.

Sentence 4: (The) Thesis statement

Articulates the main argument of the essay. It should be short, specific, debatable, and clear.

Sentence 5: Essay map/sign post

Uses the last sentence(s) of the introduction to transition into body paragraphs. This may look like a "map" where you state the main arguments you will make in your essay. For example, this argument is true because of reason X, reason Y, and reason Z. Basically, you give readers an idea of where the essay is going.

Paragraphs 2-10+: Body Paragraphs

Sentence 1: topic sentence.

Summarizes the main argument or point of the paragraph.

Sentence 2: Present e vidence

Present evidence in the form of quotes or paraphrasing from authoritative primary or secondary sources, which supports the paragraph main idea, as well as the thesis main idea. The more scholarly the source, the better; check with your librarian if you are unfamiliar with in-text citations.

Sentence 3: Analyze, interpret, and e xplain evidence

Use your own words to do so. While what the information means may be clear to you, the writer, you should not assume that readers will understand the information. Explain everything within reason.

Sentence 4: Contextualize evidence

Show how evidence relates to and supports your thesis statement

Sentence 5: Transition

Introduce the next paragraph topic by using a linking word, phrase, or idea. This will improve your essay's organization and "flow."

Final Paragraph: Conclusion

Sentence 1: restate thesis statement.

State the thesis using new words. This helps readers remember the focus of the essay.

Sentence 2-3: Briefly summarize main arguments

Present a summary of the essay's main arguments. Again, this reminds readers of your main points in case they have forgotten.

Sentence 4-5: Explain the significance

Indicate the significance of your analysis and/or research to other scholars in your field/scholars of the subject or topic/society in general. This is also called the "takeaway." Your readers should feel like they learned something new or are seeing the literature in a new light.

General Essay Advice

Be as specific as possible.
Stay on topic. All information in the essay should work towards proving your argument. (Use it or lose it.)
Use the known-new contract. Every sentence should "flow" into the next sentence, unless intentionally breaking the flow to make a point. This is achieved by using repeated words, ideas, or phrases from one sentence to the next.
Practice ethical attribution. Do not plagiarize. Plagiarism can result in an F for the essay and the course, and can even result in expulsion. When in doubt, ask your professor or librarian. Using ethical attribution is the best way to avoid plagiarism, as it also helps you build credibility as a writer and literary scholar.
For more information on essay writing—specifically works cited/references, citation, and formatting (MLA)—please visit the chapter on Ethical Attribution .

Literary Analysis Maker

The literary analysis maker is an AI-powered online tool that can generate literary analysis in just a few seconds! It can help college and high school students with literary criticism assignments, saving time and effort. In addition, our generator can help students improve their literary analysis skills and serve as a source of inspiration!

Try our literary analysis maker right now to see how it works!

✒️ What Is Literary Analysis?
💫 Tool Benefits
💡 Ideas for Literary Analysis
✍️ Literary Analysis Prompts
📋 Literary Analysis Structure

🔗 References

✒️ what does literary analysis mean.

Literary analysis is a written evaluation of the elements of a literary work, for example, a poem, short story, novel, etc. It aims to deepen one's understanding of the work's ideas and impact on the readers.

Literary analysis is not just about summarizing what you read . It involves deconstructing the artwork to evaluate its parts, including plot, character, setting, theme, style, and symbolism. This assignment provides an opportunity to learn more about the underlying meanings of a literary work and see how its elements help the author convey the intended message.

💫 Literary Analysis Maker: Benefits

The literary analysis essay writer has a lot of benefits for its users. Check the table below to learn more!

💡 What to Write a Literary Analysis on?

If you are wondering what to write a literary analysis on, do not panic! Below, we've listed all the important elements of literary analysis with brief instructions on how to evaluate them.

✍️ Literary Analysis Essay Prompts

Looking for some inspiration? You are on the right page! Check our writing prompts on literary analysis to find a lot of fresh ideas!

To Kill a Mockingbird Literary Criticism Essay

In your essay on To Kill a Mockingbird , you can discover and analyze autobiographical elements. Note how Harper Lee uses characters like Atticus Finch and Scout in her novel to reflect experiences from her own life, particularly surrounding discrimination, racism, and rape. Discuss how the novel's setting, historical context, symbolism, and imagery reinforce Lee's core message.

Hamlet Literary Analysis Essay

To write a good analysis of Shakespeare's Hamlet , investigate dialogues, soliloquies, and the play's vivid and rich language filled with rhetorical devices . You can devote particular attention to such literary devices as allusion and metaphors and add your point of view on the impact of Hamlet on the audience.

The Great Gatsby Literary Criticism Essay

Analyze the significance of the clock in F. Scott Fitzgerald's The Great Gatsby as a symbol of time, focusing on its multi-faceted meaning and its impact on the characters and themes. Discuss how the clock represents Gatsby's attempt to control time and its connection to his ultimate fate.

A Raisin in the Sun Literary Analysis Essay

In a literary analysis essay on A Raisin in the Sun , you can analyze the theme of dreams in this novel. Discuss the characters of Ruth, Lena, Travis, Beneatha, and Walter, focusing on the personal dreams they yearn to achieve. Evaluate how the Younger family's dreams are affected by social, economic, and emotional circumstances.

Lord of the Flies Literary Analysis Essay

In your essay, analyze William Golding's portrayal of human nature in Lord of the Flies , focusing on the influence of the environment on people's behavior. Examine the character developments of Ralph, Jack, Simon, and others, revealing their experiences on an island that show both good and evil potential within each individual.

📋 How to Structure a Literary Analysis

The structure of literary criticism consists of 3 key parts: the introduction, main body, and conclusion. Check the table below to see what to include in each part.

❓ Literary Analysis Free: FAQ

Updated: Mar 28th, 2024

Discovering Evidence for a Literary Analysis Essay – San José State University Writing Center
Writing about Literature – Fordham University
Literary Criticism – UTA Libraries
Writing Your Literary Analysis – University of Hawaii
Literary Analysis – Appalachian State University
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Our literary analysis maker will help you break down any piece of literature! Get a detailed review of the plot, narrative techniques, and other text elements in a few clicks. Additionally, read the guide to discover excellent literary analysis prompts and examples.

The Secrets of Successful Literature Essays: From Concept to Completion

A literature essay is a type of essay in which the main topic is related to some book or literature . The key elements in a literature essay are generally the same as any other type of essay: introduction , body paragraphs , and conclusion .

However, to write stellar literature essays, you need to be a good researcher and a strong communicator. Many find it difficult to come up with ways to emerge triumphant in this task.

That’s why, today, we have come up with this post to let you know the secrets to writing successful literature essays . We will cover each aspect in detail so read along and enjoy the content.

How to Write Compelling Literature Essays?

Table of Contents

Below, we have mentioned some of the ways you can write compelling literature essays for your professional/academic success.

1. Start With A Hooking Introduction

You need to hook the readers at the start so that you have their attention. Then, lead them towards your thesis statement so that they listen to what you’ve to offer to them. This procedure of hooking and reeling in can be performed in multiple ways.

Rhetorical question
An anecdote

Rhetorical questions add an element of intrigue in the audience as in “What will the writer say next?” This is enough to make them read till the end.

Secondly, quotations from a famous person can surely turn some heads and increase the authenticity of your work. However, ensure the originality of the citation as it will impact your impression in the reader’s eyes.

Lastly, an anecdote is also an effective method to reel in the audience by appealing to the right emotion.

2. Do A Solid Literature Review To Support Your Stance

Read pieces from multiple authors to find relevant facts and figures. Review the character development in the books and study the recurring theme for a specific niche. This will give you an idea of how you have to write your literature essay.

Brainstorm for ideas by jotting them down on a piece of paper. Don’t worry about the sequencing of the points; at this stage, just pool the ideas to create a solid base for writing the content.

After a considerable amount of research, move on to the next phase of writing a literature essay.

3. Organize Your Points

to make a chronological order of your points by prioritizing their need in the specific contexts. This will connect everything and make your work easy to follow for the readers.

Creating a roadmap is also necessary for your essay. Try to define headings and sections and put points under each to organize the points in a relevant structure . This will help you to write concisely , without adding any irrelevant details or arguments in your work.

1. Write Each Body Paragraph Appropriately

The body paragraphs are the core of your literature essay, so spend enough time to craft them. Start each paragraph with a topic sentence , declaring to the audience about the main things it will cover.

This technique sets a mood for the readers about what’s about to come up. It prepares them mentally to expect the unexpected and so, your content is well-received.

After the topic sentence, give evidence that backs up your main stance of the essay. Analyze the supporting fact in the context of the discussion and relate it to the main topic.

2. End With A Convincing Conclusion

What starts well must end well. Else, the overall impact that a piece of text relays wears off quickly.

Thus, to end convincingly, you can implement a bunch of different techniques. Some of them include Anaphora , which is the repetition of words or a group of phrases to convey an emotion.

Additionally, reinstate your thesis statement in the conclusion to let the readers know about the firmness of your standpoint. This assures authority in your work and the audience realizes that the person is knowledgeable and knows what they’re talking about.

Finally, summarize all the points covered in the main body paragraphs, and finish on a high note.

3. Proofread For Clarity And Readability

After you’re done with the writing part, proofread your work for clarity and readability. This means to check for the overall ‘making sense’ of the content ( coherence ). It also means checking how well the sentences and words are connected in the text ( cohesion ).

However, not everyone has a strong grip on linguistics. So, we recommend using an AI paraphraser that automatically corrects your sentence structures and word usage to appreciate readability and clarity in your work.

A carefully examined work is polished and so, it is much appreciated by the readers. Pay attention while proofreading the content and edit the changes as necessary.

Final Thoughts

In this post, we saw the ways you can write literature essays from scratch till the end. We learned that to start the writing process, you need to make up a strong thesis statement with research.

Then, you’ll need to organize your essay and convincingly write the body paragraphs . Afterward, give a suitable conclusion and proofread your work for any logical or grammatical errors.

That’s it from this post! We’ll be back with more soon!

Hello, Viewers! Besides being the Founder and Owner of this website, I am a Government Officer. As a hardcore literary lover, I am pursuing my dream by writing notes and articles related to Literature. Drop me a line anytime, whether it’s about any queries or demands or just to share your well-being. I’d love to hear from you. Thanks for stopping by!

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The Lost Soul, a Poem by Somnath Sarkar

Literary Vs. Real Life Heroes

This essay about the distinction between literary and real-life heroes explores how each influences society in different yet profound ways. Literary heroes, like Harry Potter or Atticus Finch, are constructed within narratives that underscore moral dilemmas and showcase exceptional qualities in fantastical scenarios. These characters serve as aspirational figures that stimulate the imagination and foster a sense of moral clarity. In contrast, real-life heroes emerge from ordinary circumstances and display extraordinary courage and resilience, such as Malala Yousafzai or frontline workers in crises. They inspire through their relatability and their tangible impacts, demonstrating what individuals can achieve despite fear and imperfection. The essay underscores that both types of heroes offer valuable lessons—literary heroes encourage us to aspire to higher ideals, while real-life heroes show the real impact of personal courage and integrity.

How it works

In our culture, the concept of a hero is one that permeates both our literary traditions and our real-life experiences. The heroes of literature and those who emerge in the real world often stand in stark contrast to each other, yet both serve crucial roles in inspiring and influencing society. Understanding the nuances between literary and real-life heroes can offer us deeper insights into what truly makes a person heroic.

Literary heroes are crafted from the imagination of authors and are often larger than life.

Characters such as Harry Potter, Katniss Everdeen, or Atticus Finch from Harper Lee’s “To Kill a Mockingbird” represent ideals of courage, bravery, and moral integrity. These heroes are placed in extraordinary circumstances, where they must make dramatic choices that reflect their exceptional qualities. Their stories are designed to evoke a sense of wonder and aspiration, often rooted in a narrative that clearly distinguishes between good and evil. The clarity of their heroic journeys allows readers to explore complex ethical questions within a safe and structured environment, making literary heroes both inspirational and instructive.

Conversely, real-life heroes usually emerge from the ranks of everyday people who find themselves in scenarios where they act in ways that are extraordinary. These individuals might not wear capes or wield magical powers, but their actions speak volumes about human potential and the impact of altruism. Consider figures like Malala Yousafzai, who stood up for the right to education in the face of extreme danger, or the countless frontline workers who risked their lives during global crises. Real-life heroes exemplify resilience, perseverance, and the capacity for self-sacrifice without the promise of a happy ending or narrative closure that literary heroes often enjoy.

The appeal of real-life heroes lies in their relatability. They are not infallible; they experience fear, doubt, and failure, just like any other person. Yet, it is their ability to rise above these challenges and make a significant impact that endears them to us. Their stories might not always be as polished or as dramatic as those of literary heroes, but they are real and raw, resonating with the genuine complexities of life.

The contrast between these types of heroes also reflects in the lessons they offer. Literary heroes, with their clear moral compass and often supernatural challenges, inspire us to strive for greater ideals and remind us of the values we aspire to embody. They are the embodiments of what we hope to be. Real-life heroes, on the other hand, demonstrate what we are capable of achieving as ordinary individuals. They ground us in reality and inspire change through tangible examples of courage and commitment.

Moreover, the narrative of a real-life hero can often be more unpredictable and less binary than that of a literary hero. While literary narratives often revolve around a clear conflict with a defined antagonist, real-life heroism can involve complex social issues or personal struggles that don’t necessarily have a visible enemy. This complexity adds a layer of authenticity to their heroism and provides a more nuanced perspective on what it means to be truly heroic.

In conclusion, both literary and real-life heroes have their unique allure and lessons. Through the stories of literary heroes, we explore the boundaries of our imagination and the ideals we hold dear. In the actions of real-life heroes, we find the tangible expressions of human potential and the profound impact of individual action. Each type of hero enriches our understanding of heroism and reflects the diverse ways in which courage and integrity can manifest in our world. Whether in the pages of a book or in the deeds within our communities, heroes continue to inspire, challenge, and change us, urging us onward towards our best selves.

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Entertainment
The Surprising Literary Inspiration Behind <i>Anyone But You</i>

The Surprising Literary Inspiration Behind Anyone But You

R om-com fans, rejoice: Anyone But You has finally come to streaming. The sleeper hit, released theatrically in December, stars Euphoria ’s Sydney Sweeney and Top Gun Maverick ’s Glen Powell (although rom-com fans may know him better from Netflix’s Set It Up ). The R-rated enemies-to-lovers film became a surprise box-office smash thanks to a savvy social media campaign and rumors of an off-screen romance (which Sweeney called “obviously not true”). The film also stars Barbie 's Alexandra Shipp, Brothers & Sisters ’ Rachel Griffiths, Darren Barnet of Never Have I Ever, Michelle Hurd of Star Trek: Picard , and rom-com royalty Dermot Mulroney, also known as the object of Julia Roberts’ obsessive affection in My Best Friend 's Wedding .

While movie studios haven’t invested in as many romances lately and options at the theaters have been dominated by franchises and spin-offs, fans were apparently eager to indulge in a light comedy, helping Anyone But You become a slow-burning hit. Director Will Gluck says that while many modern rom-coms have gone straight to streaming, Anyone But You benefited from being shown in theaters. “I think a big part of our movie was how people felt watching it with others in a theater,” he told the Hollywood Reporter .

There’s also the added bonus that the movie comes from an original script, but one steeped in literary references. More specifically, it borrows from the characters and plot of Much Ado About Nothing . And Shakespeare, of course, has been popular with audiences for over 400 years. Hard to argue with that track record!

Here’s what to know about the movie’s months-long rise and the Shakespearean references scattered throughout.

What is the plot of Anyone But You ?

The story follows Bea (Sweeney) and Ben (Powell), who have a suitably adorable meet-cute in a coffee shop, involving a rule-following employee, bread for grilled cheese night, and a hand dryer aimed at an unfortunate wet spot, followed by a memorable date that ends in disaster. The two are reunited by coincidence on their way to a destination wedding in Australia, where Ben’s friend and Bea’s sister are getting married. Faced with Bea’s pushy family and their two exes conveniently waiting in the wings, in true rom-com fashion they decide they must fake a relationship to survive the wedding.

Is Anyone But You based on a book?

The plot of the rom-com is loosely inspired by William Shakespeare’s Much Ado About Nothing , in which Benedick and Beatrice act out the now-stereotypical enemies to lovers trope, which has since inspired the storylines of countless romance books and movies. In both the play and the movie, an early courtship goes awry, leaving the pair waging a “merry war” of words. It’s not just the storyline that is borrowed from The Bard: The protagonists’ names, clearly, also take their inspiration from Shakespeare. Screenwriter Ilana Wolpert, previously best known for her work on High School Musical: The Musical: The Series , took Shakespeare’s play and updated it into a modern romantic comedy.

“ Much Ado About Nothing is my favorite Shakespearean piece, and I kept coming back to it at school, even throughout my studies in college,” Wolpert told her alumni pape r. “There is so much farce, great humor, and so many great characters. It's about family and friendship, but also a battle of wits and genders. It's really a wonderful play. I always felt it would make an amazing movie.”

Sweeney and producer Jeff Kirschenbaum liked the script enough to start shopping it to studios with Sweeney onboard to play Bea. “Ilana took such a cool, modern twist on Shakespeare, I felt like I was reading an early 2000s rom-com,” Sweeney told the New York Times . “I loved wanting to be kissed in the rain, wanting to fall in love once I finished reading the script, wanting to cry, laugh, feeling all the feels.”

Sweeney and Kirschenbaum brought on Gluck, who had previously directed both Emma Stone in Easy A and Justin Timberlake and Mila Kunis in Friends With Benefits. Gluck re-worked the script before taking on the role of director. Both Gluck and Wolpert are credited as writers for the film, but Shakespeare’s influence is woven throughout, in ways both subtle and decidedly not.

At one point, as ScreenRant notes , Bea walks by a mural emblazoned with a line from Shakespeare’s Romeo and Juliet , “Here’s much to do with hate, but more to do with love.” Later someone has written in the sand the lines “Bait the hook well; this fish will bite.” That comes from the second act of Much Ado About Nothing, where two characters are spreading the rumor that Beatrice is desperately in love with Benedick, who just so happens to be eavesdropping on the conversation. Anyone But You has plenty of its own eavesdropping scenes as characters humorously try to convince Bea and Ben to fall in or out of love.

At one point the camera pans to a bedside table where someone has been reading a book titled Men Were Deceivers Ever , which is both a novel by Patricia Veryan and a line from Shakespeare’s play. To really bring the point home, in the film’s final montage, as Natasha Bedingfield’s 2004 single “Unwritten” plays, Ben and Bea dance under a huge sign that reads, “Much Ado About Nothing.”

Where can you stream Anyone But You ?

Anyone But You was initially released in theaters just in time for Christmas on Dec. 22. It was then released for rent or purchase on YouTube, Apple TV, and Amazon Prime Video. On March 19, Netflix announced that the film would be available to stream beginning April 23 for all subscribers.

A Netflix UK release date is yet to be confirmed, but the film is currently available to rent or buy in the UK via Prime Video and iTunes, per Digital Spy .

How did Anyone But You become a box-office hit?

Despite a trailer that ran in theaters before Taylor Swift's Eras Tour film, Anyone But You didn’t garner much buzz, critical acclaim, or box-office success during its first week. “I kept my expectations low and, in retrospect, not low enough,” Gluck told the Times about the film’s $8 million opening weekend. But that disappointing first week performance was not indicative of the film’s future.

TikTok was soon flooded with videos of fans reenacting the film’s credit sequence, dancing to and singing snippets of “Unwritten,” which plays a key role in the movie. Rumors of an off-screen romance between Powell and Sweeney helped create more buzz, which the actors’ friendly behavior on the publicity tour fed into even as the two denied their veracity. In addition to skewering the rumors during Sweeney’s Saturday Night Live appearance , the two stars created a TikTok video where they whispered to each other, a clip which racked up a reported 18 million views, far outnumbering the 10 million views of the film’s official trailer, according to the Hollywood Reporter . Soon the film was pushed into the top five at the U.S. box office, staying there each weekend through the end of January. In February, the film was re-released for Valentine’s Day with extra footage, per Variety . It eventually grossed over $200 million globally off what Variety reports was a $25 million budget.

Will there be a sequel to Anyone But You ?

While no sequel has been officially announced, during Sweeney’s appearance on The Tonight Show Starring Jimmy Fallon in February, the actor teased fans with the possibility that she might reunite with Powell for another romance.

“Fans are hoping for a sequel, do you think that maybe we’ll see a sequel?” Fallon asked her. “Maybe like, a high nine chance,” Sweeney told an enthusiastic audience.

Unfortunately, the studio may not be as excited by the idea. Tom Rothman, chairman and chief executive of Sony Pictures Motion Picture Group told the New York Times that they may have other ideas for the duo. “Not that we wouldn’t consider a sequelâ€”obviously, we would,” Rothman said. “But I think maybe the healthiest opportunity is another original starring the two of them.” While the future may not hold an Anyone But You, Part II, perhaps Sweeney and Powell could be this era’s Goldie Hawk and Kurt Russell or Tom Hanks and Meg Ryan.

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The American Academy in Rome has announced their 2024-25 prize winners in literature.

Out of over a thousand entrants, The American Academy in Rome has selected 31 artists and academics to receive their Rome Prize, a residency fellowship that provides a stipend as well as a place to live and work on the Academy’s campus in Rome. The prize is awarded to practitioners in 11 fields: ancient studies, architecture, design, historic preservation and conservation, landscape architecture, medieval studies, modern Italian studies, music composition, Renaissance and early modern studies, visual art, and literature.

This year’s Rome Prize winners in Literature are Selby Wynn Schwartz and Jacob Shores-Argüello.

The American Academy of Rome has been a haven for research and art since 1894, and past winners of their prestigious prize have also been awarded Pulitzers, Grammys, Poet Laureate appointments, and Nobels. Past winners in literature, who have lived and worked on the Rome campus, include Elif Batuman, Ralph Ellison, Anthony Doerr, Alexandra Kleeman, and Robert Penn Warren.

Check out a full list of this year’s winners, here.

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45 Funny And Witty Memes About Literature That Might Inspire You To Open A Book

M any of you probably know SparkNotes from back in your school or college days. You got confused by an assigned book, you were running late for class, or you were writing an essay right before the deadline (again!), and you needed to get to grips with the plot and main themes. SparkNotes is probably the most well-known literature resource in the world, summarizing countless books to help you study alongside the source material.

But something that you probably weren’t aware of is that SparkNotes is ridiculously good at the social media game. It has an account on X (formerly Twitter) that posts some great memes about literature. Our nerdy sides love them so much that we couldn’t help but share some of the best ones with you. Scroll down for a refresher about why literature is so awesome and why being geeky is cool!

Bored Panda got in touch with the member of the SparkNotes team running its X account, Courtney Gorter, and she was kind enough to tell us about literary memes and reigniting people’s passion for reading. Meanwhile, we also reached out to Lisa McLendon, Ph.D. , from the University of Kansas, who is the William Allen White Professor of Journalism and Mass Communications, as well as the Coordinator at the Bremner Editing Center . She told us about truly great student essays. Read on for both of our interviews.

More info: Twitter | Instagram | Facebook | TikTok | SparkNotes.com

Image credits: SparkNotes

Gorter, an Associate Content Strategy Manager at SparkNotes, explained to Bored Panda that the secret behind creating such great literary memes comes from reading a ton and spending a lot of time on X (aka Twitter).

We were curious to get her opinion on what quality literary memes have in common. “To me, a sign of a good literary meme is that people who have read the book think it’s spot-on, and people who haven’t read the book are curious enough that they decide to read it!” she said.

Some people feel like they don’t have enough spare time to read. Others, however, are dealing with extremely shortened attention spans , a huge problem these days. Gorter shared her thoughts about inspiring people to read more.

“For people who are looking to reignite their passion for literature, sometimes it’s all in how you think about it. Get rid of the idea that audiobooks don’t count; give yourself permission to stop reading a book you’re not enjoying; read several books at once if you get bored easily,” the SparkNotes team member told Bored Panda.

“I know so many people who got back into reading after a long dry spell, and the reason they came back is always different—maybe they discovered ebooks or audiobooks and it changed everything, or maybe they watched a TV or film adaptation, and wanted to read the series, or maybe (just maybe!) they saw a literary meme on Twitter that piqued their interest.”

According to Gorter, the best approach here is to meet people “where they are,” instead of forcing them or moralizing them.

“Some people are never going to be big readers, either because they don’t have time or it simply doesn’t interest them, and I think that’s okay! The great thing about literature is that it’s such a vast world, and there’s no right or wrong way to engage with it.”

Meanwhile, Professor McLendon , from the University of Kansas, echoed very similar thoughts on helping people (re)discover the love of reading.

“I’d love to see people reading more books: novels, nonfiction, whatever. I think one thing that could help, and this is something I’m encouraging my students to do over the winter break, is just read something YOU want to read for the fun of it,” she shared her thoughts with Bored Panda.

“By college, it seems that students tend to associate reading with homework, not pleasure, and if they can re-capture the feeling of reading for pleasure, then they may read more. Going along with that, people need to know it’s OK, when they’re reading for pleasure, to quit a book that they’re not into. There are so many great books in the world; don’t waste time on one you’re not enjoying!”

We also asked the professor for her thoughts on truly great student essays and how they can wow academic staff.

“Truly great student essays don’t just follow the directions (though they do that); they sparkle in both content and writing. That is, great essays approach the topic from an inventive or creative perspective and support the main idea with clear, specific information and examples,” McLendon said.

“Great essays are written in concise, direct prose with a mix of sentence types and lengths to keep readers engaged, and they transition clearly from one point to the next. To achieve greatness, students need to think, then plan, then write, then revise,” she shared.

“It’s a process that most people can’t successfully complete the night before an assignment is due, and if a writer skimps on the ‘think’ stage—by, for example, using SparkNotes instead of reading the original and thinking through it—chances are the essay won’t be great,” the professor added that reading just a summary, in isolation, isn’t enough.

SparkNotes was initially launched way back in 1999 and has, over the years, become a household name. Meanwhile, the project launched its account on X (when it was still called Twitter, which most of us probably prefer) in April 2008.

The project has an extensive presence on social media. At the time of writing, SparkNotes had nearly 352k followers on X and 295k fans on Facebook. It also has 310k literature-hungry folks following it on Instagram and nearly 77k fans over on TikTok. All the more ways to spread funny and geeky literary memes!

Full disclosure: literature may have been (read: definitely was ) our favorite class of all time, so these memes are right up our alley.

Whatever you might have used SparkNotes summaries for in the past, the company itself points out that it stands firmly against cheating and plagiarism. While there’s nothing new under the sun, it’s important to be open about where you got your ideas from. Citing sources and crediting ideas—these are fundamental values whether you’re in a literature class or doing a degree in journalism.

“We're here to help you learn, not to help you cheat. Our literature guides are meant to be read along with the books they analyze. They are not intended to be copied on tests or papers (aka plagiarized),” SparkNotes explains its stance on people copying their summaries directly on the project’s website.

SparkNotes points out that you can avoid plagiarizing them by citing the words and ideas that came from their site or books. You can also rephrase these ideas in your own words, interpreting things from your own perspective.

Transparency, clarity, and honesty are worth more than their weight in gold when it comes to literature, journalism, historical analyses, and writing (endless) essays.

The point is to use what SparkNotes offers as a supplement, not an alternative to reading the source material itself. We all need a little help understanding exactly what’s going on in a book sometimes when we’re “confuzzled.”

There’s no shame in asking someone for advice… or doing lots of Googling to check if we’re not alone in being lost.

SparkNotes offers over 500 guides for English literature and Shakespeare, as well as many other guides for other subjects, including history, math, and biology.

They also have a whole bunch of quizzes to help you learn the info that you need way better before that big test. They have a vested interest in helping everyone learn in a more efficient way.

Memes are, essentially, ideas, attitudes, jokes, and images that we share with other people. So the more something is shared, the more successful it is at being a meme, by definition.

In our experience, there are a few main things that elevate a meme from something ‘meh’ to a viral sensation. It all comes down to relatability, humor, format, and consistency.

Something that the SparkNotes team members in charge of creating and sharing all of these memes do so well is that they know their audience. It’s people who enjoy literature, reading, and books in general.

Naturally, they then focus on crafting memes that suit this particular audience. They make it relatable for lit geeks. But someone who’s not into literature may feel a lot of the references going over their head. But that's all right. Aside from dad jokes, there are very few categories of comedy that try to appeal to absolutely everyone.

Another aspect that the SparkNotes X account nails completely is adding copious amounts of humor to their posts. Memes do not have to be funny to be relatable or to go viral… but comedy certainly helps. When an image makes you feel good, you want to share it with the people you care about to make them feel the same way that you do.

In terms of format, you want your meme to be easy to read. We’re all overloaded with pics, memes, posts, and news stories on social media, so images only have a mere moment to grab our attention. If there’s way too much text or the font’s hard to understand, internet users might just decide to skip reading the thing altogether.

Meanwhile, if you plan on entertaining your followers with memes, it’s a good idea to be consistent with your posting. It doesn’t mean that you have to spam your feed with dozens of memes each day, though. But it means carving out a reputation as someone who’s consistent and trustworthy in their posting schedule.

We would love to learn a bit about your literary habits, Pandas, so scroll down to the comment section and share your thoughts. How much time do you find to read every week? What did you enjoy the most about lit classes back in school and college? Have you ever used SparkNotes before? Which gothic horror books are your faves?! Let us know!

45 Funny And Witty Memes About Literature That Might Inspire You To Open A Book

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The Last Thing This Supreme Court Could Do to Shock Us

There will be no more self-soothing after this..

For three long years, Supreme Court watchers mollified themselves (and others) with vague promises that when the rubber hit the road, even the ultraconservative Federalist Society justices of the Roberts court would put democracy before party whenever they were finally confronted with the legal effort to hold Donald Trump accountable for Jan. 6. There were promising signs: They had, after all, refused to wade into the Trumpian efforts to set aside the election results in 2020. They had, after all, hewed to a kind of sanity in batting away Trumpist claims about presidential records (with the lone exception of Clarence Thomas, too long marinated in the Ginni-scented Kool-Aid to be capable of surprising us, but he was just one vote). We promised ourselves that there would be cool heads and grand bargains and that even though the court might sometimes help Trump in small ways, it would privilege the country in the end. We kept thinking that at least for Justices Brett Kavanaugh and Neil Gorsuch and Chief Justice John Roberts , the voice of reasoned never-Trumpers might still penetrate the Fox News fog. We told ourselves that at least six justices, and maybe even seven, of the most MAGA-friendly court in history would still want to ensure that this November’s elections would not be the last in history. Political hacks they may be, but they were not lawless ones.

On Thursday, during oral arguments in Trump v. United States , the Republican-appointed justices shattered those illusions. This was the case we had been waiting for, and all was made clear—brutally so. These justices donned the attitude of cynical partisans, repeatedly lending legitimacy to the former president’s outrageous claims of immunity from criminal prosecution. To at least five of the conservatives, the real threat to democracy wasn’t Trump’s attempt to overturn the election—but the Justice Department’s efforts to prosecute him for the act. These justices fear that it is Trump’s prosecution for election subversion that will “destabilize” democracy, requiring them to read a brand-new principle of presidential immunity into a Constitution that guarantees nothing of the sort. They evinced virtually no concern for our ability to continue holding free and fair elections that culminate in a peaceful transfer of power. They instead offered endless solicitude for the former president who fought that transfer of power.

However the court disposes of Trump v. U.S. , the result will almost certainly be precisely what the former president craves: more delays, more hearings, more appeals—more of everything but justice . This was not a legitimate claim from the start, but a wild attempt by Trump’s attorneys to use his former role as chief executive of the United States to shield himself from the consequences of trying to turn the presidency into a dictatorship. After so much speculation that these reasonable, rational jurists would surely dispose of this ridiculous case quickly and easily, Thursday delivered a morass of bad-faith hand-wringing on the right about the apparently unbearable possibility that a president might no longer be allowed to wield his powers of office in pursuit of illegal ends. Just as bad, we heard a constant minimization of Jan. 6, for the second week in a row , as if the insurrection were ancient history, and history that has since been dramatically overblown, presumably for Democrats’ partisan aims.

We got an early taste of this minimization in Trump v. Anderson , the Colorado case about removing Trump from the ballot. The court didn’t have the stomach to discuss the violence at the Capitol in its sharply divided decision, which found for Trump ; indeed, the majority barely mentioned the events of Jan. 6 at all when rejecting Colorado’s effort to bar from the ballot an insurrectionist who tried to steal our democracy. But we let that one be, because we figured special counsel Jack Smith would ride to the rescue. Smith has indicted Trump on election subversion charges related to Jan. 6, and the biggest obstacle standing between the special counsel and a trial has been the former president’s outlandish claim that he has absolute immunity from criminal charges as a result of his having been president at the time. Specifically, Trump alleges that his crusade to overturn the election constituted “official acts” that are immune from criminal liability under a heretofore unknown constitutional principle that the chief executive is quite literally above the law.

The U.S. Court of Appeals for the District of Columbia Circuit held in February that the president does not have blanket or absolute immunity for all actions taken in office, including “official” acts performed under the guise of executing the law (for example, Trump’s attempt to weaponize the DOJ against election results under the pretense of investigating fraud). The D.C. Circuit’s emphatic, cross-ideological decision should have been summarily affirmed by SCOTUS within days. Instead, the justices set it for arguments two months down the road—a bad omen, to put it mildly . Even then, many court watchers held out hope that Thursday morning’s oral arguments were to be the moment for the nine justices of the Supreme Court to finally indicate their readiness to take on Trump, Trumpism, illiberalism, and slouching fascism.

It was not to be. Justice Samuel Alito best captured the spirit of arguments when he asked gravely “what is required for the functioning of a stable democratic society” (good start!), then answered his own question: total immunity for criminal presidents (oh, dear). Indeed, anything but immunity would, he suggested, encourage presidents to commit more crimes to stay in office: “Now, if an incumbent who loses a very close, hotly contested election knows that a real possibility after leaving office is not that the president is going to be able to go off into a peaceful retirement but that the president may be criminally prosecuted by a bitter political opponent, will that not lead us into a cycle that destabilizes the functioning of our country as a democracy?” Never mind that the president in question did not leave office peacefully and is not sitting quietly in retirement but is instead running for presidential office once again. No, if we want criminal presidents to leave office when they lose, we have to let them commit crimes scot-free. If ever a better articulation of the legal principle “Don’t make me hit you again” has been proffered at an oral argument, it’s hard to imagine it.

Justice Sonia Sotomayor spoke to this absurdity when she responded in what could only be heard as a cri de coeur: “Stable democratic society needs good faith of public officials,” she said. “That good faith assumes that they will follow the law.” The justice noted that despite all the protections in place, a democracy can sometimes “potentially fail.” She concluded: “In the end, if it fails completely, it’s because we destroyed our democracy on our own, isn’t it?”

But it was probably too late to make this plea, because by that point we had heard both Alito and Gorsuch opine that presidents must be protected at all costs from the whims of overzealous deep state prosecutors brandishing “vague” criminal statutes. We heard Kavanaugh opine mindlessly on the independent counsel statute and how mean it is to presidents, reading extensively from Justice Antonin Scalia’s dissent in a case arguing that independent counsels are unconstitutional. (Yes, Kavanaugh worked for Ken Starr , the independent counsel.) If you’re clocking a trend here, it’s gender. Just as was the case in Anderson , it’s the women justices doing the second-shift work here: both probing the thorny constitutional and criminal questions and signaling a refusal to tank democracy over abstractions and deflections. As was the case in the EMTALA arguments, it’s the women who understand what it looks like to cheat death.

Is the president, Sotomayor asked, immune from prosecution if he orders the military to assassinate a political rival? Yes, said John Sauer, who represented Trump—though it “depends on the circumstances.” Could the president, Justice Elena Kagan asked, order the military to stage a coup? Yes, Sauer said again, depending on the circumstances. To which Kagan tartly replied that Sauer’s insistence on specifying the “circumstances” boiled down to “Under my test, it’s an official act, but that sure sounds bad, doesn’t it?” (Cue polite laughter in the chamber.)

This shameless, maximalist approach should have drawn anger from the conservative justices—indignation, at least, that Sauer took them for such easy marks. But it turns out that he calibrated his terrible arguments just right. The cynicism on display was truly breathtaking: Alito winkingly implied to Michael Dreeben, representing Smith, that we all know that Justice Department lawyers are political hacks, right? Roberts mocked Dreeben for saying “There’s no reason to worry because the prosecutor will act in good faith.”

The conservative justices are so in love with their own voices and so convinced of their own rectitude that they monologued about how improper it was for Dreeben to keep talking about the facts of this case, as opposed to the “abstract” principles at play. “I’m talking about the future!” Kavanaugh declared at one point to Dreeben, pitching himself not as Trump’s human shield but as a principled defender of the treasured constitutional right of all presidents to do crime. (We’re sure whatever rule he cooks up will apply equally to Democratic presidents, right?) Kavanaugh eventually landed on the proposition that prosecutors may charge presidents only under criminal statutes that explicitly state they can be applied to the president. Which, as Sotomayor pointed out, would mean no charges everywhere, because just a tiny handful of statutes are stamped with the label “CAN BE APPLIED TO PRESIDENT.”

The words bold and fearless action were repeated on a loop today, as a kind of mantra of how effective presidents must be free to act quickly and decisively to save democracy from the many unanticipated threats it faces. And yet the court—which has been asked to take bold and fearless action to deter the person who called Georgia’s secretary of state to demand that he alter the vote count, and threatened to fire DOJ officials who would not help steal an election—is backing away from its own duty. The prospect of a criminal trial for a criminal president shocked and appalled five men: Thomas, Alito, Kavanaugh, and Gorsuch suggested that Smith’s entire prosecution is unconstitutional; meanwhile, Roberts sounded eager at times to handle the case just a hair more gracefully: by cutting out its heart by preventing the jury from hearing about “official acts” (which lie at the center of the alleged conspiracy). Justice Amy Coney Barrett was far more measured, teasing out a compromise with Dreeben that would compel the trial court to tell the jury it could not impose criminal liability for these “official” acts, only “private ones.” Remember, drawing that line would require months of hearings and appeals, pushing any trial into 2025 or beyond. The president who tried to steal the most recent election is running in the next one, which is happening in mere months.

The liberal justices tried their best to make the case that justice required denying Trump’s sweeping immunity claim, permitting the trial to move forward, and sorting out lingering constitutional issues afterward, as virtually all other criminal defendants must do. They got little traction. Everyone on that bench was well aware that the entire nation was listening to arguments; that the whole nation wants to understand whether Trump’s refusal to concede the 2020 election was an existential threat to democracy or a lark. Five justices sent the message, loud and clear, that they are far more worried about Trump’s prosecution at the hands of the deep-state DOJ than about his alleged crimes, which were barely mentioned. This trial will almost certainly face yet more delays. These delays might mean that its subject could win back the presidency in the meantime and render the trial moot. But the court has now signaled that nothing he did was all that serious and that the danger he may pose is not worth reining in. The real threats they see are the ones Trump himself shouts from the rooftops: witch hunts and partisan Biden prosecutors. These men have picked their team. The rest hardly matters.

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How to Write a Literary Analysis Essay
Table of contents. Step 1: Reading the text and identifying literary devices. Step 2: Coming up with a thesis. Step 3: Writing a title and introduction. Step 4: Writing the body of the essay. Step 5: Writing a conclusion. Other interesting articles.
How to Write Literary Analysis
Literary analysis involves examining all the parts of a novel, play, short story, or poem—elements such as character, setting, tone, and imagery—and thinking about how the author uses those elements to create certain effects. A literary essay isn't a book review: you're not being asked whether or not you liked a book or whether you'd ...
Beginner's Guide to Literary Analysis
Step 1: Read the Text Thoroughly. Literary analysis begins with the literature itself, which means performing a close reading of the text. As you read, you should focus on the work. That means putting away distractions (sorry, smartphone) and dedicating a period of time to the task at hand.
12.14: Sample Student Literary Analysis Essays
Heather Ringo & Athena Kashyap. City College of San Francisco via ASCCC Open Educational Resources Initiative. Table of contents. Example 1: Poetry. Example 2: Fiction. Example 3: Poetry. Attribution. The following examples are essays where student writers focused on close-reading a literary work.
Literary Analysis Essay
A literary analysis essay is an important kind of essay that focuses on the detailed analysis of the work of literature. The purpose of a literary analysis essay is to explain why the author has used a specific theme for his work. Or examine the characters, themes, literary devices, figurative language, and settings in the story.
How to Write a Good English Literature Essay
3. Provide several pieces of evidence where possible. Many essays have a point to make and make it, tacking on a single piece of evidence from the text (or from beyond the text, e.g. a critical, historical, or biographical source) in the hope that this will be enough to make the point convincing.
How to Write a Literary Analysis: 6 Tips for the Perfect Essay
These 4 steps will help prepare you to write an in-depth literary analysis that offers new insight to both old and modern classics. 1. Read the text and identify literary devices. As you conduct your literary analysis, you should first read through the text, keeping an eye on key elements that could serve as clues to larger, underlying themes.
Writing a Literary Analysis Essay
A literary analysis essay asks you to make an original argument about a poem, play, or work of fiction and support that argument with research and evidence from your careful reading of the text. It can take many forms, such as a close reading of a text, critiquing the text through a particular literary theory, comparing one text to another, or ...
Introduction
Lear, Romans, and Zen each view the soul as the center of human personality. Then you prove it, using examples from the texts that show that the soul is the center of personality. This handout provides examples and description about writing papers in literature. It discusses research topics, how to begin to research, how to use information, and ...
PDF HOW TO WRITE A LITERARY ANALYSIS ESSAY
The term regularly used for the development of the central idea of a literary analysis essay is the body. In this section you present the paragraphs (at least 3 paragraphs for a 500-750 word essay) that support your thesis statement. Good literary analysis essays contain an explanation of your ideas and evidence from the text (short story,
Literature
Writing a paper on fiction in 9 steps. 1. Become familiar with the text. There's no substitute for a good general knowledge of your text. A good paper inevitably begins with the writer having a solid understanding of the work that they interpret. Being able to have the whole book, short story, poem, or play in your head—at least in a ...
Tips and Tricks on Writing Literary Analysis Essay
Read our tips to learn how to write a literary analysis essay flawlessly and get the best grade: 1. Read carefully. Choose a cozy place for reading - it's where no one will disturb you, and noise won't interrupt the process. Only in this case, you'll notice the most important details.
Writing in Literature
Writing in Literature (Detailed Discussion) These sections describe in detail the assignments students may complete when writing about literature. These sections also discuss different approaches (literary theory/criticism) students may use to write about literature. These resources build on the Writing About Literature materials.
Essay in Literature: Definition & Examples
An essay (ES-ey) is a nonfiction composition that explores a concept, argument, idea, or opinion from the personal perspective of the writer. Essays are usually a few pages, but they can also be book-length. Unlike other forms of nonfiction writing, like textbooks or biographies, an essay doesn't inherently require research. Literary essayists are conveying ideas in a more informal way.
A Comprehensive Guide to Writing a Literary Analysis Essay
Writing the Body. Here are the steps to follow when writing a body paragraph for a literary analysis essay: Start with a topic sentence: The topic sentence should introduce the main point or argument you will be making in the paragraph. It should be clear and concise and should indicate what the paragraph is about.
Literary Analysis: Sample Essay
Literary Analysis: Sample Essay. We turn once more to Joanna Wolfe's and Laura Wilder's Digging into Literature: Strategies for Reading, Writing, and Analysis (Boston: Bedford/St. Martin's, 2016) in order to show you their example of a strong student essay that has a strong central claim elucidated by multiple surface/depth arguments ...
Essay
There are two forms of essay: literary and non-literary. Literary essays are of four types: Expository Essay - In an expository essay, the writer gives an explanation of an idea, theme, or issue to the audience by giving his personal opinions. This essay is presented through examples, definitions, comparisons, and contrast.; Descriptive Essay - As it sounds, this type of essay gives a ...
8.2: Outlining for Literary Essays
For more information on essay writing—specifically works cited/references, citation, and formatting (MLA)—please visit the chapter on Ethical Attribution. This page titled 8.2: Outlining for Literary Essays is shared under a CC BY-NC license and was authored, remixed, and/or curated by Heather Ringo & Athena Kashyap ( ASCCC Open Educational ...
PDF English Literature Writing Guide
How to write Essays, Dissertations and Theses in Literary Studies. Longman, 1993. INTRODUCTION While most of you have already had experience of essay writing, it is important to realise that essay writing at University level may be different from the practices you have so far encountered. This information outlines what is required of an English ...
Literary Analysis Maker: Free & Online Essay Examples
Hamlet Literary Analysis Essay To write a good analysis of Shakespeare's Hamlet, investigate dialogues, soliloquies, and the play's vivid and rich language filled with rhetorical devices. You can devote particular attention to such literary devices as allusion and metaphors and add your point of view on the impact of Hamlet on the audience.
Essay
essay, an analytic, interpretative, or critical literary composition usually much shorter and less systematic and formal than a dissertation or thesis and usually dealing with its subject from a limited and often personal point of view.. Some early treatises—such as those of Cicero on the pleasantness of old age or on the art of "divination," Seneca on anger or clemency, and Plutarch on ...
The 10 Best Essay Collections of the Decade ‹ Literary Hub
Robin Wall Kimmerer, Braiding Sweetgrass (2013) Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass, Dr. Robin Wall Kimmerer's gorgeously rendered argument for why and how we should keep going, there's one that especially hits home: her account of professor-turned-forester Franz Dolp.When Dolp, several decades ago, revisited the farm that he had once shared with his ex ...
The Secrets of Successful Literature Essays: From Concept to Completion
A literature essay is a type of essay in which the main topic is related to some book or literature. The key elements in a literature essay ... I am a Government Officer. As a hardcore literary lover, I am pursuing my dream by writing notes and articles related to Literature. Drop me a line anytime, whether it's about any queries or demands ...
William Shakespeare in World Literature
Essays and criticism on William Shakespeare, including the works Henry IV, Parts I and II, As You Like It, Hamlet, The Tempest, Sonnets - Magill's Survey of World Literature ... Hamlet, The Tempest, Sonnets - Magill's Survey of World Literature. Select an area of the website to search. Search this site Go Start an essay Ask a question Join Sign ...
Literary Vs. Real Life Heroes
The heroes of literature and those who emerge in the real world often stand in stark contrast to each other, yet both serve crucial roles in inspiring and influencing ... This essay about the distinction between literary and real-life heroes explores how each influences society in different yet profound ways. Literary heroes, like Harry Potter ...
PDF A Step-By-Step Guide On Writing The Literature Essay
Three principles of a Literature Essay: 1. Your essay must cover the topic you are writing about. 2. Your essay must have a central idea (stated in your thesis) that governs its development. 3. Your essay must be organized so that every part contributes something to the reader's understanding of the central idea.
The Surprising Literary Inspiration Behind Anyone But You
What is the plot of Anyone But You?. The story follows Bea (Sweeney) and Ben (Powell), who have a suitably adorable meet-cute in a coffee shop, involving a rule-following employee, bread for ...
The American Academy in Rome has announced their 2024-25 ...
Out of over a thousand entrants, The American Academy in Rome has selected 31 artists and academics to receive their Rome Prize, a residency fellowship that provides a stipend as well as a place to live and work on the Academy's campus in Rome. The prize is awarded to practitioners in 11 fields: ancient studies, architecture, design, historic preservation and conservation, landscape ...
45 Funny And Witty Memes About Literature That Might Inspire You ...
Many of you probably know SparkNotes from back in your school or college days. You got confused by an assigned book, you were running late for class, or you were writing an essay right before the ...
Supreme Court immunity arguments: The court just showed how and why it
We got an early taste of this minimization in Trump v.Anderson, the Colorado case about removing Trump from the ballot.The court didn't have the stomach to discuss the violence at the Capitol in ...