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Like a great iron Sphinx on the ocean floor, the Titanic faces still toward the West, interrupted forever on its only voyage. We see it in the opening shots of “Titanic,” encrusted with the silt of 85 years; a remote-controlled TV camera snakes its way inside, down corridors and through doorways, showing us staterooms built for millionaires and inherited by crustaceans.

These shots strike precisely the right note; the ship calls from its grave for its story to be told, and if the story is made of showbiz and hype, smoke and mirrors--well, so was the Titanic. She was “the largest moving work of man in all history,” a character boasts, neatly dismissing the Pyramids and the Great Wall. There is a shot of her, early in the film, sweeping majestically beneath the camera from bow to stern, nearly 900 feet long and “unsinkable,” it was claimed, until an iceberg made an irrefutable reply.

James Cameron's 194-minute, $200 million film of the tragic voyage is in the tradition of the great Hollywood epics. It is flawlessly crafted, intelligently constructed, strongly acted and spellbinding. If its story stays well within the traditional formulas for such pictures, well, you don't choose the most expensive film ever made as your opportunity to reinvent the wheel.

We know before the movie begins that certain things must happen. We must see the Titanic sail and sink, and be convinced we are looking at a real ship. There must be a human story--probably a romance--involving a few of the passengers. There must be vignettes involving some of the rest and a subplot involving the arrogance and pride of the ship's builders--and perhaps also their courage and dignity. And there must be a reenactment of the ship's terrible death throes; it took two and a half hours to sink, so that everyone aboard had time to know what was happening, and to consider their actions.

All of those elements are present in Cameron's “Titanic,” weighted and balanced like ballast, so that the film always seems in proportion. The ship was made out of models (large and small), visual effects and computer animation. You know intellectually that you're not looking at a real ocean liner--but the illusion is convincing and seamless. The special effects don't call inappropriate attention to themselves but get the job done.

The human story involves an 17-year-old woman named Rose DeWitt Bukater ( Kate Winslet ) who is sailing to what she sees as her own personal doom: She has been forced by her penniless mother to become engaged to marry a rich, supercilious snob named Cal Hockley ( Billy Zane ), and so bitterly does she hate this prospect that she tries to kill herself by jumping from the ship. She is saved by Jack Dawson ( Leonardo DiCaprio ), a brash kid from steerage, and of course they will fall in love during the brief time left to them.

The screenplay tells their story in a way that unobtrusively shows off the ship. Jack is invited to join Rose's party at dinner in the first class dining room, and later, fleeing from Cal's manservant, Lovejoy ( David Warner ), they find themselves first in the awesome engine room, with pistons as tall as churches, and then at a rousing Irish dance in the crowded steerage. (At one point Rose gives Lovejoy the finger; did young ladies do that in 1912?) Their exploration is intercut with scenes from the command deck, where the captain ( Bernard Hill ) consults with Andrews ( Victor Garber ), the ship's designer and Ismay ( Jonathan Hyde ), the White Star Line's managing director.

Ismay wants the ship to break the trans-Atlantic speed record. He is warned that icebergs may have floated into the hazardous northern crossing but is scornful of danger. The Titanic can easily break the speed record but is too massive to turn quickly at high speed; there is an agonizing sequence that almost seems to play in slow motion, as the ship strains and shudders to turn away from an iceberg in its path--and fails.

We understand exactly what is happening at that moment because of an ingenious story technique by Cameron, who frames and explains the entire voyage in a modern story. The opening shots of the real Titanic, we are told, are obtained during an expedition led by Brock Lovett ( Bill Paxton ), an undersea explorer. He seeks precious jewels but finds a nude drawing of a young girl. Meanwhile, an ancient woman sees the drawing on TV and recognizes herself. This is Rose (Gloria Stuart), still alive at 101. She visits Paxton and shares her memories (“I can still smell the fresh paint”). And he shows her video scenes from his explorations, including a computer simulation of the Titanic's last hours--which doubles as a briefing for the audience. By the time the ship sinks, we already know what is happening and why, and the story can focus on the characters while we effortlessly follow the stages of the Titanic's sinking.

Movies like this are not merely difficult to make at all, but almost impossible to make well. The technical difficulties are so daunting that it's a wonder when the filmmakers are also able to bring the drama and history into proportion. I found myself convinced by both the story and the saga. The setup of the love story is fairly routine, but the payoff--how everyone behaves as the ship is sinking--is wonderfully written, as passengers are forced to make impossible choices. Even the villain, played by Zane, reveals a human element at a crucial moment (despite everything, damn it all, he does love the girl).

The image from the Titanic that has haunted me, ever since I first read the story of the great ship, involves the moments right after it sank. The night sea was quiet enough so that cries for help carried easily across the water to the lifeboats, which drew prudently away. Still dressed up in the latest fashions, hundreds froze and drowned. What an extraordinary position to find yourself in after spending all that money for a ticket on an unsinkable ship.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Titanic (1997)

Rated PG-13 For Shipwreck Scenes, Mild Language and Sexuality

194 minutes

Leonardo DiCaprio as Jack Dawson

Kate Winslet as Rose Dewitt Bukater

Bill Paxton as Brock Lovett

Kathy Bates as Molly Brown

Billy Zane as Cal Hockley

Written and Directed by

• James Cameron

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Titanic Film Review Assignment

Sylvia Fraser

Film Review Coursework – Media Assignment

How has James Cameron presented and adapted the true story of the Titanic for the cinema?

Directed by James Cameron, ‘Titanic’ is a popular recreation of the famous nautical disaster. Captivating its audience with its authentic setting, its powerful romantic storyline, and the fabulous acting of the rising young stars Leonardo DiCaprio (Jack Dawson) and Kate Winslet (Rose DeWitt Bukater), the blockbuster movie picked up awards in eleven categories at the Academy Awards Ceremony 1998. The film quickly replaced ‘Gone with the Wind’ as the largest box-office blockbuster of all time.

While searching for the Coeur de la Mer diamond, a huge necklace lost in the tragic disaster of the ‘Titanic’, Brock Lovett (Bill Paxton) and his crew meet Rose Dawson (Gloria Stuart), a 100-year-old woman, who was the model for a nude drawing in a sketchbook found aboard the corpse of the ‘Titanic’. As memories come flooding back, after having a glimpse of the fated ship, Rose tells her story to Brock and his crew. Once again, she becomes the fiancée of rich Cal Hockley (Billy Zane) and daughter of Ruth DeWitt Bukater (Frances Fisher). Joining the rich, Molly Brown (Kathy Bates), and the poor, Jack Dawson (Leonardo DiCaprio), as they sail in the trust of the ship’s designer, J. Bruce Ismay (Jonathan Hyde) and Captain E. J. Smith (Bernard Hill) onboard the ‘Titanic’.

 In a slow panning shot the ship, setting, and surroundings, are revealed to the audience. Special effects create dramatic scenes, for example, when Rose slips and is hanging off the rails at the back of the ship, over the water, and the infamous final scenes when the ship starts sinking. Visual design is used to recreate what the producers think the ‘Titanic’ would look like from the research they did. The use of costume and detail, such as the crockery, create the setting and are effective in persuading the audience that they are in 1912.

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Using computer-generated imagery, Cameron succeeds in capturing the terror and awe of the legendary maritime disaster. The minutes when the ship splits in half, it tilts upward, exposing its enormous propellers and the desperate passengers cling to the suddenly vertical deck or plummet from its heights into the icy water, are particularly effective. This sudden tragedy is similar to the sinking in ‘White Squall’. In comparison to other maritime disaster movies, ‘Titanic’ shines. Made before ‘Titanic’, we see a similar idea in ‘The Poseidon Adventure’, but showing a lack of special effects and digital technology. The cinematography in ‘Titanic’, along with the music, sound effects, stunts, special effects, and night and day contrasts, all make the ‘Titanic’ differ from movies of a similar plot.

The structure of the film, flicking from the present day back to 1912, and back again, might seem a bit skittish, but this dynamic approach gives the audience a narrator to the love story of Jack and Rose as well as a description of the tragedy of the sinking of the ‘Titanic’. Played by Gloria Stuart, the modern day Rose ties together the past and present; this gives a storybook structure to the film, with the modern day Rose as the storyteller. The music, by James Horner, set the tone of the entire film, with Celine Dion’s ‘My Heart Will Go On’ becoming the theme tune, the song used during the memorable ‘flying’ scene.

Rose calls the Titanic, "the Ship of Dreams", and yet to her it was a slave ship taking her home to America.  Her clothes, make-up, and characteristics all reflect the control her mother and fiancée have over her.  On the surface, the world (her mother) has shaped her; silently, she is screaming, not wanting to be married a man she will never love (Cal).  These two (her mother and Cal) walk arm in arm throughout the movie trying to keep Rose from running away.  Rose is unmoved by the ‘Titanic’; this forces Cal to make the comment that God himself could not sink the ship.

Jack's boarding of ‘Titanic’ is altogether different from Rose's.  The sharp contrast between the two worlds they inhabit begins right here.  He wins a ticket, which means he is going home.  Unlike her slow walk up the gangplank, he leaps onboard at the last moment.  While she unpacks cases of luggage in her staterooms, he throws his single bag on a bunk bed.  He is freedom personified.  Filled with life, he runs leaps, shouts, and waves as he boards the ship. The class structure of the ship reflects the world's class systems. First Class is the wealthy industrial nations; Second class is the developing nations; and Third Class is the third world.  It is this class, an unimportant part of the world, to which Jack appears.  Running to the bow he proclaims, "I'm king of the world."  Although a third class passenger, he sees the ‘Titanic’ as a salvation from the boundaries of classes.

Although she is travelling in first class, Rose feels overpowered by her desperation to escape from this world, so she runs, seeing death as the only way out. This results from the control her mother and Cal have had over her life. Jack, who has seen her from a distance, is there to rescue her, to pull her back from the brink of disaster. This is where the word ‘trust’ enters the movie. There is a striking contrast between Jack saving Rose, and Cal is trying to ‘own’ her. Cal pulls out the Coeur de la Mer diamond to tempt her into opening her heart. He tells her, "There isn't anything I couldn't give you." She may have given him her body, but she has not given him her heart. Jack however has nothing to give to her apart from himself, which he does willingly. "You see people," Rose states while looking at Jack's sketchbook.  He sees and is interested in their hearts, their stories (for example, Madame Bijoux, the one legged prostitute).  He sees Rose and knows she wouldn't have jumped.  Jack knows how Rose feels and has come to set her free from the boundaries of her first class life.  He gives her a description of a life of freedom: roller coaster rides, horseback riding on the beach, even the freedom to spit in the wind, which he humorously demonstrates.

The compelling role played by Winslet enhances the captivating connection these two young actors share. Although DiCaprio’s talent seems to make Jack came to life, Jack seems to have only charming flaws, however for the rules, a little too perfect for a young artisan. Both DiCaprio and Winslet are excellent choices, conveying all the emotions expected in a romance, both actors playing to their individual strengths. However, to this familiar ‘Romeo and Juliet’ story between Jack and Rose, Cameron forgets the truth of the ‘Titanic’, and the tragic sinking and loss of life seems to be an afterthought, an approach that seems wrong for a three-hour film. The disaster only seems to take centre stage when the ship sinks. Nevertheless, the other passengers and crew are all but ignored, causing the audience to miss out and not appreciate the scale of the sinking.

The film pleases the viewer with an all-star cast, glorious cinematography, a wonderful wardrobe, held together by the attention to detail and Cameron’s broad control of the film. Unfortunately, like most films, ‘Titanic’ has its flaws. With much opportunity to integrate both the love story and the disastrousness of the sinking, Cameron’s treatment of the event is awkward and disappointing. By weakening the true story in favour of a fictional romance, the film becomes one-sided, unreal. Irrevocably ‘Titanic’ entertains, giving its viewer a visually exceptional recreation of the sinking, along with a captivating love story, unquestionably a motion picture to be witnessed at least once.

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‘titanic’: thr’s 1997 review.

On Dec. 19, 1997, James Cameron's epic set sail in theaters nationwide.

By Duane Bygre

Duane Bygre

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On Dec. 19, 1997, James Cameron’s Titanic set sail in theaters nationwide. The 193-minute blockbuster epic went on to dominate the 70th Academy Awards, nabbing 11 wins including best picture. The Hollywood Reporter’s original review is below.

Paramount should replace that white mountain in its logo with an iceberg for the next several months. The studio will navigate spectacularly with its latest launch, Titanic , the most expensive movie ever created about what was once the largest moving object ever built.

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A daunting blend of state-of-the-art special effects melded around a sterling central story, Titanic plumbs personal and philosophical story depths not usually found in “event-scale” movies that, beneath their girth and pyrotechnics, often have nothing at their core.

Titanic , however, is no soulless junket into techno-glop wizardry but rather a complex and radiant tale that essays both mankind’s destructive arrogance and its noble endurance. 

Ultimately, we all know the horrible outcome of the Titanic sinking. We can recite the numbers lost and the awesome dimensions of the ship, and we can construct some sort of comparative scope for the catastrophe. But all these are mere quantifications and chit-chat regurgitation. 

Cameron, who wrote and directed the film, has put a face on that horrific happening; he has taken us beyond the forensics of the sinking and put us inside the skin and psyches of those who perished and those who survived. In both, we see facets of ourselves: In philosophical microcosm, Cameron shows that in the end — both the good and the bad endings — we’re all in the same boat.

Told in flashback as a single-minded fortune hunter (Bill Paxton) combs the Titanic’s wreckage with his state-of-the-art search ship in hopes of finding undiscovered treasure, the story is recalled by a 103-year-old woman (Gloria Stuart) who was a passenger on the ship’s ill-fated maiden voyage. Drifting back to that time in April 1912, we see the trip through Rose’s (Kate Winslet ) 17-year-old eyes. 

High-spirited and betrothed to a monied mill heir (Billy Zane), Rose is, nevertheless, despondent. Like a Henry James heroine, she finds that she is not suited for life in the gilded cage that society is shaping for her as the baubled wife of a leisured industrialist. She foresees her life as being measured out by serving spoons, and she wants no part of such a stuffy existence. Her ennui turns to deep depression, and she nearly ends it by diving into icy waters, where she is saved only by the wise grace of a third-class passenger, Jack (Leonardo DiCaprio ), whose joy for life and eagerness for living it to the fullest soon revitalize the young Rose. 

All the while, Cameron plants calamitous forebodings — the inadequacies of the life rafts, equipment shortages and the vanity of the ship’s creators and captain. Narratively, Titanic is a masterwork of big-canvas storytelling, broad enough to entrance and entertain yet precise and delicate enough to educate and illuminate. Undeniably, one could nitpick — critic-types may snicker at some ‘ 60s-era lines and easy-pop ‘ 90s-vantage hindsights  — but that’s like dismissing a Mercedes on the grounds that its glove compartment interior is drab. 

Unlike in most monstrosities of this film’s size and girth, the characters are not assembled from a standard stock pot. Within the dimensions of such an undertaking, Cameron, along with his well-chosen cast, has created memorable, idiosyncratic and believable characters. Our sympathies are warmed by the two leads: Winslet is effervescently rambunctious as the trapped Rose, while DiCaprio’s willowy steadfastness wonderfully heroic. On the stuffy side of the deck, Zane is aptly snide as Rose’s cowardly fiance, while Frances Fisher is perfect as a social snob, both shrill and frightened. Kathy Bates is a hoot as the big-hatted, big-mouthed Molly Brown — she is, indeed, indestructible. On the seamier side, David Warner is positively chilling as a ruthless valet. As the deep-sea treasure hunter, Paxton brings a Cameron-type obsessiveness to his quest. 

Also on the Oscar front, clear the deck for multiple technical nominations. Front and center is, of course, Cameron. A decided cut above other superstar directors in that he can also write, Cameron deserves a director’s nomination for his masterful creation — it’s both a logistical and aesthetic marvel. The film’s fluid, masterfully punctuated editing, including some elegantly economical match cuts, is outstanding: Editors Conrad Buff and Richard A. Harris deserve nominations, as does cinematographer Russell Carpenter for his brilliantly lit scopings ; his range of blues seems to hit every human emotion. 

Titanic ‘s visual and special effects transcend state-of-the-art workmanship, invoking feelings within us not usually called up by razzle-dazzlery . Highest honors to visual effects supervisor Rob Legato and special effects coordinator Thomas L. Fisher for the powerful, knockdown imagery. It’s often awesome, most prominently in showing the ship’s unfathomable rupture. The splitting of the iron monster is a heart stopper, in no small measure compounded by the sound team’s creaking thunders. Through it all, James Horner’s resonant and lilting musical score, at times uplifted by a mournful Irish reed, is a deep treasure by itself.  — Duane Byrge , originally published on Nov. 3, 1997.

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Titanic Movie Review

• Category Entertainment
• Subcategory Movies
• Topic Titanic

The Titanic has been known as the “unsinkable” ship or the ship of dreams. This ship was thought to be the unsinkable ship by all the passengers on this ship on its grand departure to America on April 10th 1912. During this journey, a 3rd class artist named Jack Dawson ( Leonardo DiCaprio ) and a young rich girl named Rose DeWitt Bukator ( Kate Winslet ) fall in love. Until one tragic night there enhance love for each other turned into a struggle to survive a ship plummeting to its doom in the Atlantic ocean.

During the film, Rose had an unhealthy relationship with her fiance Caledon Hockley and was trying to find a way to escape from him to be with Jack. But when the Titanic suddenly collided with a gigantic iceberg and abruptly sunk on April 15th, 1912 at 2:20 am. Jack died and Rose survived with roughly 700 other people that boarded the ship.

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The whole movie is a flashback told from old Rose 84 years later to her granddaughter and others of her experiences.

James Cameron the director and writer of the movie had known that the Titanic was the largest moving man made object ever built tried to recapture the true life amazingness of the ship. The ship had many fabulous features many passengers has never seen before like electrical lighting and heating in every room. The size and magnificence of the ship clearly stated the ship was a legend. James Cameron had a replica built of the ship. He used his technological experience towards the movie to structure the magnificent detail into rooms and furnishing to the people’s expressions on their faces. James Cameron was a talented director, there were amazing actors and the Titanic was a phenomenal movie.

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Critical Analysis Of The Titanic 1997 Movie Essay Sample

Type of paper: Essay

Topic: Conflict , Women , Cinema , Family , Film , Parents , Vehicles , Love

Words: 1200

Published: 02/29/2020

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Introduction

The movie opens with Jack Dawson who wins the class titanic tickets in the game of a porker. His friends want to accompany him in their hometown, in America by the ship. The ship leaves showing the first class passengers as Rose De Witt, the mother Ruth and her boyfriend Cal Hockley. Rose is planning to marry her boyfriend, and they have made the plans to protect their wealth. Consequently, this plan annoys Rose, who attempts suicide out of anger; she tries to jump out of the ship. Jack comes in to rescue her by convincing her to move out of the rail, ship, and Rose accepts, and asks Jack to join her for dinner as a sign of gratitude. As a result, Jack courts her as they move around the ship. Jack acts as the first class passenger; he then hands her a letter asking them to meet at clock place (King, 34). One day, Rose and Cal had a conflict concerning what she had done the previous night, but warn her not to repeat. The captain organizes a royal sermon in which he acts as the priest just before the ship sinks. It is when Rose asks Jack to draw her naked wearing the heart of the ocean, which is the diamond necklace. Jack did so, and that was her best moments of her life. The two go to the cargo and makes love, then later the ship man meets the iceberg, which he tries to avoid hitting the iceberg, but fails. It results to a quake damaging most of the compartments and water flowing inside, making people escape through the life boats. They arrest Jack because of stealing a necklace, yet it was just a trap. Rose goes to his rescue. Cal fights with Jack and Rose runs away with Jack swimming through the water as they tell each other sweet words, after some few minutes the people start to perish Jack also included except Rose. She is rescued and gets in the Carpathian where she meets Cal, whom she hides her face as she never wanted him to recognize her (King, 17). The film is flawlessly crafted, well-constructed, the acting is very good and emotional. The romantic aspect of it moves the audience with an emotive power and a very long lasting love story that hits the Hollywood of today (Gillespie, 12). The movie begins through exposition where the story is set in the ship that floats in the middle of the ocean with so many passengers from different backgrounds and class. It involves the presentation of the problem that begins when the ship hit the iceberg, which led to the earthquake that caused panic to the passengers and the water that started to enter the ship making it to flood. It causes an imbalance of the boat, which starts to sink, causing the passengers to leave the ship to the lifeboat at the climax of the movie, is when the ship sinks and disappears in the floating area as the passengers try to make their way through the ocean. The water flows to the falling action where Jack and Rose tell each other sweet loving words and promising never to abandon one another as well as when all the passengers froze jack included. Finally, it denounces when Rose is rescued and gets in the Carpathian where she meets Cal, whom she hides her face. She calls herself Rose Dawson after the name of Jack Dawson the man she falls in love with on the ship. Some of the characters in the film are Leonardo DiCaprio-Jack Dawson is the third class passenger who wins the poker game with his friend giving him a ticket to the ship, where he meets Rose one of the passengers. The movie rotates around the love relationship; he gets arrested due to the stolen necklace, the sinking boat, and the escape with Rose, Jack dies later after the sinking boat. The other character is Kate Winslett-Rose Dewitt Bukater, who is known as Rose in the film, and the main character falls in love with Cal and changes on the ship as she falls in love with jack (IMDP, 1). She is not fully committed to Cal as she feels the mother is only forcing her. She falls in love with jack a the third class passenger since she wants to explore the other low class lifestyle. She attempts to commit suicide where is saved by jack. In addition, Ruth the mother of Cal, Rose’s former lover whom the mother wants Rose to get married to, is disappointed by Rose, who falls in love with the third class passenger, Jack. The film revolves around the theme of love and the sinking boat, which turns out to be a tragedy. The main themes from the film include social class conflict, Heroism, as well as Religion. There is some technological arrogance by referring to titanic as a tragedy, but there are other important things that could be viewed instead. There is a good establishment of the themes, especially the theme of conflict, where Jack, Cal, Ruth, and Rose conflict with each other. Jack has a conflict with Cal for taking away his lover; Cal has a conflict with Rose for falling in love with Jack. Ruth Rose’s mother also has a conflict with Rose because she does not want to get married to Cal, whom the mother chose for her (Tarshis, 4). The other theme that the author presents is the theme of Heroism. It is well developed through various characters like Jack, who wins his love over Cal, despite his class express heroism (IMDP, 2). His romantic words and emotional touch win her over.

Conclusively, Jack becomes a hero by saving Rose when she wants to jump over the ship because of the conflict that they have with the mother Ruth over Cal. The problem of the Social class conflict brings another theme. There is a division between the social classes; even those from the first class are given the chance to sit in the first class apartment. Jack, only a third class artist, wins his ticket through the game, but finds the woman of the first class who falling love with him at the expense of her former lover Cal from the first class. Ruth, who is Rose’s mother, conflicts with Rose because she wants her daughter to get married to Cal who is a rich man (Tarshis, 9).

Works Cited

Gillespie, Tim. Doing Literary Criticism: Helping Students Engaged with Challenging Texts. 2010. Print. King, V C. Titanic: Relative Fate: a Novel. West Lorne, Ont: iUniverse, 2009. Print. Tarshis, Lauren, and Scott Dawson. The Sinking of the Titanic, 1912. New York: Scholastic, 2010. Print. IMDP. Titanic (1997). Web. April 22nd 2014. Available at <http://www.imdb.com/title/tt0120338/plotsummary>

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90 Titanic Essay Topic Ideas & Examples

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• “Titanic” by James Cameron: The Design of the American Epic Romance Film The custom building of the ship was meant to validate the historical detail of the movie. The detailed design of the ship was meant to support the narrative such that the occurrences could be as […]
• “Titanic” by James Cameron: Storyline, Language & Characters Analysis The head of the excursion is Brock Lovett and is just exploring to find valuables, which might have been carried to the ship. With the story developing, the ship, on the other hand, is pushed […]
• Would 1997 Movie Titanic Be Considered a Great Epic? Griffith, the “father of film technique”, “the man who invented Hollywood” and “the Shakespeare of the screen,” “a film is a cooperative effort between the director and the audience.
• “Titanic” by James Cameron Movie Analysis Therefore, there is indeed a good reason in referring to Cameron’s film, as such that promotes a thoroughly humanistic idea that the measure of people’s actual worth has very little to do with what happened […]
• Titanic Sinking in Poetic and Oral History Genres In the opening he takes aim at the claim that the ship was unsinkable, calling that an example of “human vanity” and the “Pride of life” from which the ship now lies far removed.
• The Titanic: Preconditions, the Trigger, the Crisis, Post-Crisis The sinking of the RMS Titanic is the subject of this report and seeks to analyze the tragedy through the lens of risk and crisis management.
• Historical Romance: “An Affair to Remember” and “Titanic” The primary aspect of the two films’ social environment is the characters’ ability to get involved in romantic antics and affairs. Love is the central theme in the movie and is signified by the Heart […]
• The Titanic: Risk Management The vehicle’s high speed at the time of the collision and delayed evacuation can be explained by the captain’s attempt to save the prestige of the ship.
• The Role of the Social Institution in the Cameron’s “Titanic” Most of the movie is about the encounter and relationships of this boy with the members of the aristocratic family mentioned above.
• Black Vernaculars in “Sinking of the Titanic” by Hughes and “Shine and the Titanic” by Abraham In both poems, the main character is a black man named Shine who works in the boiler room of the Titanic and attempts to inform the captain of the impending disaster.
• “My Best Friend’s Girl” and “Titanic” Film Analysis As a result, it can be argued that the time difference between these two films is significant in terms of understanding the changes in the depiction of the theme of love by the producers of […]
• The Significance and the Esteem of the Film “Titanic” It is hard to believe that James Cameron envisaged the love narrative involving the two characters and ultimately decided the ideal backdrop would be the sinking of the Titanic.
• Gender Propagation in Titanic Miniseries In spite of the film indicating that the people travelling in the Titanic are divided based on their social status, the film goes ahead to show a high level of interaction among the different classes […]
• Technological Catastrophe: Titanic in 1912 The events leading to the sinking of the ship and the finding of its wreckage in the Atlantic Ocean led to in-depth analysis of technology with a clear line between advantages and disadvantages of technological […]
• Rhetorical Criticism of the Titanic Jack and Rose develop a friendship They walk round the ship and explore all the hidden areas The people of the high class treat and see the employees and people from the lower societies There […]
• My Opinion on the Movie Titanic Upon the knowledge of the portray, Dawson Calvert contacted Lovett, she was asked if she knew about the necklace and she said that indeed she was the one Rose DeWittone of the passengers deemed to […]
• Loss of RMS Titanic (1912): Significant Events of the 20th Century The loss occurred while the ship was on its Maiden voyage from Southampton, United Kingdom to the New York City in the United States causing one of the deadliest maritime disasters of the 20th century.
• Similarities and Differences Between the Movies “Titanic” and “Romeo and Juliet”
• The Night That Changed Everything for the “Titanic”
• Analysis of the Use of Mise-En-Scène to Convey Narrative in “Titanic”
• Acting and Emotions in “Titanic” Movie
• Elegant Production Design and Surprising Visual Outcomes: “Titanic”
• The History and Sinking of the “Titanic”
• “Titanic”: The Most Fascinating and Well-Known Ship in History
• Archetypal and Mythic Patterns in the “Titanic”
• “Titanic”: The Birth of a New Generation and Its Terrible Destruction
• The Events That Led to the Sinking of the “Titanic” in 1912
• Flaws, Failures, and Fractures of the “Titanic”
• Human Neglect as a Reason Behind the Sinking of the “Titanic”
• A Tragic Love Story in “Titanic” Movie
• “Titanic” and “Lusitania”: The Ships That Have Changed History
• Historical Decision: The Incident of the “Titanic”
• “Titanic”: Standout Ship and Legendary Fail
• Comparative Analysis of American Independent Films: “Clerks” and “Titanic”
• “Titanic” and Its Poetics Elements
• Structural Weakness and the Hull of the “Titanic”
• Factors of Success of the Film “Titanic” by James Cameron
• Hollywood Elite and “Titanic” Film by Director James Cameron
• The Size, Shape, and Design of the “Titanic”
• The Theme of Social Classes and Inequalities in the Movie “Titanic”
• The Age-Old Mystery Surrounding the Sinking of the Maiden Ship “Titanic”
• Regarding the “Titanic” and What Should Be Done With the Remains
• Themes and Motives in James Cameron’s “Titanic”
• Impact of Sinking of the “Titanic” on the U.S. Capital Markets
• The Life and Works of Thomas Andrews, the Designer of “Titanic”
• The Wild Conspiracy Theory That the “Titanic” Never Sank
• Various Social Classes and How They Were Treated on the “Titanic”
• Captain Edward J. Smith on Trail for Sinking of the “Titanic”
• The Most Famous Survivor Passenger on “Titanic”
• How the Movie “Titanic” Relates to Suffering and Death
• Engineering and Construction Factors That Caused the “Titanic” to Fail
• James Cameron’s Presentation and Adaptation of “Titanic” for the Cinema
• Comparison of the Movies “Titanic” and “Pearl Harbor”
• The Real Story Behind the Discovery of “Titanic’s” Watery Grave
• Survival Prediction for “Titanic” Data Using Machine Learning Algorithms
• Comparing the “Titanic” Movie and the Real “Titanic” Story
• What Engineering and Construction Factors Caused the Sinking of the “Titanic”?
• Could Such an Accident as “Titanic” Happen Again?
• Why Were the “Titanic” and “Lusitania” Ships That Changed History?
• How Were Different Social Classes Treated on the “Titanic”?
• How Can the Film “Titanic” Be Considered From a Formalist Point of View?
• What Would Be the Survival Prediction of “Titanic” Data Using Machine Learning Algorithms?
• Who Was the Most Famous “Titanic” Survivor?
• How Has James Cameron Presented and Adapted the True Story of “Titanic” for the Cinema?
• Could Anything Have Saved the “Titanic”?
• What Critical Approach Is Used in the Movie “Titanic”?
• How Does James Cameron Represent the “Old World” and the “New World” in His Film “Titanic”?
• Why Did They Say That God Couldn’t Even Sink the “Titanic”?
• Did Any of the 3rd Class Passengers Survive on the “Titanic”?
• What Could Have Prevented the “Titanic” From Sinking?
• How Does Thomas Hardy Present the Tragedy of the Sinking of the “Titanic” in the Poem “The Convergence of the Twain”?
• Was Captain Smith Responsible for the Sinking of the “Titanic”?
• Has the Real “Titanic” Been Found?
• What Changed as a Result of the Sinking of the “Titanic”?
• Is There a Difference Between the Movie “Titanic” and the Real Story of the “Titanic”?
• Why Was the “Titanic” One of the Greatest Shipping Disasters of All Time?
• Is the Story of the “Titanic” a True Story of Life?
• What Events Led to the Sinking of the “Titanic” in 1912?
• What Is the Essence of the Inequality of Different Social Classes in the Story “Titanic”?
• How Much Was a First-Class Ticket on the “Titanic”?
• Was the “Titanic” the Most Fascinating and Well-Known Ship in History?
• Are There Similarities Between the Films “Titanic” and “Pearl Harbor”?
• What Events Led to the Discovery of the “Titanic”?
• How Accurately Does the Movie “A Night to Remember” Depict the Actual Sinking of the Ship “Titanic”?
• Why Will the “Titanic” Always Hold Significance?
• What Were the Causes and Consequences of the “Titanic” Disaster?
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Home — Essay Samples — Entertainment — Movies — Titanic

Essays on Titanic

Titanic essay topics and outline examples, essay title 1: "titanic: a cinematic masterpiece and a love story for the ages".

Thesis Statement: The film Titanic, directed by James Cameron, not only stands as a cinematic masterpiece but also weaves a timeless love story that continues to captivate audiences worldwide.

Essay Outline:

• Introduction
• The Making of Titanic: A Cinematic Marvel
• Romance on the High Seas: The Love Story of Jack and Rose
• Historical Accuracy vs. Creative License
• The Enduring Legacy of Titanic

Essay Title 2: "Titanic: A Window into the Class Divide of the Early 20th Century"

Thesis Statement: The Titanic movie provides a compelling portrayal of the social and economic disparities of the early 20th century, using the ill-fated ship as a microcosm of society.

• The Titanic as a Symbol of Social Class
• The First-Class Experience
• The Plight of the Third-Class Passengers
• Character Analysis: Rose's Journey Across Class Boundaries

Essay Title 3: "The Titanic Effect: How the Movie Revived Interest in the Tragic History of the Ship"

Thesis Statement: The Titanic movie, released in 1997, sparked a renewed fascination with the real-life tragedy of the Titanic and its impact on popular culture.

• The Historical Background of the Titanic
• James Cameron's Approach to the Story
• The Film's Cultural Impact
• Exploring the Titanic's Legacy in Museums and Artifacts

Essay Title 4: "Special Effects and Realism: The Technological Marvels of Titanic"

Thesis Statement: Titanic's groundbreaking special effects set new standards in filmmaking, creating a visually immersive experience that transported audiences back to the ill-fated voyage.

• The Advancements in Special Effects Technology
• Creating a Replica Titanic
• The Spectacle of the Sinking Sequence
• Awards and Recognition for Technical Achievements

Essay Title 5: "Fictional vs. Historical: Analyzing the Accuracy of Titanic's Characters and Events"

Thesis Statement: Titanic, while a cinematic triumph, takes creative liberties with its characters and events, prompting a discussion of where historical accuracy meets artistic storytelling.

• Comparing the Film's Characters to Real Passengers
• Key Historical Events vs. Dramatic Adaptations
• Critical Reception and Debates Over Accuracy
• The Ongoing Debate: Artistic Freedom vs. Fidelity to History

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Comparing The Titanic and The Lusitania

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Impact of Sinking of The Titanic on U.s. Capital Markets

Reflective titanic: a tragic love story, explanatory titanic and its disaster, themes and motives in james cameron's titanic, titanic: love story of all the time, already dead: the need for human interaction in butler’s "titanic victim speaks through waterbed", comparative analysis of american independent films: clerks and titanic, factors of success of the film titanic by james cameron, elegant production design and surprising visual outcomes: titanic, one of the greatest movies to ever reach the theaters: titanic, my impressions of the film titanic (in 150 words), the enduring impact of titanic: themes, characters, and narrative, the tragedy of the titanic: a lesson in human hubris, titanic the titanic disaster or unsinkable, second class life in the titanic, relevant topics.

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