wit movie assignment

Exploring Patient-Centered Care: Lessons from “Wit” Starring Emma Thompson

In the movie “Wit” staring emma thompson, identify four incidences within the movie that showed poor patient-centered care. How will you demonstrate patient-centered care to address the unique wholeness of the individual patient and their family?

Introduction

The movie “Wit,” featuring Emma Thompson, provides a thought-provoking portrayal of healthcare interactions and the importance of patient-centered care. In this essay, we will identify four instances of poor patient-centered care depicted in the movie and then discuss strategies to demonstrate patient-centered care that addresses the unique wholeness of individual patients and their families.

Poor Patient-Centered Care Instances

Lack of Empathy: Throughout the film, the main character, Vivian Bearing, encounters healthcare professionals who demonstrate a lack of empathy and emotional understanding. They prioritize medical procedures over her emotional well-being, leading to feelings of isolation and emotional distress.

Dehumanization: The medical staff often refer to Vivian by her disease rather than her name, treating her as a case rather than a person. This dehumanization marginalizes her as a patient and contributes to her feelings of vulnerability and helplessness.

Communication Breakdown : There are instances of inadequate communication between healthcare providers and Vivian, leaving her confused about her treatment options and prognosis. This lack of clear communication undermines her ability to make informed decisions about her care.

Neglecting Psychosocial Needs: The focus on medical treatments overshadows the importance of addressing Vivian’s psychosocial needs. Her emotional distress and desire for human connection are largely ignored, emphasizing the failure to provide holistic care.

Strategies for Patient-Centered Care

Empathetic Communication: Healthcare providers should actively listen to patients and express genuine empathy. By acknowledging their emotions and concerns, providers create a supportive environment that fosters trust and emotional well-being.

Individualized Care Plans : Tailoring care plans to each patient’s unique preferences, values, and needs ensures a patient-centered approach. Involving patients and their families in decision-making empowers them to actively participate in their care.

Holistic Support: Recognizing the importance of psychosocial well-being is crucial. Healthcare professionals should address not only the physical aspects of illness but also emotional, social, and spiritual needs, promoting a comprehensive approach to care.

Humanizing Language: Using the patient’s name and respectful language humanizes the healthcare experience. It establishes a connection and reinforces the notion that patients are individuals deserving of dignity and respect.

“Wit” serves as a poignant reminder of the significance of patient-centered care in healthcare. The film portrays instances of poor patient-centered care that highlight the need for healthcare providers to adopt strategies that address the unique wholeness of each individual patient and their family. By fostering empathetic communication, individualizing care plans, supporting holistic well-being, and using humanizing language, healthcare professionals can create an environment that promotes trust, dignity, and meaningful patient experiences. The lessons from “Wit” underscore the vital role of patient-centered care in improving patient outcomes and quality of life.

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Wit Film Reflection

The movie Wit is about an English Literature Professor, Dr.Vivian Bearing, a scholar of seventeenth century poetry. Vivian is diagnosed with stage IV Ovarian Cancer. Throughout the movie, she reflects on her life, and viewers witness her painful journey as she endures eight months of brutal/intense experimental chemotherapy treatment. The manner in which Vivian was treated by most of the healthcare providers in charge of her care was heartless, inhumane, insensitive, callous, and unprofessional to say the least.

Wit begins with Dr. Kelekian delivering the diagnosis of cancer to Vivian, he was condescending and assuming when Vivian asked him to go on, and Dr. Kelekian responded “you are a professor”. Such response was unprofessional, and suggestive that because she is educated and is a scholar, Vivian should automatically know the severity and details of such diagnosis. The doctor continued to use medical jargon as he communicated with his patient, and rambled about the experimental drug treatment that they are developing. Dr. Kelekian did not allow Vivian to gather her thoughts or explore feelings. He then informs Vivian that as research, the treatment she’s to receive, will make a significant contribution to their knowledge. Therefore, the primary focus is not the patient, but the doctors/researchers. Vivian’s autonomy and right to choose was violated and taken away. She should have been afforded the opportunity to go home, think about what was discussed, and then decide what is best for her, not the researchers. She was denied the opportunity to grieve, be angry, and express her inner thoughts, and feelings.

Next, Vivian encounters Jason, Dr. Kelekian’s Fellow, and former student of Vivian. Jason’s behavior was awkward and subpar, not to mention unprofessional. After questioning Vivian about her medical history, he attempted to perform a vaginal exam without obtaining patient’s verbal consent, or explaining the procedure to her. He then realized the need for a female to be in the room during such examination. Jason ran out to get Nurse Susie, left the door open for several seconds, exposing Vivian with her legs up in the stirrups, before closing the door. Upon entering the examination room, the nurse immediately chastised Jason for leaving the patient in such an uncomfortable position. During the vaginal exam, Jason focused on himself, rather than the patient. He talked about how well he did in Vivian’s class and how great taking her class looked on his transcript. Once again, Jason failed to display compassion and professionalism that’s expected from one of such profession. He should have maintained eye contact with his patient, made her comfortable/put her at ease, asked if she was in pain, and explained in layman’s term what he was doing, as he performed the procedure. To make matters worse, after completing the exam, he took off his gloves, stated he had to leave, and then exited the room without washing his hands. Additionally, Jason left without discussing his findings with Vivian, and did not afford her the opportunity to ask questions.

Anger, rage, and disappointment were the emotions evoked within me as I watched the movie. I thought about how many patients, to this day, are treated in the same manner as Vivian. Patients, especially the elderly, immigrants, and of low health literacy/low socioeconomic status, are treated this way. Such patients hesitate to question the doctor out of fear of being labeled difficult, or believe the doctor knows best, since he/she is the health care provider, allowing the doctor to make all the decisions. Patients lacking the support and presence of family members to speak up for them, like Vivian (despite literacy level), often remain silent as well. Our job as clinicians is to provide the patient with information as plain as possible, and involve them in the decision making process, every step of the way. We must empower the patient and promote autonomy, no matter what the outcome may be.

Throughout the movie, I witnessed the numerous occasions where Vivian was treated less like a human being, and more like a subject, a guinea pig whose sole purpose was to provide the researchers with more “knowledge”. Upon grand rounds, Jason pulled up Vivian’s gown, exposed her body, without asking permission. He then roughly palpated her abdomen and had the other residents, at the same time, touch her abdomen as well, again failing to obtain consent. The doctors also spoke over Vivian, using medical terminology, never once communicating with her. It was as if she wasn’t present in the room. The lack of communication and disregard for Vivian was deplorable. I wondered if the use of therapeutic communication and emotional intelligence is encouraged and taught in medical school.

Nurse Susie, on the other hand, displayed true professionalism. She treated Vivian as a human being, demonstrating compassion, honesty, and empathy. She represented Jean Watson’s theory of caring to the utmost. The nurse allowed Vivian to express her feelings. She listened intently, and provided comfort as her patient was alone and had no family members. Vivian trusted Susie, this was demonstrated when she cried, and told Susie that she was scared. Finally, she was allowed to show her true emotions. While eating popsicles, Susie informed Vivian of information that the doctors withheld from her, which was that she wasn’t going to get better. The nurse took the opportunity to also explain what DNR/DNI is, and allowed Vivian to truly make an informed decision regarding her health. Although it was clear to Vivian that death was imminent, she felt better, as Susie helped her regain her autonomy. Susie advocated for her patient on numerous occasions. She asked Jason to have the medication dosage lowered, as the patient experienced horrid side effects, but he failed to consider her input. Susie suggested to Dr. Kelekian to order PCA pump to ease Vivian’s pain and to keep her more alert, he too ignored her plea.

Down to the end of Vivian’s life, Jason continued to behave below the standard of a true professional. Upon learning that the patient was dead, Jason disregarded the DNR, performed CPR, and called a code. He went as far as to refer to Vivian as “research” when Susie pushed him out of the way, and yelled that the patient is DNR. This nurse truly advocated and cared for her patient. However, I would like to have seen Susie report the researchers’ deplorable actions to the higher powers that be from the very beginning. Although Vivian’s death would not have been prevented, she would have probably received better care, been informed about her prognosis, and included in the decision making process. She deserved to be treated humanely and the doctors should have payed the price for treating her as “research”. It’s imperative for all healthcare workers to encourage one another to practice with honesty, kindness, gentleness, and compassion. Treating patients, and each other, the way one would like to be treated. Also, we must remember to live a balanced life. One must work, but must also live and enjoy life, as illness and death is no respecter of person or status.

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PRIVACY POLICY
MOVIE WIT ANALYSIS IN NURSING

The action of the nurse while caring for his or her patient. Susie Monahan is a nurse who is taking care of Vivian Bearing who have metastatic Stage IV ovarian cancer. Susie is a kind of nurse that everyone will look up to because of the things that she have done in the movie. Throughout the entire treatment of Vivian, she assist her in everything that Vivian will do, like giving tissues to clean herself up and guiding her everytime she want to be in a sitting position. She frequently and sincerely asked her questions about her current status and what happened to her before she experienced the side effects of the treatments. She lift up the mood of Vivian to forget the harsh reality that is going on around her and when she really can’t take the pain she make sure to say that she is always there beside her, one call away, and showed some empathy that can somehow help her emotionally. Conscious or not, she will asked a permission to Vivian before she will do something to her body for some procedures that she need to. She provides information about her current condition and explain it thoroughly to her in order for her to understand the different clauses and she also make sure that she give her an option because what matter most is her opinion. Whenever Susan think that the doctors medication is not good for Vivian, she make up to point to talk to them and discuss the matter because she knows that Vivian cannot take the pain that the full dosage will give to her. And lastly, which is more importantly is the way she respect and fight for Vivian’s decision not to resuscitate her if her heart stop beating. It is when Dr. Jason found out that Vivian is already dead, he called the doctors that handle code blue situation to resuscitate her and what Susan did is to fight them and yelled everyone saying that Vivian don’t want to be resuscitated but everyone is not listening to her but after sometime, Dr. Jason was able to stop them and told that them that he made a mistake for calling them because truly, Vivian make a form and that is not to resuscitate her. Major concepts seemed to be central in their practice of nursing. The major concept that central in the nursing practice in the movie are the person, environment, health, and nursing. Susan treat Vivian as a person who needs to be treated and she doesn’t ever showed that Vivian is like a guinea pig because she is being experimented to find cure for her illness. She cared for her as a person and not because of some experiment sample to acquire new knowledge in the field. A good environment also matters because it can make a big impact in the present condition of the client. That’s why Vivian is in a clean, well-ventilated, and quiet environment because it is essential for her recovery. Susan make sure that the quality and wellness of Vivian’s health is the priority. Like she intervened about the full dosage of dose that the doctor is planning to give her, saying that she cannot handle the inside pain even if she act tough on the outside. And lastly is the nursing in which it shows the discipline of science and arts. In here, Susan define what nursing is really is and it is all about the knowledge the she should interact and the skilled that she need to act in order build a mutual trust between the both of them. Person, environment, health, and nursing relate to each other in a way that they make up the general basis for nursing practice to achieve humanistic and holistic care that client wants to attain. Meaning, from these 4 concepts many nursing knowledge will start to rise because it serves as its guide or framework in the discipline. The nursing philosophies, conceptual models, middle-range theory, grand theory, practice theory, and metatheory develop with the help of the metaparadigm and key concepts it presented. From these 4 concepts, nurses are now knowledgeable enough and competent to address the needs of the every client that they will face in the future.

Movie Reviews

Tv/streaming, collections, great movies, chaz's journal, contributors, the agonizing bite of "wit".

From John Zulovitz, Columbus, Ohio:

As I was perusing your site, I saw that you’d written an article concerning Mike Nichols ’s masterful adaptation of Margaret Edson’s play, "Wit," and, as a result, I felt a synchronous jolt and felt that I should write to you.

Wit is both a play and a film that I admire very much. It also, as you mentioned in your article, features one of Emma Thompson ’s greatest performances (in no way negating her equally wonderful and revelatory work as Margaret Schlegel, Miss Kenton, Garteh Pierce, or Elinor).

I had been thinking about the film the day prior to discovering the article on your site. As you wrote that you had done, I too decided to watch the film again. So I slid the disc into the DVD player, pressed “Play,” and sat back to watch. However (also as you did), I found that I could not finish watching the film. Instead, I took down from my bookshelf my copy of Ms. Edson’s play, settled into my favorite chair, and allowed the text – rather than the visual translation of the film – to guide my imagination.

It was a strange, an anxious, sensation for me to not be able to watch the film. Usually, I can watch just about anything, no matter what the subject, provided that it is a film well-made and truthfully told. But something that warm July afternoon had arrested me and left me in a place of stasis; it covered me like a pall, expunging all warmth and light, and made it impossible for me to bear that day Vivian’s journey through celluloid.

Lately, I have been thinking about my father more than usual. “Brooding,” while not completely accurate a word, comes close to describing my current train of thought. He died of cancer just two weeks shy of my ninth birthday. He suffered from not one type of cancer, but two: multiple myeloma and plasmacytoma. The prognosis delivered to him by his doctors was, at best, six months to a year. However, he lived for five years, in no small part because of my mother, who stayed by his side without cease and fought with him his illness, using love, care, and compassion as her allies. When I think now of what she did for him, I cannot help but to feel dumbstruck. It also makes me think of what a wonderful and miraculous thing the human heart can be; it is, as Woody Allen has described, “a very, very resilient little muscle.”

In a way, the reason I am now so passionate about films is because they were the medium – along with books – that saw me through and sustained me during those difficult years following my father’s death. From the time he died, August 13, 1979, to December 1983, I existed in what can only be described as a state of stealth shock.

Outwardly, I functioned well enough. I went to school, procured good grades, behaved myself, and practiced the benevolent constitution and manner of a child who had been raised well and in a loving, normal home. Inwardly, however, all that seemed to exist was a dark chasm. I had no idea how to deal with the pain of such a loss; it plagued me every waking moment and stole from my world all available color; and, from my senses, the very elements of sensation itself. All seemed dull, gray, muddy. I used to sit on the playground and watch my peers at play, envying their innocence, their complete obliviousness to a fact that I had so recently learned: the world comes with teeth, and sometimes those teeth are apt to lash out and bite without warning, leaving in their wake a large, gaping hole where once balance and happiness had occupied, had existed.

For four years, this was my life. I had turned traitorous toward my emotions, smothering them out of fear of what, should I have let them out, would happen. I went about displaying to everyone – my family, my teachers, my peers – a smile that was false; a smile that communicated to others: “See how well I’m doing? I’m doing well. Look at how wonderfully I’m doing this. Do you see? I can handle anything. Anything at all.”

Then, in December 1983, my life changed; the house of cards I had so carefully constructed trembled, began to tilt, and fell in a glossy, fluttering rain. You see, a new film had been released; it had generated much talk, much positive “buzz.” It had been, in fact, reviewed by you and Mr. Siskel on your show. Of course I was interested in seeing the film, as it starred three of my favorite actors; however, the eager and heartfelt approbation expressed by Mr. Siskel and yourself cemented for me my desire – my absolute need – to see it.

So on a snowy evening, shortly before Christmas, I found myself sitting in House Seven of the Continent Cinemas in a suburb north of Columbus. My grandmother and cousin were with me, and soon the house lights dimmed and there before us on an otherwise darkened screen shined a small nightlight in the shape of a clown’s face. Soon there were voices, then a door at right opened and, standing there in silhouette, was a trim, well put together mother voicing every parent’s darkest fear.

The film was, of course, " Terms of Endearment ." And though I was enjoying it immensely (so rare is it to see life presented as it truly is in a film), little did I know then that in a little over two hours I would no longer be the person I had been up to that time.

I won’t go over too many details of the film, for I know you’re already aware of them. What I will do – what I feel compelled to do – is to go over a scene that, as it played, changed my life irrevocably, and for the better.

It’s a scene late in the film in which Emma Greenway Horton, having been diagnosed with cancer, sets for herself the final task of telling her children goodbye. The older son, Tommy, was angry, bitter, forcibly nonchalant (much like my sister had been regarding our father’s death); the younger son, Teddy, is doing his best to maintain his emotions, blinking back tears, sucking on his lower lip, staring down abjectly. Emma, as always, is doing her best to be honest, to be nurturing. In just these few moments, she has the unwelcome task of preparing her children for a world in which she will no longer physically be.

And as this scene played, something remarkable happened to me; something so remarkable, in fact, that my eyes fill as I write this. It was as if, as Emma said to Tommy, “I know that you love me,” some lens in my mind clicked adroitly and sharply into focus; and I realized, through Emma’s words to her boys, that death, though a natural part of life’s cycle, is akin to a sickness that infects those of us who outlive the people we love. Or, as Sophie Zawistowska called it, “The guilt.”

But from Emma’s lesson I gleaned also that, if we are afflicted with this sickness, then it is our memory which comforts us and allows us once again to breathe more freely; to be able to laugh without feeling guilt about it; to allow the things we remember to act as a sort of soothing balm.

It is because of this gift given to me by Mr. Brooks’s film that I became a screenwriter. I remember that night, as we left the cinema, saying to my grandmother and cousin, “I want to be able to do that – to give to others what has just been given to me.” It was a kind of salvation, and one delivered by people whom I’d never met; people who had gathered together to make a film that communicated something about the human condition, complete with its joys and tragedies, its attributes and flaws, its many – yes – endearing idiosyncracies and foibles.

All this, at 24 fps, delivered through the power and truth that is film.

Which isn’t to say that losing a loved one isn’t a daily battle. Recently, I looked at a photographic essay by Renée C. Byer printed in The Sacramento Bee , whose subject was a mother, Cyndie French, seeing her son, Derek, through the final months of his life with cancer. In those pictures I saw not only their faces, but the faces too of my own mother, father, sibling, and friends. I felt with them – veritable strangers – a kinship, an understanding, an empathy. Or, too, when I read recently Dave Eggers ’s "A Heartbreaking Work of Staggering Genius," there were moments he captured in his story whose truth I instantly recognized, for they were also moments that I myself had lived through.

Which is all to say that films – and books and photographs – do have a curative power. My feelings are not so much about acceptance as they are about tolerance. You learn to live with tragedy because you must. Or, as Samuel Beckett sees it: “Because there is no other way.”

People deal with tragedy in different ways, hoping to alleviate, if not expunge, their pain. For me, it has been primarily through film. Strange as it may seem, it is the film that deals with cancer in an honest, forthright way that I admire most; a film that neither glosses over, nor extricates, nor trivializes what it is like to have such a disease affect one’s life. "Terms of Endearment" did that for me. As did "Wit," " Cries and Whispers ," and " One True Thing ." For me, Ms. Streep’s performance in the latter film is the truest cinematic portrayal I have ever seen. I imagine that, while she was making the film, Mr. Cazale must have been much on her mind. There are things she does in that film that are so honest, so spot-on realistic, that I was left stunned, nodding my head, saying to myself, “Yes; that’s it. That’s it exactly.” Kate Gulden is, along with Sophie, Ms. Streep’s best work.

In 1983, as my childhood lay rent and in shreds, it was the combined poetry and cumulative power of images and words flickering across a screen which provided me my salvation, and which allowed me once again to breathe, to taste, and to feel. Some days I am able to go back to those films and experience, again, their wisdom and comfort. Yet other days it is difficult for me to do so. However, no matter what mood I’m experiencing, the possibilities of empathy, tolerance, and compassion remain steadfast. These qualities, once given and once learned, provide a reassurance on which no price may be put.

It is, as best I am able to understand it, a way of living.

Enough? No. Adequate? Perhaps. Yes; perhaps that.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Mike Nichols

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PG-13 | drama | 1 HR 39 MIN | 2001

Emma Thompson stars as a single-minded English professor who finds enlightenment through her struggle with cancer.

“Wit” by Margaret Edson: Ethical and Legal Issues Essay (Movie Review)

Background information.

The movie “Wit” was written by Margaret Edson in 1998. The movie is basically about a fifty-year old woman who was a professor of English specializing in 17 th century poet, John Donne. The woman referred in the film as Dr. Vivian Blearing was diagnosed with stage 4 ovarian cancer. Following the diagnosis, Vivian was assigned to Dr. Kelekian and his fellow Jason, who happened to be Vivian’s student during his undergraduate. The movie revolves around Vivian, Dr. Kelekian, Jason, Susan (Vivian’s primary nurse) and several technicians. It is also intertwined by several scenes in which Vivian makes reference to her teaching career and her experiences with her students.

The movie is of significance to the medical and nursing worlds because it illustrates the relationship between a patient and healthcare practitioners. The central theme of the movie is the conflict of interest that most healthcare professionals encounter. In particular, the healthcare practitioners in this movie are charged with the responsibility of treating Vivian but instead Vivian becomes an object of experimentation for their research (Kent, 2001). A number of ethical and legal issues are evident in the movie and these issues are the subject of this paper. This paper examines in depth the ethical and legal issues that have been raised in the movie. It also discusses the effect of the unethical and illegal practices as well as the strategies that can be taken to avoid them.

Ethical Issues Identified in the Movie

Potter and Perry (2010) argue that “the principle of autonomy is based on the assertion that individuals have the right to determine their own actions and the freedom to make their own decisions” (p. 119). Respect for the individual is the keystone of this principle. Autonomous decisions are based on: individuals’ values, adequate information, freedom from coercion and reason and deliberation. Examples of autonomy in the healthcare include: refusing treatment, giving consent for treatment or procedures, and obtaining information regarding results of tests and treatment options (Potter & Perry, 2010).

Autonomy is highly disregarded in the movie “Wit.” The patient Vivian lacked the autonomy to make the right decisions. The doctors made all the decisions on her behalf. The decisions included the type of treatments to give her, the frequency of the treatments, and the decision to resuscitate or not to resuscitate. Vivian was not in a position to make the right decisions concerning her treatments because she lacked adequate information about her condition. The doctors knew that the doses of chemotherapy they were giving Vivian not only failed to cure her but also failed to remit the illness. Yet they continued with the treatments. They also failed to disclose this information to Vivian yet the information would have enabled her to decide whether or not to continue with the treatment.

Beneficence

Beneficence is commonly defined as the doing of good and is often thought to be the most critical ethical principle in health care (Potter & Perry, 2010). Fundamentally, the principle requires one to always consider his actions in the context of enhancing the welfare of the patient. This however becomes a challenge when what is generally considered to be good for the patient also brings harm to the patient or conflicts with the patient’s desire. Beneficence in the movie “Wit” is illustrated through Susan, the registered nurse who is in charge of Vivian. Susan is the only healthcare professional in the hospital who is concerned about the welfare of Vivian.

She is not only Vivian’s care giver but also her advocate. Many times, Susan disagreed with the doctors treating Vivian on the progress of Vivian’s condition and the treatments the doctors were giving her. She advocated for Vivian’s wellbeing by forcing the doctors to manage the side effects Vivian was experiencing from the chemotherapy. In addition, she advised Vivian’s physicians to reduce the dosage of chemotherapy they giving her due to the negative effects the chemotherapy was having on her.

The first instance of this type of advocacy occurs when Susan tells Jason, Dr. Kelekian’s fellow, to ask Dr. Kelekian to reduce the dosage after Vivian went back to the hospital due to fever and neutrophia (Edson, 2002, p. 44-45). Unfortunately Jason could hear none of it and argued that Vivian was strong enough to bear the full dosage. Susan also showed beneficence by informing Vivian on what was going on with the treatments she was getting and the prognosis given by the doctors.

Based on the information, Susan helped Vivian to make a decision that was beneficial to her. This is illustrated at the end of the film when Susan stopped the resuscitation efforts of the code team in honor of Vivian’s decision. Vivian had decided not to be resuscitated yet the doctors were insisting on the resuscitation for the sake of the research. The lack of beneficence on the other hand is portrayed by Vivian’s doctors who were more interested in their research efforts than on Vivian’s recovery and wellbeing.

Nonmaleficence

Nonmaleficence is defined as “the duty to do no harm,” (Potter & Perry, 2010, p. 314). This principal is ingrained in the Code of Ethics for Nurses. It asserts that the nurse “must not knowingly act in a manner that would intentionally harm the patient,” (Marshall, 2001, p. 12). Some treatments have high risks of causing harm to the patient, but they also have great good for the patient, for instance, chemotherapy and bone marrow transplant which can make the patient weaker and vulnerable to opportunistic infections but which may cure the illness. The lack of nonmaleficence is evident in the movie “Wit” in various ways.

First and foremost, Vivian, the patient was diagnosed with ovarian cancer at the latest stage, that is, stage 4. This thus implies that it was almost impossible for her cancer to be cured. Nevertheless, the doctors at the hospital admitted her and began giving her doses of chemotherapy. To the doctors, Vivian was not just a patient but an object of research, a guinea pig on which the doctors could carry out their research studies and advance their knowledge and prestige in the medical field. The doctors knew that the doses of chemotherapy they were giving Vivian were not helping her in any way but were instead making her body weaker and weaker. Yet, they continued with the treatment and expected her to persevere it.

At the beginning of the play, Dr. Kelekian informed Vivian that they expected full cooperation from her when he stated that: ‘We will of course be relying on your resolve to withstand some of the more pernicious side effects,” (Edson, 2002, p. 9).

Moreover, Vivian had the option of receiving a lesser dose of the chemotherapy. However, the doctors insisted on the full dosage for the sole purpose of the research. Dr. Kelekian argued that: there may be times when you’ll wish for a lesser dose, due to the side effects. But we’ve got to go full-force. The experimental phase has got to have the maximum dose to be of any use,” (Edson, 2002, p. 11). A significant harm was inflicted on Vivian and included not only physical harm through weakening of her body, but also emotional and psychology harm.

Veracity is defined as “telling the truth,” (Chitty & Black, 2007, p. 120). Telling the truth has usually been regarded as a basic necessity in human relations. Ingrained in the nurse-patient relationships is the assumption that nurses will be honest with their patients. However, in some cases nurses are limited by an organizational system that limits the nurse on what she can tell the patient. In such cases, the nurse engages in involuntary withholding of the truth. Voluntary deception is however considered to be immoral. Persons in need of healthcare may also not be totally honest when giving their health information.

Likewise, healthcare professionals may not be honest when responding to patients’ inquiries for information related to their treatment or prognosis. Reasons for such dishonesty include the notion that patients would be better off not knowing certain information or that they are not capable of understanding the information (Erichsen, Danielsson & Friedrichsen, 2010).

Veracity is evident in the movie “Wit” when Susan, the registered nurse taking care of Vivian decided to tell Vivian the truth about her condition. Vivian was getting large doses of cancer chemotherapy without any success of remission. In fact, the cancer was progressing at an alarming rate. She was near death, but the research physicians wanted to challenge her body with chemotherapy for as long as possible to observe the outcome.

Everyone on the medical staff had been cold, technically-minded, and no one had shown any concern for her except for Susie. Vivian had not been informed about the chemotherapy failure or the prognosis that she was dying. One night, Susan found Vivian crying and in a state of panic. She first helped to calm her, then shared a popsicle with her at the bedside while she disclosed the full truth to Vivian about her chemotherapy, her prognosis, her choices about her code status in case her heart stopped, that is, whether Code Blue or DNR, as well as her imminent death.

Susie affectionately explained: “You can be “full code” which means that if your heart stops, they’ll cal a Code Blue and the code team will come and resuscitate you and take you to Intensive Care until you stabilize again. Or you can be “Do Not Resuscitate,” so if your heart stops we’ll … well we’ll just let it. You’ll be “DNR.” You can think about it, but I wanted to present both choices …” (Edson, 2002, p. 67). Susie therefore felt an urge to be truthful an honest. By giving human respect to Vivian, Susie was showing her capacity to be human.

Fidelity refers to faithfulness or honoring one’s commitments or promises to patients (Chitty & Black, 2007). The nurse is supposed to be faithful to her role by seriously taking into consideration all ethical responsibilities related to the practice. When nurses accept patients, they are bound to offer the best care to them. Failure to do so is unethical. Commitment to promises, commitments and agreements builds the trust that is crucial for the nurse-patient relationship.

In the movie “Wit,” fidelity is illustrated well by Nurse Susan who goes out of her way to take care of Vivian and comfort her. She responds to her every need whether physical, emotional or psychological. She feeds her, keeps her company, talks with her, clams her when she is distressed and informs her of the progress of her condition. She also advocates for her healthcare by intervening when the doctors fail to take the proper action. Through all these, Susan shows her commitment to her profession. This creates a trustful relationship between her and Vivian (Dahlin, 2004).

On the other hand, the lack of fidelity is also illustrated in several occasions. First and foremost, any healthcare professional is bound by his practicing license to provide utmost care to their patients. By taking on Vivian as his patient, Dr. Kelekian was committed to provide the best care that would help alleviate her suffering and improve her quality of life if the illness would not be cured. This commitment was however not upheld.

This is because Dr. Kelekian and his fellow, Jason, were more interested in research that would increase their knowledge and enhance their medical careers. As a result, Vivian became a guinea pig for testing the effects of the new treatments. Although the treatments had adverse effects on her, the physicians did not stop or reduce the dosage in spite of the advice given to them by Nurse Susan. In the end, Vivian not only died from the cancer but the quality of her last days was deteriorated by the treatments.

Legal Issues Identified in the Movie

Malpractice.

Malpractice is considered to be “the greatest legal concern of healthcare practitioners,” (Chitty & Black, 2007, p. 92). It refers to negligence applied to the acts of a professional. It occurs when a professional fails to act as a reasonably prudent professional would have acted under the circumstances. It is not a necessity to prove that a healthcare professional had the intention of being negligent. The legal action may be based on the wrong done either through commission or omission. The precondition of a malpractice action is based on two factors including the nurse’s specialized knowledge and skills and the patient’s harm inflicted by the nurse in the execution of her duties.

Malpractice is a key ethical issue raised in the movie “Wit.” Malpractice in the movie is reflected by the physicians’ refusal to act reasonably given the condition of Vivian. When Vivian was diagnosed with the ovarian cancer, the doctors knew that chances for her survival were minimal, if not non-existent. Despite this knowledge, they proceeded with the full dose treatment of chemotherapy thus inflicting great physical, emotional and psychological harm on Vivian.

For eight months, Vivian endured the painful treatment and its more painful and distressing side effects. To make the situation worse, the doctors did not provide Vivian with medications for the side effects until Susan the primary nurse intervened. All these constitute malpractice on the part of Dr. Kelekian and his fellow, Jason.

Informed Consent

This principle requires all patients to be granted the chance to give informed consent before any treatment except when there is a life-threatening emergency (Chitty & Black, 2007). The consent must be voluntary, must be given by an individual with the capacity and competence to understand, and based on adequate information. In the movie “Wit,” Dr. Kelekian gave Vivian the informed consent form to sign after briefly giving her the details about her condition and the treatments they would give her. However, the information given to Vivian about her condition and treatment was inadequate and full of medical jargons thus making it hard for Vivian to comprehend the full meaning of what the doctor said. Thus, the consent given was not an informed consent (Layman, 2009).

Impact of Legal/Ethical Issues on the Healthcare Delivered

The major impact the ethical and legal issues raised in the movie had on Vivian’s care was the deterioration of her health. The treatment given to her was too strong for her weakening body and as a result her health deteriorated with each cycle of treatment she received. In addition, illegal and unethical practices deteriorate the quality of life of patients. In Vivian’s case, the treatment she received prolonged her life but her life was full of misery and agonizing pain.

In the end, the agonizing treatment did not cure her illness and instead she died. If Vivian had had the opportunity to make informed consent to the treatments she received and if the physicians had been honest with her from the beginning, she would not have suffered the way she did. Second, the lack of humanity on the part of the doctors when dealing with Vivian had negative effects on her emotional health. Vivian cried out of frustration and distress on many occasions. She felt helpless and as an object to be used, abused and poked at the discretion of her physicians. This is illustrated when she laments that: “I receive chemotherapy, throw up, am subjected to countless indignities, feel better, go home,” (Edson, 2002, p. 41).

Factors that Contributed to the Lapses in the Standards of Care

In this particular movie, the standards of care were not upheld because of a number of factors. The first factor is the interest of the medical professionals. Dr. Kelekian and his fellow Jason were carrying out a research study that would help them come up with a more effective treatment for ovarian cancer. However, the treatment they were working on needed experimentation. When Vivian came to the hospital with stage 4 ovarian cancer, the doctors saw it as a good opportunity to carry out the experimentation. Vivian was put through the full dose of chemotherapy irrespective of the negative consequences it had on her. As a result, standards of care were compromised for the sake of advancing knowledge (Ulrich Zhou & Grady, 2009).

The second factor that contributed to the compromise of standards of care at the organization is the organizational climate. An organizational climate that upholds standards of care should be created by the managers or senior professionals of the organization. In Vivian’s case, the senior medical professionals (Dr. Kelekian and his fellow, Jason) were at the forefront in compromising standards of care. Although the nurse could identify the unethical and illegal practices, she lacked the power to bring them to an end. The only thing she could was to advocate for better care for Vivian but the ultimate decision lay with Dr. Kelekian. Commitment from the management and senior professionals is thus important in upholding standards of care.

Strategies and Resources that could be used in Coping with the Identified Issues Immediate Strategies

Any healthcare organization interested in ending unethical practices in the short-term can undertake several strategies. The first strategy requires nurses to recognize situations in which healthcare professionals such as physicians compromise the ethical values or situations in which the ethical values conflict. Nurses may experience a troublesome sense in cases when something does not feel right, thus showing that certain duty or task may not have been carried out in the best or most appropriate manner (Kelly, 1998). Nurses need to admit to such feelings not only to themselves but also to their peers and should thus start discussions about the situations, which will in turn help in validating the encounters and clarifying feelings of uncertainty or distress.

Once nurses recognize moral distress or an ethical dilemma and become motivated to take action, they can undertake a six-step process described by Purtillo (2005) to analyze and resolve ethical problems in clinical situations. Ideally, nurses will not be working in isolation to resolve dilemmas but will be engaged in collaborative inquiry and dialogue with other members of the healthcare team. The familiar problem-solving process involves the steps of assessing, identifying the ethical problem, analyzing the problem, exploring the options, implementing the action, and evaluating the process outcome (Cohen & Erickson, 2007).

Long-term Strategies

In the long-term, healthcare organizations should set up ethics committees and ethics consultation services to provide assistance to staff, patients, and families. The multidisciplinary committees can provide unique views to every situation that includes ethical questions. Senior clinicians who serve on the committees are excellent resources for new and seasoned nurses. Ethics consultation services include individuals with expertise in bioethics and clinical decision making who help facilitate communication, mediate conflicts, and alleviate distress in nurse caregivers (Clark & Taxis, 2003).

Ethics rounds and nursing ethics committees also are avenues for healthcare providers to discuss morally distressing situations and to identify strategies for coping. During ethics rounds, nurses and other members of the healthcare team have an opportunity to focus on specific cases with ethical dilemmas that cross all disciplines (American Nurses Association, 2001).

Nursing ethics groups, composed only of nurses, also can be formed to develop nursing competencies and skills necessary for ethical problem solving (Andrews, 2004). In such a forum, nurses can discuss difficult cases and identify issues that may require policy changes. Such groups also can provide opportunities for nurses to learn, apply, and practice the process behind analyzing and solving ethical dilemmas. Many schools of nursing have clinical faculty who specialize in nursing ethics and who are excellent resources for consultation. Clinicians also can seek individual guidance from ethicists in their organizations or communities who are skilled and knowledgeable in ethical theory (Hamric, 2002).

Nurses are encouraged to complete formal education in ethics through electives or continuing education courses. Courses are available through schools of nursing, healthcare institutions, and professional organizations.

Distance-learning classes may be offered to accommodate broad audiences (Ellenchild-Pinch & Graves, 2000; Jameton, 1993). Journal clubs or brown bag lunch discussions are opportunities for staff to develop the communication and critical-thinking skills needed for ethical analysis (Turner, 2003). Educational offerings may focus on the role of nurses in supporting ethical practice, increasing awareness of the impact of ethical dilemmas in the healthcare setting, and enhancing nurses’ abilities to form ethical arguments and justify decisions (Matzo, Sherman, Nelson-Marten, Rhome, & Grant, 2004).

Reference List

American Nurses Association. (2001). Code of ethics for nurses with interpretive statements. Silver Spring, MD: American Nurses Association.

Andrews, D. R. (2004). Fostering ethical competency: An ongoing staff development process that encourages professional growth and staff satisfaction. Journal of Continuing Education in Nursing, 35, 27–33.

Chitty, K., & Black, B. (2007). Professional nursing: concepts & challenges . Philadelphia: Elsevier.

Clark, A. P., & Taxis, J. C. (2003). Developing ethical competence in nursing personnel. Clinical Nurse Specialist, 17 , 236–237.

Cohen, J., & Erickson, J. (2007). Ethical dilemmas and moral distress in Oncology Nursing Practice, 10 (6), 775-780.

Dahlin, C. (2004). Ethics in end-of-life care. Journal of Hospice and Palliative Nursing, 6 (1), 1-2.

Eddie, F. (1994). Moral and ethical dilemmas in relation to research projects. British Journal of Nursing, 3 (4), 182-184.

Edson, E. (2002). Wit. New York: Demco Media.

Ellenchild-Pinch, W. J., & Graves, J. K. (2000). Using Web-based discussion as a teaching strategy: Bioethics as an exemplar. Journal of Advanced Nursing, 32, 704–712.

Erichsen, E., Danielsson, E., & Friedrichsen, M. (2010). A phenomenological study of nurses’ understanding of honesty in palliative care. Nursing Ethics, 17 (1), 39-50.

Hamric, A.B. (2002). Bridging the gap between ethics and clinical practice. Nursing Outlook, 50, 176–178.

Jameton, A. (1993). Dilemmas of moral distress: Moral responsibility and nursing practice. Clinical Issues in Perinatal and Women’s Health Nursing, 4 , 542–551.

Kelly, B. (1998). Preserving moral integrity: A follow-up study with new graduate nurses. Journal of Advanced Nursing, 28 , 1134–1145.

Kent, H. (2001). At Wit’s end. CMAJ, 164 (6), 841.

Layman, E. (2009). Human experimentation: Historical perspective of breaches of ethics in US health care. The Health Care Manager, 28 (4), 354-374.

Marshall, P. (2001). End of life care: ethical issues. Kansas Nurse, 7 (4–7), 11–12.

Matzo, M. L., Sherman, D. W., Nelson-Marten, P., Rhome, A., & Grant, M. (2004). Ethical and legal issues in end-of-life care: Content of the End-of-Life Nursing Education Consortium curriculum and teaching strategies. Journal for Nurses in Staff Development, 20, 59–66.

Potter, P. A., & Perry, A. G. (2010). Fundamentals of Nursing. Philadelphia: Elsevier.

Purtillo, R. B. (2005). Ethical dimensions in the health professions (4th ed.). Philadelphia: Elsevier Saunders.

Turner, M. H. (2003). A toolbox for healthcare ethics program development. Journal for Nurses in Staff Development, 19, 9–15.

Ulrich, C., Zhou, Q., & Grady, C. (2009). Recommending research participation to patients: an ethical imperative? Clinical Scholars Review, 2 (2), 41-44.

Chicago (A-D)
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IvyPanda. (2022, March 20). “Wit” by Margaret Edson: Ethical and Legal Issues. https://ivypanda.com/essays/ethical-and-legal-issues-related-to-the-movie-wit-by-edson/

"“Wit” by Margaret Edson: Ethical and Legal Issues." IvyPanda , 20 Mar. 2022, ivypanda.com/essays/ethical-and-legal-issues-related-to-the-movie-wit-by-edson/.

IvyPanda . (2022) '“Wit” by Margaret Edson: Ethical and Legal Issues'. 20 March.

IvyPanda . 2022. "“Wit” by Margaret Edson: Ethical and Legal Issues." March 20, 2022. https://ivypanda.com/essays/ethical-and-legal-issues-related-to-the-movie-wit-by-edson/.

1. IvyPanda . "“Wit” by Margaret Edson: Ethical and Legal Issues." March 20, 2022. https://ivypanda.com/essays/ethical-and-legal-issues-related-to-the-movie-wit-by-edson/.

Bibliography

IvyPanda . "“Wit” by Margaret Edson: Ethical and Legal Issues." March 20, 2022. https://ivypanda.com/essays/ethical-and-legal-issues-related-to-the-movie-wit-by-edson/.

Vivian Morris in Gilbert’s City of Girls
Police Workplace Discipline and Misconduct
Vivian Dorothy Maier: Biography and Works
Re-Defining the Musical: "Cabaret" by Joe Masteroff
“The Matrix” by The Wachowskis Review
“Vertigo” by Hitchcock: Summary
"The Breakfast Club" by John Hughes Film Analysis
"W.E." Historical Romantic Drama Film Analysis

Videographic Film & Media Studies Fall 2017

Fmmc0334, mw 8:40-9:55am.

Course Policies
Learning Goals and Grading
Technical Information
Exercise #1 – Videographic PechaKucha
Exercise #2 – Voiceover
Exercise #3 – Videographic Epigraph
Exercise #4 – Multiscreen
Exercise #5 – Algorithmic Double Feature
Assignment #6 – Abstract Trailer
Midterm Reflection Essay
Videographic Response Essay
Final Videographic Essay
Self Evaluative Essay

Video Commentaries

Weekly Schedule

Wit in Movies

This week I watched a video essay titled “Shane Black’s The Nice Guys (2016) : Wit, Done Right.” This video discusses wit in Hollywood movies and brings up the clever use of wit in the movie The Nice Guys, a movie that underperformed according to this video essayist. I think the topic of wit, especially in relation to the movie The Nice Guys is an important topic, because wit is often done poorly in movies, and movies with well crafted wit tend to be overlooked. As this video essay brings up, The Nice Guys nicely balances between using typical tropes and jokes in new and interesting ways, as well as directly criticizing typical jokes in order to be witty. Another important aspect of The Nice Guys is that throughout the whole movie, as the story changes and adapts, so do the characters, style, and jokes of the movie. There is a fairly consistent style throughout, but the jokes evolve as the characters develop and get to know each other. Unlike other movies that might just keep using the same type of witty banter for most scenarios, The Nice Guys builds on its old jokes, even making fun of them. This meant that as a viewer I appreciated the later jokes in the movies just as much as the earlier jokes because I felt like I had grown alongside the main characters.

In terms of this video essay’s form, the video mostly uses video clips, background music, and voiceover. One interesting choice made was that every time the video cuts to a scene with important dialogue, the background music of the video essay cuts out completely. On the one hand I found this technique effective because it caught my attention every time and drew me to pay close attention to the audio of the scene, but I’d almost rather that the video essay have the music fade down but keep playing quietly in the background. I think that changing the volume drastically would still draw viewer’s attention, but keep more of a consistent feel throughout the whole video. Besides these audio interruptions, I think the rest of the video is very effective in keeping a consistent tone with the movie. The author’s voiceover performance is witty and causal enough that it totally fits with the clips from the movie. Also when the video featured text, the font and color of the text felt consistent with the style of the movie as well, meaning that I wasn’t distracted from the argument of the video.

The Assignment

After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible. After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible. After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible.

Walter Hill
Denis Hamill
Michelle Rodriguez
Tony Shalhoub
Anthony LaPaglia
140 User reviews
89 Critic reviews
34 Metascore
1 win & 1 nomination

Frank Kitchen

Dr. Ralph Galen

Honest John

Nurse Becker

Doctor Rachel Jane

Sebastian Jane
Hotel Manager

Earl Hawkins

Office Nurse

Vladimir Gorski

Mexican Man

Stenographer
All cast & crew
Production, box office & more at IMDbPro

Did you know

Trivia The first draft of the screenplay was written in 1978.
Goofs At around 48:06, when the main character is videotaping herself, she points a gun directly at the camera from a distance of probably less than a foot. This has the unintended consequence of revealing that the pistol is an Airsoft replica of an M1911 .45 ACP with a much-smaller inner muzzle than that of the real firearm.

[first lines]

Frank Kitchen : I killed a lot of guys. They were worthless pieces of shit, but I killed them, and you're not supposed to kill people. So what happened to me? I guess maybe in the end... it was a lot better than what I deserved. But it takes a long time to work that out. In the meantime, you just want to get get even.

Soundtracks Blindfold Written by Joseph Hicks Performed by Halo Stereo

User reviews 140

Mar 10, 2017
How long is The Assignment? Powered by Alexa
March 3, 2017 (United States)
United States
Official site (Japan)
Vancouver, British Columbia, Canada
See more company credits at IMDbPro
$5,000,000 (estimated)

Technical specs

Runtime 1 hour 35 minutes

More to explore

The 12 Best Jason Statham Movies, Ranked According to Rotten Tomatoes

"You don't know me. You're about to."

One of the great action heroes of the modern day who is also blessed with a penchant for comedy, Jason Statham is a certifiable movie star whose career just keeps going from strength to strength. While known for his tough guy persona and his martial arts abilities, he has amassed an impressive filmography working under some of the biggest directors and acting opposite some of Hollywood's greatest ever stars.

Indeed, Statham's career is far more diverse than many think , with the actor starring in comedies and even a few dramas showing the range of work he is capable of. Some of his projects have received positive critical reviews, achieving high rankings on the popular review aggregator Rotten Tomatoes, which may change fans' perceptions of him as a one-dimensional action figure.

12 'The Expendables 2' (2012)

Rotten tomatoes score: 67%.

Serving as the sequel to The Expendables , The Expendables 2 sees the veteran action stars enlisted for a seemingly routine assignment involving a simple payback mission. However, things take a dangerous turn when one of their own is brutally killed on the job. Seeking revenge, the crew embarks on a mission to not only recover a stolen item, but also to avenge their fallen comrade.

Statham portrays Lee Christmas, one of the core members of the Expendables team, who is a skilled and resourceful marksman specializing in close-quarter combat and handling heavy weaponry. The Expendables 2 was praised for its nostalgic value and star-studded cast , although some critics found the plot to be formulaic and lacking depth. Yet, Statham’s performance is commendable, showcasing his signature blend of charisma, wit, and physicality, reinforcing his position as a fan-favorite character. The film is also a suitable addition to The Expendables franchise , which has proven far stronger than anyone could've anticipated.

The Expendables 2

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11 'Wrath of Man' (2021)

Rotten tomatoes scores: 67%.

The 2021 action thriller Wrath of Man is among Guy Ritchie 's most pleasantly surprising movies . It follows Patrick Hill (Statham), a mysterious and highly skilled security guard who is employed by an armored truck company and joins the team to protect valuable cash deliveries. However, it becomes evident that Hill has a hidden agenda and a personal vendetta.

Statham's portrayal of Hill is filled with brooding intensity, as he effortlessly exudes a sense of quiet authority and controlled rage. Moreover, Wrath of Men blends action, suspense, and crime drama elements with exciting sequences, surprising twists, and a gritty atmosphere , making it a very engaging movie despite not possessing Ritchie's trademark numerous-narratives style. Moreover, Statham can also show off his aptitude for playing complicated, multidimensional characters thanks to this performance, which contrasts with his typical parts.

Wrath of Man

10 'the fate of the furious' (2017).

Serving as the eighth installment in the Fast & Furious franchise, The Fate of the Furious continues to explore the adventures of Dominic Toretto's ( Vin Diesel ) crew and their high-stakes missions. This time, Dom is coerced into working for a cyberterrorist named Cipher ( Charlize Theron ). Statham plays Deckard Shaw, a former British special forces assassin seeking redemption and reconciliation with the crew after his villainous actions in a previous film.

Shaw reluctantly joins forces with the crew to take down Cipher. Statham plays Shaw with ferocity and charisma despite getting little screen time, fusing a gruff demeanor with tender and humorous moments. The Fate of the Furious received positive reviews for its over-the-top approach and Theron's wicked performance . It was also a major box office hit, and while it doesn't necessarily rank among the best Fast and Furious movies , The Fate of the Furious works as a thrilling action film and a solid entry into one of the most consistent modern franchises.

The Fate of the Furious

9 'fast & furious presents: hobbs & shaw' (2019).

Serves as a spin-off from the Fast & Furious franchise, Fast & Furious Presents: Hobbs & Shaw focuses on the titular characters, played by Dwayne Johnson and Statham. Hobbs and Shaw must work together to stop a dangerous cybernetically-enhanced terrorist named Brixton Lore ( Idris Elba ), who is determined to obtain a virus that could threaten humanity's future.

Critics and audiences widely praised Statham's performance in Hobbs & Shaw . He is known for his intense and charismatic presence on screen, and his portrayal of Deckard Shaw in the film was no exception. Despite mixed reviews, Hobbs & Shaw is a thrilling action flick with excessive bloodshed, wild stunts, and tons of amusing banter between the main protagonists .

Fast & Furious Presents: Hobbs & Shaw

Rent on Apple TV

8 'The Beekeeper' (2024)

Rotten tomatoes score: 71%.

A glimmering dose of earnest action thrills that thrives as a celebration of old school blockbuster fun, The Beekeeper looms as being one of the great sleeper hits of 2024. Statham stars as Mr. Clay, a vengeful associate of a mysterious group known as the “Beekeepers” who utilizes his resources to track down the scammers whose attack led his landlady to die by suicide.

Its solid 71% score from critics is supported by an audience score of 92% on Rotten Tomatoes, with the film universally being praised as a fun and exciting action flick that serves as yet another testament to Jason Statham’s brilliance in the genre . All in all, The Beekeeper is a thoroughly satisfying film that leans heavily on genre tropes but executes well to be one of the best action movies of Statham’s career thus far.

The Beekeeper

Watch on Fubo

7 'Fast & Furious 6' (2013)

Jason Statham’s arrival into the Fast & Furious franchise in Fast & Furious 6 was effectively what cemented the saga’s transition from car racing films to bona fide action blockbusters, even if his first appearance was only a brief cameo. The film focuses on Agent Hobbs’ ( Dwayne Johnson ) pursuit of a mercenary gang, something he recruits Dom ( Vin Diesel ) and his crew to help out with given their connection to the gang’s leader.

Armed with some outstanding action sequences and a good sense of humor , Fast & Furious 6 leaped from the platform founded by Fast Five as a scintillating action spectacle. It marks what is undoubtedly a high point of the Fast & Furious franchise, and, despite only appearing briefly, serves as an emphatic re-affirmation of Jason Statham’s impact as an action star.

Fast & Furious 6

6 'the italian job' (2003), rotten tomatoes score: 72%.

The Italian Job follows a proficient thief named Charlie Croker ( Mark Wahlberg ), who leads a team of skilled criminals. After a successful gold heist in Venice, their teammate, Steve ( Edward Norton ), betrays them and leaves them for dead, taking the gold for himself. Driven by revenge and the desire to retrieve their stolen loot, Charlie and his crew plan an elaborate heist to steal the gold back.

Statham played Handsome Rob, a skilled wheelman and member of the heist crew. His performance received praise for his ability to add humor to the movie, which offered comedic relief and gave the role a fun edge. Moreover, The Italian Job is a very entertaining heist movie that combines action, tension, and humor . It is well renowned for its elegant and suspenseful car chases.

The Italian Job (1969)

5 'snatch' (2000), rotten tomatoes score: 74%.

A true classic of modern comedy, Guy Ritchie's hit film Snatch is a brilliant mixture of narrative wit, hilarious dialogue, and English crime grit that thrives with Jason Statham in the leading role. He portrays Turkish, a small-time boxing promoter who finds himself indebted to a merciless thug when his fighter, a freewheeling gypsy brawler Mickey ( Brad Pitt ), refuses to go down during a rigged fight. Meanwhile, a stolen diamond of immense value becomes the focus of the criminal underbelly.

While the massive ensemble cast does dim Statham's impact on the film somewhat, he still shines in the comedic role when on screen, with his dry cockney wit and his knack for timing on full display . Snatch has secured a cult classic status and even become a bona fide hit in its own right, so much so that the Rotten Tomatoes score of 74% is surprisingly low if anything.

4 'Lock, Stock and Two Smoking Barrels' (1998)

Rotten tomatoes score: 75%.

Written and directed by Guy Ritchie , Love, Stock, and Two Smoking Barrels marked his directorial debut. The film follows a group of four friends in London who find themselves in deep debt after a rigged card game. In an attempt to repay their debt, they plan a heist on a local gang, which leads to a series of comedic and chaotic situations. Statham plays Bacon, a streetwise and humorous character with a knack for card games and a love for shotguns.

A major breakthrough for Statham, the film helped launch his career and marked the first of many collaborations between him and Ritchie. Despite a tepid initial reception, Love, Stock, and Two Smoking Barrels has since gained cult status and is renowned for its elegant direction, clever language, and ensemble cast.

Lock, Stock and Two Smoking Barrels

3 'the bank job' (2008), rotten tomatoes score: 80%.

Based on a true story, The Bank Job follows a group of amateur thieves who plot and carry out a bank robbery in London's Baker Street area in 1971. However, they soon realize that the heist is not as straightforward as they initially thought. As the story unfolds, it is revealed that the bank's vault contains compromising photographs of prominent political figures, which triggers a chain of events involving intelligence agencies, criminals, and high-ranking officials.

The Bank Job offers a fascinating insight into criminals , their equally dishonest rivals on the other side of the law, and several hoodlums who operate in the gray area. Although not as popular as other entries in the genre, this clever effort is a successful and compelling movie about bank robberies . Statham played Terry Leather, the leader of the group planning the heist. He brought his signature intensity and physicality to the character. It also showcased his ability to handle both action-packed scenes and more dramatic moments.

The Bank Job

2 'furious 7' (2015), rotten tomatoes score: 81%.

Furious 7 is the seventh installment in the Fast & Furious film franchise. After the events of the previous film, Deckard Shaw (Statham) seeks revenge on Dominic Toretto and his crew for the injuries sustained by his brother Owen Shaw ( Luke Evans ). Meanwhile, the family is also being pursued by a covert government agency led by Mr. Nobody ( Kurt Russell ).

Furious 7 emphasizes the family motif that has come to rule the franchise and includes some crazy stunts . Furthermore, it's a touching send-off to the late Paul Walker , lending this piece more emotional weight than would otherwise be the case. Statham's Deckard Saw is among the best villains in the Fast and Furious movies, with the actor delivering a menacing yet wholly entertaining performance.

1 'Spy' (2015)

Rotten tomatoes score: 95%.

Paul Feig 's Spy follows Susan Cooper ( Melissa McCarthy ), a desk-bound CIA analyst who volunteers to go undercover as a field agent when the identities of all active undercover agents are compromised and to avenge the death of her partner. Her mission takes her across Europe as she attempts to track down a deadly weapon and uncover the identity of the dangerous arms dealer, Rayna Boyanov ( Rose Byrne ). Statham played the character Rick Ford, a highly skilled but overly confident and bumbling spy.

Spy is a comedic departure from Statham's usual tough-guy persona. He fully embraced the absurdity of the character, delivering his lines with impeccable comedic timing and exaggerated expressions. Anchored by a never-better McCarthy, Spy is arguably the 21st century's best spy comedy and a brilliant showcase for Statham's impressive comedic abilities .

NEXT: The Best Action Movie Heroes of All Time, According to Letterboxd

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Legendary Laughter: Exploring the Timeless Wit of 30 Iconic Comedic Actors

Posted: May 17, 2024 | Last updated: May 17, 2024

<p>Get ready for a rib-tickling adventure through the annals of comedy cinema! Join us as we honor the comedic legends whose infectious humor has lit up the silver screen. From timeless classics to modern marvels, these actors have spread joy across generations with their impeccable wit and charm. Let's celebrate the laughter they've brought into our lives and the lasting impact of their comedic genius. Prepare to be entertained, informed, and inspired by the timeless art of making the world smile.</p> <p>Jim Carrey's comedic roles are characterized by his unhinged physicality, rubber-faced expressions, and boundless energy. In "Ace Ventura: Pet Detective," Carrey brought the eccentric and over-the-top character of Ace Ventura to life, delivering outrageous antics and unforgettable catchphrases. His portrayal of Lloyd Christmas in "Dumb and Dumber" showcased his talent for slapstick comedy and absurd humor, earning him widespread acclaim. Carrey's performance as Stanley Ipkiss in "The Mask" demonstrated his ability to transform into larger-than-life characters with charisma and charm. Throughout his career, Carrey has continued to push the boundaries of comedy with roles in films like "Liar Liar," "Bruce Almighty," and "The Truman Show," solidifying his status as one of the most iconic and beloved comedians of his generation.</p>

Get ready for a rib-tickling adventure through the annals of comedy cinema! Join us as we honor the comedic legends whose infectious humor has lit up the silver screen. From timeless classics to modern marvels, these actors have spread joy across generations with their impeccable wit and charm. Let's celebrate the laughter they've brought into our lives and the lasting impact of their comedic genius. Prepare to be entertained, informed, and inspired by the timeless art of making the world smile.

Jim Carrey's comedic roles are characterized by his unhinged physicality, rubber-faced expressions, and boundless energy. In "Ace Ventura: Pet Detective," Carrey brought the eccentric and over-the-top character of Ace Ventura to life, delivering outrageous antics and unforgettable catchphrases. His portrayal of Lloyd Christmas in "Dumb and Dumber" showcased his talent for slapstick comedy and absurd humor, earning him widespread acclaim. Carrey's performance as Stanley Ipkiss in "The Mask" demonstrated his ability to transform into larger-than-life characters with charisma and charm. Throughout his career, Carrey has continued to push the boundaries of comedy with roles in films like "Liar Liar," "Bruce Almighty," and "The Truman Show," solidifying his status as one of the most iconic and beloved comedians of his generation.

Adam Sandler

Adam Sandler is a versatile entertainer known for his contributions as a comedian, actor, writer, and producer. Rising to fame as a cast member on "Saturday Night Live," Sandler transitioned to a successful film career, starring in a wide range of comedies, from slapstick to romantic comedies to dramedies. His notable films include "Happy Gilmore," "The Waterboy," and "Billy Madison." Sandler's unique brand of humor often incorporates exaggerated characters, witty one-liners, and physical comedy. Beyond acting, he has ventured into producing and screenwriting, creating successful films under his production company, Happy Madison Productions. Despite occasional critical backlash, Sandler maintains a dedicated fan base and continues to entertain audiences with his comedic talents.

Chris Farley

Chris Farley was a beloved comedian and actor known for his energetic performances, physical comedy, and larger-than-life persona. Rising to fame as a cast member on "Saturday Night Live" in the early 1990s, Farley quickly became known for his memorable characters and hilarious sketches, including the motivational speaker Matt Foley and the enthusiastic host of "The Chris Farley Show." He transitioned to film with roles in comedies such as "Tommy Boy" and "Black Sheep," where his comedic talent and charisma endeared him to audiences worldwide. Farley's untimely death in 1997 was a great loss to the entertainment industry, but his enduring legacy as a comedic icon continues to live on through his timeless performances and the laughter he brought to millions.

John Belushi

John Belushi was a comedic genius and cultural icon known for his larger-than-life personality, outrageous humor, and unparalleled talent. Rising to fame as one of the original cast members of "Saturday Night Live," Belushi became known for his iconic characters, such as Jake Blues of the Blues Brothers and his energetic performances. He transitioned to film with great success, starring in classics like "Animal House" and "The Blues Brothers," showcasing his versatility and comedic timing. Belushi's untimely death in 1982 at the age of 33 cut short a brilliant career, but his legacy as a comedic trailblazer and one of the greatest comedians of all time continues to live on, inspiring generations of performers.

Eddie Murphy

Eddie Murphy is revered as one of the most influential and iconic figures in entertainment history, earning acclaim as a comedian, actor, writer, and producer. Rising to fame on "Saturday Night Live" with unforgettable characters like Gumby and Buckwheat, Murphy swiftly transitioned to film, delivering box office hits such as "Beverly Hills Cop," "Coming to America," and "The Nutty Professor." His unparalleled comedic timing, boundless energy, and knack for improvisation have solidified his status as a comedy legend. Beyond comedy, Murphy's dramatic performances in films like "Dreamgirls" and "Dolemite Is My Name" showcase his versatility and depth as an actor, earning him critical praise and award nominations. With a career spanning decades and an enduring impact on popular culture, Eddie Murphy remains an irreplaceable icon in the entertainment industry.

Bill Murray

Bill Murray is an acclaimed actor and comedian known for his distinctive style, dry wit, and versatile performances. Rising to fame on "Saturday Night Live," Murray transitioned to a successful film career with iconic roles in comedies such as "Ghostbusters," "Groundhog Day," and "Caddyshack." His ability to blend humor with depth and sincerity has earned him critical acclaim in dramatic roles as well, including "Lost in Translation" and "The Royal Tenenbaums." Murray's offbeat charm and improvisational skills have made him a beloved figure in popular culture, while his enigmatic persona has only added to his mystique. With a career spanning decades, Bill Murray remains an enduring icon in the entertainment industry.

Will Ferrell

Will Ferrell is a comedic actor and writer renowned for his distinctive humor, versatility, and larger-than-life characters. Rising to prominence as a cast member on "Saturday Night Live," Ferrell garnered widespread acclaim for his memorable portrayals of eccentric characters such as George W. Bush, Alex Trebek, and Harry Caray. Transitioning to film, he starred in numerous box office hits, including "Anchorman: The Legend of Ron Burgundy," "Elf," and "Talladega Nights: The Ballad of Ricky Bobby." Ferrell's comedic style often combines physical comedy, absurdity, and deadpan delivery, earning him a dedicated fan base and cementing his status as one of the most beloved comedians of his generation.

Steve Carell

Steve Carell is a versatile actor and comedian celebrated for his remarkable talent, impeccable comedic timing, and ability to seamlessly transition between comedy and drama. Rising to fame as a correspondent on "The Daily Show with Jon Stewart," Carell gained widespread recognition for his role as Michael Scott in the acclaimed sitcom "The Office," earning multiple Emmy nominations for his portrayal of the bumbling yet lovable regional manager. He has showcased his comedic prowess in films such as "Anchorman: The Legend of Ron Burgundy," "The 40-Year-Old Virgin," and "Get Smart," while also delivering compelling performances in dramatic roles like "Foxcatcher" and "Little Miss Sunshine," showcasing his depth and range as an actor. With his affable charm, versatile talent, and memorable performances, Steve Carell continues to captivate audiences and remains one of the most respected and admired actors in Hollywood.

Larry David

Larry David, a comedic luminary, is celebrated for his groundbreaking work on "Seinfeld," co-creating and shaping the iconic sitcom's revolutionary style. His semi-autobiographical HBO series "Curb Your Enthusiasm" further solidifies his comedic legacy, showcasing his unmatched talent for improvisation and satirical storytelling. Through his candid humor and neurotic charm, David's portrayal of a fictionalized version of himself in "Curb Your Enthusiasm" has captivated audiences and influenced a generation of comedians. With his sharp wit and unfiltered honesty, David continues to push the boundaries of comedy, leaving an indelible mark on the entertainment industry as one of its most influential figures.

Charlie Chaplin

Charlie Chaplin, a pioneering figure in the history of cinema, revolutionized the art of filmmaking with his iconic persona, The Tramp. Through his silent films of the early 20th century, Chaplin captivated audiences worldwide with his blend of physical comedy, social commentary, and pathos. His timeless classics, such as "The Kid," "City Lights," and "Modern Times," continue to resonate with audiences today, showcasing Chaplin's unparalleled talent as a performer, director, and storyteller. Beyond his cinematic achievements, Chaplin's impact extends to his humanitarian efforts and advocacy for social justice, cementing his status as an enduring cultural icon and one of the greatest entertainers in history.

Robin Williams

Robin Williams was a beloved and immensely talented actor, comedian, and entertainer, known for his boundless energy, improvisational skills, and wide range of memorable characters. Rising to prominence with his breakout role as Mork in the television series "Mork & Mindy," Williams quickly established himself as a comedic force to be reckoned with. His incredible versatility was showcased in a multitude of iconic roles, from his Oscar-winning performance in "Good Will Hunting" to his hilarious turns in "Mrs. Doubtfire," "Aladdin," and "Patch Adams." Williams' unique ability to blend humor with depth and vulnerability earned him the adoration of millions worldwide. Despite his tragic passing in 2014, his legacy continues to inspire and bring joy to audiences around the globe, solidifying his place as one of the greatest entertainers of all time.

Steve Martin

Steve Martin is a comedic legend known for his wit, charisma, and versatility across various forms of entertainment. Rising to fame as a stand-up comedian, Martin's clever wordplay and absurdist humor earned him widespread acclaim in the 1970s. He transitioned seamlessly to film, starring in iconic comedies such as "The Jerk," "Planes, Trains and Automobiles," and "Father of the Bride," showcasing his impeccable comedic timing and physical comedy prowess. Martin's talents extend beyond comedy; he is also a skilled actor, playwright, musician, and author, with a Grammy-winning music career and bestselling books to his name. With his distinctive style and enduring appeal, Steve Martin continues to be celebrated as one of the most talented and beloved entertainers of his generation.

Harold Lloyd

A pioneering actor and filmmaker known for his innovative contributions, Harold Lloyd was a pillar to silent film comedy. Rising to fame during the 1910s and 1920s, Lloyd captivated audiences with his iconic "Glasses Character," a bespectacled everyman who navigated through a variety of comedic situations with charm and resourcefulness. He was renowned for his daredevil stunts, often performing death-defying feats without the use of stunt doubles, as seen in his most famous film, "Safety Last!" Lloyd's clever visual gags, physical comedy, and heartfelt performances made him one of the most popular and influential comedians of the silent era, leaving a lasting legacy on the art of film comedy.

Ben Stiller

Ben Stiller is a versatile actor, comedian, director, and producer known for his comedic talents and successful film career. Rising to prominence with roles in films such as "There's Something About Mary" and "Meet the Parents," Stiller established himself as a leading figure in Hollywood comedy. His unique blend of humor, wit, and physical comedy has endeared him to audiences worldwide. In addition to his acting prowess, Stiller has also made a name for himself as a director, helming successful films like "Zoolander" and "Tropic Thunder." With his wide-ranging talents and enduring popularity, Ben Stiller continues to be a beloved figure in the entertainment industry.

Vince Vaughn

Vince Vaughn is a charismatic actor known for his dynamic performances in both comedic and dramatic roles. Rising to fame with breakout roles in films like "Swingers" and "Wedding Crashers," Vaughn quickly became recognized for his sharp wit, improvisational skills, and larger-than-life personality. His ability to seamlessly blend humor with heartfelt moments has made him a fan favorite in both comedy and drama. Vaughn has showcased his versatility in a variety of films, including "Old School," "The Break-Up," and "Hacksaw Ridge," earning critical acclaim and a dedicated fan base along the way. With his magnetic presence and diverse range of roles, Vince Vaughn remains a beloved and respected figure in Hollywood.

<p>Mike Myers is a versatile comedian, actor, writer, and producer known for his iconic characters and memorable performances in film and television. Rising to prominence on "Saturday Night Live," Myers became a household name with his hilarious portrayals of characters like Wayne Campbell in "Wayne's World" and Austin<br> Powers in the "Austin Powers" film series. With his impeccable comedic timing, creativity, and knack for creating unforgettable characters, Myers has entertained audiences worldwide. He has also lent his voice to beloved animated characters, including Shrek in the "Shrek" franchise. With his enduring talent and contributions to comedy, Mike Myers continues to be celebrated as one of the most influential and beloved comedians of his generation.</p>

Mike Myers is a versatile comedian, actor, writer, and producer known for his iconic characters and memorable performances in film and television. Rising to prominence on "Saturday Night Live," Myers became a household name with his hilarious portrayals of characters like Wayne Campbell in "Wayne's World" and Austin Powers in the "Austin Powers" film series. With his impeccable comedic timing, creativity, and knack for creating unforgettable characters, Myers has entertained audiences worldwide. He has also lent his voice to beloved animated characters, including Shrek in the "Shrek" franchise. With his enduring talent and contributions to comedy, Mike Myers continues to be celebrated as one of the most influential and beloved comedians of his generation.

<p>With his lovable persona and ability to bring humor to any role, John Candy endeared himself to audiences around the world. Candy was a beloved actor and comedian known for his larger-than-life personality, warm charm, and impeccable comedic timing. Rising to fame as a member of the Second City comedy troupe, Candy gained widespread recognition for his roles in iconic films such as "Home Alone," "Planes, Trains and Automobiles," and "Uncle Buck." His versatility as an actor allowed him to seamlessly transition between comedy and drama, showcasing his range and depth as a performer. Though his untimely death in 1994 was a great loss to the entertainment industry, John Candy's legacy lives on through his timeless performances and enduring impact on comedy.</p>

With his lovable persona and ability to bring humor to any role, John Candy endeared himself to audiences around the world. Candy was a beloved actor and comedian known for his larger-than-life personality, warm charm, and impeccable comedic timing. Rising to fame as a member of the Second City comedy troupe, Candy gained widespread recognition for his roles in iconic films such as "Home Alone," "Planes, Trains and Automobiles," and "Uncle Buck." His versatility as an actor allowed him to seamlessly transition between comedy and drama, showcasing his range and depth as a performer. Though his untimely death in 1994 was a great loss to the entertainment industry, John Candy's legacy lives on through his timeless performances and enduring impact on comedy.

Peter Sellers

Peter Sellers was a British actor and comedian known for his incredible versatility, impeccable timing, and chameleon-like ability to disappear into a wide range of characters. He rose to prominence in the 1950s and 1960s with his work in classic comedy films such as "The Pink Panther" series, where he portrayed the bumbling and iconic Inspector Clouseau. Sellers' genius extended beyond comedy, as he delivered memorable performances in dramatic roles, including his triple role in "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb." His ability to inhabit characters with depth and nuance earned him critical acclaim and numerous awards throughout his career. Peter Sellers remains a revered figure in cinema, remembered for his unparalleled talent and enduring contributions to the art of acting.

<p>Rising to fame during the silent film era, Keaton's iconic persona and innovative approach to filmmaking earned him the nickname "The Great Stone Face." Buster Keaton is a pioneering figure in the early days of cinema and was renowned for his physical comedy, acrobatic stunts, and deadpan expression. His groundbreaking<br> work as a writer, director, and actor in films such as "The General" and "Sherlock Jr."<br> solidified his legacy as one of the greatest comedians and filmmakers of all time. Keaton's timeless contributions to cinema continue to inspire generations of filmmakers and entertainers, cementing his status as an enduring icon in the history of film.</p>

Buster Keaton

Rising to fame during the silent film era, Keaton's iconic persona and innovative approach to filmmaking earned him the nickname "The Great Stone Face." Buster Keaton is a pioneering figure in the early days of cinema and was renowned for his physical comedy, acrobatic stunts, and deadpan expression. His groundbreaking work as a writer, director, and actor in films such as "The General" and "Sherlock Jr." solidified his legacy as one of the greatest comedians and filmmakers of all time. Keaton's timeless contributions to cinema continue to inspire generations of filmmakers and entertainers, cementing his status as an enduring icon in the history of film.

<p>Jack Black has become synonymous with comedy with his signature blend of physical comedy, boisterous voice, and irreverent humor. Black is a multi-talented actor, comedian, musician, and producer known for his energetic performances, comedic<br> timing, and larger-than-life personality. Rising to fame with roles in films such as "School of Rock," "Nacho Libre," and "Tropic Thunder". In addition to his successful film career, he is also the lead vocalist and guitarist for the comedy rock duo Tenacious D, showcasing his musical talents and versatility as an entertainer. With his infectious enthusiasm and comedic charm, Jack Black continues to captivate audiences across various forms of entertainment, solidifying his status as one of the most beloved and talented entertainers in Hollywood.</p>

Jack Black has become synonymous with comedy with his signature blend of physical comedy, boisterous voice, and irreverent humor. Black is a multi-talented actor, comedian, musician, and producer known for his energetic performances, comedic timing, and larger-than-life personality. Rising to fame with roles in films such as "School of Rock," "Nacho Libre," and "Tropic Thunder". In addition to his successful film career, he is also the lead vocalist and guitarist for the comedy rock duo Tenacious D, showcasing his musical talents and versatility as an entertainer. With his infectious enthusiasm and comedic charm, Jack Black continues to captivate audiences across various forms of entertainment, solidifying his status as one of the most beloved and talented entertainers in Hollywood.

Martin Short

Martin Short is a versatile and beloved Canadian-American actor, comedian, and writer known for his exceptional talent, comedic brilliance, and memorable performances across film, television, and stage. Rising to prominence through his work on the sketch comedy show "SCTV" and "Saturday Night Live," Short has delighted audiences with his impeccable timing, energetic characters, and hilarious impressions. He has showcased his versatility in a wide range of projects, including films like "Three Amigos," "Father of the Bride," and "Innerspace," as well as television shows like "The Martin Short Show", "Primetime Glick”, and “Only Murderers in the Building.” Short's contributions to comedy and entertainment have earned him numerous awards and accolades, and his enduring popularity continues to make him a cherished figure in the entertainment industry.

<p>He may be known more now as Ant-Man, but Paul Rudd is a versatile actor, comedian, and producer known for his charming wit, affable demeanor, and diverse range of roles across film and television. Rising to prominence with standout performances in comedies like "Clueless" and "Anchorman: The Legend of Ron Burgundy," Rudd has solidified his status as a beloved leading man in Hollywood. He has showcased his comedic talents in films such as "The 40-Year-Old Virgin," "Knocked Up," and the "Ant-Man" franchise. With his likable persona, impeccable comedic timing, and ability to effortlessly transition between genres, Paul Rudd continues to be a fan favorite and a respected talent in the entertainment industry.</p>

He may be known more now as Ant-Man, but Paul Rudd is a versatile actor, comedian, and producer known for his charming wit, affable demeanor, and diverse range of roles across film and television. Rising to prominence with standout performances in comedies like "Clueless" and "Anchorman: The Legend of Ron Burgundy," Rudd has solidified his status as a beloved leading man in Hollywood. He has showcased his comedic talents in films such as "The 40-Year-Old Virgin," "Knocked Up," and the "Ant-Man" franchise. With his likable persona, impeccable comedic timing, and ability to effortlessly transition between genres, Paul Rudd continues to be a fan favorite and a respected talent in the entertainment industry.

<p><span>Cary Grant was a timeless Hollywood icon whose style extended beyond the silver screen. In 1960, he posed with the BMW Isetta "300" automobile, looking dapper in a classic black suit and tie. The Isetta was an iconic microcar of its time, with its single-cylinder four-stroke engine and bubble-like design that made it stand out from other cars on the road. It was also known for its front-opening door, which gave it a unique look and feel. Grant's image alongside this car is a reminder of how much times have changed and how some things remain timelessly stylish.</span></p>

A suave and sophisticated leading man, Cary Grant was an iconic actor known for his charm, wit, and timeless appeal. Born Archibald Leach in England, Grant rose to fame in Hollywood during the Golden Age of cinema, starring in numerous classic films from the 1930s to the 1960s. With his debonair demeanor and impeccable comedic timing, Grant captivated audiences in romantic comedies like "Bringing Up Baby," "The Philadelphia Story," and "His Girl Friday." Cary Grant's legacy as a Hollywood legend endures, as his iconic performances continue to charm and inspire audiences around the world.

Gene Wilder

With his boundless creativity, infectious energy, and genuine passion for his craft, Gene Wilder remains an enduring icon whose legacy continues to inspire generations of fans and fellow performers alike. Gene Wilder was a legendary actor, comedian, writer, and director known for his iconic performances, unique comedic style, and immense talent. Rising to fame in the 1960s and 1970s, Wilder captivated audiences with his ability to blend humor with vulnerability and depth, creating unforgettable characters that have left a lasting impact on cinema. He is best known for his collaborations with filmmaker Mel Brooks, starring in classics such as "The Producers," "Blazing Saddles," and "Young Frankenstein." Wilder's portrayal of Willy Wonka in "Willy Wonka & the Chocolate Factory" solidified his status as a beloved figure in popular culture, captivating audiences of all ages with his whimsical charm and eccentricity.

<p>Check out this sweet photo of two people in one of the happiest marriages in Hollywood! Oh so rare to find a long-lasting partnership, especially in Hollywood but Anne Bancroft and Mel Brooks were married 41 years until her death from uterine cancer. And it seems both of them were positively beaming with love for each other most of the time.</p> <p>The pair got married at New York City Hall on Aug. 5. 1964. "I was a Catholic girl who had been divorced and living alone for a long time. My mother was so happy, she didn't even care if he was Mel Brooks, Jewish or what," Bancroft said of their interfaith relationship in 2000. "She was just happy he was a man!"</p> <p>The couple appeared in front of the camera together several times, including on Curb Your Enthusiasm ("Opening Night") and in three comedies Brooks directed: Silent Movie (1976), To Be or Not to Be (1983), and Dracula: Dead and Loving It (1995). Bancroft also starred in Brooks’ award-winning drama The Elephant Man in 1980.</p>

Mel Brooks is a comedic genius known for his groundbreaking work as a writer, director, actor, and producer in film and television. Rising to prominence in the 1960s and 1970s, Brooks revolutionized the comedy genre with his irreverent humor, sharp wit, and fearless satire. He is best known for his iconic films such as "The Producers," "Blazing Saddles," and "Young Frankenstein," which have become timeless classics beloved by audiences around the world. Brooks' unique ability to push boundaries and tackle taboo subjects with humor and insight has earned him numerous awards and accolades, solidifying his status as one of the greatest comedic minds in entertainment history. With his unmatched talent, innovative storytelling, and irrepressible wit, Mel Brooks continues to inspire and entertain audiences of all generations.

<p>Known more for his intimidating gangster personas, Joe Pesci's comedic roles are marked by his impeccable timing, sharp wit, and ability to infuse humor into a variety of characters. In films like "Home Alone" and its sequel, Pesci showcased his comedic chops as one of the bumbling burglars, delivering hilarious performances<br> alongside co-star Daniel Stern. His portrayal of the fast-talking lawyer Vinny Gambini in "My Cousin Vinny" earned him critical acclaim and a nomination for the Academy Award for Best Supporting Actor, demonstrating his versatility as an actor who could effortlessly switch between comedy and drama. Pesci's comedic talent and knack for memorable characters have left an indelible mark on the genre, solidifying his status as one of Hollywood's most versatile performers.</p>

Known more for his intimidating gangster personas, Joe Pesci's comedic roles are marked by his impeccable timing, sharp wit, and ability to infuse humor into a variety of characters. In films like "Home Alone" and its sequel, Pesci showcased his comedic chops as one of the bumbling burglars, delivering hilarious performances alongside co-star Daniel Stern. His portrayal of the fast-talking lawyer Vinny Gambini in "My Cousin Vinny" earned him critical acclaim and a nomination for the Academy Award for Best Supporting Actor, demonstrating his versatility as an actor who could effortlessly switch between comedy and drama. Pesci's comedic talent and knack for memorable characters have left an indelible mark on the genre, solidifying his status as one of Hollywood's most versatile performers.

Groucho Marx

One-third of the legendary Marx Brothers comedy team, Groucho Marx, was a comedic genius, celebrated for his quick wit, sharp humor, and iconic persona. With his distinctive mustache, cigar, and irreverent one-liners, Groucho became one of the most beloved figures in the history of comedy. He starred in classic films such as "Duck Soup," "Animal Crackers," and "A Night at the Opera," where his zany antics and rapid-fire delivery captivated audiences and left them in stitches. Beyond his film career, Groucho achieved success as a television host on "You Bet Your Life," where his wit and banter with contestants made him a household name. With his timeless humor and enduring legacy, Groucho Marx remains an iconic figure in the world of comedy, inspiring generations of performers and entertainers.

Owen Wilson

Owen Wilson's roles are characterized by his laid-back charm, witty humor, and endearing charisma. In "Wedding Crashers," Wilson shines as John Beckwith, one half of a duo who crashes weddings to meet women, delivering hilarious one-liners and memorable moments alongside co-star Vince Vaughn. His portrayal of the dim-witted but lovable Hansel in "Zoolander" earned him widespread acclaim, with his comedic timing and quirky persona adding depth to the character. Wilson's role as Jedediah Smith in the "Night at the Museum" series showcased his ability to bring humor and warmth to the screen, captivating audiences with his playful antics and infectious energy. With his knack for bringing levity to every role, Owen Wilson continues to be a beloved and essential presence in the world of comedy.

Sacha Baron Cohen

Sacha Baron Cohen is a fearless comedian, actor, and writer known for his boundary-pushing humor, immersive character portrayals, and satirical social commentary. Rising to fame with his breakthrough character, Ali G, Cohen became known for his ability to embody outrageous personas and conduct hilarious interviews with unsuspecting subjects. He further solidified his status as a comedic force with characters like Borat Sagdiyev and Bruno, who showcased his talent for blending satire with absurdity. Cohen's fearless approach to comedy has earned him critical acclaim and numerous awards, while his willingness to tackle controversial subjects has sparked important conversations about politics, society, and culture. With his unmatched talent, creativity, and fearlessness, Sacha Baron Cohen continues to push the boundaries of comedy and entertainment, leaving an indelible mark on the industry.

Leslie Nielsen

Shirley, you can’t be serious! Leslie Nielsen was a Canadian-American actor known for his versatile talent, deadpan delivery, and comedic timing. Rising to fame as a dramatic actor in the 1950s and 1960s, Nielsen transitioned to comedy later in his career, becoming best known for his roles in spoof films like "Airplane!" and "The Naked Gun" series. With his impeccable timing and ability to deliver absurd lines with a straight face, Nielsen created memorable characters that left audiences in stitches. His deadpan humor and knack for physical comedy earned him a dedicated fan base and solidified his status as a comedic legend. Despite his passing in 2010, Leslie Nielsen's comedic legacy continues to entertain and inspire audiences around the world.

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Wit
A Note on the Review. Although this review will focus on the 2001 HBO film adaptation, instructors have two mediums to choose from when considering how to incorporate Wit into the classroom: the 2001 adaptation of the play (available for free on Youtube) and Margaret Edson's 1993 stage play of the same name (available at most libraries and for purchase through online book sellers).
WIT assignemnt
WIT assignment running head: film clip critical thinking assignment: wit film clip critical thinking assignment: wit meredith thomas rn, bsn university of west. ... This movie tells the story of Vivian Bearing (Emma Thompson), a 'force' in the field of English literature, whose academic specialty (the metaphysical poetry of John Donne ...
Wit Assignment
Wit Assignment. The Movie "Wit". The Movie "Wit" introduces us to a woman by the name of Vivian Bearing, who is an English Professor. She teaches 17th century English poetry and specializes in interpreting sonnets. She is able to reflect back on her life after she was diagnosed with Stage 4 ovarian cancer.
WIT
WIT - WIT Movie Scene Assignment. WIT Movie Scene Assignment. Course. Foundations Of Nursing Science (NGR 6111) 8 Documents. Students shared 8 documents in this course. University University of West Florida. Academic year: 2022/2023. Uploaded by: Anonymous Student.
Exploring Patient-Centered Care: Lessons from "Wit" Starring Emma
The movie "Wit," featuring Emma Thompson, provides a thought-provoking portrayal of healthcare interactions and the importance of patient-centered care. In this essay, we will identify four instances of poor patient-centered care depicted in the movie and then discuss strategies to demonstrate patient-centered care that addresses the unique ...
PDF Wit
the playwright whose 1993 stage play, Wit, served as the source material for the 2001 HBO film in her home to discuss her play and the subsequent HBO adaptation. Reflecting on her writing, Edson characterized Wit as a struggle between herself and her creation, Dr. Vivian Bearing. While Edson
Analysis of the Movie "Wit"
Analysis of the Movie "Wit" Essay. A person who learns that they have cancer gets into a new hospital reality, and their life changes dramatically. In the work Wit, Director Mike Nichols shows how critical ethical issues are to terminally ill patients. It shows the sufferers' struggle from a moral point of view and the doctors' attitude ...
Written Assignment #2
Wit Film Reflection. The movie Wit is about an English Literature Professor, Dr.Vivian Bearing, a scholar of seventeenth century poetry. Vivian is diagnosed with stage IV Ovarian Cancer. Throughout the movie, she reflects on her life, and viewers witness her painful journey as she endures eight months of brutal/intense experimental chemotherapy ...
MOVIE WIT ANALYSIS IN NURSING
MOVIE WIT ANALYSIS IN NURSING. by Diane Loresca - October 04, 2018. The action of the nurse while caring for his or her patient. Susie Monahan is a nurse who is taking care of Vivian Bearing who have metastatic Stage IV ovarian cancer. Susie is a kind of nurse that everyone will look up to because of the things that she have done in the movie.
The agonizing bite of "Wit"
The agonizing bite of "Wit". From John Zulovitz, Columbus, Ohio: As I was perusing your site, I saw that you'd written an article concerning Mike Nichols 's masterful adaptation of Margaret Edson's play, "Wit," and, as a result, I felt a synchronous jolt and felt that I should write to you. Wit is both a play and a film that I admire very ...
Wit
Professor Vivian Bearing (Emma Thompson), an expert on the work of 17th-century British poet John Donne, has spent her adult life contemplating religion and death as literary motifs. Diagnosed ...
Wit movie project NUR302.docx
View Wit movie project NUR302.docx from NUR 302 at Quinnipiac University. Jacqueline Manetta Wit Essay- NUR 302 In the movie Wit, Professor and Dr. Vivian Bearing is faced with the diagnosis ... Name: Reflective Writing - Wit Purpose: The purpose of this assignment is to reflect on, apply, and communicate what you have learned in the ...
Wit extra credit
RNSG 2111 WIT Extra Credit Assignment Carly Ellison. I believe Vivian grows and changes over the course of her treatment. She got to experience her feelings of dying and grief all alone, and I think that triggered some regrets throughout her life. Jason mentioned how her course was more of a boot camp, instead of an English class (Wit, 2001).
Therapeutic Communication Analysis of the Movie 'Wit'
Download. The HBO movie, 'Wit', follows the heart-wrenching story of academic scholar Vivian Bearing as she undergoes an intensive chemotherapy regimen to combat her stage four ovarian cancer diagnosis. The film chronicles Vivian's patient experience in the hospital setting as she undergoes treatment.
Wit Movie Assignment.docx
Alexandra Page Wit Movie Assignment 11/24/2021 The movie Wit was about a woman named Vivian Bearing, who is professor an English professor, frequently referring to herself as a Doctor in philosophy. Vivian is not married, has no siblings, and both parents have passed away, she has very much focused her life on her career and takes deep pride in it. . The movie starts off with Vivian in Dr ...
WIT assignment (docx)
NDSCS Department of Nursing NURS 205 Complex Cares II Extra Hours Assignment WIT movie analysis—DUE Friday April 30 th 11:59PM to Blackboard WIT This HBO Films presentation chronicles the personal awakening of a longtime literary scholar (played by two-time Oscar-winner Emma Thompson), who learns the importance of simple human kindness when faced with the most daunting of crises: a diagnosis ...
WIT Movie Summary and Analysis.docx
View WIT Movie Summary and Analysis.docx from NURS 6512 at Walden University. 1 WIT Movie Summary and Analysis Student's Name Institutional Affiliation Course Professor's Name Date 2 WIT Movie. AI Homework Help. ... Critical Thinking Assignment-Wit for MSN students (1).docx. Solutions Available. University of West Florida. NGR 6111. Film ...
Wit
Wit. PG-13 | drama | 1 HR 39 MIN | 2001. WATCH NOW. Emma Thompson stars as a single-minded English professor who finds enlightenment through her struggle with cancer. Watch Wit online at HBO.com. Stream on any device any time. Explore cast information, synopsis and more.
"Wit" by Margaret Edson: Ethical and Legal Issues
Background Information. The movie "Wit" was written by Margaret Edson in 1998. The movie is basically about a fifty-year old woman who was a professor of English specializing in 17 th century poet, John Donne. The woman referred in the film as Dr. Vivian Blearing was diagnosed with stage 4 ovarian cancer. Following the diagnosis, Vivian was ...
Wit (film)
Wit is a 2001 American television drama film directed by Mike Nichols.The teleplay by Nichols and Emma Thompson is based on the 1999 Pulitzer Prize-winning play of the same title by Margaret Edson.. The film was shown at the Berlin International Film Festival on February 9, 2001 before being broadcast by HBO on March 24. It was shown at the Edinburgh Film Festival and the Warsaw Film Festival ...
Wit in Movies
Wit in Movies. November 29, 2017 / Ian Scura / 0 Comments. This week I watched a video essay titled "Shane Black's The Nice Guys (2016): Wit, Done Right.". This video discusses wit in Hollywood movies and brings up the clever use of wit in the movie The Nice Guys, a movie that underperformed according to this video essayist.
The Assignment (2016)
The Assignment: Directed by Walter Hill. With Michelle Rodriguez, Tony Shalhoub, Anthony LaPaglia, Caitlin Gerard. After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible.
Wit Movie Assignment For this assignment you are required to watch
Answered step-by-step. Asked by JDERAVIL. Wit Movie Assignment. For this assignment you are required to watch the film, 'Wit' by Mike Nichols, and prepare an analysis based on the questions below. In addition to at least 3 professional references. 1.
'Suicide Squad Isekai': Trailers, Characters, and Everything ...
Warner Bros. Japan and WIT Studio have announced their thrilling collaboration on an original anime series titled Suicide Squad Isekai.This exciting project is based on the beloved DC characters ...
12 Best Jason Statham Movies, Ranked According to Rotten ...
Rotten Tomatoes Scores: 67%. The 2021 action thriller Wrath of Man is among Guy Ritchie 's most pleasantly surprising movies. It follows Patrick Hill (Statham), a mysterious and highly skilled ...
'Evil' Season 4 is back with bite
Based in New York City, she's an established film critic and entertainment reporter, who has traveled the world on assignment, covered a variety of film festivals, co-hosted movie-focused podcasts ...
Legendary Laughter: Exploring the Timeless Wit of 30 Iconic ...
Bill Murray. Bill Murray is an acclaimed actor and comedian known for his distinctive style, dry wit, and versatile performances. Rising to fame on "Saturday Night Live," Murray transitioned to a ...
Giant oddball planet has the density of fluffy cotton candy, study
Turns out, a planet. An international coalition of astronomers has newly discovered an unusual planet, dubbed WASP-193b, that's about 50% bigger than Jupiter and somehow still the second ...