creative writing lesson ideas high school

Teach Creative Writing In High School With 10 Fun Activities

Creative writing is a meaningful aspect of literature that mandates you to utilize your expertise, ingenuity, and story to depict a critical message, emotion, or plot. It defies the traditional bounds of other forms of writing and is completely subjective to our preferences and experiences. In creative writing, it’s all about imaginativeness!

Using creative imagination and originality to convey feelings and concepts in a unique way is at the heart of creative writing. Simply stated, it’s about infusing your own ‘flair’ into your writing, moving beyond academic or other technical kinds of literature. 

In this post, we will explore the various activities which would be advantageous for a high schooler who wishes to indulge in creative writing!

What Happens When Creative Writing Is Put To Use?

Creative writing is any form of writing that deviates from traditional professional, investigative journalism, educational, or technological forms of literature. It is typically distinguished by emphasizing narrative craft, character development, literary tropes, or various poetic traditions.

Here are the few ways how high schoolers can benefit from creative writing –

1. Imagination

When you write creatively, you expand your imagination by creating new environments, scenarios, and characters. This way, you are also boosting and stretching your imagination, as well as “thinking out of the box.” This allows you to concentrate your energy on many other things and improve your ability to find fresh ideas and alternatives to problems you’re having. Whether you’re a researcher or a businessman, creative writing will increase your imagination and help you think more creatively, and push the boundaries.

2. Empathy and Communications skills

When you create characters, you’ll be constructing emotions, personalities, behaviors, and world views that are distinct from your own. Writers must conceive personalities, emotions, places, and walks of life outside of their own lives while creating universes with fictional characters and settings.

This can give children a good dose of empathy and understanding for those who aren’t like them, who don’t live where they do or go through the same things they do daily. Writers are better equipped to communicate when they have a greater understanding of other points of view. They can come up with creative ways to explain and debate subjects from multiple perspectives. This ability is crucial in both professional and personal situations. 

3. Clarification of Thoughts 

Creating structures in creative writing allows you to organize your impressions and emotions into a logical procedure. You may express both your thoughts and your sentiments through creative writing. For example, if you’re a marketing executive, you could create a short tale in which your clientele reads your promotional emails. You can guess what they’re up to, where they’re seated, what’s around them, and so on.

This enables you to focus on the language and strategies you employ. Alternatively, if you’re a technical writer writing on a new desktop platform, you could create a creative scenario in which a user encounters a problem. 

4. Broadens Vocabulary and gets a better understanding of reading and writing

You’ll learn a larger vocabulary and a better understanding of the mechanics of reading and writing as you begin to practice writing exercises regularly. Even if you’re writing a budget report, you’ll know when rigid grammar standards work and when they don’t, and you’ll know what will make your writing flow better for your readers. Exploring different ways of expressing yourself when writing creatively allows you to extend your vocabulary.

You’ll notice a change in your use and range of language as you improve your writing over time, which will be useful in any professional route and social scenario. You’ll be able to bend and break the rules when you need to, to utilize your voice and make what you’re writing engaging without coming off as an amateur, dull, or inauthentic once you’ve grasped the fundamentals of writing professionally and creatively.

5. Building Self-Belief 

When you write creatively, you’re actively involved in an activity that allows you to fully develop your voice and point of view without being constrained. You have a better chance to investigate and express your feelings about various issues, opinions, ideas, and characters. And you’ll feel more at ease and secure stating your thoughts and perspectives in other things you write as a result of this.

Writers who don’t write creatively may be concerned about appearing authoritative or trustworthy. They accidentally lose their voice and sound like drones spouting statistics by omitting to include their perspective on the topics they’re writing about. As a result, they miss out on using their distinct voice and presenting themselves as an expert with real-world expertise.

Creative Writing Activities That Will Strengthen Your Writing Skills  

Short spurts of spontaneous writing make up creative writing activities. These writing exercises push a writer to tackle a familiar topic in a new way, ranging from one line to a lengthy tale. Short, spontaneous projects are common in creative writing programs, but any writer should make them a regular practice to extend their abilities and learn new tactics to approach a series of stories.

These activities must be performed for ten minutes at a time, several times a week – by creative writers. They’re designed to help you improve your writing abilities, generate fresh story ideas, and become a better writer.

1. Free Writing

Writing is the first and foremost activity that is going to give your creative writing a boost. Start with a blank page and let your stream of thoughts and emotions flow. Then simply begin writing. Don’t pause to think or alter what you’re expressing. This is known as “free writing.” This writing activity is referred to as “morning pages” by Julia Cameron, the author of ‘The Artist’s Way.’ She recommends that authors do this every day when they first wake up. Stream of consciousness writing can provide some intriguing concepts.

Allow your intellect to take the lead as your fingers type. Or write a letter to your younger self.  Consider a topic you’d like to discuss, such as a noteworthy event, and write it down. Give guidance or convey a message that you wish you had heard as a youngster or a young adult.

2. Modify a Storyline – Read

Most of us like to read. However, just reading won’t really help augment your creative writing skills. While reading bestows insight into the deeper meanings of numerous things, you need a more concrete approach to better your aptitude. To do this, you can modify any storyline. Take an episode from a chapter, if you’re feeling brave—from one of your favorite books and recreate it. Write it from the perspective of a different character. Swap out the main character in this exercise to examine how the story may be conveyed differently.

Take Percy Jackson’s thrilling conclusion, for instance, and rework it with Annabeth as the primary character. Another way to approach this creative activity is to keep the primary character but switch viewpoints. Rewrite a scene in the third person if the writer has told a story in the first person. 

3. Add Creative Writing Prompts or Create Flash Fiction

Use writing prompts, often known as narrative starters, to produce writing ideas. A writing prompt is a sentence or short excerpt that a writer uses to start composing a story on the spot. You can look up writing prompts online, pick a sentence out of a magazine at random, or use a brilliant line from a well-known work as the start of your short scene.

Another thing you can do to accentuate your writing is to create flash fiction. Sit down at your desktop or pick up a pen and paper and write a 500-word story on the spur of the moment. This isn’t the same as just writing whatever comes to mind. With no fixed guidelines, free writing generates a stream of consciousness. All of the basic components of a story arc, such as plot, conflict, and character development, are required in flash fiction, albeit in a shortened form.

4. Create a Fictitious Advertisement

Pick a random word from a nearby book or newspaper and create a fictitious commercial for it. Write one ad in a formal, abbreviated newspaper classified format to require you to pay special attention to your word choice to sell the item. Then write one for an online marketplace that allows for longer, more casual text, such as Craigslist. Describe the item and persuade the reader to purchase it in each one.

5. Engage in Conversations 

Engaging in conversations with your friends/family – or simply communicating can help brush up your writing skills. Talk to your loved ones about their hobbies, career, views on societal issues – any suitable topic for that matter. This helps implement others’ points of view and expands your mental ability. Another useful thing that you can do is – make another person’s tale and create it by implementing your own thoughts. Then talk about it in an impeccable manner. Also, talk in complete sentences. This goes to show your Linguistic intelligence proficiency – and helps augment your creative writing skills.

6. Create Your Own Website/Blog

Start your search for blogging. There are a million writing suggestions out there, but they all boil down to the same thing: write. Blogging is excellent writing practice because it gives you a place to write regularly.

To keep your fingers and mind nimble, write a post every day. Like most bloggers, you’ll want to restrict your subject—perhaps you’ll focus on parenting or start a how-to site where you can tell stories from your point of view.

7. Participate in Debates/Extempores  

Participating in debates, extempores – anchoring for your school function, giving a speech, all of these activities help boost your creative spirit. These group events make you understand what other people are envisioning, which in turn helps you generate new ideas, approaches, and methods. Not only do they improve your articulation and research skills, but they also develop critical thinking and emotional control abilities. All of these promote a better creative writing aptitude.

8. Start a YouTube Channel or Podcast 

Starting a YouTube channel or podcast will definitely level up your creative game. YouTube is a never-ending platform, covering myriads of topics. Choose a particular niche for your channel.

Then do your topic research, create content, manage SEO, approach brands, talk to clients and influencers – do all the good stuff. Communicating with other influencers and creating content will take your creative writing skills to another level. Starting a podcast will have a similar impact. 

9. Love them? Say it with your words!

We have many festivals, occasions, birthdays, parties, anniversaries and whatnot! You can employ these special days and boost your creative writing skills. You can make a token of love for them – writing about your feelings. You can also make gift cards, birthday cards, dinner menus, and so on. So let’s say, it’s your mother’s birthday, you can write her a token of love, elucidating your feelings and letting her know what all she’s done for you and that you’re grateful. Do this for all your near and dear ones. This not only spreads positivity and love but helps you develop your creative aptitude.

10. The What-if Game

The What-If game is an incredible way to upgrade your creative abilities. You can play this game with your friends, cousins, relatives, or solo. Here, you need to find links to many interesting hypothetical questions. For instance, what if the sun doesn’t rise for a week? What if there’s no oxygen for one minute? Play it with your peeps, or ask these questions to yourself. It can be anything random but concrete. If you don’t know the answers to the questions, look them up on Google. This way, you’re training your mind to learn new concepts all the while enhancing your visualization process. 

We can conclude that creative writing encourages students to think creatively, use their imaginations, imply alternatives, expand their thinking processes, and improve their problem-solving skills. It also allows the child to express themselves and grow their voice. Besides, it enhances reasoning abilities. The principle behind the creative writing concept is that everyone can gain the qualities that are needed to become a successful writer or, rather become good at writing. Creative writing is all about using language in new and innovative ways.

Sananda Bhattacharya, Chief Editor of TheHighSchooler, is dedicated to enhancing operations and growth. With degrees in Literature and Asian Studies from Presidency University, Kolkata, she leverages her educational and innovative background to shape TheHighSchooler into a pivotal resource hub. Providing valuable insights, practical activities, and guidance on school life, graduation, scholarships, and more, Sananda’s leadership enriches the journey of high school students.

Explore a plethora of invaluable resources and insights tailored for high schoolers at TheHighSchooler, under the guidance of Sananda Bhattacharya’s expertise. You can follow her on Linkedin

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10 Creative Writing Activities That Help Students Tell Their Stories

Lower the stakes and help them get started.

“I don’t have a story. There’s nothing interesting about my life!” Sound familiar? I don’t know a teacher who hasn’t heard students say this. When we ask our students to write about themselves, they get stuck. We know how important it is for them to tell their own stories. It’s how we explore our identities and keep our histories and cultures alive. It can even be dangerous when we don’t tell our stories (check out this Ted Talk given by novelist Chimamanda Ngozi Adichie and share it with your students for more on that). Storytelling is essential for every subject, not just English Language Arts; students dive deeper and engage when they practice thinking about how their own stories intersect with historical events, civic engagement, and the real-world implications of STEM. These 10 creative writing activities can work in every subject you teach:

Here are 10 of our favorite story telling activities that inspire students:

1. write an “i am from” poem.

Students read the poem “I am From” by George Ella Lyon. Then, they draft a poem about their own identity in the same format Lyon used. Finally, students create a video to publish their poems. We love this one because the mentor text gives a clear structure and example that students can follow. But the end result is truly unique, just like their story.

2. Design a social media post to share an important memory

How can you use your unique perspective to tell a story? We want our students to learn that they are truly unique and have stories that only they can tell that other people want to hear or could relate to or learn from. In this activity, students watch two Pixar-in-a-Box videos on Khan Academy to learn about storytelling and perspective. Then, they identify an interesting or poignant memory and design a social media post.

3. Create an image using a line to chart an emotional journey

How do you show emotion using a single line? In this activity, students watch a Pixar in a Box video on Khan Academy to learn about how lines communicate character, emotion, and tension. Then they experiment with these aspects as they write their story. We love using this for pre-writing and to help students explore their story arc. Also, for students who love to draw or learn visually, this can help them get started telling their story and show them that there are many different ways to tell a story.

4. Tell the story behind your name

Sharing the story behind our name is a way to tell a story about ourselves, our culture, and our family history. And if there isn’t a story behind it, we can talk about how we feel about it and describe what it sounds like. In this activity, students use video to introduce themselves to their classmates by discussing the origin of their name. This project asks students to connect their names (and identities) to their personal and familial histories and to larger historical forces. If you’re looking for a mentor text that pairs well with this one, try “My Name” by Sandra Cisneros .

5. Develop a visual character sketch

Give students the time to create a character sketch of themselves. This will help them see how they fit into their story. In this lesson, students create a visual character sketch. They’ll treat themselves like a character and learn to see themselves objectively.

6. Create a webpage to outline the story of your movie

Building a story spine is a great way to show students how to put the parts of their story in an order that makes sense. It’s an exercise in making choices about structure. We like this activity because it gives students a chance to see different examples of structure in storytelling. Then, they consider the question: how can you use structure to set your story up for success? Finally, they design and illustrate an outline for their story.

7. Respond to a variety of writing prompts

Sometimes our students get stuck because they aren’t inspired or need a different entry point into telling their story. Give them a lot of writing prompts that they can choose from. Pass out paper and pencils. Set a timer for fifteen minutes. Then, write 3-4 writing prompts on the board. Encourage students to free-write and not worry about whether their ideas are good or right. Some of our favorite prompts to encourage students to tell their story are:

• I don’t know why I remember…
• What’s your favorite place and why?
• What objects tell the story of your life?
• What might surprise someone to learn about you?

8. Create a self-portrait exploring identity and self-expression

Part of what makes writing your own story so difficult for students is that they are just building their identity. In this activity, students explore how they and others define their identity. What role does identity play in determining how they are perceived and treated by others? What remains hidden and what is shown publicly?

9. Film a video to share an important story from your life

Encourage students to think about how to tell the story of a day they faced their fears. Students consider the question: How can you use different shot types to tell your story? They watch a video from Pixar in a Box on Khan Academy to learn about different camera shots and their use in storytelling. Then, they use Adobe Spark Post or Photoshop and choose three moments from their story to make into shots. We love using this to help students think about pace and perspective. Sometimes what we leave out of our story is just as important as what we include.

10. Try wild writing

Laurie Powers created a process where you read a poem and then select two lines from it. Students start their own writing with one of those lines. Anytime that they get stuck, they repeat their jump-off line again. This is a standalone activity or a daily writing warm-up, and it works with any poem. We love how it lowers the stakes. Can’t think of anything to write? Repeat the jump-off line and start again. Here are some of our favorite jump-off lines:

• The truth is…
• Some people say…
• Here’s what I forgot to tell you…
• Some questions have no answers…
• Here’s what I’m afraid to write about…

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Our 2020-21 Writing Curriculum for Middle and High School

A flexible, seven-unit program based on the real-world writing found in newspapers, from editorials and reviews to personal narratives and informational essays.

Update, Aug. 3, 2023: Find our 2023-24 writing curriculum here.

Our 2019-20 Writing Curriculum is one of the most popular new features we’ve ever run on this site, so, of course, we’re back with a 2020-21 version — one we hope is useful whether you’re teaching in person , online , indoors , outdoors , in a pod , as a homeschool , or in some hybrid of a few of these.

The curriculum detailed below is both a road map for teachers and an invitation to students. For teachers, it includes our writing prompts, mentor texts, contests and lesson plans, and organizes them all into seven distinct units. Each focuses on a different genre of writing that you can find not just in The Times but also in all kinds of real-world sources both in print and online.

But for students, our main goal is to show young people they have something valuable to say, and to give those voices a global audience. That’s always been a pillar of our site, but this year it is even more critical. The events of 2020 will define this generation, and many are living through them isolated from their ordinary communities, rituals and supports. Though a writing curriculum can hardly make up for that, we hope that it can at least offer teenagers a creative outlet for making sense of their experiences, and an enthusiastic audience for the results. Through the opportunities for publication woven throughout each unit, we want to encourage students to go beyond simply being media consumers to become creators and contributors themselves.

So have a look, and see if you can find a way to include any of these opportunities in your curriculum this year, whether to help students document their lives, tell stories, express opinions, investigate ideas, or analyze culture. We can’t wait to hear what your students have to say!

Each unit includes:

Writing prompts to help students try out related skills in a “low stakes” way.

We publish two writing prompts every school day, and we also have thematic collections of more than 1,000 prompts published in the past. Your students might consider responding to these prompts on our site and using our public forums as a kind of “rehearsal space” for practicing voice and technique.

Daily opportunities to practice writing for an authentic audience.

If a student submits a comment on our site, it will be read by Times editors, who approve each one before it gets published. Submitting a comment also gives students an audience of fellow teenagers from around the world who might read and respond to their work. Each week, we call out our favorite comments and honor dozens of students by name in our Thursday “ Current Events Conversation ” feature.

Guided practice with mentor texts .

Each unit we publish features guided practice lessons, written directly to students, that help them observe, understand and practice the kinds of “craft moves” that make different genres of writing sing. From how to “show not tell” in narratives to how to express critical opinions , quote or paraphrase experts or craft scripts for podcasts , we have used the work of both Times journalists and the teenage winners of our contests to show students techniques they can emulate.

“Annotated by the Author” commentaries from Times writers — and teenagers.

As part of our Mentor Texts series , we’ve been asking Times journalists from desks across the newsroom to annotate their articles to let students in on their writing, research and editing processes, and we’ll be adding more for each unit this year. Whether it’s Science writer Nicholas St. Fleur on tiny tyrannosaurs , Opinion writer Aisha Harris on the cultural canon , or The Times’s comics-industry reporter, George Gene Gustines, on comic books that celebrate pride , the idea is to demystify journalism for teenagers. This year, we’ll be inviting student winners of our contests to annotate their work as well.

A contest that can act as a culminating project .

Over the years we’ve heard from many teachers that our contests serve as final projects in their classes, and this curriculum came about in large part because we want to help teachers “plan backwards” to support those projects.

All contest entries are considered by experts, whether Times journalists, outside educators from partner organizations, or professional practitioners in a related field. Winning means being published on our site, and, perhaps, in the print edition of The New York Times.

Webinars and our new professional learning community (P.L.C.).

For each of the seven units in this curriculum, we host a webinar featuring Learning Network editors as well as teachers who use The Times in their classrooms. Our webinars introduce participants to our many resources and provide practical how-to’s on how to use our prompts, mentor texts and contests in the classroom.

New for this school year, we also invite teachers to join our P.L.C. on teaching writing with The Times , where educators can share resources, strategies and inspiration about teaching with these units.

Below are the seven units we will offer in the 2020-21 school year.

September-October

Unit 1: Documenting Teenage Lives in Extraordinary Times

This special unit acknowledges both the tumultuous events of 2020 and their outsized impact on young people — and invites teenagers to respond creatively. How can they add their voices to our understanding of what this historic year will mean for their generation?

Culminating in our Coming of Age in 2020 contest, the unit helps teenagers document and respond to what it’s been like to live through what one Times article describes as “a year of tragedy, of catastrophe, of upheaval, a year that has inflicted one blow after another, a year that has filled the morgues, emptied the schools, shuttered the workplaces, swelled the unemployment lines and polarized the electorate.”

A series of writing prompts, mentor texts and a step-by-step guide will help them think deeply and analytically about who they are, how this year has impacted them, what they’d like to express as a result, and how they’d like to express it. How might they tell their unique stories in ways that feel meaningful and authentic, whether those stories are serious or funny, big or small, raw or polished?

Though the contest accepts work across genres — via words and images, video and audio — all students will also craft written artist’s statements for each piece they submit. In addition, no matter what genre of work students send in, the unit will use writing as a tool throughout to help students brainstorm, compose and edit. And, of course, this work, whether students send it to us or not, is valuable far beyond the classroom: Historians, archivists and museums recommend that we all document our experiences this year, if only for ourselves.

October-November

Unit 2: The Personal Narrative

While The Times is known for its award-winning journalism, the paper also has a robust tradition of publishing personal essays on topics like love , family , life on campus and navigating anxiety . And on our site, our daily writing prompts have long invited students to tell us their stories, too. Our 2019 collection of 550 Prompts for Narrative and Personal Writing is a good place to start, though we add more every week during the school year.

In this unit we draw on many of these resources, plus some of the 1,000-plus personal essays from the Magazine’s long-running Lives column , to help students find their own “short, memorable stories ” and tell them well. Our related mentor-text lessons can help them practice skills like writing with voice , using details to show rather than tell , structuring a narrative arc , dropping the reader into a scene and more. This year, we’ll also be including mentor text guided lessons that use the work of the 2019 student winners.

As a final project, we invite students to send finished stories to our Second Annual Personal Narrative Writing Contest .

DECEMBER-January

Unit 3: The Review

Book reports and literary essays have long been staples of language arts classrooms, but this unit encourages students to learn how to critique art in other genres as well. As we point out, a cultural review is, of course, a form of argumentative essay. Your class might be writing about Lizzo or “ Looking for Alaska ,” but they still have to make claims and support them with evidence. And, just as they must in a literature essay, they have to read (or watch, or listen to) a work closely; analyze it and understand its context; and explain what is meaningful and interesting about it.

In our Mentor Texts series , we feature the work of Times movie , restaurant , book and music critics to help students understand the elements of a successful review. In each one of these guided lessons, we also spotlight the work of teenage contest winners from previous years.

As a culminating project, we invite students to send us their own reviews of a book, movie, restaurant, album, theatrical production, video game, dance performance, TV show, art exhibition or any other kind of work The Times critiques.

January-February

Unit 4: Informational Writing

Informational writing is the style of writing that dominates The New York Times as well as any other traditional newspaper you might read, and in this unit we hope to show students that it can be every bit as engaging and compelling to read and to write as other genres. Via thousands of articles a month — from front-page reporting on politics to news about athletes in Sports, deep data dives in The Upshot, recipes in Cooking, advice columns in Style and long-form investigative pieces in the magazine — Times journalists find ways to experiment with the genre to intrigue and inform their audiences.

This unit invites students to take any STEM-related discovery, process or idea that interests them and write about it in a way that makes it understandable and engaging for a general audience — but all the skills we teach along the way can work for any kind of informational writing. Via our Mentor Texts series, we show them how to hook the reader from the start , use quotes and research , explain why a topic matters and more. This year we’ll be using the work of the 2020 student winners for additional mentor text lessons.

At the end of the unit, we invite teenagers to submit their own writing to our Second Annual STEM writing contest to show us what they’ve learned.

March-April

Unit 5: Argumentative Writing

The demand for evidence-based argumentative writing is now woven into school assignments across the curriculum and grade levels, and you couldn’t ask for better real-world examples than what you can find in The Times Opinion section .

This unit will, like our others, be supported with writing prompts, mentor-text lesson plans, webinars and more. We’ll also focus on the winning teenage writing we’ve received over the six years we’ve run our related contest.

At a time when media literacy is more important than ever, we also hope that our annual Student Editorial Contest can serve as a final project that encourages students to broaden their information diets with a range of reliable sources, and learn from a variety of perspectives on their chosen issue.

To help students working from home, we also have an Argumentative Unit for Students Doing Remote Learning .

Unit 6: Writing for Podcasts

Most of our writing units so far have all asked for essays of one kind or another, but this spring contest invites students to do what journalists at The Times do every day: make multimedia to tell a story, investigate an issue or communicate a concept.

Our annual podcast contest gives students the freedom to talk about anything they want in any form they like. In the past we’ve had winners who’ve done personal narratives, local travelogues, opinion pieces, interviews with community members, local investigative journalism and descriptions of scientific discoveries.

As with all our other units, we have supported this contest with great examples from The Times and around the web, as well as with mentor texts by teenagers that offer guided practice in understanding elements and techniques.

June-August

Unit 7: Independent Reading and Writing

At a time when teachers are looking for ways to offer students more “voice and choice,” this unit, based on our annual summer contest, offers both.

Every year since 2010 we have invited teenagers around the world to add The New York Times to their summer reading lists and, so far, 70,000 have. Every week for 10 weeks, we ask participants to choose something in The Times that has sparked their interest, then tell us why. At the end of the week, judges from the Times newsroom pick favorite responses, and we publish them on our site.

And we’ve used our Mentor Text feature to spotlight the work of past winners , explain why newsroom judges admired their thinking, and provide four steps to helping any student write better reader-responses.

Because this is our most open-ended contest — students can choose whatever they like, and react however they like — it has proved over the years to be a useful place for young writers to hone their voices, practice skills and take risks . Join us!

Poetry Center

Five Creative Writing Lesson Plans for Middle & High School Students

A Poem About Joy:

In this lesson plan, inspired by Ross Gay's "Sorrow Is Not My Name," Teré Fowler-Chapman asks young poets to come up with a list of things that bring them joy and then write a poem inspired by one of the items on that list. The writing exercise, which is a fantastic way to bring social-emotional learning into the classroom, is preceded by a conversation on Gay's poetics and on how joy can exist even in times of sorrow.

Personal Migrations:

Saraiya Kanning, inspired by Wang Ping's "Things We Carry on the Sea," asks young writers to, "contemplate how migration has played out in their own lives, including the lives of their families." This multi-part lesson plan includes a word association game, a discussion of Ping's poem, and a group poem in which students answer the question, "What sort of things have been carried across land, sea, or even across time?" collaboratively. After this, they write their own individual poems, using a series of questions to jump start their creativity, and then craft art pieces using popsicle sticks, pipe cleaners and/or puff paint to trace paths across the surface of their chosen canvas (Kanning used cake board!). This lesson can be shortened or spread out over class periods as part of a unit on immigration and migration.

Rare Bird Erasure:

"Erasure poems use words from another source to create a new poem," Saraiya Kanning writes in this lesson plan, which uses the field guide Rare and Elusive Birds of North America as a source text from which young writers create their own pieces (although you're welcome to use any book you'd like!). Each student receives a photocopied page from the book and goes on a "treasure hunt," selecting 5-10 words that in some way connect to one another. After creating their erasure poem, students can decorate the page with art materials to "create images, patterns, or designs around the words." This lesson plan includes a note on modifications for student with visual impairments.

Titles: Art on their Own:

So often in creative writing, the titling process is overlooked but important: as Sophie Daws says, "Writing a title can feel like putting the cherry on top of your great poem or it can feel like walking on eggshells, where the wrong title could ruin the whole poem and you just can’t come up with the right one!" This lesson plan, drawn from her high school zine residency, uses six prompts to offer a guided approach to coming up with a title for a finished project, from one that asks students to write down their favorite line to another that encourages them to think of how a title can add another tone or angle to their work.

Found Art Handmade Books:

Taylor Johnson bridges creative writing and visual art in this lesson plan, which focuses on crafting handmade books from recycled materials. Johnson suggests using everything from old postcards to yarn to insect wings to create a publication that's truly one of a kind. As far as words go, students can either add something they've previously written to their books whole cloth or cut up bits of their old writing and "remix" it. After the books are done, Johnson suggests creating a classroom library or exhibit for students to browse one another's books.

Image from the Boston Public Library.

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12 Lesson Plans for Teaching Writing to Secondary Students

Blog category: Education Date: 21 September 2017

It can be tough to think of ways to keep things interesting when teaching writing to high school students. Fortunately, there are so many great lesson plans out there to give you a starting point. We’ve compiled a list of 12 great lesson plans for teaching different writing techniques and styles to high school students.

1.  News stories

It’s important for students to learn that different types of writing require different styles. For example, the structure and tone of a newspaper article differs greatly from a creative narrative. This news story writing lesson is a great way to help students produce writing with more lexical variation, complex sentences and passive structures.

2.  Calling all characters

Writing fictional narratives can be daunting to many students who feel uncomfortable sharing their ideas, so breaking down the creative writing process is a good way to help students get the ball rolling. This lesson plan requires students to brainstorm character traits, behaviours and actions, then write scenes about that character. Although this lesson plan was designed for primary students, it can be adapted for secondary-level creative writing by removing the simpler games.

3.  Drafting your essay

Essay writing is a major part of high school so it’s important to find different ways of engaging students to reinforce their learning of this type of text. This activity has students deconstruct other essays to learn about essay structure, which will help them when they go to write their own essays. Again, because this is a lesson plan for primary school students, it should be adapted to suit the grade of high school you’re teaching, for example, substitute the picture book for a secondary school novel.

4.  Object creative writing

Rather than starting with characters, another way to prompt students to write stories is the object creative writing lesson plan. By giving students an object to describe, they learn to think creatively in response to a stimulus and develop their descriptive writing skills. Thinking on their feet will help them develop the skills to formulate their own creative ideas in the future.

5.  Letter of complaint

Letters are a common text type that your students will be familiar with. The purpose of this lesson plan is to encourage students to use phrases that express attitude and emotion, which are found in letters of complaint.

6.  Advertising

Advertising uses persuasive language, so practicing this type of writing can help students in forming arguments in essays and debates. Learning how to sell something can also help develop confidence in students.

7.  Peer editing

This lesson plan involves students editing the writing of their peers. Marking the work of others can help a student develop an understanding of their own writing skills by analysing what they would do differently. Responding to feedback from peers also encourages students to develop a positive attitude towards criticism and learning.

8.  Self-reflection

Writing about writing is one of the best ways to help students reduce the number of errors in their work. This lesson plan requires students to read over their work and identify one error that occurs frequently, then rewrite the piece without the error. This activity helps students learn how to correct their work and address habits so that they occur less frequently in the future.

9.  Writing for a real purpose

Writing for a hypothetical purpose can leave students feeling unmotivated to produce their best work. For this lesson plan, students respond to real life scenarios that they’re personally interested in. This way, students adopt an authentic voice, based on real life experience, making their work more engaging.

10.  The 100-word challenge

Being able to write clearly and succinctly is an important writing skill for students in high school and beyond. This lesson idea teaches students how to get to the point in a small number of words, by asking student to respond to a prompt in 100 words or less.

11.  Start a pseudonym project

If you have a students who are particularly shy about sharing their writing with others, you can introduce an anonymous system. Allow students to choose a pseudonym they will use for handing in work. The idea is that students will feel less conscious about being personal or passionate in their work, and therefore produce higher quality work.

12.  Copy cat

Some types of writing, like poetry and creative writing, are harder for students than structured essays and short responses. To help students adopt more creative tones in their writing, this lesson asks students to bring in a piece of writing (poetry or novel) and write their own original piece using the same style and tone.

Get creative

Learning to write different text types, from essays and letters, to creative stories and poetry, can be challenging for students. To help them along the way, it’s important to introduce lesson plans that encourage imagination and help develop lifelong skills that will improve their writing.

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Creative Writing

15 Classified Ads We Hope Had Happy Endings Writing prompt: choose one of these historical ads and construct a narrative that supports it. Include characters, location, and other necessary details. (Teachers may wish to check the ads for appropriateness.)

20 Mystical Bridges That Will Take You To Another World Creative writing prompt: "I walked across the bridge and ..." The photographs of real bridges on this page are astonishingly beautiful. However, the page also carries ads that may not be appropriate for the classroom. Consider copying the photographs into a new file for classroom use.

27 Magical Paths Begging To Be Walked Photographs of beautiful paths all over the world, showing a variety of seasons and geography, just waiting to inspire a poem or serve as the setting for a short story. Note: this page carries ads that may not be appropriate for the classroom. Consider copying the photographs into a new file for classroom use.

The 100-Word Challenge In this activity students respond to a prompt using not more than 100 words. Writing is posted on a class blog, where responses are invited. The activity encourages regular writing for an authentic audience. It's designed for students 16 and under.

Adding Emotions to your Story A good lesson on adding detail, "exploding" an incident, and "show, don't tell." It includes handouts and is designed for grades 3-5.

After the First Draft: 30 Fast, Easy Writing Tips for the Second Draft This 37-page document is designed for writers of novels, but many of the tips apply equally to writers of short stories. Clear, simple, and easy to read, appropriate for 5th or 6th grade (in places) and up. Adobe Reader required for access.

All Together Now: Collaborations in Poetry Writing Students write a line of poetry in response to something the teacher reads. Their lines, together, form a poem. This unit is designed for grades K-2.

Bernadette Mayer's List of Journal Ideas A list of journal topics that will work on multiple grade levels. Scroll down for a list of "Writing Experiments" that will work well in a creative writing unit.

The Book of Butterflies by Michael Leunig (Scroll down on the page.) This short (1:06) video explores the question "What happens when a book comes to life?" It will work well on almost any grade level.

By the Old Mill Stream A creative writing prompt, differentiated for elementary and middle and high school students. Students begin writing a narrative. In the second part of the prompt, they write a description.

Calling on the Muse: Exercises to Unlock the Poet Within From Education World.

Can You Haiku? from EdSitement Complete lesson plans for writing haiku, links to additional material.

Character Name Generator Choose ethnicity, decade of birth, and gender, and this site will generate an appropriate name and a possible character description.

Characterization in Literature and Theater Students explore various methods authors use to create effective characters. Students will consider what makes a character believable and create their own characterizations. They will also write a short script using the characters they created and act out the script.

The Clues to a Great Story One-page handout with 5 essential elements for good storytelling. Uses "The Ugly Duckling" and more contemporary stories for examples.

The Color of Love In this lesson students will be invited to reflect on a variety of colors and the pleasurable things that those colors invoke. They then will write a poem about someone they love following Barbara Joosse's style in I Love You the Purplest .

Creating Characters Students examine character as a significant element of fiction. They learn several methods of characterization, identify and critique these methods in well-known works of fiction, and use the methods in works of their own. Students also identify, examine, evaluate, and use the elements dialogue and point of view as methods of characterization.

Creative State of Mind: Focusing on the Writing Process In this lesson, students examine the lyrics of rap artist Jay-Z for literary elements including rhyme, metaphor, puns and allusions, then consider what he says about his own writing process. Finally, they analyze additional lyrics and apply lessons from Jay-Z's process to their own reading and writing.

The Cutting Edge: Exploring How Editing Affects an Author's Work Students examine the writing of short-story author Raymond Carver as well as their own writing to explore how editing can affect the text, content and context of an author's work.

Six Writing Mini-Lessons for Secondary Students

Writing mini-lessons? Today, I’m reflecting on the larger writing process that I teach with freshmen and sophomores. I’ve realized that within my writing units, I primarily teach six writing mini-lessons.

I teach writing throughout the entire semester with various projects after reading or an important discussion. Sure, we complete formal, researched papers. I do front-load information and provide expectations ahead of assignments. Still, as I encourage my writers, I’ve realized that I use min-writing lessons at different times throughout the semester.

I don’t present these lessons in a particular order, but by the end of the semester, we’ve worked through these smaller lessons. With high school writing lesson plans, flexibility is key.

My writing bundle contains various mini-writing lessons. Below, I’ve detailed my ideas so that you can make them your own. Writing mini-lessons (for high school students) can work in most writing curriculums, with writing workshop, and alongside mentor texts.

Not only do the writing mini-lessons boost student understanding allow me to differentiate, but they also ease my grading. Classes experience targeted practice and therefore, polished products. My grading is easier especially when we move to larger papers.

Overall, these writing mini-lessons benefit everyone.

How do you structure a successful writing mini lesson?

A successful writing mini-lesson should follow a clear structure: start with a hook to engage students, introduce the writing concept or skill, provide examples and explanations, allow for guided practice and independent writing time, and end with a wrap-up and reflection on what was learned.

Here are six.

Writing Process Mini-lessons

Cover expectations, definitions , and the writing process with a presentation and digital note sheets. Show characteristics of effective writing.

Boring? Nope: when I cover basics, I emphasize with students that I want us all to know expectations. Students arrive in my classroom with different experiences and domain-specific vocabulary. Instead of assuming that classes know my expectations, I clarify ideas with a quick presentation that outlines the basis of the writing curriculum.

After reviewing the writing process, implement paragraph writing to familiarize your classes with your expectations and manner of feedback. Plus, short assignments are a great way to implement the writing process quickly.

“One” Focus

Writing can overwhelm students, and one of my mini writing lessons is a focus on “one” idea students can accomplish. Since I provide feedback ahead of the final draft, I take into consideration the “overwhelm” that some writers can face. Since writing is a personal endeavor, students can easily become defensive about corrections. I feel that one of my jobs is to support the writer while showing the writer ways to improve the message.

With the “one” focus, everyone can easily tackle one area for improvement, see success, get excited, and move to working on more areas. As I work with a anyone, I give one piece of feedback and ask the student to return. You can read more ideas about feedback , but basically, I ask students to look at one area for improvement. For instance:

• Sentence variety.
• Transition words.
• Topic sentences.
• Integration of sources.
• Word choice.

And on! If I feel that a students is particularly overwhelmed, I will focus that student on one sentence. I keep the power of one in mind, and when students sense accomplishment, they almost always begin working on other areas. My conference cards align with the goal of one, and allow for private feedback.

Verb Focus, Grammar

Another writing mini-lesson focuses on verbs. With rough drafts, classes typically fill their papers with linking verbs and basic verbs (have, does). A rough draft shouldn’t be perfect, so I always emphasize that these verbs are perfect for the rough draft. After students work through their papers a few times, focus on verbs.

Teach young writers to leverage the power of verbs. Verbs drive a sentence, and verbs can provide an image that adjectives and adverbs can’t. Start by showing students linking verbs . (Sometimes, they don’t realize all of the linking verbs.) Then, we look at predicate adjectives and decide if there is a verb form. Finally, we dive deep into the sentence and find the meaning. Together, we find a verb that portrays the message of the sentence.

Students might not be aware that linking verbs actually lead to simple sentences such as subject, linking verb, predicate adjective. Lightbulbs normally go off when they realize that the predicate adjective often has a verb form (vocabulary lesson!) that can easily improve the sentence.

Another approach for improving verbs is simpler: ask classes to highlight every verb in the paper. Force them to resist plugging the verbs into the thesaurus and replacing the verb. Encourage everyone to brainstorm and work; they can recall verbs that will fit appropriately into their papers. When we work on verbs this way, I typically create a large web and encourage students to add to it.

After we improve verbs, we move to sentence structure.

Sentence Structure Focus

Connecting grammar and writing may take different forms, but sentence structure absolutely connects the two ideas. Sentence structure and all that it encompasses (punctuation, clauses, conjunctions) can overwhelm students. When I begin these writing mini-lessons, I have provided direct instruction over simple, compound, complex, and compound-complex sentences.

When we directly connect this grammar concept to writing, I review different sentence types and then ask writers to look at one paragraph of their paper. I’ve found that looking at the entire paper overwhelms them. When we look at one paragraph, students find success, and then they are able to transfer the idea to the rest of their paper.

Often, simple and compound sentences fill the paragraph. Would the addition of a conjunctive adverb or subordinating conjunction show more meaning, and in the process, provide a natural transition? Sometimes, combining sentences can add emphasis to a simple but little-known fact. Other times, using certain types of sentences can convey a larger meaning.

A simple exercise to illustrate the power of connecting grammar to writing is to ask students to provide you with a simple sentence. Model the different approaches students can take with such a sentence. For example: Plastics are harmful to the ocean.

That is a simple sentence, and it is a complete sentence! As a simple sentence, could you change it? The linking verb “are” could become “harm.” Plastics harm the ocean. Then, model how to turn the sentence into other types of sentences:

Compound: Plastics harm the ocean, and the public must become aware of the sad situation.

Complex: Although the situation is dire, humans must combat the harm of plastics in the ocean. 

Compound-complex: Plastics harm the ocean; however, when the public reuses containers and bags, people produce less plastic waste.

Playing with types of sentences is a powerful grammar and writing lesson. There is no correct answer, but many correct answers. Showing students sentence structures and their possibilities empowers young writers.

Overused Words Focus

Things, stuff, a lot, many: vague words can ruin a paper.

Again, I start by recognizing that overused words are common in a rough draft, but these words rarely poitively add to a paper. I complete a vocabulary lesson to support students and provide examples. Often, classes possess words that will improve their papers, but they need help drawing out those words.

The vocabulary lesson can be anything, really. . . but most often, I use a list of words associated with their papers. For instance, if students are writing about teenagers and sleep, we might look into words that they already know and branch from there. Students can brainstorm: naps, bedtime, exhaustion, focus, deprivation, chronic, difficulty, tiredness, fatigue, and moods.

That’s ten words, and everyone can use those words in a variety of forms. So, empower students by tapping into their prior knowledge. Then, show students how to branch those words into other ideas. Is a lack of sleep harmful? Do teenagers resist bedtime? Can sleepiness contribute to chronic conditions?

Create an anchor chart with classes based on the assignment. Another option is to brainstorm words that will help students cite information and incorporate it seamlessly into their papers. “The author said. . . ” Start a list with students, and show what they already know. What did the author do? Illustrated, demonstrated, proved, expounded, outlined, showcased, clarified: Teenagers know those words, and they can choose which verb best fits into their paper.

With a bit of help and brainstorming, you can eliminate overused words from student papers. Working on overused words and building vocabulary through modeling proper thesaurus use and activating prior knowledge are great mini-writing lessons.

Organization Focus

Focus in a paper begins before students write their first draft . Students might have dozens of ideas about a topic! They get excited and want to put all of those ideas in a paper, or they might not realize that numerous ideas won’t work in a paper.

Pre-Writing

Help writers focus by working with them before they write. Narrowing a focus before writing alleviates many focus problems before they even exist.

Students and I use a graphic organizer for mapping out their ideas. Allow individuals to choose the graphic organizer that makes sense to them. With graphic organizers, I provide images to utilize the benefits of metaphors from brain-based learning. To emphasize the meaning, I carry those metaphors into conferencing sessions. (Student conferences are also mini-writing lessons.)

For instance, if students look at their creation process as a road, I will tell them that I need more directions, that I need a yield sign or green light. Sometimes when I ask students to add transitions, they simply stick standard transitions into sentences. Instead, I want them to give me alerts ahead of the half-mile turn; I want to know in advance where their point is turning.

Drafting & Organizing

Other students might need a more abstract graphic organizer that prompts them to consider the color of their message or the graduation song for their conclusion. (I really will do anything to help students analyze their papers!) These silly techniques get students talking and brainstorming, and when we are finalizing papers, I am sure to return to the graphic organizer that shaped their organization at the beginning of the process. Using a metaphor, goofy and different ways, a bigger picture that students already understand, provides a starting point with students for focus.

As you conference and work with students, you will develop your own method of talking about papers. I am comfortable with using a road or a song as a talking point, but I’m confident you’ll develop an idea that works for you and your students.

Referencing the graphic organizer that meant something to them at the start of the writing process helps with organization throughout the paper. Plus, students can think of every idea for that paper at the start of the process. They can look back and realize why they eliminated certain points when they ultimately narrowed their focus.

High school English mini-lessons often support writing, and such activities are easy to connect to other lessons. My writing bundle contains various lessons with ample tools to support student writers. That bundle carries over the messages that I wrote in this post concerning mini-lessons.

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Are you interested in more mini writing lessons? My Pinterest board for writing contains ideas for m ini lessons for writing from around the web.

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Walking by the Way

the road to inspired learning

Eight Free Creative Writing Lessons

February 17, 2012 by Ami 17 Comments

I know I throw around the word favorite all the time. But this is the truth: teaching creative writing lessons is my favorite. 

I have taught creative writing enrichment for summer school students. I have taught creative writing in various homeschool settings and co-ops. I have taught big students and little students. And I love it. 

Since I love to share homeschool co-op class ideas , I have compiled the creative writing lessons from a co-op class that I taught. 

Creative Writing Lessons for a Homeschool Co-op Class

First, please remember that any teacher can use these creative writing lessons. You don’t need to be teaching homeschoolers. You can be a classroom teacher or a homeschool teacher at home with one student. You can even be a librarian who needs a fun program series.

Second, I used these creative writing lesson plans with upper elementary students (with maybe a few 7th graders thrown in). However, you can adapt and use them for older students or younger students!

Creative Writing Lesson Plans

Creative writing lesson one.

The first lesson focuses on cliché and metaphor. It prompts students to consider how words matter.

Grab lesson one here .

Creative Writing Lesson Two

The second lesson teaches students about sensory details: why they are important and how to include them in their writing. Students will begin using sensory details to evoke smells and sounds and sights.

Grab lesson two here.

Creative Writing Lesson Three

The third lesson introduces showing vs. telling. Students learn how to recognize authors who utilize showing, and students are able to articulate the difference between showing and telling.

Grab lesson three here.

Creative Writing Lesson Four

The fourth lesson teaches students how to capture images. We use examples of poetry and prose to discuss this important writing skill.

Grab lesson four here.

Creative Writing Lesson Five

The fifth lesson introduces the story elements of character and conflict.

Note: You may choose to split this lesson into two lessons since it covers two big elements. I only had nine weeks with my students, so I had to jam character and conflict together.

Grab lesson five here.

Creative Writing Lesson Six

The sixth lesson introduces the students to point of view and perspective. We have fun reading poems and using pictures to write descriptions from different points of view.

Grab lesson six here.

Creative Writing Lesson Seven

The seventh lesson puts everything we’ve learned together. I read the students some fractured fairy tales, and we watch some, too. Students then use the prewriting activities and their imaginations to begin drafting their own fractured fairy tales.

Grab lesson seven here.

Creative Writing Lesson Eight

The eighth lesson focuses on revision. After a mini-lesson, students partner up for peer editing.

Grab lesson eight here .

For our final class day, students bring revised work, and I host coffee shop readings. This is a memorable experience for students (and their teacher).

Creative Writing Lessons FAQ

Since posting these creative writing lessons, I have had lots of questions. I decided to compile them here in case you have the same question.

Q: What are copywork quotes? A: Copywork quotes are simply great quotes that students copy as part of their homework assignments. You can use any quotes about writing. I’ve included my favorites throughout the printable packs.

Q: Can I use this with a younger or older student? A: Absolutely! Just adapt it to meet the needs of your student.

Q: Can I use this for my library’s programming or my homeschool co-op class? A: Yes! I just ask that it not be used for profit.

Do you have any questions about teaching creative writing? What’s your biggest hang-up when it comes to teaching creative writing? I’d love to hear from you and help you solve the issue.

January 7, 2016 at 1:57 pm

Hi Theresa,

As long as you are not profitting from using them, they are yours to use! Enjoy! Wish I could be there to help facilitate all those young writers! 

[…] Creative Writing Class […]

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• Professional learning

Teach. Learn. Grow.

Teach. learn. grow. the education blog.

Anchor your writing instruction in big ideas students can remember

Years later, when one of my journalism students won a Los Angeles Times award for news writing, I thought more deeply about the instructional changes I had made. I also thought about the social and emotional factors that likely enabled this once-timid reporter to tackle tough issues and blossom into an adept writer. What I realized from this exercise is that many of my instructional shifts had more to do with “leaning in” and getting to know my student as a writer, along with “letting go” of some outdated notions about what good writing is.

These are the three most important lessons I learned that I’d like to pass along.

Lesson #1: Writing instruction begins with a shared language for talking about writing and a shared understanding of the purposes for writing

Anchoring your instruction in a few big ideas that students can remember helps simplify the experience for everyone—and writing is always an experience.

As a new English language arts teacher, I often made writing more complicated than it needed to be. In my journalism classes, things were simple: we focused on the 5Ws and H (who? What? When? Where? Why? How?). It was easy for every student to remember and internalize these guiding questions.

If only there were a similar list of questions I could apply to other writing tasks! Over time, I found that there was. And at NWEA, I’ve had the opportunity to collaborate with current and former teachers to hone that list of essential questions down to the following five.

If anchoring your instruction in big ideas students can remember resonates with you, like it did for me, I encourage you to try incorporating these five essential questions into your writing curriculum.

We’ve even compiled these big ideas for growing writers into a free resource aimed at building a shared language for talking about writing with students. To that end, we’ve created a student version , too.

1. Why am I writing?

This question encourages students to ponder their purpose for writing. Often, their immediate response to this question is, “I’m writing because my teacher assigned me this essay/report/research paper.”

If we can get students to push past the idea of writing as an assignment and toward writing as a form of communication, we may see a dramatic increase in their motivation and writing quality. “What do you want to accomplish with this piece of writing?” becomes the question, not “What kind of writing does your teacher want from you?”

Writing is always the intellectual product of the writer, and the more we can encourage students to see themselves as writers and to take ownership of their writing, the better the results. Before students write, it’s critical they know and understand their purpose for writing, as this purpose informs so many other choices they will make.

2. Who are my readers?

This question forces students to consider their audience . When writers can anticipate the needs of their audience, they increase the effectiveness of their communication.

If the only audience a student ever has for their writing is a teacher, they lose the opportunity to make writerly decisions based on different audiences, such as considering their unique feelings and opinions about a topic, their different vocabularies (e.g., familiarity with code switching, idioms, or jargon), and their varying degrees of background knowledge. This is why giving students authentic writing tasks is so important . Authentic writing engages students in the same cognitive processes they use to write for real-world situations, such as applying for a job, taking civic action, or even communicating with family and friends.

3. What am I writing?

This question gets students to think more deeply about the task , genre , and form for their writing. While some of this information is likely included in the writing assignment, it’s still important for students to work through the task details on their own.

Students will make more informed writing decisions when they are able to clearly articulate the expectations and success criteria for a writing task . The writing genre provides another framework for students to think about their purpose for writing. Each genre’s unique features have developed over time through socially agreed-upon conventions, and experienced writers understand how to use these features to communicate more clearly with their audiences. Finally, form —or format—describes the type of text to be produced, and today’s writers have more forms to choose from—both analog and digital—than ever before.

When students put time and thought into their purpose, audience, and task, they have a greater command over their writing and what they want it to accomplish. And that’s when we get to see students’ communication skills and creativity truly shine through.

4. How am I presenting ideas in my writing?

This question addresses the myriad of choices a writer must make when they embark on a task, including decisions about writing development , organization , style , and conventions . Too often, this is where we ask students to start, and it can be overwhelming to make all these decisions before a student has wrapped their head around what they plan to write and why. In addition, while these writerly decisions are important, we may place too great an emphasis on a student’s final written product when a focus on their writing process may have more instructional utility.

My advice to students is, “Don’t sweat the small stuff when it comes to presenting ideas in your writing.” The ideas themselves are what’s most important. They’ll have numerous opportunities to practice and hone their writing development, organization, style, and conventions with every piece they write and over an entire lifetime.

5. How am I using the writing process?

This question reminds students that writing is both a product and a process . And the writing process is where much of the learning and critical thinking takes place.

Though writing is often taught as a sequence of forward-moving steps, the writing process is recursive and iterative, not linear . For example, writers go back and forth between planning, drafting, translating, reviewing, and revising to meet their writing goals, and writing goals can be self-generated or revised at any time during the writing process.

Writing itself is a work in progress that includes collaboration, self-regulation, and self-evaluation in addition to the other steps students typically learn. The more frequently students engage in and reflect on their own writing process, the more likely they are to develop productive and efficient writing habits, as well as growth mindsets that can help them overcome writing challenges in their school, career, and personal lives.

Lesson #2: Writing instruction is most impactful when it extends through professional learning communities (PLC) that offer students school-wide support for writing

As students move from grade to grade, a strong and coordinated PLC can help them build on what they already know about writing and focus on becoming even more expressive and effective writers.

In my first year of teaching, a colleague and I had an opportunity to attend a professional learning summit on writing. One session led by Harry Noden taught us how his Image Grammar could help students expand, vary, and improve their sentence structures. The majority of our student population was multilingual learners, and we rightly suspected that focused practice on writing, even at the sentence level, could increase language development in English . In part, this is because writing has a slower pace, provides a permanent record, and calls for greater precision in word choice.

We accurately assumed that sentence writing would benefit all our students , too. And once we were satisfied with the results, we leveraged our PLC to encourage a school-wide adoption of teaching grammar with Noden’s “brushstrokes.” We saw students quickly embrace the concept of “brushstrokes” because it positioned them as “artists” painting with words. This artistry was reinforced by the quality of their sentence writing. Often shared aloud, these sentences could be chill inducing they were so beautiful. For many students, this was their first proof they could be excellent writers, once they learned how.

Lesson #3: Writing outcomes can be improved through the use of common assessments and common rubrics at the school, district, or even state level

Common assessments and common rubrics help educators develop a shared understanding of how to evaluate writing. This includes providing students with meaningful feedback and grading writing more consistently across a school, district, or even state.

Coordination among teachers can help establish a school-wide writing community that all students can tap into for peer review. It can also lead to greater consistency in writing instruction and evaluation. Such consistency builds trust between students and teachers, which in turn can strengthen students’ view of themselves as learners and increase their motivation to learn .

When students don’t have to figure out individual teacher preferences for writing—and they feel confident every teacher will grade their writing for substance not style—they can focus their mental energy on becoming better writers. This includes developing their own sense of how to use language(s) effectively for personal, academic, and civic purposes.

One way to foster student-teacher collaboration is to encourage students to enter writing contests . Student writing contests can range from local to national, and it’s worth some extra effort to find ones that are a good fit for your students. Once my journalism students began entering (and winning!) writing contests, these events became an annual tradition. My students also became more willing to work on their digital portfolios throughout the year.

At the district level, common assessments and common rubrics can help leaders identify schools that need more support, such as more professional learning for educators or more high-dosage tutoring for students . They can also identify schools that have model instruction and can serve as resources for others. If you’re looking for a place to start in your district, the Literacy Design Collaborative offers common analytic rubrics for several writing genres , and the New York Performance Standards Consortium provides a robust set of performance-based assessments and rubrics .

Districts that use state rubrics in their common writing assessments help ensure all educators have similar expectations of student writing. If your state assesses writing, check the state department of education website for newly released writing assessments and their accompanying rubrics. And if your state doesn’t assess writing, they may still offer writing materials for teachers to use.

Finally, NWEA is often asked about the connection between MAP® Growth™ and writing. MAP Growth does not include writing prompts, so it can’t take the place of high-quality formative assessment in the classroom ; it simply wasn’t designed to assess students’ writing. But MAP Growth can provide insights into students’ strengths and opportunities for growth, and these insights are especially helpful when educators use an integrated approach to reading and writing instruction.

The MAP Growth instructional areas for reading, for example, offer some information about how well students understand literary text, informational text, and vocabulary. Students who are performing below grade-level for vocabulary would likely benefit from more explicit vocabulary instruction, including more strategic exposure to roots and affixes. This expanded vocabulary knowledge can later be applied to students’ writing. One approach is to have students “speak in synonyms,” a kind of oral rehearsal that can be done with peers or small groups and then integrated into a piece of student writing. Meanwhile, students who struggle to comprehend informational text might benefit from a self-regulated strategy development (SRSD) approach to writing . This method teaches students to recognize, internalize, and utilize important genre features in writing. And since reading and writing are related, SRSD can help improve students’ comprehension of informational texts, too.

A recap of lessons learned

Writing is hard, and teaching writing may be harder still. As educators, we continually learn new lessons about how to help our students (and ourselves) become better writers. I hope the three lessons I’ve shared here are helpful to you and bring you closer to having every student see themselves as a capable writer or, better yet, an artist painting with words.

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6 Creative vocabulary activities for high school

• April 25, 2024

Darri Stephens

• Education Tips & Tricks , Implementation , Lessons and Ideas

Vocabulary acquisition has always been a crucial indicator for school achievement, specifically in younger grade levels, but it’s also just as important in high school. Vocabulary is one of the ten components of literacy according to the Science of Reading (SOR) . SOR underscores that reading comprehension is a product of decoding and language comprehension: RC = D x LC (Gough and Tunmer 1986). And vocabulary learning continues far beyond the emergent reader years. Continued vocabulary development, whether through listening, speaking, reading, or writing, supports reading comprehension and increases achievement throughout the grades. So how could and should secondary teachers focus on vocabulary for their high schoolers?

Why is it important to reinforce vocabulary instruction for high school students?

Without vocabulary learning across key content areas, students are at risk of entering college and the workforce ill-prepared. When it comes to vocabulary activities for high schoolers, students need multiple instances of practice to hear, speak, read, and write words in a variety of contexts in order to expand their breadth and depth of understanding. As standards become more robust and classes become more rigorous, one’s vocabulary is often the lynchpin to having meaningful discourse, which helps to illustrate how well content has been processed and understood. Both reading-to-learn and writing-to-learn are ways to help students make or construct meaning long into their high school years.

“There’s a strong, statistical link between a person’s vocabulary knowledge and students’ comprehension ability; and there’s a very strong link between these two and academic success.” Nancy Padak, Kent State University professor emeritus

Flocabulary for high school vocabulary instruction

Flocabulary is rooted in comprehension and vocabulary. Flocabulary’s hip-hop videos present a high volume of words through rhyme, making them a perfect format to teach academic vocabulary . Hip-hop has a more extensive vocabulary and more unique words than any other genre and the rhythm and rhyme make those words memorable and “sticky.” Students are exposed to vocabulary terms multiple times in context within a genre that promotes recall. Plus, there’s more than just a video; each lesson offers extended practice through the corresponding activities. These rigorous and intentional learning experiences are designed to engage students through quality music and rich visuals, creating an emotional connection—and this approach is an ideal way to foster an optimal learning environment.

New to Flocabulary? Teachers can sign up for a trial to access our lesson videos and assessment activities. Administrators can get in touch with us to learn more about unlocking the full power of Flocabulary through Flocabulary Plus.

1. Introduce and reinforce new vocabulary

Some educators believe that pre-teaching or previewing vocabulary before reading provides the “velcro” or stickiness for students to better build meaning by activating prior knowledge and scaffolding concepts. Although previewing allows for repetition, others argue that such vocabulary strategies for high school students are too isolating—they believe that vocab words are best discussed after reading, when students have had the opportunity to make inferences and analyze words within context.

One strategy to help cement new high school vocabulary before and after reading involves using the Frayer Model , also referred to as the Four-Square Strategy. This graphic organizer method provides multiple ways to analyze and concept-map a new word. Students write the vocab term in the center circle, and then they add a basic definition, key characteristics, examples, and non-examples.

Flocabulary’s Vocab Cards are modeled off the Frayer model for effective vocabulary instruction . Therefore, students can use this activity to make connections to their prior knowledge, dissect new learnings into digestible chunks, and think critically about the application of this vocabulary word. Multiple instances of exposure is key!

Using a vocabulary-rich video like Flocabulary’s Shakespeare Is Hip-Hop , for example, you can challenge students to examine the accompanying lyrics and identify which words they are likely to encounter on the SATs or ACTs—words such as forage , goad , gregarious , hiatus , incessant , ingenious , pervasive , profuse , and more! Assign students Flocabulary’s Vocab Cards—which are modeled on the Frayer Model. They can read the definition and part of speech and then practice writing and drawing the word on their own.   Then, turn to the grades 9-12 SAT Word Up collection , containing 12 video lessons, for more vocabulary test prep.

 2. Test prep!

One of the more challenging parts of ELA testing for students is the vocabulary section. Vocabulary tests can be taxing due to the way questions are asked and responses are presented—often in isolation and without the contextual cues that help us when we encounter new words. High school students commonly refer to such difficult or foreign words as “SAT words.” (In recent years, the SAT stopped testing vocabulary via analogies and sentence completions). There are many strategies to help support your students during standardized test-taking periods.

In Flocabulary’s Test-Taking Strategies lesson , students learn how to implement their own test-taking strategies for success. This lesson is perfect to use during test prep season.

Flocabulary even has video lessons to review Tier 2 words which are used generally in academic settings across all subject areas. They are critical for students to master. Instead of leaning on stacks of flashcards, consider ways that these vocabulary words can be presented and shared through media-rich methods. Both native English speakers and second-language learners can benefit from methodologies that appeal to various learning styles: auditory, visual, and kinesthetic. Flocabulary harnesses the sounds, rhythms, melodies, and tones of rap songs along with the visual art, storytelling, humor, drama, and poetry of the videos to create emotional connections. The high-quality videos authentically engage and captivate students by making the learning experiences memorable and interesting.

3. Tie to academic domains

Often, high school curricula are laden with specific academic vocabulary that may not be used commonly in social settings or across subject areas. These subject-specific words are called Tier 3 words. Within subject-specific areas, consider how you can reinforce such key vocabulary for high school students by using core concepts or strategies. For instance, in math, how can you encourage students to weave in math vocabulary in an authentic manner? Repetition of use is important, so try to use math talk. Empower your students to “speak math” and become more familiar with using technical language. Learning such academic vocabulary will help to level the playing field, challenge higher-thinking skills, and push students to think outside of the box.

When it comes to subject-specific concepts, immerse students in high school vocabulary words. For instance, in math, consider those keywords that will be used repeatedly in directions or in the problems themselves with the video Math Terms . Then level up by sharing videos like Congruence & Similarity , which is rich in concepts such as translation, rotation, and reflection on a coordinate plane. Don’t forget that with any and every Flocabulary video, you can emphasize vocabulary with the visually rich Vocab Cards and by building the beat with the accompanying Vocab Game.

4. Go back to your roots

When exploring vocabulary activities for high school, challenge students to take their decoding skills to the next level by using their critical thinking skills to deconstruct words into Greek and Latin roots. These common roots provide clues to the meaning of many abstract vocabulary words. Morphology speaks to the study of the forms of words, and a morpheme is the smallest meaningful part of the word, usually a base word or root. Encourage your high school students to dissect and analyze by adopting the mantra, “New, new, review!” to introduce and review roots in a three-week cycle .

“More than 60 percent of academic words have word parts  (also called morphemes or roots) that always carry the same meaning. Knowing that words can be broken down into meaning units is a powerful strategy for vocabulary development.” Authors Padak, Rasinki, Newton, and Bromley

5. Encourage career readiness

High school is a crucial time to expose and introduce your students to a variety of careers so they can begin to think of their next step. Many careers have their own vernacular (hello, education with our acronyms!) and field-specific speak. As students begin to consider college majors and career pursuits, showcase the different opportunities that are in reach. Help prepare them for job exploration and interviews by introducing them to language that is socially expected within the professional world as well as that which is core to a future industry.

Flocabulary offers Life Skills videos , including a collection on Financial Literacy . The video lesson Banking familiarizes high schoolers with key terms like rate, balance, and principal, while illustrating the fundamentals of how banks function and are insured. Furthermore, teachers can use Flocab’s career lessons about Dietitian and Architect career paths.

6. Make learning fun!

James Paul Gee outlines 16 principles for Good Video Games and Good Learning . As the godfather of game-based learning (GBL), Gee emphasizes the importance of agency, challenge, and performance in learning. There are many such active learning strategies to make vocabulary learning more participatory and more engaging. Remember, repeated exposure is critical, so giving students the opportunity to play with their words is key.

Flocabulary has several instances of word play in the form of vocabulary games for high school: 

• In the Lyrics Lab , students can weave vocabulary words into original songs. They can turn to the word bank or rhyming dictionary for support. The Lyrics Lab promotes student voice.
• Each February, in honor of Black History Month, Flocabulary holds a national contest encouraging students to be researchers, lyricists, and rappers. In September, students can also enter the Hispanic Heritage Month Rap Contest.

Start using Flocabulary for high school instruction

While the rapid development of vocabulary can be exciting, vocabulary learning is truly a lifelong pursuit. Many learning activities can be reinforced across the high school curriculum so that students are constantly stretching their vocabulary prowess. Work collaboratively with colleagues in a cross-curricular manner to strategize about how best to teach vocabulary in high school. Engaging high school students in vocabulary learning activities will prepare them personally and professionally for life beyond their diplomas.

Darri Stephens is a dedicated LX (learning experience) designer, passionate about creating quality content and programs for kids, families, and educators. With MAs in Education from both Harvard and Stanford, and work experience at best-in-class ed tech organizations including Wonder Workshop, Nickelodeon, and Common Sense Education, she is steeped in the design thinking process and committed to agile and iterative project management, which has resulted in multi-award-winning programs and products.

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