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Guest Essay

A Tiny Museum Takes the High Road and Shows the Way Forward

By Margaret Renkl

Ms. Renkl is a contributing Opinion writer who covers flora, fauna, politics and culture in the American South and reports from Nashville.

When the Nashville Scene held its first annual “You Are So Nashville If” contest in 1989, the winning entry read, “You think our Parthenon is better because the other one fell apart.”

The winners of the news weekly’s long-running contest unfailingly distill the zeitgeist of the city, but I still think about this one every time I pass the Parthenon. It winks at the absurdity of finding an exact, full-size replica of an ancient Athenian temple in a Nashville city park while simultaneously acknowledging the breathtaking grandeur of the building.

By the mid-19th century, Nashville had come to be known as the Athens of the South , a reference to the city’s uncommonly high number of colleges and universities. The real Parthenon was built in the fifth century B.C. as a temple to Athena, the patron goddess of Athens. Our Parthenon was built in 1897 as a temporary exhibition space in connection with Tennessee’s centennial celebration.

It is now a museum and still stands in Centennial Park, surrounded by 132 acres of gardens and other public spaces. Like the original Parthenon, Nashville’s Parthenon tells the world something about how the city sees itself, how it hopes to be understood, the truths it values most.

In keeping with that tradition, officials at Nashville’s Parthenon have just announced that the museum will be returning its collection of pre-Columbian artifacts to Mexico. This decision by a tiny local museum offers an illustration of the practical, moral and ethical issues that much larger museums, including New York’s Metropolitan Museum and the British Museum in London, are wrestling with as they consider what to do about the works in their collections that were looted from other cultures.

The 248 pre-Columbian works came to the Parthenon by way of donations from two private collectors during the 1960s and ’70s. The artifacts include tools, musical instruments, ceramic pots, effigies and animal sculptures (including one very charming Mexican hairless dog).

A representative sampling has been on public display since April 18 in an exhibition titled “ Repatriation and Its Impact .” After the show closes on July 14, the entire collection will be delivered to the National Institute of Anthropology and History in Mexico City.

I walked through the exhibition with Bonnie Seymour, an assistant curator who joined the museum staff two years ago. The necessity of addressing the ethical implications of this collection became clear on her very first day in the new job. She recalls pausing at the pre-Columbian antiquities while touring the museum’s art in storage and thinking, “Well, this is not where they should be.”

With artworks collected before the ethical standards followed by today’s collectors existed, the question of where antiquities belong is often charged. “Each case of repatriation is different,” Ms. Seymour takes care to point out.

When a work’s provenance isn’t clear, or when documentation of its legal purchase is missing, or when it is beloved by museum visitors, or when the decision is politically fraught, or when the work has cultural significance far beyond the place of origin, or when the museum has been prevented by local law from repatriating the work — all of these circumstances, and others, can make what might seem like a straightforward question far more complicated.

For quite a few of these reasons, the British Museum is grappling with the question of what to do about a group of friezes and life-size statues, long referred to as the Elgin Marbles, that were removed from the Athenian Parthenon in the late 18th and early 19th centuries at the behest of Thomas Bruce, the seventh Earl of Elgin. Athens was part of the Ottoman Empire at the time, and the earl served as Britain’s ambassador to it. By then, the ancient Parthenon had been severely damaged by wars.

As Rebecca Mead wrote in a detailed piece for The New Yorker , the ambassador helped himself to the Parthenon Sculptures, as they are now called, with the tacit permission of Turkish authorities. In 1816, he sold the sculptures to the British Museum. Soon after Greece gained its independence, it started asking for the Parthenon Sculptures to be returned. It’s been asking ever since.

The question of repatriating the pre-Columbian artifacts, by contrast, was much easier for officials at Nashville’s Parthenon to decide. Many of the antiquities were known to have been excavated without the permission of Mexican officials. They were unrelated to the museum’s actual mission. They were not on display and had no sentimental value to Nashvillians. The museum’s ethical obligation to these artworks made by the people of another culture, and to the people whose history they emerged from, was clear and uncomplicated by political exigencies.

The Parthenon’s director, Lauren Bufferd, and the Metro Parks and Recreation director, Monique Horton Odom, immediately supported Ms. Seymour’s instinctive reaction: These artifacts do not belong here. They belong to the people of Mexico, whose history they share and can help to illuminate.

But first Ms. Seymour had to research the provenance of each piece. An appropriate museum in Mexico had to agree to accept the donation. The Mexican consulate in Atlanta had to be consulted. Procedural roadblocks required the help of metropolitan Nashville’s legal counsel to resolve. The Metropolitan Council, Nashville’s legislative body, had to pass an ordinance permitting the Parthenon to de-accession the pre-Columbian collection and allow the repatriation to proceed. The story unfolded in a way that should make every Nashvillian proud.

The bilingual exhibition itself is far more than a final display of artifacts that will soon be going home. It is also a crash course in the complexities of de-accessioning artifacts and repatriating them with the cultures that created them.

Colorful graphics explain the historical context of art “collection” in earlier eras, recent examples of repatriation undertaken by other museums and the role of replicas in replacing original works for use in education programs.

The exhibition also includes artworks by José Vera González , a Nashville-based artist from the region where these works were excavated. His multimedia creations visually and viscerally illustrate the links between contemporary artists and their own cultural history. The exhibition occupies one small gallery, but it conveys an entire world.

Nashville’s Parthenon was restored and rebuilt as a permanent structure during the early 20th century. Restored again in the 1990s, it now houses a glorious gold-clad statue of Athena that stands 42 feet tall, a full-size replica of the statue that was once the centerpiece of the Athenian Parthenon. The original Athena, carved by the sculptor Phidias, is lost to history. Ours was constructed by a Nashville sculptor, Alan LeQuire . Like the figures in the building’s pediments, many of which are now lost or damaged in the Greek original, Mr. LeQuire’s Athena was fashioned after painstaking research. The closest you can come to seeing the ancient Athenian Parthenon untouched by time is to come to Nashville.

It’s not true that our Parthenon is better because the other one fell apart, of course, but it is a powerful if unlikely argument for returning artworks to the cultures that created them. There are many ways to learn about the creativity of earlier cultures that do not include theft or economic coercion.

In returning its entire pre-Columbian collection to Mexico, the curatorial team at Nashville’s Parthenon, with the help of a huge number of other people in Nashville’s government, has quietly demonstrated an undeniable truth: If something isn’t truly yours, you need to give it back.

Margaret Renkl , a contributing Opinion writer, is the author of the books “ The Comfort of Crows : A Backyard Year,” “ Graceland, at Last ” and “ Late Migrations .”

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips . And here’s our email: [email protected] .

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Former beauty queen charged in federal indictment connected to Mexico-based drug cartel

CHICAGO, Ill. ( WPTA /Gray News) - A former beauty queen has been indicted on federal drug trafficking charges believed to be tied to a Mexican drug cartel, officials say.

Glenis Zapata, 34, of Lafayette, is accused of assisting traffickers in moving drug money from the Midwest to the southern part of the United States and into Mexico.

According to the indictment, Zapata, who worked as a flight attendant at the time of her arrest, allegedly used her employment to help the traffickers.

The cartel named in the case is believed to have moved thousands of pounds of cocaine and laundered tens of millions of dollars in profits.

The U.S. Attorney’s Office, Northern District of Illinois says other means were used to transport the money including semi-trucks and a private charter airplane.

Glenis Zapata was crowned Miss Indiana Latina in 2011. The pageant’s organization released a statement on social media following her arrest, saying “The situation involving one former queen is an isolated case and does not represent our organization or the Latino community. She completed her reign 13 years ago and has had no affiliation with us since.”

Two bank employees were also named in the indictment, 33-year-old Ilenis Zapata and 39-year-old Georgina Banuelos, both of Lafayette, who were accused of exchanging lower denomination bills for high denomination bills.

The indictment also identified the alleged leaders of the drug trafficking organization, including organization head 41-year-old Oswaldo Espinosa, primary manager 46-year-old Jorge Borbon-Ochoa and head of Chicago operations 37-year-old Ricardo Tello.

Federal prosecutors say Espinosa’s organization moved cocaine in “wholesale quantities” from Mexico into various U.S. cities from 2018 to 2023 and used warehouses, garages, and stash houses in Chicago to store the drugs and cash.

The case is part of an Organized Crime Drug Enforcement Task Forces investigation.

Copyright 2024 WPTA via Gray Media Group, Inc. All rights reserved.

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News | Memorial Day events in LA County in memory of…

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News | bill walton, ucla great, nba hall of famer, broadcasting star, dies at age 71, news | memorial day events in la county in memory of those who served in the u.s. armed forces, saluting those who died in service and all deceased veterans.

Here is a sampling of Memorial Day events in the Los Angeles area honoring and remembering the men and women who died during active service in the United States armed forces and deceased veterans who served at any time.

Open today through May 27

Field of Honor Memorial Day Flag Display and Program with Glendale Sunrise Rotary Club at Forest Lawn-Glendale: The club has set up a “Field of Honor” display of 1,000 American flags at the entrance to Forest Lawn-Glendale (1712 S. Glendale Ave.), through May 27. A Memorial Day program is set for 11 a.m. May 27, on a stage. More information about the display, purchasing of American flags ($50 sponsorship to honor someone who served in the United States armed forces; proceeds help local veterans) and Glendale Sunrise Rotary, www.glendalefieldofhonor.com/copy-of-about . Updates: www.facebook.com/GlendaleSunriseRotary/

Memorial Day Ceremony in Montrose: The Montrose Shopping Park Association hold a short ceremony, 7:30 a.m. Vietnam War Memorial, northwest corner of Honolulu Avenue and Ocean View Boulevard, Montrose. shopmontrose.com/memorial-day-ceremony

Memorial Day in La Crescenta: American Legion Post #288 and Veterans of Foreign Wars Post #1614 present the observance, 8 a.m. The event includes a keynote speech by United States Air Force Lt. Col. Andrew Burghdorf, a Presentation of Colors by the Crescenta Valley High School Air Force Junior ROTC (CA-882) Color Guard and a POW/MIA ceremony. Two Strike Park, 5107 Rosemont Ave., La Crescenta. Dick Clubb, 818-384-5761.

Topanga Memorial Day Parade: 8:30 a.m. Grand marshal for 2024 is Bill Dillon, a World War II veteran and a 50-year Topanga resident. The parade begins at Pine Tree Circle, 120 S. Topanga Canyon Blvd., Topanga. The parade ends around 10:30 a.m. at the entrance to the Topanga Community Center where Gabbi Beauvais sings the National Anthem and a flag raising ceremony will be held. The event is part of the 49th Topanga Days Country Fair, a fundraiser for the Topanga Community Center (1440 N. Topanga Canyon Blvd.). Check the website for parking information, hours and admission to the “Country Fair,” activities and rules for attending the “Country Fair.” topangadays.com

Memorial Day at the Ronald Reagan Presidential Library and Museum: The Memorial Day event begins with a musical tribute by the Los Angeles Police Concert Band and Thomas Baker, harpist, 9 a.m., followed by the program at 10 a.m. with a flyover (weather permitting), a color guard, an invocation by Naval Base Ventura County Chaplain Aristotle Rivera, and remarks by

• Captain Robert Kimnach III, commanding officer, Naval Base Ventura County
• Tony Cordero, a Gold Star family member

Free to attend the program, but please register on the program’s event page ( www.reaganlibrary.com/events ).

Admission is charged for touring the museum’s exhibits ( www.reaganfoundation.org/library-museum/online-ticket-sales ).

Location, 40 Presidential Drive, Simi Valley. 800-410-8354. Details: tinyurl.com/ynzhs2jr

Remember and Honor – Memorial Day Program in South Pasadena: The observance includes Boy Scout Troop 333 Color Guard, the National Anthem sung by Miranda Miller, recognition of military service persons and guest speaker Mary Tallouzi, from Wounded Warrior Project , 9 a.m. War Memorial Building, 435 Fair Oaks Ave., South Pasadena. 626-403-7380. www.southpasadenaca.gov/About-Us/City-Calendar/Memorial-Day-Event

City of Glendale Memorial Day Ceremony: Glendale Police Department Deputy Chief Andrew Jenks is the emcee for the observance that includes a keynote speech by U.S. Marine Corps Lt. Alex Krikorian, retired, 9:30 a.m. The Glendale Police Department Color Guard and Glendale Police Explorers will also take part in the event. Veterans Memorial, near City Hall, 613 E. Broadway (at Isabel Street). 818-548-4844, option 1. www.facebook.com/MyGlendale

Memorial Day Ceremony in Alhambra: The City of Alhambra, in conjunction with the Alhambra American Legion Post 139, present the observance beginning with a continental breakfast and live music, 10 a.m., and followed by a program, 11 a.m. Alhambra Park Veterans Memorial, 500 N. Palm Ave. 626-570-3242. cityofalhambra.org . Flyer: www.facebook.com/cityofalhambra

Canoga Park Memorial Day Parade: An opening ceremony, 10 a.m., with presentations by U.S. Army Maj. Gen. Peter Gravett, retired, who is also the grand marshal for the 32nd parade, and local elected officials (ceremony location at the corner of Remmet Avenue and Sherman Way). The parade, “Saluting the Price of Freedom,” 11 a.m. Route: Sherman Way, from Owensmouth Avenue, eastward to Cozycroft Avenue. canogaparkmemorialdayparade.com

Memorial Day at Forest Lawn-Covina Hills: The observance includes an invocation, a color guard, ceremonial wreath presentation, a reading of the presidential proclamation and a keynote speech, 10 a.m. Location, 21300 Via Verde Drive, Covina. 855-800-5296. forestlawn.com/all-events

Memorial Day at Forest Lawn-Hollywood Hills: The observance includes an invocation, a color guard, ceremonial wreath presentation, a reading of the presidential proclamation and a keynote speech, 10 a.m. Location, 6300 Forest Lawn Drive, Los Angeles. 855-800-5296. forestlawn.com/all-events

Memorial Day at Forest Lawn-Long Beach: The observance includes an invocation, a color guard, ceremonial wreath presentation, a reading of the presidential proclamation and a keynote speech, 10 a.m. Location, 1500 E. San Antonio Drive. 855-800-5296. forestlawn.com/all-events

Memorial Day Ceremony with American Legion Post 397 and City of Monterey Park: An observance, 10 a.m. Location, American Legion Post 397, 318 S. Ramona Ave., Monterey Park. 626-307-1388. www.montereypark.ca.gov/calendar.aspx

Green Hills Memorial Park-Rancho Palos Verdes – Memorial Day Observance: The event includes music by bagpipe and military bands, flyovers (civilian and military) and skydivers, 10 a.m. The keynote speaker is U.S. Army Maj. Gen. Mark A. Graham, retired. Parking: Use shuttle service from 2222 Palos Verdes Drive North, Rolling Hills Estates (arrive early for parking and transportation to the ceremony site; see information on the website). The memorial park is at 27501 S. Western Ave., Rancho Palos Verdes. 310-521-4460. https://greenhillsla.com/memorial-day-2024/

Memorial Day Ceremony in West Covina: Program, 10 a.m. Following the program, refreshments. West Covina Civic Center, courtyard, 1444 W. Garvey Ave. South. 626-965-0328. Email: [email protected]. Details: tinyurl.com/y7nc36nw

Rose Hills Memorial Park–Whittier – Memorial Day Observance and Celebration: The 102nd event begins with family activities, photo display honoring the deceased and “remembrance” trees, 10-11 a.m. The formal program includes a flyover, music and keynote speaker, 11 a.m. Skyrose Chapel, courtyard, at Rose Hills Memorial Park, 3888 Workman Mill Road, Whittier. 562-699-0921. rosehills.com/discover-rose-hills/upcoming-events . Details: tinyurl.com/vptkjyzx

City of Burbank’s Memorial Day: The event begins with a concert by the Burbank Community Band, 10:15 a.m., followed by a program that includes the “Ceremony of the Rose,” 11 a.m. Condor Squadron flyover. McCambridge Park War Memorial, 1515 N. Glenoaks Blvd., Burbank. McCambridge Recreation Center, 818-238-5378. www.burbankca.gov/web/parks-recreation/veterans-and-military-service-programs . Details: tinyurl.com/bdhcbhma

Memorial Day Observance at Los Angeles National Cemetery: Program, 10:30 a.m. Location, 950 S. Sepulveda Blvd., Los Angeles. 310-268-4675. www.facebook.com/NatCemLosAngeles

Memorial Day Remembrance at Pierce Brothers Valley Oaks Griffin Memorial Park: The Westlake Village memorial park’s 34th annual observance begins with music, 10:30 a.m., followed by a program, 11 a.m. Location, 5600 Lindero Canyon Road, Westlake Village. 818-889-0902. www.piercebrothersvalleyoaks.com

Memorial Day in Inglewood: The city’s 75th annual service with keynote speaker U.S. Marine Corps Quincy Lunford, retired, at the 11 a.m. program. Location, City Hall, Memorial Obelisk, One Manchester Blvd. 310-412-8720. www.cityofinglewood.org . Flyer: tinyurl.com/bdhykfpm

Memorial Day Ceremony in South El Monte: The program includes poetry readings and a 21-gun salute, 11 a.m. South El Monte City Hall, front lawn, 1415 Santa Anita Ave. 626-579-2043. Details on the flyer: tinyurl.com/yc478hw4

Memorial Day at Pioneer Cemetery in Sylmar: The San Fernando Valley Historical Society presents an observance with a flag ceremony, participation by the Marine Corps League, San Fernando Valley Detachment #1277, a “rifle” salute, a wreath-laying and the playing of “Taps,” 11 a.m. Bring your own chair. Gates open, 10 a.m. The cemetery is the second oldest graveyard in the San Fernando Valley. Location, 14451 Bledsoe St., Sylmar. Email: [email protected]. www.sfvhs.com . Details on the flyer: www.facebook.com/SFVHS/

Memorial Day at Forest Lawn-Glendale: The observance includes an invocation, a color guard, ceremonial wreath presentation, the Pledge of Allegiance, a reading of the presidential proclamation, a keynote speech and patriotic music, 1 p.m. Location is near the Little Church of the Flowers, 1712 S. Glendale Ave., Glendale. 855-800-5296. forestlawn.com/events/memorial-day/

Memorial Day in Redondo Beach: The City of Redondo Beach, Redondo Elks Lodge #1378 and the Redondo Beach Veterans Memorial Task Force present the observance, 1 p.m. In addition, a barbecue, presented by the Redondo Beach Elks Lodge, follows the event (free for veterans, current members of the military, firefighters and police officers; $5 for the public). Veterans Memorial, in Veterans Park, 309 Esplanade (corner of South Catalina Avenue and Torrance Boulevard, and near the Redondo Beach Pier). See the flyer here: rbveteransmemorial.com

Names on the Wall Remembrance – Torrance Historical Society: The society presents a reading of the 146 names on the wall — including those who served from World War I to the Iraq and Afghanistan wars — at 2 p.m. Location of the reading, Veterans Memorial Wall at Memorial Plaza, 3006 Torrance Blvd. (at Maple Avenue). 310-328-5392. Details about the Names on the Wall: bit.ly/3WqOa3Y . torrancehistoricalsociety.org/news/events.html

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Coordinates of elektrostal in degrees and decimal minutes, utm coordinates of elektrostal, geographic coordinate systems.

WGS 84 coordinate reference system is the latest revision of the World Geodetic System, which is used in mapping and navigation, including GPS satellite navigation system (the Global Positioning System).

Geographic coordinates (latitude and longitude) define a position on the Earth’s surface. Coordinates are angular units. The canonical form of latitude and longitude representation uses degrees (°), minutes (′), and seconds (″). GPS systems widely use coordinates in degrees and decimal minutes, or in decimal degrees.

Latitude varies from −90° to 90°. The latitude of the Equator is 0°; the latitude of the South Pole is −90°; the latitude of the North Pole is 90°. Positive latitude values correspond to the geographic locations north of the Equator (abbrev. N). Negative latitude values correspond to the geographic locations south of the Equator (abbrev. S).

Longitude is counted from the prime meridian ( IERS Reference Meridian for WGS 84) and varies from −180° to 180°. Positive longitude values correspond to the geographic locations east of the prime meridian (abbrev. E). Negative longitude values correspond to the geographic locations west of the prime meridian (abbrev. W).

UTM or Universal Transverse Mercator coordinate system divides the Earth’s surface into 60 longitudinal zones. The coordinates of a location within each zone are defined as a planar coordinate pair related to the intersection of the equator and the zone’s central meridian, and measured in meters.

Elevation above sea level is a measure of a geographic location’s height. We are using the global digital elevation model GTOPO30 .

Elektrostal , Moscow Oblast, Russia

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