thesis of ugly love

Ugly Love Summary, Review, Themes, Quotes and Characters

“Ugly Love” by Colleen Hoover is a contemporary romance novel that delves into the complexities of love, pain, and the past, focusing on the tumultuous relationship between Tate Collins and Miles Archer.

Quick summary : Tate Collins moves to San Francisco, meeting brooding pilot Miles Archer. Their tumultuous relationship is overshadowed by Miles’s tragic past with love, Rachel. As Miles confronts his pain, he finds a chance at love with Tate, leading to their eventual reconciliation and family.

Ugly Love Full Summary

This is a story about a girl named Tate who moves from San Diego to San Francisco to study nursing and work in an ER. She moves in with her older brother Corbin, who is an airline pilot, in his fancy apartment.

When she gets there, Corbin is away for work, but she meets Cap, the elevator guy, who becomes her bestie.

She also meets this creepy married dude named Dillon in the elevator who tries to hit on her.

As she’s trying to get into her bro’s apartment, she finds this guy, Miles, drunk and crying in the hallway. It turns out Miles is a friend of Corbin’s. She calls her brother, who trusts Miles enough to let her let him into the apartment. Miles is super emotional and keeps saying the name “Rachel.”

The next day, Miles is all paranoid, thinking they “hooked up,” but Tate assures him nothing happened. They help her move her stuff in, and then it’s Thanksgiving.

During the holiday, Miles cuts his hand, Tate stitches it up, and they share a kiss. They make a deal to have a casual relationship, but Tate shouldn’t expect anything more.

The story switches to show Miles’ past, where he fell in love with a girl named Rachel back in high school. They had a baby, but due to a tragic car accident, the baby died. Rachel couldn’t handle it and left him, and he’s been messed up ever since.

So, Tate and Miles keep their casual relationship going, but it’s kinda rocky. Tate starts to feel hurt because Miles is super hot and cold with her, like one minute he’s all caring and the next he shuts her out. Miles gets super jealous when he sees Tate with a male friend, but still won’t commit to her.

Eventually, Tate can’t handle it anymore and tells Miles her feelings. He still says he’s not down for a relationship. So Tate moves out and her brother, who had found out about their “thing,” is mad but eventually gets over it.

Two weeks after she moves out, Miles shows up at her door. He had visited Rachel, who’s moved on and is married with a kid. Rachel tells Miles he should move on too. So, Miles decides to go after Tate, tells her about his painful past and how much he loves her.

Fast forward six months, Miles takes Tate and Cap on a plane ride. After the ride, he gives her a key to his place and proposes. She says yes. In the end, they have a baby girl named Sam, and it turns out Miles can actually love again and be happy.

And they all live happily ever after.

Sort of.

Elizabeth Tate Collins : The primary female character, a registered nurse in her early 20s pursuing her master’s degree in nursing.
Miles Mikel Archer : The primary male character, an airline pilot in his mid-20s.
Corbin : Tate’s older brother, also an airline pilot, with whom Tate plans to live in his luxury apartment in San Francisco.
Cap : The outgoing elevator attendant in Corbin’s apartment building, who becomes Tate’s best friend.
Dillon : A sleazy married man who shows interest in Tate.
Rachel : A girl from Miles’s past, significant to his backstory.
Ian : Miles’s friend, mentioned in context with his high school years.
Lisa : Rachel’s mother, who becomes involved with Miles’s father.
Clayton : The name of Miles and Rachel’s baby, named after their English teacher.
Brad : The man whom Rachel later marries.
Claire : Rachel and Brad’s baby girl.
Sam (Samuel) : Cap’s real name and the name of Tate and Miles’s baby girl.

Alright, folks, let’s dive into Colleen Hoover’s “Ugly Love,” a book that’s got the internet buzzing like a bee in a bonnet.

Now, I’ve had my share of Hoover experiences – “November 9” was a wild ride, and “Maybe Not” surprisingly knocked my socks off. But “Ugly Love”?

It’s like a rollercoaster that I’m not sure if I loved or just tolerated. Let’s unpack this, shall we?

First up, the pros: Hoover’s writing is like sliding into a warm bath – easy, comforting, and you don’t want to get out. I zoomed through the last three-quarters of this book in one go.

It’s the perfect pick-me-up for those days when you’re feeling a bit blah and need a story that doesn’t make you overthink. The plot’s got this magnetism, even when it dips into the realm of the ridiculous.

Miles and Tate’s story is… well, it’s something. Imagine a love affair with more baggage than a cross-country flight.

Hoover throws us into the deep end of their complicated, often doomed, arrangement. The flashbacks to Miles’s past are like watching a car crash in slow motion – you can’t look away.

And the verse-style prose?

It’s a bold move, not everyone’s cup of tea, but hey, it shakes things up.

But let’s chat about Tate, our leading lady.

Honestly, she’s as exciting as watching paint dry. She’s meant to be this everywoman character, but she comes off more like a placeholder than a person.

Her narrative voice feels like it’s stuck in a teenage diary, which is a bit jarring when you’re reading scenes that are definitely not for the high school crowd.

It’s New Adult but with a strong YA aftertaste – like a cocktail that can’t decide if it’s for grown-ups or not.

Now, Miles, our leading man, he’s not the bad boy I was bracing for. He’s more ice than fire – a bit clueless, but not the toxic heartthrob I was expecting.

And that’s a good thing. He’s upfront about what this whole thing is, which is more than I can say for a lot of romance novel heroes.

The latter part of the book gives us a peek into Miles’s head, and honestly, those bits shine.

Maybe it’s Hoover’s knack for writing male POVs, but those chapters added some much-needed depth.

So, why pick up “Ugly Love”?

If you’re in the mood for a book that’s like a gossip session with your best friend – easy to get into and hard to put down – this is it. The flashbacks add layers to the story, and while the ending didn’t have me reaching for the tissues, it’s got a punch that might hit you right in the feels.

But, a heads up: if you’re expecting Shakespeare, you might want to keep looking. The characters can be a tad dim, and the writing sometimes feels more high school than young adult .

It’s a mix of heavy themes and light, almost cutesy prose that’s a bit of an odd duck in the New Adult pond.

But hey, that might just be what makes it stick in your mind longer than your average romance novel.

In short, “Ugly Love” is a bit like that weird flavor of ice cream you try on a whim – not everyone’s going to love it, but it’s definitely an experience.

1. The Power of Emotional Healing and Confronting the Past

The character development of Miles showcases how imperative it is for an individual to face their traumas and past instead of running from them or suppressing them.

Miles’s inability to discuss his pain surrounding the loss of his child and Rachel’s departure leads him to build emotional walls, shutting himself from potential happiness and love. It is only when he confronts his past, meeting Rachel again, that he starts to genuinely heal.

This is a significant lesson on the importance of addressing and processing emotional traumas. Ignoring or suppressing them doesn’t make them go away; instead, it can lead to emotional and psychological distress.

Confronting and working through past pain, possibly with therapy or counseling, can bring about healing, allowing individuals to move forward and embrace life and relationships more fully.

2. Communication is the Foundation of Relationships

Throughout the book, Tate and Miles’s relationship goes through several ups and downs, primarily due to their lack of clear communication .

Their agreement to have a physical relationship without discussing emotions or the past eventually leads to emotional turmoil. This underlines the fact that even in the most casual relationships, communication is essential.

By setting clear boundaries, understanding each other’s expectations, and frequently checking in on each other’s emotions and thoughts, relationships can navigate the challenges and avoid unnecessary misunderstandings and heartaches.

Clear communication leads to trust, understanding, and a stronger bond between partners.

3. The Transformational Power of Love and Support

Cap’s role as a supportive figure for Tate and the eventual support Miles receives from Tate shows how pivotal love and support can be in a person’s life.

Their bond helps them navigate through the challenges and uncertainties of life. Cap’s unconditional friendship for Tate, and later Miles’s realization of Tate’s unwavering love for him, showcases how love and support can be transformative.

It acts as a reminder that everyone needs a support system – whether it’s friends, family, or significant others.

Having someone to lean on, confide in, or simply share life’s moments with can make the journey easier, more meaningful, and provide the strength needed to overcome challenges.

“Love isn’t always pretty. Sometimes you spend all your time hoping it’ll eventually be something different. Something better. Then, before you know it, you’re back to square one, and you lost your heart somewhere along the way.”
“God gives us the ugliness so we don’t take the beautiful things in life for granted.”
“When life gives you lemons, make sure you know whose eyes you need to squeeze them in.”
“I didn’t fall in love with you… I flew.”
“Sometimes not speaking says more than all the words in the world.”
“Ugly love becomes you. Consumes you. Makes you hate it all. Makes you realize that all the beautiful parts aren’t even worth it. Without the beautiful, you’ll never risk feeling the ugly. So you give it all up. You give it all up. You never want love again, no matter what kind it is, because no type of love will ever be worth living through the ugly love again.”
“It’s the beautiful moments like this that make up for the ugly love.”
“The pain will always be there. So will the fear. But the pain and fear are no longer my life. They’re only moments.”
“But the second she opened her eyes and looked at me, I knew. She was either going to be the death of me… or she was going to be the one who finally brought me back to life.”
“If I were capable of loving someone… it would be you.”

Final Thoughts

“Ugly Love” masterfully weaves a tale of love, pain, and healing. Colleen Hoover’s storytelling captivates readers as she delves deep into the emotional journey of two individuals overcoming their past. The story serves as a testament to the power of love and its ability to heal even the deepest wounds.

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"Ugly Love" Characters Analysis

By Colleen Hoover

romance | 337 pages | Published in 2014

When Tate Collins meets airline pilot Miles Archer, she knows it isn’t love at first sight. They wouldn’t even go so far as to consider themselves friends. The only thing Tate and Miles have in common is an undeniable mutual attraction. Once their desires are out in the open, they realize they have the perfect set-up. He doesn’t want love, she doesn’t have time for love, so that just leaves the sex. Their arrangement could be surprisingly seamless, as long as Tate can stick to the only two rules Miles has for her.Never ask about the past.Don’t expect a future.They think they can handle it, but realize almost immediately they can’t handle it at all.Hearts get infiltrated.Promises get broken.Rules get shattered.Love gets ugly.

Estimated read time: 5 min read

List of characters, role identification, character descriptions, character traits, character background, character arcs, relationships.

Ugly Love Character Analysis

Tate Collins

Tate Collins is the protagonist of "Ugly Love". She is a determined and compassionate young woman who finds herself entangled in a complex and intense relationship with Miles Archer.

Miles Archer

Miles Archer is the other protagonist of the story. He is a reserved and mysterious pilot who carries emotional baggage from his past. His relationship with Tate is at the core of the narrative.

Corbin, Cap, and Rachel

Corbin, Cap, and Rachel are supporting characters who play significant roles in Tate and Miles' lives, providing guidance, support, and insight throughout the story.

Tate is a 23-year-old nursing student who is independent, caring, and dedicated to her studies. She is described as having a kind heart and a strong will, which is evident in her pursuit of her goals and her determination to understand Miles.

Miles is a 28-year-old pilot who is initially portrayed as reserved and emotionally distant. His enigmatic personality is a result of past trauma, and his internal struggles make him a complex and intriguing character.

Corbin is Tate's protective older brother who offers her unwavering support. Cap is Miles' best friend and co-pilot, providing him with a sense of camaraderie. Rachel is Tate's best friend, offering her valuable advice and perspective.

Compassionate
Independent
Strong-willed
Emotionally guarded
Influential

Tate grew up in San Francisco and is the younger sister of Corbin. She is passionate about her nursing career and is focused on achieving her goals. Tate's background is marked by a supportive family environment and a desire to make a positive impact on others through her work.

Miles has a tumultuous past that haunts him throughout the story. His background is shrouded in mystery, and it is gradually revealed that he is grappling with unresolved trauma from a previous relationship. This deeply impacts his ability to form emotional connections.

Corbin, Cap, and Rachel have their own unique backgrounds, but they all share strong bonds with Tate and Miles. Their presence in the narrative offers insights into the characters' pasts and influences their present decisions and behaviors.

Tate's character arc revolves around her journey of self-discovery and resilience in the face of emotional challenges. She evolves from a determined nursing student to a woman who confronts her own desires and confronts the complexities of love and relationships.

Miles undergoes a transformative character arc as he grapples with his past and learns to open himself up to healing and love. His journey is marked by internal conflict and emotional growth, ultimately leading to a profound shift in his outlook on life.

While the supporting characters' arcs are not as central to the narrative, they each experience personal growth and contribute to the development of the main characters through their actions and guidance.

Tate and Miles

The relationship between Tate and Miles is the focal point of the story. It is characterized by intense passion, emotional barriers, and a deep sense of longing. Their dynamic is marked by profound emotional connection and the struggle to overcome past traumas.

Tate and Corbin

Tate's relationship with her brother, Corbin, is rooted in mutual respect and love. Corbin serves as a protective figure in Tate's life, offering guidance and support as she navigates her tumultuous relationship with Miles.

Miles and Cap

Miles and Cap share a strong bond, forged through their careers as pilots. Cap serves as a confidant and source of stability for Miles, offering unwavering support and understanding.

Rachel and Tate

Rachel and Tate's friendship is characterized by honesty and loyalty. Rachel provides Tate with a sounding board for her thoughts and emotions, offering valuable insights and unwavering support.

Through the intricate web of relationships and character dynamics in "Ugly Love", Colleen Hoover crafts a compelling narrative that delves into the complexities of love, trauma, and personal growth. The characters' distinct traits, backgrounds, and arcs contribute to a rich and emotionally resonant story that captivates readers and leaves a lasting impact.

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Theresa Smith Writes

Delighting in all things bookish, book review: ugly love by colleen hoover, ugly love….

Never ask about the past. Don’t expect a future.

They think they can handle it, but realize almost immediately they can’t handle it at all.

Hearts get infiltrated. Promises get broken. Rules get shattered. Love gets ugly.

My Thoughts:

It’s been a long time since I read a novel in a single night, but this one kept me enthralled enough to keep my eyes on the page and completely off the clock. All of Colleen Hoover’s novels have that little something more to set them apart: slam poetry, original music with a soundtrack, confessions from the masses accompanying original art; this story is not without its little something more either.

In Ugly Love, the ‘little bit more’ from Colleen is woven into the chapters told from Miles’ point of view. The text appears different, deliberately and tellingly so, the narrative both high and low, explicitly childlike yet cuttingly clear. But it’s not until the very end of the novel that, if we’ve been paying enough close attention, we really ‘get’ what Colleen’s intention was. It’s one of those moments when you find yourself gasping, hands flying to your mouth in an effort to suppress your shock: the picture is finally complete with every terrible piece at last in its place and you did not see it coming at all. That’s when you realise you’ve been Colleen Hoovered again.

Miles is without doubt Colleen’s most heartbreaking male creation to date and his story is a deeply moving one. This novel is loaded with tension, both emotional and sexual, and Miles himself is often not a very nice man. The way he treats Tate is deliberately hurtful, excusing himself on the basis of his hidden pain. Yet, as readers, we are privy to a side of Miles that Tate is not, so we’re able to forgive these transgressions on his part, while still maintaining sympathy for the trap Tate has gotten herself caught up in.

Colleen Hoover is definitely a writer who just keeps on getting better with each novel. Her words pack an emotionally powerful punch and she’s not afraid to push the boundaries a bit. There was a desperation evident within this story that was at times uncomfortable to behold. Yet being human is sometimes like that: desperate, despairing, angry, and ugly. Human angst in all its glory and I loved every single bit of it.

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“Ugly Love” by Colleen Hoover, published in 2014, is a contemporary romance novel that delves deep into the complexities of love, grief, and healing. The story is known for its emotional depth, raw honesty, and engaging narrative, capturing the hearts of readers worldwide.

The novel alternates between two perspectives and timelines: Tate Collins’ present-day narrative and Miles Archer’s past experiences. Tate is a nursing student who moves in with her brother, Corbin, in San Francisco, where she meets Miles, Corbin’s friend and an airline pilot. Despite an immediate attraction, Miles makes it clear he is not interested in love or relationships, proposing a purely physical relationship with two rules: Don’t ask about his past, and don’t expect a future.

Plot Summary

As the story unfolds, readers learn about Miles’ traumatic past, which is gradually revealed through his perspective. Seven years earlier, Miles experienced a profound love with a girl named Rachel, which ended in tragedy, leaving him emotionally scarred and unable to offer his heart to anyone else.

In the present, Tate agrees to the no-strings-attached arrangement with Miles, despite her growing feelings for him. The physical connection between them is undeniable, but the emotional detachment proves increasingly difficult for Tate, as she begins to fall in love with Miles.

Miles’ past and present narratives converge, revealing the depth of his loss: Rachel was pregnant with their child when a devastating accident took their lives, a loss that Miles has never forgiven himself for. This revelation is the key to understanding his reluctance to love again, as he fears causing more pain and loss.

Despite their agreement, the emotional barrier between Tate and Miles eventually breaks down. Tate’s love and persistence, coupled with her ultimatum that they can no longer continue their relationship as it is, force Miles to confront his past and the pain he has been carrying. In the end, Miles comes to terms with his past, allowing him to open his heart again to love Tate genuinely.

“Ugly Love” explores the themes of coping with grief, the impact of past trauma on present relationships, and the healing power of love. It portrays how people can become trapped by their past, unable to move forward until they confront their pain. The novel also addresses the idea that love requires vulnerability and risk, emphasizing that true intimacy involves both emotional and physical connection.

Notable Quotes

“God gives us the ugliness so we don’t take the beautiful things in life for granted.”
“When life gives you lemons, make sure you know whose eyes you need to squeeze them in.”

Similar Books

Readers who appreciate “Ugly Love” might also enjoy other romance novels that explore deep emotional themes and complex relationships, such as:

“Me Before You” by Jojo Moyes – A poignant love story that also deals with themes of life, choice, and the capacity for love to transcend difficult circumstances.
“Hopeless” by Colleen Hoover – Another emotionally charged novel by Hoover that delves into dark themes and the power of love and truth.
“It Ends with Us” by Colleen Hoover – A powerful narrative that explores the cycle of abuse and the difficult choices involved in breaking it.
“The Sea of Tranquility” by Katja Millay – A novel about two damaged souls finding solace and understanding in each other, highlighting the themes of healing and love.

“Ugly Love” stands out for its emotional depth, compelling characters, and the poignant exploration of love’s complexities, making it a memorable and impactful read in the romance genre.

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Exploring the Depths of Emotion in Colleen Hoover’s “Ugly Love”

Petter vieve

December 8, 2023

Dive into the depths of emotion with Colleen Hoover’s heart-wrenching novel, “Ugly Love.” Prepare to be captivated by a tale that explores the complexities of love, loss, and healing in the most raw and authentic way. In this blog post, we’ll take a closer look at the characters’ emotional journeys, uncover the powerful themes woven throughout the narrative, examine the impact of its dual timeline structure, and delve into both critical acclaim and reader response. Get ready to embark on an unforgettable literary adventure as we unravel why “Ugly Love” is a must-read for anyone seeking an exploration of human emotion like never before! So grab your tissues and buckle up for a rollercoaster ride through passion, pain, and personal growth. Let’s get started!

The Characters and Their Emotional Journeys

The characters in Colleen Hoover’s “Ugly Love” take readers on a rollercoaster of emotions, delving deep into their innermost struggles and desires. The story follows Tate, a young woman who finds herself drawn to the mysterious and brooding Miles. As their relationship unfolds, both characters are forced to confront painful pasts that have left them emotionally scarred. Tate’s emotional journey is one of self-discovery and growth. She starts off as a strong-willed and independent individual, but as she falls deeper in love with Miles, her vulnerability becomes more apparent. Through heartbreak and moments of intense passion, Tate learns the importance of setting boundaries and standing up for herself. Miles, on the other hand, is haunted by his past mistakes and carries an immense amount of guilt. His emotional journey involves facing his demons head-on and learning how to forgive himself. Throughout the novel, readers witness him slowly opening up to Tate and allowing himself to experience love again. The rawness of these characters’ emotions makes their journey all the more captivating. Hoover does an exceptional job at portraying their pain, longing, joy, and despair in a way that resonates with readers on a deeply personal level. By exploring themes such as love, loss, redemption,and healing Ugly Love challenges traditional notions about relationships while also providing hope for second chances at happiness. In this blog section we’ve discussed just how much depth there is within each character’s emotional journey throughout “Ugly Love.” From Tate’s self-discovery to Miles’ path towards forgiveness,this novel offers an authentic exploration into human emotion that will leave readers captivated till the very end!

Themes of Love, Loss, and Healing

Love, loss, and healing are universal themes that resonate with readers across cultures and generations. In Colleen Hoover’s “Ugly Love,” these emotional journeys take center stage, intertwining in a compelling narrative that keeps readers captivated from start to finish. The theme of love is explored through the complex relationship between Tate Collins and Miles Archer. Their connection is intense and passionate, but also fraught with pain and secrecy. As their story unfolds, we witness the power of love to both uplift and destroy, as well as its ability to heal even the deepest wounds. Loss is another central theme in “Ugly Love.” Both Tate and Miles have experienced profound loss in their lives, which has shaped who they are as individuals. The novel delves into the raw emotions associated with grief – the emptiness, despair, and longing for what once was. Through their shared experiences of loss, Tate and Miles find solace in each other’s arms. Healing is a transformative journey that lies at the heart of this novel. As Tate learns to navigate her own emotional scars while supporting Miles through his internal struggles, she discovers strength within herself she never knew existed. Hoover beautifully captures the process of healing – messy yet necessary – reminding us that it takes time to mend our broken hearts. In “Ugly Love,” Colleen Hoover masterfully examines these themes with sensitivity and depth. Her vivid storytelling allows readers to fully immerse themselves in the characters’ emotional landscapes – feeling every triumph or setback along their paths towards healing.

Impact of the Dual Timeline Narrative

The dual timeline narrative in Colleen Hoover’s “Ugly Love” adds a layer of complexity and depth to the story. By alternating between past and present, Hoover allows readers to fully understand the emotional journeys of her characters. In the past timeline, we witness the passionate and intense relationship between Tate and Miles unfold. Their love is all-consuming, but it is also filled with pain and heartbreak. This timeline gives us insight into their shared history, allowing us to empathize with their choices in the present. The present timeline focuses on Tate as she navigates her complicated relationship with Miles. We see her struggle with her own emotions as she tries to decipher his secretive behavior. Through this perspective, we feel Tate’s confusion, frustration, and longing for answers. By weaving together these two timelines, Hoover creates tension and suspense throughout the novel. The shifts between past and present keep readers engaged as they piece together the puzzle of Miles’ guarded heart. This dual narrative also highlights the theme of healing. As readers uncover more about Miles’ painful past through flashbacks, we see how he has been shaped by his experiences. Similarly, Tate’s journey towards self-discovery is mirrored in both timelines. The impact of the dual timeline narrative in “Ugly Love” is profound. It deepens our understanding of the characters’ emotions while keeping us captivated until the very end.

Critical Acclaim and Reader Response

Colleen Hoover’s novel “Ugly Love” has received widespread critical acclaim and resonated deeply with readers worldwide. Critics have praised Hoover’s ability to delve into the depths of human emotion, creating a raw and honest portrayal of love, loss, and healing. The book’s exploration of complex emotions has struck a chord with readers who relate to the characters’ struggles and triumphs. Many have expressed how they were captivated by the intense emotional journey that unfolds within its pages. Hoover’s unique storytelling technique, using dual timelines, adds another layer of depth to the narrative. This non-linear approach allows readers to experience both the past and present simultaneously, heightening their understanding of the characters’ motivations and deepening their emotional connection. Readers have also commended Hoover for her skillful character development. The protagonists in “Ugly Love” are flawed yet relatable individuals who navigate through heartbreak, vulnerability, and self-discovery. Their journeys leave an indelible impression on readers long after finishing the book. The overwhelming positive response from both critics and readers alike is a testament to Colleen Hoover’s talent as a writer. Her ability to evoke such strong emotions in her audience speaks volumes about her storytelling prowess. As countless fans eagerly await future releases from this acclaimed author, it is evident that “Ugly Love” will continue to hold a special place in the hearts of those who have experienced its powerful depiction of love’s complexities.

Comparison to Other Works by Colleen Hoover

Colleen Hoover is known for her captivating and emotionally driven novels, and “Ugly Love” is no exception. While each of her works explores different themes and characters, there are a few elements that set “Ugly Love” apart from the rest. One notable aspect of “Ugly Love” is its dual timeline narrative structure. This technique allows Hoover to delve into both the past and present experiences of the main characters, Tate and Miles. By weaving together their individual journeys, she creates a powerful story that reveals the complexities of love, loss, and healing. Another distinguishing feature of “Ugly Love” is its raw portrayal of emotions. Hoover has a unique ability to capture the depth of human feelings in her writing. In this novel, readers will find themselves fully immersed in the intense emotions experienced by Tate and Miles as they navigate through their tangled relationship. In terms of comparison to other works by Colleen Hoover, “Ugly Love” shares similar themes with some of her previous novels such as “It Ends With Us,” which also deals with complex relationships and personal growth. However, what sets “Ugly Love” apart is its exploration into the darker aspects of love – those messy parts that we often try to hide or ignore. Overall,” Ugly Love” stands on its own as a compelling exploration into the depths of emotion. It showcases Colleen Hoover’s talent for crafting realistic characters who experience heartbreak but ultimately find healing amidst adversity. Whether you’re new to Hoover’s work or already a fan, this novel is definitely worth diving into.

Conclusion:

Colleen Hoover’s novel, “Ugly Love,” offers a captivating exploration of emotions that will leave readers deeply moved. Through compelling characters and their emotional journeys, themes of love, loss, and healing are expertly woven together. The dual timeline narrative adds depth to the story, creating a unique reading experience. With critical acclaim and enthusiastic reader response, “Ugly Love” stands out as one of Colleen Hoover’s most powerful works.

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Ugly Love Themes & Motifs

Grief and Healing in Relationships

The journey of grief and healing is different for everyone. This is demonstrated by Rachel, Miles, and Miles’s father who share their distinct experiences. After the tragic death of Miles and Rachel's child, Rachel moves on more quickly with her life than Miles does once she meets Brad. Miles holds himself responsible for Rachel’s grief and pain, refusing to allow himself to love anyone else. He is afraid that he will not be able to love again. Miles’s father, however, moves on with his life even while his wife is suffering with cancer, a betrayal Miles is unable to understand.

Rachel’s grief is so strong after Clayton’s death that she is unable to even be around Miles because he reminds her of what she lost. She unfairly blames him for Clayton’s death. While Miles is unable...

(read more)

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The Best Fiction Books » Romance

By colleen hoover, recommendations from our site.

Sometimes there’s no substitute for Colleen Hoover herself, but it can be hard to choose which of her 24 novels and novellas to read next. Ugly Love is a good bet if you loved It Ends With Us; its protagonist is young nurse Tate Collins who, rather unromantically, finds airline pilot Miles Archer passed out drunk in front of her apartment door. Connected by Tate’s brother Corbin and an undeniable mutual attraction, the pair start a casual relationship—an arrangement that seems to suit both parties until feelings get involved. As Tate digs deeper, Miles pulls further away and his traumatic past threatens to rear its ugly head. Like Colleen Hoover’s biggest selling book, it features a troubled love interest and doesn’t shy away from complicated emotions. Why not give Ugly Love a go, and let us know how it compares? We always love to hear from our readers on social media.

From our article Books like Colleen Hoover’s It Ends With Us

Other books by Colleen Hoover

It starts with us by colleen hoover, it ends with us by colleen hoover, our most recommended books, boyfriend material by alexis hall, the fiancée farce by alexandria bellefleur, red, white & royal blue by casey mcquiston, lord of scoundrels by loretta chase, broken french by tasha boyd, kingdom of the wicked by kerri maniscalco.

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BOOK REVIEW – Ugly Love by Colleen Hoover

My first thought was.. I’m guna hate you book. Then I read some more. I’m not guna hate you book. In fact I’m guna love you book

Well, here it is. This moment is huge. This will mark A) my favorite Colleen Hoover book to date and B) My first absolutely without-a-doubt 5 star rating for one of her stories. This is by far the most nervous I’ve been going into a CoHo book and undoubtedly the most controversial story and writing style by her ever….and whadya know- I loved it. I’ve always had this quirky side to me that goes along the path less traveled by and more often than not, this off the wall style of mine shines through the most when reading Hoover’s works. Everyone tends to call Hoover their ‘go-to author’ or the author they don’t believe can ever write a bad book or they believe she writes beautiful stories with heart-wrenching messages that teach us something about ourselves-well, not me. I haven’t loved any one of her books like everyone else does. They are good, sure. But they don’t move me. They never have. But with Ugly? I adored it. I don’t know if it was because it wasn’t trying to be so perfect or if it’s because of the amazing, broken Miles, but this one worked for me where her others didn’t.

A kiss is so much easier than what we’re doing. When you kiss, you can close your eyes. You can kiss away the thoughts. You can kiss away the pain, the doubt, the shame. When you close your eyes and kiss, you protect yourself from the vulnerability. This isn’t us protecting ourselves.

Miles. Miles Miles Miles. Miles was this story. Miles is this story. I adored Miles. From his quiet persona to his broken past I l-o-v-e-d him. He wasn’t your typical moody, broody lead, he didn’t promise Tate a future, he was completely up front about the fact he could never love Tate, and he made so many mistakes I can’t even count. Or did he? I think he got a little victimized because he clearly, clearly was falling for Tate early on, but yet wouldn’t admit he loved her and continued to treat them as a casual thing…but he was very up front about that from day one and never deterred. But day after day his barrier would crack-he was never not kind and he always treated her so sweetly…but then she’d say something or look at him with love in her eyes as if he was the world, then the clouded look in his eyes and his icy persona would resurface and he would close down again into that quiet, impenetrable and unreadable Miles…The Miles I fell in love with.

It’s as if pieces of the guy he used to be bleed over into the guy he’s trying to be.

Tate. Sorry-but I loved her. That’s not a popular opinion, but it doesn’t make it any less true for me. I think that many people viewed her as a doormat, but in so many ways, from when she first meets Miles to their first kiss, I see so much of myself in her. So many phrases and thoughts and admissions go through her head that are quite familiar to me and my justification of things. In one moment, I felt so like her it was uncanny: I wad it up in my hands and throw it toward the kitchen, completely pissed off. I’m pissed because I already know I’ll be going with him. I don’t know how not to. I LOVED this quote/moment because it felt like one I’ve lived through numerous times. It happens. We fall for people that don’t want the same things as us and I found that relatable too. Way too relatable. The only thing Tate is guilty of is being a little naive and falling for someone forbidden to her way of life-it’s common , it’s tough , and it’s extremely hard to get past. So, all in all? I loved Tate. She was as strong as she could be and, sure, she had some corny inner monologue at times, but it never bothered me. She was flawed, just like Miles, and she made mistakes (just like the rest of us), just like Miles.

I love being with him but hate myself more and more with each new lie that passes my lips.

More than just the characters, though-It was HOT. It was SEXY. It was STEAMY. I could. Not. Get. Enough. of the sex and the intimate moments Tate and Miles shared. Every kiss effected me, every stolen moment was tantalizing. One thing I have always been able to give Hoover credit for were her steamy scenes-but, and this is a HUGE but, this is by far her hottest, most intense sex-filled book to date and it reached me deeper than any of her other works have. I could feel each sexual encounter to the bottom of my core and when I put the book down it was all I thought about-this book may have centered quite a bit around the physical aspects of their relationship, but it also viewed the subtle moments where they were connecting on a deeper emotional level and finding themselves falling for one another during every day activities-and it worked. I never once rolled my eyes and I still found myself daydreaming about Miles all day while I attempted to work.

It’s a race. It’s Miles and me against everything else. Were racing our consciences, our pride, our respect, the truth. He’s trying to get inside me before any of the rest of that stuff catches up to us. As soon as he’s back on the bed, he’s over me, against me, then inside me. We win.

There are so many things I want to say about this story, but I think I’ll start with the writing. So many people disliked the writing in this one and I can see where people might feel the flow was fractured by the choppy sentencing and poetic style of paragraphs, but hasn’t Hoover always had an odd way of presenting her stories to us? In fact, one of the reasons I’ve NEVER liked her writing all that much is because of the focus on songs and poems and various other forms of art….but in this one? I don’t know, it kind of went with the story and what was going on. It helped drag us through what was in the past and what was in the present. It was clear to me, as a reader, that when I got to Miles’ chapters, they were going to be in the past and it was going to be written differently. I actually started to enjoy it-it’s like it helped differentiate what was happening and what had already happened-there was no room to mistake we were in Mile’s troubled past, and I liked that distinction. But I do get why people didn’t quite respond to it.

He tightens his grip on my neck…and then he kills me. Or he kisses me. I can’t tell which, since I’m pretty sure they would feel the same. His lips against mine feel like everything. Like living and dying and being reborn, all at the same time. Good Lord. He’s kissing me.

One of the other problems people had was the lack of side story (Love you, Tris)-But, see, I loved that. I loved that it focused on these two. Maybe that’s why I didn’t like her other books as much-maybe for Hoover and I to work, that overly dramatic main story and extra (also) overly dramatic side story need to take a seat in the back…because nine times out of ten, they make me cringe. It’s just too much. So, when I realized there wasn’t an extra load of drama on the side, I got really excited. Apparently, when it comes to CoHo’s writing, less is more, and this story delivered-there wasn’t near as much drama and there was just the right amount of angst….and I can’t stop thinking about it.

…I have no idea how I manage to concentrate, because the only thing I can think about is the look that crossed Mile’s face right before he closed the door. I could tell I hurt him. That makes us even now, I guess.

The one and only thing that annoyed me was Rachel. I can’t say why. I can’t say how. But at a certain point in the story, she royally pissed me off. Thank GOD it didn’t sway my love for the book…but it was close. If you want to know why, it’s in the spoiler- (view spoiler) [-There is a certain chapter that switches to her POV near the end of the story. It not only pissed me off, it disgusted me. She blame(ed)s Miles FOR EVERYTHING. She is the reason he is so broken. She is the reason he won’t let love in. She is the reason he cries and feels so alone-she ruined him. She destroyed him. (hide spoiler) ] And it makes me hurt. Makes me hurt FOR him. So, when I had to read (view spoiler) [a chapter about her forgiveness, it made me see red. (hide spoiler) ] That’s all I will say about THAT.

I love the way he groans when our bodies join together. Guys usually tend to hold back their sounds more than girls do. Not Miles. Miles wants me, and he wants me to know it, and I love that. God, I love that.

So….I’m pleased to say I am the black sheep on this one (not at all surprising these days, it seems). I loved this book that is wholly controversial. I loved that Miles was a jealous, possessive, closed off ass. I loved Tate with her fragile heart and their stolen moments. I loved it all. So, if one singular plot is enough for you, if you don’t mind a completely crazy way of writing, if you can keep an open mind long enough to fall for the beautiful, fractured Miles, then give this one a shot-you will NOT regret it.

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FIGURATIVE LANGUAGE ANALYSIS ON THE UGLY LOVE NOVEL BY COLLEEN HOOVER

The aim of this study is to analyze the types of figurative language which found in Ugly Love novel by Colleen Hoover. This study used figurative language theory by Leech to analyze the data which the researcher found in the novel. The method of this study is descriptive qualitative method. The total of the data are 87 data to be analyzed in the types of figurative language. The data will be identify and classify into 8 types of figurative language by Leech. The result of this study found 6 types of figurative language in this Ugly Love novel. That are 33 data of personifications (33 data) , 19 data of similes, 11 data of irony, 10 data of hyperbole, 9 data of metaphors, and 5 data of metonymy. The most of dominant type of figurative language in the Ugly Love novel by Colleen Hoover is personification.

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Home > Dissertations and Theses > Theses and Dissertations > 1453

University of New Orleans Theses and Dissertations

Kevin Kish , University of New Orleans Follow

Date of Award

Spring 5-2012

Degree Type

Degree name, degree program.

Film, Theatre & Communication Arts - Creative Writing concentration

Film, Theatre, and Communication Arts

Major Professor

Joanna Leake

Second Advisor

Fredrick Barton

Third Advisor

Joseph Boyden

The University of New Orleans and its agents retain the non-exclusive license to archive and make accessible this dissertation or thesis in whole or in part in all forms of media, now or hereafter known. The author retains all other ownership rights to the copyright of the thesis or dissertation.

Recommended Citation

Kish, Kevin, "Ugly Love" (2012). University of New Orleans Theses and Dissertations . 1453. https://scholarworks.uno.edu/td/1453

Since May 24, 2012

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Book Review: Memoirist Lilly Dancyger’s penetrating essays explore the power of female friendships

This cover image released by Dial Press shows “First Love” by Lilly Dancyger. (Dial Press via AP)

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Who means more to you — your friends or your lovers? In a vivid, thoughtful and nuanced collection of essays, Lilly Dancyger explores the powerful role that female friendships played in her chaotic upbringing marked by her parents’ heroin use and her father’s untimely death when she was only 12.

“First Love: Essays on Friendship” begins with a beautiful paean to her cousin Sabina, who was raped and murdered at age 20 on her way home from a club. As little kids, their older relatives used to call them Snow White and Rose Red after the Grimm’s fairy tale, “two sisters who are not rivals or foils, but simply love each other.”

That simple, uncomplicated love would become the template for a series of subsequent relationships with girls and women that helped her survive her self-destructive adolescence and provided unconditional support as she scrambled to create a new identity as a “hypercompetent” writer, teacher and editor. “It’s true that I’ve never been satisfied with friendships that stay on the surface. That my friends are my family, my truest beloveds, each relationship a world of its own,” she writes in the title essay “First Love.”

The collection stands out not just for its elegant, unadorned writing but also for the way she effortlessly pivots between personal history and spot-on cultural criticism that both comments on and critiques the way that girls and women have been portrayed — and have portrayed themselves — in the media, including on online platforms like Tumblr and Instagram.

This cover image released by Norton shows "This Strange Eventful History" by Claire Messud. (Norton via AP)

For instance, she examines the 1994 Peter Jackson film, “Heavenly Creatures,” based on the true story of two teenage girls who bludgeoned to death one of their mothers. And in the essay “Sad Girls,” about the suicide of a close friend, she analyzes the allure of self-destructive figures like Sylvia Plath and Janis Joplin to a certain type of teen, including herself, who wallows in sadness and wants to make sure “the world knew we were in pain.”

In the last essay, “On Murder Memoirs,” Dancyger considers the runaway popularity of true crime stories as she tries to explain her decision not to attend the trial of the man charged with killing her cousin — even though she was trained as a journalist and wrote a well-regarded book about her late father that relied on investigative reporting. “When I finally sat down to write about Sabina, the story that came out was not about murder at all,” she says. “It was a love story.”

Readers can be thankful that it did.

AP book reviews: https://apnews.com/hub/book-reviews

'I told my friend her baby is ugly - I love her and she needs to know the truth'

A woman has shared how her friend has stopped speaking to her after she called her baby 'the ugliest baby' - saying she wasn't able to hide her true feelings any longer

A baby boy is asleep on white sheets. He is wearing a blue romper.

10:11, 15 May 2024
Updated 10:27, 15 May 2024

A woman has been slammed for calling her friend's newborn baby ugly - and trying to justify her harsh words by saying it's 'the truth'. She explained how her friend, Caroline, gave birth just a few weeks ago and invited her over to her house to meet the baby for the first time.

She'd been sharing photos of her baby on Instagram and in their private group chat - saying she was excited for them all to finally meet her little one. She said on Reddit : "Everyone is telling her that her baby is super cute but the thing is, I think this baby is the ugliest baby I have ever seen.

"Of course, I wouldn’t tell her this as it is just my opinion (and kind of rude) but I don’t have the heart to join in the chorus of 'Aw he’s so cute!' so I just don’t say anything." She says she showed up to her friend's house early and sat in the living room with Caroline while she finished feeding the baby.

She added: "She asked me if I wanted to hold him. I said sure and took him from my friend and started playing and cooing him. I like making fun of babies (to the baby) and I got a bit carried away when I said to him 'Oh my gosh, who is the ugliest baby, you’re the ugliest baby!' as I blew kisses into his tummy.

' Husband replied to an advert for a one-night stand — I gave birth 38 days ago'
Only those with high IQ can spot lost bucket hat in festival scene in 2 minutes

"Caroline instantly grabbed him from my arms and asked, 'What did you call my baby?' I sheepishly said that I was calling him ugly and I apologized repeatedly as she screamed at me for calling her baby ugly. Lucas then comes in and asks what all the commotion was about and Caroline tells him that I had called their baby ugly and she wants me to leave."

With that, Lucas asked her to leave so she made her exit without making a fuss. She said: "Later on, my other friends call me and ask why was Caroline upset when they got there and why I wasn’t there so I told them what happened and they told me that I was a jerk and rude and no wonder I got kicked out. I feel like maybe I went too far and should’ve hid my true feelings about the baby."

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Wanting to know whether she's in the wrong, she has taken to social media to ask users for their thoughts. One user said: "Most babies, in my opinion, are not cute. They are squished for a while but get the stereotypical cuteness in a few months. The mothers are normally very aware of this and kind of just ignore it. Regardless, it’s still the precious baby and it’s very rude to call them ugly. Also you don’t know what your friend is going through emotionally. She needs to bond with her baby, ugly or cute, as it’s hers."

Another user added: "Newborn babies have just been through a huge trauma (coming out of a narrow tube) and they don’t start looking “cute” and chunky for about a month to 6 weeks. I still find newborns adorable, but come on. You insulted a new mom on her proudest accomplishment. That’s really rude. If someone said that about my baby, I wouldn’t want them around either."

A third user said: "What is wrong with you? Who calls a baby ugly? Certainly not a friend. Are you jealous or something? Is the baby taking too much of your friend’s time? Ugh. You probably won’t be able to undo this."

Do you have a story to share? Email [email protected].

Gayle King Ate a Burger Before Her Sports Illustrated Swimsuit Shoot

The 69-year-old TV anchor, who graces a cover of this year’s swimsuit issue, was fine showing dimples but wanted to avoid looking “too boobalicious.”

A cover of the Sports Illustrated swimsuit issue showing Gayle King posing in a colorful one-piece swimsuit with one hand resting against a stone wall.

By Elizabeth Paton

In the Fashion Chatter column, Elizabeth Paton reports industry news bites and offers bits of analysis.

The “CBS Mornings” anchor Gayle King had just started a live interview with two cover stars of the 2024 Sports Illustrated swimsuit issue on Tuesday when she received a bombshell on air: The new swimsuit issue, which marks the publication’s 60th anniversary, has a cover with Ms. King posing in a bathing suit, too.

“It’s not a dummy cover? This is going to be on the newsstands? Oh my God! Oh my God!” a beaming Ms. King cried after the model Kate Upton, her fellow cover star, handed her a copy of the magazine showing Ms. King posing in a colorful printed Evarae one-piece and matching cover-up beneath the Sports Illustrated logo.

Ms. King, 69, whose solo cover portrait was photographed in Cancún, Mexico, in December, explained during the TV segment that she had thought the picture would appear on inside pages.

Though Ms. King and several other women were also photographed in evening wear for a group cover of this year’s swimsuit issue, getting her own cover along with models like Ms. Upton , Chrissy Teigen and Hunter McGrady came as a shock — especially considering that Ms. King had thought “somebody was playing a joke” when she was initially approached to appear in the publication, she said in an interview on Wednesday.

“I was actually on the fence when they first asked me,” Ms. King said, adding that MJ Day, the editor of the swimsuit issue, helped persuade her to participate after explaining that the focus of this year’s edition was on legacy, longevity and women who were at the very top of their careers.

“I didn’t want to look foolish or like I was trying too hard, but I did think it could be fun,” Ms. King said. She received further encouragement from her “kitchen cabinet” — her children, Kirby Bumpus and William Bumpus Jr., and her longtime best friend , Oprah Winfrey, who, Ms. King said jokingly, “pointed out that the two of us often have quite different ideas of fun.”

Fears that she might need to “lose a rib” or “20 pounds” for her swimsuit photos were quelled by assurances from the Sports Illustrated team that Ms. King should look like herself. Consequently, she said, her preparations for the shoot in Cancún included eating a cheeseburger the day before and performing the exercise routine she typically does before filming her morning show.

In her swimsuit shots, Ms. King looks relaxed and breezy, like a woman happy in her own skin on vacation — which is exactly how she said she felt.

She credited her comfort on set to the photographer Yu Tsai, who she said helped soothe her nerves by hyping her up and guiding her on how to pose. Ms. King was so pleased with the final images, she said, that she asked for minimal retouching — except on an inside photo of her leaning against a palm tree wearing a plunging yellow Eres one-piece and gold jewelry.

“I wasn’t bothered by things like dimples, I don’t have hangups about my age,” Ms. King said. But the yellow swimsuit was “a little too boobalicious,” as she put it, so she suggested retouching the photo to show less skin.

“I love tasteful cleavage,” Ms. King said. “But I didn’t want it to look like I was trying to flash people.”

Ms. Day, since becoming editor of the swimsuit issue in 2012, has been known for her efforts to diversify the publication and to make it more than a collection of pinup-style photos. Martha Stewart, 82, appeared on a cover last year , and Maye Musk, 76, a model and the mother of Elon Musk, graced a cover in 2022.

In a phone interview last week, Ms. Day said her time overseeing the swimsuit issue reflected her desires to promote diversity and to change perceptions of beauty at Sports Illustrated, which published its first swimsuit issue in 1964 and has spent recent months in turmoil amid mass layoffs and a tussle over publishing rights .

Ms. Day said that Ms. King, a former magazine editor and the first TV anchor to appear on a swimsuit issue cover, was “one of the elite journalists of our time.”

“She’s a Black woman and she sits where she sits because she’s so passionate, smart and strong willed,” Ms. Day said. “She is a mature leader. Having a cover star who is not in the model universe is also a conversation we want to continue to host as a title. No one would imagine that she might want to do something like this, but the fact that she does and she’s proud of herself is important for women to see.”

Elizabeth Paton reports on the global fashion industry for The Times, a topic she has covered for more than a decade. She is based in London. More about Elizabeth Paton

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Ugly: Car designs not even a mother could love

( iSeeCars ) – The people behind the scenes in the automotive industry spend years designing the cars we drive. Despite their best efforts, not every car design is one that’s well-received. Maybe it’s underpowered or doesn’t handle well, or maybe it’s just how the car looks. We’ve all seen ugly cars and wondered how they ever rolled off the assembly line. You can find ugly cars from pretty much every automotive era, so it’s been an issue as long as cars have existed.

A myriad of design flaws can make a car look bad, from oddly shaped bumpers to awkwardly-angled rear windows to confusing lines that don’t know whether they want a car to be a station wagon or a coupe. Most of the ugliest cars ever made are, thankfully, not for sale anymore, but you can still find many of these (ugly) used cars for sale today. And while everything from the BMW Isetta to the Fiat Multipla to the Nissan S-Cargo could have made this list, we decided to stick with U.S. market cars only.

Here are our picks for the ugliest cars the automotive industry has had the misfortune to foist on U.S. consumers.

AMC Gremlin

Our first ugly car from AMC is the Gremlin, which debuted on April Fool’s Day 1970 (Hmmm…). Sure, it was a sales hit, but not because people were swooning over its design. Instead, its appeal centered on its price, which, like the Volkswagen Beetle that came before it, was low. It was cheap to build and cheap to buy, and it was one ugly hatchback. The weirdly sculpted rear end looks like it accidentally got chopped short, and is matched with a disproportionately weirdly long hood. Even AMC’s design chief didn’t think it looked good, but that didn’t stop it from hitting showrooms. It was supposed to appeal to consumers looking for a cheap subcompact car, and that’s exactly what it did, looks be damned.

If you’re looking for ugly cars, then look no further than AMC, which has three cars on our list. The Marlin hit the market in 1965 and was produced through 1967. In its short life it saw several names, starting out as the Rambler Marlin, morphing into the Marlin, and ending its production as the AMC Marlin. Doesn’t matter what you call this luxury sedan, it was one ugly car. Unlike some cars that look good from certain angles, no matter how you look at the Marlin it holds zero appeal. Three years and three names weren’t enough to save a car that really needed a thorough facelift.

Rounding out our list of ugly AMCs is the Pacer hatchback. It’s got a little bit of AMC Gremlin styling, with its stubby butt and long hood, not a good look. The AMC Pacer was oddly wide, with huge expanses of glass that made passengers look a little like they were a goldfish in a bowl as they drove down the highway. It was supposed to improve visibility and aerodynamics, but from a design perspective the effort didn’t work. AMC built its ugly fishbowl from 1975 to 1980, before putting the Pacer out to pasture.

Aston Martin Lagonda

Yes, the world’s most famous spy is a big fan of sports cars, especially the supercars built by Aston Martin, but we’re betting he’d shun this one even if it came equipped with an ejector seat, deployable caltrops, and hidden machine guns in the headlights. The Aston Martin Lagonda is a downright ugly car that was built back in 1976, and that’s where it should stay. This car looks utterly unbalanced, with a rear that’s too short and a wide, flat hood that’s the length of an aircraft carrier’s deck. Only 645 units were sold before Aston Martin decided this was not going to be one of its classic cars. It wisely pulled the plug and decided to build cars people might consider buying instead of cars that made people cringe.

Cadillac Cimarron

Cadillac is a luxury brand known for building beautiful, bold cars. They have plush, well-equipped interiors, powerful engines, and stunning exterior designs. Except for this one. The Cadillac Cimarron was supposed to be a mini-luxury sedan at a reduced price. Cool idea, but it didn’t look like a Cadillac. It looked like a Chevy, which makes sense because it shares its exterior design with the Chevrolet Cavalier. Inside it was a bit more upscale, which couldn’t make up for the compact car proportions with Cadillac badges – literally the definition of putting lipstick on a pig. You could buy this “Chevillac” for seven years, from 1982 to 1988, before Cadillac finally decided this wasn’t the right direction for the brand.

Chevrolet Lumina

If you’re asking yourself whether we’re calling out the Lumina sedan or the minivan as one of the ugliest cars, then the answer is both . The Chevrolet Lumina sedan debuted in 1989 and lasted until 2013. While later years were tolerable, its introductory years were, let’s say, disappointing. It was just a bulbous, milk toast sedan that held zero appeal. But hey, if sedans aren’t your thing, there’s the even uglier Chevrolet Lumina APV, which is a minivan. The front end has a sloped hood that leads right up to the windshield in a single line, giving it a wedge-shaped design like a giant doorstop. The massive windshield meets with equally massive triangular windows at the edges. Why, Chevrolet?

Chrysler Crossfire

The Chrysler Crossfire had plenty of potential. It combined a little bit of vintage design elements (in the spirit of the Chrysler PT Cruiser), with a little bit of Mercedes-Benz, including the engine and chassis. But something went horribly wrong from concept to production. This two-door tried quite hard to be a sporty little coupe worthy of its Mercedes underpinnings, with the visual promise of American hot rod performance. Instead, it was a poorly designed mishmash that just didn’t work as a sports car. Its exceptionally broad fenders and fastback roofline didn’t appeal to the public, and after five years in production this automotive outcast was discontinued.

Let’s hop into the way-back machine and take a trip to the year 1958, where you can feast your eyes on the failure of car design that is the Ford Edsel. Or maybe we should say hide your eyes from the Ford Edsel. The idea was to add a mid-range sedan to the Ford lineup with lots of standard features, plenty of options, and beefy V8 engines. From the rear end, it’s fine. From the side it’s fine. From the front end, now we have a problem. That horse-collar grille was striking for all the wrong reasons. The auto-buying masses were not impressed and even today it can’t manage to garner retro appeal. Ford stopped production of one of its ugliest cars after just two years in 1960.

One little car, so many problems. The Ford Pinto is now universally known as the car that catches fire. This is thanks to a fuel tank that could burst into flames if it was punctured during a collision. That’s not really a good selling point for the Pinto, but neither was this car’s lackluster design. It was decidedly dull with nothing attractive to save it from being a bore. It was all wide expanses of metal that just sort of melded into one amorphous blob. Car enthusiasts don’t want to drive around in an amorphous blob, especially one known for catching fire.

Nissan Juke

It wasn’t that long ago that the Nissan Juke was still on sale a few years ago, so if you want to buy this quirky hatchback there’s a good chance there’s a used model or two at your local dealer for sale. Not that we recommend doing that. A subcompact crossover sold from 2010 to 2017 in the United States, the most notable styling elements on this car were its headlights and foglights. These were placed awkwardly on top of the hood and in the grille, like a multi-eyed frog staring at you from a lily pad. The overall proportions were off, too, with its small roof and windows placed on a wide body with too many lines. The Juke actually drove pretty well, but not well enough to justify that exterior design.

Nissan Murano CrossCabriolet

Let’s be clear, that we aren’t calling out the affable Nissan Murano, which you can buy as a new car right now. Instead, we’re looking at its horrific convertible mutation, which was in production from 2011 to 2014. Nissan lopped the roof off of the Murano to create something no one ever wanted or needed to see in public – a four-door convertible crossover. Its odd proportions and tiny rear window simply didn’t work. Top down or top up, this CrossCabriolet wasn’t attractive. As a bonus, it wasn’t a particularly great car to drive, either. Carlos Ghosn, a high-powered automotive executive running Nissan and Renault at the time, gets the credit/blame for this one.

Plymouth Valiant

The Plymouth Valiant had a pretty good run from 1959 to 1976 and holds lots of retro appeal, but not every model year is one that looks good. We’re looking squarely at the 1960 model and wondering what the heck went wrong. This Plymouth Valiant is such an ugly car that it takes a while to see all the places where it went bad. It has strange proportions, with a rear that’s too busy and a grille that’s too busy, and a multitude of windows that make the sides – you guessed it – too busy. Car designers often get extra creative when they’re doodling a “what if” idea at their workstations. Unfortunately, in 1960 Plymouth decided to put one into production.

Pontiac Aztek

It’s pretty much impossible to compile a list of the ugliest cars without including the Pontiac Aztek. It probably seemed like a great idea on paper. This crossover has a roomy interior for passengers, optional all-wheel drive for bad weather, and great cargo versatility. There was a sliding cargo tray in back with pop-up compartments to organize your stuff, and you could even outfit your Pontiac Aztek with a specially designed tent. It had innovative features designed to appeal to car enthusiasts, but ultimately this car looks just hideous, with oddly shaped plastic cladding along the wheel arches and door/roof proportions completely out of whack. The closest the Pontiac Aztek came to being cool was its stint on Breaking Bad, placed there to emphasize the main character’s depressing life. It was only in production for a few years, and for that, we’re grateful.

Toyota Previa

Today, Toyota builds the popular Sienna minivan, which is a lovely vehicle for busy families. Back in the 1990s, it built an entirely different minivan called the Previa. It offered a couple of engines, including a supercharged option, and it had available all-wheel drive. The interior was highly functional, with second-row captain’s chairs that swiveled to face rearward and a third row that folded up along the sides of the Previa’s cargo area. But the exterior? It somehow managed to have both a wedge-shaped and bulbous body that looked like something out of a bad 1980s arcade game (Moon Patrol – look it up). Toyota also threw in some horrible plastic cladding, just for good measure. The Previa’s interior design was ahead of its time, but taking advantage of it meant riding around – and potentially being seen – in that exterior shape.

Toyota Prius

The Toyota Prius is easily one of the most recognizable cars on the road. This hybrid has been through a lot since its introduction way back in 1997 (2001 for the U.S. market), with multiple variants coming and going over the years. While the Prius has evolved, one thing has remained the same – its “distinctive” styling. Sure, it gets exceptional fuel economy, and now there’s even a plug-in Prius, but that shape sure takes the “fun” out of functionality. The Prius deserves credit for being the first mass-produced and fully-successful hybrid. Now here’s the next challenge for Toyota: make it look appealing.

Subaru Tribeca

The Subaru Tribeca was the automaker’s first seven-seat SUV that was on the market from 2005-2014. It had an ugly facade characterized by a round exterior and a narrow rectangular grille that appeared visually unbalanced. Looks aside, the Tribeca also suffered from poor reliability ratings and a sub-par interior.

Minnesota's new state flag is drawing mixed reactions

Dana Ferguson

Minnesota's new state flag officially flew for the first time on Saturday. Some Minnesotans hate it, and some love it so much that they're getting a tattoo of it.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

SI SWIMSUIT
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Packers, Jordan Love Not 'Anywhere Close' to New Deal, per Report

Patrick andres | 6 hours ago.

January 20, 2024; Santa Clara, CA, USA; Green Bay Packers quarterback Jordan Love (10).

Green Bay Packers

The Green Bay Packers are the envy of the NFL for one reason and one reason only: they make scouting the most important position in North American sports look easy.

Three decades after hitting on Atlanta Falcons cast-off Brett Favre and two after scooping up draft-day faller Aaron Rodgers, the Packers appear to have done it again with quarterback Jordan Love. The Utah State product threw 32 touchdown passes against 11 interceptions last season, leading Green Bay to its fourth playoff apperance in five seasons.

The question is whether the Packers can keep Love around for the long haul. According to ESPN's Adam Schefter, Green Bay can't answer that one just yet.

"It'll be up to (executive vice president and director of football operations) Russ Ball to see if he can get this deal done," Schefter told WKTI-FM in Milwaukee Wednesday morning, alluding to a potential Love extension. "I don't think that they're anywhere close to getting it done right now. Those are conversations that will occur here in the days and weeks to come."

Schefty doesn’t think the #Packers and Jordan Love are close to getting an extension done yet… Are you worried Jordan Love won’t have a new deal before the season starts? pic.twitter.com/TGp0tazHCS — Jen, Gabe, and Chewy (@JenGabeChewy) May 15, 2024

Love is set to play on a one-year extension to his rookie deal in 2024, and can theoretically hit free agency after this season.

PATRICK ANDRES

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Chapter 1 summary: “tate”.

Tate Collins moves from San Diego to San Francisco to attend graduate school. In San Francisco, she plans to stay with her older brother, Corbin, while she looks for a job as a registered nurse (RN). Corbin, an airline pilot, is away for the weekend when she arrives, and she meets the friendly elevator attendant, Cap. Cap looks at Tate’s birthmark and remarks, “Somebody stabbed you in the neck, young lady” (1). He shares his grandfather’s wisdom and explains that people’s birthmarks indicate how they died in a previous life. Tate regards the elderly man as harmless and makes polite small talk with him before getting in the elevator. A married man named Dillon enters the elevator. He tries to flirt with Tate, but she is leery of his advances.

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