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Titanic Movie Review: Acting and Emotions

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Published: Oct 2, 2020

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Movie "Titanic": a Brief Review Essay

Works cited:.

• Addams, J. (1902). Democracy and social ethics. Macmillan.
• Addams, J. (1910). Twenty years at Hull-House: With autobiographical notes. Macmillan.
• Addams, J. (1915). The Long Road of Woman’s Memory. The Atlantic Monthly, 116(4), 534-544.
• Addams, J. (1915). Women and public housekeeping. The Macmillan Company.
• Addams, J. (1919). Peace and bread in time of war. The Macmillan Company.
• Bryan, M. (2006). Jane Addams and the dream of American democracy: A life. University of Chicago Press.
• Knight, L. (2016). Jane Addams: Spirit in action. W. W. Norton & Company.
• Lasch-Quinn, E. (1993). Black neighbors, white immigrants: Race and community action in the making of America's immigrant church. Oxford University Press.
• Nash, M. (2013). Jane Addams: A biography. University of Illinois Press.
• Trolander, J. A. (1987). Professionalism and social change: From the settlement house movement to neighborhood centers, 1886-1950. Columbia University Press.

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Movie Reviews

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Like a great iron Sphinx on the ocean floor, the Titanic faces still toward the West, interrupted forever on its only voyage. We see it in the opening shots of “Titanic,” encrusted with the silt of 85 years; a remote-controlled TV camera snakes its way inside, down corridors and through doorways, showing us staterooms built for millionaires and inherited by crustaceans.

These shots strike precisely the right note; the ship calls from its grave for its story to be told, and if the story is made of showbiz and hype, smoke and mirrors--well, so was the Titanic. She was “the largest moving work of man in all history,” a character boasts, neatly dismissing the Pyramids and the Great Wall. There is a shot of her, early in the film, sweeping majestically beneath the camera from bow to stern, nearly 900 feet long and “unsinkable,” it was claimed, until an iceberg made an irrefutable reply.

James Cameron's 194-minute, $200 million film of the tragic voyage is in the tradition of the great Hollywood epics. It is flawlessly crafted, intelligently constructed, strongly acted and spellbinding. If its story stays well within the traditional formulas for such pictures, well, you don't choose the most expensive film ever made as your opportunity to reinvent the wheel.

We know before the movie begins that certain things must happen. We must see the Titanic sail and sink, and be convinced we are looking at a real ship. There must be a human story--probably a romance--involving a few of the passengers. There must be vignettes involving some of the rest and a subplot involving the arrogance and pride of the ship's builders--and perhaps also their courage and dignity. And there must be a reenactment of the ship's terrible death throes; it took two and a half hours to sink, so that everyone aboard had time to know what was happening, and to consider their actions.

All of those elements are present in Cameron's “Titanic,” weighted and balanced like ballast, so that the film always seems in proportion. The ship was made out of models (large and small), visual effects and computer animation. You know intellectually that you're not looking at a real ocean liner--but the illusion is convincing and seamless. The special effects don't call inappropriate attention to themselves but get the job done.

The human story involves an 17-year-old woman named Rose DeWitt Bukater ( Kate Winslet ) who is sailing to what she sees as her own personal doom: She has been forced by her penniless mother to become engaged to marry a rich, supercilious snob named Cal Hockley ( Billy Zane ), and so bitterly does she hate this prospect that she tries to kill herself by jumping from the ship. She is saved by Jack Dawson ( Leonardo DiCaprio ), a brash kid from steerage, and of course they will fall in love during the brief time left to them.

The screenplay tells their story in a way that unobtrusively shows off the ship. Jack is invited to join Rose's party at dinner in the first class dining room, and later, fleeing from Cal's manservant, Lovejoy ( David Warner ), they find themselves first in the awesome engine room, with pistons as tall as churches, and then at a rousing Irish dance in the crowded steerage. (At one point Rose gives Lovejoy the finger; did young ladies do that in 1912?) Their exploration is intercut with scenes from the command deck, where the captain ( Bernard Hill ) consults with Andrews ( Victor Garber ), the ship's designer and Ismay ( Jonathan Hyde ), the White Star Line's managing director.

Ismay wants the ship to break the trans-Atlantic speed record. He is warned that icebergs may have floated into the hazardous northern crossing but is scornful of danger. The Titanic can easily break the speed record but is too massive to turn quickly at high speed; there is an agonizing sequence that almost seems to play in slow motion, as the ship strains and shudders to turn away from an iceberg in its path--and fails.

We understand exactly what is happening at that moment because of an ingenious story technique by Cameron, who frames and explains the entire voyage in a modern story. The opening shots of the real Titanic, we are told, are obtained during an expedition led by Brock Lovett ( Bill Paxton ), an undersea explorer. He seeks precious jewels but finds a nude drawing of a young girl. Meanwhile, an ancient woman sees the drawing on TV and recognizes herself. This is Rose (Gloria Stuart), still alive at 101. She visits Paxton and shares her memories (“I can still smell the fresh paint”). And he shows her video scenes from his explorations, including a computer simulation of the Titanic's last hours--which doubles as a briefing for the audience. By the time the ship sinks, we already know what is happening and why, and the story can focus on the characters while we effortlessly follow the stages of the Titanic's sinking.

Movies like this are not merely difficult to make at all, but almost impossible to make well. The technical difficulties are so daunting that it's a wonder when the filmmakers are also able to bring the drama and history into proportion. I found myself convinced by both the story and the saga. The setup of the love story is fairly routine, but the payoff--how everyone behaves as the ship is sinking--is wonderfully written, as passengers are forced to make impossible choices. Even the villain, played by Zane, reveals a human element at a crucial moment (despite everything, damn it all, he does love the girl).

The image from the Titanic that has haunted me, ever since I first read the story of the great ship, involves the moments right after it sank. The night sea was quiet enough so that cries for help carried easily across the water to the lifeboats, which drew prudently away. Still dressed up in the latest fashions, hundreds froze and drowned. What an extraordinary position to find yourself in after spending all that money for a ticket on an unsinkable ship.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Titanic (1997)

Rated PG-13 For Shipwreck Scenes, Mild Language and Sexuality

194 minutes

Leonardo DiCaprio as Jack Dawson

Kate Winslet as Rose Dewitt Bukater

Bill Paxton as Brock Lovett

Kathy Bates as Molly Brown

Billy Zane as Cal Hockley

Written and Directed by

• James Cameron

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Home Essay Samples Entertainment Titanic

Analysis of the Visual Work in the Movie "Titanic" by James Cameron

Analysis of film elements

• Cameron, J. (Director). (1997). Titanic [Motion picture]. United States: Paramount Pictures.
• Janicker, R. (2004). The Sinking of the Titanic: An Iceberg for Cultural Studies. Discourse, 26(2), 99-118.
• Boushel, M. (1999). 'I'll never let go': titanic and the ethics of spectatorship. Camera Obscura, 14(2 42), 60-97.
• Jones, E. (1998). Titanic and the making of James Cameron: the inside story of the three-year adventure that rewrote motion picture history. New York: Newmarket Press.
• Albornoz, L. (2012). James Cameron's Titanic and the myth of the male hero. Revista De Estudios Norteamericanos, 16, 55-67.
• Ingham, R. (2000). Finding a place for Titanic in our film and history classes. Film & History: An Interdisciplinary Journal of Film and Television Studies, 30(1), 68-74.

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90 Titanic Essay Topic Ideas & Examples

🏆 best titanic topic ideas & essay examples, 📌 good essay topics on titanic, 🔎 most interesting titanic topics to write about, ❓ titanic research questions.

• Social Inequality in the Titanic Movie Even when she rejects the privileges that her class offers in order to be with the one she loves, she is eventually separated from him because of the consequences of social inequality.
• The Role of Music in the Film “Titanic” Also, it will discuss the content and themes of the movie and explain the role played by music in the movie. We will write a custom essay specifically for you by our professional experts 808 writers online Learn More
• A Rhetorical Analysis of the Titanic Film The close-up shots used in the scene add to the emotional effect of the scene and create a sense of intimacy between the audience and characters, making the intended viewers experience the scene as if […]
• “Titanic” by James Cameron: The Design of the American Epic Romance Film The custom building of the ship was meant to validate the historical detail of the movie. The detailed design of the ship was meant to support the narrative such that the occurrences could be as […]
• “Titanic” by James Cameron: Storyline, Language & Characters Analysis The head of the excursion is Brock Lovett and is just exploring to find valuables, which might have been carried to the ship. With the story developing, the ship, on the other hand, is pushed […]
• Would 1997 Movie Titanic Be Considered a Great Epic? Griffith, the “father of film technique”, “the man who invented Hollywood” and “the Shakespeare of the screen,” “a film is a cooperative effort between the director and the audience.
• “Titanic” by James Cameron Movie Analysis Therefore, there is indeed a good reason in referring to Cameron’s film, as such that promotes a thoroughly humanistic idea that the measure of people’s actual worth has very little to do with what happened […]
• Titanic Sinking in Poetic and Oral History Genres In the opening he takes aim at the claim that the ship was unsinkable, calling that an example of “human vanity” and the “Pride of life” from which the ship now lies far removed.
• The Titanic: Preconditions, the Trigger, the Crisis, Post-Crisis The sinking of the RMS Titanic is the subject of this report and seeks to analyze the tragedy through the lens of risk and crisis management.
• Historical Romance: “An Affair to Remember” and “Titanic” The primary aspect of the two films’ social environment is the characters’ ability to get involved in romantic antics and affairs. Love is the central theme in the movie and is signified by the Heart […]
• The Titanic: Risk Management The vehicle’s high speed at the time of the collision and delayed evacuation can be explained by the captain’s attempt to save the prestige of the ship.
• The Role of the Social Institution in the Cameron’s “Titanic” Most of the movie is about the encounter and relationships of this boy with the members of the aristocratic family mentioned above.
• Black Vernaculars in “Sinking of the Titanic” by Hughes and “Shine and the Titanic” by Abraham In both poems, the main character is a black man named Shine who works in the boiler room of the Titanic and attempts to inform the captain of the impending disaster.
• “My Best Friend’s Girl” and “Titanic” Film Analysis As a result, it can be argued that the time difference between these two films is significant in terms of understanding the changes in the depiction of the theme of love by the producers of […]
• The Significance and the Esteem of the Film “Titanic” It is hard to believe that James Cameron envisaged the love narrative involving the two characters and ultimately decided the ideal backdrop would be the sinking of the Titanic.
• Gender Propagation in Titanic Miniseries In spite of the film indicating that the people travelling in the Titanic are divided based on their social status, the film goes ahead to show a high level of interaction among the different classes […]
• Technological Catastrophe: Titanic in 1912 The events leading to the sinking of the ship and the finding of its wreckage in the Atlantic Ocean led to in-depth analysis of technology with a clear line between advantages and disadvantages of technological […]
• Rhetorical Criticism of the Titanic Jack and Rose develop a friendship They walk round the ship and explore all the hidden areas The people of the high class treat and see the employees and people from the lower societies There […]
• My Opinion on the Movie Titanic Upon the knowledge of the portray, Dawson Calvert contacted Lovett, she was asked if she knew about the necklace and she said that indeed she was the one Rose DeWittone of the passengers deemed to […]
• Loss of RMS Titanic (1912): Significant Events of the 20th Century The loss occurred while the ship was on its Maiden voyage from Southampton, United Kingdom to the New York City in the United States causing one of the deadliest maritime disasters of the 20th century.
• Similarities and Differences Between the Movies “Titanic” and “Romeo and Juliet”
• The Night That Changed Everything for the “Titanic”
• Analysis of the Use of Mise-En-Scène to Convey Narrative in “Titanic”
• Acting and Emotions in “Titanic” Movie
• Elegant Production Design and Surprising Visual Outcomes: “Titanic”
• The History and Sinking of the “Titanic”
• “Titanic”: The Most Fascinating and Well-Known Ship in History
• Archetypal and Mythic Patterns in the “Titanic”
• “Titanic”: The Birth of a New Generation and Its Terrible Destruction
• The Events That Led to the Sinking of the “Titanic” in 1912
• Flaws, Failures, and Fractures of the “Titanic”
• Human Neglect as a Reason Behind the Sinking of the “Titanic”
• A Tragic Love Story in “Titanic” Movie
• “Titanic” and “Lusitania”: The Ships That Have Changed History
• Historical Decision: The Incident of the “Titanic”
• “Titanic”: Standout Ship and Legendary Fail
• Comparative Analysis of American Independent Films: “Clerks” and “Titanic”
• “Titanic” and Its Poetics Elements
• Structural Weakness and the Hull of the “Titanic”
• Factors of Success of the Film “Titanic” by James Cameron
• Hollywood Elite and “Titanic” Film by Director James Cameron
• The Size, Shape, and Design of the “Titanic”
• The Theme of Social Classes and Inequalities in the Movie “Titanic”
• The Age-Old Mystery Surrounding the Sinking of the Maiden Ship “Titanic”
• Regarding the “Titanic” and What Should Be Done With the Remains
• Themes and Motives in James Cameron’s “Titanic”
• Impact of Sinking of the “Titanic” on the U.S. Capital Markets
• The Life and Works of Thomas Andrews, the Designer of “Titanic”
• The Wild Conspiracy Theory That the “Titanic” Never Sank
• Various Social Classes and How They Were Treated on the “Titanic”
• Captain Edward J. Smith on Trail for Sinking of the “Titanic”
• The Most Famous Survivor Passenger on “Titanic”
• How the Movie “Titanic” Relates to Suffering and Death
• Engineering and Construction Factors That Caused the “Titanic” to Fail
• James Cameron’s Presentation and Adaptation of “Titanic” for the Cinema
• Comparison of the Movies “Titanic” and “Pearl Harbor”
• The Real Story Behind the Discovery of “Titanic’s” Watery Grave
• Survival Prediction for “Titanic” Data Using Machine Learning Algorithms
• Comparing the “Titanic” Movie and the Real “Titanic” Story
• What Engineering and Construction Factors Caused the Sinking of the “Titanic”?
• Could Such an Accident as “Titanic” Happen Again?
• Why Were the “Titanic” and “Lusitania” Ships That Changed History?
• How Were Different Social Classes Treated on the “Titanic”?
• How Can the Film “Titanic” Be Considered From a Formalist Point of View?
• What Would Be the Survival Prediction of “Titanic” Data Using Machine Learning Algorithms?
• Who Was the Most Famous “Titanic” Survivor?
• How Has James Cameron Presented and Adapted the True Story of “Titanic” for the Cinema?
• Could Anything Have Saved the “Titanic”?
• What Critical Approach Is Used in the Movie “Titanic”?
• How Does James Cameron Represent the “Old World” and the “New World” in His Film “Titanic”?
• Why Did They Say That God Couldn’t Even Sink the “Titanic”?
• Did Any of the 3rd Class Passengers Survive on the “Titanic”?
• What Could Have Prevented the “Titanic” From Sinking?
• How Does Thomas Hardy Present the Tragedy of the Sinking of the “Titanic” in the Poem “The Convergence of the Twain”?
• Was Captain Smith Responsible for the Sinking of the “Titanic”?
• Has the Real “Titanic” Been Found?
• What Changed as a Result of the Sinking of the “Titanic”?
• Is There a Difference Between the Movie “Titanic” and the Real Story of the “Titanic”?
• Why Was the “Titanic” One of the Greatest Shipping Disasters of All Time?
• Is the Story of the “Titanic” a True Story of Life?
• What Events Led to the Sinking of the “Titanic” in 1912?
• What Is the Essence of the Inequality of Different Social Classes in the Story “Titanic”?
• How Much Was a First-Class Ticket on the “Titanic”?
• Was the “Titanic” the Most Fascinating and Well-Known Ship in History?
• Are There Similarities Between the Films “Titanic” and “Pearl Harbor”?
• What Events Led to the Discovery of the “Titanic”?
• How Accurately Does the Movie “A Night to Remember” Depict the Actual Sinking of the Ship “Titanic”?
• Why Will the “Titanic” Always Hold Significance?
• What Were the Causes and Consequences of the “Titanic” Disaster?
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The Movie “Titanic”: A Survey of Semiotics

Introduction, contemporary ideas and virtue in “titanic”, works cited.

This paper will give a semiotic survey of the film ‘Titanic’ directed by James Cameron. Media Semiotics will be the approach in studying features of communication. Although it has been one of the most profound movies of the century with big expenditure, it has also caught eyes of many on how it encodes contemporary ideas and virtues. There is a scarcity of information about research analysis on media semiotics and this drives my enthusiasm to do a research on this film ‘Titanic’ and bring out ideologies in the field of Semiotics.

To conduct this research a brief background of the media semiotics field will be described below. By the end of this survey one must be able to understand farther that Semiotics is not a field that only shows the arbitrary features of communication but it also touches on provenance of different themes in pieces of work and lives of people. This paper has a relevant approach on the movie “Titanic” which uses sign systems and modes to bring outstanding cultural and psychological aspects like virtue but most importantly I believe these signs show the power of love in dire situations.

Key Words: signifier, signified, symbol, signs, icon, code, denotate, and connotate.

Media semiotics is the main approach in tackling the values in the movie ‘Titanic’. So, it is important to be kept abreast about the building blocks of Media semiotics in describing and analyzing different works. In communication theory as it is related to semiotics, one may use the defining word of semiotics ‘signifying orders’ to bring the aspect of code. Codes are used in different settings to connote different cultures as seen in the movie. In order to bring reason while using signs, there are several elements that relate. A signifier or an object shows the meaning and the signified the meaning read from the signifier. Thus, it gives forth to signification.

Messages from the signifier moves to the audience like the mechanism employed in SMRC communication module. This module works under the principle of sending signifying messages from a source, with intended content that passes through a definite channel and has effect on the receiver by a signal of either sound or light (Danesi, 21). Griffin puts it that it is a field that is ‘concerned with anything that can stand for something else’ (110). Thus the idea of icon and index pops up as described by Danesi in Media Semiotics. “An icon is a sign that resembles its reference in some way… portrays of people are visual icons … ‘bang’ … is designed to replicate sounds” (Danesi, 40).

Ferdinand de Saussure is noted by Danesi that his view on the use of signifier and the signified brings a deeper sense of difference and similarity between the two objects, where feedback is essential to complete sending of message to the audience (23). Thus, Peirce practically employs words such as iconic, indexical, and symbol to discuss about emotions produced from communication by signs and symbols. In Berger’s works he quotes how Peirce defines signs. That is, “signs are related to objects by resembling them, being causally connected to them, or being conventionally tied to them” (Berger, 12). “He used the term iconic for resemblance, indexical for causal connection, and symbol for conventional association” (Berger, 12).

Thus, a code is a vehicle that shows the collective nature of signs that bring home an intended meaning. We can see clearly a relationship between signifier and the signified in the essence of interrelated codes, icons, indexes and signs to bring the idea of metaphors. In media, messages are metaphorically addressed and this needs a process to decode their meanings to avoid confusion. In media semiotics, Danesi employs Aristotle’s approach of signification using signifier and signified to bring denotation or connotation. For example, sign is divided as a physical part, an object that refers to something and its ability to practically bring forth psychological and social emotions. Therefore Danesi notes that connotation is “powerful because it evokes feelings and perceptions about things” (34).

The movie version is adapted from of a novel. In its two parts, we capture the indexes, icons and codes that are connotated and denotated in the movie. These fundamental fabrics of signs and signifying orders brings to the audience several virtues and ideas. Media semiotics uses the cultural perspective in the essence of anthropology which explains different elements like the signifier and signified. The channel or medium is the visual arts using technology of photography and graphic design. A medium or channel as defined by Danesi means “it’s a means of recording ideas on some surface” that can be in real form or “actualized” (2). Therefore, the properties of symbols are used fundamentally “to establish characteristics and conceptual boundaries or identities of human groups” (Drummond 42). Hence, these symbols create culture and virtue of people.

The movie “Titanic” heavily employs the aspect of ‘signs’ which is described by Danesi as a foremost tool that correlates pictures, characters and sound to give a conspicuous view of a certain premise (3). The movie director had to employ rare talent in engineering the scene of a real Titanic ship sinking. To bring out the real environment like vastness of the sea, deep blue sky, and close-up love scenes, careful lighting and deep color graphics was used by Cameron. The director’s cut shows pictures from different angles. The mechanical motion in the film correlates with slide movement of passengers and the demise of the ship. The tragedy of the ship is hence brought clearly by picture. Another significant ‘sign’ approach is the sound track system and cinematography approach. The soothing sound track of Celine Dion ‘My Heart Will Go On’ captures the audience and brings the desired mood of events. Hence, it creates stunning peaceful, romantic, and chaotic moments to the audience.

James Cameron captures various indexes that bring the idea of symbolic meaning. “An index is a sign that stands for, or points out, something to something else” (Danesi 40). The indexes give a relative location in dealing with abstract objects. Fro example, the gigantic facade of the ship at the harbor literally dwarfs an enthusiastic crowd. This index points out the great dreams and overwhelming voyage expedition the passengers are going to experience. The index virtually infers tragedy. The much anticipated dreams turn sour when the shipwreck claims a colossal number of lives.

Finally, codes and symbols are used to illustrate metaphorically the overall theme in the film. Jack and Rose meet in the most extraordinary sea vessel that shows classes of people. Jack is metaphorically symbolized as a common ambitious man with little money. While Rose, iconic to be a sweet smelling flower, comes from a tycoon family. The contrast from a semiotic point of view shows the contextual evidence of how people break from cultural ties. Rose is only allowed to mingle with first class members in the ship. These first class people are able to book affluently furnished rooms in the upper part of the ship, wear authentic clothes of class and speak first class language. They have a lot of pride that differs with the notion presented in the code of ethics of being first class. This is a signifier that sends a different meaning.

Jack symbolizes the lower class, and denotes the opposites of the first class people. Metaphorically he is able to converse in first class language, sneak away with Rose, forget their difference and meet the natural force of the sea which affects all class of people in the ship. We clearly see, the dance in the lower class how it connotes the signified. The main sign or message send to the audience is the ability to break free from cultural classes. Thus, feelings and emotions are evoked here as the main principal of connotation. There is pity and change of several mood levels as events unfold until when Jack dies because of love. Or did he not?

Baker gives a very impressive analysis of symbols of “masculine self nature” in Jack’s aspect of losing his life. The signified message is driven by love (98). The virtue of sacrifice and cultural idleness of women is maintained in the movie. A pragmatic concept is realized when Molly a historic icon of impotence, is showcased. The sign system and modes that illustrate cultural and psychological brings the power of love by the soundtrack. This power of love is a signifier that signifies the responsibility of romance from incompetent masculine selfhood. Therefore, the cultures are the signifiers, signified and signs. The sacrifices symbolized, for example, bold steps of Jack and Rose to go beyond their social boundaries are only symbols that show the virtue of esteem and magnetism of romance. However, various human weaknesses are evident in a deeper code.

The rubrics of media semiotics as shown above have explicitly shown contemporary virtues. These virtues include, defying social class, love and sacrifice, masculinity of selfhood and the original cultural place of women and children. In conclusion, the movie “Titanic” uses sign system and modes to bring outstanding cultural and psychological aspects like virtue but most importantly I believe these signs show the power of love in dire situations.

Baker, Martin, and Austin, Thomas. From Antz to Titanic: Reinventing Film Analysis. London: Pluto Press, 2000. Print.

Berger, Arthur Asa. Signs in Contemporary Culture: An Introduction in Semeiotics . New York, NY: Longman, 1984. Print.

Danesi, Marcel. Understanding Media Semiotics . New York, NY: Oxford University Press, 2002. Print.

Drummond, Lee. American Dreamtime: A Cultural Analysis of Popular Movies, and Their Implications for a Science of Humanity. Maryland, Lanham: Littlefield Adams Books, 1996. Print.

Griffin, Em. A First look at Communication Theory. New York, NY: McGraw Hill, 1997. Print.

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Essay on Titanic | My Favourite Movie

December 16, 2017 by Study Mentor 1 Comment

All of us love to watch movies. No matter it is Bollywood, Hollywood or Tollywood, every generation loves watching them. There are some movies which people watch again and again. They do not get bored of watching them no matter how many times they have watched it.

Some people watch the movie so many times because they must have liked the story or the emotion they are trying to show the audience. Some of the stories which are shown in the movie are real based, fictional, self creativity, history etc.

There are a few movies which are based on a real incident. Some of the movies which took inspiration from a real incident are Gandhi, Titanic, ABCD 2 (Any Body Can Dance), Final Destination, Bhaag Milkha Bhaag, Mary Kom, No One Killed Jessica, Border, Attacks of 26/11 and many more movies.

The movie ABCD 2 is directed by Remo D’ Souza. He made this film getting inspired by the life of two boys Suresh and Vernon who represented India in World Hip Hop Dance Championship. Their life story has been shown in this movie. At present they are the head of Kings United and V Company respectively.

Similarly, there are a few movies which have been based on what happened years back and they still make people emotional. One such popular movie is Titanic.

This was directed by James Cameron and was released in 1997. This movie is based on a real incident in which the luxury ship hit an iceberg and sank in the year of 1912. The movie has won the hearts of many people. Till today people become emotional when they watch this movie and tears roll down their eyes.

Table of Contents

Summary of the Movie

The movie Titanic was released in the year 1997. It was directed and written by James Cameron. The main characters in this movie are Leonardo Di Caprio, Kate Winslet and Billy Zane.  In the movie Titanic, the old Rose is telling the story about the events whatever she remembers while she was on the ship.

This is a love story of Rose and Jack. This turned out to be a tragic one as Rose survived that day but Jack died after trying to save her. The old Rose tells about the events that took place when she was sailing on the ship. She recollects the events that took place when she was young.

She was travelling in the upper class of the ship and one fine day she met Jack Dawson. He was a poor man. He got the chance of sailing the ship by sampling winning a game in poker. He got the chance of sailing the ship by sampling winning a game in poker. Rose was troubled because of the problems in her life.

So, she decided to jump from the ledge. Jack saw her and saved from giving up her life. When he saved her, their eyes met with each other and at that immediate moment they fell in love with each other. But Rose was engaged to a rich man. His name was Caledon Hockley.

He was ignorant towards Rose. But still jack and Rose continued meeting each other. Rose’s mother did not like that Rose met Jack as he was a poor man. Her mother was just proud of herself as they were rich similar to Caledon. But this did not bother jack and Rose.

Anyhow they always managed to see each other. They spent many amazing moments with each other. One night Jack and Rose went to the lower levels of the ship. They were spending time with each other. Suddenly they saw an iceberg in front of the ship and they informed about it to others. But the ship hit the iceberg.

They could not stop from hitting it because below the sea the iceberg was actually big. This is how the ship started to sink after hitting the iceberg. Slowly water started to enter the ship. Everyone was asked to move towards the upper deck but when the condition became worse people started to choose other options to save the lives. So, first the women and children were being saved.

There were many smaller boats. They were shifted to those smaller boats. Meanwhile, when the condition was worse Rose could not find Jack. She went to look for Jack and found him handcuffed. He was handcuffed because of an evil plan by Caledon. By that time the ship sank more.

Most of the people in the lower deck could not move up and they were stuck there. Anyhow Jack and Rose managed to get to the upper deck. Rose was forced by Caledon to go to the smaller boat. But she was not ready to leave Jack and go. So she jumped back to the sinking ship.

When the ship sank fully, Rose was on a floating door and Jack was freezing in the cold water. But before someone came to help them Jack died and Rose survived.

Rose managed to be one of the survivors. While her fiancé was looking for her she did not go in front of him and managed to hide from him. She did not want to be with him anymore as she lost her true love. This movie keeps moving from present then to the past then future and again back to the same thing.

History of the Actual Incident

But they failed to do so. When the ship hit the iceberg with a bang the ship shook massively. Water started to enter the ship and slowly the ship was sinking into the sea. Meanwhile when this was going the passengers did not have any idea about the ship hitting the iceberg.

But they knew something was wrong. After some time everyone was rushing here and there to save their life. Some of them knew that the ship was going to sink. The crew members sent the news to other neighbouring ships to ask for help. Carpathia received their news and they were ready to help them.

But the condition became worse. By the time Carpathia would reach there would be more problems. So, without wasting any time people were shifted to the life boats. Many of them lost their lives. Only a few of them managed to survive this disaster.

Many people have different opinions about the sinking of the ship. They believe it would be better if the ship collided straight instead of turning the ship.

The effect would be less if the ship was not turned. It is also said that the crew members did not accept that reports from other ships that there would be an iceberg on the way. Their ignorance led to such a big disaster.

Similarities and Difference between the Movie and the Real Incident

There are many differences and similarities between the movie and the real incident that occurred in 1912. The stairs which are shown in the movie are wide. But in the incident they were not so wide. The wider stairs in the movie has been made for an easy shooting of the movie.

Moreover, the sinking of the ship in the movie is not the same way how it sank in reality. Some of the scenes which were shown in the movie did not happen in real. Like the love story of Jack and Rose. The paintings which are shown in the movie were present during the incident too.

But the life boats which save a few people did not have lights on them like the movie ones. Some of the characters in the movie are based on fiction but there were two characters in the movie who were there in the incident too.

Reader Interactions

November 29, 2019 at 8:55 pm

I am very sad for rose as her 💓/ lover Drowning in water and she wait forever that he would came….😢😢😢. That’s true love , and present love is false, that’s fantastic movie, in one word for this real event ” fall in love as real love bitting two hearts together that’s beat can’t end any things…..”

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Have you Burn Crackers this Diwali ? Yes No

There are still secrets to be found on Titanic. These graphics explore them

It sank 112 years ago Monday, but our obsession with the RMS Titanic continues.

History's most famous ship slipped beneath the North Atlantic at 2:20 a.m. on April 15, 1912 , but we continue to explore its maiden voyage, iceberg, sinking and undersea decay through a seemingly endless stream of photographs, books , documentaries and movies , and museum exhibits.

Fascination has led to tragedy. A submersible carrying five passengers to view the Titanic imploded near the wreck , killing all aboard, in June 2023.

It also has brought technological advances. In May 2023, a new type of digital scanning, using multiple images, gave us a three-dimensional view of the ship as it would look if it were lifted out of the water .

Why are people drawn to Titanic?

"There isn’t a simple answer," says Karen Kamuda, president of the Titanic Historical Society , which operates the Titanic Museum in Indian Orchard, Massachusetts.

Those who join the society are of "all ages and occupations, and their interests are multivariable," Kamuda says. Aside from their fascination with Titanic and its passengers and crew, their curiosity might include the sister ships Olympic and Britannic, the White Star Line, artifacts, and TV and movies.

"James Cameron’s 1997 film, ' Titanic ,' opened up a brand-new interest," Kamuda says. "The internet has helped spread the story worldwide."

Here are a few things you may not know about Titanic:

Titanic traveled less than 3,000 miles

Titanic was built at the Harland & Wolff shipbuilding company in Belfast, Ireland. After outfitting and sea trials, the ship left port for her maiden voyage.

From Belfast to the fatal iceberg strike, Titanic traveled about 2,555 nautical miles, or 2,940 land miles:

April 2, 1912 | 8 p.m.: Titanic leaves Belfast, sails to Southhampton, England (577 nm).

April 10, 1912 | noon: Titanic leaves Southhampton, sails to Cherbourg, France (88 nm).

April 10, 1912 | 8:10 p.m.: Titanic leaves Cherbourg, sails to Queenstown ( now known as Cobh ), Ireland (341 nm).

April 11, 1912 | 1:30 p.m.: Titanic leaves Queenstown for New York.

April 14, 1912 | 11:40 p.m.: Titanic strikes iceberg 1,549 nm from Queenstown.

April 15, 1912 | 2:20 a.m.: Titanic sinks about 400 miles south of Newfoundland, Canada.

Titanic's lifeboats were not filled to capacity

15-ton piece of wreckage recovered.

The largest piece of wreckage recovered from Titanic, above, is a 15-ton section of the hull measuring 26 feet by 12 feet. It's on display at Titanic: The Artifact Exhibition at the Luxor Hotel in Las Vegas

The hull section was part of the starboard side of the ship , between the third and fourth funnels. It was lifted to the surface in 1998.

Museums keep Titanic's memory alive

A  number of museums offer visitors a look at hundreds of objects recovered from the wreck site. Here are a few:

And if you can't get to a Titanic museum, a traveling exhibit, Titanic. The Exhibition , with 200 items, may be coming to you after it leaves New York.

Thousands of artifacts have been salvaged

Titanic was much smaller than today's cruise ships, want to learn more about titanic.

Historical associations are a good source of information.

• Titanic Historical Society:  https://titanichistoricalsociety.org/
• Titanic International Society:   https://titanicinternationalsociety.org/
• Belfast Titanic Society:   https://www.belfast-titanic.com/
• British Titanic Society:   https://www.britishtitanicsociety.com/

SOURCE USA TODAY Network reporting and research; Titanic Historical Society; titanicfacts.net; titanicuniverse.com; National Geographic; encyclopedia-titanica.org

Was the coward of the Titanic really a hero? The book "Understanding J. Bruce Ismay" says yes

Clifford ismay, a distant relation of the much-maligned businessman, released the book "understanding j. bruce ismay," that aimed to tell the story of ismay's role in the evacuation of the titanic. .

The book "Understanding J. Bruce Ismay" claims the managing director of White Star Line, fiercely criticized for escaping the Titanic on a lifeboat, was a hero who helped dozens of women escape the sinking ship. 

Clifford Ismay, a distant relation of the much-maligned businessman, released "Understanding J. Bruce Ismay" in April 2022, aiming to tell the story of Ismay's role in the evacuation of the Titanic. 

Ismay had been showered in praise by first-class passengers on the luxury liner since it left Southampton on April 10, receiving praise for the Titanic's magnificent grand staircase, Turkish baths, libraries, and squash courts among many other luxurious features. 

The businessman was woken by a loud vibration on the night of April 14 when the Titanic hit an iceberg in the North Atlantic Ocean. He initially thought that the ship had lost a propeller and pulled on his dressing gown before stepping out from his cabin to investigate. 

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When he reached the bridge, he received the fatal news from Captain Edward Smith , who informed him that the unsinkable ship was sinking. 

Ismay sprang into action, working tirelessly in the two hours between the Titanic hitting the iceberg and the liner sinking to the bottom of the ocean. 

Witnesses reported that Ismay ordered men to stand aside to allow women and children to reach the Titanic's lifeboats, helping to fill a total of eight lifeboats, according to Clifford Ismay's new book.  

He played a key role in convincing women in first class to board the lifeboats, also convincing a steward who had held a woman back because she was "only crew" to allow her on board. 

However, Ismay was vilified for the rest of his life for his decision to board the last lifeboat to be lowered from the doomed ship. 

US newspapers labeled Ismay the "coward of the Titanic", with some claiming that his company's name should be changed from White Star to Yellow. 

The bulk of the criticism came from papers owned by Ismay's rival William Randolph Hearst, who gleefully accepted the opportunity to blacken Ismay's name, according to the new book. 

The book explores how Ismay only boarded the last lifeboat when a call went out for more women and none came forward. It also examines other claims that Ismay was already in the lifeboat assisting women and children when it was lowered and another claim that a man bundled him into the vessel. 

Clifford Ismay's book also examines how the English businessman was haunted for the rest of his life by his decision to preserve his own life ahead of other passengers on the ship, revealing that his hair turned from black with a few strands of grey to snow-white just days after the disaster. 

Charles Lightoller, one of the highest-ranking officers to survive the sinking, reported that Ismay was "obsessed with the idea that he ought to have gone down with the ship because women had gone down". 

"I tried to get that idea out of his head. The doctor tried, too. But we had difficulty in arousing Mr. Ismay, solely owing to the fact that women had gone down in the ship and he had not," Lightoller said. 

Ismay was also accused of encouraging the Titanic to sail at a dangerous pace in order to beat the record for an Atlantic crossing previously set by its sister ship the Olympic. 

However, Clifford Ismay writes that this claim is based on the flimsy evidence of an American passenger who claimed that she overheard tell Captain Smith that he wanted the voyage to beat the world record. The passenger later said she could not positively identify Ismay or Smith with any certainty. 

*Originally published in April 2022. Updated in April 2024. 

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What’s on TV This Week: N.F.L. Draft and ‘Bridget Jones’ Marathon

Football players get their chance to play in the national league. HBO airs all three movies staring Renée Zellweger.

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By Shivani Gonzalez

For TV viewers who still haven’t cut the cord, here is a selection of cable and network shows, movies and specials broadcasting Monday through Sunday, April 22-28. Details and times are subject to change.

THE SYNANON FIX 9 p.m. on HBO. In 1958, Synanon opened their doors in California as drug rehabilitation center. But the center started using a kind of attack therapy, in which patients are verbally abused and degraded in front of a group, and several members were later charged with child abuse, assault and attempted murder. This documentary series, which had its premiere at Sundance this year, is airing its fourth and final episode this week.

THE EXPRESS WAY WITH DULÉ HILL 9 p.m. on PBS (check local listings). In each of the four episodes of this documentary series, the actor Dulé Hill speaks to people across the country who are making art in nontraditional ways. In the first episode, Hill heads to California to meet a deaf dancer, a gay Mariachi and a cabaret group of senior citizens. The other episodes take place in Appalachia, Texas and Chicago.

SHOGUN 10 p.m. on FX. This mini series, based on the 1980s NBC show and book of the same name, is wrapping up. In an interview with The New York Times , Anna Sawai, who plays Lady Mariko on the show, said that the “the last two episodes are very special” and that “the men have been physically fighting. The women are fighting their own battles.”

AMERICAN HORROR STORY: DELICATE 10 p.m. on FX. The last few episodes of the 12th season of this Ryan Murphy anthology has followed the fallout of Anna (Emma Roberts) losing a Golden Globe and Siobhan (Kim Kardashian) perhaps killing off her competition. Will Anna get all she has dreamed about? Will Siobhan face any consequences to her actions? This season finale will bring answers.

2024 N.F.L. DRAFT 8 p.m. on ABC. Spanning three nights, Thursday through Saturday, the N.F.L. draft is not for the weak. ABC and ESPN will air not only the live draft but will also supplement it with shows offering commentary and statistics on football players. The Athletic has all the information you need to follow along, with 400 player profiles and a ranking of all 2,000 prospective players.

THE JINX: THE LIFE AND DEATH OF ROBERT DURST 8 p.m. on HBO. The first installment of this documentary, which first aired in 2015, did for true crime what “Serial” did for podcasts: It introduced lots of people to a genre that has since become extremely popular. The series, which details the unsolved murder of Robert Durst’s wife and two other murders, is reprising for a second season about the filmmaker’s investigation.

100 DAYS TO INDY 9 p.m. on The CW. Europe has “Formula 1: Drive to Survive”; America has “100 Days to Indy.” These episodes focus on Josef Newgarden, who won the 2023 Indy 500 race, and Marcus Ericsson, last year’s runner-up. Will Newgarden or Ericsson win this year’s race? Or will the championship go to a newcomer?

WE’RE HERE 9 p.m. on HBO. The series about drag queens traveling across the United States is back, with some new additions: Sasha Velour, Priyanka, Jaida Essence Hall and Latrice Royale. They are traveling to Oklahoma and Tennessee, states that have proposed legislation that would bar state agencies from celebrating Pride month and limit drag performances.

BRIDGET JONES DIARY TRILOGY starting at 4:30 p.m. on HBO. Since the news broke that a fourth installment of this classic rom-com series will be coming out — which, by the way, is Hugh Grant’s character being brought back from the dead? — I have been craving a marathon viewing of the first three movies. They follow Bridget Jones, a woman who decides she needs to get her life in order while managing beautiful and charming men including but not limited to Firth, Grant and Patrick Dempsey.

HOW IT REALLY HAPPENED: TITANIC 9 p.m. on CNN. The sinking of the Titanic happened over 100 years ago this month, but interest in the catastrophe has not waned. There is the 1997 James Cameron movie, a two-story replica of the ship in Missouri and, of course, the s ubmersible tours of the wreckage, including the fatal one last year. This CNN special, hosted by the actor Jesse L. Martin, explores the new information about the accident from dives to the ship’s ruins.

Shivani Gonzalez is a news assistant at The Times who writes a weekly TV column and contributes to a variety of sections. More about Shivani Gonzalez

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