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The 20 best books of 2022, according to our critics

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Ask four critics to name their favorite books of any year and you’ll get an array of singular narratives. But if any theme emerged among our top 20 books of 2022, it was the individual struggle to shape the future in a range of hostile words: the harsh dystopias crafted by Celeste Ng and Sequoia Nagamatsu; the vicious liars who questioned Sandy Hook; the British colonizers Samuel Adams outwitted and the American colonizers bested by the great Native athlete Jim Thorpe. These are stories told brilliantly — substance meeting its match in style — in which reality might be inescapable, but hope is unkillable.

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Best fiction of 2022

Dazzling invention from Jennifer Egan, a state-of-the nation tale from Jonathan Coe and impressive debut novels and short stories are among this year’s highlights

The best books of 2022

S ome of the year’s biggest books were the most divisive. In her follow-up to A Little Life, To Paradise (Picador), Hanya Yanagihara split the critics with an epic if inconclusive saga of privilege and suffering in three alternative Americas: a genderqueered late 19th century, the Aids-blasted 1980s, and a totalitarian future degraded by waves of pandemics. I was impressed by its vast canvas and portrayal of individual psychic damage set against seismic historical change.

There were mixed reactions, too, to Cormac McCarthy’s jet-black brace of novels The Passenger and Stella Maris (Picador), his first in 16 years; and to Ian McEwan’s Lessons (Cape), seen as both baggily self-indulgent and richly humane. Setting the protagonist’s life against the arc of postwar politics from the cold war to Brexit, and grappling with issues from the nature of creativity to the legacy of sexual abuse, it can be read as an indictment of the boomer generation who “ate all the cream”.

Also asking how we got here is Bournville by Jonathan Coe (Viking). With his third novel in four years, Coe is on a roll; he tracks the fortunes of a family through snapshots of communal experiences, from the Queen’s coronation through the 1966 World Cup to pandemic lockdown, in a moving, compassionate portrait of individual and national change.

Ali Smith’s response to lockdown was typically playful and profound; Companion Piece (Hamish Hamilton) sees the outside world impinge on one woman’s careful isolation, in a novel about the importance of making connections between words, eras and people. Jennifer Egan’s The Candy House (Corsair), meanwhile, harnesses a near-future technological advance – the ability to upload and share memories – to reflect on current concerns around surveillance and privacy with dazzling inventiveness. Mohsin Hamid’s fable The Last White Man (Hamish Hamilton) interrogates race, community and the meaning of the other in a society where skin colour is changing. And I loved Joy Williams’s menacing and madcap Harrow (Tuskar Rock), set in a surreal future of environmental breakdown and human exhaustion, a kind of Alice in Wonderland of the apocalypse.

Radical invention characterises Percival Everett’s devastatingly absurdist The Trees (Influx): focusing on a string of gruesome murders in Mississippi, it weaponises the genres of horror, comedy and detective fiction to lay open the history of lynching. In her rambunctious satire of Robert Mugabe’s fall, Glory (Chatto), NoViolet Bulawayo braids the allegory of Animal Farm with an oral storytelling tradition and a social media chorus decrying dictatorship and repression around the world. Selby Wynn Schwartz’s After Sappho (Galley Beggar) is another novel that plays with form, reclaiming hidden lesbian stories by tumbling together biography, scholarship and poetic flights of fancy in sketches of modernist artists and writers from Virginia Woolf to Colette and Josephine Baker. This one-of-a-kind book channels a spirit of righteous anger as well as lyrical freedom and joy.

Other standout novels illuminating the past include Louise Kennedy’s Trespasses (Bloomsbury), set in Northern Ireland during the 70s. Based around a dangerous affair between a young Catholic woman and an older Protestant man, it combines gorgeously direct and acute prose with an incisive eye for social detail. Shehan Karunatilaka won the Booker prize with The Seven Moons of Maali Almeida (Sort Of), a blistering murder-mystery-cum-ghost-story set amid the carnage of Sri Lanka’s civil war that similarly focuses on the effort to preserve ordinary life in the face of sectarian violence. Catherine Chidgey’s Remote Sympathy (Europa) is an excellent investigation of communal guilt and obliviousness to Nazi atrocities, while in Trust (Picador) Hernan Diaz deconstructs capitalist excess and the illusion of money through different perspectives on the story of a New York financier. Maggie O’Farrell’s follow-up to Hamnet, The Marriage Portrait (Tinder), is a glittering Renaissance fable of a girl caught up in Italian aristocratic intrigue, and Kate Atkinson is on deliciously acerbic form in Shrines of Gaiety (Doubleday), exposing the underbelly of London nightlife in the roaring 20s. Georgi Gospodinov’s Time Shelter (W&N, translated from Bulgarian by Angela Rodel), in which a “clinic for the past” treats Alzheimer’s patients, plays with ideas of history and nostalgia to explore Europe’s 20th century and current confusion with wit and warmth.

It was a good year for unhappy families. Charlotte Mendelson skewers narcissistic control in The Exhibitionist (Mantle), a darkly witty portrait of an artist on the slide who has spent decades squashing the life and creative energies out of his wife and children. Rebecca Wait’s I’m Sorry You Feel That Way (Riverrun) is a very funny, emotionally wise story of sibling rivalry and difficult mothers. There are no laughs, however, in Sarah Manguso’s chilling Very Cold People (Picador), an uncomfortable, deeply impressive account of how silence, snobbery and repression in a New England town allow the poison of abuse to trickle down the decades.

Ross Raisin has quietly become one of Britain’s most interesting novelists: A Hunger (Cape) explores the conflict between ambition and duty as a chef takes on a caring role when her husband develops dementia. Namwali Serpell’s second novel, The Furrows (Hogarth), brilliantly dramatises the psychic dislocations of grief over a lifetime through the story of a woman haunted by the memory of her younger brother, who died under her care in childhood. Douglas Stuart followed Booker winner Shuggie Bain with a tough and tender story of family dysfunction and first love in Young Mungo (Picador). And in Amy & Lan (Chatto), set on a ramshackle farm commune, Sadie Jones gives us a wonderfully achieved child’s-eye view of messy family interactions and the up-close life-and-death drama of the natural world.

Three hard-hitting debut novels shone out. An Olive Grove in Ends by Moses McKenzie (Wildfire) portrays a young Black man’s struggle to define what success might look like in a Bristol neighbourhood in the grip of gentrification. The book delves deep into faith, violence, addiction, ambition and love with power and grace. Jon Ransom’s The Whale Tattoo (Muswell), focusing on a gay working-class man in watery rural Norfolk, is lyrical, atmospheric and brutal by turns. And Sheena Patel’s I’m a Fan (Rough Trade Books) punctures the bubbles of social media in a fierce tale of obsession and power dynamics.

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Set in the Pyrenees and giving voice to everything from mountains to storms, mushrooms to dogs, English-language debut When I Sing, Mountains Dance by Irene Solà (Granta, translated from Catalan by Mara Faye Lethem) is a playful, polyphonic triumph. Closer to home, poet Clare Pollard’s fiction debut, Delphi (Penguin), is an ingenious response to Covid, combining ancient Greek prophecy with the daily frustrations of lockdown to face up to our fears for the future. Vladimir by Julia May Jonas (Picador), a provocative post-MeToo morality tale about a female professor’s crush on a younger man, is sharp and deliciously readable; as is the huge hit Lessons in Chemistry by Bonnie Garmus (Doubleday), which brings bite as well as charm to the tale of a super-rational scientist navigating sexism in early 60s America.

Three notable debut short-story collections introduced fresh, contemporary new voices. Saba Sams’s unsettling, full-throated Send Nudes (Bloomsbury) captures girls and young women on the brink of change; Jem Calder’s Reward System (Faber) smartly anatomises contemporary life in the relentless glare of the smartphone; and Gurnaik Johal’s We Move (Serpent’s Tail) delicately traces relationships and disconnections across a British-Punjabi community. Short-story virtuoso George Saunders returned to the form with Liberation Day (Bloomsbury), tragicomic allegories of try-hard regular folk caught up in hells beyond their understanding.

Emmanuel Carrère continues to spin his fascinating web of social observation and self-inquiry in Yoga (Cape, translated from French by John Lambert), charting personal and psychic upheaval in the wake of the Charlie Hebdo terrorist attack. Yiyun Li’s richly mysterious The Book of Goose (4th Estate) marks a departure from her recent autofiction; but this tale of a passionate friendship between two young peasant girls in postwar France, and how they parse their shared will to create and to act upon the world, seems to hold many layers of truth about art, love and self-creation. Lastly, a small miracle from another genre-hopper: in Marigold and Rose (Carcanet), Nobel-winning poet Louise Glück presents the first year in the life of twin baby girls with formal and philosophical sleight of hand. This wry, read-in-a-sitting delight channels the myriad possibilities of fiction with a huge sense of fun.

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The Best Books of 2022 So Far

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I n a time that continues to be marked by uncertainty and devastation , books can provide solace and, perhaps, some answers to the biggest questions that arise when living through crises. The best books of the year so far pick apart what it means to grieve, how to love after loss, and what it takes to survive the unthinkable. In his celebrated new poetry collection, Ocean Vuong picks up the pieces of his life following the death of his mother. Jessamine Chan examines the lengths a parent will go for her child in her startling debut novel. And Margo Jefferson explores the relationship between art and humanity in her brilliant second memoir. Their stories, along with several others, offer a comforting reminder that we all grapple with hardship—and that there is light, even in the darkest of situations. Here, the best books of 2022 so far.

The Naked Don’t Fear the Water , Matthieu Aikins

In 2016, Canadian journalist Matthieu Aikins went undercover, forgoing his passport and identity, to join his Afghan friend Omar who was fleeing his war-torn country and leaving the woman he loved behind. Their harrowing experience is the basis for Aikins’ book The Naked Don’t Fear the Water , which chronicles the duo’s dangerous and emotional journey on the refugee trail from Afghanistan to Europe. As they are confronted with the many realities of war, Aikins spares no details in his urgent and empathetic narrative.

Buy Now : The Naked Don’t Fear the Water on Bookshop | Amazon

In Love , Amy Bloom

The first pages of Amy Bloom’s memoir set up the book’s devastating ending: It’s January 2020 and Bloom and her husband are traveling to Switzerland, but only Bloom will return home. Her husband plans to end his life through a program based in Zurich. He has Alzheimer’s and wants to die on his terms. Bloom introduces these facts swiftly and then packs an emotional punch: The next time she’s on an airplane, she’ll be flying alone. From there, Bloom details her husband’s wrenching decision and all that led up to their trip abroad. Though In Love is rooted in an impossibly sad situation, Bloom’s narrative is more than just an expertly crafted narrative on death and grief. It’s a beautiful love letter from a wife to her husband, rendered in the most delicate terms, about the life they shared together.

Buy Now : In Love on Bookshop | Amazon

The School for Good Mothers , Jessamine Chan

Frida Liu is a 30-something single mother struggling to keep up with the demands of her office job and raising her 18-month-old daughter after her husband left her for a younger woman. In Jessamine Chan’s unsettling debut novel, we begin on Frida’s worst day, when her lack of sleep has caused a lapse in judgment and she leaves her baby at home alone for two hours. Soon, Frida is sent to a government run facility with other mothers deemed “failures” by the state. Reminiscent of The Handmaid’s Tale , this eerie page-turner is a captivating depiction of a dystopian world that feels entirely possible. It’s not only the gripping story of Frida’s personal struggle, but also a thought-provoking work of commentary on American motherhood.

Buy Now : The School for Good Mothers on Bookshop | Amazon

The Candy House , Jennifer Egan

One of the most anticipated books of the year, The Candy House is Jennifer Egan’s follow up to her Pulitzer Prize-winning 2010 novel A Visit from the Goon Squad . That book was hailed for its innovative structure—one chapter was written as a Powerpoint presentation—and the new narrative follows suit in its impressive construction. This time, Egan spins fresh commentary on technology, memory, and privacy through 14 interlinked stories. In them, a machine called Own your Unconscious allows people to revisit any memories from their past whenever they want—if only they make those memories accessible to everyone else. It’s a thrilling concept brought together by Egan’s astute hand, offering a powerful look at how we live in an increasingly interconnected world.

Buy Now : The Candy House on Bookshop | Amazon

Olga Dies Dreaming , Xochitl Gonzalez

It’s the summer of 2017 and Olga Acevedo is seemingly thriving: She’s a wedding planner for the Manhattan elite and living in a posh (and rapidly gentrifying) Brooklyn neighborhood. The protagonist of Xochitl Gonzalez’s absorbing debut novel had humble origins as the daughter of Puerto Rican activists, raised by her grandmother in another part of the borough where she taught herself everything she needed to know to be where she is today. But in Olga Dies Dreaming , the reality of Olga’s self-made success is more complicated. She struggles with the loneliness that has accompanied meeting her lofty goals, and she’s haunted by the absence of the mother who abandoned her family when Olga was just 12 years old. As hurricane season in Puerto Rico amps up, Olga begins to grapple with family secrets just as she falls in love for the first time. What ensues is a thoughtfully depicted romantic comedy full of domestic strife, executed in Gonzalez’s vibrant prose.

Buy Now : Olga Dies Dreaming on Bookshop | Amazon

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Fiona and Jane, Jean Chen Ho

In her debut short story collection, Jean Chen Ho traces the evolution of a friendship between two Taiwanese American women for two decades. In interlinked narratives, told in alternating voices, Ho captures what makes female friendship so special by following these characters from their adolescence and beyond. Fiona and Jane’s bond is constantly tested, particularly as they navigate loss, breakups, and betrayal, but they always find their way back to each other. In intimate and layered terms, Ho describes the love that keeps their friendship together, even when life tries to pull them apart.

Buy Now : Fiona and Jane on Bookshop | Amazon

Constructing A Nervous System , Margo Jefferson

In 2015, the Pulitzer Prize-winning cultural critic Margo Jefferson released her debut memoir Negroland . In the award-winning book, Jefferson reflected on her life as she reckoned with what it meant to grow up as a privileged Black person in a wealthy area of Chicago, crafting a searing examination of race and class in America. The author now returns with a bruising second memoir that goes beyond her personal story, blending criticism and autobiography. Constructing A Nervous System is an exciting collection of Jefferson’s thoughts and musings on the world, from her love of Ella Fitzgerald and Bud Powell to her own writing process.

Buy Now : Constructing A Nervous System on Bookshop | Amazon

Vladimir , Julia May Jonas

Julia May Jonas’ outrageously fun and discomfiting debut Vladimir puts an unexpected twist on the traditional campus novel . Her narrator is a prickly English professor at a small liberal arts college who has developed a crush on her department’s latest recruit. Meanwhile, an investigation into her husband, the chair of the same department, looms large. He’s been accused of having inappropriate relationships with former students, but our protagonist could care less. As her feelings for the new hire enter increasingly dark territory, Jonas unravels a taut and bold narrative about power, ambition, and female desire.

Buy Now : Vladimir on Bookshop | Amazon

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Life Between the Tides , Adam Nicolson

Historian Adam Nicolson dissects all aspects of marine life to make stirring observations about crustaceans, humans, and the world in which we all live in this deftly reported book. In Life Between the Tides , Nicolson zeroes in on the tide pools he creates in a Scottish bay, which he describes in lyrical and engaging prose. Blending scientific research, philosophy, and moving commentary on what it means to live, Nicolson’s book defies genre categorization as the author, with the help of stunning illustrations, strives to tackle the biggest questions about humanity through investigating a sliver of the sea’s inhabitants.

Buy Now : Life Between the Tides on Bookshop | Amazon

Young Mungo , Douglas Stuart

The latest novel from Douglas Stuart shares a lot in common with his first, the Booker Prize-winning Shuggie Bain . In both, young men live in working-class Glasglow in the late 20th century with their alcoholic mothers. This time, the narrative focuses on the love story between two boys, Mungo and James, and the dangers that surround their romance. It’s a piercing examination of the violence inflicted upon queer people and a gripping portrayal of the lengths to which one will go to fight for love.

Buy Now : Young Mungo on Bookshop | Amazon

The Books of Jacob, Olga Tokarczuk

It’s been such a treat to read through Nobel Prize winner Olga Tokarczuk’s catalog as her books are being translated from Polish and released in English. The latest, translated by Jennifer Croft, is perhaps the author’s most ambitious. The Books of Jacob is a sprawling narrative set in the mid-18th century about a self-proclaimed Messiah who travels the Hapsburg and Ottoman empires. At more than 900 pages, the novel is a gigantic undertaking, but Tokarczuk fills the chapters with delectable prose to paint a portrait of this complicated man—based on a real-life figure—through the perspectives of the people in his life. In doing so, Tokarczuk creates a compelling psychological profile of a mysterious leader that masterfully oscillates between humor and tragedy.

Buy Now : The Books of Jacob on Bookshop | Amazon

Time Is a Mother , Ocean Vuong

Ocean Vuong’s second poetry collection finds the acclaimed writer wrestling with grief after he lost his mother to breast cancer in 2019. Like his novel On Earth We’re Briefly Gorgeous , this collection is a tender exploration of memory, loss, and love. Through 28 poems, Vuong showcases his original voice as he asks pressing questions about the limits of language and the power of poetry in times of crisis.

Buy Now : Time Is a Mother on Bookshop | Amazon

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The 50 Best New Books of 2022 That You Won't Be Able to Put Down

Wondering what you should be reading this year? Our list includes romance novels, non-fiction best-sellers, thrillers and so much more.

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And this year's crop of new releases will do all of that, and more. Some of your favorite authors have new books out that rival their previous releases (peep that new Jennifer Egan!) and a whole host of debut authors also came out with stellar reads that will leave you hungry for their next one before you reach the last page. These are the best and most-anticipated books we've found so far, with something for fans of every genre and style. Of course, we have to acknowledge that "best" might mean something different to everyone. There are as many reading appetites as there are readers, so if your favorite book of 2022 doesn't make our list, don't despair. Let us know in the comments, and you might just inspire someone else to pick it up, too.

Fiona and Jane by Jean Chen Ho

Fiona and Jane are best friends, navigating their tumultuous teenage years together, as well as their family histories and all that comes with them. But when Fiona moves across the country, their bond weakens and threatens to break. This novel about the power of female friendship will give you a gorgeous peek into both women's perspectives on a shared story that has as many facets as they do.

The School for Good Mothers by Jessamin Chan

Frida's daughter Harriet is everything to her. But when she makes a terrible one-time mistake, the state decides that she has to prove her ability to be a good mother in order to remain one at all. This scarily prescient novel that's reminiscent of Orwell and Vonnegut explores the depths of parents' love, how strictly we judge mothers and each other and the terrifying potential of government overreach.

30 Things I Love About Myself by Radhika Sanghani

Newly single freelance writer Nina isn’t exactly flourishing, especially after she has to move back in with her depressed brother and her overbearing mother. But when she finds herself reading a self-help book in jail on her 30th birthday (long story), she embarks on a journey toward self-love, learning lessons most of us could stand to hear, too.

Shit Cassandra Saw: Stories by Gwen E. Kirby

Just because Cassandra can see the future doesn't mean she's sharing what she finds there. In this wildly inventive collection of stories, Kirby explores the power of feminity in its many forms – including as brazen witches, virgins who can't be sacrificed and even cockroaches who catcallers fear. It's laugh-out-loud funny, sometimes brightly painful, thought-provoking and completely original.

How High We Go in the Dark by Sequoia Nagamatsu

When an archaeologist witnesses the unleashing of a long-buried plague, it changes the course of history. This hauntingly beautiful story focuses on how the human spirit perseveres through it all. With everything from a cosmic search for home to a theme park for terminally ill kids and a talking pig, it’s a lyrical adventure that feels fantastical yet familiar.

Notes on an Execution by Danya Kukafka

Serial killer Ansel Packer is going to die for his crimes in 12 hours. But as the clock ticks down, we get to know the women who passed through his life, including his desperate mother and the homicide detective who became obsessed with his case. It’s a chilling, surprisingly tender tale of how each tragedy ripples through many lives.

RELATED: 25 Best True Crime Books of All Time to Unleash Your Inner Sherlock

Good Rich People by Eliza Jane Brazier

The rich live differently than the rest of us, and that's never more evident than this chilling account of one family that plays a sick and twisted game with their tenants. When one (an interloper herself) decides that she's not just a pawn, nobody wins – or do they?

Devil House by John Darnielle

Fans of true crime, police procedurals and books that stick with you for weeks after you reach the last page, don't sleep on the latest from the multitalented Mountain Goats singer. It follows a true crime writer who's trying to figure out what really happened at a dilapidated former porn store where locals (and lore) say the Satanic panic resulted in death, but the truth goes so much deeper than that.

Don't Say We Didn't Warn You by Ariel Delgado Dixon

Two sisters' paths repeatedly diverge and intersect through this story about trauma and reckoning with it. Through life in an abandoned warehouse just outside NYC, stints at a wilderness rehabilitation center and a scrabble to find their footing as young adults, this is a sharp and unsettling story of two girls' ongoing search for their own place in the world and how their history shapes who they become.

Very Cold People by Sarah Manguso

Midwesterners, New Englanders and anyone from small town America will recognize the contours in this quietly beautiful novel about what it feels like to grow up an outsider. It's a starkly lyrical exploration of the darkness that lies underneath a lily white community with an emotional resonance that sneaks up on you and won't let go.

Where I Can't Follow by Ashley Blooms

In a little mountain town hit hard by poverty and the opioid epidemic, there's a chance at escape. Magical doors appear to some people as a way out, but once they step through, there's no turning back. This fantastically real, absorbing novel explores what it would feel like to have an escape hatch from the hardships of life, and the agonizing decision whether to leave everyone you love behind.

The Last Suspicious Holdout by Ladee Hubbard

From the author of The Rib King comes a collection of stories about the Black residents of a southern suburb in the years between the beginning of the Clinton administration and Obama's election. It's about racism, the war on drugs, class and struggle, but at its heart, it's a portrait of a community. While it doesn't flinch away from the hard truth, it's also filled with love and a steely kind of hope.

When We Were Birds by Ayanna Lloyd Banwo

This eerily magical, richly atmospheric novel follows Darwin, a devout Rastafarian whose poverty forces him to cast off his religion to become a gravedigger, and Yejide, one of a line of women who have the power to usher the dead into the afterlife. Darwin gets mixed up in some funny business and Yejide is looking for a way out of the life she's been handed. When they're drawn together, they discover whether their love can rival the forces working against them.

Disorientation by Elaine Hsieh Chou

Ingrid has hit a wall in her PhD research on poet Xiao-Wen Chou when she comes across something that suggests he may not have been who he seems. Before she knows it, Ingrid has blown open a scandal that threatens her relationship with her fiancé and her best friend, her academic department and even her own self-knowledge. This is a fresh, hilarious and thoughtful satire that'll make you think about cultural identity in a whole new way.

Sea of Tranquility by Emily St. John Mandel

If you loved Station Eleven , you'll adore this dystopian novel that's about time travel as much as it is about love and family, and what happens when we lose sight of what's truly important. It takes the reader from a plague-ravaged earth to moon colonies, from 1912 to the near future in a triumph of science fiction for those who think they hate science fiction.

The Candy House by Jennifer Egan

You don't have to read A Visit From the Goon Squad to love this sibling novel to Egan's stellar hit. The revolutionary technology Own Your Unconscious allows users to store and access their memories – and other people's. Through complex and intimate intertwining narratives, it follows a cast of characters' experiences with Bouton's creation, and how its consequences echo through the decades.

End of the World House: A Novel by Adrienne Celt

What do you get when you take Groundhog Day, add a dash of the apocalypse, a little French obsession and mix in female friendship and romantic entanglement? This firecracker of a book that gets weirder and more bizarrely funny the more pages you turn.

Nobody Gets Out Alive: Stories by Leigh Newman

The Alaskan wilderness is unforgiving, and so is life for the people who live there. In this arresting collection of stories, we meet people who are fighting not only the snowy tundra, but addiction, heartbreak, complicated families and the demons so many of us carry with us, regardless of when or where we live.

When We Fell Apart by Soon Wiley

Min can’t believe his Korean girlfriend Yu-jin died by suicide, right before graduation. As he embarks on a quest to uncover the truth, he learns more about Yu-jin’s life as the daughter of a high-ranking government official, the true nature of her bond with her roommate So-ra, and his own bi-racial identity. This compelling, propulsive novel is as complex as the characters it follows.

You Made a Fool of Death with Your Beauty by Akwaeke Emezi

A sharply original novel about love, friendship and the journey grief takes, this one will ring true for so many of us these days. Five years after losing the love of her life, Feyi's BFF, Joy, wants her to get back out there, but when she does, Feyi finds herself thrown into her future without a net. For anyone who's been feeling a little lost, let this book give you some inspiration.

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Maureen Corrigan's favorite books of the year: 10 disparate reads for a hectic 2022

Maureen Corrigan

Some years, my best books list falls into a pattern: like a year that's dominated by dystopian fiction or stand-out memoirs. But, as perhaps befits this hectic year, the best books I read in 2022 sprawl all over the place in subject and form. Here are 10 superb titles from 2022:

Also a Poet: Frank O'Hara, My Father, and Me by Ada Calhoun

Also a Poet is a moving account of Ada Calhoun's attempt to connect with her elusive father, art critic Peter Schjeldahl , by trying to complete his abandoned biography of the beloved New York poet, Frank O'Hara. Calhoun recalls how, one day, in the basement of the East Village apartment house where her parents lived for decades, she stumbled upon a treasure trove of cassette tapes from the 1970s; interviews that her father conducted with O'Hara's painter friends and fellow poets. Ultimately, the book Calhoun writes isn't an O'Hara biography either: It's a genre-defying memoir and work of criticism, as well as a love letter to O'Hara's poetry and to the city that inspired it.

Constructing a Nervous System: A Memoir by Margo Jefferson

Renowned critic Margo Jefferson's book, Constructing a Nervous System, is also a virtuoso fusion of different forms: memoir, quick riffs and cultural criticism. As one of the few prominent African American female critics of her generation, Jefferson tells us she was "always calculating — not always well — how to achieve; succeed as a symbol, and a self." The pieces collected here range from a sharp consideration of the significance of Ella Fitzgerald's sweat during her television performances to the challenges Jefferson herself faced in teaching Willa Cather's work — along with its racist passages — to her majority white college students. Jefferson writes: "I wanted them to feel chagrined ... And I wanted them to be disappointed ... " That last response is one I'm certain Jefferson's own readers will not experience.

Interview: Margo Jefferson's new memoir is like a kaleidoscope into someone's life

The Facemaker by Lindsey Fitzharris

The Facemaker, by medical historian Lindsey Fitzharris, tells the story of British surgeon Harold Gillies' pioneering work in reconstructing the faces of some of the estimated 280,000 men who suffered facial trauma during World War I. Those soldiers' faces were shattered and burned by the new technologies that that war ushered in: machine guns, chemical weapons, flamethrowers, shells and hot chunks of shrapnel from explosives. To cite the poetic words of one battlefield nurse, before Gillies came along, "the science of healing stood baffled before the science of destroying."

Interview: With no textbooks or antibiotics, this WWI surgeon pioneered facial reconstruction

Review: 'The Facemaker' profiles the British surgeon who treated WWI's disfigured soldiers

The Revolutionary: Samuel Adams by Stacey Schiff

Stacy Schiff's biography of Samuel Adams is a thrilling, timely account of how the American Revolution happened: how the colonists were radicalized and came to think of themselves, not as Bostonians or Virginians, but as "Americans." It also tells the story of how Samuel Adams, the so-called "forgotten Founder," played an essential role in that transformation through countless conversations, clandestine meetings and newspaper essays written under 30-some pseudonyms.

Review: Author reminds Americans that Samuel Adams was a revolutionary before he was a beer

Signal Fires: A Novel by Dani Shapiro

Dani Shapiro's profound new novel jumps around in time to piece together the story of three teenagers, a car accident, two families and what persists even after neighborhoods change, people grow old, relationships fray and collective memories fade. The "signal fires" of Shapiro's title are the stars in the ancient night sky as seen through a lonely boy's computerized astronomy device. The boy shares his device with our protagonist, an elderly doctor, who's strangely comforted by the vastness: "The stars, rather than appearing distant and implacable, seemed to be signal fires in the dark, mysterious fellow travelers lighting a path ... "

Interview: Dani Shapiro on her new novel 'Signal Fires'

If I Survive You by Jonathan Escoffery

Jonathan Escoffery's debut collection of eight interconnected short stories overwhelmed me with its originality, heart, wit and sweeping social vision. Escoffery's aspiring, mostly Jamaican-born immigrant characters keep getting knocked down: by racism, the 2008 recession and, most literally, by Hurricane Andrew in 1992, which reduces their house to its "skeletal frame." But, in its largest sense, the "You" his characters are trying to survive is America itself.

Review: 'If I Survive You' is a sweeping portrait of a family's fight to make it in America

Interview: Acclaimed short-story collection 'If I Survive You' explores Jamaican-American immigrant experience

Foster by Claire Keegan

Survival, of sorts, is also the subject of Claire Keegan's matchless novella, Foster , in which a young girl in the Ireland of the early 1980s is palmed off by her parents for a summer with relatives she doesn't know. None of the adults explains much: the girl's father takes his leave of her by curtly saying, "try not to fall into the fire, you." Keegan, who's a writer who revels in emotional tension, has a sharp ear for mundane meanness; but she has an even keener appreciation for the complications of kindness.

Review: With 'Foster,' Claire Keegan asks that readers look outward

Review: Small in scope, Claire Keegan's 'Foster' packs an emotional wallop

Young Mungo by Douglas Stuart

Young Mungo is a disquieting work of fiction about the dangers of being different. In working class Glasgow, Scotland in the 1990s, a 15-year-old Protestant boy named Mungo falls in love with a Catholic boy. We readers know none of this will end well, but it's a testament to Stuart's unsparing powers as a storyteller that we can't possibly anticipate how very badly — and baroquely — things will turn out. Young Mungo is a suspense story wrapped around a novel of acute psychological observation.

Review: Brace yourself for 'Young Mungo,' a nuanced heartbreaker of a novel

Interview: 'Young Mungo' tells the love story of 2 boys — one Protestant, the other Catholic

Trust by Hernan Diaz

Trust is an ingeniously constructed historical novel with a postmodern point: namely, that readers can't wholly "trust" any of the slippery stories we read here, especially the opening one about the rise of a Wall Street tycoon much like Charles Schwab or J.P. Morgan. Throughout, Hernan Diaz makes dazzling connections between the realms of finance and fiction. As one character, an anarchist, says: "Money is a fantastic commodity. You can't eat or wear money, but it represents all the food and clothes in the world. This is why it's a fiction. ... Stocks, shares, bonds. ... That's what all these criminals trade in: fictions."

Review: You can't 'Trust' this novel. And that's a very good thing

Interview: Hernan Diaz's anticipated novel 'Trust' probes the illusion of money — and the truth

Lucy by the Sea: A Novel by Elizabeth Strout

I was reluctant to put Elizabeth Strout's latest novel Lucy by the Sea on this best of the year list. After all, her novel Oh William! was on last year's list . But it's no use to hold out against Strout, she's too good. Lucy by the Sea transports Strout's familiar heroine, Lucy Barton, out of New York City and into a ramshackle house in Maine with her ex-husband, William. The two shelter in place there during the worst months of pandemic, months Lucy recalls as having about them "a feeling of diffuse grief" and "mutedness." Strout's spare sentences and her simple pacing constitute her own idiosyncratic take on Hemingway's famous "iceberg theory," in which a depth of meaning and emotion lurks beneath the surface of the words on the page.

Review: 'Lucy By The Sea' succeeds at capturing disruptions, anxieties of pandemic

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The Best Reviewed Fiction of 2022

Featuring jennifer egan, emily st. john mandel, ian mcewan, celeste ng, olga tokarczuk, and more.

We’ve come to the end of another bountiful literary year, and for all of us review rabbits here at Book Marks, that can mean only one thing: basic math, and lots of it.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be calculating and revealing the most critically acclaimed books of 2022, in the categories of (deep breath): Fiction; Nonfiction; Memoir and Biography; Sci-Fi, Fantasy, and Horror; Short Story Collections; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; and Literature in Translation.

Today’s installment: Fiction .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. Sea of Tranquility by Emily St. John Mandel (Knopf) 28 Rave • 9 Positive • 3 Mixed • 1 Pan Read an interview with Emily St. John Mandel here

“In  Sea of Tranquility,  Mandel offers one of her finest novels and one of her most satisfying forays into the arena of speculative fiction yet, but it is her ability to convincingly inhabit the ordinary, and her ability to project a sustaining acknowledgment of beauty, that sets the novel apart. As in Ishiguro, this is not born of some cheap, made-for-television, faux-emotional gimmick or mechanism, but of empathy and hard-won understanding, beautifully built into language … It is that aspect of  Sea of Tranquility, Mandel’s finely rendered, characteristically understated descriptions of the old-growth forests her characters walk through, the domed moon colonies some of them call home, the robot-tended fields they gaze over or the whooshing airship liftoff sound they hear even in their dreams, that will, for this reader at least, linger longest.”

–Laird Hunt ( The New York Times Book Review )

2. The Candy House by Jennifer Egan (Scribner)

27 Rave • 13 Positive • 11 Mixed • 4 Pan

“… a dizzying and dazzling work that should end up on many Best of the Year lists … The Candy House requires exquisite attentiveness and extensive effort from its readers. But the work and the investment pay off richly, as each strain and thread and character reverberates in a kind of amplifying echo-wave with all the others, and the overarching tapestry emerges as ever more intricate and brilliantly conceived. Enacting the book’s dominant metaphor, Egan is presenting a version of Collective Consciousness: the blending and extension of selfhood across shared experience and identity. One of the book’s most fascinating implications, less patent but pervasive, is how this alternative model of perception does and doesn’t undermine traditional notions of literary consciousness …

As we follow the pebbles and crumbs Egan so cannily lays out, readers may feel at times as disoriented or wonderstruck as children making their way through a dark forest, at others electrifyingly clear-sighted, ecstatically certain of the novel’s wisdom, capacious philosophical range, truth and beauty. Charged with ‘a potency of ideas simmering,’ The Candy House is a marvel of a novel that testifies to the surpassing power of fiction to ‘roam with absolute freedom through the human collective.’”

–Pricilla Gilman ( The Boston Globe )

3. Checkout 19 by Claire-Louise Bennett (Riverhead)

26 Rave • 10 Positive • 1 Mixed

“ Pond is so unusual, and so unsettlingly pleasurable, that I thought it would be greedy to hope Bennett’s new novel, Checkout 19 , would be better. Lucky me: it is … Bennett is too committed to the oddity and specificity of her again-nameless narrator’s ideas to ever fall into the worn grooves of other people’s. Indeed, the novel is explicitly committed to the privacy of thought … Not many people are able to live this way; not many women or working-class characters get written this way. For the rooted among us, reading Checkout 19 can be utterly jarring. It is a portrait, like Pond; it’s also a call to come at least a little undone. Yes, really. It really is.”

–Lily Meyer ( NPR )

4. The Books of Jacob by Olga Tokarczuk, trans. by Jennifer Croft (Riverhead)

26 Rave • 9 Positive • 4 Mixed • 1 Pan

“ The Books of Jacob is finally available here in a wondrous English translation by Jennifer Croft, and it’s just as awe-inspiring as the Nobel judges claimed when they praised Tokarczuk for showing ‘the supreme capacity of the novel to represent a case almost beyond human understanding.’ In terms of its scope and ambition, The Books of Jacob is beyond anything else I’ve ever read. Even its voluminous subtitle is a witty expression of Tokarczuk’s irrepressible, omnivorous reach … The challenges here—for author and reader—are considerable. After all, Tokarczuk isn’t revising our understanding of Mozart or presenting a fresh take on Catherine the Great. She’s excavating a shadowy figure who’s almost entirely unknown today …

As daunting as it sounds, The Books of Jacob is miraculously entertaining and consistently fascinating. Despite his best efforts, Frank never mastered alchemy, but Tokarczuk certainly has. Her light irony, delightfully conveyed by Croft’s translation, infuses many of the sections … The quality that makes The Books of Jacob so striking is its remarkable form. Tokarczuk has constructed her narrative as a collage of legends, letters, diary entries, rumors, hagiographies, political attacks and historical records … This is a story that grows simultaneously more detailed and more mysterious … Haunting and irresistible.”

–Ron Charles ( The Washington Post )

5. Young Mungo by Douglas Stuart (Grove)

27 Rave • 5 Positive • 3 Mixed • 1 Pan

“… moving … Stuart writes like an angel … masterful … if Stuart has not departed much from the scaffolding of his debut novel, he has managed to produce a story with a very different shape and pace … The raw poetry of Stuart’s prose is perfect to catch the open spirit of this handsome boy, with his strange facial tics … The way Stuart carves out this oasis amid a rising tide of homophobia infuses these scenes with almost unbearable poignancy … Stuart quickly proves himself an extraordinarily effective thriller writer. He’s capable of pulling the strings of suspense excruciatingly tight while still sensitively exploring the confused mind of this gentle adolescent trying to make sense of his sexuality …

The result is a novel that moves toward two crises simultaneously: whatever happened with James in Glasgow and whatever might happen to Mungo in the Scottish wilds. The one is a foregone calamity we can only intuit; the other an approaching horror we can only dread. But even as Stuart draws these timelines together like a pair of scissors, he creates a little space for Mungo’s future, a little mercy for this buoyant young man.”

6. Lessons by Ian McEwan (Knopf)

23 Rave • 10 Positive • 4 Mixed • 3 Pan

“Nobody is better at writing about entropy, indignity and ejaculation—among other topics—than Ian McEwan … One of McEwan’s talents is to mingle the lovely with the nasty … McEwan can make a reader feel as though she has bent forward to sniff a rose and received instead the odor of old sewage … McEwan’s use of global events in his fiction tends to be judicious and revealing … These all serve as reminders that history is occurring. And maybe some readers do, in fact, require that reminder. But Roland is so passive that one gets the sense he’d be exactly the same guy in any other century, only with a different haircut … One way to read Lessons is as a self-repudiation of the maneuver at which McEwan has become virtuosic. More authors should repudiate their virtuosity. The results are exciting.”

–Molly Young ( The New York Times )

7. Either/Or by Elif Batuman (Penguin Press)

18 Rave • 12 Positive • 3 Mixed Read an interview with Elif Batuman here

“The book gallops along at a brisk pace, rich with cultural touchstones of the time, and one finishes hungry for more. I reread The Idiot before reading Either/Or and after almost 800 cumulative pages, I still wasn’t sated. Batuman possesses a rare ability to successfully flood the reader with granular facts, emotional vulnerability, dry humor, and a philosophical undercurrent without losing the reader in a sea of noise … What makes a life or story exceptional enough to create art? What art is exceptional, entertaining, and engaging enough to sustain nearly a thousand pages? Selin’s existential crisis within the collegiate crucible haunts every thoughtful reader … The novel stands on its own as a rich exploration of life’s aesthetic and moral crossroads as a space to linger—not race through. Spare me sanctimonious fictional characters locked in the anguish of their regretful late twenties and early thirties: May our bold heroine Selin return to campus and stir up more drama before departing abroad again.”

–Lauren LeBlanc ( The Boston Globe )

8. Our Missing Hearts by Celeste Ng (Penguin)

21 Rave • 5 Positive • 4 Mixed

“Stunning … One of Ng’s most poignant tricks in this novel is to bury its central tragedy…in the middle of the action. This raises the narrative from the specific story of a confused boy and his defeated father to a reflection on the universal bond between parents and children … Our Missing Hearts will land differently for individual readers. One element we shouldn’t miss is Ng’s bold reversal of the biblical story of the Tower of Babel. It is the drive for conformity, the suppression of our glorious cacophony, that will doom us. And it is the expression of individual souls that will save us.”

–Bethanne Patrick ( The Lost Angeles Times )

9. Trust by Hernan Diaz (Riverhead)

22 Rave • 3 Positive • 3 Mixed • 1 Pan Read an interview with Hernan Diaz here

“[An] enthralling tour de force … Each story talks to the others, and the conversation is both combative and revelatory … As an American epic, Trust gives The Great Gatsby a run for its money … Diaz’s debut, In the Distance , was a finalist for the Pulitzer Prize and the PEN/Faulkner Award. Trust fulfills that book’s promise, and then some … Wordplay is Trust ’s currency … In Diaz’s accomplished hands we circle ever closer to the black hole at the core of Trust … Trust is a glorious novel about empires and erasures, husbands and wives, staggering fortunes and unspeakable misery … He spins a larger parable, then, plumbing sex and power, causation and complicity. Mostly, though, Trust is a literary page-turner, with a wealth of puns and elegant prose, fun as hell to read.”

–Hamilton Cain ( Oprah Daily )

10. Bliss Montage by Ling Ma (Farrar, Straus and Giroux)

20 Rave • 5 Positive • 2 Mixed Read an interview with Ling Ma here

“The strangeness of living in a body is exposed, the absurdity of carrying race and gender on one’s face, all against the backdrop of an America in ruin … Ma’s meticulously-crafted mood and characterization … Ma’s gift for endings is evident … Ma masterfully captures her characters’ double consciousness, always seeing themselves through the white gaze, in stunning and bold new ways … Even the weaker stories in the book…are redeemed by Ma’s restrained prose style, dry humor, and clever gut-punch endings. But all this technical prowess doesn’t mean the collection lacks a heart. First- and second-generation Americans who might have been invisible for most of their lives are seen and held lovingly in Ma’s fiction.”

–Bruna Dantas Lobato ( Astra )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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Book reviews: 47 of the best novels of 2022

New releases include The Singularities by John Banville and Saha by Cho Nam-Joo

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1. The Singularities by John Banville

2. saha by cho nam-joo (trans. jamie chang), 3. bournville by jonathan coe.

• 4. Molly & the Captain by Anthony Quinn

5. Darling by India Knight

6. the passenger by cormac mccarthy, 7. demon copperhead by barbara kingsolver, 8. liberation day by george saunders, 9. lucy by the sea by elizabeth strout, 10. the romantic by william boyd, 11. the marriage portrait by maggie o’farrell, 12. carrie soto is back by taylor jenkins reid, 13. lessons by ian mcewan, 14. the ink black heart by robert galbraith, 15. haven by emma donoghue, 16. trust by hernan diaz, 17. the last white man by mohsin hamid, 18. a hunger by ross raisin, 19. acts of service by lillian fishman, 20. the twilight world by werner herzog, 21. the exhibitionist by charlotte mendelson, 22. vladimir by julia may jonas, 23. to paradise by hanya yanagihara, 24. joan by katherine j. chen, 25. the house of fortune by jessie burton, 26. the seaplane on final approach by rebecca rukeyser, 27. the young accomplice by benjamin wood, 28. the sidekick by benjamin markovits, 29. nonfiction: a novel by julie myerson, 30. you have a friend in 10a by maggie shipstead, 31. very cold people by sarah manguso, 32. trespasses by louise kennedy, 33. elizabeth finch by julian barnes, 34. the candy house by jennifer egan, 35. companion piece by ali smith, 36. young mungo by douglas stuart, 37. sell us the rope by stephen may, 38. french braid by anne tyler, 39. good intentions by kasim ali, 40. the school for good mothers by jessamine chan, 41. pure colour by sheila heti, 42. a previous life by edmund white, 43. a class of their own by matt knott, 44. our country friends by gary shteyngart, 45. scary monsters by michelle de kretser, 46. free love by tessa hadley, 47. the fell by sarah moss.

As the author of three trilogies, John Banville is “no stranger to using recurring characters”, said Ian Critchley in Literary Review . But The Singularities takes this to extremes: so stuffed is it with “old Banville protagonists” that it is close to being a “literary greatest-hits collection”. The setting is Arden House – the crumbling Irish country house from Banville’s 2009 work The Infinities . Various characters from that work are joined by William Jaybey (from The Newton Letter ) and Freddie Montgomery (from The Book of Evidence ), among others. One doesn’t begrudge Banville his “game with his readers”: The Singularities is a “pleasure to read”.

With its “assembly of characters” and country house setting, this novel seems to have the “makings of a whodunnit”, said Tom Ball in The Times . But “no one dies”, or even falls out; and, in fact, little of consequence happens. Fortunately, “you don’t read Banville for his taut plots”. You read him because, every few pages, there’s a sentence “so perfectly contrived it stops you for a moment, achingly, like a beautiful stranger passing in the street”.

Knopf 320pp £14.99; The Week Bookshop £11.99

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The South Korean writer Cho Nam-Joo is best known for her 2016 novel Kim Jiyoung, Born 1982 , said Ellen Peirson-Hagger in The i Paper . A story of “everyday sexism”, it sold more than a million copies in South Korea and sparked a national conversation about the status of women. Cho’s latest novel, Saha , is “just as political” – though this time the focus is on class. Set in a dystopian future, the novel follows a disparate group of characters who live in some dilapidated buildings on the outskirts of “Town”, a fiercely hierarchical “privatised city-nation” where all aspects of life are tightly controlled. Offering a powerful critique of “plutocracy, systemic inequality” and “gendered violence”, the novel is “utterly captivating”.

Cho’s dystopia is “not particularly original”, and her plotting can be “surprisingly loose”, said Mia Levitin in The Daily Telegraph . But the novel’s characterisation is “touching” – and its themes are certainly powerful. At a time of rising global inequality – South Korea’s economy is dominated by “mega-corporations” – this is a book that “resonates widely”.

Scribner 240pp £14.99; The Week Bookshop £11.99

“Few contemporary writers can make a success of the state-of-the-nation novel,” said Rachel Cunliffe in The New Statesman . But one who can is Jonathan Coe. His latest charts 75 years of British history, following the lives of a single family, headed by matriarch Mary Lamb, who live on the outskirts of Birmingham, near the Bournville factory. Coe covers so much ground in just 350 pages by alighting only on key moments: VE Day in 1945; the Queen’s coronation; the 1966 World Cup; the death of Diana, Princess of Wales. The result is a “piercing” satire on Englishness that is “designed to make you think by making you laugh”. This is a warm and comforting book, said Melissa Katsoulis in The Times – like a “mug of hot chocolate”.

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The final section, set during Covid-19, is very moving, said J.S. Barnes in Literary Review . But much of this novel is “flat and formulaic”. The use of hindsight is clunky: when Mary visits The Mousetrap in 1953, she thinks: “I imagine it will be closing before very long.” It feels like a “procession through well-worn territory”, rather than something designed to “excite or entertain”.

Viking 368pp £20; The Week Bookshop £15.99

4. Molly & the Captain by Anthony Quinn

Anthony Quinn is a “fine prose stylist, able to evoke the past with vivid immediacy”, said Alex Preston in The Observer . His ninth novel is a sweeping epic that consists of three interlinked sections. In the 1780s, Laura Merrymount – daughter of the Gainsborough-esque portraitist William Merrymount – strives to escape from her father’s shadow and become a painter herself. In Chelsea a century later, we meet the young artist Paul Stransom and his sister Maggie – who abandoned her own dreams of becoming an artist to care for their dying mother. And finally, in 1980s Kentish Town another artist, Nell Cantrip, suddenly acquires late-career fame. Marked by its “intricate”, immaculate plotting, this novel is a “rollicking read”.

I found the plotting a bit predictable, and the characterisation heavy-handed, said Imogen Hermes Gowar in The Guardian . But the book has interesting things to say “about women’s work and talent, and the life cycle of art”; and it is deftly put together by a writer who delights in the “granular details of an era”, while also understanding its broad sweep.

Abacus 432pp £16.99; The Week Bookshop £13.99

India Knight’s new book is a “contemporary reimagining” of Nancy Mitford’s The Pursuit of Love , said Christina Patterson in The Sunday Times . Updating “such a beloved novel” certainly isn’t easy – but Knight has pulled off the task with aplomb. In her version, the four Radlett children – Linda, Louisa, Jassy and Robin – are not the progeny of an English lord, but of an ageing and reclusive rock star. Desperate to protect his children from “modern life”, he has purchased a “vast Norfolk estate” – and it’s there that we first encounter Linda and her siblings, through the eyes of their cousin Franny. The narrative tracks their passage to adulthood, and their romantic entanglements – centred on “Linda’s pursuit of love”.

Darling works because, as in Mitford’s original, the details are so “bang on”, said Emma Beddington in The Spectator . Sometimes, Knight artfully tweaks them: she replaces hunting with swimming, and gives her adult characters jobs (Linda runs a café in Dalston). Mitford “diehards can rest easy: your blood vessels are safe with this faithful, fiercely funny homage”.

Fig Tree 288pp £14.99; The Week Bookshop £11.99

Cormac McCarthy’s first novel in 16 years explores “the very boundaries of human understanding”, said Nicholas Mancusi in Time . Investigating a plane crash in the Gulf of Mexico, diver Bobby Western discovers that one passenger is missing; soon he is being harassed by government agents. But the pretence that this is a thriller doesn’t last long: chapters in which Bobby discusses the meaning of life alternate with ones in which his maths genius sister Alice experiences schizophrenic hallucinations. It’s a deeply weird book, held together by “chuckle-out-loud” humour. A companion novel, Stella Maris , focusing on Alice, does little to explain it – but together they are “staggering”.

Sorry, said James Walton in The Times , but I can’t remember a recent novel so wildly indifferent to what its readers might enjoy, or even understand. The conversations that make up the bulk of it, ranging from nuclear physics to Kennedy’s assassination, are a complete ragbag. McCarthy’s gift for description and dialogue remains undiminished, but there’s no escaping the sense that The Passenger is “a big old mess”.

Picador 400pp £20; The Week Bookshop £15.99

Barbara Kingsolver’s latest novel is a retelling of David Copperfield , transposed to the “valleys of southwest Virginia at the height of America’s opioid crisis”, said James Riding in The Times . Demon Copperhead, the “rambunctious hero”, is “born in a trailer to a teenage single mother”, and grows up in a world of neglectful child protection services and dubious guardians. The characters are all recognisable from the Dickens novel – but appear in new guises: “Steerforth becomes Fast Forward, a pill-popping quarterback; Uriah Heep is U-Haul, a football coach’s errand boy”. Daring and entertaining, Demon Copperhead is “shockingly successful” – “like Dickens directed by the Coen brothers”.

It’s a promising premise, not least because in its extreme inequality, post-industrial America resembles Victorian England, said Jessa Crispin in The Daily Telegraph . Yet while Kingsolver closely cleaves to the story of the original, she “breaks the most important rule of working in the Dickensian mode”: the need to “show the reader a good time”. Hers is a retelling “beset by earnestness” – and as a result it falls flat.

Faber 560pp £20; The Week Bookshop £15.99

Besides being a Booker Prize winner with his only novel, Lincoln in the Bardo , George Saunders is “routinely hailed as the world’s best short story writer”, said James Walton in The Daily Telegraph . The American’s dazzling new collection – his first since 2013’s Tenth of December – shows why he garners such acclaim. As is customary in a Saunders collection, quite a few of the tales are “deeply strange”: in the title story, three people are kept permanently “pinioned to a wall”, enacting scenes from American history; another story is set in a theme park that has never received any visitors. Around half the tales, however, explore “recognisable social and political dilemmas”: two employees clashing at work; a mother’s despair about the state of America after her son is pushed over by a tramp. And whether Saunders is engaging with contemporary reality, or “taking us somewhere else entirely”, he never forgets that the most important duty of a writer is to make his work “winningly readable”.

Tenth of December was a “marvellous” collection, but unfortunately Liberation Day doesn’t hit the same heights, said Charles Finch in the Los Angeles Times . Although “the standard of Saunders’ writing remains astronomically high”, there are times here when he seems almost on auto-pilot, reprising themes and situations he has previously explored. It’s true that if you’ve read Saunders before, then parts of Liberation Day will sound “like self-parody”, said John Self in The Times . But then again, “it’s churlish to knock a true original for repeating himself”. When he’s at his best, Saunders’ “oblique, farcical, tragic” view of the world still has the ability to “take the top of your head off”.

Bloomsbury 256pp £18.99; The Week bookshop £14.99

“Elizabeth Strout is writing masterpieces at a pace you might not suspect from their spaciousness and steady beauty,” said Alexandra Harris in The Guardian . Lucy by the Sea is the third sequel to her acclaimed bestseller My Name is Lucy Barton . It takes place early during the pandemic, when Lucy and her ex-husband, William, leave New York for a friend’s empty beach house in Maine – for “just a few weeks”, he says. It is “a study of a later-life reunion between a man and woman who married in their 20s”. It isn’t “a tender tale”, as William isn’t an easy man to like, but it is “as fine a pandemic novel as one could hope for”.

Over the course of three Lucy Barton books, Strout has “created one of the most quizzical characters in modern fiction”, said Claire Allfree in The Times . Still, even this “avid fan” found herself wondering whether this instalment is “surplus to requirements”. This, sadly, is a novel that “mistakes simplistic observation for subtle insight, bathos for pathos”, and Lucy herself is “downright annoying”. I disagree entirely, said Julie Myerson in The Observer . Lucy by the Sea is a wonderful evocation of lockdown life. It is “her most nuanced – and intensely moving – Lucy Barton novel yet”.

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William Boyd’s 17th novel – his first set in the 19th century – is an “old-fashioned bildungsroman” that follows its “hero, Cashel Greville Ross, through a long and peripatetic life”, said Lucy Atkins in The Sunday Times .

After growing up in Ireland and Oxford, Cashel “impulsively joins the army” and finds himself “facing the French bayonets at the Battle of Waterloo”. He subsequently “hangs out” with Byron and Shelley in Italy, spends time in east India and New England, and becomes an opium addict, an author and a diplomat. Although the authorial winks can be groan-inducing – “Shelley can barely swim”, a friend of the poet declares – it is a “masterclass” in narrative construction and its ending is “genuinely poignant”.

Boyd is “as magically readable as ever”, said Jake Kerridge in The Daily Telegraph . But amid the non-stop action and “endless verbal anachronisms”, Cashel never quite emerges as a fully rounded character. Compared with Boyd’s previous “whole life novels”, such as Any Human Heart and Sweet Caress , The Romantic feels “glaringly synthetic”.

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Maggie O’Farrell’s last novel, the brilliant Hamnet , “fleshed out” the lives of Shakespeare’s children, said Elizabeth Lowry in The Daily Telegraph . Her latest brings another neglected historical figure into the light – the noblewoman Lucrezia de’ Medici. In 1560, a 16-year-old Lucrezia left Florence to begin her married life with Alfonso d’Este, heir to the Duke of Ferrara, Modena and Reggio. “Within a year, she was dead”; it was rumoured Alfonso had killed her. Taking these “suggestive details” as inspiration (as Robert Browning did in his famous poem My Last Duchess ), O’Farrell “constructs a convincing human drama”.

O’Farrell is a master of visual description, said Claire Allfree in The Times . A tiger moves “like honey dripping from a spoon”; through a window, the sound of sobbing drifts upwards “like smoke”. Yet the “headily perfumed” prose proves oddly dulling: rather than “springing forth messily alive”, Lucrezia seems “trapped beneath the weight” of the “relentless” description. Although it sets out to bring Lucrezia back to life, it ends up being a “bloodless book”.

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Taylor Jenkins Reid is a TikTok phenomenon, said Marianka Swain in The Daily Telegraph . Thanks in part to BookTok – the social media app’s books community – her novels about glamorous women finding fame and fortune have sold in their millions. Continuing with that “winning strategy”, her latest centres on a “hotshot American tennis pro”.

Carrie Soto is a former world No. 1, who has won a record 20 grand slams. Now in her late 30s, she mounts an “unlikely comeback”, prompted by the emergence of a new star, Londoner Nicki Chan. This is a “compulsive, soapy page-turner” with “more substance than the average beach read”. In short, it’s an “ace” of an “escapist romp”.

Jenkins Reid has a “nose for a cultural moment”, said Susie Goldsbrough in The Times . And so this book’s appearance so soon after the retirement of Serena Williams – clearly an inspiration for Carrie – is “coincidental but not surprising”. Don’t expect “psychological depth”; “fundamentally, this is a sports story”, with whole chapters devoted to single matches. But it’s certainly very “fun to read”.

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Ian McEwan’s novels are often “lean, controlled enquiries” into specific historical moments, said Johanna Thomas-Corr in The New Statesman : 1950s Germany in The Innocent ; the Thatcherite 1980s in A Child in Time . But his 18th is very different – “baggier and more protean” than any of its predecessors. It’s also, “to my mind, McEwan’s best novel in 20 years”. His protagonist, Roland Baines, is a baby boomer who bears a strong resemblance to his creator, were his creator “not a hugely successful novelist”. Roland spends his childhood in Libya, then “attends a state-run boarding school” in England. And like McEwan, he discovers as an adult that he has a long-lost brother. Yet his life is notable for its lack of direction: he “scratches out a living as a hotel lounge pianist, an occasional tennis coach and a hack”. Humble and wise, Lessons is “an intimate but sprawling story about an ordinary man’s reckoning with existence”.

As is often the case for McEwan’s protagonists, Roland’s life “hinges” on a single traumatic episode, said Edmund Gordon in the TLS . Aged 14, he begins an affair with his piano teacher, Miss Cornell – a relationship which, while he “isn’t exactly a reluctant participant”, nonetheless wounds him. A second trauma follows in his 30s, when Roland’s German-born wife, Alissa, abandons him and their baby son to pursue her ambition of becoming a novelist, said Peter Kemp in The Sunday Times . While Roland is left a single parent, Alissa – somewhat implausibly – becomes “Germany’s greatest writer”. As the decades pass, the “social and domestic cavalcade of Roland’s life” plays out against the backdrop of “momentous global happenings” – from 9/11 to the Covid lockdowns. A “vividly detailed lifetime chronicle”, Lessons is a “tour de force”.

Yet it has its problems, said Claire Lowdon in The Spectator . This is a novel full of dropped storylines and non sequiturs, and McEwan can’t resist those “overbearing news bulletins” that have peppered his recent work (“The Profumo affair was only a year away” etc.). Still, Lessons is consistently enjoyable, and there’s something to be said for the “novelty” of reading a McEwan novel that feels more like “a Jonathan Franzen”. At the age of 74, his desire to try new things is impressive. “Despite the rambling and the rushed patches, here is a whole, unruly life between the covers of a single book: a literary feat of undeniable majesty.”

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This new crime novel by J.K. Rowling, using her Robert Galbraith pseudonym, has Cormoran Strike, her Afghan-War-veteran-turned-private detective, getting to grips with the world of online trolls, said Joan Smith in The Sunday Times .

Strike and his partner Robin are called to investigate the stabbing to death of a woman named Edie. She was the co-creator of a YouTube cartoon featuring “ghoulish” characters cavorting in a cemetery, and the finger of suspicion falls on a gamer known as “Anomie”, who had subjected Edie to a “torrent of lurid accusation” after claiming that she’d ripped off his ideas.

While the novel works as a “superlative piece of crime fiction”, its subject matter also feels highly pointed: Rowling has herself faced accusations of plagiarism, and she has been subjected to savage online abuse for arguing that aspects of trans ideology lead to the “erasure of the word ‘woman’”.

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Emma Donoghue’s latest novel is set in early 7th century Ireland, and centres on a trio of monks who build a monastic community on a tiny island, said Ron Charles in The Washington Post . The men set out in their “precarious boat” after their leader Artt – a “legendary holy man” – has a “vision of an island in the western sea”. When they reach a “large rock” covered in “birds, guano and little else”, Artt is convinced it’s the place from his dream – and resolves that he and his companions will never leave. Haven may sound like a work that “few readers have been praying for”, but it proves “transporting, sometimes unsettling and eventually shocking”.

There are some “striking formal similarities” between this novel and Donoghue’s 2010 bestseller Room , inspired by the Josef Fritzl case, said Paraic O’Donnell in The Guardian . Both are works of “radical minimalism”, about people who “struggle to preserve their humanity in utter isolation”. Although Haven is “created in a muted palette”, this is a work of impressive “narrative sustenance” – and is “crowded with quietly beautiful details”.

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Hernan Diaz’s Pulitzer Prize-nominated first novel, In the Distance, centred on a “penniless young Swedish immigrant” in California, said Jonathan Lee in The Guardian . His second concerns a “character at the other end of the economic scale” – a “Gatsby-like tycoon in 1920s New York” named Andrew Bevel. Rather than tell Bevel’s story straight, Diaz embeds it in four “interconnected narratives”: a fictionalised novel based on Bevel’s life; Bevel’s unfinished autobiography; a memoir by his ghostwriter; and fragments from his wife’s “long-withheld diary”. It sounds tricksy, but it’s surprisingly readable – like a “brilliantly twisted mix” of Borges and J.M. Coetzee, with “a dash” of Italo Calvino.

The “knotty ingenuity” of this novel makes it deserving of its place on this year’s Booker longlist, said Lucy Scholes in The Daily Telegraph . It is “destined to be known as one of the great puzzle-box novels”. I doubt that, said John Self in The Times . Parts are “original and surprising”, but overall it’s “well behaved and dull”, and consumed by its own cleverness. Like the tycoon at its centre, it’s “all smart, no heart”.

Picador 416pp £16.99; The Week Bookshop £13.99

Mohsin Hamid’s fifth novel begins with a transformation, said Alex Preston in The Observer : Anders wakes up one morning to find his skin has changed from white to black. This metamorphosis is not explained; instead, the focus is on its impact on the people around Anders. When he goes out, he feels “vaguely menaced”; his boss tells him he’d have killed himself had it happened to him. But then Anders finds that similar transfor­mations are taking place across the US, until eventually there is “just one white man left”. Written in “incantatory” sentences, The Last White Man is a “strange, beautiful allegorical tale”.

Mysterious transformations can be “fertile terrain” for fiction, said Houman Barekat in The Times : one thinks, most obviously, of Kafka’s Metamorphosis. But while that work resists easy interpretation, Hamid’s aims are all too obvious: this is “yet another liberal parable” about the “psychic underpinnings of racial prejudice”. Ultimately, it’s a book that says more about the “publishing industry’s anxious scrabble for topicality” than about “the human condition”.

Hamish Hamilton 192pp £12.99; The Week Bookshop £9.99

Most books billed as telling us “what it means to be human” really do no such thing, said John Self in The Observer . Ross Raisin’s A Hunger is an exception. The tale of a London “sous chef in her mid-50s”, this is the fourth novel by this talented writer – and it is his most “ambitious” yet, encompassing “work and family, desires and appetites, responsibility and identity”.

Raisin has always excelled at portraying working lives, said Alexandra Harris in The Guardian : Waterline , his second novel, centred on a Clyde shipbuilder; A Natural , his third, was about a lower league footballer. Here, he captures the rhythms of kitchen life so skilfully that it “makes one realise the degree to which work is still under-charted territory in literary fiction”. Yet the novel is about much more than cooking: Patrick, Anita’s husband of 30 years, has recently developed early-onset dementia, forcing her to combine the stresses of her job with a new role as a carer “changing incontinence pads”. The result is a “deeply thought out and beautifully unshowy” novel about the “conflicting demands of work and care”.

I wasn’t impressed, said Claire Lowdon in The Sunday Times . Although Raisin’s gifts for “startling descriptive prose” are evident – notably in a bravura opening set in a walk-in fridge – the novel overall is let down by “wooden dialogue”, characters who don’t seem real, and a clumsy structure in which Anita’s present-day travails are juxtaposed with “rushed and skimpy” scenes from her early life. It may not be perfect, but this is a deft exploration of “the guilt that accompanies female ambition”, said Amber Medland in the FT . Daring in what it sets out to achieve, A Hunger is equally “impressive in its execution”.

Jonathan Cape 464pp £18.99; The Week bookshop £14.99

Lillian Fishman’s debut is one of the most “searching and enthralling” novels about sex I’ve read in years, said Johanna Thomas-Corr in The New Statesman . “Eve is a 28-year-old barista from Brooklyn in a long-term relationship with Romi, a paediatrician.” Although Eve considers herself a lesbian, she has fantasies about sleeping with a “wild number of people”. When she posts nude pictures of herself online, they catch the attention of an artist called Olivia – who proves to be acting on behalf of a “tall, wealthy man in his 30s” named Nathan, who makes Eve his sexual “toy”. “Part erotic Bildungsroman, part melancholy comedy of manners”, Acts of Service is “startlingly accomplished”.

Well, I found it thoroughly tedious, said Jessa Crispin in The Times – less a novel than a crude allegory. Nathan is “basically Christian Grey from Fifty Shades rendered in marginally better prose”. Fishman’s reflections on the corrupting effects of “patriarchy” and “capitalism” have been far better expressed elsewhere. Overhyped and unoriginal, this is a disappointing addition to the “library of endless want”.

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For 29 years after the end of the Second World War, a Japanese soldier named Hiroo Onoda held out on a small island in the Philippines, believing his comrades were still fighting, said Anthony Gardner in The Mail on Sunday . Now the great film director Werner Herzog, who befriended Onoda in 1997, has written an imaginative reconstruction of his experiences. Steeped in the atmosphere of the jungle, it’s an “enthralling” novel that explores the nature of time and warfare with great mastery.

Onoda’s single-minded intransigence makes him an archetypal Herzog hero, said Tim Robey in The Daily Telegraph , and this “Hemingwayesque” novella is highly cinematic, with short chapters and vivid scene-setting. But its refined prose gives it a sculptural quality too: its descriptions of the natural world are radiant. Herzog manages to inhabit the soldier’s mind, and to create a “visionary” narrative, said Peter Carty in The i Paper. Moral issues – Onoda killed a number of islanders – are somewhat sidelined, but this beautifully crafted book is a “literary jewel” nevertheless.

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Charlotte Mendelson’s “riotous, prize-winning novels” tend to be about messy, dysfunctional families, said Leyla Sanai in The Spectator . Her fifth centres on a “monstrous” artist named Ray Hanrahan and his downtrodden wife, Lucia. Narcissistic, abusive and controlling, Ray has “quashed” Lucia’s own artistic ambitions for decades, forcing her to minister to his needs and look after their (now grown-up) children.

With an “ostentatious private view” of his work about to open, he has summoned friends and family to their north London house. The result is a “glorious ride” of a novel – one in which “Mendelson observes the minutiae of human behaviour like a comic anthropologist”.

There is a lot going on in this novel – “at times, too much” – but the overall “effect is exhilarating”, said Susie Mesure in The Times . Moving between perspectives, Mendelson cranks the drama up to a “fiery climax”. There’s a “hint of HBO’s Succession ” in this tale of a “family in thrall to a despotic patriarch”, said Madeleine Feeny in The Daily Telegraph . Mingling “eroticism, absurdity and pathos”, it’s “electric”.

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At first glance, this debut novel seems to be yet another post-#MeToo book “dissecting sexual trauma and queasy power dynamics”, said Laura Hackett in The Sunday Times . At a US liberal arts college, John, a senior English professor, finds himself accused of sexual impropriety by “seven students with whom he has had affairs”. But rather than adopt their perspective, the novel is narrated by John’s wife – who is anything but sympathetic towards them. She laments the fact that young women today seem to have “lost all agency”, and admits to having “enjoyed the space” that her husband’s infidelities provided. With its bracing take on sexual politics, Vladimir is an “astonishing debut”.

In its second half, the novel becomes primarily about “female appetite”, as the narrator develops an obsessive crush on a “gorgeous new junior professor”, said Lucy Atkins in The Guardian . May Jones’s “quietly captivating” voice dazzles until the end, when the novel is let down by a “heavy-handed denouement”. Still, in its willingness to tackle “complex”, provocative themes, this is “an engrossing and clever debut”.

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Hanya Yanagihara’s latest novel is the “keenly awaited” follow up to A Little Life , her “devastating story of irreparable human damage”, said David Sexton in The Sunday Times . It consists of three sections all set in the same New York building and taking place, respectively, in 1893, 1993 and 2093.

Part one re-imagines 19th century New York as a “liberal breakaway nation in which gay marriage is normal”. Part two, set in the “time of Aids”, focuses on a wealthy white lawyer and his young Hawaiian lover. Part three envisages an America that has been ravaged by “successive waves of viruses, every few years from 2020”. While a “less bludgeoningly powerful” work than A Little Life , it’s still “highly affecting”.

This is in many ways a “wantonly strange” work, said Claire Allfree in The Times : the convoluted narrative can be “frustratingly opaque”, and there’s a complete absence of humour. Yet there’s no denying Yanagihara’s skill at immersing us in the “emotional world of her characters”. For all its flaws, To Paradise is “frequently magnificent”.

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The story of Joan of Arc – a 15th-century peasant girl from northeast France who became a national heroine – has been told many times before, said Marianka Swain in The Daily Telegraph . But in her second novel, the American writer Katherine J. Chen offers a “fresh and utterly enthralling take”. Her Joan is not a religious icon – “gone are the visions” – but primarily a “woman of action”: she’s a child of remarkable physical gifts who, through a series of “serendipitous events”, becomes a key ally of the dauphin (later King Charles VII), helping to lead his armies against the English. “Vivid, visceral and boldly immediate”, the novel has already earned comparisons with Hilary Mantel’s Wolf Hall trilogy.

At once a “mystic, martyr and war hero”, Joan is a largely “incomprehensible” figure today, said Jess Walter in The New York Times . Chen, however, has a “lively stab” at making her seem relevant – in part by imagining her as an “abused child” who uses her anger to become an “avenging warrior”. “Rich” and “visceral” in its descriptions, Joan is “stirring stuff”.

Hodder & Stoughton 368pp £16.99; The Week Bookshop £13.99

In 2014, Jessie Burton’s debut novel The Miniaturist – about 18-year-old Nella Oortman’s coming of age in 17th century Amsterdam – became a global bestseller, said Gwendolyn Smith in The i Paper . Now Burton is back, with a “beguiling, tender sequel”, set 18 years later. Nella, now 37, is a widow (The Miniaturist climaxed with her husband’s execution for sodomy), who still lives in the “same grand address on Amsterdam’s Herengracht canal”. A “cold, austere place” in the previous book, the house is now suffused with “warmth and familiarity” – though it still “thrums with secrets”. “Wise and fabulously immersive”, this book, if anything, surpasses its predecessor.

I disagree, said Claire Allfree in The Daily Telegraph . Burton remains a “lovely writer”, who can craft “startlingly sculptural” sentences. But “where The Miniaturist was alive with spooky mystery”, this book lacks an “animating spirit”: characters, events and even the language seem contrived. “In seeking to bring more life to the characters in The Miniaturist, The House of Fortune somehow diminishes them instead.”

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Set in the Alaskan wilderness, Rebecca Rukeyser’s “wistful and sardonic” first novel is part adventure story, part coming-of-age tale, said The Irish Times . Seventeen-year-old Mira is working for the summer at a guest house run by a married couple, Stu and Maureen, alongside two other girls and a troubled chef. Much of her time is spent fantasising sexually about a boy she met the year before. Rukeyser’s descriptive prose is assured and elegant, and the story becomes increasingly tense, as Stu’s predatory behaviour towards the girls becomes apparent.

Mira’s adolescent yearning is well captured in this quirky, wry debut, said Siobhan Murphy in The Times . Rukeyser provides a “deftly juggled” mixture of merciless judgement and gentle compassion for her characters’ failings. There’s also plenty of comedy, said Cal Revely-Calder in The Sunday Telegraph, though the story becomes more “mature and melancholy” as it progresses. The Seaplane on Final Approach is about how “desire ruins everything”. And when the finale arrives, it is “catastrophic” – but it also provides “lengthy, gruesome fun”.

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“Few people outside the literary world” have heard of 41-year-old novelist Benjamin Wood, said Johanna Thomas-Corr in The Sunday Times . That’s a shame, because he’s “wonderful”. Already the author of “three richly layered novels”, he has now written a fourth, The Young Accomplice , which is “his most original yet”. Set in the 1950s, it centres on Arthur and Florence Mayhood, “childless architects in their 30s” who, inspired by Frank Lloyd Wright, dream of creating a communal-living project on their Surrey farm. To help them realise this ambition, they invite a pair of borstal leavers – brother and sister Charlie and Joyce Savigear – to live with them; unsurprisingly, things go wrong.

Compared with Wood’s previous novels, which blended “storytelling punch with literary sensibility”, this book at times feels muted, said John Self in The Times . Wood spends a lot of time in his characters’ heads; you wish for a bit more action. Still, there are compensations: the characters feel like “real people”, who you miss when they’re gone. This is a book that “digs its claws into you and sticks there”.

Viking 368pp £16.99; The Week Bookshop £13.99

Benjamin Markovits’s latest novel is a “compelling account of relative failure”, said Joseph Owen in Literary Review . Brian, the narrator, is a “big fat slow” Jewish kid from Austin, Texas, who becomes childhood friends with Marcus Hayes, his high school’s basketball star. Marcus is black, and from a broken home – for a while he lives with Brian’s family – but in adulthood, when Marcus becomes an “NBA superstar”, Brian is merely a “semi-successful” sportswriter. The novel convincingly portrays Brian’s “inhibited world-view”, which is “tainted by jealousy” of his friend. The result is a “bleak, amusing, ultimately absorbing read”.

This is a novel with the “topography of a classic American story”, said Stuart Evers in The Spectator : “sport as a metaphor for the fracture of the US; friendship as a microcosm of race relations”. It feels a little dated – a bit “male and white” – and the “detailed descriptions of basketball” could put some people off. In the final act, though, when Markovits unveils “his A-game”, the novel “ignites into something compelling and emotionally resonant”.

Faber 361pp £18.99; The Week Bookshop £14.99

In 2009, the novelist Julie Myerson found herself at the centre of a media storm after publishing a non-fiction account of her eldest son’s addiction to marijuana, said Hephzibah Anderson in The Observer . The episode, she has said, drove her to a “kind of breakdown”, and she has never directly addressed it in her writing. Except that now, in a way, she has. This, her 11th novel – entitled Nonfiction – is all about “teenage drug addiction”. The narrator is a once “happily married” writer, who is looking back on her attempts to save her heroin-addicted daughter “from self-destruction”. Given her own backstory, Myerson is risking a lot with such a novel – but “the results are nothing less than incandescent”.

The title is confusing, and deliberately so, said Alex Peake-Tomkinson in The Spectator . This is Myerson’s “squarest attempt so far at autobiographical fiction”. Yet in other ways, it seems a typical work: she has always explored “her worst fears in her novels”. Although I hope she will “look beyond her own life” in future, I found this a “satisfyingly propulsive” read.

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Maggie Shipstead’s “thrilling” historical epic, Great Circle , not only earned her a place on last year’s Booker shortlist, but also “proved a huge hit with readers”, said Lucy Scholes in the Financial Times . So it’s “savvy” of her publisher to bring out this collection of her short stories, written over the past 13 years. The tales vary widely in tone and setting – they transport us “from the catacombs of Paris, via an Olympic Village, to a guano island in the middle of the Pacific” – but taken together, they forcefully illustrate the “remarkable scope of Shipstead’s imagination and talent”.

While one or two of these stories seem a bit “too self-conscious”, most are superb, said Lizzy Harding in The New York Times . In the “sure standout”, “La Moretta”, a young couple’s honeymoon in Romania “transforms into folk horror à la The Wicker Man ”. Shipstead has an “unnerving ability to capture a character’s inner life in a few choice phrases”, said Stephanie Merritt in The Observer . “It’s a rare writer who can create a world as convincingly over a few pages as in a 600-page novel.”

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This “creepy coming-of-age tale” unfolds like a “darker version of Roald Dahl’s Matilda ”, except with “no Miss Honey coming to the rescue”, said Johanna Thomas-Corr in The Observer . Set in an “icy” Massachusetts town in the 1980s, it is narrated by Ruthie, an only child whose family is “on the edge of poverty”. Ruthie is an assiduous cataloguer of “everything she sees” – her mother’s lumpy body, her awkward dinners with richer school friends – but she doesn’t always understand the significance of what she sees. Marked by its “pitiless, minutely observed prose”, Very Cold People is a work that “will stay with me for a very long time”.

Manguso is especially good at evoking the “constraints and cruelties” of Ruthie’s home life, said Alexandra Jacobs in The New York Times . So successfully does she portray “boring old daily pain” that it almost seems redundant when “more dramatic plot-turns arrive” towards the end of the book. Very Cold People is at its best simply as a “compendium of the insults of a deprived childhood: a thousand cuts exquisitely observed and survived”.

Picador 208pp £14.99; The Week Bookshop £11.99

The Irish writer Louise Kennedy only began writing aged 47, but her rise has been meteoric, said Madeleine Feeny in The Spectator . The End of the World is a Cul de Sac, her debut short story collection, was “fought over” by nine publishers. And now, with this first novel, she has written what promises to be another hit. Plot-wise, Trespasses doesn’t break new ground, said Kevin Power in The Guardian: set near Belfast in 1975, it’s about a young Catholic primary school teacher who falls in love with a posh Protestant barrister. What distinguishes it is its “sense of utter conviction”. This is a story “told with such compulsive attention to the textures of its world that every page feels like a moral and intellectual event”.

Kennedy is a superbly visual writer, and her “idiomatic dialogue gives her prose real verve”, said Hephzibah Anderson in The Observer : the protagonist’s mother, catching sight of Helen Mirren on a chat show, describes her as a “dirty article”. Combining “unflinching authenticity” with a “flair for detail”, this is a “deftly calibrated” and ultimately “devastating” novel.

Bloomsbury 320pp £14.99; The Week Bookshop £11.99

Julian Barnes’s latest is that “old-fashioned thing, a novel of ideas”, said John Self in The Times . It is narrated by Neil, a former actor, but is really all about Elizabeth Finch, the “lecturer on a course on culture and civilisation that Neil took decades earlier”. Finch, who is “probably inspired” by Barnes’s friend, the late novelist Anita Brookner, is remembered as an inspirational teacher, someone “who obliged us – simply by example – to seek and find within ourselves a centre of seriousness”. Neil recalls their sort-of friendship – they occasionally met for lunch – and describes his quest, in the present day, to find out more about Finch in the wake of her death. Very much a “thinky” novel, Elizabeth Finch may be “rather less fun” than most of Barnes’s books, but it “offers plenty to chew on”.

“Part of the challenge of rendering a brilliantly inspirational teacher is making them sufficiently brilliant and inspirational,” said Sameer Rahim in The Daily Telegraph . Despite Neil’s insistence on Finch’s originality, “what she actually says tends to fall flat”. “She told me that love is all there is. It’s the only thing that matters,” a classmate of Neil recalls. The novel is further let down by its baffling middle section, which consists of Neil’s “stolid student essay” on the fourth century Roman emperor Julian the Apostate, whom Finch regarded as a kindred spirit, said Sam Byers in The Guardian .

It all adds up to a “work stubbornly determined to deny us its pleasures”. I disagree, said Peter Kemp in The Sunday Times . As a teacher, Finch “blazes with vividness”, and Neil’s essay is a “bravura exercise in nimbly handled erudition”. Elizabeth Finch “celebrates the cast of mind” – subtle, sceptical and ironic – that “Barnes most prizes”.

Jonathan Cape 192pp £16.99; The Week bookshop £13.99

Jennifer Egan’s new novel is a “sibling novel” to A Visit From the Goon Squad, her bestselling 2010 novel about rock music, “Gen-X nostalgia” and the “digitalisation of everything”, said Dwight Garner in The New York Times . Consisting of interrelated short stories which zigzag about in time, it resembles its predecessor in structure – and features many of the same characters. But at its centre is a new figure: the “Mark Zuckerberg-like” Bix Bouton, whose company, Mandala, has created an “implausible” device known as Own Your Unconscious, which lets users upload their own and other people’s memories, and “watch them all like movies”.

The sci-fi aspects of the book are neither new nor “particularly fully realised”, said Andrew Billen in The Times : memory uploads have been tackled better elsewhere. But this is essentially a book of short stories, and most of them are excellent and “brain-stretching”. What “really astounds is the visual brilliance of Egan’s writing across these disparate tales”. She won a Pulitzer for A Visit From the Goon Squad; I hope this book “wins another”.

Corsaid 352pp £20; The Week Bookshop £15.99

Ali Smith’s first novel since her “extraordinary Seasonal Quartet ” has a fitting title, said Alex Preston in The Observer , as it “springs from the same source as its predecessors”. Like them, it was “written and published swiftly”, to cram in recent events. It’s 2021, and Sandy, an artist, is “struggling through lockdown”. Her father is in hospital following a heart attack – and she “only has his dog for company”. Smith skilfully evokes the grim monotony of pandemic life, said Catherine Taylor in the FT – from the “regularity of testing” to “the exhaustion of medical staff”.

Much of the plot concerns Sandy’s “renewed acquaintance” with an old university friend Martina, who gets in touch to tell her about her recent interrogation by UK border police, said Philip Hensher in The Daily Telegraph . This leads to Sandy meeting Martina’s twin daughters, Eden and Lea, who are full of “millennial” rage and entitlement. Covering a “lot of contemporary ground”, Companion Piece offers an entertaining portrait of the “world we live in, by the most beguiling and likeable of novelistic intelligences”.

Hamish Hamilton 400pp £16.99; The Week Bookshop £13.99

Douglas Stuart’s debut, Shuggie Bain – the winner of the 2020 Booker Prize – was a “bleak autobiographical novel about a young boy caring for his alcoholic mother in 1980s Glasgow”, said Johanna Thomas-Corr in The Sunday Times . His follow-up is “cut from the same cloth”.

Fifteen-year-old Mungo lives with his mother and two older siblings in Glasgow’s East End. “His brother, Hamish, is a Faginesque Protestant gang leader; his sister, Jodie, is a do-gooding fallen angel; and their mother, Mo-Maw, is a woman ruined by alcohol.” As the novel opens, Mungo is shooed off by his mother on a fishing trip with two menacing strangers from her Alcoholics Anonymous group, who promise to teach him “masculine pursuits”.

Interspersed with this “gruesome excursion” are chapters set a few months earlier, detailing Mungo’s first love affair, with a Catholic neighbour called James. Although this “alternating timeline” feels forced at times, this is still a “richly abundant” work packed with fine writing and “colourful characters”.

It may be felt – with some justification – that Stuart has written the same book twice, said Nikhil Krishnan in The Daily Telegraph . Yet he “makes small differences count”. Because Mungo is older than Shuggie, he is able to see in his sexuality “not just a source of difference and alienation, but a possible route to escape and emancipation”. And Stuart widens his focus beyond family life, taking in the “Jets and Sharks world” of Glasgow’s sectarian politics.

Like its predecessor, this “bear hug of a new novel” has a “yeasty whiff of the autobiographical” about it, said Hillary Kelly in the Los Angeles Times . If you adored Shuggie Bain , this book “will please you on every page”.

Picador 400pp £16.99; The Week bookshop £13.99

Joseph Stalin “never spoke or wrote” about the two months he spent in London in the spring of 1907, attending the 5th Congress of the Russian Social Democratic Labour Party, said Alasdair Lees in The Daily Telegraph . Into this “psychological aperture” steps Stephan May, whose sixth novel is an “openly confected” retelling of those “few overlooked weeks”.

It begins with a 29-year-old Stalin – then known by his nickname, Koba – landing at Harwich, fresh from “a campaign of terror and banditry” in his native Georgia. In London, he stays in a dosshouse in Stepney, while better-off attendees – including Lenin – lodge in Bloomsbury. May’s Stalin is a “figure of fascinating contradictions” – an “idealist and a thug” – and the novel a “captivating thought experiment”.

Sadly, it often falls “disappointingly flat”, said Simon Baker in Literary Review . There are “samey descriptions” of London’s “awful” pubs, and May makes too much use of summary. Despite having the makings of an “exciting political thriller”, the novel isn’t convincing enough for May’s story to really grow.

Sandstone 288pp £8.99; The Week Bookshop £6.99

Anne Tyler virtually created the “family novel” genre, but has “strayed into more diverse territory recently”, said Melissa Katsoulis in The Times . Fans will be delighted by the 80-year-old’s 24th novel, which marks a return to type. Set, almost inevitably, in Baltimore, it’s a multi-generational saga spanning six decades, about a “comfortingly average” family. Mercy and Robin Garrett “enjoy a smoothly conventional life” running a hardware store and raising their three children. But theirs is a family in which “certain things must never be said”, and as the decades pass, this creates division. French Braid is “Tyler at her most Tyler-ish: pleasant and inoffensive, yet surprisingly deep and moving”.

Near its end, the novel does take an unexpected turn, said Anthony Cummins in The Observer . Its final chapters are set during Covid – a topic Tyler suggested she’d never write about. Typically, however, she emphasises not the pandemic’s harrowing side, but its “potential to occasion reunion and reconnection”. This book may fall short of her best work – but “at this point any Tyler book is a gift”.

Chatto & Windus 256pp £16.99; The Week Bookshop £13.99

This “eagerly awaited” debut is being hailed as “part of a wave of novels by young men of colour exploring race, romance and mental health problems”, said Johanna Thomas-Corr in The Sunday Times . Nur, a 25-year-old online journalist from Birmingham who regularly suffers panic attacks, has been with Yasmina for four years. But he has yet to tell his Pakistani parents about the relationship: Yasmina’s family is Sudanese, and Nur has never got over his “mother’s disgust when she saw him hanging out with a black girl at school”.

On the surface a “poignant romance” about the barriers standing in the way of two young lovers, Good Intentions gradually reveals itself to be a deeper novel – about how an obsession with vulnerability can “make you forget your responsibility to others”.

Ali’s characters are “well-drawn”, and “what a tonic” to have a book about race in Britain set outside the capital, said Siobhan Murphy in The Times . Unfortunately, though, the unnecessarily complex structure necessitates a lot of darting “between points on the timeline” – and this, alas makes the novel rather “confusing”.

4th Estate 352pp £14.99; The Week Bookshop £11.99

Jessamine Chan’s “crafty and spellbinding” debut is set in a terrifyingly plausible dystopian America, said Molly Young in The New York Times . Frida Liu is a 39-year-old single mother with an 18-month-old daughter and a stressful job. One day, in a “spell of insomnia-induced irrationality”, she leaves her daughter unattended at home while running a work errand.

Neighbours hear the toddler crying, and alert the police. Frida is sentenced to a year in an “experimental rehab facility”, where women are moulded into better mothers by practising their parenting skills on AI dolls. The school continually berates Frida for her actions: her kisses, instructors tell her, “lack a fiery core of maternal love”.

It’s no surprise that this book has been “making waves” in the US, said Madeleine Feeny in The Daily Telegraph : “questions of how we define and evaluate motherhood pervade contemporary culture”. Beautifully lucid and elegantly written, this is a “must-read” novel, said India Knight in The Sunday Times – “a Handmaid’s Tale for the 21st century”.

Hutchinson Heinemann 336pp £12.99; The Week Bookshop £9.99

The Canadian writer Sheila Heti’s latest is “an original”, said Anne Enright in The Guardian . It’s a short novel about grief in which plot often gives way to “mystical” digressions that are “earnest, funny and sweet” – “a bit mad”, but in a good way.

Mira, a solitary woman in midlife, falls in love with Annie, a fellow student at their school for art criticism. Then Mira’s father dies, and his spirit joins her own inside a leaf, where they converse about “art, God, love and the transmigration of souls”, before Mira returns to “the pursuit of love”, her faith in “family and tradition” strengthened.

Billed as “a philosopher of modern experience”, Heti is known for her auto-fictional novels such as How Should a Person Be? (2010). Pure Colour is more like a fable, said Mia Levitin in the FT , in which God is an artist, and this world is his “first draft”, now “heating up in advance of its destruction”. Sadly, the book’s “meditations on grief” left me cold, and I found the prose “clunky” and “perilously close to kitsch”, with a naive, fairy-tale quality ill-suited to a story about middle age.

Harvill Secker 224pp £16.99; The Week Bookshop £13.99

Back in the 1970s and 1980s, Edmund White’s novels “forever enlarged what gay writing might do”, said Neil Bartlett in The Guardian . His latest book – “his 30th, by my count” – is an “elegant, filthy” work that “crackles with a heartfelt insistence that the old and hungry” still have much to tell us about “the dynamics of sex”.

In the year 2050, a married couple in a remote Swiss chalet decide to entertain each other by recounting their “previous sexual careers”. Constance, in her early 30s, is an “African-American orphan”, while Ruggero, her husband, is an elderly bisexual Sicilian aristocrat who is “legendarily well-connected (not to mention well hung)”.

As you’d expect, this novel is “elegantly written”, and contains many “arresting images”, said Peter Parker in The Spectator – but it’s fairly “preposterous”. The leap forward in time is merely a device allowing Ruggero to reminisce about his affair 30 years earlier with the now-forgotten writer Edmund White, then old and infirm: a “fat, famous slug”, he calls him. It is, however, all very entertaining.

Bloomsbury 288pp £18.99; The Week Bookshop £14.99

Unsure what to do after graduating, Matt Knott alighted on tutoring as an “easy way to make money”, said Georgia Beaufort in The Daily Telegraph . He duly joined an agency that specialised in finding “study buddies” for the children of the super-rich. With his “Cambridge degree and his floppy hair”, Knott proved a big success – and in this “very funny memoir”, he recounts his three years in the job.

His first assignment was in a house in Mayfair, where each day he sat in a “holding pool” of tutors waiting to see if he’d be picked to help a five-year-old with his homework. Other families were considerably friendlier: half servant, half family member, Knott accompanied his charges on various exotic holidays.

This amusing book sheds light on a ridiculous world of “butlers in very tight trousers” and “helicopter trips from Tuscan villas to smart restaurants in Rome”, said Roland White in the Daily Mail . In this milieu, five-year-olds eat lobster tempura for supper, and “PJs” stands for private jets instead of pyjamas. With his pleasing turn of phrase (these days he works as a screenwriter), Knott is a witty, observant guide.

Trapeze 336pp £16.99; The Week Bookshop £13.99

Gary Shteyngart’s fifth novel is set during the far-off-seeming “early days” of the Covid pandemic, said Claire Lowdon in The Sunday Times . Sasha Senderovsky, a successful Russian-born US novelist (like his creator), has retreated to his large house in upstate New York, accompanied by a group of friends. Their plan is to ride out lockdown together but, predictably, things go wrong.

Various housemates fall out with one another; “plenty of partner-swapping” occurs. If the basic conceit owes a lot to Chekhov, the novel’s boisterous, madcap comedy owes at least as much to A Midsummer Night’s Dream . Shteyngart has brilliantly captured the “almost maniacal aliveness” of the early pandemic. If anyone writes a funnier lockdown novel, “I will eat my face mask”.

There’s so much going on in this somewhat “messy” novel that at times it’s exhausting to read, said John Self in The Times . A “little more stillness” would have been welcome. Still, it exhibits Shteyngart’s trademark “feverish energy” – and the result is “often funny” and “sometimes moving”.

Allen & Unwin 336pp £14.99; The Week Bookshop £11.99

“Michelle de Kretser’s slyly intelligent sixth novel pairs two first-person narratives,” said Anthony Cummins in The Observer . One is set in “dystopian near-future Melbourne” and follows Lyle, an immigrant who works for a sinister government agency created to deport immigrants. The other is set in 1981, and follows Lili, a 22-year-old Australian, during a carefree sojourn in the south of France. The link between the two narratives is mysterious – and even the order you read them in is “up to you”, on account of the book’s “reversible, Kindle-defying two-way design”.

The publisher has been “fastidious” in cooperating with de Kretser’s conceit, said Sam Leith in The Daily Telegraph : there are two front covers, two copyright pages, two sets of acknowledgements, and so on. “It’s sort of magnificent, and it’s also sort of gimmicky” – and it left me unsure if I was actually reading a novel, or simply two novellas yoked together. Perhaps, though, it doesn’t really matter. Filled with “apt quick literary brushstrokes and the gleam of humour”, both halves are equally “terrific”.

Allen & Unwin 320pp £14.99; The Week Bookshop £11.99

Tessa Hadley is justly lauded for “elevating the domestic novel to literary fiction” in her stories about the “shifting geometries” of middle-class families, said Mia Levitin in the FT . Free Love , her eighth novel, “adds a Sixties twist to Anna Karenina ”. Set in 1967, it centres on 40-year-old Phyllis Fischer, a well-off suburban housewife married to Roger, a senior civil servant. One summer night, twenty-something Nicky – the son of a family friend – comes to supper. He and Phyllis steal an “illicit kiss” – and embark on an affair. Leaving home without a forwarding address, Phyllis swaps her cosy life with Roger for “then-bohemian Ladbroke Grove” (where Nicky occupies a squalid bedsit). Hadley’s style is as “sumptuous” as ever, and her characterisations are superb. While this isn’t perhaps her best novel, its publication is a “cause for celebration”.

Hadley has been criticised for the “narrowness of her social concerns – her incorrigible preoccupation with Cecilias, Harriets and Rolands”, said James Marriott in The Times . So it’s gratifying that in this “beautiful and exciting” novel, she contrasts the bourgeois world with the “supremely undomesticated” 1960s counterculture.

Yet there’s a problem, said Johanna Thomas-Corr in The Sunday Times : Hadley is far more at home among herbaceous borders than in the “pot-smoking” milieu of Nicky and his friends. Her depictions of the Swinging Sixties rarely rise above cliché – and “when she tries to capture the life of a black nurse whom Phyllis befriends, the writing becomes laboured”. You sense Hadley “itching to get back to the bourgeois suburbs” – and as this disappointing novel progressed, I wished I was back there with her.

Jonathan Cape 320pp £16.99; The Week Bookshop £13.99

Sarah Moss’s 2009 debut novel, Cold Earth , imagined an out-of-control virus, said Hephzibah Anderson in The Observer . She returns to similar terrain with her latest novel – only this time with less need for invention. Set in November 2020, The Fell centres on Kate, a forty-something single mum, who “finally snaps” during a two-week quarantine period, and goes for a solitary walk in the Peak District. It’s “destined to be an ill-fated expedition”: the night draws in, Kate doesn’t return – and her absence is noticed by her teenage son Matt. With its vivid sense of “accumulating dread”, this is an “intense time capsule of a tale”.

Moss moves “gracefully” between various perspectives, said Sarah Ditum in The Times : that of Alice, an elderly neighbour; and Rob, a member of the mountain rescue team. Elegantly written and concise, The Fell is a “close-to-perfect” novel. Even though Moss has said it was written fast, the prose here feels “precision-tooled”, said Roger Cox in The Scotsman . Remarkably, in only 180 pages, she has captured “all of lockdown life”.

Picador 180pp £14.99; The Week Bookshop £11.99

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• Reminders of Him by Colleen Hoover
• The Paris Apartment by Lucy Foley
• The Maid by Nita Prose
• Book Lovers by Emily Henry
• House of Sky and Breath by Sarah J. Maas
• A Flicker in the Dark by Stacy Willingham
• Hook, Line, and Sinker by Tessa Bailey
• Book of Night by Holly Black
• The Book of Cold Cases by Simone St. James
• One Italian Summer by Rebecca Serle
• Black Cake by Charmaine Wilkerson
• Daughter of the Moon Goddess by Sue Lynn Tan
• The War of Two Queens by Jennifer L. Armentrout
• Gallant by V.E. Schwab
• Sea of Tranquility by Emily St. John Mandel
• The School for Good Mothers by Jessamine Chan
• The Golden Couple by Greer Hendricks and Sarah Pekkanen
• To Paradise by Hanya Yanagihara
• Violeta by Isabel Allende
• Reckless Girls by Rachel Hawkins
• The Cartographers by Peng Shepherd
• The Christie Affair by Nina de Gramont

The 22 best books published in 2022 so far, according to Goodreads

When you buy through our links, Business Insider may earn an affiliate commission. Learn more

• Reviewers have already found some of their favorite new books released this year.
• We turned to Goodreads reviewers to rank the most popular books of 2022 so far.
• For more books, check out the most anticipated new books of 2022.

Although there are quite literally hundreds of books on my "to-be-read" list, I can't help but gravitate towards the latest releases that fellow readers are already predicting to be the best books of the year. Whether it's a new work from a favorite author or debuts that have been picked up by celebrity book clubs, readers are already finding their favorites of 2022 so far. 

To make this list, we looked at the most popular books on Goodreads . Goodreads is the world's largest online platform for readers to rate, review, and recommend their favorite books to friends and the community. All of these recommendations have been published in 2022 and are ranked by how often they've been added to readers' "Want To Read" shelves. 

Whether you're looking for a great new read to kick off your upcoming vacation or relax with in the morning, here are the 22 most popular books of 2022 so far.

The 22 best books of 2022 so far, according to Goodreads:

"reminders of him" by colleen hoover.

"Reminders of Him" by Colleen Hoover, available at Amazon and Bookshop , from $12.22

In Colleen Hoover's latest fan-favorite novel, Kenna Rowan is looking to prove herself so she can reunite with her four-year-old daughter, having just been released from her five-year prison sentence. Shut out by nearly everyone in her and her daughter's life, Kenna connects with Ledger Ward, a local bar owner, but as the romance between the two grows, Kenna risks everything to absolve her past and create a new future. You can find more of Colleen Hoover's most popular books here .

"The Paris Apartment" by Lucy Foley

"The Paris Apartment" by Lucy Foley, available on Amazon and Bookshop , from $18.16

When Jess is in need of a fresh start, she reaches out to her half-brother, Ben, to stay with him for a bit in his Paris apartment. Ben didn't seem thrilled about the arrangement, but when Jess arrives to find a shockingly stunning apartment, she finds that he is nowhere to be found. As this gripping thriller unfolds, Jess begins to look into Ben's strange and unfriendly neighbors, each of whom is a suspect with a secret. 

"The Maid" by Nita Prose

"The Maid" by Nita Prose, available on Amazon and Bookshop , from $16.90

"The Maid" is about Molly Gray, a 25-year-old hotel maid who is left struggling to fend for herself socially after her grandmother's passing. When Molly discovers Charles Black dead in a terribly ravished hotel room, the police immediately target her as a lead suspect until her friends step in to prove her innocence in this exciting thriller that's described as a "Clue"-like, locked-room mystery.

"Book Lovers" by Emily Henry

"Book Lovers" by Emily Henry, available on Amazon and Bookshop , from $12.96

Emily Henry's "Beach Read" and "People We Meet on Vacation" have already captured countless readers' hearts, so it's no surprise her latest release has already done the same. "Book Lovers" stars Nora Stephens, a literary agent whose love life is anything but a romance novel. When Nora's sister plans a trip for the two of them to a picture-perfect little town with a list of "to-do"s to live out the plot of a romance novel all their own, Nora finds herself not with a storybook prince, but a brooding editor from the city with whom she's had plenty of terrible run-ins in the past. 

"House of Sky and Breath" by Sarah J. Maas

"House of Sky and Breath" by Sarah J. Maas, available on Amazon and Bookshop , from $ 17.74

After saving Crescent City, Bryce Quinlan and Hunt Athalar are ready to slow down and find some normalcy once again, but as the ruler's threat grows, the two are slowly pulled into the rebel's plans. "House of Sky and Breath" is the sequel to "House of Earth and Blood" , a fan-favorite fantasy/romance featuring demons, angels, and fae.

"A Flicker in the Dark" by Stacy Willingham

A Flicker in the Dark by Stacy Willingham, available on Amazon and Bookshop , from $17.29

One of readers' favorite new thrillers this year is "A Flicker in the Dark," which follows Chloe Davis 20 years after her father's arrest for the serial murder of six teenage girls in her small town. As Chloe prepares for her wedding, teenage girls begin to go missing once again and Chloe isn't sure if she's just paranoid or nearing a killer for the second time in her life. 

"Hook, Line, and Sinker" by Tessa Bailey

"Hook, Line, and Sinker" by Tessa Bailey, available on Amazon and Bookshop , from $12.38

Fox Thornton has a reputation as a flirt but his new roommate, Hannah, seems entirely impervious to his flirtatious ways and insists they'll just be friends. In town for work, Hannah has her eye on a coworker and asks for Fox's help. But as they spend more time together, she can't help but fall for him as he tries to prove that he wants more with Hannah than just a short fling.

"Book of Night" by Holly Black

"Book of Night" by Holly Black, available on Amazon and Bookshop , from $17.76

Holly Black has written incredible fantasy young adult novels but makes her adult debut with "Book of Night," an urban fantasy that became a 2022 favorite before it was even published. Charlie Hall is trying to lay low in her shadowy, magical world when a figure from her past returns and thrusts her into a chaotic spin of murder, secrets, magic, and a fight for survival. 

"The Book of Cold Cases" by Simone St. James

"The Book of Cold Cases" by Simone St. James, available on Amazon and Bookshop , from $20.49

Shea Collins runs a popular true-crime website, a passion ignited after she was almost abducted as a child. When she runs into Beth Greer, an infamous suspect in an unsolved double homicide from 40 years prior, Shea asks for an interview, meeting Beth regularly at her alluring but uncomfortable mansion. As Shea and Beth grow closer, Shea's unease refuses to subside in this suspenseful thriller, perfect for those who love true crime.

"One Italian Summer" by Rebecca Serle

"One Italian Summer" by Rebecca Serle, available on Amazon and Bookshop , from $16.08

Just before their once-in-a-lifetime trip to Positano, Katy's mother tragically passes away, leaving Katy reeling and facing their adventure alone. Katy decides to take the trip anyway and as she walks the cliffsides of the Amalfi Coast, she magically sees her mother at 30 years old. Over the course of a beautiful summer, Katy gets to know her mother, her history, and her memories in a way she never could have imagined. 

"Black Cake" by Charmaine Wilkerson

"Black Cake" by Charmaine Wilkerson, available on Amazon and Bookshop , from $17.81

In the wake of their mother's passing, Byron and Benny are left with a voice recording and the family recipe for a traditional Caribbean black cake. As their mother's story unfolds, the siblings are set off on a journey of family history, inheritance, and relationships that reshapes their understanding of their mother, their family, and themselves. 

"Daughter of the Moon Goddess" by Sue Lynn Tan

"Daughter of the Moon Goddess" by Sue Lynn Tan, available on Amazon and Bookshop , from $23.49

"Daughter of the Moon Goddess" is a new young adult fantasy novel inspired by the legend of Chang'e, the Chinese moon goddess. Xingyin has grown up on the moon, hidden from the Celestial Emperor, but when her magic is discovered, she's forced to leave her mother and her home behind and embark on a legendary but dangerous journey to save her mother and the realm.

"The War of Two Queens" by Jennifer L. Armentrout

"The War of Two Queens" by Jennifer L. Armentrout, available on Amazon and Bookshop , from $18.87

Loved for its strong main characters, fast-paced action, and intense romances, Jennifer L. Armentrout's "Blood and Ash" series' latest book continues as Poppy determinedly sets out to destroy the Blood Crown and create a future where both kingdoms can rule in peace. Together, Poppy and Casteel know that there is far more than a war to face as they uncover what began eons ago.

"Gallant" by V.E. Schwab

"Gallant" by V.E. Schwab, available on Amazon and Bookshop , from $14.95

Olivia Prior has spent much of her young life at Merilance School for girls until the day she receives a letter inviting her home to Gallant, a large, strange family house. When Olivia crosses a ruined wall at the home at just the right moment, she finds herself in a crumbling and mysterious version of Gallant and searches for the secrets her family has held for generations. 

"Sea of Tranquility" by Emily St. John Mandel

"Sea of Tranquility" by Emily St. John Mandel, available on Amazon and Bookshop , from $16.25

In a propulsive novel that spans from 1912 Vancouver Island to a futuristic colony on the moon, Emily St. John Mandel's latest work follows three main characters through time and space as their lives are upended around various events. As Edwin St. Andrew crosses the Atlantic and arrives in the Canadian wilderness, Olive Llewellyn writes a pandemic novel during a pandemic, and detective Gaspery-Jacques Roberts investigates their strange stories, along with one of a childhood friend, their metaphysical and intertwining lives create an enchanting science fiction read. 

"The School for Good Mothers" by Jessamine Chan

"The School for Good Mothers" by Jessamine Chan, available on Amazon and Bookshop , from $18.19

Frida is struggling in nearly all aspects of her life when everything suddenly takes a turn for the worst when a lapse in judgment lands her in the hands of government officials who will determine if she must go to an institution that will measure her success and devotion as a mother. In this dystopian sci-fi novel, Frida must prove that she meets the standards of being a good mother or risk losing her daughter.

"The Golden Couple" by Greer Hendricks and Sarah Pekkanen

"The Golden Couple" by Greer Hendricks and Sarah Pekkanen, available on Amazon and Bookshop , from $17.68

From bestselling author duo Greer Hendricks and Sarah Pekkanen comes a new, twisty domestic thriller about successful therapist Avery Chambers who lost her license because of her controversial methods. When Marissa and Mathew Bishop turn to Avery after Marissa's infidelity threatened to end their marriage, this suspenseful novel takes off on a collision course of dangerous secrets. 

"To Paradise" by Hanya Yanagihara

"To Paradise" by Hanya Yanagihara, available on Amazon and Bookshop , from $20.01

"To Paradise" spans three centuries and three versions of the American experiment: 1893, where New York is part of the Free States; 1993 Manhattan in the height of the AIDS epidemic; and 2093, in a society torn apart by plagues and totalitarian rule. In each of these sections, family, lovers, and strangers are torn apart and come together over what makes us uniquely human in a new, powerful piece of literary fiction by the same author of "A Little Life."

"Violeta" by Isabel Allende

"Violeta" by Isabel Allende, available on Amazon and Bookshop , from $22.84

"Violeta" is a sweeping, century-spanning novel about a woman, born in 1920 to a family full of sons, whose life is continuously marked by historical events, crises, and life-changing love. Told in the form of a letter, Violeta recounts her early years in South America through decades of joy and loss and across a lifetime of emotional and inspiring events. 

"Reckless Girls" by Rachel Hawkins

"Reckless Girls" by Rachel Hawkins, available on Amazon and Bookshop , from $22.49

Set on an isolated Pacific island, this new thriller takes off with Lux, her boyfriend, Nico, and the two women who hired them to sail to Meroe Island, despite its eerie history of shipwrecks, cannibalism, and murder. When the four meet another couple on the island, they settle into a relaxing rhythm until a single stranger arrives and throws off the group's balance, uncovering cracks in their seemingly-perfect dynamics. 

"The Cartographers" by Peng Shepherd

"The Cartographers" by Peng Shepherd, available on Amazon and Bookshop , from $23.93

When Nell Young's legendary cartographer father is found dead in his office with a seemingly worthless map, her investigation reveals its incredibly valuable and rare nature, as well as the plot of a mysterious collector, determined to destroy every last copy. In this fantastical upcoming thriller, Nell's subsequent and remarkably dangerous journey reveals her family's darkest secrets and the power of the map. 

"The Christie Affair" by Nina de Gramont

"The Christie Affair" by Nina de Gramont, available on Amazon and Bookshop , from $17.33

"The Christie Affair" is a fascinating historical fiction account of the real-life 11-day disappearance of Agatha Christie. Told from Miss Nan O'Dea's point of view, Agatha's husband's mistress, this novel transports readers to 1925 London as Nan slowly lures Archie away from his wife, Agatha simply disappears, and one of the greatest manhunts of all time ensues.

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The Best Books of 2022—According to Real Simple Editors

Including some memoirs, some thrillers, some debuts, and the long-awaited return of some acclaimed authors.

Ted Cavanaugh

If you're looking for a good book to curl up with, to create a lively conversation for your book club, or just a relaxing beach read for your next getaway, these great new books for 2022 will keep you page-turning well past bedtime. Check back every month for a new set of recommendations from the Real Simple editors to add to your to-read list.

Anywhere You Run

COURTESY OF PUBLISHER

Anywhere You Run by Wanda M. Morris is the rare heart-pounding thriller that’s also deeply moving. In the summer of 1964, 20-something sisters Violet and Marigold leave their hometown in Jim Crow Mississippi to escape very different troubles: One is suspected of murder; the other is unmarried and pregnant. Neither realizes there’s a man who’s after them both, and their wrenching journey toward a new life will leave you breathless.

We All Want Impossible Things

Ashley and Edith, both in their 40s, have been inseparable best friends since childhood, and now Edith is dying of ovarian cancer. In author Catherine Newman’s expert hands, We All Want Impossible Things is an extraordinary ode to friendship—warm, sometimes outrageously funny, and as real as it gets. It celebrates the gift of long-term bonds without shying away from the pain of losing someone you can’t imagine life without.

Demon Copperhead

The title character in Barbara Kingsolver’s new novel, Demon Copperhead, is a fire-cracker of a young man born to a single mother deep in the mountains of southern Appalachia. You’ll be enthralled by his voice, simultaneously hilarious and wise, as he illuminates life in rural America. Inspired by Charles Dickens’s David Copperfield, this is the ideal late-fall read to sink your teeth into.

Fatty Fatty Boom Boom: A Memoir of Food, Fat, and Family

Rabia Chaudry, author of the bestselling Adnan’s Story and cohost of the podcast Undisclosed, explore show her Pakistani roots and American upbringing collided and contributed to her body image and sense of self in Fatty Fatty Boom Boom: A Memoir of Food, Fat, and Family. This triumphant tale celebrates loving yourself and eat-ing good food (it even includes recipes!).

Signal Fires

Dani Shapiro’s gorgeous new novel, Signal Fires, begins in 1985 in a quiet suburb, where three teenagers get into a drunk-driving accident. The two Wilf siblings survive, but the event forever haunts their family. Years later, the Shenkmans move in across the street and have a child, who forms a bond with the Wilf father. The families’ lives intertwine in poignant ways, showing how relationships—between siblings, parents and children, spouses, even neighbors—change over time. Have your tissues ready.

Best of Friends

The new novel by Home Fire author Kamila Shamsie opens at a school in Pakistan, where Zahra and Maryam are adolescent girls who have a warm and easy friendship despite the gap in their families’ means. The story gets unputdownable when they grow up to become successful women in London and are forced to reckon with an event from their past. With lots to say about loyalty and how relationships change over time, Best of Friends is great fodder for book club conversations.

When New Yorker staff writer Hua Hsu, a child of Taiwanese immigrants, was going to college in the Bay Area in the ’90s, he viewed Ken, a Japanese American, as someone whose tastes (Dave Matthews Band, Abercrombie & Fitch) ran a bit too mainstream. But the two found comfort in each other, until Ken was killed in a carjacking. Gut-wrenching and beautifully written, Stay True is an unforgettable story about grief, identity, and the indelible mark a friendship can leave on our lives.

The Frederick Sisters Are Living the Dream

In The Frederick Sisters Are Living the Dream by Jeannie Zusy, a funny and insightful story about caregiving, Maggie is an illustrator who’s separated from her husband and raising two teenage sons. After Ginny, her older sister with intellectual disabilities, has an accident, Maggie must move Ginny from Maryland to her small town in New York and juggle her sister’s needs as well, which range from the serious (diabetes) to the less so (her love of online shopping).

Jacqueline in Paris

In Jacqueline in Paris, Ann Mah brilliantly imagines what life was like in 1949 for a college student named Jacqueline Bouvier as she embarked on her junior year abroad. The alluring descriptions of postwar Paris (the food, the scenery) will make you want to hop on a plane, and the compelling storyline, set amid the rise of the Communist movement in France, is made even more thrilling by the fact that we know where this particular woman is headed.

Less Is Lost

Andrew Sean Greer’s novel Less won a Pulitzer Prize in 2018. In this follow-up, Arthur Less is traveling across the U.S., pursuing writing work to recover from a financial crisis. The clever story that unfolds is a hilarious and touching take on modern life in America, making Less Is Lost a cathartic book for anyone who’s ever questioned their path—in other words, all of us.

If I Survive You

In these connected short stories, author Jonathan Escoffery follows a Jamaican family from the 1970s, when they settle in Miami after fleeing political upheaval in their home country, to the modern day. Both outrageously funny and a piercing look at life in America, If I Survive You is the kind of book you’ll think about long after you finish it.

The Family Remains

Even if you haven’t read Lisa Jewell’s mega hit The Family Upstairs, you’ll love her stand-alone sequel, The Family Remains. A thrilling cast of characters’ lives collide in ways you won’t see coming. Set in London, Chicago, and France, this intricate page-turner about secrets, family loyalty, and revenge is the perfect end-of-summer novel.

Other Birds

Zoey Hennessey arrives on Mallow Island, off the coast of South Carolina, to claim her deceased mom’s apartment. Her new home is in the Dellawisp, an old building named for magical birds, where the quirky tenants include estranged sisters, a girl on the run...and ghosts. Other Birds by Sarah Addison Allen is whimsical, wise, and delightfully mysterious.

How Not to Drown in a Glass of Water

How Not to Drown in a Glass of Water by Angie Cruz is about a woman who’s been tossed around by life but refuses to surrender. Cara Romero is in her mid-50s when she loses her job and has to find work for the first time in decades. Told through Cara’s sessions with a job counselor, this relatable story shows what true resilience looks like.

The Many Daughters of Afong Moy

In The Many Daughters of Afong Moy by Jamie Ford, Dorothy Moy is a Seattle poet with depression.When her 5-year-old shows familiar symptoms, Dorothy tries an experimental therapy: connecting, via memory, with past generations of women in her family. Her experiences raise a fascinating question: Do we inherit trauma from our ancestors?

The Fortunes of Jaded Women

The Duong sisters have been cursed to live without love, happiness—or sons. The bad luck seems to extend to one sister’s adult daughters, so she consults her psychic for help. What happens next might finally bring this over-the-top family together. The Fortunes of Jaded Women by Carolyn Huynh is hilarious and heartwarming.

On the Rooftop

Sisters Ruth, Esther, and Chloe make up the Salvations, a 1950s girl group who are local stars in gentrifying San Francisco. When they get close to the big break their mother has pushed for, there’s a problem: Mom’s dream is no longer theirs. On the Rooftop by Margaret Wilkerson Sexton is a powerful drama set during a pivotal moment in U.S. history.

People Person

In People Person, Candice Carty-Williams’s second adult novel after the best-selling Queenie, Dimple Pennington is a lonely, 30-year-old struggling influencer. A crisis forces her to reconnect with her four half-siblings and their absentee dad, leading to a witty and tender portrayal of how our childhoods affect how we relate to our family as adults.

The Marriage Portrait

Maggie O’Farrell’s The Marriage Portrait brings to life Lucrezia de’ Medici, a free-spirited young duchess in 1550s Florence. She’s thrust into a marriage when the groom’s intended bride, her older sister, dies suddenly. Her survival depends on whether she produces an heir. This is a riveting tale about one woman’s fight for autonomy.

Any Other Family

In Eleanor Brown's Any Other Family , four biological siblings are adopted by three sets of parents—two couples and one single mother—who are committed to keeping the kids in each other's lives. But this well-intentioned agreement proves difficult in practice, especially when the children's biological mother announces she's pregnant again. A tearjerker that nails the issues of fertility, adoption, and raising kids, this is a conversation starter about parenthood you don't want to miss.

Cult Classic

Imagine: You're at a reunion dinner with former coworkers when you excuse yourself to buy a pack of cigarettes. As you walk back to the restaurant, you run into a former boyfriend, and then another, and then another. That's what happens to Lola in Sloane Crosley's Cult Classic . Clearly something is up, and it's not mere coincidence. This wildly entertaining, hilarious, genre-defying, sci-fi-esque novel about dating and relationships is guaranteed to be unlike anything you've read before.

Nora Goes Off Script

Nora Hamilton writes movies for a romance channel, and her newest script—based on her own failed marriage—is picked up by Hollywood and being filmed in the farmhouse she shares with her two kids. When the movie's leading man offers her $1,000 a day to stay for a week after shooting wraps so he can decompress, the real drama starts. Nora Goes Off Script by Annabel Monaghan is funny and smart, with a Nancy Meyers–movie quality you'll love and a main character you'll want to befriend. This is the perfect easy-breezy, feel-good read.

Fellowship Point

Set in idyllic coastal Maine, Alice Elliott Dark's Fellowship Point is the sweeping story of Agnes Lee and Polly Wister, longtime best friends who've made very different choices in life: One is a children's book author; the other is a wealthy wife and stay-at-home mom. When Agnes becomes deter-mined to have a piece of land in their community permanently protected, Polly could stand in her way. What follows is an engrossing, relatable tale about female friendship and the growing pains of long relationships.

More Than You'll Ever Know

In 1985, Lore Rivera is an international banker whose double life—split between Mexico City and Laredo, Texas— comes to a halt when one of her two husbands murders the other. In 2017, Cassie Bowman is a true-crime writer who becomes dangerously fixated on with Lore's story, and the questions multiply as she digs deeper. More Than You'll Ever Know by Katie Gutierrez is a something-for-everyone read (mystery! family drama! romance!) with two incredible, secret-keeping protagonists.

You Made a Fool of Death with Your Beauty

Feyi Adekola is trying to move on. After five years of mourning the love of her life, she embarks on a summer romance with a new friend, who whisks her away to the tropical island where he was raised. After they arrive, his father, a world- renowned chef, reignites a passion she thought was lost forever. You Made a Fool of Death with Your Beauty by Akwaeke Emezi is a steamy and sexy read (as in, shut the book if your kids walk into the room) that also has tremendous heart.

As a child, actor Selma Blair was known as a troublemaker, a reputation she carried into adulthood. In Mean Baby , her raw, beautifully written autobiography, Blair recounts her difficult road—involving an addiction to alcohol and a complicated relationship with her mother—and shares how her multiple sclerosis diagnosis four years ago was, in many ways, what ultimately saved her.

Tracy Flick Can't Win

In Tracy Flick Can't Win , Tom Perrotta revisits the main character in Election, his bestseller about an overachieving high school student, played to perky, type A perfection by Reese Witherspoon in 1999. This sequel, set in 2017, takes a sympathetic view of now middle-aged Tracy, an assistant principal and single mom, as she reconciles her past ambitions with her current dissatisfaction in life. Perrotta brings his trademark dark humor and insights into suburbia to the story, along with some sweet observations about friendship.

The Foundling

The Foundling by Ann Leary takes place in 1927, as 18-year-old Mary starts work at the Nettleton State Village for Feebleminded Women of Childbearing Age. When she recognizes one of the patients, a childhood friend raised in the same orphanage she was, Mary begins to wonder what's actually going on at the facility, and whether women are being held against their will. This eye-opening novel, based in part on Leary's family history, looks at the outrageous ways our society has sought to control women.

The Mutual Friend

Written by How I Met Your Mother cocreator Carter Bays, The Mutual Friend hopscotches across various characters' points of view: adrift, 28-year-old Alice; her wild roommate; her brother, a former tech CEO who became a monk; the nurse who served jury duty with him; even a robot and a canary. But it all comes back to Alice, who seriously needs to study for the MCAT to fulfill a promise to her late mother. Funny, sad, and deeply wise, this one-of-a-kind book will renew your faith in humanity—and make you really want to put down your phone.

Two Nights in Lisbon

In Two Nights in Lisbon by bestselling author Chris Pavone, bookstore owner Ariel Price has accompanied her new, younger husband on a business trip to Portugal for a quick romantic getaway. But after she wakes up in their hotel room one morning and he's nowhere to be found, she realizes how little she knows about the man she married. This smart and suspenseful thriller is the perfect escape to kick off your summer reading.

Easy Beauty

Pulitzer Prize finalist Chloé Cooper Jones was born with a rare condition called sacral agenesis, leaving her in chronic pain. In Easy Beauty , her globetrotting memoir that takes readers from bars in Brooklyn, New York, to a Beyoncé concert in Italy, she candidly describes what it's like to inhabit a body that does not fit our culture's standards of beauty. Her story will make you think hard about how you regard the physical appearance of both yourself and others.

Hello, Molly!

Molly Shannon's book opens with the event that would shape the Saturday Night Live alum's life: a car accident—with her father driving and 4-year-old Molly in the back—that killed her mother, younger sister, and cousin. What follows in Hello, Molly! is an incredible story of resilience (along with, of course, some laughs) showing how her upbringing influenced her remarkable career. Warm and openhearted, this one feels like a conversation. Consider getting the audiobook, read by the author herself.

The Evening Hero

The Evening Hero , the new novel by Marie Myung-Ok Lee, is about a Korean-born obstetrician facing his final years in the rural Minnesota town where he settled 50 years before. He's achieved the so-called American dream, but when his hospital is forced to close and he receives a letter that endangers all he's built, he has to reexamine his choices. This is a tender and shrewdly comic look at immigrant life, family, and how our past informs the future.

Take My Hand

It's 1973, and Civil Townsend has landed a nursing job at a family-planning clinic in Alabama. She travels to a rural cabin to meet her first patients, 11- and 13-year-old sisters she's supposed to inject with birth control, and learns that something sinister is afoot when it comes to how the local healthcare system treats poor, Black girls. Take My Hand by Dolen Perkins-Valdez is a riveting, based-on-true-events story about a heartbreaking chapter in our country's history.

The Candy House

The Candy House , what author Jennifer Egan calls a "sibling" to her Pulitzer Prize–winning A Visit from the Goon Squad , is unlike anything you've read. A rumination on our tech-dependent culture, it centers on a fictional new technology that allows users to access their every memory and share them in exchange for the memories of others. With multiple perspectives and styles (there's a chapter composed solely of tweets), this mind-bending novel is a wild ride.

Sea of Tranquility

Sea of Tranquility by Emily St. John Mandel is a deeply imaginative novel spanning 500 years. It begins in 1912 with a British teenager's exile to Canada, hop- scotches through the 2020 pandemic, and moves on to the future, where a famous author, who lives on a moon colony, is visiting Earth for a book tour. A mashup of sci-fi and historical fiction, this thought-provoking story powerfully examines where we've been and where we're going.

Lessons in Chemistry

Elizabeth Zott is a devoted chemist who wants to be taken seriously. But in 1960s California, her ambitions are routinely roadblocked by the men around her. Through a series of surprising (and entertaining) events, she becomes the star of America's most popular cooking show, where she sparks a revolution among her housewife viewers, motivating them to reassess their lives. Lessons in Chemistry by Bonnie Garmus is a bold, smart, and often hilarious look at the value of so-called women's work.

In Finding Me , Viola Davis writes with raw honesty about her Rhode Island childhood, which was marked by poverty and a difficult family situation, and her journey to become one of the most acclaimed actors in Hollywood today. This book is a testament to resilience, hard work, and the pow- er of owning your truth.

French Braid

Pulitzer Prize winner Anne Tyler's new novel, French Braid , proves once again that nobody can write about small family moments quite like she can. Her 24th novel focuses on the Garrett family from the 1950s to today, showing how each character's actions—the mother's pursuit of a painting career, a daughter's surprise pregnancy, a son's long absences—leave lasting marks on the others' lives.

The Cartographers

Nell Young's father, an acclaimed cartographer, sidelined her promising career in the field when they had a falling out over a worthless old highway map. When he turns up dead in his office and Nell discovers the very same map hidden among his things, she discovers that it may actually be quite coveted and valuable—dangerously so. The Cartographers by Peng Shepherd is a wildly entertaining, imaginative ride, with a cinematic plot that keeps the pages turning.

Karen Joy Fowler's Booth is about the family of John Wilkes Booth, Abraham Lincoln's assassin. This family drama (emphasis on the drama) is set in the Maryland wilderness, where Booth's parents and many siblings lived. An epic novel, it's both the story of an eccentric household and a historical saga, zooming in on the tumultuous life of each family member as the country catapults into civil war.

In Love: A Memoir of Love and Loss

Bestselling author Amy Bloom's In Love is the heartbreaking, intimate story of how she and her late husband, who was diagnosed with Alzheimer's, made the wrenching decision to end his life with the help of Dignitas, an assisted- dying nonprofit in Switzerland. From her point of view as caregiver and partner, Bloom writes candidly about the husband she adored, their transformative marriage, and the choices they made during an impossible time.

Tell Me Everything: The Story of a Private Investigation

Tell Me Everything: The Story of a Private Investigation is an engrossing memoir about how author Erika Krouse broke open the case of a college student who was attacked and raped by football players at a party. Reluctant to investigate the incident because of her own history of abuse, Krouse soon became deeply involved in the case, which eventually made national headlines. Her personal account reads like fascinating true crime, and the emotional ending makes this an unforgettable read.

When We Were Birds

The poetic prose in Ayanna Lloyd Banwo's debut novel captivates from the start, when Yejide is grappling with her dying mother's difficult legacy. In the cemetery, she meets Darwin, a gravedigger who's abandoned his Rastafarian upbringing for the sake of earning a living, and the two find hope and comfort in the least expected of places. When We Were Birds is a unique love story whose magical setting in Trinidad takes center stage.

Mercy Street

A Boston women's clinic is at the center of Mercy Street , the perceptive new novel by Jennifer Haigh. The story zooms in on the lives of every- day people in today's America—a counselor at the clinic, the pot dealer who helps remedy her anxiety, a loner whose only true community is online, an anti- abortion activist—and, in Haigh's expert hands, explores how we arrive at the beliefs we hold.

Notes on an Execution

Danya Kukafka's Notes on an Execution is an intense thriller that reads like a mash-up of Law & Order and a college psych class. The fictional story of Ansel Packer, a serial killer on death row, is given a brilliant twist—it focuses on the women he affected, ultimately asking why we're drawn to crime stories about violent men. Cleverly constructed and smart, this is the kind of book you finish with a big exhale.

Violeta , the latest novel by Isabel Allende, is the sweeping tale of Violeta Del Valle, a 100-year-old woman whose life is bookended by two pandemics: the Spanish flu and Covid-19. Her saga, written so vividly that it feels like an autobiography, is a testament to resilience and courage.

Don't Cry for Me

Don't Cry for Me by Daniel Black is a novel- in-letters told from the point of view of a Black father at the end of his life, writing to his gay son about how his own upbringing shaped his actions, for better or worse. This moving read, guaranteed to make you think about the older adults in your life, is an insightful peek into how the elderly might regard their place in a changing world.

Ursula Byrne is a successful, sharp New Yorker who learns about an exclusive matchmaking service that promises to find clients their perfect partner. Intrigued by the guarantee, she succumbs to the company's intricate "assessments." Funny and modern, The Arc by Tory Henwood Hoen is like a rom-com's cooler big sister. It's as much a satire as it is a romance, roasting our (perhaps misguided) reliance on high-tech solutions for matters of the heart.

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40 Most Anticipated Books of 2022

JAN. 11, 2022

by Xochitl Gonzalez

Atmospheric, intelligent, and well informed: an impressive debut. Full review >

by Chantal James

A mesmerizing story told by an impressive and captivating voice. Full review >

by Hanya Yanagihara

Gigantic, strange, exquisite, terrifying, and replete with mystery. Full review >

JAN. 25, 2022

by John Darnielle

An impressively meta work that delivers the pleasures of true-crime while skewering it. Full review >

FEB. 1, 2022

A powerful collection that demonstrates Fu’s range and skill. Full review >

FEB. 15, 2022

SCIENCE FICTION & FANTASY

by Marlon James

The second part of this trilogy is darker and, in many ways, more moving than its predecessor. Full review >

MARCH 8, 2022

by Karen Joy Fowler

The similarities to today are riveting and chilling. Full review >

APRIL 5, 2022

by Douglas Stuart

Romantic, terrifying, brutal, tender, and, in the end, sneakily hopeful. What a writer. Full review >

by Jennifer Egan

A thrilling, endlessly stimulating work that demands to be read and reread. Full review >

APRIL 26, 2022

by Michelle Huneven

Like the lamb shank at the cafeteria: tender, salty, and worthy of note. Full review >

by Mark Epstein

Empathetic and persuasive—one of the better books on psychotherapy and meditation in recent years. Full review >

JAN. 18, 2022

by Bernardine Evaristo

A beautiful ode to determination and daring and an intimate look at one of our finest writers. Full review >

by Kimberly Jones

Demanding better, Jones provides a wise, measured look at the economic and social landscape of America. Full review >

FEB. 8, 2022

by Chuck Klosterman

A fascinating examination of a period still remembered by most, refreshingly free of unnecessary mythmaking. Full review >

CURRENT EVENTS & SOCIAL ISSUES

by Jessie Singer

An eye-opening, urgent book that demands an end to inequality as a matter of life and death. Full review >

by Garrett M. Graff

Now the best and fullest account of the Watergate crisis, one unlikely to be surpassed anytime soon. Full review >

FEB. 22, 2022

BIOGRAPHY & MEMOIR

by Ian O'Connor

A sharpshooting account worthy of a champion. Full review >

MARCH 1, 2022

by Michael Kazin

This should be today’s go-to book on its subject. Full review >

by Meghan O'Rourke

Emotionally compelling and intellectually rich, particularly for those with a personal connection to the issue. Full review >

MARCH 22, 2022

by John Markoff

A sturdy, readable study of a fellow who’s had considerable press devoted to him—but who can still surprise. Full review >

TEENS & YOUNG ADULT

by Jason Reynolds ; illustrated by Jason Griffin

Artful, cathartic, and most needed. Full review >

by Leanne Hall

Hauntingly riveting. Full review >

by Akwaeke Emezi

A compact, urgent, and divine novel. Full review >

by Jean-Claude van Rijckeghem ; translated by Kristen Gehrman

Vivid and brutal—but not without a sliver of hope. Full review >

by Neal Bascomb

An impressive addition to the sports history catalog. Full review >

GRAPHIC NOVELS & COMICS

by Laura Gao ; illustrated by Laura Gao with Weiwei Xu

A nuanced representation of being Asian and transnational in the contemporary U.S. Full review >

by Anna-Marie McLemore

A beauty both bright and deep. Full review >

by Adib Khorram

An absolute bop; Khorram’s best yet. Full review >

MARCH 29, 2022

by Candace Fleming

Erudite, readable, and appalling. Full review >

by Chesil ; translated by Takami Nieda

Enigmatic and powerful. Full review >

CHILDREN'S

JAN. 4, 2022

by Virginia Zimmerman ; illustrated by Mary Newell DePalma

A timely nod to female empowerment that knits together generations of girls and women and raises a hat to activists... Full review >

by Joanna Ho ; illustrated by Dung Ho

A beautifully validating book that builds on the necessary work of its predecessor. Full review >

by Ruth Behar ; illustrated by Devon Holzwarth

A nostalgic glimpse at a little-known but rich culture within the broader Jewish American community. Full review >

by Aisha Saeed

A powerful tale about a preteen pushing back against systemic injustice. Full review >

by Julie Dunlap ; illustrated by Megan Elizabeth Baratta

A marvelous life survey of a perennially relevant historical figure. Full review >

by Traci Sorell ; illustrated by Madelyn Goodnight

A heartwarming picture book about the roles of courage, culture, and community in the journey of personal healing. Full review >

by NoNieqa Ramos ; illustrated by Paola Escobar

This bold manifesto of cultural awareness reaches out to awaken the sleepwalkers among us. Full review >

by Julia Kuo ; illustrated by Julia Kuo

A quiet book with a loud message about the everyday things that create constancy in a world of ephemeral pleasures. Full review >

by Kelly Barnhill

Combines realistic empathy with fantastical elements; as exquisite as it is moving. Full review >

APRIL 19, 2022

by Dorien Brouwers ; illustrated by Dorien Brouwers

An invitation to cultivate our wild selves and our inextricable bond with the natural world. Full review >

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The Best Reviewed Books of 2022: Fiction

Featuring jennifer egan, emily st. john mandel, ian mcewan, celeste ng, olga tokarczuk, and more.

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We’ve come to the end of another bountiful literary year, and for all of us review rabbits here at Book Marks, that can mean only one thing: basic math, and lots of it.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be calculating and revealing the most critically-acclaimed books of 2022, in the categories of (deep breath): Fiction; Nonfiction; Memoir and Biography; Sci-Fi, Fantasy, and Horror; Short Story Collections; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; and Literature in Translation.

Today’s installment: Fiction .

1. Sea of Tranquility by Emily St. John Mandel (Knopf) 28 Rave • 9 Positive • 3 Mixed • 1 Pan Read an interview with Emily St. John Mandel here

“In  Sea of Tranquility,  Mandel offers one of her finest novels and one of her most satisfying forays into the arena of speculative fiction yet, but it is her ability to convincingly inhabit the ordinary, and her ability to project a sustaining acknowledgment of beauty, that sets the novel apart. As in Ishiguro, this is not born of some cheap, made-for-television, faux-emotional gimmick or mechanism, but of empathy and hard-won understanding, beautifully built into language … It is that aspect of  Sea of Tranquility, Mandel’s finely rendered, characteristically understated descriptions of the old-growth forests her characters walk through, the domed moon colonies some of them call home, the robot-tended fields they gaze over or the whooshing airship liftoff sound they hear even in their dreams, that will, for this reader at least, linger longest.”

–Laird Hunt ( The New York Times Book Review )

2. The Candy House by Jennifer Egan (Scribner)

27 Rave • 13 Positive • 11 Mixed • 4 Pan Read an interview with Jennifer Egan here

“… a dizzying and dazzling work that should end up on many Best of the Year lists … The Candy House requires exquisite attentiveness and extensive effort from its readers. But the work and the investment pay off richly, as each strain and thread and character reverberates in a kind of amplifying echo-wave with all the others, and the overarching tapestry emerges as ever more intricate and brilliantly conceived. Enacting the book’s dominant metaphor, Egan is presenting a version of Collective Consciousness: the blending and extension of selfhood across shared experience and identity. One of the book’s most fascinating implications, less patent but pervasive, is how this alternative model of perception does and doesn’t undermine traditional notions of literary consciousness … As we follow the pebbles and crumbs Egan so cannily lays out, readers may feel at times as disoriented or wonderstruck as children making their way through a dark forest, at others electrifyingly clear-sighted, ecstatically certain of the novel’s wisdom, capacious philosophical range, truth and beauty. Charged with ‘a potency of ideas simmering,’ The Candy House is a marvel of a novel that testifies to the surpassing power of fiction to ‘roam with absolute freedom through the human collective.'”

–Pricilla Gilman ( The Boston Globe )

3. Checkout 19 by Claire-Louise Bennett (Riverhead)

26 Rave • 10 Positive • 1 Mixed

“ Pond is so unusual, and so unsettlingly pleasurable, that I thought it would be greedy to hope Bennett’s new novel, Checkout 19 , would be better. Lucky me: it is … Bennett is too committed to the oddity and specificity of her again-nameless narrator’s ideas to ever fall into the worn grooves of other people’s. Indeed, the novel is explicitly committed to the privacy of thought … Not many people are able to live this way; not many women or working-class characters get written this way. For the rooted among us, reading Checkout 19 can be utterly jarring. It is a portrait, like Pond; it’s also a call to come at least a little undone. Yes, really. It really is.”

–Lily Meyer ( NPR )

4. The Books of Jacob by Olga Tokarczuk, trans. by Jennifer Croft (Riverhead)

26 Rave • 9 Positive • 4 Mixed • 1 Pan

“ The Books of Jacob is finally available here in a wondrous English translation by Jennifer Croft, and it’s just as awe-inspiring as the Nobel judges claimed when they praised Tokarczuk for showing ‘the supreme capacity of the novel to represent a case almost beyond human understanding.’ In terms of its scope and ambition, The Books of Jacob is beyond anything else I’ve ever read. Even its voluminous subtitle is a witty expression of Tokarczuk’s irrepressible, omnivorous reach … The challenges here—for author and reader—are considerable. After all, Tokarczuk isn’t revising our understanding of Mozart or presenting a fresh take on Catherine the Great. She’s excavating a shadowy figure who’s almost entirely unknown today … As daunting as it sounds, The Books of Jacob is miraculously entertaining and consistently fascinating. Despite his best efforts, Frank never mastered alchemy, but Tokarczuk certainly has. Her light irony, delightfully conveyed by Croft’s translation, infuses many of the sections … The quality that makes The Books of Jacob so striking is its remarkable form. Tokarczuk has constructed her narrative as a collage of legends, letters, diary entries, rumors, hagiographies, political attacks and historical records … This is a story that grows simultaneously more detailed and more mysterious … Haunting and irresistible.”

–Ron Charles ( The Washington Post )

5. Young Mungo by Douglas Stuart (Grove)

27 Rave • 5 Positive • 3 Mixed • 1 Pan

“… moving … Stuart writes like an angel … masterful … if Stuart has not departed much from the scaffolding of his debut novel, he has managed to produce a story with a very different shape and pace … The raw poetry of Stuart’s prose is perfect to catch the open spirit of this handsome boy, with his strange facial tics … The way Stuart carves out this oasis amid a rising tide of homophobia infuses these scenes with almost unbearable poignancy … Stuart quickly proves himself an extraordinarily effective thriller writer. He’s capable of pulling the strings of suspense excruciatingly tight while still sensitively exploring the confused mind of this gentle adolescent trying to make sense of his sexuality … The result is a novel that moves toward two crises simultaneously: whatever happened with James in Glasgow and whatever might happen to Mungo in the Scottish wilds. The one is a foregone calamity we can only intuit; the other an approaching horror we can only dread. But even as Stuart draws these timelines together like a pair of scissors, he creates a little space for Mungo’s future, a little mercy for this buoyant young man.”

6. Lessons by Ian McEwan (Knopf)

23 Rave • 10 Positive • 4 Mixed • 3 Pan

“Nobody is better at writing about entropy, indignity and ejaculation—among other topics—than Ian McEwan … One of McEwan’s talents is to mingle the lovely with the nasty … McEwan can make a reader feel as though she has bent forward to sniff a rose and received instead the odor of old sewage … McEwan’s use of global events in his fiction tends to be judicious and revealing … These all serve as reminders that history is occurring. And maybe some readers do, in fact, require that reminder. But Roland is so passive that one gets the sense he’d be exactly the same guy in any other century, only with a different haircut … One way to read Lessons is as a self-repudiation of the maneuver at which McEwan has become virtuosic. More authors should repudiate their virtuosity. The results are exciting.”

–Molly Young ( The New York Times )

7. Either/Or by Elif Batuman (Penguin Press)

18 Rave • 12 Positive • 3 Mixed Read an interview with Elif Batuman here

“The book gallops along at a brisk pace, rich with cultural touchstones of the time, and one finishes hungry for more. I reread The Idiot before reading Either/Or and after almost 800 cumulative pages, I still wasn’t sated. Batuman possesses a rare ability to successfully flood the reader with granular facts, emotional vulnerability, dry humor, and a philosophical undercurrent without losing the reader in a sea of noise … What makes a life or story exceptional enough to create art? What art is exceptional, entertaining, and engaging enough to sustain nearly a thousand pages? Selin’s existential crisis within the collegiate crucible haunts every thoughtful reader … The novel stands on its own as a rich exploration of life’s aesthetic and moral crossroads as a space to linger—not race through. Spare me sanctimonious fictional characters locked in the anguish of their regretful late twenties and early thirties: May our bold heroine Selin return to campus and stir up more drama before departing abroad again.”

–Lauren LeBlanc ( The Boston Globe )

8. Our Missing Hearts by Celeste Ng (Penguin)

21 Rave • 5 Positive • 4 Mixed

“Stunning … One of Ng’s most poignant tricks in this novel is to bury its central tragedy…in the middle of the action. This raises the narrative from the specific story of a confused boy and his defeated father to a reflection on the universal bond between parents and children … Our Missing Hearts will land differently for individual readers. One element we shouldn’t miss is Ng’s bold reversal of the biblical story of the Tower of Babel. It is the drive for conformity, the suppression of our glorious cacophony, that will doom us. And it is the expression of individual souls that will save us.”

–Bethanne Patrick ( The Lost Angeles Times )

9. Trust by Hernan Diaz (Riverhead)

22 Rave • 3 Positive • 3 Mixed • 1 Pan Read an interview with Hernan Diaz here

“[An] enthralling tour de force … Each story talks to the others, and the conversation is both combative and revelatory … As an American epic, Trust gives The Great Gatsby a run for its money … Diaz’s debut, In the Distance , was a finalist for the Pulitzer Prize and the PEN/Faulkner Award. Trust fulfills that book’s promise, and then some … Wordplay is Trust ’s currency … In Diaz’s accomplished hands we circle ever closer to the black hole at the core of Trust … Trust is a glorious novel about empires and erasures, husbands and wives, staggering fortunes and unspeakable misery … He spins a larger parable, then, plumbing sex and power, causation and complicity. Mostly, though, Trust is a literary page-turner, with a wealth of puns and elegant prose, fun as hell to read.”

–Hamilton Cain ( Oprah Daily )

10. Bliss Montage by Ling Ma (Farrar, Straus and Giroux)

20 Rave • 5 Positive • 2 Mixed Read an interview with Ling Ma here

“The strangeness of living in a body is exposed, the absurdity of carrying race and gender on one’s face, all against the backdrop of an America in ruin … Ma’s meticulously-crafted mood and characterization … Ma’s gift for endings is evident … Ma masterfully captures her characters’ double consciousness, always seeing themselves through the white gaze, in stunning and bold new ways … Even the weaker stories in the book…are redeemed by Ma’s restrained prose style, dry humor, and clever gut-punch endings. But all this technical prowess doesn’t mean the collection lacks a heart. First- and second-generation Americans who might have been invisible for most of their lives are seen and held lovingly in Ma’s fiction.”

–Bruna Dantas Lobato ( Astra )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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May 13, 2024

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The Best Books of 2022 So Far

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One of the best parts of working at a magazine? The piles of books that arrive months before the rest of the world gets to see them. But the influx can often be overwhelming, so when something rises to the top, we like to take note. We have been collecting and curating our favorite titles all year; here we present our selection of the best books that have been published in 2022.  

The School for Good Mothers by Jessamine Chan (January 4)

The School for Good Mothers

Jessamine Chan’s debut—like all truly terrifying nightmares—starts off in a banal, familiar way: an utterly exhausted mother, in a moment of sleep-deprived despair, does the unthinkable (and yet understandable) and walks out of her apartment, leaving her baby behind. She doesn’t intend to be gone for long, but somehow time slips away, and before she realizes it, she’s been gone for hours. It’s a terrible thing to have done, and she knows it. But no degree of contrition will spare her from the authorities who descend, first removing her child and then transplanting her to an abandoned college campus turned dystopian re-education facility where she will, ostensibly, learn what it truly takes to be a good mother. The tool for her forensically monitored progress is an uncanny robot baby, meant to stimulate her, challenge her, and, crucially, record her every movement, from loving gestures to instants of inattention. The School for Good Mothers (Simon & Schuster) picks up the mantel of writers like Margaret Atwood and Kazuo Ishiguro , with their skin-crawling themes of surveillance, control, and technology; but it also stands on its own as a remarkable, propulsive novel. — Chloe Schama

Olga Dies Dreaming by Xochitl Gonzalez (January 4)

Olga Dies Dreaming

Xochitl Gonzalez’s debut novel is a vivacious account of Olga Acevedo’s life as a premier party planner to Manhattan’s elite—a demanding job that opens with the ordering of luxurious embroidered linen napkins for an exorbitantly priced wedding, some which Olga will pocket to impress her own family. The contiguity of Olga’s career life and her familial roots in Puerto Rican Brooklyn creates a tension that ultimately underlines the sacrifices each world constantly asks Olga to upkeep. Gonzalez’s story may be that of a woman seeking career success, love, and happiness, but the dynamic story amounts to a slow-burn chronicle of the American Dream, with moments of humor and bare-bones honesty throughout. —Carolina Gonzalez

Lost and Found by Kathryn Schulz (January 11)

Lost and Found

The first half of Kathryn Schulz’s new book, Lost and Found (Random House), a sensitive and timely meditation on loss and grief, is balanced by the celebration of love and joy in the second half. But rather than the spoonful-of-sugar structure that this division implies, the book is united—even in its darkest moments—as a lively exploration of some of the strongest emotions we humans have the luck to feel and a wondrous look at how they work in tandem. As Schulz puts it in the book: “What an astonishing thing to find someone. Loss may alter our sense of scale, reminding us that the world is overwhelmingly large while we are incredibly tiny. But finding does the same; the only difference is that it makes us marvel rather than despair.” The book grew out of a New Yorker meditation, “ Losing Streak ,” which chronicles the experience of misplacing the mundane and suffering the utmost loss, but it moves far beyond it—into the literary, historical, and philosophical roots of both poles of experience. It offers a sure- and light-footed wander through these heavy topics, though, written with grace and comedy as well as rigor. —C.S.

Mouth to Mouth by Antoine Wilson (January 11)

Mouth to Mouth

A chance run-in at an airport between our nameless narrator, a down-on-his-luck writer, and an acquaintance from college who has now become an art-world hotshot, Jeff Cook, sets the stage for Antoine Wilson’s taut, compulsive chamber piece of a novel, which you’ll struggle not to rip through in one sitting. (Thankfully it clocks in at a brisk 192 pages, allowing you to do just that.) After settling in an airport lounge, the enigmatic Jeff begins recounting a wild (and allegedly never-before-shared) tale that begins with him resuscitating a drowning man on a beach and discovering after the fact that the man he saved is a major art dealer. When Jeff pays a visit to his gallery and realizes the man doesn’t remember him, he slowly begins ingratiating himself into his life, climbing the ranks of his gallery and eventually even dating his daughter, in a story that carries distinct shades of Patricia Highsmith and Donna Tartt—but to tell any more would spoil the book’s thrilling surprises. It may not come with any sweeping messages or moral takeaways (although that ambivalence is surely the point), but Mouth to Mouth is an elegantly told and supremely gripping tale of serendipity and deception—and delivers a brilliant ending that will leave you guessing about everything that came before. —Liam Hess

I Came All This Way to Meet You by Jami Attenberg (January 11)

I Came All This Way to Meet You

Jami Attenberg’s 2017 novel, All Grown Up , was a bit of a gateway drug. It felt like it was made for me, in that it reminded me of me: a 30-something Jewish woman looking for love in the big city. I assumed, as often is the case for many fine novels, that this was also Attenberg’s story. Her latest book (and first memoir), I Came All This Way to Meet You (Ecco), reveals that the New Orleans–based writer is even more layered and idiosyncratic than her fictional characters. Her newest is an episodic collection of Attenberg’s life—her cross-country travels, debilitating injuries, bad plane rides, bad boyfriends—which are all told through her signature intimate and humorous style. But it’s her writing on her own work I found particularly revealing. “I became a fiction writer in the first place because stories are a beautiful place to hide,” she writes. I Came All This Way details the highs and lows of finding yourself through your work and living a creative life—it’s a thrill for superfans and newcomers alike. —Jessie Heyman

To Paradise by Hanya Yanagihara (January 11)

To Paradise

The confounding, brilliant, intricate, beautiful, horrific To Paradise is—if this string of adjectives did not sufficiently convey it—an extraordinary book. Divided into three seemingly distinct sections, positioned 100 years apart, the book is one part historical fiction (set in 1893), part present-ish-day chronicle (1993), and part futuristic sci-fi story (2093). (That last chapter, which must have been informed by, if not fully drafted within, the pandemic, presents a dystopian future filled with “cooling suits” required to venture outside and “decontamination chambers” to ward off the ever-present possibility of infection.) Those who consumed Yanagihara’s most recent work, A Little Life , will not be surprised that this book, like its predecessor, is interested in pain and suffering more than joy and happiness. But it is also a book full of gloriously painted scenes and tantalizing connection—and despite all its gutting turns, one that maintains an abiding hope for the possibility and power of love. (That may just be the only paradise truly on offer.) In and of themselves, some sections feel in some ways quite conventional, but taken together—with all of their extreme cliffhangers and unanswered questions—the stories seem to be asking: What do we want from a novel? Resolution is not available here, but some of the most poignant feelings that literature can elicit certainly are. —C.S.

Admissions: A Memoir of Surviving Boarding School by Kendra James (January 18)

For years, the world of elite prep schools was thought of in only the most romanticized terms; lacrosse games, leaf-festooned campuses, and, of course, educational values that prepared America’s next generation of winners to ascend their thrones. Kendra James’s Admissions (Grand Central) is a thorough, necessary, and overdue repudiation of that trope. In the memoir, James—now an admissions officer specializing in diversity recruitment for independent prep schools—looks back at the three years she spent at Taft, a private boarding school in Connecticut, recalling the insidious yet not particularly subtle racism she faced as the first African-American legacy student at the predominantly white institution. Admissions is a tale in the mold of Curtis Sittenfeld’s Prep , but instead of relegating the racism that is so often found in “well-meaning liberal” space to a parenthetical, the book addresses it head-on, boldly naming the confusion, fear, and trauma that can so often come with being the only person who looks like you in any given room. —Emma Specter

Vladimir by Julia May Jonas (February 1)

Vladimir: A Novel

The smartest take on campus culture comes by way of Julia May Jonas’s slyly hilarious Vladimir (Simon & Schuster). Don’t be dissuaded (or erroneously excited) by the romance-novel aesthetics of the cover. It’s the story of a somewhat lonely and embittered, and yet eminently appealing, English professor whose husband has been felled by a series of sexual assault allegations. But just how real were those allegations? It’s a question almost impossible to ask in real life, but deliciously explored here through our acerbic narrator, who has a quite pre-MeToo view of power, consent, and sexual politics. The titular Vladimir is a new professor in town and the subject of a crush on the part of the narrator that also veers off into deeply inappropriate territory. The novel works on several different registers at once, deftly layering comedy with subtle commentary in an entirely engrossing read. —C.S.

The Family Chao by Lan Samantha Chang (February 1)

The Family Chao

For Asians in America, the perpetual foreigners, it’s the eternal question regardless of birthplace: How exactly does one become American ? This interrogation is keenly felt by immigrants and their children in particular, as Lan Samantha Chang, director of the Iowa Writers’ Workshop, explores in-depth in The Family Chao (Norton), the story of the tyrannical proprietor of a small-town Wisconsin Chinese restaurant (The Fine Chao) and his three unhappy but obedient American-born sons (The brothers Karamahjong). When a scandal engulfs the Chaos, they’re forced to reconsider their place in the society they’ve toiled in and called home for decades, as well as their roles within the family itself. At times scathing and hilarious, the rollicking tale considers the thorny themes of assimilation, identity, pride, filial piety, transracial adoption, and interracial relationships. It’s a fine chaos indeed; you’ll never look at Chinese restaurant families the same. —L.W.M.

The Arc by Tory Henwood Hoen (February 8)

In her debut novel, The Arc (St. Martin’s Press), Tory Henwood Hoen has woven a bracingly entertaining antidote to the hellscape of online dating. Thirty-five-year-old branding wiz Ursula Bryne is in the grip of a third-life crisis, ambivalent about her job and unable to sustain a lasting relationship with anybody other than her cat. That is, until she is tapped to visit the lab of The Arc, a mysterious place that promises lasting love to those lucky enough to spend a week at its unnervingly glossy lab. Ursula is paired with Rafael, an improbably modest and handsome Yale grad blessed with a sense of humor and killer dance moves. The book wears its sci-fi lightly, focusing instead on anatomizing a whirlwind romance that begins to fray around the edges. As the duo’s faith in the arc’s highly proprietary pairing methodologies begins to falter, they are left to determine if they still buy into each other. Set in a privileged slice of pre-pandemic New York, the story has a sunny feel and a rich supply of semi-satirical backdrops, making pit stops at bro-infested tech conferences and members-only temples to fourth-wave feminism. With its intelligent and unfussy bent, the novel is foremost a plucky city romance that recalls the work of Laurie Colwin . Beneath the dystopian veil lies a thoroughly modern love story with old-fashioned heart. —Lauren Mechling

A Very Nice Girl by Imogen Crimp (February 8)

A Very Nice Girl

Imogen Crimp’s A Very Nice Girl (Henry Holt) follows Anna, a talented young opera singer who is defying her provincial parents to carve out an artistic life for herself in London. That bohemian existence can prove, at times, a bit trying (she has to share a bed with her roommate and moves into a quasi-feminist commune where tampons are deemed a tool of the patriarchy), and so she takes refuge in the sterile quarters of her finance-professional boyfriend. The book eschews easy “tale of two cities” contrasts, however, and asks some serious if lightly deployed questions about the sacrifices, rewards, and worth of an artistic life (and how you pay for it). With some steamy sex scenes in the mix, Crimp feels like she’s channeling something of the Sally Rooney style: interior and complex, but also unafraid to incorporate corporeal forces among all the others that govern us. This is high-class romance at its best. —C.S.

Loss of Memory Is Only Temporary by Johanna Kaplan (February 15)

Loss of Memory Is Only Temporary

A joy of discovery attends the publication of Johanna Kaplan’s Loss of Memory Is Only Temporary (Ecco)—a volume that gathers her cacophonous, mordantly funny stories from the 1960s and ’70s (and includes the contents of her prized debut, Other People’s Lives ). How had I never heard of Kaplan? You’ll wonder the same as you get swept up in the world of her slightly neurotic, status-aware postwar Jewish characters who mine humor from dislocation and anxiety. The bravura novella-length “Other People’s Lives” is the masterpiece here, a rollicking account of several days in the life of Louise Weil, a piercingly observant, mentally fragile young woman marooned in the ramshackle milieu of a Manhattan artistic couple who take a day trip to the country. It fizzes with the urbane energy of J.D. Salinger, Grace Paley, and Deborah Eisenberg—a restless delight. —Taylor Antrim

The Swimmers by Julie Otsuka (February 22)

The Swimmers

The Swimmers , by Julie Otsuka, begins at an underground pool in an unnamed city, where regulars find almost-sacred refuge in their favorite lanes and go-to strokes. (Others—like the “binge swimmers” who periodically rush the pool to melt off holiday pounds—are tolerated more than welcomed.) Yet as Otsuka’s elegant third novel wends on, its focus narrows to one swimmer in particular: an older woman for whom the water is a stabilizing, comfortingly familiar force. Even as dementia sets in, Alice knows exactly who she is at the pool—that is, until it closes, and she’s thrust headlong into the swirling memories, strained relationships, and ever-fracturing sense of self that await her on land. —Marley Marius

Checkout 19 by Claire-Louise Bennett (March 1)

Checkout 19

The cryptic stream of consciousness that coursed through Claire-Louise Bennett’s 2015 debut short-story collection  Pond,  all told from the perspective of a single narrator who lives a solitary existence in a cottage on the west coast of Ireland, made her one of that year’s breakout new voices. Seven years later, Bennett returns with  Checkout 19,  a similarly impressionistic, and perhaps even more challenging, work of autofiction that further showcases her talents for blending the micro with the macro across a melting pot of genres, from seemingly autobiographical minutiae plumbed from her youth in Wiltshire to impressively erudite forays into literary criticism. While ostensibly it tells the story of a writer looking back on her formative years as a young woman, it’s easier to think about the book as a kind of tapestry. Once you allow yourself to get swept along by Bennett’s instinctive, synaptic abilities as a storyteller, the vivid textures of her sentences, and her subversive sense of humor,  Checkout 19  is a strange and delicious treat. —L.H.

Bless the Daughter Raised by a Voice in Her Head by Warsan Shire (March 1)

Bless the Daughter Raised by a Voice In Her Head

Warsan Shire is perhaps best known for having her work featured in Beyoncé Knowles’s 2016 feature-length film, Lemonade , but the British-Somali poet is charting a new course with her first full-length poetry collection, Bless the Daughter Raised by a Voice in her Head (Random House), which weaves together the themes of migration, womanhood, Black identity, and intergenerational collection that Shire is so singularly gifted at exploring. Shire frequently draws on her own life to create her art, and the end result is a collection of poems that will shine as a beacon for marginalized communities everywhere (and, perhaps, inspire those who have always taken their own belonging for granted to think beyond the confines of their individual experience). —Emma Spector

The Invisible Kingdom: Reimagining Chronic Illness by Meghan O’Rourke (March 21)

The Invisible Kingdom

Chronic illness has been relegated to the margins of public consciousness for far too long, a reality that has only become more painfully stark since the start of the COVID-19 pandemic two years ago. Tens of millions of Americans live with chronic, often “invisible” illnesses, and Yale Review editor Meghan O’Rourke’s book is a searing and thoroughly researched exploration of the pain and confusion that many of them go through in their quest to have their health issues taken seriously by the medical establishment—and, often, the world at large. —E.S.

Disorientation by Elaine Hsieh Chou (March 22)

Disorientation

Taiwanese American writer Elaine Hsieh Chou’s debut novel, Disorientation , however, manages to tell a deeply vital and insightful story about Asian experience and identity in post-Trump America while still being absurdist to the point of IRL laughter. In the book, 29-year-old PhD student Ingrid Yang experiences a rupture in her calm, orderly life of writing her dissertation on late canonical poet Xiao-Wen Chou (and coming home to her doting fiance, Stephen, a white literary translator with a penchant for mansplaining and Japanese-schoolgirl costumes) when she discovers that Chou is—wait for it—a total fiction, a character invented and embodied by one white man and propped up by another. Suddenly, Ingrid is thrust into a world of high-stakes espionage, book burnings, and campus protests and is forced to question the things most fundamental to her, including her field of study, her relationship, her friendships, and her identity as the daughter of Taiwanese immigrants living in the U.S. —E.S.

Young Mungo by Douglas Stuart (April 5)

Young Mungo

Douglas Stuart’s new book bears a good deal of resemblance to his debut, Shuggie Bain , which was published quietly just before the pandemic to limited fanfare and then slowly became one of the most lauded novels of the year. (It was my personal favorite.) Young Mungo (Grove), like Shuggie , is told from the perspective of a young boy growing up in a Glasgow tenement with an alcoholic mother and little prospect of escape. But while Shuggie took the claustrophobia of that scenario and expanded it into a broad and treacherous emotional landscape, Young Mungo allows its protagonist to roam a bit wider, making it a more open and ambitious book. If Shuggie took after the great, detail-laden social realist novels of the late 19th century, Young Mungo feel more rooted in the 21st, with alternating settings, shifting time frames, and divergent plots that eventually converge to calamitous effect. Some early descriptions of the book, perhaps desiring to tamp down the inevitable bleakness of its premise, have emphasized a love affair that crosses religious and sectarian lines (and sheds new light on the divisions that plagued not just the more prominently troubled Ireland of the late 20th century but Scotland as well). And there is sporadic love (romantic and familial) to offer warmth and light within the novel’s terrifying expanse—but this is a book that sucks you into its darkness and makes you feel its profound, beating heart. —C.S.

Little Foxes Took Up Matches by Katya Kazbek (April 5)

Little Foxes Took Up Matches

In  Little Foxes Took Up Matches —a notable debut from the writer, editor, and translator Katya Kazbek—a sense of enchantment animates dreary post-Soviet Moscow, where a beautiful boy named Mitya lives in a crowded apartment on a stately old street. As a baby, Mitya swallowed an embroidery needle—or so he and his family believe—and he’s certain it made him immortal, like the folktale figure Koschei the Deathless; he discovers another kind of deliverance, and no small amount of danger, dressing up in his mother’s clothes, using her makeup, and letting his hair grow long. (He calls this persona Devchonka, or “girl.”) A queer coming-of-age narrative in every sense of the words, Kazbek’s novel is twisty, tragic, and deeply charming—an endearing exploration of the stories we tell and the people we find in order to live. —M.M.

Time Is a Mother by Ocean Vuong (April 5)

Time Is a Mother

In 2019, mere weeks after publishing his celebrated novel On Earth We’re Briefly Gorgeous and receiving a MacArthur Foundation “genius grant,” Ocean Vuong’s mother died following a short battle with breast cancer. Yet if the title of Time Is a Mother, Vuong’s second poetry collection, appears to suggest this might be a circumscribed exploration of grief in the aftermath of this event, its approach is unusually wide angle. Stories of personal loss are woven into vignettes and memories that explore the most sweeping of subjects—addiction, racism, war, death, family—through Vuong’s gentle, modest voice and the occasional touch of wry humor. So, too, does he once again prove himself the rare writer in whose hands experiments with form can become a thing of beauty in and of themselves. With On Earth , Vuong used his experience as a poet to reshape the contours of the first-person novel into something more amorphous; here, his experience with prose feeds back into his poetry through cinematic poems like “Künstlerroman” and “Not Even,” where full, novelistic paragraphs are delicately strung together with single-word stanzas, open and closing like concertina windows into the lives of those whose stories they tell. (One of the few more overt tributes to his mother consists simply of an itemized list of her Amazon purchases, before delivering a gut punch in the form of a “warrior mom” breast cancer awareness T-shirt.) After all, despite its technical prowess, the most striking thing about Vuong’s writing will always be its warm, beating heart even in the face of life’s cruelties. The penultimate poem, “Dear Rose,” is written directly to his mother as a kind of sensorial biography of her journey as an immigrant from Vietnam to America—napalm on a schoolhouse, bullets in amber, churning fish sauce, dew-speckled roses—images both dazzling and devastating; in the end she simply leaves “a pink rose blazing in the middle of the hospital.” It’s a body of work as hauntingly beautiful as it is ultimately hopeful, and very possibly Vuong’s best yet. —L.H.

The Candy House by Jennifer Egan (April 5)

The Candy House

Jennifer Egan’s The Candy House is something of a follow-up to her beloved A Visit From the Goon Squad . Composed of interconnected short pieces (featuring a few of the same characters that populated Goon Squad ), The Candy House is also united by the omnipresence of a sci-fi technology that doesn’t feel quite so far off from our current reality: a widely available memory download device that allows your consciousness (should you so desire) to live in an openly accessible cloud. The Candy House is a book that goes down deceptively easy. The writing is light and buoyant, the characters quite often a rollicking delight—energized by rock and roll; the countercultures of the ’60s and ’70s; high-wire acts of espionage; and technological subterfuge. But when you slow down and begin to parse the web that connects it all, the novel takes on increasing gravity. It’s a dazzling feat of literary construction that belies the profound questions at its core: Does technology aid our sense of narrative or obscure it? —C.S.

Nobody Gets Out Alive by Leigh Newman (April 12)

Nobody Gets Out Alive

The funny, earthy, and compulsively readable stories in Leigh Newman’s debut collection, Nobody Gets Out Alive (Scribner), are about wildness in all its forms. The author’s home state of Alaska is vividly rendered in its untamed, frontier beauty—but so too are its denizens, who are fierce Alaskans with questionable taste in home decor and hilariously unrefined personalities. Newman, the author of a 2013 memoir, Still Points North (excerpted in Vogue ), which was also set in Alaska, is especially unsentimental on women—on girls kicking free of their fathers (or not); desperate mothers doing the best they can; and, in the prizewinning lead-off story, “Howl Palace,” a mordant widow who is not going gracefully into the good Alaskan night. Newman’s fiction recalls the flinty humor of Annie Proulx, Ann Patchett, and Antonya Nelson—excellent company to be in. —T.A. 

Hello Molly: A Memoir (April 12)

Hello, Molly!

Molly Shannon’s memoir is much more than a celebrity tell-all—it would have to be, since it starts with unimaginable tragedy: When she was four, her mother and baby sister died in a car accident while her father was driving them home from a party at which he’d been drinking. Hello, Molly! is a story of resilience and resourcefulness; her father cycled through various degrees of indulgence and sobriety for most of her life. (There are memorable scenes of him cleaning the house on speed.) But it sidesteps the trappings of addiction-adjacent memoirs, avoiding the easy stereotypes of suffering. Hello, Molly! is about one of the great comic actors of our era finding her footing, but it is also a loving portrait of a deeply unconventional parent, who launched his daughter (literally: when she still was just a child, he dared her to sneak onto a plane, and she succeeded) into the world. —C.S.

Left on Tenth: A Second Chance at Life by Delia Ephron (April 12)

Left on Tenth: A Second Chance at Life

After the long illness and death of her older sister, Nora, and the long illness and death of her first husband, Jerry, Delia Ephron was stunned—if not entirely surprised—to learn in 2017 that she’d been diagnosed with leukemia. Her engaging, wise, and funny new memoir, Left on Tenth: A Second Chance at Life , chronicles her fierce reckoning with cancer, with grief (“I took the sun setting personally,” she writes of the loneliness of early widowhood), with the life-affirming power of friendship, and, at age 72, with a new love—Peter, a Jungian psychiatrist who wrote Ephron a friendly email after she published an op-ed in the Times about trying to disconnect Jerry’s landline. (Her record of their courtship, conducted initially over email, is as breathlessly romantic as anything she’s put into a screenplay—and this is a woman who co-wrote You’ve Got Mail .) —M.M.

The Trouble With Happiness by Tove Ditlevsen (April 19)

The Trouble with Happiness: And Other Stories

One of the most (posthumously) lauded novelists of recent years, Tove Ditlevsen is known to most as the author of  The Copenhagen Trilogy,  a sprawling three-part memoir that chronicles both her interior life and major events of the 20th century. In this collection, the landscape is more compact, but the insight into human nature is no less poignant: A young girl watches her mother put on a costume, a temporary and tenuous escape threatened by the whims of the father; with calm remove, a woman imagines her married lover’s domestic life, a simmering, suppressed anger providing a more forceful undercurrent; a young pregnant couple looking to buy a house confronts the contraction of another family’s life at the moment they’re expanding theirs. These spare and sparkling stories summon deep wells of emotion without the slightest trace of sentimentality. —C.S.

The Palace Papers by Tina Brown (April 26)

The Palace Papers

Whether or not you will tune in for the much-discussed Season 5 of The Crown , The Palace Papers deserves a read. Tina Brown does not seem to have researched her subjects so much as lived with them: Indeed, her own career as a young journalist, and then an editor (of many magazines, including several owned by Condé Nast) circled the royal family, and so she writes with the kind of familiarity earned through years of fine-tuned observation. There is definite bias here, but it is the kind that only sharpens her depictions; she’s not afraid to let you know which occupants of the royal palaces she thinks are up to snuff and which she thinks should fade into oblivion. In this year of royal transition (as well as entertainment), The Palace Papers is a supremely satisfying read. —C.S.

When We Fell Apart by Soon Wiley (April 26)

When We Fell Apart

A young Korean American man reeling from the recent suicide of his girlfriend sets out to learn more about the mysterious circumstances surrounding her death in this powerful novel that delves unflinchingly into the deeply timely question of what it means to belong to more than one culture. Wiley’s protagonist’s experience of trying to find links between his California upbringing and his adult life in Seoul will resonate with anyone who has ever been asked, “Where are you  really  from?” —E.S.

The Last Days of Roger Federer, and Other Endings by Geoff Dyer (May 3)

The Last Days of Roger Federer: And Other Endings

If you’re coming to this book expecting an extended meditation on the late career of the titular tennis legend, you might be—well,  disappointed  isn’t the word, really: The book is dotted with such thoughts throughout. It’s true joy, though, is its buck-wild discursiveness. The entire book is a brooding, a searching, and an investigation—in three parts, each composed of exactly 60 more-or-less brief thoughts, about Dylan, Camus, John Berger, Allen Ginsberg, Robert Redford, Gerard Manley Hopkins, D.H. Lawrence, Chuck Yeager, T.C. Boyle, Scorsese, J.M.W. Turner, Michelangelo, Boris Becker, Browning, Ruskin, the Battle of Britain, and yes, Roger Federer (that’s a wildly incomplete list from just the first 40 pages)—of what it means to come to the end of something: painting, writing, striving, playing, living. If you’ve read Dyer before, you know what you’re in for, and it’s in glorious abundance here: humor, memoir, wit, verve, pathos, and an arsenal of erudition. If this is your first immersion, simply be prepared to chase the wind. —Corey Seymour

Trust by Hernan Diaz (May 3)

What begins as a Henry James–esque chronicle of a Wall Street tycoon’s breathtaking ascent to power at the beginning of the 20th century reveals itself to be so much more in Hernan Diaz’s second novel, Trust: a rip-roaring, razor-sharp dissection of capitalism, class, greed, and the meaning of money itself that also manages to be a dazzling feat of storytelling on its own terms. Trust is a matryoshka doll of a novel, in which the layers peel back to reveal four alternative takes on the same narrative of the financial titan Andrew Bevel and, just as importantly, his wife, Mildred, each as riveting and full of surprises as the next. Its central theme of wealth—what it actually means, who it should belong to, how its relationship with some of the central mythologies of American life developed, and its inextricable linkage with the patriarchy—may feel both important and timely. But the uniquely brilliant way in which Diaz tells that story, as meticulously researched as it is narratively exhilarating, makes it a novel not just for the present age but for the ages. —L.H.

Linea Nigra by Jazmina Barrera (May 3)

Linea Nigra

For those unacquainted with the vocabulary that accompanies the childbearing process, the linea nigra refers to a dark vertical line that can appear to bisect a pregnant person’s abdomen. Essayist Jazmina Barrera takes that physical line and writes about and (metaphorically) beyond it, packing her narrative memoir full of carefully considered and exquisitely worded musings on motherhood. Barrera wrote throughout her first pregnancy and into the beginning of her journey as a mother, and the multilayered, deeply felt work that her life experience and obvious talent have combined to produce is eminently worthy of acclaim. —E.S.

A Hard Place to Leave: Stories From a Restless Life by Marcia DeSanctis (May 3)

A Hard Place to Leave

Longtime  Vogue  contributor Marcia DeSanctis recounts a peripatetic life—and the episodes that were less so. DeSanctis had a career as a tour guide, a TV producer (who worked, among other things, on Eastern European stories after the fall of the Berlin Wall), a cosmopolitan writer who marched to “the city’s incessant, invigorating drumbeat.” And then she moved to the quiet countryside, where she had to come to terms with a sense of herself that wasn’t based on constant movement and the frictions of foreign encounters. The essays in this collection (which include a tale of marital infidelity that made a marriage stronger  originally published in  Vogue ) might be framed as travel writing, but they are just as much stories of self-definition that take place here, there, and everywhere. —C.S. 

This Time Tomorrow by Emma Straub (May 17)

This Time Tomorrow

Known for her plucky voice and sweetly amusing ensemble comedies, Emma Straub returns with her most emotionally resonant work yet,  This Time Tomorrow.  On the night of her 40th birthday, a newly single and slightly intoxicated Alice drops by her father’s home, located on an Upper West Side alley that time and foot traffic forgot. She passes out and wakes up in 1996, transported back to a moment when her father was still her energetic 40-something roommate, not an ailing 73-year-old whom she faithfully visits at the hospital. Shuttling between her teenage and middle-aged lives, Alice attempts to engineer a new destiny for her father and experiments with a panoply of what-ifs, one of which lands her the guy that got away. All the while, she grapples with the headstrong and heartbreaking nature of time. Beneath the layers of ’90s nostalgia and sci-fi portals to the past lies something even more satisfying: a complicated tale that doesn’t feel the slightest bit complicated. —L.M.

The Cherry Robbers by Sarai Walker (May 17)

The Cherry Robbers

From the author of 2015 cult hit  Dietland  comes a more-than-worthy sophomore effort that follows Sylvia Wren—formerly known as Iris Chapel—the second youngest in a family of six heiress sisters, all seemingly cursed to live (and die) tragically. When Iris becomes Sylvia, she thinks she’s escaped her ominous familial fate, but has she? When we meet her in New Mexico in 2017, she’s an internationally famous yet reclusive artist ducking the attention of an overzealous journalist determined to track down the story of how Iris became Sylvia. Compelling, no? (Trust us, it is.) —E.S.

The Red Arrow by William Brewer (May 17)

The Red Arrow

Something old is new again in William Brewer’s The Red Arrow , a rollicking bildungsroman meets wellness-through-hallucinogenics debut. Our hero has risen from the sticks of West Virginia to become a penniless painter and writer in New York who lucks into a gorgeous tech-employed fiancée and a hefty book contract. Trouble ensues. The advance is spent, the novel is not written (even as we’re given vivid glimpses of what it could be), and a suicidal depression descends. But our protagonist lucks out again—a ghostwriting gig for a star physicist seems to pull him out of his hole—until more trouble strikes. The Red Arrow is about how to survive a creative life in 21st-century America, and its answer will surprise you. Brewer’s earnest description of psilocybin therapy turns a bravura comic novel into something deeper and stranger: an account of unexpected, hard-won joy. —T.A.

Either/Or by Elif Batuman (May 24)

Elif Batuman’s stupendous  Either/Or  is the hilarious follow-up to the author’s Pulitzer Prize–nominated  The Idiot , which introduced wannabe writer Selin during her first year at Harvard. Now a sophomore, Selin joins the literary magazine, attends campus costume parties, and visits a psychiatrist and Pilates classes, set pieces that dazzle with the author’s deadpan prose and superpowers of observation. “I thought humorlessness was the essence of stupidity,” Selin narrates, and by that metric Batuman is a genius, rendering human folly at its most colorful and borderline surreal. Readers of her essay collection,  The Possessed,  might notice stories that overlap with the author’s own life—and underscore that for lovers of literature, the line between life on and off the page is barely legible. –L.M.

Nevada by Imogen Binnie (June 7)

Originally published by Topside Press in 2013, Binnie’s debut novel—which follows a young, punk-aspiring trans woman who heads west from New York City in her ex-girlfriend’s stolen car, attempting to play the fraught role of role model to a younger, not-yet-out acolyte she meets in Nevada—is a beautiful and occasionally disturbing complication of the oh-so-American trope of the cross-country road trip.  Detransition, Baby  author Torrey Peters is just one of a long list of trans women writers who name Binnie as an influence, and it’s long past time for the cis reader to form a bond with the brilliance of her work. —E.S.

The Lovers by Paolo Cognetti (June 7)

In The Lovers , the celebrated Italian novelist Paolo Cognetti (author of 2018’s prize-winning debut The Eight Mountains ) has crafted a short novel of affecting elegance, set in and around the Italian Alpine town of Fontana Fredda. Our protagonist, Fausto, is a stalled writer who abandons his petit bourgeois life in Milan (and his former fiancée) for a rather more elemental existence in the mountains, where he finds work as a cook and begins an affair with Silvia, an alluring young waitress. There’s also Babette, the restaurant’s owner who “had also come from the city… though who knows when and how she got there,” and a flinty snow-cat driver called Santorso, a man forged—and eventually destroyed—by the wild surrounding landscape. Cognetti’s prose, translated into English by the poet Stash Luczkiw, knowingly calls Hemingway to mind (in one chapter, Fausto remembers teaching “In Another Country”), but the more important influence is Kent Haruf’s Plainsong . Here as there, a small community of simple people seems uncommonly beautiful. —M.M.

Also a Poet: Frank O’Hara, My Father, and Me by Ada Calhoun (June 14)

Also a Poet: Frank O'Hara, My Father, and Me

It’s a complicated thing, the father-daughter relationship, particularly when the two share a profession. So it’s fitting that Ada Calhoun’s  Also a Poet  is a complicated, difficult-to-encapsulate book: Labeled a memoir, it’s also Calhoun’s attempt to finish a biography of the New York School poet Frank O’Hara abandoned by her father, the longtime  New Yorker  art critic Peter Schjeldahl. The book is composed of unpublished interview transcripts, domestic scenes from her childhood on the Lower East Side (see Calhoun’s masterly  St. Mark’s Is Dead  for an expanded disquisition on the site of her youth), and a sweetly personal reckoning with the anxiety of influence. All this sounds like a pretty heady brew, but Calhoun’s voice is clear and cogent, a winning and personable guide. —C.S.

The Last White Man by Mohsin Hamid (August 2)

The Last White Man

An unlikely love story is the warming center of Mohsin Hamid’s The Last White Man (Riverhead)—unlikely because the novel presents as the kind of cool, elegant fable Hamid has become known for. (His most recent, 2017’s masterful Exit West , used a magical realist trick to lay bare the exigencies of the refugee crisis.) Here, the characters find themselves subjected to a mysterious force that shifts their skin from white to a deep, undeniable brown. At first the change seems to affect only a few, but as it spreads, so do the attendant disruptions and paranoias. The book is obviously about race—Hamid has said that he has been mulling this work for 20 years, ever since the events of September 11 made him acutely aware of his own skin color—but it is also about the burgeoning love and chemistry between its two unabashedly physical main characters, Anders, a trainer at a gym, and Oona, a yoga instructor. Even when corporeal form seems a mysterious and mutable thing, the bond between the two acts as a bulwark against the unpredictability of the world. —C.S.

All This Could Be Different by Sarah Thankam Mathews (August 2)

All This Could Be Different

Sarah Thankam Mathews wrote All This Could Be Different (Viking) in the first year of the pandemic, when COVID produced a drastic loss of her income. As founder of the mutual-aid organization Bed-Stuy Strong, she was galvanized by witnessing not only the catastrophes and flaws of ordinary humans but also their glorious capacity. Equal parts incandescent love story and frank explorations of everything from sexuality to work to racism, this debut novel—focused on the struggles of a queer young Indian woman in Milwaukee—evokes the precariousness of life for so many in 21st-century America and the necessity of showing up and breaking free if we truly want all this to be different. —L.W.M.

Amy & Lan by Sadie Jones (August 16)

Amy & Lan

Set deep in the bucolic fields of rural England, Sadie Jones’s new novel, Amy and Lan , charts five years in the lives of the two young children (and best friends) after whom the book is titled. Living in a commune of sorts, the duo are left largely to roam free, aside from the odd bit of fulfilling their duties on the farm, written with a particularly evocative eye for blood and muck. Things go south when entanglements between the adults start to draw their attention, and as Amy and Lan reach their early teenage years, these glimpses of grown-up life become an inescapable reality with devastating consequences. What at first reads as a deeply atmospheric bildungsroman (dung being the operative word here), Amy and Lan quietly builds to a cautionary tale of the good life turned sour. —L.H.

Touch by Olaf Olafsson (August 16)

In the Icelandic author (and erstwhile media executive) Olaf Olafsson’s delicate, absorbing new novel Touch , COVID lockdowns serve as a backdrop to the gentle unfolding of reawakened desire in its lead character, a 75-year-old Icelandic man who sets off on a journey to track down the Japanese woman who was his first great love back in 1960s London. His story begins with an out-of-the-blue Facebook message on the same evening he shutters his restaurant of 20 years, and continues to weave through past and present in an addictive structure of short, unnumbered chapters that also reflect his fraying recollections due to dementia. Really, to call Touch a pandemic novel would be doing it a disservice. With Olafsson’s gorgeous, lyrical writing, it feels weighted with deeper questions about memory, intergenerational trauma, and the enduring forces of love that can bridge decades and cultures—all reaching a denouement as satisfying as it is profoundly moving. —L.H.

The Hundred Waters by Lauren Acampora (August 23)

The Hundred Waters

In The Hundred Waters (Grove), Lauren Acampora’s quietly thrilling latest, a strange drama plays out between one Connecticut family and the 18-year-old son of their new neighbors. While Gabriel Steiger’s righteous anger about the climate crisis rivets 12-year-old Sylvie Rader, who lost a friend to cancer after toxic construction debris were buried in a nearby town, his dark features and compulsive creativity remind Sylvie’s mother, Louisa, of the man she loved before her husband, when she was a young photographer living in New York. The triangle that forms between mother, daughter, and the shifty boy next door is disquieting from the start, but as both relationships tip into disquieting new territory, the Raders’ lush, monied suburb stops feeling quite so staid. —M.M.

A Visible Man: A Memoir by Edward Enninful (September 6)

A Visible Man: A Memoir

Charting Enninful’s earliest days in Ghana to his family’s emigration to London (where they settled under the “soggy skies” and repressive policies of Margaret Thatcher’s Britain), to his rise to the EIC seat and his wedding—punctuated by an 11th-hour arrival by Rihanna— A Visible Man (Penguin Press) is both a chronicle of a singular life and a universally inspiring portrait of ambition. As Enninful writes in his introduction of his dubious stance toward memoir: “Why look back when you can look forward?” It’s our good fortune that he does both. —Chloe Schama

Strangers to Ourselves: Unsettled Minds and the Stories that Make Us by Rachel Aviv (September 13)

Strangers to Ourselves: Unsettled Minds and the Stories That Make Us

Combining the cool poise of Janet Malcolm and the confessional bravery of Joan Didion, journalist and New Yorker staff writer Rachel Aviv challenges the way we think about mental illness in her absorbing debut, Strangers to Ourselves: Unsettled Minds and the Stories that Make Us (FSG). Through half a dozen vivid case studies–one being the story of her own hospitalization at age six—she unravels medical diagnoses and demonstrates how societal narratives around illness take hold. The result is a fascinating and empathetic look at the mysterious ways our minds can fail us. —Taylor Antrim 

Lessons by Ian McEwan (September 13)

Ian McEwan’s new novel Lessons (Knopf) is rangingly ambitious, teasingly autobiographical, and unsettling in the manner of his best work, a story of monstrous behavior set against major tides of the last 70 years. Roland Baines, a kind of spectator to history, is our hero—the product of a quintessentially English boarding school, a frustrated poet, occasional tennis instructor, and better-than-average piano player. The episode that shapes his life occurs in the opening pages, during a piano lesson with Miriam Cornell, a young instructor at Roland’s school. While teaching him Bach, she pinches his bare leg, an act of sexual sadism that leads, eventually, to the real thing in her bed. Roland never quite recovers from this wildly predatory affair (he 14, she 25). And in adulthood, another villain awaits: his first wife, Alissa Baines, who leaves him and their newborn son so that she can pursue a soaring literary career unencumbered. How can a novel populated by such (notably female) cruelty feel so expansively humanist? Roland is both haunted by trauma and able to push away from it, toward love (a second marriage), parenthood, forgiveness, grace. Lessons is a luminous, beautifully written, and oddly gripping book about lives imperfectly lived. —T.A.

Bliss Montage by Ling Ma (September 13)

Bliss Montage

We’re in the thick of a dystopian golden age, but the indisputable leader of the pandemic lit pack came out in 2018. Ling Ma’s Severance was half tongue-in-cheek critique of capitalism, half science fiction about a group of New Yorkers fleeing a fatal airborne epidemic believed to have originated in Shenzhen, China. In Bliss Montage (FSG), her panic-slicked and wildly inventive new short story collection, the author continues to mine anxieties particular to our time. The narrator of “Los Angeles” lives with her uncommunicative husband and her 100 ex-boyfriends. “G,” named after the recreational drug that two young women take together in order to become invisible, gives a new spin to the notion of “ghosting.” The awful term “geriatric pregnancy” becomes a literal horror story in “Tomorrow,” whose protagonist must conceal the arm that is developing on the outside of her body—a common aspect of high-risk pregnancies, her doctor crisply informs her. These eight tales don’t build up to traditional climaxes, but the tension between the familiar and the unfathomable pulses on every page. —Lauren Mechling

Lucy by the Sea by Elizabeth Strout (September 20)

Lucy by the Sea

Elizabeth Strout has kept her readers well acquainted with the doings of Lucy Barton, a bestselling writer (like Strout herself) from a devastatingly poor background, twice married and now a widow with two adult daughters, who in last year’s diverting novel Oh, William forged a kind of chummy detente with her first husband, William, as he discovered a hidden past. In Strout’s poised and moving Lucy by the Sea (Random House), Lucy and William are fleeing Manhattan in the face of COVID and setting up a lockdown life in Maine. It is only in the steady hands of Strout, whose prose has an uncanny, plainspoken elegance, that you will want to relive those early months of wiping down groceries and social isolation. Here, the Maine landscape is gorgeously rendered in its COVID hush, and Strout balances the tension of viral spread with the complex minuet of Lucy and William coming to terms with their resentments and enduring love. This is a slim, beautifully controlled book that bursts with emotion. —T.A.

Stay True by Hua Hsu (September 27)  

Hua Hsu’s steady, searching memoir, Stay True (Doubleday), brings a certain 1990s collegiate persona into clarion focus: the undergraduate who is highly cultivated in his interests (Pavement yes, Pearl Jam no; cigarettes yes, alcohol no; indie films yes, fraternity parties no), a young Gen Xer studiedly indifferent to mainstream culture, and rigorously obsessed with what’s cool. As an undergrad at Berkeley, Hsu was this person to a T and his memoir digs, in a lovely, low-key way beneath the surface of the pose. Hsu’s Taiwanese parents immigrated to the U.S. and harbored a kind of poignant enthusiasm for their new lives–especially his father who was interested in his son’s thoughts about everything and anything. Hsu is an intellectual slacker who studies rhetoric and political science, but is outwardly bored by most everything, a creator of Zines and a cultivator of misfit friends. One friend, named Ken, bucks the trend. Ken is handsome, into Dave Matthews, and likes (the horror!) swing dancing. Hua has a curious bond with him in spite of all that and then when Ken is killed in horrific circumstances, Hsu is unmoored. A moving portrait of a persona undone by tragedy. –T. A.

Foster by Claire Keegan (November 1)

In Claire Keegan’s Foster (Grove) , first published by The New Yorker as a short story in 2010 and now expanded to a novella, the Irish writer traces the journey of a nameless girl who is palmed off to distant relatives in a bucolic corner of rural County Wexford for a summer while her poverty-stricken, neglectful parents prepare for the birth of their next child. What unspools from there is a deceptively complex coming-of-age tale, both intimate and richly expansive, as the girl’s foster family provides her with the room and space to blossom, before a heartbreaking secret threatens to shatter her newfound idyll. Balancing Keegan’s delicate, sparing prose and masterful ear for dialogue with a tale that is almost overwhelming in its tenderness, Foster is a heart-wrenching treasure of a book that only serves to confirm Keegan’s place as one of contemporary Irish literature’s leading lights. —Liam Hess

Surrender: 40 Songs, One Story by Bono (November 1)

Surrender: 40 Songs, One Story

Bono’s deeply personal memoir chronicles his earliest memories, the formation of his band, the meeting of his wife when he was still a teen (he joined the band the same week that he first asked her to go out with him). The book is also about his father, a figure that loomed over him, especially after the early death of his mother, with almost comic nonchalance regarding his son’s epically blossoming career. (It took a meeting with Princess Di, arranged by his son, to truly ruffle him.) It is about Ireland, the legacy of the violence that raged through much of the 20th century, and Africa, and also the promise of America. It is not a short or compact book. But do you want that from the man behind some of the most stirring and soaring ballads of all time? Sink into your plush chair of choice with this one in your lap and the stereo blasting. —C.S.

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The best books from 2022 that we’ve read in 2023

The Book World staff spotlights some excellent novels, nonfiction and comics from 2022 that we’re only getting to now

Even the most voracious readers live with an inevitable problem: There’s never enough time in a given year to read all the new books coming out, especially when your pile of old books keeps growing. For those of us on the Book World team, January and February are the perfect months to play catch-up, finally making time for some of the gems we missed when they were released last year. Here are a few of our favorite 2022 titles that we got to just a little late.

“The Mosquito Bowl,” by Buzz Bissinger (Harper)

The author of “ Friday Night Lights ” tells another gripping real-life story, this one revolving around two Marine regiments destined for the gruesome Battle of Okinawa. First, these young men, many of whom had coincidentally been college football superstars, spent Christmas Eve 1944 in the South Pacific locked in a different kind of fight — a game to determine which regiment had the better team. Bissinger takes a close look at a handful of the players, following their journeys from various corners of the United States toward horrors they couldn’t yet imagine. — Stephanie Merry

The 10 best books of 2022

“Solenoid,” by Mircea Cartarescu, translated by Sean Cotter (Deep Vellum)

“We doubt the world because we dream,” Cartarescu writes in this unplaceable surrealist novel , a book that slides seamlessly between almost-quotidian stories inspired by Cartarescu’s time as a schoolteacher in Romania and tales of cosmic horror. As it sprawls out, it encompasses a dizzying array of topics, from the mysterious Voynich manuscript to the way four-dimensional objects would appear to three-dimensional observers. In Cotter’s translation, Cartarescu’s prose has a slippery elegance, so fluid and unsettling that it always remains readable, even when it’s hard to distinguish reality from hallucination. — Jacob Brogan

“Fellowship Point” by Alice Elliott Dark (Simon & Schuster)

Dark’s rightfully enduring short story “ In the Gloaming ” (1993) is a master class in compression, packing a novel’s worth of emotion into about 30 pages. “ Fellowship Point ,” her first novel in 20 years, runs to almost 600 pages. It tells the story of 80-year-old Agnes, a successful but currently blocked writer of children’s books, and her friend since early childhood, Polly. The two women need to protect their family homes on a Maine peninsula from developers. Filled with Dark’s powerful, old-fashioned storytelling, the novel considers themes of enduring friendship (its joys and trials), family complexities and land conservation. — John Williams

50 notable works of fiction from 2022

“Acting Class,” by Nick Drnaso (Drawn & Quarterly)

In his graphic novels, Drnaso draws in a flat, almost affectless style, as if the narratives were playing out through an opioid haze. His deceptively simple panels and dense but readable page layouts sometimes make it seem as if his characters are slipping into one another, their very identities destabilizing before us. “ Acting Class ” makes remarkable narrative use of those aesthetic qualities, with its story of a group of strangers and casual acquaintances who set out to find themselves — only to discover that they might be other people altogether. — JB

“Big Truck Little Island,” by Chris Van Dusen (Candlewick)

My kids are too old for picture books, and I certainly am. But every now and again I like to peruse them nostalgically, especially when I come across one by a family-favorite writer like Chris Van Dusen. Like his earlier books, “ Big Truck Little Island ” features bright illustrations that feel both realistic and fantastical. Here the story is based on a real event that happened in Vinalhaven, a tiny island off the Maine coast: A tractor-trailer got stuck on a small road, blocking local traffic, and drivers found a creative solution to get around the obstacle. There are so many appealing things about this book — the verse, the whimsy, the beautiful images — but perhaps my favorite thing is that its message — think creatively and work together — comes across subtly. Cooperation is as simple as this nifty line: “They quickly decided as friends what to do.” — Nora Krug

“The Rabbit Hutch,” by Tess Gunty (Knopf)

Gunty had the kind of debut that novelists dream of: After a massive outpouring of critical plaudits, “ The Rabbit Hutch ” won the National Book Award for fiction. Strange but gripping, the novel follows the residents of a dilapidated apartment complex in the run-down town of Vacca Vale, Ind., focusing particularly on a cerebral young woman whose promising future was derailed by a disastrous relationship. She’s hardly the only one muddling through, though, in this survey of lost souls in search of human connection. — SM

14 feel-good books from 2022

“Below Ambition,” by Simon Hanselmann (Fantagraphics)

Hanselmann may be the funniest cartoonist working today, writing and illustrating comics that revel in a comedy of cruelty. But where 2021’s pandemic-lockdown-era epic “ Crisis Zone ” is busy and loud, 2022’s “ Below Ambition ” is unusually sedate. It follows Hanselmann regulars Megg and Werewolf Jones as they take their awful, awful band, Horse Mania, on the road, dozing off during gigs, starting fights at venues and otherwise making a mess of their lives. Less ostentatiously hilarious than Hanselmann’s other stories (though it’s still occasionally uproarious), it instead sits with the quieter core of sadness that is always the counterweight to his humor. — JB

“Part of Your World,” by Abby Jimenez (Forever)

There’s a curious preponderance of bakers in romance novels. Less common: a professional baker who’s talented at serving up both brownie cupcakes and witty banter. Somehow, between running Nadia Cakes stores in Minnesota and California and appearing on the Food Network, Jimenez managed to publish four novels in as many years. Her most recent , about an overworked ER doctor caught between her parents’ sky-high expectations and a fledgling relationship with a much younger carpenter, is as delectable as anything in a bakery case. — SM

50 notable works of nonfiction from 2022

“Wrong Place Wrong Time,” by Gillian McAllister (William Morrow)

In this novel , a mother is shocked when her teenage son stabs a stranger to death. His arrest and forthcoming murder charge send her into despair, until she wakes up to find that it is yesterday morning again, and she still has a chance to fix things. In a reverse-engineered butterfly effect, each time she fails to stop the murder she wakes up earlier than before, always searching for the trigger that set this nightmare into motion. — Becky Meloan

“The It Girl,” by Ruth Ware (Gallery/Scout Press)

Ware’s clever plots have been compared to Agatha Christie’s, and “ The It Girl ” is another psychological thriller that will make even savvy readers uncertain about whodunit. Ten years after her magnetic college roommate was murdered, Hannah Jones is starting to question her recollections. Her testimony put a man behind bars, but when a reporter materializes with fresh evidence, Hannah embarks on her own investigation, putting herself — and her unborn baby — in peril. Braiding together narratives from the past and present, Ware meticulously engineers a story full of red herrings and reversals. — SM

More from Book World

Love everything about books? Make sure to subscribe to our Book Club newsletter , where Ron Charles guides you through the literary news of the week.

Check out our coverage of this year’s Pulitzer winners: Jayne Anne Phillips won the fiction prize for her novel “ Night Watch .” The nonfiction prize went to Nathan Thrall, for “ A Day in the Life of Abed Salama .” Cristina Rivera Garza received the memoir prize for “ Liliana’s Invincible Summer .” And Jonathan Eig received the biography prize for his “ King: A Life .”

Best books of 2023: See our picks for the 10 best books of 2023 or dive into the staff picks that Book World writers and editors treasured in 2023. Check out the complete lists of 50 notable works for fiction and the top 50 nonfiction books of last year.

Find your favorite genre: Three new memoirs tell stories of struggle and resilience, while five recent historical novels offer a window into other times. Audiobooks more your thing? We’ve got you covered there, too . If you’re looking for what’s new, we have a list of our most anticipated books of 2024 . And here are 10 noteworthy new titles that you might want to consider picking up this April.

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