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Lady Macbeth Character Analysis

Lady Macbeth is possibly Shakespeare’s most famous and vivid female character. Everyone, whether they have read or seen the Macbeth play , has a view of her. She is generally depicted in the popular mind as the epitome of evil, and images of her appear over and over again in several cultures. She is usually portrayed in pictures as something like a Disney character, a cross between Cruella DeVille and the wicked stepmother in Snow White.

Although she has some of the most bloodthirsty lines in Shakespeare she is not quite Cruella De Ville or the wicked stepmother. The response she gets from the male characters suggests that she is a young, sexually attractive woman and, indeed, in her effort to influence Macbeth, she uses every method at her disposal, including the employment of her sexual charms.

She is usually depicted as a strong, tough woman and, in her drive to induce Macbeth to murder King Duncan, she appears to be that, but, having succeeded, it does not take long for her to crumble and break down, destroyed by guilt, and she ends up committing suicide.

Shakespeare does not have any evil characters. What he has are ordinary human beings, like you and me, placed in situations that challenge and test them. Some of them, like Iago in Othello , have personality defects, but that’s rare in Shakespeare and it’s not the case with Lady Mcbeth.

The challenges that Shakespeare presents his characters with generates different responses from different people. Lady Macbeth’s challenge is that she discovers that her husband has been tempted by an encounter with three witches to do something about their prediction that he will become king. She knows that the king would have to die for that to happen. When she gets a message that King Duncan plans to spend the night with them at Glamys Castle it seems to confirm the thought that they would have to kill him and that this was their once in a lifetime opportunity. That’s the situation into which she has been thrust.

She is as ambitious as Macbeth but she knows that for all his bravery in battle, all his soldierly and diplomatic qualities, he is basically much too soft –“too full of the milk of human kindness” – to take advantage of the opportunity. She makes up her mind to make him do it.

And she is right about his lack of resolve – they talk it over and he tells her that he just can’t do it. She goes into high gear and virtually holds his hand through it. One of her strongest qualities is persistence and she shows it here. Macbeth hesitates, equivocates and falters but she holds firm. She argues the case, she mocks him, bringing his manhood into question, she appeals to his sense of loyalty to her, she takes him to bed, and she finally prevails.

Macbeth kills Duncan in his sleep and from that moment their marriage begins to fall apart. They each fall into their own guilt-trip and hardly speak to each other. As king, Macbeth fears his political enemies and embarks on a reign of terror while Lady Macbeth stays in bed, unable to sleep, having nightmares when she does manage it. While walking and talking in her sleep she gives the game away about what they have done and sinks into a moral, physical and spiritual collapse. When Macbeth is on his last legs, with the rebels closing in, he gets the message that she’s dead. At that point, he says he doesn’t have time to think about it. “She should have died hereafter,” he says. Their partnership in this murderous enterprise has destroyed their marriage.

The promise of strength that we see in her at the beginning of the play is an illusion. What we are seeing is naked ambition and a willingness to act on it without having the resources to deal with the consequences. We see how guilt can eat up your soul and destroy you. We see how hollow ambition is, both in her journey and Macbeth’s. (Read the most  significant Macbeth ambition quotes .)

Character attributes

Some significant character attributes of Lady Macbeth are:

  • Controlling – she understands that her husband doesn’t have the savageness required to murder the king of his own accord, so she manipulates him. She plans out the murder, then takes control of events when Macbeth loses his mind.
  • Cruel – she is a violent, cold-blooded character who is happy to scheme the murder. She ridicules Macbeth when he doesn’t agree to participate in her violent plans.
  • Two-faced – she welcomes King Duncan like a friend whilst at the same time planning his murder. She also advises Macbeth to be two-faced.

Erika Sunnegårdh playing Lady Macbeth stands on stage in a blue dress holding a large axe

Erika Sunnegårdh as Lady Macbeth

Top Lady Macbeth Quotes

“I fear thy nature; It is too full o’ th’ milk of human kindness

( act 1, scene 5 )

“To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue; look like th’ innocent flower, But be the serpent under’t.”
“ The raven himself is hoarse That croaks the fatal entrance of Duncan Under my battlements”
“Come, you spirits That tend on mortal thoughts, unsex me here,
“Would’st thou have that Which thou esteem’st the ornament of life, And live a coward in thine own esteem, Letting “I dare not” wait upon “I would,” Like the poor cat i’ th’ adage? “

( act 1, scene 7 )

“I have given suck, and know How tender ’tis to love the babe that milks me. I would, while it was smiling in my face, Have plucked my nipple from his boneless gums And dashed the brains out, had I so sworn as you Have done to this.”
“ Out! damned spot! “

( act 5, scene 1 )

Read more Lady Macbeth quotes .

See All Macbeth Resources

Macbeth | Macbeth summary | Macbeth characters : Banquo , Lady Macbeth , Macbeth , Macduff , Three Witches | Macbeth settings | Modern Macbeth translation  | Macbeth full text | Macbeth PDF  |  Modern Macbeth ebook | Macbeth for kids ebooks | Macbeth quotes | Macbeth ambition quotes |  Macbeth quote translations | Macbeth monologues | Macbeth soliloquies | Macbeth movies | Macbeth themes

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Common Questions About Lady Macbeth

Is lady macbeth a true story.

Although Shakespeare used the names of real historical people in writing Hamlet, the events of the drama are mostly made up. So in that sense, Lady Macbeth is not a real character. There was an 11th-century Scottish king named Mac Bethad Mac Findlaich . Presumably, he had a wife but we know nothing about her.

What kind of character is Lady Macbeth?

Lady Macbeth is ambitious. She is manipulative and uses several techniques of a skilled manipulator to entice Macbeth into the murder of Duncan. Usually thought of as a hard, ruthless woman, she is, in reality, soft. Not long after the murder, unable to cope with her guilt, she falls apart and loses all sense of herself.

What happens to Lady Macbeth?

Lady Macbeth tries to prop her husband up as he descends into a guilt-ridden hell but she soon falls victim to the same condition. Her whole life literally becomes a nightmare, in which she relives the event that has brought her condition about. Her life becomes unbearable and she commits suicide.

Who does Lady Macbeth kill?

Lady Macbeth does not personally kill anyone. She conspires in the murder of the king, Duncan, though, and actively encourages Macbeth to kill him. It is Macbeth who does the actual killing. Lady Macbeth plays no part in the many further killings that Macbeth engineers. Soon after the killing of Duncan the two don’t even talk to each other.

What made Lady Macbeth go crazy?

Lady Macbeth is partly responsible for the kind of killing that was taboo in Mediaeval Scotland – murdering one’s king, murdering one’s relative and murdering a guest in one’s house. In killing Duncan the couple did all three. She begins to have nightmares about the murder and, in particular, the blood on her hands, which she can’t get rid of no matter how hard she scrubs. That drives her to suicide.

How does Lady Macbeth feel after the killing of Duncan?

Once Duncan is killed Lady Macbeth is pleased that her ambition to be the wife of a king has been achieved, but that feeling very soon turns sour as guilt begins to eat away at her. She then she has feelings that she can’t live with, and ends up killing herself (one of 13 suicides in Shakespeare’s plays ).

Is 2016 film Lady Macbeth based on Shakespeare’s Lady Macbeth character?

No. Lady Macbeth is a 2016 British film based on Nikolai Leskov’s novella Lady Macbeth of the Mtsensk District , and starring Florence Pugh.

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Home — Essay Samples — Literature — Macbeth Ambition — Lady Macbeth: From Ambition To Madness

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Lady Macbeth: from Ambition to Madness

  • Categories: Macbeth Macbeth Ambition William Shakespeare

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Published: Nov 8, 2021

Words: 1147 | Pages: 3 | 6 min read

Works Cited

  • Shakespeare, W. (2003). Macbeth. Washington Square Press.
  • Bloom, H. (2004). Shakespeare: The Invention of the Human. Riverhead Books.
  • Hazlitt, W. (2018). Characters of Shakespear's Plays. Franklin Classics.
  • Kliman, B. (2014). Macbeth. John Wiley & Sons.
  • Pearson, E. J. (2010). Lady Macbeth: A Psychological Analysis. JSTOR, 20(1), 69-84.
  • Rosenberg, M. (2010). Lady Macbeth as the Fourth Witch. In Macbeth: New Critical Essays (pp. 143-165). Routledge.
  • McEachern, C. (2018). Lady Macbeth: A Critical History. Cambridge University Press.
  • Seaton, R. (2007). Macbeth: A Guide to the Play. Greenwood Publishing Group.
  • Crawford, A. (2005). Lady Macbeth's "Unsex Me" Speech: Shakespeare's Source Material. Shakespeare Quarterly, 56(3), 375-383.
  • Jankowski, T. (2017). Lady Macbeth: An Icon of the Early Modern Period. Polish Journal for American Studies, 11(1), 69-82.

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lady macbeth essay introduction

lady macbeth essay introduction

Macbeth Essays

There are loads of ways you can approach writing an essay, but the two i favour are detailed below., the key thing to remember is that an essay should focus on the three aos:, ao1: plot and character development; ao2: language and technique; ao3: context, strategy 1 : extract / rest of play, the first strategy basically splits the essay into 3 paragraphs., the first paragraph focuses on the extract, the second focuses on the rest of the play, the third focuses on context. essentially, it's one ao per paragraph, for a really neatly organised essay., strategy 2 : a structured essay with an argument, this strategy allows you to get a much higher marks as it's structured to form an argument about the whole text. although you might think that's harder - and it's probably going to score more highly - i'd argue that it's actually easier to master. mainly because you do most of the work before the day of the exam., to see some examples of these, click on the links below:, lady macbeth as a powerful woman, macbeth as a heroic character, the key to this style is remembering this: you're going to get a question about a theme, and the extract will definitely relate to the theme., the strategy here is planning out your essays before the exam, knowing that the extract will fit into them somehow., below are some structured essays i've put together., macbeth and gender.

Essays on Power of Lady Macbeth in Shakespeare's Play "Macbeth."

A short summary of lady macbeth character in shakespeare play macbeth, attachments.

Vishal

Lady Macbeth is a complex and fascinating character in William Shakespeare's play, Macbeth. She is the wife of the play's protagonist, Macbeth, and plays a significant role in the events that unfold throughout the play.

At the beginning of the play, Lady Macbeth is portrayed as a powerful and ambitious woman who is not afraid to take control of a situation. She is the driving force behind Macbeth's decision to murder King Duncan in order to fulfill the witches' prophecy and become king himself. She is portrayed as cunning and manipulative, as she uses her persuasive skills to convince Macbeth to commit the murder, even when he is hesitant.

Throughout the play, Lady Macbeth's character undergoes a significant transformation. As the guilt of their actions begins to weigh on her, she becomes increasingly tormented and unstable. She experiences vivid hallucinations and becomes consumed with guilt and remorse for her role in Duncan's murder. Her descent into madness culminates in her tragic suicide, which is a pivotal moment in the play's dramatic climax.

Lady Macbeth's character is also interesting for her gendered role in the play. As a woman in a patriarchal society, Lady Macbeth must navigate the constraints of her gender in order to achieve her ambitions. She is  aware of the societal expectations placed upon her and uses her femininity as a tool to manipulate and control Macbeth. However, her ambition ultimately leads to her downfall, and she is punished for crossing her boundaries.

In conclusion, Lady Macbeth is a complex and compelling character whose actions drive the plot of the play. Her transformation from a powerful and manipulative figure to a tormented and guilt-ridden woman is a tragic  exploration of the human psyche. Additionally, her gendered role in the play highlights the societal expectations placed upon women during Shakespeare's time, and the consequences of challenging those expectations.

Here, you can find downloadable resources which contain essays written by GCSE students on lady Macbeth's characters.

  • GCSE Essay about Lady Macbeth
  • A pack of 6 sample essays written by GCSE students on character of Lady Macbeth

Did you like this article? Rate it!

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lady macbeth essay introduction

Macbeth – A* / L9 Full Mark Example Essay

This is an A* / L9 full mark example essay on Macbeth completed by a 15-year-old student in timed conditions (50 mins writing, 10 mins planning).

It contained a few minor spelling and grammatical errors – but the quality of analysis overall was very high so this didn’t affect the grade. It is extremely good on form and structure, and perhaps could do with more language analysis of poetic and grammatical devices; as the quality of thought and interpretation is so high this again did not impede the overall mark. 

Thanks for reading! If you find this resource useful, you can take a look at our full online Macbeth course here . Use the code “SHAKESPEARE” to receive a 50% discount!

This course includes: 

  • A full set of video lessons on each key element of the text: summary, themes, setting, characters, context, attitudes, analysis of key quotes, essay questions, essay examples
  • Downloadable documents for each video lesson 
  • A range of example B-A* / L7-L9 grade essays, both at GCSE (ages 14-16) and A-Level (age 16+) with teacher comments and mark scheme feedback
  • A bonus Macbeth workbook designed to guide you through each scene of the play!

For more help with Macbeth and Tragedy, read our article here .

MACBETH EXAMPLE ESSAY:

Macbeth’s ambition for status and power grows throughout the play. Shakespeare uses Macbeth as an embodiment of greed and asks the audience to question their own actions through the use of his wrongful deeds.

In the extract, Macbeth is demonstrated to possess some ambition but with overriding morals, when writing to his wife about the prophecies, Lady Macbeth uses metaphors to describe his kind hearted nature: “yet I do fear thy nature, / It is too full o’th’milk of human kindness”. Here, Shakespeare presents Macbeth as a more gentle natured being who is loyal to his king and country. However, the very act of writing the letter demonstrates his inklings of desire, and ambition to take the throne. Perhaps, Shakespeare is aiming to ask the audience about their own thoughts, and whether they would be willing to commit heinous deeds for power and control. 

Furthermore, the extract presents Macbeth’s indecisive tone when thinking of the murder – he doesn’t want to kill Duncan but knows it’s the only way to the throne. Lady Macbeth says she might need to interfere in order to persuade him; his ambition isn’t strong enough yet: “That I may pour my spirits in  thine ear / And chastise with the valour of my tongue”. Here, Shakespeare portrays Lady Macbeth as a manipulative character, conveying she will seduce him in order to “sway “ his mind into killing Duncan. The very need for her persuasion insinuates Macbeth is still weighing up the consequences in his head, his ambition equal with his morality. It would be shocking for the audience to see a female character act in this authoritative way. Lady Macbeth not only holds control of her husband in a patriarchal society but the stage too, speaking in iambic pentameter to portray her status: “To catch the nearest way. Thou wouldst be great”. It is interesting that Shakespeare uses Lady Macbeth in this way; she has more ambition for power than her husband at this part of play. 

As the play progresses, in Act 3, Macbeth’s ambition has grown and now kills with ease. He sends three murders to kill Banquo and his son, Fleance, as the witches predicted that he may have heirs to the throne which could end his reign. Macbeth is suspicious in this act, hiding his true intentions from his dearest companion and his wife: “I wish your horses swift and sure on foot” and “and make our faces vizards to our hearts”. There, we see, as an audience, Macbeth’s longing to remain King much stronger than his initial attitudes towards the throne He was toying with the idea of killing for the throne and now he is killing those that could interfere with his rule without a second thought. It is interesting that Shakespeare presents him this way, as though he is ignoring his morals or that they have been “numbed” by his ambition. Similarly to his wife in the first act, Macbeth also speaks in pentameter to illustrate his increase in power and dominance. 

In Act 4, his ambition and dependence on power has grown even more. When speaking with the witches about the three apparitions, he uses imperatives to portray his newly adopted controlling nature: “I conjure you” and “answer me”. Here, the use of his aggressive demanding demonstrates his reliance on the throne and his need for security. By the Witches showing him the apparitions and predicting his future, he gains a sense of superiority, believing he is safe and protected from everything. Shakespeare also lengthens Macbeth’s speech in front of the Witches in comparison to Act 1 to show his power and ambition has given him confidence, confidence to speak up to the “filthy nags” and expresses his desires. Although it would be easy to infer Macbeth’s greed and ambition has grown from his power-hungry nature, a more compassionate reading of Macbeth demonstrates the pressure he feels as a Jacobean man and soldier. Perhaps he feels he has to constantly strive for more to impress those around him or instead he may want to be king to feel more worthy and possibly less insecure. 

It would be unusual to see a Jacobean citizen approaching an “embodiment” of the supernatural as forming alliance with them was forbidden and frowned upon. Perhaps Shakespeare uses Macbeth to defy these stereotypical views to show that there is a supernatural, a more dark side in us all and it is up to our own decisions whereas we act on these impulses to do what is morally incorrect. 

If you’re studying Macbeth, you can click here to buy our full online course. Use the code “SHAKESPEARE” to receive a 50% discount!

You will gain access to  over 8 hours  of  engaging video content , plus  downloadable PDF guides  for  Macbeth  that cover the following topics:

  • Character analysis
  • Plot summaries
  • Deeper themes

There are also tiered levels of analysis that allow you to study up to  GCSE ,  A Level  and  University level .

You’ll find plenty of  top level example essays  that will help you to  write your own perfect ones!

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Sample Gcse Essay About Lady Macbeth As A Powerful Character

Date : 03/10/2017

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Rahul

Uploaded by : Rahul Uploaded on : 03/10/2017 Subject : English

This article contains a mock essay written by one of my students. When I met him, he was scoring a 3 to 4 in his mock GSCE English language and literature exams.

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‘Macbeth’ Grade 9 Example Response

Grade 9 – full mark – ‘Macbeth’ response

Starting with this extract (from act 1 scene 7), how does Shakespeare present the relationship between Macbeth and Lady Macbeth?

In Shakespeare’s eponymous tragedy ‘Macbeth’, Macbeth and Lady Macbeth’s relationship is a complex portrait of love, illustrating layers of utter devotion alongside overwhelming resentment. Though the couple begins the play unnaturally strong within their marriage, this seems to act as an early warning of their imminent and inevitable fall from grace, ending the play in an almost entirely different relationship than the one they began the play with.

In the exposition of the play, Macbeth and Lady Macbeth initially appear immensely strong within their marriage, with Macbeth describing his wife as ‘my dearest partner of greatness’ in act 1 scene 5. The emotive superlative adjective ‘dearest’ is a term of endearment, and acts as a clear depiction of how valued Lady Macbeth is by her husband. Secondly, the noun ‘partner’ creates a sense of sincere equality which, as equality within marriage would have been unusual in the Jacobean era, illustrates to a contemporary audience the positive aspects of their relationship. Furthermore the lexical choice ‘greatness’ may connote ambition, and as they are ‘partner(s)’, Shakespeare suggests that Macbeth and Lady Macbeth are equal in their desire for power and control, further confirming their compatibility but potentially hinting that said compatibility will serve as the couple’s hamartia.

However, the strength of Macbeth and Lady Macbeth’s relationship falls into a rapid downward spiral in the subsequent scenes, as a struggle for power within the marriage ensues. This is evidenced when Macbeth, in act 1 scene 7, uses the declarative statement ‘we will proceed no further in this business’. Here, Macbeth seems to exude masculinity, embracing his gender role and dictating both his and his wife’s decisions. The negation ‘no’ clearly indicates his alleged definitive attitude. However, Lady Macbeth refuses to accept her husband’s rule, stating ‘when you durst do it, then you were a man’. She attempts to emasculate him to see their plan through. The verb ‘durst’ illustrates the risk taking behaviour that Lady Macbeth is encouraging; implying an element of toxicity within their relationship, and her harsh speech makes the cracks in their relationship further visible to the audience. It is also probable that a contemporary audience would be made severely uncomfortable in the presence of Lady Macbeth’s unapologetic display of power, and it is possible that Shakespeare attempts to paint Lady Macbeth as the villain of the play, playing upon the audience’s pre-determined fears of feminine power. Though Lady Macbeth appears to be acting entirely out of self-interest, another reader may argue that she influences her husband so heavily to commit the heinous act of regicide, as she believes that he crown may as a substitute for the child or children that Shakespeare suggests she and Macbeth have lost previously, and in turn better Macbeth’s life and bring him to the same happiness that came with the child, except in another form.

As the play progresses, Shakespeare creates more and more distance between the characters, portraying the breakdown of their relationship as gradual within the play but rapid in the overall sense of time on stage. For example, Lady Macbeth requests a servant ‘say to the king’ Lady Macbeth ‘would attend his leisure/ for a few words’. Here she is reduced to the status of someone far lesser than the king, having to request to speak to her own husband. It could be interpreted that, now as king, Macbeth holds himself above all else, even his wife, perhaps due to the belief of the divine right of kings. The use of the title rather than his name plainly indicated the lack of closeness Lady Macbeth now feels with Macbeth and intensely emotionally separates them. This same idea is referenced as Shakespeare develops the characters to almost juxtapose each other in their experiences after the murder of Duncan. For example, Macbeth seems to be trapped in a permanent day, after ‘Macbeth does murder sleep’ and his guilt and paranoia render him unable to rest. In contrast, Lady Macbeth takes on an oppositional path, suffering sleepwalking and unable to wake from her nightmare; repeating the phrase ‘to bed. To bed’ as if trapped in a never-ending night. This illustrates to the audience the extreme transformation Macbeth and Lady Macbeth’s relationship undergoes, and how differently they end up experiencing the aftermath of regicide.

In conclusion, Macbeth and Lady Macbeth begin the play almost too comfortable within their marriage, which seems to invite the presence of chaos and tragedy into their relationship. Their moral compositions are opposing one another, which leads to the distancing and total breakdown of their once successful marriage and thus serves as a warning to the audience about the effects of murder, and what the deadly sin of greed can do to a person and a marriage.

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9 thoughts on “‘Macbeth’ Grade 9 Example Response”

wheres the context

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It is also probable that a contemporary audience would be made severely uncomfortable in the presence of Lady Macbeth’s unapologetic display of power, and it is possible that Shakespeare attempts to paint Lady Macbeth as the villain of the play, playing upon the audience’s pre-determined fears of feminine power.

Also ref to ‘divine right of kings’

Thank you! This is a brilliant response. Just what I needed. Could you also please include the extract in the question.

We will proceed no further in this business. He hath honored me of late, and I have bought Golden opinions from all sorts of people, Which would be worn now in their newest gloss, Not cast aside so soon.

—> until end of scene

She did (Act 1 Scene 7)

Another great resource for grade 9 Macbeth analysis https://youtu.be/bGzLDRX71bs

In order to get a grade 9 for a piece like this would you need to include a wide range of vocabulary or could you write the same thing ‘dumbed down’ and get a 9.

If the ideas were as strong then yes, but your writing must AT LEAST be ‘clear’ for a grade 6 or above.

This is really great, I’m in Year 10 doing my Mock on Thursday, a great point that i have found (because I also take history) Is the depiction of women throughout the play, during the Elizabethan era, (before the Jacobean era) many people had a changed view of women as Queen Elizabeth was such a powerful woman, glimpses of this have been shown in Jacobean plays, in this case Macbeth, Lady Macbeth is depicted as powerful although she had to be killed of to please King James (as he was a misogynist) women are also depicted as evil in the play, such as the three witches, I also found that the Witches are in three which could be a mockery to the Holy Trinity.

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Critic’s Notebook

In a Pair of ‘Macbeth’ Productions, Only One Does Right by the Lady

One of Shakespeare’s most coveted roles for women gets different interpretations onstage in New York and Washington.

A middle-aged woman wearing a sweater holds a piece of paper to her chest as she looks into the distance.

By Maya Phillips

“Macbeth” isn’t one of Shakespeare’s so-called “problem plays,” and yet, the vast contradictions and reversals of the central couple often present a problem for those staging it.

Two “Macbeth” productions now running — the Royal Lyceum Edinburgh’s “Macbeth (An Undoing),” at the Polonsky Shakespeare Center in Brooklyn, and the Shakespeare Theater Company’s “Macbeth” in Washington — take opposite approaches to the text, particularly in their depictions of Lady Macbeth. The results are two wildly different kinds of tragedies, one more successful than the other.

The project of “ Macbeth (An Undoing ),” written and directed by Zinnie Harris, is to re-evaluate the female characters in Shakespeare’s tragedy. The play, presented by Theater for a New Audience and the Rose Theater, begins as a loose adaptation of the material: Macbeth, a celebrated soldier fighting on behalf of Scotland, hears a prophecy from three weird sisters that he’ll get two promotions, including one to the throne. The Macbeths then pave their path to power by murdering everyone who could stand in their way.

With the exception of some modern paraphrasing, the unnecessary fan-fiction-esque addition of a romantic affair and a larger showing by the witches — who sometimes break the fourth wall and at others appear as servants — much of the first half of the show follows the original. In the second half, however, the production changes direction; Macbeth is the one who can’t seem to wash the blood off his hands. As he descends into the particular brand of madness usually reserved for Lady Macbeth, she transforms into the king. In fact, those around her begin addressing her as “sir” and “king.” Lady Macbeth, it turns out, has her own history with the witches, whom she sought out for medicine to prevent a miscarriage but neglected to pay when she still lost the child.

“So I am reduced to my infertility after all,” Lady Macbeth says to her husband when he accusingly interrogates her about the miscarriages. The line is one of several that the play offers as a rebuttal to some unclear larger discourse about the gender politics of “Macbeth.” “Unclear” because the ultimate irony (and failure) of “Macbeth (An Undoing)” is that in trying to subvert the gender politics of the original, it actually contradicts itself, making the character arcs and themes largely incoherent. So this Lady Macbeth complains about being characterized by her infertility, and yet the material that most heavily emphasizes her obsessive desire for a child are unique additions to this play not found in Shakespeare’s text.

Playing Lady Macbeth, Nicole Cooper is at her best when she offers a more realistic, matter-of-fact interpretation of the character in the first half of the production. But she and her Macbeth, played by Adam Best, lack chemistry, and the actors can’t negate the fact that instead of expanding the characters, the play’s role reversals flatten them. Shakespeare already built in a reversal between these characters; Macbeth’s early hesitance and caution shifts to untethered resolve, while Lady Macbeth’s early steadfastness shifts to guilt and madness.

In losing the tension between the couple’s seesawing consciences and intentions, “Macbeth (An Undoing)” also loses the context of the play’s great speeches. The famous “tomorrow and tomorrow and tomorrow” soliloquy, originally spoken by Macbeth in a state of grief-turned-apathy after learning of his wife’s death, loses its emotional weight when spoken by Lady Macbeth after she commits a murder.

There is, by the way, a good helping of murder in this version. And the blood flows freely. One character’s death comes with an almost comical deluge, audibly dripping onstage as the dialogue continues. Lady Macbeth, constantly plagued by blood spots, calls for more wardrobe changes than a contestant on “RuPaul’s Drag Race.” This kind of ceaseless repetition and constant over-explanation of the themes drags down the pacing of the play and makes for a tiresome experience.

“Macbeth (An Undoing)” ends with the same outcome and same body count, though the unnecessarily convoluted route the play takes, full of ineffective additions and alterations, and absent much of Shakespeare’s poetry, only further emphasizes the missing artistry of the original story.

These creative decisions minimize Cooper’s ability to get the most out of Lady Macbeth, who is perhaps the most coveted Shakespeare role for women as a complex character who already subverts stereotypes about women as lovers, mothers and caretakers.

The very proof is in Indira Varma’s absorbing performance opposite Ralph Fiennes in the production of “ Macbeth ” that opened on April 12 in D.C. Set in a former soundstage about three miles from the Shakespeare Theater Company’s usual space, this engrossing production draws audiences into a wrecked war zone that is then mirrored in the Macbeth household.

As played by Varma (known for her role on “Game of Thrones” ), Lady Macbeth is neither a vessel of unbridled female lust, as is often the case, nor an evil girl-boss. Her performance is built on Lady Macbeth’s earnest, wholesome love for her husband. Even when Lady Macbeth rolls up her sleeves and impatiently grabs the daggers from her husband after his bloody act of treason, there’s a brightness to her affections; she guides Macbeth through the next step of their plot with the soft yet forceful scolding of a mother to her hapless son.

Though the show’s aesthetic is grandiose, and occasionally otherworldly, with climactic lighting design and titillating sound design, the performances are refreshingly grounded. From the onset the director, Simon Godwin (who also directed the electric TV film version of “ Romeo and Juliet ,” and National Theater Live’s sensual “Antony and Cleopatra,” also starring Fiennes), paints a sophisticated picture of the central couple’s relationship, and their subsequent fall from grace.

Fiennes’s Macbeth fully owns his ambitions, and potential for regicide, but he’s also tense and cautious to the point of neuroticism. He lumbers across the stage with his shoulders hunched, looking like he’s always on the defensive. Macbeth’s ultimate shift is not toward insanity as much as it is to willfulness rooted in his newly acquired power and driven home by male ego.

And when Lady Macbeth goes mad, there’s still some degree of cogency to her condition; Varma’s tone, posture and temperament shift drastically but never lose their connection to the rest of her performance.

By the end, these Macbeths are transformed more significantly and imbued with more humanity than the reconsidered and restyled couple in “Macbeth (An Undoing).” Because even stuck in a plot of warring men, and on stages ruled by men, Shakespeare’s tragic lady can still summon a magic all her own.

Macbeth (An Undoing)

Through May 4 at Polonsky Shakespeare Center, Brooklyn; tfana.org . Running time: 2 hours 35 minutes.

Through May 5 at Shakespeare Theater Company, Washington, D.C.; shakespearetheatre.org . Running time: 2 hours 45 minutes.

Maya Phillips is an arts and culture critic for The Times.  More about Maya Phillips

IMAGES

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VIDEO

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COMMENTS

  1. Lady Macbeth Character Analysis in Macbeth

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  2. PDF Six Macbeth' essays by Wreake Valley students

    Level 5 essay Lady Macbeth is shown as forceful and bullies Macbeth here in act 1.7 when questioning him about his masculinity. This follows from when Shakespeare presents Lady Macbeth to be ambitious when Macbeth writes her a letter and she reads it as a soliloquy in act 1.5.

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  5. Macbeth Key Character Profile: Lady Macbeth

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  13. PDF Esha Manjal LADY MACBETH essay

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  14. GCSE Essays about Lady Macbeth as a Powerful Character

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  15. A+ Student Essay: The Significance of Equivocation in Macbeth

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  22. 'Macbeth' Grade 9 Example Response

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  24. Lady Macbeth Gets Two Very Different Interpretations

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