university of glasgow phd creative writing

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Creative Writing MLitt

University of glasgow, different course options.

• Key information

Course Summary

Tuition fees, entry requirements, university information, similar courses at this uni, key information data source : idp connect, qualification type.

MLitt - Master of Letters

Subject areas

Creative Writing

Course type

The Creative Writing programme at Glasgow has gained an excellent reputation amongst writers, agents and publishers. It is perfect for talented and aspiring writers who want to develop their craft, take risks in their work, and gain creative and critical skills; all as part of a supportive community of fellow writers.

WHY THIS PROGRAMME

• Our postgraduate taught and research-led writing courses are among the most challenging and popular in Britain, and have helped launch the career of a number of successful writers including Anne Donovan, Louise Welsh and Rodge Glass, to name but a few.
• We invite a range of guest speakers who can offer inspiration and advice to you, including authors, poets, journalists, publishers, editors, literary judges and playwrights. You can find information on previous guest speakers by visiting our creative writing subject page.
• We have strong links with literary agents and publishers, and an impressive number of our graduates are published and acclaimed authors.

CAREER PROSPECTS

Graduates have gone into journalism, publishing and writing.

You can find a list of alumni on our Creative Writing subject pages. Others have been published in magazines and journals, or have had their work produced and broadcast on radio and television.

UK fees Course fees for UK students

For this course (per year)

International fees Course fees for EU and international students

You will normally have a 2.1 Honours degree (or equivalent), though this is not a pre-requisite. The primary basis for admission is the appraisal of a portfolio of your creative work.

The University of Glasgow is one of four ancient universities in Scotland, founded back in 1451. Alumni include seven Nobel Prize winners, Scotland’s First Minister and a Prime Minister, while Albert Einstein gave a seminal lecture on the theory of relativity there in 1933. The university consists of four colleges: College of Arts College of Medical, Veterinary and Life Sciences College of Science and Engineering College of... more

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University of glasgow: creative writing.

The Creative Writing programme at Glasgow has gained an excellent reputation amongst writers, agents and publishers. It is perfect for talented and aspiring writers who want to develop their craft, take risks in their work, and gain creative and critical skills; all as part of a supportive community of fellow writers.

Our postgraduate taught and research-led writing courses are among the most challenging and popular in Britain, and have helped launch the career of a number of successful writers including Anne Donovan, Louise Welsh and Rodge Glass, to name but a few.

Our postgraduate taught and research-led writing courses are among the most challenging and popular in Britain, and have helped launch the career of a number of successful writers including Anne Donovan, Louise Welsh and Rodge Glass, to name but a few. * We invite a range of guest speakers who can offer inspiration and advice to you, including authors, poets, journalists, publishers, editors, literary judges and playwrights. You can find information on previous guest speakers by visiting our creative writing subject page. * We have strong links with literary agents and publishers, and an impressive number of our graduates are published and acclaimed authors. * Join our creative community and study at a world-leading university. The University of Glasgow has been named Scottish University of the Year 2022 by the Times and the Sunday Times Good University Guide and rank 33rd in the World for English Language & Literature (QS World Rankings 2022). * Listen to our podcast: Stories from Glasgow - Writing Space with Dr Oliver K. Langmead. * Read From Glasgow to Saturn, our literary journal.

The MLitt in Creative Writing is directed at those who are already engaged in writing. The programme’s clear three-part structure, focused on creative, critical and practical issues, distinguishes it from others offered in the UK.

The programme structure covers:

• CREATIVE WRITING: CRAFT AND EXPERIMENTATION 1
• CREATIVE WRITING: EDITING AND PUBLICATION 1
• CREATIVE WRITING WORKSHOP
• CREATIVE WRITING PORTFOLIO (PGT)
• CREATIVE WRITING: EDITING AND PUBLICATION 2

And your choice (subject to availability) of one of the following: * CRIME FICTION * CREATIVE WRITING: OF THE PERSONAL: EMOTIONS AND THE SELF IN CREATIVE NON-FICTION * CREATIVE WRITING: POETRY INTERVENES NOW: DIVERSE QUEER STRATEGIES OF MAKING * THE GENRE-BENDING ART OF ESSAYING * READING & WRITING DEATH & DYING

Creative Conversations and other visiting speakers, which are not courses, also run through both semesters. These courses have been developed to:

• encourage you to experiment with a range of voices, techniques and genres alongside a consideration of major creative and editorial engagements from the modern through the contemporary period
• provide a space to undertake extended portfolios of creative and editorial work
• familiarise you with the writing context (audience, publishing in all its forms, the legal framework, modes of transmission); help you develop a critical understanding of diverse creative, theoretic and critical texts through consideration of major creative and editorial engagements in modern and contemporary writing
• help you develop the discipline of regular writing by providing a stimulating workshop and tutorial environment in which writing skills can be acquired, discussed and honed

Your portfolio, consisting of fiction, poetry, creative non-fiction, or script-writing, is at the heart of the summative assessment.

Glasgow is a city known for its culture and our students are involved in festivals, events, radio and literary magazines.

Graduates have gone into journalism, publishing and writing.

You can find a list of alumni on our Creative Writing subject pages. Others have been published in magazines and journals, or have had their work produced and broadcast on radio and television.

A number of our graduates have won or been shortlisted for major prizes for poetry, short fiction and fiction including the Dundee Book Prize, Booker Prize, Bailey’s Women’s Prize, Orange Prize, Fish Short Story Award, Bridport Prize, McCash Scots Poetry Competition, Macallan and Canongate short story awards, Saltire Awards, Scottish Book of the Year Awards.

Full-Time, 12 months started Sep 2023

The  University of Glasgow  is one of the UK’s most prestigious seats of learning, and the fourth oldest university in the English speaking world. Established in 1451 and recognised for its world-changing research and teaching, the University has inspired thinkers from eminent scientist Lord Kelvin and the father of economics Adam Smith, to Scotland’s First Minister Nicola Sturgeon. 

The University:

• is in the top 100 in the world: Times Higher World University Rankings 2023
• 95.9% of students in employment or further study 6 months after graduation …

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Creative writing

The Creative Writing discipline supports practice-based and critical research and PhD study focused on creative writing. This research activity is associated with the discipline's Contemporary Cultures of Writing Research Group. The core activity in this type of PhD study is the creation of a book-length work of literature (or script equivalent) and an accompanying critical reflective thesis, which elucidates the research and creative strategies involved in making the work. In this way the essence of the Creative Writing PhD is research through creative practice. The final creative work emerges from and embodies the research questions, and the decisions and discoveries made while producing the work. We welcome applications from candidates suitably qualified and with appropriate writing experience and ability.

We expect well-structured proposals which set out specific research questions and clearly outline creative and critical approaches. A substantial writing sample is also required.

Entry requirements

Minimum 2:1 undergraduate degree (or equivalent) and a strong academic and creative record, usually evidenced by an MA in Creative Writing and relevant publications. If you are not a UK citizen, you may need to prove your knowledge of English . 

Potential research projects

• Fiction – novel and short stories
• Creative Nonfiction – including life writing
• Script for stage, radio or screen

Current/recent research projects

• The Longest Fight: a novel and Getting into the Ring: an investigation of archetypes of the boxing hero, the creative influences of boxing reportage, and the role of personal memories in historical fiction.
• Freethinkers, a novel, and Inventing history: how do research, imagination and memory fuse creatively in the writing of an historical novel?
• Darkness Is Never Absolute: Ekphrasis of the Formless and Near-Black Paintings.
• The Other Mothers: Exploring adoption, surrogacy and egg donation through life writing.
• The Electric: A novel and critical commentary investigating narrative disruption in sign language, cinemagoing, and trauma.
• Longing to belong: an investigation into the potential for alternative storytelling techniques.
• A Sudden Light: a practice-led exploration of the significance and potential of the contemporary timeslip novel.

Potential supervisors

• Dr Emily Bullock
• Dr Siobhan Campbell
• Dr Donall Mac Cathmhaoill
• Dr Fiona Doloughan
• Dr Edward Hogan
• Dr Lania Knight
• Dr Derek Neale
• Dr Heather Richardson
• Dr Samuel Sargeant
• Dr Emma Sweeney
• Dr Jane Yeh

Some of our research students are funded via the Open-Oxford-Cambridge AHRC Doctoral Training Partnership ; others are self-funded.

For detailed information about fees and funding, visit  Fees and studentships .

To see current funded studentship vacancies across all research areas, see  Current studentships .

• Creative Writing at The Open University
• Recent and current creative writing PhD students
• The Contemporary Cultures of Writing Research Group

Get in touch

If you have an enquiry specific to this research topic, please contact:

Dr Molly Ziegler / Dr Ed Hogan Email: FASS-EnglishCreativeWriting-Enquiries Phone: +44 (0)1908 652092

If you’re interested in applying for this research topic, please take a look at the application process .

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MLitt Creative Writing

• Start date:  September
• Study mode and duration:  Full-time: 12 months Part-time: 24 months

Study with us

• work closely with experienced, published writers who know the industry to develop your writing practice
• benefit from workshops with peers and tutors while developing your ideas
• work on an extended creative project developed on a one-on-one basis with your tutor
• prepare for the practical side of literary development
• experiment with new and hybrid forms
• work in a dynamic, artistic city full of history and possibility

The Convener of the MLitt in Creative Writing is the award-winning novelist, short story writer, editor and biographer Rodge Glass, author of Bring Me the Head of Ryan Giggs, Stories for the EasyJet Generation and Alasdair Gray: A Secretary’s Biography.

Why this course?

This course is designed across three semesters, with each class intended to develop not just the skills aspiring writers need, but the right skills at the right stage in their development. The structure of the MLitt gives writers the freedom to pursue their chosen forms and genres in terms of their creative work, while providing guidance and support in an academic context too. The staff team aim for a collegiate, supportive atmosphere – we aren’t just a writing course, we’re a writing community.

Strathclyde staff can offer specialist tuition in a wide range of genres including:

• contemporary fiction & non-fiction
• historical fiction & fiction for young adults
• screenwriting

Kathryn Sandilands

The course provided a lot of freedom in terms of the creative writing which students were able to produce for assignments, with workshops focusing on tools and approaches which might help to achieve a final piece of writing.

I think the vast range of things that we were taught across the Masters degree was one of the things I enjoyed most about the course. I was encouraged to try many different forms of writing that pushed me out of my comfort zone but in the long run made me a better and more rounded writer.

Dr Rodge Glass

Course convener.

Read widely, think deeply, research thoroughly and revise closely, and you'll have a great time. Writing is a way of engaging with the world while trying to make sense of it. And the skills you learn will be useful whether you go on to work in the writing or publishing industries or not.

Entry requirements

Pre-masters preparation course.

The  Pre-Masters Programme  is a preparation course held at the  University of Strathclyde International Study Centre , for international students (non-UK/Ireland) who do not meet the academic entry requirements for a Masters degree at University of Strathclyde.

Upon successful completion, you'll be able to progress to this degree course at the University of Strathclyde.

Please note: Previous Maths & English qualifications and your undergraduate degree must meet GTCS minimum entry requirements as well as the pre-Masters course and an interview will be conducted before an offer can be made.

International students

We've a thriving international community with students coming here to study from over 140 countries across the world. Find out all you need to know about studying in Glasgow at Strathclyde and hear from students about their experiences.

Faculty of Humanities & Social Sciences Scholarships

• EU Engagement Scholarships  are available to EU applicants who would have previously been eligible for Home (Scottish/EU) fee status.
• EU and International 50% Merit Scholarships available to self-funded, international fee-paying offer-holders (includes those classed as EU fee group). The scholarship entitles the recipient to a discount of 50% on tuition fees.

Fees & funding

All fees quoted are for full-time courses and per academic year unless stated otherwise.

Fees may be subject to updates to maintain accuracy. Tuition fees will be notified in your offer letter.

All fees are in £ sterling, unless otherwise stated, and may be subject to revision.

Annual revision of fees

Students on programmes of study of more than one year (or studying standalone modules) should be aware that tuition fees are revised annually and may increase in subsequent years of study. Annual increases will generally reflect UK inflation rates and increases to programme delivery costs.

Please note : the fees shown are annual and may be subject to an increase each year.  Find out more about fees .

How can I fund my course?

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Scottish postgraduate students

Scottish postgraduate students may be able to apply for support from the Student Awards Agency Scotland (SAAS). The support is in the form of a tuition fee loan and for eligible students, a living cost loan. Find out more about the support and how to apply .

Don’t forget to check our scholarship search for more help with fees and funding.

• Students from England

Students coming from England

Students ordinarily resident in England may be to apply for postgraduate support from Student Finance England. The support is a loan of up to £10,280 which can be used for both tuition fees and living costs.  Find out more about the support and how to apply .

Don’t forget to check our scholarship search for more help with fees and funding .

• Students from Wales

Students coming from Wales

Students ordinarily resident in Wales may be to apply for postgraduate support from Student Finance Wales. The support is a loan of up to £10,280 which can be used for both tuition fees and living costs.  Find out more about the support and how to apply .

• Students from Northern Ireland

Students coming from Northern Ireland

Postgraduate students who are ordinarily resident in Northern Ireland may be able to apply for support from Student Finance Northern Ireland. The support is a tuition fee loan of up to £5,500.  Find out more about the support and how to apply .

We've a large range of scholarships available to help you fund your studies.  Check our scholarship search for more help with fees and funding .

Graduates from creative writing subjects at the University of Strathclyde have gone into writing, publishing, teaching, journalism and may other professions. Some graduates have also gone on to further their skills by undertaking a PhD. Other have chosen to become self-employed as tutors.

Writers who have taken masters and/or doctoral qualifications in creative writing at Strathclyde include Louise Welsh, Rachel Sieffert, Beatrice Colin and Colette Paul.

Glasgow is Scotland's biggest & most cosmopolitan city

Our campus is based right in the very heart of Glasgow. We're in the city centre, next to the Merchant City, both of which are great locations for sightseeing, shopping and socialising alongside your studies.

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Creative Writing

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Introduction

Our Creative Writing PhD programme offers a dedicated, supportive and multi-award winning team of full-time supervisory staff specialising in poetry, fiction and non-fiction prose.

Study Information

At a glance, want to know more.

Our writers include internationally renowned novelist Alan Warner (author of Morvern Callar, The Sopranos and The Stars in the Bright Sky as well as film and stage adaptations of his work); David Wheatley (author of Mocker, A Nest on the Waves and The President of Planet Earth, and a 2015 judge of the National Poetry Competition); Helen Lynch (author of The Elephant and the Polish Question and Tea for the Rent Boy); Wayne Price (author of Furnace, Mercy Seat and the Laureate’s Choice poetry collection Fossil Record); Alan Marcus (filmmaker of In Place of Death, The New Colossus and 216 Beach Walk, Waikiki) and Shane Strachan (author of DWAMS and Nevertheless: Sparkian Tales in Bulawayo).

The University of Aberdeen offers a rich and unique variety of inter-disciplinary creative opportunities based on the University’s centres of research excellence such as the WORD Centre for Creative Writing , The Research Institute of Irish and Scottish Studies (host of visiting writers such as Michael Longley and James Kelman), the Centre for the Novel (host of visiting writers such as Michele Roberts, Janice Galloway and Will Self), and the Sir Herbert Grierson Centre .

Our postgraduate programmes host masterclasses from world-class visiting writers (recent workshops have featured Claire Keegan, Don Paterson and Simon Armitage) and The WORD Centre organises a number of highly popular literary events each year as part of the University’s May Fest. The Centre also fosters many active and productive links with the wider writing community of the north east.

PGR students may opt to study part-time or full-time, and all successful applicants are considered for competitive bursary funding. We are open to discussing all potential projects with applicants, including the possibility of undertaking these via Distance Learning.

Approaches from applicants who wish to undertake their studies as Distance Learners will be considered, subject to discussion with an appropriate supervisor

Our Research

David Wheatley is a poet and critic with particular research interests in the field of twentieth-century and contemporary poetry, Irish literature and Samuel Beckett. As well as Creative Writing applications in poetry and translation, he welcomes applications from prospective PhD students in the above research areas.

In Creative Writing, Helen Lynch has research and practical expertise in short fiction, nature writing, life writing, travel writing, and fictional autobiography. She also has strong research interests in the literature and politics of the early modern period (especially Milton, Spenser, Shakespeare and the connections between them).

Wayne Price's research interests include practice-based research in fiction, particularly realism, postmodernism, regional literatures and short story theory and practice.

Alan Marcus engages with different methodological approaches to creative non-fiction filmmaking, with an interest in documentary, the essay film, experimental film and drama. His research incorporates cinematic storytelling involving post-traumatic sites and marginalized communities. Thematically, his work is often located in the visualisation of urban environments in conflict settings, in addition to research on differing perceptions of the landscape and notions of home and displacement.

Alan Warner is interested in Creative Writing research projects (generally in prose), across all genres, especially literary fiction, short stories, or thriller, crime, fantasy, science fiction, memoir and non-fiction.

Shane Strachan’s practice-based research interests include prose fiction (particularly short fiction), creative non-fiction (across forms), poetry (including spoken word) and multidisciplinary projects working with other artforms such as visual arts and design, theatre and music. He also has research interests in Scottish Literature, the Scots language (including translation), and writing in regional dialects.

Potential Supervisors

• Dr Helen Lynch
• Dr Wayne Price
• Mr Alan Warner
• Dr David Wheatley
• Professor Alan Marcus
• Dr Shane Strachan

Entry Requirements

Our minimum requirement is a 2:1 Hons degree or better in a cognate discipline (such as Creative Writing, English Literature, or other literature-focused discipline). Strong performance at PGT level (folio dissertation at Merit or above) is strongly preferred but not essential if UG performance has been outstanding.

Where applicants possess relevant professional expertise (such as in Journalism or accredited authorship), the degree requirement may be waived, but this would only apply where applicants can clearly demonstrate an ability to work at an advanced level in both creative practice and academic research.

International Applicants

• Information about visa and immigration requirements
• Information regarding country-specific entry requirements

Fees and Funding

Please refer to our InfoHub Tuition Fees page for fee information for this Research Area.

Further Information about tuition fees and the cost of living in Aberdeen

Our Funding Database

View all funding options in our Funding Database .

Graduates go into Public/Private Sector Accounting and Management, Fund Management, Stockbroking, Investment Analysis, Banking and Financial Services and Academia.

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Creative Writing PhD

Course detail, entry requirements.

• Fees & funding
• Study & career progression

A PhD in Creative Writing gives you the opportunity to develop an original piece of writing (for example a novel, play, screenplay, radio drama) and an accompanying thesis, in which you connect this creative work to relevant theoretical, critical and historical thinking. Together, these assessed elements lead to the award of the prestigious PhD in Creative Writing.

Working collaboratively, we aim to help you craft your work to the highest possible standard as well as facilitate your engagement with the professional world. All writers are encouraged to develop their skills in the broadest way possible. This means participating in writing exercises across a spectrum including reviews and blogs.

Our academics are often consulted by publishers about book proposals and manuscripts. ee a list of potential PhD supervisors and read about their expertise, in the 'Supervisors' section lower down the page. 

Find out more about the full range of  PhD study    opportunities   in the School of Film, Media and Design.

Select your desired study option, then pick a start date to see relevant course information:

Start date:

If your desired start date is not available, try selecting a different study option.

Why study Creative Writing with us?

What our students say…

UWL has truly state-of-the-art facilities. I feel like I'm learning something new every day.

Research Centres

We have seven Research Centres, staffed by experts with an enviable record of publications, conferences, media and public engagement work.

World-leading Research

The University of West London has been recognised by the Government's Research Excellence Framework (REF) for its exceptional research work.

You will be supervised by active researchers/writers with considerable experience of publication, editing, and working with other writers. Our academics are widely published on topics as varied as Jane Austen, Rambo, and literary adaptations.

About PhD study

This course is available for you to study either on a full-time or part-time basis and you have the flexibility to switch should you need to.

A PhD is founded on independent research.  You will undertake a systematic and in-depth exploration of your chosen topic to produce a substantial body of knowledge and make an original and important contribution to the subject area.  

The support provided by your supervisory team will be vital to your student experience and scholarly advancement.  You and your supervisors will have regular one-to-one meetings which will provide you with opportunities to develop your research topic and discuss your progress.

Our research record

View our  academic journal 'New Vistas'   to see the work of students and academics who are making an impact both locally and globally through their research findings.

Based in the heart of Ealing, west London, you can make use of the excellent transport links to travel to the the capital or further afield - ideal for attending research meetings and networking events.

Got a question?

If you would like guidance or more information about studying for a research degree, you can contact  Professor Jeremy Strong .

To enable you to enhance your professional profile, we support you throughout your research degree by:

• providing research seminars
• organising doctoral events and activities
• facilitating networking and collaboration opportunities
• encouraging and supporting publication and dissemination of your research
• offering opportunities to gain teaching expertise and experience.

We provide structured research training, expert supervision, and an environment where you can discuss your research with other PhD students and researchers.

We run seminars in research methods from the Graduate Centre, as well as an ongoing series of events and activities organised by Schools and Colleges. Specialist help with academic English for students for whom English is not their first language is available.

Our facilities include a fully equipped TV Studio containing a lighting grid with DMX lighting control, green and white screens, Ross Crossover Vision Mixer for live editing and audio and video recorder / playback devices.

Media Resource Centre

Our Media Resource Centre is available to all London School of Film Media and Design students for free. We hold a variety of cameras, lights, sound equipment and recording devices. Students can also loan equipment demonstrated in class.

The Paul Hamlyn Library

The Paul Hamlyn Library provides an extensive range of books, journals and digital resources, PC and Mac workstations and a variety of study spaces. Find out more about what the  Paul Hamlyn Library has to offer .

We contribute to national and international initiatives and promote collaboration and networking opportunities. We also encourage and support you to publish and disseminate your research in academic journals and via presenting papers at conferences.

We run an annual conference for doctoral students, where you are encouraged to present a paper about your research. As well as being an opportunity to discuss your work with other students, the conference is a chance to gain valuable experience in presenting your research and participating in open discussions with academic peers.

You will also find other opportunities such as postgraduate student seminars and forums within your specific subject area.

Once you start a PhD course at UWL, you become part of our research community. You will have access to a postgraduate common room, located at our Ealing campus on St Mary’s Road, where you will meet fellow researchers from other subject disciplines offering scope for collaborations or simply to discuss ideas, allowing you to be part of a vibrant research environment.

• Requirements: UK
• Requirements: International

The minimum entry requirements for a research degree are:

• a good first degree (First Class or Upper Second Class), or equivalent qualification in a relevant field
• a Masters Degree (MA, MSc, MBA or MRes) with Merit, or equivalent postgraduate or research experience.

We look for students with:

• a passion for their chosen subject.

You will also have a well thought through and persuasive proposal.

• Competence in written and spoken English is a pre-requisite for entrance to this programme. An IELTS (International English Language Testing System) score of 6.5 (with no element under 6.0).

Fees & funding

• Funding: UK
• Funding: International

The fee above is the cost per year of your course.

If your course runs for two years or more, you will need to pay the fee for each academic year at the start of that year. If your course runs for less than two years, the cost above is for your full course and you will need to pay the full fee upfront.

Government regulation does affect tuition fees and the fees listed for courses starting in the 2025/26 academic year are subject to change.

If no fee is shown above then the fees for this course are not available yet. Please check again later for updates.

Funding your studies

Funding for postgraduate students usually comes from one or more of a range of key sources:

• research councils
• charities and trust funds, including those funded by the UK government
• higher Education institutions
• overseas governments (international students only)
• professional and career development loans
• self-funding (including family funds).

Find out more about funding opportunities. Examples of most of these types of funding are included on the postgraduate studentships website , (with the exception of funding you may be able to obtain from your employer and self-funding).

Bursaries and scholarships

We offer generous bursaries and scholarships to make sure your aspirations are your only limit. See our PhD scholarships , scholarships and bursaries .

For any overseas students, your first port of call should be grant-awarding bodies in your own country (eg The Ministry / Department of Education) and your local (or nearest) office of the British Council.

The British Council manage a small number of international studentship grants in some countries and should be able to tell you what other awards may be available to you - they also produce the Sources of funding for international students guide.

Supervisors

Professor jeremy strong.

Dr Jonathon Crewe

Study & career progression

Studying for a PhD enables you to develop an area of specialism that will give you an edge whether you are planning to work in industry or to develop expertise to teach in academia.

Graduates of the PhD: Creative Writing will be highly accomplished writers, fluent and capable in what is – perhaps – the ultimate transferable skill. It will help position you for a  career in the many branches of the thriving media and cultural industries – nationally and internationally - as well as for academic careers in teaching and research

How to apply

• How to apply: UK
• How to apply: International

To apply for one of our research courses, click the green 'apply now' link shown below to complete an online application form. You will need to attach the following documentation to your online application form:

• research proposal outline (5000 words maximum)
• transcript of your highest qualification.

The research proposal outline, or statement of research interests, enables us to assess your suitability for higher degree work including:

• viability of the topic as a research study
• the most appropriate supervisor(s) to be appointed.

Click here  for more information on applying for a PhD.

Apply for this course

Next steps after making your application.

We aim to make a decision on your application as quickly as we can. If we need any more information about your qualifications, we will be in touch.

In the meantime, come and visit us and find out more about what studying at UWL is like. Sign up for an  open day  or join a campus tour .

• Applying for an undergraduate course
• Applying for a postgraduate course
• Our Admissions Policy

Visit us and see for yourself

Talk to our tutors and find out about our courses and facilities at our next open day or join a campus tour.

We're here to help

Any questions about a course or studying at UWL? We're here to help - call us on 0800 036 8888 (option 2, Monday – Friday 10am-4pm) or email us on [email protected].

To apply for one of our research courses, click the green 'apply now' link shown below to complete an online application form.  You will need to attach the following documentation to your online application form:

• research proposal outline

Related courses

Phd english literature.

PhD Film Studies

PhD Psychology

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Creative Writing

PhD, MPhil Creative Writing

A postgraduate research qualification in Creative Writing consists of an original body of work - normally a novel, or a collection of poetry/short stories - with an accompanying critical element. The critical element will place the creative work in an informed and theorised analytical context.

The total assessed word count will be 25,000 words for the MPhil and 80,000 words for the PhD (or equivalent for poetry). The proportion of the creative to the critical work will be agreed by the supervisory team, but in total will usually consist of around 65-70% of creative text and 30-35% of critical text.

All postgraduate research students are supervised by two academics, one of whom will normally be a creative writing academic and the other from English Literature or a related discipline relevant to the creative and critical work. As with the traditional research degrees, the final submission will be expected to make 'a substantial and original contribution to knowledge'. For Creative Writing, this means a body of work that contributes in individual, significant and demonstrable ways to current discourses in literature.

The relation to such discourses will be articulated in the creative work and conceptualised and explored in the critical element; both are intended to address the same research questions, generating dynamic interplay between creative and critical practice.

Programme structure

MPhil: a standalone, one-year (full-time) research degree. Students will undertake their own research or creative project, concluding with the submission of a 25,000-word dissertation/project (normally 17,000-18,000 words of creative writing and 7,000-8,000 of critical writing). Students may have the option to audit units from our taught master's programmes if they are relevant to their research.

PhD: a research project undertaken across four years (full-time, minimum period of study three years), culminating in an 80,000-word thesis/project (normally 50,000 words of creative work - often an extract from a longer project - and 30,000 words of a critical investigation). As well as having the option to audit taught units where appropriate, there may be the potential for PhD students to teach units themselves from their second year of study onwards.

The MPhil and PhD can be studied via distance learning.

World-leading research

The University of Bristol is ranked fifth for research in the UK ( Times Higher Education ).

94% of our research assessed as world-leading or internationally excellent.

Entry requirements

MPhil: An upper second-class degree or international equivalent. Please note, acceptance will also depend on evidence of your readiness to pursue a research degree and previous study or achievement in Creative Writing.

PhD: A master's qualification, or be working towards a master's qualification, or international equivalent. Applicants without a master's qualification may be considered on an exceptional basis, provided they hold a first-class undergraduate degree (or international equivalent). Applicants with a non-traditional background may be considered provided they can demonstrate substantial equivalent and relevant experience that has prepared them to undertake their proposed course of study. Acceptance will also depend on previous study or achievement in Creative Writing.

See international equivalent qualifications on the International Office website.

Read the programme admissions statement for important information on entry requirements, the application process and supporting documents required.

If English is not your first language, you will need to reach the requirements outlined in our  profile level A.

Further information about  English language requirements and profile levels .

Fees and funding

Fees are subject to an annual review. For programmes that last longer than one year, please budget for up to an 8% increase in fees each year.

More about tuition fees, living costs and financial support .

Alumni discount

University of Bristol students and graduates can benefit from a 25% reduction in tuition fees for postgraduate study.  Check your eligibility for an alumni discount.

Funding for 2024/25

The University of Bristol is part of the South, West and Wales Doctoral Training Partnership (SWW DTP), which will be offering studentships for September 2024.

For information on other funding opportunities, including University-funded studentships, please see the Faculty of Arts funding pages .

Further information on funding for prospective UK and international postgraduate students.

Career prospects

People who are awarded a Creative Writing PhD have gone on to a variety of careers. Many are published writers who also teach, either in the academy or in community settings. The intensive training in examining texts is transferable to roles in publishing, broadcasting and media. Others organise literary and other cultural events or work in research. Like many creative people, graduates of this type of degree often have portfolio careers, where they work between several roles and their writing is one of several simultaneous ways in which they are employed.

Meet our supervisors

The following list shows potential supervisors for this programme. Visit their profiles for details of their research and expertise.

Research groups

• Creative Writing and Critical Practice
• Faculty of Arts Creative Writing Research Cluster
• Brigstow Institute
• Centre for Material Texts

How to apply

Apply via our online application system. For further information, please see the guidance for how to apply on our webpages.

January 2024 start: 1 December 2023 September 2024 start: 1 August 2024 January 2025 start: 1 December 2024

The deadlines for funding applications fall well in advance of these dates. Preliminary contact with staff from the department is welcome at any time of the year. We strongly encourage prospective applicants to contact us early, before submitting an application.

Faculty of Arts Postgraduate Research Admissions

Faculty of Arts

School of Humanities

Department of English

Explore more

Find out about the bristol doctoral college.

Alternatively, use our A–Z index

Attend an open day

Discover more about the Centre for New Writing

PhD Creative Writing / Overview

Year of entry: 2024

• View full page
• Bachelor's (Honours) degree at 2:1 or above (or overseas equivalent)
• Master's degree in a relevant subject – with an overall average of 70% or above

Full entry requirements

Apply online

Please ensure you include all  required supporting documents at the time of submission, as incomplete applications may not be considered. 

Application Deadlines 

For consideration in internal funding competitions, you must submit your completed application by  12 January 2024. 

If you are applying for or have secured external funding (for example, from an employer or government) or are self–funding, you must submit your application before the below deadlines to be considered. You will not be able to apply after these dates have passed. 

• For September 2024 entry:  30 June 2024 
• For January 2025 entry:  30 September 2024 

Programme options

Programme overview.

• Complete your research as part of the University's prestigious Centre for New Writing.
• Combine creative and critical elements within your doctorate, to prepare a novel or a collection of poetry or short stories.
• Benefit from creative supervision by an experienced poet or fiction writer and draw on the range of expertise within the University to find a supervisor for your critical element.

To find out what studying on a postgraduate research programme at Manchester is like, visit our Open days and study fairs page and explore our virtual open week or future on-campus and international events.

We will be conducting our PGR virtual open week in October 2024. Find out more about future events and postgraduate research sessions by signing up for our email alerts.

For entry in the academic year beginning September 2024, the tuition fees are as follows:

• PhD (full-time) UK students (per annum): £4,786 International, including EU, students (per annum): £21,500
• PhD (part-time) UK students (per annum): £2,393

Further information for EU students can be found on our dedicated EU page.

Please note for the majority of projects where experimentation requires further resource: higher fee bands (where quoted) will be charged rather than the base rate for supervision, administration and computational costs. The fees quoted above will be fully inclusive and, therefore, you will not be required to pay any additional bench fees or administration costs.

All fees for entry will be subject to yearly review and incremental rises per annum are also likely over the duration of the course for UK/EU students (fees are typically fixed for International students, for the course duration at the year of entry). Always contact the department if you are unsure which fee applies to your project.

Read more about  postgraduate fees .

Scholarships/sponsorships

There are a range of scholarships, studentships and awards to support both UK and overseas postgraduate researchers, details of which can be found via the links below.

To apply University of Manchester funding, you must indicate in your application the competitions for which you wish to be considered. The deadline for most internal competitions, including AHRC NWCDTP and School of Arts, Languages and Cultures studentships is 12 January 2024. 

All external funding competitions have a specified deadline for submitting the funding application form and a separate (earlier) deadline for submitting the online programme application form, both of which will be stated in the funding competition details below.

For more information about funding, visit our funding page to browse for scholarships, studentships and awards you may be eligible for.  

• AHRC North West Consortium Doctoral Training Partnership (NWCDTP) PhD Studentships - Competition Closed for 2024 Entry
• School of Arts, Languages and Cultures PhD Studentships 2024 Entry - Competition Closed for 2024 Entry
• China Scholarship Council - The University of Manchester (CSC-UoM) Joint Scholarship Programme - Competition Closed for 2024 Entry
• School of Arts, Languages and Cultures New Generation PhD Studentships - Competition Closed for 2024 Entry
• President's Doctoral Scholar (PDS) Awards - Competition Closed for 2024 Entry
• Trudeau Doctoral Scholarships 2024 Entry
• Commonwealth PhD Scholarships (High Income Countries)
• Humanities Doctoral Academy Humanitarian Scholarship 2024 Entry
• Commonwealth PhD Scholarships (Least Developed Countries and Fragile States)

Contact details

See: About us

Programmes in related subject areas

Use the links below to view lists of programmes in related subject areas.

• English Literature, American Studies and Creative Writing

Regulated by the Office for Students

The University of Manchester is regulated by the Office for Students (OfS). The OfS aims to help students succeed in Higher Education by ensuring they receive excellent information and guidance, get high quality education that prepares them for the future and by protecting their interests. More information can be found at the OfS website .

You can find regulations and policies relating to student life at The University of Manchester, including our Degree Regulations and Complaints Procedure, on our regulations website .

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The Purdue On-Campus Writing Lab and Purdue Online Writing Lab assist clients in their development as writers—no matter what their skill level—with on-campus consultations, online participation, and community engagement. The Purdue Writing Lab serves the Purdue, West Lafayette, campus and coordinates with local literacy initiatives. The Purdue OWL offers global support through online reference materials and services.

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The Purdue OWL® is committed to supporting  students, instructors, and writers by offering a wide range of resources that are developed and revised with them in mind. To do this, the OWL team is always exploring possibilties for a better design, allowing accessibility and user experience to guide our process. As the OWL undergoes some changes, we welcome your feedback and suggestions by email at any time.

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2024 Doti Awards Honor Graduate Students in Education and English The annual award acknowledges outstanding academic accomplishment, scholarly and creative work and service by graduating master's and doctoral students.

Chapman University has announced the recipients of the 2024 James L. Doti Outstanding Graduate Awards, the university’s highest honor for graduate students.

This year’s honorees are Katelyn Kitchens, a doctoral candidate in education , and Audrey Fong, a candidate for a dual Master of Arts in English and Master of Fine Arts in creative writing .

The Doti Awards are bestowed annually to an outstanding graduating master’s and doctoral student with a distinguished record of academic accomplishment, scholarly/creative activity and/or service. The award recipients’ names are permanently inscribed on the Doti Award trophy, which incorporates artist Nick Hernandez’s sculpture Emergence, on display in Argyros Forum. The recipients receive a desk-size copy of the trophy with a cash award of $1,000 and are recognized at their college’s commencement ceremony.

Katelyn Kitchens, Ph.D. Education, Attallah College of Educational Studies

Attallah’s faculty say Kitchens is a brilliant and exceptionally outstanding doctoral student. The faculty describes them as a highly ethical, committed and intellectually rigorous scholar-activist and teacher.

Kitchens successfully defended their Ph.D. dissertation in March 2024 on “New Ways of Being White: White Families Striving to Cultivate Antiracist Familial Cultures,” an expansive work based on a critical ethnographic study of white families committed to raising anti-racist children. The work is important, theoretically grounded and methodologically rigorous. Their chosen dissertation topic reflects their long-standing commitment to anti-racism. As a white person, Kitchens has personal experience with whiteness studies and engaging with others in anti-racist work.

Within the doctoral program, they developed a strong foundation in the theories that frame their work, including Marxist humanism, critical pedagogies and theories of whiteness. Kitchens also has strong instincts toward decolonizing and humanizing praxis. They are well recognized among faculty and peers as highly ethical and collaborative and evidence a commitment to the growth and learning of all those around them. Kitchens is especially committed to equity for racialized students and to the preservation and restoration of the cultural strengths, epistemologies and resources of historically oppressed communities.

These strengths, along with their excellent writing skills, have led to a significant record of emerging scholarship, research and teaching pursuits. Currently, Kitchens is co-authoring several research manuscripts. Kitchens has already published an impressive six publications (one is in press) and is planning a book based on their dissertation. Their scholarship is highly collaborative with Indigenous colleagues and other people of color, evidencing allyship with these communities. Kitchens’ numerous presentations at conferences and community settings exemplify a keen awareness and commitment to engage with the community beyond the academy.

Kitchens is also a gifted educator of children and adults. They have taught numerous courses in higher education, and faculty are certain that this has included challenging coursework, high expectations and humanizing pedagogy. A faculty mentor shared that conversations with Kitchens revealed their tremendous love and empathy for all peoples.

It’s notable that in a world where Indigenous communities are often wary of the dominant group, Kitchens has been invited to teach and work at an Indigenous tribal school. They recognize and value the opportunity that has been given to them and are continuously reflecting on their responsibility as a white person to that community and its peoples. Kitchens’ previous work in Montessori schools has also provided important insights into humanizing, democratic and life-giving pedagogies that inform their development. Furthermore, Kitchens has a strong social justice background. They served on the Montessori for Social Justice Board of Directors for five years.

At Chapman, Kitchens has been an active member of the Paulo Freire Democratic Project, supported guest talks and co-led teach-ins during the Black Lives Matter protests. Attallah faculty believe Kitchens is an outstanding student with a brilliant future ahead.

Audrey Fong, MA/MFA English and Creative Writing, Wilkinson College of Arts, Humanities, and Social Sciences

Wilkinson’s faculty say Fong’s academic excellence and professional leadership are exceptional. She has used the dual program to set her own ambitious professional path. Importantly, Fong has used her own ongoing learning growth to contribute to the university and to the larger literary culture. She is the only graduate student who has taught Asian American Studies at Chapman University, and she’s also a graduate student instructor in English. She continues to open students to new ideas and texts and also works with Stephanie Takaragawa, associate professor of sociology, across disciplines on a variety of projects and programming.

Fong’s creative and scholarly achievements are unusually strong for a graduate student. She has presented at the Asian American Studies Conference and the College English Association Conference, in addition to others. She will present again this spring at the Asian American Studies Conference and is making a name for herself in that field. She also has a chapter forthcoming in an anthology about food and memory, an essay published in the literary journal South Dakota Review, and she’s placed several interviews with Asian American writers in Adroit Journal.

This important cultural work and her entrepreneurial spirit led Fong to found her own journal, Soapberry Review. Anna Leahy, director of the MFA in creative writing program, shared that she is awestruck by Fong’s ability to launch this project while excelling at all the other work we expect of graduate students and instructors. This project focuses on reviews of books and interviews with Asian American writers, filling a void in literary culture rather than replicating existing projects. Fong has encouraged other MFA students and alumni to read Asian American books and submit reviews for publication at Soapberry Review.

Faculty point to Fong’s mature understanding of a scholar-writer’s practice. She has a keen ability to turn conference presentations into journal publications, a professional practice that few graduate students in the humanities recognize and embrace. Also, she turns practical experience — the marketing internship with Red Hen Press and the social media work at UCI — into original intellectual and cultural production. She recognizes that her accomplishments as a scholar-writer have the power to change culture.

To continue honing her craft, Fong is entering the Ph.D. program at the University of Southern California, another program that combines creative writing and literature. Wilkinson’s faculty is convinced that will lead to even more achievement.

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Creative Writing a Gateway to Creative Climate Solutions

How poetry and art are crucial in the climate crisis .

• by Malia Reiss
• May 06, 2024

“Raging Floods.” “Climate Migrants.” “Coral Reefs Gone.” These are the kinds of stories spanning today’s headlines. As temperatures are rising globally, morale is steadily sinking. 

New solutions are needed to combat this crisis, environmentally and emotionally. UC Davis creative writing master’s students and professors say that creative storytelling and art may be the keys to helping the world process these changes, and that collaborations with scientists can give rise to new, innovative solutions.

“Art and poetry are going to play a pivotal role in adapting human behavior to these new circumstances that are vastly different from anything we’ve known,” said poetry master’s student Trevor Bashaw . 

Imagining a better (or worse) future 

Free of limitations, art is a portal to reimagine the world.

In 2020, UC Davis English professor Michael Ziser and geology professor Nicholas Pinter took graduate students on a white water rafting trip down the Colorado River and through the Grand Canyon. They also invited two famous science fiction writers, Paolo Bacigalupi and Kim Stanley Robinson , both of whom write about a climate-apocalyptic world. 

“The advantage science fiction writers have is that they have license to completely reimagine things,” said Ziser. “They can just pose a solution and think about how it may work out. It encourages people to imagine, what world do they prefer to be a part of?” 

The authors and students entered the Grand Canyon on March 10, 2020. They emerged two weeks later to a world shut down amid a global pandemic. The merging of science and science fiction felt all too relevant.

Bacigalupi’s thriller novel, The Water Knife , tells a dark, futuristic story where the Southwestern U.S. is engaged in a violent war for water. Bacigalupi attended the Grand Canyon trip with graduate students studying the same river system he wrote about drying up. 

Robinson's novels also explore what the future may look like under continued corruption and failure to address world crises like climate change. On the trip, students read Robinson's Pacific Edge, part of his series depicting the future of California. 

By inviting these authors, Pinter and Ziser hoped to encourage the merging of art and science and to give graduate student scientists a new way of looking at the future of their study systems. 

“Any channel by which we can get more people from different walks of life to be thinking about these problems, the better,” said Ziser. “These problems require our coordinated response as a civilization.” 

Collaborations between scientists and artists can generate solutions that one party may not have been able to accomplish on its own. 

“Everyone is being asked to hyperspecialize, and I think that age is over,” said Ziser. “We need to keep a multi-pronged approach to understanding the world.” 

To poetry master’s student Bashaw, the divide between art and science isn’t clean cut, and separating the two can limit progress.

“The sciences and the arts have a lot to learn from each other, in terms of knowledge bases and methodologies,” said Bashaw. “The writer’s workshop is a lot more similar to a lab than people may realize; a lot of scientific discoveries were made through creative accidents; and art is pushed forward by technological advances.”  

With collaborations like these, new ways of thinking can emerge. Art can be a limitless tool toward furthering scientific discovery. 

“Everything is trapped by its genre. But when we try to imagine something radically different, we create something bigger,” said Pinter. 

Where processing has a place 

For creative solutions to be acted upon, policymakers, scientists, and the public need to reach common ground. UC Davis creative writing master’s students contend that art and writing not only generate innovative solutions, but also open gateways to these solutions. 

“With climate change, there’s a lot of grieving that we need to do as a community,” said Bashaw. “I don’t think we have even emotionally accepted it’s occurring.” 

Bashaw thinks that only when humanity can process the climate crises can the world come together to carry out solutions. To them, art is where processing has a place.

“In art and poetry, there can be more room for love and feeling and all of these things that make us human,” said Bashaw.

In their own writing, Bashaw draws parallels between processing the queer experience and processing the climate crisis. They describe their writing as “queer eco-poetics,” which focuses on how individuals relate to nature and constructed  environments. 

“Poetry can transform what feels scary into all kinds of different things and bring a sense of peace,” said Bashaw. “I want people to feel seen without shame.  I think of my writing as home-making and finding peace within place.” 

Connie Pearson, a creative nonfiction master’s student at UC Davis, also believes that art can bring to life the human emotional experience within major world crises.

“It’s a real sweet spot: seeing what’s going on, combined with how somebody is processing,” said Pearson. 

Pearson’s work comprises personal essays centered around her experiences being an animal activist. By diving into her vulnerable and personal experience, she hopes to humanize the activism she’s been part of since 1980. 

“Vulnerability is so crucial in writing,” said Pearson. “I connect so much more to pieces written from the personal lens.” 

Processing and healing 

Climate change is a global phenomenon, and will require everyone working together to reach a solution. This is a daunting task, but with solutions posed by both scientists and artists together, and with a shift in mindset, the future could heal. 

“Art allows you to sit with the unknown and ambiguity in a way that’s not paralyzing, but exciting,” said Bashaw. “We need to help people process and confront this looming phenomenon.”

Malia Reiss is a science news intern with UC Davis Strategic Communications. She studies environmental science and management at UC Davis.

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Kat Kerlin, UC Davis News and Media Relations, 530-750-9195, [email protected] 

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80-year-old grandmother of 15 earns master’s degree, plans to finish memoirs

(Gray News) – A woman from Utah is proving that age doesn’t matter when it comes to learning.

At 80 years old, Beth Dayley was the eldest Spring 2024 graduate of Southern New Hampshire University.

She’s a mother of five, grandmother of 15, and great-grandmother of six.

Dayley traveled with one of her daughters to New Hampshire last weekend to cross the stage and receive her diploma after earning a master’s degree in creative writing.

“I’m very excited,” she said. “This is one of the things on my bucket list.”

As a military wife and lifelong learner, Dayley earned a Bachelor of Arts in English in her 40s while her family was stationed in Italy.

She passed her love of learning on to her family and often took her grandchildren on special trips to celebrate their academic achievements.

When her grandchildren were old enough to go to college, Dayley sent them each $100 a month and told them to use it to do something fun.

“Because it is a journey going to college and often it’s financially difficult,” Dayley said. “But I’m hoping they can enjoy it and have a little fun while they’re learning.”

Dayley said her grandchildren and children were very supportive of her going back to school and thought it was exciting she was earning her master’s degree.

“School is very important to me. I think it’s important that I keep learning and keep my mind fresh,” she said.

Now, she hopes her master’s degree will keep her mind sharp as she finishes her memoirs.

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Master of Fine Arts in Creative Writing The Write Stuff for Writers

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Transfer in up to 50% of the degree total

Grow Your Writing Passion into a Career with Liberty’s Online MFA in Creative Writing

Many people write creatively, but few hone their skills to develop their writing craft to its highest form. Even fewer learn the other skills it takes to become a successful writer, such as the steps needed to get a book published and into the hands of readers. Liberty’s 100% online Master of Fine Arts (MFA) in Creative Writing can help you develop your writing passion into a career so you can set your works free to impact culture and the world.

Employers in every industry need professionals who have strong writing skills, so you can be confident that your ability to write effectively can also help set you apart in your current career. With in-demand writing expertise and the ability to customize your degree with electives in literature or writing practice, Liberty’s online MFA in Creative Writing can help you achieve your professional writing goals.

Our online MFA in Creative Writing is designed to help you build on your writing skills with specific workshops dedicated to the craft of fiction, poetry, creative nonfiction, or screenwriting. With a work-in-progress approach to writing practice and mentorship from our faculty of experienced writers and scholars, you can learn the specific skills you need to make your writing stand out.

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• What Sets Us Apart?
• Private Nonprofit University
• 600+ Online Degrees
• No Standardized Testing for Admission
• Transfer in up to 75% of an Undergrad Degree
• Transfer in up to 50% of a Grad/Doctoral Degree

Why Choose Liberty’s MFA in Creative Writing?

Our online MFA in Creative Writing is mainly offered in an 8-week course format, and our tuition rate for graduate programs hasn’t increased in 9 years. Through our program, you can study the writing process and develop your creative skills through workshops with experienced writing professionals. With our flexible format, you can grow in your creative writing while continuing to do what is important to you.

As a terminal degree, the online MFA in Creative Writing can also help you pursue opportunities to teach writing at the K-12 or college level. You will gain comprehensive and in-depth exposure to writing, literature, publishing, and many other professional writing skills that you can pass on to students. Partner with the Liberty family and learn under faculty who have spent years in the field you love. Your career in professional writing starts here.

What Will You Study in Our MFA in Creative Writing?

The MFA in Creative Writing program is designed to help you become an excellent creative writer across the genres of creative fiction, nonfiction, screenwriting, and poetry. You can learn how to produce aesthetically and culturally engaged creative works while gaining professional knowledge and practice. You will also study foundational contemporary literature so that you have a background in studying important works to draw on for your writing.

To help you in your professional writing, you will also study many essential skills in editing, layout, and the business of publishing so that you can best position yourself for success in the market. Through your creative writing courses and workshops, you can develop your craft so that you will be ready for your thesis project.

Here are a few examples of the skills Liberty’s MFA in Creative Writing can help you master:

• Marketing your projects and pursuing new writing opportunities
• Organizing writing and adapting it to different types of writing
• Tailoring writing to specific audiences and markets
• Understanding what makes art effective, compelling, and impactful
• Writing compelling stories that engage readers

Potential Career Opportunities

• Book and magazine writer
• Business communications specialist
• Creative writing instructor
• Publications editor
• Screenwriter
• Website copy editor and writer
• Writing manager

Featured Courses

• ENGL 600 – Editing, Layout, and Publishing
• ENGL 601 – Writing as Cultural Engagement
• ENGL 603 – Literary Theory and Practice
• WRIT 610 – Writing Fiction

Degree Information

• This program falls under the College of Arts and Sciences .
• View the Graduate Arts and Sciences Course Guides (login required).
• Download and review the Graduate Manual for MFA .

Degree Completion Plan (PDF)

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Speak to one of our admissions specialists to help you choose the program that best fits your needs.

• Tuition & Aid

Your success is our success, which is why we are committed to providing quality academics at an affordable tuition rate. While other colleges are increasing their tuition, we have frozen tuition rates for the majority of our undergraduate, graduate, and doctoral programs for the past 9 years – and counting.

All Tuition & Fees

Financial Aid & Scholarships

Financial Aid Forms & Eligibility

Scholarship Opportunities

Admission Information for the Master of Fine Arts in Creative Writing (MFA)

Admission requirements.

• A non-refundable, non-transferable $50 application fee will be posted on the current application upon enrollment (waived for qualifying service members, veterans, and military spouses – documentation verifying military status is required) .
• Unofficial transcripts can be used for acceptance purposes with the submission of a Transcript Request Form .
• Creative Writing Sample – A creative writing sample of one creative writing work of at least 2,500 words or a culmination of creative writing samples totaling 2,500 words.*
• Applicants whose native language is other than English must submit official scores for the Test of English as a Foreign Language (TOEFL) or an approved alternative assessment. For information on alternative assessments or TOEFL waivers, please call Admissions or view the official International Admissions policy .

*A sample of one or more poems totaling a minimum of 750 words may also be submitted. Song lyrics are not accepted at this time as writing samples.

Preliminary Acceptance

If you are sending in a preliminary transcript for acceptance, you must:

• Be in your final term and planning to start your master’s degree after the last day of class for your bachelor’s degree.
• Complete a Bachelor’s Self-Certification Form confirming your completion date. You may download the form from the Forms and Downloads page or contact an admissions counselor to submit the form on your behalf.
• Submit an official/unofficial transcript to confirm that you are in your final term. The preliminary transcript must show a minimum of 105 completed credit hours.
• If you are a current Liberty University student completing your undergraduate degree, you will need to submit a Degree/Certificate Completion Application .
• Send in an additional, final official transcript with a conferral date on it by the end of your first semester of enrollment in the new master’s degree.

Dual Enrollment

Please see the Online Dual Enrollment page for information about starting graduate courses while finishing your bachelor’s degree.

Transcript Policies

Unofficial college transcript policy.

Unofficial transcripts combined with a Transcript Request Form can be used for admission. Official transcripts are required within 60 days of the admissions decision or before non-attendance drops for the first set of matriculated classes, whichever comes first, and will prevent enrollment into future terms until all official transcripts have been received.

Before sending unofficial college transcripts, please make sure they include the following:

• Your previous school’s name or logo printed on the document
• Cumulative GPA
• A list of completed courses and earned credit broken down by semester
• Degree and date conferred (if applicable)

Official College Transcript Policy

An acceptable official college transcript is one that has been issued directly from the institution and is in a sealed envelope. If you have one in your possession, it must meet the same requirements. If your previous institution offers electronic official transcript processing, they can send the document directly to [email protected] .

If the student uses unofficial transcripts with a Transcript Request Form to gain acceptance, all official transcripts must be received within 60 days of the admissions decision or before non-attendance drops for the first set of matriculated classes, whichever comes first. Failure to send all official transcripts within the 60-day period will prevent enrollment into future terms until all official transcripts have been received.

Admissions Office Contact Information

(800) 424-9596

(888) 301-3577

Email for Questions

[email protected]

Email for Documents

[email protected]

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Liberty University is dedicated to providing world-class educational experiences to military students across the globe.

Who May Qualify?

• Active Duty
• Reserve/National Guard
• Veterans/Retirees
• Spouses of Service Members and Veterans/Retirees
• Current Department of Defense Employees

Available Benefits:

• Tuition discounts – $275 per credit hour for graduate courses
• Additional discount for veterans who service in a civilian capacity as a First Responder (less than $625 per course) *
• 8-week courses, 8 different start dates each year, and no set login times (may exclude certain courses such as practicums, internships, or field experiences)

*Not applicable to certificates.

Frequently Asked Questions

What is an mfa in creative writing.

A Master of Fine Arts degree, or MFA, is a terminal degree in an artistic craft that demonstrates that you have achieved the highest level of training and skill in your discipline. Like a doctorate, an MFA often allows you to teach courses at the graduate level while also providing many opportunities for scholarship and leadership in education. If you want to grow your creative writing skills to become the best writer you can be, then the Master of Fine Arts can help you get there.

How will students work towards developing their writing skills?

With creative writing workshops and a thesis project, you will receive support and guidance to help you become the best writer you can be.

How long will it take to complete the MFA in Creative Writing?

You can complete the MFA in Creative Writing in just 48 credit hours!

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• Postgraduate study
• Taught degree programmes A‑Z
• Creative Writing (online distance learning)

Postgraduate taught  

Creative Writing (online) MLitt: Online distance learning

Note: This programme is also delivered on campus. To find out more about this programme or the research opportunities available, visit our Creative Writing subject page

If you're a talented and ambitious writer looking to develop your craft and take your writing to the next level, Glasgow's renowned Creative Writing MLitt is ideal. Develop your writing practice wherever you are in the world by gaining creative and critical skills on this exciting and supportive online course.

• Online distance learning
• Academic contact: Dr Colin Herd  [email protected]
• Teaching start: September
• MLitt: 12 months full-time; 24 months part‑time

Register your interest for more information

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Why this programme

• Our MLitt in Creative Writing is delivered within a clear three-part structure, focused on creative, critical and editorial skills.
• Our Creative Writing programme has gained an excellent reputation with writers, agents and publishers. The University's writing courses are among the most challenging and popular in the UK.
• These courses have helped launch the careers of an impressive list of acclaimed authors including, but not limited to: Anne Donovan, Helen Sedgwick, Kirsty Logan, Jen Hadfield, JL Williams, Louise Welsh, Zoe Strachan, Elizabeth Reeder and many others.
• You'll be taught by successful and well-regarded writers who specialise across diverse genres. We are happy to supervise students working in established genres but just as keen to see students mix genres or create new forms. In addition, you'll be able to tap into the University's strong network of literary agents and publishers, as well as an impressive list of published alumni. 
• This online programme is 1 year full time. If you are already working full time or have family commitments, the course can also be completed on a part-time flexible study basis over 2 years.
• Listen to our podcast: Stories from Glasgow – Writing Space with Dr Oliver K. Langmead .
• Read From Glasgow to Saturn, our literary journal .

Programme structure

The full-time programme consists of the following courses. The part-time programme consists of the same courses split over two years.

• CREATIVE WRITING: CRAFT AND EXPERIMENTATION 1 (DL)
• CREATIVE WRITING: EDITING AND PUBLICATION 1 (DL)
• CREATIVE WRITING WORKSHOP (DLEARNING)
• CREATIVE WRITING: CRAFT AND EXPERIMENTATION 2 (DL)
• CREATIVE WRITING: EDITING AND PUBLICATION 2 (DL)

Summer Semester

• CREATIVE WRITING PORTFOLIO (PGT) (DLEARNING)

Programme outcomes

• Experiment with a range of voices, techniques and genres and consider major creative and editorial engagements
• Develop a critical understanding of a diverse creative, theoretic and critical texts
• Develop editorial skills
• Gain an understanding of literary techniques and ideas
• Access the work and thought of a wide range of literary artists
• Produce extended portfolios of creative and editorial work
• Understand the writing context (audience, publishing in all its forms, the legal framework, modes of transmission)
• Become disciplined in writing regularly in a stimulating workshop and tutorial environment in which writing skills can be acquired, discussed and honed
• Be part of a stimulating and critical peer group that reads, engages with, and appraises one others work
• Understand the means of literary transmission and how these means affect your own work
• Meet, hear and talk to professional writers and individuals from publishing and other transmission industries
• Display an understanding of the mechanisms (historical and contemporary) of literary textual transmission and other forms of transmission (including performance) in their various technological, commercial and artistic aspects

"I can honestly say that the programme was the best thing that has ever happened for my writing." Nichola Deadman, Creative Writing student

Programme alteration or discontinuation The University of Glasgow endeavours to run all programmes as advertised. In exceptional circumstances, however, the University may withdraw or alter a programme. For more information, please see: Student contract .

Career prospects

Skills gained in the study of our Creative Writing MLitt may lead to career opportunities in literary and cultural fields such as editing, publishing and arts development. Many of our alumni are successful authors. Our graduates have also gone into journalism, publishing, and a range of other professions. Positions held by recent graduates include managing director, freelance writer, author, copywriter and community arts worker.

Fees & funding

Tuition fees for 2024-25

• Full-time fee: £10650
• Part-time fee: £1184 per 20 credits

International & EU

• Full-time fee: £22140

Part-time fees:

• UK :  £1,184 per 20 credits (180 credits in total)
• International & EU : £2,460 per 20 credits (180 credits in total)

The credits are split: 

• Year 1 : 80 credits (4 x £1,184 / £2,460) for Craft & Experimentation 1 and 2, and Workshops
• Year 2 : 100 credits (5 x £1,184 / £2,460) for Editing & Publication 1 and 2, and Portfolio

Additional fees

• Fee for re-assessment of a dissertation (PGT programme): £370
• Submission of thesis after deadline lapsed: £350
• Registration/exam only fee: £170

Funding opportunities

• UK Study Online Scholarship

The UK Study Online scholarship is open to UK, EU and international students taking online undergraduate and postgraduate courses. 

Please see  UK Study Online for more details.

• Alumni Discount

In response to the current unprecedented economic climate, the University is offering a 20% discount on all Postgraduate Research and full Postgraduate Taught Masters programmes to its alumni, commencing study in Academic session 2024/25. This includes University of Glasgow graduates and those who have completed a Study Abroad programme, International Summer School programme or the Erasmus Programme at the University of Glasgow. The discount applies to all full-time, part-time and online programmes. This discount can be awarded alongside most University scholarships.

• Postgraduate Loans for Welsh Students

If you are a Welsh student looking to study a postgraduate programme* in Glasgow then you can apply for a student loan in exactly the same way as you would for a Welsh University.

* does not apply to Erasmus Mundus programmes

Postgraduate Master's Finance

If you’re starting a full-time or part-time Postgraduate Master’s course (taught or research based) from 1 August 2019, you can apply for Postgraduate Master's Finance and receive up to £17,000 as a combination of grant and loan:

• a maximum grant of £6,885 and loan of £10,115 if your household income is £18,370 and below
• a grant of £1,000 and loan of £16,000 if your household income is not taken into account or is above £59,200.

For more information visit  Student Finance Wales

Postgraduate Doctoral Loan

If you’re starting a full-time or part-time postgraduate Doctoral course (such as a PhD) from 1 August 2019 you can apply for a Postgraduate Doctoral Loan of up to £25,700.

• Postgraduate Student Loan (NI)

If you are a Northern Irish student looking to study a taught Masters programme* in Glasgow then you can apply for a student loan in exactly the same way as you would for a University in Northern Ireland.

Northern Irish students are able to apply for non-means-tested tuition fee loans of up to £5,500, to help with the costs of funding.

For more information visit  www.studentfinanceni.co.uk/types-of-finance/postgraduate  .

The scholarships above are specific to this programme. For more funding opportunities search the scholarships database

Entry requirements

• You will normally have a 2:1 Honours degree (or equivalent), though this is not a pre-requisite.
• The primary basis for admission is the appraisal of a portfolio of your creative work.
• You submit a portfolio of original work (poetry, fiction, life-writing or other prose, drama, and in some instances a portfolio of translation work). A maximum of 20 pages (one side only, double spaced throughout) per submission will be considered, and the portfolio can contain prose, verse, script, or a combination of these.
• We also require a letter of reference. Your referee should be an academic or a creative referee where possible. Where this is not possible, you can provide a referee who can vouch that you are who you say you are and that your work and achievements are your own. It is particularly helpful if your referee is familiar with your writing and can provide references on that basis.

English language requirements

For applicants whose first language is not English, the University sets a minimum English Language proficiency level.

International English Language Testing System (IELTS) Academic module (not General Training)

• 7.0 with no subtests under 7.0
• Tests must have been taken within 2 years 5 months of start date. Applicants must meet the overall and subtest requirements using a single test.

Common equivalent English language qualifications

Toefl (ibt, my best or athome).

• 94; with Reading 24; Listening 24; Speaking 23; Writing 27
• Tests must have been taken within 2 years 5 months of start date. Applicants must meet the overall and subtest requirements , this includes TOEFL mybest.

Pearsons PTE Academic

• 66 with no subtest less than: Listening 66;Reading 68; Speaking 65; Writing 82

Cambridge Proficiency in English (CPE) and Cambridge Advanced English (CAE)

• 185 overall, no subtest less than 185

Oxford English Test

• Oxford ELLT 8
• R&L: OIDI level no less than 8 with Reading: 27-28 and Listening: 20
• W&S: OIDI level no less than 8.

Trinity College Tests

Integrated Skills in English II & III & IV: ISEII Pass with Pass in all sub-tests.

University of Glasgow Pre-sessional courses

Tests are accepted for 2 years following date of successful completion.

Alternatives to English Language qualification

• students must have studied for a minimum of 2 years at Undergraduate level, or 9 months at Master's level, and must have complete their degree in that majority-English speaking country and within the last 6 years
• students must have completed their final two years study in that majority-English speaking country and within the last 6 years

For international students, the Home Office has confirmed that the University can choose to use these tests to make its own assessment of English language ability for visa applications to degree level programmes. The University is also able to accept UKVI approved Secure English Language Tests (SELT) but we do not require a specific UKVI SELT for degree level programmes. We therefore still accept any of the English tests listed for admission to this programme.

For further information about English language requirements, please contact the Recruitment and International Office using our  enquiry form

How to apply

To apply for a postgraduate taught degree you must apply online. We cannot accept applications any other way.

Please check you meet the Entry requirements for this programme before you begin your application.

As part of your online application, you also need to submit the following supporting documents:

• A copy (or copies) of your official degree certificate(s) (if you have already completed your degree)
• A copy (or copies) of your official academic transcript(s), showing full details of subjects studied and grades/marks obtained
• Official English translations of the certificate(s) and transcript(s)
• One reference letter on headed paper
• Evidence of your English language ability (if your first language is not English)
• Any additional documents required for this programme (see Entry requirements for this programme)
• A copy of the photo page of your passport (Non-EU students only)

You have 42 days to submit your application once you begin the process.

You may save and return to your application as many times as you wish to update information, complete sections or upload supporting documents such as your final transcript or your language test.

For more information about submitting documents or other topics related to applying to a postgraduate taught programme, see  how to apply for a postgraduate taught degree

Guidance notes for using the online application

These notes are intended to help you complete the online application form accurately; they are also available within the help section of the online application form. 

If you experience any difficulties accessing the online application, see  Application System Help .

• Name and Date of birth:  must appear exactly as they do on your passport. Please take time to check the spelling and lay-out.
• Contact Details : Correspondence address. All contact relevant to your application will be sent to this address including the offer letter(s). If your address changes, please contact us as soon as possible.
• Choice of course : Please select carefully the course you want to study. As your application will be sent to the admissions committee for each course you select it is important to consider at this stage why you are interested in the course and that it is reflected in your application.
• Proposed date of entry:  Please state your preferred start date including the month and the year. Taught masters degrees tend to begin in September. Research degrees may start in any month.
• Education and Qualifications : Please complete this section as fully as possible indicating any relevant Higher Education qualifications starting with the most recent. Complete the name of the Institution (s) as it appears on the degree certificate or transcript.
• English Language Proficiency : Please state the date of any English language test taken (or to be taken) and the award date (or expected award date if known).
• Employment and Experience : Please complete this section as fully as possible with all employments relevant to your course. Additional details may be attached in your personal statement/proposal where appropriate.

Reference : Please provide one reference. This should typically be an academic reference but in cases where this is not possible then a reference from a current employer may be accepted instead. Certain programmes, such as the MBA programme, may also accept an employer reference. If you already have a copy of a reference on letter headed paper then please upload this to your application. If you do not already have a reference to upload then please enter your referee’s name and contact details on the online application and we will contact your referee directly.

Application deadlines

September 2024, all applicants.

As there is extremely high demand for places on this degree programme, the University has established an application process with application rounds. This process aims to ensure fairness and equity to applicants and should support applications being open for the full admission cycle.

Round 1 application dates

1 October 2023 to 19 November 2023 . You will receive our decision on your application by 3 February 2024 .

Round 2 application dates

20 November 2023 to 18 February . You will receive our decision on your application by 24 March 2024 .

Round 3 application dates

19 February 2024 to 27 May . You will receive our decision on your application by 8 July 2024.

Round 4 application dates

28 May 2024 to 1 July . You will receive our decision on your application by 11 August 2024 .  

As we receive a great number of applications, prospective students are only allowed to apply once per year.

More information about this programme

• Core and optional courses
• Creative Writing at Glasgow

Related programmes

Online postgraduate.

• See the range of online postgraduate taught programmes available

Creative Writing

• Creative Writing [MLitt]

English Literature

• English Literature [MLitt]
• English Literature: American Modern Literature [MLitt]
• English Literature: Fantasy [MLitt]

more related English Literature programmes

Related links

• About postgraduate study
• How to apply for a postgraduate taught degree
• Postgraduate research opportunities A-Z
• How to apply for a postgraduate research degree
• Fees and funding

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