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Definition of biography

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So You've Been Asked to Submit a Biography

In a library, the word biography refers both to a kind of book and to a section where books of that kind are found. Each biography tells the story of a real person's life. A biography may be about someone who lived long ago, recently, or even someone who is still living, though in the last case it must necessarily be incomplete. The term autobiography refers to a biography written by the person it's about. Autobiographies are of course also necessarily incomplete.

Sometimes biographies are significantly shorter than a book—something anyone who's been asked to submit a biography for, say, a conference or a community newsletter will be glad to know. Often the word in these contexts is shortened to bio , a term that can be both a synonym of biography and a term for what is actually a biographical sketch: a brief description of a person's life. These kinds of biographies—bios—vary, but many times they are only a few sentences long. Looking at bios that have been used in the same context can be a useful guide in determining what to put in your own.

Examples of biography in a Sentence

These examples are programmatically compiled from various online sources to illustrate current usage of the word 'biography.' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. Send us feedback about these examples.

Word History

Late Greek biographia , from Greek bi- + -graphia -graphy

1665, in the meaning defined at sense 2

Dictionary Entries Near biography

biographize

Cite this Entry

“Biography.” Merriam-Webster.com Dictionary , Merriam-Webster, https://www.merriam-webster.com/dictionary/biography. Accessed 7 May. 2024.

Kids Definition

Kids definition of biography, more from merriam-webster on biography.

Nglish: Translation of biography for Spanish Speakers

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Britannica.com: Encyclopedia article about biography

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Definition of Biography

A biography is the non- fiction , written history or account of a person’s life. Biographies are intended to give an objective portrayal of a person, written in the third person. Biographers collect information from the subject (if he/she is available), acquaintances of the subject, or in researching other sources such as reference material, experts, records, diaries, interviews, etc. Most biographers intend to present the life story of a person and establish the context of their story for the reader, whether in terms of history and/or the present day. In turn, the reader can be reasonably assured that the information presented about the biographical subject is as true and authentic as possible.

Biographies can be written about a person at any time, no matter if they are living or dead. However, there are limitations to biography as a literary device. Even if the subject is involved in the biographical process, the biographer is restricted in terms of access to the subject’s thoughts or feelings.

Biographical works typically include details of significant events that shape the life of the subject as well as information about their childhood, education, career, and relationships. Occasionally, a biography is made into another form of art such as a film or dramatic production. The musical production of “Hamilton” is an excellent example of a biographical work that has been turned into one of the most popular musical productions in Broadway history.

Common Examples of Biographical Subjects

Most people assume that the subject of a biography must be a person who is famous in some way. However, that’s not always the case. In general, biographical subjects tend to be interesting people who have pioneered something in their field of expertise or done something extraordinary for humanity. In addition, biographical subjects can be people who have experienced something unusual or heartbreaking, committed terrible acts, or who are especially gifted and/or talented.

As a literary device, biography is important because it allows readers to learn about someone’s story and history. This can be enlightening, inspiring, and meaningful in creating connections. Here are some common examples of biographical subjects:

• political leaders
• entrepreneurs
• historical figures
• serial killers
• notorious people
• political activists
• adventurers/explorers
• religious leaders
• military leaders
• cultural figures

Famous Examples of Biographical Works

The readership for biography tends to be those who enjoy learning about a certain person’s life or overall field related to the person. In addition, some readers enjoy the literary form of biography independent of the subject. Some biographical works become well-known due to either the person’s story or the way the work is written, gaining a readership of people who may not otherwise choose to read biography or are unfamiliar with its form.

Here are some famous examples of biographical works that are familiar to many readers outside of biography fans:

• Alexander Hamilton (Ron Chernow)
• Prairie Fires: The American Dreams of Laura Ingalls Wilder (Caroline Fraser)
• Steve Jobs (Walter Isaacson)
• Churchill: A Life (Martin Gilbert)
• The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary (Simon Winchester)
• A Beautiful Mind (Sylvia Nasar)
• The Black Rose (Tananarive Due)
• John Adams (David McCullough)
• Into the Wild ( Jon Krakauer )
• John Brown (W.E.B. Du Bois)
• Frida: A Biography of Frida Kahlo (Hayden Herrera)
• The Immortal Life of Henrietta Lacks (Rebecca Skloot)
• Team of Rivals: The Political Genius of Abraham Lincoln (Doris Kearns Goodwin)
• Shirley Jackson : A Rather Haunted Life ( Ruth Franklin)
• the stranger in the Woods: The Extraordinary Story of the Last True Hermit (Michael Finkel)

Difference Between Biography, Autobiography, and Memoir

Biography, autobiography , and memoir are the three main forms used to tell the story of a person’s life. Though there are similarities between these forms, they have distinct differences in terms of the writing, style , and purpose.

A biography is an informational narrative and account of the life history of an individual person, written by someone who is not the subject of the biography. An autobiography is the story of an individual’s life, written by that individual. In general, an autobiography is presented chronologically with a focus on key events in the person’s life. Since the writer is the subject of an autobiography, it’s written in the first person and considered more subjective than objective, like a biography. In addition, autobiographies are often written late in the person’s life to present their life experiences, challenges, achievements, viewpoints, etc., across time.

Memoir refers to a written collection of a person’s significant memories, written by that person. Memoir doesn’t generally include biographical information or chronological events unless it’s relevant to the story being presented. The purpose of memoir is reflection and an intention to share a meaningful story as a means of creating an emotional connection with the reader. Memoirs are often presented in a narrative style that is both entertaining and thought-provoking.

Examples of Biography in Literature

An important subset of biography is literary biography. A literary biography applies biographical study and form to the lives of artists and writers. This poses some complications for writers of literary biographies in that they must balance the representation of the biographical subject, the artist or writer, as well as aspects of the subject’s literary works. This balance can be difficult to achieve in terms of judicious interpretation of biographical elements within an author’s literary work and consideration of the separate spheres of the artist and their art.

Literary biographies of artists and writers are among some of the most interesting biographical works. These biographies can also be very influential for readers, not only in terms of understanding the artist or writer’s personal story but the context of their work or literature as well. Here are some examples of well-known literary biographies:

Example 1:  Savage Beauty: The Life of Edna St. Vincent Millay  (Nancy Milford)

One of the first things Vincent explained to Norma was that there was a certain freedom of language in the Village that mustn’t shock her. It wasn’t vulgar. ‘So we sat darning socks on Waverly Place and practiced the use of profanity as we stitched. Needle in, . Needle out, piss. Needle in, . Needle out, c. Until we were easy with the words.’

This passage reflects the way in which Milford is able to characterize St. Vincent Millay as a person interacting with her sister. Even avid readers of a writer’s work are often unaware of the artist’s private and personal natures, separate from their literature and art. Milford reflects the balance required on the part of a literary biographer of telling the writer’s life story without undermining or interfering with the meaning and understanding of the literature produced by the writer. Though biographical information can provide some influence and context for a writer’s literary subjects, style, and choices , there is a distinction between the fictional world created by a writer and the writer’s “real” world. However, a literary biographer can illuminate the writer’s story so that the reader of both the biography and the biographical subject’s literature finds greater meaning and significance.

Example 2:  The Invisible Woman: The Story of Nelly Ternan and Charles Dickens  (Claire Tomalin)

The season of domestic goodwill and festivity must have posed a problem to all good Victorian family men with more than one family to take care of, particularly when there were two lots of children to receive the demonstrations of paternal love.

Tomalin’s literary biography of Charles Dickens reveals the writer’s extramarital relationship with a woman named Nelly Ternan. Tomalin presents the complications that resulted for Dickens from this relationship in terms of his personal and family life as well as his professional writing and literary work. Revealing information such as an extramarital relationship can influence the way a reader may feel about the subject as a person, and in the case of literary biography it can influence the way readers feel about the subject’s literature as well. Artists and writers who are beloved , such as Charles Dickens, are often idealized by their devoted readers and society itself. However, as Tomalin’s biography of Dickens indicates, artists and writers are complicated and as subject to human failings as anyone else.

Example 3:  Virginia Woolf  (Hermione Lee)

‘A self that goes on changing is a self that goes on living’: so too with the biography of that self. And just as lives don’t stay still, so life-writing can’t be fixed and finalised. Our ideas are shifting about what can be said, our knowledge of human character is changing. The biographer has to pioneer, going ‘ahead of the rest of us, like the miner’s canary, testing the atmosphere , detecting falsity, unreality, and the presence of obsolete conventions’. So, ‘There are some stories which have to be retold by each generation’. She is talking about the story of Shelley, but she could be talking about her own life-story.

In this passage, Lee is able to demonstrate what her biographical subject, Virginia Woolf, felt about biography and a person telling their own or another person’s story. Literary biographies of well-known writers can be especially difficult to navigate in that both the author and biographical subject are writers, but completely separate and different people. As referenced in this passage by Lee, Woolf was aware of the subtleties and fluidity present in a person’s life which can be difficult to judiciously and effectively relay to a reader on the part of a biographer. In addition, Woolf offers insight into the fact that biographers must make choices in terms of what information is presented to the reader and the context in which it is offered, making them a “miner’s canary” as to how history will view and remember the biographical subject.

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What Is Biography? Definition, Usage, and Literary Examples

Biography definition.

A  biography  (BYE-og-ruh-fee) is a written account of one person’s life authored by another person. A biography includes all pertinent details from the subject’s life, typically arranged in a chronological order. The word  biography  stems from the Latin  biographia , which succinctly explains the word’s definition:  bios  = “life” +  graphia  = “write.”

Since the advent of the written word, historical writings have offered information about real people, but it wasn’t until the 18th century that biographies evolved into a separate literary genre.  Autobiographies  and memoirs fall under the broader biography genre, but they are distinct literary forms due to one key factor: the subjects themselves write these works. Biographies are popular source materials for documentaries, television shows, and motion pictures.

The History of Biographies

The biography form has its roots in Ancient Rome and Greece. In 44 BCE, Roman writer Cornelius Nepos published  Excellentium Imperatorum Vitae  ( Lives of the Generals ), one of the earliest recorded biographies. In 80 CE, Greek writer Plutarch released  Parallel Lives , a sweeping work consisting of 48 biographies of famous men. In 121 CE, Roman historian Suetonius wrote  De vita Caesarum  ( On the Lives of the Caesars ), a series of 12 biographies detailing the lives of Julius Caesar and the first 11 emperors of the Roman Empire. These were among the most widely read biographies of their time, and at least portions of them have survived intact over the millennia.

During the Middle Ages, the Roman Catholic Church had a notable influence on biographies. Historical, political, and cultural biographies fell out of favor. Biographies of religious figures—including saints, popes, and church founders—replaced them. One notable exception was Italian painter/architect Giorgio Vasari’s 1550 biography,  The Lives of the Most Excellent Painters, Sculptors, and Architects , which was immensely popular. In fact, it is one of the first examples of a bestselling book.

Still, it wasn’t until the 18th century that authors began to abandon multiple subjects in a single work and instead focus their research and writing on one subject. Scholars consider James Boswell’s 1791  The Life of Samuel Johnson  to be the first modern biography. From here, biographies were established as a distinct literary genre, separate from more general historical writing.

As understanding of psychology and sociology grew in the 19th and early 20th centuries, biographies further evolved, offering up even more comprehensive pictures of their subjects. Authors who played major roles in this contemporary approach to biographing include Lytton Strachey, Gamaliel Bradford, and Robert Graves.

Types of Biographies

While all biographical works chronicle the lives of real people, writers can present the information in several different ways.

• Popular biographies are life histories written for a general readership.  The Immortal Life of Henrietta Lacks  by Rebecca Skloot and  Into the Wild  by Jon Krakauer are two popular examples.
• Critical biographies discuss the relationship between the subject’s life and the work they produced or were involved in; for example,  The Billionaire Who Wasn’t: How Chuck Feeney Secretly Made and Gave Away a Fortune  by Conor O’Clery and  Unpresidented: A Biography of Donald Trump  by Martha Brockenbrough.
• Historical biographies put greater understanding on how the subject’s life and contributions affected or were affected by the times in which they lived; see  John Adams  by David McCullough and  Catherine the Great  by Peter K. Massie.
• Literary biographies concentrate almost exclusively on writers and artists, blending a conventional  narrative  of the historical facts of the subject’s life with an exploration of how these facts impacted their creative output. Some examples include  Savage Beauty: The Life of Edna St. Vincent Millay  by Nancy Milford and  Jackson Pollock: An American Saga  by Gregory White Smith and Steven Naifeh.
• Reference biographies are more scholarly writings, usually written by multiple authors and covering multiple lives around a single topic. They verify facts, provide background details, and contribute supplemental information resources, like bibliographies, glossaries, and historical documents; for example,  Black Americans in Congress, 1870-2007  and the  Dictionary of Canadian Biography .
• Fictional biographies, or biographical novels, like  The Other Boleyn Girl  by Philippa Gregory, incorporate creative license into the retelling of a real person’s story by taking on the structure and freedoms of a novel. The term can also describe novels in which authors give an abundance of background information on their characters, to the extent that the novel reads more like a biography than fiction. An example of this is George R.R. Martin’s  Fire and Blood , a novel detailing the history of a royal family from his popular  A Song of Ice and Fire

Biographies and Filmed Entertainment

Movie makers and television creators frequently produce biographical stories, either as dramatized productions based on real people or as nonfiction accounts.

Documentary

This genre is a nonfictional movie or television show that uses historical records to tell the story of a subject. The subject might be a one person or a group of people, or it might be a certain topic or theme. To present a biography in a visually compelling way, documentaries utilize archival footage, recreations, and interviews with subjects, scholars, experts, and others associated with the subject.

Famous film documentaries include  Grey Gardens,  a biography of two of Jacqueline Kennedy’s once-wealthy cousins, who, at the time of filming, lived in squalor in a condemned mansion in the Hamptons; and  I Am Not Your Negro , a biography of the life and legacy of pioneering American author James Baldwin.

Television documentary series tell one story over the course of several episodes, like  The Jinx :  The Life and Deaths of Robert Durst , a biography of the real estate heir and alleged serial killer that focused on his suspected crimes. There are many nonfiction television shows that use a documentary format, but subjects typically change from one episode to the next, such as A&E’s  Biography  and PBS’s  POV .

These films are biographical motion pictures, written by screenwriters and performed by actors. They often employ a certain amount of creative liberty in their interpretation of a real life. This is largely done to maintain a feasible runtime; capturing all of the pivotal moments of a subject’s life in a 90- or 120-minute movie is all but impossible. So, filmmakers might choose to add, eliminate, or combine key events and characters, or they may focus primarily on one or only a few aspects of the subject’s life. Some popular examples:  Coal Miner’s Daughter , a biography of country music legend Loretta Lynn;  Malcom X , a biopic centered on the civil rights leader of the same name; and  The King’s Speech , a dramatization of Prince Albert’s efforts to overcome a stutter and ascend the English throne.

Semi-fictionalized account

This approach takes a real-life event and interprets or expands it in ways that stray beyond what actually happened. This is done for entertainment and to build the story so it fits the filmmaker’s vision or evolves into a longer form, such as a multi-season television show. These accounts sometimes come with the disclaimer that they are “inspired by true events.” Examples of semi-fictionalized accounts are the TV series  Orange Is the New Black ,  Masters of Sex , and  Mozart of the Jungle —each of which stem from at least one biographical element, but showrunners expounded upon to provide many seasons of entertainment.

The Functions of Biography

Biographies inform readers about the life of a notable person. They are a way to introduce readers to the work’s subject—the historical details, the subject’s motivations and psychological underpinnings, and their environment and the impact they had, both in the short and long term.

Because the author is somewhat removed from their subject, they can offer a more omniscient, third-person narrative account. This vantage point allows the author to put certain events into a larger context; compare and contrast events, people, and behaviors predominant in the subject’s life; and delve into psychological and sociological themes of which the subject may not have been aware.

Also, a writer structures a biography to make the life of the subject interesting and readable. Most biographers want to entertain as well as inform, so they typically use a traditional  plot  structure—an introduction,  conflict , rising of tension, a climax, a resolution, and an ending—to give the life story a narrative shape. While the ebb and flow of life is a normal day-to-day rhythm, it doesn’t necessarily make for entertaining reading. The job of the writer, then, becomes one of shaping the life to fit the elements of a good plot.

Writers Known for Biographies

Many modern writers have dedicated much of their careers to biographies, such as:

• Kitty Kelley, author of  Jackie Oh! An Intimate Biography; His Way: The Unauthorized Biography of Frank Sinatra ; and  The Family: The Real Story of the Bush Dynasty
• Antonia Fraser, author of  Mary Queen of Scots ;  Cromwell; Our Chief of Men ; and  The Gunpowder Plot: Terror and Faith in 1605
• David McCullough, author of  The Path Between the Seas; Truman ; and  John Adams
• Andrew Morton, author of  Diana: Her True Story in Her Own Words; Madonna ; and  Tom Cruise: An Unauthorized Biography
• Alison Weir, author of  The Six Wives of Henry VIII; Eleanor of Aquitaine: By the Wrath of God; Queen of England ; and  Katherine Swynford: The Story of John of Gaunt and His Scandalous Duchess

Examples of Biographies

1. James Boswell,  The Life of Samuel Johnson

The biography that ushered in the modern era of true-life writing,  The Life of Samuel Johnson  covered the entirety of its subject’s life, from his birth to his status as England’s preeminent writer to his death. Boswell was a personal acquaintance of Johnson, so he was able to draw on voluminous amounts of personal conversations the two shared.

What also sets this biography apart is, because Boswell was a contemporary of Johnson, readers see Johnson in the context of his own time. He wasn’t some fabled figure that a biographer was writing about centuries later; he was someone to whom the author had access, and Boswell could see the real-world influence his subject had on life in the here and now.

2. Sylvia Nasar,  A Beautiful Mind

Nasar’s 1998 Pulitzer Prize-nominated biography of mathematician John Nash introduced legions of readers to Nash’s remarkable life and genius. The book opens with Nash’s childhood and follows him through his education, career, personal life, and struggles with schizophrenia. It ends with his acceptance of the 1994 Nobel Prize for Economics. In addition to a Pulitzer nomination,  A Beautiful Mind  won the National Book Critics Circle Award for Biography, was a  New York Times  bestseller, and provided the basis for the Academy Award-winning 2001 film of the same name.

3. Catherine Clinton,  Harriet Tubman: The Road to Freedom

Clinton’s biography of the abolitionist icon is a large-scale epic that chronicles Tubman’s singular life. It starts at her birth in the 1820s as the slave Araminta Ross, continuing through her journey to freedom; her pivotal role in the Underground Railroad; her Moses-like persona; and her death in 1913.

Because Tubman could not read or write, she left behind no letters, diaries, or other personal papers in her own hand and voice. Clinton reconstructed Tubman’s history entirely through other source material, and historians often cite this work as the quintessential biography of Tubman’s life.

4. Megan Mayhew Bergman,  Almost Famous Women

Almost Famous Women  is not a biography in the strictest sense of the word; it is a fictional interpretation of real-life women. Each short story revolves around a woman from history with close ties to fame, such as movie star Marlene Dietrich, Standard Oil heiress Marion “Joe” Carstairs, aviatrix Beryl Markham, Oscar Wilde’s niece Dolly, and Lord Byron’s daughter Allegra. Mayhew Bergman imagines these colorful women in equally colorful episodes that put them in a new light—a light that perhaps offers them the honor and homage that history denied them.

Further Resources on Biography

Newsweek  compiled their picks for the  75 Best Biographies of All Time .

The Open Education Database has a list of  75 Biographies to Read Before You Die .

Goodreads put together a list of readers’  best biography selections .

If you’re looking to write biographies,  Infoplease  has instructions for writing shorter pieces, while  The Writer   has practical advice for writing manuscript-length bios.

Ranker  collected  a comprehensive list of famous biographers .

Related Terms

• Autobiography
• Short Story

Literary Devices

Literary devices, terms, and elements, definition of biography.

A biography is a description of a real person’s life, including factual details as well as stories from the person’s life. Biographies usually include information about the subject’s personality and motivations, and other kinds of intimate details excluded in a general overview or profile of a person’s life. The vast majority of biography examples are written about people who are or were famous, such as politicians, actors, athletes, and so on. However, some biographies can be written about people who lived incredible lives, but were not necessarily well-known. A biography can be labelled “authorized” if the person being written about, or his or her family members, have given permission for a certain author to write the biography.

The word biography comes from the Greek words bios , meaning “life” and – graphia , meaning “writing.”

Difference Between Biography and Autobiography

A biography is a description of a life that is not the author’s own, while an autobiography is the description of a writer’s own life. There can be some gray area, however, in the definition of biography when a ghostwriter is employed. A ghostwriter is an author who helps in the creation of a book, either collaborating with someone else or doing all of the writing him- or herself. Some famous people ask for the help of a ghostwriter to create their own autobiographies if they are not particularly gifted at writing but want the story to sound like it’s coming from their own mouths. In the case of a ghostwritten autobiography, the writer is not actually writing about his or her own life, but has enough input from the subject to create a work that is very close to the person’s experience.

Common Examples of Biography

The genre of biography is so popular that there is even a cable network originally devoted to telling the stories of famous people’s lives (fittingly called The Biography Channel). The stories proved to be such good television that other networks caught on, such as VH1 producing biographies under the series name “Behind the Music.” Some examples of written biographies have become famous in their own right, such as the following books:

• Alexander Hamilton by Ron Chernow (made even more famous by the musical “Hamilton,” created by Lin-Manuel Miranda)
• Unbroken by Laura Hillenbrand
• Steve Jobs by Walter Isaacson
• Into the Wild by Jon Krakauer
• The Immortal Life of Henrietta Lacks by Rebecca Skloot
• Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, A Man Who Would Cure the World by Tracy Kidder
• Three Cups of Tea: One Man’s Mission to Promote Peace … One School at a Time by Greg Mortenson

Significance of Biography in Literature

The genre of biography developed out of other forms of historical nonfiction, choosing to focus on one specific person’s experience rather than all important players. There are examples of biography all the way back to 44 B.C. when Roman biographer Cornelius Nepos wrote Excellentium Imperatorum Vitae (“Lives of those capable of commanding”). The Greek historian Plutarch was also famous for his biographies, creating a series of biographies of famous Greeks and Romans in his book Parallel Lives . After the printing press was created, one of the first “bestsellers” was the 1550 famous biography Lives of the Artists by Giorgio Vasari. Biography then got very popular in the 18th century with James Boswell’s 1791 publication of The Life of Samuel Johnson . Biography continues to be one of the best selling genres in literature, and has led to a number of literary prizes specifically for this form.

Examples of Biography in Literature

And I can imagine Farmer saying he doesn’t care if no one else is willing to follow their example. He’s still going to make these hikes, he’d insist, because if you say that seven hours is too long to walk for two families of patients, you’re saying that their lives matter less than some others’, and the idea that some lives matter less is the root of all that’s wrong with the world.

( Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, A Man Who Would Cure the World by Tracy Kidder)

Tracy Kidder’s wonderful example of biography, Mountains Beyond Mountains , brought the work of Dr. Paul Farmer to a wider audience. Dr. Farmer cofounded the organization Partners in Health (PIH) in 1987 to provide free treatment to patients in Haiti; the organization later created similar projects in countries such as Russia, Peru, and Rwanda. Dr. Farmer was not necessarily a famous man before Tracy Kidder’s biography was published, though he was well-regarded in his own field. The biography describes Farmer’s work as well as some of his personal life.

On July 2, McCandless finished reading Tolstoy’s “Family Happiness”, having marked several passages that moved him: “He was right in saying that the only certain happiness in life is to live for others…” Then, on July 3, he shouldered his backpack and began the twenty-mile hike to the improved road. Two days later, halfway there, he arrived in heavy rain at the beaver ponds that blocked access to the west bank of the Teklanika River. In April they’d been frozen over and hadn’t presented an obstacle. Now he must have been alarmed to find a three-acre lake covering the trail.

( Into the Wild by Jon Krakauer)

Jon Krakauer is a writer and outdoorsman famous for many nonfiction books, including his own experience in a mountaineering disaster on Mount Everest in 1996. His book Into the Wild is a nonfiction biography of a young boy, Christopher McCandless who chose to donate all of his money and go into the wilderness in the American West. McCandless starved to death in Denali National Park in 1992. The biography delved into the facts surrounding McCandless’s death, as well as incorporating some of Krakauer’s own experience.

A commanding woman versed in politics, diplomacy, and governance; fluent in nine languages; silver-tongued and charismatic, Cleopatra nonetheless seems the joint creation of Roman propagandists and Hollywood directors.

( Cleopatra: A Life by Stacy Schiff)

Stacy Schiff wrote a new biography of Cleopatra in 2010 in order to divide fact from fiction, and go back to the amazing and intriguing personality of the woman herself. The biography was very well received for being both scrupulously referenced as well as highly literary and imaginative.

Confident that he was clever, resourceful, and bold enough to escape any predicament, [Louie] was almost incapable of discouragement. When history carried him into war, this resilient optimism would define him.

( Unbroken: A World War II Story of Survival, Resilience, and Redemption by Laura Hillenbrand)

Laura Hillenbrand’s bestselling biography Unbroken covers the life of Louis “Louie” Zamperini, who lived through almost unbelievable circumstances, including running in the 1936 Summer Olympics in Berlin, being shot down as a bomber in WWII, surviving in a raft in the ocean for 47 days, and then surviving Japanese prisoner of war camps. Zamperini’s life story is one of those narratives that is “stranger than fiction” and Hillenbrand brings the drama brilliantly to the reader.

I remember sitting in his backyard in his garden, one day, and he started talking about God. He [Jobs] said, “ Sometimes I believe in God, sometimes I don’t. I think it’s 50/50, maybe. But ever since I’ve had cancer, I’ve been thinking about it more, and I find myself believing a bit more, maybe it’s because I want to believe in an afterlife, that when you die, it doesn’t just all disappear. The wisdom you’ve accumulated, somehow it lives on.”

( Steve Jobs by Walter Isaacson)

Steve Jobs is one of the most famous cultural icons of modern-day America and, indeed, around the world, and thus his biography was eagerly awaited. The author, Walter Isaacson, was able to interview Jobs extensively during the writing process. Thus, the above excerpt is possible where the writer is a character in the story himself, asking Jobs about his views on life and philosophy of the world.

Test Your Knowledge of Biography

1. Which of the following statements is the best biography definition? A. A retelling of one small moment from another person’s life. B. A novel which details one specific character’s full life. C. A description of a real person’s entire life, written by someone else. [spoiler title=”Answer to Question #1″] Answer: C is the correct answer.[/spoiler]

2. Which of the following scenarios qualifies as a biography? A. A famous person contracts a ghostwriter to create an autobiography. B. A famous author writes the true and incredible life story of a little known person. C. A writer creates a book detailing the most important moments in her own life. [spoiler title=”Answer to Question #2″] Answer: B is the correct answer.[/spoiler]

3. Which of the following statements is true? A. Biographies are one of the best selling genres in contemporary literature. B. Biographies are always written about famous people. C. Biographies were first written in the 18th century. [spoiler title=”Answer to Question #3″] Answer: A is the correct answer.[/spoiler]

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[ bahy- og -r uh -fee , bee- ]

the biography of Byron by Marchand.

• an account in biographical form of an organization, society, theater, animal, etc.
• such writings collectively.
• the writing of biography as an occupation or field of endeavor.

/ baɪˈɒɡrəfɪ; ˌbaɪəˈɡræfɪkəl /

• an account of a person's life by another
• such accounts collectively
• The story of someone's life. The Life of Samuel Johnson , by James Boswell , and Abraham Lincoln , by Carl Sandburg , are two noted biographies. The story of the writer's own life is an autobiography .

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Derived forms.

• biˈographer , noun
• biographical , adjective
• ˌbioˈgraphically , adverb

Word History and Origins

Origin of biography 1

Example Sentences

Barrett didn’t say anything on Tuesday to contradict our understanding of her ideological leanings based on her past rulings, past statements and biography.

Republicans, meanwhile, focused mostly on her biography — including her role as a working mother of seven and her Catholic faith — and her credentials, while offering few specifics about her record as a law professor and judge.

She delivered an inspiring biography at one point, reflecting on the sacrifice her mother made to emigrate to the United States.

As Walter Isaacson pointed out in his biography of Benjamin Franklin, Franklin proposed the postal system as a vital network to bond together the 13 disparate colonies.

Serving that end, the book is not an in-depth biography as much as a summary of Galileo’s life and science, plus a thorough recounting of the events leading up to his famous trial.

The Amazon biography for an author named Papa Faal mentions both Gambia and lists a military record that matches the FBI report.

For those unfamiliar with Michals, an annotated biography and useful essays are included.

Did you envision your Pryor biography as extending your previous investigation—aesthetically and historically?

But Stephen Kotkin's new biography reveals a learned despot who acted cunningly to take advantage of the times.

Watching novelists insult one another is one of the primary pleasures of his biography.

He also published two volumes of American Biography, a work which his death abridged.

Mme. de Chaulieu gave her husband the three children designated in the duc's biography.

The biography of great men always has been, and always will be read with interest and profit.

I like biography far better than fiction myself: fiction is too free.

The Bookman: "A more entertaining narrative whether in biography or fiction has not appeared in recent years."

Related Words

• autobiography

What Is a Biography?

Learning from the experiences of others is what makes us human.

At the core of every biography is the story of someone’s humanity. While biographies come in many sub-genres, the one thing they all have in common is loyalty to the facts, as they’re available at the time. Here’s how we define biography, a look at its origins, and some popular types.

“Biography” Definition

A biography is simply the story of a real person’s life. It could be about a person who is still alive, someone who lived centuries ago, someone who is globally famous, an unsung hero forgotten by history, or even a unique group of people. The facts of their life, from birth to death (or the present day of the author), are included with life-changing moments often taking center stage. The author usually points to the subject’s childhood, coming-of-age events, relationships, failures, and successes in order to create a well-rounded description of her subject.

Biographies require a great deal of research. Sources of information could be as direct as an interview with the subject providing their own interpretation of their life’s events. When writing about people who are no longer with us, biographers look for primary sources left behind by the subject and, if possible, interviews with friends or family. Historical biographers may also include accounts from other experts who have studied their subject.

The biographer’s ultimate goal is to recreate the world their subject lived in and describe how they functioned within it. Did they change their world? Did their world change them? Did they transcend the time in which they lived? Why or why not? And how? These universal life lessons are what make biographies such a meaningful read.

Origins of the Biography

Greco-Roman literature honored the gods as well as notable mortals. Whether winning or losing, their behaviors were to be copied or seen as cautionary tales. One of the earliest examples written exclusively about humans is Plutarch’s Parallel Lives (probably early 2 nd century AD). It’s a collection of biographies in which a pair of men, one Greek and one Roman, are compared and held up as either a good or bad example to follow.

In the Middle Ages, Einhard’s The Life of Charlemagne (around 817 AD) stands out as one of the most famous biographies of its day. Einhard clearly fawns over Charlemagne’s accomplishments throughout, yet it doesn’t diminish the value this biography has brought to centuries of historians since its writing.

Considered the earliest modern biography, The Life of Samuel Johnson (1791) by James Boswell looks like the biographies we know today. Boswell conducted interviews, performed years of research, and created a compelling narrative of his subject.

The genre evolves as the 20th century arrives, and with it the first World War. The 1920s saw a boom in autobiographies in response. Robert Graves’ Good-Bye to All That (1929) is a coming-of age story set amid the absurdity of war and its aftermath. That same year, Mahatma Gandhi wrote The Story of My Experiments with Truth , recalling how the events of his life led him to develop his theories of nonviolent rebellion. In this time, celebrity tell-alls also emerged as a popular form of entertainment. With the horrors of World War II and the explosion of the civil rights movement, American biographers of the late 20 th century had much to archive. Instantly hailed as some of the best writing about the war, John Hersey’s Hiroshima (1946) tells the stories of six people who lived through those world-altering days. Alex Haley wrote the as-told-to The Autobiography of Malcom X (1965). Yet with biographies, the more things change, the more they stay the same. One theme that persists is a biographer’s desire to cast its subject in an updated light, as in Eleanor and Hick: The Love Affair that Shaped a First Lady by Susan Quinn (2016).

Types of Biographies

Contemporary Biography: Authorized or Unauthorized

The typical modern biography tells the life of someone still alive, or who has recently passed. Sometimes these are authorized — written with permission or input from the subject or their family — like Dave Itzkoff’s intimate look at the life and career of Robin Williams, Robin . Unauthorized biographies of living people run the risk of being controversial. Kitty Kelley’s infamous His Way: The Unauthorized Biography of Frank Sinatra so angered Sinatra, he tried to prevent its publication.

Historical Biography

The wild success of Lin-Manuel Miranda’s Hamilton is proof that our interest in historical biography is as strong as ever. Miranda was inspired to write the musical after reading Ron Chernow’s Alexander Hamilton , an epic 800+ page biography intended to cement Hamilton’s status as a great American. Paula Gunn Allen also sets the record straight on another misunderstood historical figure with Pocahontas: Medicine Woman, Spy, Entrepreneur, Diplomat , revealing details about her tribe, her family, and her relationship with John Smith that are usually missing from other accounts. Historical biographies also give the spotlight to people who died without ever getting the recognition they deserved, such as The Immortal Life of Henrietta Lacks .

Biography of a Group

When a group of people share unique characteristics, they can be the topic of a collective biography. The earliest example of this is Captain Charles Johnson’s A General History of the Pirates (1724), which catalogs the lives of notorious pirates and establishes the popular culture images we still associate with them. Smaller groups are also deserving of a biography, as seen in David Hajdu’s Positively 4th Street , a mesmerizing behind-the-scenes look at the early years of Bob Dylan, Joan Baez, Mimi Baez Fariña, and Richard Fariña as they establish the folk scene in New York City. Likewise, British royal family fashion is a vehicle for telling the life stories of four iconic royals – Queen Elizabeth II, Diana, Kate, and Meghan – in HRH: So Many Thoughts on Royal Style by style journalist Elizabeth Holmes.

Autobiography

This type of biography is written about one’s self, spanning an entire life up to the point of its writing. One of the earliest autobiographies is Saint Augustine’s The Confessions (400), in which his own experiences from childhood through his religious conversion are told in order to create a sweeping guide to life. Maya Angelou’s I Know Why the Caged Bird Sings is the first of six autobiographies that share all the pain of her childhood and the long road that led to her work in the civil rights movement, and a beloved, prize-winning writer.

Memoirs are a type of autobiography, written about a specific but vital aspect of one’s life. In Toil & Trouble , Augusten Burroughs explains how he has lived his life as a witch. Mikel Jollett’s Hollywood Park recounts his early years spent in a cult, his family’s escape, and his rise to success with his band, The Airborne Toxic Event. Barack Obama’s first presidential memoir, A Promised Land , charts his path into politics and takes a deep dive into his first four years in office.

Fictional Biography

Fictional biographies are no substitute for a painstakingly researched scholarly biography, but they’re definitely meant to be more entertaining. Z: A Novel of Zelda Fitzgerald by Therese Anne Fowler constructs Zelda and F. Scott’s wild, Jazz-Age life, told from Zelda’s point of view. The Only Woman in the Room by Marie Benedict brings readers into the secret life of Hollywood actress and wartime scientist, Hedy Lamarr. These imagined biographies, while often whimsical, still respect the form in that they depend heavily on facts when creating setting, plot, and characters.

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Definition of biography noun from the Oxford Advanced Learner's Dictionary

• Boswell’s biography of Johnson
• a biography by Antonia Fraser
• The book gives potted biographies of all the major painters.
• blockbuster
• unauthorized
• biography by
• biography of

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Other results

• The Dictionary of National Biography
• Dictionary of National Biography

Nearby words

Biographies: The Stories of Humanity

• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

A biography is a story of a person's life, written by another author. The writer of a biography is called a biographer while the person written about is known as the subject or biographee.

Biographies usually take the form of a narrative , proceeding chronologically through the stages of a person's life. American author Cynthia Ozick notes in her essay "Justice (Again) to Edith Wharton" that a good biography is like a novel, wherein it believes in the idea of a life as "a triumphal or tragic story with a shape, a story that begins at birth, moves on to a middle part, and ends with the death of the protagonist."

A biographical essay is a comparatively short work of nonfiction  about certain aspects of a person's life. By necessity, this sort of essay  is much more selective than a full-length biography, usually focusing only on key experiences and events in the subject's life.

Between History and Fiction

Perhaps because of this novel-like form, biographies fit squarely between written history and fiction, wherein the author often uses personal flairs and must invent details "filling in the gaps" of the story of a person's life that can't be gleaned from first-hand or available documentation like home movies, photographs, and written accounts.

Some critics of the form argue it does a disservice to both history and fiction, going so far as to call them "unwanted offspring, which has brought a great embarrassment to them both," as Michael Holroyd puts it in his book "Works on Paper: The Craft of Biography and Autobiography." Nabokov even called biographers "psycho-plagiarists," meaning that they steal the psychology of a person and transcribe it to the written form.

Biographies are distinct from creative non-fiction such as memoir in that biographies are specifically about one person's full life story -- from birth to death -- while creative non-fiction is allowed to focus on a variety of subjects, or in the case of memoirs certain aspects of an individual's life.

Writing a Biography

For writers who want to pen another person's life story, there are a few ways to spot potential weaknesses, starting with making sure proper and ample research has been conducted -- pulling resources such as newspaper clippings, other academic publications, and recovered documents and found footage.  

First and foremost, it is the duty of biographers to avoid misrepresenting the subject as well as acknowledging the research sources they used. Writers should, therefore, avoid presenting a personal bias for or against the subject as being objective is key to conveying the person's life story in full detail.

Perhaps because of this, John F. Parker observes in his essay "Writing: Process to Product" that some people find writing a biographical essay "easier than writing an  autobiographical  essay. Often it takes less effort to write about others than to reveal ourselves." In other words, in order to tell the full story, even the bad decisions and scandals have to make the page in order to truly be authentic.

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biography noun

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What does the noun biography mean?

There are three meanings listed in OED's entry for the noun biography . See ‘Meaning & use’ for definitions, usage, and quotation evidence.

How common is the noun biography ?

How is the noun biography pronounced, british english, u.s. english, where does the noun biography come from.

Earliest known use

The earliest known use of the noun biography is in the mid 1600s.

OED's earliest evidence for biography is from 1661, in the writing of John Fell, bishop of Oxford.

biography is a borrowing from Latin.

Etymons: Latin biographia .

Nearby entries

• biognosy, n. 1880
• biograph, n. 1825–
• biograph, v. 1776–
• biographee, n. 1812–
• biographer, n. 1644–
• biographic, adj. 1752–
• biographical, adj. 1668–
• biographically, adv. ?1719–
• biographist, n. a1661–
• biographize, v. 1793–
• biography, n. 1661–
• biography, v. 1794–
• biographying, n. 1858–
• biohacker, n. 1988–
• biohacking, n. 1992–
• biohazard, n. 1965–
• biohazardous, adj. 1973–
• bioherm, n. 1928–
• biohermal, adj. 1937–
• bioidentical, adj. 1995–
• bioimaging, n. 1983–

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Meaning & use

Pronunciation, compounds & derived words, entry history for biography, n..

biography, n. was revised in November 2010.

biography, n. was last modified in July 2023.

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Revisions and additions of this kind were last incorporated into biography, n. in July 2023.

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Citation details

Factsheet for biography, n., browse entry.

Life’s Stories

How you arrange the plot points of your life into a narrative can shape who you are—and is a fundamental part of being human.

This article was featured in One Story to Read Today, a newsletter in which our editors recommend a single must-read from The Atlantic , Monday through Friday. Sign up for it here.       

In Paul Murray’s novel Skippy Dies, there’s a point where the main character, Howard, has an existential crisis. “‘It’s just not how I expected my life would be,’” he says.

“‘What did you expect?’” a friend responds.

“Howard ponders this. ‘I suppose—this sounds stupid, but I suppose I thought there’d be more of a narrative arc .’”

But it’s not stupid at all. Though perhaps the facts of someone’s life, presented end to end, wouldn’t much resemble a narrative to the outside observer, the way people choose to tell the stories of their lives, to others and—crucially—to themselves, almost always does have a narrative arc. In telling the story of how you became who you are, and of who you’re on your way to becoming, the story itself becomes a part of who you are.

“Life stories do not simply reflect personality. They are personality, or more accurately, they are important parts of personality, along with other parts, like dispositional traits, goals, and values,” writes Dan McAdams, a professor of psychology at Northwestern University, along with Erika Manczak, in a chapter for the APA Handbook of Personality and Social Psychology.

In the realm of narrative psychology, a person’s life story is not a Wikipedia biography of the facts and events of a life, but rather the way a person integrates those facts and events internally—picks them apart and weaves them back together to make meaning. This narrative becomes a form of identity, in which the things someone chooses to include in the story, and the way she tells it, can both reflect and shape who she is.  A life story doesn’t just say what happened, it says why it was important, what it means for who the person is, for who they’ll become, and for what happens next.

“Sometimes in cases of extreme autism, people don’t construct a narrative structure for their lives,” says Jonathan Adler, an assistant professor of psychology at Olin College of Engineering, “but the default mode of human cognition is a narrative mode.”

When people tell others about themselves, they kind of have to do it in a narrative way—that’s just how humans communicate. But when people think about their lives to themselves, is it always in a narrative way, with a plot that leads from one point to another? There’s an old adage that everyone has a book inside of them. (Christopher Hitchens once said that inside is “exactly where I think it should, in most cases, remain.” ) Is there anyone out there with a life story that’s not a story at all, but some other kind of more disjointed, avant-garde representation of their existence?

“This is an almost impossible question to address from a scientific approach,” says Monisha Pasupathi, a professor of developmental psychology at the University of Utah.  Even if we are, as the writer Jonathan Gottschall put it, “storytelling animals,” what does that mean from one person to the next? Not only are there individual differences in how people think of their stories, there’s huge variation in the degree to which they engage in narrative storytelling in the first place.

“Some people write in their diaries and are very introspective, and some people are not at all,” says Kate McLean, an associate professor of psychology at Western Washington University. Journal-keeping, though a way of documenting the life story, doesn’t always make for a tightly-wound narrative. A writer I interviewed several months ago—Sarah Manguso—has kept a diary for 25 years, and still told me, “Narrative is not a mode that has ever come easily to me.”

Nevertheless, the researchers I spoke with were all convinced that even if it’s not 100 percent universal to see life as a story, it’s at least extremely common.

“I think normal, healthy adults have in common that they can all produce a life story,” Pasupathi says. “They can all put one together … In order to have relationships, we’ve all had to tell little pieces of our story. And so it’s hard to be a human being and have relationships without having some version of a life story floating around.”

But life rarely follows the logical progression that most stories—good stories—do, where the clues come together, guns left on mantles go off at the appropriate moments, the climax comes in the third act. So narrative seems like an incongruous framing method for life’s chaos, until you remember where stories came from in the first place. Ultimately, the only material we’ve ever had to make stories out of is our own imagination, and life itself.

Storytelling, then—fictional or nonfictional, realistic or embellished with dragons—is a way of making sense of the world around us.

“Life is incredibly complex, there are lots of things going on in our environment and in our lives at all times, and in order to hold onto our experience, we need to make meaning out of it,” Adler says. “The way we do that is by structuring our lives into stories.”

It’s hardly a simple undertaking. People contain multitudes, and by multitudes, I mean libraries. Someone might have an overarching narrative for her whole life, and different narratives for different realms of her life—career, romance, family, faith. She might have narratives within each realm that intersect, diverge, or contradict each other, all of them filled with the microstories of specific events. And to truly make a life story, she’ll need to do what researchers call “autobiographical reasoning” about the events—“identifying lessons learned or insights gained in life experiences, marking development or growth through sequences of scenes, and showing how specific life episodes illustrate enduring truths about the self,” McAdams and Manczak write.

“Stories don’t have to be really simple, like fairy-tale-type narratives,” McAdams says. “They can be complicated. It can be like James Joyce out there.”

If you really like James Joyce, it might be a lot like James Joyce. People take the stories that surround them—fictional tales, news articles, apocryphal family anecdotes—then identify with them and borrow from them while fashioning their own self-conceptions. It’s a Möbius strip: Stories are life, life is stories.

People aren’t writing their life stories from  birth, though. The ability to create a life narrative takes a little while to come online—the development process gives priority to things like walking, talking, and object permanence. Young children can tell stories about isolated events, with guidance, and much of adolescence is dedicated to learning “what goes in a story … and what makes a good story in the first place,” Pasupathi says. “I don’t know how much time you’ve spent around little kids, but they really don’t understand that. I have a child who can really take an hour to tell you about Minecraft .” Through friends, family, and fiction, children learn what others consider to be good storytelling—and that being able to spin a good yarn has social value.

It’s in the late teens and early years of adulthood that story construction really picks up—because by then people have developed some of the cognitive tools they need to create a coherent life story. These include causal coherence—the ability to describe how one event led to another—and thematic coherence—the ability to identify overarching values and motifs that recur throughout the story. In a study analyzing the life stories of 8-, 12-, 16-, and 20-year-olds, these kinds of coherence were found to increase with age. As the life story enters its last chapters, it may become more set in stone. In one study by McLean , older adults had more thematic coherence, and told more stories about stability, while young adults tended to tell more stories about change.

McAdams conceives of this development as the layering of three aspects of the self. Pretty much from birth, people are “actors.” They have personality traits, they interact with the world, they have roles to play—daughter, sister, the neighbor’s new baby that cries all night and keeps you up. When they get old enough to have goals, they become “agents” too—still playing their roles and interacting with the world, but making decisions with the hopes of producing desired outcomes. And the final layer is “author,” when people begin to bundle ideas about the future with experiences from the past and present to form a narrative self.

This developmental trajectory could also explain why people enjoy different types of fictional stories at different ages. “When you’re a kid, it’s mostly about plot,” McAdams says. “This happens and this happens. You’re not tuned into the idea that a character develops.” Thus, perhaps, the appeal of cartoon characters who never get older.

Recently, McAdams says, his book club read Ethan Frome by Edith Wharton. “I read it in high school and hated it,” he says. “All I could remember about it was that this sled hits a tree. And we read it recently in the club, and whoa, is it fabulous. A sled does hit the tree, there’s no doubt that is a big scene, but how it changes these people’s lives and the tragedy of this whole thing, it’s completely lost on 18-year-olds. Things are lost on 8-year-olds that a 40-year-old picks up, and things that an 8-year-old found compelling and interesting will just bore a 40-year-old to tears sometimes.”

And like personal taste in books or movies, the stories we tell ourselves about ourselves are influenced by more than just, well, ourselves. The way people recount experiences to others seems to shape the way they end up remembering those events. According to Pasupathi’s research, this happens in a couple of ways. One is that people tailor the stories they tell to their audiences and the context. (For example, I tell the story of the time I crashed my mom’s car much differently now, to friends, than the way I told it to my mom at the time. Much less crying.)

The other is that the act of telling is a rehearsal of the story, Pasupathi says. “And rehearsal strengthens connections between some pieces of information in your mind and diminishes connections between others. So the things I tell you become more accessible to me and more memorable to me. Those can be pretty lasting effects.” So when people drop the cheesy pick-up line “What’s your story?” at a bar, like a man who nicks his carotid artery while shaving, they’ve accidentally hit upon something vital.

But just as there are consequences to telling, there are consequences to not telling . If someone is afraid of how people might react to a story, and they keep it to themselves, they’ll likely miss out on the enrichment that comes with a back-and-forth conversation. A listener “may give you other things to think about, or may acknowledge that this thing you thought was really bad is actually not a big deal, so you get this richer and more elaborated memory,” Pasupathi says. If you don’t tell, “your memory for that event may be less flexible and give you less chance for growth.” This is basically the premise of talk therapy.

And all of this doesn’t even account for all the conversations you plan to have, or elaborately imagine having and never have. The path from outside to inside and back out is winding, dark, and full of switchbacks.

Once certain stories get embedded into the culture, they become master narratives—blueprints for people to follow when structuring their own stories, for better or worse. One such blueprint is your standard “go to school, graduate, get a job, get married, have kids.”

That can be a helpful script in that it gives children a sense of the arc of a life, and shows them examples of tentpole events that could happen. But the downsides of standard narratives have been well-documented—they stigmatize anyone who doesn’t follow them to a T, and provide unrealistic expectations of happiness for those who do. If this approach were a blueprint for an IKEA desk instead of a life, almost everyone trying to follow it would end up with something wobbly and misshapen, with a few leftover bolts you find under the couch, boding ill for the structural integrity of the thing you built.

“I think that’s a particularly pernicious frame for people who become parents,” Pasupathi says. “That’s a narrative where the pinnacle is to get married and have kids and then everything will be sort of flatly happy from then on.”

And these scripts evolve as culture evolves. For example, in centuries past, stories of being possessed by demons might not have been out of place, but it’s unlikely most people would describe their actions in those terms nowadays.

Other common narrative structures seen in many cultures today are redemption sequences and contamination sequences. A redemption story starts off bad and ends better—“That horrible vacation ultimately brought us closer as a family”—while a contamination story does the opposite—“The cruise was amazing until we all got food poisoning.” Having redemption themes in one’s life story is generally associated with greater well-being, while contamination themes tend to coincide with poorer mental health.

Many people have some smaller stories of each type sprinkled throughout their greater life story, though a person’s disposition, culture, and environment can influence which they gravitate to. People can also see the larger arc of their lives as redemptive or contaminated, and redemption in particular is a popular, and particularly American, narrative. “Evolving from the Puritans to Ralph Waldo Emerson to Oprah Winfrey … Americans have sought to author their lives as redemptive tales of atonement, emancipation, recovery, self-fulfillment, and upward social mobility,” McAdams writes in an overview of life-story research . “The stories speak of heroic individual protagonists—the chosen people—whose manifest destiny is to make a positive difference in a dangerous world, even when the world does not wish to be redeemed.”

The redemption story is American optimism—things will get better!—and American exceptionalism—I can make things better!—and it’s in the water, in the air, and in our heads. This is actually a good thing a lot of the time. Studies have shown that finding a positive meaning in negative events is linked to a more complex sense of self and greater life satisfaction. And even controlling for general optimism, McAdams and his colleagues found that having more redemption sequences in a life story was still associated with higher well-being.

The trouble comes when redemption isn’t possible. The redemptive American tale is one of privilege, and for those who can’t control their circumstances, and have little reason to believe things will get better, it can be an illogical and unattainable choice. There are things that happen to people that cannot be redeemed.

It can be hard to share a story when it amounts to: “This happened, and it was terrible. The end.” In research McLean did, in which she asked people who’d had near-death experiences to tell their stories to others, “the people who told these unresolved stories had really negative responses,” she says. If there wasn’t some kind of uplifting, redemptive end to the story (beyond just the fact that they survived), “The listeners did not like that.

“The redemptive story is really valued in America, because for a lot of people it’s a great way to tell stories, but for people who just can’t do that, who can’t redeem their traumas for whatever reason, they’re sort of in a double bind,” she continues. “They both have this crappy story that’s hanging on, but they also can’t tell it and get acceptance or validation from people.”

In cases like this, for people who have gone through a lot of trauma, it might be better for them not to autobiographically reason about it at all.

“The first time I ever found this association, of reasoning associated with poor mental health, I thought that I had analyzed my data incorrectly,” McLean says. But after other researchers replicated her findings, she got more confident that something was going on. She thinks that people may repress traumatic events in a way that, while not ideal, is still “healthy enough.”

“The typical idea is that you can repress something but it’s going to come back and bite you if you don’t deal with it,” she says. “But that’s still under the assumption that people have the resources to deal with it.”

In one study, McLean and her colleagues interviewed adolescents attending a high school for vulnerable students. One subject, Josie, the 17-year-old daughter of a single mother, suffered from drug and alcohol abuse, bipolar disorder, rape, and a suicide attempt. She told the researchers that her self-defining memory was that her mother had promised not to have more children and then broke that promise.

“I’m the only person that I can rely on in my life because I’ve tried to rely on other people and I either get stabbed in the back or hurt, so I really know that I can only trust myself and rely on myself,” Josie said when recounting this memory.

“That’s pretty intensive reasoning,” McLean says. “So that’s meaningful in understanding who you are, but it doesn’t really give you a positive view of who you are. It may be true in the moment, but it’s not something that propels someone towards growth.”

It’s possible to over-reason about good things in your life as well. “There’s been some experimental research that shows that when people are asked to reflect on positive experiences, it makes them feel worse, because you’re like ‘Oh, why did I marry that person?’” McLean says. “Wisdom and maturity and cognitive complexity are all things that we value, but they don’t necessarily make you happy.”

Though sometimes autobiographical reasoning can lead to dark thoughts, other times it can help people find meaning. And while you may be able to avoid reasoning about a certain event, it would be pretty hard to leave all the pages of a life story unwritten.

“I think the act of framing our lives as a narrative is neither positive nor negative, it just is,” Adler says. “That said, there are better and worse ways of doing that narrative process for our mental health.”

In his research, Adler has noticed two themes in people’s stories that tend to correlate with better well-being: agency, or feeling like you are in control of your life, and communion, or feeling like you have good relationships in your life. The connection is “a little fuzzier” with communion, Adler says—there’s a strong relationship between communion and well-being at the same moment; it’s less clear if feeling communion now predicts well-being later.

But agency sure does. It makes sense, because feelings of helplessness and hopelessness are classic symptoms of depression, that feeling in control would be good for mental health. Adler did a longitudinal study of 47 adults undergoing therapy, having them write personal narratives and complete mental-health assessments over the course of 12 therapy sessions. What he found was not only that themes of agency in participants’ stories increased over time and that mental health increased, and that the two were related, but that increased agency actually appeared in stories before people’s mental health improved.

“It’s sort of like people put out a new version of themselves and lived their way into it,” Adler says.

(There’s something about the narrative form, specifically—while expressing thoughts and feelings about negative events seems to help people’s well-being, one study found that writing them in a narrative form helped more than just listing them.)

But, he continues, “I’m not like Mr. Agency, agency at all costs. I don’t believe that. If you have Stage 4 cancer, agency may be good for you, but is it a rational choice? And I do think [redemption] is good in the long term, but in the throes of really struggling with illness, I don’t know that it actually helps people.”

But I wondered: Though agency may be good for you, does seeing yourself as a strong protagonist come at a cost to the other characters in your story? Are there implications for empathy if we see other people as bit players instead of protagonists in their own right?

“That’s actually kind of an interesting empirical idea,” Pasupathi says. “I don’t know that anybody’s looking at that.”

As Adler’s work shows, people need to see themselves as actors to a certain degree. And Pasupathi’s work shows that other people play a big role in shaping life stories. The question, perhaps, is how much people recognize that their agency is not absolute.

According to one study, highly generative people—that is, people who are caring and committed to helping future generations— often tell stories about others who helped them in the past. McAdams suggests that narcissists are probably more likely to do the opposite—“People [who] are really good at talking about themselves and pushing their own narrative, but they’re not willing to listen to yours.”

“If our stories are about us as triumphant agents going through life and overcoming, and they underplay the role of other people and the role of institutional support in helping us do those things, we are likely to be less good at recognizing how other people’s lives are constrained by institutions and other people,” Pasupathi says. “I think that has real implications for how we think about inequity in our society. The more the whole world is designed to work for you, the less you are aware that it is working for you.”

It’s a dizzying problem: People use stories to make sense of life, but how much do those stories reflect life’s realities? Even allowing for the fact that people are capable of complex Joyce-ian storytelling, biases, personality differences, or emotions can lead different people to see the same event differently. And considering how susceptible humans are to false memories, who’s to say that the plot points in someone’s life story really happened, or happened the way she thought they did, or really caused the effects she saw from them?

Pasupathi’s not convinced that it matters that much whether life stories are perfectly accurate. A lot of false-memory research has to do with eyewitness testimony , where it matters a whole lot whether a person is telling a story precisely as it happened. But for narrative-psychology researchers, “What really matters isn’t so much whether it’s true in the forensic sense, in the legal sense,” she says. “What really matters is whether people are making something meaningful and coherent out of what happened. Any creation of a narrative is a bit of a lie. And some lies have enough truth.”

Organizing the past into a narrative isn’t a way just to understand the self but also to attempt to predict the future. Which is interesting, because the storytelling device that seems most incompatible with the realities of actual life is foreshadowing. Metaphors, sure. As college literature-class discussion sections taught me, you can see anything as a metaphor if you try hard enough. Motifs, definitely. Even if you’re living your life as randomly as possible, enough things will happen that, like monkeys with typewriters, patterns will start to emerge.

But no matter how hard you try, no matter how badly you want to, there is no way to truly know the future, and the world isn’t really organizing itself to give you hints. If you’re prone to overthinking, and playing out every possible scenario in your head in advance, you can see foreshadowing in everything. The look your partner gives you means a fight is on the horizon, that compliment from your boss means you’re on track for a promotion, all the little things you’ve forgotten over the years mean you’re definitely going to get dementia when you’re old.

“Actual life is full of false clues and signposts that lead nowhere,” E.M. Forster once wrote. These become obvious in the keeping of a diary: “Imagine a biography that includes not just a narrative but also all the events that failed to foreshadow,” Manguso writes in Ongoingness, the book about her 25-year diary . “ Most of what the diary includes foreshadows nothing.”

So what to do, then, with all the things that don’t fit tidily? There is evidence that finding some “unity” in your narrative identity is better, psychologically, than not finding it. And it probably is easier to just drop those things as you pull patterns from the chaos, though it may take some readjusting.

But Pasupathi rejects that. “I would want to see people do a good job of not trying to leave stuff out because they can’t make it fit,” she says. “We’re not trying to make pieces of your life go away.”

And so even with the dead ends and wrong turns, people can’t stop themselves. “We try to predict the future all the time,” Pasupathi says. She speculates that the reason there’s foreshadowing in fiction in the first place is because of this human tendency. The uncertainty of the future makes people uncomfortable , and stories are a way to deal with that.

“The future is never a direct replica of the past,” Adler says. “So we need to be able to take pieces of things that have happened to us and reconfigure them into possible futures.” For example, through experience, one learns that “We need to talk” rarely foreshadows anything good. (Life has its own clichés.)

There’s been some brain research supporting this link between the past and the future, showing that the same regions of the brain are activated when people are asked to remember something and when they’re asked to imagine an event that hasn’t happened yet. On the flip side, a patient with severe amnesia also had trouble imagining the future.

Similarly, the way someone imagines his future seems to affect the way he sees his past, at the same time as his past informs what he expects for the future.

“If you’re planning to be a doctor, and you’re a 25-year-old starting medical school, and you have expectations about what the next five to 10 years are going to be like, you’ve probably construed a narrative from your past that helps you understand how you got to this point,” McAdams says. “Then, say, you get into med school and you hate it and you drop out, you probably at the same time are going to change your past. You rewrite the history.”

A life story is written in chalk, not ink, and it can be changed. “You’re both the narrator and the main character of your story,” Adler says. “That can sometimes be a revelation—‘Oh, I’m not just living out this story; I am actually in charge of this story.’”

Whether it’s with the help of therapy, in the midst of an identity crisis, when you’ve been chasing a roadrunner of foreshadowing toward a tunnel that turns out to be painted on a wall, or slowly, methodically, day by day—like with all stories, there’s power in rewriting.

“The past is always up for grabs,” McAdams says.

Jesus Christ

Who Was Jesus Christ?

Jesus Christ was born circa 6 B.C. in Bethlehem. Little is known about his early life, but his life and his ministry are recorded in the New Testament, more a theological document than a biography. According to Christians, Jesus is considered the incarnation of God and his teachings are followed as an example for living a more spiritual life. Christians believe he died for the sins of all people and rose from the dead.

Background and Early Life

Most of Jesus' life is told through the four Gospels of the New Testament Bible, known as the Canonical gospels, written by Matthew, Mark, Luke and John. These are not biographies in the modern sense but accounts with allegorical intent. They are written to engender faith in Jesus as the Messiah and the incarnation of God, who came to teach, suffer and die for people’s sins.

Jesus was born circa 6 B.C. in Bethlehem. His mother, Mary, was a virgin who was betrothed to Joseph, a carpenter. Christians believe Jesus was born through Immaculate Conception. His lineage can be traced back to the house of David. According to the Gospel of Matthew (2:1), Jesus was born during the reign of Herod the Great, who upon hearing of his birth felt threatened and tried to kill Jesus by ordering all of Bethlehem’s male children under age two to be killed. But Joseph was warned by an angel and took Mary and the child to Egypt until Herod’s death, where upon he brought the family back and settled in the town of Nazareth, in Galilee.

There is very little written about Jesus' early life. The Gospel of Luke (2:41-52) recounts that a 12-year-old Jesus had accompanied his parents on a pilgrimage to Jerusalem and became separated. He was found several days later in a temple, discussing affairs with some of Jerusalem’s elders. Throughout the New Testament, there are trace references of Jesus working as a carpenter while a young adult. It is believed that he began his ministry at age 30 when he was baptized by John the Baptist, who upon seeing Jesus, declared him the Son of God.

After baptism, Jesus went into the Judean desert to fast and meditate for 40 days and nights. The Temptation of Christ is chronicled in the Gospels of Matthew, Mark and Luke (known as the Synoptic Gospels). The Devil appeared and tempted Jesus three times, once to turn stone to bread, once to cast himself off a mountain where angels would save him, and once to offer him all the kingdoms of the world. All three times, Jesus rejected the Devil's temptation and sent him off.

Jesus' Ministry

Jesus returned to Galilee and made trips to neighboring villages. During this time, several people became his disciples. One of these was Mary Magdalene, who is first mentioned the Gospel of Luke (8:1–3) and later in all four gospels at the crucifixion. Though not mentioned in the context of the "12 disciples," she is considered to have been involved in Jesus's ministry from the beginning to his death and after. According to the gospels of Mark and John, Jesus appeared to Magdalene first after his resurrection.

According to the Gospel of John (2:1-11), as Jesus was beginning his ministry, he and his disciples traveled with his mother, Mary, to a wedding at Cana in Galilee. The wedding host had run out of wine and Jesus's mother came to him for help. At first, Jesus refused to intervene, but then he relented and asked a servant to bring him large jars filled with water. He turned the water into a wine of higher quality than any served during the wedding. John's gospel depicts the event as the first sign of Jesus's glory and his disciples' belief in him.

After the wedding, Jesus, his mother Mary and his disciples traveled to Jerusalem for Passover. At the temple, they saw moneychangers and merchants selling wares. In a rare display of anger, Jesus overturned the tables and, with a whip made of cords, drove them out, declaring that his Father’s house is not a house for merchants.

The Synoptic Gospels chronicle Jesus as he traveled through Judea and Galilee, using parables and miracles to explain how the prophecies were being fulfilled and that the kingdom of God was near. As word spread of Jesus's teaching and healing the sick and diseased, more people began to follow him. At one point, Jesus came to a level area and was joined by a great number of people. There, at the Sermon on the Mount, he presented several discourses, known as the Beatitudes, which encapsulate many of the spiritual teachings of love, humility and compassion.

As Jesus continued preaching about the kingdom of God, the crowds grew larger and began to proclaim him as the son of David and as the Messiah. The Pharisees heard of this and publicly challenged Jesus, accusing him of having the power of Satan. He defended his actions with a parable, then questioned their logic and told them such thinking denied the power of God, which only further hardened their resolve to work against him.

Near the city of Caesarea Philippi, Jesus talked with his disciples. According to the gospels of Matthew (16:13), Mark (8:27) and Luke (9:18), he asked, "Who do you say that I am?" The question confused them, and only Peter responded, saying, "You are the Christ, the Son of the living God." Jesus blessed Peter, accepting the titles of "Christ" and the "Son of God," and declared the proclamation was a divine revelation from God. Jesus then proclaimed Peter to be the leader of the church. Jesus then warned his disciples of the Pharisees’ conspiracy against him and of his fate to suffer and be killed, only to rise from the dead on the third day.

Less than a week later, Jesus took three of his disciples to a high mountain where they could pray alone. According to the Synoptic Gospels, Jesus's face began shining like the sun and his entire body glowed with a white light. Then, the prophets Elijah and Moses appeared, and Jesus talked to them. A bright cloud emerged around them, and a voice said, "This is my beloved Son, with whom I am well pleased; listen to him." This event, known as the Transfiguration, is a pivotal moment in Christian theology. It supports the identity of Jesus as the Christ, the Son of the living God.

Jesus arrived in Jerusalem, the week before the holiday of Passover, riding on a donkey. Great numbers of people took palm branches and greeted him at the city's entry. They praised him as the Son of David and as the Son of God. The priests and Pharisees, fearful of the growing public adulation, felt he must be stopped.

All four Gospels describe Jesus's final week in Jerusalem. During this time, Jesus raised Lazarus from the dead, confronted moneychangers and merchants in the temple, and debated with the high priests who questioned Jesus's authority. He told his disciples about the coming days and that Jerusalem's temple would be destroyed. Meanwhile, the chief priests and elders met with high priest Caiaphas, and set plans in motion to arrest Jesus. One of the disciples, Judas, met with the chief priests and told them how he would deliver Jesus to them. They agreed to pay him 30 pieces of silver.

The Last Supper

Jesus and his 12 disciples met for the Passover meal, and he gave them his final words of faith. He also foretold of his betrayal by one of the disciples and privately let Judas know it was he. Jesus told Peter that before a rooster crowed the next morning, he would have denied knowing Jesus three times. At the end of the meal, Jesus instituted the Eucharist, which in the Christian religion, signifies the covenant between God and humans.

After the Last Supper, Jesus and his disciples went to the Garden of Gethsemane to pray. Jesus asked God if this cup (his suffering and death) might pass by him. He implored a group of his disciples to pray with him, but they kept falling asleep. Then the time had come. Soldiers and officials appeared, and Judas was with them. He gave Jesus a kiss on the cheek to identify him and the soldiers arrested Jesus. One disciple tried to resist the arrest, brandished his sword and cut the ear off one of the soldiers. But Jesus admonished him and healed the soldier's wound.

After his arrest, many of the disciples went into hiding. Jesus was taken to the high priest and interrogated. He was hit and spat upon for not responding. Meanwhile, Peter had followed Jesus to the high priests' court. As he hid in the shadows, three house servants asked if he was one of Jesus' disciples and each time he denied it. After each denial, a rooster crowed. Then Jesus was led out of the house and looked directly at Peter. Peter remembered how Jesus had told him he would deny him and he wept bitterly. Judas, who was watching from a distance, became distraught by his betrayal of Jesus and attempted to return the 30 pieces of silver. The priests told him his guilt was his own. He threw the coins into the temple and later hanged himself.

The Crucifixion

The next day, Jesus was taken to the high court where he was mocked, beaten and condemned for claiming to be the Son of God. He was brought before Pontius Pilate, the Roman governor of Judea. The priests accused Jesus of claiming to be the king of the Jews and asked that he be condemned to death. At first Pilate tried to pass Jesus off to King Herod, but he was brought back, and Pilate told the Jewish priests he could find no fault with Jesus. The priests reminded him that anyone who claimed to be a king speaks against Caesar. Pilate publicly washed his hands of responsibility, yet ordered the crucifixion in response to the demands of the crowd. The Roman soldiers whipped and beat Jesus, placed a crown of thorns on his head and then led him off to Mount Calvary.

Jesus was crucified with two thieves, one at his left and the other at his right. Above his head was the charge against him, "King of the Jews." At his feet were his mother, Mary, and Mary Magdalene. The Gospels describe various events that occurred during the last three hours of his life, including the taunting by the soldiers and the crowd, Jesus's agony and outbursts, and his final words. While Jesus was on the cross, the sky darkened, and immediately upon his death, an earthquake erupted, tearing the temple's curtain from top to bottom. A soldier confirmed his death by sticking a spear into his side, which produced only water. He was taken down from the cross and buried in a nearby tomb.

Risen from the Dead

Three days after his death, Jesus's tomb was found empty. He had risen from the dead and appeared first to Mary Magdalene and then to his mother Mary. They both informed the disciples, who were in hiding, and later, Jesus appeared to them and told them not to be afraid. During this brief time, he beseeched his disciples to go into the world and preach the gospel to all humanity. After 40 days, Jesus led his disciples to Mount Olivet, east of Jerusalem. Jesus spoke his final words to them, saying that they would receive the power of the Holy Spirit, before he was taken upward on a cloud and ascended into heaven.

QUICK FACTS

• Name: Jesus Christ
• Birth Year: 6
• Birth City: Bethlehem
• Gender: Male
• Best Known For: Jesus is a religious leader whose life and teachings are recorded in the Bible’s New Testament. He is a central figure in Christianity and is emulated as the incarnation of God by many Christians all over the world.
• Occupations
• Biblical Figure
• Death Year: 30
• Death City: Jerusalem

CITATION INFORMATION

• Article Title: Jesus Christ Biography
• Author: Biography.com Editors
• Website Name: The Biography.com website
• Url: https://www.biography.com/religious-figures/jesus-christ
• Access Date:
• Publisher: A&E; Television Networks
• Last Updated: November 30, 2021
• Original Published Date: April 3, 2014
• Put your sword back into its place; for those who live by the sword, die by the sword."[Matthew 26:52]
• Blessed are the meek, for they shall inherit the earth ... Blessed are the merciful, for they shall obtain mercy ... Blessed are the peacemakers, for they shall be called sons of God."[Matthew 5:5-9]
• But I say to you that hear, Love your enemies, do good to those who hate you, bless those who curse you, pray for those who abuse you. If you love those who love you, what credit is that to you? For even sinners love those who love them. And if you do good to those who do good to you, what credit is that to you? For even sinners do the same."[Luke 6:27-32]
• Blessed are you who are poor for yours is the kingdom of God."[Luke 6:20-21]
• Come, you that are blessed by my Father, inherit the kingdom prepared for you from the foundation of the world; for I was hungry and you gave me food, I was thirsty and you gave me something to drink, I was a stranger and you welcomed me, I was naked and you gave me clothing, I was sick and you took care of me, I was in prison and you visited me."[Matthew 25:34-36]
• You're blessed when you're at the end of your rope. With less of you there is more of God and His rule."[Matthew 5:3]
• There's no 'ifs' among believers. Anything can happen."[Mark 9:23]
• Are you tired? Worn out? Burned out on religion? Come to me. Get away with me and you'll recover your life. I'll show you how to take a real rest. Walk with me and work with me--watch how I do it. Learn the unforced rhythms of grace. I won't lay anything heavy or ill-fitting on you. Keep company with me and you'll learn to live freely and lightly."[Matthew 11:28-30]
• Embrace this God-life. Embrace it and nothing will be too much for you."[Mark 11:22]
• Repent for the kingdom of heaven is at hand."[Matthew 4:17]
• Do not think that I am come to destroy the law, or the prophets. I am not come to destroy, but to fulfill.
• And if a kingdom be divided against itself, that kingdom cannot stand.
• I ask you, if it be lawful on the Sabbath days to do good or to do evil? To save life or to destroy?
• For God sent not his Son into the world, to judge the world: but that the world may be saved by him.

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• This biography offers a few glimpses of his life before he became famous .
• Her biography revealed that she was not as rich as everyone thought .
• The biography was a bit of a rush job .
• The biography is an attempt to uncover the inner man.
• The biography is woven from the many accounts which exist of things she did.
• exercise book
• novelistically
• young adult

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a device that measures air pressure and shows when the weather is likely to change

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May’s New Moon Might Be The Luckiest One Of The Year

Get ready to breathe a sigh of relief.

After a month with a solar eclipse , whirlwind Mercury retrograde period, and a chaotic Aries full moon , it’ll feel like such a relief to have a calm new moon in Taurus for a change. This lunar phase arrives on Tuesday, May 7 at 11:22 p.m. ET.

“This new moon holds a lot of promise because its ruling planet, Venus — which represents love, harmony, money, and creativity — is well-positioned in its home sign of Taurus,” says Evan Nathaniel Grim , a horoscope and astrology expert. “It is also building up to an incredibly fortunate full moon in Sagittarius on May 23 that will feature a Jupiter-Venus conjunction at [the] 29th degree of Taurus.”

According to astrology, anytime two benefics like Venus and Jupiter meet, it can attract more abundance into your life, open doors to new opportunities, and give you the necessary perspective to amplify the success you already have, Grim says. ICYMI, benefics are celestial bodies that have a positive influence, while malefics like Mars and Saturn , are known to stir up trouble.

Thanks to these positive planetary movements, this new moon will feel like a breath of fresh air, and it’ll also have the makings for some pretty powerful manifestations . What you set in place on May 7 will stick with you through the next full moon and beyond, so here’s how to make the most of it.

The Spiritual Meaning Of May’s New Moon

Since this new moon is in Taurus , it’s infused with the zodiac sign’s stable, solid earth sign energy , and according to Grim, it could help you feel more content with your life. Instead of feeling stuck in a spin cycle, you might look around and appreciate what you’ve already got going on.

That said, it could also inspire some change. “This is a lunation cycle in which people are realizing what their true priorities and values are,” he says. “It is helping them attract other people who are aligned with those values.”

Taurus also values the beauty of the natural world, so May 7 and the days leading up to it could be a period where you reconnect with yourself and the earth by unplugging from distractions. “It is a return to form and simplicity,” says Grim.

As you take stock of all the good things in your life, consider how you might strengthen them going forward. As Grim says, this is the luckiest lunation cycle of 2024, so it’s as good a time as ever to manifest.

“Taurus rules over our personal values and the value of our personal possessions,” he says. “And given Jupiter’s involvement in the forthcoming full moon, this new moon can be a catalyst for manifesting an abundance of that which we value.”

This Lunation Is Extra Powerful For These Four Signs

When this new lunar cycle kicks off on May 7, it promises to bring with it a feeling of new beginnings for all 12 zodiac signs. Since this is the first new moon after the solar eclipse, it’s also an ideal time to set things in motion, like long-term goals.

“New moons mark new beginnings and the beginning of a new growth cycle,” says Grim. “New moons are metaphorically the time when we’ve planted the seeds and the plant begins to grow.” Then, about two weeks later when the full moon arrives, your proverbial plants start to bloom and your intentions become fully realized during the shiniest, brightest lunation.

“There is also a broader six-month cycle overlying any new moon because that is the time period between the new and full moons occurring within the same sign,” says Grim. “In this case, there is a Taurus full moon on November 15 , which would mark the final culmination of the intentions you set during this upcoming new moon.”

The fixed signs — Taurus, Leo, Scorpio, and Aquarius — are in the best position to set intentions and actually see them come true during this lunar cycle. “This is because their placements are in a hard aspect to the new moon, triggering decisive action,” says Grim. “It is particularly auspicious for anyone with placements between 15 and 23 degrees of those signs.”

How To Work With This Moon’s Energy

To make the most of the May 7 new moon, Grim recommends checking in with yourself and writing down exactly what you’re hoping to attract. “Since Taurus pertains to the sensory world, be sure to engage all five senses when you visualize the opportunities you seek,” he says.

If you’re hoping to manifest a new job, imagine what you’d wear, how it would feel to walk into work on your first day, and what you might hear or talk about. If you’re hoping to manifest a new car, ask yourself what it might smell like or what color it would be, and really picture it in your mind’s eye.

“Taurus as an Earth sign appreciates specificity and concrete details,” says Grim. “It does not of course have to be materialistic. For instance, someone could set an intention to write a moving piece of music or develop a deeper connection to nature.” Whatever you’re hoping to have more of in life, manifest it during May’s new moon .

Evan Nathaniel Grim , horoscope, astrology expert

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Kristi Noem’s story of killing her dog points to class two misdemeanor

South Dakota governor’s account of family dog Cricket killing neighbor’s chickens may be an offence, according to state law

Kristi Noem, the South Dakota governor and Republican vice-presidential hopeful, may have committed a class two misdemeanor offence when her fated dog Cricket, a 14-month-old wirehair pointer Noem deemed “untrainable” for hunting pheasant, killed a neighbor’s chickens.

Under South Dakota law, “any person owning, keeping, or harboring a dog that chases, worries, injures, or kills any poultry or domestic animal is guilty of a class two misdemeanor and is liable for damages to the owner thereof for any injury caused by the dog to any such poultry or animal.”

Though Cricket’s chicken attack has made headlines in recent days, however, it was not the main subject of such reports.

Instead, Noem’s startling description of her decision to kill Cricket – and also an unnamed, un-castrated and unruly goat – has pitched her into an unprecedented political storm.

The story is included in Noem’s new book , No Going Back: The Truth on What’s Wrong With Politics and How We Move America Forward.

The book will be released next month. Last week, the Guardian obtained a copy and reported the passage in which Noem describes killing Cricket and the goat after Cricket first ruined a pheasant hunt, then killed the chickens.

“I hated that dog,” Noem writes, before describing how she shot Cricket and the goat in the same gravel pit, the goat having to be shot twice, the second shotgun blast after Noem left the goat to fetch more shells from her truck.

Noem says what she thought she had to do was not “pleasant”, and describes how her actions startled a construction crew and confused her young daughter.

She also seems to acknowledge the possible effects of including the story in her book, writing: “I guess if I were a better politician I wouldn’t tell the story here.”

News of Noem’s tale did indeed set off a political firestorm , with observers suggesting she had irrevocably damaged her chances of being named running mate to Donald Trump, the presumptive Republican nominee for president who faces 88 felony charges of his own and was adjudicated a rapist but nonetheless maintains his grip on his party.

Noem twice defended her account of killing Cricket and the goat, saying as she does in the book that such actions are sometimes necessary in farming, and show her willingness to do difficult things in life as well as in politics.

But each defense added to her problems.

In the first statement, Noem both referred to recently putting down three horses and advertised her book, promising “more real, honest and politically incorrect stories that’ll have the media gasping”. That drew accusations of insensitivity.

In her second statement, Noem said she could “understand why some people are upset about a 20-year-old story of Cricket” but added: “The fact is, South Dakota law states that dogs who attack and kill livestock can be put down.

“Given that Cricket had shown aggressive behavior toward people by biting them” – Noem says the dog “whipped around to bite me” after killing the chickens – “I decided what I did.”

In a separate section of South Dakota’s codified laws, the definition of livestock makes no mention of poultry, which would have meant the law did not apply to Noem.

But asked about a South Dakota legislature definition that says livestock “means cattle, sheep, horses, mules, swine, goats, and buffalo”, omitting chickens or poultry in general, Ian Fury, Noem’s communications chief, advised the Guardian to “take a look at SDCL 40-34-1 and 40-34-2.”

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When the Guardian did, questions arose.

Section 40-34-1 of the South Dakota codified laws – Killing of dog lawful when disturbing domestic animals – says : “It shall be lawful for any person to kill any dog found chasing, worrying, injuring, or killing poultry or domestic animals except on the premises of the owners of said dog or dogs.”

Noem writes that she killed Cricket on her own property.

The following section – 40-34-2, Liability of owner for damages by dog disturbing domestic animals – seems to contain greater potential legal jeopardy.

It says : “Any person owning, keeping, or harboring a dog that chases, worries, injures, or kills any poultry or domestic animal is guilty of a class two misdemeanor and is liable for damages to the owner thereof.”

In her book, Noem writes that she apologised to the family that owned the chickens Cricket killed, “wrote them a check for the price they asked, and helped them dispose of the carcasses littering the scene of the crime”.

Asked if SDCL 40-34-2 indicated that Noem might have committed a class two misdemeanor, Fury did not immediately comment.

The South Dakota laws apparently applicable to the case of Noem and Cricket were passed before the dog’s death.

In her weekend statement, Noem said her story was 20 years old. That would place it in 2004, when she was in her early 30s, three years before she entered South Dakota state politics and six years before she won a seat in Congress as part of the hard-right Tea Party wave . Noem was elected governor of South Dakota in 2018.

South Dakota was the last of the 50 states to make animal cruelty a felony, passing legislation in 2014.

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Opinion Lifelong lessons in coping with fear and humiliation

Age and time usually offer us the gift of learning to take ourselves a lot less seriously.

As a woman of faith and cranky optimism, I am usually afraid of only a dozen or so things at any given time, which is a major improvement since childhood. I was the single most scared child on Earth in the 1950s. For instance, I was habitually afraid of being murdered while I slept, so I’d practice looking dead. Then the murderer would peek in my room and think, Hmmm, no one to kill in here; the little girl is already dead .

I don’t do that anymore (very often).

Now I am mostly afraid of my son and grandchild dying before me, beside which all other fears pale. I do worry about falling and breaking my hip. Gravity is a killer. I am, as we speak, on a long airplane flight, hearing a loud mechanical rattle, such as what a wing might make as it works itself off toward freedom. Also, I fear inheriting my mother’s Alzheimer’s, my father’s brain cancer, snakes, the election and the guy behind me coughing.

Maybe worst of all, I have to get my driver’s license renewed fairly soon, which means I have to take the written test. I would rather go to my periodontist and let her do the deep gum planing that she seems to enjoy. Even five years ago when I last went to the DMV to renew my license, I was full of dithery fear, bumbling around like Mr. Magoo on crack cocaine looking for the right counter. To my astonishment, I passed the test.

But now, only five years later, I have to do it again. It’s so wrong.

I notice a difference now: Back then, fear felt like a swamp inside, with Burmese pythons swimming around, patiently, so I sloshed through the DMV. With age, it is more shadowy, a sneaky menace. Ahh — gotcha! — and I’ve learned to quiet it one fright at a time.

They say that babies are born cute so that their fathers won’t eat them, and I think a similar thing takes place when we age. As we look older and somewhat more frail, we have a last chance to coax forth compassion and kindness from the world. As we surrender to the reality that, as we age, most of the systems of body and mind start to go on the fritz, we invite humility into our lives. There is no greater strength.

I am definitely running out of time, and I have (mostly) made peace with that.

When I was a child, one of the most important events of the year was the county fair. My friends and I would go on all the carnival rides and eat all the carnival food. But around 10 p.m., someone would notice the time. We’d have only an hour until our parents arrived. Suddenly we had a new clarity of purpose. We stopped wanting to ride the Gravitron or eat more cotton candy. We wanted to get one more funnel cake and then head for the Ferris wheel. This is what aging feels like. You suddenly realize you’ve got one hour left at the fair, and you get serious about how you are going to live.

Twenty-five years ago, my then-9-year-old son inadvertently helped me see the way: I was racing to an appearance at a theater on the docks of San Francisco Bay, holding a purse, a coffee, a batch of papers and my latest book, and trying to get Sam to hurry up behind me. Suddenly, some pages blew away toward some bored cormorants on the pilings. Sam caught them and then glared at me. “Mom,” he said, “you’re carrying too much, and you’re going too fast.”

You get away with this manic, burdened way of living for the first two-thirds of life, but as you transition to the third third, you start to wonder whether this pattern argues a wasted life. You slow down. You start to actually be here for your life. What a concept.

After all the losses, disappointments and deaths that every older person has experienced, we usually discover how life miraculously goes on, reshapes itself toward homeostasis and more grace than we could have imagined. We learn to look beyond our dire imaginings and trust that this miracle might just happen again. I once heard someone say that hope is faith with a track record.

Take this morning. Something humiliating happened to me professionally. It was not ideal, as I was nearly 3,000 miles and many days away from home.

I felt a kind of cold, vibrating sheet metal fear. It was way too early to wake my husband and close friends back in California. What to do? How to get through the morning, let alone my godforsaken life?

I cried for a moment, then fluffed up the despair with some rage and plans for revenge, which is the Christian way. This steadied me.

Then I remembered something: Deep breath! Oh, right — breathe. Get outside and look up. I dressed and raced out.

The morning’s icy blue sky told me that even though it was very, very cold, the blue was burnished by the sun and was an invitation. More warmth and light was on the way. I usually love the mysticism of clouds more than what I sometimes call the sky’s tyrannical blue, but some days you just can’t beat the brightest blue.

George Saunders said that what he’s learning as he ages into retirement is that “kindness is the only non-delusional response to everything.” I stroked my shoulder like the best mom, who knew how to keep the little patient comfortable.

Next, an overly large, gloriously unhealthy breakfast. Sometimes you need to lift off and fly, but sometimes you need ballast.

Back inside, no longer gasping like a fish on the dock, I picked up the 200-pound phone and risked waking my husband. He was apoplectic on my behalf and then helped me with my plans for vengeance — snake attack, of course, and hemorrhoids. Next I called my Jesuit friend Tom Weston. He said I had to arrange for a burnt offering at my next destination, to appease the ancient Canaanite gods. (They love barbecue.) Also, that the god of his understanding is very willing to help Protestants, most of the time.

His love made me a bit teary, but I found myself laughing with him.

Age and time usually offer us the gift of learning to take ourselves a lot less seriously. We smile ruefully at ourselves more often. And laughter is the Dippity-Do of the spiritual life, jiggly at first and then holding us firmly. The wiggle and jiggle play with your toxic internal attempts to control life, loosening the membrane between you and the moment, you and the ocean, you and your armored intellectual head; you and me. The hold held me like a rock.

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The Fed indicated rates will remain higher for longer. What does that mean for you?

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Mortgage rates , credit card rates , auto loan rates and business loans with variable rates will all likely maintain their highs, with consequences for consumer spending, after the Federal Reserve indicated Wednesday that it doesn’t plan to cut interest rates until it has “greater confidence” that price increases at the consumer level are slowing to its 2% target.

The central bank kept its key rate at a two-decade high of roughly 5.3%, where it has been since last August.

Here’s what to know:

What does this mean for borrowers?

Credit card rates are at or near all-time peaks, and mortgage rates have more than doubled in recent years.

According to LendingTree, the average credit card interest rate in America today is 24.66%, unchanged from last month, though that rate has risen for 24 of the last 26 months.

“That isn’t likely to fall anytime soon, despite the Fed taking its foot off the gas,” said LendingTree Credit Analyst Matt Schultz. “That’s likely the unfortunate reality for the next several months.”

In the battle against credit card debt, 0% balance transfer cards “are still your best weapon,” according to Schultz, but “they’re getting harder to get and their fees are rising.”

With delinquencies and debt totals also increasing for consumers, some banks are becoming more hesitant about taking on transferred balances, he said, meaning consumers will need good credit to get approval.

What’s in store for savers?

Yields on savings accounts and certificates of deposit have been hovering at high levels, thanks to the Fed’s increased interest rates, according to Ken Tumin, banking expert and founder of DepositAccounts.com. That said, “several banks have been lowering deposit rates (with the) expectation that the Fed will start cutting rates at some point this year.”

Certificate of deposit rates have been the first to fall, and a few online banks have also started lowering online savings account rates. Ally Bank dropped its rate to 4.25% from 4.35% and Discover to 4.25% from 4.30%.

Even so, most online banks held their online savings account rates steady in 2024, and several online banks still offer yields of 5.25%. The highest online yield is currently 5.55%, with the average online 1-year CD yield being 4.94% as of April 1st, according to DepositAccounts.com.

Tumin notes that “brick-and-mortar bank deposit rates continue to be slow in their movement higher,” saying that while their average rates have gone up sharply in the last year, “they are still very low compared to online rates.”

The average savings account yield for all banks and credit unions, of which the vast majority are brick-and-mortar, is 0.52% as of April 24.

What about mortgages?

The Fed doesn’t directly set mortgage rates, but it does influence them. The bond market, inflation, and other factors all contribute to the high mortgage rates currently facing consumers.

The average rate on a 30-year, fixed-rate mortgage recently rose to above 7% for the first time since November. LendingTree Senior Economist Jacob Channel notes that mortgage rates can shift even as the Fed holds its benchmark rate steady, and that consumers should consider many economic data points before deciding to take on a mortgage.

“Even in the face of relatively steep mortgage rates and high prices, now could still be a good time to buy a home,” he said. “Timing the market is virtually impossible. ... In that same vein, there are a lot of people who won’t be able to buy until the market becomes cheaper.”

High shelter and rent costs have contributed to steep inflation in recent months.

A Bankrate study found that renting is cheaper than buying a typical home in all 50 of the largest U.S. metro areas. As of February, the typical monthly mortgage payment on a median-priced home in the U.S. was $2,703, while the typical national monthly rent was $1,979. That’s a nearly 37% gap between the costs of renting and buying a home.

“While it would be nice if the Fed could fix everything on its own, it probably can’t, at least not without causing a great deal of weeping and gnashing of teeth,” said Channel.

What’s the outlook for auto loans?

While vehicle prices have steadied through late 2023 and early 2024, Bankrate Chief Financial Analyst Greg McBride predicts that high interest rates on auto loans will linger for those with weak credit profiles. Borrowers with stronger credit may see more competitive rates, but the Fed’s decision will continue to make auto loans expensive, even if vehicle prices decline. The average car loan hasn’t been this pricey since 2008.

McBride predicts five-year new car loan rates will reach an average of 7.0% and four-year used car loans, 7.5% by the end of 2024.

In the past year, borrowers have faced especially expensive monthly payments due to high interest rates, and auto loan delinquency reached its highest rate in nearly 30 years. The average monthly car loan payment was $738 for new vehicles and $532 for used ones in the fourth quarter of 2023, according to credit reporting agency Experian.

New vehicles cost an average of $47,218 in March 2024, according to Kelley Blue Book , a price that, combined with high interest rates, pushes many buyers out of the market for new cars.

Lewis writes for the Associated Press .

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What is Cinco de Mayo? Holiday's meaning and origins tied to famous 1862 battle

So much more than just a day of drinking and partying, Cinco de Mayo is a day rich in history and culture for Mexico.

Celebrated annually on May 5, Cinco de Mayo recognizes Mexico's victory over the Second French Empire led by Napoleon III at the Battle of Puebla in 1862. The holiday has since become perhaps more popular in the U.S. than in Mexico and is often celebrated by people of Mexican American heritage.

The holiday's name, Cinco de Mayo, translates to the fifth of May. This year, it is on Sunday, May 5.

Cities around the U.S. celebrate every year with parades, festivals, music and more, from Los Angeles to Chicago and everywhere in between. Restaurants and brands have gotten in on the action as well, offering food and drink deals throughout the weekend.

Here's what to know about the origins of Cinco de Mayo, and why it's celebrated in the U.S. today.

What does Cinco de Mayo celebrate? Origins tied to 1862 battle

Mexican Independence Day, or Día de la Independencia, came on Sept. 16, 1810, when the country broke free of Spanish rule.

Cinco de Mayo came more than 50 years later when French Emperor Napoleon III wanted to claim Mexico for himself.

The French sent troops to force Mexico's President Benito Juárez and the government out of Veracruz. On May 5, 1862, in a small town in east-central Mexico called  Puebla, 2,000 Mexican soldiers faced 6,000 French troops  at daybreak. Incredibly, Mexico claimed victory by the evening, and Juárez declared May 5 a national holiday.

The battle also played a role in the American Civil War. With the French defeated and leaving North America, the Confederacy wasn't able to use them as an ally to win the war.

So, why are so many Americans still confused?

"Everyone thinks that it's just party time, it's Corona time," Mario García, a Chicanx historian from the University of California at Santa Barbara, previously told USA TODAY.

"It's OK for people to go out and have a good time on a holiday like Cinco de Mayo − at least they have some sense that it's some kind of a Mexican holiday," García said. "But we should go beyond that. We should have Cinco de Mayo events that go beyond partying and drinking, where we call attention to what the history is."

Part of the confusion among many Americans about what Cinco de Mayo celebrates is likely because it's much catchier-sounding and easier for English speakers to say than the day of Mexico's independence (Diez y seis de Septiembre), García said last year.

The holiday serves as a reminder of the importance of Chicanx history and its people's contributions to the U.S.

"When you study the history of Chicanos and Latinos, of course, they've been history makers," García said previously. "They've been involved in all aspects of American history, not to mention the wars ... In World War II alone, almost half a million Latinos – mostly Mexican Americans – fought in the war. And they won a disproportionate number of congressional Medals of Honor."

Why is Cinco de Mayo more popular in the U.S. than Mexico?

While there are Cinco De Mayo celebrations throughout Mexico, notably in the city of Puebla, the event doesn't compare to the celebrations of Día de la Independencia, García said.  

Meanwhile in the U.S., Cinco de Mayo has become an annual celebration of Mexican American culture.

The celebration of Cinco de Mayo began as a form of resistance to the effects of the Mexican-American War in the late 19th century. The holiday gained popularity during the  Chicano Movement  of the 1960s and 1970s.

"It becomes a Chicano holiday, in many ways, linked to the Chicano movement, because we discover Mexicans resisting a foreign invader," García said. "They link the struggle of the Chicano movement to Cinco de Mayo."

By the 1980s, companies began commercializing the holiday, especially beer companies and restaurants offering Cinco de Mayo specials and cocktails. García jokingly refers to the day as "Corona Day." 

This Cinco de Mayo, García hopes everyone enjoys their Coronas, but perhaps with a little history lesson to wash it down.

Cinco de Mayo events around the U.S.

San Diego : San Diego's Cinco de Mayo celebrations will be held May 4 and 5 in Old Town San Diego . Activities include live music, folklorico, dining and drink specials.

Denver : The Mile High city has a whole host of holiday-related activities over the weekend of May 4 for Cinco de Mayo Denver , from a community parade to a taco eating contest. Events will be held May 4-5 at Denver Civic Center Park from 10 a.m. to 8 p.m.

St. Paul, Minnesota : St. Paul's annual Cinco de Mayo celebration is in the city's West Side neighborhood and is one of Minnesota's largest Latino events. This year, festivities will be held May 4 starting at 10 a.m. and will include a parade, car and bike show and a dog show.

San Antonio, Texas : The city is sponsoring Cinco de Mayo celebrations through the holiday weekend in the Historic Market Square including live bands, Folklorico dance performances, Mariachi, food booths and more, running May 4-5.

Chicago : Chicago will celebrate Cinco de Mayo on May 5 with an annual parade that begins noon at the intersection of Cermak Road and Wood Street and heads west through Cermak Road to Marshall Boulevard. A festival at Douglas Park follows the parade, featuring live music, food, vendors and a carnival.

Los Angeles : Fiesta Broadway , one of the largest Latino and Cinco de Mayo festivals in the world runs down four blocks in Downtown Los Angeles. The annual festival happened this year on April 28, according to event organizers.

Cinco de Mayo deals

Of course, many restaurants will be offering discounts and promotions on May 5. Here are a few.

• Abuelo's : Visit May 5 for $5 specials all day on Mexican Grande Draft Beer, Mexican Flag Margarita, La Grandeza Margarita and Chile con Queso. In store only.
• Chevy's Fresh Mex : All day happy hour Friday, May 3-Saturday 4. Enjoy $4, $6, $8 and $10 specials in the cantina. On Sunday, May 5, enjoy a boozy brunch from 9 a.m. to 3 p.m. with $12 bottomless mimosas and Bloody Marys. From 3 p.m. to close, enjoy margarita, beer and shot specials and $4 tacos.
• Chipotle : From May 1-5, use code "CINCO24" at checkout for a $0 delivery fee. Higher menu prices and additional services fees apply.
• Chuy's : Order a regular House 'Rita for $6 or a Grande House 'Rite for $10 and keep the giveaway cup, while supplies last. Enjoy $1 tequila floaters all day and Chips 'N' Dips for $5 all day Sunday.
• El Torito : All day happy hour May 3-4. Enjoy $4, $6, $8 and $10 specials in the cantina. Sunday May 5, enjoy all-you-can-eat-brunch from 9 a.m. to 2 p.m., with bottomless mimosas, $5 Bloody Marys, Micheladas and margaritas. From 2 p.m. to close, enjoy margaritas, beer, shot specials and $4 tacos.