about japan essay

Essays About Japan: Top 5 Examples and 5 Prompts

Japan is a beautiful country famous for its lush landscape, delicious food, and well-mannered people. Here are some examples of essays about Japan.

A developed country in Asia known as the “land of the rising sun,” Japan has become a hot commodity for tourism and business. Japan is truly a sight to behold, from its beautiful cherry blossoms, efficient public transportation system, and delicious food. 

Japan’s rich history has allowed it to develop into one of the most advanced nations in the world, and its technology is renowned worldwide. Moreover, its people are known for their discipline, hard work, and resilience, even in the face of severe natural disasters. Japan is, without a doubt, a country worth visiting. 

If you want to write essays about Japan, here are our best essay examples and writing prompts to help you begin. 

1. What Japan Taught Me About Life by Beth Louise

2. japan experience: reflection on japanese culture by rayan elhafiz abdalla, 3. what i learned about design from travel in japan by teo yu siang.

• 4.  The best time to visit Japan by Pat Kay

5. A Day Trip To Kobe by David Swanson

5 prompts for essays about japan, 1. what does japan mean to you , 2. misogyny in japanese society, 3. why visit japan, 4. japan’s history, 5. living in japan: what’s it like.

“In fact, there’s so much to see and do that it feels like a lifetime of exploring would never uncover all that’s on offer. It’s also a bright, buzzing lesson in living fast; just wandering around in the crowds is a massive adrenaline rush, and Monday nights are as mental as Fridays. But despite the intensity of a city so large, people are calm and quiet. It’s the most magical juxtaposition. Everything is moving at light-speed, but with such efficiency and thoughtfulness, that it feels like a well-oiled, intuitive machine, powering a ride that you never want to get off.”

In her essay, Louise writes about her experience traveling to Tokyo, Japan. She compares it to a machine, with all the people in the city playing their part. She is amazed by the people’s focus, discipline, manners, and sense of purpose, and she can better appreciate life’s simplicity. She is mesmerized by Japan and recommends booking a trip to Tokyo as soon as possible. 

You might also like these essays about being yourself and essays about college .

“People were very friendly, they will greet you even if they don’t know you. One shocking incident that I will not forgot, is when the cashier was trying to help me put all my coin money in my wallet with me. In America I am not used to having someone put my money inside my wallet, that is really invading personal space. However, I learned that in Japan it seems normal to just drop off someone’s coins in their wallet.”

Similar to Louise, Abdalla reflects on new things he discovered about Japan and its people during his time there. These range from trivial things such as the “Pokemon Go” rollout in the country to the Japanese’ sense of honor and discipline. He recounts an experience in which the cashier was helping him put his change into his wallet, something he is not used to back home. He provides excellent, although short, insight into Japan, its culture, and its people. 

“Everything around us is designed: from the smartphones we use every day to the tactile paving on a walkway. But it’s often hard to examine the designed environment around us with eyes as fresh as a tourist’s. So if you’ve made it to the end of this post, I’ve got a challenge for you: The next time you take a walk outside, try to become aware of the thousands of design decisions around you. What works, and what can be improved?”

Siang writes about the edge that Japanese cities and society in general have because they are well-designed. He cites innovations such as fast, automated cash register machines and aid for the visually impaired and recalls lessons such as the importance of accessibility when designing something. 

4.   The best time to visit Japan by Pat Kay

“When people ask me “When is the best time to visit Japan?”, I usually reply with “anytime”. Japan is always a good idea, at any time of year. It’s truly an all-year-round destination that provides vastly varied experiences throughout its distinct 4 seasons. Whether you’re a traveller who loves snow, or one who thrives in humidity; a traveller who wants to see beautiful nature changes, or wants to be thrown into crowds; whatever your style of travel, there’s a season and a time for that.”

Kay describes the weather and activities during the different seasons in Japan, giving readers an idea of when they would prefer to visit. Japan ranges from the ethereal but chaotic cherry blossom season to the calm, frigid snow season; however, each year’s season has its own charm. Kay’s essay gives good insight into the best times to visit Japan.

“When planning a visit to Kobe, consider the fact that the city has been completely rebuilt since 1995, following the great Hanshin earthquake that leveled much of the city. Except for a few memorials, you likely won’t be aware of the destruction at all. Instead, what you will discover is a cosmopolitan port city where foreign influences intermingle, museums are dedicated to sake, and a conveniently compact and walkable quarter showcases a robust nightlife scene that has featured jazz on the menu for nearly a century. Oh, and, of course, there is the beef.”

In this short write-up, Swanson lists the best things to do in Kobe, Japan, a place best known for its top-quality beef. However, there are many things to do in the city besides eating beef, such as viewing historical buildings, going to the hot springs, and visiting the botanical gardens. However, Swanson notes that eating is an integral part of a trip to Kobe, and one should not miss out on trying the beef. 

In your essay, you can write about the country’s significance to you. For example, are you from there, or do you have Japanese ancestry? Have you visited? Write about your connection to the country and why this connection exists in the first place. If Japan has a special place in your heart, this essay topic is for you. 

When editing for grammar, we also recommend taking the time to improve the readability score of a piece of writing before publishing or submitting

With all its glory and excellence, Japan is less evolved in gender equality. So how are women treated in Japan? First, delve into research about the treatment of women in Japanese society, and show how the culture differs from modern western gender equality ideologies. Then, discuss why Japan is behind in encouraging women’s equal rights. Make sure to cite research, statistics, and interviews to support your point. 

This topic is straightforward; whether you have been or not, try to persuade others to visit the country. Include highlights that others should visit and suggestions for places others can visit. If Japan was a bad experience for you, go the other way: why should you not visit Japan?

Japan has a dark history surrounding its role in World War II. In your essay, briefly explain these events and research their effects on Japan after the war. How did the war change Japan- for better or for worse? Elaborate on the impact and, as always, include references to strengthen your arguments. This is quite a broad topic, so you can focus on one element of Japanese society: values, city planning, relationships with tourists, race, inequality, and gender equality.

Based on reading articles and sample essays as well as any experiences in Japan, list the advantages and disadvantages of living in Japan and conclude whether it would be ideal for moving to Japan or not. Use anecdotes from travel writers or people who live in Japan to show why living in japan is enjoyable or not so enjoyable. Pick a stance for a compelling argumentative essay.

If you are interested in learning more, check out our essay writing tips !

If you’re stuck picking your next essay topic, check out our guide on how to write an essay about diversity .

Martin is an avid writer specializing in editing and proofreading. He also enjoys literary analysis and writing about food and travel.

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Japan’s History and Culture on a Global Scale Essay

Introduction, works cited.

Unearthing the history and culture of Japan is an intricate endeavor. Among the current major powers, Japan is the most distinctive in its environment and culture. The origin of the Japanese language is among the most disputed arguments in linguistics (Diamond par. 4-5). Such arguments are vital to the self-image of the Japanese and to the manner in which other people perceive them. This paper discusses Japan’s history and culture under the creative legacies theme while focusing on hindrances and advantages in the country’s contributions to the world’s civilization and knowledge. The increasing dominance of Japan and touchy affiliations with the neighbors make it more significant to stand against myths and get answers.

The hunt for answers is complex since the proof is exceedingly conflicting. For instance, Japanese are biologically indistinctive, and their looks and genes are comparable to the Koreans and some Asians. 1868 marked a period of the modernization of Japan, with the Meiji restoration leading to the centralization of everything about the emperor.

Historical affirmations have created the notion that the Japanese are intrinsically not creative. All through history, Japan has methodically absorbed technological and scientific principles from overseas. In the course of more than 200 years of state-enforced insulation from European rebellion and Christianity, from around 1630 to 1850, the nation’s scholars collected scientific and technological details systematically from Dutch sources (Coleman 5). A trend of American and European intrusions in Northeast Asia starting in the 1850s compelled leaders in Japan to search for more enlightenment from the West, with the objective of centering on military and engineering disciplines.

Towards the end of the 19 th century, the Meiji Period witnessed quick industrialization, urbanization, transformation, and adjustment of Western organizational endeavors. Such advancements stimulated the establishment of a higher education system in Japan. The stress on the establishment of university education, nevertheless, strongly influenced the assimilation of foreign knowledge and technology transfer, especially in sectors such as engineering that experienced instant applications.

The overall pattern of copy-from-overseas continued for some period after the end of the Second World War, as confirmed in comprehensive copyright certification and reverse engineering, taking part in the assessment of successful products from competitors (Coleman 5). Foreign language acquisition following the war, with its inculcation of reading capacity at the cost of productive proficiencies, revealed the nation’s knowledge-gathering stance.

In 1937, Sakichi Toyoda made significant contributions to the Japanese Industrial Revolution when he established the Toyota Corporation. This has turned out to be one of the most successful and biggest car companies across the globe. Though Japan has a far-reaching and interesting history, it was not swayed by foreign nations, and its culture has thrived in isolation. Nonetheless, the moment her ports began operating and trading with the US, Japan started to industrialize and develop (Tsutsui 23-27). Ultimately, the nation has risen into a mighty world power. After successfully overcoming numerous obstacles subsequent to the Second World War with the help of the United States, Japan rebuilt its financial systems and currently remains an economic power.

The traditional Jomon community existed from 14,500 to around 300 BCE. They were the early hunters and gatherers who made pottery with a complexity that still amazes to date. The Yayoi befriended the Jomon community, interacted with the Chinese, tilled the land, and erected a fundamental political formation. At the same period, the Japanese language borrowed Kanji, good-looking and charming characters, from China (Walker 19-23).

A military nation referred to as the Yamato confederation arose and took pride in having the first monarch who acted as a god. The remnants of the Jomon community, the Emishi, were subjugated by the Buddhist theocracy, who established a new center in Kyoto. In 737, an outbreak of smallpox gave room for the first immunization against such future occurrences. Numerous upheavals, volcanic eruptions, and a comparatively weak nation resulted in the leadership of Samurai in 1185. In the course of the Onin battle, Kyoto collapsed, and armed Buddhist Sectarians spread turmoil.

The 16 th century led to the connection of the three big names in the history of Japan, which included Hideyoshi, Ieyasu, and Nobunaga. Europeans’ router, Toyotomi Hideyoshi, attacked Korea two times with prospects on China. Although he was driven back from the Korean peninsula, Hideyoshi greatly expanded his Japanese territory (Walker 34-38). This made Tokugawa bring the Japanese under single rule following his conquest in 1600. In the course of the moderately stable period, Japan conquered the Ainu at a place called Hokkaido. Merchants increased in wealth, there was the emergence of a sentiment of Japanese exceptionalism, and the Americans arrived. The most recent in a sequence of occurrences and the ensuing unequal treaties assisted in the facilitation of the downfall of the Tokugawa Shogunate.

With blood taxes being charged and interests of the nation overshadowing those of individuals, increased industrialization resulted in intensive development and prosperity for some individuals while others suffered pollution, melancholy, and death. The mining of copper and coal resulted in the destruction of fertile lands. This was so intense that it made Tanaka Shozu, an environmentalist, decry the activities, affirming that the government was waging war against its people. Enhanced militarization resulted in Japan overpowering Russia in 1905 (Walker 49-53). Mistrust of the wealthy individuals with the rising industrialization was caused by the dishonesty of Taisho Democracy and the several political assassinations that followed.

After the withdrawal of the US influence on Japan in 1952, the country turned into an industrial powerhouse. In the 1960s, its economy developed greatly despite numerous high-profile pollution lawsuits revealing the ugly underside of its splendor. Japan’s success then started declining gradually in the 1990s (Walker 51-53). It is at this time that conflicts with China came up and worsened. Moreover, numerous calamities struck, and a dangerous earthquake was experienced. This sent immense waves over the densely populated regions and resulted in the meltdowns of a nuclear plant. Such occurrences are a solemn portrayal of the susceptibility of Japan as a nation consisting of Islands.

As Japan seeks to recover from past disasters, it experiences issues of over-fishing, exceedingly low birthrates, and increasing climatic changes, which it experiences along with most nations in the West. In the recent past, some Japanese have attempted to revise the victory of the Second World War into a less imperialist account of occurrences (Walker 57-59). The rising trouble with China has provoked questions regarding the wisdom in some parts of the constitution. The once ardent doctrine of passivism has developed some cracks. Nonetheless, Japan effectively promotes its popular culture across the globe and upholds an affable and largely productive connection with its greatest enemy in the Second World War, the US.

Japan’s distinctive culture started with its exclusive topography and environment. Comparisons show that Japan is far more secluded than Britain, which is just about twenty-two miles from the coast of France. Japan is more than one hundred miles from the nearest position in the mainland of Asia, which is South Korea. It also lies nearly 200 miles from the Russian mainland and approximately 500 miles from China (Diamond par. 5-6).

Moreover, climatic conditions have been found to make Japan unique. The rainfall it experiences, which is nearly 120 inches every year, results in its being the wettest temperate nation across the globe. Apart from the rains in winter that occur across Europe, Japan is also rainy during the summer growing season, which offers it the greatest plant yield than any country in the temperate region.

Just about 20% of the land in Japan does not have mountains inappropriate for farming as approximately 15% is agricultural land (Diamond par. 6-8). Nonetheless, a standard square mile of the farmland is fertile to the extent that it feeds eightfold more people than an equal ordinary area in Britain. The high rainfall in Japan also provides unparalleled support for the forests that regenerate fast after logging. Regardless of the thousands of years supporting a dense population, Japan is still in a position to give visitors a welcoming impression of greenness since over 70% of the land comprises forests.

Just as they like to emphasize, the Japanese are biologically and culturally somewhat uniform, with the exemption of the characteristic community of the Ainu in the northern island. A careful analysis appears to imply that the Japanese only got to the country recently from the mainland of Asia, not long enough to allow the development of major differences with their other cousins in Japan or displace the original inhabitants, the Ainu. Nevertheless, if that were the case, the Japanese language could be anticipated to demonstrate close similarity to a number of mainland languages as the case of English, which is comparable with other Germanic languages (Diamond par. 7-9). It is difficult to resolve the inconsistency between the seemingly ancient language in Japan and the proof for recent origins.

The Japanese culture is intricate and has both hindrances and advantages. If corporations wish to invest in Japan, they should start by understanding the main components of Japanese culture over and above its influence on the means of conducting business. If organizations fail to comprehend and make suitable adjustments, they could inadvertently offend Japanese sensitivities and fail in their endeavors.

Japan has made remarkable contributions in numerous technical and scientific domains (Mason and Caiger 48-50). Particularly, the nation has played a vital role in the digital revolution and has established various modern innovative and extensive technologies in sectors such as robotics and electronics established by Japanese entrepreneurs. Japanese popular culture, which is highly influenced by its electronic expertise, commands considerable control internationally.

Praying for practical gains is a widespread religious endeavor in Japan. It is referred to as gene teriyaki. It has an extensive nature, and a vast number of individuals pray and buy talismans for everything beginning with road safety and educational success to victory in businesses and protection from ailments. However, the practice has been largely disregarded in academic disciplines or pushed to the sidelines as an occurrence of superstition and deviation from the actual dynamics of religious beliefs. Establishing their research on a combination of textual, chronological, ethnographic, and current materials, Reader and Tanabe show the myth of such perspectives, demonstrating that, apart from being sidelined, the perception and performance of gene teriyaki are found at the core of the Japanese spiritual world (23-25).

Genze teriyaki exists just as a widespread religious practice, although it is backed by the doctrinal formations of numerous Buddhist divisions, is ordained in religious teachings, and is supported by basic training establishments, holy places, and temples. The gains are both sought and purchased, and Reader and Tanabe talk about the financial and commercial facets of why and how establishments uphold practical benefits (33-35). Concentration is drawn to the dynamism and flexibility in the spiritual settings where new products are provided in reaction to the varying demands. Interlinked in economic endeavors and stimulations are the assertions that strengthen and justify the advancement and application of underlying gains.

In the midst of the current great powers, Japan is the most characteristic in its surroundings and culture. This paper has shed light on Japan’s history and culture under the creative legacies theme. It has focused on barriers and advantages in the country’s contributions to the world’s culture and knowledge. 1868 was a period of the transformation of Japan, with the Meiji restoration bringing about the centralization of major things around the ruler.

Improved militarization led to Japan subduing Russia in 1905. Following the withdrawal of the United States control on Japan in 1952, the nation rose to become an industrial powerhouse. The exclusive culture of Japan is supported by the outstanding topography and environment. The culture and the history of Japan are complex and hold both impediments and benefits. For companies that desire to invest in Japan, there is a need to understand the main elements of Japanese culture besides its influence on the approach of carrying out business.

Coleman, Samuel. Japanese Science: From the Inside . Routledge, 1999.

Diamond, Jared. “In Search of Japanese Roots.” Discover , 1998. Web.

Mason, Richard, and John Caiger. A History of Japan . 2nd ed., Tuttle Publishing, 1997.

Reader, Ian, and George Tanabe. Practically Religious: Worldly Benefits and the Common Religion of Japan . University of Hawaii Press, 1998.

Tsutsui, William. Japanese Popular Culture and Globalization . Association for Asian Studies, 2010.

Walker, Brett. A Concise History of Japan . Cambridge University Press, 2015.

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Home — Essay Samples — Arts & Culture — World Cultures — Japanese Culture

Essays on Japanese Culture

Writing an essay on Japanese culture is important because it allows us to gain a deeper understanding and appreciation of a rich and diverse society. Japan has a unique history, language, art, and traditions that have had a significant impact on the world. By writing about Japanese culture, we can shed light on its customs, beliefs, and values, and how they have shaped the country and its people.

When writing an essay on Japanese culture, it is important to conduct thorough research to gather accurate and credible information. This can include studying historical events, traditional practices, modern influences, and societal norms. It is also crucial to approach the topic with sensitivity and respect, as cultural appropriation and misrepresentation can be harmful.

Furthermore, it is beneficial to incorporate personal experiences or observations when discussing Japanese culture. This can add a personal touch to the essay and provide a unique perspective. Additionally, using examples and anecdotes can help illustrate key points and make the content more engaging for the reader.

Overall, writing an essay on Japanese culture can be an enriching experience that allows us to explore and appreciate a fascinating society. By approaching the topic with diligence and respect, we can create a piece of writing that educates and inspires others to learn more about this vibrant culture.

What Makes a Good Japanese Culture Essay Topics

When it comes to writing an essay on Japanese culture, choosing the right topic is key. A good essay topic should be thought-provoking, unique, and relevant to the subject matter. To brainstorm and choose a suitable essay topic, consider exploring various aspects of Japanese culture, such as traditional customs, art, literature, pop culture, or social issues. Additionally, consider the significance of the topic and its potential to engage and inform the reader. Ultimately, a good essay topic should be compelling, well-researched, and offer a fresh perspective on Japanese culture.

Best Japanese Culture Essay Topics

• The influence of traditional Japanese tea ceremonies on modern society
• The evolution of manga and its impact on global pop culture
• The symbolism of cherry blossoms in Japanese art and literature
• The role of geisha in preserving traditional Japanese arts and entertainment
• The cultural significance of kimonos in contemporary fashion
• The portrayal of samurai in Japanese cinema and literature
• The impact of anime on international animation and storytelling
• The significance of bonsai trees in Japanese culture and gardening
• The cultural implications of Japanese cuisine on global culinary trends
• The history and cultural significance of Kabuki theater
• The influence of Shintoism on Japanese social and cultural practices
• The role of traditional Japanese music in modern entertainment
• The impact of technology on traditional Japanese craftsmanship
• The cultural significance of Japanese festivals and rituals
• The portrayal of Japanese folklore in contemporary media
• The influence of Zen Buddhism on Japanese art and philosophy
• The evolution of traditional Japanese architecture in modern urban design
• The significance of Japanese calligraphy in visual arts and communication
• The cultural implications of martial arts in Japanese society
• The portrayal of yokai (supernatural creatures) in Japanese folklore and popular culture

Japanese Culture Essay Topics Prompts

• Imagine you are a traditional Japanese artist. Describe your creative process and the cultural influences that inspire your work.
• If you could visit any historical period in Japanese history, which would you choose and why? How do you think it would impact your understanding of Japanese culture?
• Create a fictional story set in a modern Japanese high school, incorporating elements of traditional and contemporary Japanese culture.
• Reflect on the impact of globalization on traditional Japanese customs and how it has influenced the country's cultural identity.
• Explore the role of Japanese pop culture in shaping international perceptions of Japan and its people. How has it contributed to the global spread of Japanese culture?

Japanese Culture: a Tapestry of Traditions and Values

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Japanese culture is a set of spiritual and material values that were created in Japan and determine the spiritual and social life of the Japanese.

Regional character (Kenminsei), formality, face (Menboku), politeness, pragmatism, pacifism, artistry.

Hatsu Miyamairi, Seijin no Hi (Coming of Age Day), Kanreki rite of passage, the Obon Festival, etc.

Bowing is very important in japanese culture. Japanese women used to blacken their teeth. Slurping is a compliment in Japan. Wearing shoes inside is not normal.

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Japan is an archipelago, or string of islands, on the eastern edge of Asia.

Japan is an archipelago, or string of islands, on the eastern edge of Asia. There are four main islands: Hokkaido, Honshu, Shikoku, and Kyushu. There are also nearly 4,000 smaller islands! Japan's nearest mainland neighbors are the Siberian region of Russia in the north and Korea and China farther south.

Almost four-fifths of Japan is covered with mountains. The Japanese Alps run down the center of the largest island, Honshu. The highest peak is Mount Fuji, a cone-shaped volcano considered sacred by many Japanese.

Japan can be a dangerous place. Three of the tectonic plates that form Earth's crust meet nearby and often move against each other, causing earthquakes. More than a thousand earthquakes hit Japan every year. Japan also has about 200 volcanoes, 60 of which are active.

Map created by National Geographic Maps

PEOPLE & CULTURE

The Japanese are famous for their willingness to work very hard. Children are taught to show respect for others, especially parents and bosses. They learn to do what's best for their family or company and worry less about their own needs.

Japanese food is very different from food in Western countries. There is lots of rice, fish, and vegetables, but little meat. With little fat or dairy, this diet is very healthy, which helps Japanese people live, on average, longer than any other people in the world.

The Japanese people have a deep affection for the beauty of the landscape. The ancient Shinto religion says natural features like mountains, waterfalls, and forests have their own spirits, like souls.

Most of Japan is covered by countryside. But with more than 100 million people living in such a small place, wildlife has suffered.

Pollution is now tightly controlled, but road building and other human activities have harmed natural habitats. About 136 species in Japan are listed as endangered.

The warm Tsushima Current flows from the south into the Sea of Japan, where it meets a colder current from the north. The mixing of waters makes the seas around Japan very rich in fish and other sea life.

GOVERNMENT & ECONOMY

Japan is the only country in the world with a reigning emperor. Emperors have no real power, but they are still revered as a symbol of the country's traditions and unity.

World War II devastated Japan's economy. But the Japanese people's hard work and clever innovation turned it around, making it the second largest economy in the world. Japan's high-tech industry makes some of the most popular electronic products in the world.

People first came to Japan about 30,000 years ago. At the time, the main islands were connected to Siberia and Korea by bridges of dry land, so people crossed on foot. The first society, called the Jomon culture, arose about 12,000 years ago. Around the same time, the Ainu people arrived by boat from Siberia.

The Jomon and Ainu survived for thousands of years, hunting, fishing, and gathering plants. In 300 B.C., the Yayoi people came to Honshu Island from Korea and China . They were skilled weavers, tool makers, and farmers who began cultivating rice in flooded paddy fields.

In 660 B.C., Japan's first emperor, Jimmu Tenno, came to power. Emperors controlled Japan until the 12th century A.D., when military rulers, called shoguns, took control and ruled by might.

Europeans first arrived in Japan in 1543, bringing guns and Christianity. In 1635, the ruling shogun closed Japan to foreigners and forbade Japanese to travel abroad. This isolation lasted more than 200 years. In 1868, the shoguns were overthrown and emperors returned. This was a time of great change and modernization for Japan.

During World War I (1914-1917), Japan fought on the side of the U.S. But on December 7, 1941, Japan bombed the United States navy fleet at Pearl Harbor in Hawaii and the U.S. entered World War II. From 1941-1945, Japan's military leaders fought against the U.S. and the allied forces. In August 1945, the U.S. dropped atomic bombs on the Japanese cities of Hiroshima and Nagasaki, killing about 115,000 people. Japan surrendered a few days later.

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Essay on Japanese Culture

Students are often asked to write an essay on Japanese Culture in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

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100 Words Essay on Japanese Culture

Traditional clothing.

Japanese culture is famous for its traditional clothing. The kimono is the most well-known dress. People wear it on special occasions like festivals and weddings. It’s made of silk and comes in many colors and patterns. The obi is a wide belt tied around the kimono. It’s not just clothing; it’s a symbol of Japanese beauty.

Japanese food is more than just sushi. Rice is a staple in their meals. They also love noodles like ramen and udon. Meals often include fish, pickled vegetables, and miso soup. Eating in Japan is an art. They value presentation and flavor.

Festivals are big in Japan. They celebrate the seasons, like cherry blossoms in spring. There’s music, dancing, and food stalls. Children and adults dress up and enjoy games. Lanterns light up the night. These events show Japan’s love for nature and community.

Japanese arts include delicate crafts and performances. Origami, paper folding, and calligraphy, beautiful writing, are popular. In theaters, you can see kabuki, a dramatic play style with colorful costumes. Their art is about detail and expressing feelings.

Respect is key in Japan. People bow to greet each other. They are polite and considerate. Children learn to respect elders and each other early on. This respect makes their society peaceful and orderly. It’s a core part of being Japanese.

250 Words Essay on Japanese Culture

Japanese traditions.

Japan is known for its unique traditions. Tea ceremonies show the beauty of calm and respect. People sit on tatami mats and enjoy green tea. The host carefully prepares the tea, showing the importance of every step. This tradition helps people find peace and enjoy simple moments.

Festivals and Celebrations

Japanese festivals are colorful and exciting. They celebrate the seasons, like cherry blossoms in spring or leaf colors in autumn. People wear traditional clothes called yukata and enjoy street food. Fireworks light up the sky in summer, and everyone feels joy together.

Arts in Japan

Japanese art includes beautiful paintings, calligraphy, and pottery. Manga and anime are popular among kids. These are comic books and cartoons that tell all kinds of stories. Origami, the art of paper folding, is also famous. With just a paper, you can make animals, flowers, and more.

Japanese Food

Food in Japan is not just about taste but also how it looks. Sushi is a well-known dish made with rice and fish. It’s healthy and delicious. Japanese people also enjoy noodles like ramen and soba. Meals are often served with green tea, which is good for your health.

Respect and Manners

In Japan, people greet each other by bowing. This shows respect. Kids learn to be polite and listen carefully when others speak. Saying “thank you” and “please” is very important. In schools, students clean their classrooms to learn responsibility and respect for their environment.

Japanese culture is rich with traditions, celebrations, art, food, and respect. It’s a beautiful blend of old and new, where each part is important and adds to the whole picture.

500 Words Essay on Japanese Culture

Introduction to japanese culture.

Japanese culture is like a beautiful tapestry, woven with history, traditions, and modern life. It’s a unique blend that forms the way of life in Japan, a country in East Asia. The culture is known for its traditional arts, distinct foods, and strong sense of community. Let’s explore some key parts of this fascinating culture.

Traditional Arts

When you think of Japan, you might imagine delicate paper cranes or beautiful paintings of cherry blossoms. These are part of the traditional arts that have been passed down for generations. Origami, the art of paper folding, is not just a craft but a way for people to express creativity. Calligraphy, which is the art of writing with a brush and ink, is another important traditional art. It’s not just about writing words; it’s about making the writing look like a piece of art.

Food in Japan

Japanese food is famous all over the world. Sushi, which is rice with fish or vegetables, is probably the most well-known dish. But there’s so much more! Try a bowl of ramen, which is a type of noodle soup, or tempura, which is seafood or vegetables that have been battered and fried. Japanese people take great care in preparing and presenting their food, making it not only delicious but also a feast for the eyes.

Festivals, or ‘matsuri’, are a big part of Japanese culture. They are often lively events with music, dance, and colorful costumes. One famous festival is the Cherry Blossom Festival, or ‘Hanami’, where people gather under blooming cherry trees to enjoy the beauty and welcome spring. Another important celebration is ‘Obon’, which is a time to remember and honor ancestors. During this time, people might visit their hometowns, clean family graves, and enjoy traditional dances.

Family and Community

Family is at the heart of Japanese society. Respect for elders and ancestors is very important. Many homes have a small altar called a ‘butsudan’, where they place pictures and offer food to remember family members who have passed away. Community is also key in Japan. People often work together to keep their neighborhoods clean and safe, and there’s a strong sense of helping each other out.

Modern Pop Culture

Japan is not just about tradition; it has a vibrant modern culture too. Japanese anime (animated movies and TV shows) and manga (comic books) are popular all over the world. Characters like Pikachu from Pokémon have fans of all ages. Japanese technology is also cutting-edge, with inventions like high-speed trains and advanced robots.

Japanese culture is a rich mix of old and new. From the quiet beauty of a tea ceremony to the excitement of a high-tech video game, there’s something for everyone. It’s a culture that values both respect for the past and innovation for the future. Learning about Japanese culture can be a fun adventure, full of surprises and new experiences.

That’s it! I hope the essay helped you.

If you’re looking for more, here are essays on other interesting topics:

• Essay on Japanese Family
• Essay on Japanese Friend
• Essay on Japanese Holiday

Apart from these, you can look at all the essays by clicking here .

Happy studying!

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So you want to write about Japan?: the 10 essential tips

The foreign writer — say, an expat Brit in Japan with a reading list longer than his bucket list — is on a journey of self-discovery. Having taken the daring — not reckless or avoidant — step of leaving your home country, you're now in a cubicle-sized apartment in a Tokyo suburb not known for its nightlife. You have a million stories to tell. You do it by following these steps.

An alternative approach is to cast off the chains of the Western world . Be sure to mention you don't waste time communicating with other expats in Japan. You no longer go to British pubs, foreigner-friendly izakaya chains (with, ugh , English menus) or Roppongi. You've graduated from that. You've achieved what your readers can only dream of: full-on integration into Japanese society.

Let reader know how uniformly great your new life is . Set the scene with details of walking under the cherry blossoms with your Japanese spouse. Remember to mention that you communicate with your partner in Japanese only. It's as natural to you now as having miso soup for breakfast, as normal as KFC on Christmas Day, as routine as using a vending machine in the middle of the street.

As for technique, adopt a writing style of world-weary sagacity . Phrases like "It was then I realized we can learn equally from one another" are effective in ending paragraphs. You're a figural son of Hemingway now, so better not to mention that you developed your new writer's persona in Starbucks, family restaurants and through heady memories of your college philosophy course.

Always refer to yourself as a "freelance writer" in the byline, despite the fact you only write occasionally and are only able to get your English-language articles on Japan published because you're one of the few people who used moving abroad as an excuse to withdraw from social life and study writing-advice books. Rarely mention your day job as an English teacher, unless it's to write a hard-hitting expose of the inadequacy of the Japanese school system or a think piece on how teaching English is at least better than any job you could get in the busted economy that is the U.K.

Concede your own personal transformation as a result of your Important Life Choice. Point out your unique epiphany, now that you have lived in Japan for at least a month — that the Japanese are unlike any stereotype of Japan ever mentioned in Western media. Salarymen? Housewives? Otaku ? You used to believe in all these things. Not anymore.

Learn at least 10,000 kanji and then stop writing about yakuza. Write instead about your friend Kenji, 54, who also happens to enjoy horseback riding. Mention that Kenji has no other foreign friends, and that you communicate with Kenji in Japanese only.

Try reporting on music , and take the snide tone of a modern-day Lester Bangs. Things just aren't what they used to be. Luckily, you can introduce readers to your mates from Cloud Calculator, a three-piece female punk group who are bringing it back to the good old days of all the '90s Japanese bands fickle Westerners have long forgotten. Avoid mentioning that the band only plays at events run by you.

When blogging about Japan, keep complaints minimal : too many plastic bags, too many train announcements, nowhere to get a reasonably priced steak. Save all your serious stuff for your articles on politics and currents events. You're qualified to write extensively on Abenomics now. After all, geographical closeness gives you knowledge on subjects such as politics and economics, since, like osmosis, proximity is all that matters.

In high school you protested the Iraq War, not just as an excuse to avoid class: It was tremendously important for you to present yourself as the kind of person who cares. You can put this earnest side of your character to use and expose Japan's nuclear power situation or the country's militaristic right.

It won't be easy to educate yourself on these topics; it will take a lot of late nights reacting to Facebook posts. But you can do it. As for article ideas, "Brexit: Why I'm never going back to an island nation run by conservative old people" is a suggestion.

Still, don't limit yourself as a writer . You can write about beaches, mountains and pancake restaurants. You can write on anything now! Never mind that you have no interest in these things. When in Japan, absolutely everything is interesting by virtue of the fact it's in Japan.

Sure, in the U.K. all you did was sit in the same coffee shop by day and local pub by night. However, when you're in Japan you're transformed not just as a writer but as a person, too. And what's more, you don't even have to go to any of the places you write about. Sit at home on Google Maps to write your recommendation for the top five nature walks in Japan — it'll help show your diversity as a writer.

Writer's block shouldn't be a problem. If you ever fear of running out of material, you can always change things up. No, not by leaving Japan or altering your life in any important way. You don't need actual change upsetting your writing routine when you can write a think piece about the concept instead.

You shouldn't have to justify this, but, if necessary, remind your readers you were born in the U.K, but made in Japan.

William Bradbury is a freelance writer and English teacher living in Tokyo. Foreign Agenda is a forum for opinion on issues related to life in Japan. Your comments and story ideas: [email protected]

In a time of both misinformation and too much information, quality journalism is more crucial than ever. By subscribing, you can help us get the story right.

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Essays on Japan

Between aesthetics and literature, series:  brill's japanese studies library , volume: 35.

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About This Page

This page introduces the variety of essays written by popular contemporary authors. Unless noted, all are in Japanese.

The author, さくらももこ, is known for writing a comic titled 『 ちびまる子ちゃん 』. The comic is based on her own childhood experiences and depicts the everyday life of a girl with a nickname of Chibi Maruko-chan. The author has been constantly writing casual and humorous essays, often recollecting her childhood memories. We have both the『 ちびまる子ちゃん 』 comic series and other essays by the author. 

To see a sample text in a new tab, please  click on the cover image or the title .

中島らも(1952-2004) started his career as a copyrigher but changed his path to become a prolific writer, publishing novels, essays, drama scripts and rakugo stories. He became popular with his "twisted sense of humour."  He is also active in the music industry when he formed his own band. He received the 13th Eiji Yoshikawa New Author Prize with his 『今夜、すべてのバーで』 and Mystery Writers of Japan Aaward with 『 ガダラの豚 』.

東海林（しょうじ）さだお

東海林さだお(1937-) is a well-known cartoonist, but he is also famous for his essays on food. His writing style is light and humorous and tends to pay particular attention toward regular food, such as bananas, miso soup, and eggd in udon noodles, rather than talk about gourmet meals. (added 5/2/2014)

Collection of Essays: 天声人語 = Vox Populi, Vox Deli (Bilingual)

A collection of essays which appear on the front page of Asahi Shinbun . Each essay is approx. 600 words. KU has collections published around 2000. Seach KU Online catalog with call number AC145 .T46 for more details. 

To see a sample text, please click on the cover image or the title .

Other Essays

Online Essay

• 村上さんのところ "Mr. Murakami's Place" -- Haruki Murakami's Advice Column Part of Haruki Murakami's official site. He answers questions sent to this site. He will also take questions in English. Questions will be accepted until Jan. 31, 2015.

Search from KU Collection

If you are looking for essays in Japanese available at KU, use this search box. If you know the author, search by last name, then first name, such as "Sakura, Momoko." Make sure to select "Author" in the search field option.:

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Japan Center Essay Competition Sponsored by Canon U.S.A.

The aim of the JCSB essay competition is to provide young Americans with an opportunity to think creatively and critically about their lives by relating them to some aspect of Japan to help them broaden their horizons and develop global citizenship.  

Contestants should write, in English, one or more aspects of Japan

 including art, culture, tradition, values, philosophy, history, society, politics, business, and technology in relation to their personal views, experiences, and/or future goals. (Contestants do not need to have any experience in visiting Japan or studying Japanese.

19th Competition  (2023-2024)

SBU News ; 

High School Division Best Essay Award

1st Place Best Essay Award and Consul General of Japan Special Award

“Reflections” written by Talia Beck (Hunter College High School)

2nd Place Best Essay Award

“The Sound of Drums Behind a Stage” written by Anderson Maziero (Bethpage High School)

3rd Place Best Essay Award

“Embracing the Harmony of Silence” written by Arihunt Garg (The Brooklyn Latin School)

College Division Best Essay Award

None identified.

Uchida Memorial Award

“Sparks of Identity” written by Marisa Yamamoto (Syosset High School)

(Alphabetically ordered by their family names)

Ivan Chen (Syosset High School)

Shalini Daniel (Saint Anthonys High School)

Laila Murgo (Millennium High School)

Semi-finalists

Rachel Alexandre (Stony Brook University)

Kiley Barch (Huntington High School)

Sahil Gandhi (Staten Island Technical High School)

Madison Gies (Wellington C Mepham)

Leo Jiang (High School for Dual Language and Asian Studies)

Diya Kaushal (Ward Melville High School)

Philip Kolykhalov (Stony Brook University)

Joshua Li (Stony Brook University)

Rhea Likoka (Mepham High School)

Sofia Marchetta (Stony Brook University)

Finn Mirando (East Hampton High School)

Noah Olivares (WT Clarke High School)

Emma Parrella (Ward Melville High School)

Mya Passanisi (Mepham High School)

Angel Prabakar (Stony Brook University)

Zack Ron (Stony Brook University)

Sammy Underberg (Horace Mann School)

Jonathan Vasquez (Stuyvesant High School)

Wendy Yin (Syosset High School)

Brian Zhang (Ward Melville High School)

Sponsor:  Canon U.S.A.       

Supporter   :  Consulate General of Japan in New York

Honorary Judges:

Mikio Mori, Ambassador and Consulate General of Japan in New York

Isao Kobayashi, President and CEO, Canon U.S.A.

JCSB Board Member in Charge : Yoko Ojima  

Canon U.S.A. Representatives in Charge:  Keiko Shinki

Organizing Chair:  Eriko Sato

Chief Judge:   Sachiko Murata

Committee me mbers: Roxanne Brockner, Carolyn Brooks, Peg Christoff, Kristina Chambers, Mary Diaz, Marlene Dubois, MaryAnn Hannon, Feng-Qian Li, Jane McNulty, Patricia Marinaccio, Hiroko Matsuzaki, Eva Nagase, Francesca Nakagawa, Chikako Nakamura, Atsuko Oyama, Yvette Vetro, and Gerard Senese

 Book cover photo © Yvette Vetro

Selected Essays

1st place best essay award in the high school division and consul general of japan special award.

  When I reach the front of the line, the Infinity Mirrors experience starts with a few instructions: We have 5 minutes to spend in the room. No flash photography. And don’t touch anything. The doors open, and my mom, my grandma and I step on to what appears to be a platform, suspended in space. The room is pitch black. The walls are mirrored with colored light bulbs hanging throughout. The colors change after a certain amount of time. I feel suspended in an endless universe, surrounded by constellations of little lights.

Infinity Mirrors is an immersive art experience by Yayoi Kusama, a Japanese artist who tried to capture the hallucinations she began having as a child through her work. To me, the disconnected circles of light are sort of like the distance between myself, my grandma and my Japanese heritage. My Grandma Miki grew up in post-World War II Tokyo, moving to California in 1967. I’ve grown up in New York, 3000 miles away from her, and nearly 7000 from Japan.

I’m a quarter Japanese, but I don’t look Asian. On every form that asks about racial background, since I was born, my mom has listed me as both Asian and white. I always felt like calling myself biracial was cheating somehow, like the fact that it’s not clear from my appearance means I can’t identify myself that way at all.

“If you don’t want to continuously look at your own reflection, then I probably wouldn’t recommend it,” wrote Bethan Jayne, an artist and co-founder of the Round Lemon, an arts platform, in a review of the Infinity Mirrors on April 14, 2022.

Jayne is right: I feel out of place standing in the exhibit next to my grandma. I look like a giant next to her. Her hair is carefully styled, chin length. Mine is long, unruly, and slightly orange from too much hair dye. Basically, I look like your quintessential American teenager.

Most of the time, I don’t think about Japan and my identity. But in this moment, I can’t escape our reflections, my own or my grandma’s. My mom says that Grandma Miki tried to keep her household as American as possible: she never spoke Japanese at home, and she only cooked American food. That made my mom want to be more connected to her Japanese identity. My mom was raised on McDonalds; I was raised on onigiri and yakisoba. She went to Japan for the first time when she was in college; I went for the first time when I was seven years old.

That’s why we’re here at the Broad Museum in downtown Los Angeles, viewing the Infinity Mirrors, in my mom’s attempt to help me feel more connected to my roots. Instead, the mirrors leave me feeling more like a single star than part of the constellation Kusama has constructed. 

Grandma Miki doesn’t talk about her past, or her family. Our occasional phone conversations are kept strictly to the weather and school. Though I haven’t always felt connected to Japan through her, I’ve found my own ways to learn about the culture, from viewing cherry blossoms at Sakura Matsuri festivals at our local botanical garden every year, to watching and rewatching every Studio Ghibli film. I perfected the origami crane, folding them smaller and smaller until I made one the size of a pencil eraser head.

As I stand on the platform with my mom and grandma, we don’t speak. My mom and I take photos, while Grandma Miki watches and smiles. I try to capture the lights, the way they seem to stretch on endlessly. The illusion is broken only by the clear view of the three of us, reflecting over and over again with the lights.

“The longer you look, the more depth and distance you see. It’s almost possible to disappear though not quite - the problem with mirrors is that you can’t escape yourself,” wrote Nancy Durrant, culture editor of the Standard, in a review published May 17, 2021.

I always have been, and always will be, an outsider to Japan. But Kusama’s way of quite literally placing my family and myself inside her universe made me realize that identity is a search: the simple act of trying to connect the dots is what ended up linking me to my grandma. I don’t know how I’ll continue connecting to other dots in my own universe, but the important thing is that I keep trying.

Works Cited

Durrant, Nancy. “Yayoi Kusama Infinity Mirror Rooms at Tate Modern Review: Utterly

Enchanting.” The Standard, 17 May 2021, https://www.standard.co.uk/culture/exhibitions /yayoi-kusama-infinity-mirror-rooms-tate-modern-review-b935180.html . Accessed 3 Jan. 2024.

Jayne, Bethan. “Feeling Guiltily Underwhelmed: Is Yayoi Kusama’s ‘Infinity Mirror Rooms’

Worth the Hype?” The Round Lemon, 14 April 2022, https://www.roundlemon.co.uk/z est-archive/feeling-guiltily-underwhelmed-is-yayoi-kusamas-infinity-mirror-rooms-worth-the-hypenbsp . Accessed 3 Jan. 2024.

©Japan Center at Stony Brook

2nd Place Best Essay Award in the High School Division

“ The Sound of Drums Behind a Stage ” written by Anderson Maziero ( Bethpage High School)

All throughout my life a connection to the culture that stems from the Japanese had always been apparent. My family, specifically my mother’s side, had always been very proud of their lineage and celebrated the culture that they had come to know and love, and my father’s side of the family without a strand of Japanese DNA in their bodies, found themselves engulfed in the spectacle that is Japan’s way of life. The love for the spirit became a prominent part of my day-to-day life. I visited Japan seeing feats of art and architecture my small mind had never before believed possible. I knew very little, but an appreciation for onstage and physical art was prominent. Barely having entered public school for the first time, I was thrust into activities meant to strengthen the Japanese blood within me. Private classes to learn Japanese first at Stony Brook, then at a language institute in Melville, as well as classes for taiko drumming every week, the spectacle of it all began to fade as it became more of a chore in my life. Until its redemption which shaped me as a person.

            I had failed to absorb these ways into my mind, but the flame within my parents never wavered, and my family’s biggest Japanese interest unfolded. My father over the years had always loved woodwork, especially in our basement which was home to a family of homemade taiko drums. Made from my father’s own two hands, the chance to start our very own taiko group began to take shape and the group known today as Umisora Taiko began. Many people came and left, slowly but surely our family grew, flier after flier we performed wherever we could, faces we had never seen before came to join as our message of inclusion and the Japanese art reached the public. Strangers became friends and friends became family. It was all so heartwarming to see the vision my parents created shine bright as a proud part of my life. Seeing this community we strung together I found that the life I had once grown tired of enveloped my soul with every hit of that taiko drum. The sound and reverberation moved through my body and the flame rekindled guided my every step and movement with those bachi sticks. The essence of Japan and its glory reclaimed a place in my life. Taking a step back to see what beauty Japanese culture could create and what wonderful people it could bring together gave my life a more profound meaning. Not just as a group, but as an individual too.

This burst of life led me to one other discovery that would shape my being more than anything else in the world ever had, the sound of those drums helped me discover my passion for music and performance. Being a relatively soft spoken and shy person, I never had an interest in the stage, but the push that taiko gave me helped me take the chance and explore what once felt impossible to me. And the feeling I get stepping out on a stage cannot be described in words. I am friends with people I had once only known parasocially, I’ve climbed the ranks of my school drama program teaching myself to sing, act, and dance for auditoriums of guests. This life is one I know I must follow as the love for art, music, and performance all in one is something I could never leave out of my life. And looking back, it all started with that first hit of the taiko, the push I never knew I needed which thrust me into the world of performance.

Chasing that life on the stage is no small feat, but having the courage and the determination to do so pushes me further than ever before. Growing this second family of taiko drummers has brought a new world view into perspective. Seeing my hopes, dreams, and aspirations so clearly. Never could this have happened without that burst of energy that the art and culture of Japan gave me. To say Japan is an interest of mine would be a grand understatement. I could not be who I am today without them. It may just be one piece of Japanese art, but it has opened my eyes to two new worlds, one of Japanese culture, and one of performance.

©Japan Center at Stony Brook 

3rd Place Best Essay Award in the High School Division

“ Embracing the Harmony of Silence ” written by Arihunt Garg ( The Brooklyn Latin School )

  “You say it best, when you say nothing at all” - Ronin Keating

I trudged into Tokyo Narita International Airport at 5 a.m. My eyes barely opened as I deplaned and begrudgingly started looking for my next gate. Naturally, I was joined by a sea of people of all colors, shapes, and sizes. After all, Narita is one of Japan’s busiest airports, with planes in motion every hour of the day. As I walked, I observed the typical hustle and bustle to be expected in any international airport. I saw shopkeepers opening their stores, staff cleaning diligently, flight attendants marching in near lockstep, and parents herding children to their next gate. The elderly, adults, teenagers, infants, toddlers, and even babies - everyone seemed to be rushing to get somewhere. What I didn’t hear was the cacophony which usually goes with it.

Although my senses immediately picked up on this absence of noise, it took my brain a moment to recognize and appreciate its calmness. This recognition awakened me from my jetlag, making me alert with intrigue. One could hear a pin drop in the terminal. It seemed that the entire area had been enveloped by a warm, soothing blanket. I asked my mother about this feeling, and she introduced me to the philosophical notion of “ Ma . ”

Only in Japan will one experience Ma . It is a moment of silence, gap or emptiness during an action and promotes reflection and growth. The Japanese practice this concept in everyday life. It can be observed in art and architecture; music, storytelling, and even basic conversation. It allows a person to pause, meditate, and ponder what they wish to say next. This prevents them from rushing to hurt others with words or actions. Ma is the interval between edges which life needs to grow. Ma gives us time and space to flourish: it encourages humans to experience the animate and inanimate at a spiritual level.

Very few in the West, especially in America, are even aware of this concept. In his book The Art of Looking Sideways, renowned British graphic designer , Alan Fletcher reflects, “Isaac Stern described music as ‘that little bit between each note–silences which give the form’…The Japanese have a word ( ma ) for this interval which gives shape to the whole. In the West, we have neither word nor term. A serious omission.”

Ma is not just negative space. It is positive, intentional, and dynamic. It nurtures balance and a minimalistic approach to life. It is the reason why an artist leaves blank space in a painting. The lack of clutter creates a serene environment which the Japanese value. They seem to embody this concept in every aspect of their lives. It has made them precise, intentional, and effective world leaders.

When the time came to board our airplane, there were no announcements on loudspeakers. Flight attendants raised cardboard signs indicating which groups were to get on first. Instead of rushing to board, passengers calmly lined up while the rest waited for their turn. Toddlers seemed less irate, babies did not fuss or cry out loud.

The constant screaming and chaos found in and around American airports simply promotes stress and noise pollution. Japan has proven that such a place can function better, if not perfectly when enveloped in silence.

After learning about Ma , I no longer blurt out the first thing that comes to my mind. I give myself a moment before speaking, especially if I am upset. My thoughts are more organized and I feel that my conversation reflects my true feelings. Practicing Ma has also helped me in public speaking and debate. It enables me to project the essence of my arguments. I used to speak as fast as I could, focusing only on getting all my words out under the five-minute limit. Now, I strengthen my team by giving myself pause and distilling my rebuttals into their core meaning. I speak with intention, and my words are not forced.

Ma demonstrates that silence is the best interruption and that it is indeed golden.

“ Sparks of Identity ” written by Marisa Yamamoto ( Syosset High School )

Silence surrounds us as we each hold a senko hanabi in our hands. The concentration on our faces flickered by the sparks that are starting to form from the bulging red. The crackles and pops break the silence. Mine falls, scattering and leaving colorful sparks like paint splashing onto a canvas.

As a Japanese-American, Japanese and English escape my mouth before I even have to think. My annual trips to Japan to see my Ojiichān and Obaachān create a bridge between my two identities. The buzzing sound of cicadas makes me sweat instantly under the glaring sun, the fūrin hanging at the entrance of my Ojiichān and Obaachān’s house flowing and harmonizing with the wind, much like me moving back and forth between my two worlds. The wind acts like the familial and cultural influences I experience. Together they are able to create harmony. The “clank” of the drink falling as a person reaches into the Jidōhanbaiki mirrors my two worlds as they crash into each other at times. These sounds resemble the coexistence of multiple identities surrounding me as they bring me back to my “other home”.

Upon arrival at my Ojiichān and Obaachān’s, my cousins surround me, jumping up and down with excitement. I hear my aunts, uncles, and parents talking to each other. My Ojiichān and Obaachān come up to me with big smiles on their faces and bombard me with the “usual” questions.

“Oh my, how tall are you? Do you have a boyfriend? How are your grades?”

After the rapid-fire interview I had with them, they set me down at the table. They bring out osenbei, dorayaki, and purin, stuffing me with food as if I haven’t eaten for the past year. Looking around, I smell the tatami under my folded legs. I hear the lively chatter of my parents. I finally see the fireworks usually sold in packs at supermarkets, waiting to be opened by the tokonoma.

At night, my cousins and I watch as my Ojiichān gets the lighter and candle ready for us on the front porch. We leave the senko hanabi for last.

We each hold our hanabi to the candle, giving it life. The sparks burst in different colors, with each spark leaving trails of light. Ojiichān sits and watches us as we giggle and wave our hanabi in the air as if we are painting the sky. As the last hanabi is thrown into the bucket and fades away, we are finally ready for the senko hanabi.

Gathering in a small circle, we each hold the senko hanabi to the flame of the candle. It does not burst into sparks immediately like the ones before. Instead, it begins with a small red glow, gradually forming small sparks. The cackling sound breaks the silence.

As the red bulb finally falls, the sparks disperse in different directions like a mosaic, with different fragments each telling a different side of me.

The senko hanabi illustrates my journey—the harmony and coexistence of my American and Japanese world, revealed through the glow of each spark.

Past Competitions:   

18 th competition ; 17th competition ; 16th competition ; 15th competition ;  14th Competition ;   13th Competition; 12th Competition; 11th Competition ; First ten competitions  

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Japan - List of Free Essay Examples And Topic Ideas

Japan, an island country in East Asia, has a rich history, unique culture, and a significant impact on the global stage. Essays on Japan could delve into its historical evolution, technological advancements, traditional practices, or its relations with other nations. Discussions may also explore Japan’s economic model, pop culture influence, and societal norms. A substantial compilation of free essay instances related to Japan you can find in Papersowl database. You can use our samples for inspiration to write your own essay, research paper, or just to explore a new topic for yourself.

Differences between the US and Japan

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Globalization and its Impact on Popular Culture

Humans have been interacting with one another from the beginning of time. Communicating, trading, and making war, our relationship to one another has never been one of isolation. Centuries of progressing technology have given rise to a massive network of exchange, inciting interactions which have influenced every aspect of life for people today. It is easy to overlook Globalization’s impacts. Easy to forget that we go through life surrounded and shaped by the ideals and inventions of others. Globalization has […]

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Pearl Harbor: United States against Japan

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The Rise and Fall of the Japanese Economy during World War II

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Japanese Women: Fighting for Gender Equality

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The Battle of Pearl Harbor

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The origin of all things: Kyotographie 2024 – a photo essay

The 12 th annual Kyotographie photography festival features 13 exhibitions staged in striking locations across the Japanese city of Kyoto. Photographers from around the world submitted pictures on the theme of ‘source’

• The Kyotographie international photography festival runs until 12 May

S pring in Kyoto ushers in cherry blossom season, but it also marks the return of one of the biggest photo festivals in Asia. Kyotographie, now in its 12th year, fuses the past and present with its striking images and unique locations. The 13 exhibitions are staged in temples, galleries and traditional private homes across the Japanese city, showcasing the work of national and international photographers.

The festival is loosely centred on a theme – and this year the directors, Lucille Reyboz and Yusuke Nakanishi, asked participants to focus on the word “source” by delving into the essence of beginnings and the nexus of creation and discovery.

The Yamomami struggle. Photograph by Claudia Andujar

The source is the initiator, the origin of all things. It is the creation of life, a place where conflict arises or freedom is obtained; it is the space in which something is found, born or created. It is a struggle Claudia Andujar and the Yanomami shaman and leader Davi Kopenawa know too well. The Yanomami Struggle is the first retrospective exhibition in Japan by the Brazilian artist and activist Andujar with the Yanomami people of Brazil.

It is more than 50 years since she began photographing the Yanomami, the people of the Amazon rainforest near Brazil’s border with Venezuela, an initial encounter that changed their lives. Andujar’s work is not just a showcase of her photographic talent but, with Kopenawa accompanying the exhibition to Japan for the first time, it is a platform to bring the Yanomami’s message to a wider Asian audience.

The Yanomami Struggle. Photograph by Claudia Andujar

The first part of the exhibition features photographs taken by Andjuar in the 1970s, alongside artwork by the Yanomami people and words by Kopenawa. The second part narrates the continuing violence inflicted by non-Indigenous society on the Yanomami. The project is a platform for the Yamomani people to be seen and protected from ongoing threats. The exhibition, curated by Thyago Nogueira from São Paulo’s Instituto Moreira Salles, is a smaller version of one that has been touring the world since 2018.

The Yanomami Struggle, by Claudia Andujar, and artwork by the Yanomami people.

The Moroccan artist Yassine Alaoui Ismaili (Yoriyas) is showing new work made during his Kyotographie artist-in-residence programme for young Africans. The images from the Japanese city feature alongside his project Casablanca Not the Movie.

Children Transform the Sheep for Eid al-Adha into a Playground in Casablanca. Photograph by Yassine Alaoui Ismaili (Yoriyas)

Yoriyas gave up his career as a breakdancer and took up photography as a means of self-expression. His project Casablanca Not the Movie documents the streets of the city where he lives with candid shots and complex compositions. His work, which combines performance and photography, encourages us to focus on how we inhabit urban spaces. The exhibition’s clever use of display and Yoriyas’s experience with choreography force the viewer to see the work at unconventional angles. He says: “The camera frame is like a theatre stage. The people in the frame are my dancers. By moving the camera, I am choreographing my subjects without even knowing it. When an interesting movement catches my eye, I press the shutter. My training has taught me to immediately understand space, movement, connection and story. I photograph in the same way that I choreograph.”

The contrasts in Casablanca take many forms, including social, political, religious and chromatic. Photograph by Yoriyas

From Our Windows is a collaboration bringing together two important Japanese female photographers, both of whom shares aspects of their lives through photography, in a dialogue about different generations. The exhibition is supported by Women in Motion, which throws a spotlight on the talent of women in the arts in an attempt to reach gender equality in the field. Rinko Kawauchi, an internationally acclaimed photographer, chose to exhibit with Tokuko Ushioda who, at 83, continues to create vibrant new works. Kawauchi says of Ushioda: “I respect the fact that she has been active as a photographer since a time when it was difficult for women to advance in society, and that she is sincerely committed to engaging with the life that unfolds in front of her.” This exhibition features photographs taken by each of them of their families.

Photograph by Rinko Kawauchi.

Kawauchi’s two bodies of work, Cui Cui and As It Is, focus on family life. The first series is a family album relating to the death of her grandfather and the second showcases the three years after the birth of her child. Family, birth, death and daily life are threads through both bodies of work that help to create an emotional experience that transcends the generations.

Rinko Kawauchi and Tokuko Ushioda at the Kyoto City Kyocera Museum of Art

Kawauchi says: “My works will be exhibited alongside Ushioda. Each of the works from the two series are in a space that is the same size, located side by side. The works show the accumulation of time that we have spent. They are a record of the days we spent with our families, and they are also the result of facing ourselves. We hope to share with visitors what we have seen through the act of photography, which we have continued to do even though our generations are different, and to enjoy the fact that we are now living in the same era.”

Ushioda’s first solo exhibition features two series: the intimate My Husband and also Ice Box, a fixed-point observation of her own and friends’ refrigerators. Ushioda says: “I worked on that series [Ice Box] for around 20 years or so. Like collecting insects, I took photographs of refrigerators in houses here and there and in my own home, which eventually culminated in this body of work.”

Entries from Tokuko Ushida’s series Ice Box.

James Mollison’s ongoing project Where Children Sleep is on display at the Kyoto Art Centre with a clever display that turns each photograph into its own bedroom.

A child portrayed in Where Children Sleep, Nemis, Canada.

Featuring 35 children from 28 countries, the project encourages viewers to think about poverty, wealth, the climate emergency, gun violence, education, gender issues and refugee crises. Mollison says: “From the start, I didn’t want to think about needy children in the developing world, but rather something more inclusive, about children from all types of situations.” Featuring everything from a trailer in Kentucky during an opioid crisis and a football fan’s bedroom in Yokohama, Japan, to a tipi in Mongolia, the project offers an engrossing look at disparate lives.

From Where Children Sleep, Nirto, Somalia

Joshim, India. Photographs by James Mollison

Phosphor, Art & Fashion (1990-2023) is the first big retrospective exhibition devoted to the Dutch artist Viviane Sassen . It covers 30 years of works, including previously unseen photographs, and combines them with video installations, paintings and collages that showcase her taste for ambiguity and drama in a distinctive language of her own.

Eudocimus Ruber, from the series Of Mud and Lotus, 2017. Photograph by Viviane Sassen and Stevenson

The exhibition opens with self-portraits taken during Sassen’s time as a model. “I wanted to regain power over my own body. With a man behind the camera, a sort of tension always develops, which is often about eroticism, but usually about power,” she says. Sassen lived in Kenya as a child, and the series produced there and in South Africa are dreamlike, bold and enigmatic. She describes this period as her “years of magical thinking”. The staging of the exhibition in an old newspaper printing press contrasts with the light, shadows and bold, clashing colours of her work. The lack of natural light intensifies the flamboyant tones of the elaborately composed fashion work.

Dior Magazine (2021), and Milk, from the series Lexicon, 2006. Photographs by Viviane Sassen and Stevenson

Viviane Sassen’s immersive video installation at the Kyoto Shimbun B1F print plant. Photograph by Joanna Ruck

The source of and inspiration for Kyotographie can be traced to Lucien Clergue, the founder of Les Rencontres d’Arles, the first international photography festival, which took place in 1969. Arles, where Clergue grew up and lived all his life, was a canvas for his photography work in the 1950s. Shortly after the second world war, many Roma were freed from internment camps and came to Arles, where Clergue forged a close relationship with the community. Gypsy Tempo reveals the daily life of these families – their nomadic lifestyle, the role of religion and how music and dance are used to tell stories.

Draga in Polka-Dot Dress, Saintes-Maries-de-la-Mer, 1957. Photographs by Lucien Clergue

Little Gypsy Girl in the Chapel, Cannet 1958

During this time, Clergue discovered, and then helped propel to fame, the Gypsy guitarist Manitas de Plata and his friend José Reyes. Manitas went on to become a famous musician in the 1960s who, together with Clergue, toured the world, including Japan.

Kyotographie 2024 was launched alongside its sister festival, Kyotophonie , an international music event, with performances by Los Graciosos, a band from Catalonia who play contemporary Gypsy music. Meanwhile, the sounds of De Plata can be heard by viewers of Clergue’s exhibition.

The Magic Circle, Saintes-Maries-de-la-Mer, 1958, by Lucien Clergue.

Kyotographie 2024 runs until 12 May at venues across Kyoto, Japan.

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Japan Essay

Article By: Isaac Goodman-Boyd

I loved Japan before I visited there– loved their video games, TV shows, martial arts, and amazing sword fights. But my only contact with Japan was through the Internet. Reading Japanese comic books (Manga) and watching Japanese cartoons (Anime) are my favorite pastime. So on Christmas day, when my parents gave me a book about Japanese culture, I was happy. When I opened the book and discovered the plane tickets inside, I was ecstatic.

In preparation for the trip, we took Japanese language lessons from a private tutor. By the time the trip rolled around I was eager to practice my new skills.

After landing in Narita airport, our first stop was the Zen Bed and Breakfast in Asakusa, Tokyo. My formal Japanese greeting impressed the owners. In the mornings, we had breakfast with them. I had never had rice and soup for breakfast before. Being a very picky eater, I rarely try anything new. But in Japan, I was determined to try everything. These home cooked breakfasts were the best meals we had on our trip.

In Tokyo, we visited the Imperial Palace. We were only allowed in the public garden but that was enough because it is as big as my neighborhood.

In Akihabara (Electric Town), we went to several arcades to see the latest in video games. My brother and I love these games and we’re pretty good.  But we were nothing compared to the insane skill of the Japanese. The weird thing was, most everyone there were adults. My brother and I, two teenagers, were the youngest there.

After Tokyo, we went to Kyoto and stayed in our own town house called a Machaya (old merchants house.) The home was decorated in traditional Japanese fashion. My absolute favorite thing in the house was the bath. This room had a small deep tub, a shower next to it and a drain in the floor. Press a button and the tub automatically fills with hot water. I would shower with soap and cold water, then slowly lower myself into the boiling liquid. Any stress I ever had in my life seemed to melt away.

In Kyoto, we went to Chion-in Temple, which today is the headquarters for the J ` odo school of Buddhism. We passed through the San-mon, a Buddhist temple gate at the main entrance. This is the largest temple gate in Japan but even that couldn’t prepare me for the scale of Chion-in. Meditating in the public prayer space, I thought about how small I am compared to this enormous structure.

Before we knew it, we were back in Tokyo scrambling to see as many sights as we could on our final day. We woke at five A.M. to go to the fish market. My father and I took pictures of the largest fish we had ever seen while my mother and brother ate sushi. Despite my vow to try everything, I couldn’t bring myself to eat raw fish at six in the morning.

After the market, we went to Shibuya (a Tokyo Times Square). My brother went to another arcade while I tried to get my last fill of Japan. The streets were really crowed (Tokyo is very crowed). Despite this, no one was ever rude or angry. Even to American tourists who didn’t know where they were going.

I used to love Japan for its Anime and video games but now I feel a connection to its ancient culture and current society. I look forward to returning when I’m in college. 

Dear Reader: This page may contain affiliate links which may earn a commission if you click through and make a purchase. Our independent journalism is not influenced by any advertiser or commercial initiative unless it is clearly marked as sponsored content. As travel products change, please be sure to reconfirm all details and stay up to date with current events to ensure a safe and successful trip.

2 Replies to “Japan Essay”

I loved Japan before I visited there– loved their video games, TV shows, martial arts, and amazing sword fights. But my only contact with Japan was through the Internet. Reading Japanese comic books (Manga) and watching Japanese cartoons (Anime) are my favorite pastime. So on Christmas day, when my parents gave me a book about Japanese culture, I was happy. When I opened the book and discovered the plane tickets inside, I was ecstatic.

ok it was funny not like a formal article

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Essay 2024.5.10

Asking for help, and giving it 頼り、頼られること

Level Most artists can’t survive by selling art alone. Recently, I attended a workshop that taught artists like me how to use various funnels of income to survive. Part-time and odd jobs, savings, spouse...

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