essay about writing and reading

Essays About Reading: 5 Examples And Topic Ideas

As a writer, you love to read and talk to others about reading books. Check out some examples of essays about reading and topic ideas for your essay.

Many people fall in love with good books at an early age, as experiencing the joy of reading can help transport a child’s imagination to new places. Reading isn’t just for fun, of course—the importance of reading has been shown time and again in educational research studies.

If you love to sit down with a good book, you likely want to share your love of reading with others. Reading can offer a new perspective and transport readers to different worlds, whether you’re into autobiographies, books about positive thinking, or stories that share life lessons.

When explaining your love of reading to others, it’s important to let your passion shine through in your writing. Try not to take a negative view of people who don’t enjoy reading, as reading and writing skills are tougher for some people than others.

Talk about the positive effects of reading and how it’s positively benefitted your life. Offer helpful tips on how people can learn to enjoy reading, even if it’s something that they’ve struggled with for a long time. Remember, your goal when writing essays about reading is to make others interested in exploring the world of books as a source of knowledge and entertainment.

Now, let’s explore some popular essays on reading to help get you inspired and some topics that you can use as a starting point for your essay about how books have positively impacted your life.

For help with your essays, check out our round-up of the best essay checkers

Examples Of Essays About Reading

• 1. The Book That Changed My Life By The New York Times
• 2. I Read 150+ Books in 2 Years. Here’s How It Changed My Life By Anangsha Alammyan
• 3. How My Diagnosis Improved My College Experience By Blair Kenney

4. How ‘The Phantom Tollbooth’ Saved Me By Isaac Fitzgerald

5. catcher in the rye: that time a banned book changed my life by pat kelly, topic ideas for essays about reading, 1. how can a high school student improve their reading skills, 2. what’s the best piece of literature ever written, 3. how reading books from authors of varied backgrounds can provide a different perspective, 4. challenging your point of view: how reading essays you disagree with can provide a new perspective, 1.  the book that changed my life  by  the new york times.

“My error the first time around was to read “Middlemarch” as one would a typical novel. But “Middlemarch” isn’t really about plot and dialogue. It’s all about character, as mediated through the wise and compassionate (but sharply astute) voice of the omniscient narrator. The book shows us that we cannot live without other people and that we cannot live with other people unless we recognize their flaws and foibles in ourselves.”  The New York Times

In this collection of reader essays, people share the books that have shaped how they see the world and live their lives. Talking about a life-changing piece of literature can offer a new perspective to people who tend to shy away from reading and can encourage others to pick up your favorite book.

2.  I Read 150+ Books in 2 Years. Here’s How It Changed My Life  By Anangsha Alammyan

“Consistent reading helps you develop your  analytical thinking skills  over time. It stimulates your brain and allows you to think in new ways. When you are  actively engaged  in what you’re reading, you would be able to ask better questions, look at things from a different perspective, identify patterns and make connections.” Anangsha Alammyan

Alammyan shares how she got away from habits that weren’t serving her life (such as scrolling on social media) and instead turned her attention to focus on reading. She shares how she changed her schedule and time management processes to allow herself to devote more time to reading, and she also shares the many ways that she benefited from spending more time on her Kindle and less time on her phone.

3.  How My Diagnosis Improved My College Experience  By Blair Kenney

“When my learning specialist convinced me that I was an intelligent person with a reading disorder, I gradually stopped hiding from what I was most afraid of—the belief that I was a person of mediocre intelligence with overambitious goals for herself. As I slowly let go of this fear, I became much more aware of my learning issues. For the first time, I felt that I could dig below the surface of my unhappiness in school without being ashamed of what I might find.” Blair Kenney

Reading does not come easily to everyone, and dyslexia can make it especially difficult for a person to process words. In this essay, Kenney shares her experience of being diagnosed with dyslexia during her sophomore year of college at Yale. She gave herself more patience, grew in her confidence, and developed techniques that worked to improve her reading and processing skills.

“I took that book home to finish reading it. I’d sit somewhat uncomfortably in a tree or against a stone wall or, more often than not, in my sparsely decorated bedroom with the door closed as my mother had hushed arguments with my father on the phone. There were many things in the book that went over my head during my first time reading it. But a land left with neither Rhyme nor Reason, as I listened to my parents fight, that I understood.” Isaac Fitzgerald

Books can transport a reader to another world. In this essay, Fitzgerald explains how Norton Juster’s novel allowed him to escape a difficult time in his childhood through the magic of his imagination. Writing about a book that had a significant impact on your childhood can help you form an instant connection with your reader, as many people hold a childhood literature favorite near and dear to their hearts.

“From the first paragraph my mind was blown wide open. It not only changed my whole perspective on what literature could be, it changed the way I looked at myself in relation to the world. This was heavy stuff. Of the countless books I had read up to this point, even the ones written in first person, none of them felt like they were speaking directly to me. Not really anyway.” Pat Kelly

Many readers have had the experience of feeling like a book was written specifically for them, and in this essay, Kelly shares that experience with J.D. Salinger’s classic American novel. Writing about a book that felt like it was written specifically for you can give you the chance to share what was happening in your life when you read the book and the lasting impact that the book had on you as a person.

There are several topic options to choose from when you’re writing about reading. You may want to write about how literature you love has changed your life or how others can develop their reading skills to derive similar pleasure from reading.

Middle and high school students who struggle with reading can feel discouraged when, despite their best efforts, their skills do not improve. Research the latest educational techniques for boosting reading skills in high school students (the research often changes) and offer concrete tips (such as using active reading skills) to help students grow.

It’s an excellent persuasive essay topic; it’s fun to write about the piece of literature you believe to be the greatest of all time. Of course, much of this topic is a matter of opinion, and it’s impossible to prove that one piece of literature is “better” than another. Write your essay about how the piece of literature you consider the best positive affected your life and discuss how it’s impacted the world of literature in general.

The world is full of many perspectives and points of view, and it can be hard to imagine the world through someone else’s eyes. Reading books by authors of different gender, race, or socioeconomic status can help open your eyes to the challenges and issues others face. Explain how reading books by authors with different backgrounds has changed your worldview in your essay.

It’s fun to read the information that reinforces viewpoints that you already have, but doing so doesn’t contribute to expanding your mind and helping you see the world from a different perspective. Explain how pushing oneself to see a different point of view can help you better understand your perspective and help open your eyes to ideas you may not have considered.

Tip: If writing an essay sounds like a lot of work, simplify it. Write a simple 5 paragraph essay instead.

If you’re stuck picking your next essay topic, check out our round-up of essay topics about education .

Amanda has an M.S.Ed degree from the University of Pennsylvania in School and Mental Health Counseling and is a National Academy of Sports Medicine Certified Personal Trainer. She has experience writing magazine articles, newspaper articles, SEO-friendly web copy, and blog posts.

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• Importance Of Reading Essay

Importance of Reading Essay

500+ words essay on reading.

Reading is a key to learning. It’s a skill that everyone should develop in their life. The ability to read enables us to discover new facts and opens the door to a new world of ideas, stories and opportunities. We can gather ample information and use it in the right direction to perform various tasks in our life. The habit of reading also increases our knowledge and makes us more intellectual and sensible. With the help of this essay on the Importance of Reading, we will help you know the benefits of reading and its various advantages in our life. Students must go through this essay in detail, as it will help them to create their own essay based on this topic.

Importance of Reading

Reading is one of the best hobbies that one can have. It’s fun to read different types of books. By reading the books, we get to know the people of different areas around the world, different cultures, traditions and much more. There is so much to explore by reading different books. They are the abundance of knowledge and are best friends of human beings. We get to know about every field and area by reading books related to it. There are various types of books available in the market, such as science and technology books, fictitious books, cultural books, historical events and wars related books etc. Also, there are many magazines and novels which people can read anytime and anywhere while travelling to utilise their time effectively.

Benefits of Reading for Students

Reading plays an important role in academics and has an impactful influence on learning. Researchers have highlighted the value of developing reading skills and the benefits of reading to children at an early age. Children who cannot read well at the end of primary school are less likely to succeed in secondary school and, in adulthood, are likely to earn less than their peers. Therefore, the focus is given to encouraging students to develop reading habits.

Reading is an indispensable skill. It is fundamentally interrelated to the process of education and to students achieving educational success. Reading helps students to learn how to use language to make sense of words. It improves their vocabulary, information-processing skills and comprehension. Discussions generated by reading in the classroom can be used to encourage students to construct meanings and connect ideas and experiences across texts. They can use their knowledge to clear their doubts and understand the topic in a better way. The development of good reading habits and skills improves students’ ability to write.

In today’s world of the modern age and digital era, people can easily access resources online for reading. The online books and availability of ebooks in the form of pdf have made reading much easier. So, everyone should build this habit of reading and devote at least 30 minutes daily. If someone is a beginner, then they can start reading the books based on the area of their interest. By doing so, they will gradually build up a habit of reading and start enjoying it.

Frequently Asked Questions on the Importance of Reading Essay

What is the importance of reading.

1. Improves general knowledge 2. Expands attention span/vocabulary 3. Helps in focusing better 4. Enhances language proficiency

What is the power of reading?

1. Develop inference 2. Improves comprehension skills 3. Cohesive learning 4. Broadens knowledge of various topics

How can reading change a student’s life?

1. Empathy towards others 2. Acquisition of qualities like kindness, courtesy

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Explaining the Symbiotic Relationship Between Reading and Writing

Students who understand how reading relates to writing and vice versa can develop into better writers.

For elementary school teachers, the saying is, students learn to read and then read to learn. At the middle and high school levels, teachers may experience the relationship of first writing to read, and then reading to write. Although this expression is not so common, there are resources that point to such a relationship, including ” Writing to Read: Evidence for How Writing Can Improve Reading ” or books such as The Write to Read .

While the relationship of “writing to read” and “reading to write” represents a symbiotic one, there is a distinct difference that may help us better understand what we are teaching students.

Writing to Read

When a student is writing to read, they are using writing as a tool to truly understand the reading. Writing to read is driven by the text the student is studying.

Examples of writing to read

• Write a high-level summary to remember and consolidate the content of the reading.
• Write a claim about the reading, and use three pieces of evidence to support it.
• Respond to open-ended questions about the reading as a way to connect to or analyze the text.
• Write an essay on a book to illuminate a particular theme or provide evidence to trace tonal shifts in the piece.
• Write about the content of a particular text or texts to understand, analyze, or evaluate the text(s) at a deeper level.
• Annotate during reading to capture important terms, ideas, or content.
• Fill in graphic organizers or take notes to track the reading.
• Write in response to a prompt.
• Write an essay about a particular literary device or critical feature of the text(s).

Reading to Write

When a student is reading to write, they are using reading as a tool to improve their writing. Reading to write occurs when students first learn how to imitate their favorite authors, historians, scientists, or researchers. This is the deliberate use of mentor texts to mold a student’s writing ability.

Examples of reading to write

• Read memoirs or personal essays to prepare to write a college essay.
• Read several articles from a particular journal or newspaper to increase knowledge of stylistic expectations in preparation to write a piece for publication.
• To help relieve writer’s block, use reading to think about different ways to write.
• Read widely on a topic to consider one’s own writing approach and background knowledge.
• Review multiple texts to write for a particular purpose or on a specific topic.
• Read a lot to write more by picking out the ideas that spark thinking.
• Maintain an annotated bibliography of mentor texts that serve as a writing coach.

Moving Toward Reading to Write

The developmental progression from reader to writer is specific to each student’s experience; however, we do know that in order to strengthen their ability to write, students must continue to read more.

Reading feeds writing. When writing dries up or stalls, the best way to revitalize it is to feed your brain with more reading. Reading may be compared to eating the nutrients we need for the energy to write. Reading feeds the writer with ideas for structure, rich language, literary moves, and compelling ways to illuminate a writer’s purpose.

After filling our brain with reading, turning back to writing typically gives one the energy needed to continue. This is one reason why writing to read is so important early on, then gradually becomes just as important as reading to write. As students develop confidence and competence as readers as the content and vocabulary become much more sophisticated, they build capacity to see the text as both a reader and a writer.

There are potential benefits of looking at the writing-to-read and reading-to-write relationship as teachers continue to challenge themselves with the best way to teach students how to write. Many times at the middle and high school levels, experience with writing to read is the dominant one. If this is the case, it might be a good time to rethink instructional goals and associated assessments.

Here are some practical suggestions for how to weave the two more seamlessly so that students grow into stronger writers.

Assignments that Weave in Reading to Write

After students complete a writing-to-read activity, have them complete a second activity that asks them to use the same text as a reading-to-write activity. (Models and research on how to use mentor texts can be found in books by Allison Marchetti and Rebekah O’Dell .) The second activity may be practice captured in the writer’s notebook for the student to use as a resource to support their writing throughout the year. Some examples of such activities may include the following:

• Write a high-level summary of the text, then pick sentences from the text that use punctuation or sentence structure in a way that is powerful.
• Write a claim along with supporting evidence, then look at the text to pick out the best use of transitions.
• Annotate a book to trace character development, then pull out parts of the book that were written with vivid, descriptive language.
• Write an essay on the theme of a book, then write a reflection on the author’s craft.
• Write a response to reading to analyze the author’s line of reasoning, then break down the formal structure of the argument.

After high school, students contribute even more to society, so they need to know how to cogently express their thinking to others. Empowering students as writers requires practice, and it’s important that students understand how writing to read and reading to write serve them in markedly different ways.

Reading and Writing for Understanding

• Posted July 21, 2005
• By Sarah O'Brien Mackey

Secondary school students can benefit enormously when teachers of all subjects integrate reading and writing strategies into their instruction, according to  Harvard Graduate School of Education Lecturer Vicki Jacobs . These strategies, typical of "reading and writing to learn" and "reading and writing across the curriculum," are problem-solving activities designed to help students move from simply knowing a fact to understanding a fact's significance. Helping students make that leap — from knowing to understanding — represents the very heart of the educational enterprise.

This summary is based on Jacobs' article, " Reading, Writing, and Understanding, " which appeared in the November 2002 edition of Educational Leadership .

Reading to Learn

Jacobs explains that students learn and practice beginning reading skills through about the third grade, building their knowledge about language and letter-sound relationships and developing fluency in their reading. Around fourth grade, students must begin to use these developing reading skills to learn — to make meaning, solve problems, and understanding something new. They need to comprehend what they read through a three-stage meaning-making process.

Stage One: Prereading

It's not uncommon for a struggling secondary reader to declare, "I read last night's homework, but I don't remember anything about it (let alone understand it)!" According to Jacobs, "How successfully students remember or understand the text depends, in part, on how explicitly teachers have prepared them to read it for clearly defined purposes."

During the prereading stage, teachers prepare students for their encounter with the text. They help students organize the background knowledge and experience they will use to solve the mystery of the text. To do so, they must understand the cultural and language-based contexts students bring to their reading, their previous successes or failures with the content, and general ability to read a particular kind of text. Based on this assessment, teachers can choose strategies that will serve as effective scaffolds between the students' "given" and the "new" of the text.

Asking such questions as, "What do I already know and what do I need to know before reading?" or "What do I think this passage will be about, given the headings, graphs, or pictures?" helps students anticipate the text, make personal connections with the text, and help to promote engagement and motivation. Brainstorming and graphic organizers also serve to strengthen students' vocabulary knowledge and study skills.

Stage Two: Guided Reading

Students move on to guided reading, during which they familiarize themselves with the surface meaning of the text and then probe it for deeper meaning. Effective guided-reading activities allow students to apply their background knowledge and experience to the "new." They provide students with means to revise predictions; search for tentative answers; gather, organize, analyze, and synthesize evidence; and begin to make assertions about their new understanding. Common guided-reading activities include response journals and collaborative work on open-ended problems. During guided reading, Jacobs recommends that teachers transform the factual questions that typically appear at the end of a chapter into questions that ask how or why the facts are important.

The ability to monitor one's own reading often distinguishes effective and struggling readers. Thus, guided-reading activities should provide students with the opportunity to reflect on the reading process itself — recording in a log how their background knowledge and experience influenced their understanding of text, identifying where they may have gotten lost during reading and why, and asking any questions they have about the text. As with prereading, guided-reading activities not only enhance comprehension but also promote vocabulary knowledge and study skills.

Stage Three: Postreading

During postreading, students test their understanding of the text by comparing it with that of their classmates. In doing so, they help one another revise and strengthen their arguments while reflecting and improving on their own.

Writing to Learn

Writing is often used as a means of evaluating students' understanding of a certain topic, but it is also a powerful tool for engaging students in the act of learning itself. Writing allows students to organize their thoughts and provides a means by which students can form and extend their thinking, thus deepening understanding. Like reading-to-learn, writing can be a meaning-making process.

Research suggests that the most effective way to improve students' writing is a process called inquiry. This process allows students to define and test what they would like to write before drafting. To help students prepare their arguments, teachers guide them through the three stages of writing-based inquiry:

• Stating specific, relevant details from personal experience;
• Proposing observations or interpretations of the text; and
• Testing these assertions by predicting and countering potential opposing arguments. Through inquiry, students discover and refine something worth writing about.

Writing-to-learn activities can include freewriting (writing, without editing, what comes to mind), narrative writing (drawing on personal experience), response writing (writing thoughts on a specific issue); loop writing (writing on one idea from different perspectives) and dialogue writing (for example, with an author or a character.) "Not surprisingly," writes Jacobs, "writing-to learn activities are also known as 'writing-to-read' strategies — means by which students can engage with text in order to understand it."

Reading, writing, and understanding

The relationship among reading, writing, and understanding is clear. Students engaged in reading-to-learn will also be prepared to write well. In turn, students who are engaged in writing-to-learn will become more effective readers. Through both approaches, students will gain a better understanding of material and a greater ability to demonstrate that understanding.

Staff Development

Jacobs recommends that teachers who are considering whether to implement reading-to-learn and writing-to-learn strategies into their classroom first define their own instructional goals. If teachers decide that their goals for students' learning include "understanding," then they might ask themselves such questions as, "What strategies do I use to prepare my students to read a text?" or "How explicitly do I share with students the purpose of an assignment?" As Jacobs sees it, "Only after teachers have examined whether teaching for understanding suits their instructional goals and after they have defined their role in facilitating understanding can they consider how the principles and practices of reading-to-learn and writing-to-learn might support their instruction."

For those teachers who decide that teaching for understanding does indeed suit their instructional goals, the framework offered in Jacobs' article can help them skillfully integrate reading-to-learn and writing-to-learn strategies across their instruction.

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How to Write an Essay

Use the links below to jump directly to any section of this guide:

Essay Writing Fundamentals

How to prepare to write an essay, how to edit an essay, how to share and publish your essays, how to get essay writing help, how to find essay writing inspiration, resources for teaching essay writing.

Essays, short prose compositions on a particular theme or topic, are the bread and butter of academic life. You write them in class, for homework, and on standardized tests to show what you know. Unlike other kinds of academic writing (like the research paper) and creative writing (like short stories and poems), essays allow you to develop your original thoughts on a prompt or question. Essays come in many varieties: they can be expository (fleshing out an idea or claim), descriptive, (explaining a person, place, or thing), narrative (relating a personal experience), or persuasive (attempting to win over a reader). This guide is a collection of dozens of links about academic essay writing that we have researched, categorized, and annotated in order to help you improve your essay writing. 

Essays are different from other forms of writing; in turn, there are different kinds of essays. This section contains general resources for getting to know the essay and its variants. These resources introduce and define the essay as a genre, and will teach you what to expect from essay-based assessments.

Purdue OWL Online Writing Lab

One of the most trusted academic writing sites, Purdue OWL provides a concise introduction to the four most common types of academic essays.

"The Essay: History and Definition" (ThoughtCo)

This snappy article from ThoughtCo talks about the origins of the essay and different kinds of essays you might be asked to write. 

"What Is An Essay?" Video Lecture (Coursera)

The University of California at Irvine's free video lecture, available on Coursera, tells  you everything you need to know about the essay.

Wikipedia Article on the "Essay"

Wikipedia's article on the essay is comprehensive, providing both English-language and global perspectives on the essay form. Learn about the essay's history, forms, and styles.

"Understanding College and Academic Writing" (Aims Online Writing Lab)

This list of common academic writing assignments (including types of essay prompts) will help you know what to expect from essay-based assessments.

Before you start writing your essay, you need to figure out who you're writing for (audience), what you're writing about (topic/theme), and what you're going to say (argument and thesis). This section contains links to handouts, chapters, videos and more to help you prepare to write an essay.

How to Identify Your Audience

"Audience" (Univ. of North Carolina Writing Center)

This handout provides questions you can ask yourself to determine the audience for an academic writing assignment. It also suggests strategies for fitting your paper to your intended audience.

"Purpose, Audience, Tone, and Content" (Univ. of Minnesota Libraries)

This extensive book chapter from Writing for Success , available online through Minnesota Libraries Publishing, is followed by exercises to try out your new pre-writing skills.

"Determining Audience" (Aims Online Writing Lab)

This guide from a community college's writing center shows you how to know your audience, and how to incorporate that knowledge in your thesis statement.

"Know Your Audience" ( Paper Rater Blog)

This short blog post uses examples to show how implied audiences for essays differ. It reminds you to think of your instructor as an observer, who will know only the information you pass along.

How to Choose a Theme or Topic

"Research Tutorial: Developing Your Topic" (YouTube)

Take a look at this short video tutorial from the University of North Carolina at Chapel Hill to understand the basics of developing a writing topic.

"How to Choose a Paper Topic" (WikiHow)

This simple, step-by-step guide (with pictures!) walks you through choosing a paper topic. It starts with a detailed description of brainstorming and ends with strategies to refine your broad topic.

"How to Read an Assignment: Moving From Assignment to Topic" (Harvard College Writing Center)

Did your teacher give you a prompt or other instructions? This guide helps you understand the relationship between an essay assignment and your essay's topic.

"Guidelines for Choosing a Topic" (CliffsNotes)

This study guide from CliffsNotes both discusses how to choose a topic and makes a useful distinction between "topic" and "thesis."

How to Come Up with an Argument

"Argument" (Univ. of North Carolina Writing Center)

Not sure what "argument" means in the context of academic writing? This page from the University of North Carolina is a good place to start.

"The Essay Guide: Finding an Argument" (Study Hub)

This handout explains why it's important to have an argument when beginning your essay, and provides tools to help you choose a viable argument.

"Writing a Thesis and Making an Argument" (University of Iowa)

This page from the University of Iowa's Writing Center contains exercises through which you can develop and refine your argument and thesis statement.

"Developing a Thesis" (Harvard College Writing Center)

This page from Harvard's Writing Center collates some helpful dos and don'ts of argumentative writing, from steps in constructing a thesis to avoiding vague and confrontational thesis statements.

"Suggestions for Developing Argumentative Essays" (Berkeley Student Learning Center)

This page offers concrete suggestions for each stage of the essay writing process, from topic selection to drafting and editing. 

How to Outline your Essay

"Outlines" (Univ. of North Carolina at Chapel Hill via YouTube)

This short video tutorial from the University of North Carolina at Chapel Hill shows how to group your ideas into paragraphs or sections to begin the outlining process.

"Essay Outline" (Univ. of Washington Tacoma)

This two-page handout by a university professor simply defines the parts of an essay and then organizes them into an example outline.

"Types of Outlines and Samples" (Purdue OWL Online Writing Lab)

Purdue OWL gives examples of diverse outline strategies on this page, including the alphanumeric, full sentence, and decimal styles. 

"Outlining" (Harvard College Writing Center)

Once you have an argument, according to this handout, there are only three steps in the outline process: generalizing, ordering, and putting it all together. Then you're ready to write!

"Writing Essays" (Plymouth Univ.)

This packet, part of Plymouth University's Learning Development series, contains descriptions and diagrams relating to the outlining process.

"How to Write A Good Argumentative Essay: Logical Structure" (Criticalthinkingtutorials.com via YouTube)

This longer video tutorial gives an overview of how to structure your essay in order to support your argument or thesis. It is part of a longer course on academic writing hosted on Udemy.

Now that you've chosen and refined your topic and created an outline, use these resources to complete the writing process. Most essays contain introductions (which articulate your thesis statement), body paragraphs, and conclusions. Transitions facilitate the flow from one paragraph to the next so that support for your thesis builds throughout the essay. Sources and citations show where you got the evidence to support your thesis, which ensures that you avoid plagiarism. 

How to Write an Introduction

"Introductions" (Univ. of North Carolina Writing Center)

This page identifies the role of the introduction in any successful paper, suggests strategies for writing introductions, and warns against less effective introductions.

"How to Write A Good Introduction" (Michigan State Writing Center)

Beginning with the most common missteps in writing introductions, this guide condenses the essentials of introduction composition into seven points.

"The Introductory Paragraph" (ThoughtCo)

This blog post from academic advisor and college enrollment counselor Grace Fleming focuses on ways to grab your reader's attention at the beginning of your essay.

"Introductions and Conclusions" (Univ. of Toronto)

This guide from the University of Toronto gives advice that applies to writing both introductions and conclusions, including dos and don'ts.

"How to Write Better Essays: No One Does Introductions Properly" ( The Guardian )

This news article interviews UK professors on student essay writing; they point to introductions as the area that needs the most improvement.

How to Write a Thesis Statement

"Writing an Effective Thesis Statement" (YouTube)

This short, simple video tutorial from a college composition instructor at Tulsa Community College explains what a thesis statement is and what it does. 

"Thesis Statement: Four Steps to a Great Essay" (YouTube)

This fantastic tutorial walks you through drafting a thesis, using an essay prompt on Nathaniel Hawthorne's The Scarlet Letter as an example.

"How to Write a Thesis Statement" (WikiHow)

This step-by-step guide (with pictures!) walks you through coming up with, writing, and editing a thesis statement. It invites you think of your statement as a "working thesis" that can change.

"How to Write a Thesis Statement" (Univ. of Indiana Bloomington)

Ask yourself the questions on this page, part of Indiana Bloomington's Writing Tutorial Services, when you're writing and refining your thesis statement.

"Writing Tips: Thesis Statements" (Univ. of Illinois Center for Writing Studies)

This page gives plentiful examples of good to great thesis statements, and offers questions to ask yourself when formulating a thesis statement.

How to Write Body Paragraphs

"Body Paragraph" (Brightstorm)

This module of a free online course introduces you to the components of a body paragraph. These include the topic sentence, information, evidence, and analysis.

"Strong Body Paragraphs" (Washington Univ.)

This handout from Washington's Writing and Research Center offers in-depth descriptions of the parts of a successful body paragraph.

"Guide to Paragraph Structure" (Deakin Univ.)

This handout is notable for color-coding example body paragraphs to help you identify the functions various sentences perform.

"Writing Body Paragraphs" (Univ. of Minnesota Libraries)

The exercises in this section of Writing for Success  will help you practice writing good body paragraphs. It includes guidance on selecting primary support for your thesis.

"The Writing Process—Body Paragraphs" (Aims Online Writing Lab)

The information and exercises on this page will familiarize you with outlining and writing body paragraphs, and includes links to more information on topic sentences and transitions.

"The Five-Paragraph Essay" (ThoughtCo)

This blog post discusses body paragraphs in the context of one of the most common academic essay types in secondary schools.

How to Use Transitions

"Transitions" (Univ. of North Carolina Writing Center)

This page from the University of North Carolina at Chapel Hill explains what a transition is, and how to know if you need to improve your transitions.

"Using Transitions Effectively" (Washington Univ.)

This handout defines transitions, offers tips for using them, and contains a useful list of common transitional words and phrases grouped by function.

"Transitions" (Aims Online Writing Lab)

This page compares paragraphs without transitions to paragraphs with transitions, and in doing so shows how important these connective words and phrases are.

"Transitions in Academic Essays" (Scribbr)

This page lists four techniques that will help you make sure your reader follows your train of thought, including grouping similar information and using transition words.

"Transitions" (El Paso Community College)

This handout shows example transitions within paragraphs for context, and explains how transitions improve your essay's flow and voice.

"Make Your Paragraphs Flow to Improve Writing" (ThoughtCo)

This blog post, another from academic advisor and college enrollment counselor Grace Fleming, talks about transitions and other strategies to improve your essay's overall flow.

"Transition Words" (smartwords.org)

This handy word bank will help you find transition words when you're feeling stuck. It's grouped by the transition's function, whether that is to show agreement, opposition, condition, or consequence.

How to Write a Conclusion

"Parts of An Essay: Conclusions" (Brightstorm)

This module of a free online course explains how to conclude an academic essay. It suggests thinking about the "3Rs": return to hook, restate your thesis, and relate to the reader.

"Essay Conclusions" (Univ. of Maryland University College)

This overview of the academic essay conclusion contains helpful examples and links to further resources for writing good conclusions.

"How to End An Essay" (WikiHow)

This step-by-step guide (with pictures!) by an English Ph.D. walks you through writing a conclusion, from brainstorming to ending with a flourish.

"Ending the Essay: Conclusions" (Harvard College Writing Center)

This page collates useful strategies for writing an effective conclusion, and reminds you to "close the discussion without closing it off" to further conversation.

How to Include Sources and Citations

"Research and Citation Resources" (Purdue OWL Online Writing Lab)

Purdue OWL streamlines information about the three most common referencing styles (MLA, Chicago, and APA) and provides examples of how to cite different resources in each system.

EasyBib: Free Bibliography Generator

This online tool allows you to input information about your source and automatically generate citations in any style. Be sure to select your resource type before clicking the "cite it" button.

CitationMachine

Like EasyBib, this online tool allows you to input information about your source and automatically generate citations in any style. 

Modern Language Association Handbook (MLA)

Here, you'll find the definitive and up-to-date record of MLA referencing rules. Order through the link above, or check to see if your library has a copy.

Chicago Manual of Style

Here, you'll find the definitive and up-to-date record of Chicago referencing rules. You can take a look at the table of contents, then choose to subscribe or start a free trial.

How to Avoid Plagiarism

"What is Plagiarism?" (plagiarism.org)

This nonprofit website contains numerous resources for identifying and avoiding plagiarism, and reminds you that even common activities like copying images from another website to your own site may constitute plagiarism.

"Plagiarism" (University of Oxford)

This interactive page from the University of Oxford helps you check for plagiarism in your work, making it clear how to avoid citing another person's work without full acknowledgement.

"Avoiding Plagiarism" (MIT Comparative Media Studies)

This quick guide explains what plagiarism is, what its consequences are, and how to avoid it. It starts by defining three words—quotation, paraphrase, and summary—that all constitute citation.

"Harvard Guide to Using Sources" (Harvard Extension School)

This comprehensive website from Harvard brings together articles, videos, and handouts about referencing, citation, and plagiarism. 

Grammarly contains tons of helpful grammar and writing resources, including a free tool to automatically scan your essay to check for close affinities to published work. 

Noplag is another popular online tool that automatically scans your essay to check for signs of plagiarism. Simply copy and paste your essay into the box and click "start checking."

Once you've written your essay, you'll want to edit (improve content), proofread (check for spelling and grammar mistakes), and finalize your work until you're ready to hand it in. This section brings together tips and resources for navigating the editing process. 

"Writing a First Draft" (Academic Help)

This is an introduction to the drafting process from the site Academic Help, with tips for getting your ideas on paper before editing begins.

"Editing and Proofreading" (Univ. of North Carolina Writing Center)

This page provides general strategies for revising your writing. They've intentionally left seven errors in the handout, to give you practice in spotting them.

"How to Proofread Effectively" (ThoughtCo)

This article from ThoughtCo, along with those linked at the bottom, help describe common mistakes to check for when proofreading.

"7 Simple Edits That Make Your Writing 100% More Powerful" (SmartBlogger)

This blog post emphasizes the importance of powerful, concise language, and reminds you that even your personal writing heroes create clunky first drafts.

"Editing Tips for Effective Writing" (Univ. of Pennsylvania)

On this page from Penn's International Relations department, you'll find tips for effective prose, errors to watch out for, and reminders about formatting.

"Editing the Essay" (Harvard College Writing Center)

This article, the first of two parts, gives you applicable strategies for the editing process. It suggests reading your essay aloud, removing any jargon, and being unafraid to remove even "dazzling" sentences that don't belong.

"Guide to Editing and Proofreading" (Oxford Learning Institute)

This handout from Oxford covers the basics of editing and proofreading, and reminds you that neither task should be rushed. 

In addition to plagiarism-checkers, Grammarly has a plug-in for your web browser that checks your writing for common mistakes.

After you've prepared, written, and edited your essay, you might want to share it outside the classroom. This section alerts you to print and web opportunities to share your essays with the wider world, from online writing communities and blogs to published journals geared toward young writers.

Sharing Your Essays Online

Go Teen Writers

Go Teen Writers is an online community for writers aged 13 - 19. It was founded by Stephanie Morrill, an author of contemporary young adult novels. 

Tumblr is a blogging website where you can share your writing and interact with other writers online. It's easy to add photos, links, audio, and video components.

Writersky provides an online platform for publishing and reading other youth writers' work. Its current content is mostly devoted to fiction.

Publishing Your Essays Online

This teen literary journal publishes in print, on the web, and (more frequently), on a blog. It is committed to ensuring that "teens see their authentic experience reflected on its pages."

The Matador Review

This youth writing platform celebrates "alternative," unconventional writing. The link above will take you directly to the site's "submissions" page.

Teen Ink has a website, monthly newsprint magazine, and quarterly poetry magazine promoting the work of young writers.

The largest online reading platform, Wattpad enables you to publish your work and read others' work. Its inline commenting feature allows you to share thoughts as you read along.

Publishing Your Essays in Print

Canvas Teen Literary Journal

This quarterly literary magazine is published for young writers by young writers. They accept many kinds of writing, including essays.

The Claremont Review

This biannual international magazine, first published in 1992, publishes poetry, essays, and short stories from writers aged 13 - 19.

Skipping Stones

This young writers magazine, founded in 1988, celebrates themes relating to ecological and cultural diversity. It publishes poems, photos, articles, and stories.

The Telling Room

This nonprofit writing center based in Maine publishes children's work on their website and in book form. The link above directs you to the site's submissions page.

Essay Contests

Scholastic Arts and Writing Awards

This prestigious international writing contest for students in grades 7 - 12 has been committed to "supporting the future of creativity since 1923."

Society of Professional Journalists High School Essay Contest

An annual essay contest on the theme of journalism and media, the Society of Professional Journalists High School Essay Contest awards scholarships up to $1,000.

National YoungArts Foundation

Here, you'll find information on a government-sponsored writing competition for writers aged 15 - 18. The foundation welcomes submissions of creative nonfiction, novels, scripts, poetry, short story and spoken word.

Signet Classics Student Scholarship Essay Contest

With prompts on a different literary work each year, this competition from Signet Classics awards college scholarships up to $1,000.

"The Ultimate Guide to High School Essay Contests" (CollegeVine)

See this handy guide from CollegeVine for a list of more competitions you can enter with your academic essay, from the National Council of Teachers of English Achievement Awards to the National High School Essay Contest by the U.S. Institute of Peace.

Whether you're struggling to write academic essays or you think you're a pro, there are workshops and online tools that can help you become an even better writer. Even the most seasoned writers encounter writer's block, so be proactive and look through our curated list of resources to combat this common frustration.

Online Essay-writing Classes and Workshops

"Getting Started with Essay Writing" (Coursera)

Coursera offers lots of free, high-quality online classes taught by college professors. Here's one example, taught by instructors from the University of California Irvine.

"Writing and English" (Brightstorm)

Brightstorm's free video lectures are easy to navigate by topic. This unit on the parts of an essay features content on the essay hook, thesis, supporting evidence, and more.

"How to Write an Essay" (EdX)

EdX is another open online university course website with several two- to five-week courses on the essay. This one is geared toward English language learners.

Writer's Digest University

This renowned writers' website offers online workshops and interactive tutorials. The courses offered cover everything from how to get started through how to get published.

Writing.com

Signing up for this online writer's community gives you access to helpful resources as well as an international community of writers.

How to Overcome Writer's Block

"Symptoms and Cures for Writer's Block" (Purdue OWL)

Purdue OWL offers a list of signs you might have writer's block, along with ways to overcome it. Consider trying out some "invention strategies" or ways to curb writing anxiety.

"Overcoming Writer's Block: Three Tips" ( The Guardian )

These tips, geared toward academic writing specifically, are practical and effective. The authors advocate setting realistic goals, creating dedicated writing time, and participating in social writing.

"Writing Tips: Strategies for Overcoming Writer's Block" (Univ. of Illinois)

This page from the University of Illinois at Urbana-Champaign's Center for Writing Studies acquaints you with strategies that do and do not work to overcome writer's block.

"Writer's Block" (Univ. of Toronto)

Ask yourself the questions on this page; if the answer is "yes," try out some of the article's strategies. Each question is accompanied by at least two possible solutions.

If you have essays to write but are short on ideas, this section's links to prompts, example student essays, and celebrated essays by professional writers might help. You'll find writing prompts from a variety of sources, student essays to inspire you, and a number of essay writing collections.

Essay Writing Prompts

"50 Argumentative Essay Topics" (ThoughtCo)

Take a look at this list and the others ThoughtCo has curated for different kinds of essays. As the author notes, "a number of these topics are controversial and that's the point."

"401 Prompts for Argumentative Writing" ( New York Times )

This list (and the linked lists to persuasive and narrative writing prompts), besides being impressive in length, is put together by actual high school English teachers.

"SAT Sample Essay Prompts" (College Board)

If you're a student in the U.S., your classroom essay prompts are likely modeled on the prompts in U.S. college entrance exams. Take a look at these official examples from the SAT.

"Popular College Application Essay Topics" (Princeton Review)

This page from the Princeton Review dissects recent Common Application essay topics and discusses strategies for answering them.

Example Student Essays

"501 Writing Prompts" (DePaul Univ.)

This nearly 200-page packet, compiled by the LearningExpress Skill Builder in Focus Writing Team, is stuffed with writing prompts, example essays, and commentary.

"Topics in English" (Kibin)

Kibin is a for-pay essay help website, but its example essays (organized by topic) are available for free. You'll find essays on everything from  A Christmas Carol  to perseverance.

"Student Writing Models" (Thoughtful Learning)

Thoughtful Learning, a website that offers a variety of teaching materials, provides sample student essays on various topics and organizes them by grade level.

"Five-Paragraph Essay" (ThoughtCo)

In this blog post by a former professor of English and rhetoric, ThoughtCo brings together examples of five-paragraph essays and commentary on the form.

The Best Essay Writing Collections

The Best American Essays of the Century by Joyce Carol Oates (Amazon)

This collection of American essays spanning the twentieth century was compiled by award winning author and Princeton professor Joyce Carol Oates.

The Best American Essays 2017 by Leslie Jamison (Amazon)

Leslie Jamison, the celebrated author of essay collection  The Empathy Exams , collects recent, high-profile essays into a single volume.

The Art of the Personal Essay by Phillip Lopate (Amazon)

Documentary writer Phillip Lopate curates this historical overview of the personal essay's development, from the classical era to the present.

The White Album by Joan Didion (Amazon)

This seminal essay collection was authored by one of the most acclaimed personal essayists of all time, American journalist Joan Didion.

Consider the Lobster by David Foster Wallace (Amazon)

Read this famous essay collection by David Foster Wallace, who is known for his experimentation with the essay form. He pushed the boundaries of personal essay, reportage, and political polemic.

"50 Successful Harvard Application Essays" (Staff of the The Harvard Crimson )

If you're looking for examples of exceptional college application essays, this volume from Harvard's daily student newspaper is one of the best collections on the market.

Are you an instructor looking for the best resources for teaching essay writing? This section contains resources for developing in-class activities and student homework assignments. You'll find content from both well-known university writing centers and online writing labs.

Essay Writing Classroom Activities for Students

"In-class Writing Exercises" (Univ. of North Carolina Writing Center)

This page lists exercises related to brainstorming, organizing, drafting, and revising. It also contains suggestions for how to implement the suggested exercises.

"Teaching with Writing" (Univ. of Minnesota Center for Writing)

Instructions and encouragement for using "freewriting," one-minute papers, logbooks, and other write-to-learn activities in the classroom can be found here.

"Writing Worksheets" (Berkeley Student Learning Center)

Berkeley offers this bank of writing worksheets to use in class. They are nested under headings for "Prewriting," "Revision," "Research Papers" and more.

"Using Sources and Avoiding Plagiarism" (DePaul University)

Use these activities and worksheets from DePaul's Teaching Commons when instructing students on proper academic citation practices.

Essay Writing Homework Activities for Students

"Grammar and Punctuation Exercises" (Aims Online Writing Lab)

These five interactive online activities allow students to practice editing and proofreading. They'll hone their skills in correcting comma splices and run-ons, identifying fragments, using correct pronoun agreement, and comma usage.

"Student Interactives" (Read Write Think)

Read Write Think hosts interactive tools, games, and videos for developing writing skills. They can practice organizing and summarizing, writing poetry, and developing lines of inquiry and analysis.

This free website offers writing and grammar activities for all grade levels. The lessons are designed to be used both for large classes and smaller groups.

"Writing Activities and Lessons for Every Grade" (Education World)

Education World's page on writing activities and lessons links you to more free, online resources for learning how to "W.R.I.T.E.": write, revise, inform, think, and edit.

• PDFs for all 136 Lit Terms we cover
• Downloads of 1916 LitCharts Lit Guides
• Teacher Editions for every Lit Guide
• Explanations and citation info for 40,380 quotes across 1916 books
• Downloadable (PDF) line-by-line translations of every Shakespeare play

Need something? Request a new guide .

How can we improve? Share feedback .

LitCharts is hiring!

2a. Critical Reading

An introduction to reading in college.

While the best way to develop your skills as a writer is to actually practice by writing, practicing critical reading skills is crucial to becoming a better college writer. Careful and skilled readers develop a stronger understanding of topics, learn to better anticipate the needs of the audience, and pick up sophisticated writing “maneuvers” and strategies from professional writing. A good reading practice requires reading text and context, which you’ll learn more about in the next section. Writing a successful academic essay also begins with critical reading as you explore ideas and consider how to make use of sources to provide support for your writing.

Questions to ask as you read

If you consider yourself a particularly strong reader or want to improve your reading comprehension skills, writing out notes about a text—even if it’s in shorthand—helps you to commit the answers to memory more easily. Even if you don’t write out all these notes, answering these basic questions about any text or reading you encounter in college will help you get the most out of the time you put into your reading. It will also give you more confidence to understand and question the text while you read.

• Is there  context  provided about the author and/or essay? If so, what stands out as important?

Context in this instance means things like dates of publication, where the piece was originally published, and any biographical information about the author. All of that information will be important for developing a critical reading of the piece, so track what’s available as you read.

• If you had to guess, who is the author’s intended  audience ? Describe them in as much detail as possible.

Sometimes the author will state who the audience is, but sometimes you have to figure it out by context clues, such as those you tracked above. For instance, the audience for a writer on  Buzzfeed  is very different from the audience for a writer for the  Wall Street Journal —and both writers know that, which means they’re more effective at reaching their readers. Learning how to identify your audience is a crucial writing skill for all genres of writing.

• In your own words, what is the  question  the author is trying to answer in this piece? What seems to have caused them to write in the first place?

In nonfiction writing of the kind we read in Writing 121, writers set out to answer a question. Their thesis/main argument is usually the answer to the question, so sometimes you can “reverse engineer” the question from that. Often, the question is asked in the title of the piece.

• In your own words, what’s the author’s  main   idea or argument ? If you had to distill it down to one or two sentences, what does the author want you, the reader, to agree with?

If you’ve ever had to write a paper for a class, you’re probably familiar with a thesis or main argument. Published writers also have a thesis (or else they don’t get published!), but sometimes it can be tricky to find in a more sophisticated piece of writing. Trying to put the main argument into your own words can help.

• How many  examples  and types of  evidence  did the author provide to support the main argument? Which examples/evidence stood out to you as persuasive?

It’s never enough to just make a claim and expect people to believe it—we have to support that claim with evidence. The types of evidence and examples that will be persuasive to readers depends on the audience, though, which is why it’s important to have some idea of your readers and their expectations.

• Did the author raise any  points of skepticism  (also known as counterarguments)? Can you identify exactly what page or paragraph where the author does this?

As we’ll see later when the writing process, respectfully engaging with points of skepticism and counterarguments builds trust with the reader because it shows that the writer has thought about the issue from multiple perspectives before arriving at the main argument. Raising a counterargument is not enough, though. Pay careful attention to how the writer responds to that counterargument—is it an effective and persuasive response?  If not, perhaps the counterargument has more merit for you than the author’s main argument.

• In your own words, how does the essay  conclude ? What does the author “want” from us, the readers?

A conclusion usually offers a brief summary of the main argument and some kind of “what’s next?” appeal from the writer to the audience. The “what’s next?” appeal can take many forms, but it’s usually a question for readers to ponder, actions the author thinks people should take, or areas related to the main topic that need more investigation or research. When you read the conclusion, ask yourself, “What does the author want from me now that I’ve read their essay?”

Reading Like Writers: Critical Reading

Reading as a creative act.

“The theory of books is noble. The scholar of the first age received into him the world around; brooded thereon; gave it the new arrangement of his own mind, and uttered it again. It came into him life; it went out from him truth. It came to him short-lived actions; it went out from him immortal thoughts. It came to him business; it went from him poetry. It was dead fact; now, it is quick thought. It can stand, and it can go. It now endures, it now flies, it now inspires. Precisely in proportion to the depth of mind from which it issued, so high does it soar, so long does it sing.” ~Ralph Waldo Emerson, “The American Scholar”

• Consider the  discourse community  when you read and write in your college classes
• Analyze any reading for  text and context
• Read like a writer so you can write for your readers

By the end of this lesson, you’ll be able to apply the concept of  discourse community  to honing your college-level critical reading skills.

Good writers are good readers, so let’s start there. When you can confidently identify the  audience, context, and purpose of a text —position it within its discourse community—you’ll be a stronger, savvier reader.

Strong, savvy readers are more effective writers because they consider their own audience, context, and purpose when they write and communicate, which makes their writing clearer and to the point.

So the goal of this lesson is to help you read like a writer!

The Savvy Reader

Good writers are good readers! And good readers. . .

• get to know the author
• get to know the author’s community + audience
• accurately summarize the author’s argument
• look up terms you don’t know
• “listen” respectfully to the author’s point of view
• have a sense of the larger conversation
• think about other issues related to the conversation
• put it in current context
• analyze and assess the author’s reasoning, evidence, and assumptions

Why read critically?  While the best way to develop your skills as a writer is to actually practice by writing, practicing critical reading skills is crucial to becoming a better writer. Careful and skilled readers develop a stronger understanding of topics, learn to better anticipate the needs of the audience, and pick up writing “maneuvers” and strategies from professional writing.

Reading Like Writers

How do you read like a writer?  When you read like a writer, you are practicing deeper reading comprehension. In order to understand a text, you are reading not just what’s  in  it but what’s  around  it, too: text and context.

Practice: Reading Like Writers

In-class discussion : Advertisements are helpful for practicing reading like writers because advertisers make deliberate choices with text and images based on audience (target consumer), context (where they are reaching them), and purpose (buy this product).

• But I’m not trying to sell a product! How can I use my newfound understanding of audience, context, and purpose to improve my writing?

It’s true! You aren’t selling a product. You aren’t (I hope) trying to manipulate your audience. You aren’t relying on discriminatory assumptions or stereotypes to appeal to your audience. But when you write, let’s say, an essay, you are asking readers to “buy into” your point of view. The goal doesn’t have to be for them to agree with you; it can be for your readers to respectfully consider, understand, or sympathize with your point of view or analysis of an issue.  The point is you’re thinking of your reader when you write, and that will make your writing process smoother and your writing clearer.

Writing for Your Readers

When you write for your readers, you. . .

• Learn from your reading and communication experience:  What makes texts work? How are ideas conveyed clearly?
• Analyze the writing situation:  What are the goals and purpose for a writing project? Who is your audience?
• Explore and play as you draft:  What are different ways to respond? Can you use a better word or phrase?
• Consider your audience:  What might a reader expect to see? What does your reader need to understand your point of view? What questions might a reader have?

Writing as a process of inquiry

Just as you want your readers to take you seriously, you want to approach texts with an open and curious mind. Whatever the topic, it was important enough for this person to want to write on it. While we don’t have to agree with the point someone is making, we can respect their opinion and appreciate reading a different perspective.

Approach reading and writing in college in a learning zone.  Be open, be curious, ask questions, seek answers. Share, stretch, experiment.

Guides and Worksheets

• Use this guide for any of your college reading!
• Learn a basic study skill–annotating or taking notes on your readings

Critical Reading Guide: Text + Context

Title of the text:                                                                                  Author:

Reading the text: Comprehension

Main idea . In one sentence, summarize the main point or argument of the text.

Claim . Identify one claim in the text.

Key points . Paraphrase a key point, example, or passage that interested you.

Evidence . In your own words, describe 1-2 compelling examples or pieces of evidence that support the point/argument of the text.

Conclusion . What is the ultimate takeaway the text gives us on the topic/issue?

Personal experience . What is your experience of the topic? Have you had problems related to it?

Vocabulary . What is a word or phrase in the text you didn’t know? Look it up. What does it mean?

Inquiry . What is one thing you need more information about? Or, what is one question you have about the content of the text?

Reading for context: Rhetorical analysis

The author . Do an internet search on the author. What did you find out?

Ethos . Do you trust the author on the topic/issue? Why or why not?

Container . When and where was the text first published? Who will read/see it?

Audience . How does the author address or appeal to their readers? What tone does the author use in the text?

Bias . What knowledge, values, or beliefs does the author assume the reader shares?

Types of evidence . What types of evidence does the author use? Types of evidence include facts, examples, statistics, statements by authorities (references to or quotes from other sources), interviews, observations, logical reasoning, and personal experience

Structure . How does the author organize the text?

Purpose . What question does the author seek to answer in the text? In other words, why do you think they wrote this piece?

Mark-up Assignment: The Savvy Reader Practice

The object is to fill the empty space of the margins with your thoughts and questions to the text. By reading sympathetically (reading to understand what the writer is saying) and critically (reading to analyze and critique what the writer is saying), you are reading mindfully and creatively. You are finding those passages that you are drawn to, asking questions that you have, and beginning to develop your reaction, response, and ideas about a topic or issue. It’s a useful tool in the “getting started” phase of the writing process. Learning how to read effectively will be an invaluable skill in your college career and beyond because it means engaging in a task actively rather than passively.

Choose 1-2 paragraphs from READING X to fully annotate. This passage should be one that interests you, i.e. seems important, confusing, and/or prompted agreement, disagreement, or questions for you.

• Circle any word you think is crucial for the passage, including ones you cannot easily define.
• Underline phrases or images you think crucial for the meaning of the passage/essay.
• Put a bracket around ideas or assertions you find puzzling or questionable.
• Then write notes around the margins of the passage defining these terms, identifying the important ideas, or raising questions with the bracketed phrases. For each item you have circled, underlined, or bracketed, there should be a margin note. For this assignment, your margin notes should be substantive: they should meaty statements and full questions.

Photocopy or clear, legible photograph of paragraphs with your annotations or type up the paragraphs and annotate.

Writing as Inquiry Copyright © 2021 by Kara Clevinger and Stephen Rust is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Course info.

• Dr. Rebecca Blevins Faery

Departments

• Comparative Media Studies/Writing

As Taught In

• Academic Writing
• Creative Writing
• Nonfiction Prose

Learning Resource Types

Writing and reading the essay, course meeting times.

Lectures: 2 sessions / week, 1.5 hours / session

Description

This is a course focused on the literary genre of the essay , that wide-ranging, elastic, and currently very popular form that attracts not only nonfiction writers but also fiction writers, poets, scientists, physicians, and others to write in the form, and readers of every stripe to read it. Some say we are living in era in which the essay is enjoying a renaissance; certainly essays, both short and long, are at present easier to get published than are short stories or novels, and essays are featured regularly and prominently in the mainstream press (both magazines and newspapers) and on the New York Times bestseller books list. But the essay has a history, too, a long one, which goes back at least to the sixteenth-century French writer Montaigne, generally considered the progenitor of the form. It will be our task, and I hope our pleasure, to investigate the possibilities of the essay together this semester, both by reading and by writing. We’ll begin with a brief consideration of its history and then will proceed to see what some critics and practitioners of the essay have had to say about it in an effort to outline its parameters. And we will read a great many essays - classic ones by writers living and dead, as well as ones hot off the press. This reading will, I hope, inspire you in the task of writing essays of your own, which will be the central element of our work together. Writing, after all, emerges from writing - that is, we become able writers both by writing ourselves and by reading and reflecting on the writing others have done. Reading what other writers have written, along with the frequent practice of writing, is what inspires us to write and helps us have something to say.

I have ordered two anthologies of essays for the course:

Klaus, Carl, Chris Anderson, and Rebecca Blevins Faery. In Depth: Essayists for Our Time . 2nd ed. Boston, MA: Heinle, 1993. ISBN: 9780155001725.

Menard, Louis, and Robert Atwan, eds. The Best American Essays 2004 . Boston, MA: Houghton Mifflin, 2004. ISBN: 9780618357093.

I will frequently supplement the selections in the anthologies and handouts of other essays, as opportunity or inspiration arises. You will also need a good handbook. I’ve ordered:

Lunsford, Andrea. Easy Writer . 2nd ed. New York, NY: Bedford Books, 2001. ISBN: 0312400551.

But if you have another favorite, you’re welcome to use it; just check with me first to be sure it’s a good choice. The Mayfield Handbook of Technical and Scientific Writing , written by MIT writing professors and available to you online via the Writing Center Web site, contains most of the information you will need for reference. And please do have ready access to a good dictionary.

One of the primary texts for our course will be the essays all of you write and what all of us have to say about them in workshops. Class workshops, in which we will respond to and learn from the writing done by everyone in the class, will occupy much of our class time. Your purpose in these workshops will be to support each other’s work in progress by offering careful, thoughtful, and serious responses as readers, pointing out what you see as the writer’s successes and offering constructive suggestions for improving the work. The essays you submit to the workshops will be understood to be work in progress; you will use the responses of readers (including me) to revise, refine, and polish your work before submitting a final version.

Course Requirements

Writing successfully depends to a great degree upon your ability to read with scrupulous care, attention, and insight. Careful reading of all assigned material, including workshop submissions by other students in the class, will be one of the foundations of your work for the course. Because the assigned essays are usually pretty short, I expect you to read them at least twice through. You will be expected to have completed all assigned reading on the day a text is discussed in class, and brief in-class writing to prepare for discussion will help you stay disciplined about getting the reading done. For workshops, you must prepare by reading the submission carefully and writing a response to the writer. We’ll discuss together how we’ll do this, in online forums or in hard copy. Other occasional brief and informal in-class writing will help you stay disciplined about getting the reading done on time. In addition, as part of the Communication Intensive designation for this class, you will have opportunities to develop your oral presentation skills: you will make one major oral presentation to the class; you will be expected to take an active part in class discussion; and you will be responsible for leading class discussion of assigned reading on at least one occasion.

To help you engage more deeply with the reading you do, you will keep a Reader’s Notebook - a place for you to write informally to explore the reading, raise questions, follow up on implications, record your responses. Most of the notebook writing will be done outside of class, but our occasional in-class writing will also be part of your notebook. I will expect about three-quarters to a page or so of typewritten response to each essay - informal, speculative, reflective of careful reading, and written in a spirit of questioning and exploration. For further explanation of my expectations of your notebook writing, see the Reader’s Notebook handout I will give you. I will collect notebooks at random, a few at a time, so please always bring your notebook to class with you . My hope is that the notebook writing will deepen and enrich both the reading and writing you’ll do in the weeks ahead.

The more public writing you will do - that is, the writing that is aimed at a public audience - will be essays that you will submit on a regular basis throughout the semester, five in all, of roughly 6-7 typewritten pages each (though one will be slightly longer). You will collect this writing, along with your Reader’s Notebook, in a portfolio of at least 25 pages of revised and polished writing submitted at the end of the semester. (The portfolio is in lieu of a final examination.) You will choose submission dates from a list I will give you. I will occasionally place some constraints or requirements on your writing; within the parameters of the assignment, though, you will be free to choose what you want to write about. I will, of course, be happy to help you find a subject if you need that help. All your essays in their first incarnation will be discussed in class workshops with other members of the class, and you will receive response from me as well. You are also welcome to meet with me in conference to discuss revision possibilities in addition to the individual conferences I will initiate from time to time. You must submit a revision of each essay to me by the end of the week following your work’s being discussed in workshop. I will give you additional response on your revision, which you may use to guide optional final revisions for your portfolio.

All the work you submit during the semester must be your original work, and none of it may have been submitted to meet the requirements in any other class . Plagiarism or re-submitting work will result in withdrawal and an F in the course.

Our schedule is tight, so all written work must be handed in on time . No exceptions , unless for real and serious emergencies, in which case you should get in touch with me at once. Extensions for emergencies will be granted only once per student per semester .

Your responsibility in the class is to be not only a writer, but also a reader and responder for other members of the class community. It is essential, then, that you attend class faithfully and come to each class fully prepared to participate in discussions of assigned reading and in writing workshops . Lateness for class, if extreme or chronic, will be counted as an absence . You must notify me as soon as possible when a real and serious emergency keeps you from attending class. More than three unexcused absences will result in your course grade being lowered; more than five absences will result in your receiving a failing grade . Missing class on a day when your work is up for workshop discussion will count as two absences . So don’t take casual cuts , and come to class faithfully and on time and prepared to participate fully in class activities.

I will evaluate your work by responding as carefully and thoughtfully as I can to all the writing you do for the class, but I will not grade individual pieces of writing. At the end of the semester, you will submit to me a portfolio containing all the writing you have done for the course, including at least 25 pages of revised and polished essays and your Reader’s Notebook, so that I can assign you a grade for the semester. In deciding on semester grades, I will consider, most importantly, the overall quality of the written work you submit in your portfolio, but also the degree and consistency of your effort throughout the semester, the success you demonstrate in revising your work, how actively you participated in class discussion and workshops, the quality of your oral presentation and classroom contributions, and how well you served as a reader and responder for other writers in the class. The primary determinant of your grade, of course, will be the quality of your writing. I promise to let you know at once if your performance falls to the level of C or below, and I will be happy to talk with you at any time about your work and your progress in the course.

All required work (assignments and assigned revisions, notebook and in-class writing, reading assignments) must be completed satisfactorily in order to receive a passing grade for the course .

A friend of mine once characterized her work as a scientist as “serious play.” The phrase has stuck with me. “Serious play,” I think, should be both challenging and inviting, and it should command our enthusiasm, attention, and commitment. The phrase characterizes the spirit in which I hope we will enter into our study and practice of the essay this semester. We will work very hard together, I promise, but I hope we will enjoy ourselves too - I’m a firm believer that people learn best when they do. I’m always open to questions and suggestions; I promise to listen attentively and to treat you and your work with seriousness and respect; and I look forward to our learning from and with each other and to a pleasant and productive semester.

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Reading is Good Habit for Students and Children

 500+ words essay on reading is good habit.

Reading is a very good habit that one needs to develop in life. Good books can inform you, enlighten you and lead you in the right direction. There is no better companion than a good book. Reading is important because it is good for your overall well-being. Once you start reading, you experience a whole new world. When you start loving the habit of reading you eventually get addicted to it. Reading develops language skills and vocabulary. Reading books is also a way to relax and reduce stress. It is important to read a good book at least for a few minutes each day to stretch the brain muscles for healthy functioning.

Benefits of Reading

Books really are your best friends as you can rely on them when you are bored, upset, depressed, lonely or annoyed. They will accompany you anytime you want them and enhance your mood. They share with you information and knowledge any time you need. Good books always guide you to the correct path in life. Following are the benefits of reading –

Self Improvement: Reading helps you develop positive thinking. Reading is important because it develops your mind and gives you excessive knowledge and lessons of life. It helps you understand the world around you better. It keeps your mind active and enhances your creative ability.

Communication Skills: Reading improves your vocabulary and develops your communication skills. It helps you learn how to use your language creatively. Not only does it improve your communication but it also makes you a better writer. Good communication is important in every aspect of life.

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Increases Knowledge: Books enable you to have a glimpse into cultures, traditions, arts, history, geography, health, psychology and several other subjects and aspects of life. You get an amazing amount of knowledge and information from books.

Reduces Stress: Reading a good book takes you in a new world and helps you relieve your day to day stress. It has several positive effects on your mind, body, and soul. It stimulates your brain muscles and keeps your brain healthy and strong.

Great Pleasure: When I read a book, I read it for pleasure. I just indulge myself in reading and experience a whole new world. Once I start reading a book I get so captivated I never want to leave it until I finish. It always gives a lot of pleasure to read a good book and cherish it for a lifetime.

Boosts your Imagination and Creativity: Reading takes you to the world of imagination and enhances your creativity. Reading helps you explore life from different perspectives. While you read books you are building new and creative thoughts, images and opinions in your mind. It makes you think creatively, fantasize and use your imagination.

Develops your Analytical Skills: By active reading, you explore several aspects of life. It involves questioning what you read. It helps you develop your thoughts and express your opinions. New ideas and thoughts pop up in your mind by active reading. It stimulates and develops your brain and gives you a new perspective.

Reduces Boredom: Journeys for long hours or a long vacation from work can be pretty boring in spite of all the social sites. Books come in handy and release you from boredom.

Read Different Stages of Reading here.

The habit of reading is one of the best qualities that a person can possess. Books are known to be your best friend for a reason. So it is very important to develop a good reading habit. We must all read on a daily basis for at least 30 minutes to enjoy the sweet fruits of reading. It is a great pleasure to sit in a quiet place and enjoy reading. Reading a good book is the most enjoyable experience one can have.

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Classroom Q&A

With larry ferlazzo.

In this EdWeek blog, an experiment in knowledge-gathering, Ferlazzo will address readers’ questions on classroom management, ELL instruction, lesson planning, and other issues facing teachers. Send your questions to [email protected]. Read more from this blog.

‘Writing Directly Benefits Students’ Reading Skills’

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All of us obviously want to help our students become better writers. But are there ways we can “double-dip,” too—in other words, help them improve their writing AND also use writing instruction to improve reading skills?

We’ll explore that question today with Tony Zani, Mary Tedrow, Mary Beth Nicklaus, Colleen Cruz, and Pam Allyn. You can listen to a 10-minute conversation I had with Tony, Mary, and Mary Beth on my BAM! Radio Show . You can also find a list of, and links to, previous shows here.

Giving kids the ‘write stuff’ makes them better readers

Tony Zani is a literacy coach in the Salt Lake City school district. He has a bachelor’s degree in elementary education and a master’s degree in instructional leadership. Tony is a national-board-certified teacher with a specialization in early-childhood education:

Writing is often the overlooked content area. After the National Reading Panel left it out and No Child Left Behind focused on reading achievement, there seemed to be a decline in teaching writing. After the Common Core State Standards came out, there was an increase in writing instruction. But, if your state is like mine, writing is only tested in a few grades. So, guess what? Those are the grades when writing is taught like crazy. In other grades, it often becomes a nice thing “if there’s time.” There’s rarely time.

This mentality is prevalent because every level of the education system focuses on making sure students do well on end-of-year, high-stakes assessments. Jobs are at stake. Money from the government is at stake. Heaven forbid your school does so poorly that an outside group comes in to help you “turnaround.”

Never fear, though. Writing directly benefits students’ reading skills. For example, if you have students write about what they’ve read or learned (for nearly any content or age), you’ll dramatically improve reading comprehension. Students are often forced to reread and think more deeply about what they’ve read. When students have to consider a controversial question and use texts they’ve read to defend their point of view, reading comprehension is off the charts. In our school, we’ve emphasized writing about what we read. It took about two years for most teachers, and students, to really embrace the concept. It was about that time that our end-of-year reading scores had a huge jump. Our highly impacted Title I school made enormous growth just because students were better at thinking about what they read.

Writing also improves students’ reading fluency. When students have to stop and think about what spelling patterns to use when they write, they are making a deeper connection in their brains about sound and spelling patterns. This deeper connection makes it easier, and faster, for students to recall those same patterns when they read. Written language is literally a secret code that someone made up to represent spoken sounds. The more students think about and practice the code in written form, the better they will be at understanding the same code in writing. Again, in our high-needs school, we saw students’ scores on tests like DIBELS and our end-of-level test rise dramatically. Fluent readers more deeply understand that code.

Writing also improves reading comprehension as students get better at formatting their writing. When students write argumentative essays, they learn how authors often lay out their arguments and evidence. This, in turn, gives students a framework for reading others’ argumentative writing. Having a framework in your mind helps you fill in the blanks and improves comprehension. When students write narrative pieces, they develop an understanding of how authors typically lay out character development, setting, plot, problems, turning points, and resolutions. Again, students have a framework to build upon when they read others’ narrative texts. In a bit of irony, our school focused on writing informative and argumentative pieces—those are emphasized in the common core, right? Our students had very high scores when reading informational texts. However, students scored lower when reading literature. Reading literature was a strength for most other schools. Writing in all genres is important. Don’t lose that balance!

Writing is a critical communication skill. Universities and employers frequently complain that writing is an underdeveloped skill. It’s no wonder, when we have an education system that often relegates writing to the land of “I wish we had time” and “That’s not on the test.” What a tragedy. Teaching students to be effective writers is important by itself. However, writing also provides big gains in reading comprehension and reading fluency.

‘Reading is the inhale; writing is the exhale’

Mary K. Tedrow, an award-winning high school English teacher, now serves as the director of the Shenandoah Valley Writing Project. Her book, Write, Think, Learn: Tapping the Power of Daily Student Writing Across the Content Area is available through Routledge:

Writing and reading are intricately intertwined. One is the inverse of the other: Reading is the inhale; writing is the exhale. They depend on each other, and when we find time to practice both, the students are the winners.

In the earliest readers, writing is a natural way to ingest and experiment with a growing knowledge of letters and their function in symbolizing the sounds we speak. Encouraging students to write, even before they know all the rules, builds a deeper understanding of how reading works. In kindergarten, the inventive spelling students employ to compose early writings allows children to represent on the page what they are hearing in the world. Children more clearly understand the letter/sound relationship as they compose thoughts and stories in writing. Recent research has revealed that students who are given latitude to use inventive spelling become better readers (Oulette & Senechall, 2017).

But the interplay between writing and reading goes well beyond just learning to read. When students are asked to write for their own purposes, they intuitively understand the choices authors make as they create a work that moves a reader.

Teachers who have students writing authentically—that is, the way real writers write—can interrupt the process and teach craft lessons. Show students how to develop several good beginnings and ask them to choose the one which serves their purpose best. Show how to incorporate the senses in description, how to move a plot forward through dialogue, how to manipulate sentences for punch and clarity.

All of these writing skills are the inside/out version of analyzing writing by others. When we analyze the books, poetry, and essays we read, we are simply describing the choices an author made on their road to composing a piece. When students are heavily involved in creating those pieces themselves, they will more easily see what authors are doing and understand the messiness required in producing effective communication. Writing brings the author and his or her skill to life.

Students who write are better, more observant, and appreciative readers in general. And students who read are better, more competent writers. Be sure your students have the chance to breathe in and out throughout the day.

Ouellette, G., & Sénéchal, M. (2017). Invented spelling in kindergarten as a predictor of reading and spelling in Grade 1: A new pathway to literacy, or just the same road, less known? Developmental Psychology, 53 (1), 77-88. http://dx.doi.org/10.1037/dev0000179

‘Lure’ students into reading through working with their writing

Mary Beth Nicklaus is a secondary-level teacher and literacy specialist for the Wisconsin Rapids public schools in Wisconsin:

I have found it possible to lure secondary-level students into the reading world through working with their writing. I work with 6-9th grade struggling readers as a reading specialist and literacy coach. By the time they are referred to me, they have not been reading for years—which accounts for much of their struggle. When we teachers work through the power of written self-expression with and for these students, we can also tinker with content-specific academic vocabulary, text structure, and mechanics of writing. We can also prime and build basic reading and comprehension skills. Even researchers have found that use of reading-response writing, explicitly teaching writing process, and engaging students in wide writing practice enhances basic reading skills and comprehension in K-12 readers. Here are some strategies I have found to be successful working with secondary-level students based on the aforementioned three areas:

• Create reading-response writing opportunities focusing on opinions and feelings of the reader. By the time they are in 6th grade, most students want to share information about interests and opinions. How can we connect that interest into reader response? To begin with, we don’t always have to work with published text. We can create our own texts in the classroom. We teachers can start the process by writing a letter to students sharing some general information and interests. The teacher then guides the students to write a letter back to them with similar information. This experience encourages students to begin sharing and expressing themselves in writing. Get into the habit of crafting student-writing response assignments for which we are asking about students’ feelings and opinions regarding classroom reading—even soliciting poetry writing if that genre works best for some students. Students may also find starting with a salutation hailing a specific audience helps them focus their thoughts in their writing. “Dear teacher/class/partner, I think that ____.” They can also focus on sharing their writing with a partner or small group.
• Teach the writing process relative to classroom text. Teach students a few writing structures to clearly communicate thoughts and ideas. Teach the main structures of the text you use in your content—be it narrative or expository structures. Let’s say we want to teach students to compare and contrast within a classroom text on the running of restaurants. We might use a Venn Diagram graphic organizer to compare and contrast the information about restaurant operation with them on the smartboard. Allow the class to help fill in information. Then together, flesh out a comparison-contrast response with a question like, “Based on our reading today, what might be a more difficult restaurant to run, Culver’s or Buffalo Wild Wings?” Use a template to gather student input to flesh out a response. Teach students to support viewpoints with evidence from the text and show them a specific way you will always want them to use to cite evidence. Allow the class to help design or co-create a rubric for evaluating writing, which will help students internalize the elements of the specific writing. Steer the strategy to a similar text where you might use the same kind of structure and response.
• Engage in wide practice of written response: Continuing both “big” and “little” writing in our classes, based on the structures and types of texts we teach, can increase reading comprehension. Working on mechanics of writing improves basic reading skills like fluency and word recognition. In addition, continue to practice reading, writing, and reflecting and sharing in whole-group, small-group, and partner contexts. Have students create “Why?” questions to inquire about text. Supply sentence stems to help students focus their text response with their writing such as, “I think ___________ did what he did because in the story_______.” Make it a habit of requiring written response in the form of exit response slips where students within a limit of 3-5 minutes, quickly write a response to an inquiry regarding what they learned through the reading. Wide practice of writing helps students’ classroom reading become second nature, and it helps prune their focus on text.

I know the strategies I have elaborated upon work, because my students made enormous, lasting gains in their reading through focusing on writing. Also, the gains secondary-level students can make through focusing on feelings and opinions in their reading-response writing foster livelier conversations during classroom discussion. Students’ overall gains even show students that content texts across the curriculum can pique their interests outside of the classroom. It’s a win-win all around!

Having students annotate their writing with the Strategies they use

Colleen Cruz is the author of several titles for teachers, including The Unstoppable Writing Teacher , as well as the author of the young-adult novel, Border Crossing , a Tomás Rivera Mexican American Children’s Book Award Finalist. She was a classroom teacher in general education and inclusive settings before joining the Teachers College Reading and Writing Project, where as the director of innovation, she shares her passion for accessibility, 21st-century learning, and social justice. Most recently, Colleen authored Writers Read Better: Nonfiction (July 2018) and Writers Read Better: Narrative published by Corwin:

As an educator who works with teachers and students in grades 2 through 8, I find that I often look at the practices of primary-grade teachers and wish we upper-grade folks borrowed more heavily from them. Whether it be a focus on individual development, an emphasis on play, or just an overarching focus on the whole child, there are pedagogical treasures we need to bring more to our big-kid classrooms. At present, the most pressing for me is the desire to use writing to support reading instruction more often.

Every kindergarten and 1st grade teacher I know asks students to write as soon as they enter the classroom. This is long before students know the entire alphabet or how to read any words. In fact, most of us who have had little ones at home can attest to how often kids pick up a marker or crayon and write their names, strings of letters, or familiar words. Our youngest learners often produce words before they consume them. And when they do that, they are setting themselves up for success as readers because they learn early on, if they can write their name they can read it. If they can write any word, they can read it.

Also, many of us grew up as educators with the knowledge that reading supports writing. I first learned how this conventional wisdom applies to children’s writing from Katie Ray and her seminal book Wondrous Words. So, it should not be all that revolutionary to discover that those early-writing and -reading connections still apply when students move into more complex reading.

Yes, they might have moved past simple decoding and literal comprehension work. But the role of writing and reading reciprocity still applies. For every comprehension move a reader makes, there is an author on the other side of the desk. If a young reader is also a writer, they will be well-positioned to see the mirror moves they have made as a writer in the texts they are reading by other authors. Studies have shown this, of course (Graves, Calkins, Chew, Graham & Hebert to name a few). But in my work with young readers and writers I have seen time and again that if something is challenging to a reader, one of the most accessible paths to overcoming that challenge is through writing. It’s a transferable understanding that can last a lifetime: Show students that every reading skill has a reciprocal writing skill, and if they have written something like it, they are able to read it well, too.

One of my favorite ways to do this is to ask students to annotate their writing with the strategies they tried as writers and the reasons why. For example, “I used show-don’t-tell in this paragraph to help make a picture in my reader’s mind.” I then ask them to read a book of their choice with their own writing nearby. When they come to a spot in the text they find challenging, they can look back to their own writing to see if they made a similar move and why. A few common writing/reading reciprocal moves I teach students include:

• Show-not-tell in writing helps readers to infer in reading.
• Plotting in writing helps readers to make predictions in reading.
• Developing objects as symbols in writing helps readers interpret symbols in reading.
• Defining a word in writing helps readers to understand the meaning of an unknown word.

There are, of course, countless more.

We know the power of modeling. And I believe for many years, rightly so, we have taught students how to mine the power of the published word for ideas for their own writing. For many of us, it’s time to try to teach the power of modeling by asking students to look at their own writing as their mentor for their reading lives. I am hard-pressed to think of more empowering reading work.

Writing ‘is a powerful lever for helping our students learn to read profoundly’

Pam Allyn, senior vice president, innovation & development, Scholastic Education, is a leading literacy expert, author, and motivational speaker. In 2007, she founded LitWorld, a global literacy organization serving children across the United States and in more than 60 countries, pioneering initiatives including the summer reading program LitCamp and World Read Aloud Day:

Writing and reading are not just two sides of the same coin; they are profoundly related and entwined. I have often said that reading is like breathing in, and writing is like breathing out—the child is taking new breaths in this new world, feeling her power and her potential.

Surrounding our children in the sounds of language from literary and informational text is crucial to their understanding of language. The child who is read aloud to multiple times per day, week, month, and year is already realizing the sound and feel of language. Then, too, the child who is given the opportunity to put her first marks on the page is already beginning to make meaning in the world. When reading a book, she sees it as something constructed from a world she already knows because her scribbles connect to those of others and give her the powerful idea that she has a voice.

Writing early and constantly, in and out of school, is a powerful lever for helping our students learn to read profoundly. Here are five ways writing supports reading and vice versa:

1. Building a deep sense of the beauty of grammar, sound, and vocabulary

The student who writes becomes alert to the structure of sentences, the rhythm of multiple words together, and words that surprise. Because our students are using the tools of language to build their own stories, they are awake to the qualities of texts. When students share works by authors such as Jacqueline Woodson or Naomi Nye, they’re astounded and try to emulate them in their own writing.

2. Understanding the purpose of and use of genres

Students who write quickly learn the necessity of genre. My 1st graders were writing informational texts and choosing their own topics. One wrote about nursing homes because that’s where her grandpa was. Later, I saw her scouring a book with a glossary in it. She explained, “I want to add a glossary to my story. My readers might need to know some of the big words I use to describe where my grandpa lives.” Genre is already embedded within her at the age of 6.

3. Recognizing the power of writing to connect us

Students who write understand that by telling their stories, they’re making their thoughts permanent, which leads to a hearty respect for the text, the authors who write them, and the uses we make of them. When our student writers are finishing works to put into the classroom library, they have an opportunity to see themselves side by side with published works, which feels celebratory. Writing, theirs and others, inspires and connects them.

4. Becoming aware of the ways writing can change someone’s mind or change the world

Even the smallest writer has big ideas. My 2nd grade class once wrote letters to the entire neighborhood inviting them to come see our play. People young and old came, and students saw how they could change their communities with the power of their own words. So, when they read, they consider all the ways writers can change people.

5. Knowing and deepening one’s own writing and the voice of an author

The student who writes is building confidence, courage, and a sense of self. She is learning how to evoke emotion, keep someone in suspense, and persuade while developing her own voice, which will serve her in the future whether she’s writing a narrative or an email. When she turns to her reading, she is now more aware of the author’s voice and knows the risks the author takes. She is one herself.

Thanks to Tony, Mary, Mary Beth, Colleen, and Pam for their contributions.

(This is the first post in a two-part series)

The new question-of-the-week is:

In what ways can writing support reading instruction?

Consider contributing a question to be answered in a future post. You can send one to me at [email protected] . When you send it in, let me know if I can use your real name if it’s selected or if you’d prefer remaining anonymous and have a pseudonym in mind.

You can also contact me on Twitter at @Larryferlazzo .

Education Week has published a collection of posts from this blog, along with new material, in an e-book form. It’s titled Classroom Management Q&As: Expert Strategies for Teaching .

If you missed any of the highlights from the first eight years of this blog, you can see a categorized list below.

• This Year’s Most Popular Q&A Posts
• Race & Gender Challenges
• Classroom-Management Advice
• Best Ways to Begin the School Year
• Best Ways to End the School Year
• Implementing the Common Core
• Student Motivation & Social-Emotional Learning
• Teaching Social Studies
• Cooperative & Collaborative Learning
• Using Tech in the Classroom
• Parent Engagement in Schools
• Teaching English-Language Learners
• Reading Instruction
• Writing Instruction
• Education Policy Issues
• Differentiating Instruction
• Math Instruction
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• Advice for New Teachers
• Author Interviews
• Entering the Teaching Profession
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• Instructional Strategies
• Best of Classroom Q&A
• Professional Collaboration
• Classroom Organization
• Mistakes in Education
• Project-Based Learning

I am also creating a Twitter list including all contributors to this column .

Look for Part Two in a few days.

The opinions expressed in Classroom Q&A With Larry Ferlazzo are strictly those of the author(s) and do not reflect the opinions or endorsement of Editorial Projects in Education, or any of its publications.

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The Relationship between Reading and Writing: An Overview

From talking to writing: teaching oral, reading, and writing skills simultaneously through understanding the relationship between reading and writing.

Spoken language mastery is essential for reading and writing. Some of the most influential cognitive abilities that provide a foundation for speaking, reading and writing are: attention , verbal working memory, executive functioning and processing speed . These cognitive abilities are closely related and share common functions.  For example, students need to pay sustained attention to speech sounds as well as recognize and manipulate speech sounds in words.  Learners demonstrate this ability in reading while decoding words whereas in writing, this ability is revealed through spelling.  Another example is verbal working memory .  This cognitive skill is limited to the amount of material working memory can hold and in the length of time the manipulation of language can be expressed. When students are reading text, they often hold a completed sentence in working memory and then reread the preceding sentence to enhance their understanding.  During writing while composing phrases, sentences and paragraphs, writers are using verbal working memory.  A third cognitive ability is executive functioning whereby students need to plan, self-monitor and alter plans during language tasks.  For instance, both readers and writers need to self-monitor for visually similar words (of/off) and homonyms (sail/sale). Last but not least is processing speed , the rate at which learners are able to retrieve information and execute plans.  Proficient readers and writers are able to rapidly name several elements of a given category while students with slower processing speed may be accurate in their responses, but their production is almost always very slow.  In order for students to develop fluent reading or written expression, they need structured teaching as well as enough practice using their reading and writing skills .

Reading and writing are not identical skills but do share the cognitive abilities mentioned previously.  Before actual reading begins and as an aid to comprehension, two pre-reading exercises can help to support the reader’s ability to focus attention on the reading material.  One such exercise is to recall background knowledge, internalized from life experience about a topic, and then match that knowledge to the text.  Another is to identify new and unfamiliar words from the assigned text and learn their meanings from the words and phrases around them.  Once this is completed, the actual reading begins.  A competent reader engages in the following:

• activates phonological awareness skills (how letters and sounds correspond)
• recognizes how the sounds blend together to form words
• decodes the words printed on the page
• realizes word recognition
• attaches meaning to those words
• reads with fluency
• comprehends what has just been read

A main component of fluent reading is word recognition, the ability to recognize written words correctly and automatically. This ability helps to ensure writing words correctly as students learn to represent letter forms in memory as well as the strategies for their automatic retrieval from memory.  Students who read effortlessly over time enjoy successful wide-reading experiences.  As a result, they are at an advantage for being exposed to learning more words and growing their vocabulary.  This word exposure not only enhances their reading comprehension but also creates better spellers.  In addition, children who develop good understanding of what they read may display a greater interest in writing.  They become aware of the word relationships in a variety of sentence patterns and how authors structure text along with the rules that govern it.

When looking at the relationship between reading and writing, writing is the act of scribing words and sentences on paper.  Therefore, it is necessary to have facts and experiences to share.  Prior to writing both at the sentence and paragraph levels, the writer needs to consider the topic and summon background knowledge and ideas in support of that topic.  Following that, students should exhibit a clear understanding of sentence structure as well as the rules for correct grammar.  Additionally, it is important for writers to construct a plan that structures and organizes their paragraph-level writing.

Such a plan ensures that each sentence links logically with the preceding sentence to produce a smooth flow or cohesion.  Writing, which incorporates word recognition and reading comprehension, places the greatest demand on verbal working memory and relies on the skills that follow:

• mechanics: handwriting
• phonology: speech sounds that make up words (e.g., bit = “b”+“i”+“t”)
• semantics: word meanings and concepts
• morphology: meaningful parts of words (roots, affixes, and inflections such as -ed verb endings that indicate past action)
• syntax: rules for the order of words in sentences (simple to complex) and grammar rules
• discourse: narrative structure versus expository structure

In consideration of the relationship between reading and writing, even more than reading, writing depends on the mastery of the most basic skills such as spelling and hand- writing. Through direct and explicit instruction, teachers need to systematically teach a hierarchy of formal spelling rules that transition from short and long vowel patterns to irregular word spelling. Without this instruction, writers who struggle with spelling may lose track of their thoughts as they try to spell a specific word used in context or process sound-symbol relationships (phonology and morphology).  In addition, it is important and necessary for students to receive handwriting instruction. The development of legible handwriting enhances spelling, aids writing fluency and frees mental energy for higher order cognitive skills, especially at the multi-sentence or paragraph level.

In closing this article on the relationship between reading and writing, the underlying cognitive abilities, attention , verbal working memory, executive functioning and processing speed are critical in their support of learning to read and write and need to be considered as linguistic skills are taught. Although it appears plausible that the features of reading and writing are the same, it is evident that they are not totally equal.  What is most important to remember is that the automatization of reading and writing skills is essential.  Students benefit most when instruction is direct and explicit, and sufficient review and practice are provided.

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Reading & Writing Purposes

Introduction: critical thinking, reading, & writing, critical thinking.

The phrase “critical thinking” is often misunderstood. “Critical” in this case does not mean finding fault with an action or idea. Instead, it refers to the ability to understand an action or idea through reasoning. According to the website SkillsYouNeed [1]:

Critical thinking might be described as the ability to engage in reflective and independent thinking.

In essence, critical thinking requires you to use your ability to reason. It is about being an active learner rather than a passive recipient of information.

Critical thinkers rigorously question ideas and assumptions rather than accepting them at face value. They will always seek to determine whether the ideas, arguments, and findings represent the entire picture and are open to finding that they do not.

Critical thinkers will identify, analyze, and solve problems systematically rather than by intuition or instinct.

Someone with critical thinking skills can:

• Understand the links between ideas.
• Determine the importance and relevance of arguments and ideas.
• Recognize, build, and appraise arguments.
• Identify inconsistencies and errors in reasoning.
• Approach problems in a consistent and systematic way.
• Reflect on the justification of their own assumptions, beliefs and values.

Read more at:  https://www.skillsyouneed.com/learn/critical-thinking.html

Critical thinking—the ability to develop your own insights and meaning—is a basic college learning goal. Critical reading and writing strategies foster critical thinking, and critical thinking underlies critical reading and writing.

Critical Reading

Critical reading builds on the basic reading skills expected for college.

College Readers’ Characteristics

• College readers are willing to spend time reflecting on the ideas presented in their reading assignments. They know the time is well-spent to enhance their understanding.
• College readers are able to raise questions while reading. They evaluate and solve problems rather than merely compile a set of facts to be memorized.
• College readers can think logically. They are fact-oriented and can review the facts dispassionately. They base their judgments on ideas and evidence.
• College readers can recognize error in thought and persuasion as well as recognize good arguments.
• College readers are skeptical. They understand that not everything in print is correct. They are diligent in seeking out the truth.

Critical Readers’ Characteristics

• Critical readers are open-minded. They seek alternative views and are open to new ideas that may not necessarily agree with their previous thoughts on a topic. They are willing to reassess their views when new or discordant evidence is introduced and evaluated.
• Critical readers are in touch with their own personal thoughts and ideas about a topic. Excited about learning, they are eager to express their thoughts and opinions.
• Critical readers are able to identify arguments and issues. They are able to ask penetrating and thought-provoking questions to evaluate ideas.
• Critical readers are creative. They see connections between topics and use knowledge from other disciplines to enhance their reading and learning experiences.
• Critical readers develop their own ideas on issues, based on careful analysis and response to others’ ideas.

The video below, although geared toward students studying for the SAT exam (Scholastic Aptitude Test used for many colleges’ admissions), offers a good, quick overview of the concept and practice of critical reading.

Critical Reading & Writing

College reading and writing assignments often ask you to react to, apply, analyze, and synthesize information. In other words, your own informed and reasoned ideas about a subject take on more importance than someone else’s ideas, since the purpose of college reading and writing is to think critically about information.

Critical thinking involves questioning. You ask and answer questions to pursue the “careful and exact evaluation and judgment” that the word “critical” invokes (definition from The American Heritage Dictionary ). The questions simply change depending on your critical purpose. Different critical purposes are detailed in the next pages of this text.

However, here’s a brief preview of the different types of questions you’ll ask and answer in relation to different critical reading and writing purposes.

When you react to a text you ask:

• “What do I think?” and
• “Why do I think this way?”

e.g., If I asked and answered these “reaction” questions about the topic assimilation of immigrants to the U.S. , I might create the following main idea statement, which I could then develop in an essay:  I think that assimilation has both positive and negative effects because, while it makes life easier within the dominant culture, it also implies that the original culture is of lesser value.

When you apply text information you ask:

• “How does this information relate to the real world?”

e.g., If I asked and answered this “application” question about the topic assimilation , I might create the following main idea statement, which I could then develop in an essay:  During the past ten years, a group of recent emigrants has assimilated into the local culture; the process of their assimilation followed certain specific stages.

When you analyze text information you ask:

• “What is the main idea?”
• “What do I want to ‘test’ in the text to see if the main idea is justified?” (supporting ideas, type of information, language), and
• “What pieces of the text relate to my ‘test?'”

e.g., If I asked and answered these “analysis” questions about the topic immigrants to the United States , I might create the following main idea statement, which I could then develop in an essay: Although Lee (2009) states that “segmented assimilation theory asserts that immigrant groups may assimilate into one of many social sectors available in American society, instead of restricting all immigrant groups to adapting into one uniform host society,” other theorists have shown this not to be the case with recent immigrants in certain geographic areas.

When you synthesize information from many texts you ask:

• “What information is similar and different in these texts?,” and
• “What pieces of information fit together to create or support a main idea?”

e.g., If I asked and answered these “synthesis” questions about the topic immigrants to the U.S. , I might create the following main idea statement, which I could then develop by using examples and information from many text articles as evidence to support my idea: Immigrants who came to the United States during the immigration waves in the early to mid 20th century traditionally learned English as the first step toward assimilation, a process that was supported by educators. Now, both immigrant groups and educators are more focused on cultural pluralism than assimilation, as can be seen in educators’ support of bilingual education. However, although bilingual education heightens the child’s reasoning and ability to learn, it may ultimately hinder the child’s sense of security within the dominant culture if that culture does not value cultural pluralism as a whole.

Critical reading involves asking and answering these types of questions in order to find out how the information “works” as opposed to just accepting and presenting the information that you read in a text. Critical writing involves recording your insights into these questions and offering your own interpretation of a concept or issue, based on the meaning you create from those insights.

• Crtical Thinking, Reading, & Writing. Authored by : Susan Oaks, includes material adapted from TheSkillsYouNeed and Reading 100; attributions below. Project : Introduction to College Reading & Writing. License : CC BY-NC: Attribution-NonCommercial
• Critical Thinking. Provided by : TheSkillsYouNeed. Located at : https://www.skillsyouneed.com/ . License : Public Domain: No Known Copyright . License Terms : Quoted from website: The use of material found at skillsyouneed.com is free provided that copyright is acknowledged and a reference or link is included to the page/s where the information was found. Read more at: https://www.skillsyouneed.com/
• The Reading Process. Authored by : Scottsdale Community College Reading Faculty. Provided by : Maricopa Community College. Located at : https://learn.maricopa.edu/courses/904536/files/32966438?module_item_id=7198326 . Project : Reading 100. License : CC BY: Attribution
• image of person thinking with light bulbs saying -idea- around her head. Authored by : Gerd Altmann. Provided by : Pixabay. Located at : https://pixabay.com/photos/light-bulb-idea-think-education-3704027/ . License : CC0: No Rights Reserved
• video What is Critical Reading? SAT Critical Reading Bootcamp #4. Provided by : Reason Prep. Located at : https://www.youtube.com/watch?v=5Hc3hmwnymw . License : Other . License Terms : YouTube video
• image of man smiling and holding a lightbulb. Authored by : africaniscool. Provided by : Pixabay. Located at : https://pixabay.com/photos/man-african-laughing-idea-319282/ . License : CC0: No Rights Reserved

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Home — Essay Samples — Life — Reading Books — A Reflection on the Improvement in My Reading, Writing, and Learning

A Reflection on The Improvement in My Reading, Writing, and Learning

• Categories: Reading Books

About this sample

Words: 649 |

Published: Dec 11, 2018

Words: 649 | Page: 1 | 4 min read

Works Cited

• Anderson, P. (2017). Technical Communication: A Reader-Centered Approach. Cengage Learning.
• Bussmann, H., & A. Jansen, E. (2018). How to Write and Illustrate a Scientific Paper. Cambridge University Press.
• Graff, G., & Birkenstein, C. (2018). They Say / I Say: The Moves That Matter in Academic Writing. W. W. Norton & Company.
• Hacker, D. (2019). A Writer's Reference. Bedford/St. Martin's.
• Lunsford, A. A., & Ruszkiewicz, J. J. (2020). Everything's an Argument with Readings. Bedford/St. Martin's.
• McWhorter, K. T. (2018). Reading and Writing About Contemporary Issues. Bedford/St. Martin's.
• Oshima, A., & Hogue, A. (2018). Writing Academic English. Pearson Education.
• Rosen, L. D., & Lim, A. F. (2018). Writing for the Information Age: Elements of Style for the 21st Century. Cengage Learning.
• Strunk, W., Jr., & White, E. B. (2017). The Elements of Style. Penguin.
• Williams, J. M., & Colomb, G. G. (2020). Style: Lessons in Clarity and Grace. Pearson Education.

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How to Travel and Write an Essay

T raveling to new places and having new experiences can provide wonderful inspiration for writing essays. Immersing yourself in different cultures, interacting with new people, and exploring unfamiliar terrain engages your creative mind. Using your travel adventures as essay topics allows you to share your insightful reflections. Reading reviews of essay writing services can give you ideas on engaging writing styles and techniques to make your travel essay compelling. Here are some tips for traveling and gathering material to write a compelling essay.

Pick a Focused Travel Goal 

Rather than trying to do everything, pick a particular aspect of travel on which to focus your essay. This could involve food, architecture, nature, art, history, or interacting with locals. Choosing a specific emphasis will help shape your travels and give your essay direction. For example, if you want to write about regional cuisine, plan your itinerary around visiting iconic restaurants and food markets. Or if exploring national parks is your priority, design your trip to hike various trails and take in diverse landscapes. Picking a travel concentration spotlights what matters most for your essay topic.

Keep Detailed Notes and Media

Be sure to keep notes about your travel experiences, as memory alone is unreliable. Use your phone or a notebook to write descriptions of key places and events. Capture telling details, snippets of overheard conversations, interesting quotes from people you meet, and your personal reactions. In addition, take ample photos and videos to add visual elements and jog your memory later when writing your essay. Gathering detailed sensory information, verbatim conversations, and media will enable you to vividly convey your travels.

Get Off the Beaten Path 

While tourist hotspots yield common experiences many travelers share, explore lesser-known areas for fresh essay material. Wandering side streets and alleys or chatting with shop owners away from crowds provides unique perspectives. Hiking secluded trails showcases wilderness most never experience. Seeking out locals’ haunts and hidden gems exposes you to rare sights, sounds, and people unlikely to appear in standard travelogues. Venturing off the predictable beaten path unveils captivating topics to distinguish your essay.

Step Out of Your Comfort Zone 

Challenge yourself on your travels by trying things outside your comfort zone, which will give you intriguing insights to inform your writing. Sample exotic cuisine with ingredients you can’t identify. Learn basic phrases in the native language. Navigate public transportation on your own. Talk to strangers from very different backgrounds. Accept an invitation to an unusual cultural event. Pushing past familiar habits and fears boosts opportunities for uncommon experiences, stimulating reflections to share in your essay. Facing uncertainty and discomfort allows you to access a fuller, richer range of travel moments.

Reflect on Your Interior Journey 

While cataloguing external places and events, also focus inward on your inner terrain. Note how travel affects you emotionally and psychologically along with the physical destinations and activities. Record when you feel wonder, irritation, joy, sadness, connection, isolation. Analyze what triggers these responses. Ponder how unfamiliar surroundings surface unanticipated reactions, or how you apply filters and assumptions unconsciously. Consider if this self-discovery challenges or reinforces your worldviews. Examining your interior shifts alongside exterior impressions provides deeper insight. Reading an Academized review reinforced the importance of weaving together outer and inner dimensions to craft a multi-layered essay.

Find Themes and Connections

As you travel and gather essay material, look for overarching themes that emerge. Do certain ideas or patterns recur as you journey? Do you keep learning similar lessons? Find common threads to tie together diverse experiences for a unified essay focusing on key themes. Or spotlight thought-provoking contrasts revealed through your travels. Additionally, consider connections between your voyage and broader context. How do your observations reflect historical, social or cultural phenomena? Can you compare and link your individual trip to larger collective issues? Identifying meaningful themes and links helps shape a compelling, impactful essay.

Craft a Strong Essay Structure 

Once you return from travels filled with observations, memories, artifacts and inspiration, it’s time to organize everything into a structured essay. First, revisit all your travel documentation and media, inventorying the best highlights to develop your central idea. Craft an introduction hooking readers’ interest while overviewing essay themes. Use each subheading to structure key travel experiences into engaging sections reinforced with vivid details, quotes, and examples. Analyze how these experiences interrelate and what insights they reveal associated with your themes. End with a powerful conclusion synthesizing main points and their significance. Edit carefully to refine language, verify facts, streamline structure while intensifying descriptions. Follow this process to translate your travel discoveries into an engaging, insightful essay.

Adding organization through focused subheadings provides natural breaks allowing readers’ eyes to rest while you emphasize key sections. Incorporating variable sentence types creates welcome rhythm and pacing variation. Contrasting longer complex sentences with shorter punchy ones, and trading sentences brimming with adjectives for straightforward construction alternates language patterns to maintain reader interest. Using low perplexity sentences when suitable enhances comprehension. Integrating these creative writing techniques keeps your travel essay lively, clear and compelling from start to finish.

So captivate readers with an essay unveiling your travel adventures and realizations. Immerse in cultural curiosities, venture off script, expand beyond your comfort zone and analyze what you uncover. Then organize intriguing experiences into an engaging essay emphasizing unforgettable impressions that reveal broader insights. With planning and attention, your travels can form the basis for a memorable, meaningful essay.

The post How to Travel and Write an Essay appeared first on Sunny Sweet Days .

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I’ve been using GradeMiners for a while now, and I have to say, they offer a solid service at a fair price. A high school essay runs about $16 per page, and a college paper is $18 per page. They offer a wide array of professional academic writing services beyond just essays; you can get help with everything from presentations and book reviews to lab reports and dissertations.

The process is straightforward: you go to their website, pick your subject, set your deadline, and the professional writers take it from there. They assure that your paper will be completely original and plagiarism-free, which is crucial.

One of the standout features is their speedy delivery. If you’re pressed for time, you can get a college paper done within an hour—as long as it’s not too long. This frees you up to concentrate on other things that might need more of your attention or are more appealing to you.

8. EssayTerritory — Best New Essay Writing Company

Good quality, fair price;

Great loyalty program, good choice for students who are looking to use this site regularly;

Exceptional customer service.

No sample essays available;

Plagiarism report doesn’t come for free;

Expensive extras.

I recently tried out EssayTerritory, a new but promising college paper writing service. It was easy to find an essay writer that matched my specific needs, and the platform has a roster of over 800 active paper writers. They’ve already completed more than 1300 orders, which is impressive for a newcomer.

What stands out most about EssayTerritory is their 98% satisfaction rate. It seems they really know how to please their customers, as about 85% of users return for more academic papers. They offer a plagiarism-free guarantee like many top essay writing services, and they’ll give you a full refund if they miss your deadline or if your work contains plagiarism.

You can order various assignments from them—essays, research papers, case studies, term papers, dissertations, and even help with presentations or speeches if that’s what you need. They also provide proofreading and editing services.

Privacy and confidentiality are top priorities for them. They ensure that every “write my essay” request is kept anonymous and your personal details are secure. They have robust measures in place to prevent any data leaks. This level of security gave me a lot of confidence in using their essay writer service.

FAQs About Best Paper Writing Services

Should i trust essay writing service reviews.

Trusting essay writing service reviews can be tricky. Unfortunately, some companies that offer a custom essay writing service also operate fake review sites to maintain a positive online reputation. This means you need to be cautious about where you look for reviews.

For more reliable information, it’s better to use independent review platforms like SiteJabber and Reviews.io. These sites are generally more trustworthy because they’re not directly affiliated with any essay writing services.

However, even with these platforms, it’s wise to approach reviews with a critical eye. Some dedicated essay writing review sites might have biases or hidden motives, so take their recommendations with skepticism and always cross-reference multiple sources if possible.

How long does it take to have my essay written for me?

Essay writers generally focus on producing high-quality work, and the time it takes to write an essay largely depends on its length. For a standard 275-word essay, the average turnaround is about 3 hours. Most essay writing services strive to meet these deadlines consistently.

If you’re in a rush and your deadline is just a few hours away, you can opt for a premium service. This usually involves having several top-rated writers collaborate to deliver your essay in about half the standard time.

It’s worth noting that the best college paper writing services might experience delays during peak times when demand is high. Typically, they recommend giving writers at least six hours to complete an essay. If you’re willing to pay extra, your order can be prioritized to ensure a faster delivery.

For more complex assignments like thesis papers or extensive research projects, the process can take up to five days. Writers often submit a partial draft by the second day for client feedback, allowing any revisions to be included in the final submission by day five.

Will my essay be written by a professional essay writer?

Picking a reliable essay writing website is crucial for ensuring the safety, confidentiality, and quality of the service.

When hiring writers, most companies put them through a rigorous vetting process. They typically require that writers have native or near-native proficiency in the language they’ll be writing in, along with a relevant degree from an accredited university.

Once hired, these writers undergo further training on the platform to polish their linguistic and formatting skills. They only start working on actual assignments once their writing meets the company’s professional standards.

The best writing services take extra steps to maintain high-quality standards. For example, every piece of work is checked by a moderator before it goes to the client. Writers are also provided with ongoing opportunities to enhance their skills within the company’s supportive environment.

The person who is labeled as a premium paper writer often has more experience and higher qualifications, like a Ph.D., and at least two years of writing experience. While their services cost a bit more, the quality they deliver usually makes the investment worthwhile.

Is using a paper writing service confidential and safe?

The internet is a vast resource where people often share their knowledge, which is a huge help, especially for college students working on their homework. It’s also completely legal and secure to purchase essays and custom papers online if you need them. However, it’s crucial to choose a reputable provider to avoid issues like plagiarism or low-quality work, which could waste your time, money, and effort.

I’ve found that doing your homework on these services is essential. Make sure to look at the company’s refund policy in case you’re not satisfied with their work, and confirm that they’ll keep your school’s name confidential. It’s also a good idea to check reviews of their past work to see if it’s well-written and structurally sound.

From my experience, as long as you do this research beforehand, buying essays online can be a safe option that keeps your details private. Just be vigilant to avoid scams.

What if I’m not satisfied with my paper?

Most top-rated essay writing companies strive to deliver excellent quality, because they want their customers to come back. They have skilled writers who are well-versed in various academic tasks, including essays, lab reports, and research papers. They work hard to produce top-quality work.

If there are any issues with the finished product, these services usually offer free revisions until you’re satisfied with the quality. Client satisfaction is a high priority for these companies, driven by stiff market competition. The goal is to deliver a flawless paper that helps you achieve a high grade.

What are the main drawbacks of using essay writing services?

For many students, using essay writing services is considered a luxury, primarily because the reputable ones that offer great reviews, unlimited revisions, and maintain confidentiality tend to be more expensive. Opting for cheap essay writing services often means risking quality and reliability, especially when it comes to meeting deadlines.

Plagiarism is another serious issue. Both intentional and unintentional plagiarism can occur, particularly with services that don’t carefully vet their writers. Sometimes, clients don’t discover the plagiarism until it’s too late to rewrite the paper and meet their deadline.

Moreover, if an essay writing company lacks a quality control team, the work submitted by writers might be subpar, filled with typos and grammatical errors. Some writers might also resist feedback, making it hard to get the necessary revisions to ensure the essay meets your standards.

Who will write my work and what determines the price?

Your assignment will be handled by writers with diverse backgrounds. Some are full-time professionals dedicated solely to writing, while others are former academics who’ve embraced the flexibility of working from home. There are also those who write as a side job.

Regarding pricing, we’ve discussed the main factors in our article: the length of the assignment, its complexity, and the deadline. Another element influencing cost is the location of the company. Businesses based in regions like Eastern Europe, North Africa, and Central Asia often have lower rates because the cost of living is lower there, making the dollar stretch further.

Comparison of the Top Paper Writing Services

#1. paperhelp 🏅.

Academic papers written from scratch by writers with Ph.D. and Master’s degrees;

No need to provide any personal information;

Reasonable price, great quality, plagiarism-free papers.

#2. BBQPapers 🥈

Premium quality, best writers in the industry;

On-time delivery guarantee, even on rush orders;

Free revisions.

#3. EssayPro 🥉

Good quality at a reasonable price (ENL writers);

Free plagiarism report;

Good reputation.

Best Essay Services: Conclusion

Working with a professional essay writing service is important not only for the quality of the work you’ll receive but also for the security of your personal details. Many students turn to these services when they’re pressed for time and need to complete their academic tasks—there’s nothing wrong with this approach.

Today, numerous legitimate essay writing services uphold high standards of academic integrity and deliver plagiarism-free papers. These paper writing websites are generally affordable for most students, although there are some exceptions.

Before placing an order, it’s important to do your homework. Check the company’s reviews, find out if it offers a refund policy, and look into its track record on past projects. A reliable service will prioritize your confidentiality, which is a vital consideration.

The news and editorial staff of the Santa Cruz Sentinel had no role in this post’s preparation. This is a paid advertisement and does not necessarily reflect the official policy or position of the Santa Cruz Sentinel, its employees, or subsidiaries.

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NPR editor Uri Berliner resigns with blast at new CEO

David Folkenflik

Uri Berliner resigned from NPR on Wednesday saying he could not work under the new CEO Katherine Maher. He cautioned that he did not support calls to defund NPR. Uri Berliner hide caption

Uri Berliner resigned from NPR on Wednesday saying he could not work under the new CEO Katherine Maher. He cautioned that he did not support calls to defund NPR.

NPR senior business editor Uri Berliner resigned this morning, citing the response of the network's chief executive to his outside essay accusing NPR of losing the public's trust.

"I am resigning from NPR, a great American institution where I have worked for 25 years," Berliner wrote in an email to CEO Katherine Maher. "I respect the integrity of my colleagues and wish for NPR to thrive and do important journalism. But I cannot work in a newsroom where I am disparaged by a new CEO whose divisive views confirm the very problems at NPR I cite in my Free Press essay."

NPR and Maher declined to comment on his resignation.

The Free Press, an online site embraced by journalists who believe that the mainstream media has become too liberal, published Berliner's piece last Tuesday. In it, he argued that NPR's coverage has increasingly reflected a rigid progressive ideology. And he argued that the network's quest for greater diversity in its workforce — a priority under prior chief executive John Lansing – has not been accompanied by a diversity of viewpoints presented in NPR shows, podcasts or online coverage.

Later that same day, NPR pushed back against Berliner's critique.

"We're proud to stand behind the exceptional work that our desks and shows do to cover a wide range of challenging stories," NPR's chief news executive, Edith Chapin, wrote in a memo to staff . "We believe that inclusion — among our staff, with our sourcing, and in our overall coverage — is critical to telling the nuanced stories of this country and our world."

Yet Berliner's commentary has been embraced by conservative and partisan Republican critics of the network, including former President Donald Trump and the activist Christopher Rufo.

Rufo is posting a parade of old social media posts from Maher, who took over NPR last month. In two examples, she called Trump a racist and also seemed to minimize the effects of rioting in 2020. Rufo is using those to rally public pressure for Maher's ouster, as he did for former Harvard University President Claudine Gay .

Others have used the moment to call for the elimination of federal funding for NPR – less than one percent of its roughly $300 million annual budget – and local public radio stations, which derive more of their funding from the government.

NPR names tech executive Katherine Maher to lead in turbulent era

Berliner reiterated in his resignation letter that he does not support such calls.

In a brief interview, he condemned a statement Maher issued Friday in which she suggested that he had questioned "whether our people are serving our mission with integrity, based on little more than the recognition of their identity." She called that "profoundly disrespectful, hurtful, and demeaning."

Berliner subsequently exchanged emails with Maher, but she did not address those comments.

"It's been building up," Berliner said of his decision to resign, "and it became clear it was on today."

For publishing his essay in The Free Press and appearing on its podcast, NPR had suspended Berliner for five days without pay. Its formal rebuke noted he had done work outside NPR without its permission, as is required, and shared proprietary information.

(Disclosure: Like Berliner, I am part of NPR's Business Desk. He has edited many of my past stories. But he did not see any version of this article or participate in its preparation before it was posted publicly.)

Earlier in the day, Berliner forwarded to NPR editors and other colleagues a note saying he had "never questioned" their integrity and had been trying to raise these issues within the newsroom for more than seven years.

What followed was an email he had sent to newsroom leaders after Trump's 2016 win. He wrote then: "Primarily for the sake of our journalism, we can't align ourselves with a tribe. So we don't exist in a cocoon that blinds us to the views and experience of tens of millions of our fellow citizens."

Berliner's critique has inspired anger and dismay within the network. Some colleagues said they could no longer trust him after he chose to publicize such concerns rather than pursue them as part of ongoing newsroom debates, as is customary. Many signed a letter to Maher and Edith Chapin, NPR's chief news executive. They asked for clarity on, among other things, how Berliner's essay and the resulting public controversy would affect news coverage.

Yet some colleagues privately said Berliner's critique carried some truth. Chapin also announced monthly reviews of the network's coverage for fairness and diversity - including diversity of viewpoint.

She said in a text message earlier this week that that initiative had been discussed long before Berliner's essay, but "Now seemed [the] time to deliver if we were going to do it."

She added, "Healthy discussion is something we need more of."

Disclosure: This story was reported and written by NPR Media Correspondent David Folkenflik and edited by Deputy Business Editor Emily Kopp and Managing Editor Gerry Holmes. Under NPR's protocol for reporting on itself, no NPR corporate official or news executive reviewed this story before it was posted publicly.

• Katherine Maher
• uri berliner