art assignment for high school

7 Easy Art Lessons For When You’re in a Pinch

Sometimes lesson planning comes down to the wire. Maybe your students went through a project much faster than expected, or you simply did not have the time to get ahead of things. We’ve all been there. It’s not unheard of to scour the internet and social media for ideas, but sometimes we still come up short. No art teacher is perfect, and we all need a lesson idea in a pinch from time to time! We don’t want these activities to be fluff or busywork. Instead, we want them to help our students build skills and scaffold learning.

The next time you find yourself in need of a last-minute activity or lesson, look no further. The following seven activities are easily adaptable for various grade levels. They also require minimal material prep and use supplies you likely have in your art room.

1. Personal Soda Can Label

We live in a consumer world where new beverages, food, candy, and snacks are constantly introduced to the market. Teachers and students experience product and brand design —often without even realizing it. Looking at the typography and imagery of different products can spark interesting conversations with both elementary and secondary students.

One way for students to explore the idea of consumerism through product design and advertising is by creating a personal beverage label. This will require students to brainstorm a brand and identity for their product by picking the flavor, color, and overall look. Use the handout below  to get your students started planning their designs.

Once students have designed their labels, you can take this activity a step further by attaching the design to an aluminum can. Have students participate in a reflection or critique activity. Ending the activity here might be appropriate for your elementary students, but you could take it a step further for your middle and high schoolers. Have students use their aluminum can with a custom label for observational drawing. Beginning students often struggle with matching the text and typography on traditional soda cans. Using the label they initially created will help them build confidence in their drawing skills. After practicing observational drawing skills, students add shading to create the illusion of form. High school students can also explore more package design and advertising elements.

Suggested materials: Paper, drawing materials, aluminum cans (optional) Suggested grade levels: Elementary, middle school, high school

2. Crushed Soda Can Drawing

Another simple yet effective way to recycle aluminum cans in your classroom is to crush them and use them for observational drawing. When students learn to draw, they eagerly want to draw things as realistically as they can. Students often feel frustrated and disappointed when they aren’t able to draw things perfectly. One way to reduce the pressure of realistic drawing is to begin with an imperfect object. Crushing cans and spray painting them white can serve as a beautiful and cost-effective way to teach basic drawing skills.

Students can draw the cans from life or use a reference photo. If they use a reference photo, you could introduce your students to the traditional grid method or provide them with alternative ways of making a grid.

Cover the cans with white paint so students can focus on the simplified shapes without worrying about labels or text. Strong lighting can also help students to identify values easily. If you don’t have aluminum cans on hand but still want to try this activity, use these images as references .

To adapt this lesson and take it even further for your secondary students, explore new and advanced techniques to create a background with contrast and emphasis. Students research and experiment with a technique they have wanted to try. Provide them with a demonstration and sampling of some ideas to get them started.

Here are some exciting advanced techniques:

• Monoprinting
• Painted Paper Weaving FLEX Lesson (can be found in FLEX Curriculum )
• Paper marbling

Suggested materials: Paper, drawing materials, aluminum cans Suggested grade levels: Upper elementary, middle school, high school

3. Ashley Mary-Inspired Organic Shape Painting

Exploring abstract and non-objective art can be an empowering experience for students. However, sometimes the freedom to create can leave them paralyzed or push them to overwork their pieces. One way to introduce students to proper painting techniques while exploring color, pattern, and shape is to learn about the contemporary artist Ashley Mary . Mary’s playful paintings are reminiscent of the free-form collages of Matisse. Comparing Mary, a contemporary artist, with Matisse, a classical artist, can provide a foundation for inspiration and discussion. To learn more about Ashley Mary, download our complimentary FLEX Curriculum Artist Bio . Find this and many more artist bios in FLEX Curriculum .

Before students begin painting, have them choose a color scheme. Encourage students to work with a limited palette to push them to make more intentional color decisions. Students create shapes and patterns one paint layer at a time. If using watercolor, this can be a wonderful exploration of how transparent and translucent colors mix and layer. The free-form nature of this painting style also fosters intuitive thinking.

Suggested materials: Paper, acrylic or tempera paint, watercolor Suggested grade levels: Elementary, middle school

4. Water Droplet Drawing

If you are looking for a skill-building activity to boost your students’ confidence, this is it! Inspired by art teacher Jennifer Sell , this water droplet drawing activity is the perfect way to introduce students to shading and form at any age level. For best results, use a material that blends easily, like graphite, charcoal, chalk, or oil pastel. Use these videos to help guide your students as they navigate through the activity.

To adapt this for your advanced learners, students create the same drawing with two different media. Compare and contrast the process, medium characteristics, and end results.

Suggested materials: Paper, chalk, graphite, charcoal, or oil pastel Suggested grade levels: Upper elementary, middle school, high school

5. Textured Slump Mold Slab Bowl

Are you in need of a one-day clay activity that requires minimal materials? Creating slump molds is a great way to introduce or review making slabs with students. All you need is clay and a mold, like a bowl, to press the clay inside. This idea also can introduce surface texture on clay. Students roll a slab, add texture, then press into the slump mold. If you plan on doing more clay lessons with your students, this is a quick project for students to practice the glazing process.

Suggested materials: Clay, bowls for molds Suggested grade levels: Elementary, middle school

6. Op Art Drawing

Optical illusions are always exciting for students, and learning how to make them is even better! Some op art designs require more math and complexity, while others are on the simpler side. These op art sphere and cube designs are perfect as an introduction to your younger artists. Check out this video for a step-by-step guide to create them.

If you plan on doing more complex op art activities with your advanced or high school students, these simple drawings will make great bellringer prompts. Connect several spheres and cubes to create more elaborate patterns and compositions. For more op art lesson ideas, check out the Connecting Op Art and Math in FLEX Collection.

For a brief introduction to op art that you can share with your students, check out the FLEX video below:

Suggested materials: Pencil, markers, ruler, paper Suggested grade levels: Elementary, middle school, high school

7. Color Mixing Lines

The process of color mixing never ceases to amaze students, no matter how many times they have experienced it. This activity allows students to observe color mixing and explore creative drawing processes.

To start this project, students use a water-based marker or watercolor paint. If students use markers, create shapes of color right next to or slightly overlapping each other. Prep an eyedropper filled with water or a paintbrush dipped in clean water. Stand the painting up vertically and carefully drop water on the paper. Watch as the water mixes with the color and drips down the page together.

Use the same method with watercolor paint with a wet-on-wet technique by painting the paper with water first. Add color with the paper held vertically.

Once the paint drips are dry, students identify the positive and negative shapes created by the drips. Students can trace the shapes and fill in designated areas with line patterns.

Suggested materials: Water, watercolor, markers, paper Suggested grade levels: Elementary, middle school

Alexander Graham Bell said, “Before anything else, preparation is the key to success.” With all that art teachers have to do daily, we understand the importance of preparation. However, there are only so many hours in the day, and sometimes we don’t have enough time to get it all done! If you find yourself behind, overwhelmed, or stuck, try one of these activities. They are sure to engage students from start to finish, adaptable for all grade levels, and you can easily tie them into your existing curriculum when you’re in a pinch.

What’s your go-to lesson when you are in a pinch?

How do you prep in advance for a last-minute activity?

Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.

Abby Schukei

Abby Schukei, a middle school art educator and AOEU’s Social Media Manager, is a former AOEU Writer. She focuses on creating meaningful experiences for her students through technology integration, innovation, and creativity.

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High School Drawing Curriculum: 12 Lessons

HIGH SCHOOL DRAWING

In my teaching career I have taught a wide range of high school art courses: Introduction to Art, Drawing, Painting, Advanced 2D Design, AP Art, 3D Design, 3D Design II, and 3D Design III. I have loved teaching such a variety because it has given me the opportunity to develop and test a breadth of lesson plans. The past two years I have been working on compiling my favorite lessons into curriculum packs to sell on my TPT store. The most recent posting on my store is my semester-long high school drawing curriculum pack. I have taught every single one of these lessons (plus more that I tested, failed, and left out so you don’t have to) and these are my top twelve.

This high school drawing curriculum includes information and resources to fill every single day of the semester in your drawing class. Other than making copies of worksheets and doing a handful of demos, you don’t have to plan a thing for the semester. Each project includes a detailed lesson plan (including big ideas, essential questions, national standards, vocabulary, and step-by-step instructions), rubrics, critique information, and handouts. In addition to the project packs I have included my syllabus, get-to-know-you worksheets, a timeline, breaking down the semester into days and weeks, and supply list.

12 PROJECTS

The first project of the semester is learning the Belgian bookbinding technique and using it to create your own sketchbook. This not only saves money on purchasing sketchbooks, but it also introduces the students to book cover design and bookbinding techniques. In addition to a PowerPoint, lesson plan, and rubric, this also includes a how to worksheet and how to video. This product is sold individually here .

In every class I teach I include a weekly focus on visual journals. Each Friday students have the option to work in their visual journal, have free art time, or catch up on an assignment. By the end of the semester they must have at least 12 pages completed in their book. The PowerPoint to introduce this project, lesson plan, and rubric are included in this pack.

Before the students start longer drawing projects, they complete a shading review. Seven worksheets are included that cover graphite pencils, hatching, cross-hatching, scribbling, stippling, and a general shading worksheet. The front of the worksheets include information and the students must complete the activities on the back. This product can be purchased individually here .

The first true drawing assignment is a still life drawing. However, I put a twist on it by requiring the students to bring in objects to create the still life. Before starting the drawing, the students learn about still lifes at various periods in art history. at both traditional and modern versions of still lifes. They must apply their understanding of various shading techniques by including at least three of them in their drawing. Check out the individual link for this product here .

Once the class has a few drawing projects under their belt, we look at combining technology and art by creating their own GIFs. They must draw the majority of the design, then use various computer programs to compile their drawings, add to them, then create an animated version of them. You can read more about this project in my blog post here .

Once the students have a handle on using pencils, we move onto charcoal drawings. One of the best ways I have found to teach how to shade using charcoal is through the traditional charcoal drapery drawing lesson. A PowerPoint about charcoal, in depth lesson plan, rubric, and critique are included. You can purchase this lesson individually here .

After learning about charcoal, the students apply their knowledge to a mixed media work of art that includes shading with charcoal. For this assignment, the students must select an object and redraw it on a background layered with color and text. The object is meant to serve as a metaphor for who they are, a part of their personality, or interests. I love any cross disciplinary lessons, and this does a great job combining English and art. Check out specifics of this project here .

After completing a metaphorical self portrait, the students are asked to create an actual self portrait drawing, with a twist. The students must select a current event that interests them and reflect it through their portrait. In addition, they have to scan their faces using a copier or scanner to create an unusual and ethereal look to their portrait. They then re-draw their scanned image using pencil. This project pack includes multiple PowerPoints to introduce the project and show examples of current artists who create social and politically driven artwork. In addition to the PowerPoints are an in depth lesson plan, rubric, critique sheet, and brainstorm worksheet. Check out more here .

After working mostly in black and white, students have the chance to do a full color drawing using colored pencils. They are asked to think outside of the box and take a photograph that reflects the topic, “unexpected beauty.” They then turn the photograph into a colored pencil drawing. Colored pencil techniques are covered in the introduction PowerPoint. Check out more information about it here .

After learning about colored pencils, we start moving towards different media that still use traditional drawing techniques, such as scratchboard. Social media is the focus of the lesson and students create a scratchboard image that reflects a snapshot of their day. History of scratchboard, as well as techniques, are in the PowerPoint.  In depth instructions on how to teach the lesson are included in the lesson plan, as well as the rubric and critique sheet. This lesson can be purchased individually here .

Printmaking is a natural next step after learning about scratchboard. The basic concepts are similar, removing highlighted areas and leaving dark areas. For this assignment, students create a portrait out of a linoleum block. They use traditional relief printmaking techniques to create at least 5 quality prints and one print must be colored in using colored pencils. In addition to a PowerPoint, lesson plan, rubric, and critique sheet, this also includes a handout on which colors to use to create a range of skin tones and a worksheet to test various color combinations. An in-depth look at this lesson will be coming soon. In the meantime, check out the product listing here .

The final lesson in the curriculum is to design your own project. The students can try out a technique or material they didn’t get a chance to or redo a project they liked or could improve on.

It took me years to develop this curriculum and it is very gratifying to see it all compiled in one place. Check out the individual product links above or check out the entire curriculum here . You save $16.00 by purchasing it as a bundle pack. Thanks for taking the time to check out my blog and my latest TPT product. Help me spread the word about art education, lessons, and art in general by sharing with others.

Check out more visual journal blog posts  here . Shop my education resources  here . Don’t forget to follow me on  Instagram  and  TikTok  for weekly visual journal demos. Until next time!

4 responses to “High School Drawing Curriculum: 12 Lessons”

This looks very helpful. Thank you!

You’re welcome! Reach out anytime with questions or comments!

Could I get a copy of the worksheets? [email protected]

Hi, Stacy! The worksheets can be purchased in my drawing curriculum or individually. If you want to purchase individually let me know which worksheets you are interested in and I can share links! You can look at the drawing curriculum here: https://lookbetweenthelines.com/product/visual-art-drawing-curriculum-12-lessons-for-18-weeks-of-high-school-art/

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Lesson Plans

These lesson plans help you integrate learning about works of art in your classroom. Select an option below to browse lesson plans by grade, or continue scrolling to see all lesson plans.

Lesson plans for elementary school students

Lesson plans for middle school students

Lesson plans for high school students

Elementary School

Ancient Animals at Work

Identify ways animals (past and present) enhance daily life through a close look at an ancient figurine and art making.

Animal-Inspired Masks and Masquerades

Help students understand the connections between art and the environment of Guinea, animal anatomy, and the cultural context of the Banda mask with the help of viewing questions and a dance activity in the Museum's African Art galleries.

Armor—Function and Design

Identify moveable and static features of armor as well as functional and symbolic surface details and examine similarities and differences between human and animal "armor" through classroom viewing questions. Enhance the lesson with a sketching activity based on an English suit of armor in The Met collection.

The Astor Chinese Garden Court

Explore the Museum's Astor Chinese Garden Court and enhance students' understanding of how traditional Chinese gardens reflect the concept of yin and yang and how material selection and design can convey ideas about the human and natural worlds. Use viewing questions and a storytelling or drawing activity in the Museum's Chinese galleries.

The Burghers of Calais

Convey the interpretive significance of pose and expression in the visual arts—in the Museum or the classroom—with viewing questions and a story-writing activity inspired by a nineteenth-century French sculpture by Auguste Rodin.

Medieval Beasts and Bestiaries

Explore the use of animals as symbols in medieval art with viewing questions and a group drawing activity at The Met Cloisters or in the classroom.

Power in Ancient Mesopotamia

Examine how a great ancient Mesopotamian king conveyed power and leadership in a monumental wall relief in the Museum's Ancient Near Eastern art collection and consider how leaders today express the same attributes through viewing questions and an activity.

The Nomads of Central Asia—Turkmen Traditions

Students will be able to identify ways art of the Turkmen people of Central Asia reflects nomadic life and understand the functional and symbolic role objects play in their lives.

Voices of the Past

Focus on a slit gong in the Museum's Oceanic collection to illustrate the impact of scale in works of art, and consider objects' functions in their original contexts and ways different communities engage with their elders and ancestors. Classroom viewing questions and an oral history activity enhance the lesson.

Middle School

Aeneas, Art, and Storytelling

Virgil's epic poem, The Aeneid , has inspired generations of artists and writers. Create your own artwork inspired by the text and consider how artists draw upon and reinterpret stories from the past.

Architecture and the Natural World

How can buildings reflect the relationship between people and the environment? Explore possibilities in this lesson plan featuring an ancient Egyptian temple.

Art and Empire—The Ottoman Court

Students will be able to recognize ways a tughra functioned as a symbol of power and authority within a culturally diverse and geographically expansive empire.

The Battle of David and Goliath

Illuminate strategies for conveying stories through images in the classroom with viewing questions about a large silver plate in the Museum's Medieval collection and an illustrating activity.

Beyond the Figure

Consider how artists convey personality in nonfigural portraits and the relationship between visual and verbal expression by looking at a painting by Charles Demuth in the Museum's Modern and Contemporary galleries and through a portrait-making activity in the classroom.

Bravery Stands Tall

Examine a major turning point in the American Revolution through a close look at this depiction of General Washington and his troops crossing the Delaware River.

Composing a Landscape

Study the relationship between the human and natural worlds in art, as well as the techniques artists use to convey ideas, by exploring a painting by Frederic Edwin Church in the Museum's American Wing. Extend the lesson through a writing and drawing activity in the classroom, or a sketching activity outdoors.

The Making of a Persian Royal Manuscript

Students will be able to identify some of the key events and figures presented in the Persian national epic, the Shahnama (Book of Kings); make connections between the text and the illustrated pages of the manuscript produced for Shah Tahmasp; and create a historical record of their community.

The Mughal Court and the Art of Observation

Students will be able to recognize ways works of art reflect an intense interest in observation of the human and natural world among Mughal leaders; and understand ways works of art from the past and present communicate ideas about the natural world.

Muses vs. Sirens

Through movement and storytelling, uncover the layers of meaning embedded in a Roman sarcophagus.

Point of View in Print and Paint

Explore ways that viewpoint shapes the way we picture the past in this lesson plan featuring a depiction of the abolitionist John Brown.

The Power behind the Throne

Bring the Museum's African collection into the classroom with viewing questions and an art-making activity that cultivate visual analysis and an understanding of how surface detail and composition can express themes of power and leadership.

A Rite of Passage

Explore the ways rituals, ceremonies, and rites of passage play an important role in communities around the world through an investigation of related objects.

Science and the Art of the Islamic World

Students will be able to identify similarities and differences between scientific tools used now and long ago; and use research findings to support observations and interpretations.

Shiva—Creator, Protector, and Destroyer

Inspire students to interpret, communicate through, and personally connect with art through an in-classroom examination of a powerful sculpture in the Museum's Indian art collection and a self-portrait activity.

High School

Ancient Mesopotamia—Literacy, Now and Then

From cuneiform inscriptions to digital tablets, this lesson highlights changes and continuity in written communications across the ages.

Arabic Script and the Art of Calligraphy

Students will be able to identify visual qualities of several calligraphic scripts; recognize ways artists from the Islamic world engage various scripts to enhance works of art supporting a range of functions; and assess the merits of several computer-generated fonts in supporting specific uses.

The Art of Industry

Use viewing questions and a debate activity to investigate the relationship between art and community values, techniques artists use to convey ideas, and strategies for interpreting an American painting in the Museum's Modern and Contemporary galleries.

Above: Writing board (detail), ca. 1981–1802 B.C. Middle Kingdom. Dynasty 12. From Egypt; Said to be from Upper Egypt, Thebes or Northern Upper Egypt, Akhmim (Khemmis, Panopolis). Wood, gesso, paint, 16 15/16 x 7 1/2 in. (43 x 19 cm). The Metropolitan Museum of Art, New York, Gift of Edward S. Harkness, 1928 (28.9.4)

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22 Drawing and Painting Lessons & Activities for High School

22 drawing and painting lessons & activities for high school.

These art related lessons and activities teach and demonstrate drawing and painting, along with some tips and instructions, targeted for high school students. This 58-page Water Color Painting Tips and Tricks guide is particularly helpful and instructive. Also included at the end of this list, are two documents on wood carving. You can also check out all of our Art related pages here .

A Fork in the Road Painting Project Agamograph Challenge Art Nouveau Botanical Drawing, Art Lesson Color Mixing – Some General Guidelines Color Pencil Tips Drawing Tools Drawing Value Scales Drawing Warm up Drawing with Colored Pencils Egg Shading Fauvism How to Hold a Pencil Light Capturing Paper Designs Scratch Art Project Sets of Lines Sketchbook Assignments The History of Cubism Two Point Perspective Water Color Painting Tips and Tricks, 58 pages Woodcarving Tips and Tricks Woodcarving Totem Pole Project

– love learning -your best ed lessons guide, Scott

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A link to this video might help students understand use of sketchbooks.

South Dakota Public Broadcasting did a short video focusing on my sketchbooks. It was released on YOUTUBE and can be viewed with this link.

https://www.youtube.com/watch?v=8T6S8JGlrWE

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High School Art Projects that Students LOVE!

Do you ever get “that” look from your high school students when you present a project to them? You know what I mean, the deer in the headlights look. Art projects need to challenge the students in design and technique while engaging their interests. This in itself can be challenging for an art teacher to tackle.

These four high school art projects have proven to be successful at challenging and engaging the students (you know the kids like a project when they ask if they can do it again!).

Beyond the Border

Medium: Watercolor & India Ink Project

Create a 2D mixed media art piece that explores the expansion of the main subject matter that is in the inner rectangle branching into  the border around it-going beyond the border. The main subject should remain in color, but everything else turns black & white outside the main rectangle… FULL Lesson

Ceramics Roll-A-Beast Animal Sculptures

Medium: Ceramics

Body Features determined by Rolling the Dice!

FUN, FUN, FUN!! Create a fantasy creature that has unique body features determined by rolling dice, then create the creature in ceramics.  After choosing 6 predetermined animal parts that you want to include in the project & assign each part to a number (ex:1=Wings/feathers, 2=fangs/tusks, 3=tentacles, 4=fins/scales, 5=fur, 6=horns/antlers/claws). Keep the list a surprise until everyone had a chance to roll the dice…  FULL Lesson

Motorcycle Mixed-Media Art Lesson High School

Creating dynamic compositions in high school art.

Providing interesting subject matter for planning & creating compositions is important for art teachers to do. I had envisioned doing this mixed media motorcycle art project for several years & was so grateful to find someone who was willing to bring their motorcycle up to our school so my high school students could draw it! I wanted something to really challenge & provide a super interesting subject to teach composition to my high school art class… FULL Lesson

Watercolor Pouring and Masking Portrait Art Lesson

Medium: Watercolors

Are you or your students super tight when it comes to painting? I know I am!! Trying to loosen up a “tight” painter is HARD to do-it takes practice, trial & error. This HS art painting lesson is a great exercise in loosening up and letting go of control. Students will review positive and negative space. The will use a photo editing program to transform a portrait to show high contrast values (black or white only). They will experiment with different watercolor techniques such as pouring, masking and splattering.

All of the lessons are accompanied by ART TECHNIQUE lessons-see my Shop for Lesson Plans & Worksheets

If you choose to use or share any of this post, please link back to my blog Create Art with ME !

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Related posts.

Art class should be about more than just making art! Art lessons should introduce students to a variety of works of art and allow them to explore the process, the history, and their own personal connections to the artworks they encounter.

Keeping a class full of students engaged while looking at art takes practice, confidence, inventive activities , and a variety of approaches. But most of us weren’t taught how to talk about art with kids . That’s why I’ve gathered some of my best printable art worksheets and downloads in one place! Most of these art lesson plans can be used for any grade level and there’s enough variety to keep elementary, middle, and high school students interested and intrigued.

Free Printable Art Worksheets

My favorite go-to art lessons come from the Art Appreciation Worksheet Bundle .

It’s as easy as 1, 2, 3! 1. Pick an artwork 2. Print one of the Art Appreciation Worksheets 3. Watch with joy as your students connect with and interpret art

The bundle includes 25 printable art worksheets, but everyone who signs up for Your Weekly Art Break , my email newsletter full of art inspiration, gets six FREE art appreciation worksheets . Fill out the form below to receive your free art worksheets and weekly art inspiration.

Free Worksheets!

Art Appreciation Worksheets

In this free bundle of art worksheets, you receive six ready-to-use art worksheets with looking activities designed to work with almost any work of art.

Below, you’ll find a collection of the Art Class Curator posts that include art printables and downloads. These brains-on art activities will jump-start students’ critical thinking skills and breath new life into their  art projects . All of these art lesson plans are all free unless otherwise marked. Most are printable PDFs, but the ones containing PowerPoints are marked.

Free Elements and Principles Printable Pack

This pack of printables was designed to work in a variety of ways in your classroom when teaching the elements and principles of art. You can print and hang in your classroom as posters/anchor charts or you can cut each element and principle of art in its own individual card to use as a lesson manipulative. Click here to download the Elements and Principles Printable Pack.

Free Resource!

Elements & Principles Printable Pack

The Elements & Principles of Art are the foundation of every artwork, but teaching them can be a bore. Wake your students up and engage them with full color artworks, easy to understand definitions, and thought-provoking higher level thinking questions. This versatile resource can be hung in the classroom or used as an art manipulative.

Art Appreciation Printables

• Free Art Appreciation Printable Worksheet Bundle
• Art Appreciation Worksheet Bundle 25-Pack  
• I am… Dorothea Lange: Exploring Empathy
• Character Analysis Art Activity: Twitter Perspectives
• Haikus about Art
• I See, I Think, I Wonder
• “I Feel” Word Wheel: Learning Emotional Literacy in Art Education

Art Appreciation Activities & Art Appreciation Lessons

• Art Description and Drawing Activity
• Virtual Art Museum Field Trip
• Complete the Picture: An Easy Art Appreciation Game for Kids
• Interpreting the Power of the Kongo Nkisi N’Kondi

Artworks Printables

Artworks Worksheets & Artworks Activities

• Art, Horror, and The Sublime: Symbolism in Pablo Picasso’s Guernica
• Kollwitz & Cassatt: Two Views of Motherhood in Art
• Rosa Rolanda Jigsaw Art Learning Activity

Artworks Lessons

• Elements of Art Examples & Definitions
• Principles of Design Examples & Definitions
• Frida Kahlo’s The Two Fridas  Art Discussion Lesson
• Art Analysis Activity for John Gast’s American Progress
• Art Around the World in 30 Days – China
• Masterpiece Monday: Manifest Destiny Art

Art Criticism Printables

Art criticism worksheets.

• SPARK: 5 Art Criticism Steps for Inspired Art Connections and Conversations
• Art History Student Study Guide Worksheets

Art Criticism Activities

• 82 Questions to Ask About Art
• Photograph Analysis Learning Activities

Art Criticism Lessons

• 4 Steps of Art Criticism Lesson
• What is Art? – Aesthetics Lesson Bundle
• Classical Sculpture Analysis Lesson  
• Decoding Style: How to Teach Students to Read an Artwork  

Puzzles About Art Printables

Teaching students about  art and aesthetics  is a great way to make them think about art in a new way. Aesthetics puzzles ignite exciting, meaningful classroom art discussions  and flex students’ philosophical and critical thinking skills.

• Puzzles About Art: The Chimpanzee Painter
• Puzzles About Art: Call it Driftwood

More Art Printables

You can find more art lesson plans in the Art Class Curator store and on Teachers Pay Teachers . Sign up for  Your Weekly Art Break   to get six free art art worksheets and weekly art inspiration delivered to your inbox!

Get Art Inspiration To Your Inbox!

*free bundle of art appreciation worksheets*.

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• art teacher resource
• art vocabulary
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WI State Standards:

• AA Cr10h Investigate: Engage in critical thinking, problem solving, and research through elements and principles of art and design studio practices and processes. (aesthetics / problem solving)
• AA Cr11h Plan: Formulate original concepts by practice, experimentation, and revision. (planning/experimentation)
• AA Cr12h Make: Create works of art that introduce students to media, care of tools, and basic craftsmanship skills. (skills)

what will you learn?

The elements and principles of design are the building blocks used to create a work of art.

Elements of Art are the visual "tools" that artists use to create an art work - they are what makes up an image or an art object: line, shape/form, value, color, space, and texture.

Principles of Design are the ways artists use the Elements of Art in an artwork - this is "what we do with the Elements" - how we arrange them, how we balance them, what is being emphasized, etc. The principles are: balance, contrast, repetition, emphasis, and unity.

elements of art

Elements of Art are the visual "tools" that artists use to create an art work

Artists manipulate these elements, mix them in with principles of design and compose a piece of art. Not every work has every last one of these elements contained within it, but there are always at least two present.

For example, a sculptor, by default, has to have both form and space in a sculpture, because these elements are three-dimensional. They can also be made to appear in two-dimensional works through the use of perspective and shading.

There are six Elements of Art:

• Shape / Form

principles of design

Principles of Design are the ways artists use and arrange the Elements of Art in a composition.

The Principles of design is what we do to the elements of art. How we apply the Principles of design determines how successful we are in creating a work of art.

ASSIGNMENTS

Strange noise...

Imagination drawings

Limited drawing

Popcorn factory

About me Mind Map

formative assignments (practice)

Line Repetition Design

Drawing with lines

Lines & Emotions

summative assignment

Focal point line drawing

Tangram basics

Tangram images

Name design

Hand study 1

Hand study 2

Flower study

Colored pencils

summative assignments

Tessellations

Value scale

Form construction & shading

Observational drawing

Grid drawing

White on Black

Half picture

Cutout shading

Pointillism

Layers and holes

Scratch art

Photorealism

Ribbon design

semester 1 evaluation

focus on value

focus on coloring skills

portfolio assessment

Landscape coloring

Color wheel practice

Color wheel

Color schemes

Practice color scheme

Color scheme designs

Color scheme triptych

color cubes

obscure color wheel

Monochromatic painting

Complementary painting

color scheme painting

color scheme portrait

1 point perspective

1 pt. perspective

additional w/s

Checkerboard

Post in perspective

1 pt grid plan

Name in perspective

Room in perspective

Buildings in 1 pt. perspective

2 point perspective

2 pt perspective

2 pt grid plan

3 point perspective

3 pt perspective

city block with a story

Texture Study

Textured apples

Texture patterns

Textured cylinder

Creative patterns

Optical design

Textured circles

semester 2 evaluation

skills assessment

focus on 3 elements

Balances design

Printmaking

pattern problem

patterns experiment

Pattern design

Subway train

Double drawing

Linoleum printing

Oil pastels

Wisconsin essential standards rubric

1. All assignments must be completed on or before the due date. 2. Unfinished artwork is graded as such. 3. If you are absent, it is your responsibility to make up all work. You can sign out art supplies if needed. 4. If your project requires extra time to be completed, you have to make arrangements with me prior the due date. This is your responsibility. 5. Each project has a rubric with specific requirements and guidelines. Follow them. 6. Unless an assignment specifically requires copying, it will be interpreted in the same manner as plagiarism. 7. You are also graded for your in-class studio work.

CLASSROOM RULES

1. Food, drinks, candy, gum are not allowed in the Art rooms. A bottle of WATER is permitted in room 206 (only). 2. Cell phones are not allowed at any time. Phones should be turned off and put away. 3. Be in the room before the bell rings. Dropping your stuff and leaving does not qualify you as being on time. 4. Sit at your assigned seat unless I give you OK to move. That means you do not walk around the room during the class. 5. Talk quietly with students at your table. Do not talk during the instructional time. 6. Draw, paint, etc. on your artwork only! 7. Use materials from your tote-tray only... don't go into other people's trays. 8. You can bring your work home anytime. You are responsible for having it back next day. 9. If you must swear, please do it elsewhere... Thanks. 10. You are responsible for cleaning your work area and the tools that you used. 11. If you are in the Graphics lab, use the printers for the current ART assignments only!!! 12. Encourage your fellow classmates in a positive way... treat them fairly and nicely. This room should be a fun and comfortable place for everyone.

K to 12 in 10 Minutes – Done !

19 amazing art ideas for high school students.

he Student Art Guide is on the lookout for the best high school art teacher blogs, social media profiles and art education websites. Below is a list of the gems we have found.

The best art teacher blogs and personal websites

Developing nicely.

Developing Nicely  is a stunning blog by Chris Francis, UK Art teacher and Senior Leader at St Peter’s Catholic School, Bournemouth, England. The blog contains thought-provoking articles that are illustrated with creative, contemporary student artwork, such as the examples shown below by Beth. The site is a rich resource for GCSE and A Level Photography students in particular (these are qualifications studied by high school students in the UK) and is guaranteed to keep you engaged for hours. Highly recommended.

Julia Stubbs

Julia Stubbs  is an Advanced Skills Teacher in Art and Design at William de Ferrers School, Essex, England. Her website features high quality OCR GCSE and A Level Art artwork, photographed comprehensively and listed with results. Exemplar material is available, as are teaching resources. The action paintings below are from Martin Reynolds’ Grade A, A2 Fine Art project. More of Martin’s project can be viewed  here .

Ms. King’s AP Studio Art class

The website by AP Studio teacher Carrie King contains a superb collection of  teaching activities  for the Art students at Mt. Eden High school, Hayward, California, USA. The activities cover perspective, line drawing, the depiction of glass and metal objects, working in monochrome, figure drawing and still life arrangements; providing structured activities to help students complete the 12 AP Breadth pieces. Each assignment is accompanied by artwork from Carrie’s own students, such as the two examples below by Tiernan Kang (left) and Sikai Song.

The Artist And I

Feeda is an experienced high school art teacher, working at Tanarata International Schools, Kajang, Malaysia. Feeda’s students have achieved outstanding success, including Top in Malaysia for Cambridge IGCSE Art and Design, three years in a row.  Feeda’s blog  documents these projects, making them valuable learning opportunities for others. The image below is from a project that was awarded Top in Malaysia in 2016. More of this project can be viewed  here .

Bolton School (Girls’ Division) Art Department Blog

Mrs Crowther’s blog  contains artwork from Bolton School, United Kingdom. It features A Level and GCSE artwork as well as projects by younger students. A Year 10 Art lesson from Bolton School is included within our article about  use of mixed media for painting students . The example below is from a  GCSE Art project .

Bartelart.com

Bartelart.com  is the home of Dr. Marvin Bartel, who has many decades of teaching experience, including over 30 years teaching in the Art Department at Goshen College, Indiana, United States. Marvin has Master and Doctor degrees in art education and is a consultant, lecturer and writer. His website contains superb essays about drawing, creativity and teaching art: many interconnected pages that will engage you for hours.

Photography Project

Photography Project  was created by UK Photography teacher Liam Smith and his students. The website contains tips and advice for GCSE and A Level Photography students, as well as examples of projects that were awarded high results. The image below captures a tintype image upon a broken mirror and is part of an 100%  A Level Photography project  exploring Post Traumatic Stress Disorder.

Dan China  is a secondary school Art Adviser with a wealth of experience. His past roles include Ofsted Inspector and Chief Moderator / Examiner. He has worked on curriculum and assessment developments as well as revisions to examinations and assessment strategy. He has published a fantastic collection of student artwork Flickr, depicting some of the best A Level student work from Buckinghamshire schools (2007 – 2011).

Art Teacher Social Media Profiles to Follow

Ferhan khan’s flickr.

Ferhan Khan  is an experienced high school Photography teacher from Doha College, Qatar. He has uploaded many outstanding A Level Photography and Art portfolios. These are shared in their entirety, with legible annotation and process documented, making these excellent learning tools. Students investigate exciting subject matter, explore contemporary editing techniques and stage innovative compositions, as shown in the work below by Beth Miseroy below. Some of the work by Ferhan’s has been featured on the Student Art Guide, such as Kareem Al Saady’s  100% AS Photography Coursework project .

Monks’ Dyke Technology College’s Flickr

The Monks’ Dyke Technology College, which was in Lincolnshire, England, published a range of beautiful GCSE and A Level Art sketchbooks and final pieces from their Art Department (such as the A Level Fine Art sketchbook page below) on Flickr, with some exceptional Graphic Design, Fine Art and Photography submissions.

Fortismere Art Department Flickr

Fortismere, a secondary school based in North London, UK, has a thriving Art Department.  Their  Flickr gallery  contains an extensive collection of images, including A Level Photography, A Level Fine Art etc.

Sixth Form College Farnborough’s Instagram

This great  Instagram profile  has frequent posting of A Level artwork. This mixed media example is by A Level Art student George Punter.

Websites for teachers of high school art and photography

Photo pedagogy.

Photo Pedagogy  is a website for high school photography teachers. It contains a comprehensive set of teaching resources, covering a wide range of topics, such as ‘threshold concepts’ and photo literacy. Photo Pedagogy was created by UK high school teachers and contains a collection of highly detailed photography lessons, many of which are accompanied by student examples. The images below are details from student responses to an  abstract forms lesson .

Lectures on Digital Photography by Marc Levoy

Marc Levoy  taught digital photography at Stanford for many years and now leads a team at Google. He has  uploaded every lecture  and made this freely available. The 18 lecture course is targeted at beginners and covers: lenses, optics, light, sensors, natural optical effects, perspective, depth of field, sampling, noise, image processing, editing, computational photography, history, famous photographers and composition. There is hours of footage, which includes include assignments for students. Videos are also available on Marc’s YouTube channel, with a full playlist of the lectures available  here .

InThinking Visual Arts by Heather McReynolds

InThinking Visual Arts  is a website for International Baccalaureate Art teachers by Heather McReynolds, who has over 20 years of teaching and examining experience. Heather was previously Head of Art at the International School of Florence and now offers training and workshops for IB Art teachers, writes textbooks and shares knowledge via the InThinking Visual Arts website. Although this site is subscription based, there is enough free content to keep you busy for hours. Much of the material is relevant for teachers of any high school Art qualification. The image below is by Enrico Giori who has his  IB Visual Art project  featured on both the InThinking and the Student Art Guide.

AP Central Collegeboard website

Advanced Placement (AP) is a rigorous high school qualification offered to students in Canada and The United States. The College Board AP Central website has three great Art sections:  Drawing ,  2D Design  and  3D Design , which each include a link called ‘Drawing Portfolio with Student Samples and Scoring Guidelines’. These provide access to an excellent collection of student work (such as the beautiful fruit drawings pictured below by  Sucha Chantaprasopsuk  from Reavis High School), each accompanied by clear explanations for the marks they have received.

Top Art exhibition

The  Top Art exhibition  features some of the best NCEA Level 3 Photography, Design, Printmaking, Sculpture and Painting (this is the New Zealand equivalent of A2 Art & Design) produced by Year 13 New Zealand high school art students. An excellent source of inspiration for students and teachers.

Some Top Art students have been featured on the Student Art Guide, including work by  Bronte Heron  and  Grace Pickford  (work shown below).

NZQA website

The  New Zealand Qualification Authority  (NZQA) publish fantastic resources to help high school art teachers and students. Of particular note are the exemplar material that is provided for Painting, Photography, Design, Sculpture or Printmaking. This student work is very similar to that which is required for A Level Art & Design and is a fantastic resource for high school Art students studying any qualification. Work of a range of ability levels is shown, along with superb annotation from the examiners. There is also a separate section of Scholarship exemplars (such as the superb example below) – the very best work from Year 13 high school students.

The Saatchi Gallery art prizes for schools

The Saatchi Gallery, London, runs major art competitions for high school students, as part of its education program. The winning and short-listed entries are available for viewing on their  website . Although only single artworks are exhibited from each student (as opposed to the complete bodies of work) the range and quality of work is excellent, making this website a great place for those seeking inspiration. The image below shows a shortlisted artwork by Libby Gervais, Churcher’s College, Petersfield, United Kingdom (image credit:  Petersfield Post ). You may also be interested in our collection of  art competitions for high school students .

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UK SA/VS to host KyAEA High School All-State Art Show

LEXINGTON, Ky. (April 26, 2024) — The University of Kentucky School of Art and Visual Studies (SA/VS) will host the 2024 Kentucky Art Education Association (KyAEA) High School All-State Art Show, beginning with an opening reception and awards ceremony this Sunday, April 28 on UK's campus. 

The KyAEA is a professional organization for visual art educators and supporters across the state. Featuring works from across the Commonwealth, the KyAEA All-State Art Show is an annual competition for high school students that begins at the regional level and culminates in a state-wide exhibition.

This will be the first time UK SA/VS has hosted the exhibition.

"The UK School of Art and Visual Studies values supporting our visual arts educators and students across the Commonwealth, and we are excited to welcome them into our galleries, as a part of our visual arts communities," said Jody Stokes-Casey, UK assistant professor of art education.

The art show will be on display April 28 through May 17, in the Bolivar Art Gallery on UK's campus. The exhibition opening and awards reception will take place 2-4 p.m. Sunday, April 28, in the Bolivar gallery, with the awards ceremony beginning at 2:30 p.m. The public is invited to both the awards and opening receptions and to view the show during regular gallery hours. 

Cynthia Baker, a visual art teacher at Bourbon County High School, is coordinating the show for the first time in 2024. 

"I am so glad that I have the support of our KyAEA president, Rachael Burris, and several UK SA/VS staff to pull everything together with a (in the art gallery world) short timeline," Baker said. "We would love for every art supporter in the state to help us in congratulating these fantastic artists and wish them well as many of them continue their passion for the creative arts after graduating this year. On behalf of the Kentucky Art Education Association, I would like to thank the University of Kentucky College of Fine Arts, School of Art and Visual Studies, and the Bolivar gallery for their assistance in making this show a reality."

For more information, visit  https://www.kyarted.net/ . 

As the state’s flagship, land-grant institution, the University of Kentucky exists to advance the Commonwealth. We do that by preparing the next generation of leaders — placing students at the heart of everything we do — and transforming the lives of Kentuckians through education, research and creative work, service and health care. We pride ourselves on being a catalyst for breakthroughs and a force for healing, a place where ingenuity unfolds. It's all made possible by our people — visionaries, disruptors and pioneers — who make up 200 academic programs, a $476.5 million research and development enterprise and a world-class medical center, all on one campus.   

In 2022, UK was ranked by Forbes as one of the “Best Employers for New Grads” and named a “Diversity Champion” by INSIGHT into Diversity, a testament to our commitment to advance Kentucky and create a community of belonging for everyone. While our mission looks different in many ways than it did in 1865, the vision of service to our Commonwealth and the world remains the same. We are the University for Kentucky.   

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Texas Teacher Booted For 'Improper' Puppet Show Murder Assignment

A Texas teacher is at the center of a controversy involving puppets, make-believe murder, and an assignment that got them booted from a San Antonio high school campus.

A substitute theater arts teacher was suspended and removed from Johnson High School last week after students expressed concerns about an in-class assignment in which at least one puppet had to be murdered.

"These were high school students in a theater class with between 20 and 28 students in the class," district public information officer Tim Savoy told Newsweek .

"Substitutes are supposed to follow lesson plans left by the teachers, or use the Texas Essential Knowledge and Skills [a state curriculum standard known as TEKS]. This assignment was in neither. So, no policy changes — just a change in this substitute teacher's employment status with our district."

The district's Human Resources department met with the substitute Monday following the late Friday afternoon suspension.

"The investigation has not been able to determine which of the conflicting accounts of the assignment is correct, whether it was for puppets to be murdered or be part of a death scene similar to a Shakespearian play," Savoy said in a press release.

"One group of students did perform a brief scene involving a mass shooting. While the district has determined there was no nefarious intent on the part of the substitute; not providing proper parameters, correcting, intervening to prevent, or interrupting that performance was improper and not acceptable."

Savoy said the substitute teacher who was hired in January will not be invited back to work in the district. The teacher's identity has not been released.

The district apologized to students and parents, but officials do not believe any other action is warranted regarding the substitute except that he no longer be assigned to any jobs in the district.

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A 12th grade artist with a passion for NASA and space took home the top prize for the 2024 NASA Student Art Contest, a nationwide competition hosted by NASA’s Langley Research Center in Hampton, Virginia.

Esther Lee, of Washington State, was selected as the grand prize winner for her submission “Beyond Imagination,” which depicts a young girl and her dog in a cardboard box exploring the universe. Lee said she was inspired by memories of her adventurous childhood.

“The underlying inspiration from this piece actually originates from childhood memories. As a kid, I used to sit down in cardboard moving boxes and shuffle along the carpet or wood floors, pretending that I was a pirate or adventurer on a ship exploring the vast unknowns,” Lee said. “Ultimately, I wanted my piece to capture that same childlike innocence and joy from all those years ago.”

Lee’s piece stood out among a crowded and creative field. This year’s theme, “Connecting the Dots”, encouraged K-12 students to explore innovative ideas about the intersection of science, technology, and art.

Art contest coordinator, Kristina Cors, said this year’s contest, which brought in more than 2000 entries, was one of the best. “The art contest received a record number of entries this year and the quality of the art was absolutely incredible. From the impressive skills of our winners to the joyful imagination of our youngest entries, each piece represented an excitement for exploration and creativity,” remarked Cors.

Lee’s victory is a product of years of continued efforts and inspirations, as well as a personal interest in NASA’s missions and space science. “I’ve been drawing on and off since elementary school. As I had more time during the pandemic, I had the opportunity to explore digital art more seriously. NASA and space have always been a huge inspiration for me,” she said.

Using the software Procreate on her iPad, Esther took her interpretation of the prompt “Connect the Dots” skyward by imagining a connection between dreams and reality. She said “Beyond Imagination” emerged from a personal philosophy. “As a child, your dreams could take you far beyond your ordinary world. Equipped with just a cardboard box, paper hat, and plushies, you could travel all the way up to space and beyond. Your future is only restricted by your imagination.”

To view this year’s contest submissions, click here .

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Student Protest Movement Could Cause a Tumultuous End to School Year

Protesters were arrested at the University of Minnesota and Yale, and the House speaker, Mike Johnson, said he would come to Columbia to speak to Jewish students about antisemitism on campuses.

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By Troy Closson

As a wave of pro-Palestinian activism on college campuses showed few signs of abating on Tuesday, the demonstrations have raised new questions about what shape the end of the semester may take for thousands of students across the United States.

At Columbia University, where the arrests of more than 100 protesters unleashed a flurry of national protests, students will have the option to attend their last week of lectures remotely for safety reasons. At the University of Texas at Austin, protesters announced plans to occupy a campus plaza and said that, at least for them, “class is canceled.”

And at the University of Michigan, administrators were already looking ahead and bracing for graduation. They set up designated areas for demonstrations, and agreed to “generally be patient with lawful disruptions.”

“Commencement ceremonies have been the site of free expression and peaceful protest for decades,” the university said in an online message, adding, “And they will likely continue to be.”

The steps are an acknowledgment that the last weeks of the spring could be among the most difficult for administrators at some of the nation’s most prestigious universities. On Tuesday, the campus police at the University of Minnesota took nine people into custody after they erected a protest encampment, following dozens of arrests at Yale and New York University.

Other demonstrations continue to emerge from coast to coast, including at the University of New Mexico and Emerson College. At California State Polytechnic University, Humboldt, students took over a campus building, and barricaded the exits with chairs and trash bins.

The pro-Palestinian student movement has disrupted campus life, especially for Jewish students. Many have said they no longer feel safe in their classrooms or on university quads as the tone of protests at times has become threatening. Speaker Mike Johnson said he would meet with Jewish students at Columbia University on Wednesday and give remarks about the “troubling rise of virulent antisemitism on America’s college campuses,” according to a news release.

At the same time, many school leaders may face the possibility of graduation ceremonies transforming into high-profile stages of protest over the war in Gaza.

No matter how administrators approach these final weeks, the stakes are uniquely high for students who are graduating. Many graduated from high school in the first months of the coronavirus pandemic, and never walked across the stage or celebrated alongside their classmates.

The tumult on campuses escalated after Columbia’s administration called in the police last week to arrest student protesters who had organized a large encampment on a school lawn and refused to leave.

At the New School in Manhattan, where protesters have set up tents inside a school lobby, a couple dozen students formed a picket line on Tuesday as they chanted to the beat of a drum. When one student was asked how long protesters intended to continue the demonstrations, she said there was no immediate end in sight.

“We’re demanding something,” said the student, Skylar Schiltz-Rouse, a freshman who joined the protest on Monday. “So if it doesn’t happen, we’re going to have to keep going.”

It was not yet apparent whether the turmoil at schools would prompt additional arrests, or whether college leaders would adopt a less aggressive playbook as the semester winds down.

Many administrators, watching the uproar at Columbia, seem to be choosing other strategies to handle the protests. Several universities, including Harvard and schools in the California State University system, have shut down parts of their campuses in an effort to avoid major clashes and conclude the school year quietly.

“What you’re seeing is an inability to find spaces for dialogue and conversation and understanding,” said Benjie Kaplan, the executive director of Minnesota Hillel, a Jewish student group.

After school leaders often inflamed unrest with their initial responses, some have begun to hit the brakes.

At Barnard College, Columbia’s affiliate school, many student protesters had received interim suspensions for last week’s tent demonstration. But in a Monday night email, the school’s president, Laura Ann Rosenbury, extended an olive branch.

The school would lift most of the suspensions and restore students’ access to campus, she said, as long as they promised to follow the rules. Those who still face discipline would have access to hot meals, mental health counseling and academic support. And with a professor’s permission, they could also finish out the semester virtually.

“I strongly believe that exposure to uncomfortable ideas is a vital component of education, and I applaud the boldness of all of our students who speak out,” Ms. Rosenbury said in the email, her first message since the arrests of protesters on Columbia’s campus last week, several of whom were Barnard students.

“But,” she said, “no student should fear for their safety while at Barnard.”

She added: “In these last few weeks together before our seniors graduate, let’s be good to one another.”

Some pro-Palestinian students, though, may regard commencement as an opportunity.

Protesters at many schools have vowed to press on until their universities divest from companies with ties to Israel, often chanting “We will not stop. We will not rest.” Administrators are on high alert for demonstrations or threats, as tens of thousands of families travel to campuses in May and June to attend graduations.

Dagmar Michelson, a senior at the New School, was unsure if protests were planned for the university’s May 17 ceremonies. But if they are, she added, she would not be upset.

“It’ll be nice for those who haven’t recognized their privilege,” she said.

Earlier this month, the University of Southern California cited security concerns when it canceled a speech by its valedictorian , a first-generation Muslim student who questioned the university’s explanation. The school later said it would also not host outside honorees.

Already, students have organized demonstrations meant to disrupt cherished college traditions.

At Michigan, several dozen protesters took over a celebration for honors students last month, waving signs that read “Divest Now” and interrupting a speech by the university’s president, Santa J. Ono, according to The Michigan Daily .

“Protest is valued and protected,” Dr. Ono said in a statement after the event. “Disruptions are not.”

Shira Goodman, the senior director of advocacy at the Anti-Defamation League, said the disturbance at Michigan “may unfortunately be a harbinger for what’s to come.”

The group is concerned about the potential of harassment or “identity-based hostility” toward Jewish families at graduation ceremonies. “We remain deeply concerned,” Ms. Goodman said in a statement.

Some colleges are now stepping in to promise Jewish students a safe haven. Brandeis, a historically Jewish university in Massachusetts, said this week that it would extend its deadline for transfer applications in response to campus protests.

The president, Ronald D. Liebowitz, said the school would provide an environment “free of harassment and Jew-hatred.”

Other schools have had little time to look ahead to the future as they reel from the last few days.

At N.Y.U., where at least 120 people were arrested on Monday night after refusing to vacate a plaza, several students said on Tuesday that they would continue to voice support for Palestinians, and were unconcerned that their protest activities might upend final essays and assignments.

The university had said it turned to the police because “disorderly, disruptive and antagonizing behavior” of protesters created safety concerns. But on Tuesday, a professional faculty organization shot back.

The school’s chapter of the American Association of University Professors called “much of their account” false, referring to the administration, and criticized the decision to call the police as an “egregious overstep.”

And at Columbia, the university’s president, Nemat Shafik, is facing the threat of a formal censure resolution from the school’s faculty for her handling of demonstrations. Many Republican lawmakers are also still calling for her resignation, arguing that the school has failed to safeguard its Jewish students.

The decision to offer hybrid classes at Columbia seemed to be a tacit acknowledgment that many students were, at the very least, uncomfortable there. Many are expected to log on from their dorms and apartments. Others might attend from a large protest encampment that remained in the center of campus.

Along with the demonstration, occasional outbursts at rallies have occurred outside the campus’s gates over the past several days. But otherwise, Columbia has been quiet during what is typically a bustling final week of the semester.

Angela V. Olinto, the university provost, said in an email on Monday night that if even one student wanted to finish out the year online, professors should offer hybrid classes — or move to fully remote if that was not an option.

“Safety is our highest priority,” Dr. Olinto said.

Maia Coleman , Eliza Fawcett , Colbi Edmonds , Jose Quezada , Ernesto Londoño , Kaja Andric , Coral Murphy Marcos , Dana Goldstein , Karla Marie Sanford and Stephanie Saul contributed reporting.

Troy Closson reports on K-12 schools in New York City for The Times. More about Troy Closson