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We place high expectations on our writer candidates, but we offer incredible benefits.

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You are your own boss! The amount of work you wish to tackle monthly, weekly or daily, is entirely up to you. The average writer manages up to three orders per day, but if you're determined to do more, we’ll be more than happy to offer additional work. We always have a lot of orders, we are the leading service where customers can buy an essay .

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While you're working with us, you'll be assigned a personal manager to answer any questions and help guide you to achieve better results. If you want to do only certain orders, such as research paper writing help or any other, it's no problem, your manager will organize everything.

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Our writers can paid on the 15th of each month and on the last day of each month. We provide most payments through Payoneer, but we can also send your money straight to your bank account.

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Our system simplifies your work experience by being both powerful and user friendly. You'll be able to manage orders, view your earnings balance, and chat with your personal manager or our 24/7 support team.

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Our writers are what makes our service remarkable and helps us stand out from the rest. That is why we take the hiring process very seriously. To join our multicultural team of experts, you need to know how to fully satisfy the client's " write my essay " request, and follow these steps:

First, you'll provide documentation to verify your identity. This information allows us to provide your payment and helps keep our platform safe for our customers.

Next you'll provide diplomas or other documents, to prove you've completed higher education within the past 5 years. These documents must include stamps and signatures from your college or university.

Once we've verified your education documents, we'll ask you to provide writing samples for our QA department to review. Please note, applicants must have at least 1 year of experience.

After an interview, you'll write a 1 page paper on a randomly selected topic. This will demonstrate you have the necessary talent and experience to join our team.

Once you've passed the previous steps, you'll be hired for a 1 month trial period. After this time, if you've performed well, you will officially join the writing team!

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So you’re wondering how to become a writer. The short answer is: anyone who writes is a writer. However, becoming a writer who’s serious about their professional career requires lots of work, and if you’re wondering how to become a professional writer, you’re ready to start the journey towards a productive and successful literary career.

How do you become a writer? You don’t need a degree to be a writer, nor do you need to be a certain age. Becoming a writer simply requires an admiration for—and a longing to create with—language. So, don’t worry about becoming a writer later in life or lacking a formal education. (That’s what Writers.com is here for!)

No one can teach you how to admire the written word, but the instructors at Writers.com are experts at turning longing into language. That’s why this article covers everything you need on how to become a writer. From the personal to the professional, let’s dive into everything writers need to build a successful literary career .

How to Become a Writerl: Contents

How to Become a Writer: Anyone Can Become One

It’s never too late to become a writer, where to begin your writing journey, how to become a professional writer: what “professional” means, how to become a writer: resources for becoming a professional writer, how to become a writer: developing a writing habit.

Even today, there’s a persistent myth that writers are elite, born-with-it Ivory Tower folks who possess some ineffable gift of the Muses. Yes, some great writers were born with greatness (and plenty were born with privilege), but anyone who calls themselves a writer does so because they labor with the written word.

Becoming a writer simply requires an ardent exploration of language.

In others words, you don’t need an MFA from the University of Iowa to call yourself a writer. Becoming a writer simply requires an ardent exploration of language. If we had to boil a writer down to three requirements, it wouldn’t involve age or degree. The 3 traits for becoming a writer are:

• Passion for the written word,
• Desire to expand the boundaries and possibilities of language, and
• Willingness to grow and learn continuously.

Many writers who have these traits stop themselves from writing, because they’re wondering how to become a writer without a degree. Now, writers certainly benefit from a university education or a family legacy in literature, but countless writers have acquired respect and success without a degree or name recognition.

Ernest Hemingway never went to college, but he still won a Pulitzer and Nobel Prize; neither did Maya Angelou attend university, yet she’s celebrated as the “black woman’s poet laureate” and later accepted a professorship with Wake Forest University. Degrees are just paper; it’s words that matter.

How to become a writer: Degrees are just paper; it’s words that matter.

Becoming a writer has no age restriction; the act of writing is rated G for the General Public, and those 3 aforementioned traits are found in writers from ages 2 to 99+.

Many writers discover their writing talents in their later years. Why, exactly? Neurology reveals there are two types of intelligence : fluid intelligence and crystallized intelligence. “Fluid” refers to creative and adaptive thinking, including activities like writing and problem solving. “Crystallized” refers to the solidified body of knowledge people draw from—all the words, definitions, and experiences that build a foundation for the world.

Generally, younger adults have more fluid intelligence, whereas life experience builds one’s crystallized intelligence over time. The two intelligences tend to converge in a person’s 40s, since this is an age where the faculties for fluid intelligence haven’t declined, and crystallized intelligence abounds. Not-so-coincidentally, many writers see their careers flourish in their 40s and 50s!

Many celebrated writers didn’t put pen to paper until middle age or later.

In fact, many celebrated writers didn’t put pen to paper until middle age or later. Laura Ingalls Wilder didn’t start writing until her 40s, and her Little House series didn’t start printing until she was 65. Likewise, Most of Wallace Stevens’ work was published after he turned 50; despite being a poet, he worked at an insurance company, and most of his coworkers were shocked when he won a Pulitzer at 75. Nobody knew that he wrote!

Finally, many university students return for a writing degree after establishing a career elsewhere. BFA and MFA programs around the world educate students in their 30s and beyond; in 2017, the average age of a low-residency MFA student in the U.S. was 35.4, according to LitHub and AWP .

Whether you’re 19 or 90, you’re never too old to write. The best time to write is yesterday; the second-best time is today.

Rather than an If-Then structure, the writing profession follows a Became-Because structure.

How do you become a writer? Where do you begin? The writing profession is unlike most professions, which follow an If-Then structure. If you get a bachelor’s degree, Then you can work as a nurse, computer scientist, or accountant; If you join a worker’s guild or apprenticeship program, Then you can find work in a number of trade jobs.

The writing profession follows a Became-Because structure. Zora Neale Hurston became a writer because she obtained degrees from Howard University and Barnard College, encouraging her to dissect the African American experience through a literary and anthropological lens.

Conversely, Haruki Murakami became a writer because of a baseball game .

The qualifications for becoming a writer are unique to the individual, and every writer is formed by personal interests and experiences. As a result, no one can tell you where to begin your writing journey; however, if you’re wondering how to become a writer, you’ve already started your journey by thinking about it.

If you’re wondering how to become a writer, you’ve already started your journey by thinking about it.

One distinction to help you think about your writing journey is the difference between amateur and professional writers. If you’re not sure what you want to become, start with the following question: what does “professional” mean?

There are, generally, two classes of writers: amateurs and professionals. Before describing the professional writer, let’s be clear: “amateur” is not derogatory, and professional writers are not “better” than amateurs. Amateur comes from the Latin amator , “lover.” An amateur writer loves the written word just as much, sometimes even more, than the professional; amateurs simply have less pressure, deadlines, and financial dependence on writing. It’s a pastime, not a career.

If you want writing to be a significant portion of your income, then you aspire to being a professional writer.

If you want writing to be a significant portion of your income, then you aspire to being a professional writer. Professional writers have to approach their writing as a business, building a literary audience and keeping a regular writing schedule. Professional writers need to understand the ins and outs of the publishing industry—which they often learn through obtaining a university degree—and it also helps to have formal training in the publishing world and experience operating literary magazines.

How do you start to work toward becoming a professional writer? Below are resources to get you started.

At some point, the professional writer needs to know the ins and outs of writing as a business. This list covers the essentials of how to become a professional writer.

How to make money as a writer

• Explore freelance writing opportunities (updated weekdays at F.W.G.)
• 6 writers explain how they make money (NY Mag)
• Self-publishing versus traditional publishing (Self-Publishing School)
• Writing to market (Funds For Writers)

Taxes as a self-employed creative

• Taxes on freelance writing and royalties (TurboTax)
• Tax tips and unique situations (The Balance Careers)

Resources on publishing

• Poetry journals
• Fiction journals
• Creative nonfiction journals
• How to get published in a literary journal (Reader’s Digest)
• Book: What Editors Do by Peter Ginna ($25 at UChicago Press)

Becoming a writer online

• Basic guide to each social media platform (Kindlepreneur)
• Building an author’s website (The Write Practice)
• Free website template for authors (Copyfolio)
• Running a mailing list (Your Writer Platform)

Things to know before taking writing classes

• Poetry courses
• Fiction courses
• Creative nonfiction courses
• Why take a writing course?

Additional resources for learning how to become a writer

• Setting SMART goals
• Reading like a writer
• The golden rule: show, don’t tell
• Overcoming writer’s block
• Becoming a poet
• 8 tips on learning how to write
• Best online creative writing classes

How do professional writers spend their workdays? Perhaps the trickiest part about becoming a writer is establishing a writing habit. For example, Haruki Murakami runs a 10K every morning to support his writing, and Charles Dickens wrote (and slept) facing north to improve his creativity.

Perhaps the trickiest part about becoming a writer is establishing a writing habit.

What works for one person rarely works for another, so experiment with writing habits—and when you find one that works, stick with it.

Generally, you can parse the writing business into 3 separate components:

• The writing life—putting pen to paper at regular intervals.
• Scheduled time for “the business of writing”—literary submissions, applying for grants, etc.
• An active media/marketing presence—blogging, tweeting, emailing, etc.

You’ll want to schedule time for each of these elements in your daily writing habit. Of course, this is easier said than done. Budding writers often overestimate their ability to work: they think they can spend 3 hours writing, 2 hours replying to emails, and 2 hours submitting work to journals. Then they spend the afternoon watching reruns of BBC quiz shows. (Yes! I did do this recently.)

That’s why forging a consistent writing habit is essential—for amateur writers as well as professionals. Writing at the same place at the same time encourages your brain to write every day. And, if you can’t keep yourself focused on writing, try experimenting with different writing rituals. If a 10K helps Murakami write, something equally unique could help you, too.

How to Become a Writer: Take Your Next Step with Writers.com!

The classes we’ve curated in our upcoming schedule will take your writing life to the next level. Whether learning a new writing style or mastering the business of writing, becoming a writer feels a whole lot simpler with Writers.com.

Sean Glatch

11 comments.

Brilliant review Misty

I hope, I can be a better writer with your support.

Yeah. Same thing as with all other fields. Practice, practice, and once again, practice! It’s like a sport, you should always find new ways to practice.

This really helped me out. Thank you so much!

I’m 14 and i hope to become a writer someday. Thank you so much for the info.

Thank you for the information About to start my writing journey and thus really helped.

I’m a senior that would like to turn my love of writing into a profession. The information you have presented here has inspired me to continue moving towards that goal.

I live in a rural area of Uganda with very little education but always aspired to write a book on families. I am much encouraged. started it but got stuck ..

I love writing and thank you for information you have given meand am obliged to say thank.

i am very eager to become a writer be that script know how or fiction. i am a sponge for knowledge so i learn as i work. i treat everyday as a school day. i want to learn every single part of the writing career-be that if the editor drinks tea or coffee and how they like there papers folded. i soak information as i do a task. i love to build the bullet points for a story because everything needs a beginning. if you are baking a cake the eggs and flour are needed before you think about putting anything in the oven. to prepare a cake you need a tray to put it in-before you build a story you need a starting and then ingredients to put in along the way. i really love to build a story from different snippets of things. i have a thirst for many different aspects of life having spent a majority of time in hospitals and then being taken advantage of my my family because of my brain injury. so i know more than most in a lot of different subjects and matters in life, i have lost more than most in life but i am here telling my version of it to the big bright world. 0874762400 is my contact number

Discovering the path to becoming a writer is both exhilarating and daunting. It requires a blend of passion, persistence, and honing one’s craft. From mastering the art of storytelling to navigating the intricacies of the publishing world, the journey demands dedication and resilience. Embrace every word written, every rejection faced, for they are stepping stones on the road to literary success.

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• Become a Writer
• Mission and Values

Get paid to write

Enjoy good money and flexible hours helping students improve their writing skills.

We love that you love to write.

At SimpleTense, we value your talent because we see how it helps our international students overcome a common cultural barrier: essay writing. As a professional essay writer, you’ll help them achieve academic success and crush important goals—while earning good money for your efforts. You have a powerful gift. Let’s put it to good use.

Writers choose SimpleTense because:

You get paid to write essays. We offer the best rates in the industry, with our top freelance writers earning more than $35,000 annually.

You decide which assignments to accept. Control your workload and work flexible hours for the ultimate work-life balance.

Offices can be so stuffy, don’t you think? With SimpleTense, you’ll enjoy working remotely from anywhere.

It’s an opportunity to learn while teaching others. Write about a variety of topics, from marketing and literature to political science.

Don’t take our word for it.

Hear what these simpletense writers have to say..

In my nearly 20 years of experience as a writer and educator, I have rarely seen a team as supportive, knowledgeable, and dedicated as this one.

Current Contractor – Writer | View more on Glassdoor.com

How it works

We provide the tools and support. all you have to do is write..

• Tasks are posted in real time with a brief description, deadline and rate. The quicker the turnaround, the higher the payout.
• Once you accept an assignment, we provide the documents and reference material you need to get to work.
• We handle all communication with students, so you can maintain your privacy and work without distraction.
• If you’d prefer to connect with students personally, you can do so using our messaging tool. It’ll put you in touch with us, too—day or night.

You’ll be paid on time—twice a month, via PayPal. This is a freelance writing job, after all. We’ll even cover the transaction fees.

The Breakdown

writers—and counting!—choose to write for SimpleTense.

of students say they’re satisfied with their results.

new tasks are posted daily during peak season, so there’s plenty of work to go around.

We partner with the very best essay writers. Are you ready to join our team?

Why do students need simpletense, the students we serve are chinese, which means english is their second language. writing is difficult enough for some students, let alone those who struggle with vocabulary and sentence structure. simpletense writers help students write and edit their work to craft clear, striking, grammatically correct essays., when will you review my application.

We typically review applications within 24-48 hours. The exception is for applications submitted between May 15 and August 31. You are welcome to apply during this time frame, but your application will be held until September, which is when we start hiring writers for the upcoming academic year.

What’s involved in the hiring process?

If your application is approved, we’ll set up a quick call to welcome you and answer your questions. After the call, you’ll go through the training materials at your own pace. When you finish the training, you’ll be able to claim your first assignment and start writing.

Will you publish the sample I wrote for the writing assessment?

No. The sample you wrote will only be used to determine if your writing skills are a good fit for the SimpleTense platform. We will not publish it or share it with anyone else.

How often will I get paid?

Writers are paid on the 1st and 16th of each month.

What payment method do you use?

SimpleTense pays all writers via PayPal. We will cover all transaction fees.

Do I need to keep track of my orders and send you an invoice when I want to get paid?

No! SimpleTense makes it easy for writers to get paid to do what they love. Our automated system keeps track of your completed assignments so you can focus on writing. You can check your order total at any time.

When I am ready to write, how will I find assignments?

SimpleTense makes it easy for writers to access new assignments. When you are ready to write, click the Take Orders link on the left side of your writer dashboard. You’ll be able to view all available assignments from this page. SimpleTense does not have a set drop time each day; new assignments become available as soon as a client places an order. If you don’t see anything the first time you check, you can come back later to search for new orders.

Make money writing and editing essays.

Essay writing jobs: Become a writer with EssayHub

Advantages of partnering with EssayHub

Join the EssayHub crew and dive straight into a world without the hassle of sifting through countless platforms, hoping to find the right fit. With us, you handpick orders tailored to your expertise and timetable. Plus, no need to risk resources on a personal website.

Our platform is buzzing with students searching for the "get paid to write my essay " solution. So, why search elsewhere when you can optimize your time, boost your income, and craft essays precisely here? Welcome to the smart writer's haven.

Swift payment withdrawals

Expand your professional circle, boost your expertise, earn online by crafting essays, set your own rhythm, craft genuine content from your chosen spot, find out if you are the perfect fit.

Here are the four essential criteria we prioritize, determining if you're the perfect match to collaborate with our dynamic team.

English proficiency required

For the optimal results everyone expects, an essay writer must master all integral elements of the English language.

Recognized educational credentials

We require our essay writers to hold at least a BBA in their specialization. More credentials mean more writing opportunities.

Prompt response essential

For our online writing jobs, timely communication with customers is essential. Promptly address their questions to ensure a positive experience and uphold our service standards.

Experience matters here

For our online essay writing jobs, we recommend candidates with 2-3 years of educational writing experience. This ensures high-quality work with minimal revisions needed.

Our freelance writers saying a word!

Explore EssayHub more deeply by reading reviews of our freelance writing services and understanding why our platform stands out.

Fill out the form and provide your email if you wish to become a writer for EssayHub

Earn by writing papers for others.

In today's competitive landscape, we recognize an increasing number of talented individuals attaining higher academic credentials, potentially making them suitable candidates for our essay writing jobs. However, increasing numbers don't always translate to a consistent rise in quality. As we prioritize excellence, we urge all applicants to diligently follow our assessment process, which evaluates not only writing acumen but also efficiency. Those who navigate this process effectively will swiftly transition into our team and start their journey to get a writer career, earning remuneration for crafting papers for our esteemed clients.

Begin your journey with us by submitting a well-organized professional resume that underscores your educational qualifications. To strengthen your application, provide a concise rationale explaining why you're the right fit for our platform. Should your profile resonate with our requirements, we'll reach out to discuss the subsequent phases of our comprehensive assessment. Please note a segment of this evaluation gauges psychological well-being, given the significance of mental health in ensuring consistent quality.

Ready to become a writer with us? Proceed with the form provided below.



Embrace this golden opportunity to merge passion with profession. Don't merely write, but flourish in a role where your expertise is valued and rewarded.

Experiencing freelance writing at EssayHub: What's it like?

Dipping your toes into the world of freelance writing jobs can feel a bit overwhelming, right? Trust us, you're not alone in feeling that the industry sometimes doesn't give writers the love (or the paycheck) they truly deserve.

Here at EssayHub, we're all about empowering our freelance writers. You get to decide on your prices and choose your projects. Plus, we make sure your hard work gets rewarded properly, and, between you and me, we tend to pay a bit more generously than many other spots out there.

Why not start that dream with us?

We like to think of ourselves as a cozy little bridge connecting talented writers like you with students who need a hand. Our platform? Super user-friendly. And because we know the freelance life can have its ups and downs, we've got a dedicated manager on standby, ready to help you make the most out of every gig.

Steps to start freelance writing

Venturing into the world of freelance writing jobs can be both exciting and slightly nerve-wracking. Here's your roadmap to becoming a writer with us:

Step 1: Fill out our detailed application form. The verification process is streamlined, ensuring we collaborate with genuine talents.

Step 2: Your diploma isn't just a piece of paper. It's a testament to your dedication and hard work. Please upload it, letting us acknowledge your educational prowess.

Step 3: Demonstrate your expertise and previous successes. Send us your top-notch writing samples along with your CV. This step is crucial in proving you're a seasoned professional, ready for diverse online essay writing jobs.



Step 4: Every stellar writer has been through it - the test assignment. Embrace the challenge, showcasing your unique voice and impeccable skills.

Step 5: Last but not least, set up your payment account. With everything in place, you're ready to earn for your exceptional writing.

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Blog • Perfecting your Craft

Posted on Feb 11, 2021

How to Become a Better Writer: 20 Hacks and Tips

Practically speaking, writing is just about putting one word after another. But as anyone who’s struggled with the question of how to become a better writer will tell you, there are sometimes entire worlds of frustration compressed in the seconds between setting each word down. If that sounds familiar, or you’re simply trying to improve your craft without the existential writerly despair, we’ve got 20 essential tips to share with you.

In this post, we’ll be sharing writing advice for everyone, but you can head to our more specific guides on starting from scratch, writing novels, nonfiction, and children’s books if that’s what you’re after:

• How to Start Creative Writing: 7 Ways to Fast-Track Your Writing
• Reedsy's guide to novel writing
• How to Write a Nonfiction Book in 6 Steps  
• How to Write a Children's Book in 7 Surprisingly Simple Steps  

1. Start by spending more time writing

• You’ll get to know your own writing habits better, e.g. the time of day when you’re most productive, or the location where you’re most inspired to write;
• You’ll develop writerly discipline (an essential skill if you ever hope to write a book or another long form project); 💪
• You'll work out what you really like to write, whether that's literary fiction or epic fantasy;
• You’ll stick around long enough for new ideas to occur to you (especially helpful if you’re a pantser, not a plotter ).

2. Practice reading books by other authors

On the level of vocabulary, sentence structure, and rhythm, the “ease and intimacy” King talks about occurs subliminally, beneath the surface of your consciousness, quietly sharpening your perceptive skills. On the level of plot or structure, you actively discover the creative strategies of other writers. Now aware of what others are doing with their words, you become a native to that “country of the writer”. 

Ultimately, the more wonderful things you feed your brain, the richer the pool of knowledge your creativity will be able to draw from.

📚 If you need recommendations, we’ve compiled reading lists for every taste here:

• 25 Creative Writing Examples to Inspire You Today
• The 115 Best Books of All Time
• The 60 Best Nonfiction Books of the 21st Century
• The 125 Best Children’s Books of All Time
• The 30 Best Memoirs of the Last Century
• The Best Short Stories and Collections Everyone Should Read

3. Pick up writing skills from other texts

Okay, enough with the subconscious magical learning — you also need to put in serious, active effort. That means taking apart passages that impress or move you and dissecting another writer’s methodology. 

This will be most helpful if you focus on texts in your genre or form: read respected newspapers or magazines if you’re hoping to submit to such publications, poetic collections if you long to publish poetry , academic papers by reputable academics if you’re a budding scholar. 

Read each sentence carefully, asking yourself how you would have gone about writing it. Notice the differences between each version: look closely at how the other writer avoids repetition and regulates sentence length, and become aware of all the words that could’ve gone into the sentence, but were trimmed out. If you remember the lessons you draw from this exercise, you’ll be on your way to becoming a better writer. 

If you struggle to write consistently, sign up for our How to Write a Novel course to finish a novel in just 3 months.  

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How to Write a Novel

Enroll in our course and become an author in three months.

4. Study examples of writing theory

Time for some homework: aside from picking up other writers’ tricks by reading their work, you can also study up on basic writing theories . Learning about story structure and the different models that dramatists and fiction writers rely on, like Freytag’s pyramid or the classic three-act structure , is valuable for any aspiring writer. These models are guides to centuries of storytelling tradition: demonstrations of how you might apply a structure onto a story.

When it comes to expressing yourself, brushing up on your literary and rhetorical devices is also helpful. After all, as much as people like to pretend writing is a mystical art, divinely bestowed upon one by magical inspiration, a lot of it comes down to active effort on the writer’s part.

Head to these guides to literary and rhetorical devices if you’re ready for school:

💡 45+ Literary Devices and Terms Every Writer Should Know

💡 30+ Rhetorical Devices Everyone Must Know

FREE RESOURCE

Literary Devices Cheatsheet

Master these 40+ devices to level up your writing skills.

5. Create your own voice

Some people’s advice for learning how to write is to stick to templates. These can be wonderful if you’re writing something meant to be plain, like a legal document or a freelance proposal . (If this is the case, all you need to do to become a better writer is be accurate, precise, and grammatically correct.) For everything else, by all means inform yourself about things like story structure, but never adhere to templates to the point where your personality is extinguished.

If you’ve got a sense of humor, interests, opinions, or possess literally any other quality unique to human beings (as opposed to bots), you can channel that personality into your writing, and lift mundane subjects up with the buoyancy of your voice.

💡 Need an example? Check out this post on the best reading chairs written by Savannah, one of Reedsy’s writers. You might not have a passion for chairs, but you’ll stay for the engaging tone of her writing voice. 

6. Experiment with your writing style

Hit a plateau? If you don’t feel like you’re improving, it’s time to switch things up. Try writing something completely different to cleanse your palate with the literary equivalent of pickled ginger in a sushi restaurant. Experimentation seems to be working for George R.R. Martin, who has for decades been writing short stories , novellas and even reference books between instalments of his novel series A Song of Ice and Fire — evidently, switching between different forms has helped this author of epic fantasy stay inspired and motivated. 

We’ve got over 1,000 creative writing prompts you can browse for inspiration, as well as an interactive plot generator if you need someone to establish plot parameters for you. We know writers struggle to set themselves deadlines, so you could even join our weekly writing contest — we’re happy to provide you with some external pressure, and $250 if you manage to win!

7. Outline your book 

Openings and endings don’t just matter in fiction. Inherent in all good writing is story: a narrative with a full-fledged arc that must start and end in places that make sense and add value to the entire text.

Writing students commonly struggle with slow or delayed story openings — where the writer takes too long to clear their throat. They can fill two or three paragraphs, several pages, or even an entire chapter before they get to something interesting. 

To sharpen your beginning, try deleting parts of it to get a feel of your work without them. You may find a later passage is more gripping to your reader — you’ll then know you’ve found your true opening.

Endings are similarly crucial. As editor and former publisher Jasmin Kirkbride points out, “Every subplot and all the different strands of your main plot should reach satisfying, clear conclusions. If they are meant to be left ambiguously, ensure your reader knows this, and create something out of that uncertainty.”

Tell us about your book, and we'll give you a writing playlist

It'll only take a minute!

8. Write with a clear vocabulary

As you edit your work , you’ll be thinking of what you intended to say at the time of writing. For that reason, you’ll need to maintain a level of mental alertness that enables you to evaluate whether or not what you ended up writing actually does convey what you wanted to say. This is particularly important if you’re writing nonfiction. 

9. Self-edit for errors in your prose

While we’re discussing lazy, unmemorable writing, this is a reminder that fillers are another literary ‘bad habit’ to actively resist. Cluttering up your prose, these short words sneakily crawl into your writing and distract your reader from the essence of your point. 

In her free Reedsy course on self-editing, Lisa Lepki identifies the most common words in the English language as the culprits of literary clutter. Lisa advises writers to avoid “meandering around [their sentences’] meaning”, and offers this sentence as a wordy example:

“Andy went over to the far end of the playground to see if there was a rake that he could use to tidy up all of the leaves that had fallen down in the night.”

Lisa offers this distilled alternative:

“Mountains of leaves had fallen overnight, so Andy checked the playground for a rake. ”

Sign up to take the rest of this free course here:

Free course: How to self-edit like a pro

Rid your manuscript of the most common writing mistakes with this 10-day online course. Get started now.

10. Cut the repetitive sentences

One practical way to become a better writer is by consciously analyzing your writing to identify repetitive patterns. This is hard to do during the drafting process, especially if you write your first draft quickly , but it’s mercifully simple in retrospect. So dig out some past writing samples ( creative nonfiction , poems, short stories — anything will do), grab some coloring pencils or highlighters, and mark every instance of repetitive language.

Study your words on multiple levels:

• The lexical level, i.e. specific verbs, adverbs or adjectives you might be repeating (are your characters constantly grinning?);
• The sentence structure level, like if all your examples come in threes;
• The narrative structure level, like if you unwittingly but consistently lapse into new flashbacks.

The point of this exercise is to identify your personal linguistic reflexes — known in linguistics as your “idiolect”. In terms of language use, it’s your fingerprint, and familiarizing yourself with it can help you identify repetition and edit it out of your writing.

💡 If you want to learn more about idiolects, check out this post by one of Reedsy’s writers.

11. Avoid clichéd language  

Clichés are every writer’s stumbling block, ever an uphill battle — though the battle has its ups and its downs, and what matters most is not the destination, but the friends we made along the way. You get our point, hopefully: clichés are lazy, overly familiar, platitudinous, and often boring. Every time you use a cliché, you’re wasting an opportunity to be original and authentic. 

Primarily, our issue with clichés is no moral qualm about authenticity. It’s the simple fact that they completely drain your writing of its ability to be memorable. Lifeless, it falls to the ground, faceless and forgotten.

Which contemporary author are you?

Find out which of today's greats is your writerly match. Takes one minute!

12. Understand the ideas behind your work

You’ve already taken the first step toward seeing the bigger picture by honing your opening and ending. Now it’s time to look at all the extraneous stuff outside your text: in other words, situate your writing within a wider framework of similar work. 

13. Respect your reader’s attention 

Don’t lose sight of the fact that there’s a person on the other end of the line. Be a compassionate writer by imagining yourself as the reader: is that fourth paragraph detailing the history of a secondary character’s nomadic tribe really necessary? It’s certainly great world-building , but if it puts your reader to sleep, it’s got to go. 

Similarly, do not manipulate your reader. Pointless plot twists or clickbait will erode your readers’ trust, and hollow hot takes will impress no one. Stick to substance, and skip the paratextual circus act.

14. Get feedback from an editor

Nobody writes flawlessly. Most published writing undergoes significant editing both by its author and professional editors. For example, Raymond Carver’s classic short story collection What We Talk About When We Talk About Love is known to have been extensively shaped by Carver’s editor, Gordon Lish. 

No matter what you’re writing, give your work time to cool before stepping back into it with the fresh eyes of an editor. Assess the clarity of your meaning, expressions, overall structure, your tone, and the mood of the piece, and compare these to the vision you had when you were writing.

Any writing intended for publication should also be professionally edited — and lucky for you, you can hire some of the most experienced fiction or nonfiction editors in the publishing world, right here on Reedsy.

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15. Be open to constructive criticism

Becoming a writer means releasing your work into the world, and with that comes both praise and criticism. But neither will help you become a better writer if you shut all feedback out. Though some of the criticism you’ll receive may not be helpful, some of it will be, and you’ll struggle to improve your writing if you refuse to see that. Open your heart up to constructive criticism, and you’ll see your writing flourish.

16. Invest in your career with a writing course

While we’re on the topic of learning: there’s plenty of classes and courses you can take, if you’d rather study in a more structured way. If you’re serious about becoming a better writer, whether that’s an author, journalist, ghostwriter , or freelancer , a class can give you access to the wisdom of more experienced professionals — and a real-life class also means meeting mentors and kindred spirits. 

You can check out writing courses online — we’ve got a bunch of completely free courses you can take:

FREE COURSE

Author and ghostwriter Tom Bromley will guide you from page 1 to the finish line.

👩‍🎓 How to Write a Business Book —  taught by business coach Alison Jones

👩‍🎓 The Non-Sexy Business of Non-Fiction — taught by author coach Azul Terronez

Still hungry? Consider pursuing a writing degree. These aren’t just for people looking for creative writing classes — MFAs also focus on nonfiction, so if that’s what you see yourself writing, there are plenty of options. Only you know which program and school would be the best fit for you, and the Internet will be your friend as you work the answer out.

17. Keep company with other writers

Everything’s better with company. Whether your choice is to join a local writing group, critique circle , or an online Facebook group, having friends who are writers means you’ll have someone to bounce ideas off, someone to support you if you feel insecure about your writing, someone to inspire you to work harder, and someone to offer you advice and opinions about your project. All important aspects of improving your skills! ✊

18. Write content consistently

Writing takes a lot of determination and discipline, especially when you’re working on a longer work like a book or a series . Sometimes things won’t work out, and you’ll be frustrated, impatient, demotivated, and temporarily hopeless. All of this is fine, and an entirely normal part of the process. When you get to this stage, be gentle with yourself, but do not give up. 

Writers are often the most stubborn of people: so go ahead and keep writing in spite of yourself, in spite of your insecurities or personal failures, and in spite of what anyone else might think. If that doesn’t earn you the ‘badge’ of a writer, we don’t know what does.

19. Don’t give up on your words

Your ideas will be exciting, but they won’t always be masterpieces. Some you can fix with a zealous edit. Others, not so much. Accept this as a reality and let them float down the river of oblivion. 

We know this sounds contradictory to our last bit of advice, but trust your intuition to decide whether it’s worth persevering with a particular project. For example, there’s no point in trying to resurrect the passion you had for a project you started long ago, if the inspiration has long since left you. There is also little point in pursuing something you began simply because you felt it was what you were supposed to be writing. If it doesn’t speak to you anymore and you see no way to revive the spark, cut your losses and move on. 

20. Embrace failure to become a better writer

Finally, just as you’ll have to handle criticism, you’ll also undoubtedly face rejection and failure. Whether you’re rejected by literary agents , fail to get a publishing deal, or have your stories, pitches, or poems rejected by literary publications, you must remember that failure is an inescapable and inevitable fact of life, and does not determine your worth as a writer. 

Be assured that others fail, too, even if they only fail in private. One of our favorite reminders of how common failure is is the famous CV of failures published by Princeton professor Johannes Haushofer , where he lists every program, award, and position he was rejected from, as a reminder that everyone experiences failure. And if you need a writer-specific example of success despite failure, remember that Douglas Stuart’s novel Shuggie Bain , winner of the 2020 Booker Prize, was rejected 32 times before it received a publisher’s offer.

You don’t need anybody to officially ordain you as a writer — you’re a writer if you believe you’re a writer and write anyway. 

We hope these tips help you figure out how to become a better writer. Your quest is noble, and we believe in you! 

Continue reading

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Essay writing jobs

Don't miss out on the opportunity of a lifetime and make money writing online for the EssayService! Enjoy working alongside professionals accompanied by an excellent website with a mobile friendly interface so you can access it anytime, anywhere.

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It is more than obvious that in today’s online marketplace there has been a substantial growth in the number of online writing services. The appearance of so many services over the past couple of years was instigated by the need of this service. Thus, in such a saturated market one often wonders how they can get paid to write papers for clients who want to buy essays .

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How to make money writing online

Ever wondered what it takes to be a successful writer? One can argue that to be truly proficient at your online writing job, a significant amount of practice and experience is required. No matter how you twist or turn it, the answer is quite evident. For one to become a professional educational writer there are many qualities that they must have, which will be listed and explained below. By making sure the employees meet these respective criteria, the clients then begin to rely on EssayService to handle their " write my essay " concerns. Thus, with this in mind, it becomes quite clear why we have chosen the following requirements as the cornerstones of our hiring process.

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It is advised to have gathered 2 to 3 years of prior experience working as a professional educational writer before applying to join the EssayService writing team. This will ensure that your overall end product will need minimal editing if any at all.

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It is crucial to be in contact with the customer regarding the progress of their work. Do not delay responding to their questions and queries, as this could have an adverse impact on their experience of our services. This is a vital part of undertaking our online writing jobs.

Get paid to write papers for people

We understand that every day there are more and more talented individuals obtaining higher accreditations, thus making them eligible to get one of our paper writer jobs. Nevertheless, despite the growing numbers in their quantity that does not always reflect an immediate direct growth in quality. With that in mind, we ask that those seeking to apply, be patient and go through all the necessary steps so that we may assess their writing skills and speed. Every individual that does so successfully starts to get paid to write papers for clients almost immediately. Initially, start off your application process by preparing a tidy professional resume highlighting your qualifications as an educational. It is recommended to include a brief explanation on why we should hire you. If we are interested, we will get in touch and start setting up the next stages of your assessment.

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154 episodes

This podcast provides simple studying advice for non-traditional students returning to education to advance their careers. You’re in the right place if you’re a mature student, distance or workplace learner (or all three like Chloe) and studying for a degree or professional qualification. Chloe Burroughs, study skills expert and author of The Return to Study Handbook, will teach you how to study effectively so that you can boost your academic confidence, get more done in less time, and achieve the grades you really want. Chloe understands what you’re going through — the stress of juggling studying around your job and personal life; the feeling that you’ve never actually been taught how to study effectively; the worry that you’re not going to achieve the grades you need to move forward in your career. You’ll learn step-by-step strategies for time management, organisation and productivity; boosting your studying motivation and confidence; overcoming negative thinking and fear of exams; note taking and reading; essay writing and critical thinking; improving your memory; and exam revision and preparation. In short, you’ll develop the skills to make the most of the time, energy and money you’re investing in your education — so you can gain your dream qualification. With solo shows full of actionable study advice, conversations with other students, and interviews with education experts, Chloe Made Me Study will give you the confidence to achieve the grades you need to take the next exciting step in your career. So, if you’re a non-traditional student who’s ready to uplevel your study skills and results — hit that subscribe button to discover how to make your studying life easier.

Chloe Made Me Study Chloe Burroughs

• 5.0 • 1 Rating

7 Ways to Write a Sh*te Essay (And How to Write a Great Essay Instead)

#154 – In this episode, you’ll learn the do’s and don’ts of academic writing to help you write a great essay. We’ll start by highlighting seven common mistakes that lead to subpar essays – or what I refer to as shite essays. Because learning what NOT to do can really help you get clear on what you should do instead. These pitfalls include issues like procrastination, haphazard planning, and overlooking feedback. Next, cos I’m not gonna leave you hanging, I’ll walk you through 7 ways to write a great essay, sharing practical strategies and insights to elevate your writing game. Learn how to start early, plan effectively, answer the essay question correctly, organise your ideas, back up your arguments with evidence, write with clarity and conciseness, and leverage feedback to continuously improve. Whether you’re aiming for top grades or you’d like to become a better writer or you’d just like essay writing to be bloody easier, this episode will equip you with the essential skills to take you from shite to stellar so you can write a great essay. To get the links and shownotes for this episode, head to: https://chloeburroughs.com/episode154. Find out more about my Write Better Essays LIVE programme.

• 5 SEPT 2023

How to Become the Student Who Graduates With Their Dream Grades

#153 – If you've ever wondered how to graduate with your dream grades, here’s your roadmap. Are you tired of feeling overwhelmed and stressed out on your academic journey? It's time to break free from that cycle. In this episode, we'll explore the powerful concept that results are a product of behaviors, which are rooted in your identity. You’ll learn how to embrace your identity as a dedicated student and lifelong learner and shift your perspective from "studying as a task" to "studying as part of who you are." We'll also dive deep into why habits can be so challenging to change. You’ll understand the invisible force that tries to keep you in your comfort zone and how to overcome it. You’ll learn how to accumulate evidence of your capabilities, making it easier to stay on track until, ultimately, it will feel weird not to be the student who consistently works towards their dream grades. Tune into this episode and start building your evidence bank to become the epic student and learner you aspire to be. Let's make your dream grades a reality! To get the links and shownotes for this episode, head to: https://chloeburroughs.com/episode153. Enrol in the upcoming Kickbutt Study Camp. Check out this link to grab a copy of my book, The Return to Study Handbook.

• 28 AUG 2023

7 Essential Ways to Ensure This Is Your Best Academic Year Yet

#152 – Are you ready to embark on your best academic year ever? Getting ready for the new academic year is about more than buying new stationery and setting up your study space. It IS possible to take a few simple, intentional actions now to set the stage for an easier studying life AND epic grades. The weeks leading up to the start of a new academic year can be filled with anticipation and uncertainty. Whether you're a first-time student or a seasoned scholar, it's normal to have a mix of emotions as you prepare for the challenges ahead. In this episode, I’m here to help you use this time effectively so you can start your next classes feeling organised, motivated, focused and confident. To get the links and shownotes for this episode, head to: https://chloeburroughs.com/episode152.  Join the waitlist for the upcoming Kickbutt Study Camp. Check out this link to grab a copy of my book, The Return to Study Handbook.

• 21 AUG 2023

How to Find Your Perfect Study Strategies and Unleash Your Academic Potential

#151 – Are you struggling to find your perfect study strategies? You’ve run out of ideas or you’re worried that your current study techniques just aren’t that efficient or effective. In this episode, we'll uncover the unique challenges adult learners face, such as time management amidst busy schedules and limited study time – and just why it’s so important that your study strategies work for you…and not just take up your precious time each week without yielding epic grades. Imposter syndrome often creeps in, making you doubt your abilities, but fear not because this episode will equip you with mindset strategies to boost your confidence and motivation. We’ll also delve into the power of a growth mindset and explore how this belief in your ability to grow can transform your academic journey. You’ll discover a step-by-step process to unearth and find your perfect study strategies that resonate with your learning style and commitments. You’ll learn the importance of self-assessment, starting small with experimentation, and embracing setbacks as opportunities for growth. This episode offers actionable insights to navigate your studying challenges, enhance your academic success and it will pave the way for achieving your dream grades without burnout. To get the links and shownotes for this episode, head to: https://chloeburroughs.com/episode151. Join the waitlist for the upcoming Kickbutt Study Camp. Check out this link to grab a copy of my book, The Return to Study Handbook. Check out this other relevant episode on imposter syndrome in your studies.

• 13 AUG 2023

Learning Mindset Mastery: How to Bounce Back From Study Disappointment

#150 – In this episode, we delve into the art of bouncing back from study disappointment. Whether your grades are really low or just not as high as you’d like, learn how to bounce back with a resilient mindset, turning setbacks into stepping stones towards the grades you really want. Join us as we explore proven strategies to cultivate a growth mindset, leverage self-awareness, and transform disappointment into motivation and a catalyst for growth. Get ready to unlock your potential and gain actionable insights and techniques to navigate academic setbacks and emerge stronger on your learning journey. To get the links and shownotes for this episode, head to: https://chloeburroughs.com/episode150. Sign up to my email newsletter to find out more about the upcoming study skills workshops. Join the waitlist for the Kickbutt Students Club. Check out this link to grab a copy of my book, The Return to Study Handbook.

• 24 JUL 2023

5 Reasons Why Hermione Granger Is Not a Great Student (Part 2)

#149 – In the previous episode (148) we looked at her positive studying traits, so now we’re going to look at the reasons why Hermione Granger is NOT a great student. Some of her behaviours are OK at a certain dose but Hermione takes them to an unhelpful or unhealthy level. Then, some of her qualities are not great at all. In this episode, you’re going to discover how to distinguish between the traits that make someone a great student, and the traits that are celebrated but that actually will hinder your success, leave you kinda hating studying, and impact your career. You’ll walk away with some solid studying and mindset advice that will allow you to make faster progress towards your dream grades AND set you up for confident, motivated lifelong learning and career success. To get the links and shownotes for this episode, head to: https://chloeburroughs.com/episode149. Join the waitlist for the Kickbutt Students Club. Check out this link to grab a copy of my book, The Return to Study Handbook.

• © 2020 Chloe Burroughs Ltd.

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8 Best Essay Writing Competitions for High School Students in 2024

I recall a time during high school when I was tasked with writing an essay for my English class on “The significance of old age and death” in Shakespeare’s King Lear. While this topic may have intrigued some, it didn’t particularly captivate me. I approached the assignment with less enthusiasm, going through the motions. However, my perspective shifted when I discovered high school essay competitions that allowed me to choose my topic within a specified theme. 

As a budding economics nerd, i decided to explore the “impact of hyperinflation on the working class” in one of the competitions. although i didn’t receive any awards, the experience left me with a sense of pride, and the skills i gained continue to benefit me in college. , writing essays can seem daunting, especially when the topic fails to ignite one’s passion. however, high school students are fortunate to have numerous opportunities to explore both creative and academic writing. these platforms offer students the freedom to delve into diverse topics, from economics and law to justice, philosophy, climate change, and beyond. , renowned institutions worldwide host essay competitions tailored for students, providing them with a platform to showcase their intellect and creativity. below is a carefully curated list of competitions that might catch the eye of admission officers at your dream college:, our recommended list of high school essay writing competitions in 2024., grc social impact essay competition 2024, cambridge re:think essay competition 2024 , john locke institute 2024 global essay competition, harvard international review academic writing contest, columbia political review high school essay.

Columbia Undergrad Law Review High School Essay Contest 

The Aristotle Contest 2024 

The Harvard Crimson Global Essay Competition 2025

Deadline: December 15th, 2024

Eligibility: all high school students worldwide, prize: top five authors win an exclusive internship with one of grc's university branches at harvard, wharton, columbia, and other renowned schools), supporting a consulting team with a client project from february to may 2025. additionally, top 6-10 winners will receive academic guidance and support from an ivy league mentor through at least three coaching sessions and have their work published by the grc think tank on grc’s insights platform., grc is a global student-run consulting firm consisting of over 1,000+ members who advise the world’s largest ngos, governments, charities, and startups. as an international 501(c)(3) non-profit, grc operates branches at 20 top universities worldwide, including harvard, upenn, imperial college, and columbia. , every year, grc hosts an essay competition for high school students from across the globe to propose solutions for good. this year’s prompt challenges participants to craft an argumentative piece addressing a pressing global issue and proposing a compelling solution. topics include technology for good, global health, sustainable development & climate change, innovations in the public sector, modern solutions to human rights issues, and the role of education in promoting gender equality & social mobility., deadline: may 10th, 2024, eligibility: high school students aged 14 to 18 years from around the world. , prizes: cash awards (up to $150), ccir academy scholarship, an invitation for a featured interview on the ccir podcast and website, and an invitation to the award ceremony and dinner at the university of cambridge (free of charge)., the cambridge centre for international research (ccir) was established by a group of cambridge graduates with a clear understanding and vision of the transformative power of knowledge for society. ​their mission is to connect leading researchers and scholars from top academic institutions with the broader public, increasing social access to these transformative resources., organized by ccir, the re:think essay competition encourages critical thinking and exploration of a wide range of thought-provoking and controversial topics. the competition promotes intellectual exploration and challenges established norms and beliefs while offering opportunities for envisioning alternative futures. societal issues for discussion include nine topics: religion and politics, political science and law, linguistics, environment, sociology and philosophy, business and investment, public health and sustainability, genetics, biotechnology, artificial intelligence, and neuroengineering. , the competition is guided and judged by an advisory committee comprising academics and experts from elite universities worldwide, including harvard, cambridge, oxford, and mit. , deadline: may 31st, 2024, eligibility: high school students from any country., prize: scholarship worth up to $20k and invitation to dinner and prize-giving ceremony in london, uk., the john locke institute is an independent educational organization that works to embolden the best and brightest students to become more academically ambitious and intellectually adventurous., the john locke global essay prize, hosted by the institute, is a prestigious competition that fosters the characteristics that transform good students into exceptional writers. this competition promotes independent thinking, depth of knowledge, clear reasoning, critical analysis, and persuasive writing style, nurturing growth and honing argumentative skills. the essay spans seven subject categories: philosophy, politics, economics, history, psychology, theology and law. , the judging panel comprises senior academics from renowned universities, including oxford and princeton. , deadline: may 31, 2024, eligibility: grade 9-12 students residing in the us or internationally, prize: certificate and recognition on the website, the harvard international review bridges the worlds of academia and policy through outstanding writing and editorial selection. the review has featured exclusive interviews and editorials by 43 presidents and prime ministers, 4 secretaries-general, 4 nobel economics prize laureates, and 7 nobel peace prize laureates., the harvard international review academic writing contest, initiated in 2020, aims to promote and highlight exceptional high school writing on topics about international affairs, grounded in analytically-backed perspectives. , the competition is organized by season, and for the upcoming spring 2024 edition, participants can choose between two distinct themes: “inequalities in a vuca world” and “global challenges and collective actions”., entries should explore the specified themes from a global standpoint rather than focusing solely on us politics. potential topics include agriculture, business, cybersecurity, defense, education, employment & immigration, energy & environment, finance & economy, public health, science & technology, space, trade, and transportation, deadline: june 1st, 2024, founded in 2001, the columbia political review (cpr) is columbia university’s premier undergraduate publication for multi partisan political discourse. its mission is to provide an open forum for political thought on issues of local to global significance. , the mission of cpr is to cultivate the next generation of politically engaged writers. in doing so, they host an annual high school essay contest, inaugurated in 2017. through this initiative, cpr seeks to amplify the voices of talented high school students amid global challenges such as pandemic, conflicts, and uncertainty, offering a platform for innovative and creative solutions to the world’s most pressing issues., the essay prompt for this year’s contest encourages students to delve into the political landscape of one of the 64 countries expected to hold a national election. participants are tasked with researching and writing about the most critical issue at stake in the chosen country’s election., columbia undergrad law review high school essay contest  , deadline: june 21st, 2024, eligibility: high school students, below grade 12 level, internationally ., prize: the winning essay will be published on the culr website, and winners will be invited to a speaker event hosted by culr., the columbia undergraduate law review (culr) was founded to provide the columbia university community and the public with a platform for discussing law-related ideas and publishing undergraduate legal scholarship. many undergraduates and non-law students find legal issues unapproachable or complex. the culr’s mission is to create a space where students can engage in debate and discourse about the law, supported by scholarly research. , the culr is launching the 2024 high school essay content, focusing on the principle of “freedom of speech '' enshrined in the first amendment of the us constitution and its application on social media platforms. the prompt challenges participants to consider the balance between protecting against harmful ideas, combating misinformation, and upholding the principle of free speech. specifically, participants are asked to discuss whether removing harmful ideas is a viable strategy to combat misinformation and societal harm, such as covid-19 medical misinformation or hate speech while considering the value of free speech. additionally, participants must reference at least one court case or legal document in their essays., deadline: june 24th, 2024, eligibility: canadian high school students at or below the grade 12 level., prizes: cash awards up to $500., the university of toronto department of philosophy, in collaboration with the ontario philosophy teachers’ association, presents the annual aristotle contest. this contest aims to recognize and evaluate the best philosophical work by current canadian high school students. it offers students interested in philosophy a chance to have their work reviewed and acknowledged by the largest post-secondary department of philosophy in north america., participants are invited to submit their finest philosophical work on one of three main topics: the potential of artificial intelligence to produce art of aesthetic value, the significance of human free will, and the morality of pet ownership., the harvard crimson global essay competition  2025, deadline: january 2025 (pre-registration has commenced), eligibility: high school students, below grade 12 level, internationally., prize: exclusive internships with the harvard crimson, published work on the official hcgec website, crimson credit with crimson education to help reach individual goals and generous cash prizes., the harvard crimson, the nation's oldest continuously published daily college newspaper, was founded in 1873 and incorporated in 1967. the crimson has a rich tradition of journalistic integrity and counts among its ranks of editorship some of america's greatest journalists. more than 40 crimson alumni have won the pulitzer prize; many of their portraits line the walls of the crimson., the harvard crimson global essay competition (hcgec) serves as a platform for ambitious high school students aged 13 to 18 worldwide, cultivating their passion for writing and encouraging the expression of ideas through creative, argumentative, and journalistic forms.  , the competition comprises two key rounds: regional qualifiers across five regions, followed by the global finals. to advance to the global round, participants must secure a position in the top 15 of their respective regional qualifiers. , while the 2024 competition has concluded, pre-registration for the 2025 edition is now open..

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A Different Kind of Dad Book: Lucas Mann on Fatherhood, Writing, and the Essay as an Act of Care

The author of “attachments: essays on fatherhood and other performances” in talks to brian gresko.

Lucas Mann’s collection Attachments: Essays on Fatherhood and Other Performances is the book I wish I had fifteen years ago when I was in my early thirties, at home with a newborn. Those were days when I’d spend eight hours or more in near constant contact with my son, often with no adult interaction (I didn’t even have a smartphone at the time, so forget group chats or social media). By the time my spouse returned from work, I’d feel wrung out and exhausted, and yet, at the same time, hungry for intellectual stimulation, for news of something other than my small world.

There was, too, the particular strangeness of going out in public as a masculine presenting body caring for a baby: the grace allotted to me by some, the eye-rolls and admonishments provided without provocation from others, the level of attention and yet invisibility I garnered in general. As Mann writes of being at home with his own daughter in those early years, “I’m so glad to no longer be in that place; sometimes I miss it in a way that makes my breath catch.”

In the twelve essays that comprise Attachments , Mann grapples with how everything about parenting feels profound and yet utterly banal, original yet done a million times before by humans throughout history, such that talking about it, let alone writing about it, can feel maddening and pointless. He brings to this problem the particular conundrum of being a man writing about caregiving, which can feel performative in the worst way, like another form of male posturing on the page.

Though the heart of these essays are personal, he ranges wide, from an analysis of how Brad Pitt eats in movies and what this says about male body image in our culture, to discussing the rise of “dad bloggers” (I was a daily blogger for Disney’s parenting site once upon a time) and the role of humor in writing about fatherhood, to a beautiful and moving homage to the documentary The Andy Warhol Diaries .

There are few books where I think “this is just my kind of thing” the way I did with Mann’s, and so it was a pleasure to speak to him about it and how, paradoxically, he hopes that if he’s done his job right, the reader won’t walk away thinking about him at all.

Brian Gresko: My son was born a week after I graduated from my MFA program, so I moved into the roles of writer and stay-at-home parent simultaneously. You, on the other hand, had a publishing history before becoming a dad. I’m curious to know what led you to start writing about this aspect of yourself. And who are some of the authors who inspired these essays?

Lucas Mann: At first, parenthood and writing felt antithetical to me. As you said, I’d had this whole writing life pre-kid—I went to grad school young, published a book, got a job teaching writing, kept on hustling and publishing. Writing, dedication to it and the ambition to succeed at it (though I probably couldn’t articulate what I would’ve deemed “success”) was the organizing principle of my adult life.

But becoming parents was something my wife and I really wanted, and when we knew it was going to happen for us I think I set up parenthood in my mind as anti-writing in a way that might feel like a relief. I had the enormous privilege of a tenure track job that accrued enough unused sick days that I could cobble together parental leave for the semester, then extend through the summer. I’d finished a novel draft right before my wife gave birth, and I thought I’d just chip away at revisions whenever I wasn’t tired (obviously a fucking ridiculous plan).

At one point, when my daughter was maybe four months, the Los Angeles Review of Books solicited me for an essay. I said yes on instinct, and then ended up freaking out and bailing. That was a holy shit moment for me. I got pretty substantial novel edits back from my agent and couldn’t get into those either. Long story short, I was totally submerged in early parenthood for eight months or so, then was back to teaching, trying to ease into that, then when my daughter was a little over a year, Covid hit, daycare shut down, my wife still had to go into work, and so it was just me and my daughter again for most of the day.

At that point, I was like, I’m not going to try to write; there are people who wake up at five and juggle things and all that, and I’m not one of those people. Plus, my daughter was waking up at five anyway. After six or seven months, we held our breath and sent her back to daycare so I could teach. The LARB reached out yet again, for which I’m forever grateful, asking me if I’d take another shot at an essay. I wrote this essay that was ostensibly about rewatching The Office , but all of this parenthood stuff ended up threaded through. And the writing felt alive , the voice felt like mine, but evolved.

It ended up feeling like a perfect storm, where I hadn’t written for the longest stretch of my adult life, and there was this incredible vividness of life with a baby, then quarantine with a toddler, which could feel so constricting but also so expansive in terms of just how much intimacy and intensity radiated from it, the act of looking at this one person with more depth and responsibility than I’d ever experienced. Once I made a gesture toward putting that into words, my writer self and this new self converged. That felt so wonderful.

When I went back and looked at the old novel draft it was like, Oh wow, someone else wrote this novel, good for him. I knew that if I was going to commit to writing again, I had to explore the world through this new lens; that’s where my interest and curiosity was.

As for what I was reading, you know, if you’re someone invested in literary nonfiction as a genre, the way we both are, you’re steeped in amazing literature about parenthood, just rarely ever from cishet men. Long before I ever thought about being a parent, I remember reading Maggie Nelson’s description of folding her kid’s tiny clothes, and the way care for her kid was this one beautiful, complex thread in a narrative about all forms of love and care—sex, art, politics, etc. This might sound cheesy, but I really believe the essay form to be an act of care—locating, stalking, zooming in on what matters to you and why, trying to depict love through the way your mind follows an idea. To write as a parent reinvigorated my passion for the form.

When I was starting to chip away at essays, I just wanted to read work that felt alive with the intensity of a particular point of view. These were kind of all over the place in terms of genre and voice, but I loved Brandon Taylor’s Real Life , Tove Ditlevsen’s Copenhagen trilogy, Rachel Yoder’s Nightbitch , Sasha Fletcher’s Be There to Love Me at the End of the World , got back into Knausgaard’s My Struggle.

Some of these had to do with parenthood, some not at all, but each felt like a writer absolutely committed to articulating the particularities and the vivid, unique pitch of one voice, one point of view, one act of being in the world in a particular moment. And I said, okay, that’s my only job here.

BG: It’s funny you mention Knausgaard. Volume one of My Struggle came out the year my son was born. I had friends who expected I’d be excited about it, but there was Knausgaard’s attitude in excerpts and interviews, his bone dry, weary wit, and then there was the physicality of the man himself—the brooding eyes, the perfectly unkempt hair, the omnipresent cigarette—like a Matthew McConaughey of white elephantine art. I envied that, was attracted to it, but also found those parts of myself icky, because he presented a kind of cool that had no space for me, it seemed so self-important and self-obsessed.

Your essay “Dads Being Dudes Making Jokes” made me wonder if Knausgaard’s public presentation of himself isn’t just an extended bit, the literary equivalent of a dad joke, and perhaps I didn’t get it? My sense of humor is idiosyncratic, and most dad jokes rely on and reinforce gender roles and dichotomies I find restrictive and false. This made me wonder: How has your performance of fatherhood been affected by penning these essays?

LM: I’ve got no beef with Knausgaard myself, beyond the beef I have with any, as you say, brooding, perfectly unkempt gorgeous men. Maybe if he was American I would, but I found something sort of anthropologically fascinating about reading My Struggle while parenting in the US in a pandemic—like damn, the social safety net has created the optimal space for this man to just brood and riff; what an impossible dream!

I think that writing about fatherhood after more than a decade of operating within personal writing generally was helpful for me because if you engage in this particular art form seriously, for long enough, the challenge and pleasure becomes entirely wrapped up in the idea of performing the self, the balance between desired “authenticity” and then how much of perceived authenticity is a performance on the page.

For me, it’s always this balance of wanting to seem… lovable, I guess, on the page, just like I want to be in life, but then working to reject that impulse or explore that impulse, and get at something more gross and complicated beneath it. That’s the work, to me; if a piece of writing doesn’t do that, I think it has failed. And I never, ever, ever want to be cool on the page. I hate that shit. I am by no means a cool person, but I like to think I’m at least slightly cooler in real life than I am in these essays, or any essay I write.

Fatherhood, as a subject, presents an almost cartoonish version of this central essayist’s dilemma—how much do you want to rest on easy charm, or the most placating joke, or this sense of superiority and expertise, versus the fraught, tangled, shameful, confusing lived experience that simmers right beneath the surface. I don’t see essay writing as an extension of life, per se, but I do see it as the genuine attempt to look closely at what you have lived and are living, to force yourself to see and to work to better understand. That’s never changed my behavior, or made me learn a lesson or anything, but it does make me more aware of my behavior.

As I say in the book, I often love being a dad in public, for obvious ego reasons—this is the closest I’ll ever come to how I imagine it feels to be very good looking and walk into a party. And I feel the temptation of leaning into all the gender shit you talk about; I get to be the big, sweet, sturdy jungle gym.

But I also love the actual experience of being with my daughter in the world, watching her move through it, looking back at me sometimes, but increasingly looking straight ahead at what she wants to try next. It can feel like we’re alone in the world together; everything else is at a muted volume. So these are moments that feel both performed and deeply authentic, selfish and full of care at the same time. Writing about them has been an act of trying to investigate and reconcile that dichotomy, trying to find something that feels true.

BG: These essays are so smart and exquisitely written but for me it’s the way you sit within that dichotomy that grabbed and moved me. That, and “performing the self,” brings me to Andy Warhol and his diaries, which you write about in the final essay in Attachments , “Summer Diary.” I love this piece in part because I loved The Andy Warhol Diaries documentary (the AI narrator really did work well), and found it so surprising to get a glimpse beneath Warhol’s more widely-known, dry, public self and find this sweet, insecure, tender queer man.

You write, “ The Diaries made me think about sappy not as something surfacy but something deep and ingrained,” and I thought yes, that’s exactly right, and that connects to camp for me, which is also two things at once, deep and surfacy, performed and authentic, in bad taste but absolutely fabulous. I believe there’s an element of camp to sappiness, and to parenthood, and particularly to writing about parenthood—asking readers to bear witness to moments equally embarrassing and important, profound and banal—that I think you bring to this book.

Writing about my relationship with my son also highlights for me how all writing is time-based, just a snapshot of what the author is obsessed with at that particular moment. It’s more clear with writing about our children because our relationship with them is one written in time.

I wonder: What do you hope a reader will walk away from your book thinking about you as you as a dad in this particular moment in time in your life? And what do you hope your daughter might think of this book when, years from now, she discovers it among the other works you’ve published?

LM: This is maybe an absurd answer to your question, but I hope readers don’t think much of anything about me. I guess what I mean is that I don’t know that I matter that much in these essays. Or if you finish this book and you’re thinking about the specifics of me , I don’t know if I did my job. This is a weird catch-22 I’ve found in personal writing generally, where the process of writing doesn’t feel like putting myself out there, though of course it is. Instead, it’s offering up all these details, these intimacies that I’d never speak out loud to anyone but I feel much more comfortable dealing with on the page, until I almost start to blur, at least in my mind.

I’m sure I’m kidding myself to some degree, but I think the goal of good personal writing should be to not leave people with the feeling of, Wow this one person’s life is interesting, painful, annoying, whatever; instead, maybe the goal is to come away reminded that there are so many people living, feeling these things that are intense but also recognizable, and how wild it is that something like parenting can be simultaneously the most monumental, exhausting, particular, intimate shit ever, but also… regular. Or that’s just how I delude myself into getting something on the page. Either way, I’m sticking to it.

As for my daughter reading it, you know I’ve thought a lot about how so much of this book depicts her at such a young age that she realistically won’t remember it. Maybe it’ll just feel like reading fiction, or an account of some other random kid—who knows. If I want her to get anything from it someday… it’s probably too easy to say that I want her to feel loved, but that’s it. Whatever fraction of the real love I managed to get on the page.

Brian Gresko

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Embrace the liberating chaos of your first draft (also known as "the vomit draft.). During this initial phase, you must unleash your creativity without inhibitions. Focus on the raw expression of ideas over perfection. Refinement can follow after that.

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Professional Polish

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