personal statement for artists

7 Powerful Artist Statement Examples and How to Write Your Own

In the vast and dynamic realm of art, where colors collide and ideas flourish, artist statements stand as pillars of insight, offering glimpses into the creative minds behind the masterpieces. These succinct narratives not only provide context but also serve as bridges between the artist and their audience, fostering deeper connections and understanding.

Crafting an  effective artist statement  is akin to distilling the essence of one’s artistic vision into a few carefully chosen words. It’s about articulating the driving forces, inspirations, and intentions behind each stroke of the brush or every captured moment in a photograph.

Throughout this post, we’ll delve into the intricacies of  artist statements , exploring their significance in the  art world  and uncovering the nuances of crafting statements that resonate with viewers. From understanding the fundamentals to analyzing real-life examples, we’ll equip you with the tools and insights needed to craft your own compelling artist statement. So, whether you’re a seasoned artist looking to refine your statement or a newcomer eager to embark on this creative journey, prepare to unlock the power of words in the realm of art.

Artist statements  serve as windows into the creative process, offering insights into the motivations, inspirations, and philosophies that drive an artist’s work. At their core, these statements are concise narratives crafted by artists to accompany their artwork, providing context and depth to the pieces they create.

What is an artist statement?

An  artist statement  is a written declaration that provides insight into an artist’s practice, influences, and thematic concerns. It serves as a bridge between the artist and the audience, offering a glimpse into the conceptual framework underlying their work. While the format may vary—from a brief paragraph to a longer essay—the essence remains the same: to articulate the artist’s intent and provide context for their creations.

The Significance of Artist Statements

Artist statements  play a pivotal role in the art world, serving as guideposts for viewers navigating the intricate landscapes of galleries and exhibitions. They offer viewers a roadmap, illuminating the themes, techniques, and ideas that inform the artwork on display. Moreover, these statements facilitate a deeper engagement with the artwork, fostering meaningful connections between the artist’s vision and the viewer’s interpretation.

Conveying intent and connecting with the audience

Central to the effectiveness of  artist statements  is their ability to convey the artist’s intent and establish a connection with the audience. Through thoughtful reflection and introspection, artists articulate the driving forces behind their creative endeavors, allowing viewers to glimpse the stories behind the artwork. By sharing personal anecdotes, philosophical musings, or technical insights, artists forge a bond with viewers, inviting them to partake in the rich tapestry of artistic expression.

Importance of Clear, Concise Language and the Active Voice

Clarity and conciseness are paramount when crafting  artist statements . Artists must distill their ideas into succinct, accessible language that resonates with viewers of varying backgrounds. Furthermore, employing the active voice imbues statements with immediacy and authority, compelling viewers to engage with the artist’s narrative. By eschewing jargon and academic language, artists ensure that their statements are accessible to a wide audience, inviting individuals from all walks of life to explore and appreciate their work.

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Crafting Your Artist Statement

Crafting an  artist statement  is an art form in itself, requiring a delicate balance of introspection, clarity, and creativity. Whether you’re a seasoned artist or a newcomer to the craft, honing your statement-writing skills can elevate your work and deepen your connection with your audience.

Emphasizing first-person and active voice

First person  and  active voice  are powerful tools in crafting an engaging artist statement. By speaking directly to the viewer, using “I” or “we,” artists establish a personal connection, inviting viewers into their world and sharing their artistic journey. Similarly, employing the active voice infuses statements with energy and vitality, propelling the narrative forward and capturing the viewer’s attention. So, instead of saying, “The artwork was created,” opt for “I created this artwork,” injecting agency and authenticity into your statement.

Tips for Identifying and Articulating Subject Matter and Themes

Identifying and articulating the  subject matter  and  themes  of your work is essential for crafting a compelling artist statement. Begin by reflecting on the recurring motifs, symbols, or narratives present in your artwork. What themes resonate most deeply with you? What subjects do you find yourself returning to time and again? Once you’ve identified these elements, articulate them clearly and concisely in your statement, providing insight into the inspiration and intention behind your creations.

Exploring the creative process

The  creative process  lies at the heart of every artwork, serving as the catalyst for expression and exploration. In your artist statement, delve into the nuances of your creative journey, from the initial spark of inspiration to the final brushstroke or shutter click. Share anecdotes, insights, and reflections that illuminate your process, allowing viewers to glimpse the magic unfolding behind the scenes. Whether you embrace meticulous planning or revel in spontaneous experimentation, convey your process with passion and authenticity, inviting viewers to join you on this transformative journey.

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Using Examples for Inspiration

Drawing inspiration from  artist statement examples  can be a transformative journey, offering insights into different approaches, styles, and voices within the art world. By exploring a diverse array of statements, artists can glean valuable lessons and techniques to inform their own practice while staying true to their unique artistic vision.

A Showcase of Seven Powerful Artist Statement Examples

• Surrealism Unleashed : Dive into the enigmatic world of surrealism with artist X’s statement, where dreams intertwine with reality and the subconscious takes center stage.
• Abstract Expressions : Explore the dynamic interplay of color, form, and emotion in artist Y’s statement as they navigate the boundless realms of abstraction with bold strokes and daring compositions.
• Photographic Narratives : Step into the captivating narratives captured by artist Z, whose photography transcends mere documentation to evoke powerful emotions and stories untold.
• Minimalist Manifesto : Experience the quiet eloquence of minimalist art through artist A’s statement, where simplicity reigns supreme and every line and space speaks volumes.
• Nature’s Symphony : Immerse yourself in the harmonious landscapes depicted in artist B’s statement, where the beauty of the natural world is captured in every brushstroke and hue.
• Cultural Reverie : Journey through artist C’s statement, where cultural heritage and identity intertwine to create evocative works that resonate across time and space.
• Mixed Media Magic : Delve into the eclectic world of mixed media art with artist D’s statement, where disparate elements converge to form captivating narratives and textures.

Analysis of Strengths and Unique Qualities

• Clarity and Cohesion : Each example exhibits clarity and cohesion, effectively conveying the artist’s intent and thematic concerns in a concise and accessible manner.
• Authentic Voice : From surrealism to minimalism, each statement reflects the artist’s authentic voice and vision, imbuing their work with a sense of authenticity and originality.
• Emotional Resonance : Whether through bold abstraction or serene landscapes, the examples evoke powerful emotions and invite viewers to engage with the artwork on a deeper level.

Drawing Inspiration While Maintaining Authenticity

As you explore these  artist statement examples , take note of the techniques, themes, and voices that resonate with you personally. While drawing inspiration from others is invaluable, remember to stay true to your own artistic vision and voice. Your statement should reflect who you are as an artist, capture the essence of your work, and invite viewers into your unique creative world. So, let these examples spark your imagination and fuel your creativity, but always remember to forge your own path and tell your own story.

How to Write Your Own Artist Statement

Crafting your  artist statement  is a deeply personal and introspective process, requiring careful consideration and reflection. Whether you’re a seasoned artist or just starting out, this step-by-step guide will walk you through the process of writing a compelling statement that captures the essence of your work and resonates with your audience.

Step 1: Reflect on Your Artistic Journey

Begin by taking some time to reflect on your artistic journey. Consider the themes, motifs, and techniques that define your work. What inspires you? What messages or emotions do you hope to convey through your art? Jot down your thoughts and feelings in a journal or notebook, allowing your ideas to flow freely without judgment.

Step 2: Brainstorm and Free Write

Next, engage in  free writing  and brainstorming to generate ideas for your artist statement. Set aside some time to write without constraints, allowing your thoughts to unfold naturally on the page. Write down anything that comes to mind, from personal anecdotes to philosophical musings, exploring different aspects of your artistic practice and vision.

Step 3: Define Your Themes and Intentions

As you review your free writing and brainstorming sessions, identify the recurring themes, motifs, and intentions that emerge. What are the driving forces behind your work? What messages or concepts do you wish to communicate to your audience? Define these themes and intentions clearly, articulating them in your artist statement with precision and clarity.

Step 4: Craft Your Statement with Clarity and Conciseness

With your themes and intentions in mind, begin crafting your artist statement with clarity and conciseness. Start by introducing yourself and providing a brief overview of your artistic practice. Then, delve into the themes, motifs, and intentions that define your work, using clear and accessible language to convey your ideas to your audience. Remember to use the  first-person  and  active voice  to engage your readers and imbue your statement with authenticity and immediacy.

Step 5: Seek Feedback and Refinement

Once you’ve drafted your artist statement, seek feedback from peers, mentors, or trusted individuals in your artistic community. Share your statement with them and ask for their honest impressions and suggestions for improvement. Consider their feedback carefully, and be open to making revisions that strengthen and clarify your statement. By seeking outside perspectives, you can refine your statement and ensure that it resonates with your audience effectively.

Step 6: Finalize and Share Your Statement

After incorporating feedback and making any necessary revisions, finalize your artist statement and prepare to share it with the world. Consider including it in your online portfolio, exhibition materials, or artist website, where it can serve as a powerful introduction to your work for viewers and collectors alike. Be proud of your statement and the journey it represents, knowing that it captures the essence of your artistic vision and invites others to join you on your creative journey.

Navigating the world of  artist statements  can raise many questions. Here, we address some common queries to help demystify the process and empower you to craft a statement that captures the essence of your artistic vision.

How long should an artist statement be?

Artist statements  should be concise yet comprehensive, typically ranging from a few sentences to a short paragraph. Aim to convey your ideas and intentions clearly and succinctly, avoiding unnecessary verbosity.

What tone should I adopt in my artist statement?

The tone of your  artist statement  should reflect your artistic voice and the nature of your work. Whether it’s introspective and contemplative or bold and expressive, strive for a tone that resonates with your artistic vision and connects with your audience.

Who is my audience when writing an artist statement?

Your  audience  for an artist statement may vary, ranging from art collectors and gallery owners to fellow artists and art enthusiasts. Tailor your statement to appeal to a broad audience while staying true to your unique artistic perspective and vision.

How can I overcome writer’s block when crafting my artist statement?

To overcome  writer’s block , try engaging in  free writing  or brainstorming exercises to generate ideas. Take breaks to refresh your mind and return to your statement with a fresh perspective. Additionally, seek inspiration from other artists’ statements and draw upon personal experiences and reflections to fuel your creativity.

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Crafting an  artist statement  is an art form in itself, requiring introspection, clarity, and authenticity. By following the steps outlined in this post and drawing inspiration from the provided examples, you can craft a statement that captures the essence of your artistic vision and resonates deeply with your audience.

Embrace the power of words to convey your ideas and intentions, and remember the importance of authenticity and clarity in connecting with your audience. Whether you’re a seasoned artist refining your statement or a newcomer embarking on this creative journey, seize the opportunity to share your story and invite others into your world of artistry. Start crafting your own artist statement today, and let your voice be heard in the vibrant tapestry of the art world.

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Crafting Artistic Statements: 10 Powerful Examples & Guide

If you’ve been dreading writing your artist statement, you’re not alone. Although you love working on your artwork , coming up with an artist statement isn’t always easy.

But don’t fear! I’ll share some examples of famous artist statements here. Plus, I’ll walk you through how to write your own artist statement, what to include, and what to skip. 

So, let’s get started!

10 Excellent Artist Statement Examples

Here are ten great artist statement examples you can use for inspiration! Looking at good artist statements can help you decide what to include in your own. But don’t feel like you should copy a sample artist statement – remember to make it unique and personal! 

1. Wassily Kandinsky

“I let myself go. I thought little of the houses and trees, but applied color stripes and spots to the canvas… Within me sounded the memory of the early evening in Moscow – before my eyes were the strong, color-saturated scale of the Munich light and atmosphere, which thundered deeply in the shadows.”

2. Gustav Klimt

“I have never painted a self-portrait. I am less interested in myself as a subject for a painting than I am in other people, above all women… There is nothing special about me. I am a painter who paints day after day from morning to night… Whoever wants to know something about me… ought to look carefully at my pictures.”

3. Mark Rothko

“I’m not interested in relationships of color or form or anything else. I’m interested only in expressing basic human emotions – tragedy, ecstasy, doom, and so on – and the fact that lots of people break down and cry when confronted with my pictures shows that I communicate those basic human emotions… The people who weep before my pictures are having the same religion I had when I painted them.”

4. Edvard Munch

“I was walking along a path with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there were blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.”

5. Pablo Picasso

“I have never made trials or experiments. Whenever I had something to say, I have said it in the manner in which it needed to be said… I can hardly understand the importance given to the word “research” in connection with the modern painting. In my opinion to search means nothing in painting. To find is the thing.”

6. Jackson Pollock

“I want to express my feelings rather than illustrate them. It doesn’t matter how the paint is put on, as long as something is said. On the floor, I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting. When I’m painting, I’m not aware of what I’m doing. It’s only after a get-acquainted period that I see what I’ve been about. I’ve no fears about making changes for the painting has a life of its own.”

7. Nancy McIntyre

“What do I want to say with my art? Celebrate the human, the marks people make on the world. Treasure the local, the small-scale, the eccentric, the ordinary: whatever is made out of caring. Respect what people have built for themselves. Find the beauty in some battered old porch or cluttered, human-scale storefront, while it still stands.”

8. Duane Keiser

“My subject matter tends to be those fragmentary passages that reside within the mundane – the in-between spaces of our lives that we see but often do not notice. For me, these paintings are about the pleasure of seeing; of being cognizant of the world around me, and pushing to find an alchemy between the paint, my subject, and the moment. I view each piece as being part of a single, ongoing work.”

9. Charlene Fuhrman-Schulz

“My subject matter is nature, whether it is a traditional landscape or a bird and flower painting. I use traditional materials, ink, and brush on rice paper, to capture movement and life — making the brush dance and the ink sing. Everything is captured in the spontaneous dance and movement of the brush as it meets the rice paper. There is no going back and correcting when painting with ink and rice paper.”

10. Georgia O’Keeffe 

“I have but one desire as a painter – that is to paint what I see, as I see it, in my own way, without regard for the desires or taste of the professional dealer or the professional collector. I attribute what little success I have to this fact. I wouldn’t turn out stuff for order, and I couldn’t. It would stifle any creative ability I possess.”

What is an Artist Statement?

Every artist needs to write an artist statement at some point. But, what is it exactly?

An artist statement gives insight into the artist’s process and creative decisions. It can also explain the themes, ideas, and vision of the artist. You can think of it as an initial introduction to yourself and your work to give a great first impression!

Artist statements officially date back to the 1990s . But while they haven’t been around a long time, artists have always tried to define and explain their work. 

These statements can vary in length from a few sentences to a page or more. Each statement will differ, but you want yours to be memorable and easy to understand.

Most importantly, it should help people to understand your work.

Artist statements are used for many reasons. You may use yours when applying for grants, submitting a portfolio, or for PR and press mentions.  It can also appear on your website. 

So, it’s an essential document you’ll need to create. It’s key to growing your following and building a successful career as an artist. 

Writing an artist statement can also help you to get clear on your overall vision and values. You might need to spend some time reflecting on what your art means to you.

And yes, it does mean you’ll have to put down the paintbrush briefly. But with these tips, you’ll know exactly how to write your artist statement. 

Once it’s written, you can use the same statement again and again. If your artwork evolves over time, you may want to update it slightly. But you’ll have already done the hard work researching, planning, and writing it.

How to Write an Artist Statement

Writing an artist statement sounds daunting, but it doesn’t have to be difficult. 

Here are my simple steps for crafting an engaging and effective artist statement! These tips will take you from a bland statement to an amazing artist’s mission statement.

Use simple language

Don’t overcomplicate your statement or use very academic language. That can put people off reading it. Your statement must be powerful and accessible to everyone.

Use active voice and 1st person perspective

I always recommend using the active voice as it comes across as more confident and powerful. Avoid wishy-washy phrases like:

• I want to … in my work

Instead, switch it to active voice. Instantly, you’ll have a more interesting and captivating statement. 

Using 1st person perspective also ensures that your statement is clear and direct. 

Keep it short and sweet

You want to grab the reader’s attention and hold their interest. Avoid an artist statement that is several paragraphs (or pages!) long. A short artist statement is more powerful. So, it should be concise and to the point, without any filler. 

Condense what you want to say down into as little as possible without losing the meaning. Your artist statement should be short enough to quote! 

Ask yourself questions

Your statement allows you to provide a greater understanding of your creative choices. It can give a window into your thought process, so people can take more from your art.

But you need to ensure you include this information in your statement. Otherwise, you’re missing an opportunity. 

One effective method is to think about what people might want to know from you. What questions do you get asked in interviews?

Here are a few questions you could ask yourself:

• What do you want to achieve with your art?
• How do you create your artwork?
• What type of artist am I?
• How does the process, medium, or technique affect the work?
• What does the reader need to know to understand your artwork?
• What emotions do you want to invoke in the reader?
• Who has influenced you in your artistic career, and particularly in this work?
• Who or what are you addressing in this artwork?
• What else do you want your audience to know?
• How does this work relate to your other works?
• What is your art philosophy?
• How does your artwork fit into the history of art?

Don’t worry – you don’t have to answer all these questions in your statement. You can decide which ones make sense. Remember that short and sweet is better than long and dry – you want to get people interested in you!

Once you’ve identified what people want to know about you and your art, you can consider your responses. 

Do your research

A great way to get inspiration for your artist statement is by looking at other examples. You can read up on how the old masters or contemporary artists describe their work. 

Doing some research will help you understand how to structure your statement. It can also give you food for thought to delve deeper into the meanings of your artwork, too! 

If you’re still struggling, there are artist statement templates you can use to get you started. A template will help you build your statement’s structure so that you can concentrate on the details. 

Step away and come back later to edit

It’s easy to get caught up in the details and overthink something as important as an artist’s statement. This document is meaningful and may provoke lots of thoughts or emotions. 

If you find yourself writing and editing, again and again, take some time to step away. Any piece of writing benefits from a fresh eye. When you work on something for a long time, it’s easy to miss any minor details or mistakes.

I always recommend coming back another day to read through and make any final changes. 

The Wrap Up

Writing your artist statement doesn’t have to be a painstaking process. Now, you’ve had a look at some great artist statements. With these simple tips, you’re all set to craft your own statement now! 

Let me know if you have any questions in the comments below. Go ahead and share your artist statement once you’ve written it, too! 

Follow me on Pinterest for more tips, guides, and tutorials for creative professionals! 

Outmane is the founder of Proactive Creative. He is an artist/designer.

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Artist Statement of Purpose Examples: Crafting Your Fine Art Personal Statement

When it comes to pursuing a career in fine art, a well-crafted artist statement of purpose can be your ticket to success. Whether you’re applying for an MFA, BFA, or a position in the art world, your personal statement holds the key to showcasing your passion, creativity, and dedication.

In this comprehensive guide, we will dive deep into artist statement of purpose examples, helping you understand how to articulate your love for art effectively and create a compelling personal statement.

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• The Importance of a Personal Statement

Your personal statement, often interchangeably referred to as a statement of purpose (SOP), is your opportunity to tell your unique story as an artist. It allows admissions committees or potential employers to get to know you beyond your portfolio or resume.

Your personal statement should convey your artistic journey, influences, experiences, and future aspirations. It’s a chance to make a lasting impression and demonstrate why you are a perfect fit for your chosen fine art program or career in the art world.

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• Crafting a Captivating Introduction

Personal Statement

Your personal statement should begin with a captivating introduction that immediately grabs the reader’s attention. Think of it as the opening scene in a captivating movie. Here’s an example:

“Art has always been my muse, guiding my life’s path towards creative expression. From the moment I held a paintbrush, I knew that art was more than just colors on a canvas; it was a form of storytelling, a means to connect with the world and express the deepest facets of my being.”

Expressing Your Love for Fine Art

Your introduction should convey your deep-seated love for fine art. You can talk about when and how your passion for art first ignited. Maybe it was a childhood memory of visiting an art museum, or perhaps you had an inspiring art teacher who encouraged your creativity. Sharing this personal connection with art can draw readers into your narrative.

Defining Your Artistic Identity

In the introduction, you should also touch upon what makes your artistic identity unique. What sets you apart as an artist? Do you have a signature style, technique, or theme that defines your work? This is the time to provide a glimpse into what makes your art special.

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• Sharing Concrete Examples of Your Work and Experiences

Statement Examples

Once you’ve captured your reader’s attention with a compelling introduction, it’s time to delve into the heart of your personal statement by sharing concrete examples of your work and experiences. This section should showcase your artistic journey and demonstrate your dedication to your craft.

Highlighting Artistic Milestones

In this section, you can mention significant milestones in your artistic journey. These could include exhibitions, awards, or collaborations that have shaped your development as an artist. For instance:

“Over the years, I have had the privilege of showcasing my work in prestigious galleries and museums, such as the Tate Modern in London. These opportunities not only exposed my art to a wider audience but also pushed me to constantly evolve as an artist.”

By highlighting these achievements, you demonstrate your commitment to your art and your ability to thrive in the competitive art world.

Discussing Artistic Influences

Artists are often inspired by the work of others. Share the artists or artworks that have influenced your creative process. You might mention famous painters, sculptors, or contemporary artists whose work resonates with you. Explaining how these influences have shaped your artistic perspective can provide insight into your unique approach to art.

Detailing Your Educational Background

If you’ve pursued formal education in fine art, whether it’s an undergraduate degree, a BFA, or an MFA, this is the place to discuss it. Talk about your academic journey, the courses that had a profound impact on you, and any mentors who guided your artistic growth. Be sure to convey how your education has contributed to your development as an artist.

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• Exploring Specific Interests and Influences

Art and Design Personal Statement

Art is a vast and diverse field, and this section allows you to explore your specific interests and influences in greater detail. Whether you’re passionate about painting, sculpture, graphic design, or any other art form, here’s where you can delve into the heart of your creative focus.

Passion for a Specific Art Form

Share your deep-seated passion for your chosen art form. Explain why you are drawn to it and how it allows you to express yourself. For example:

“My fascination with seascapes and the fragility of nature has been a recurring theme in my work. It’s a subject that allows me to explore the vastness and immensity of the natural world while conveying its fragility.”

Artistic Inspirations

Discuss the artists or movements that have had a profound impact on your work within your chosen art form. Whether it’s the abstract expressionism of Jackson Pollock or the precision of Renaissance art, detailing these influences adds depth to your personal statement.

Your Creative Process

Take the reader on a journey through your creative process. How do you approach your work? Do you start with sketches, embrace spontaneity, or meticulously plan each piece? Sharing your process can provide insight into your artistic mindset.

• Articulating Your Goals and Aspirations

Fine Art Personal Statement

Your personal statement should not only reflect on your past but also look to the future. What are your artistic goals and aspirations? Where do you see yourself in the art world? This section allows you to articulate your vision and ambition as an artist.

Short-Term Goals

Discuss your immediate goals within the art world. Whether it’s participating in specific exhibitions, collaborating with fellow artists, or mastering a new technique, these short-term objectives reveal your drive and commitment.

Long-Term Aspirations

Take a broader view and share your long-term aspirations. Do you dream of curating your own gallery, teaching art to the next generation, or becoming an internationally recognized artist? Expressing these ambitions paints a vivid picture of your future in the art world.

Why This Program or Career?

If you’re applying to a specific program, be it an MFA or a job opportunity, explain why it’s the perfect fit for your artistic journey. Mention how the program’s curriculum, faculty, or mission align with your goals.

• Tailoring Your Statement for MFA and BFA Applications

MFA and BFA

Depending on whether you’re applying for a Master of Fine Arts (MFA) or a Bachelor of Fine Arts (BFA) program, there are specific elements to emphasize in your personal statement.

MFA Program Emphasis

For MFA applicants, emphasize your commitment to furthering your craft and the advanced level of artistry you bring to the table. Discuss your readiness for the intensive program and your eagerness to engage in critical discourse with fellow artists.

“Enrolling in the MFA program at [University Name] is a natural step in my journey to become a professional artist. I am ready to immerse myself in a community of dedicated artists, engage in rigorous critiques, and push the boundaries of my creative practice.”

BFA Program Emphasis

Similarly, BFA applicants should convey their passion and readiness to embark on their educational journey. Highlight your enthusiasm for learning and your willingness to explore various aspects of fine art.

“I am eager to embark on the BFA program, where I can continue to refine my graphic design and photography skills. This program’s focus on nurturing emerging artists aligns perfectly with my goals of honing my craft and exploring new artistic horizons.”

• Showcasing Your Love for Art History

Art History

For those with a passion for art history, your personal statement should reflect your deep love for the subject and your desire to explore its intricacies.

Unearthing Art Historical Insights

Share your favorite periods, artists, or art movements within the scope of art history. Discuss why you find these aspects particularly fascinating and how they have influenced your perspective.

“Art history has been my guiding light in understanding the evolution of artistic expression. I am particularly captivated by the Romantic period and its emphasis on emotion, individualism, and nature, as seen in the works of artists like Caspar David Friedrich.”

Academic Pursuits

If you’re applying for graduate studies in art history, discuss your academic interests and the areas of art history you wish to explore further. Mention any research projects, papers, or presentations that showcase your dedication to the field.

“ During my undergraduate studies, I delved into the complexities of American art history. My thesis on the impact of Abstract Expressionism on post-war American society was a testament to my commitment to scholarly pursuits in this field .”

• Conclusion: Crafting Your Artistic Narrative

Crafting a compelling artist statement of purpose is an art form in itself. By drawing inspiration from these examples and infusing your personal experiences, you can create a statement that reflects your passion for fine art.

Remember, your personal statement is your opportunity to shine and convey why you are a perfect fit for your chosen fine art program or career in the art world.

In closing, let your personal statement be a testament to your love for art and your unwavering commitment to the world of creativity. Use it as a canvas to paint your story, one brushstroke at a time, and let your passion shine through every word. Your artistic journey begins with your statement of purpose, so make it a masterpiece.

With this comprehensive guide, you now have the tools and inspiration to craft a personal statement that leaves a lasting impression and sets you on a path toward success in the world of fine art. Embrace your creativity, share your story, and let your love for art guide you on this incredible artistic journey.

What should I include in my artist statement of purpose?

Your statement should cover your artistic journey, influences, experiences, and future aspirations. Use concrete examples to illustrate your passion for fine art.

How long should my personal statement be?

Aim for a concise statement, typically around 500-800 words. Be sure to follow any specific word limit guidelines provided by the institution or program.

Can I use samples of my work in my statement?

Absolutely! Including images or descriptions of your work can add depth to your statement and showcase your artistic abilities.

Should I mention specific artists or artworks that inspire me?

Yes, mentioning artists or artworks that have influenced you can provide insight into your artistic perspective and passion.

How important is the artist statement in the application process?

Your personal statement is a crucial component of your application. It allows admissions committees to understand your unique voice, passion, and suitability for their program.

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Table of Contents

• • The Importance of a Personal Statement
• • Crafting a Captivating Introduction
• • Sharing Concrete Examples of Your Work and Experiences
• • Exploring Specific Interests and Influences
• • Articulating Your Goals and Aspirations
• • Tailoring Your Statement for MFA and BFA Applications
• • Showcasing Your Love for Art History
• • Conclusion: Crafting Your Artistic Narrative

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The Complete Guide to Writing an Artist Statement

Whether it’s a single piece of art or your whole body of work, an artist statement can provide clarity and context to your purposes and processes. A good artist statement can have the power to sway how an audience distinguishes your work. Providing insight on your choice of mediums or the themes you’re aiming to convey can give viewers a deeper understanding and appreciation of your creative intentions.

In this complete guide to writing an artist statement, we will discuss the importance of an artist statement for your art career and provide tips for writing an artist statement . We will also share examples of excellent artist statements and explain what makes them so powerful.

What is an Artist Statement?

Simply put, an artist statement is a description of your work in your own words. It is an explanation of why you do what you do and how you made what you created. You can have an artist statement for each piece of art you create. You can also have an artist statement that represents your entire body of work. An artist statement explains your creative process, including your motivations, inspirations behind, mission, and methods. It should include your choice of mediums and use of tools and techniques.

A well-written artist statement can have the power to break a tie in an art competition, an artist grant application, or secure your spot in a coveted artist residency program. Think of your artist statement as a caption in a broadcast program, similar to what you would include on a social media post. An artist statement , like a caption, aims to improve engagement by giving the visual image desired context and relevance. It will likely appear alongside your work at a gallery, exhibition, art fair display or on a press release of your show. 

Artist Statement vs. Artist Bio

An artist statement is not your life story, a manifesto, or a list of your accomplishments. It is also not an artist biography . An artist biography is a summary of the significant events of your life that lead up to your art career. Unlike an artist statement, an artist bio can be written in the third person. It will include when and where you were born and where you are now based.

An artist bio can talk about how you first became interested in art and where you studied. It can discuss your education, degrees, formal art training, or apprenticeship programs you participated in. Essentially, an artist bio connects the impact your life history has on your artwork and talks about your concepts, philosophies, inspirations, and influences.

An artist statement is typically required when you join an art competition, submit your portfolio to a gallery or museum; it may also be used in press releases. Your artist biography, on the other hand, can be used on your website or your profile on a gallery site. It may also be used in articles, interviews, or exhibition catalogs.

Because an artist bio is the account of your life as an artist, it should remain relatively the same throughout your art career. Artist statements, on the other hand, are more flexible and may change depending on its purpose. It may be changed or tweaked from time to time to stay relevant with any status or developmental changes in your work.

Why You Need an Artist Statement in 2021

From portfolio websites to artists galleries, arts professionals benefit from artist statements in more ways than one. Whether you’re applying for residencies or art collectives, submitting your portfolio to a gallery, or participating in a competition, your artist statement will help you stand-out. Decision-makers will want to learn more about your process. When someone becomes familiar with you, they may search the internet to see what others are saying about your work.

Up-and-coming contemporary artists and performance artists alike use the online platforms to reach more audiences and spread their artistic messages. It’s where people may see your work for the first time and learn about you as a talented visual artist. So without realizing it, your personal brand already exists online – especially if you are active on social media or have a website for your work. And while people are free to form their own opinions about your art, remember that you are the best person to represent and describe your work.

Writing an artist statement is how you can take control of your narrative. We live in a digital era where most things, even art, are first experienced on the internet. And unfortunately, seeing art on a screen can often make it impossible to determine the true nature of the piece.

If they are seeing your art online or a photograph, they will want to know your medium and methods. A still image of a performance art piece may be mistaken for photography while a picture of a sculpture may look like a painting. A hyperrealistic art piece may be so accurate and detailed that it is thought to be a photograph of a real person or object. And without the right description, it may go unnoticed that you have used mixed media or used a highly unique method that sets you apart.

Without proper context, an audience, whether online or in-person, can view your art and become confused, be misled, or often make their assumptions about your message or intention behind your work. And while you have little control over how people interpret your work, the goal of your artist statement is to tell your story in your own words and sway readers in the right direction.

The Components of an Artist Statement

Artist statements vary in length, tone, and purpose. However, all effective artist statements have some qualities in common. They answer the “how,” the “what,” and the “why.”

Medium, materials, and methods – Describing the medium and the materials you use to answer the “how.” How do you create your art? Do you use acrylic, oil paint, or charcoal? Do you use metals, wood, stone, or recycled materials? Do you take your photography work using old film cameras and develop them in your darkroom? Or like everyone, a digital camera?

Subject matter – Sometimes subject matters aren’t always obvious. And often, visual artists would prefer not to put labels on their work to let their audience interpret the work for themselves. However, you can describe your subject matter without directly saying it is. Instead, you can answer the “what” by saying it’s an abstract painting, a landscape, or your interpretation of an everyday object.

Relationship between your concept and materials – Talk about your influences and how they manifest in your work. This is your opportunity to differentiate your work from art that is similar to yours and answer the “why.” Explain why you do what you do and what you hope to achieve. What are your intentions? What message do you hope to convey?  

Tips for Writing an Artist Statement

Feeling the pressure of being both artist and writer? Connecting with your audience by explaining your visual art through written words can be a challenge. However, it doesn’t have to be a painful process. Here are some tips on how to help your audience understand your art and gain insight into your process:

Write in the first person – While some may argue that the third person sounds more professional, the goal of your artist statement is to communicate your work effectively. And the best way to do that is by using your own words, active voice, and first-person language to connect with your audience. When crafting your artist statement, imagine you’re having a conversation with the reader; use “I” and “me.” Allow the reader to see your work through your eyes. The problem with writing in the third person is that it may detach you from the reader and make it seem like someone else is describing your motivations.

Use your voice – Using your voice is different from writing in the first person. Your voice refers to your writing personality. Your style may be humorous, witty, technical, or heartfelt. When writing your artist statement, use your unique perspectives and experiences. And while many artists have inspired your work, try not to copy other people’s words to describe art that is similar to yours.

Consider your audience – While it’s important to stay true to your voice, different situations call for different artist statements. A basic artist statement will suffice if it accompanies your artwork on your website. However, if the artist’s statement is for a grant opportunity, you may need to change your tone slightly to focus more on your goal, purpose, and/or techniques.

Write different versions – It is wise art practice to create different versions of your artist statement. This will save you the time of shortening and lengthening your statement depending on the situation. So before you write your artist statement, know your audience.

Because artist’s statements are used for different purposes, they can vary in length. An artist’s statement accompanying a single piece of work can be a few sentences or a short paragraph long. Generally, an artist statement should only be between 100-200 words because shorter statements are better for the average attention span.

On the other hand, an artist statement submitted with your portfolio for review by jurors on a grant committee or graduate art program may require a detailed description of your concept and processes. Therefore, they can be longer if the intended purpose for the artist statement requires a more comprehensive explanation of your work.

Answer the right questions – An effective artist statement answers the “how,” the “what,” and the “why. Think about all the questions you would typically have if you were looking at a piece of art. Interview yourself. What would a prospective buyer, grant-giving organization, or art competition judge want to know about your work?

Use accessible language – Overly technical language and art jargon can be intimidating for the average reader. And while an art expert or a scholar who may understand complex art terms may be reading your artist statement, using fanciful words may come off as pretentious. Instead, use clear, accessible vocabulary that will enlighten your audience rather than confuse them.

Read your statement aloud – When you read your artist statement out loud, does it sound like you or someone else? Remember that your artist statement should sound natural coming from you, after all, they are your words and your voice.

Read your artist statement to a fellow visual artist, a teacher, a mentor, or even an art critic. Sometimes it’s best to seek the opinion of an unbiased third party who has no formal art background. Ask them to point out any inconsistencies, grammarly errors, or confusing comparisons.  

Excellent Examples of Artist Statements

To get inspiration when it’s time to write about your work, read sample artist statements from reliable art resources, art news, artist books, related articles, and art business publications. The best artist statements have a few elements in common. They are short personal narratives that give the reader insight into the art-making process and deeper meaning of the art. They are also written in the writer’s unique voice. Here are some of our favorite artist statements:

We start with an artist statement by Henri Matisse:

“ I don’t paint things; I paint only the differences between things… I do not literally paint that table, but the emotion it produces upon me. What I dream of is an art of balance, of purity and serenity devoid of troubling or depressing subject matter – a soothing, calming influence on the mind, rather like a good armchair which provides relaxation from physical fatigue. ”

– Henri Matisse

Henri Matisse wrote this artist statement for his painting Harmony in Red (1908), considered to be Matisse’s masterpiece by many critics and art historians. While this statement is over a hundred years old, it shows that a well-written artist statement stands the test of time and secures itself in art history.

Here is another artist statement that we love:

“ Getting outside is good for the soul. Through my artwork, I try to bring the outside in. While I make no attempt to portray actual plants or animals, I do want my creations to look like they could have lived or grown somewhere. Living with beautiful objects that pay tribute to the natural world reminds us to slow down and helps us reconnect with nature. ”

– Alison Sigethy

Alison Sigethy is an artist who makes environmentally themed sculptures out of glass. In her artist statement, she explains beautifully where she draws inspiration from when creating kinetic water features and nature-inspired glass art.

Here is another compelling artist statement from Charlene Fuhrman-Schulz:

“ My subject matter is nature, whether it is a traditional landscape or a bird and flower painting. I use traditional materials, ink and brush on rice paper, to capture movement and life — making the brush dance and the ink sing. Everything is captured in the spontaneous dance and movement of the brush as it meets the rice paper. There is no going back and correcting when painting with ink and rice paper. This love of spontaneous Chinese painting has provided a unique segue for my exploration of more abstract techniques of Oriental painting such as “Splashing Ink” or “PoMo”.  These techniques entail pouring color and creating an image from the abstract through the use of traditional brush work. At this point my work ranges from the very traditional to abstract and a blending of the two. ”

– Charlene Fuhrman-Schulz

Charlene Fuhrman-Schulz is a sumi-é artist who began Chinese Brush painting in 1989. We love her artist statement because it gets straight to the point and describes her medium, techniques, and intentions.

Take a look at Georgia O’Keefe’s artist statement for Jimson Weed/White Flower No. 1 (1932):

“ When you take a flower in your hand and really look at it, it’s your world for the moment. I want to give that world to someone else… Nobody really sees a flower – really – it is so small – we haven’t time – and to see takes time… So I said to myself – I’ll paint what I see – what the flower is to me but I’ll paint it big and they will be surprised into taking time to look at it. ”

– Georgia O’Keeffe

Georgia O’Keefe’s artist statement puts focus on the piece’s subject matter, the flower. She talks about her motivations for painting it.

And finally, here is an artist statement from an old master:

“ The pre-homoeroticized body forms both my field of action and the basis of my conceptual taxonomy. My sculptures explore both the flux of transfixable signifiers and their complimentary anecdotal formations. My choice of Carrara marble as a medium creates a dialectic between proto-Classical conceptions of idealized form and later Humanistic naturalism. Each figure’s physical struggle is simultaneously inoperative and adjectival. ”

– Michelangelo Buonarroti

In this excellent example of an artist statement, Michelangelo, one of the greatest artists of the Italian Renaissance, talks about The Rebellious Slave , a marble sculpture piece from 1513. What makes Michelangelo’s artist statement so effective is that it answers the “how,” the “what,” and the “why” of the masterpiece sculpture.  

Your artist statement is a useful tool for explaining your creative process and allows you to steer your narrative in the right direction rather than leave it open to misinterpretation and confusion. While you may dismiss writing an artist statement to allow your visual work a chance to speak without verbal cues, remember that artist statements are necessary if you want to grow as an artist and gain the attention of audiences and potential patrons and buyers.

Whether you’re in New York City or Los Angeles, somewhere in Europe or Latin America, applying for national or international residency programs, or a hardworking emerging artist finding your niche in the artistic community, an artist statement is your ticket to the art world.

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Fine Art Personal Statement Examples

• 1 Personal Statement Example Links
• 2 Career Opportunities
• 3 UK Admission Requirements
• 4 UK Earnings Potential For Fine Artists
• 5 Similar Courses in UK
• 6 UK Curriculum
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Personal Statement Example Links

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Are you considering a career in Fine Art? Whether you’re looking to pursue a degree in Fine Art or just want to explore the subject as a hobby, writing a personal statement is a great way to get started. A personal statement can help you stand out from the competition and give you an edge when applying for a course.

This article will provide some examples of personal statements for Fine Art courses, as well as a course overview.

Personal Statement Examples

When writing a personal statement for a Fine Art course, it’s important to focus on your passion and enthusiasm for the subject. Here are some examples of personal statements that could be used for Fine Art courses:

“I have always been passionate about art and I believe that studying Fine Art will help me to develop my creative skills and express my ideas in a unique way. I am excited to explore the different techniques and styles of art, as well as the history and theory behind them. I am confident that I will be able to use my creativity to create inspiring works of art.”

“I have always been fascinated by the beauty of art and I am excited to explore the different mediums and techniques used in Fine Art. I am particularly interested in exploring the relationship between art and culture, and I am confident that I will be able to use this knowledge to create meaningful works of art.”

music industry, which could include record label management, music publishing, artist management, concert production, or music marketing and promotions. Their roles may involve negotiating contracts, promoting artists or music releases, organizing events, or managing financial and legal matters.

Career Opportunities

A degree in Fine Art can open the door to a wide range of career opportunities. Art graduates can pursue a career in the creative arts, such as painting, sculpture, drawing, photography, filmmaking, and multimedia. They can also pursue careers in the performing arts, such as theater, dance, music, and comedy.

Art graduates can also pursue a career in the commercial art industry, such as graphic design, illustration, animation, and advertising. They can also find work in the fashion industry, such as designing clothing, accessories, and jewelry.

In addition, art graduates can pursue a career in the museum and gallery sector, such as curating, conserving, and exhibiting artwork. They can also pursue a career in the art education sector, such as teaching art in schools, universities, and art centers.

Finally, art graduates can pursue a career in the art market, such as dealing, appraising, and auctioning artwork. They can also pursue a career in the art publishing sector, such as writing, editing, and publishing books about art.

UK Admission Requirements

In order to be accepted into a university course in Fine Art, applicants must typically have achieved a minimum of 5 GCSEs at grade 4 or above, including Maths and English. Additionally, applicants must usually have achieved a minimum of two A-Levels at grade C or above, or a Level 3 Diploma in Art and Design.

The entry criteria for a Fine Art course may vary depending on the university and the type of course. For example, some universities may require applicants to have achieved a minimum of two A-Levels at grade B or above, or a Level 3 Diploma in Art and Design with a Merit or Distinction.

In comparison to other courses, the entry criteria for a Fine Art course is quite similar to other art and design courses. However, some universities may also require applicants to have a portfolio of work to demonstrate their artistic ability.

UK Earnings Potential For Fine Artists

The average earnings for someone with a degree in Fine Art will vary depending on the type of job they pursue. Those who pursue a career in the arts, such as working in galleries, museums, or as a freelance artist, may not earn a high salary. However, many artists are able to supplement their income through teaching, grants, and other sources.

In the UK, the average salary for a professional artist is £19,000 per year, according to the Office for National Statistics. This figure is likely to be lower for those who are just starting out in their careers.

In terms of trends in the job market, there has been an increase in the number of jobs in the creative industries in recent years. This has been driven by the growth of digital media and the increasing demand for creative professionals. As a result, there are likely to be more opportunities for those with a degree in Fine Art in the future.

Similar Courses in UK

Other university courses related to Fine Art include Art History, Visual Arts, and Photography.

Art History is the study of the history and development of art, from its beginnings to the present day. Visual Arts is a broad field of study that includes drawing, painting, sculpture, printmaking, photography, and other forms of visual expression.

Photography is the practice of creating still or moving images by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film.

The key differences between Fine Art and these other courses are the focus of study. Fine Art focuses on the practice of creating art, while Art History focuses on the history and development of art. Visual Arts focuses on the broad field of visual expression and Photography focuses on the practice of creating still or moving images.

UK Curriculum

The key topics and modules covered in a Fine Art course in the UK Curriculum typically include:

• Art History: Students will gain an understanding of the history of art, including the development of different styles, movements, and techniques.
• Studio Practise: Students will develop their own creative practise through studio-based activities, such as drawing, painting, sculpture, photography, printmaking, and digital media.
• Critical and Contextual Studies: Students will gain an understanding of the wider context of art, including the study of contemporary art, art theory, and critical analysis.
• Professional Practise: Students will develop their understanding of the professional art world, including the business of art, marketing, and curation.
• Practical Work: Students will have the opportunity to engage in practical work, such as creating artworks, visiting galleries, and participating in exhibitions.

Alumni Network

One notable alumni from the University of Fine Art course is the artist and sculptor, David Smith. After graduating from the university, Smith went on to become one of the most influential sculptors of the 20th century. His works are often characterized by their abstract forms and use of industrial materials such as steel and aluminum.

He was part of the Abstract Expressionist movement and was a major influence on the development of modern sculpture. Smith’s works can be found in major museums around the world, including the Museum of Modern Art in New York.

The University of Fine Art offers a variety of alumni events and networking opportunities. These include the Alumni Networking Reception, which is held annually, and the David Smith Alumni Lecture Series, which is held every other year.

The university also offers an Alumni Mentoring Programme, which pairs current students with alumni who have experience in the field. This program allows students to gain valuable insight and advice from alumni who have gone on to successful careers in the arts.

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How to write an artist statement

I like to think of the artist statement as the wedding toast of the art world. If you wing it, suddenly you’re on the spot in front of a crowd of expectant faces, trying to put into words a relationship (between you and your art) that you’ve always felt intuitively. We’ve all seen those toasts. They don’t go well.

But if you put time and energy into crafting your message beforehand, you’ll actually add to that crowd’s understanding of the significance of this event (your art) and help them feel all the feels more deeply.

I’ve been wrestling with my own artist statements for as long as I’ve been making art. And I must confess, it’s never a task I look upon with glee. This, despite the fact that I write about art for a living. But reading other people’s statements has taught me a lot about what works and what doesn’t, and how to reverse-engineer a killer toast: a clear, concise and compelling artist statement.

— Artist and writer Sarah Hotchkiss

First things first: What is an artist statement?

In the interest of clarity, let’s define “artist statement,” since I’ve already needlessly complicated things by introducing a wedding metaphor into the mix.

An artist statement is a not-too-long series of sentences that describe what you make and why you make it. It’s a stand-in for you, the artist, talking to someone about your work in a way that adds to their experience of viewing that work.

Here are a few things an artist statement is not: a manifesto, an art history lecture, a story about discovering art, short fiction, self-psychoanalysis, a string of adjectives, a grand theory of everything you’ve ever made, or a list of your career accomplishments.

You’ll be called upon to submit artist statements when you apply for residencies, grants, and sometimes, exhibition opportunities. I wrote my first substantial one when I applied to MFA programs. And here’s the secret: even though they can be hard to write, they’re immensely useful. It truly helps me understand my own practice to sit down every few months and translate this nonverbal solitary thing I spend countless hours on into words for a specific audience.

If you’re reading this guide and it’s not the night before an important application is due, you’re already in good shape. Artist statements take time, but they don’t have to be torture. If you can get into the habit of stepping back, evaluating your work, and writing a few sentences about it, you won’t have to start from scratch when you’re down to the wire.

The brainstorming phase

All that said, sitting down and writing clear, concise, and compelling sentences about your art is daunting. So don’t start with sentences. Ease your way into it with a writing exercise that feels exciting, or generative, or natural to you. A few suggestions:

Gather your art in one digital or physical space and really look at it. It’s possible you’ve been working on such a micro level you haven’t taken a macro view in a while. What commonalities and differences do you see? Think holistically about a specific body of art.

Write out a list of adjectives that describe your work. Use both visual and tonal descriptors. Be specific and avoid art jargon. If your art follows in the footsteps of minimalism, could you describe it as quiet? Or rhythmic? Is your work funny, raunchy, messy?

Record yourself describing your art to a friend, family member, or fellow artist. Chances are you’re making statements about your work all the time. Have a studio visit coming up? Record the conversation (with the other person’s permission), transcribe the audio, and mine it for pertinent details.

Think about the emotions and reactions you want your audience to come away with. An artist’s intent may have little bearing on an audience’s interpretation, but an artist statement is one of the few places you get to nudge that audience towards your desired result. Do they learn something from your art or make new connections between disparate subjects? Are you trying to make people feel agitated, joyful, incensed?

Write a casual letter to your best friend about what you’ve been up to in the studio. “Dear Laurie, today I spent five hours papier-mâché-ing a cardboard version of a hamster toy. It came out looking like a first-grader’s craft project, but that’s what I was going for. I think it’ll make you laugh.”

Jeopardy your practice. What are the questions you hope to answer in your work?

Artist statement basics

Suddenly, you have a bunch of words describing your art. Now you get to pick the best ones to fulfill the very basic elements of an artist statement: what, why, and (possibly) how.

What. Make sure to state what medium you work in (paintings, sculptures, installation, non-narrative video, durational performance, etc.). It’s amazing how many statements don’t include that basic fact.

Why. Try not to overthink this one. Look back at your brainstorms and your casual conversations. You make this work because you’re excited about it. What, exactly, are you excited about? Be confident: Your art shouldn’t “hope” or “try” to do something to the viewer, it should just do it. Here is where you can also bring up, without going too far into the art historical weeds, your influences and inspirations.

How. If you have a truly unique process that’s important to understand—or one that images can’t accurately convey—briefly describe how you make your work. (Please note: Collage is not a unique process and there’s no inventive way to describe it as such, even if you use the word “juxtapose.”)

Beyond fulfilling these basic “what, why, and how” requirements, an artist statement can be relayed in whatever tone and sentence structure feels best to you. (I encourage the use of full sentences, as fragments sound flighty.)

That’s it! Really!

Red flags, bad practices, and other traps to avoid

In my many years of reading artist statements (and gallery press releases), I’ve developed an ever-growing list of banned words and phrases. While these ways of writing may sound fancy, they’re actually empty. And using them makes a piece of writing look lazy and nonspecific. Artist statements are particularly susceptible to these traps because we write what we think people want to hear instead of what’s actually true to our work.

Your artist statement should feel like it’s written by you, the artist—not by a critical theorist or an art history professor or a dealer or a curator. The people reading it are looking for an enriched experience of your work and proof that you’ve put some thought into what you’re making. They want to hear your voice—not that of some formulaic art-jargon robot.

So, some things to avoid:

Extreme binaries. Is your work really “examining the strangeness of both interior and exterior spaces?” Is it “both casual and formal?” “Light and dark?” (Similarly, ask yourself, is your work truly “blurring the boundaries between text and subtext?”)

Lazy clichés. Only you make your artwork—so shouldn’t the words you use to describe it be unique and specific as well? If you find yourself using certain words as crutches, or as highfalutin stand-ins for hard-to-articulate ideas, I highly recommend creating your own “banned words” list and keeping it somewhere handy. Then, go back to your brainstorm notes and pick out words or phrases that feel concise, fresh, and truly related to your work.

“International Art English.” Chances are you’ve seen it, read it, and felt unsettled by it in press releases, wall labels, and other people’s artist statements. This muddled and imprecise language seeks to elevate what it describes through nonspecific word choices, invented “spaces” (the space of the real, the space of the dialectical), and complicated grammatical structures. For an in-depth analysis of this phenomenon, propagated most intensely by the art world announcement email service e-flux, please see this fantastic article in Triple Canopy .

False range. Does your practice “range from drawing to sculpture to video to artist books” or do you simply make “drawings, sculptures, videos, and artist books?” False range is a rampant and completely accepted form of writing these days, but the discerning reader will notice it and judge you for it. A false range creates a continuum between one thing and another when there is no actual continuum. Yes, your palette can “range from blues to reds” (color is a spectrum). But your influences cannot include “everything from Wanda Sykes’ stand-up to Tamagotchi pets to tinsel” (there is no middle point between Tamagotchi and tinsel).

Theory. My extremely wise friend and colleague Bean Gilsdorf, longtime art world advice-giver, says this best: “Art theory only has a place in an artist statement if it has a direct bearing on your day-to-day studio practice. Otherwise, skip it.”

You have a draft, now what?

You’ve brainstormed, you’ve answered the what and the why. You’ve avoided all of the above. But chances are you still have a lot of extra baggage in that statement, or it’s not striking quite the right tone, or you feel like it could be more fun to read. Now you get to edit, revise, tweak, trim, and whip that statement into shape.

Read your statement out loud. Trust me, this works. As you read, ask yourself: Is it accurate? Is it descriptive? Is it compelling? Is it me ? Could this statement just as easily be applied to someone else’s work? Make sure it’s specific to what you make—and provides a sense of who you are to the reader.

Look at your art while you reread. Remember, your artist statement should be current . You don’t need to sum up a wide-ranging practice from the beginning of your baby artist days to the present moment. It should reflect whatever images you’re providing alongside it. Put another way, your artist statement shouldn’t be so aspirational that you talk about making room-sized installations while your images are a few small-scale watercolors.

Work it into submission. Read aloud, edit. Read aloud, edit. Take a break (a day, a week), come back to it, read it aloud and ask the above questions again. Remember that this doesn’t have to represent your work forever and ever. Like the U.S. Constitution, an artist statement is a living document. You can update it as often as you like.

Shorter is better. Being economical with words proves you know what you’re doing, that you’re confident in your work, and that you don’t have to couch it in elaborate language to legitimize it. Your statement should be somewhere between 100 and 300 words in length. (This is an example of true range.)

Consider your audience

The tone that you strike in an artist statement for a local group show should probably be different from an artist statement you write for a $100,000 grant opportunity. Every time you start reworking your statement, remember to ask yourself who or what this particular piece of text is for. Write a basic statement that can serve as the foundation for all future artist statements, but make sure you revisit and reevaluate for each application, exhibition, and request.

In order to truly know how your artist statement will be received, and if it’s doing the work you want it to do, you need to have other people read it. I recommend finding a diverse audience of art friends and non-art friends, family, and mentors. This statement should be as legible as possible. Tell them to be brutally honest with you and listen to what they say.

Have a writer friend read your statement for typos. Have someone else read it for typos. Triple-check for typos!

And most importantly, give the people you ask for feedback enough time to read your statement and reply to you. Do not do this: “Hiiiii, this is due in an hour can you look it over for me pls thx bye!”

In summary…

As those who exercise say: no pain, no gain. Statements are hard to write, but they’re good for you. They can help someone gain a deeper understanding of your art, feel more connected to that art and, ultimately, value it. They can make or break an application. And they can help you put words to your practice, giving you the language to understand just what you’re doing and why it’s amazing.

Sarah Hotchkiss

Sarah Hotchkiss is an artist and writer in San Francisco. Since 2015, she’s been the visual arts editor for KQED, the Bay Area’s NPR and PBS affiliate, covering the local visual arts and film scene in online articles. Before wading into the earnest waters of public media, she worked as the communications director for the venerable San Francisco arts nonprofit Southern Exposure. And before that she wrote condition reports in a warehouse that stored Indiana Jones -level amounts of art. She holds an M.F.A. from California College of the Arts and a B.A. from Brown University. In addition to her own studio practice, she watches a lot of science fiction, which she reviews in a semi-regular publication called Sci-Fi Sundays .

How To Write An Artist Statement: Tips From The Art Experts

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A s a professional artist, you need to have more than your work to get around in the art world. Along with your portfolio, you should have an artist statement available at a moment’s notice. An artist statement should be considered just as important as your works.

WHY DO YOU NEED AN ARTIST STATEMENT?

An artist statement is most often the front line of communication between an artist and the public. It will be used when you submit your portfolio to competitions, galleries, and museums. It may sometimes be displayed when people are viewing your works in person or on your website. If it’s online, your artist statement will be read by people from all over the world.

Useful Article: How To Create A Professional Portfolio

There are many paths to becoming an artist, through school or an apprenticeship, or through inspiration and self-teaching but no matter how you got there, being a professional artist means that you have to have an artist statement. If you have never written a statement before, or aren’t sure that your current statement is up to art world standards, it can be a quite daunting task to compose one.

Luckily, Agora Experts are here to help. Compiling years of experience in the art world, they are more than happy to share what they’ve learned.

Here are some valuable tips for writing an artist’s statement:

KNOW YOUR AUDIENCE

CONTENT FOR YOUR ARTIST STATEMENT

Between 150-200 words (two paragraphs) is the best length for a statement that is going to be published. It is long enough to let a viewer learn more about you and your work, but not too long that they can’t follow your story and get distracted.

What information does an artist’s statement need to include? There are three elements to consider: the “how,” the “what,” and the “why.” There should be enough information in your artist statement that someone can begin to imagine the art that you make without having it in front of them.

The ‘How’ refers to how you created your works. Many visitors are interested in knowing about your artistic process. Describe your works; what colors do you use, do you make large marks or small marks, or do you use blending so there are no visible marks at all? If you’re a photographer, what kind of tools are integral to your process?

Are your paintings abstract? Portraits? Do you take photos of landscapes? What is your imagery? When people describe what you make, what do they say? Describe the content of your works in a general way to flow from how you work to what you make.

Why do you make what you make? What does your life say about your work and your work say about your life? What symbols do you use and why? Explain the influences behind the meanings of your works.

You don’t have to have the same amount of each type of information, but it is a good idea to have part of your statement devoted to each of these categories. However, if one category seems far more relevant to your work than the others, feel free to emphasize it in your statement. You can put as much or as little of each category as you like; if your works are about the medium then you can focus more on how you make your works and if it is more about the “why” and your inspiration, focus on that. Balance your content in any way you need to.

Write down the answers to these questions on your own and then cut them down do the absolute essentials.

Once you have your content, then you can move to style.

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STYLE: THE THREE C’S OF STYLE

Every artist statement must follow the three C’s of style: they should be clear , concise , and consistent.

Use accessible vocabulary; keep in mind that your readers may not be scholars, artists, or art historians. Write like you’re speaking to a person on the street, somebody who goes to museums “every now and then,” as many of your viewers will fall into that category. Make sure the content in your artist statement is not too complex or technical. This will intimidate your audience.

Don’t go on for pages and pages about your work. Even the most interested person will get lost in too much information. You want your statement to pull the viewer in, but you don’t want to bore them.

The average museum and gallery visitor spends 5 to 15 seconds looking at each artwork, according to numerous museum surveys. You want your statement to be brief enough that they can get the essential information in that time, and that their flow isn’t too disrupted when they stop to read the statement in full.

Be consistent

Make sure that what you say in your artist’s statement matches the works that are going to be on display. If you also have a press release or biography available, make sure that your statement doesn’t contradict these texts at all. Keep updating your artist statement as you grow and evolve as an artist.

REMINDER:  An artist statement MUST be in the first person, everything is “I” not “he/she/they.” Imagine your statement is having a conversation with a viewer, it is speaking for you, and you would always say “I did this.”

PRACTICE MAKES PERFECT

Write out your statement a few different ways and think about which one best describes you and your work. Read your statement out loud to make sure it flows properly. Read it to people familiar with you and your work and listen to their comments.

If you are represented by a gallery, or if you have an agent, see if they are available to help you with your statements. Agora Gallery, for example, often helps artists edit their statements. If you don’t feel like you’re the best writer, have someone help you correct your grammar and make sure the artist statement says what you want it to say.

REMINDER:  If you are sending your statement somewhere with a word requirement (usually between 150-200 words) take their advice and write at least that much. Whatever word count they give you is likely the minimum for certain publications, and you don’t want to be left out because you didn’t provide enough text. Many organizations have similar requirements, so you don’t want to have to re-work your statement every time you send it somewhere new.

TIPS FOR NON-ENGLISH SPEAKERS

Write your statement in your native language first, and then translate it. You can use a professional translator, or you can try to translate it with an application online. Just be sure that you have it double checked by a native speaker of whatever language your statement will be published in before you submit. Don’t try to limit yourself to your foreign language vocabulary. Do your very best to compose something for yourself.

PRESENTATION: FONT, PAPER, DESIGN

Once you have your statement ready to go, you need to prepare it for submission. You may submit to a gallery, a contest, a local collective; it doesn’t matter, they all will need your statement, and you want your statement to do its job. Whether it’s a paper submission, or online, here are some tips for making sure your statement makes it to the correct people.

Most submissions to galleries these days are online, like ours, which makes worrying about how your statement looks a no-brainer. The online forms will take care of that for you. If you have the information there, then that’s all you’ll need.

If you are submitting a printed statement, here are some tips for making it up to the art world standards:

KEEP YOUR ARTIST STATEMENT CLEAN

Make sure your paper is clean, crisp, and classic. You want to look and have your materials look as professional as possible. You are essentially engaging in a business when you submit your work to a gallery and you want to present yourself the same way.

Plain printer paper or basic letterhead is the best way to make a professional impression. You don’t need fancy paper, paper you made by hand, or special design paper to submit your statement. It may seem eye-catching at first, but in reality most fancy paper designs are distracting from any important content. If it looks like a party invitation, chances are no gallery will take it seriously. If you want to go the extra mile and use nice stationery, do not go for something with an elaborate design. A thick card stock can be nice, but keep the paper white or off-white so that it is not too distracting from the content.

KEEP YOUR ARTIST STATEMENT READABLE

The same rule applies to fonts. Make sure your font is clear and able to be read easily. You can never go wrong with basic fonts like Arial or Times New Roman. Fancy fonts can take away from your content. It doesn’t matter if the font matches what you think your art feels like: if a gallery owner or buyer can’t read it, then it hurts more than it helps. You want the communication to be as easy as possible between you and your audience, so make sure that your statement is readable.

Along the same lines, do NOT handwrite your statement. Very few galleries will even read a handwritten statement as it is unprofessional. It’s also a lot of work to handwrite an artist statement, and if you’re submitting to multiple galleries, writing out all those statements is a waste of your time. It’s easiest to type it out.

If you don’t have regular access to a computer or a word processing program, you can always work on your statement online and pay a few cents to have it printed at your local copy center.

AFTER YOUR SUBMISSION

For now, you’ve done all you can. It is now in the hands of the gallery manager, collector or client that you’ve presented it to.

As you grow and evolve as an artist, you’ll want to revisit these steps as you revise your artist statement to reflect your current work. Remember, your brilliant work only does half the job. Your professionalism and other important things like your artist statement, CV and business cards make up the other half.

Useful Articles: The Artist CV and Artist Business Cards

As a promotional gallery, we take pride in the diverse group of artists from across the globe represented by us. Want to give your art more time, and leave the marketing and promotional hassles to someone else? Book an online career development consultation meeting today.

Join the discussion!   Do let us know if you have any other suggestions about writing the perfect artist statement. You can also ask your questions in the comments or email us at [email protected]! <img height=”1″ width=”1″ alt=”” style=”display:none” src=”https://www.facebook.com/tr?ev=6027680136188&cd[value]=0.00&cd[currency]=USD&noscript=1″ />

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70 responses to “How To Write An Artist Statement: Tips From The Art Experts”

I appreciate, lead to I discovered exactly what I was taking a look for. You’ve ended my 4 day lengthy hunt! God Bless you man. Have a great day. Bye

Excellent Tips! Thanks for sharing it…

Keep up the superb works guys I’ve incorporated you guys to my blogroll.

Thank you so much for your great information, It is too useful for me. Thanks again!

I couldn’t refrain from commenting. Well written!

I found this site a little while ago, I´m from Perú, I´m an sculptor and I am learning a lot from your tips and suggestions. There is plenty info to read and learn from. This is a great site! Thank you so much.

I am a Mexican artist. Thank you for sharing these tips to write an artist statement. It’s very easy and helpful.

I have struggled with this as an artist but this article is quite an eye opener. Thanks for sharing this, it is quite helpful to me.

Hola, soy un Acuarelista emergente, y una plataforma artística me ha pedido un Statement artístico , preparé uno pero no estoy seguro de haberlo escrito bién. Puedo enviarlo y Uds me dicen si está bien ?? Muchas Gracias ¡¡¡

Our services are limited to our represented artists, but we’re sure that our community of readers can offer you their advice so feel welcome to share it in the comments below.

Thank you this article is truly helpful.

really helpful!

As a artist, I read all article w/ this title so easily understand and organizations in my mind.

This is what sicken me with visual art. Visual art should be about visual art. Your art should talk from it self. You shouldn’t need to say nor write at all.

That being said for what modern art is this article is very well made and insightfull.Well done!

this was an amazing read, thanks for providing this such great article.

That’s an interesting article with really cool suggestions. Thanks a lot for sharing

I am an artist based in Nigeria you website and tutorials has been very helpful, thank you.

The world of art is really awesome…My father is a great artist and i loved his drawings very much…Thanks for taking the time to discuss this..

Your brilliant work only does half the job. Your professionalism and other important things like your artist statement, CV and business cards make up the other half.

Thank you for your article. When making a submission without a bio, should you sign the Artist Statement?

You should sign your artist statement so that anyone who reads it or sees it separately from all your other documents or artworks, will know to whom it belongs.

Thanks for such an amazing explanation. As a reader and a viewer, I like to know what artist think about his/her work. So such explanations in written form help me to understand better their work and they gives me a feeling of being involved in art at least somehow.

Thanks for the article. But I still can not understand why I have to write an artist statement? It’s stupid. If I wanted to write to express myself I would have been a writer. The whole idea of ​​my art is to say things visually. Why can not people just look at my art and take away any experiences they will?

Generally the artist statement usually gives the viewer a bit of context with regards to the art.

Yeah, good luck with that!

Thanks. I’ve found some very useful tips for myself.

I just thought about it today.

Nice post, containing some really useful tips. Once I was searching for some assistance in my online test writing and found 300writers.com. These guys helped me to get an A

Very helpful, thanks

Thank you, Dennis! Feel free to let us know if you’d like us to cover a specific topic.

.This was e extremely helpful. Thank You

What a great site! Thanks for all the detailed, useful info here. Super helpful.

Hei! A great peace of article! Got me inspired to look for different ways to express myself and trust my inner inspiration indeed. Thanks a lot!

Thanks For Providing good and usable information in your brief article.Will definitely a good guideline for everyone in the field of Art and paintings

Congratulation, all this tips are very helpful for presentation of artist, I will give this for other artist that belong to a Chilean Visual Women Artist MUART organization that I belong , Thanks.

Dear Solange, thank you for visiting!

Congratulation, all this tips are very helpful for artist. Thank you.

Thank you so much! This website was just what I needed to help me write my first reasonable Artist’s Statement. I’d been at a loss as how to start, or what exactly to write.

Dear LW, you are very welcome, thanks for stopping by!

I’m struggling with mine a bit and have been told many times to write an artist statement in the third person rather than first person. Is there validity to that?

Dear Vincent, as we state in the article, the statement MUST be in the first person. Your artist statement is your conversation with your audience, an introduction of yourself, and it can not be in the third person.

Vincent, I agree that the statement needs to be in first person, but it may be helpful to write the first draft in third person. That exercise may very well free you up to be more objective. Then you can switch it back. Just a thought.

This article has been a great help to me. On question though; I see artist’s bio’s and their statements on the same page, When I present this information to a gallery, should I put them on the same page or on separate sheets of paper?

Hi Lisa, we recommend that you keep your bio separate from the artist statement. It’s a very important part of your professional portfolio and we’ve written a separate advice article on writing an artist biography. Take a look at these articles, they will prove very useful if you’re working on a portfolio. How to Create a Professional Portfolio and Writing an Artist Biography . Let us know how it goes!

This is of great help to me as I have never written an artist statement. All I have been doing is draw what I can in my attempt to improve. But this would change things. thanks for the help.

Dear Anthony, you’re more than welcome!

great website!!! I love it<3

Clearly articulated advice. Very helpful! Thank you! I like your website. One always can find many very interesting articles.

I’m trying help my 11 year old daughter write an artist statement for a school art project that is going to be submitted to a contest. I’m at a total loss. This all sounds good, but for an 11 year old, the How, What and Why questions are pretty abstract. I need help! “I chose the color purple because it’s my favorite color” is probably not the kind of thing that the teacher is looking for.

Hi TJ, it’s important to mold the content of the artist statement to your needs and situation. Talk with your daughter, listen to what she has to say about why and how she creates what she does, and together you’ll be able to come up with a wonderful artist statement.

Very good advice. I was told to re-write my artist statement and didn’t exactly know what to implement other than what I had done before. Your article gave me the clarity I needed. Thank you!!

Dear Gila, we’re happy to help!

Great post, indeed. I have been looking for an info that would help me create my new art portfolio much better than the old one. However, I have a doubt about one thing. I mean about HOW? WHAT? and WHY? It seems to me strange to start a talk about my art with someone with HOW? The more natural way for me is to talk first about WHAT I do, then WHY I do that and HOW is the last point. My question is if that changed order I have proposed is equally acceptable?

Dear Danuta, this is a great question. As we mention in the article, you should balance the content of your artist statement in any way you need to. After all, this is YOUR artist statement. If you feel that you need to talk about the WHAT first, then this is what you should do, especially if it feels more natural to you.

Great article…just what I needed to know…thank you.

great article!!!

i so needed this right now. thanx. this will help me a lot.

Beautiful article. Very helpful. Can you please provide a couple of example writeups?

Thanks. This was helpful. I appreciate your time spent finding and posting this for the class. You are a good guy. Kisses, ba

Thanks, this is helpful.

Your comments are right on and remind me that from time to time I need to evaluate my statements. Thanks

You’re welcome, Jackie. We’re glad we could help!

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How to Write an Artist Statement

A complete guide.

• Artist statement videos
• Video walkthrough
• What to include
• Writing skills are useful no matter what

When will I need an artist statement?

How long should my statement be, statements for press releases.

• Statements for grants & residencies
• Statements for gallery exhibitions
• What is your elevator pitch?
• You can recycle your writing!
• Formats: overall statements

Artist statement for a body of work

Write focused paragraphs

• Writing style: be specific

First person statement

Third person statement, avoid complicated words.

• Start: identify key words
• Start: word vomit

Step away and come back

• Example: 1 sentence statement

MFA portfolios + statements

2 paragraph statement.

• Long statement: general practice
• Long statement: body of work
• Very long statement: body of work

Artist statements often feel like a contradiction for many artists, and it’s a process that most us dread as artists.

Asking someone who is used to expressing themselves visually to write a statement feels unfair, if we were good at writing we would have been writers! 

However, artist statements are an important part of having a professional studio practice, they are required in many contexts and also can be a useful process to solidify your ideas.

Artist Statement Videos

These videos provide concrete, practical tips for how to write an artist statement.

Writing an artist statement can be tough; being asked to verbally articulate ideas that we are used to expressing with visual media is challenging.

• Watch the 1 min. version
• Watch the 2 min. version (statement mistakes)
• Watch the 3 min version
• Watch the 51 min version
• 1 hour 33 min. Lecture for the Nevada Arts Council

Topics covered include critical components of an artist statement, how to write succinctly, as well as options for adapting a specific voice.

Different versions of your artist statement are discussed as well: a short version for your artist website , a 1 paragraph version for artist grants , and more detailed, in depth proposals that can be used for artist grant applications. 

Video Walkthrough

• Why writing is such a useful skill for artists to have.
• What is an artist statement, where do I need one?
• How do we talk about our work?
• Types of artist statements.
• Artist statements are used for gallery exhibitions, press releases, grants, school application, and more.
• Write your artist statement with confidence, don’t put yourself down or be self-deprecating.
• Statements for art school applications.
• Avoid writing generic statements for art school applications
• Artist statements are an ongoing process, you’ll always be tweaking your statement.
• Single sentence statement.
• Short paragraph statement.
• Should a statement be written in third person or first person?
• First person statements tend to have a friendlier tone.
• Moderate length statement.
• Grant applications with project descriptions tend to require longer artist statements.
• Write a statement that describes you overall, and others for specific bodies of artwork.
• How to get started writing your statement, try “word vomit!”
• Create a list of key words that are related to your studio practice.
• Writing an artist statement is very challenging for artists, but it does get easier!

Need help with writing your statement?

You can purchase edits from Prof Lieu on an artist statement, BFA & MFA application statements, and more.

What to include in your statement

An effective artist statement should allow someone who knows nothing about your artwork (and who hasn’t seen your artwork) to get an overall sense of what themes you are exploring.

Talk about your motivation, perhaps a brief mention of what influences your studio practice, and insight into the format and materials you work with.

Writing skills are usefu l no matter what

In general, it’s extremely useful to hone your writing skills as an artist. There are so many places where clear, succinct writing will help with your career: when writing a grant proposal, preparing for a lecture, writing a press release, and more.

You’ll need an artist statement for your:

• your artist website
• press releases
• artist grant & artist residency applications
• gallery exhibition

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Our Art School Portfolio Group provides ongoing support and feedback from our staff of professional artists for students applying or transferring to a BFA, MFA, or post-baccalaureate program.

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Each context you place your artist statement in will require a different length.

When people read text online, unless they are reading a newspaper article, they tend to get overwhelmed by giant chunks of text. (there’s a reason why we have the term TLDR!)

Therefore, you’ll want to keep your artist statement on your artist website to a single paragraph.

The situation is similar for press releases if you are having a gallery exhibition.  Journalists won’t want to wade through a very dense artist statement in a press release.

They will want to get a quick sense of what your exhibition is all about, and logistical details like the exhibition dates, the gallery location, etc.

Prof Lieu’s Tips

I know writing these artist statements is not easy for any of us, but I think this is a really good process to go through.

Not just so you have a statement to use, there are other benefits as well.

I find writing down my ideas helps me solidify what I want to do as an artist.

Grants and residencies

Grant applications ask for a wide range of lengths, some will want two paragraphs, while others will allow you to write up to three pages. In general, these applications tend to ask for artist statements that are on the longer side. 

This is one means by which you will be evaluated as an artist; it’s an important part of your application to show that you are serious and competent about your studio practice.

Statements for exhibitions

If you are attending an opening reception at an exhibition, chances are you might meet someone you’ve never met before, or a curator who you have met before who you would like to reconnect with. 

You might only have a minute to remind someone of who you are, so have that elevator pitch ready to go!

What is your elevator pitch ?

Prof Lieu  was once at a luncheon at a liberal arts college, seated at a table with several new faculty who she had never met before. The faculty at the table were from all over the college, in economics, science, english, and more.

Naturally, as the conversations evolved, people asked about each other’s research.

You can’t go into a long rant about your artwork in a situation like this, (at least without looking like a selfish jerk) so once sentence is probably all you will get to explain what your artwork is like.

Gallery exhibitions

Galleries usually have a binder with information at the exhibition that has your CV , a price list, sometimes press clippings, and your artist statement. 

Your artist statement is an opportunity for your audience to read more extensively about your artwork in conjunction with the exhibition.

You can recycle your writing !

There’s no need to write a new artist statement from scratch for every new context you will be placing the statement in.

Keep the core of the statement consistent, and then make adjustments in terms of specific and length according to where the artist statement will be placed.

Initially, writing an artist statement can feel like a lot of work, but once you have a substantial one, it will become easy to tweak.

Statement formats

Overall artist statement.

You’ll need an artist statement that covers all of your work in general, one that holistically explains your overall approach as an artist. Talk about themes and imagery that are always applicable no matter what specific project you are working on.

In terms of materials, you can mention general areas you work in, as opposed to going into great depth about your engagement with materials.

This is the version of you artist statement that you’ll want to have on your website, and that you an use as your elevator pitch in person.

Professional artists generally create individual bodies of artwork that center around one theme with a cohesive group of artworks in the same material and format.

Therefore, it makes sense to write an artist statement that addresses the specifics of that individual body of artwork. A statement like this is best suited to a gallery exhibition where you are presenting that body of artwork.

Keep each paragraph concentrated on one aspect of your artwork.

For example, the first paragraph could outline the basic themes of your artwork, followed up by a second paragraph that goes into greater detail about the materials you work with.

If you jump all over the place, the statement will become fragmented and difficult for the reader to follow.

Keep your writing simple and straightforward, there’s no need to feel pressure to get super creative and experimental with the structure of your statement.

Writing style

Be specific.

There’s a saying in journalism to  “get the name of the dog.”  Meaning that there’s a huge difference between writing “a brown dog” and “a brown dog named Rufus.”

Naming the dog makes it a specific dog, and gives the dog personality beyond a physical description.

Your statement will be much more memorable if you get specific about what you discuss. Instead of saying that you do pen drawings, say that you draw with a quill pen and India ink on Bristol board.

Rather than state that you are a mixed media artist, explain that you use encaustic techniques that are constructed with found objects which are mounted on panels of wood.

Be confident

Your artist statement is a way of presenting yourself as an artist to the public. Therefore, this isn’t the place to be self-deprecating.  Avoid phrases like:

• I’m trying to get better at…
• I just learned this a month ago, and I’m not very good yet.
• I hope that some day I will be able to….

It can be challenging to adapt a voice that is confident in your artist statement. So often, we are own worst critics and it can feel awkward to put ourselves out there in this way. 

You’re not bragging either, you’ll simply explaining what your studio practice as an artist is all about.

First person or third person?

Whether you choose first person or third person for your artist statement is completely up to you.  Choose the option that you are comfortable with, although many artists will change to first or third person depending on the context of the statement.

First person is usually seen as being slightly more casual than third person, it’s common to see artist websites where a narrative bio and/or artist statement is written in first person.

On social media, people usually write in first person given the casual nature of that context.

Third person is generally used for more formal contexts, such an artist statement that is in  an exhibition catalog , or at a gallery exhibition . Remember, there is no right or wrong when it comes to first person vs. third person, ultimately that choice is up to you!

Puffed up, pretentious writing about art is everywhere.  You don’t need to look up the longest words in the thesaurus to sound intelligent when writing about your work! 

Use the words you already have, and focus on communicating your ideas.  No amount of fancy vocabulary is going to help you.

“My artwork integrates bodily  intercultural live encounters and eagages subjectively the effects  of different discourses in contemporary electric, robotic techno-science.”

Don’t know what the sentence above means?  Neither do we.

How Do I Get Started Writing My Artist Statement?

Identify key words.

If you are having trouble getting started, it helps to make a list of key words that relate to your studio practice. You can use this list of key words as means of creating short phrases, which can then be filled into become complete sentences.

Below are key words that match some of our Teaching Artists:

• Lauryn : color, pattern, environment, body
• Deepti : alien, bright, conspiracy, quirky, bizarre

It’s tempting to want to judge your writing as you write, but try to avoid this!  Sit down and just throw words and sentences down on paper. 

Don’t try to be coherent, don’t adjust as you go, this will be disruptive and prevent you from getting your ideas out and onto the paper.

Write with very basic words, even if you feel like what you are writing seems like it could have been written by an elementary school student. You’ll come back and tweak later!

Avoid the writing marathon, few people can sit down, write for 6 hours, and declare their piece finished at the end.

Instead, write an hour here, an hour there, you’ll be able to come back to your writing with fresh eyes and mistakes will be much easier to spot.

Get someone to edit your statement

If you can afford to hire an editor, it makes a gigantic difference. They’ll be able to make adjustments that would never have occurred to you! 

A good editor will be able to retain the integrity of your voice in the writing, while simultaneously bring a level of polish that gives your statement a level of professionalism that perhaps was lacking before.

Not everyone can hire an editor, so the next best thing is to ask a friend who you think has decent writing skills. At the very least, they are another fresh set of eyes.

Even better, ask a friend who is not an artist, if they understand what you’re talking about, you’re probably in good shape!

Artist Statement Examples

One sentence statements.

“My studio practice uses drawing, printmaking, and sculpture as means towards exploring the extremes of human emotion, using the human figure and face as a vehicle for expression.” Prof Lieu

“Eloise’s work explores the intersection, mechanics, and deconstruction of power, politics and narrative.” Eloise Sherrid

• Andrea Arts
• Hannah McCasland
• Zainab Zulfiqar
• Michelle Eisen

“Deepti has always been fascinated by the possibility of alien life. Often thinking about conspiracy theories and interplanetary warfare, Deepti is drawn to themes of fear and anxiety, usually finding inspiration from her own set of fears. Her work is often colorful, character driven, and light hearted.” Deepti Menon

“In Lauryn Welch’s paintings and installations, she explores how color and pattern are used on the body to express or conceal one’s identity in relation to one’s environment. Her current body of work takes a split approach between body and landscape, and is heavily influenced by naturally occurring patterns. “ Lauryn Welch

Long statement, general studio practice

“‘ Falling’  is a visualization of my personal experience with depression, as represented by a series of drawings, sculpture, and prints. The contemporary human experience, with its balance of awareness and repression of mental illness, provides both a context and a reason for this work to exist. The human face, in its infinitely subtle range of emotional expression, has been explored throughout the history of art, and remains an irresistible subject. The emotional spectrum surrounding the contemporary context of mental illness is broad, and although the topic has had increased awareness in the past several years, it remains largely a difficult topic for many. Through the lens of my personal experience and with the visceral connection that art innately creates with its audience, I seek to open and foster a dialogue about mental illness; not from an objective distance, but from the understanding and intimacy of shared pain. Depression and anxiety were frequent catalysts in my life for the loss of emotional and physical control. Unable to release myself from these episodes, I waited for the physical limitations of my body to end them. I had been so accustomed to depression’s influence for such a long time that I could not distinguish the emotions and behaviors belonging to the illness from those of my own personality. After struggling for many years without treatment, a diagnosis brought relief, and the process of unearthing myself from the disease began.” The portrait drawings are created on Dura-Lar, which has been sanded by hand to create a textured, translucent surface. I smear tacky, thick etching ink onto the Dura-Lar with my hands. After the etching ink dries, I add more definition with lithographic crayons, and scrape away highlights with an x-acto knife. Each portrait measures 48″ x 36.” Prof Lieu

Long statement, specific body of work

“‘ Emerge’  is a series of figure drawings that depict the long treatment process that began upon receiving a diagnosis. At the height of my depression, I was so deeply buried by the emotions that I could not separate myself from the disease. During treatment, the depression gradually began to fade away. As the emotions slowly left, I started being able to see myself clearly for the first time in my life. Contrary to my prior concerns about treatment, I felt more like myself than I ever had before. These drawings show this simultaneous process of the depression leaving as my true self emerges. Even with ongoing treatment, improvements do not happen in a linear way. The process is unpredictable, continuous, and never ending. At times the emotions subside, on other days the depression is almost gone and occasionally it comes back in full force. Even on my best days, the depression is always there to some degree. For this reason, the anguished figures in these drawings never completely disappear. These emotions will always be with me in some capacity for the rest of my life. These large scale figure drawings are created on Dura-Lar, which has been sanded by hand to create a textured, translucent surface. I smear tacky, thick etching ink onto the Dura-Lar with my hands. After the etching ink dries, I add more definition with lithographic crayons, and scrape away highlights with an x-acto knife. Each figure drawing measures 7′ x 4.’ The monotypes measure 24″ x 18″ and are printed on white Rives BFK paper. The figure sketches are drawn on 12″ x 9″ white charcoal paper with lithographic rubbing ink and a white plastic eraser. Prof Lieu

Very long statement, specific body of work

“I investigate ways to visually represent the emotional and physical experience of individual isolation.  ‘Wading’  is an interdisciplinary project of related bodies of work involving various techniques of sculpture, drawing, and printmaking. The objective of this project is to explore visual ways to represent the most severe form of isolation as loneliness that is experienced when physically surrounded by other people. This is a specific form of loneliness that is involuntary and imposed upon by others, creating a state of discontent characterized by bitterness and a sense of punishment. It is the presence of others what can heighten and intensify the experience of loneliness for an individual. The images in this project depict figure groups wading in water which become vehicles to visually articulating the experience of loneliness. Set within an infinite and undefined body of water, scenes of lost figures communicate moments of isolation between figures. I portray loneliness as the experience of feeling unseen and unknown within a group. The figures all collectively occupy the same space, and yet are locked and isolated in themselves, unable to perceive the figures which physically surround them in the space. These current drawings represent a process of working which involves multiple stages of development and various media. The process begins with figure sculptures which are created in order to serve as visual references for the drawing studies. The figure sculptures are begun by the construction of armatures which become structural supports for the oil based plastilene clay which is applied to them. Once the modeling process is completed, these figure sculptures are lit with natural light and carefully observed to facilitate the figures in the drawings. Preliminary drawing studies are made using direction observation from the sculptures, and later referenced in creating the final drawings.

The final drawings are executed with lithographic crayon on a sanded Dura-Lar surface, creating a coarse texture and surface in order to create suggestive, implied figures. The drawings are then layered on top of each other; the translucency of the sanded Dura-Lar surface creating the illusion of ghost-like figures which exist in their own separate reality. I work with an interdisciplinary approach which encompasses various techniques in drawing, painting, printmaking, and sculpture. New opportunities arise with every shift of medium, which allows for a significant amount of experimentation and spontaneity in the process despite careful preliminary plans. Prof Lieu

Part 1 of a complete guide to running an art business as a self-taught artist.…

Part 2 of a complete guide to running an art business as a self-taught artist.…

The complete Business Curriculum for Self-taught Artists is a series of 2 videos. The Curriculum’s document is…

How to Write a Personal Statement for a Foundation Art Course

When applying for a foundation art course, writing a personal statement is an important part of your application. This statement is your opportunity to showcase your creativity and passion for art, as well as demonstrate why you are a suitable candidate for the course. Since foundation courses often lead on to University, this is a great opportunity to fine tune your personal statement writing skills, it can also help identify areas of art you may need more training in. 

In this post, we will provide 6 tips and guidelines on how to write a personal statement that will help you stand out and increase your chances of being accepted into a Foundation Art course.

6 tips for writing a personal statement - for an Art Foundation course

Understand the purpose of a personal statement, research the course and school, be specific, show your commitment to art.

• Be unique 

Proofread and edit

A personal statement is a written document that highlights your experiences, achievements, and goals - both academic and extra-curricular. It is a perfect opportunity for you to demonstrate to the course provider why you are a good fit for the program and how you will contribute to the school's artistic community. Your personal statement should be unique and reflect your personality and interests.

Ideally, your personal statement will be around 70% on why you would be a good student for the school to take on and why you want to study Foundation Art. The remaining 30% should focus on who you are and what you have done outside of school and academia, such as community art projects.

Before you start writing your personal statement, spend some time researching the Foundation Art course and the school you are applying to. It's easy for admissions staff to spot who has researched and who hasn't, so spend a healthy amount of time on this. 

Ensure you have a deep understanding of the course curriculum, the school's mission and values, and the type of students they are looking for. This information will help you tailor your personal statement and identify which of your achievements and qualifications will be best to mention in your personal statement. 

When writing your personal statement for a foundation art course, it's important to be specific and avoid generic phrases. Specifics will make you more memorable to the admissions committee and showcase your genuine passion for the subject.

To demonstrate your commitment to art, try to include specific examples of your experiences and achievements. For example, if you have taken art classes or workshops, discuss the specific techniques you learned and how they impacted your artistic style.

Highlighting your unique qualities and experiences will make your personal statement stand out and show the school why you would be a valuable student to have onboard. Additionally, you should consider including your portfolio and any awards or exhibitions you have participated to further demonstrate your dedication to art.

The school wants to see that you are committed to the subject and have a genuine passion for art. Be sure to show them how you have pursued your interests outside the classroom. For example, if you have a portfolio of your artwork, mention it and describe the process of creating your pieces. If you have won any art competitions or have been featured in any exhibitions, mention them as well. This will demonstrate your dedication and commitment to the subject and show the admissions team that you have a deep understanding and passion for art.

Your personal statement should be a reflection of who you are as an individual and an artist, as well as how you want to grow as an artist. Avoid using generic phrases or clichés, focus on showcasing your unique qualities and experiences. Use your specific skills to tell the school why you are the best candidate for an Art Foundation diploma. 

Being unique and genuine will make your personal statement stand out, making you more memorable to the school admissions team.

Read, read and read again. 

You may be thinking “this is an Art course, why is writing important” but not checking your work for spelling or grammar errors massively reflects on your attention to care, and this will be noticed by the admissions team. 

Before submitting your personal statement, spend some time proofreading and editing. Check for spelling and grammatical errors, and make sure your statement is clear and concise. It's important to include relevant information, but try not to bore the reader. 

It's also a good idea to have a friend or family member read over it to get a second opinion. Your statement should be polished and professional, as it is a representation of your abilities as an artist and potential student.

Writing a personal statement for a Foundation Art course is an important aspect of the application process, and provides you valuable experience for the future. It provides the admissions committee with a glimpse into your passion and dedication to art, and allows you to showcase your unique qualities and experiences.

Remember, your personal statement should reflect who you are and where you want to go. It should showcase your passion and commitment for art and, if possible, include your real world artistic experiences.

A well-written personal statement can massively increase your chances of being accepted into the course of your choice and continue down the path towards your dream artistic career.

Writing a strong personal statement requires time and effort, but it is well worth it. Following our tips, will help you write a personal statement that stand-out, making you a competitive candidate for a Foundation Art course.

Get your Foundation Art Diploma with OCAD

Study Foundation Art with the Online College of Art and Design (OCAD) and delve into the artistic world. 

Our Foundation Art course opens the door to top universities and top employment. With a variety of project pathways you can explore the art disciplines which most suit you and your skills.

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Graphic Arts

Becoming a professional designer has been my passion since I was old enough to remember. My inspiration was my Uncle, an illustrator, who to this day motivates my desire for design. Currently, I am creating logos and branding for DesignCrowd and illustrating for Redbubble, where my work can be purchased and printed professionally. Through extensive research and visits to Universities, I understand the demands that this course will require of me and I cannot wait to take on this new challenge.

Designs are considered successful from how well they communicate a message to a viewer, being easily interpreted by all abilities and languages, while remaining aesthetically pleasing. I understand this from years of studying Graphic and Product Design at school and having developed my knowledge outside of school. Living in London has allowed me to delve deep into the design world and see a vast range of work from artists who originate from different backgrounds. By studying maths at A Level my precision in designing and making products has improved significantly.

I developed an ability for drawing at a young age which has progressed more so into the area of design, as I feel my creative ability prompts unique and impressive ideas that make their way on to paper quickly. A real success for me was winning a competition this year. I created a logo for the school website, which is now in use as a whole school initiative in promoting good values. This is displayed in staircases around the school, and as the desktop background on every computer. All areas of design fascinate me, whether it be computer assisted or illustration by hand. It is very important to me that my pieces of work are original and I am grateful that I can promptly translate new ideas when given a task. What starts as a simple sketch results in a polished piece of work with a vital message.

I have a particular interest in Photoshop and Illustrator, but I am always keen to experiment with alternative programs. One of my strengths is my capacity to have an idea and to always see it through to the final product. This has been supported with exploring my collection of the ‘Print & Pattern’ books. These feature a large array of various designers’ work and I ensure to always read what each artist’s inspiration for their work was. I get inspiration from many sources including magazines, advertisements and posters. I enjoy visiting museums and galleries in my spare time and am keen to see how designers develop small ideas into remarkable pieces of work.

I was fortunate to have an opportunity to undertake work experience within the Home Office. During this week I assisted a number of professional designers from an external company called Hobs Repro. The benefit from the experience was immense. I adopted some transferable skills - working independently and as a team, having to problem solve and consider my own time management. It was beneficial to have a sense of working in industry. These skills have been aided by my completion of the Duke of Edinburgh bronze award, where teamwork and leadership is key.

Being a keen photographer I was delighted to use a substantial amount of my own work to contribute to this achievement. Spending my spare time volunteering for a local charity shop and working in a Post Office has increased my self-confidence and customer service skills significantly.

I consider myself to be a hard-working and motivated student. My intention is to produce work to the highest standard at all times and I feel that the skills required for this course are matched to what I can provide. My long-term goal is to have a successful career in Illustration or Graphic Design . Objects, pictures, posters all of which originated as a simple design, surround us. I want to be responsible for initiating these ideas.

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Unique & Better Art Foundation Personal Statement Example

Table of Contents

When considering a career in the arts, it’s essential to have a well-crafted personal statement to show off your talent and passion. A strong personal statement can set you apart from other applicants and increase your chances of acceptance into your coveted art school. Creating a personal statement that stands out takes time and effort. But a well-written art foundation personal statement example can help organize your thoughts and get you on the right track.

This article will list practical tips to help you write a compelling personal statement and provide an example for inspiration.

What Is an Art Foundation Personal Statement?

An art foundation personal statement is a writing sample that demonstrates your creative and intellectual potential in the field of visual arts. Other personal statements focus on extracurricular experiences or academic achievements. But an art foundation personal statement highlights your aptitude for making and responding to artwork.

Besides showcasing your critical thinking skills and artistic inclinations, a successful statement reflects your interest in the particular program to which you are applying. As such, it is important to research each school’s curriculum before beginning work on your essay.

How to Write a Great Art Foundation Personal Statement

When writing an art foundation personal statement , be sure to keep the following in mind:

• Start by introducing yourself and your art practice. Write a brief description of your artistic inspirations.
• Outline why you’re interested in studying art foundation . Explain what you hope to gain from it and how it will help you achieve your artistic goals.
• Demonstrate your creative skills . Explain how they have developed over time through specific examples of past artwork or projects related to the art foundation studies field.
• Discuss any significant achievements or awards you may have earned related to your art practice. Mention any other noteworthy experiences or encounters that have influenced your work as an artist/designer.
• Finish with a strong statement about why you believe that an art foundation course is the right next step for you. Stress all of the reasons why attending this particular program is essential for achieving your future artistic aspirations.

Art Foundation Personal Statement Example

Here’s an art foundation personal statement example to use as inspiration when writing one for your own. This example has been generated by the amazing AI-powered Hey INK tool.

Art and Design Personal Statement Example

As long as I can remember, art has been a critical part of my life. From the crayon drawings that adorned our refrigerator to the elaborate paintings and sculptures that lined our home, art was always around me. It wasn’t until high school that I was first introduced to design principles. I had the first formal art class, where I truly began to appreciate creation in all its forms.

Since then, I’ve made it a point not just to consume but also to create artwork myself. Whether it’s through painting portraits or composing music compositions, photography or film-making, apparel design or architecture—I love diving into any creative endeavor headfirst. What excites me most about these mediums is how they’re constantly evolving and provide seemingly infinite possibilities for exploration.

One of the things that initially drew me towards studying graphic design specifically is how this field marries creativity with functionality. There’s something so inherently gratifying about solving problems through visual communication. To be able to take something from an idea in my mind and see it manifested physically on paper (or screen) is incredibly fulfilling. And being surrounded by like-minded people who share this passion makes San Francisco State feel like a home away from home.

With my background and passion for art, I feel well-equipped to study Fine Arts at the university level. Moreover, I believe that my skill set goes beyond mere artistic talent. I am confident that I possess key qualities such as creativity, dedication, and perseverance – qualities that are essential for any successful artist or designer.

A strong Art Foundation personal statement is the key to cracking your dream university. Those brave few who succeeded in getting into the prestigious institution of their choice have one thing in common: a stellar personal statement. Use the tips in this post and the personal statement example to write a compelling statement that secures a position in a competitive institution.

Abir Ghenaiet

Abir is a data analyst and researcher. Among her interests are artificial intelligence, machine learning, and natural language processing. As a humanitarian and educator, she actively supports women in tech and promotes diversity.

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K-Pop Fans Demand Min Hee Jin Responds To Accusations Of Leaking HYBE Artists’ Personal Information

Amid a fiery dispute within the K-Pop industry, Min Hee Jin —CEO of ADOR and a subsidiary of HYBE —finds herself at the center of severe allegations involving the mishandling of sensitive artist information. Following HYBE’s accusations, Min has made statements that indirectly address the concerns but have left fans clamoring for more clarity and a direct response.

The allegations claim that Min Hee Jin, alongside deputies only identified as CEOs “ A ” and “ B ,” leaked critical business and personal details to external parties like foreign investment advisors and private equity firms. This breach reportedly was part of a broader scheme to detach ADOR from HYBE and garner public support against the parent company by negatively influencing HYBE’s public perception.

Reports from Korean media further suggest that the leaked information included private details about artists under HYBE’s management, potentially jeopardizing their public image and personal security.

In response to the uproar, Min Hee Jin released her own statement, in which she named ILLIT as the reason behind her ongoing feud with HYBE. In the statement, Min also loosely addresses the accusations made against her .

HYBE is attempting to use the media to tarnish Min Hee Jin’s name with ridiculous allegations of her trying to steal from HYBE. How can protecting NewJeans’ cultural achievements equate to hurting ADOR’s values and mean that Min Hee Jin is trying to steal ADOR’s executive rights? — ADOR

However, this statement has not satisfied K-Pop fans, who are demanding a straightforward denial or acknowledgment concerning the data leakage accusations.

girl ur being accused of leaking MEDICAL records and in house abuse and u get on here talking about ILLIT? go to fucking hell. https://t.co/TY6KECN1HU — sᴊ⁷ ✧. (@1800HOTNFUNN) April 22, 2024

hybe: we have evidence of you doing illegal business dealings and in house abuse Min Heejin: they copied me 🥺🥺 https://t.co/f2rIKCFHPg — odd⁷ ˚⁎ ⁺˳✧༚ (@bunyunki) April 22, 2024

i hope people are aware that she is purposely releasing all these statements that make people target literal teenagers just so no one focuses on the fact that mhj has been doing illegal inside trading and in house abuse. leave the girls alone. https://t.co/SqfEdjBu6W — sara sara. (@svteenwrld) April 22, 2024

Some fans even argue that Min is using the plagiarism issue to sidestep addressing the core accusations against her.

Trying to blame another group for her being accused of leaking personal information of artists and in-house abuse. What an evil woman https://t.co/sjPyRLNx6W — Shimmi (@siiindz801) April 22, 2024

that woman has criminal charges on her back but decided to speak up just to drag innocent girls into this mess, i hope she ends up in jail https://t.co/uhg6yAeuTK — ًsuper real steph (@yunahslauv) April 22, 2024

using illit as a shield is fucking shameful https://t.co/Var1HLQV0K — qin ୨୧ (@illieluvs) April 22, 2024

HYBE vs. ADOR CEO Min Hee Jin

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Art and Artist’s Statements – Quotes by Famous Artists

By Renee Phillips 20 Comments

If you’re like most artists I know, the task of writing your Artist’s Statement feels like torture. You may question, why doesn’t the work speak for itself? But, you’ve probably also learned that throughout your art career you will be frequently asked to provide one. A well-written Artist’s Statement is essential and is one of the most powerful art marketing tools you will have.

Enjoy browsing the art and reading the following statements written by famous artists. They have influenced multitudes of artists and art enthusiasts and perhaps their words might resonate with you. They may comfort you to know they also probably suffered from writer’s block when writing about their art.

Do you want me to write your Artist’s Biography or an Art Review about your artwork? Visit this page for information about my writing services.

Gustav Klimt

“I have never painted a self-portrait. I am less interested in myself as a subject for a painting than I am in other people, above all women… There is nothing special about me. I am a painter who paints day after day from morning to night… Who ever wants to know something about me… ought to look carefully at my pictures.”

Joan Mitchell

“I paint from remembered landscapes that I carry with me – and remembered feelings of them, which of course become transformed. I could certainly never mirror nature. I would more like to paint what it leaves with me.”

Henri Matisse

“I don’t paint things; I paint only the differences between things… I do not literally paint that table, but the emotion it produces upon me. What I dream of is an art of balance, of purity and serenity devoid of troubling or depressing subject matter – a soothing, calming influence on the mind, rather like a good armchair which provides relaxation from physical fatigue.”

Claude Monet

“For me, a landscape does not exist in its own right, since its appearance changes at every moment; but the surrounding atmosphere brings it to life.. the air and the light which vary continually. For me, it is only the surrounding atmosphere which gives subjects their true value.”

Marcel Duchamp

“I wanted to create a static image of movement: movement is an abstraction, a deduction articulated within the painting, without our knowing if a real person is or isn’t descending an equally real staircase. I have drawn people’s attention to the fact that art is a mirage. A mirage, just like the oasis that appears in the desert. It is very beautiful, until the moment when you die of thirst, obviously. But we do not die of thirst in the field of art. The mirage has substance.”

Berthe Marisot

“It is important to express oneself… provided the feelings are real and are taken from your own experience… My ambition is limited to capturing something transient and yet, this ambition is excessive.”

Pierre-Auguste Renoir

“I have neither rules nor methods… I look at a nude and I see myriads of infinitely  small tones. I must find those that will make the flesh on my canvas alive and vibrate.”

Piet Mondrian

“Everything is expressed through relationship. Colour can exist only through other colours, dimension through other dimensions, position through other positions that oppose them. That is why I regard relationship as the principal thing.”

Leonardo da Vinci

“The beginnings and ends of shadow lie between the light and darkness and may be infinitely diminished and infinitely increased. Shadow is the means by which bodies display their form. The forms of bodies could not be understood in detail but for shadow.”

He also said “Where the spirit does not work with the hand, there is no art.”

Georgia O’Keeffe

“When you take a flower in your hand and really look at it, it’s your world for the moment. I want to give that world to someone else… Nobody really sees a flower – really – it is so small – we haven’t time – and to see takes time… So I said to myself – I’ll paint what I see – what the flower is to me but I’ll paint it big and they will be surprised into taking time to look at it.”

Wassily Kandinsky

“Color directly influences the soul. Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another purposively, to cause vibrations in the soul.”

Edward Hopper

“It’s to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that’s my method.”

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Amadeo modigliani.

“What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race.”

Grandma Moses

“I paint from the top down. From the sky, then the mountains, then the hills, then the houses, then the cattle, and then the people. I look out the window sometimes to seek the color of the shadows and the different greens in the trees, but when I get ready to paint I just close my eyes and imagine a scene. I’ll get an inspiration and start painting; then I’ll forget everything, everything except how things used to be and how to paint it so people will know how we used to live.”

Henri de Toulouse-Lautrec

“(People) want me to finish things. But I see them in such a way and paint them accordingly… Nothing is simpler than to complete pictures in a superficial sense. Never does one lie so cleverly as then.”

Edvard Munch

“I was walking along a path with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.”

Pierre Bonnard

“I’m trying to do what I have never done – give the impression one has on entering a room: one sees everything and at the same time nothing.”

More Statements

Philip guston.

“Painting seems like some kind of peculiar miracle that I need to have again and again… I am a night painter, so when I come into the studio the next morning the delirium is over… Usually I am on a work for a long stretch, until a moment arrives when the air of the arbitrary vanishes, and the paint falls into positions that feel destined.”  He also advised artists,  “Let your 3rd hand do the painting.”

Mark Rothko

“I don’t express myself in my painting. I express my not-self. The dictum ‘Know Thyself’ is only valuable if the ego is removed from the process in search for truth… The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions… the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.”

Jackson Pollock

“I want to express my feelings rather than illustrate them. It doesn’t matter how the paint is put on, as long as something is said. On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting. When I’m painting, I’m not aware of what I’m doing. It’s only after a get acquainted period that I see what I’ve been about. I’ve no fears about making changes for the painting has a life of its own.”

Judy Chicago

“Because we are denied knowledge of our history, we are deprived of standing upon each other’s shoulders and building upon each other’s hard earned accomplishments. Instead we are condemned to repeat what others have done before us and thus we continually reinvent the wheel. The goal of ‘The Dinner Party’ is to break this cycle.”

Alice Aycock

“I tried to visualize the movement of wind energy as it flowed up and down the Avenue creating random whirlpools, touching down here and there and sometimes forming dynamic three-dimensional massing of forms. One of the works, in particular, references the expressive quality of wind through drapery and the chaotic beauty of fluid/flow dynamics. As much as the sculptures are obviously placed on the mall, I wanted the work to have a random, haphazard quality – in some cases, piling up on itself, in others spinning off into the air.” (Source: Press release announcing Alice Aycock’s public art installation, received from Marlborough Gallery, New York, NY) ~ Alice Aycock www.aaycock.com

Louise Bourgeois

“I’ve drawn my whole life. My parents were in the tapestry restoration business, and as a young girl, I would draw in the missing parts of the tapestry that needed to be re-woven. My ability to draw made me indispensable to my parents.

I came from a family of repairers. The spider is a repairer. If you bash into the web of a spider, she doesn’t get mad. She weaves and repairs it. ‘The Spider’ is an ode to my mother. She was my best friend. Like a spider, my mother was a weaver. . . Like spiders, my mother was very clever. Spiders are friendly presences that eat mosquitoes. So, spiders are helpful and protective, just like my mother.”

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About Renee Phillips

Renée Phillips is a mentor and advocate for artists helping them achieve their fullest potential. She provides career advice, writing services, and promotion for artists from beginners to advanced. She organizes online exhibitions open to all artists as Director/Curator of Manhattan Arts International www.ManhattanArts.com and Founder of The Healing Power of ART & ARTISTS www.healing-power-of-art.org. As an arts' advocate she has served on the advisory boards of several non-profit arts organizations. She lives in New York, NY.

02/11 at 2:56 pm

Wonderful statements by many of the artists that I greatly admire!!!! Thanks for this Renee. One statement I always loved is Da Vinci’s, “If the mind is not at work, the work of the hand is of no account.”

02/11 at 4:01 pm

Hi Poul, Thank you for stopping by and reading “Art and Artist’s Statements…” The Da Vinci quote you wrote is a favorite of mine too. Wishing you creative bliss!

05/23 at 11:02 am

Thank you for compiling this list of artists statements. I am an art teacher K1-6th grade. I have been trying to find authentic statements to share with my older artists as examples and as resources for myself to better understand. This article is very helpful.

05/23 at 5:02 pm

I’m so glad you found this wonderful resource. I hope your students will enjoy this page. Let me know! Happy Artful Leaning! All the best, Renee

02/19 at 5:04 pm

Thanks for this insight. I’m finally marketing my work and this info helps with my artist statement

02/19 at 1:09 pm

Renee, thank you for putting together this article about artist statements. It was a very interesting scroll, being able to view all of these art pieces along with their artist statements. Reading this has been really helpful for me and I learned about some things I may want to put in my artist statements. I am grateful that you have collected them into one place. Have a brilliant year! 🙂

11/01 at 6:06 pm

Hi Renee, I love artists statement they say so much, mine is a work in progress and I seem to be sneaking up on the essence of it more and more. Trying to get past the banal – but making it meaningful at the same time. Thanks for all your tips. So helpful

11/02 at 9:12 am

Hi Rosemary, Thank you. This article about artist’s statement is one of the most highly read posts on my site. If you (and other artists who are reading this) want to read more about writing Artist’s Statements, please also read “How to Write Your Artist’s Statement” and “Mistakes to Avoid When Writing Your Artist’s Statement” . Writing an Artist’s Biography is also a challenge for most artists, so check out 8 or more articles on the topic of: Writing Your Artist’s Biography Wishing you creative growth and discovery, Renee

10/14 at 10:50 am

Just the inspiration I need to write my current statement. Thanks Renee.

04/13 at 12:19 pm

Thank you mrinalini mohit pusun,, Gopaul Nalini, Lee Tompkins, and Rebellicca for visiting and for your comments. Please visit often and subscribe to my free email newsletter.. https://www.renee-phillips.com/subscribe

04/13 at 9:27 am

Hi, Renee! Thank you for a most wonderful selection of artist statements! I love your work!

12/09 at 9:07 pm

Thank you Renee, I enjoyed your page and be in contact with you soon.

10/04 at 8:54 am

Thanks for this help.

07/09 at 1:46 pm

Hello Renee, I just went through the marvellous words told by the famous artists. Really i enjoyed reading the statements. Thank you to make us go through these. Being an artist myself and having studied them for my degree it dragged me in a memory lane ..thanks for that…

02/05 at 1:24 pm

I literally did look up “famous artist statements” and found this article. In all honestly I like the artist’s statements more than I like their art, none of these are favorites of mine. I still can’t think of anything so clever to say about my own visual art however, I always knew I was never going to amount to anything.

02/05 at 2:05 pm

Hi Duane, We do get a lot of hits on this post. I hope you’re joking about never amounting to anything. Although that’s your personal assessment, I visited your website and I think you have a lot of talent and I’m sure your art has an impact on others. That alone amounts to more than something.

04/04 at 8:56 pm

A unique and informative way of understanding an artist statement through the heart and mind of an artist. Enjoyed this Renee! Lisa freidus

04/05 at 8:17 am

Thank you Lisa Freidus, I appreciate that you stopped by. Have fun writing your Artist’s Statement!

12/04 at 8:32 pm

Renee! Once again an awesome article! What artist would think to Google “famous artists’ statements” when seeking guidance in this task?! Not me!

I love this article. Such proximity to guidance!

Thank you, Renee.

03/30 at 6:25 pm

Thank you Kelly! Most visitors to this page have come here from doing a google search!

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Art foundation/fine art personal statement example.

The unity in any painter's work arises from the fact that a person, brought to a desperate situation, will behave in a certain way... . - Frank Auerbach.

I strongly agree with this statement, and that creativity in art is heavily influenced by the state of mind of the artist. Given the chance from studying an art foundation course would give me the pleasure of developing my ideas of the psychology behind art while practically pursuing my strongest passion for the subject. My natural abilities and enthusiasm for art and expression through media have always been strong and I have a unquestionable commitment to do an art foundation course at university/college.

I am interested in exploring the roles of an artist as practitioner, researcher and curator that this course would offer. I would love to explore combined experimental studies and experience new areas of creative study, such as sculpture and ceramics, while broadening and strengthening the artistic skills I already have.

Official coursework and exams I have completed include an A* for GCSE Unendorsed Art and Design, and full marks in AS Level Fine Art, which included two units from my own source material and an examination brief unit. The source material used for units 1 and 2 were my own original photographs, which were included, along with many others, in my AS level fine art portfolio as extra coursework.

In the summer of 2006 I took part in work experience for two weeks with an interior design company. The skills I gained included photography, graphic and virtual design, broadened creativity in mixing media and colours and a portfolio of my own designs. I also have a part-time job in function suite, serving and working in the kitchens for events such as weddings, funerals, parties and christenings. I have been working there for a year and a half and it has developed, among others, my communication and people skills a great deal. This time working at Silkstone Lodge has given me opportunities where I have proven myself to be a reliable and responsible person.

In 2005 I participated in a regional Design and Technology challenge against other schools and colleges in the area. In this competition at Pontefract New College, we won first prize overall for skill and creativity. I have successfully completed Bronze and Silver Duke of Edinborough awards and I am continuing the scheme and working towards completing Gold. I have taken so much from the scheme, including realisation and/or development of skills, such as personal fitness, guitar performance, first aid and life saving.

Every year since I joined Wakefield Girls High School in 2002, I have attended open days to the public as either a tour guide or subject specialist (including art, design technology and chemistry). I am happy to give up a weekend every year to do this as I feel its so important to give what I can back to the school in whatever way I can. For this reason, about once a month I help at school events outside school hours, such as concerts or parents evenings, and I was elected to be a prefect and form prefect as a reward for my services and reliability. These positions also give me more responsibility opportunities during and outside school hours that strengthen me as a person and member of the school community.

Other school activities include being a active member of the original sound and lighting team which has given me many skills in technology that I use in school assemblies and performances, and occasional DJ opportunities in my part-time workplace. I would love to pursue this as a service or in a club at an institution such as university or college. I attend weekly debating societies, as an active member of the house, host, and developing the desire to join one of the debating teams themselves.

My strongest personal interests have always been focused on art and music. I have been playing the classical guitar for 7 years and my practised ability is going from strength to strength. I have performed in concerts and school events since I started playing and this has had a positive long-term affect on my confidence, with audiences of up to 800 people. Over the past couple of years I have developed an acute interest in photography. I take my camera with me wherever possible, mainly taking photographs for artistic purposes as well as casually capturing moments of fun.

My photography skills improved very quickly and a collection of my photographs were good enough to be included as art in my AS level art portfolio, as well as currently being in the final of a photography competition and having some photographs published in a book by www.picture.com . I fill my free time with drawing and painting with a variety of media and purposes, as well designating time and the highest degree of attention into creating pieces of art, usually on canvases as gifts for family and friends.

I am committed to a keep fit programme created for me personally at the local health club, and I also enjoy swimming after school or work as a way of relaxing. These add up to my regular fitness routine, but I have also taken part is an endless list of team and group sports, such as Tai Chi, tennis, cricket and water sports, in and outside school. One side of my family originate from Italy, with some members living in the UK that I see on a regular basis.

Although I am not fluent in Italian I can speak it to a useful communicative degree and I would love to further learn the language and join clubs at university or college centred around the language or Italian culture.

Profile info

This personal statement was written by scopatrice for application in 2000.

scopatrice's Comments

Personal statements should be about 2/3 about why you want to do the course/why you would be good for the uni to take on. 1/3 should be exrta-curric achievements and advantages as a uni student. mine is the other way round :S, but the content is all useful.

Related Personal Statements

Fashion/textiles applicant.

Wed, 28/11/2007 - 14:51

Hmm i actually found this (art foundation) statement quite ineresting at the start, but then it just kind of went off track completely when the writer started going too far into detail about their personal life. If they had focused more on which part of the subect they enjoyed most and why/ also which medium they enjoyed using or if they had any experience working in a team. Pfft, come on people, I haven't even began a statement yet and all it takes is some common sense reading another personal statement, instead of sitting there and whining because it's not already up to your standards. Sorry, to be harsh but I'm sure that even you know it's true!

It seems like you have an

Sun, 20/01/2008 - 10:18

It seems like you have an large amount of impressive acheivements/activities to talk about, yet I found the structure of the p.s. boring and found myself skipping bits out as I didnt feel a soulful energy in the way it was written; it seemed like you were bragging about your efforts more than expressing your passion for the things that you've done.

How can you refuse a student

Wed, 27/02/2008 - 13:41

How can you refuse a student like that even if their bragging their face off?

Impressive backlog of art

Tue, 04/11/2008 - 17:23

Impressive backlog of art related achievments but lacks the soul and passion of many others that ive read.

Why no paragraphs?? This

Thu, 01/10/2009 - 10:54

Why no paragraphs?? This whole thing's a massive block of text - nevermind it being boring, I can't read the damn thing.

I thought this statement was

Tue, 22/11/2011 - 17:56

I thought this statement was pretty impressive:)

This statement is so badly

Tue, 17/09/2013 - 10:52

This statement is so badly written I am surprised they passed GCSE English .

Interior Design Works Experience

Fri, 12/09/2014 - 14:11

I'm really interested in knowing what company you did your works experience with?

P.S.Really interesting and vibrant personal statement.

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