thesis examples for film

How to Write a Film Analysis Essay: Examples, Outline, & Tips

A film analysis essay might be the most exciting assignment you have ever had! After all, who doesn’t love watching movies? You have your favorite movies, maybe something you watched years ago, perhaps a classic, or a documentary. Or your professor might assign a film for you to make a critical review. Regardless, you are totally up for watching a movie for a film analysis essay.

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However, once you have watched the movie, facing the act of writing might knock the wind out of your sails because you might be wondering how to write a film analysis essay. In summary, writing movie analysis is not as difficult as it might seem, and Custom-writing.org experts will prove this. This guide will help you choose a topic for your movie analysis, make an outline, and write the text.️ Film analysis examples are added as a bonus! Just keep reading our advice on how to get started.

❓ What Is a Film Analysis Essay?

• 🚦 Film Analysis Types

📽️ Movie Analysis Format

✍️ how to write a film analysis, 🎦 film analysis template, 🎬 film analysis essay topics.

• 📄 Essay Examples

🔗 References

To put it simply, film analysis implies watching a movie and then considering its characteristics : genre, structure, contextual context, etc. Film analysis is usually considered to be a form of rhetorical analysis . The key to success here is to formulate a clear and logical argument, supporting it with examples.

🚦 Film Analysis Essay Types

Since a film analysis essay resembles literature analysis, it makes sense that there are several ways to do it. Its types are not limited to the ones described here. Moreover, you are free to combine the approaches in your essay as well. Since your writing reflects your own opinion, there is no universal way to do it.

• Semiotic analysis . If you’re using this approach, you are expected to interpret the film’s symbolism. You should look for any signs that may have a hidden meaning. Often, they reveal some character’s features. To make the task more manageable, you can try to find the objects or concepts that appear on the screen multiple times. What is the context they appear in? It might lead you to the hidden meaning of the symbols.
• Narrative structure analysis . This type is quite similar to a typical literature guide. It includes looking into the film’s themes, plot, and motives. The analysis aims to identify three main elements: setup, confrontation, and resolution. You should find out whether the film follows this structure and what effect it creates. It will make the narrative structure analysis essay if you write about the theme and characters’ motivations as well.
• Contextual analysis . Here, you would need to expand your perspective. Instead of focusing on inner elements, the contextual analysis looks at the time and place of the film’s creation. Therefore, you should work on studying the cultural context a lot. It can also be a good idea to mention the main socio-political issues of the time. You can even relate the film’s success to the director or producer and their career.
• Mise-en-scene analysis . This type of analysis works with the most distinctive feature of the movies, audiovisual elements. However, don’t forget that your task is not only to identify them but also to explain their importance. There are so many interconnected pieces of this puzzle: the light to create the mood, the props to show off characters’ personalities, messages hidden in the song lyrics.

To write an effective film analysis essay, it is important to follow specific format requirements that include the following:

• Standard essay structure. Just as with any essay, your analysis should consist of an introduction with a strong thesis statement, body paragraphs, and a conclusion. The main body usually includes a summary and an analysis of the movie’s elements.
• Present tense for events in the film. Use the present tense when describing everything that happens in the movie. This way, you can make smooth transitions between describing action and dialogue. It will also improve the overall narrative flow.
• Proper formatting of the film’s title. Don’t enclose the movie’s title in quotation marks; instead, italicize it. In addition, use the title case : that is, capitalize all major words.
• Proper use of the characters’ names. When you mention a film character for the first time, name the actor portraying them. After that, it is enough to write only the character’s name.
• In-text citations. Use in-text citations when describing certain scenes or shots from the movie. Format them according to your chosen citation style. If you use direct quotes, include the time-stamp range instead of page numbers. Here’s how it looks in the MLA format: (Smith 0:11:24–0:12:35).

Even though film analysis is similar to the literary one, you might still feel confused with where to begin. No need to worry; there are only a few additional steps you need to consider during the writing process.

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Starting Your Film Analysis Essay

There are several things you need to do before you start writing your film analysis paper. First and foremost, you have to watch the movie. Even if you have seen it a hundred times, you need to watch it again to make a good film analysis essay.

Note that you might be given an essay topic or have to think of it by yourself. If you are free to choose a topic for your film analysis essay, reading some critical reviews before you watch the film might be a good idea. By doing this in advance, you will already know what to look for when watching the movie.

In the process of watching, keep the following tips in mind:

• Consider your impression of the movie
• Enumerate memorable details
• Try to interpret the movie message in your way
• Search for the proof of your ideas (quotes from the film)
• Make comments on the plot, settings, and characters
• Draw parallels between the movie you are reviewing and some other movies

Making a Film Analysis Essay Outline

Once you have watched and possibly re-watched your assigned or chosen movie from an analytical point of view, you will need to create a movie analysis essay outline . The task is pretty straightforward: the outline can look just as if you were working on a literary analysis or an article analysis.

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• Introduction : This includes the basics of the movie, including the title, director, and the date of release. You should also present the central theme or ideas in the movie and your thesis statement .
• Summary : This is where you take the time to present an overview of the primary concepts in the movie, including the five Ws (who, what, when, where, and why)—don’t forget how!—as well as anything you wish to discuss that relates to the point of view, style, and structure.
• Analysis : This is the body of the essay and includes your critical analysis of the movie, why you did or did not like it, and any supporting material from the film to support your views. It would help if you also discussed whether the director and writer of the movie achieved the goal they set out to achieve.
• Conclusion: This is where you can state your thesis again and provide a summary of the primary concepts in a new and more convincing manner, making a case for your analysis. You can also include a call-to-action that will invite the reader to watch the movie or avoid it entirely.

You can find a great critical analysis template at Thompson Rivers University website. In case you need more guidance on how to write an analytical paper, check out our article .

Writing & Editing Your Film Analysis Essay

We have already mentioned that there are differences between literary analysis and film analysis. They become especially important when one starts writing their film analysis essay.

First of all, the evidence you include to support the arguments is not the same. Instead of quoting the text, you might need to describe the audiovisual elements.

However, the practice of describing the events is similar in both types. You should always introduce a particular sequence in the present tense. If you want to use a piece of a dialogue between more than two film characters, you can use block quotes. However, since there are different ways to do it, confirm with your supervisor.

For your convenience, you might as well use the format of the script, for which you don’t have to use quotation marks:

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ELSA: But she won’t remember I have powers?

KING: It’s for the best.

Finally, to show off your proficiency in the subject, look at the big picture. Instead of just presenting the main elements in your analysis, point out their significance. Describe the effect they make on the overall impression form the film. Moreover, you can dig deeper and suggest the reasons why such elements were used in a particular scene to show your expertise.

Stuck writing a film analysis essay? Worry not! Use our template to structure your movie analysis properly.

Introduction

• The title of the film is… [title]
• The director is… [director’s name] He/she is known for… [movies, style, etc.]
• The movie was released on… [release date]
• The themes of the movie are… [state the film’s central ideas]
• The film was made because… [state the reasons]
• The movie is… because… [your thesis statement].
• The main characters are… [characters’ names]
• The events take place in… [location]
• The movie is set in… [time period]
• The movie is about… [state what happens in the film and why]
• The movie left a… [bad, unforgettable, lasting, etc.] impression in me.
• The script has… [a logical sequence of events, interesting scenes, strong dialogues, character development, etc.]
• The actors portray their characters… [convincingly, with intensity, with varying degree of success, in a manner that feels unnatural, etc.]
• The soundtrack is [distracting, fitting, memorable, etc.]
• Visual elements such as… [costumes, special effects, etc.] make the film [impressive, more authentic, atmospheric, etc.]
• The film succeeds/doesn’t succeed in engaging the target audience because it… [tells a compelling story, features strong performances, is relevant, lacks focus, is unauthentic, etc.]
• Cultural and societal aspects make the film… [thought-provoking, relevant, insightful, problematic, polarizing, etc.]
• The director and writer achieved their goal because… [state the reasons]
• Overall, the film is… [state your opinion]
• I would/wouldn’t recommend watching the movie because… [state the reasons]
• Analysis of the film Inception by Christopher Nolan .
• Examine the rhetoric in the film The Red Balloon .
• Analyze the visual effects of Zhang Yimou’s movie Hero .
• Basic concepts of the film Interstellar by Christopher Nolan.
• The characteristic features of Federico Fellini’s movies.
• Analysis of the movie The Joker .
• The depiction of ethical issues in Damaged Care .
• Analyze the plot of the film Moneyball .
• Explore the persuasive techniques used in Henry V .
• Analyze the movie Killing Kennedy .
• Discuss the themes of the film Secret Window .
• Describe the role of audio and video effects in conveying the message of the documentary Life in Renaissance .
• Compare and analyze the films Midnight Cowboy and McCabe and Mrs. Miller .
• Analysis of the movie Rear Window .
• The message behind the film Split .
• Analyze the techniques used by Tim Burton in his movie Sleepy Hollow .
• The topic of children’s abuse and importance of trust in Joseph Sargent’s Sybil .
• Examine the themes and motives of the film Return to Paradise by Joseph Ruben .
• The issues of gender and traditions in the drama The Whale Rider.
• Analysis of the film Not Easily Broken by Duke Bill.
• The symbolism in R. Scott’s movie Thelma and Louise .
• The meaning of audiovisual effects in Citizen Kane .
• Analyze the main characters of The Girl with the Dragon Tattoo .
• Discuss the historical accuracy of the documentary The Civil War .
• Analysis of the movie Through a Glass Darkly .
• Explore the core idea of the comedy Get Out .
• The problem of artificial intelligence and human nature in Ex Machina .
• Three principles of suspense used in the drama The Fugitive .
• Examine the ideas Michael Bay promotes in Armageddon .
• Analyze the visual techniques used in Tenet by Christopher Nolan.
• Analysis of the movie The Green Mile .
• Discrimination and exclusion in the film The Higher Learning .
• The hidden meaning of the scenes in Blade Runner .
• Compare the social messages of the films West Side Story and Romeo + Juliet .
• Highlighting the problem of children’s mental health in the documentary Kids in Crisis .
• Discuss the ways Paul Haggis establishes the issue of racial biases in his movie Crash .
• Analyze the problem of moral choice in the film Gone Baby Gone .
• Analysis of the historical film Hacksaw Ridge .
• Explore the main themes of the film Mean Girls by Mark Walters .
• The importance of communication in the movie Juno .
• Describe the techniques the authors use to highlight the problems of society in Queen and Slim .
• Examine the significance of visual scenes in My Family/ Mi Familia .
• Analysis of the thriller Salt by Phillip Noyce.
• Analyze the message of Greg Berlanti’s film Love, Simon .
• Interpret the symbols of the film The Wizard of Oz (1939).
• Discuss the modern issues depicted in the film The Corporation .
• Moral lessons of Edward Zwick’s Blood Diamond .
• Analysis of the documentary Solitary Nation .
• Describe the audiovisual elements of the film Pride and Prejudice (2005) .
• The problem of toxic relationships in Malcolm and Marie .

📄 Film Analysis Examples

Below you’ll find two film analysis essay examples. Note that the full versions are downloadable for free!

Film Analysis Example #1: The Intouchables

Raising acute social problems in modern cinema is a common approach to draw the public’s attention to the specific issues and challenges of people facing crucial obstacles. As a film for review, The Intouchables by Oliver Nakache and Éric Toledano will be analyzed, and one of the themes raised in this movie is the daily struggle of the person with severe disabilities. This movie is a biographical drama with comedy elements. The Intouchables describes the routine life of a French millionaire who is confined to a wheelchair and forced to receive help from his servants. The acquaintance of the disabled person with a young and daring man from Parisian slums changes the lives of both radically. The film shows that for a person with disabilities, recognition as a full member of society is more important than sympathy and compassion, and this message expressed comically raises an essential problem of human loneliness.

Movie Analysis Example #2: Parasite

Parasite is a 2019 South Korean black comedy thriller movie directed by Bong Joon-ho and is the first film with a non-English script to win Best Picture at the Oscars in 2020. With its overwhelming plot and acting, this motion picture retains a long-lasting effect and some kind of shock. The class serves as a backbone and a primary objective of social commentary within the South Korean comedy/thriller (Kench, 2020). Every single element and detail in the movie, including the student’s stone, the contrasting architecture, family names, and characters’ behavior, contribute to the central topic of the universal problem of classism and wealth disparity. The 2020 Oscar-winning movie Parasite (2019) is a phenomenal cinematic portrayal and a critical message to modern society regarding the severe outcomes of the long-established inequalities within capitalism.

Want more examples? Check out this bonus list of 10 film analysis samples. They will help you gain even more inspiration.

• “Miss Representation” Documentary Film Analysis
• “The Patriot”: Historical Film Analysis
• “The Morning Guy” Film Analysis
• 2012′ by Roland Emmerich Film Analysis
• “The Crucible” (1996) Film Analysis
• The Aviator’ by Martin Scorsese Film Analysis
• The “Lions for Lambs” Film Analysis
• Bill Monroe – Father of Bluegrass Music Film Analysis
• Lord of the Rings’ and ‘Harry Potter’ Film Analysis
• Red Tails by George Lucas Film Analysis

Film Analysis Essay FAQ

• Watch the movie or read a detailed plot summary.
• Read others’ film reviews paying attention to details like key characters, movie scenes, background facts.
• Compose a list of ideas about what you’ve learned.
• Organize the selected ideas to create a body of the essay.
• Write an appropriate introduction and conclusion.

The benefits of analyzing a movie are numerous . You get a deeper understanding of the plot and its subtle aspects. You can also get emotional and aesthetic satisfaction. Film analysis enables one to feel like a movie connoisseur.

Here is a possible step by step scenario:

• Think about the general idea that the author probably wanted to convey.
• Consider how the idea was put across: what characters, movie scenes, and details helped in it.
• Study the broader context: the author’s other works, genre essentials, etc.

The definition might be: the process of interpreting a movie’s aspects. The movie is reviewed in terms of details creating the artistic value. A film analysis essay is a paper presenting such a review in a logically structured way.

• Film Analysis – UNC Writing Center
• Film Writing: Sample Analysis // Purdue Writing Lab
• Yale Film Analysis – Yale University
• Film Terms And Topics For Film Analysis And Writing
• Questions for Film Analysis (Washington University)
• Resources on Film Analysis – Cinema Studies (University of Toronto)
• Does Film Analysis Take the Magic out of Movies?
• Film Analysis Research Papers – Academia.edu
• What’s In a Film Analysis Essay? Medium
• Analysis of Film – SAGE Research Methods
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It’s an interesting point of view. Thank you for your opinion, Sourav!

EXCELENT COVERAGE!

Thank you, Mike!

Hi Rebecca,

Glad you liked the post. Sure thing, feel free to share the link with your audience!

All the best.

Film Analysis

What this handout is about.

This handout introduces film analysis and and offers strategies and resources for approaching film analysis assignments.

Writing the film analysis essay

Writing a film analysis requires you to consider the composition of the film—the individual parts and choices made that come together to create the finished piece. Film analysis goes beyond the analysis of the film as literature to include camera angles, lighting, set design, sound elements, costume choices, editing, etc. in making an argument. The first step to analyzing the film is to watch it with a plan.

Watching the film

First it’s important to watch the film carefully with a critical eye. Consider why you’ve been assigned to watch a film and write an analysis. How does this activity fit into the course? Why have you been assigned this particular film? What are you looking for in connection to the course content? Let’s practice with this clip from Alfred Hitchcock’s Vertigo (1958). Here are some tips on how to watch the clip critically, just as you would an entire film:

• Give the clip your undivided attention at least once. Pay close attention to details and make observations that might start leading to bigger questions.
• Watch the clip a second time. For this viewing, you will want to focus specifically on those elements of film analysis that your class has focused on, so review your course notes. For example, from whose perspective is this clip shot? What choices help convey that perspective? What is the overall tone, theme, or effect of this clip?
• Take notes while you watch for the second time. Notes will help you keep track of what you noticed and when, if you include timestamps in your notes. Timestamps are vital for citing scenes from a film!

For more information on watching a film, check out the Learning Center’s handout on watching film analytically . For more resources on researching film, including glossaries of film terms, see UNC Library’s research guide on film & cinema .

Brainstorming ideas

Once you’ve watched the film twice, it’s time to brainstorm some ideas based on your notes. Brainstorming is a major step that helps develop and explore ideas. As you brainstorm, you may want to cluster your ideas around central topics or themes that emerge as you review your notes. Did you ask several questions about color? Were you curious about repeated images? Perhaps these are directions you can pursue.

If you’re writing an argumentative essay, you can use the connections that you develop while brainstorming to draft a thesis statement . Consider the assignment and prompt when formulating a thesis, as well as what kind of evidence you will present to support your claims. Your evidence could be dialogue, sound edits, cinematography decisions, etc. Much of how you make these decisions will depend on the type of film analysis you are conducting, an important decision covered in the next section.

After brainstorming, you can draft an outline of your film analysis using the same strategies that you would for other writing assignments. Here are a few more tips to keep in mind as you prepare for this stage of the assignment:

• Make sure you understand the prompt and what you are being asked to do. Remember that this is ultimately an assignment, so your thesis should answer what the prompt asks. Check with your professor if you are unsure.
• In most cases, the director’s name is used to talk about the film as a whole, for instance, “Alfred Hitchcock’s Vertigo .” However, some writers may want to include the names of other persons who helped to create the film, including the actors, the cinematographer, and the sound editor, among others.
• When describing a sequence in a film, use the literary present. An example could be, “In Vertigo , Hitchcock employs techniques of observation to dramatize the act of detection.”
• Finding a screenplay/script of the movie may be helpful and save you time when compiling citations. But keep in mind that there may be differences between the screenplay and the actual product (and these differences might be a topic of discussion!).
• Go beyond describing basic film elements by articulating the significance of these elements in support of your particular position. For example, you may have an interpretation of the striking color green in Vertigo , but you would only mention this if it was relevant to your argument. For more help on using evidence effectively, see the section on “using evidence” in our evidence handout .

Also be sure to avoid confusing the terms shot, scene, and sequence. Remember, a shot ends every time the camera cuts; a scene can be composed of several related shots; and a sequence is a set of related scenes.

Different types of film analysis

As you consider your notes, outline, and general thesis about a film, the majority of your assignment will depend on what type of film analysis you are conducting. This section explores some of the different types of film analyses you may have been assigned to write.

Semiotic analysis

Semiotic analysis is the interpretation of signs and symbols, typically involving metaphors and analogies to both inanimate objects and characters within a film. Because symbols have several meanings, writers often need to determine what a particular symbol means in the film and in a broader cultural or historical context.

For instance, a writer could explore the symbolism of the flowers in Vertigo by connecting the images of them falling apart to the vulnerability of the heroine.

Here are a few other questions to consider for this type of analysis:

• What objects or images are repeated throughout the film?
• How does the director associate a character with small signs, such as certain colors, clothing, food, or language use?
• How does a symbol or object relate to other symbols and objects, that is, what is the relationship between the film’s signs?

Many films are rich with symbolism, and it can be easy to get lost in the details. Remember to bring a semiotic analysis back around to answering the question “So what?” in your thesis.

Narrative analysis

Narrative analysis is an examination of the story elements, including narrative structure, character, and plot. This type of analysis considers the entirety of the film and the story it seeks to tell.

For example, you could take the same object from the previous example—the flowers—which meant one thing in a semiotic analysis, and ask instead about their narrative role. That is, you might analyze how Hitchcock introduces the flowers at the beginning of the film in order to return to them later to draw out the completion of the heroine’s character arc.

To create this type of analysis, you could consider questions like:

• How does the film correspond to the Three-Act Structure: Act One: Setup; Act Two: Confrontation; and Act Three: Resolution?
• What is the plot of the film? How does this plot differ from the narrative, that is, how the story is told? For example, are events presented out of order and to what effect?
• Does the plot revolve around one character? Does the plot revolve around multiple characters? How do these characters develop across the film?

When writing a narrative analysis, take care not to spend too time on summarizing at the expense of your argument. See our handout on summarizing for more tips on making summary serve analysis.

Cultural/historical analysis

One of the most common types of analysis is the examination of a film’s relationship to its broader cultural, historical, or theoretical contexts. Whether films intentionally comment on their context or not, they are always a product of the culture or period in which they were created. By placing the film in a particular context, this type of analysis asks how the film models, challenges, or subverts different types of relations, whether historical, social, or even theoretical.

For example, the clip from Vertigo depicts a man observing a woman without her knowing it. You could examine how this aspect of the film addresses a midcentury social concern about observation, such as the sexual policing of women, or a political one, such as Cold War-era McCarthyism.

A few of the many questions you could ask in this vein include:

• How does the film comment on, reinforce, or even critique social and political issues at the time it was released, including questions of race, ethnicity, gender, and sexuality?
• How might a biographical understanding of the film’s creators and their historical moment affect the way you view the film?
• How might a specific film theory, such as Queer Theory, Structuralist Theory, or Marxist Film Theory, provide a language or set of terms for articulating the attributes of the film?

Take advantage of class resources to explore possible approaches to cultural/historical film analyses, and find out whether you will be expected to do additional research into the film’s context.

Mise-en-scène analysis

A mise-en-scène analysis attends to how the filmmakers have arranged compositional elements in a film and specifically within a scene or even a single shot. This type of analysis organizes the individual elements of a scene to explore how they come together to produce meaning. You may focus on anything that adds meaning to the formal effect produced by a given scene, including: blocking, lighting, design, color, costume, as well as how these attributes work in conjunction with decisions related to sound, cinematography, and editing. For example, in the clip from Vertigo , a mise-en-scène analysis might ask how numerous elements, from lighting to camera angles, work together to present the viewer with the perspective of Jimmy Stewart’s character.

To conduct this type of analysis, you could ask:

• What effects are created in a scene, and what is their purpose?
• How does this scene represent the theme of the movie?
• How does a scene work to express a broader point to the film’s plot?

This detailed approach to analyzing the formal elements of film can help you come up with concrete evidence for more general film analysis assignments.

Reviewing your draft

Once you have a draft, it’s helpful to get feedback on what you’ve written to see if your analysis holds together and you’ve conveyed your point. You may not necessarily need to find someone who has seen the film! Ask a writing coach, roommate, or family member to read over your draft and share key takeaways from what you have written so far.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Aumont, Jacques, and Michel Marie. 1988. L’analyse Des Films . Paris: Nathan.

Media & Design Center. n.d. “Film and Cinema Research.” UNC University Libraries. Last updated February 10, 2021. https://guides.lib.unc.edu/filmresearch .

Oxford Royale Academy. n.d. “7 Ways to Watch Film.” Oxford Royale Academy. Accessed April 2021. https://www.oxford-royale.com/articles/7-ways-watch-films-critically/ .

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Crafting a Powerful Thesis Statement for a Movie Review: Examples and Tips

• backlinkworks
• Writing Articles & Reviews
• October 28, 2023

Introduction

writing a movie review can be an exciting task, but IT requires careful consideration and thought. One of the most important elements of a movie review is the thesis statement, as IT sets the tone and direction for the entire review. In this article, we will explore the process of crafting a powerful thesis statement for a movie review, providing you with helpful examples and tips along the way.

What is a Thesis Statement in a Movie Review?

A thesis statement in a movie review presents the main argument or opinion that you will be discussing and supporting throughout your review. IT typically appears near the end of your introduction and should be clear, concise, and thought-provoking. The thesis statement should provide an overall evaluation or interpretation of the movie, highlighting the key aspects you will be focusing on in your review.

Examples of Powerful Thesis Statements

Let’s now explore some examples of powerful thesis statements to give you a better understanding of how to structure your own. Remember, these examples are not meant to be copied directly but rather to serve as inspiration for crafting your unique thesis statement:

• Example 1: The movie “Inception” explores the convoluted depths of the human mind, challenging our perception of reality and leaving audiences questioning the nature of dreams.
• Example 2: Through its stunning cinematography and emotional storytelling, “The Shawshank Redemption” showcases the resilience of the human spirit and the power of hope in the face of adversity.
• Example 3: In “Black Swan,” the director delves into the dark and obsessive world of ballet, blurring the lines between sanity and insanity, leading to a mesmerizing and haunting cinematic experience.

Tips for Crafting a Powerful Thesis Statement

Now that you’ve seen some examples, let’s dive into some tips to help you craft a powerful thesis statement for your movie review:

• Identify the central theme: Analyze the movie and identify the central theme or message being conveyed. This will serve as the basis for your thesis statement.
• Be specific: Make your thesis statement clear and specific, avoiding vague language or generalizations. This will make your argument more compelling and focused.
• Consider the audience: Think about the intended audience of your review and tailor your thesis statement to resonate with them. Different audiences may have varying expectations or interests.
• Support with evidence: Your thesis statement should be supported by evidence from the movie. Incorporate specific scenes, dialogues, or character developments to strengthen your argument.
• Stay objective: While expressing your personal opinion is essential, ensure that your thesis statement remains objective and balanced. Avoid overly biased language that may detract from the credibility of your review.

Crafting a powerful thesis statement for a movie review is crucial in setting the tone and direction for your review. IT should provide a clear evaluation or interpretation of the movie, supported by evidence and examples. By following the tips outlined in this article and considering the provided examples, you can create a compelling thesis statement that engages your readers and enhances the overall quality of your movie review.

1. Can I include my personal opinion in the thesis statement?

Yes, you can include your personal opinion in the thesis statement, but ensure that IT remains objective and supported by evidence from the movie.

2. Should I mention the title of the movie in my thesis statement?

While IT is not mandatory, IT is recommended to include the title of the movie in your thesis statement to provide clarity and context.

3. How long should my thesis statement be?

A thesis statement should be concise and to the point. Aim for a sentence or two that effectively conveys your main argument.

4. Can I change my thesis statement after writing the review?

Yes, IT is possible to make adjustments to your thesis statement if you feel IT needs refinement or modification based on your analysis and review process.

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Film Analysis: Example, Format, and Outline + Topics & Prompts

Films are never just films. Instead, they are influential works of art that can evoke a wide range of emotions, spark meaningful conversations, and provide insightful commentary on society and culture. As a student, you may be tasked with writing a film analysis essay, which requires you to delve deeper into the characters and themes. But where do you start?

In this article, our expert team has explored strategies for writing a successful film analysis essay. From prompts for this assignment to an excellent movie analysis example, we’ll provide you with everything you need to craft an insightful film analysis paper.

• 📽️ Film Analysis Definition

📚 Types of Film Analysis

• ✍️ How to Write Film Analysis
• 🎞️ Movie Analysis Prompts
• 🎬 Top 15 Topics

📝 Film Analysis Example

• 🍿 More Examples

🔗 References

📽️ what is a film analysis essay.

A film analysis essay is a type of academic writing that critically examines a film, its themes, characters, and techniques used by the filmmaker. This essay aims to analyze the film’s meaning, message, and artistic elements and explain its cultural, social, and historical significance. It typically requires a writer to pay closer attention to aspects such as cinematography, editing, sound, and narrative structure.

Film Analysis vs Film Review

It’s common to confuse a film analysis with a film review, though these are two different types of writing. A film analysis paper focuses on the film’s narrative, sound, editing, and other elements. This essay aims to explore the film’s themes, symbolism , and underlying messages and to provide an in-depth interpretation of the film.

On the other hand, a film review is a brief evaluation of a film that provides the writer’s overall opinion of the movie. It includes the story’s short summary, a description of the acting, direction, and technical aspects, and a recommendation on whether or not the movie is worth watching.

Wondering what you should focus on when writing a movie analysis essay? Here are four main types of film analysis. Check them out!

📋 Film Analysis Format

The movie analysis format follows a typical essay structure, including a title, introduction, thesis statement, body, conclusion, and references.

The most common citation styles used for a film analysis are MLA and Chicago . However, we recommend you consult with your professor for specific guidelines. Remember to cite all dialogue and scene descriptions from the movie to support the analysis. The reference list should include the analyzed film and any external sources mentioned in the essay.

When referring to a specific movie in your paper, you should italicize the film’s name and use the title case. Don’t enclose the title of the movie in quotation marks.

📑 Film Analysis Essay Outline

A compelling film analysis outline is crucial as it helps make the writing process more focused and the content more insightful for the readers. Below, you’ll find the description of the main parts of the movie analysis essay.

Film Analysis Introduction

Many students experience writer’s block because they don’t know how to write an introduction for a film analysis. The truth is that the opening paragraph for a film analysis paper is similar to any other academic essay:

• Start with a hook to grab the reader’s attention . For example, it can be a fascinating fact or a thought-provoking question related to the film.
• Provide background information about the movie . Introduce the film, including its title, director, and release date. Follow this with a brief summary of the film’s plot and main themes.
• End the introduction with an analytical thesis statement . Present the central argument or interpretation that will be explored in the analysis.

Film Analysis Thesis

If you wonder how to write a thesis for a film analysis, we’ve got you! A thesis statement should clearly present your main idea related to the film and provide a roadmap for the rest of the essay. Your thesis should be specific, concise, and focused. In addition, it should be debatable so that others can present a contrasting point of view. Also, make sure it is supported with evidence from the film.

Let’s come up with a film analysis thesis example:

Through a feminist lens, Titanic is a story about Rose’s rebellion against traditional gender roles, showcasing her attempts to assert her autonomy and refusal to conform to societal expectations prevalent in the early 20th century.

Movie Analysis Main Body

Each body paragraph should focus on a specific aspect of the film that supports your main idea. These aspects include themes, characters, narrative devices , or cinematic techniques. You should also provide evidence from the film to support your analysis, such as quotes, scene descriptions, or specific visual or auditory elements.

Here are two things to avoid in body paragraphs:

• Film review . Your analysis should focus on specific movie aspects rather than your opinion of the film.
• Excessive plot summary . While it’s important to provide some context for the analysis, a lengthy plot summary can detract you from your main argument and analysis of the film.

Film Analysis Conclusion

In the conclusion of a movie analysis, restate the thesis statement to remind the reader of the main argument. Additionally, summarize the main points from the body to reinforce the key aspects of the film that were discussed. The conclusion should also provide a final thought or reflection on the film, tying together the analysis and presenting your perspective on its overall meaning.

✍️ How to Write a Film Analysis Essay

Writing a film analysis essay can be challenging since it requires a deep understanding of the film, its themes, and its characters. However, with the right approach, you can create a compelling analysis that offers insight into the film’s meaning and impact. To help you, we’ve prepared a small guide.

1. Understand the Prompt

When approaching a film analysis essay, it is crucial to understand the prompt provided by your professor. For example, suppose your professor asks you to analyze the film from the perspective of Marxist criticism or psychoanalytic film theory . In that case, it is essential to familiarize yourself with these approaches. This may involve studying these theories and identifying how they can be applied to the film.

If your professor did not provide specific guidelines, you will need to choose a film yourself and decide on the aspect you will explore. Whether it is the film’s themes, characters, cinematography, or social context, having a clear focus will help guide your analysis.

2. Watch the Film & Take Notes

Keep your assignment prompt in mind when watching the film for your analysis. For example, if you are analyzing the film from a feminist perspective, you should pay attention to the portrayal of female characters, power dynamics , and gender roles within the film.

As you watch the movie, take notes on key moments, dialogues, and scenes relevant to your analysis. Additionally, keeping track of the timecodes of important scenes can be beneficial, as it allows you to quickly revisit specific moments in the film for further analysis.

3. Develop a Thesis and an Outline

Next, develop a thesis statement for your movie analysis. Identify the central argument or perspective you want to convey about the film. For example, you can focus on the film’s themes, characters, plot, cinematography, or other outstanding aspects. Your thesis statement should clearly present your stance and provide a preview of the points you will discuss in your analysis.

Having created a thesis, you can move on to the outline for an analysis. Write down all the arguments that can support your thesis, logically organize them, and then look for the supporting evidence in the movie.

4. Write Your Movie Analysis

When writing a film analysis paper, try to offer fresh and original ideas on the film that go beyond surface-level observations. If you need some inspiration, have a look at these thought-provoking questions:

• How does the movie evoke emotional responses from the audience through sound, editing, character development , and camera work?
• Is the movie’s setting portrayed in a realistic or stylized manner? What atmosphere or mood does the setting convey to the audience?
• How does the lighting in the movie highlight certain aspects? How does the lighting impact the audience’s perception of the movie’s characters, spaces, or overall mood?
• What role does the music play in the movie? How does it create specific emotional effects for the audience?
• What underlying values or messages does the movie convey? How are these values communicated to the audience?

5. Revise and Proofread

To revise and proofread a film analysis essay, review the content for grammatical, spelling, and punctuation errors. Ensure the paper flows logically and each paragraph contributes to the overall analysis. Remember to double-check that you haven’t missed any in-text citations and have enough evidence and examples from the movie to support your arguments.

Consider seeking feedback from a peer or instructor to get an outside perspective on the essay. Another reader can provide valuable insights and suggestions for improvement.

🎞️ Movie Analysis: Sample Prompts

Now that we’ve covered the essential aspects of a film analysis template, it’s time to choose a topic. Here are some prompts to help you select a film for your analysis.

• Metropolis film analysis essay . When analyzing this movie, you can explore the themes of technology and society or the portrayal of class struggle. You can also focus on symbolism, visual effects, and the influence of German expressionism on the film’s aesthetic.
• The Godfather film analysis essay . An epic crime film, The Godfather , allows you to analyze the themes of power and corruption, the portrayal of family dynamics, and the influence of Italian neorealism on the film’s aesthetic. You can also examine the movie’s historical context and impact on future crime dramas.
• Psycho film analysis essay . Consider exploring the themes of identity and duality, the use of suspense and tension in storytelling, or the portrayal of mental illness. You can also explore the impact of this movie on the horror genre.
• Forrest Gump film analysis essay . If you decide to analyze the Forrest Gump movie, you can focus on the portrayal of historical events. You might also examine the use of nostalgia in storytelling, the character development of the protagonist, and the film’s impact on popular culture and American identity.
• The Great Gatsby film analysis essay . The Great Gatsby is a historical drama film that allows you to analyze the themes of the American Dream, wealth, and class. You can also explore the portrayal of the 1920s Jazz Age and the symbolism of the green light.
• Persepolis film analysis essay . In a Persepolis film analysis essay, you can uncover the themes of identity and self-discovery. You might also consider analyzing the portrayal of the Iranian Revolution and its aftermath, the use of animation as a storytelling device, and the film’s influence on the graphic novel genre.

🎬 Top 15 Film Analysis Essay Topics

• The use of color symbolism in Vertigo and its impact on the narrative.
• The moral ambiguity and human nature in No Country for Old Men .
• The portrayal of ethnicity in Gran Torino and its commentary on cultural stereotypes.
• The cinematography and visual effects in The Hunger Games and their contribution to the dystopian atmosphere.
• The use of silence and sound design in A Quiet Place to immerse the audience.
• The disillusionment and existential crisis in The Graduate and its reflection of the societal norms of the 1960s.
• The themes of sacrifice and patriotism in Casablanca and their relevance to the historical context of World War II.
• The psychological horror in The Shining and its impact on the audience’s experience of fear and tension.
• The exploration of existentialism in Eternal Sunshine of the Spotless Mind .
• Multiple perspectives and unreliable narrators in Rashomon .
• The music and soundtrack in Titanic and its contribution to the film’s emotional resonance.
• The portrayal of good versus evil in the Harry Potter film series and its impact on understanding morality.
• The incorporation of vibrant colors in The Grand Budapest Hotel as a visual motif.
• The use of editing techniques to tell a nonlinear narrative in Pulp Fiction .
• The function of music and score in enhancing the emotional impact in Schindler’s List .

Check out the Get Out film analysis essay we’ve prepared for college and high school students. We hope this movie analysis essay example will inspire you and help you understand the structure of this assignment better.

Film Analysis Essay Introduction Example

Get Out, released in 2017 and directed by Jordan Peele, is a culturally significant horror film that explores themes of racism, identity, and social commentary. The film follows Chris, a young African-American man, visiting his white girlfriend’s family for the weekend. This essay will analyze how, through its masterful storytelling, clever use of symbolism, and thought-provoking narrative, Get Out reveals the insidious nature of racism in modern America.

Film Analysis Body Paragraphs Example

Throughout the movie, Chris’s character is subject to various types of microaggression and subtle forms of discrimination. These instances highlight the insidious nature of racism, showing how it can exist even in seemingly progressive environments. For example, during Chris’s visit to his white girlfriend’s family, the parents continuously make racially insensitive comments, expressing their admiration for black physical attributes and suggesting a fascination bordering on fetishization. This sheds light on some individuals’ objectification and exotification of black bodies.

Get Out also critiques the performative allyship of white liberals who claim to be accepting and supportive of the black community. It is evident in the character of Rose’s father, who proclaims: “I would have voted for Obama for a third term if I could” (Peele, 2017). However, the film exposes how this apparent acceptance can mask hidden prejudices and manipulation.

Film Analysis Conclusion Example

In conclusion, the film Get Out provides a searing critique of racial discrimination and white supremacy through its compelling narrative, brilliant performances, and skillful direction. By exploring the themes of the insidious nature of racism, fetishization, and performative allyship, Get Out not only entertains but also challenges viewers to reflect on their own biases.

🍿 More Film Analysis Examples

• Social Psychology Theories in The Experiment
• Anakin Skywalker/Darth Vader: George Lukas’s Star Wars Review
• Girl, Interrupted : Mental Illness Analysis
• Mental Disorders in the Finding Nemo Film
• One Flew Over the Cuckoo’s Nest Film: Interpretive Psychological Analysis
• Analysis of Spielberg’s Film Lincoln
• Glory – The Drama Movie by Edward Zwick
• Inventors in The Men Who Built America Series
• Crash Movie: Racism as a Theme
• Dances with Wolves Essay – Movie Analysis
• Superbad by G. Mottola
• Ordinary People Analysis and Maslow Hierarchy of Needs
• A Review of the Movie An Inconvenient Truth by Guggenheim
• Chaplin’s Modern Times and H.G. Wells’s The Island of Dr. Moreau
• Misé-En-Scene and Camera Shots in The King’s Speech
• Children’s Sexuality in the Out in the Dark Film
• Chinese and American Women in Joy Luck Club Novel and Film
• The Film Silver Linings Playbook by Russell
• The Role of Music in the Films The Hours and The Third Man
• The Social Network : Film Analysis
• My Neighbor Totoro : Film by Hayao Miyazaki
• Marriage Story Film Directed by Noah Baumbach

❓ Film Analysis Essay: FAQ

Why is film analysis important.

Film analysis allows viewers to go beyond the surface level and delve into the deeper layers of a film’s narrative, themes, and technical aspects. It enables a critical examination that enhances appreciation and understanding of the film’s message, cultural significance, and artistic value. At the same time, writing a movie analysis essay can boost your critical thinking and ability to spot little details.

How to write a movie analysis?

• Watch the film multiple times to grasp its key elements.
• Take notes on the story, characters, and themes.
• Pay attention to the film’s cinematography, editing, sound, message, symbolism, and social context.
• Formulate a strong thesis statement that presents your main argument.
• Support your claims with evidence from the film.

How to write a critical analysis of a movie?

A critical analysis of a movie involves evaluating its elements, such as plot, themes, characters, and cinematography, and providing an informed opinion on its strengths and weaknesses. To write it, watch the movie attentively, take notes, develop a clear thesis statement, support arguments with evidence, and balance the positive and negative.

How to write a psychological analysis of a movie?

A psychological analysis of a movie examines characters’ motivations, behaviors, and emotional experiences. To write it, analyze the characters’ psychological development, their relationships, and the impact of psychological themes conveyed in the film. Support your analysis with psychological theories and evidence from the movie.

• Film Analysis | UNC Writing Center
• Psychological Analysis of Films | Steemit
• Critical Film Analysis | University of Hawaii
• Questions to Ask of Any Film | All American High School Film Festival
• Resources – How to Write a Film Analysis | Northwestern
• Film Analysis | University of Toronto
• Film Writing: Sample Analysis | Purdue Online Writing Lab
• Film Analysis Web Site 2.0 | Yale University
• Questions for Film Analysis | University of Washington
• Film & Media Studies Resources: Types of Film Analysis | Bowling Green State University
• Film & Media Studies Resources: Researching a Film | Bowling Green State University
• Motion Picture Analysis Worksheet | University of Houston
• Reviews vs Film Criticism | The University of Vermont Libraries
• Television and Film Analysis Questions | University of Michigan
• How to Write About Film: The Movie Review, the Theoretical Essay, and the Critical Essay | University of Colorado

Descriptive Essay Topics: Examples, Outline, & More

371 fun argumentative essay topics for 2024.

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Film Writing: Sample Analysis

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Introductory Note

The analysis below discusses the opening moments of the science fiction movie  Ex Machina  in order to make an argument about the film's underlying purpose. The text of the analysis is formatted normally. Editor's commentary, which will occasionally interrupt the piece to discuss the author's rhetorical strategies, is written in brackets in an italic font with a bold "Ed.:" identifier. See the examples below:

The text of the analysis looks like this.

[ Ed.:  The editor's commentary looks like this. ]

Frustrated Communication in Ex Machina ’s Opening Sequence

Alex Garland’s 2015 science fiction film Ex Machina follows a young programmer’s attempts to determine whether or not an android possesses a consciousness complicated enough to pass as human. The film is celebrated for its thought-provoking depiction of the anxiety over whether a nonhuman entity could mimic or exceed human abilities, but analyzing the early sections of the film, before artificial intelligence is even introduced, reveals a compelling examination of humans’ inability to articulate their thoughts and feelings. In its opening sequence, Ex Machina establishes that it’s not only about the difficulty of creating a machine that can effectively talk to humans, but about human beings who struggle to find ways to communicate with each other in an increasingly digital world.

[ Ed.:  The piece's opening introduces the film with a plot summary that doesn't give away too much and a brief summary of the critical conversation that has centered around the film. Then, however, it deviates from this conversation by suggesting that Ex Machina has things to say about humanity before non-human characters even appear. Off to a great start. ]

The film’s first establishing shots set the action in a busy modern office. A woman sits at a computer, absorbed in her screen. The camera looks at her through a glass wall, one of many in the shot. The reflections of passersby reflected in the glass and the workspace’s dim blue light make it difficult to determine how many rooms are depicted. The camera cuts to a few different young men typing on their phones, their bodies partially concealed both by people walking between them and the camera and by the stylized modern furniture that surrounds them. The fourth shot peeks over a computer monitor at a blonde man working with headphones in. A slight zoom toward his face suggests that this is an important character, and the cut to a point-of-view shot looking at his computer screen confirms this. We later learn that this is Caleb Smith (Domhnall Gleeson), a young programmer whose perspective the film follows.

The rest of the sequence cuts between shots from Caleb’s P.O.V. and reaction shots of his face, as he receives and processes the news that he has won first prize in a staff competition. Shocked, Caleb dives for his cellphone and texts several people the news. Several people immediately respond with congratulatory messages, and after a moment the woman from the opening shot runs in to give him a hug. At this point, the other people in the room look up, smile, and start clapping, while Caleb smiles disbelievingly—perhaps even anxiously—and the camera subtly zooms in a bit closer. Throughout the entire sequence, there is no sound other than ambient electronic music that gets slightly louder and more textured as the sequence progresses. A jump cut to an aerial view of a glacial landscape ends the sequence and indicates that Caleb is very quickly transported into a very unfamiliar setting, implying that he will have difficulty adjusting to this sudden change in circumstances.

[ Ed.:  These paragraphs are mostly descriptive. They give readers the information they will need to understand the argument the piece is about to offer. While passages like this can risk becoming boring if they dwell on unimportant details, the author wisely limits herself to two paragraphs and maintains a driving pace through her prose style choices (like an almost exclusive reliance on active verbs). ]

Without any audible dialogue or traditional expository setup of the main characters, this opening sequence sets viewers up to make sense of Ex Machina ’s visual style and its exploration of the ways that technology can both enhance and limit human communication. The choice to make the dialogue inaudible suggests that in-person conversations have no significance. Human-to-human conversations are most productive in this sequence when they are mediated by technology. Caleb’s first response when he hears his good news is to text his friends rather than tell the people sitting around him, and he makes no move to take his headphones out when the in-person celebration finally breaks out. Everyone in the building is on their phones, looking at screens, or has headphones in, and the camera is looking at screens through Caleb’s viewpoint for at least half of the sequence.  

Rather than simply muting the specific conversations that Caleb has with his coworkers, the ambient soundtrack replaces all the noise that a crowded building in the middle of a workday would ordinarily have. This silence sets the uneasy tone that characterizes the rest of the film, which is as much a horror-thriller as a piece of science fiction. Viewers get the sense that all the sounds that humans make as they walk around and talk to each other are being intentionally filtered out by some presence, replaced with a quiet electronic beat that marks the pacing of the sequence, slowly building to a faster tempo. Perhaps the sound of people is irrelevant: only the visual data matters here. Silence is frequently used in the rest of the film as a source of tension, with viewers acutely aware that it could be broken at any moment. Part of the horror of the research bunker, which will soon become the film’s primary setting, is its silence, particularly during sequences of Caleb sneaking into restricted areas and being startled by a sudden noise.

The visual style of this opening sequence reinforces the eeriness of the muted humans and electronic soundtrack. Prominent use of shallow focus to depict a workspace that is constructed out of glass doors and walls makes it difficult to discern how large the space really is. The viewer is thus spatially disoriented in each new setting. This layering of glass and mirrors, doubling some images and obscuring others, is used later in the film when Caleb meets the artificial being Ava (Alicia Vikander), who is not allowed to leave her glass-walled living quarters in the research bunker. The similarity of these spaces visually reinforces the film’s late revelation that Caleb has been manipulated by Nathan Bates (Oscar Isaac), the troubled genius who creates Ava.

[ Ed.:  In these paragraphs, the author cites the information about the scene she's provided to make her argument. Because she's already teased the argument in the introduction and provided an account of her evidence, it doesn't strike us as unreasonable or far-fetched here. Instead, it appears that we've naturally arrived at the same incisive, fascinating points that she has. ]

A few other shots in the opening sequence more explicitly hint that Caleb is already under Nathan’s control before he ever arrives at the bunker. Shortly after the P.O.V shot of Caleb reading the email notification that he won the prize, we cut to a few other P.O.V. shots, this time from the perspective of cameras in Caleb’s phone and desktop computer. These cameras are not just looking at Caleb, but appear to be scanning him, as the screen flashes in different color lenses and small points appear around Caleb’s mouth, eyes, and nostrils, tracking the smallest expressions that cross his face. These small details indicate that Caleb is more a part of this digital space than he realizes, and also foreshadow the later revelation that Nathan is actively using data collected by computers and webcams to manipulate Caleb and others. The shots from the cameras’ perspectives also make use of a subtle fisheye lens, suggesting both the wide scope of Nathan’s surveillance capacities and the slightly distorted worldview that motivates this unethical activity.

[ Ed.: This paragraph uses additional details to reinforce the piece's main argument. While this move may not be as essential as the one in the preceding paragraphs, it does help create the impression that the author is noticing deliberate patterns in the film's cinematography, rather than picking out isolated coincidences to make her points. ]

Taken together, the details of Ex Machina ’s stylized opening sequence lay the groundwork for the film’s long exploration of the relationship between human communication and technology. The sequence, and the film, ultimately suggests that we need to develop and use new technologies thoughtfully, or else the thing that makes us most human—our ability to connect through language—might be destroyed by our innovations. All of the aural and visual cues in the opening sequence establish a world in which humans are utterly reliant on technology and yet totally unaware of the nefarious uses to which a brilliant but unethical person could put it.

Author's Note:  Thanks to my literature students whose in-class contributions sharpened my thinking on this scene .

[ Ed.: The piece concludes by tying the main themes of the opening sequence to those of the entire film. In doing this, the conclusion makes an argument for the essay's own relevance: we need to pay attention to the essay's points so that we can achieve a rich understanding of the movie. The piece's final sentence makes a chilling final impression by alluding to the danger that might loom if we do not understand the movie. This is the only the place in the piece where the author explicitly references how badly we might be hurt by ignorance, and it's all the more powerful for this solitary quality. A pithy, charming note follows, acknowledging that the author's work was informed by others' input (as most good writing is). Beautifully done. ]

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• Dissertation: " Aluminum Lesbians: Recycling Lesbian Legacy in Classical Hollywood"
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• Dissertation: " Process over Product: Kinesthetic Cinema, Sporting Bodies, and Media Milieux"
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• Dissertation: Soviet Tableau: Cinema and History under Late Socialism (1953-1985)
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• Readers:  Mark Lynn Anderson  (English),  Neepa Majumdar  (English),   Randall Halle  (German),   Dan Morgan  (Cinema and Media Studies, University of Chicago)
• Dissertation:  The Cinematic Animal: Animal Life, Technology, and the Moving Image
• Readers:  Neepa Majumdar  (English),   Adam Lowenstein  (English), Akira Lippit (Cinema & Media Studies, University of Southern California)
• Dissertation:  Sustaining Life During the AIDS Crisis: New Queer Cinema and the Biopic
• Readers:  Lucy Fischer  (English),   Randall Halle  (German),   Marcia Landy  (English)
• Dissertation: Pataphysical Networking: Virtuality, Potentiality and the Experimental Works of the Collège de 'Pataphysique, the Oulipo, and the Mouvement Panique
• Dissertation: "Everything new is born illegal." Historicisizing Rapid Migration through New Media Projects
• Chair: Randall Halle (German)
• Readers: Nancy Condee (Slavic), Sabine von Dirk (German), John B. Lyon (German)
• Dissertation:  Impasse in Multilingual Spaces: Politics of Language and Identity in Contemporary Francophone Contact Zones
• Chair:  David Pettersen  (French & Italian)
• Readers:  Nancy Condee  (Slavic),  Neil Doshi  (French & Italian),  Giuseppina Mecchia  (French & Italian)
• Dissertation:  Press Play: Video Games and the Ludic Quality of Aesthetic Experiences across Media
• Readers:   Randall Halle  (German), Jinying Li (English),  Neepa Majumdar  (English),  Dan Morgan  (Cinema and Media Studies, University of Chicago)
• Dissertation:  Shopping the Look: Hollywood Costume Production and American Fashion Consumption, 1960-1969
• Chair:  Neepa Majumdar  (English)
• Readers:  Mark Lynn Anderson  (English),  Jane Feuer  (English),  Brenton J. Malin  (Communication)
• Dissertation:  Another Habitat for the Muses: The Poetic Investigations of Mexican Film Criticism, 1896-1968
• Readers:  Neepa Majumdar  (English),  Adam Lowenstein  (English),  Joshua Lund  (University of Notre Dame)
• Dissertation:  Frame and Finitude: The Aporetic Aesthetics of Alain Resnais's Cinematic Modernism
• Co-Chairs:  Adam Lowenstein  (English),  Daniel Morgan  (Cinema and Media Studies, University of Chicago)
• Readers:  Neepa Majumdar  (English),  Marcia Landy  (English)

Natalie Ryabchikova

• Dissertation: The Flying Fish: Sergei Eisenstein Abroad, 1929-1932.
• Chair: Mark Lynn Anderson (Film)
• Readers: William Chase (History), Nancy Condee (Slavic), Randall Halle  (Film), Vladimir Padunov (Slavic)

Kelly Trimble

• Dissertation:  The Celebrification of Soviet Culture: State Heroes after Stalin, 2017
• Chair: Vladimir Padunov (Slavic)
• Readers: David Birnbaum (Slavic), Nancy Condee (Slavic), Randall Halle (German)
• Dissertation:  A Hidden Light: Judaism, Contemporary Israeli Film, and the Cinematic Experience
• ​Chair:   Lucy Fischer  (English)
• Readers:  Adam Lowenstein  (English),  Neepa Majumdar  (English), Adam Shear  (Religious Studies)
• Dissertation:  Global Russian Cinema in the Digital Age: The Films of Timur Bekmambetov
• ​Chair:   Nancy Condee  (Slavic)
• Readers:  Vladimir Padunov  (Slavic),  Randall Halle  (German),  Daniel Morgan  (Cinema and Media Studies, University of Chicago)
• Dissertation:  The Flying Fish: Sergei Eisenstein Abroad, 1929-1932
• ​Chair:   Vladimir Padunov  (Slavic)
• Readers:  Mark Lynn Anderson  (English),  William Chase  (History),  Nancy Condee  (Slavic),  Randall Halle  (German)

Anne Wesserling , Visiting Assistant Professor, University of North Georgia

• Dissertation: Screening Violence: Meditations on Perception in Recent Argentine Literature and Film of the Post-Dictatorship
• Chair: Daniel Balderston  (Hispanic Languages & Literature)
• Readers: John Beverley  (Hispanic Languages & Literature), Gonzalo Lamana  (Hispanic Languages & Literature), Adam Lowenstein  (English)
• Dissertation:  The British War Film, 1939-1980: Culture, History, and Genre
• Readers:  Adam Lowenstein  (English),  Colin MacCabe  (English),  David Pettersen  (French & Italian)
• Dissertation:  Unseen Femininity: Women in Japanese New Wave Cinema
• Readers:  Nancy Condee  (Slavic),  Marcia Landy  (English),  Neepa Majumdar  (English)
• Dissertation: Visualizing the Past: Perestroika Documentary Memory of Stalin-era
• Readers: Nancy Condee (Slavic), David J. Birnbaum  (Slavic), Jeremy Hicks  (Languages, Linguistics, Film)

Gavin M. Hicks

• Disseration: Soccer and Social Identity in Contemporary German Film and Media  
• Readers: John B. Lyon  (German), Sabine von Dirke (German), Clark Muenzer  (German), Gayle Rogers (English)
• Dissertation:  Film Dance, Female Stardom, and the Production of Gender in Popular Hindi Cinema
• Readers:   Lucy Fischer  (English),  Marcia Landy  (English), Ranjani Mazumdar (Cinema Studies, Jawaharlal Nehru University)
• Dissertation:  Overlooking the Evidence: Gender, Genre and the Female Detective in Hollywood Film and Television
• Readers:  Mark Lynn Anderson  (English),  Adam Lowenstein  (English),  Brenton J. Malin  (Communications)

Christopher Nielsen , Educator, Institute for Health and Socioeconomic Policy/National Nurses United

• Dissertation: Narco Realism in Contemporary Mexican and Transnational Narrative, Film, and Online Media
• Chair: Juan Duchesen-Winter (Hispanic Languages & Literature)
• Readers: John Beverley (Hispanic Languages & Literature), Joshua Lund (Hispanic Languages & Literature), Giuseppina Mecchia  (French & Italian)
• Dissertation:  New Korean Cinema: Mourning to Regeneration
• Readers: Kyung Hyun Kim (East Asian Languages and Literatures, University of California, Irvine),  Adam Lowenstein  (English),  Colin MacCabe  (English)
• Dissertation:  “Insubordinate” Looking: Consumerism, Power, Identity, and the Art of Popular (Music) Dance Movies
• Readers:  Mark Lynn Anderson  (English),   Lucy Fischer  (English),  Randall Halle  (German)
• Dissertation:  Sustaining Feminist Film Cultures: An Institutional History of Women Make Movies
• Readers:   Mark Lynn Anderson  (English),  Neepa Majumdar  (English),  Randall Halle  (German Language),  David Pettersen  (French & Italian)

Yvonne Franke , Assistant Professor of German, Midwestern State University

• Dissertation:  The Genres of Europeanization - Moving Towards the "New Heimatfilm"
• Readers: Lucy Fischer (Film), John B. Lyon (German), Sabine von Dirke (German)

Olga Kilmova ,  Visiting Lecturer, University of Pittsburgh

• Dissertation: Soviet Youth Films under Brezhnev: Watching Between the Lines
• Chair: Nancy Condee (Slavic)
• Readers: Vladimir Padunov  (Slavic), David J. Birnbaum  (Slavic), Lucy Fischer  (Communication), Alexander V. Prokhorov (Slavic)
• Dissertation:  The Toy Like Nature: On the History and Theory of Animated Motion
• Chair: Daniel Morgan
• Readers:  Marcia Landy  (English), Mark Lynn Anderson  (English), Scott Bukatman (Film & Media Studies, Stanford University)
• Dissertation:  Cinematic Occupation: Intelligibility, Queerness, and Palestine
• Readers:  Mark Lynn Anderson  (English), Troy Boone  (English), Todd Reeser (French & Italian)

Yahya Laayouni , Assistant Professor of Arabic and French, Bloomsberg University of Pennsylvania

• Dissertation: Redefining Beur Cinema: Constituting Subjectivity through Film
• Co-Chairs: Giuseppina Mecchia  (French and Italian) & Randall Halle  (German)
• Readers: Todd Reeser (French and Italian), Mohammed Bamyeh  (Sociology & Religious Studies), Neil Doshi  (French & Italian)
• Dissertation:  Image to Infinity: Rethinking Description and Detail in the Cinema
• Chair:   Marcia Landy  (English)
• Readers: Troy Boone ,  Adam Lowenstein  (English),  Colin MacCabe  (English),  Randall Halle  (German)
• Link to professional profile >
• Dissertation:  Screen Combat: Recreating World War II in American Film and Media
• Readers:   Lucy Fischer  (English),  Marcia Landy  (English),  Randall Halle  (German)
• Dissertation:  Modern Kinesis: Motion Picture Technology, Embodiment, and Re-Playability in the Late Nineteenth and Early Twenty-First Centuries
• Readers:   Lucy Fischer  (English),  Adam Lowenstein  (English),  Giuseppina Mecchia  (French & Italian)
• Dissertation:  Research in the Form of a Spectacle: Godard and the Cinematic Essay
• Readers:   Lucy Fischer  (English),  Marcia Landy  (English)
• Dissertation:  Immaterial Materiality: Collecting in Live-Action Film, Animation, and Digital Games
• Readers:  Marcia Landy  (English),  Adam Lowenstein  (English),  Randall Halle  (German)
• Dissertation:  Nation, Nostalgia, and Masculinity: Clinton/Spielberg/Hanks
• Readers:  Marcia Landy  (English),  Adam Lowenstein  (English),  Brent Malin  (Communications)
• Dissertation:  Body Image: Fashioning the Postwar American
• Readers:  Jane Feuer  (English), Marianne Novy (English), Carol Stabile (English, University of Oregon)

Natalia Maria Ramirez-Lopez , 

• Dissertation: MARGINALIDAD Y VIOLENCIA JUVENIL EN MEDELLÍN Y BOGOTÁ: NARRATIVAS LITERARIAS Y FÍMICAS DE LOS AÑOS 80 Y 90 EN COLOMBIA
• Chair: Hermann Herlinghaus  (Latin American Literature, University of Freiburg)
• Readers: Aníbal Perez-Linán (Political Science), Bobby J. Chamberlain  (Hispanic Languages & Literature), Gerald Martin (Hispanic Languages & Literature)

Dawn Seckler , Associate Director of Development, Bridgeway Capital

• Dissertation: Engendering Genre: The Contemporary Russian Buddy Film
• Readers: David MacFadyen (University of California, Los Angeles), Lucy Fischer  (Film), Nancy Condee (Slavic)
• Dissertation:  The Ethnic Turn: Studies in Political Cinema from Brazil and the United States, 1960-2002
• Readers:  Adam Lowenstein  (English), Shalini Puri,  Neepa Majumdar  (English),  John Beverley  (Hispanic)
• Dissertation:  Acting Social: The Cinema of Mike Nichols
• Readers:  Mark Anderson  (English),  Marcia Landy  (English),  Colin MacCabe  (English), David Shumway (English, Carnegie Mellon University)
• Dissertation:  Ruins and Riots: Transnational Currents in Mexican Cinema
• Readers:   Lucy Fischer  (English),  Adam Lowenstein  (English),  John Beverly  (Hispanic)
• Dissertation:  The Word Made Cinematic: The Representation of Jesus in Cinema
• Readers: Troy Boone ,  Adam Lowenstein  (English), Vernell Lillie (Africana Studies)
• Dissertation:  Fathers of a Still-Born Past: Hindu Empire, Globality, and the Rhetoric of the Trikaal
• Readers: Paul Bové  (English), Ronald Judy  (English),  Nancy Condee  (Slavic)
• Dissertation:  Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-Based Approach to Genre Theory
• Readers:  Jane Feuer  (English),  Neepa Majumdar  (English), Paula Massood (Cinema and Media Studies, Brooklyn College, CUNY)
• Dissertation:  "The World Goes One Way and We Go Another": Movement, Migration, and Myths of Irish Cinema
• Readers:  Adam Lowenstein  (English),  Colin MacCabe  (English),  Nancy Condee  (Slavic Languages and Literatures)
• Dissertation:  The Writing on the Screen: Images of Text in the German Cinema from 1920-1949
• Readers: Paul Bové  (English),  Lucy Fischer  (English), Linda Shulte-Sasse (German, McAllister College)
• Dissertation:  Mantras of the Metropole: Geo-Televisuality and Contemporary Indian Cinema
• Readers: Paul Bové  (English); Eric Clarke (English);  Colin MacCabe  (English); M. Prasad (Film Theory, Central Institute of English and Foreign Languages, Hyderabad)
• Dissertation:  Hollywood Youth Narratives and the Family Values Campaign 1980-1992
• Readers: Troy Boone  (English),  Marcia Landy  (English), Carol Stabile (Communications)
• Dissertation:  Reading Scars: Circumcision as Textual Trope
• Chair: Philip Smith  (English)
• Readers:   Lucy Fischer  (English), Mariolina Salvatori, Greg Goekjian (Portland State University)
• Dissertation:  Dreaming in Crisis: Angels and the Allegorical Imagination in Postwar America
• Chair:  Colin MacCabe  (English)
• Readers: Ronald Judy  (English), Jonathan Arac ,  Nancy Condee  (Slavic)
• Dissertation:  Laying Down the Rules: The American Sports Film Genre From 1872 to 1960
• Readers:  Jane Feuer  (English), Moya Luckett, Carol Stabile (Communications)

Elena Prokhorova

• Dissertation: Fragmented Mythologies: Soviet TV Series of the 1970s
• Readers: Carol Stabile (Communications), Jane Feuer (English and Film), Martin Votruba (Slavic), Nancy Condee (Slavic)
• Dissertation:  Nickels and Dimes: The Movies in a Rampantly American City, 1914-1923
• Readers: Moya Luckett,  Jane Feuer , Gregory Waller (University of Kentucky)
• Dissertation:  As Far As Anyone Knows: Fetishism and the Anti-Televisual Paradoxes of Film Noir
• Readers: Valerie Krips, James Knapp, Henry Krips (Communications)

Alexander Prokhorov , Associate Professor, College of William and Mary

• Dissertation: Inherited Discourse: Stalinist Tropes in Thaw Culture
• Chair: Helena Goscilo (Slavic)
• Readers: Lucy Fischer (Film), Mark Altshuller (Slavic), Nancy Condee (Slavic), Vladimir Padunov (Slavic)
• Dissertation:  “Dig If You Will The Picture”: The Cinematic, the Black Femme, and the Image of Common Sense
• Chair:   Marcia Landy  (English)
• Readers: Paul Bové  (English),  Colin MacCabe  (English), Amy Villarejo (Cornell), Wahneema Lubiano (Duke)
• Dissertation:   French Film Criticism, Authorship, and National Culture in the Mirror of John Cassavetes’s Body, His Life, His Work
• Readers:   Marcia Landy  (English), James Knapp
• Dissertation:  In The Shadow of His Language: Language and Feminine Subjectivity in the Cinema
• Chair:   Colin MacCabe  (English)
• Readers:   Lucy Fischer  (English), Lynn Emanuel, Patrizia Lombardo (French and Italian)
• Dissertation:  Being In Control: The Ending Of The Information Age
• Chair: Paul Bové  (English)
• Readers: Jonathan Arac ,  Marcia Landy , Carol Stabile (Communications)
• Dissertation:  The Emergence of Date Rape: Feminism, Theory, Institutional Discourse, and Popular Culture
• Readers: Nancy Glazener  (English),   Lucy Fischer  (English), Carol A. Stabile (Communications)
• Dissertation:  Gender and the Politics and Practices of Representation in Contemporary British Cinema
• Readers: James Knapp,  Marcia Landy  (English),  Colin MacCabe  (English), Sabine Hake (German)
• Dissertation:  Telling the Story of AIDS in Popular Culture
• Chair:   Jane Feuer  (English)
• Readers: Eric Clarke (English),  Marcia Landy  (English), Danae Clark (Communications)
• Dissertation:  Technology, the Natural and the Other: The Case of Childbirth Representations in Contemporary Popular Culture
• Readers:  Marcia Landy  (English), Dana Polan, Iris M. Young (Graduate School of Public and International Affairs, University of Pittsburgh)
• Dissertation:  Lesbian Rule:  Cultural Criticism and the Value of Desire
• Readers: Paul Bové  (English),  Colin MacCabe  (English), Gayatri Spivak (Columbia)
• Dissertation:  Feminism, Postmodernism, and Science Fiction: Gender and Ways of Thinking Otherwise
• Chair:  Philip Smith
• Readers:  Marica Landy  (English),  Lucy Fischer  (English), Dana Polan, Tamara Horowitz (Philosophy)
• Dissertation:  Camp and the Question of Value
• Readers:   Lucy Fischer  (English),  Marcia Landy  (English), Eric Clarke (English), Janet Staiger (University of Texas–Austin)
• Dissertation:  Culture in a State of Crisis:  A Historical Construction in Cinematic Ideology in India, 1919-75
• Readers: Paul Bové  (English),  Colin MacCabe  (English), Keya Ganguly (Carnegie Mellon University)
• Dissertation:  The Ethics of Transgression: Criticism and Cultural Marginality
• Chair: Paul Bove  (English)
• Readers:   Lucy Fischer  (English),  Marcia Landy  (English), Dana Pollan, Danae Clarke
• Dissertation:  Sally Bowles: Fascism, Female Spectacle, and the Politics of Looking
• Readers:  Marcia Landy  (English), Dana Polan, Sabine Hake (German)

Film Analysis: Example, Topics, & Essay Writing Guide [2024]

It’s hardly possible to find one who is not keen on watching films. It is one of the most common ways of spending free time. When it comes to writing a film analysis essay, you would probably be confused.

Don’t worry! We gathered everything you need to make it without a hitch. What’s more, you will find free essay samples as a bonus.

📽️ What Is a Film Analysis?

✍️ film analysis terms, 📜 film analysis types.

• 📼 Film Genres: List

✨ How to Write a Film Analysis

• ✍️ Film Analysis Essay Topics
• 🗒 Film Analysis Template and Example

🔗 References

F ilm analysis expresses the afterview synoptic. The result is a transparent and informative thesis and its arguments .

Don’t forget you should maintain an appropriate academic style. This article explains how to manage it well, using the proper terminology, structure, techniques, etc.

As an introduction to film analysis, explore a list of general film analysis terms. They come as an inseparable part of your film analysis essay.

Find them below.

Auteur: Definition

The auteur is the French equivalent of the English word author. The auteur’s definition is straightforward. As a rule, the film’s director is the author. Why so? Director is a core role that manages all processes: from organizing a filmmaking crew and cast to every aspect of the film.

Diegesis in films is all about the fictional world elements. Everything the director creates and transfers on the screen is diegesis. Time framework, setting, range of events, etc., are examples of those elements.

Flashback and Flashforward

Flashback and flashforward imply relating to a chronological flow of a narrative. Flashback is a scene that takes it back in time from the present point of the film.

A flashforward differs from the flashback only by the time-shifting direction: it takes the audience to the plot pieces later in the film.

Mise-en-scène

The term looks confusing, but it is easy as pie. A pre-defined set of a film’s scene is a mise-en-scène . Everything in the camera’s focus: exposure, actors, and other elements form a mise-en-scène.

The Plot of a Story

The plot of a story is a sequence of events and their interactions that make up a story shown in a film.

Scene vs. Sequence

To put it simply, the scene and the sequence differ by the number of shots. The scene is short and consists of a few shots. The sequence is a more significant film part as it implies several scenes. As you may have guessed, the entire movie consists of several sequences.

The variety of possible film genres and their complexity assume more than one way to analyze them. There are several film analysis types, depending on the reviewing angle.

Narrative Analysis

This approach is similar to literary analysis. It means examining the film plot, narrative structure, motives, and characters. The research is built on answering the three simple questions: who, what, and where?

Semiotic Analysis

Everything about understanding the hidden meaning of the symbols is a semiotic analysis of the film. Those symbols usually appear more than once in a movie. Also, particular directors tend to repeat specific symbols. This type of analysis requires very close attention to detail.

Mise-en-scène Analysis

We have already found what mise-en-scène is: a setting with the lighting, soundtrack, background, etc. When we focus on those audio and visual elements and their meaning, we talk about the mise-en-scène analysis. Audiovisual elements may seem insignificant at first glance, but they carry tremendous importance and power to support the plot.

📼 Film Genres List

Having grasped the basic film analysis terms and types, we move on to the starting point of film analysis. We talk about defining a film genre.

You do not have to be a cinema theorist or a crazy film fan to identify one from another. Anyways, let’s list the common film genres and describe them briefly. Please, check the table below:

There is also a deeper categorization. Each genre in the list has several, sometimes overlapping sub-genres.

We are closer to the central part: we’ve approached the writing guide.

Are you still struggling with how to write a film analysis essay? The solid solution is, to begin with conducting a step-by-step plan. Move on, and we will tell you how to do it!

Like every other paper, hence literary analysis, writing film analysis involves several ultimate steps. There is nothing groundbreaking here. All the steps are familiar. They are:

• Thesis statement
• Introduction

Let’s touch upon each step and note what is worth considering (after watching the movie itself).

Film Analysis Outline

The first and foremost step is writing a film analysis essay outline. You need to make a short draft with the core measures to analyze the film. Mind the instructions in case you have them. Organize the ideas in a list and proceed to the next step.

Film Analysis Thesis Statement

Pay special attention to writing a film analysis thesis statement. You first need to squeeze out the central narrative threads and ideas. The thesis statement should focus on what you will prove in your essay by transforming those ideas into new meanings.

Concentrate on the combination of film expectations, the auteur’s point of view, and your own critical opinion. In the end, formulate a concise thesis statement and move on to the introduction preparation.

Film Analysis Introduction

Your film analysis introduction should be informative and catchy. Give the general information about the film. It may contain the movie title, director, release year, and cast. 

After building an introduction background:

• Dive deeper.
• Explore the director’s filmography or build possible links between the film and the current trends or social agenda.
• Include as many valuable insights as you can to spark a thought in the reader’s mind. 

Remember that the introduction should validate and complement your thesis statement. 

Having the outline and the formulated thesis statement, you should, in a way, break down a film into its creative elements and analyze each of them. At once individually, and then as a whole picture.

What are those creative elements?

• Directing. Since we have mentioned the role of the director time and again, let’s start with it. Trace their distinctive directing manner to find new patterns and compare them to previous works.
• Scenario. In most films, often except for art-house cinema, the script plays one of the critical roles in its power. A well-written scenario helps develop the narrative and each character. It reduces the risk of silly inconsistencies or mistakes. After watching, try to access the level of scripting consistency and clarity.
• Acting. Even though we’ve just defined the role of the scenario, acting sometimes plays louder than words. Try to answer the question: how accurately does the actors’ performance reveals and conveys the author’s main idea and your thesis statement.
• Music and visual effects. Setting the overall mood is what is impossible without soundtracks and visual effects. Provide an example of how each part, special effects, sounds, make-up, or costumes, help, or vice-a-versa, interfere in expressing the author’s message.

While analyzing, don’t forget to build logic between each element. Make a smooth and solid review.

We’ve approached the icing on the cake — your film analysis conclusion. Once again, make sure your analysis confirms the thesis statement and show it in your resolution.

Remember that movies are complex pieces of art. Don’t be too shallow in your essay. Try to see a bigger picture and put it in words.

Now that we’ve outlined the plan let’s figure out how it works on a real example.

✍️ 20 Film Analysis Essay Topics

• Sociological concepts in “The Truman Show” film
• The process of shame to violence in Bergman film: “Shame”
• “The King’s Speech” movie and anxiety disorder
• Gender biases in “If These Walls Could Talk 2” film
• “The Neighbor’s Window”: film review
• Ethical, political and social issues in business in “The Corporation” movie
• Mental health illness in the film “When a Man Loves a Woman”
• The Devil Wears Prada film’s critical analysis
• Negotiation situation in “The Godfather” movie
• “Watchmen” film in relation to the American dream
• Moral and theme in “The Pursuit of Happiness” movie
• “The State of Play: Trophy Kids”: main idea and summary of the film
• Narrative campaign of “The Hunger Games” film
• Review of “Mon Oncle” movie: a portrayal of France
• Gender and family in “Gone With the Wind” film
• Sociology of “Avatar” movie by James Cameron
• Historical themes in the movie “Gladiator”
• Review of “Kung Fu Panda” movie: educational psychology
• Settings in Bollywood cinema: “Bobby” movie
• Visual effects in the “1917” movie

🗒️ Film Analysis Template and Example

We prepared a short-outlined essay sample. Explore the table to understand what your analysis may look like. Here is the “Solaris” film analysis essay example.

You may take this or other essay samples from StudyCorgi as a template for your future writing. It will save your time and make the process transparent. Don’t hesitate to use them!

You’ve just found out the primary terms, tips, and a film analysis guide.

Now, as we have shed light on the film analysis techniques and showcased the real examples, the task seems not as tricky as at first sight. Save this article or share it with a friend to avoid losing!

What Is the Purpose of Film Analysis?

Film analysis aims to extract value from watching a movie, except for leisure. Films do not just tell a story. They bring a message, provoke feelings, and teach precious lessons. Directors sometimes encode priceless meanings applicable to many generations.

How to Analyze a Movie Effectively?

To analyze a movie effectively, you should acquire the appropriate terminology. Then, understand the existing types of film analysis and their difference. After that, outline your future film analysis paper and look through the extant examples.

What Is Formal Analysis in Film?

The formal analysis comprises the investigation of professional elements of film production like camera motion, lighting, color editing, special effects, and other inner working processes. The average viewer does not pay much attention to them, but we should not diminish their importance.

What Are the 4 Elements of Film Analysis?

One of the many interpretations of this question is the following: the first component is a film plot, the second one is the existing arguments about the film, the third one is a film background, and the fourth is their evaluation.

• Film Analysis — The University of North Carolina at Chapel Hill
• Film Term Glossary — Brooklyn College
• Film Analysis and Methods — Penn Arts & Science Cinema & Media Studies
• Movie Genres – 120+ Examples of Different Movie Genres – NFI
• A Guide to Writing a Film Studies Paper: Carleton University
• How to Write an Analytical Essay — MDC
• Film Analysis Research Papers – Academia.edu
• Shot, Scene, and Sequence — Columbia Film Language Glossary
• Diegesis — Oxford Reference
• Film Analysis Essay Sample — Purdue Online Writing Lab
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How to Write a Film Analysis Essay: Examples, Outline, & Tips

22 December 2023

last updated

This guideline is designed to teach people how to write a film analysis essay. Basically, students and anyone interested in writing a good movie analysis essay should read the details and tips that can help them to produce a high-standard piece. The article begins by defining what a film analysis is, listing the possible topics of such an essay, and giving a sample outline and example. The guideline also teaches about the various types of film analysis and the most common concepts that such a paper may address. As a result, the article concludes with tips, including ten things to do and ten not to do when writing a film analysis essay.

General Aspects of How to Write an Outstanding Film Analysis Essay

A college education is dynamic and robust because students undertake various academic activities in and out of the lecture room. Typically, activities within lecture halls are theoretical, and those that happen outside are practical. A critical academic exercise is a film analysis assignment, where professors require students to watch a movie and discuss using particular elements. The elements directors and producers use to bring the action alive include the stage, lighting, sound, and other special effects. As such, analyzing a film is a complex exercise that requires one to perfect the art of writing. In turn, this article is a guideline for how to write a film analysis essay. By reading this text, students can gain insights into the details and elements they must address when writing a movie analysis essay.

Definition of What Is a Film Analysis and Its Meaning

According to a simple definition, film analysis explores the use of particular elements in a film, including mise-en-scène, cinematography, sound, and editing. Students should talk about actors’ positioning, scenery adaptation, physical setting, stage lighting, and cultural context when writing this kind of essay. Another critical fact to consider is that films come in various genres, including action, documentaries, drama, horror, romance, and science fiction. Each type of movie analysis utilizes the above elements differently. Therefore, film analysis means writing an in-depth examination of how directors and producers approach their productions to make them entertaining and informative. For example, most science fiction films are futuristic, showing how society may change. In this respect, all films have a cultural context students must address in their movie analysis essay.

Unique Features of a Film Analysis

Generally, film analysis essays differ from other types of papers , including an argumentative essay , a cause and effect essay , and a research paper , because they focus on a single production and explore the use of the above elements. Some unique features that differentiate film analysis papers from other types of essays include a short plot summary where writers briefly tell readers what the movie is about, such as exterminating evil. In this type of analysis, writers evaluate the use of the elements above and state whether they make the film great or below expectations. Another feature is a poster showing sceneries to give readers a visual experience of the movie. Such visuals are essential to arouse the reader’s emotions and mental involvement in a movie analysis. Therefore, when writing a film analysis essay, students should focus on telling the story and depicting it.

6 Common Types of a Film Analysis Essay

Students must determine the type of film analysis essay to avoid sounding ignorant and irrelevant when writing about the movie. The most common types are semiotic, narrative, contextual, mise-en-scène, cultural, and historical analyses. Each type requires students to adopt a singular focus, meaning one cannot concentrate effort on elements that do not fall under the study. The reason for these types of analyses is that it is not always possible to understand an entire film in an essay, which is generally a short text of about two to three pages. Nonetheless, it is prudent for students to know how to write each type, meaning understanding the approach and unique features they must discuss and evaluate.

🔸 Semiotic Analysis

A semiotic essay involves discussing, evaluating, and interpreting the use of literary analysis elements, including analogies and metaphors, to inanimate characters and objects. Generally, these elements have different meanings, and students should determine what a particular feature stands for in the film they are analyzing vis-à-vis its broader cultural or historical significance in society. For example, when analyzing the 1958 film Vertigo , one may discuss the symbolism of flowers by stating how some images of them falling apart depict the heroine’s vulnerability. In turn, when conducting a semiotic analysis, one should consider several issues, including the repetition of objects or images throughout the movie, the association of a character with particular objects, and the relation between an object and other objects. Hence, a semiotic analysis essay requires students to examine the use of objects and symbols to communicate a deep meaning.

🔸 Narrative Analysis

A narrative analysis essay involves examining the elements that directors or producers use to construct the storyline, including characters, the plot, the setting, and the narrative structure. As such, students should focus on the entire movie and the message it seeks to communicate. Considering the example above of Vertigo , writers may discuss the narrative role of flowers by analyzing how director Alfred Hitchcock introduces them as the film begins and only brings them up again toward the end to complete the heroine’s character arc. Students should also consider several issues when conducting a narrative analysis essay, including the plot and how it unfolds. For example, one may talk about whether events are systematic or out of order and what that signifies. However, students should not focus on summarizing the plot at the expense of making and defending an argument.

🔸 Contextual Analysis

A contextual analysis of a film is a discussion of the placement of the movie within particular contexts, such as slavery, women’s suffrage, the civil rights movement, or the industrial revolution. In this case, filmmakers produce movies and base their identity on the unfolding circumstances or themes defining a particular time in history.

🔸 Mise-en-Scène Analysis

A mise-en-scène analysis essay involves discussing and evaluating compositional elements, including sets, props, actors, costumes, and lighting, and how they complement or conflict with cinematography, sound, and editing. The most effective approach in conducting this movie analysis is to focus on one or a few scenes rather than the entire film, telling readers how they support or undermine the plot. As such, mise-en-scène is part of the director’s narrative because this element influences how the audience understands the central message in the production. Taking Vertigo as a case study , one may discuss how Hitchcock incorporates lighting and camera angles to characterize Jimmy Stewart (starring as former police detective John “Scottie” Ferguson) as acrophobic. When adopting a mise-en-scène analysis, students should consider how particular scenes create effects and their purpose and how different scenes emphasize a theme central to the plot.

🔸 Cultural Analysis

A cultural analysis essay examines, evaluates, and interprets the broader cultural disposition the director adopts to tell the story. Students must understand that, regardless of a film’s production period, a culture influences its various elements, like characters and their mannerisms. Taking Vertigo as an example, one may interpret the scene where a man observes a woman without her knowing it to mean the sexual policing of women in mid-20th century America. When analyzing the context of a movie, students should consider how the film captures, reinforces, or critiques social norms in a particular culture or era.

🔸 Historical Analysis

A historical analysis essay means writing about a particular film from the perspective of the period underscoring its production. Ideally, filmmakers place their work into a historical context, such as the colonial era or ancient civilizations. Therefore, when writing a film analysis essay, students should focus on the period the director situates its plot.

How to Write a More Technical and Focused Film Analysis Essay

Film analysis helps readers to understand essential details, including the plot and its central themes, characters and their disposition, scenes and significance, and effects and the message they communicate. In this respect, one must be ready to undertake a technical, focused, and vigorous analysis of one or several of these elements. In most instances, instructions dictate the aspects students should write about. However, without such specifications, they should focus on a few elements and examine them vigorously. For example, one may decide to focus on the plot. In this instance, a movie analysis essay must examine the plot from different perspectives, including the characters, central themes, and the message. Such a focused analysis allows readers to gain an in-depth understanding of a particular element of movie reviews instead of an analysis that discusses several elements superficially. Some elements and terms that students can use for writing a film analysis essay include:

• Flashback and flashforward: Flashbacks are scenes that recount events that have a powerful influence on the current or unfolding event. On the other hand, flashforwards are scenes that reveal events that will occur later in the film, and their purpose is to create anticipation in the audience.
• Time framework: Film directors structure time linearly to depict an orderly unfolding of events. The most common time framework is omitting events to move the story forward.
• Setting: The environment within which a director creates a movie, including physical surrounding like a city and period like a year or century.
• Range of events: The different events in a film sustain the plot. Typically, these events directly or indirectly affect protagonists because they facilitate the storyline.
• Cast: The people producing a film, including the main actors and the production crew. However, actors take priority when discussing the cast.
• Plot: The sequence of events that directors create to communicate a central message in a movie analysis. When writing a film analysis essay, students should never ignore this aspect because it underscores the storyline.
• Shot, scene, and sequence: Features that tell the quality of a film but, most importantly, the interconnectivity of elements in the director’s aim to tell a story.
• Genre: The classification of movies into various forms, such as action, documentaries, science fiction, horror, or romance. Knowing a film’s genre under analysis is helpful in identifying the significance of cinematography and mise-en-scène elements.
• Directing: Supervising film production by visualizing the script, controlling and managing the artistic and dramatic aspects, and guiding the actors and technical crew.
• Scenario: The aspect of a movie analysis that provides the audience insight into the plot or characters. Ideally, scenarios are scenes that convey critical details of the storyline, such as climax.
• Acting: The role that individuals play to bring a film’s plot alive. As such, it involves all people who assume different characters in a movie, including protagonists, antagonists, heroes, and heroines.
• Visual effects: The qualities that filmmakers use to bring the action alive, such as images, shots, and scenes. When discussing visual effects in a film analysis essay, students should comment on how they reinforce certain concepts or themes, like mood, fear, and suspense.
• Music and audio effects: Sound and language that enhance the audience’s understanding of the central message. Most films incorporate background sounds in multiple scenes to arouse reactions in the audience.
• Camera angle: The positioning of the camera to capture precise shots in films. Filmmakers use camera angles in relation to scenes and characters to affect the audience’s perception.
• Lighting: A mise-en-scène element that filmmakers use to create different effects in a film. Ideally, movies involve different lighting techniques, such as key light, fill light, and backlight, to guide the audience’s attention, create a visual impact, give the film a texture, or create an atmosphere.
• References: Features that indicate how a film uses dialogue and images in its storyline to allude to, recall, or refer to another movie. Ideally, filmmakers use this feature to contextualize their productions within a cultural or historical space.
• Animation: The use of drawings or puppets with mobility like humans. Although it is a movie genre for analysis today, filmmakers use animation to give objects animal or human qualities, such as walking, talking, crying, or fighting. Animations effectively depict society as a complex system comprising different life systems.
• Protagonist: The character that takes center stage in a film and whom the director uses to construct the plot. While a film’s plot may revolve around several actors, only one is central, and others only assist the main hero in accomplishing agendas. In this respect, when students are writing a film analysis, they should tell the audience the main protagonist(s).
• Antagonist: Characters that stand opposite of protagonists. Filmmakers use them to depict the main character as assailed by forces aiming to thwart their agenda.
• Climax: The point in a movie where the plot peaks and where the protagonist puts into motion a series of events that significantly determine their final experience. These events may include betrayal, heroism, or tragedy. Therefore, one can identify a film’s climax by assessing how the plot intensifies and events directly impacting the protagonist unfolds.
• Hero vs. anti-hero: Heroes stand out as brave because they attempt what others fear. In most movies, protagonists are heroes because they survive what consumes others. On the other hand, an anti-hero is a central character who lacks heroic qualities like bravery but is timid, fearful, frustrating, and irritating. As a result, the audience celebrates heroes under analysis and loath anti-heroes.
• Atmosphere: The environment in which a movie imbues the audience through the sequence of events revolving around the plot. Generally, action films create an intense atmosphere because of the frequency of fights. On the other hand, romantic movies create an emotional atmosphere characterized by attraction and happiness. On their part, horror films create an uneasy atmosphere because of the constant anticipation of evil.
• Background: The technique of capturing an image or object from a distance, often giving other images or objects prominence. Filmmakers use this quality to create a sense of authenticity in scenes. For example, a scene capturing a rioting crowd may have in its background an image of anti-riot police forming a barrier using their bodies. Looking at the imagery, one may see rioters more clearly but also understand the situation’s intensity because of the police in the background.
• Cameo: The dramatic appearance of a famous actor or personality in a movie for various reasons, including fun, publicity, or to give the film credibility. However, such characters do not become protagonists because they appear briefly and only once. When doing a film analysis, students should indicate such personalities and the role they may have played in the plot.
• Cinematography: The artistic use of technology and visual effects to dramatize the sequence of events in a film. Ideally, writers should examine the scenes’ general composition, locations’ lighting, camera angles and movements, and special effects, like illusions or camera tricks.
• Comic relief: A scene that allows the audience to release emotional weight or tension that may have built up due to escalating events with a negative outcome, such as betrayal and a series of murders. Filmmakers interpose comic relief in tragic scenarios to avoid burdening the audience emotionally to the point of refusing to watch the film to its conclusion . The only film genre that rarely uses comic relief is gothic.
• Film critics: Individuals who have made criticizing films a part- or full-time engagement. Ideally, these people watch movies to identify negative qualities, like a confused plot, poor lighting, and sound effects. While one may consider them an appropriate source of film reviews, they rarely highlight a good analysis of a movie.
• Director’s cut: An edited film version that represents the director’s original edit before the release of the theatrical edit that reaches the screens. This part of the film is important because it shows scenes that some editors may cut or altered. By examining the director’s cut, the writer of a film analysis essay looks at the complete production and tells how it may enhance the audience’s viewing experience.
• Foreshadowing: The technique of giving the audience a sneak preview of events yet to unfold to build anticipation and heighten dramatic tension. Filmmakers use this quality early in the film to create excitement in the audience and make them want to view the production to the end. Typically, foreshadowing focuses on events directly affecting the protagonist, such as a tragedy.
• Editing: Perfecting a film by deleting, arranging, and splicing scenes and synchronizing all elements, including cinematography, mise-en-scène, sound, and special effects. The goal of editing is to make a film perfect for airing on the big screen. In this respect, it aims to remove all features affecting quality.
• Long shot: A scene in a film that filmmakers shoot from a considerable distance to give images and objects indistinct shapes, almost unrecognizable. An excellent long shot captures people walking New York City streets from the city’s skyline. While one would know the images are people walking, they cannot describe their demographics, such as age, gender, or race.
• Metaphor: A literary device that allows filmmakers to represent similarities between objects. An example of a metaphor in a movie is a visual metaphor, where filmmakers represent nouns through graphical images to suggest a particular association or resemblance. For example, an advert can represent beauty through the appearance of a flawless face, implying that beauty is equal to a look without flaws. Such an advert increases people’s interest in having a perfect face, leading to purchasing beauty products.
• Montage: The film editing technique where filmmakers combine a series of short shots into one sequence to condense time, establish continuity, or provide contrast. Montages take different forms, including repetition of camera movements, minimal or no dialogue, quick cuts, music, and voice narration.
• New wave: A French art film movement that emerged in the late 1950s to pave the way for experimentation and iconoclasm, thus rejecting traditional filmmaking conventions. Filmmakers who subscribed to this wave used film as a medium, like pottery or novels, for telling stories and translating thoughts and ideas by experimenting with form and style.
• Mockumentary traits: Films that assume a documentary genre, although they do not tell true stories. Instead, filmmakers use parody, satire, and humor to describe contemporary society through events, ideas, and emerging trends. Simply put, a movie is a mockumentary if it is a fictional documentary.
• Slow motion: A filmmaking effect where time appears to slow down because the film captures footage at a slower speed. This technique is common for rewinding scenarios to reinforce an idea in the audience. For example, most productions of sports tournaments use slow motion to provide viewers with detailed and perfect shots that leave no room for imagination and analysis.
• Soundtrack: The sound, often music, which filmmakers incorporate in a plot to accompany scenes for heightened effects, such as arousing the audience’s emotions. In most instances, this music plays in the background, often from a low to high intensity and vice versa, depending on the scene.
• Theme: The concept, idea, or principle that emphasizes a film’s plot and central message, such cas sadness, victory, morality, or community. By identifying the themes that a director uses to construct the plot, authors of a film analysis essay can tell the audience their meaning and significance through the story of the protagonist.
• Symmetry: The quality of balancing shots between characters or placing shots symmetrically to each other to create a pattern. For example, visual symmetry involves repeating parts of an image along a path, across an axis, or around a center. Filmmakers use symmetrical patterns to convey a sense of unity or uniformity.
• Symbolism: The literary device of using objects to symbolize ideas. For example, a filmmaker can use a dove to symbolize peace or the color black to symbolize evil. In essence, symbolism allows filmmakers to communicate profound messages to the audience. Therefore, students need to identify symbols representing ideas in film analysis.

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Topic Examples for Writing a Film Analysis Essay

• Video Review: Salt (2010)
• Video Review and Approval of Black Panther (2018)
• Analysis Essay of Volodymyr Zelensky’s Speech “I Call for You to Do More”
• Examining Gender Issues Through Symbolism in The Ugly Truth (2009)
• Discussing the Narrative Structure in The Godfather (1972)
• Evaluating Christopher Nolan’s Use of Mise-en-Scène Elements in Oppenheimer (2023)
• What Features Indicate the Context of Amy Tan’s The Joy Luck Club (1993)?
• What Is the Cultural Context of City of God (2002)?
• How Does History Feature as an Element in the Star Wars Trilogy?
• How Does Roman Polanski Employ Flashback and Flashforward to Tell the Story of Wladyslaw Szpilman in The Pianist (2002)?
• Discussing the Conception of Time in The Matrix (1999)
• How Does the Setting of The Departed (2006) Underscore the Film’s Contemporary Significance?
• Describing the Chronology of Events in The Bark Night Rises (2012)
• How Does Casting Affect the Plot in American Beauty (1992)?
• What Central Themes Describe the Plot in Inglorious Bastards (2009)?
• Discussing How Scenes in Idiots (2009) Facilitate the Plot
• Analysis of Gothic Elements in the Horror Genre via the Lens of The Mummy (2017)
• Evaluating Mel Gibson’s Directing of The Braveheart (1995)
• Discussing the Scenarios that Construct the Climax in Capernaum (2018)
• Evaluating Al Pacino’s Acting in Scarface (1983)
• Analyzing the Significance of Visual Effects in Film From the Perspective of Indiana Jones and the Last Crusade (1989)
• How Does Sound Affect the Audience in Monster House (2006)?
• Evaluating How Camera Angle Enrich Viewer Experience in Top Gun: Maverick (2022)
• How Does Lighting Fit in the Gothic Film Sleepy Hollow (1999)?
• How Does Steven Spielberg Employ References in E.T. The Extra-Terrestrial (1982)?
• Analysis of Animation in a Film From the Perspective of King Kong (1933)
• Who Is the Protagonist in The Wolf of Wallstreet (2013) and Why?
• What Makes Saruman the Antagonist in The Lord of the Rings Series?
• How Does Climax Underpin the Plot in Casino (1995)?
• Analyzing the Difference Between Heroes and Anti-Heroes via the Lenses of Black Panther (2018) and Black Adam (2022)
• How Does Suspense Create an Atmosphere of Anticipation in Black Swan (2010)?
• Discussing How Background Influences Viewer Experience in No Country for Old Men (2007)
• Evaluating the Impact of Harrison Ford’s Appearance in  Anchorman 2: The Legend Continues (2013)
• How Does M. Night Shyamalan Employ Cinematography in The Sixth Sense (1999)?
• Explaining Comic Relief in Film Using Uncut Gems (2019) as a Case Study
• Criticizing Jurassic Park (1993) from the Perspective of Cinematography
• How Does Director’s Cut Enrich the Storyline in Blade Runner (1982)?
• Exploring Foreshadowing in the Film Using 12 Years a Slave (2013)
• Explaining the Link Between Film Editing and Quality Using Mad Max: Fury Road (2015) as an Example
• How Do Long Shots Affect Viewers’ Experience in Film?
• Understanding a Visual Metaphor in Hotel Rwanda (2004)
• How Does Dialogue Underscore Montage in The Terminator (1984)?
• Analysis of How the Mid-20th Century New Wave Impacted French Filmmaking
• How Does Forgotten Silver (1995) Incorporate Mocumentary Traits?
• What Role Does Slow Motion Play in Films?
• Analyzing the Importance of Soundtracks From the Perspective of Horror Films
• How Do Film Directors Use Themes as Conveyors of the Central Message?
• Discussing How Symmetry Affects the Quality of Films
• Exploring Symbolism in the Film Using Angels & Demons (2009)

Sample Outline Template for Writing a Film Analysis Essay

I. College Essay Introduction

• Introduce the film’s title, followed by the director’s name and year of production.
• Give a short description of the film or some context underpinning its release.
• End this paragraph with a thesis statement about the film.

II. Summary

• Overview the film by describing its context, setting, plot, and main characters.

III. Analysis

• Describe several scenes in more detail by focusing on various elements, including cinematography, mise-en-scène, and others that help to evaluate the film.
• Provide and cite some scenes as details and supporting evidence for analysis.
• Evaluate and interpret the use of the above elements.

IV. Conclusion

• Remind the audience about the film’s context and plot.
• Recapitulate information in the analysis section.
• Interpret the film’s significance.

Example of a Film Analysis Essay

Topic: What Features Indicate the Context of Amy Tan’s The Joy Luck Club (1993)?

I. Example of Writing an Introduction for a Film Analysis Essay

Films play a crucial role in educating people about the context within which movies come into their lives. Ideally, filmmakers implement various societal elements to construct ideas and use cinema as a conveyor belt to pass movies to different populations. Therefore, analyzing the film’s context is critical in understanding the ideas that the director embraced to produce the work. Several features in the 1993 film The Joy Luck Club indicate the film’s context.

II. Example of Writing a Summary Paragraph for a Film Analysis Essay

Directed by Wayne Wang, The Joy Luck Club tells the story of an Asian woman named Jun, born of the late Suyuan, who founded the Joy Luck Club social group. The movie’s plot revolves around the experiences of Asian mothers as immigrants in America from the perspective of their daughters. In this respect, the film takes a narrative approach. The movie’s setting alternates between San Francisco, California, and China, with the scenes in San Francisco representing the present day. Set in the 1980s, the storyline takes the viewer across generations. In this case, the mothers have flashbacks of the 1920s and 1940s.

III. Example of Writing an Analysis Paragraph for a Film Essay

A. physical landscape.

A key feature that reveals the context of The Joy Luck Club is the physical landscape. The film captures San Francisco as an urban place populated by buildings, busy streets, and a coastline. The movie contrasts this landscape with the mountainous landscape in China, where natural elements exceed physical structures.

B. Cultural Nuances

Another feature that reveals the film’s context is cultural nuances between mothers and their daughters. The viewer learns how mothers went through a world so different from that of their daughters to the extent they loathe some of the behaviors and mannerisms they see in them. However, the viewer can tell that some cultural differences between mothers and daughters may explain why there is confusion between two generations. Born in the conservative Chinese culture, mothers experience a cultural shock once in America, which does not happen for their daughters because they have only experienced the liberal American culture. In this respect, life values and perspectives of mothers and their daughters are constantly in conflict.

C. Conflict Between Generations

Although the scenes in San Francisco and China are essential to the storyline, cultural nuances of mothers and their daughters take center stage in a conflict between generations in the film. While daughters seem relaxed and willing to engage in fantasies, their mothers insist they embrace education as the noblest achievement. As such, two generations are always at loggerheads about leisure time because mothers seek to utilize every minute to work, while daughters want to have fun most of the time. Ironically, mothers see education as the tool to make their daughters truly American because it determines their quality of life.

IV. Example of Writing a Conclusion for a Film Analysis Essay

The Joy Luck Club exposes the experiences of Chinese mothers in America, showing some cultural nuances that influence their relationships with their daughters. The film depicts immigration as crucial to the women’s experiences in the movie because it is the avenue through which mothers arrived in America. In essence, the film depicts mothers as caring despite their unpleasant experiences and their daughters’ ignorance.

4 Easy Steps for Writing a Film Analysis Essay

Writing a good film analysis essay is a technical process that requires students to grasp and demonstrate certain qualities. Ideally, one should know how to produce a high-standard paper, including adequate preparation, stage setup, creating an initial draft, and perfecting a final draft. These details summarize the steps of writing a great film analysis essay.

Step 1: Preparation

Preparation is the first step of writing a film analysis essay and involves several tasks. The first aspect is defining possible essay topics if instructions from tutors do not specify them. In turn, one may select film research paper topics that are easy yet challenging. The second task is to generate ideas that the audience can relate to, such as the cultural or historical issues in the film.

Step 2: Stage Set Up

Setting the stage is the second step of writing a film analysis essay. It involves watching the film to understand its context and plot and using cinematography and other elements. The second task is to research credible sources that help to analyze the movie, such as scholarly reviews and scholarship on film, including gothic movies and the use of literary or rhetorical devices . The next task is to create a clear essay outline according to the sample above.

Step 3: The Writing Process of Starting a First Draft

The third step of writing a film analysis essay is to write a paper focusing on producing an initial draft. The text activity should combine all ideas to create a document with a logical order of ideas and content. Some of the activities in this stage include adding or deleting reliable sources to fit a paper and altering an initial outline to organize ideas. Students should also focus on developing a clear thesis statement when writing the introduction because it summarizes the paper’s aim. Students should adopt evidence-based writing by incorporating evidence and corresponding citations in the body. The last aspect is to restate the thesis and summarize the analysis in the conclusion by mentioning the most critical points.

Step 4: Wrap-Up and Finishing a Final Draft

The final step of writing a film analysis essay is to wrap it up by perfecting a first draft. In this respect, students should focus on revising their first drafts to eliminate flaws like inconsistent ideas. The second task is to edit a film analysis essay by adding to deleting words and sentences to foster a logical flow of thought. Students should also ensure each body paragraph has a topic sentence , evidence, scenes, or details cited from academic sources or films, explanation and analysis sentences, concluding remark, and transition to the next paragraph, not forgetting to check if the paper’s formatting is perfect. Concerning formatting, students should adopt one style in the entire document: APA , MLA , Harvard , or Chicago/Turabian . Considering The Joy Luck Club , templates and examples of citations should read as follows:

📕 Citing a Film in APA

• Reference entry: Wang, W. (Director). (1993). The Joy Luck Club [Film]. Walt Disney Studios.
• In-text citation: (Wang, 1993, 00:46:00-00:50:00)

📕 Citing a Film in MLA

• Work Cited entry: The Joy Luck Club . Directed by Wayne Wang, performances by Suyuan Woo and Rose Hsu Jordan, Walt Disney Studios, 1993.
• In-text citation: ( The Joy Luck Club 00:46:00-00:50:00)

📕 Citing a Film in Harvard

• Reference List entry: The Joy Luck Club (1993). Directed by Wayne Wang. Burbank, CA: Walt Disney Studios.
• In-text citation: ( The Joy Luck Club 1993, 00:46:00-00:50:00)

📕 Citing a Film in Chicago/Turabian

• Bibliography entry: Wang, Wayne, director. The Joy Luck Club . Walt Disney Studios, 1993.
• Footnote: 1. The Joy Luck Club , directed by Wayne Wang (Walt Disney Studios, 1993), 00:46:00-00:50:00.

20 Tips for Writing a Good Film Analysis Essay

Students must learn essential tips for writing a high-standard film analysis essay. These tips include watching a specific film before starting a movie analysis paper; determining the aspects to cover, such as the plot, cinematography, context, or setting; selecting suitable sources to construct ideas and defend arguments; and creating a well-organized outline.

10 things to do when writing a film analysis essay include:

• watching the film at least once;
• considering the audience;
• commenting on the acting;
• criticizing the directing by mentioning cinematography, mise-en-scène, or special effects;
• supporting the criticism;
• talking about the plot;
• consulting professional reviewers, like Roger Ebert and Rotten Tomatoes;
• reading, rereading, editing, and revising;
• cultivating a personal voice to demonstrate knowledge;
• proofreading the final text.

10 things not to do include:

• retelling the film;
• overusing sentences;
• generalizing ideas;
• continuously comparing the movie with its adaptations, like a book or novel;
• ignoring or doing superficial research;
• telling irrelevant details;
• writing poorly with too many grammar and format errors;
• getting too personal;
• reviewing another film;
• plagiarizing reviews.

Summing Up on How to Write a Perfect Film Analysis Essay

• Watch a chosen film while notetaking.
• Read several reviews focusing on the plot, context, setting, characters, scenes, and elements, like cinematography and mise-en-scène.
• Create a list of ideas.
• Organize the ideas to fit various aspects of a film indicated above: plot, context, and other elements.
• Write an appropriate introduction.
• Summarize the film.
• Analyze the film by exploring one or several aspects comprehensively.
• Write a conclusion, which must satisfy the audience.

What is a Video Essay? The Art of the Video Analysis Essay

I n the era of the internet and Youtube, the video essay has become an increasingly popular means of expressing ideas and concepts. However, there is a bit of an enigma behind the construction of the video essay largely due to the vagueness of the term.

What defines a video analysis essay? What is a video essay supposed to be about? In this article, we’ll take a look at the foundation of these videos and the various ways writers and editors use them creatively. Let’s dive in.

Watch: Our Best Film Video Essays of the Year

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What is a video essay?

First, let’s define video essay.

There is narrative film, documentary film, short films, and then there is the video essay. What is its role within the realm of visual media? Let’s begin with the video essay definition. 

VIDEO ESSAY DEFINITION

A video essay is a video that analyzes a specific topic, theme, person or thesis. Because video essays are a rather new form, they can be difficult to define, but recognizable nonetheless. To put it simply, they are essays in video form that aim to persuade, educate, or critique. 

These essays have become increasingly popular within the era of Youtube and with many creatives writing video essays on topics such as politics, music, film, and pop culture. 

What is a video essay used for?

• To persuade an audience of a thesis
• To educate on a specific subject
• To analyze and/or critique 

What is a video essay based on?

Establish a thesis.

Video analysis essays lack distinguished boundaries since there are countless topics a video essayist can tackle. Most essays, however, begin with a thesis. 

How Christopher Nolan Elevates the Movie Montage  •  Video Analysis Essays

Good essays often have a point to make. This point, or thesis, should be at the heart of every video analysis essay and is what binds the video together. 

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• Stanley Kubrick Directing Style Explained →
• A Filmmaker’s Guide to Nolan’s Directing Style →
• How to Write a Voice Over Montage in a Script →

interviews in video essay

Utilize interviews.

A key determinant for the structure of an essay is the source of the ideas. A common source for this are interviews from experts in the field. These interviews can be cut and rearranged to support a thesis. 

Roger Deakins on "Learning to Light"  •  Video Analysis Essays

Utilizing first hand interviews is a great way to utilize ethos into the rhetoric of a video. However, it can be limiting since you are given a limited amount to work with. Voice over scripts, however, can give you the room to say anything. 

How to create the best video essays on Youtube

Write voice over scripts.

Voice over (VO) scripts allow video essayists to write out exactly what they want to say. This is one of the most common ways to structure a video analysis essay since it gives more freedom to the writer. It is also a great technique to use when taking on large topics.

In this video, it would have been difficult to explain every type of camera lens by cutting sound bites from interviews of filmmakers. A voice over script, on the other hand, allowed us to communicate information directly when and where we wanted to.

Ultimate Guide to Camera Lenses  •  Video essay examples

Some of the most famous video essayists like Every Frame a Painting and Nerdwriter1 utilize voice over to capitalize on their strength in writing video analysis essays. However, if you’re more of an editor than a writer, the next type of essay will be more up your alley. 

Video analysis essay without a script

Edit a supercut.

Rather than leaning on interview sound bites or voice over, the supercut video depends more on editing. You might be thinking “What is a video essay without writing?” The beauty of the video essay is that the writing can be done throughout the editing. Supercuts create arguments or themes visually through specific sequences. 

Another one of the great video essay channels, Screen Junkies, put together a supercut of the last decade in cinema. The video could be called a portrait of the last decade in cinema.

2010 - 2019: A Decade In Film  •  Best videos on Youtube

This video is rather general as it visually establishes the theme of art during a general time period. Other essays can be much more specific. 

Critical essays

Video essays are a uniquely effective means of creating an argument. This is especially true in critical essays. This type of video critiques the facets of a specific topic. 

In this video, by one of the best video essay channels, Every Frame a Painting, the topic of the film score is analyzed and critiqued — specifically temp film score.

Every Frame a Painting Marvel Symphonic Universe  •  Essay examples

Of course, not all essays critique the work of artists. Persuasion of an opinion is only one way to use the video form. Another popular use is to educate. 

• The Different Types of Camera Lenses →
• Write and Create Professionally Formatted Screenplays →
• How to Create Unforgettable Film Moments with Music →

Video analysis essay

Visual analysis.

One of the biggest advantages that video analysis essays have over traditional, written essays is the use of visuals. The use of visuals has allowed video essayists to display the subject or work that they are analyzing. It has also allowed them to be more specific with what they are analyzing. Writing video essays entails structuring both words and visuals. 

Take this video on There Will Be Blood for example. In a traditional, written essay, the writer would have had to first explain what occurs in the film then make their analysis and repeat.

This can be extremely inefficient and redundant. By analyzing the scene through a video, the points and lessons are much more clear and efficient. 

There Will Be Blood  •   Subscribe on YouTube

Through these video analysis essays, the scene of a film becomes support for a claim rather than the topic of the essay. 

Dissect an artist

Essays that focus on analysis do not always focus on a work of art. Oftentimes, they focus on the artist themself. In this type of essay, a thesis is typically made about an artist’s style or approach. The work of that artist is then used to support this thesis.

Nerdwriter1, one of the best video essays on Youtube, creates this type to analyze filmmakers, actors, photographers or in this case, iconic painters. 

Caravaggio: Master Of Light  •  Best video essays on YouTube

In the world of film, the artist video analysis essay tends to cover auteur filmmakers. Auteur filmmakers tend to have distinct styles and repetitive techniques that many filmmakers learn from and use in their own work. 

Stanley Kubrick is perhaps the most notable example. In this video, we analyze Kubrick’s best films and the techniques he uses that make so many of us drawn to his films. 

Why We're Obsessed with Stanley Kubrick Movies  •  Video essay examples

Critical essays and analytical essays choose to focus on a piece of work or an artist. Essays that aim to educate, however, draw on various sources to teach technique and the purpose behind those techniques. 

What is a video essay written about?

Historical analysis.

Another popular type of essay is historical analysis. Video analysis essays are a great medium to analyze the history of a specific topic. They are an opportunity for essayists to share their research as well as their opinion on history. 

Our video on aspect ratio , for example, analyzes how aspect ratios began in cinema and how they continue to evolve. We also make and support the claim that the 2:1 aspect ratio is becoming increasingly popular among filmmakers. 

Why More Directors are Switching to 18:9  •  Video analysis essay

Analyzing the work of great artists inherently yields a lesson to be learned. Some essays teach more directly.

• Types of Camera Movements in Film Explained →
• What is Aspect Ratio? A Formula for Framing Success →
• Visualize your scenes with intuitive online shotlist software →

Writing video essays about technique

Teach technique.

Educational essays designed to teach are typically more direct. They tend to be more valuable for those looking to create art rather than solely analyze it.

In this video, we explain every type of camera movement and the storytelling value of each. Educational essays must be based on research, evidence, and facts rather than opinion.

Ultimate Guide to Camera Movement  •  Best video essays on YouTube

As you can see, there are many reasons why the video essay has become an increasingly popular means of communicating information. Its ability to use both sound and picture makes it efficient and effective. It also draws on the language of filmmaking to express ideas through editing. But it also gives writers the creative freedom they love. 

Writing video essays is a new art form that many channels have set high standards for. What is a video essay supposed to be about? That’s up to you. 

Organize Post Production Workflow

The quality of an essay largely depends on the quality of the edit. If editing is not your strong suit, check out our next article. We dive into tips and techniques that will help you organize your Post-Production workflow to edit like a pro. 

Up Next: Post Production →

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How to write Evaluative Thesis

September 5 2023 03:02 PM

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In the realm of academic writing, the thesis statement reigns supreme. It serves as the North Star, guiding writers and readers through the complex terrain of ideas and arguments. A well-crafted thesis statement can distinguish between a compelling, thought-provoking essay and one that leaves the audience bewildered or unengaged. Among the various types of thesis statements, the evaluative thesis is a testament to the writer's ability to critically assess and form judgments on a subject.

In this article, we explore evaluative theses, exploring what they are, why they matter, and how to craft them effectively. Whether you're a seasoned academic or a budding writer seeking to hone your skills, understanding evaluative theses will undoubtedly enhance your ability to communicate and persuade through the written word.

Definition of an Evaluative Thesis

Before we delve deeper into the nuances of evaluative theses, let's establish a clear understanding of what they entail. An evaluative thesis is a concise, arguable statement that expresses a judgment or assessment about a particular subject, backed by evidence and analysis. Unlike informative theses that merely inform the reader about a topic or argumentative theses that take a position on an issue, evaluative theses go further. They require writers to critically examine a subject and provide a well-reasoned evaluation, offering insight into its quality, significance, or effectiveness.

Imagine you're a film critic tasked with reviewing a recently released movie. Your evaluative thesis would serve as the core of your review, encapsulating your overall assessment of the film's merits or shortcomings. This thesis statement sets the tone for your review and informs readers about the lens through which you'll analyze the movie's various elements - plot, acting, cinematography, and more.

The Importance of Having a Clear Thesis Statement

In the vast sea of words that constitute the world of writing, a thesis statement is a lighthouse, guiding both the writer and the reader toward a focused, well-structured narrative. Without a strong thesis, an essay can meander aimlessly, leaving the reader uncertain about the writer's intentions or conclusions. Conversely, a well-crafted thesis provides a roadmap for the writer, ensuring that every subsequent paragraph and sentence contributes to the overarching argument or evaluation.

A clear statement is particularly crucial in an evaluative thesis. It sets the stage for your evaluation and helps readers understand how you view the subject. Are you assessing a work of literature for its thematic depth, a scientific theory for its empirical support, or a product for its market viability? Your evaluative thesis tells your audience what to expect and why they should care.

Understanding the Basics 

We must start with a solid foundation to unravel the intricacies of evaluative theses. In this chapter, we will explore the fundamental concepts that underpin the art of evaluative thesis writing. We will define a thesis statement, distinguish between different types of theses, and elucidate the unique role of evaluative theses in academic discourse.

What is a Thesis Statement?

A thesis statement is a sentence or two that briefly and clearly expresses the main point or argument of an essay, research paper, or any written work. Think of it as the compass guiding the writer and the reader through the text's intricate terrain. It serves as a promise to your audience, indicating the direction your writing will take and the purpose it aims to fulfill.

The Essence of a Thesis Statement:

• Clarity : A good thesis statement is unambiguous and leaves no room for ambiguity. It provides a clear and specific focus for the entire piece of writing.
• Conciseness : A thesis statement should be brief and to the point, capturing the essence of your argument without unnecessary jargon.
• Arguability : An effective thesis statement is debatable. It presents an assertion that can be challenged, discussed, or supported with evidence and analysis.
• Relevance : A thesis statement must be directly relevant to the topic and align with the subject of your writing.

Different Types of Thesis Statements

Not all thesis statements are created equal. Depending on the writer's objectives, different types of thesis statements can be employed. It's important to recognize the distinctions between these types to choose the most appropriate one for your writing task. The three primary types of thesis statements are:

• Informative Thesis

An informative thesis statement merely informs the reader about a topic, presenting facts straightforwardly. It does not take a position, make an argument, or provide an evaluation. Informative theses are commonly used in expository and descriptive essays.

Example: "The history of the Great Wall of China spans over 2,000 years."

• Argumentative Thesis

An argumentative thesis statement takes a clear position on a specific issue or topic and presents an argument the writer intends to prove or defend. It is the cornerstone of persuasive essays and research papers, where the writer seeks to persuade the audience of a particular viewpoint.

Example: "The government should implement stricter regulations on carbon emissions to combat climate change."

• Evaluative Thesis

Example: "The novel 'To Kill a Mockingbird' by Harper Lee is a timeless masterpiece due to its profound exploration of social injustice and moral growth."

The Role of an Evaluative Thesis in Academic Writing

Evaluative theses are a distinctive breed among thesis statements. They play a crucial role in academic writing by requiring writers to assert their position and critically analyze and evaluate a subject's merits or shortcomings. Here are some key aspects that highlight the significance of evaluative theses in academic discourse:

• Critical Thinking : Evaluative theses demand rigorous critical thinking. Writers must weigh evidence, consider multiple perspectives, and make informed judgments.
• Depth of Analysis : They require in-depth analysis and exploration of a subject, often delving into various facets such as quality, significance, effectiveness, or impact.
• Nuanced Perspective : Evaluative theses foster a nuanced perspective. Writers must distinguish between objectivity and subjectivity, avoiding overly biased or unsubstantiated claims.

With these foundational concepts in mind, we are now equipped to explore the unique characteristics of evaluative theses in greater detail. In the following chapters, we will delve into the art of crafting evaluative thesis statements, selecting appropriate topics for evaluation, and providing robust evidence and analysis to support your judgments.

Characteristics of an Evaluative Thesis

In exploring evaluative theses, one must grasp the distinctive features that set them apart from other thesis statements. Evaluative theses are the analytical bedrock of critical essays and reviews, demanding writers' specific approaches and mindsets. In this chapter, we will delve into the key characteristics that define an evaluative thesis.

• Objective Evaluation vs. Subjective Opinion

One of the defining characteristics of an evaluative thesis is its emphasis on objective evaluation rather than subjective opinion. While evaluative theses involve making judgments, these judgments must be grounded in evidence, analysis, and established criteria.

Objective Evaluation : In an evaluative thesis, objectivity is paramount. Writers should strive to evaluate a subject based on universally accepted standards, established criteria, or commonly recognized principles. The goal is to provide an assessment that others can reasonably agree or disagree with, regardless of personal preferences.

Subjective Opinion : In contrast, subjective opinions are based on personal feelings, tastes, or preferences and may not be universally applicable. An evaluative thesis should avoid being overly reliant on the writer's personal biases or emotions.

• The Need for Evidence and Analysis

Evaluative theses are not mere declarations of judgment; they require robust support through evidence and analysis. This support serves two essential purposes:

Substantiating the Judgment : To make a convincing evaluation, writers must present credible evidence that supports their judgment. This can include facts, statistics, examples, or expert opinions.

Demonstrating Critical Thinking : Evaluation demands critical thinking and analysis. Writers must present evidence and analyze it in the context of the subject and criteria. This analysis forms the backbone of a well-constructed evaluative thesis.

• Expressing a Judgment or Assessment

At the heart of an evaluative thesis lies judgment or assessment. This judgment can take various forms, depending on the nature of the subject and the writer's purpose:

Positive Evaluation : An evaluative thesis may express a positive judgment, highlighting the subject's merits, strengths, or positive attributes. This type of evaluation often seeks to persuade the audience of the subject's value or significance.

Example: "The innovative use of symbolism in F. Scott Fitzgerald's 'The Great Gatsby' enhances the novel's thematic depth and literary brilliance."

Negative Evaluation : Conversely, an evaluative thesis may convey a negative judgment, focusing on the subject's flaws, weaknesses, or shortcomings. This type of evaluation aims to critique or discourage engagement with the subject.

Example:  "The film's weak character development and clichéd plot detract from its overall quality, disappointing it."

Balanced Evaluation : In some cases, evaluative theses may strike a balanced tone, acknowledging the subject's strengths and weaknesses. This approach fosters a nuanced perspective and may be particularly relevant for complex or multifaceted subjects.

Example:  "While the smartphone offers cutting-edge technology and convenience, its high cost and potential privacy concerns should not be overlooked."

Selecting Your Topic

The choice of topic is a crucial starting point in crafting an evaluative thesis. A well-chosen topic not only sets the stage for a meaningful evaluation but also determines the relevance and engagement of your essay. In this chapter, we will explore the intricacies of selecting a suitable topic for evaluation.

Choosing a Subject for Evaluation

Selecting the right subject is the cornerstone of crafting a compelling evaluative thesis. Here are some considerations to guide you in the process:

• Relevance and Interest : Choose a subject that is relevant to your audience and aligns with your interests. An engaging topic will capture your reader's attention and motivate you throughout the writing process.
• Clarity and Specificity : Opt for a subject that can be clearly defined and evaluated within the scope of your essay. Avoid overly broad or vague topics that may lead to unfocused writing.
• Availability of Information : Ensure you can access sufficient information, evidence, or examples to support your evaluation. A lack of credible sources or data can hinder your ability to make a convincing argument.
• Significance : Consider the importance of the subject within its relevant context. Evaluating a topic that holds significance in academia, society, or a specific field can add depth and relevance to your writing.
• Controversy or Complexity : Topics that are controversial or multifaceted often provide rich material for evaluation. They invite critical thinking and analysis, leading to more robust evaluative theses.

Narrowing Down Your Focus

Once you have identified a general subject for evaluation, the next step is to narrow down your focus. This involves defining the specific aspect or dimension of the subject you intend to evaluate. Consider the following strategies:

• Establish Criteria : Determine the criteria or standards against which you will evaluate the subject. These criteria will serve as the basis for your judgment. For example, if you are evaluating a restaurant, your criteria might include food quality, service, ambiance, and value for money.
• Focus on Specific Elements : Choose specific elements or components of the subject to evaluate. For instance, if you are evaluating a book, you might focus on its characterization, plot development, or thematic depth.
• Identify a Research Question : Formulate a research question that encapsulates the core of your evaluation. This question should guide your analysis and help you stay on track as you gather evidence and develop your thesis.
• Consider Audience Expectations : Consider your audience. What aspects of the subject are likely to interest or concern your readers? Tailor your evaluation accordingly.

The Relevance of Your Topic to Your Audience

While your evaluative thesis primarily reflects your assessment, it is essential to consider the relevance of your chosen topic to your audience. Consider why your readers should care about your evaluation and how it might impact them. Aligning your evaluation with your audience's interests or concerns can enhance the significance of your writing.

In the next chapter, we will delve into the process of crafting your evaluative thesis statement, which will serve as the compass guiding your evaluation. Selecting a relevant and well-defined topic lays the foundation for a compelling and persuasive evaluative thesis.

Crafting Your Evaluative Thesis

As we continue our journey into evaluative theses, we arrive at a critical juncture: crafting the very heart of your evaluation - the evaluative thesis statement. This chapter will explore the art of formulating clear, concise, and compelling evaluative thesis statements that will guide your entire essay.

Developing a Clear and Concise Thesis Statement

The evaluative thesis statement is the anchor of your essay, encapsulating your central judgment and providing a roadmap for your readers. Here's how to craft a clear and concise evaluative thesis statement:

1. Be Specific: Your thesis should focus on the subject of evaluation and the criteria by which you will judge it. Avoid vague or overly general statements.

Vague Statement: "This restaurant has its pros and cons."

Specific Statement: "The restaurant's exceptional food quality and attentive service outweigh its high prices."

2. Express a Judgment: Clearly express your judgment or assessment of the subject. Whether positive, negative, or balanced, your thesis should leave no doubt about your stance.

Positive Evaluation: "The documentary 'Planet Earth' is a stunning achievement in wildlife filmmaking."

Negative Evaluation: "The smartphone's sleek design is overshadowed by its short battery life."

Balanced Evaluation: "While the novel '1984' has enduring relevance, its pacing can be challenging for modern readers."

3. Include Criteria: Indicate the criteria or standards by which you are evaluating the subject. This provides context for your judgment and guides your analysis.

"The film's captivating cinematography and powerful performances make it a must-see."

4. Avoid Ambiguity: Ensure that your thesis statement is unambiguous. Readers should immediately understand the essence of your evaluation and the direction of your essay.

Ambiguous Statement: "The latest software update has pros and cons."

Clear Statement: "The latest software update enhances user interface functionality but introduces stability issues."

Including the Subject of Evaluation and the Criteria

A well-constructed evaluative thesis statement typically comprises two essential components: the subject of evaluation and the criteria by which you are evaluating it. These components work in tandem to provide clarity and focus. Consider the following example:

Evaluative Thesis: "The novel 'To Kill a Mockingbird' by Harper Lee is a timeless masterpiece due to its profound exploration of social injustice and moral growth."

The subject of Evaluation: "The novel 'To Kill a Mockingbird by Harper Lee."

Criteria for Evaluation: "Profound exploration of social injustice and moral growth."

By including both the subject and criteria, your evaluative thesis sets the stage for your essay's subsequent analysis and discussion.

Avoiding Vague or Overly Broad Statements

Vague or overly broad evaluative thesis statements can lead to unfocused and ineffective essays. Consider these strategies to avoid common pitfalls:

• Vague Statements: Statements that lack specificity and fail to convey a clear judgment can confuse readers.

"This movie has its good and bad aspects."

• Overly Broad Statements: Overgeneralized statements may be too broad to address effectively in one essay.

"Technology has both positive and negative effects on society."

• Lack of Criteria: Ensure that your thesis includes specific criteria for evaluation, as this forms the basis for your judgment.

"The book 'The Great Gatsby' has strengths and weaknesses."

Providing Evidence and Support

A compelling evaluative thesis statement is just the beginning of your journey in crafting a persuasive evaluation. You must provide robust evidence and support to substantiate your judgment and convince your readers. This chapter will explore the critical role of evidence and analysis in bolstering your evaluative thesis.

• Gathering Relevant Evidence and Examples

Effective evaluation relies on credible evidence and concrete examples that illustrate the merits or shortcomings of your subject. Here's how to gather relevant evidence:

Research: Conduct thorough research to gather facts, data, and expert opinions about your subject. Look for reputable sources, such as scholarly articles, books, websites, or expert interviews.

Direct Observation: If applicable, use direct observation or personal experiences to collect firsthand information about your subject. For example, if you are evaluating a restaurant, visit it and make detailed observations.

Case Studies: Seek out case studies, real-world examples, or case-specific evidence that support your judgment. These can provide powerful illustrations of your evaluation.

Historical Context: Consider your subject's historical context or background, as it can shed light on its significance or evolution over time.

• Citing Credible Sources

When incorporating evidence into your evaluative essay, it's essential to cite credible sources transparently. Proper citation serves two crucial purposes:

Establishing Credibility: Citing reputable sources lends credibility to your evaluation. It shows that expert opinions or well-documented facts inform your judgment.

Providing a Reference: Citations provide a reference point for readers who wish to explore the evidence further or verify your claims.

Follow the citation style specified by your academic institution or publication guidelines (e.g., APA, MLA, Chicago) to ensure consistency and accuracy.

• Demonstrating Critical Thinking and Analysis

The mere presentation of evidence is insufficient; you must also engage in critical thinking and analysis. Here's how to effectively analyze and interpret your evidence:

Interpretation: Explain the significance of the evidence in the context of your evaluation. Describe how it supports or challenges your thesis statement.

Comparative Analysis: Compare and contrast different pieces of evidence or examples to highlight patterns or trends. This can add depth to your evaluation.

Consider Counterarguments: Acknowledge and address counterarguments or opposing viewpoints. Demonstrating awareness of different perspectives adds credibility to your evaluation.

Cause and Effect: Analyze the cause-and-effect relationships between your evidence and the subject of evaluation. How do specific aspects of your subject lead to your judgments?

Critically analyzing your evidence strengthens your argument and demonstrates your ability to think deeply and objectively about the subject.

• Maintaining a Balanced Approach

Balancing your evaluation is essential, especially when dealing with complex or multifaceted subjects. While providing evidence that supports your judgment is crucial, avoid cherry-picking evidence that only confirms your preconceived notions. Embrace a balanced approach that acknowledges both strengths and weaknesses.

• Presenting Evidence Effectively

The presentation of evidence in your evaluative essay should be clear and logically organized. Consider the following strategies:

Use of Examples: Incorporate illustrative examples or anecdotes to make your evidence relatable and memorable for your readers.

Organization: Structure your essay logically, each paragraph focusing on a specific evidence or aspect of your evaluation.

Transitions: Use transitional phrases and sentences to guide readers from one piece of evidence to the next, creating a seamless flow of ideas.

Structuring Your Essay 

A well-structured essay is the canvas on which your evaluative thesis comes to life. In this chapter, we will explore the structural components of your evaluative essay, from the introduction that hooks your readers to the conclusion that reinforces your thesis.

• Introduction with the Evaluative Thesis Statement

Hook Your Readers: Begin your essay with a compelling hook that grabs your reader's attention and introduces the subject of evaluation. This can be a thought-provoking question, a surprising fact, a relevant quote, or an engaging anecdote.

Evaluative Thesis Statement: In the introductory paragraph, present your evaluative thesis statement clearly and concisely. Ensure it includes the subject of evaluation and the criteria by which you will judge it. The thesis should serve as the guiding beacon for your entire essay.

Contextual Background: Provide some background information about the subject of evaluation, especially if it's not widely known or understood. This helps readers understand its significance.

Body Paragraphs Presenting Evidence and Analysis

The body of your essay is where you present your evidence, analysis, and discussion. Each body paragraph should focus on a specific piece of evidence or aspect of your evaluation:

Topic Sentence: Begin each body paragraph with a clear topic sentence that introduces the paragraph's main point. This should connect to your evaluative thesis.

Evidence Presentation: Present your evidence or examples logically and organized. Use descriptive language and context to help readers understand the relevance of the evidence.

Analysis: After presenting evidence, engage in critical analysis. Explain how the evidence supports or challenges your evaluative thesis. Address questions like "Why is this evidence significant?" and "How does it relate to the criteria?"

Transitions: Use transitional phrases and sentences to smoothly transition from one body paragraph to the next. This creates a coherent flow of ideas and arguments throughout your essay.

• Conclusion Summarizing the Evaluation

The conclusion is where you tie everything together and leave a lasting impression on your readers:

Restate Your Thesis: Begin your conclusion by restating your evaluative thesis statement. This reinforces your central judgment.

Summarize Key Points: Summarize the key points you've discussed in your essay. Highlight the most significant evidence and analysis that support your evaluation.

Final Thoughts: Offer some final thoughts or insights that encapsulate the essence of your evaluation. Reflect on the broader implications or significance of your judgment.

Call to Action or Consideration: Depending on your essay's purpose, you might include a call to action, a thought-provoking question, or an invitation for further consideration of the subject.

Tips for Effective Writing

While mastering the art of crafting evaluative theses is essential, effective writing goes beyond thesis statements. It encompasses the entire process, from brainstorming ideas to polishing your final draft. This chapter will explore tips and strategies for enhancing your writing skills and producing compelling evaluative essays.

Use of Language and Tone

Clarity is Key: Strive for clarity in your writing. Use clear and straightforward language to convey your ideas. Avoid convoluted sentences or overly complex vocabulary that may confuse your readers.

Formal Tone: Maintain a formal and professional tone in academic writing. Avoid overly informal language, slang, or colloquialisms.

Precision: Choose words and phrases that convey your intended meaning precisely. Avoid vague or ambiguous language.

Transitions: Use transitional words and phrases to guide your readers through your essay. This helps create a seamless flow of ideas.

• Avoiding Bias and Maintaining Objectivity

Balance Perspectives: When presenting evidence or discussing your evaluation, strive for balance. Acknowledge the subject's strengths and weaknesses, even if your overall evaluation leans in one direction.

Avoid Personal Pronouns: Minimize using personal pronouns like "I" or "you." Instead, opt for a more objective third-person perspective.

Cite Expert Opinions: Incorporate expert opinions or scholarly sources to support your arguments. This demonstrates that your evaluation is grounded in authoritative perspectives.

Objective Language: When presenting evidence or analysis, use objective language. Avoid emotionally charged or judgmental language that may bias your readers.

• Revision and Proofreading

Multiple Drafts: Never settle for your first draft. Writing is a process, and revision is where your work truly shines. Review and revise your essay multiple times to refine your arguments and improve clarity.

Fresh Eyes: Take breaks between writing and revising sessions. Returning to your work with fresh eyes allows you to spot errors or areas that need improvement more effectively.

Peer Review: Consider seeking peer, mentor, or writing tutor feedback. Fresh perspectives can provide valuable insights and suggestions for improvement.

Grammar and Mechanics: Pay attention to grammar, punctuation, and spelling. Errors in these areas can detract from your writing's professionalism and credibility.

• Conciseness and Efficiency

Avoid Repetition: Eliminate unnecessary repetition of ideas or words. Each sentence and paragraph should contribute something new to your argument.

Cut Unnecessary Words: Trim excessive words or phrases that do not add value to your writing. Be concise while retaining clarity.

Active Voice: Use the active voice to make your writing more direct and engaging. Passive voice can sometimes make sentences more convoluted.

• Seek Feedback and Revise

Welcome Feedback: Embrace feedback from others as an opportunity to improve your writing. Constructive criticism helps you grow as a writer.

Multiple Revisions: Don't be afraid to revise your work extensively. The best writing often comes after multiple revisions and refinements.

Read Aloud: Reading your essay aloud can help you catch awkward phrasing, unclear sentences, or errors you might miss when reading silently.

• Follow Guidelines and Requirements

Adhere to Guidelines: Follow any specific guidelines or requirements from your instructor or publication. This includes formatting, citation styles, and word count.

Meet Deadlines: Submit your essay on time. Effective time management is crucial for producing high-quality work.

Examples of Evaluative Theses

Example 1: Film Evaluation

Evaluative Thesis: "Christopher Nolan's 'Inception' is a cinematic masterpiece due to its innovative narrative structure, breathtaking visual effects, and thought-provoking exploration of dreams and reality."

Analysis: This evaluative thesis provides a clear judgment (positive) and presents the subject ("Inception") along with specific criteria for evaluation (narrative structure, visual effects, exploration of dreams and reality). The criteria offer insight into why the film is deemed a masterpiece.

Example 2: Book Evaluation

Evaluative Thesis: "Jane Austen's 'Pride and Prejudice' remains a timeless classic because of its sharp social commentary, memorable characters, and enduring relevance in exploring themes of love and societal expectations."

Analysis: This evaluative thesis takes a positive stance on the novel and presents the subject ("Pride and Prejudice") along with specific criteria for evaluation (social commentary, characters, exploration of themes). The thesis highlights the novel's timeless qualities.

Example 3: Restaurant Review

Evaluative Thesis: "The 'Mediterraneo' restaurant provides a delightful dining experience with its flavorful cuisine, attentive service, and inviting ambiance, making it a must-visit for food enthusiasts."

Analysis: This evaluative thesis expresses a positive judgment and introduces the subject ("Mediterraneo" restaurant) along with the evaluation criteria (cuisine, service, ambiance). The thesis highlights the restaurant's appeal to food enthusiasts.

Example 4: Technology Assessment

Evaluative Thesis: "The latest smartphone model, while offering innovative features and enhanced performance, falls short in battery life, significantly impacting its overall user experience."

Analysis: This evaluative thesis conveys a balanced evaluation, acknowledging the smartphone's positive and negative aspects. The subject ("latest smartphone model") and evaluation criteria (features, performance, battery life) are clearly outlined.

Example 5: Film Critique

Evaluative Thesis: "While 'Avatar' is visually stunning and groundbreaking in its use of technology, its reliance on a familiar storyline and one-dimensional characters diminishes its overall impact as a cinematic experience."

Analysis: This evaluative thesis presents a balanced judgment, recognizing both the film's strengths and weaknesses. The subject ("Avatar") and evaluation criteria (visuals, technology, storyline, characters) are explicitly mentioned.

Example 6: Product Review

Evaluative Thesis: "The 'EcoClean' laundry detergent offers an eco-friendly alternative to traditional detergents, effectively removing stains and reducing environmental impact, making it an ideal choice for environmentally conscious consumers."

Analysis: This evaluative thesis takes a positive stance and introduces the subject ("EcoClean" laundry detergent) along with criteria for evaluation (efficacy in stain removal, eco-friendliness). The thesis caters to environmentally conscious consumers.

Example 7: Literary Analysis

Evaluative Thesis: "Shakespeare's 'Hamlet' stands as a profound exploration of human nature, with its intricate characters, moral dilemmas, and timeless themes of revenge and madness."

Analysis: This evaluative thesis expresses a positive judgment and presents the subject ("Hamlet") along with evaluation criteria (characters, moral dilemmas, exploration of themes). The thesis underscores the play's enduring significance.

Example 8: Art Critique

Evaluative Thesis: "Van Gogh's 'Starry Night' is a masterpiece of post-impressionist art, captivating viewers with its vivid colors, expressive brushwork, and emotional depth."

Analysis: This evaluative thesis takes a positive stance and introduces the subject ("Starry Night" by Van Gogh) along with criteria for evaluation (colors, brushwork, emotional depth). The thesis emphasizes the artwork's artistic merits.

By examining these diverse examples of evaluative thesis statements, you can discern common elements, such as clear judgment, subject identification, and evaluation criteria. These examples illustrate the versatility of evaluative theses across different domains, from literature and art to technology and dining experiences.

Our exploration of evaluative theses is foundational in developing strong critical analysis and persuasive writing skills. As you continue to hone your abilities, remember that evaluative theses are powerful tools for engaging, informing, and persuading your readers.

In conclusion, evaluative theses are not just statements but catalysts of insightful analysis and persuasive communication. By mastering the art of crafting evaluative thesis statements and refining your writing skills, you can influence, inform, and engage with the world through critical evaluation.

Thank you for joining us on this journey of discovery. We wish you success in your future endeavors as a critical thinker and persuasive writer.

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How To Make a Movie Analysis Essay

Movie analysis essay, how to start, how to write an outline, example of an outline for a movie analysis, how to write an introduction, how to write a thesis statement.

• Example of an introduction for a movie analysis

How to write body paragraphs

Tips for writing body paragraphs, example of body paragraphs for a movie analysis essay, how to conclude.

• Example of a conclusion for a movie analysis

Writing a movie analysis requires critical thinking and analysis skills when supporting an articulated argument. Movie review highlights features of the film stating the work of other writers. The analysis may also examine the various aspects of the movie element, the production history, the context, how the movie is received and consumed by different audiences and issues related to its distribution.

Before writing a good analysis, it is advisable to watch and reflect on the movie themes. Take note of important elements like symbolism, the mood, the themes, photography, the plot and anything that makes the movie worth mentioning. An excellent movie analysis should start by clarifying the thesis, the author needs to state the claim, followed by the interpretation and its effect on the audience. It is also important to point out any interesting ideas about the movie that makes it worth investigating.

A good introduction should be short, and the opening paragraph should mention the background, including who directed the movie, the key actors when the movie was produced, whether the movie is based on a book and the intention of the movie. The introduction should contain contextual information that may be of value to the target audience.  The first paragraph provides a summary of the movie giving the reader some basic explanation more so the plot that would be relevant to the discussion of the themes.

To write an outline, gather up the information you have, and transpose it into the framework of the essay you are going to use. You can use the outline as it suits you – to play with the subjects in the paragraphs or to remember important information.

Introduction

• Background information about the movie
• The movie director and main characters
• Thesis statement and the reason for analysis

Plot Synopsis

• Brief plot summary of the movie
• Present competent knowledge about the movie.
• Highlight the main theme of the movie
• The significance of the themes

Visual element

• Describe the visual appearance, impressive camera work, the angles, the shot  the set designs like costumes, location, and lighting
• Review of opinion about the movie
• Rate the movie and present your recommendations.

Writing an introduction is easy if you have all your information – some people write the introduction last for this reason. To compose an introduction, get your arguments together, write a thesis statement, and then put them all onto one paragraph which not only introduces the subject but also encourages readers to keep reading.

• Write your thesis statement.
• Make sure that all of your arguments are referenced.
• Hook your readers in to encourage them to keep reading.
• Don’t make any original arguments.
• Write coherently.

Developing a thesis statement is to either support of the film or not recommending the film. A good argument should the one that the author can defend with a valid explanation, good examples and logic sentences. A good thesis should be brief, you can simply write about a specific segment of the movie instead of writing about every aspect of the movie.

Example of an introduction for a movie analysis essay

‘The Blindside’ by John Hancock

There comes a moment when we have to stand for what we believe in. In the movie “The Blindside” by John Hancock, Michael, the main character, is interviewed by the sports investigator. The investigator alleged that Michael was assisted by Tuohys who helped him play for the college team they support. Michael is forced to review his relationship with the Tuohy’s family not to ruin his future career in sports. Going against the Tuohys is the turning point for him. Michael shows how far he can go without their support. However, the turning point is crucial because the preconception of others could threaten his future career. Using different production skills Hancock draws the audience into tension to highlight the significant themes of being assertive.

Writing body paragraphs requires the author to specifically focus on the elements mentioned in the introduction and the thesis. A good essay body should interpret, analyze and evaluate the movie. The essay body should be organized and logically discuss the specific elements like non-technical and technical aspects of the production. These can be the acting, the directing, the sceneries, costumes, and even lighting.

• Don’t get distracted from the main point you are making.
• One argument per paragraph.
• Make sure each paragraph is introduced with a topic sentence and ended with a concluding sentence.
• Make sure that the paragraphs flow smoothly together to form a coherent argument.
• Refer to the thesis statement in each paragraph.

Paragraph one

‘The Blindside’ is a slightly biographical movie about Michael Oher, a man who beat the odds to reach the position he is in now, in the football team. The movie follows him throughout his life, culminating in his pick by the Ravens team. This movie uses flashbacks and memories quite effectively.

Paragraph two

The themes of this movie include hard work, family, and growing up, shown through Michael, at various ages, attempting to navigate the world. The main theme is family, as shown by the ending. These themes are all significant because it shows how difficult it can be for people to grow up under conflicting expectations.

Paragraph three

This movie makes use of different lighting and color for the flashbacks, to differentiate them from the main plotline. These changes not only make it easier for the audience to know when the main storyline is in effect, but it also provides a visual shorthand as to how the main character is feeling at the time.

A movie analysis conclusion should no recapitulate the thesis, but try to show why the movie was of interest to the author, but based on what is described in the body paragraph. Concluding a movie analysis includes reviewing your opinion about the movie to try to persuade the reader to either watch the film or not.

Example of conclusion for a movie analysis

The Blindside is a good movie for themes of coming of age themes, and themes of family. It also showcases some good work on characters and visual, making it a movie which stands out among other movies with similar themes.

Need a custom essay? Meet our custom essay service

1.Which structure does the movie analysis essay have ? Movie analysis essay has a basic narrative structure that comprises an introduction, body, and conclusion.

2.How to write an analysis essay on a movie? Your movie analysis essay should be more than your opinion on the film. It should allow the reader to see the movie from an entirely different angle. The essay should answer these basic questions: · What is the goal of the film? Do you think it was achieved? · Did the film manage to speak to its target audience? · What were the main conflicts? · Does the film raise any important issues?

3.How to start off a movie analysis essay? A good intro must be informative yet precise. You may mention the cast, producer, and what the story is about in one sentence. Using a powerful dialogue as an opening sentence of your essay is also a good idea. Don’t forget to include a thesis statement. This statement either recommends the movie or tells the reader that it’s not worth watching.

4.Which service can I use to write a critique analysis essay for a movie? Customessayorder.com is one of the best services available online for students. If you can’t seem to write an essay on your own, our professional writers can help you get the job done.

Home > FACULTIES > Film Studies > FILM-ETD

Film Studies Theses and Dissertations

This collection contains theses and dissertations from the Department of Film Studies, collected from the Scholarship@Western Electronic Thesis and Dissertation Repository

Theses/Dissertations from 2015 2015

The Rise of Marvel and DC's Transmedia Superheroes: Comic Book Adaptations, Fanboy Auteurs, and Guiding Fan Reception , Alex Brundige

Contemporary French Queer Cinema: Explicit Sex and the Politics of Normalization , Joanna K. Smith

Rob Zombie, the Brand: Crafting the Convergence-Era Horror Auteur , Ryan Stam

Transnational Monsters: Navigating Identity and Intertextuality in the Films of Guillermo del Toro , Sean M. Volk

Theses/Dissertations from 2014 2014

Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story" , Andrew M. Falcao

Theses/Dissertations from 2013 2013

Music, Cinema and the Representation of Africa , Natasha Callender

Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance , Caitlin Foster

The New French Extremity: Bruno Dumont and Gaspar Noé, France's Contemporary Zeitgeist , Timothy J. Nicodemo

'Subbed-Titles': Hollywood, the Art House Market and the Best Foreign Language Film Category at the Oscars , Kyle W. J. Tabbernor

Theses/Dissertations from 2012 2012

Fighting, Screaming, and Laughing for an Audience: Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century , Sean C. Fitzpatrick

New York Beat: Collaborative Video and Filmmaking in The Lower East Side and the South Bronx from 1977-1984 , Andrew G. Hicks

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Senior Honors Thesis

In the senior year, FMS majors may undertake a two-course, year-long Senior Honors Thesis of their choice, which allows them to do independent, in-depth, self-directed work as scholars and/or artists under the direction of a committee of at least two faculty.

The Senior Honors Thesis is the culminating experience of the FMS major, affording majors the opportunity to integrate, build upon and extend what they have learned in a direction of their choosing.

The Senior Honors Thesis ends with an oral defense of the finished work with the faculty committee that has overseen it. At the recommendation of the faculty committee, the Senior Honors Thesis may merit either Honors, High Honors, or Highest Honors. These are different from Latin honors ( cum laude, magna cum laude, summa cum laude ) that are determined by a student's overall GPA.

FMS majors who have been on the Dean's List at least twice and have a GPA of at least 3.4 are eligible to do a Senior Honor Thesis.

The thesis can take many forms. Examples include:

• an extended essay of film or media scholarship 
• a short film—scripted live-action, animation, or documentary non-fiction
• a feature-length screenplay
• a selection of teleplays for an original TV show
• a public relations, advertising, or marketing campaign
• a work of long-form journalism

Students wishing to make a film or write a screenplay for the Senior Honors Thesis must have taken at least three filmmaking and/or screenwriting courses (or their equivalent) prior to the senior year.

All Seniors Honors Theses, whether creative or scholarly, must have a research component. Students are required to consult the scholarship, theory, and practice relevant to the topic addressed in the thesis. 

Department Criteria for a Seniors Honors Thesis:

• Submit a short proposal during the junior year that outlines the basic research questions or creative objectives of the thesis and identifies a faculty member who has agreed to serve as the chair of the thesis committee
• Register for FMS-0198 Senior Honors Thesis 1 in the fall semester of the senior year, which assists students in developing and preparing the thesis
• Register for FMS-0199 Senior Honors Thesis 2 in the spring of the senior year, which assists students in completing the thesis under the guidance of a faculty committee of at least two members
• Submit a draft of the thesis by the first week after spring break of the senior year, and then revise and finalize it based on feedback from committee members
• Conduct a one-hour oral defense of the thesis with all committee members by the end of April of the senior year

Timetable for a Senior Honors Thesis:

Junior year.

• Review Tufts Senior Honors Thesis requirements
• Review FMS Senior Honors Thesis proposal form requirements
• Attend optional FMS Senior Honors Thesis Workshop (offered once in the late-fall or early spring-semester)
• Choose faculty thesis advisor/potential committee chair to discuss proposal ideas
• Write draft proposal (2-3 pages) and submit to faculty thesis advisor along with draft Senior Honors Thesis proposal form  
• Meet with faculty thesis advisor to discuss proposal and make any recommended changes
• Initiate IRB review if applicable for empirical projects
• Submit completed and signed FMS Senior Honors Thesis proposal form , along with proposal and unofficial transcript to FMS After thesis project is approved:  
• Register for FMS-0198 Senior Honors Thesis 1 for senior fall semester (section 01 for production projects; section 02 for non-production projects)
• Choose additional committee members (at least two faculty members; may have additional members who are alumni, professionals in field, etc.) and submit FMS Senior Thesis Committee/Reader Form to FMS

First Semester Senior Year

• Submit Tufts Senior Honors Candidate Form
• Discuss the thesis process and objectives with committee
• Undertake research and write research review
• Complete IRB review if applicable
• Register for FMS-0199 Senior Honors Thesis 2 for senior spring semester (section 01 for production projects; section 02 for non-production projects)

Second Semester Senior Year

• Submit draft of thesis to committee members by the first week after spring break
• Revise and finalize thesis based on feedback from committee members
• Conduct a one-hour oral defense of thesis with all committee members by the last day of spring semester reading period
• Archive your completed project in Tufts Digital Collections and Archives (via the MIRA website ) any time after your thesis defense and before your graduation date. 
• Archive your completed project with FMS Program Administrator .

Recent Senior Spotlight: Jacob Ehrlich, A20

Jacob doubled majored in Film and Media Studies and Computer Science. Learn about Jacob’s senior honors thesis process and the support he received from FMS to accomplish his goals.

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Thesis Statement Movie Reviews Samples For Students

4 samples of this type

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Documentary Saving Face Movie Review Examples

1. What is the title of the film, what (brief summary) is it about (subject, topic)?

X Men Movie Reviews Examples

Essay 1: auteur.

X-Men series of film is an institution in its amazing way. Bryan Singer pioneered this popular comic characters and brought them to the silver screen. It is a very gigantic task to convert the fictional fantasy of an existence of a superhuman into a realistic visual treat. However, highly creative mind of Bryan Singer is capable of this task. The history is the evidence (The Usual Suspects) of the mastery of Bryan Singer in direction and storytelling. The thesis statement of this paper is the powerful auteur of the directorial team of the movie to bring his vision into reality.

Unmistaken Child (2008) Movie Review Sample

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25 Thesis Statement Examples

A thesis statement is needed in an essay or dissertation . There are multiple types of thesis statements – but generally we can divide them into expository and argumentative. An expository statement is a statement of fact (common in expository essays and process essays) while an argumentative statement is a statement of opinion (common in argumentative essays and dissertations). Below are examples of each.

Strong Thesis Statement Examples

1. School Uniforms

“Mandatory school uniforms should be implemented in educational institutions as they promote a sense of equality, reduce distractions, and foster a focused and professional learning environment.”

Best For: Argumentative Essay or Debate

Read More: School Uniforms Pros and Cons

2. Nature vs Nurture

“This essay will explore how both genetic inheritance and environmental factors equally contribute to shaping human behavior and personality.”

Best For: Compare and Contrast Essay

Read More: Nature vs Nurture Debate

3. American Dream

“The American Dream, a symbol of opportunity and success, is increasingly elusive in today’s socio-economic landscape, revealing deeper inequalities in society.”

Best For: Persuasive Essay

Read More: What is the American Dream?

4. Social Media

“Social media has revolutionized communication and societal interactions, but it also presents significant challenges related to privacy, mental health, and misinformation.”

Best For: Expository Essay

Read More: The Pros and Cons of Social Media

5. Globalization

“Globalization has created a world more interconnected than ever before, yet it also amplifies economic disparities and cultural homogenization.”

Read More: Globalization Pros and Cons

6. Urbanization

“Urbanization drives economic growth and social development, but it also poses unique challenges in sustainability and quality of life.”

Read More: Learn about Urbanization

7. Immigration

“Immigration enriches receiving countries culturally and economically, outweighing any perceived social or economic burdens.”

Read More: Immigration Pros and Cons

8. Cultural Identity

“In a globalized world, maintaining distinct cultural identities is crucial for preserving cultural diversity and fostering global understanding, despite the challenges of assimilation and homogenization.”

Best For: Argumentative Essay

Read More: Learn about Cultural Identity

9. Technology

“Medical technologies in care institutions in Toronto has increased subjcetive outcomes for patients with chronic pain.”

Best For: Research Paper

10. Capitalism vs Socialism

“The debate between capitalism and socialism centers on balancing economic freedom and inequality, each presenting distinct approaches to resource distribution and social welfare.”

11. Cultural Heritage

“The preservation of cultural heritage is essential, not only for cultural identity but also for educating future generations, outweighing the arguments for modernization and commercialization.”

12. Pseudoscience

“Pseudoscience, characterized by a lack of empirical support, continues to influence public perception and decision-making, often at the expense of scientific credibility.”

Read More: Examples of Pseudoscience

13. Free Will

“The concept of free will is largely an illusion, with human behavior and decisions predominantly determined by biological and environmental factors.”

Read More: Do we have Free Will?

14. Gender Roles

“Traditional gender roles are outdated and harmful, restricting individual freedoms and perpetuating gender inequalities in modern society.”

Read More: What are Traditional Gender Roles?

15. Work-Life Ballance

“The trend to online and distance work in the 2020s led to improved subjective feelings of work-life balance but simultaneously increased self-reported loneliness.”

Read More: Work-Life Balance Examples

16. Universal Healthcare

“Universal healthcare is a fundamental human right and the most effective system for ensuring health equity and societal well-being, outweighing concerns about government involvement and costs.”

Read More: The Pros and Cons of Universal Healthcare

17. Minimum Wage

“The implementation of a fair minimum wage is vital for reducing economic inequality, yet it is often contentious due to its potential impact on businesses and employment rates.”

Read More: The Pros and Cons of Raising the Minimum Wage

18. Homework

“The homework provided throughout this semester has enabled me to achieve greater self-reflection, identify gaps in my knowledge, and reinforce those gaps through spaced repetition.”

Best For: Reflective Essay

Read More: Reasons Homework Should be Banned

19. Charter Schools

“Charter schools offer alternatives to traditional public education, promising innovation and choice but also raising questions about accountability and educational equity.”

Read More: The Pros and Cons of Charter Schools

20. Effects of the Internet

“The Internet has drastically reshaped human communication, access to information, and societal dynamics, generally with a net positive effect on society.”

Read More: The Pros and Cons of the Internet

21. Affirmative Action

“Affirmative action is essential for rectifying historical injustices and achieving true meritocracy in education and employment, contrary to claims of reverse discrimination.”

Best For: Essay

Read More: Affirmative Action Pros and Cons

22. Soft Skills

“Soft skills, such as communication and empathy, are increasingly recognized as essential for success in the modern workforce, and therefore should be a strong focus at school and university level.”

Read More: Soft Skills Examples

23. Moral Panic

“Moral panic, often fueled by media and cultural anxieties, can lead to exaggerated societal responses that sometimes overlook rational analysis and evidence.”

Read More: Moral Panic Examples

24. Freedom of the Press

“Freedom of the press is critical for democracy and informed citizenship, yet it faces challenges from censorship, media bias, and the proliferation of misinformation.”

Read More: Freedom of the Press Examples

25. Mass Media

“Mass media shapes public opinion and cultural norms, but its concentration of ownership and commercial interests raise concerns about bias and the quality of information.”

Best For: Critical Analysis

Read More: Mass Media Examples

Checklist: How to use your Thesis Statement

✅ Position: If your statement is for an argumentative or persuasive essay, or a dissertation, ensure it takes a clear stance on the topic. ✅ Specificity: It addresses a specific aspect of the topic, providing focus for the essay. ✅ Conciseness: Typically, a thesis statement is one to two sentences long. It should be concise, clear, and easily identifiable. ✅ Direction: The thesis statement guides the direction of the essay, providing a roadmap for the argument, narrative, or explanation. ✅ Evidence-based: While the thesis statement itself doesn’t include evidence, it sets up an argument that can be supported with evidence in the body of the essay. ✅ Placement: Generally, the thesis statement is placed at the end of the introduction of an essay.

Try These AI Prompts – Thesis Statement Generator!

One way to brainstorm thesis statements is to get AI to brainstorm some for you! Try this AI prompt:

💡 AI PROMPT FOR EXPOSITORY THESIS STATEMENT I am writing an essay on [TOPIC] and these are the instructions my teacher gave me: [INSTUCTIONS]. I want you to create an expository thesis statement that doesn’t argue a position, but demonstrates depth of knowledge about the topic.

💡 AI PROMPT FOR ARGUMENTATIVE THESIS STATEMENT I am writing an essay on [TOPIC] and these are the instructions my teacher gave me: [INSTRUCTIONS]. I want you to create an argumentative thesis statement that clearly takes a position on this issue.

💡 AI PROMPT FOR COMPARE AND CONTRAST THESIS STATEMENT I am writing a compare and contrast essay that compares [Concept 1] and [Concept2]. Give me 5 potential single-sentence thesis statements that remain objective.

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• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ 30 Globalization Pros and Cons

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• Bibliography
• More Referencing guides Blog Automated transliteration Relevant bibliographies by topics
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Dissertations / Theses on the topic 'Documentary film media'

Create a spot-on reference in apa, mla, chicago, harvard, and other styles.

Consult the top 50 dissertations / theses for your research on the topic 'Documentary film media.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

Lange, Shara K. "Documentary Film Engagement." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/3651.

Lange, Shara K. "Documentary Production & Documentary Problems." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3666.

Lange, Shara K. "Ethical Documentary Filmmaking in Appalachia." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/3648.

Lange, Shara K. "The Documentary, “The Dressmakers,” & Film Screening." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3664.

Lange, Shara K. "Opportunities for Engagement: Documentary & Public Health." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3656.

Pichaske, Kristin. "Colour adjustment : race and representation in post-apartheid South African documentary." Doctoral thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8248.

Lange, Shara K. "Documentary Production as a Way to Talk about and Engage with Community." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3657.

Camillo, Seth Jordan. "The circus: a city symphony." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/3437.

Hong, Jiachun. "DOCUMENTARY PRODUCTION AS A SITE OF STRUGGLE: STATE, CAPITAL, AND PRECARITY IN THE CONTEMPORARY CHINESE DOCUMENTARY." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/dissertations/1627.

Watson, Ryan Grant. "Re-claiming the radical: documentary and video advocacy in the age of new media." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/5677.

Sadegh-Vaziri, Persheng. "Iranian Documentary Film Culture: Cinema, Society, and Power 1997-2014." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/363567.

Zuber, Sharon Lynne. "Re-shaping documentary expectations: New Journalism and Direct Cinema." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539623442.

Largent, Julia E. "Documentary Dialogues: Establishing a Conceptual Framework for Analyzing Documentary Fandom-Filmmaker Social Media Interaction." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1497547704340843.

Chen, Yeong-Rury, and na. "A fantasy China an investigation of the Huangmei Opera Film genre through the documentary film medium." Swinburne University of Technology, 2006. http://adt.lib.swin.edu.au./public/adt-VSWT20061009.132620.

Lange, Shara K. "Spotlight ETSU." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3660.

Lange, Shara K. "Jeans & Djellabas." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3661.

Lange, Shara K. "Guest Artist Talk." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/3652.

Lange, Shara K. "Work Sticks." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/3658.

Lange, Shara K. "What Do We Do with our Bodies." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/3659.

Merilainen, Laura. "From Namibia with Love - the dissertation paper a reflective essay supporting the documentary film 'From Namibia with Love'. With special references from the director's and editor's perspective on making a politically sensitive documentary film." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/12001.

Steinbach, Katherine. "Documentary adaptation: non-fiction transformations via cinema and television." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5643.

Lange, Shara K. "ETSU Radio, TV, Film 1969-2011: Partnerships, Promise, Hope." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/3663.

Tarrant, Patrick Anthony. "Documentary practice in a participatory culture." Queensland University of Technology, 2008. http://eprints.qut.edu.au/26975/.

Makan, Amit J. "Making a feature length documentary film linked to the programme for improving mental health care (PRIME) : process and ethical challenges." Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/20093.

CHEUNG, Tit Leung. "Extending the local : documentary film festivals in East Asia as sites of connection and communication." Digital Commons @ Lingnan University, 2012. https://commons.ln.edu.hk/vs_etd/5.

Farrell, Richard M. "Baltimore Mobility: The Wire , Local Documentary, and the Politics of Distance." Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7783.

Daley, KaRyn Elizabeth. "The Role of Documentary Film in the Emerging Social Entrepreneurial Culture." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5663.

Ribera, Deborah. "(Re)Presentation: An Affective Exploration of Ethnographic Documentary Film Production." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428658018.

Sniadecki, John Paul. "Digital Jianghu: Independent Documentary in a Beijing Art Village." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10971.

Shaw, Neil. "Culture and gentrification on upper Long street : a study of Long street's evolution and contemporary incarnation, with a look at documentary styles and the cinematic city." Master's thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/7972.

Palfreman, Jon. "Communicating controversy in the mass media." Thesis, University of South Wales, 2005. https://pure.southwales.ac.uk/en/studentthesis/communicating-controversy-in-the-mass-media(65320260-4d82-4ec9-82ac-a7cf363f0e13).html.

Goldson, Annie. "A claim to truth: documentary, politics, production." Thesis, University of Auckland, 2004. http://hdl.handle.net/2292/1246.

Schram, Katherine Elisabeth. "Images and Voices from the Cumberland Mountains: Surface Coal Mining and the Evolution of Appalshop's Documentary Activism." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/1056.

Qian, Ying. "Visionary Realities: Documentary Cinema in Socialist China." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11035.

Lange, Shara K. "Screening: Banjo Romantika: American Bluegrass Music and the Czech Imagination." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/3649.

Bidgood, Lee, and Shara K. Lange. "Banjo Romantika: Across Genres & Disciplines." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/3653.

Jensen, Rhonda Karen. "Manufacturing dissent." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16224/.

Guerra, Karla M. "Listen to Me." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1084.

Phillips, Brett Michael. ""You want it all to happen now!": The Jinx, The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6743.

Duff, Kristen Lesley. "Out of the box, into the bottle: an example of documentary film as a new research tool in the South African wine industry." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/10389.

Seering, Ashley. "Postcards." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/984.

Hodge, Tuarean M. ""Black Reparations Film Project: Descendants of Slavery and Institutional Racism"." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862812/.

Mutibwa, Daniel Henry. "Changing imperatives in third sector media and cultural production : a study of news production, documentary film-making and arts and cultural programming." Thesis, University of Leeds, 2012. http://etheses.whiterose.ac.uk/3407/.

Peixoto, Hugo Cardoso Brandão. "Webdocumentário: a representação da ótica documental no ciberespaço." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5021.

Weatherston, Kristine T. "Nonfiction, Documentary and Family Narrative: An Intersection of Representational Discourses and Creative Practices." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3602.

Hoare, Lottie. "Secondary education in BBC broadcast, 1944-1965 : drawing out networks of conversation and visions of reform." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/273980.

Glueck, Lara A. "Contested Land: The Bernard Biological Field Station." Scholarship @ Claremont, 2001. https://scholarship.claremont.edu/cmc_theses/92.

Riley, David. "Silver Sands." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5870.

Bidgood, Lee, and Shara K. Lange. "Banjo Romantika." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3655.

Varrasso, Federico. "Représentations et croyances dans le vodou haïtien : approche filmique d'une communauté religieuse de Port-au-Prince." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100079.