research and writing book

Research Methodology and Scientific Writing

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C. George Thomas 0

Kerala Agricultural University, Thrissur, India

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Provides tips to improve the writing skills for research students
Deals with most interdisciplinary fields in Research such as Problems, Writing Proposals, Funding, Selecting Designs, Literature and Review, Collection of Data and Analysis, and Preparation of Thesis
Discusses the latest on the use of information technology in retrieving and managing information

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Table of contents (24 chapters)

Front matter, research: the search for knowledge.

C. George Thomas

Philosophy of Research

Approaches to research, major research methods, experimental research, collection and analysis of data, planning and writing a research proposal, publications and the library, academic databases, the literature review, preparation of research papers and other articles, the structure of a thesis, tables and illustrations, reasoning in research, references: how to cite and list correctly, improve your writing skills, use appropriate words and phrases, punctuation marks and abbreviations, units and numbers.

Research Problems
Writing Proposals
Selecting Designs
Literature and Review
Collection of Data and Analysis
Preparation of Thesis

About this book

Authors and affiliations, about the author, bibliographic information.

Book Title : Research Methodology and Scientific Writing

Authors : C. George Thomas

DOI : https://doi.org/10.1007/978-3-030-64865-7

Publisher : Springer Cham

eBook Packages : Education , Education (R0)

Hardcover ISBN : 978-3-030-64864-0 Published: 25 February 2021

Softcover ISBN : 978-3-030-64867-1 Published: 25 February 2022

eBook ISBN : 978-3-030-64865-7 Published: 24 February 2021

Edition Number : 2

Number of Pages : XVII, 620

Number of Illustrations : 25 b/w illustrations

Topics : Engineering/Technology Education , Writing Skills , Thesis and Dissertation

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Qualitative Research Writing Credible and Trustworthy Writing from Beginning to End

Michelle Salmona - Institute for Mixed Methods Research
Dan Kaczynski - Central Michigan University
Eli Lieber - University of California, Los Angeles, USA
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This book provides a detailed account of how to think about enacting the process of qualitative research for students. Beginning with the brainstorming process of writing and moving through the critical components of qual research, the book helps students new to these concepts feel more familiar with qualitative research.

This book provides your students with a roadmap for writing up qualitative research projects. It's a good length and level of detail for undergraduate or early-stage graduate students.

Chapters 7 and 8 are CRUCIAL for my students. I have to do a lot of explaining around writing up findings, discussion, and conclusion. I offer lots of examples, but these chapters put it all into easily digestible bites, with really good examples. I would definitely use these chapters – they are excellent.

This book is a primer on how academic research writers can effectively begin, think about, and accomplish qualitative research.

There are some helpful tips for students. For example, the tips to self-evaluate and acknowledge one's role in the research process and to start writing even if the ideas are not clear yet are things I cover with every cohort of students I teach and are useful to include in the text.

This book will really help our graduate students think about writing as a process and not as a product — something they really need to understand.

The accessibility of the language and how the text focuses on leading the student through the writing process to support them in making connections between their research questions, research purpose, and data makes this book distinct from others.

This is a great book with detailed steps of considerations and tasks needed to complete each step of the research process.

Challenging topics are addressed in a clear and easy-to-comprehend format. The tools and strategies shared are very useful and show the reader that there is no one right way of doing things in qualitative research. There are multiple options to choose from based on personal preferences and ways of doing things. The chapters provide a good framework to guide students and novice researchers through the process.

Useful guide for students and others writing up research

Integrates qualitative research and writing for a seamless knowledge generation process
Digital tools feature prominently throughout the book to take advantage of the latest technology to help organize and analyze your writing and research
Concrete, practical steps offer researchers a roadmap for writing
Unique chapters on Visualizing Your Writing and Writing About Data tackle uniquely difficult aspects of qualitative research
Tables and figures throughout summarize information and offer examples of organization
Questions throughout ask the reader to reflect back on their study and offer strategies for getting started writing
Chapters follow the research process so readers can start thinking about writing as they work on their projects.

Sample Materials & Chapters

Ch01_Thinking Before Writing

Ch02_Beginning the Story

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Informed Arguments: A Guide to Writing and Research - Revised Second Edition

(10 reviews)

Terri Pantuso, Texas A&M University

Sarah LeMire, Texas A&M University

Kathy Anders, Texas A&M University

Last Update: 2022

Publisher: Texas A&M University

Language: English

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Learn more about reviews.

Reviewed by Yongkang Wei, Professor, University of Texas Rio Grande Valley on 12/21/22

Comprehensiveness rating: 5 see less

This would be a useful source for teaching first-year writing courses, as it covers all the subjects that are supposed to be dealt with, esp. if the focus of teaching is placed on argumentation. I have been actively looking for a textbook that puts emphasis on a rhetorical approach to writing. And this one would come in handy for its rather comprehensive coverage of the approach. It features a chapter on "rhetorical situation" that includes a section called "rhetorical analysis," a topic not commonly, or extensively, discussed in similar types of textbooks.

Content Accuracy rating: 5

I'm not aware of anything that is not accurate, error-free or unbiased.

Relevance/Longevity rating: 5

While I cannot speak for other instructors, the content of this Open Education Resource textbook would be a good match for what I will teach using a non-OER (i.e., paid) textbook. For example, my syllabus covers the topic of rhetorical analysis, which is conveniently found in the third chapter of the book. My syllabus also covers the three models of argumentation: Classical, Rogerian, and Toulmin, which are all discussed and presented in full length by the authors/editors. Nowadays, going rhetorical is the trend, so I anticipate this OER book will enjoy a long period of relevancy and currency as course material for those teaching first-year writing courses. Plus, its online formation can make a quick update.

Clarity rating: 5

The text is written in a way suitable to the level of first-year college students. Jargons or technical terms are minimal. If they do occur, they are well explained within context, as seen, for example, in those terms of logical fallacies. At the end, there is a list of glossaries, which is of additional help if a student encounters an unfamiliar term.

Consistency rating: 5

The authors/editors stress the rhetorical approach to writing. The whole textbook is built around that approach, which also ensures a framework of consistency for content delivery.

Modularity rating: 5

The modularity of the book is excellent. The whole book is divided into eight chapters, each of which is further divided into sections and subsections. The smaller reading sections can keep students away from "boredom," but more importantly they also make it easy and convenient for instructors to pick and reorganize subunits of a course that will best fit their own needs or situations.

Organization/Structure/Flow rating: 4

The topics of the book are presented in a sequence as expected. However, Chapter 8, the last chapter, may not be up to its title, Ethics, as most of the sections are more related to the previous chapter on researched writing. For example, citation formatting and APA or MLA format can well be incorporated into Chapter 7.

Interface rating: 5

I have not encountered interface issues when reading through the book.

Grammatical Errors rating: 5

This is a non-issue. All contributors to the book are excellent writers.

Cultural Relevance rating: 5

I have not come across any issues in the textbook that can be described as culturally insensitive or offensive.

I wish a list of readings, or their links, were incorporated into each chapter to save instructors' time and energy looking for relevant reading materials. Additional readings are part of a writing course. They provide material for fruitful classroom discussions. Used as examples, they also help illustrate subjects to ensure a better understanding on the part of students.

Reviewed by Tara Montague, Part-time instructor, Portland Community College on 6/28/22

I’d give this a 4.5 if I could. This text covers nearly everything that I’d want to cover in a FYW course on thesis-driven argument. I would love to see a revised introduction with a more robust intro aimed at the student – one that formally introduces thesis-driven argument (and previews the text's approach/structure). I think that would help the rest of the pieces fall into place more clearly for me. The glossary is great, and the way glossary items are handled when they show up in the text (active link with a pop-up box) is extremely useful and appreciated.

I did not notice any inaccuracies, biases, or errors.

Current examples were used (a 2010 textbook, Kamala Harris’s VP Acceptance speech), and I believe they were used in a way that will remain relevant to readers.

The writing is clear and accessible. It does go into more depth about rhetoric and argument (Toulmin, Rogerian) than I think many FYW classes would go, but is still accessible. I do feel like a clearer spelling out of the relationship/usage of the terms persuasion and argument would help. This is kind of approached in chapter 3.7, but it’s a bit lacking for me.

Consistency rating: 4

Some of the chapters and sections seem a bit broad and generic given the text’s stated focus on thesis-driven argument. And some examples of thesis statements seem too simplistic for argument – or don’t really match the genre of thesis-driven argument.

The text is easily and readily divisible. My interest is in adopting specific chapter/sections; this can be done without any difficulty whatsoever. It would also be easy to reorganize to improve upon the organizational issues that I believe the text has.

Organization/Structure/Flow rating: 3

The overall structure of the text is not super intuitive. It starts with the writing process (section 2: analyzing assignment, prewriting), and then circles back to it in section 5. As I refer back to the text to write this review, I see this even more strongly – I have trouble finding the chapters I’m looking for as they’re not under the sections of the text I’d expect them to be; I keep getting lost.

Given the text’s title, I would expect introduction/discussion of main concepts – especially thesis-driven argumentation – before launching into the writing process or even rhetoric. Additionally, some chapters/sections/pages are two paragraphs long, and some are more than ten screens’ worth, and the variation (and what is chunked into a separate chapter/section vs. what is just a heading within a chapter/section) isn’t guided by a clear organizational principle. If I were looking to adopt an entire text (as opposed to selecting sections of it), this would cause me problems. (It should be noted that the authors make it clear that this text is written for a specific course at TAMU.)

The heading “Writing a persuasive essay” comes within a chapter/section about using visual elements (3.11). I believe this is a mistake.

The text is offered in various formats and is downloadable. Extremely user-friendly and easy to navigate. In the eBook, the text contains an active glossary: when you click on an underlined term (i.e. secondary sources), its glossary entry/definition/explanation pops up.

The text has been carefully edited and is very clean. I didn’t see any grammatical errors. The only thing I noticed is a confusing lack of “strike-through” in a subtitle of Chapter 4.6: “Thesis Is Not Doesn’t Have to Be a Bad Thing (Or Why Write Antithesis Essays in the First Place”).

I don’t believe the text is culturally insensitive or offensive. I believe it used a couple of examples that were inclusive of a variety of backgrounds.

There are definitely elements of this text that I will use in my FYW (Writing 122) course. I appreciate how succinctly and clearly the text distinguishes between (intended) audience and reader. I also like the logical fallacies section. I typically don’t go into these in my FYW course, but this text does a good job of selecting fallacies that many students tend to use in their own arguments; it provides a solid short list for students to evaluate their own reasoning. I really like the chapter on counterargument / antithetical writing by Steven D. Krause that they included.

Reviewed by Carrie Dickison, Associate Teaching Professor, Wichita State University on 6/3/21

Comprehensiveness rating: 4 see less

The text covers the writing process, rhetoric and argumentation, and research-based writing sufficiently in-depth to work as a primary textbook for a composition course focusing on these topics. As with most OERs, instructors will likely need to supplement the text with examples. Unfortunately, there is no table of contents or index, so instructors using the text will need to spend extra time scrolling to identify content.

Content is in-line with other mainstream composition textbooks.

The content is up-to-date, and most examples will seem relevant to students. For example, it references the keto diet and Trump’s inaugural address. The section on MLA is updated for MLA 8, which is better than many open-access composition texts.

The register is appropriate for first-year students, and the text does a nice job of explaining discipline-specific terminology.

The text is consistent in its approach to writing, argumentation, and research.

Modularity rating: 4

Each section is divided into sub-sections with sub-headings, making it fairly easy to assign different parts of a section. However, sub-sections are not numbered, making them somewhat cumbersome to put on a syllabus.

In general, the text is organized logically. Most sections have a clear focus (e.g. the writing process, an introduction to rhetoric, structuring an argument). However, there are a few sections that I found confusing. For example, there are two different discussions of types of sources (in two different sections), and the discussion of evaluating sources comes before the discussion of research strategies. However, it wouldn’t be too difficult to assign these sections in a different order.

Interface rating: 4

The text is only available as a PDF, which cuts down on image distortion and broken links. However, it also makes it harder to navigate the text, especially since there is no table of contents.

I didn’t notice any grammatical errors in the text.

The text is not culturally insensitive or offensive.

This is a good choice for a course that focuses on rhetoric, argumentation, and research-based writing. It’s also less institution specific than other OERs with similar content, making it easier to adapt for another institution.

Reviewed by Stefanie Shipe, Associate Professor, Northern Virginia Community College on 5/10/21

The textbook offers a thorough discussion of the writing process and the research process. The section on paragraph development is especially comprehensive. The section on the Writing Process could be more robust, particularly the discussion of medium. With more and more emphasis on multimodality in freshman-level composition classes, this textbook would benefit from an expanded section on visual argument and/or non-traditional argument. The section on Rogerian Argument is very brief.

Content Accuracy rating: 4

The content is accurate, although the section on Rogerian Argument doesn't give a complete picture of the strategy.

All the content is relevant, and examples can be easily updated as needed.

The language is accessible, and new terms are explained for readers.

Terminology and framework remain consistent.

The text is broken down into logical sections. It might be helpful to make the section numbers more easily accessible for readers. Some sections also have very large blocks of text that may be somewhat difficult to follow.

Organization/Structure/Flow rating: 5

Topics are presented logically.

The PDF is mostly written text, which may be challenging for certain readers. The addition of more tables, graphs, colors, or images might help to break up the text to make it more accessible and easy to read. Section headings could also be more clear and easier to locate.

Grammatical Errors rating: 4

I noticed a few minor issues with widows/orphans, I also noticed one minor error: in section 4.18, "pro-choice" contains the hyphen, but "prolife" does not.

I don't see any major issues with inclusivity, although one or two sections might benefit from some language to alert a reader to sensitive content (such as the abortion issue).

Reviewed by Lee Ann Regan, Adjunct Professor, Northern Virginia Community College on 5/5/21

This textbook covers all the topics I cover in my Composition II class, though I would like more on analyzing visual arguments (ads, photos, political cartoons). read more

This textbook covers all the topics I cover in my Composition II class, though I would like more on analyzing visual arguments (ads, photos, political cartoons).

Accurate, though to be picky in the block quote example (6.15) there is a period after the parenthetical citation contrary to MLA style.

Relevance/Longevity rating: 4

Although mention of specific TV shows and Trump's inaugural speech may date quickly, these are tiny elements in the material. Most of the content will remain relevant for a long time.

The text's prose is accessible without being condescending.

In Section 3, Rhetorical Modes of Writing discusses narration, description, and exposition which I found out of place in a book on writing arguments. However, these are types of essays often assigned in freshman composition classes.

The text is divided into clear sections on each topic aspect which could easily be assigned.

There is a clear progression from assignment through the writing process.

The screenshot of database functions is distorted. Scrolling back and forth in a PDF can be awkward.

I noticed no grammatical errors.

Cultural Relevance rating: 4

Nothing stood out as offensive.

This textbook covers the topic of writing academic argument well. While I missed sample essays to analyze they can date a book quickly and instructors can easily add them to supplement the text. I found the sections on research and maintaining voice, areas where students sometimes struggle, particularly strong.

Reviewed by Linda McHenry, Instructor of First-Year Composition & Coordinator of Composition-Sequence Assessment, Fort Hays State University on 3/26/21

This comprehensive textbook, appropriate for an English Composition II course, both describes and explains six steps in the writing process for a first-year composition student. An example of a student’s prewriting is included. Rhetorical situation is explained well for first-year students. “Rhetorical Modes of Writing” provides explanation for many writing assignments students typically encounter in the composition sequence, including narration, description, classification, process, definition, comparison and contrast, cause and effect, and persuasion. Also, there are explanations and examples of a visual analysis essay. Toulmin Argument is written clearly for first-year students in a writing course, and Rogerian Argument is discussed and explained, as well. Inclusion of both arguments gives composition faculty options for how to best approach specific argumentative assignments in their courses.

Content is error-free and mostly unbiased. Initially, I found the logical fallacies sections cursory but appreciate the depth of argument in the last half of the textbook.

Most of the textbook reads as relevant and will remain relevant for some time. Most examples, such as TVs, e-books, reality TV shows, and hybrid cars, will remain relatable to first-year students. There is an outdated reference to TV Guide, which I’m confident traditional first-year students will need explained.

One of the most-impressive strengths of this textbook is the way the writers introduce, define, explain, and use terms throughout the text. Argument can be a complicated concept for students, and the sections focusing on types of argument and ways to construct effective arguments meaningfully and deliberately demystify the ways writers tailor their messages for target audiences. Later in the textbook, library database searching is explained well, especially with the Boolean examples.

Writing is discussed and explained before researching, which makes complete sense. The text also features helpful research worksheets to aid with search terms.

The textbook is available in multiple formats, including .pdf and Google Doc, allowing for integration with various learning-management systems. The textbook’s clear headings and page numbers allow faculty to point to specific sections or assignments from their syllabus. Or faculty can copy and paste particular parts into their specific learning-management system with section titles and authors clearly listed.

The textbook is logically organized, beginning with writing process. The research process is well written and provides solid examples of student research plans. The argument sections are well organized and build on one another.

Interface rating: 3

Text and visual aides are mostly clear. The screen grab of library research results is blurry and difficult to view. I had no problems moving between the sections. Visual aides are labeled but are missing descriptive text that would help readers with visual deficits understand drawings, graphics, and charts.

I found no grammatical errors.

Cultural Relevance rating: 2

In a section that asks students to “Imagine Hostile Audiences” (p. 78), the textbook engages positions on abortion. In a first-year composition textbook, naming issues that some students will have lived through lacks sensitivity to what some of our students have had to endure—for both those who have carried an unwanted pregnancy to full term and those who have terminated a pregnancy. Certainly, other issues can illustrate hostile audiences without evoking the pain and stress that surround abortion.

Overall, this is an effective textbook for English Composition II.

Reviewed by Andrew Howard, Assistant Professor/Program Coordinator of English, The University of the District of Columbia on 2/26/21

This book covers everything that a first-year writing professor would expect to see, and it covers everything a first-year writing student will need to encounter for academic writing. The layout is logical and the tone is approachable enough that students will not only be guided through the writing process, but will be given a guide and reference they can use throughout the rest of their academic careers. The information and its presentation concerning research is top-notch! Very informative and practical.

I found nothing inaccurate! The fundamental topics this book approaches are clearly and concisely illuminated, but they are, at heart, near-universal truths. Pantuso et al. present the basic tenets of the writing process in rock-solid terms and cite when necessary, giving a real sense of relevance, accuracy, and currency.

Relevance/Longevity rating: 3

It appears that the main ideas presented in Informed Arguments will be in place for some time, so the relevance is not much of an issue here. As for being up-to-date, I'd hope that the authors do a once-over every few years with an eye toward their characterization of students, particularly when you see examples of student voice. The other area I'd suggest giving attention is the acknowledgment of multi-modal assignments; I'd expect more beyond the usual rhetorical mode structure found in so many textbooks.

The text is absolutely clear in how it presents ideas. Pantuso et al. never get bogged down purple or overly-academic prose. They never speak down to their audience or hold the subject of writing is such high esteem as to present themselves as elites guarding inaccessible information. There's a real sense that this textbook was written by humans who are concerned with getting across the important nuances of writing--something that we often miss in textbooks.

The no-nonsense approach that the authors take ensures that their text is indeed consistent throughout.

Modularity rating: 3

My biggest issues here are addressed in the interface portion, but I'd like to see clearer breaks, not only between sections, but in the writing examples. Occasionally you'll get a title at the end of one page, then the writing example begins on the next. Could use a bit more cleanup or widow/orphan consideration.

No issues here--the text is presented in the most logical

I may be biased against pdf textbooks, but I find them impossible to navigate with any sense of surety. This text could likely be reorganized of necessary, and seems to be presented somewhat modularly (though there is certainly a logical order to the text overall). If the material were presented as a central hub with explorable modules, I believe the layout would be easier to navigate. I'd also like more visual cues that I am moving from one topic to the next. Aside from the occasional obvious page break and slightly larger text for headings, I don't get much of a sense that I've moved from one section to another. The visuals that are provided are very helpful and logical; however, there are not enough. I'd like to see a few visuals related to the examples in the text. Take 4.8, for example: there's a student essay on the X-Files. While there is surely an issue of copyright concerning an image of Mulder and Scully, throw a clip art alien or something in there!

I noticed no grammatical issues!

Cultural Relevance rating: 3

I didn't see much to suggest that this book went either way on the scale of cultural sensitivity.

Reviewed by Oline Eaton, Lecturer, Howard University on 1/27/21

This is an especially comprehensive text on writing arguments intended for an audience of first year students. The authors very effectively assess the knowledge base of that readership and, accordingly, open the book with a chapter that offers students a practical, step-by-step guide to the college essay writing process (from understanding the assignment on through incorporating feedback into a final, polished version of an essay). The authors also adeptly introduce the vocabulary students will need in the writing classroom and use it to introduce and unpack complex concepts in a way that avoids jargon and is, therefore, likely to be more easily understood by students. The text gives students a very solid foundation for understanding the essay assignments they are likely to encounter, not only in the writing class that uses this book but in their other college classes.

I saw nothing in the text that gave me concerns regarding its accuracy.

The book has a really nice, readable tone that is likely to appeal to students and was clearly produced by writers who are actively teaching students today. Their examples are ones students will likely relate to. One such instance is in the section on audience, where two different descriptions of the same event (one formal and intended for public consumption; the other reading more like a text to a friend and opening with "OMG!") are used to make the point that students are accustomed to taking audience into account often in their daily lives, even if unconsciously. The text very deliberately builds from the discussion in the opening chapter on how to read an assignment to the final chapter's highly detailed discussion of how to conduct robust academic research online. The research section, in particular, is something I'm now contemplating incorporating into my classes on Zoom this semester, in lieu of or in conjunction with a librarian visit. If you're teaching argument and/or researched argument, this book very elegantly and straight-forwardly covers all the bases. The book was written explicitly for use at Texas A&M, by professors at Texas A&M. This isn't all that intrusive, and I think it would absolutely be usable in classes outside of that university. It's just something to be aware of and explains why there are Texas A&M examples throughout.

This is a very clearly written text, that would be very accessible to first year college students of all ages. The authors do an excellent job of defining their terms and fully unpacking concepts that might be new to students.

The text builds a cohesive, internally consistent argument about how students may best go about argumentative writing. By the time students reach the final section on research and ethics, they should have everything they need to produce robust, ethical arguments within the writing process developed through the earlier sections.

Because it opens with the focus on simply how to read an assignment and goes all the way through the research progress, the book is structured in such a way that it could easily be incorporated into a one- or two-semester writing/research course.

I can think of no better way to organize this text. It very logically proceeds from one phase of the process of writing arguments to the next. Reading it, it very nicely aligns with how I already structure my own classes and one can easily see how it could be used to scaffold a one- or even a two-semester first year writing course.

The text was very user-friendly, with helpful charts and graphics. One thing to note is that there is a screenshot of the University Library page search box, which may not perfectly match all university libraries. A small detail, but something to be aware of if you're trying to bring this into your classroom outside of Texas A&M.

This is a very well edited and proofread text, which is obviously extra important in a writing class.

The text is not culturally insensitive or offensive. However, I'm not sure that it's particularly inclusive either. I'm unfamiliar with the student demographics of Texas A&M, so perhaps it is a great fit for them. However, the text might have benefited from a few examples that demonstrate the variety of student experiences. In classrooms with populations of students of color, parents, or disabled students, it might be desirable to augment the reading by bringing in some more inclusive examples for classroom discussion.

I highly recommend this text for first year writing classrooms.

Reviewed by Grant Bain, Instructor, Colorado State University on 12/28/20

The textbook is amazingly comprehensive, especially given its brevity. I was surprised to see, for example, how thoroughly the authors were able to cover major concepts in argument theory. The authors introduce not only classical argument, but also the Toulmin model and Rogerian argument, which is a great way to introduce students to the complexities of this concept. The only major shortcoming that I see is its focus on essays. While the essay is an important and useful genre for exploring ideas and generating knowledge, students need to be given opportunity to practice other forms (reports or proposals, for example) in order to more fully understand how to adapt their writing across varying contexts and purposes. The authors focus very heavily on the rhetorical situation, which they should, but that focus its somewhat belied by their concurrent focus on the form of the essay, which limits the purpose, audience, and texts with which a student might interact.

This text is remarkably well-aligned with current practices in writing scholarship and pedagogy. It's chapters offer concise yet thorough discussions of major concepts like the rhetorical situation, rhetorical appeals, and even ethics in writing. While "accuracy" is a tricky concept to apply to something as qualitative as writing, the text is in agreement with prevailing scholarly trends and practices.

The text is very relevant to its intended audience of freshman composition students. I particularly like the focus on process and rhetorical situation. The textbook begins by prompting students to understand a writing assignment, which is something that I cannot foresee ever becoming outdated. Having students begin by assessing the needs of their specific situation is so important and yet still so undervalued in a lot of writing curricula.

The text's rhetoric and examples are clear and very accessible. In fact, I think this textbook may be the most accessible to freshman college students that I've seen. The author's shy away from all but the most necessary jargon, and what specialized terms they do use (rhetorical situation, etc) are very fully contextualized and explained.

The books is very consistent across all chapters. Its rhetoric is well-organized around the central concept of the rhetorical situation. Even though the text doesn't fully address that term until Section 3, it opens by encouraging students to understand each specific writing assignment, thereby prompting them from the very beginning to understand fully the situation in which they are writing.

For the most part I feel like this text could be used in a variety of ways and its chapters assigned in varying sequences.

Given the recursive nature of writing, this text is organized in a very logical and utilitarian way. Each chapter develops its subject very well and provides enough context along the way for a freshman audience to be able to understand that subject. The overall chapter organization is also very practical, and develops the point of the book quite well, even if teachers decide to assign chapters in a different order than that in which they are arranged in the book.

This is one of the biggest flaws for me. A PDF is one of the least user-friendly interfaces; even a physical book makes it easier to mark important passages and easily move back and forth between them. I realize that OER funding availability makes interface a challenge, but this is a notable flaw of this text. It's hardly a reason not to adopt it, however.

I detected no grammatical errors whatsoever.

I would agree with this for the most part. I do question the use of President Trump's inaugural speech to exemplify the rhetorical situation, however. Maybe the divisiveness of Trump's administration will fade over time, but right now it seems like a poor choice, in that many students will have a hard time thinking in any way objectively about it. Given that no specific examples from the address are used, I'm not sure why the authors chose to specify Trump's inaugural address over the situation of an inaugural address more generally. For now and for the next few years, however, it seems like a poor choice.

Pantuso et al. have produced a clear, concise, and very useful textbook. It would be a great supplement or even primary rhetoric for a freshman composition course. If the authors were to revise the textbook to include a wider variety of genres--thereby exposing students to a wider variety of rhetorical situations--this would be an outstanding OER text.

Reviewed by Paul Lee, Associate Professor, University of Texas at Arlington on 11/11/20

Comprehensiveness rating: 3 see less

I think it covers a lot of the basics, which is good, and I understand that it is intended to be a short, more concise introduction to academic writing. However, I would like to see a little more depth in areas like ethos, pathos, logos and the rhetorical situation. These form the basis of modern argument, so it seems important to dig a bit deeper and to provide some relevant examples and situations to further explain these appeals.

The authors did an excellent job of accuracy and avoiding bias. Some of the points they make may give the wrong impression to students, however, like their description of the thesis statement being in the introduction in most cases. This is true, but it can be practically anywhere in the paper and I think it is relevant to let the students know that so their papers aren’t quite so mechanical and formulaic.

They did an excellent job of this, as well. This information doesn’t tend to change very quickly, but they still presented it in a way that should stand up to time very well, so I would say that this text will be useful for quite a while. A lot of texts tend to use examples that are quickly out-of-date (like political issues or current events); these can be more relevant and relatable to the students so they can help them to understand more easily, but they can quickly become irrelevant and have the opposite effect. Unless I overlooked it, I didn’t see any issues like that with this text.

Clarity rating: 4

It definitely is very clear. Again, some further elaboration on certain topics/concepts might make it even more clear (e.g., examples, more detailed explanations, and so on).

I didn’t see any issues with the consistency. Overall this book does a great job of holding together and explaining how each individual topic relates to the overall discussion of writing and the writing process. It speaks to the clarity of the text, as well, that each section of the book allows the text overall to support its own thesis about writing.

The book felt more linear than modular; in other words, it feels like the book should be read at the beginning as each section builds on the previous one. There were some exceptions like the visual arguments section; even these need some previous material to be fully understood and utilized, however.

The organization is excellent. This is the upside to the linear style I mentioned in the earlier section. If you tend to organize your class in this fashion, then this is a great book to do that; it will allow you to provide information that consistently builds upon the information before it.

Interface rating: 1

I am NOT a fan of long texts that are in PDF format. This made it very difficult to navigate around in the text, particularly with a smaller device like an iPhone. I read it both on an iPad and an iPhone and when I was on the iPhone I found myself getting very weary of constant speed-scrolling to find an area later in the book (say, page 160 for example). I think a different format (like ePub) would be a huge improvement.

The book’s grammar looked excellent. I didn’t notice any particular issues, and being a rhetoric & composition instructor I’m very observant of things like that.

Being about a fairly innocuous topic in the first place (unless controversial examples are used) this book didn’t have any issues that stood out to me. I mentioned earlier that it tends to stay fairly up-to-date in its examples, and this is another upside of that — it’s not using anything that is overly controversial.

Overall it’s a very well-written text that could be used if you want a more concise and to-the-point discussion of the major aspects of writing and the writing process. I think it could use a little more detail, development, as well as examples, however. And I’m not a fan of having to scroll endlessly through a PDF document, so a different format seems to be in order.

I. Introduction
II. Getting Started
III. Rhetorical Situation
IV. Types of Argumentation
V. Process and Organization
VI. Joining the Academic Conversation
VII. Researched Writing
VIII: Ethics

Ancillary Material

About the book.

Welcome to composition and rhetoric! While most of you are taking this course because it is required, we hope that all of you will leave with more confidence in your reading, writing, researching, and speaking abilities as these are all elements of freshman composition. Many times, these elements are presented in excellent textbooks written by top scholars. While the collaborators of this particular textbook respect and value those textbooks available from publishers, we have been concerned about students who do not have the resources to purchase textbooks. Therefore, we decided to put together this Open Educational Resource (OER) explicitly for use in freshman composition courses at Texas A&M University. It is important to note that the focus for this text is on thesis-driven argumentation as that is the focus of the first year writing course at Texas A&M University at the time of development. However, other first year writing courses at different colleges and universities include a variety of types of writing such as personal essays, informative articles, and/or creative writing pieces. The collaborators for this project acknowledge each program is unique; therefore, the adaptability of an OER textbook for first year writing allows for academic freedom across campuses.

About the Contributors

Dr. Terri Pantuso is the Coordinator of the English 104 Program and an Instructional Assistant Professor in the English Department at Texas A&M University.

Prof. Sarah LeMire is the Coordinator of First Year Programs and an Associate Professor in the Texas A&M University Libraries.

Dr. Kathy Anders is the Graduate Studies Librarian and an Associate Professor in the Texas A&M University Libraries.

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Book: The Process of Research Writing (Krause)

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Steven D. Krause
Eastern Michigan University

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The Process of Research Writing is a research writing textbook suitable for teachers and students in research oriented composition and rhetoric classes. A lot of times, instructors and students tend to separate “thinking,” “researching,” and “writing” into different categories that aren't necessarily very well connected. First you think, then you research, and then you write. The reality is though that the possibilities and process of research writing are more complicated and much richer than that. We think about what it is we want to research and write about, but at the same time, we learn what to think based on our research and our writing. The goal of this book is to guide you through this process of research writing by emphasizing a series of exercises that touch on different and related parts of the research process.

Thumbnail: Alphabetic writing is a frequent category in human communication. (CC BY-SA 4.0; Petar Milošević).

12.1 Introducing Research and Research Evidence

Learning outcomes.

By the end of this section, you will be able to:

Articulate how research evidence and sources are key rhetorical concepts in presenting a position or an argument.
Locate and distinguish between primary and secondary research materials.
Implement methods and technologies commonly used for research and communication within various fields.

The writing tasks for this chapter and the next two chapters are based on argumentative research. However, not all researched evidence (data) is presented in the same genre. You may need to gather evidence for a poster, a performance, a story, an art exhibit, or even an architectural design. Although the genre may vary, you usually will be required to present a perspective , or viewpoint, about a debatable issue and persuade readers to support the “validity of your viewpoint,” as discussed in Position Argument: Practicing the Art of Rhetoric . Remember, too, that a debatable issue is one that has more than a single perspective and is subject to disagreement.

The Research Process

Although individual research processes are rhetorically situated, they share some common aspects:

Interest. The researcher has a genuine interest in the topic. It may be difficult to fake curiosity, but it is possible to develop it. Some academic assignments will allow you to pursue issues that are personally important to you; others will require you to dive into the research first and generate interest as you go.
Questions. The researcher asks questions. At first, these questions are general. However, as researchers gain more knowledge, the questions become more sharply focused. No matter what your research assignment is, begin by articulating questions, find out where the answers lead, and then ask still more questions.
Answers. The researcher seeks answers from people as well as from print and other media. Research projects profit when you ask knowledgeable people, such as librarians and other professionals, to help you answer questions or point you in directions to find answers. Information about research is covered more extensively in Research Process: Accessing and Recording Information and Annotated Bibliography: Gathering, Evaluating, and Documenting Sources .
Field research. The researcher conducts field research. Field research allows researchers not only to ask questions of experts but also to observe and experience directly. It allows researchers to generate original data. No matter how much other people tell you, your knowledge increases through personal observations. In some subject areas, field research is as important as library or database research. This information is covered more extensively in Research Process: Accessing and Recording Information .
Examination of texts. The researcher examines texts. Consulting a broad range of texts—such as magazines, brochures, newspapers, archives, blogs, videos, documentaries, or peer-reviewed journals—is crucial in academic research.
Evaluation of sources. The researcher evaluates sources. As your research progresses, you will double-check information to find out whether it is confirmed by more than one source. In informal research, researchers evaluate sources to ensure that the final decision is satisfactory. Similarly, in academic research, researchers evaluate sources to ensure that the final product is accurate and convincing. Previewed here, this information is covered more extensively in Research Process: Accessing and Recording Information .
Writing. The researcher writes. The writing during the research process can take a range of forms: from notes during library, database, or field work; to journal reflections on the research process; to drafts of the final product. In practical research, writing helps researchers find, remember, and explore information. In academic research, writing is even more important because the results must be reported accurately and thoroughly.
Testing and Experimentation. The researcher tests and experiments. Because opinions vary on debatable topics and because few research topics have correct or incorrect answers, it is important to test and conduct experiments on possible hypotheses or solutions.
Synthesis. The researcher synthesizes. By combining information from various sources, researchers support claims or arrive at new conclusions. When synthesizing, researchers connect evidence and ideas, both original and borrowed. Accumulating, sorting, and synthesizing information enables researchers to consider what evidence to use in support of a thesis and in what ways.
Presentation. The researcher presents findings in an interesting, focused, and well-documented product.

Types of Research Evidence

Research evidence usually consists of data, which comes from borrowed information that you use to develop your thesis and support your organizational structure and reasoning. This evidence can take a range of forms, depending on the type of research conducted, the audience, and the genre for reporting the research.

Primary Research Sources

Although precise definitions vary somewhat by discipline, primary data sources are generally defined as firsthand accounts, such as texts or other materials produced by someone drawing from direct experience or observation. Primary source documents include, but are not limited to, personal narratives and diaries; eyewitness accounts; interviews; original documents such as treaties, official certificates, and government documents detailing laws or acts; speeches; newspaper coverage of events at the time they occurred; observations; and experiments. Primary source data is, in other words, original and in some way conducted or collected primarily by the researcher. The Research Process: Where to Look for Existing Sources and Compiling Sources for an Annotated Bibliography contain more information on both primary and secondary sources.

Secondary Research Sources

Secondary sources , on the other hand, are considered at least one step removed from the experience. That is, they rely on sources other than direct observation or firsthand experience. Secondary sources include, but are not limited to, most books, articles online or in databases, and textbooks (which are sometimes classified as tertiary sources because, like encyclopedias and other reference works, their primary purpose might be to summarize or otherwise condense information). Secondary sources regularly cite and build upon primary sources to provide perspective and analysis. Effective use of researched evidence usually includes both primary and secondary sources. Works of history, for example, draw on a large range of primary and secondary sources, citing, analyzing, and synthesizing information to present as many perspectives of a past event in as rich and nuanced a way as possible.

It is important to note that the distinction between primary and secondary sources depends in part on their use: that is, the same document can be both a primary source and a secondary source. For example, if Scholar X wrote a biography about Artist Y, the biography would be a secondary source about the artist and, at the same time, a primary source about the scholar.

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Table of Contents

Tip 1: Start with Your Positioning and Outline

Tip 2: make a research plan, tip 3: ask the internet, tip 4: read books, tip 5: talk to experts, tip 6: collect survey data, tip 7: keep everything organized.

Tip 8: Set a Deadline & Stop Early

Tip 9: Write the First Draft

How to conduct research for your book: 9 tips that work.

If you’re like many first-time nonfiction writers, you’ve probably wondered, “How do I research for my book?”

I get this question a lot, and there are plenty of tips I can share. But before I dive into it, I’m going to throw you a curveball:

Don’t assume you have to do research for your book.

Because the purpose of nonfiction is to help the reader solve a problem or create change in their life (or both) by sharing what you know. If you can do this without a lot of research, then don’t do research.

We’ve had many Authors who knew their topic so inside and out that they didn’t need research. That is perfectly fine. They still wrote incredible books.

When it boils down to it, there are only 2 reasons to do research for your book:

You know enough to write the book, but you want to add sources and citations to make the book more persuasive to a specific audience.
You don’t know enough, and you need to learn more to make the book complete.

We’ve had many Authors who–despite knowing their stuff–wanted to include additional data, expert opinions, or testimonials to ensure that readers would find their arguments credible. This is important to consider if you’re writing for a scientific or technical audience that expects you to cite evidence.

Likewise, we see many Authors who know their industry but have a few knowledge gaps they’d like to fill in order to make their arguments more robust.

In fact, that’s the whole key to understanding how much research you should do. Ask yourself:

What evidence does a reader need to believe your argument is credible and trustworthy?

Research can be complicated, though. Many Authors don’t know where to start, and they get bogged down in the details. Which, of course, derails the book writing process and stalls them–or worse, it stops them from finishing.

The bad news? There’s no “right way” to make a book research plan.

The good news? The basic research tips apply for either person.

In this post, I’ll give you 9 effective research tips that will help you build a stronger, more convincing book.

More importantly, these tips will also show you how to get through the research process without wasting time.

9 Research Tips for Writing Your Book

Don’t jump into research blindly. Treat it like any other goal. Plan, set a schedule, and follow through.

Here are 9 tips that will help you research effectively.

Before you start researching or writing, you need to figure out two main things: your audience and your message.

This is called book positioning , and it’s an essential part of the book writing process.

Your job as an Author is to convince readers that your book will help them solve their problems.

Every piece of research you include in the book–whether it’s a survey, pie chart, or expert testimonial–should help you accomplish that.

Once your positioning is clear, you can put together your book outline.

Your outline is a comprehensive guide to everything in your book, and it is your best defense against procrastination, fear, and all the other problems writers face . It’s crucial if you don’t want to waste time on research you don’t need.

With an outline, you’ll already know what kind of data you need, where your information gaps are, and what kinds of sources might help you support your claims.

We’ve put together a free outline template to make the process even easier.

All this to say: without solid positioning and a comprehensive outline, you’ll wander. You’ll write, throw it away, write some more, get frustrated, and eventually, give up.

You’ll never finish a draft, much less publish your book .

If you don’t know your subject well enough to figure out your positioning and make a good outline, it means you don’t know enough to write that book—at least not right now.

Your plan will vary widely depending on whether you are:

An expert who knows your field well
Someone who needs to learn more about your field before writing about it

The majority of you are writing a book because you’re experts. So most of the information you need will already be in your head.

If you’re an expert, your research plan is probably going to be short, to the point, and about refreshing your memory or filling small gaps.

If you’re a non-expert, your research plan is probably going to be much longer. It could entail interviewing experts, reading lots of books and articles, and surveying the whole field you are writing about.

The outline should highlight those places where your book will need more information.

Are there any places where you don’t have the expertise to back up your claims?

What key takeaways require more evidence?

Would the book be stronger if you had another person’s point of view?

These are the kinds of gaps that research can fill.

Go back through your outline and find the places where you know you need more information. Next to each one, brainstorm ways you might fulfill that need.

For example, let’s say you’re writing a book that includes a section on yoga’s health benefits. Even if you’re a certified yoga instructor, you may not know enough physiology to explain the health benefits clearly.

Where could you find that information?

Ask a medical expert
A book on yoga and medicine
A website that’s well respected in your field
A study published in a medical journal

You don’t have to get too specific here. The point is to highlight where you need extra information and give yourself leads about where you might find it.

The kinds of research you need will vary widely, depending on what kind of nonfiction book you’re writing.

For example, if you’re giving medical advice for other experts, you’ll likely want to substantiate it with peer-reviewed, professional sources.

If you’re explaining how to grow a company, you might refer to statistics from your own company or recount specific anecdotes about other successful companies.

If you’re writing a memoir, you won’t need any quantitative data. You might simply talk with people from your past to fill in some gaps or use sources like Wikipedia to gather basic facts.

Different subject matter calls for different sources. If you’re having trouble figuring out what sources your subject needs, ask yourself the same question as above:

Ask yourself what evidence does a reader need to believe your argument is credible and trustworthy?

Generally speaking, an expert can do their research before they start writing, during, or even after (depending on what they need).

If you’re a non-expert, you should do your research before you start writing because what you learn will form the basis of the book.

It may sound obvious, but the internet is a powerful research tool and a great place to start. But proceed with caution: the internet can also be one of the greatest sources of misinformation.

If you’re looking for basic info, like for fact-checking, it’s fantastic.

If you’re looking for academic information, like scientific studies, it can be useful. (You might hit some paywalls, but the information will be there.)

If you’re looking for opinions, they’ll be abundant.

Chances are, though, as you look for all these things, you’re going to come across a lot of misleading sources—or even some that straight-up lie.

Here are some tips for making sure your internet research is efficient and effective:

Use a variety of search terms to find what you need. For example, if you’re looking for books on childhood development, you might start with basic terms like “childhood development,” “child psychology,” or “social-emotional learning.”
As you refine your knowledge, refine your searches. A second round of research might be more specific, like “Piaget’s stages of development” or “Erikson’s psychosocial theories.”
Don’t just stop with the first result on Google. Many people don’t look past the first few results in a Google search. That’s fine if you’re looking for a recipe or a Wikipedia article, but the best research sources don’t always have the best SEO. Look for results that seem thorough or reputable, not just popular.
Speaking of Wikipedia, don’t automatically trust it. It can be a great place to start if you’re looking for basic facts or references, but remember, it’s crowd-sourced. That means it’s not always accurate. Get your bearings on Wikipedia, then look elsewhere to verify any information you’re going to cite.
Make sure your data is coming from a reputable source. Google Scholar, Google Books, and major news outlets like NPR, BBC, etc. are safe bets. If you don’t recognize the writer, outlet, or website, you’re going to have to do some digging to find out if you can trust them.
Verify the credentials of the Author before you trust the site. People often assume that anything with a .edu domain is reputable. It’s not. You might be reading some college freshman’s last-minute essay on economics. If it’s a professor, you’re probably safe.

Using a few random resources from the internet is not equivalent to conducting comprehensive research.

If you want to dive deeper into a topic, books are often your best resources.

They’re reliable because they’re often fact-checked, peer-reviewed, or vetted. You know you can trust them.

Many Authors are directly influenced by other books in their field. If you’re familiar with any competing books, those are a great place to start.

Use the internet to find the best books in each field, and then dive into those.

Your book will have a different spin from the ones already out there, but think of it this way: you’re in the same conversation, which means you’ll probably have many of the same points of reference.

Check out the bibliographies or footnotes in those books. You might find sources that are useful for your own project.

You might want to buy the books central to your research. But if you aren’t sure if something’s going to be useful, hold off on hitting Amazon’s “one-click buy.”

Many Authors underestimate the power of their local libraries. Even if they don’t have the book you’re looking for, many libraries participate in extensive interlibrary loan programs. You can often have the books you need sent to your local branch.

Librarians are also indispensable research resources. Many universities have subject-specific research librarians who are willing to help you find sources, even if you aren’t a student.

Research doesn’t always require the internet or books. Sometimes you need an answer, story, or quotation from a real person.

But make sure you have a decent understanding of your field BEFORE you go to experts with your questions.

I’m an expert at writing nonfiction books, so I speak from personal experience. It’s annoying as hell when people come to you with questions without having done at least a little research on the topic beforehand—especially when you already have a 3,000 word blog post about it.

Experts love it when you’ve done some research and can speak their language. They hate it when you ask them to explain fundamentals.

But once you find a good expert, it condenses your learning curve by at least 10x.

To figure out who you need to talk to, think about the kind of nonfiction book you’re writing.

Is it a book about your own business, products, or methods? You may want to include client stories or testimonials.

In Driven , Doug Brackmann relied on his experience with clients to teach highly driven people how to master their gifts.

Is it a book that requires expert knowledge outside your own area of expertise (for example, a doctor, IT specialist, lawyer, or business coach)? You might want to ask them to contribute brief passages or quotations for your book.

Colin Dombroski did exactly that for his book The Plantar Fasciitis Plan . He consulted with various colleagues, each of whom contributed expert advice for readers to follow.

It’s much easier to contact people who are already in your network. If you don’t personally know someone, ask around. Someone you already know may be able to connect you with the perfect expert.

If that doesn’t work out, you can always try the cold call method. Send a polite email that briefly but clearly explains what your book is about and why you’re contacting them.

If you do this, though, do your research first. Know the person’s name. Don’t use “To whom it may concern.” Know their specialty. Know exactly what type of information you’re seeking. Basically, know why they are the person you want to feature in your book.

Some Authors like to collect surveys for their books. This is very optional, and it’s only applicable in certain books, so don’t assume you need this.

But if you want to include a section in your book that includes how people feel about something (for example, to back up a point you’re making), you might want to have survey data.

You might have access to data you can already cite. The internet is full of data: infographics, Pew data, Nielsen ratings, scholarly research, surveys conducted by private companies.

If you don’t have access to data, you can conduct your own surveys with an online platform like SurveyMonkey. Here’s how:

Consider your research goals. What are you trying to learn?
Formulate the survey questions. Most people prefer short, direct survey questions. They’re also more likely to answer multiple-choice questions.
Invite participants. If you want a reliable survey, it’s best to get as many participants as possible. Surveying three family members won’t tell you much.
Collect and analyze the data.

That will work for more informal purposes, but surveys are a science unto themselves. If you require a lot of data, want a large sample size, or need high statistical accuracy, it’s better to hire pros. Quantitative data is more effective and trustworthy when it’s properly conducted.

Don’t go overboard with statistics, though. Not all books need quantitative data. There are many other ways to convince readers to listen to your message.

Organize your research as you go. I can’t stress this enough.

If you research for months on end, you might end up with dozens of articles, quotations, or anecdotes. That’s a lot of material.

If you have to dig through every single piece when you want to use something, it’ll take you years to write.

Don’t rely on your memory, either. Three months down the line, you don’t want to ask, “Where did I find this piece of information?” or “Where did that quotation come from?”

I suggest creating a research folder on your computer where you collect everything.

Inside the main folder, create subfolders for each individual chapter (or even each individual subsection of your chapters). This is where your outline will come in handy.

In each folder, collect any pdfs, notes, or images relevant to that section.

Every time you download or save something, give the file a clear name.

Immediately put it into the correct folder. If you wait, you might not remember which part of your book you found it useful for.

Also, be sure to collect the relevant citation information:

Author’s name
Title of the book, article, etc.
The outlet it appeared in (e.g., BBC or Wired) or, if it’s a book, the publisher
The date it was published
The page number or hyperlink

If you have photocopies or handwritten notes, treat them the same way. Label them, file them, and add the necessary citation information. This will save you a lot of time when you sit down to write.

Some Authors use programs like Scrivener or Evernote to keep track of their research. I personally use the software program Notion, which is similar to Evernote.

These programs allow you to collect references, notes, images, and even drafts, all in one convenient place.

They save you from having to create your own digital organizational system. They also make it easier to consult documents without opening each file individually.

Once you’ve got a system in place, don’t forget: back up your data. Put it on the cloud, an external hard drive, or both. There’s nothing worse than spending hours on research just to have it disappear when your computer crashes.

book pages on computer screen with bullet holes

All of this takes time, and it may seem tedious. But trust me, it’s a lot more tedious when you’re racing toward your publication deadline, and you’re hunting down random data you quoted in your book.

Tip 8: Set a Deadline & Stop Early

Research is one of the most common ways Authors procrastinate.

When they’re afraid of writing or hit roadblocks, they often say, “Well, I just need to do a little more research…”

Fast-forward two years, and they’re still stuck in the same spiral of self-doubt and research.

Don’t fall into that trap. Learn when to stop.

When I’m writing, I set a research deadline and then stop EARLY. It’s a great way to beat procrastination , and it makes me feel like I’m ahead of the curve.

Here’s the thing: there’s always going to be more information out there. You could keep researching forever.

But then you’d never finish the book—which was the point of the research in the first place.

Plus, excessive research doesn’t make better books . No one wants to read six test cases when one would have worked.

You want to have enough data to convincingly make your case, but not so much that your readers get bogged down by all the facts.

So how will you know when you’ve done enough?

When you have enough data, anecdotes, and examples to address every point on your outline.

Your outline is your guide. Once it’s filled in, STOP .

Remember, the goal of data is to support your claims. You’re trying to make a case for readers, not bludgeon them with facts.

If you feel like you have to go out of your way to prove your points, you have 1 of 2 problems:

You’re not confident enough in your points, or
You’re not confident enough in your readers’ ability to understand your claims.

If you’re having the first problem, you may need to go back and adjust your arguments. All the research in the world won’t help support a weak claim.

If you’re having the second problem, ask yourself, If I knew nothing about this subject, what would it take to convince me? Follow through on your answer and trust that it’s enough.

When you think you have enough research, start writing your vomit draft.

If it turns out you’re missing small pieces of information, that’s okay. Just make a note of it. Those parts are easy to go back and fill in later.

Notice: I said “later.” Once you start writing, stop researching.

If you stop writing your first draft to look for more sources, you’ll break the flow of your ideas.

Research and writing are two completely different modes of thinking. Most people can’t switch fluidly between them.

Just get the first draft done.

Remember, the first draft is exactly that—the first draft. There will be many more versions in the future.

It’s okay to leave notes to yourself as you go along. Just be sure to leave yourself a way to find them easily later.

I recommend changing the font color or highlighting your comments to yourself in the draft. You can even use different colors: one for missing data and another for spots you need to fact-check.

You can also use the “insert comment” feature on Microsoft Word, Google Docs, or any other writing software you prefer.

Another useful tip is to simply type “TK.” There’s no word in the English language where those two letters appear together. That means, when you’re ready to go back through your draft, you can use the “Find” option (Control+F). It will take you back to all the spots you marked.

Whatever method you choose, don’t stop writing.

Also, don’t worry about how “good” or “bad” it is at this point. No one ever wrote an amazing first draft. Not even bestselling Authors.

Just keep at it until you have a complete first draft.

That won’t be hard because you won’t be missing any huge pieces. The whole point of the outline was to zero in on exactly what you want to write for the exact audience you want to reach. If you followed that outline when you researched, you’ll be able to stay on track during the writing process.

The Scribe Crew

Research & the Writing Process

Ch1 what is research

Stephanie Ojeda Ponce

What is Research Writing?

Research writing is a form of writing that provides information about a subject. Research is searching, gathering, and considering information about something. This broad term can include Googling something or reading and evaluating specialized information and data. The goals of research writing vary on the situation and the type of writing.

In the “Writing Cases” section of their website, Evergreen College’s Native Cases project explains the type of case studies they publish:

“The term “case studies” varies widely. Legal cases, for example, differ considerably from our definition of teaching cases. We define a teaching case as a “significant story of a real, often unresolved, issue that can trigger curiosity, debate and further research. “Effective cases involve controversy, conflicts or puzzling situations with enough tension to invite discussion and problem solving. Some of the different types of teaching cases in our collection are summarized below.”

In many student research writing situations, contributing to an unresolved issue or something about which there is ongoing discussion is seen as valuable.

Purdue University’s Online Writing Lab (OWL) describes Argument and Analytic research paper’s in their digital writing lab. The word paper is used to mean the same thing as essay (since they used to have to be physically done on paper!).

Some Common Types of Research:

Academic Research: Research created by and for universities and colleges.
Lab Research: Investigation or experimentation conducted in a laboratory. For example, chemists could research the interaction of different chemical compounds for medical use.
Field Research: Investigation or experimentation conducted out in the world. For example, Noble Prize Winner Wangari Maathai did field research about planting trees to improve soil and water quality. The project grew and came to be known the Pan African Greenbelt movement.
Secondary Research: This basically means reading and looking into what other people say about a topic. It involves searching through digital, print, audio, and visual sources online or in person. Much of the secondary research process will be done through college library databases.
Primary Research: This is doing research on your own using an experiment, study, survey, or other type of research method.
Archival Research: Searching through print or digital databases for archived documents about events or dialogue. This could involve research such as analyzing digitized newspapers about the 1918 flu pandemic or reviewing first editions of books.

Image of two women in chemistry lab. They are standing at a lab table with supplies. Both are wearing goggles and smiling. One student is holding a beaker with a blue liquid.

Why is Research Conducted and by Whom?

Some people develop research ideas because they want to solve a problem. Others have ideas and find ways to research them. There are multiple approaches to sensemaking and research can be one of them.

A company may ask an employee to research a new technology that might be implemented in the workplace.
An advanced scholar may need to develop and publish research projects to continue to be a competitive applicant for grants or job opportunities.
A consumer might want to research the algorithm and storage practices of the websites they use to understand the risks they expose themselves to online.
A student may conduct secondary research to better understand a concept learned in class.

Image of black woman wearing glasses, blue scrubs, a white long-sleeved shirt, and pink stethoscope. The person is looking through a textbook, taking notes, and holding a glass vial of medicine. In the background, there are other students wearing blue scrubs sitting at tables studying. This image is of Highline College students and from the Highline College photobank.

What Research Will I do in this Class?

Research writing classes for college students build on existing reading and writing skills, developing more specialized approaches for people to find and develop information on their own. This type of writing class provides opportunities for more independent development of topic and research methods. For this level of class (first 90 credits/units of college classes), most of the research will be secondary research. This means many of the activities are using the library (in person or online) and other resources to look up and read existing research. This is an important skill because the “higher up” in a field a person goes, the more they are expected to know and have opinions within the subject. You will also have opportunities to do some primary research, think critically about what the “rules” of research are at schools, and come up with meaningful ways of sharing your research. This text will provide a survey, or information about research in a broad way, of research writing with a focus on skills useful for writing in other college classes at various levels. Within the coursework, there will also be opportunities for students to do conduct and practice a variety of research methods for their own individualized goals.

Research writing involves multiple steps, and requires becoming conversant in a topic. This is not a skill that can be demonstrated with one finished piece or writing or a test. Research writing involves multiple steps that are collaborative – the steps involve other people and resources. For example, at many universities, the entire research writing class is taught by a writing teacher and a library teacher together because library research methods are such a large part of the writing process. Even when the class is not co-taught, library research and support are still important components. Another way research is collaborative is peer review. Published articles have to be read, evaluated, critiqued, edited and approved in order to be published. In academia, there is a lot of hidden and open judgment of writing style, content, and even formatting. Publishing writing is a competitive process with very few people getting paid, and a lot of jobs dependent on quantity, amount, and perception of the published writing. I share this as context so you know a little about what shapes this subject matter, influences what ends up published and available for you to read. Having some awareness of this can be helpful to keep in mind.

Succeeding in Writing

Some students are very excited to dig in to research and writing. Some students are scared of the research part, and others are scared by the writing part.

There are many different genres (types) of writing with different patterns and rules common depending on the type. Instead of following general writing rules, notice the features of each specific type of writing.
Writing classes build the steps into the assignments with short writing assignments, bibliography requirements, drafts, peer review and much more.
Collaboration with the instructor, research librarians, classmates/other writers, and writing tutors are essential to success.
A lot of work goes into producing a little bit of writing. The work involves a lot of reading, note taking, and thinking. Don’t forget to do a lot of thinking about the information and ideas as part of the writing class.
Writing, including research writing, is a long-term multi-step process. Small steps will lead us to the big steps and the whole finished product. Sometimes, steps need to be revisited.

The Writing Process

The most common way people approach writing is – just do it. Some people have a lot of anxiety and fear they move through on their way to just doing the writing, but few people actually go through the steps of the writing process. This works okay for short everyday writing needs like a text message. When the writing task is longer, more-complex, or related to some important evaluation, following the steps of the writing process is more important. The assignments for the majority of college writing classes are steps of the writing process. You write and get input at multiple steps. For example, student and professional researchers write proposals that have a basic thesis and capture some of the early research in order to get input or approval before moving forward with more in-depth work.

The Research Paper Process -Choose a Topic: Understand your assignment parameters, requirements, and due dates -Conduct Background Research: Search for news articles, top hits on Google, and encyclopedia articles. -Refine your Topic: Narrow down what you want to investigate. Think about the who, what, when, where, and why for your topic. -Create a Research Question: Come up with a tentative question you want to answer in your project. -Develop a Search Strategy: Select your resources and develop your keywords -Search: Conduct multiple searches in relevant resources -Evaluate your Results and Sources: Use the CRAAP model: currency, relevancy, authority, accuracy, and purpose -Adjust and/or Repeat your Search: Try different keywords, resources, and strategies depending on your needs -Start Writing: Incorporate your sources into your writing from the beginning -Review and Re-Search: Fill in the holes, explore new areas of interest, dig deeper, etc. -Cite, Review, and Edit: Put the final touches on your project

Capture Your Own Writing Process

What is your personal process when you have to write something that requires thought? You might be responding to a boss’ email, writing an application, or responding to the text of a romantic interest. Either way, there are some individual steps you take that help you with your writing process.

Think about the type of writing you will do for this class. You’ll do short writing that communicates your ideas or ideas & evidence related to the topic. You’ll move through multiple short reading, research, and writing tasks to produce a long research essay. The typical writing process steps are the main content of the class.
Think about the way you typically write. Are there responsibilities you need to deal with? Do you need to put earplugs in because it’s noisy where you’ll be doing work? Do you put your favorite earbuds in and put on a favorite playlist because noise helps you concentrate? How are you sitting? What beverages do you need?
Draw or write a Doing my Best Writing Process. Instead of capturing the steps for the quarter, capture the steps you would take to do your best research and writing for the activities and assignments in this class.

Example: Stephanie’s Best Writing Process

Collage with images and text. Picture of chrysanthemum tea, picture of latte, Apple music icon, picture of Stephanie in her home office with her dogs. Text in image states: Doing My best Writing Process I need a clean work space, water and coffee or tea, a motivating playlist, a cozy shawl, and my dogs sitting with me. They know just when I’ve been working too long and my ideas and words are sounding tired. I also do my best if all of my books are nearby. I consult my notes and annotations in books frequently when I’m doing research-based work.

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10 Best Research Books For Qualitative And Quantitative Research

Are you looking for the best research books? Take a look at some of the best books on research methods below.

Research methodology comes in many shapes and forms. Regardless of whether you are interested in qualitative or quantitative research, it is essential to find a book that can help you plan your research project adequately. Research design can vary from hard sciences to social sciences, but data analysis following a case study is usually similar. Therefore, you need a practical guide that can help you complete a research project and finish your research paper.

1. Qualitative Research: A Guide To Design And Implementation, 4th Edition

2. research design: qualitative, quantitative, and mixed methods approaches, 4th edition, 3. the research methods knowledge base, 3rd edition, 4. the craft of research, 5. doing your research project: open up study skills, 5th edition, 6. qualitative inquiry and research design: choosing among five approaches, 3rd edition, 7. the essential guide to doing your research project, 2nd edition, 8. introducing research methodology: a beginner’s guide to doing a research project, 2nd edition, 9. the sage handbook of qualitative research, 5th edition, 10. research methods in education, 7th edition, the final word on the best research books, what is the difference between quantitative research and qualitative research, how do i figure out which academic journal to publish my research in, further reading.

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When someone talks about qualitative research in academia, they refer to research that focuses on overall concepts and takeaways instead of complex numbers. For those conducting academic research, understanding the basics of this process is critical. Qualitative Research: A Guide to Design and Implementation, by Sharan B. Merriam and Elizabeth J. Tisdell, 4th edition, is one of the best books available because it focuses on action research, mixed methods, online data sources, and some of the latest technology that people can use to complete their projects.

A significant portion of this book focuses on data analysis software packages, which have become critically important in an era where publishing in the best academic journals is critical for every successful researcher. Finally, this book explains topics so that nearly everyone can understand.

Qualitative Research: A Guide to Design and Implementation

Merriam, Sharan B. (Author)
English (Publication Language)
368 Pages - 08/14/2015 (Publication Date) - John Wiley & Sons (Publisher)

Suppose you are looking for a book that can teach you the best research methodology. In that case, you will want to check out Research Design: Qualitative, Quantitative, and Mixed Methods Approaches by John W. Creswell, 4th edition. John Creswell is one of the most well-respected writers in case study research.

As books on how to research go, this one on quantitative and qualitative research methods is a great tool that will help you learn the basics of forming a research project in every field. This book covers philosophical assumptions and research projects, theory and research approaches, and conducts an effective literature review. These elements are also crucial in helping you form a step-by-step guide for your upcoming research project, and this book will teach you the basics of data analysis.

Research Design: Qualitative, Quantitative and Mixed Methods Approaches

Research Design
Creswell, John W. (Author)
273 Pages - 05/14/2024 (Publication Date) - SAGE Publications, Inc (Publisher)

The first two editions were already solid, but the third edition of The Research Methods Knowledge Base, by William M.K. Trochim and James P. Donnelly, features many updates to quantitative and qualitative research methods, teaching graduate students the basics of data collection before diving into the details for more advanced learners.

One of the significant advantages of this text is that it is a comprehensive tool that can be used for both undergraduate and graduate-level courses. It has a relatively informal style and conversational feel, which means readers will not be intimidated by walls of text. The research methods it teaches are straightforward, applicable, and relevant to anyone looking to complete a research project in the current era.

The Research Methods Knowledge Base, 3rd Edition

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The Craft of Research, by Wayne C. Booth, Gregory C. Colomb, and Joseph M. Williams, covers various research approaches that teach everyone the basics of forming a solid research project. In particular, this book focuses on what to do with the data after it has been collected.

People need to think about how their readers will interpret the structure of the paper, proactively anticipating questions they might have. By answering the reader’s questions in the initial version of the paper, it is easier to hold their attention from start to finish.

Of course, one of the most critical questions that must be asked when writing a research paper is, “so, what? Why does this information matter?” Researchers can keep this in mind while writing the introduction and conclusion of the paper so they will have an easier time constructing a powerful academic manuscript that is more likely to be accepted into the top academic journals.

The Craft of Research, Fourth Edition (Chicago Guides to Writing, Editing, and Publishing)

Booth, Wayne C. (Author)
336 Pages - 10/18/2016 (Publication Date) - University of Chicago Press (Publisher)

Doing Your Research Project: Open Up Study Skills, by Judith Bell, is a must-read for new researchers looking to make their way in academic research. This book is helpful because it teaches people how to conduct a research project using step-by-step advice. A research project can be daunting for new learners because it’s easy to focus on the final project and feel intimidated before taking the first step.

This book is indispensable because it teaches people everything they need to know to develop a research project, draft a hypothesis, carry out the project, and finalize a research paper after conducting detailed data analysis. Furthermore, this text will dive into common mistakes, pitfalls, and obstacles researchers need to overcome. Time is your most valuable resource, and nobody wants to spend time on trials that will not be relevant to the final project.

Doing Youp Research Project (Open Up Study Skills)

Bell, Judith (Author)
296 Pages - 05/01/2010 (Publication Date) - Open University Press (Publisher)

Qualitative Inquiry And Research Design: Choose Among Five Approaches, 3rd Edition, Is The Latest In A Line Of Best-Selling Research Books From Creswell. This Book Ties Into People’s Philosophical Underpinnings When Developing A Research Project. It Also Looks At The History Of Various Research Projects, Which Serve As An Example For The Reader.

Overall, there are five traditions in qualitative research; grounded theory, phenomenology, narrative research, case study, and ethnography. Creswell uses an accessible writing style to help the reader understand when to use each of these narratives. Then, he dives into strategies for writing research papers using each of these approaches.

Qualitative Inquiry and Research Design: Choosing Among Five Approaches

Used Book in Good Condition
472 Pages - 03/14/2012 (Publication Date) - SAGE Publications, Inc (Publisher)

The Essential Guide To Doing Your Research Project by Zina O’Leary is geared more toward young learners. As books on how to research, it focuses on how to develop a research project, analyze data, and write up the results. Every stage of the book is clearly explained, with the author specifying why it is essential to carry out that step correctly.

It also focuses on practical tips and tricks that learners can use to successfully carry out their research projects. The book includes helpful chapter summaries, a complete glossary, and boxed definitions for essential terms that should not be overlooked. The author also has a variety of suggestions for further reading, which is helpful for more advanced learners who may want to pick up a text that is a bit more detailed. Finally, the book also comes with access to a companion website. The website includes journal articles, real projects, worksheets, and podcasts.

O′Leary, Zina (Author)
384 Pages - 12/20/2013 (Publication Date) - SAGE Publications Ltd (Publisher)

Introducing Research Methodology: A Beginner’s Guide to doing a research project, by Uwe Flick is ideal for new researchers. the author guides readers through the fundamentals that underpin a strong research project. He focuses on essential steps, common mistakes, and ways to expedite the research process.

Then, the author dives into some of the most critical skills readers need to have if they want to collect and analyze data properly. he goes into basic organizational tactics that make data easier to interpret, explains how to shorten the analytical process, and dives into real-life quantitative and qualitative research methods. He uses his research as an example, explaining to people how to pull out the essential parts of the research project before writing them up.

Flick, Uwe (Author)
320 Pages - 04/14/2015 (Publication Date) - SAGE Publications Ltd (Publisher)

The SAGE Handbook of Qualitative Research by Norman K. Denzin and Yvonna S. Lincoln focuses on global research. this text teaches readers how to synthesize existing literature, identify current research, and focus on caps that can be filled. the authors gather contributions from some of the most well-renowned researchers, addressing issues in research projects today. this text focuses more on research regarding social justice. therefore, this is better for people in the social sciences.

Hardcover Book
992 Pages - 02/15/2017 (Publication Date) - SAGE Publications, Inc (Publisher)

Research Methods in Education, by Louis Cohen, Lawrence Manon, and Keith Morrison, is essential for students and professional researchers who want to learn how to create a comprehensive research project. It’s broken up into helpful chapters wrapped up by a convenient summary at the end, explaining to readers how to hit the high points.

Research Methods in Education also comes with a helpful companion website that contains PowerPoint slides for every chapter. This book can be read independently and discussed with a classroom full of students. The book has been written at a level that is accessible even to high school students, but the basics can be a helpful review for graduate researchers.

Cohen, Louis (Author)
944 Pages - 10/27/2017 (Publication Date) - Routledge (Publisher)

Academic research comes in many shapes and forms, with qualitative and quantitative research having high points; however, the basics are the same across all fields. Researchers need to learn how to develop a hypothesis, put together a research methodology, collect their data, interpret it, and write up their findings.

It can be helpful to use the books about research above to refine your research methods . Each book focuses on a slightly different facet of academic research, so readers need to find the right book to meet their needs. With a substantial text, readers can avoid common mistakes, follow in the footsteps of successful researchers, and increase their chances of writing a solid research paper for school or getting their paper accepted into an academic journal.

Books About Research FAQs

Quantitative research focuses more on numbers and statistics. This type of research is more common in hard sciences such as biology, chemistry, and physics.

Qualitative research focuses more on overall meanings and concepts. This type of research is more common in social sciences such as anthropology, archaeology, and research topics focusing on social justice.

It would help compare prior articles in that academic journal to the article you have written. Most academic journals focus on a specific field, and you need to submit your article to a publication that shares research articles similar to your own. Be sure to consider the prestige of the journal before submitting your paper.

If you enjoyed this round-up of the best research books, you might also like our top 11 essay writing tips for students .

You might also find our guide on essay topics for students helpful.

Bryan Collins is the owner of Become a Writer Today. He's an author from Ireland who helps writers build authority and earn a living from their creative work. He's also a former Forbes columnist and his work has appeared in publications like Lifehacker and Fast Company.

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How to Write a Research Paper Book: A Step-by-Step Guide

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Writing a research paper can be a daunting task, especially for those who are new to the process. However, with the right guidance and approach, anyone can learn how to write a research paper book that is both informative and engaging. In this article, we will provide a step-by-step guide on how to write a research paper book that will help you organize your ideas, conduct research, and present your findings clearly and concisely.

The first step in writing a research paper book is to choose a topic that is both interesting and relevant to your field of study. Once you have chosen a topic, you will need to research to gather information and data that will support your thesis statement. This may involve reading books, articles, and other sources of information, as well as conducting interviews and surveys.

Once you have gathered your research, the next step is to organize your ideas and develop an outline for your book. This will help to ensure that your book is well-structured and easy to follow, and will also help you to identify any gaps in your research that need to be filled. With a clear outline in place, you can begin to write your research paper book , using your research to support your arguments and ideas.

Planning and Preparation

Understanding the Assignment

Before starting to write the research paper, it is important to understand the assignment requirements thoroughly. Understanding the assignment will help in selecting a relevant topic, developing a research question, and conducting research. Students should pay attention to the assignment instructions, including the length of the paper, formatting requirements, and the due date.

Selecting a Topic

Selecting a topic is one of the most important steps in writing a research paper. Students should choose a topic that is interesting and relevant to the assignment. Brainstorming can help generate ideas for the topic. Once a topic is selected, students should develop a research question that is specific, clear, and focused. The research question will guide the research process and ensure that the paper is focused on a specific topic.

Conducting Preliminary Research

Before starting the actual research, it is important to conduct preliminary research to get an overview of the topic. This will help in identifying relevant sources and developing a research plan. Students should use a variety of sources, including books, articles, and websites. They should also pay attention to the credibility and reliability of the sources. Developing research skills is important in conducting effective research.

Overall, planning and preparation are crucial steps in writing a research paper. Understanding the assignment, selecting a topic, and conducting preliminary research will help in developing a focused and relevant research paper.

Structure and Outline

Writing a research paper requires a systematic approach to ensure that the final product is well-structured and easy to read. The following subsections will guide how to create an outline, the components of a research paper, and how to organize chapters.

Creating an Outline

An outline is a crucial step in the research paper writing process . It helps to organize thoughts and ideas and provides a roadmap for the paper. A standard outline includes an introduction, body, and conclusion. The introduction should provide a brief overview of the topic and the main objectives of the research. The body should include the main points and arguments, while the conclusion should summarize the findings and provide recommendations for future research.

Research Paper Components

A research paper typically includes several components, including the title page, abstract, introduction, literature review, methodology, results, discussion, and conclusion. The title page should include the title of the paper, the author’s name, and the date of submission. The abstract should provide a brief summary of the paper, including the research question, methodology, and key findings. The introduction should provide background information on the topic and a clear statement of the research question. The literature review should provide an overview of previous research on the topic. The methodology should describe the research design and methods used. The results should present the findings of the research, while the discussion should interpret the results and provide conclusions. The conclusion should summarize the main findings and provide recommendations for future research.

Organizing Chapters

Organizing chapters is an essential part of writing a research paper. Each chapter should focus on a specific aspect of the research question. The introduction chapter should provide background information and a clear statement of the research question. The literature review chapter should provide an overview of previous research on the topic. The methodology chapter should describe the research design and methods used. The results chapter should present the findings of the research. The discussion chapter should interpret the results and provide conclusions. The conclusion chapter should summarize the main findings and provide recommendations for future research.

In conclusion, a well-structured research paper requires a systematic approach that includes creating an outline, understanding the components of a research paper, and organizing chapters. By following these guidelines, researchers can produce a high-quality research paper that is easy to read and understand.

Writing the Paper

When it comes to writing a research paper, the actual writing process can be daunting. However, by following a few key steps, the process can be broken down into manageable chunks. In this section, we will discuss how to craft a thesis statement, develop arguments, and cite sources.

Crafting a Thesis Statement

The thesis statement is the backbone of any research paper. It is a clear and concise statement that summarizes the main point or argument of the paper. A good thesis statement should be specific and debatable, and it should provide a roadmap for the rest of the paper.

To craft a strong thesis statement, the writer should first identify the topic of the paper. From there, they should brainstorm ideas and narrow down their focus until they have a clear argument. Finally, they should refine their argument until it can be expressed in a single, concise sentence.

Developing Arguments

Once the thesis statement is in place, the writer can begin developing their arguments. Each argument should support the thesis statement and be backed up by evidence. The evidence can come from a variety of sources, including scholarly articles, books, and primary sources.

To develop strong arguments, the writer should start by outlining the main points they want to make. From there, they should gather evidence to support each point. Finally, they should organize their arguments logically and coherently.

Citing Sources

Citing sources is an important part of the research paper writing process. It allows the writer to give credit to the original authors and avoid plagiarism. There are two main types of citations: in-text citations and reference list citations.

In-text citations are used to give credit to the original authors within the body of the paper. They typically include the author’s last name and the year of publication. Reference list citations are used to provide more detailed information about the sources used in the paper. They typically include the author’s name, the title of the source, and publication information.

When citing sources, it is important to follow the citation style specified by the instructor or publication. Common citation styles include APA, MLA, and Chicago.

By following these steps, writers can successfully write a research paper that is well-organized, well-supported, and properly cited.

Formatting and Style Guides

When writing a research paper, it is important to follow the appropriate formatting and style guidelines to ensure that your paper is clear, organized, and professional. This section will cover some of the most commonly used formatting and style guidelines, including APA and MLA styles, title page and headings, and references page formatting.

APA and MLA Styles

The American Psychological Association (APA) and Modern Language Association (MLA) are two of the most commonly used style guides for research papers. APA style is often used in the social sciences, while MLA style is often used in the humanities. It is important to consult the appropriate style guide for your field of study to ensure that you are following the correct guidelines.

APA style requires in-text citations with the author’s last name and year of publication, while MLA style requires in-text citations with the author’s last name and page number. Both styles also require references or works cited page at the end of the paper, which must be formatted according to specific guidelines.

Title Page and Headings

The title page of a research paper should include the title of the paper, the author’s name, and the institution where the paper will be submitted. The title should be centered on the page, and the author’s name and institution should be centered below the title. The title page should also include the date of submission.

Headings are an important part of organizing a research paper. They should be used to divide the paper into sections and subsections and should be formatted according to the appropriate style guide. In APA style, headings should be centered and bolded, while in MLA style, headings should be left-aligned and formatted in title case.

References Page Formatting

The references page should include a list of all sources cited in the paper, and should be formatted according to the appropriate style guide. In APA style, the references should be listed alphabetically by the author’s last name, while in MLA style, the works cited should be listed alphabetically by the author’s last name or the title of the work. Each entry should include the author’s name, the title of the work, the date of publication, and other relevant information, depending on the type of source.

In conclusion, following the appropriate formatting and style guidelines is an essential part of writing a research paper. By using the appropriate style guide, formatting the title page and headings correctly, and formatting the references page according to specific guidelines, you can ensure that your paper is clear, organized, and professional.

Revising and Editing

After completing the first draft of a research paper, it is essential to revise and edit it thoroughly to ensure that it is clear, coherent, and free of errors. This section will discuss the key aspects of revising and editing a research paper.

Reviewing for Clarity and Coherence

One of the primary goals of revising a research paper is to improve its clarity and coherence. To achieve this goal, it is crucial to review the paper for the following:

Logical flow of ideas: Ensure that the ideas presented in the paper are logically connected and presented in a coherent sequence.
Consistency: Check for consistency in style, tone, and formatting throughout the paper.
Clarity: Ensure that the language used in the paper is clear, concise, and easily understandable by the target audience.
Appropriateness: Ensure that the paper meets the requirements of the assignment and addresses the research question or thesis statement.

Checking for Plagiarism

Plagiarism is a serious offense in academic writing and can result in severe consequences. Therefore, it is essential to check the research paper for plagiarism before submitting it. There are several tools available online that can help detect plagiarism. However, it is important to understand that these tools are not foolproof and may not detect all instances of plagiarism. Therefore, it is essential to review the paper for the following:

Proper citation: Ensure that all sources used in the paper are properly cited using the appropriate citation style.
Paraphrasing: Ensure that all paraphrased content is properly cited and does not exceed acceptable limits.
Direct quotes: Ensure that all direct quotes are properly cited and accurately represent the source.

Final Edits

After reviewing the research paper for clarity, coherence, and plagiarism, it is time to make the final edits. The following are some key aspects to consider during the final editing phase:

Grammar and spelling: Check for grammar and spelling errors and correct them.
Formatting: Ensure that the paper follows the appropriate formatting guidelines specified by the instructor or the journal.
Proofreading: Read through the paper several times to ensure that it is free of errors and flows smoothly.

In conclusion, revising and editing a research paper is a crucial step in the writing process. It helps ensure that the paper is clear, coherent, and free of errors. By following the guidelines discussed in this section, writers can produce high-quality research papers that meet the requirements of their instructors or journals.

Publishing and Submission

Understanding publication requirements.

Before submitting a research paper for publication, it is important to understand the publication requirements of the target journal or publisher. These requirements may include specific formatting guidelines, word count limitations, and citation styles. It is also important to ensure that the research paper meets the scope and focus of the publication.

One way to understand the publication requirements is to review the submission guidelines provided by the journal or publisher. These guidelines may be available on the publication’s website or in the author instructions section of the publication. It is important to carefully review these guidelines to ensure that the research paper meets all of the requirements and guidelines.

Submission Process

Once the research paper is ready for submission, the author can begin the submission process. The submission process may vary depending on the journal or publisher but typically involves submitting the research paper through an online submission system or via email.

Before submitting the research paper, it is important to ensure that all of the submission requirements have been met. This may include providing a cover letter, abstract, and author information. It is also important to ensure that the research paper is properly formatted and meets all of the publication requirements.

After the research paper has been submitted, it will undergo a peer-review process. This process involves experts in the field reviewing the research paper for accuracy, significance, and originality. The author may receive feedback and suggestions for revisions during this process.

Once the research paper has been accepted for publication, the author may need to sign a publishing agreement. This agreement outlines the terms and conditions of publication, including copyright ownership and distribution rights. It is important to carefully review and understand the terms of the publishing agreement before signing.

In conclusion, understanding publication requirements and following the submission process are key steps in successfully publishing a research paper. By carefully reviewing the submission guidelines and ensuring that all requirements have been met, authors can increase their chances of publication success.

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How to Research a Book

by Sarah Gribble | 0 comments

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I’m prepping for a new novel that I’m super excited about. My characters are floating around in my head, becoming more real as I write my first draft, and I have a decently detailed synopsis written.

My problem: I know next to nothing about my setting and my main character’s profession. Which means I need to do massive amounts of research. Yes, I have to conduct research for a book, even if it's a novel.

You might think you don’t need to do much research because you’re writing fiction. (Isn't fiction just making stuff up?!) You’d be wrong.

Your readers expect to be transported to your setting and to understand your characters so fully, they seem like real people. Little things like using the wrong jargon or having your main character wear the wrong type of bodice can jar your reader out of the story and cause them to lose respect for you as a writer. If they can’t trust you to get the facts right, why should they trust you to guide them through a story?

Like it or not, research is a writer's best friend. (Next to caffeine, anyway.) So let's talk about how to conduct research for a book.

The True Purpose of Research for Fiction

When you first start the research process for a novel, you’re going to be looking at the big picture. You want to get a general overview of the time period, location, and/or character profession. You want to immerse yourself in everything you can find that comes within your story's scope.

This isn’t because you’re going to regurgitate all that to your readers. It’s because you need to have a clear picture of what’s going on in order to successfully write your story. All of your research is for you so that you can translate your world to your reader.

It will also help speed up your writing process, since you'll know the details you need to include without getting bogged down in how something should work in your story.

Don't mistake this with the thought that you need to include everything you research in your book (especially if you're writing historical fiction, which can require more research than other genres).

Book research is a tool that should serve your story, not the other way around. You’re not writing an academic paper, so resist the urge to shove everything you’ve learned into your story. You’ll end up info dumping if you try.

Your story is the main purpose and your research should support it, not overwhelm it. Choose what you need to further the story and leave the rest.

How to Conduct Research for a Book

Okay, let's get to it! Here’s how to get started with researching your novel:

Lists are your friends

Because you’ll be dealing with a vast amount of (mostly useless) information, the first thing you need to do is get organized. Some fiction writers like to use Scrivener to keep track of their research. Others might use Evernote.

Really, the writing software you want to use is based on your preference of documenting subject matter.

It could be as simple as detailed notecards or thoughts in a journal.

Whatever method you use to research your own work, you'll want to make lists.

Do this for everything you need to look up. You don’t want to forget something hugely important and have to spend a lot of time in the middle of writing your novel to look it up.

In my case, my setting is on a small island and my main character is a commercial fisherman. I need to know island life, weather patterns, boat types, fishing jargon, etc. I have memoirs and nonfiction books about the area and the fishing industry. I’m reading them cover-to-cover, not because I’ll end up using all the information, but because I need to establish an overarching picture for myself .

If I can’t mentally place myself there, I can’t place my readers there.

Where can you collect these lists? Tons of places, some including:

Local libraries (are also your friends)
Field research (find someone who has had a personal experience in what you're writing)
Search engines like Google (for setting, you might explore Google maps—just don't get too distracted and waste a ton of time here)
Wikipedia (but make sure you fact check)
Podcasts about what you're writing about
Other books from bestselling authors (as long as you don't plagiarize content)

Establish a system

You need to be able to call up your research as needed, so establishing an organized, consistent system of keeping track of everything you’ve learned is a must.

Personally, since I spent so many years in school, I go with the standard method of taking notes (in a notebook that only serves my current project and nothing else) and then highlighting and sticky-noting facts I definitely want to use. There are plenty of note-taking apps out there if you'd rather not be so old school.

For fun, try establishing a system for a short story first. This decrease the pressure on trying out the same system for a longer creative writing work.

If the system works well for you, take it to the next level and use it to write a novella or novel.

Expand your idea of research

Don’t just scour the internet. Get a book. Better yet, get twelve. There’s no such thing as researching too much.

Talk to your librarian or a book seller (they’re magnificent at helping with this). Watch documentaries and YouTube videos. Look at pictures. Talk to people in person or online. Go to a museum. Read fiction novels that cover similar ground. Find all the information you can on your subject.

First-hand experience is always best, but don't worry if you can't afford a trip to France for your quirky French bookstore novel. You can go to a French restaurant. The taste of the food, the smells, and how the waiter pronounces the menu items are all fodder for your story.

Pay attention to details when you’re out and about. You never know what might inspire, fill in plot holes, or add an interesting tic to your character.

Stop researching

Once you have a solid overarching picture of your setting and your characters, stop researching and start writing. You can’t spend months researching without writing a word. That’s not writing. At some point, you have to put away the research and get moving on your novel.

You know you've researched enough when you already know the information you're reading in the umpteenth book you've checked out from the library.

(Hmm. Library again. A pattern, maybe? Seriously, ask your librarians for help.)

Remember how I said all this research was for you? Eventually, you'll have enough information. You have all that in your head (and hopefully in a nicely organized set of notes), so when you go to write, you’ll be able to recall details as you go along.

Your understanding of your setting, era, and character's profession is what will give you the ability to weave details seamlessly and organically into your story.

This goes for your first novel, up until your last one.

While it’s true you shouldn’t have to research anything major after you begin writing, you will find you need to look up some minor details as you delve into your story. There will always be some iota of information you don’t know you need until you need it. For instance, the most common types of knots fishermen use or the instruments on a surgical tray in an operating room.

These are things that are important to get right but are most likely not important to the flow of the story. Don't interrupt your writing flow to go back to researching for weeks on end.

When you come across the need to know something minor, make a note and keep writing . You can always look up small stuff later. Keep writing!

What's your favorite part of researching? What do you struggle with? Let me know in the comments !

Today I want you to do something a little different. I want you to think of a story you want to write. Any story, any genre, but it must be in a setting you don't know much (if anything!) about. Take fifteen minutes to brainstorm a list of things you'd need to research in order for that setting to come alive for your reader—and you!

Share your list in the comments and see if you can help your fellow writers think of anything else they need to look up!

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Sarah Gribble

Sarah Gribble is the author of dozens of short stories that explore uncomfortable situations, basic fears, and the general awe and fascination of the unknown. She just released Surviving Death , her first novel, and is currently working on her next book.

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The Thesis Writing Survival Guide: Research and Write an Academic Thesis or Disseration with Less Stress

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The Thesis Writing Survival Guide: Research and Write an Academic Thesis or Disseration with Less Stress Paperback – May 2, 2023

Purchase options and add-ons, writing a thesis or dissertation can be a tough task—this practical guide will make it much easier.

Are you a student who’s just a thesis or dissertation away from completing your degree? Do you feel it’s a hugely daunting task and you’re not sure where to begin, or how to tackle all the reading, researching, and writing ahead of you? Don’t worry—you don’t have to do it alone! This concise guide will support you every step of the way on your journey from initial idea to completed thesis. In this practical guide, packed with tips, tricks, and tools, you will learn:

How to find the right topic for your thesis or dissertation
How to write a convincing research proposal
How to conduct a literature review
How to choose and correctly apply an appropriate qualitative or quantitative research method
How to develop a mindset that will keep you writing
How to write like an academic and build up convincing arguments

With The Thesis Writing Survival Guide at your side, you will confidently overcome all the challenges that students typically encounter on their thesis or dissertation writing journey. The book is written with a focus on the typical needs of graduate students in the social sciences, although students from other disciplines and those who are writing a thesis as part of their undergraduate studies will also find plenty of useful advice in it. Learn the nuts and bolts of thesis writing—and successfully complete your degree! “This is a masterful guide! Concise but rich in wisdom and practical advice, the authors offer step-by-step advice on how to make the process of writing an academic thesis more of an adventure of discovery, and less of an onerous task—and do so with elegance, clarity, and even a bit of humor.” — Professor James J. Kennelly , Professor of International Business & Management, Skidmore College, New York (USA) “An engaging and very practical guide to the process of writing a thesis. It is full of practical, actionable tips which graduate students and doctoral candidates will find invaluable.” — Dr Jonathan Stoddart , Lecturer (Teaching), Academic Writing Centre, UCL Institute of Education, University College London (UK) “As a PhD student, I have found this book to be an excellent companion in own my thesis writing journey. It’s definitely my survival guide!” — Michela Bearzi , PhD student at the University of Udine (Italy) and the University of Jonkoping (Sweden) “The Thesis Writing Survival Guide provides many helpful guidelines and tips to guide and motivate the student.” — Dr Arona Dison , Coordinator of the UWC Writing Centre, University of the Western Cape (South Africa) “The perfect handbook to navigate the tumultuous process of writing a thesis. In this survival guide, the authors provide down to earth advice on how to avoid the pitfalls encountered by most students when writing their thesis.” — Professor Olivier Furrer , Chair of Marketing, University of Fribourg (Switzerland) About the authors: Dr Dietmar Sternad is an award-winning management professor with a passion for helping his students succeed. He is experienced in supervising thesis projects and enjoys helping students overcome the many hurdles they face when writing their theses. Harriet Power is an experienced editor who has spent over a decade editing and writing resources for leading educational publishers. She loves helping writers to express their ideas in a clear and engaging way.

Print length 245 pages
Language English
Publication date May 2, 2023
Dimensions 7 x 0.62 x 10 inches
ISBN-10 3903386162
ISBN-13 978-3903386167
See all details

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A Manual for Writers of Research Papers, Theses, and Dissertations, Ninth Edition: Chicago Style for Students and Researchers

From the Publisher

All you need to succeed in your thesis or dissertation project in one book, editorial reviews.

"This is a masterful guide! Concise but rich in wisdom and practical advice, the authors offer step-by-step advice on how to make the process of writing an academic thesis more of an adventure of discovery, and less of an onerous task-and do so with elegance, clarity, and even a bit of humor."

-Professor James J. Kennelly, Professor of International Business & Management, Skidmore College, New York (USA)

"An engaging and very practical guide to the process of writing a thesis. It is full of practical, actionable tips which graduate students and doctoral candidates will find invaluable."

-Dr Jonathan Stoddart, Lecturer (Teaching), Academic Writing Centre, UCL Institute of Education, University College London (UK)

"As a PhD student, I have found this book to be an excellent companion in own my thesis writing journey. It's definitely my survival guide!"

-Michela Bearzi, PhD student at the University of Udine (Italy) and the University of Jonkoping (Sweden)

"The Thesis Writing Survival Guide provides many helpful guidelines and tips to guide and motivate the student."

-Dr Arona Dison, Coordinator of the UWC Writing Centre, University of the Western Cape (South Africa)

"The perfect handbook to navigate the tumultuous process of writing a thesis. In this survival guide, the authors provide down to earth advice on how to avoid the pitfalls encountered by most students when writing their thesis."

-Professor Olivier Furrer, Chair of Marketing, University of Fribourg (Switzerland)

"Graduate students are often not explicitly taught how to write a thesis or dissertation, and this modern "how to" guide can provide actionable answers to the questions they have! This book conveys the scaffolded and iterative nature of thesis writing in digestible chapters and explains how graduate students can set themselves up for thesis success. As a graduate writing specialist, I definitely recommend this guide to all students working on their theses!"

-Samantha Demmerle, Assistant Director, Graduate Writing and Support, KU Writing Center, The University of Kansas (USA)

Product details

Publisher ‏ : ‎ econcise (May 2, 2023)
Language ‏ : ‎ English
Paperback ‏ : ‎ 245 pages
ISBN-10 ‏ : ‎ 3903386162
ISBN-13 ‏ : ‎ 978-3903386167
Item Weight ‏ : ‎ 15.2 ounces
Dimensions ‏ : ‎ 7 x 0.62 x 10 inches
#206 in Social Sciences Research
#206 in Education Research (Books)
#486 in Writing Skill Reference (Books)

About the author

Dietmar sternad.

Dr Dietmar Sternad is a passionate management educator. He aims to create highly engaging learning experiences and learning materials that help his students and other people to become better leaders who can make a difference in the world.

Dietmar is a Professor of International Management at CUAS/FH Kärnten (Austria) and has extensive experience as a CEO of publishing companies as well as in teaching, consulting, and coaching top managers. He holds degrees from universities in Austria, Slovenia, and the UK, is an alumnus of the GLOCOLL (Harvard Business School) and IMTA (CEEMAN) management teachers programs and has received several national and international awards (e.g. from the Academy of Management or the Austrian State Prize for Teaching Excellence).

Dietmar is also the founder and CEO of econcise, an internationally active publisher of concise, approachable, and affordable management and leadership textbooks and ebooks.

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Writing and Reading Connections

Bridging research and practice, edited by zoi a. philippakos and steve graham foreword by jill fitzgerald.

description W riting skills are essential for success in the 21st-century school and workplace, but most classrooms devote far more time to reading instruction, with writing often addressed in isolation or excluded. In this insightful professional development resource and text, leading researchers discuss why and how to integrate writing and reading instruction in grades K–12 and beyond. Contributors explore how to harness writing–reading connections to support learning in such areas as phonics and spelling, vocabulary, understanding genre and text structure, and self-regulated strategy development, as well as across content areas and disciplines. Special considerations in teaching emergent bilingual students and struggling literacy learners are described. User-friendly features include guiding questions, classroom examples, and action questions that help teachers translate the research and concepts into practice. An NCTQ Exemplary Text for Reading Instruction -->

sample chapter
Author's website
All titles by Zoi A. Philippakos
All titles by Steve Graham
contributors Laura K. Allen , PhD, University of Minnesota, Minneapolis, MN Pamela Shanahan Bazis , PhD, The University of Tennessee, Knoxville, Knoxville, TN Alison Boardman , PhD, School of Education, University of Colorado Boulder, Boulder, CO Sybille Bruun , Teachers College, Columbia University, New York, NY Sandra A. Butvilofsky , PhD, School of Education, University of Colorado Boulder, Boulder, CO Huy Q. Chung , PhD, School of Education, University of California, Irvine, Irvine, CA Scott A. Crossley , PhD, Vanderbilt University, Nashville, TN Paul D. Deane , PhD, Educational Testing Service, Princeton, NJ Nell K. Duke , EdD, Combined Program in Education and Psychology, University of Michigan, Ann Arbor, MI Steve Graham , EdD, Mary Lou Fulton Teachers College, Arizona State University, Tempe, AZ Mariel Halpern , PhD candidate, Teachers College, Columbia University, New York, NY Anne-Lise Halvorsen , PhD, Michigan State University, East Lansing, MI Brian Hand , PhD, College of Education, University of Iowa, Iowa City, IA Karen R. Harris , EdD, Mary Lou Fulton Teachers College, Arizona State University, Tempe, AZ Michael A. Hebert , PhD, School of Education, University of California, Irvine, Irvine, CA Young-Suk Kim , EdD, School of Education, University of California, Irvine,CA Jenell Krishnan , PhD, Strategic Literacy Initiative, WestEd, Irvine, CA Deanna Kuhn , PhD, Teachers College, Columbia University, New York, NY Catherine Lammert , PhD, Texas Tech University, Lubbock, TX Charles A. MacArthur , PhD, School of Education, University of Delaware, Newark, DE Linda H. Mason , PhD, Helen A. Kellar Institute for Human DisAbilities, George Mason University, Fairfax, VA Margaret G. McKeown , PhD, School of Education, University of Pittsburgh, Pittsburgh, PA Adiba Nusrat , PhD, Forsyth Technical Community College, Winston-Salem, NC Carol Booth Olson , PhD, School of Education, University of California, Irvine,CA Zoi A. Philippakos , PhD, The University of Tennessee, Knoxville, TN Sarah R. Powell , PhD, University of Texas at Austin, Austin, TX Abby Reisman , PhD, Graduate School of Education, University of Pennsylvania, Philadelphia, PA Tanya Santangelo , PhD, School of Education, Arcadia University, Glenside, PA Timothy Shanahan , PhD, College of Education, University of Illinois at Chicago, Chicago, IL Allison N. Sonia , PhD, Lyon College, Batesville, AR -->

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PRDV009: Writing Grant Proposals

Ten Ingredients for Writing Research Grant Proposals

Review this academic article on research grant proposals. It specifies "ten key ingredients" for scientific proposals, which can also be relevant to grants in other fields.

All investigators seeking funding to conduct implementation research face the challenges of preparing a high-quality proposal and demonstrating their capacity to conduct the proposed study. Applicants must demonstrate the progressive nature of their research agenda and their ability to build cumulatively upon the literature and their preliminary studies. Because implementation science is an emerging field involving complex and multilevel processes, many investigators may not feel equipped to write competitive proposals, and this concern is pronounced among early-stage implementation researchers.

This article addresses the challenges of preparing grant applications that succeed in the emerging field of dissemination and implementation. We summarize ten ingredients that are important in the implementation of research grants. For each, we provide examples of how preliminary data, background literature, and narrative detail can strengthen the application.

Every investigator struggles with the challenge of fitting into a page-limited application the research background, methodological detail, and information that can convey the project's feasibility and likelihood of success. While no application can include a high level of detail about every ingredient, addressing the ten ingredients summarized in this article can help assure reviewers of the proposed research's significance, feasibility, and impact.

How to Start Writing a Book of Your Life: A Quick Guide

T hanks to easier and easier avenues of publication, we’re publishing growing numbers of books year over year. According to some estimates, around 4 million new book titles are released each year worldwide, or almost 11,000 every day!

If you’re hoping to write a book of your own, these figures are good news. Whether you want to get your book out through a major publisher or an indie brand, there’s no better time to do it.

However, that doesn’t mean knowing how to start writing a book of your life will be easy! You may know the events of your own life better than anyone else, but structuring them into a coherent and engaging narrative can be tougher than it sounds. Let’s take a look at what you’ll need to know as you start your writing journey.

Start Generating Ideas

Before you dive too far into dreams of publication, start creating material for your book!

If you keep diligent journals, coming up with ideas for your life story is a breeze. Comb through them to refresh your memory and pin down the most important events you want to cover.

Don’t worry about coming up with the right words or using your writing skills yet. For now, the important thing is to look for things you’d like to include in your book.

If you don’t keep a journal, one of the easiest ways to come up with thoughts on your life story is a process called free-writing. Through free-writing, you’ll jot down every thought that pops into your mind about your life.

As with other brainstorming approaches, it’s important not to criticize or cull your ideas at this stage. Taking time to judge your thoughts hampers the idea generation process. Later, once you’ve had time to get out all of your thoughts and memories, you’ll have time to pick out the best ideas.

Decide on the Basics

With a better idea of the main events of your memoir, it’s time to consider a few basic traits of your book.

Nonfiction vs Fictionalized

If you’re hoping to create an accurate account of your life, a nonfiction book will be your best bet. Through research and organization, you can nail down the facts as they happened in real life.

However, if you’d like a freer approach, fictionalizing your memoir can make your book more experimental and even playful. It can also help protect your identity or the identities of the people you’ll discuss.

It’s also possible to further narrow down your book by genre. Full autobiographies, for example, focus mostly on the longer story of a person’s life. Memoirs, on the other hand, often focus on memories of a specific time or event in a person’s life.

From there, it’s possible to narrow your focus even further. Culinary biographies, for example, may focus on how foods or cooking impacted the writer’s life. Religious autobiographies might focus on the spiritual experiences of a writer.

Choosing overarching themes can help you streamline your story as you write. Good themes also make a book more appealing and engaging for readers, as they make a narrative easier to follow. In addition, marketing a book can become more effective once you know which themes to showcase in your blurbs.

Supplement With Research

Depending on the type of autobiographical or memoir writing you choose, you may also want to do some extra research. This can be even more crucial if you’re detailing events that happened a long time ago, as memories aren’t always accurate!

Can you find old photos of your settings to include in your book and help you describe your surroundings? Are there hazy memories you can clear up by speaking to a friend or family member? Can a map of a city you once lived in help you refresh your memory and position the events of your story?

Create an Outline

At this stage, it’s time to organize your messy journals, free-writing, and notes into an outline you can write with.

This is often easier said than done! It’s true that the main “plot” of your memoir is clear, as you’re using the events of your life, but that doesn’t always make it easy to decide which details to include and when to add them. Take some time to figure out which events are most important, which ones follow your themes, and which ones you can discard.

Write a First Draft

Now comes the messy and fun part of writing a memoir: the actual writing!

Start creating a first draft of your story. It’s fine for this draft to be a little disorganized and long-winded. The important thing is to create something you can build upon in future drafts.

However, what happens if you don’t trust your writing skills?

Jotting down your first draft may still help, but you can also hire a ghostwriter to create the final story on your behalf. These experts can polish your work into something much easier to publish and market. Do your research on how to hire a ghostwriter , however, as the right partner will make or break your book!

Proofread and Refine

Last, proofread and refine your book. This part can take a while, often much longer than the first draft, so be prepared to spend a while on the details.

In addition, it’s a good idea to get help while you refine your work! Writing coaches, ghostwriters, and beta readers can give you valuable feedback, helping you create a richer and more focused story.

Know How to Start Writing a Book of Your Life

Creating a memoir or autobiography is easier said than done. With so many life events, themes, time periods, and characters to choose from, it can be hard to narrow down your story into a focused final piece. Fortunately, the tips above can help you understand how to start writing a book of your life, allowing you to create a final manuscript worth sending to publishers.

If you’re looking for more great tips on writing books and beyond, be sure to check out our other posts for additional insights.

This article is published by NYTech in collaboration with Syndication Cloud.

How to Start Writing a Book of Your Life: A Quick Guide

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A Modern Mom Finds an Ancient Outlet for Feminist Rage

In Alexis Landau’s ambitious new novel, “The Mother of All Things,” the frustrations of modern parenting echo through the ages.

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The cover shows what appears to be ancient Greek sculpture, the marble figure of a woman shown from behind and set against a bright blue sky. It is surrounded by a border of bright pink and orange, as if seen through a doorway.

By Eliza Minot

Eliza Minot is the author of the novels “The Tiny One,” “The Brambles” and, most recently, “In the Orchard.”

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THE MOTHER OF ALL THINGS, by Alexis Landau

What is the source of maternal rage? The answer is as infinite as it is ancient. In 1965, the poet and essayist Adrienne Rich, with small children underfoot, captured a possible explanation for this abyss in her journal when she described it as “a sense of insufficiency to the moment and to eternity.”

But where — for moms, for women — does this nagging feeling of insufficiency come from? From the misogyny that we grow up with? From the helpless outrage we bear as our messy, gorgeous, individual maternal experiences are flattened by society into a weirdly infantilized stereotype that’s placed, like a paper doll, into a two-dimensional dollhouse called “Motherhood”? Or does it come from the profound feeling of helplessness that accompanies the ability to give life to a human being, but be unable to ensure that life’s safety?

Ava Zaretsky, the diligent heroine of Alexis Landau’s ambitious and engaging new novel, “The Mother of All Things” (her third after “Those Who Are Saved” and “The Emperor of the Senses”), simmers with a steady rage that never fully erupts toward her kids (Sam, 10, and Margot, 13, who’s at the edge of “adolescence’s dark tunnel”) or her husband, Kasper, a preoccupied Los Angeles film producer. Rather, Ava’s rage burns beneath the surface, “so white and hot it blurred the contours of her body.” She is angry that, in a marriage of supposed equals circa 2019, Kasper can relocate to Sofia, Bulgaria, for a six-month film shoot without a second thought, while her own work as an adjunct art history professor is smudged out by the needs of her family. Her fury is also embedded, we later learn, in the powerlessness that comes with profound loss.

When the family joins Kasper in Sofia for the summer, the kids enroll in a day camp, allowing Ava to wander this mysterious city. Her curiosity and creativity bubble to the surface. She begins writing about an ancient Greek woman whose life parallels and dovetails with her own, and whose narrative is interspersed throughout the pages of the novel. By coincidence, Ava also reconnects in Sofia with an intimidating former professor named Lydia Nikitas and becomes involved in a group of women who participate in re-enactments of ancient rites and rituals, most notably the Eleusinian Mysteries.

Despite some moments that feel forced and overly earnest, particularly in the ancient narrative and the Nikitas story line, Landau’s writing is accessible, specific, lush and transporting. Her research is rigorous and full of elegant effort. The great success of this novel is the author’s sustained exploration of a woman in early midlife who, seething quietly on the inside but operating gracefully on the outside, bravely re-evaluates how her life has unfolded in order to progress as a mother to herself. Renderings of Ava’s childhood — a heartbreaking recollection of a favorite red belt, memories of a father’s girlfriend entering her life and then leaving it — are especially astute and rich.

At times, the novel’s disparate parts compete with rather than complement one another; some characters seem predictable, and certain ideas redundant. When things are meant to get weird, as in the rituals, it can feel more Scooby-Doo than genuinely haunting. For this reason, more than once, I felt like shaking the book like a snow globe, as if its fascinating contents, suspended, might set free more of its wildness.

Landau’s prose can also lift off the page, as it does in a prolonged memory of Ava’s first childbirth and its aftermath. Here, Landau’s writing is intimate, tender and full of terror. The sentences breathe with the softness of shared human experience across time — absolutely sufficient to the moment, and to eternity, too.

THE MOTHER OF ALL THINGS | By Alexis Landau | Pantheon | 336 pp. | $29

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Money blog: A third of people make this mistake when booking their holiday - and how to avoid it

A third of travellers are making the same mistake when going on holiday, figures show. Read about this and all the latest consumer and personal finance news in the Money blog - and leave a comment or your money problem in the box below.

Thursday 16 May 2024 09:43, UK

Almost a third of travellers make this insurance mistake - here's what you need to know
How much the price of packed lunches has soared - and the cheapest supermarkets to buy a healthy one
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By Ed Clowes, news reporter

The FTSE 100 has remained stable out of the gate this morning after hitting a record high on Wednesday as better-than-expected inflation data in the US raised hopes of an interest rate cut in September.

It's been a busy start to the day with financial updates from BT Group, Premier Foods, Sage Group, and easyJet.

We'll start with easyJet, after the airline announced that its chief executive officer, Johan Lundgren, would step down in January 2025.

Mr Lundgren, who has served as CEO since 2017, will be replaced by the carrier's finance boss Kenton Jarvis.

In a financial update on its performance throughout the first half of the year, easyJet reported slightly higher revenues than anticipated, while cutting its losses compared to the same period last year.

The airline's share price fell by 6% in early trading this morning.

Elsewhere, telecoms giant BT said it had completed a £3bn cost-cutting programme ahead of schedule, and announced a further £3bn in planned savings by 2029.

The company told Sky News that the planned reductions in spending would not lead to more job losses, after BT announced last year that it would eliminate 55,000 roles.

Incoming boss Allison Kirkby said she wanted the business to prioritise the UK, with some analysts expecting BT to look at the futures of its Italian, Irish, and American divisions.

And last but not least, one of Europe's largest sellers of Rolex watches has said that sales in the UK are still down because some tourists don't want to buy here "due to the lack of VAT free shopping".

Nice for some.

The price of a healthy packed lunch has soared by around 45%, according to new research.

A lunch of wholemeal bread and fruit is more expensive for parents to put together than less nutritious versions with chocolate spread and crisps, The Food Foundation charity has found.

Unhealthy lunches for the research were made up of white bread with chocolate spread instead of wholemeal with cheese, flavoured yoghurt rather than a plain, unsweetened version and snacks such as crisps as opposed to the four portions of fruit and vegetables incorporated into the healthy lunch.

And when it came to the cheapest supermarket to buy a healthy packed lunch, Tesco topped the list with a weekly cost of £8.56 as of this month.

Morrisons was the most expensive retailer, with the price of a healthy packed lunch per week coming in at £11.72, although this was down slightly from £11.80 in October.

The equivalent cost at Sainsbury's was £10.47, Aldi was £10.08 and Asda was £9.18.

Research also showed the largest price rise in recent months was at Sainsbury's, where customers have to spend 9% more than they did at the start of the academic year in September (£9.61) for the same packed lunch.

Shona Goudie, policy and advocacy manager at The Food Foundation, said, the government's stringent eligibility criteria to qualify for free school meals was "leaving hundreds of thousands of children" who are living in poverty "at risk of malnutrition".

"No one should be priced out of being able to provide healthy food for their children and retailers need to do more to support families to afford the food they need," she said.

By Bhvishya Patel , Money team

We spoke to three buskers to find out what it's like performing on the street in the UK.

Amir, 29, came to UK from Pakistan with passion for music

Amir Hashmi moved to the UK in 2022 to study, said he began busking in central London 10 months ago because "music was his passion".

"In Pakistan there are many problems so I decided to leave and move to London. I feel I can do better in London than my country," he said.

He said busking was now his primary income but at times he did jobs at warehouses to get by.

"I never started this for money, I started because it is my passion but now this is my main job as well," he said.

Amir, who often performs in the capital's Piccadilly Circus or along Oxford Street, said often he returned home with just £10-15 in his pocket after a day's busking.

He said: "Many times I sleep without food and sometimes I sleep on the floor of the road when I have no shelter.

"I don't have my own place to live but I have friends who often let me stay with them. They don't charge me any rent - they look after me.

"Sometimes I do private shows for income but it's very hard because the cost of living is increasing. If I go somewhere then most of the time I prefer to walk. I walk with my speakers and carry my gear."

Despite his financial struggles, Amir said he wanted to continue performing on the street as his "goal was to make people happy".

He said: "With busking, there is no stage and you can just start performing. Whenever I am performing, I connect with the people who have come to listen. If I feel people are not enjoying it, I change the song and try and make them happy."

Earlier this year, Amir recorded a song with Neha Nazneen Shakil, a Malayalam actress from India, who approached the singer three months ago in Oxford Street.

"I wrote that song 12 years ago and after all these years my song has been recorded now in London," he added.

Jade, 24, quit retail to busk

Jade Thornton, from Amersham, started busking in 2017 with a friend after leaving college at the age of 17 and quickly realised it was something she enjoyed doing and could make a living from.

She began doing it full-time at the end of 2018 but when the pandemic hit she described becoming "unemployed overnight" and having to take up retail jobs to support herself.

"I chose not to go to university - I just thought it wasn't for me so I went straight into some part-time retail jobs," she said.

"I take my cap off to anyone who does retail - it is one of the most gruelling jobs. People who do retail don't get nearly as much respect as they deserve.

"Some of the customers I was facing were not that kind and I thought this is making me miserable, so I just thought 'if I don't leave now then when?'"

As the global economy slowly began to recover, she decided to leave retail and pursue music full-time in 2022.

"It is hard to switch off - I do busking but I am constantly messaging clients, writing set lists and learning songs," she said.

When it came to finances, Jade said there was no average to how much she could earn but it could fluctuate from £15-100 day-to-day depending on a number of factors.

"It relies on the time of month, whether the sun is out, if people have been paid, if Christmas is on the way or if Christmas has just passed," she explained.

The musician said she did struggle initially when she began busking but her parents were always supportive.

She said: "You obviously get a few questions from people asking 'are you sure you want to quit your job and sing on the street?'

"I lived at home for a long time and I'm grateful my parents could support me in that way because I know not everyone has that opportunity."

While performing outdoors is now Jade's full-time job, she said some months were more difficult to make money than others.

"If I'm being brutally honest in months like January and February it would be super difficult. This year I had enough gigs in December to cover me for January," she said.

"Last year from June-July and December I did not have to go busking because I got so many gigs through busking. I'm part of a lot of online agencies and I also do lots of pub gigs, weddings, birthdays and other events."

Jade noted though that the cost of living crisis had made things harder.

She said: "A few pub gigs I've had have been cancelled because they've had to rethink their strategies but if somebody cancels then I can just go out busking. There has been a slight dent when it comes to finances but that's from COVID as well - with COVID I was unemployed overnight."

The young musician went on to say she was "very grateful" when somebody did tip her and even small gestures like sitting, listening or just a smile were "currencies in themselves".

"It's escapism for me as a singer and then it's escapism for the audience as well," she added.

"Children also have such a great time listening to buskers and some may not have an opportunity for many reasons to go and see live music so if they can come across it in the street and that can spark something that's a wonderful thing to think I'm a little part of that."

Charlotte, 34, long-time busker

Charlotte Campbell, 34, who usually busks along the Southbank or in the London Underground, said she started busking during the 2012 London Olympics and while "busking used to be enough", more recently she has had to take on more gigs in the evening.

"A typical day is usually busking until around 6pm and then a gig in the evening - 8pm onwards," she said.

"I could still probably make a living from busking but I've taken on more paid gigs since the pandemic because everything became so uncertain. I think that uncertainty has just carried through now - that seems to be the way of life now."

The musician said tips for her CDs, which she puts on display during her performances, ranged between £5-10 and in the current cashless climate a card reader was "essential".

She said she pre-sets her card reader to £3 when playing on the Southbank and £2 when busking inside the London Underground "because people are rushing".

While she described her earnings as a "trade secret", she said the busker income had "definitely gone down" but this was due to a few factors - the pandemic, people carrying less cash and the cost of living crisis.

"Also, a lots of pitches have closed which means there are a lot more buskers trying to compete for one spot so all of those things have impacted my living as a busker," she said.

"I would say even though my income is primarily from busking I have had to subsidise it with more paid gigs than before. I just haven't felt as secure in my living from busking in the last couple of years.

"Most of the gigs I have are booked by people who have seen me busking so indirectly busking is my entire career- if I don't busk I wouldn't get the gigs I play in the evening. So directly and indirectly busking is my entire income."

In spite of uncertainty, she said it was freeing to be able to go out and perform for people in an intimate way.

"You are not up on a stage and there is no separation between you and them. It's a really great connection you can make - I want to be able to hold onto that," she added.

Every Thursday Savings Champion founder Anna Bowes gives us an insight into the savings market and how to make the most of your money. Today she's focusing on children's accounts...

While the rates on adult savings accounts have risen and fallen over the course of 2024, the top rates on accounts for children have remained stable - but are pretty competitive once again, as other account rates have started to fall.

And there are plenty of different types of savings accounts to choose from, from the tax free Junior ISA, to children's regular savings accounts, fixed term bonds and easy access accounts.

Those who are able to start saving for their children early, could significantly improve their financial health in the future – especially when taking compounding interest into consideration.

If you were to save £50 a month from birth, you could give them a gift of more than £17,250 at age 18, assuming a tax-free interest rate of 4.95% - which is currently the top Junior ISA rate available.

If you, your friends and family were able to gift a total of £9,000 a year to a child (the current Junior ISA allowance), at the same rate, you could give them almost £265,000 when they reach 18.

Now that's a gift worth having!

Children have their own personal allowance, so for the majority there will be no tax to pay on their savings interest.

However, parents should be aware that there may be a tax liability to themselves on the interest earned on any money they gift to their children, until they reach the age of 18.

If the gross interest earned is less than £100 for each parent's gift, it will be treated as the child’s under a 'de minimis' rule.

This means that provided the interest earned does not make the child a taxpayer, they will be able to offset this against their personal tax allowance, so it will often be free of tax.

But if the interest is more than £100 for each parent's gift, then it will be treated as that parent’s interest for tax purposes and therefore they may need to pay tax at their marginal rate - if it takes them above their Personal Allowance and/or Personal Savings Allowance.

Gifts from any other family members or friends will not be viewed in the same way. Instead, any interest earned will be treated as belonging to the child themselves and therefore can be earned tax free if they are non-taxpayers.

The exception to this rule is on funds deposited into a JISA, Child Trust Fund or NS&I Premium Bonds. The returns from these are tax free for all.

Almost a third of people are making the mistake of buying their travel insurance on the day of their trip, data from Go Compare has shown.

The figures found that just 17% of people took out their policy within six months of their holiday.

While you can buy travel insurance right up until the moment you leave the UK, doing so risks some key areas being missed off your cover.

Go Compare's Rhys Jones says it can result in cancellation cover not being included, and this is one of the main reasons people claim on their insurance policy.

Pre-existing conditions might be missed off as well.

"If you have a pre-existing condition that could flare up and cause complications, a last-minute travel insurance policy may not cover it," he said.

"So while you can buy insurance right up until the moment you travel, it's often best to get it earlier so that you have more options and more cover available."

If you are looking to buy travel insurance while you're already abroad, you may have to purchase a specialist post-departure travel insurance policy instead.

This type of cover is only available from a few companies, so there are fewer options available, and they are generally more expensive.

It's also worth noting that if you do buy this policy, you may have to wait 24, 48 or 72 hours before it begins.

Rhys recommends organising your insurance as soon as you have booked your trip, saying it "could save you considerable money and stress".

A record 3.1 million emergency food parcels have been handed out in just a year, according to a charity.

The Trussell Trust says 3,121,404 were distributed by its network of 1,300 food banks in the year to the end of March.

Some 1,144,096 were for children and nearly two million for adults. The total is nearly double that of five years ago.

The number of parcels given out during the 12 months to March 2023 was just under three million.

You can read more here...

Nearly 40% of money laundering around the world is flowing through London, overseas territories and crown dependencies, the deputy foreign minister has said.

In a speech at the Bright Blue thinktank, Andrew Mitchell said the dirty money was passing through the capital and that "crown dependencies and the overseas territories have not yet done as much as they must do", The Guardian reports.

"If these overseas territories and crown dependencies want to have our king and our flag, then they must also accept our values, which is why we are so intent on ensuring dirty money cannot flow in and from there," he said.

The comments come a month after Mr Mitchell promised to work with the international community to tackle illicit flows of money "through increased transparency of company ownership".  

Feel like you've been on hold to the taxman for hours? You're not alone.

Customers spent around seven million hours collectively waiting to speak to HMRC in 2022/23, the spending watchdog has revealed.

That's more than double the time spent waiting in 2019/20, which was around 3.2 million hours.

It's the equivalent of 798 years.

Once answered, calls more than doubled to over 23 minutes in 20022/23, up from just over 11 minutes.

Advisers also answered 22% fewer calls.

HMRC's strategy is to encourage customers to turn to its digital services first - but it is not clear how far and fast digital services will reduce demand for telephone and correspondence services, the National Audit Office said.

And the move to digital services has not eased pressure on traditional services as much as HMRC expected.

Gareth Davies, head of the NAO, said: "HMRC's telephone and correspondence services have been below its target service levels for too long.

"While many of its digital services work well, they have not made enough of a difference to customers, some of whom have been caught in a declining spiral of service pressures and cuts. HMRC has also not achieved planned efficiencies.

"HMRC must allow more time for these services to bed in and understand the difference they make before adjusting staffing levels."

New York has topped the list when it comes to the world's wealthiest cities, with 349,500 millionaires and 60 billionaires.

In its latest report, Henley & Partners found the Big Apple's millionaire population has surged by 48% in the past decade.

And San Francisco came in second place, with 305,700 millionaires and 68 billionaires.

Meanwhile, Tokyo has seen its millionaire population declining by 5% to 298,300 people.

Joe Biden has confirmed he is going to raise the special tariff on electric vehicles coming from China.

The standard US tariff (the amount you have to pay to get goods into a given country) on cars used to stand at 2.5% but then Donald Trump levied an extra 25% tariff on China in 2018.

Now, Mr Biden has gone further and is quadrupling the tariff to 102.5%.

Why is the US doing this?

Our economics and date editor Ed Conway describes the latest move as "one of the biggest issues in economics right now".

He says the move "is partly because the US is worried about competition from China".

China in the past few years has become dominant when it comes to electric cars and their manufacture of the components that go into the vehicles.

But they are not dominant when it comes to electric car imports into the US.

"The US is trying to increase its share but it is going to be difficult," Conway says

"It's only the beginning of a very big saga here and the next question is what about the EU and UK?"

Will it have an impact?

Conway says the new electric vehicle rate "won't affect many goods at all" because the "vast majority of Chinese electric vehicles are going not to America but to Europe and elsewhere", including the UK.

"We're buying loads," he says.

You can watch Conway's analysis here...

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The title of this book is The Process of Research Writing, and in the nutshell, that is what the book is about. A lot of times, instructors and students tend to separate "thinking," "researching," and "writing" into different categories that aren't necessarily very well connected. First you think, then you research, and then you write.
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(Pdf) a Guide to Research Writing
5. Select the research methodology. The researcher has to begin to formulate one or more hypotheses, research questions and. research objectives, decide on the type of data needed, and select the ...
The Craft of Research, Fourth Edition (Chicago Guides to Writing
The book also includes helpful final chapters on the ethics of research, formulation of writing assignments for teachers, and an appendix of research tools for both off- and online. The book's section on making an argument strong is especially helpful in an age of speciously argued claims.
Researching Writing : An Introduction to Research Methods
Researching Writing is an accessible, informative textbook that teaches undergraduates how to conduct ethical, authentic research in writing studies. The book introduces students to the research approaches used most often and offers a course framework for professors creating or teaching research courses themselves. Author Joyce Kinkead lays out the research process, including finding and ...
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Chapter 1: What is Research and Research Writing?
Chapter 1: What is Research and Research Writing? Writing is a journey—it is seldom a straight line. Writing is thinking. It's witnessing, observing, and sharing. Writing is powerful—it can change the world by communicating a new discovery or challenging someone's pre-existing beliefs, and it can also change you.
Informed Arguments: A Guide to Writing and Research
Reviewed by Carrie Dickison, Associate Teaching Professor, Wichita State University on 6/3/21 Comprehensiveness rating: 4 see less. The text covers the writing process, rhetoric and argumentation, and research-based writing sufficiently in-depth to work as a primary textbook for a composition course focusing on these topics.
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6460. Steven D. Krause. Eastern Michigan University. The Process of Research Writing is a research writing textbook suitable for teachers and students in research oriented composition and rhetoric classes. A lot of times, instructors and students tend to separate "thinking," "researching," and "writing" into different categories ...
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The book pre sents a guide for research. methodology and scientific writing cover ing various elements such as finding research problems, writing research proposals, obtaining funds for research ...
12.1 Introducing Research and Research Evidence
Writing. The researcher writes. The writing during the research process can take a range of forms: from notes during library, database, or field work; to journal reflections on the research process; to drafts of the final product. In practical research, writing helps researchers find, remember, and explore information.
How To Conduct Research For A Book: 9 Tips That Work
Tip 3: Ask the Internet. It may sound obvious, but the internet is a powerful research tool and a great place to start. But proceed with caution: the internet can also be one of the greatest sources of misinformation. If you're looking for basic info, like for fact-checking, it's fantastic.
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Research writing is a form of writing that provides information about a subject. Research is searching, gathering, and considering information about something. This broad term can include Googling something or reading and evaluating specialized information and data. The goals of research writing vary on the situation and the type of writing.
PDF ACADEMIC WRITING
"Writing" is usually understood as the expression of thought. This book redefines "writing" as the thought process itself. Writing is not what you do with thought. Writing is thinking. Better living through interpretation: that's the promise of academic writing, which is a foundational course in most schools because it's a
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4. The Craft Of Research. The Craft of Research, by Wayne C. Booth, Gregory C. Colomb, and Joseph M. Williams, covers various research approaches that teach everyone the basics of forming a solid research project. In particular, this book focuses on what to do with the data after it has been collected.
How to Write a Research Paper Book: A Step-by-Step Guide
The first step in writing a research paper book is to choose a topic that is both interesting and relevant to your field of study. Once you have chosen a topic, you will need to research to gather information and data that will support your thesis statement. This may involve reading books, articles, and other sources of information, as well as ...
How to Research a Book
Others might use Evernote. Really, the writing software you want to use is based on your preference of documenting subject matter. It could be as simple as detailed notecards or thoughts in a journal. Whatever method you use to research your own work, you'll want to make lists. Do this for everything you need to look up.
The Thesis Writing Survival Guide: Research and Write an Academic
This book is a concise and practical step-by-step guide on how to successfully handle a Thesis: from building the right mindset to finding the right sources of information, selecting the research method and writing properly.
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We're going to give you nine killer research tips so you can publish your book and share your message with your readers. 1. When in Doubt, Stop! Listen to your inner voice. If you think you might be done researching, you probably are. Research is innately time-consuming.
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When writing an annotated bibliography, start with a summary or description for each source. As you read, take notes in your own words of the aim of the research, the methodologies that have been used, the main arguments and overall findings, and the scope and limitations of the study.
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Writing skills are essential for success in the 21st-century school and workplace, but most classrooms devote far more time to reading instruction, with writing often addressed in isolation or excluded. In this insightful professional development resource and text, leading researchers discuss why and how to integrate writing and reading instruction in grades K-12 and beyond.
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Discussion. This article addresses the challenges of preparing grant applications that succeed in the emerging field of dissemination and implementation. We summarize ten ingredients that are important in the implementation of research grants. For each, we provide examples of how preliminary data, background literature, and narrative detail can ...
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keep a journal, one of the easiest ways to come up with thoughts on your life story is. a process called free-writing. Through free-writing, you'll jot down every thought that pops into your ...
I Lived in Castles to Bring My New Novel to Life
Amanda Eyre Ward is the New York Times bestselling author of eight novels including The Lifeguards and The Jetsetters, a Reese's Book Club x Hello Sunshine pick. She has been featured in The New York Times, PEOPLE, Travel + Leisure, and Good Housekeeping, among other outlets. A former librarian, she lives in Austin, Texas, with her family.
Book Review: 'The Mother of All Things,' by Alexis Landau
A Modern Mom Finds an Ancient Outlet for Feminist Rage. In Alexis Landau's ambitious new novel, "The Mother of All Things," the frustrations of modern parenting echo through the ages. Eliza ...
Money blog: A third of people make this mistake when booking their
The price of a healthy packed lunch has soared by around 45%, according to new research. ... writing set lists and learning songs," she said. When it came to finances, Jade said there was no ...