journal writing for book review

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• J Chiropr Educ
• v.24(1); Spring 2010

How to Write a Scholarly Book Review for Publication in a Peer-Reviewed Journal

Alexander d. lee.

Canadian Memorial Chiropractic College

Bart N. Green

Naval Medical Center, San Diego, National University of Health Sciences

Claire D. Johnson

National University of Health Sciences

Julie Nyquist

University of Southern California

Alexander Lee is with the Department of Graduate Education and Research Programs, Canadian Memorial Chiropractic College. Bart Green is with the Chiropractic Division, Department of Physical and Occupational Therapy, Naval Medical Center, San Diego, the Department of Publications, National University of Health Sciences, and is Editor-in-Chief for The Journal of Chiropractic Education . Claire Johnson is with the Department of Publications, National University of Health Sciences. Julie Nyquist is with the Division of Medical Education, Keck School of Medicine, University of Southern California.

To describe and discuss the processes used to write scholarly book reviews for publication in peer-reviewed journals and to provide a recommended strategy and book appraisal worksheet to use when conducting book reviews.

A literature search of MEDLINE, EMBASE, CINAHL, and the Index to Chiropractic Literature was conducted in June 2009 using a combination of controlled vocabulary and truncated text words to capture articles relevant to writing scholarly book reviews for publication in peer-reviewed journals.

The initial search identified 839 citations. Following the removal of duplicates and the application of selection criteria, a total of 78 articles were included in this review including narrative commentaries ( n  = 26), editorials or journal announcements ( n  = 25), original research ( n  = 18), and journal correspondence pieces ( n  = 9).

Discussion:

Recommendations for planning and writing an objective and quality book review are presented based on the evidence gleaned from the articles reviewed and from the authors' experiences. A worksheet for conducting a book review is provided.

Conclusions:

The scholarly book review serves many purposes and has the potential to be an influential literary form. The process of publishing a successful scholarly book review requires the reviewer to appreciate the book review publication process and to be aware of the skills and strategies involved in writing a successful review.

Introduction

In the current publishing market, there is no shortage of books written for the busy health care practitioner or academic professional. 1 The scholarly book reviewer plays an important role in informing readers about new books and guiding their reading preferences as they explore the Internet and large catalogues provided by publishers. With the expectations of the many stakeholders in the book review process (readers, authors, journal editors, and publishers) mounted on the reviewer's shoulders, the production of a well balanced, engaging, and informative critique, within the confines of a predetermined word limit, is no simple task. Some book review editors describe book reviewing as a fine art. 2

The scholarly book review is considered by some to be a form of academic writing that serves to describe and critically evaluate the content, quality, meaning, and significance of a book. 3–6 A well constructed book review can provide a thoughtful perspective and will be appreciated by all; however, “…a bad review blows up in your face, not just in the author's.” 7 Many problems identified in poorly conducted book reviews can be attributed to the poor evaluative and writing skills of the reviewer. 8 However, sometimes these problems are rooted in the book reviewer's lack of understanding of portions of the book review process. 7 An appreciation of the purpose and significance of all aspects of the book review process can provide the book review author with a wider perspective to employ when crafting a book review.

In the biomedical literature, there are a number of expert opinion pieces that describe strategies for evaluating books and writing book reviews. 2 , 5 , 6 , 9–14 However, we were unable to find an evidence-based source to assist authors when writing a book review. Thus, we conducted a structured literature search and narrative review of the literature to equip the book reviewer with an evidence-based understanding of all aspects pertaining to the book review process. This article provides an amalgamation of recommendations and a helpful worksheet to use when conducting book reviews.

A literature search was conducted in June 2009 using the following databases: MEDLINE (1950– 2009) and EMBASE (1980–2009) through OVID Publishing, CINAHL Plus with Full Text (1937– 2009) through EBSCO Publishing, and the Index to Chiropractic Literature (2000–2009). The search strategy used a combination of controlled vocabulary from the respective databases and truncated text words. All terms from the controlled vocabularies were exploded and searched as major concepts when available. Reference lists of the retrieved studies were scanned to identify any articles that may have been missed from the literature search. A full search strategy is provided in Figure ​ Figure1 1 .

The search strategies used to obtain articles for this report.

Articles retrieved from the search were screened using abstracts and citations. In instances in which the article topic was unclear, the full text was retrieved. Article screening and selection was conducted by the primary author (ADL). Selection criteria for articles to be included in the review were that they must have been published in a peer-reviewed journal and reported on one or more of the following criteria: strategies for conducting scholarly book reviews, thematic issues related to the publication of scholarly book reviews, or recommendations on academic writing of which a section pertained to writing scholarly book reviews.

Articles that met the inclusion criteria were descriptively analyzed by the primary author (ADL) and the data extracted included: author(s), publication type, and narrative information concerning scholarly book reviews and their publication. To generate recommendations for conducting book reviews, the authors' personal experiences writing book reviews and acting as journal editors were used to supplement the evidence gleaned from the articles included in this review.

The initial search yielded 839 citations. After duplicate citations were removed and selection criteria were applied, a total of 76 articles were identified as being relevant for this report. Scanning of reference lists within each article yielded an additional 10 articles. Despite efforts made to contact the sources of eight publications, these articles were irretrievable due to lost holdings from accessed libraries and cessation of journal publication. Therefore, a total of 78 articles 1–78 were included in this review. The articles included were classified into four groups according to their publication formats: 1) narrative commentaries ( n  = 26), 2 , 4–7 , 9–14 , 47–61 2) editorials or journal announcements ( n  = 25), 1 , 3 , 15–37 3) original research ( n  = 18), 8 , 62–78 and 4) journal correspondence ( n  = 9). 38–46

Stakeholders and Purpose of the Book Review

The scholarly book review serves many purposes and is best appreciated by understanding the perspectives of the stakeholders involved. The primary audience for a book review is the journal's readership. Book reviews are an excellent vehicle to inform readers about new books in the marketplace. 27 , 52 Books are relatively expensive and scholars have limited time to commit to reading. Thus, journal patrons may rely upon the book review's evaluative purpose to guide their reading preferences. 11 , 14 Readers need to be informed of new, innovative, and ground-breaking books while being warned of books of poor quality and those that may not relate to their area of interest. 2 The book review can also increase a reader's scope by introducing books that a reader may not otherwise consider reading. 2 , 14

Interestingly, the authors of the books under review may be the most avid readers of book reviews. 10 , 18 Authors have invested much time and effort into writing their books, and it is not surprising that an author would be curious about how other scholars perceive their books. The reviewer has the opportunity to provide the author with the recognition or appreciation they deserve or to provide suggestions for any faults identified in the final product. 23 , 43 Therefore, the book review can play a large role in influencing the development of future editions. 18

Publishers have a vested interest in book reviews because they are an indirect form of advertising and have the potential to influence book sales. 23 While this review did not identify a study that has evaluated the effect of book reviews on book sales, publishers continue to send review copies of their books to journal editors with the prospect of obtaining a book review. 50 In 1983, Morton 64 obtained survey data from 15 publishers. All publishers surveyed believed book reviews had a positive effect on sales to physicians, and each of the publishers in this study distributed review copies to medical journals in the hopes of having a review appear in one or more of the prestigious journals. Publishers may use book reviews to determine if a book is worthy of a future edition, whether changes need to be made for a future edition, and whether the author is worthy of another book contract. 10 , 58 The contents of a favorable review may be used in promotional materials and book reviews can be used for market research for the planning of future titles. 10 , 32

It has been suggested that librarians use book reviews in the selection process for acquiring library holdings. 10 , 60 , 64 , 65 , 68 , 77 Chen 68 cited an average time lag of 10.43 months from book release to book review publication, and Morton 64 identified publication time lag and inadequate book review indexing as limiting factors for the use of book reviews as selection tools. Book reviews may have an indirect effect on library selection by the recommendations of patrons and faculty for book selection. In 1986, Martin 65 surveyed 136 medical acquisition librarians and found that book reviews ranked seventh on a list of 10 selection aids used for book selection by medical librarians and concluded that reviews were often used in conjunction with other selection tools for book selection. Some experts have suggested that book reviews may serve more as aids against which librarians may check their holdings for titles missed or as a means for identifying very important or poor titles. 68 , 74 Whether book reviews are used to determine library holdings is debatable; however, librarians read them and may serve as book reviewers themselves. 77

Lastly, the book review serves several purposes for the reviewers. Publishing a scholarly book review allows the reviewer to contribute to the professional literature by acting as an entrusted critic with the responsibility of informing the readership of seminal works and warning it of inaccurate scholarship. 32 , 61 Publishing book reviews is also an exercise of self-education. Many reviewers welcome the opportunity to stay current by reading a newly released text and enjoy practicing their critical faculties. 50 Academic authorities have proposed that writing a book review may be an excellent first publication experience for the novice writer. 4 , 5 , 12 , 14 , 19 , 30 , 31 , 59 For experienced book reviewers, however, it may be their altruistic commitment to scholarship and the honor of being asked to review a book that may motivate them. 61

Book Review Publication Process

The book review process starts and is driven, to a large extent, by the publisher. 10 , 32 When review copies of new books are available, publishers send review copies to the staff of relevant journals in hopes that the book will be reviewed. Due to the overwhelming number of books sent to journals, not all books received are reviewed. Often the selection of books reviewed is made in accordance to a journal's aim, scope, and readership. 57 Once a book is selected for review, the book review editor must match the book with a qualified reviewer. 9 , 22

Most book reviews appearing in print are commissioned—meaning that book reviewers are invited by the book review editor to conduct the review. 11 , 22 , 36 Book reviewers are typically not paid for their work, but often get to keep the book once they have completed their review. 19 , 25 , 30 , 52 , 59 Therefore, editors tend to rely on a core group of book reviewers with different areas of expertise who have agreed to act in this capacity. Occasionally, the editor will invite a notable expert in the field to review a book. The ideal book reviewer has been described by Johnson 10 as someone who has published himself or herself in the field of concern. It is important that the author is familiar and well read on the topic. Being a specialist or an authority in one's field is an asset, but may not be a necessity. A few editorials and narrative commentaries mention that it is often advantageous to have reviews written by nonexperts who represent the intended audience of the book under review. 4 , 6 , 11 , 22 However, if the book is written for a specialist audience, sufficient knowledge is required to properly review the material. 9 , 11 , 12 , 30

Commissioned reviews are preferred by most editors because it is easier to ensure consistency with journal policy and safeguard from conflict of interest. 11 , 22 , 36 If the majority of reviews are invited, how does one become a reviewer? Occasionally journals will advertise for book reviewers. 6 , 10 , 12 , 26 The majority of experts on book reviewing recommend that interested potential book reviewers contact the book review editor of a journal to express their interest. This should be followed up by sending a curriculum vitae with a cover letter outlining one's area(s) of expertise and the area(s) in which one would like to serve as a reviewer. 11 , 12 , 30 It may be wise to send a portfolio of previously published book reviews and scholarly articles. 58 Unsolicited reviews, while not common, may be accepted by some journals if they are well written. 10 , 12 , 36 , 55 If one is interested in writing an unsolicited review, most authorities advocate contacting the editor(s) of the journal in question prior to writing a review. 10 , 12 , 36

Once an invitation has been extended by the journal editor, the reviewer must decide if he or she is an appropriate match for the book in question. 10 Professional ethics require that reviewers decline an invitation if their objectivity is compromised or if they are not qualified to conduct the review. 8 , 9 Reasons for declining the invitation may include instances when the reviewer has a personal relationship with the author, 2 is being published or is seeking to be published by the same publisher, is not representative of the intended audience, or will be unable to meet the deadline. 9 , 58 Certain journal editors mention that it is easier to handle an initial refusal than to navigate the ramifications of the aforementioned issues. 12 , 36 If the invitation is declined, it is common courtesy for the invited to suggest another potential reviewer and make arrangements to return the book if it is already in possession. 2 , 12

Accompanying the invitation to conduct the book review is a submission deadline that usually ranges from 1 to a few months. 4 , 14 , 19 Research on the time lag from book release to the publication of its review highlights the importance of conducting the review in a timely manner. 64 , 65 , 68 Book review editors have suggested that if the review cannot be completed by the deadline, the book should be sent back to the publisher so it can be reviewed promptly by another qualified individual. 4 , 12 Conducting a high-quality review within the allotted time frame will ensure subsequent invitations to conduct book reviews. 11 , 14

When the completed book review has been submitted, the editor reserves the right to edit or reject the review. 24 It should be noted that book reviews are edited but are not customarily peer reviewed. 50 , 60 Since many journals are not published monthly, it may take up to a year or longer for the review to appear in print. 58 Once published, the journal will sometimes send a copy of the book review to the book publisher.

Appraising the Book

Reading a book for the purposes of generating an informative critique necessitates a planned appraisal strategy. As a first step, the reviewer should research the author's qualifications and previous contributions to the topic area to determine the author's authority. 4 , 5 , 9 , 13 If it is obvious the author is not sufficiently qualified, it may be appropriate to comment on this in the review. Before reading the book in depth, one should briefly skim the book to orient oneself to the organization, layout, and visual appeal. Note the type of book one is reviewing because different methods may be used to review different works. 2 , 12 For example, the strategy for reviewing a new edition of a textbook will require an evaluation of any changes made from previous editions, whereas the assessment of a compilation of conference proceedings may focus on the organization and ease of locating abstracts. 2

The majority of articles included in this report highlight the importance of reading the preface and introduction of the book prior to reading its content. 2 , 4−6 , 9 , 12 , 14 , 52 These sections state the author's intentions, aims, and purpose for writing the book. Most importantly, these two sections will define the intended readership. It is important to judge the book by its aims and objectives and evaluate it from the perspective of the intended readership. 5 , 6 , 14 , 52 A key question to ask is whether the contents are appropriate for the readership level. 2 , 6 , 14 , 58 Book reviewers can error by judging a book by their own aims and objectives and by criticizing authors for something that was explained in the preface. 6 , 7 , 11

Another section of a book that warrants a book reviewer's attention is the table of contents. It provides the reviewer with information about the organization of the book, an overview of its contents, and the development of the topics to be discussed. 2 , 5 , 12 This section can be used to determine if all relevant topics were included or if any key topics were overlooked. 4 , 5

Once oriented to the preface, introduction, and table of contents, the reviewer now has a setting and perspective to appraise the book. The book should be read carefully, taking notes while reading, as any praise, arguments, criticisms, or conclusions made in the review should be substantiated. 5 , 52 The book should be evaluated on a variety of items such as accuracy, completeness, readability, and relevance. 3 , 5 , 11 A book appraisal worksheet is provided in the appendix (also online at www.journalchiroed.com ) and lists a variety of appraisal items to be evaluated when reading a book for review. It also functions as a notation sheet where a reviewer can make notes on any strengths or weaknesses, write comments, provide examples to support these remarks, and make suggestions for improvement. These notes will form the basis of the critique.

While it is important to assess the book on a variety of features, certain key questions should be considered. What makes the book unique? 5 , 11 , 58 , 61 Is the book useful to the intended readership? 5 , 10 , 58 Was the book successful in achieving its aims and objectives? 5 , 10 , 12 How does the book compare to its competitors? 5 , 6 , 10 , 19 What contribution does the book make to the field? 7 , 8 , 47 , 58 , 61 The answers to these questions will help the reviewer describe the distinguishing features of the book and place it within its field. Considering that a book review is a personal account of a book, it is important to note one's personal reactions to the book. 6 , 11

A recurring question in articles that discussed book appraisal strategies was whether the entire book must be read in order to write the review. All articles that answered this question made reference to the respect that must be given to an author's hard work. It would be disrespectful to the author(s) to write a review without carefully reading the entire book. 6 , 11 , 19 , 48 , 49 However, some articles noted exceptions. It may not be practical to read certain books from cover to cover, such as medical dictionaries, encyclopedias, and large multivolume texts. 6 , 52 In these instances, a method of sampling should be developed and these methods should be reported in the book review. 52

Writing the Book Review

Writing the review can be a challenge because there is a reluctance for journals to provide a prescriptive format for writing book reviews. 3 , 5 , 18 Book review editors often prefer reviews that are informative, engaging, and constructively opinionated. 6 , 11 Therefore, any attempt for a book review to be formatted to a strict preconceived style is “…stunting creativity and literary development.” 11 Critics of structured book reviews argue that such reviews are informative but dull. 23 , 28 Since each book is unique, reviews should be tailored to the uniqueness of the book under review and the writing style of the reviewer. Variety in book reviews helps maintain the reader's interest.

It should be noted that certain journals may have specific format requirements; for instance, the inclusion of the book's specifications (eg, author, publisher, ISBN, number of pages, etc.) and word limit. A reviewer should become familiar with the journal's book review policy before writing the review. Although most journals do not provide strict book review writing guidelines, most exhibit an underlying “house style.” 6 , 29 A perusal of book reviews appearing in the journal will orient the reviewer to the journal's informal house style. Word limits vary between journals and can be as short as 75 words to greater than 2000. 6 , 57 Chen's 67 study of 3347 biomedical book reviews found most reviews to be over 265 words. Kroenke 62 identified a mean limit of 373 words among 480 medical book reviews and found that tangential information and reviewer opinions on the subject of the book increased the length of reviews. The majority of sources consulted in this review reported word limits ranging from 250 to 500 words with editors' preferences toward shorter reviews. 5 , 6 , 10 , 20 , 24 , 57 Limited word counts necessitate a concise writing style. Methven 4 recommended combining several ideas into a single sentence to achieve the goal of being succinct. Many book review editors believe the quality of a book review is rarely associated with its length. 4 , 10 , 22 , 24 , 57

While there is no prescriptive style when writing a review, many experts outline a common strategy utilized to convey their critique, 3–5 which is summarized in Table ​ Table1. 1 . These recommendations are in line with Motta-Roth's 79 findings of four main rhetorical moves identified in scholarly book reviews. These four moves are: 1) introduce the book, 2) outline the book, 3) highlight parts of the book, and 4) provide a general evaluation of the book. These four moves were often associated with the start of a new paragraph. 79

A recommended strategy for crafting a book review

The reviewer must now decide which appraisal items to comment on in the review. Kroenke 62 surveyed 480 book reviews and found that the mean number of features commented on per review was 9.0 ± 2.7. With most reviews spanning 250 to 500 words, it is not possible to include a critique of all appraisal items evaluated. The reviewer must decide which items are most important to mention to provide a balanced and informative critique. The book appraisal worksheet found in the appendix is designed to assist the reviewer in compiling all appraisal notes into a single, efficient format for ease of identification of items to be included in the review.

Depending on the specific book under review, certain appraisal items may deserve more mention than others. For instance, a student textbook with an index of limited utility is an important finding; however, the same finding in a patient handbook may not deserve mention. Similarly, the importance of image quality differs for a radiology text compared to a medical dictionary. It is important to recognize that appraisal item selection is specific to the book under review. In addition to these book-specific items, many experts suggest that attempts should be made to place a book in a larger, broader context to allow judgment of the book against its competitors and to allow for the determination of the book's contribution to its field. 3–5 , 8 , 19 , 61 , 62

A final note regarding book review writing is on how to convey criticism. A book review is an evaluative critique. 4 Readers are interested in the book reviewer's opinions and a reviewer should not be afraid to state opinions. 4 Any factual mistakes, shortcomings, or weaknesses should be made known. 6 However, reviewers should be respectful to the authors and write in a professional manner. Book reviewers are not anonymous and the rules of basic courtesy and libel law apply. 25 , 31 , 32 Given that book authors are often readers of book reviews, any unwarranted criticism likely will be read by the book author. 10 , 18 Hill 14 and Boring 47 recommend using descriptive comments, and not conclusions, to describe problems identified in books to allow readers to arrive at their own conclusions. Any criticism should be substantiated with examples or a relevant explanation of the reasons for the criticism to avoid confusion about a reviewer's arguments. 14 , 33 Criticism should also be constructive. 10 , 18 , 33 The reviewer, where possible, should provide suggestions for improvement, because these suggestions may influence the crafting of a future edition. The book appraisal worksheet found in the appendix is designed to aid the reviewer in developing sound criticism by providing a template to document examples to be used to substantiate criticism and to provide suggestions for improvement to ensure constructive comments. Desirable and undesirable characteristics of book reviews are listed in Figure ​ Figure2 2 .

Desirable and undesirable characteristics of book reviews.

Issues Relating to Book Reviews

Three issues deserve special attention: conflicts of interest, reviewer bias, and time lag in publication of reviews. One issue that can affect the credibility of a book review is the influence of a conflict of interest, which exists in scholarly publication when an author, reviewer, or editor has financial or personal relationships that inappropriately influence his or her actions. 80 Conflicts of interest can occur when a book under review is published by the same publisher who publishes the journal that prints the review, 63 a book is reviewed by a journal and one of the author(s) or editor(s) of the book is an employee of the journal, 63 the reviewer is a personal friend of the author, 17 the reviewer is a competing researcher or author, 17 or there is financial gain that influences the outcome of the review. 17 Avoiding these conflicts when publishing book reviews can be difficult, especially in highly specialized fields of study, when the pool of qualified experts who contribute to scholarly activities is small. In these situations, the likelihood of book reviewers, book authors, publishers, and journal editors having preexisting relationships increases, potentially affecting one's objectivity. When these conflicts of interest exist, transparency and proper disclosure of conflicts of interest are essential. 17 , 63

In addition to conflicts of interest, reviewer bias can influence book reviews. Fairness, accuracy, and objectivity of a review remain a problematic issue in publishing book reviews. 18 , 20 For instance, book reviewers known to be overly critical may more likely produce negative reviews, enthusiastic reviewers may not scrutinize a literary work properly, and advocates for one opinion in a polarized field of study may not fairly judge a book about competing viewpoints. 18 Reviewer bias has the potential to provide an inaccurate representation of the book in question and may negatively influence a readership's perceived value of the book review process. To increase the objectivity of book reviewers, some authors suggest that journals should encourage printed communication between the reviewer and book author, 18 multiple reviews of the same title should be conducted, 40 and book reviews should be subjected to peer review. While some journals have implemented the former two suggestions, peer review of book reviews has not been widely accepted. 40

As mentioned earlier, the time lag of book review publication is an important issue affecting book reviews. For most academic works, the first year after publication is the period of greatest sales. On average, a book's use declines most rapidly in the early years following publication. 57 , 66 Part of the problem relating to the time lag of book review publication can be attributed to the publishers. Review copies of books are often not available early enough for people to review them in time to coincide with a book's release date. Even if review copies were available, by the time the review is completed, has passed the editing process, and has sat in line for publication, most experts and publishers believe the review would appear in print after the book publication anyway. 64

Future of Book Reviews

The future of the book review is uncertain. Recently, a perceived lack of utility of the book review has contributed to a fall in popularity of the literary form. In the past, the book review may have served more purpose in informing librarians and readers of new books. Currently, in the age of the Internet, librarians and readers are targeted more readily by publishers directly. 32 Also, book reviews do not rank high in the hierarchical scale of professional scholarship. Academic institutions often do not give their scholars credit for publishing book reviews. 23 From a journal's perspective, the book review makes no contribution to the journal's impact factor. 32 , 72 There is also an issue of journal space and limited page count. The publication of a few pages of book reviews implies the rejection or delay in publication of an original research paper, which negatively impacts journal content and timeliness to publication. 32 Currently, there is no evidence to suggest that the publication of book reviews helps sell books, increase readership of journal contents, or generate subscriptions to journals. 32

While some authors highlight issues detracting from the popularity of the scholarly book review, reforms have been proposed to contribute to the evolution of this literary form. Book review editors have proposed the exploration of different book review formats: specifically, the rejoinder, multidisciplinary, special issue, and integrated formats. 8 , 16 , 34 , 61

Rejoinders are reviews where the reviewer and author are given the opportunity to discuss the book and its review in the same journal issue, increasing the objectivity of the reviewer and providing the reader with a more balanced perspective of the book being evaluated. 16 , 52 The multidisciplinary format requires a book be reviewed by multiple reviewers, each coming from a different discipline, allowing a book to be reviewed in a broader disciplinary context. 16 While appearing periodically, the special issue format is used to review books that supplement the central theme of papers in a special journal issue and may allow for better evaluation of a book's contribution to its topic area. 16 The integrated review is a format conducted as an essay commissioned on a specific theme, and imbedded within the essay are reviews of books related to the paper's thesis. By merging book reviews within a treatise of a select topic, reviewers have the opportunity to utilize comparative analysis to extend reader understanding of writings on a topic, while publishing a substantial scholarly paper. 16 , 31 Readers of this format have the opportunity to be enlightened by the essay and will appreciate more the book's significance and contribution of each book to the specific theme under discussion. 16 , 31 , 34 , 35 While these alternative formats may seem appealing, they must demonstrate their usefulness in the framework of the dilemmas that journal editors face, including limited page space, impact factor, reader interest, and a priority to referee peer review of original manuscripts.

Another influential factor affecting the future of book reviews is information technology, which will influence how book reviews will be published as well as what is reviewed. There have been calls for book reviews to be published on the Internet to allow for immediacy and ease of discussion. 22 , 77 With online publication, competition for print space will lessen and reviews may be able to extend to larger word limits as well as expand to use “new” formats. 57 Also, journal editors are increasingly receiving various information technology media for review. 3 , 31 , 44 Book review sections of journals are slowly expanding their sections to include reviews of information technology media such as DVD, video, and websites. 3 , 22 , 31 , 44

Limitations and Research Directives

A limitation of this review is that the majority of literature used to formulate this report was based largely on expert opinion found in narrative commentaries, editorials, and journal correspondence. Original research constituted 23% of the articles included in this review; however, only three of the studies 8 , 72 , 77 were published within the past 5 years.

To improve the scholarly rigor in the book review literature, future efforts could investigate the validity of using expert opinion as a means for conducting book reviews, and formal studies could assess the impact of book reviews on book sales and journal subscriptions. Readership surveys could be conducted to assess reader interest in new book review formats and publishing venues, and more importantly, examine the impact of review formats on reader usage of information in their professional work. An exploration of these issues will contribute to the development of our understanding of writing and publishing scholarly book reviews.

The scholarly book review serves many purposes and has the potential to be an influential literary form. It can help guide a readership's reading practices, provide authors with constructive feedback, and help publishers plan and develop future books. However, due to the expectations of these same stakeholders, it is a challenging literary form to master. A reviewer must be aware of not just the strategies employed to conduct a review, but should be knowledgeable of the many issues affecting the entire book review process. An appreciation of this literary form in a broader context will allow the altruistic reviewer to publish a review more likely to be perceived as a valuable contribution to the literature.

Conflict of Interest

The second author of this article is also the Editor-in-Chief of The Journal of Chiropractic Education . To mitigate conflicts of interest, this paper was refereed by a guest editor, Dr. Robert Ward. The paper was reviewed by blinded peer reviewers and Dr. Robert Ward is the sole person responsible for decisions regarding the disposition of this manuscript and the only person who knows the identities of the reviewers.

Acknowledgments

The authors appreciate the assistance of Anne Taylor-Vaisey, MLS, with the literature searches.

Appendix: Book Appraisal Worksheet (Available as a free download in Microsoft Word from www.journalchiroed.com )

Contributor Information

Alexander D. Lee, Canadian Memorial Chiropractic College.

Bart N. Green, Naval Medical Center, San Diego, National University of Health Sciences.

Claire D. Johnson, National University of Health Sciences.

Julie Nyquist, University of Southern California.

Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

• First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
• Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
• Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

• What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
• How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
• How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
• How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

• Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
• What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

• The name of the author and the book title and the main theme.
• Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
• The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
• The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
• Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

• Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
• With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
• Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
• Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
• A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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• 04 December 2020
• Correction 09 December 2020

How to write a superb literature review

Andy Tay is a freelance writer based in Singapore.

You can also search for this author in PubMed   Google Scholar

Literature reviews are important resources for scientists. They provide historical context for a field while offering opinions on its future trajectory. Creating them can provide inspiration for one’s own research, as well as some practice in writing. But few scientists are trained in how to write a review — or in what constitutes an excellent one. Even picking the appropriate software to use can be an involved decision (see ‘Tools and techniques’). So Nature asked editors and working scientists with well-cited reviews for their tips.

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doi: https://doi.org/10.1038/d41586-020-03422-x

Interviews have been edited for length and clarity.

Updates & Corrections

Correction 09 December 2020 : An earlier version of the tables in this article included some incorrect details about the programs Zotero, Endnote and Manubot. These have now been corrected.

Hsing, I.-M., Xu, Y. & Zhao, W. Electroanalysis 19 , 755–768 (2007).

Article   Google Scholar  

Ledesma, H. A. et al. Nature Nanotechnol. 14 , 645–657 (2019).

Article   PubMed   Google Scholar  

Brahlek, M., Koirala, N., Bansal, N. & Oh, S. Solid State Commun. 215–216 , 54–62 (2015).

Choi, Y. & Lee, S. Y. Nature Rev. Chem . https://doi.org/10.1038/s41570-020-00221-w (2020).

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Purpose of a Book Review

Note: This information is geared toward researchers in the arts and humanities. For a detailed guide on writing book reviews in the social sciences, please check the USC Libraries guide to  Writing and Organizing Research in the Social Sciences , authored by Dr. Robert Labaree.

When writing an academic book review, start with a bibliographic citation of the book you are reviewing [e.g., author, title, publication information, length]. Adhere to a particular citation style, such as Chicago, MLA, or APA.  Put your name at the very end of the book review text.

The basic purpose of a book review is to convey and evaluate the following:

a.     what the book is about;

b.     the expertise of the author(s);

c.     how well the book covers its topic(s) and whether it breaks new ground;

d.     the author’s viewpoint, methodology, or perspective;

e.     the appropriateness of the evidence to the topical scope of the book;

f.      the intended audience;

g.     the arrangement of the book (chapters, illustrations) and the quality of the scholarly apparatus, such as notes and bibliographies.

Point "c. how well the book covers its topics and whether it breaks new ground" requires your engagement with the book, and can be approached in a variety of ways. The question of whether the book breaks new ground does not necessarily refer to some radical or overarching notion of originality in the author’s argument. A lot of contemporary scholarship in the arts or humanities is not about completely reorienting the discipline, nor is it usually about arguing a thesis that has never been argued before. If an author does that, that's wonderful, and you, as a book reviewer, must look at the validity of the methods that contextualize the author's new argument.

It is more likely that the author of a scholarly book will look at the existing evidence with a finer eye for detail, and use that detail to amplify and add to existing scholarship. The author may present new evidence or a new "reading" of the existing evidence, in order to refine scholarship and to contribute to current debate. Or the author may approach existing scholarship, events, and prevailing ideas from a more nuanced perspective, thus re-framing the debate within the discipline.

The task of the book reviewer is to “tease out” the book’s themes, explain them in the review, and apply a well-argued judgment on the appropriateness of the book’s argument(s) to the existing scholarship in the field.

For example, you are reviewing a book on the history of the development of public libraries in nineteenth century America. The book includes a chapter on the role of patronage by affluent women in endowing public libraries in the mid-to-late-1800s. In this chapter, the author argues that the role of women was overlooked in previous scholarship because most of them were widows who made their financial bequests to libraries in the names of their husbands. The author argues that the history of public library patronage, and moreover, of cultural patronage, should be re-read and possibly re-framed given the evidence presented in this chapter. As a book reviewer you will be expected to evaluate this argument and the underlying scholarship.

There are two common types of academic book reviews: short summary reviews, which are descriptive, and essay-length critical reviews. Both types are described further down.

[Parenthetically, writing an academic/scholarly book review may present an opportunity to get published.]

Short summary book reviews

For a short, descriptive review, include at least the following elements:

a.     the bibliographic citation for the book;

b.     the purpose of the book;

c.     a summary of main theme(s) or key points;

d.     if there is space, a brief description of the book’s relationship to other books on the same topic or to pertinent scholarship in the field.

e.     note the author's affiliation and authority, as well as the physical content of the book, such as visual materials (photographs, illustrations, graphs) and the presence of scholarly apparatus (table of contents, index, bibliography, footnotes, endnotes, credit for visual materials);

f.     your name and affiliation.

Critical or essay-length book reviews

For a critical, essay-length book review consider including the following elements, depending on their relevance to your assignment:

b.     an opening statement that ought to peak the reader’s interest in the book under review

c.     a section that points to the author’s main intentions;

d.     a section that discusses the author’s ideas and the book’s thesis within a scholarly perspective. This should be a critical assessment of the book within the larger scholarly discourse;

e.     if you found errors in the book, point the major ones and explain their significance. Explain whether they detract from the thesis and the arguments made in the book;

f.     state the book's place within a strand of scholarship and summarize its importance to the discipline;

g.    include information about the author's affiliation and authority, as well as the physical content of the book, such as visual materials (photographs, illustrations, graphs) and the presence of scholarly apparatus (table of contents, index, bibliography, footnotes, endnotes, credit for visual materials);

h.     indicate the intended readership of the book and whether the author succeeds in engaging the audience on the appropriate level;

i.     your name and affiliation.

Good examples of essay-length reviews may be found in the scholarly journals included in the JSTOR collection, in the New York Review of Books , and similar types of publications, and in cultural publications like the New Yorker magazine.

Remember to keep track of your sources, regardless of the stage of your research. The USC Libraries have an excellent guide to  citation styles  and to  citation management software . 

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How to Write a Book Review: The Ultimate Guide

WHAT IS A BOOK REVIEW?

Traditionally, book reviews are evaluations of a recently published book in any genre. Usually, around the 500 to 700-word mark, they briefly describe a text’s main elements while appraising the work’s strengths and weaknesses. Published book reviews can appear in newspapers, magazines, and academic journals. They provide the reader with an overview of the book itself and indicate whether or not the reviewer would recommend the book to the reader.

WHAT IS THE PURPOSE OF A BOOK REVIEW?

There was a time when book reviews were a regular appearance in every quality newspaper and many periodicals. They were essential elements in whether or not a book would sell well. A review from a heavyweight critic could often be the deciding factor in whether a book became a bestseller or a damp squib. In the last few decades, however, the book review’s influence has waned considerably, with many potential book buyers preferring to consult customer reviews on Amazon, or sites like Goodreads, before buying. As a result, book review’s appearance in newspapers, journals, and digital media has become less frequent.

WHY BOTHER TEACHING STUDENTS TO WRITE BOOK REVIEWS AT ALL?

Even in the heyday of the book review’s influence, few students who learned the craft of writing a book review became literary critics! The real value of crafting a well-written book review for a student does not lie in their ability to impact book sales. Understanding how to produce a well-written book review helps students to:

●     Engage critically with a text

●     Critically evaluate a text

●     Respond personally to a range of different writing genres

●     Improve their own reading, writing, and thinking skills.

Not to Be Confused with a Book Report!

WHAT’S THE DIFFERENCE BETWEEN A BOOK REVIEW AND A BOOK REPORT?

While the terms are often used interchangeably, there are clear differences in both the purpose and the format of the two genres. Generally speaking, book reports aim to give a more detailed outline of what occurs in a book. A book report on a work of fiction will tend to give a comprehensive account of the characters, major plot lines, and themes in the book. Book reports are usually written around the K-12 age range, while book reviews tend not to be undertaken by those at the younger end of this age range due to the need for the higher-level critical skills required in writing them. At their highest expression, book reviews are written at the college level and by professional critics.

Learn how to write a book review step by step with our complete guide for students and teachers by familiarizing yourself with the structure and features.

BOOK REVIEW STRUCTURE

ANALYZE Evaluate the book with a critical mind.

THOROUGHNESS The whole is greater than the sum of all its parts. Review the book as a WHOLE.

COMPARE Where appropriate compare to similar texts and genres.

THUMBS UP OR DOWN? You are going to have to inevitably recommend or reject this book to potential readers.

BE CONSISTENT Take a stance and stick with it throughout your review.

FEATURES OF A BOOK REVIEW

PAST TENSE You are writing about a book you have already read.

EMOTIVE LANGUAGE Whatever your stance or opinion be passionate about it. Your audience will thank you for it.

VOICE Both active and passive voice are used in recounts.

A COMPLETE UNIT ON REVIEW AND ANALYSIS OF TEXTS

⭐ Make  MOVIES A MEANINGFUL PART OF YOUR CURRICULUM  with this engaging collection of tasks and tools your students will love. ⭐ All the hard work is done for you with  NO PREPARATION REQUIRED.

This collection of  21 INDEPENDENT TASKS  and  GRAPHIC ORGANIZERS  takes students beyond the hype, special effects and trailers to look at visual literacy from several perspectives offering DEEP LEARNING OPPORTUNITIES by watching a  SERIES, DOCUMENTARY, FILM, and even  VIDEO GAMES.

ELEMENTS OF A BOOK REVIEW

As with any of the writing genres we teach our students, a book review can be helpfully explained in terms of criteria. While there is much to the ‘art’ of writing, there is also, thankfully, a lot of the nuts and bolts that can be listed too. Have students consider the following elements before writing:

●     Title: Often, the title of the book review will correspond to the title of the text itself, but there may also be some examination of the title’s relevance. How does it fit into the purpose of the work as a whole? Does it convey a message or reveal larger themes explored within the work?

●     Author: Within the book review, there may be some discussion of who the author is and what they have written before, especially if it relates to the current work being reviewed. There may be some mention of the author’s style and what they are best known for. If the author has received any awards or prizes, this may also be mentioned within the body of the review.

●     Genre: A book review will identify the genre that the book belongs to, whether fiction or nonfiction, poetry, romance, science-fiction, history etc. The genre will likely tie in, too with who the intended audience for the book is and what the overall purpose of the work is.

●     Book Jacket / Cover: Often, a book’s cover will contain artwork that is worthy of comment. It may contain interesting details related to the text that contribute to, or detract from, the work as a whole.

●     Structure: The book’s structure will often be heavily informed by its genre. Have students examine how the book is organized before writing their review. Does it contain a preface from a guest editor, for example? Is it written in sections or chapters? Does it have a table of contents, index, glossary etc.? While all these details may not make it into the review itself, looking at how the book is structured may reveal some interesting aspects.

●     Publisher and Price: A book review will usually contain details of who publishes the book and its cost. A review will often provide details of where the book is available too.

BOOK REVIEW KEY ELEMENTS

As students read and engage with the work they will review, they will develop a sense of the shape their review will take. This will begin with the summary. Encourage students to take notes during the reading of the work that will help them in writing the summary that will form an essential part of their review. Aspects of the book they may wish to take notes on in a work of fiction may include:

●     Characters: Who are the main characters? What are their motivations? Are they convincingly drawn? Or are they empathetic characters?

●     Themes: What are the main themes of the work? Are there recurring motifs in the work? Is the exploration of the themes deep or surface only?

●     Style: What are the key aspects of the writer’s style? How does it fit into the wider literary world?

●     Plot: What is the story’s main catalyst? What happens in the rising action? What are the story’s subplots? 

A book review will generally begin with a short summary of the work itself. However, it is important not to give too much away, remind students – no spoilers, please! For nonfiction works, this may be a summary of the main arguments of the work, again, without giving too much detail away. In a work of fiction, a book review will often summarise up to the rising action of the piece without going beyond to reveal too much!

The summary should also provide some orientation for the reader. Given the nature of the purpose of a review, it is important that students’ consider their intended audience in the writing of their review. Readers will most likely not have read the book in question and will require some orientation. This is often achieved through introductions to the main characters, themes, primary arguments etc. This will help the reader to gauge whether or not the book is of interest to them.

Once your student has summarized the work, it is time to ‘review’ in earnest. At this point, the student should begin to detail their own opinion of the book. To do this well they should:

i. Make It Personal

Often when teaching essay writing we will talk to our students about the importance of climbing up and down the ladder of abstraction. Just as it is helpful to explore large, more abstract concepts in an essay by bringing it down to Earth, in a book review, it is important that students can relate the characters, themes, ideas etc to their own lives.

Book reviews are meant to be subjective. They are opinion pieces, and opinions grow out of our experiences of life. Encourage students to link the work they are writing about to their own personal life within the body of the review. By making this personal connection to the work, students contextualize their opinions for the readers and help them to understand whether the book will be of interest to them or not in the process.

ii. Make It Universal

Just as it is important to climb down the ladder of abstraction to show how the work relates to individual life, it is important to climb upwards on the ladder too. Students should endeavor to show how the ideas explored in the book relate to the wider world. The may be in the form of the universality of the underlying themes in a work of fiction or, for example, the international implications for arguments expressed in a work of nonfiction.

iii. Support Opinions with Evidence

A book review is a subjective piece of writing by its very nature. However, just because it is subjective does not mean that opinions do not need to be justified. Make sure students understand how to back up their opinions with various forms of evidence, for example, quotations, statistics, and the use of primary and secondary sources.

EDIT AND REVISE YOUR BOOK REVIEW

As with any writing genre, encourage students to polish things up with review and revision at the end. Encourage them to proofread and check for accurate spelling throughout, with particular attention to the author’s name, character names, publisher etc. 

It is good practice too for students to double-check their use of evidence. Are statements supported? Are the statistics used correctly? Are the quotations from the text accurate? Mistakes such as these uncorrected can do great damage to the value of a book review as they can undermine the reader’s confidence in the writer’s judgement.

The discipline of writing book reviews offers students opportunities to develop their writing skills and exercise their critical faculties. Book reviews can be valuable standalone activities or serve as a part of a series of activities engaging with a central text. They can also serve as an effective springboard into later discussion work based on the ideas and issues explored in a particular book. Though the book review does not hold the sway it once did in the mind’s of the reading public, it still serves as an effective teaching tool in our classrooms today.

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

BOOK REVIEW GRAPHIC ORGANIZER (TEMPLATE)

101 DIGITAL & PRINT GRAPHIC ORGANIZERS FOR ALL CURRICULUM AREAS

Introduce your students to 21st-century learning with this GROWING BUNDLE OF 101 EDITABLE & PRINTABLE GRAPHIC ORGANIZERS. ✌ NO PREP REQUIRED!!! ✌ Go paperless, and let your students express their knowledge and creativity through the power of technology and collaboration inside and outside the classroom with ease.

Whilst you don’t have to have a 1:1 or BYOD classroom to benefit from this bundle, it has been purpose-built to deliver through platforms such as ✔ GOOGLE CLASSROOM, ✔ OFFICE 365, ✔ or any CLOUD-BASED LEARNING PLATFORM.

Book and Movie review writing examples (Student Writing Samples)

Below are a collection of student writing samples of book reviews.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to both read the movie or book review in detail but also the teacher and student guides which highlight some of the key elements of writing a text review

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of book review writing.

We would recommend reading the example either a year above and below, as well as the grade you are currently working with to gain a broader appreciation of this text type .

BOOK REVIEW VIDEO TUTORIALS

OTHER GREAT ARTICLES RELATED TO BOOK REVIEWS

Transactional Writing

How to write a text response

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Wendy Laura Belcher

How to write an academic book review.

This article “Writing the Academic Book Review” was originally written by Belcher to aid participants in a workshop sponsored by the UCLA Chicano Studies Research Center in February 2003 and to encourage book review submissions to  Aztlán: A Journal of Chicano Studies . Book reviews in the field of Chicano studies can be sent to  the journal; for information, see the  new submissions page. The article was updated in 2015. Cite as Belcher, Wendy Laura. 2003. “Writing the Academic Book Review.” Los Angeles, CA: UCLA Chicano Studies Research Center. Last Modified 2015. Retrieved from https://www.wendybelcher.com/writing-advice/how-to-write-book-review/ on [month year]. See also the best-selling book of advice on writing, now in its second edition: Writing Your Journal Article in 12 Weeks: A Guide to Academic Publishing Success.

Why Write a Book Review?

Writing book reviews is not only the easiest and quickest route to publication, it is a good way to improve your writing skills, develop your analytical skills, learn how the journal publishing process works, and get to know editors. Since some libraries can’t buy books unless they have been reviewed and many individuals won’t buy books unless they have read a review, reviewing books can definitely advance your field. Indeed, scholars in smaller fields sometimes get together and assign books for review so that every book published in their field is reviewed somewhere. Just remember that book reviews do not “count” as much on a curriculum vitae as an academic essay. If you are doing more than two book reviews a year, you may be spending too much time on book reviews and not enough on your other writing.

Choosing a Book

Think about what kind of book would be most useful to you in writing your dissertation, finalizing a paper for publication, or passing your exams. Since book reviews do take time, like any writing, it is best to chose a book that will work for you twice, as a publication and as research. Alternatively, some recommend that graduate students focus on reviewing textbooks or anthologies, since such reviews take less background knowledge and editors can find it difficult to find people willing to do such reviews. Although the traditional book review is of one book, editors will often welcome book reviews that address two or more related books–called a review essay.

Choose a book that (1) is in your field, (2) is on a topic for which you have sound background knowledge, (3) has been published in the past two or three years, and (4) has been published by a reputable publisher (i.e., any press affiliated with a university or large commercial presses).

Books on hot topics are often of special interest to editors. It can also be rewarding to pick an obscure but useful book in order to bring attention to it. To avoid complications, it is best not to review books written by your advisor, spouse, or ex!

To identify a suitable book in your field:

• Look up the call number of the favorite book in your field and go to the stacks of your university library. Do a shelf search around the call number to see if anything similar or related has been published in the past couple of years.
• Go to any book database—your university library on-line, Worldcat , Amazon.com , the Library of Congress —and search using two or three keywords related to your field (e.g., Chicano fiction, Chicana politics, Latino demographics, Latina high school education) to find books in your area.
• Read magazines that review books before publication—such as Choice , Library Journal, or Kirkus Reviews —to get a sense for interesting books that will be coming out. You can get copies of books for review before they are published. Editors especially like reviews of just published books.
• Read those academic journals that list books recently received for review or recently published in their area. 
• Ask faculty members in your department for recommendations.

Once you have identified several books, locate copies and skim them. Pick the book that seems the strongest. Do not pick a book that has major problems or with which you disagree violently. As a graduate student, you do not have the protection of tenure and may one day be evaluated by the person whose book you put to the ax. If you really feel strongly that you must write a negative review of a certain book, go ahead and write the review. Academia is, after all, quite oedipal and young scholars do sometimes make their reputations by deflating those who came before them. Just realize that going on record in such a public way may have consequences.

Choosing a Journal

Identify several leading journals in your field that publish book reviews. One way to do this is to search an on-line article database or something like Book Review Digest , if your library has access. Using several key words from your field, limit your search to book reviews and note the journals where the results were published.

Before starting to write your review, contact the book review editor of one of the journals. This is important standard practice; in particular because most journals do not accept unsolicited reviews. You do not want to write an entire review of a book and send it to a journal, only to be told that they don’t accept unsolicited reviews or that a review of that very book is to appear in the next issue.

So, send a short e-mail to book review editors at prospective journals (most journals have websites with such information) identifying the book you would like to review and your qualifications for reviewing it. This e-mail need not be longer than two sentences: “I am writing to find out if you would welcome a review from me of [ Book Title ], edited by [editor] and published in 2012 by [pubisher]. I am currently writing my dissertation at Stanford on the history of the field of [name of a field related to book].”

Another reason why you want to contact the book review editor is that they often can get you the book for free. Publishers frequently send books for review straight to journals or, if the book editor directly contacts them, straight to you. Of course, you don’t need to wait for the book to start your review if you have access to a library copy. If you get a free book, make sure to write the review. A book review editor will never send you another book if you don’t deliver on the first.

If the book review editor says yes, they would like a review of the book from you, make sure to ask if the journal has any book review submission guidelines. In particular, you want to make sure you understand how long their book reviews tend to be.

If the book review editor says the book is already under review, move on to your next journal choice or ask the editor if they have any books on the topic that they would like reviewed. You are under no obligation to review a book they suggest, just make sure to get back to them with a decision. It is perfectly acceptable to say “Thanks for the suggestion, I’ve decided to focus on writing my prospectus/dissertation.”

Reading the Book

It is best, when writing a book review, to be an active reader of the book. Sit at a desk with pen and paper in hand. As you read, stop frequently to summarize the argument, to note particularly clear statements of the book’s argument or purpose, and to describe your own responses. If you have read in this active way, putting together the book review should be quick and straightforward. Some people prefer to read at the computer, but if you’re a good typist, you often start typing up long quotes from the book instead of analyzing it. Paper and pen provides a little friction to prevent such drifting.

Take particular note of the title (does the book deliver what the title suggests it is going to deliver?), the table of contents (does the book cover all the ground it says it will?), the preface (often the richest source of information about the book), and the index (is it accurate, broad, deep?).

Some questions to keep in mind as you are reading:

• What is the book’s argument?
• Does the book do what it says it is going to do?
• Is the book a contribution to the field or discipline?
• Does the book relate to a current debate or trend in the field and if so, how?
• What is the theoretical lineage or school of thought out of which the book rises?
• Is the book well-written?
• What are the books terms and are they defined?
• How accurate is the information (e.g., the footnotes, bibliography, dates)?
• Are the illustrations helpful? If there are no illustrations, should there have been?
• Who would benefit from reading this book?
• How does the book compare to other books in the field?
• If it is a textbook, what courses can it be used in and how clear is the book’s structure and examples?

It can be worthwhile to do an on-line search to get a sense for the author’s history, other books, university appointments, graduate advisor, and so on. This can provide you with useful context..

Making a Plan

Book reviews are usually 600 to 2,000 words in length. It is best to aim for about 1,000 words, as you can say a fair amount in 1,000 words without getting bogged down. There’s no point in making a book review into a 20-page masterpiece since the time would have been better spent on an academic essay that would count for more on your c.v.

Some say a review should be written in a month: two weeks reading the book, one week planning your review, and one week writing it.

Although many don’t write an outline for an essay, you should really try to outline your book review before you write it. This will keep you on task and stop you from straying into writing an academic essay.

Classic book review structure is as follows:

• Title including complete bibliographic citation for the work (i.e., title in full, author, place, publisher, date of publication, edition statement, pages, special features [maps, color plates, etc.], price, and ISBN.
• One paragraph identifying the thesis, and whether the author achieves the stated purpose of the book.
• One or two paragraphs summarizing the book.
• One paragraph on the book’s strengths.
• One paragraph on the book’s weaknesses.
• One paragraph on your assessment of the book’s strengths and weaknesses.

Writing the Review

Once you’ve read the book, try to spend no more than one or two weeks writing the review. Allowing a great deal of time to fall between reading the book and writing about it is unfair to you and the author. The point of writing something short like a book review is to do it quickly. Sending a publication to a journal is always scary, sitting on the review won’t make it less so.

Avoiding Five Common Pitfalls

• Evaluate the text, don’t just summarize it. While a succinct restatement of the text’s points is important, part of writing a book review is making a judgment. Is the book a contribution to the field? Does it add to our knowledge? Should this book be read and by whom? One needn’t be negative to evaluate; for instance, explaining how a text relates to current debates in the field is a form of evaluation.
• Do not cover everything in the book. In other words, don’t use the table of contents as a structuring principle for your review. Try to organize your review around the book’s argument or your argument about the book.
• Judge the book by its intentions not yours. Don’t criticize the author for failing to write the book you think that he or she should have written. As John Updike puts it, “Do not imagine yourself the caretaker of any tradition, an enforcer of any party standards, a warrior in any ideological battle, a corrections officer of any kind.”
• Likewise, don’t spend too much time focusing on gaps. Since a book is only 200 to 500 pages, it cannot possibly address the richness of any topic. For this reason, the most common criticism in any review is that the book doesn’t address some part of the topic. If the book purports to be about ethnicity and film and yet lacks a chapter on Latinos, by all means, mention it. Just don’t belabor the point. Another tic of reviewers is to focus too much on books the author did not cite. If you are using their bibliography just to display your own knowledge it will be obvious to the reader. Keep such criticisms brief.
• Don’t use too many quotes from the book. It is best to paraphrase or use short telling quotes within sentences.

For further advice about writing for publication, see Writing Your Journal Article in Twelve Weeks: A Guide to Academic Publishing Success by Wendy Laura Belcher (University of Chicago Press, 2019).

Writing the Academic Book Review

I no longer teach this course , but you might want to think about teaching it, so I provide the information here.

This workshop aids students in actually writing and publishing a book review for a peer-reviewed journal. At the first session, students receive instruction on why graduate students should (or should not) write book reviews, how to choose a book for review, how to chose a journal for submission, how to read a book for review, how to plan and structure a book review, and five common pitfalls of reviewing. Students also form small groups to discuss the book each plans to review.At the second meeting, students bring a draft of their book review for exchange and feedback. At the third meeting, students arrive with a final version of their essay to submit to an editor for publication.

This workshop is sometimes offered by a particular journal with the editors serving on a panel the first night to provide students with specific advice for submitting reviews to their journal. I did such a workshop for Aztlán: A Journal of Chicano Studies , with the editors Chon A. Noriega and Alicia Gaspar de Alba.

Session 1, Week 1

• Introduction to book reviewing
• Selecting an appropriate book to review
• Five essential elements of any book review
• Typical errors graduate student reviewers make

Session 2, Week 10

• Assignment: First draft due
• Discussion of the writing process and challenges
• Exchanging and critiquing first drafts
• Some instructions on revising

Session 3, Week 16

• Assignment: Final draft due
• Working with editors and the publication process
• Refreshments

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Blog – Posted on Thursday, Nov 11

The only book review templates you'll ever need.

Whether you’re trying to become a book reviewer , writing a book report for school, or analyzing a book, it’s nice to follow a book review template to make sure that your thoughts are clearly presented. 

A quality template provides guidance to keep your mind sharp and your thoughts organized so that you can write the best book review possible. On Reedsy Discovery , we read and share a lot of book reviews, which helps us develop quite a clear idea what makes up a good one. With that in mind, we’ve put together some trustworthy book review templates that you can download, along with a quick run-through of all the parts that make up an outstanding review — all in this post! 

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

Find out the answer. Takes 30 seconds!

Book review templates for every type of review

With the rapid growth of the book community on Instagram, Youtube, and even TikTok, the world of book commentary has evolved far beyond your classic review. There are now many ways you can structure a book review. Some popular formats include:

• Book reports — often done for school assignments; 
• Commentary articles — think in-depth reviews in magazines and newspapers; 
• Book blog reviews — short personal essays about the book; and
• Instagram reviews — one or two-paragraph reviews captioned under a nice photo. 

But while the text in all these review styles can be organized in different ways, there are certain boxes that all good book reviews tick. So, instead of giving you various templates to use for different occasions, we’ve condensed it down to just two book review templates (one for fiction and one for nonfiction) that can guide your thoughts and help you nail just about any review. 

⭐ Download our free fiction book review template  

⭐ Download our free nonfiction book review template  

All you need to do is answer the questions in the template regarding the book you’re reading and you’ve got the content of your review covered. Once that’s done, you can easily put this content into its appropriate format. 

Now, if you’re curious about what constitutes a good book review template, we’ll explain it in the following section! 

Elements of a book review template

Say you want to build your own book review template, or you want to customize our templates — here are the elements you’ll want to consider. 

We’ve divided our breakdown of the elements into two categories: the essentials and the fun additions that’ll add some color to your book reviews.

What are the three main parts of a book review?

We covered this in detail (with the help of some stellar examples) in our post on how to write a book review , but basically, these are the three crucial elements you should know: 

The summary covers the premise of the book and its main theme, so readers are able to understand what you’re referring to in the rest of your review. This means that, if a person hasn’t read the book, they can go through the summary to get a quick idea of what it’s about. (As such, there should be no spoilers!) 

The analysis is where, if it’s a fiction book, you talk more about the book, its plot, theme, and characters. If it’s nonfiction, you have to consider whether the book effectively achieves what it set out to do. 

The recommendation is where your personal opinion comes in the strongest, and you give a verdict as to who you think might enjoy this book. 

You can choose to be brief or detailed, depending on the kind of review you’re writing, but you should always aim to cover these three points. If you’re needing some inspiration, check out these 17 book review examples as seen in magazines, blogs, and review communities like Reedsy Discovery for a little variation. 

Which review community should you join?

Find out which review community is best for your style. Takes 30 seconds!

Which additional details can you include?

Once you’ve nailed down the basics, you can jazz things up a little and add some personal flavor to your book review by considering some of these elements:

• A star-rating (the default is five stars but you can create your own scales); 
• A bullet-point pros and cons list; 
• Your favorite quotation from the book; 
• Commentary on the format you read (i.e., ebook, print, or audiobook);
• Fun facts about the book or author; 
• Other titles you think are similar.

This is where you can really be creative and tailor your review to suit your purpose and audience. A formal review written for a magazine, for instance, will likely benefit from contextual information about the author and the book, along with some comment on how that might have affected the reading (or even writing) process.

Meanwhile, if you’re reviewing a book on social media, you might find bullet points more effective at capturing the fleeting attention of Internet users. You can also make videos, take creative pictures, or even add your own illustrations for more personal touches. The floor is yours at this point, so go ahead and take the spotlight! 

That said, we hope that our templates can provide you with a strong foundation for even your most adventurous reviews. And if you’re interested in writing editorial reviews for up-and-coming indie titles, register as a reviewer on Reedsy Discovery !

Continue reading

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Review: Indian Literature’s issue on Trans Writing

The sahitya akademi’s journal’s issue devoted to trans writing includes excerpts from longer works, poetry, short fiction, essays and book reviews written in english and in major regional languages including manipuri, tamil, kannada, hindi, bengali, malyalam and marathi.

Trans writers rarely find space in mainstream publishing and their writing about their own struggles often appears only in parochial publications. However, the Sahitya Akademi’s journal, Indian Literature, edited by Sukrita Paul Kumar dedicated the March-April 2024 issue entirely to trans writing. In her editorial note, Kumar states that “the current issue of Indian Literature has endeavoured to create a space for trans writing by trans writers, from different Indian languages, that call for a sincere reckoning with a world usually dismissed by most people as inconsequential”.

Divided into two sections, the issue includes excerpts from longer works, poetry, short fiction, essays and book reviews written in English and in the major regional languages of India including Manipuri, Tamil, Kannada, Hindi, Bengali, Malyalam and Marathi. Much of the work deals with the experience of being stigmatised with varied personal divulgences and snippets of conversations with trans writers reflecting an undertow of despair. Dissecting their trauma and sense of loss while also offering some hope, the issue shows that trans people first experience disappointment and alienation within their own homes. With time, as their freedom is curtailed, they confront increasing disrespect. Translated from Manipuri by Rubani Yumkhaibam, the prologue of Santa Khurai’s The Yellow Sparrow: Memoir of a Transgender reverberates with feelings of loss and alienation that begins at home. Its wailing mother tells The Yellow Sparrow :

You are different from the other sparrowsYour innocent body is spewing a host of Yellow feathers, increasingly, alarmingly.They will ostracise you from the rest of the flock You will live friendliness and lonely for the rest of your life. The yellow sparrow fell in loveWith his own molten loveliness

READ MORE: Indian sci-fi: Weird and Wonderful Such is the general predicament that ossifies their anguish. However, resistance and hope also emerge in trans lives along with an illuminating sense of resilience. In their article, We Are Not Others: Reflections of A Transgender Activist , Kalki Subramaniam envisages a hopeful future: “2050 will begin the light years for the transgender community, there will be transgender people who will own massive corporations, will be influential leaders and politicians, will speed the world with charm and art, will lead in education, science, and research”. Clearly, these are not just stories of bruised individuals, they are also narratives of unalloyed courage and confidence.

Some of the authors featured here are trailblazers attempting to broaden the path to freedom for other transgenders. Their personal explorations are imbued with joy.

The critical essays in this issue offer various strands of understanding of the intricacies surrounding the idea of the transgender. The shortcoming of language to express queer diversity is a concern dealt with in Language Disparity: A Threat to Queer Diversity . In another essay, Ghar Kab J(aoge): A Reading of Intergenerational Trauma Using Parallels from Transgender Partition , the author defines the idea of home in the context of gender identity. Such essays are likely to pique the interest of researchers of gender studies making this issue a significant contribution to the field. In sum, this volume of Indian Literature is an excellent collection of contemporary Indian transgender writing.

Mohd. Farhan teaches English at Jamia Millia Islamia.

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Book Review: In ‘Farewell Amethystine,’ a private eye hunts for a beautiful woman’s ex-husband

This cover image released by Mulholland shows “Farewell, Amethystine” by Walter Mosley. (Mulholland via AP)

• Copy Link copied

It’s 1970 in Los Angeles, and Easy Rawlins has come a long way since Walter Mosley launched his series about this Black private detective with “Devil in a Blue Dress.”

In that first novel, published in 1990, we met Easy as a young World War II vet. It was 1948, he’d just moved to Los Angeles after losing his job at a Houston defense plant, and he was struggling to pay his bills. Now, in “Farewell Amethystine,” the 16th book in the series, Easy is a 50-year-old family man, lives in a nice house, and is the owner of a three-man private detective agency.

However, he’s still a Black man in a city where driving a nice car or walking in a white neighborhood is grounds for arrest — or even a beating.

The story begins the way so many hardboiled crime novels have over the decades. A beautiful woman walks into the detective’s office and asks for help. Her name is Amethystine Stoller. Her ex-husband, a forensic accountant, has gone missing, and she wants Easy to look for him.

As Easy presses her for details, he grows UNeasy. He can tell she’s lying about something. More than that, she reminds him of his first love, a grown woman who bedded him when he was just a boy and then disappeared. He looked for her for years and has never forgotten her.

He’s reluctant to take Amethystine’s case, but he’s drawn to her. The book’s title, however, tips off readers that their budding love affair is unlikely to work out.

Easy soon discovers that her ex’s disappearance has something to do with gangsters, a Las Vegas casino and, eventually, a series of murders. For help, Easy turns to Melvin Suggs, his lone friend in the LAPD, but learns that Suggs is in hiding, betrayed by corrupt officers in the department. So now, in addition to searching for Amethystine, Easy has a second problem on his hands.

Fans of this series may be disappointed that Easy’s dangerous friend Mouse makes only a cameo appearance. However, the detective’s old pal Fearless Jones is on hand to watch Easy’s back.

Mosley’s plotting can be a bit hard to follow at times—much like the work of Raymond Chandler, whose detective character, Philip Marlowe, worked the mean streets of Los Angeles in the 1940s. As with Chandler’s books, however, the main attraction of the Easy Rawlins novels is the superb prose. Mosley’s dialogue, much of it straight out of Watts and Compton, is pitch perfect, and some passages have the sensuous rhythm of a basement slow dance.

Bruce DeSilva, winner of the Mystery Writers of America’s Edgar Award, is the author of the Mulligan crime novels including “The Dread Line.”

AP book reviews: https://apnews.com/hub/book-reviews

Review: Indian Literature’s issue on Trans Writing

T rans writers rarely find space in mainstream publishing and their writing about their own struggles often appears only in parochial publications. However, the Sahitya Akademi’s journal, Indian Literature, edited by Sukrita Paul Kumar dedicated the March-April 2024 issue entirely to trans writing. In her editorial note, Kumar states that “the current issue of Indian Literature has endeavoured to create a space for trans writing by trans writers, from different Indian languages, that call for a sincere reckoning with a world usually dismissed by most people as inconsequential”.

Divided into two sections, the issue includes excerpts from longer works, poetry, short fiction, essays and book reviews written in English and in the major regional languages of India including Manipuri, Tamil, Kannada, Hindi, Bengali, Malyalam and Marathi. Much of the work deals with the experience of being stigmatised with varied personal divulgences and snippets of conversations with trans writers reflecting an undertow of despair. Dissecting their trauma and sense of loss while also offering some hope, the issue shows that trans people first experience disappointment and alienation within their own homes. With time, as their freedom is curtailed, they confront increasing disrespect. Translated from Manipuri by Rubani Yumkhaibam, the prologue of Santa Khurai’s The Yellow Sparrow: Memoir of a Transgender reverberates with feelings of loss and alienation that begins at home. Its wailing mother tells The Yellow Sparrow :

You are different from the other sparrowsYour innocent body is spewing a host of Yellow feathers, increasingly, alarmingly.They will ostracise you from the rest of the flock You will live friendliness and lonely for the rest of your life. The yellow sparrow fell in loveWith his own molten loveliness

READ MORE:  Indian sci-fi: Weird and Wonderful Such is the general predicament that ossifies their anguish. However, resistance and hope also emerge in trans lives along with an illuminating sense of resilience. In their article, We Are Not Others: Reflections of A Transgender Activist , Kalki Subramaniam envisages a hopeful future: “2050 will begin the light years for the transgender community, there will be transgender people who will own massive corporations, will be influential leaders and politicians, will speed the world with charm and art, will lead in education, science, and research”. Clearly, these are not just stories of bruised individuals, they are also narratives of unalloyed courage and confidence.

Some of the authors featured here are trailblazers attempting to broaden the path to freedom for other transgenders. Their personal explorations are imbued with joy.

The critical essays in this issue offer various strands of understanding of the intricacies surrounding the idea of the transgender. The shortcoming of language to express queer diversity is a concern dealt with in Language Disparity: A Threat to Queer Diversity . In another essay, Ghar Kab J(aoge): A Reading of Intergenerational Trauma Using Parallels from Transgender Partition , the author defines the idea of home in the context of gender identity. Such essays are likely to pique the interest of researchers of gender studies making this issue a significant contribution to the field. In sum, this volume of Indian Literature is an excellent collection of contemporary Indian transgender writing.

Mohd. Farhan teaches English at Jamia Millia Islamia.

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Journal of Materials Chemistry C

Advancing coatings with polybenzoxazines: insights into molecular design, synthesis, and modification.

Polybenzoxazine (PBZ) emerges as a cutting-edge high-performance thermosetting resin, boasting a broad spectrum of applications in electrician, friction materials, and aerospace industries due to its outstanding features such as exceptional thermal stability, mechanical properties, flexible molecular designability, high char yield, among others. While existing reviews on benzoxazines covers various aspects of benzoxazine research, including synthesis methodologies, accelerated curing process, low-temperature polymerization, intramolecular hydrogen bonding, green flame retardants, low dielectrics, toughening, and et. al., there remains a noticeable gap in the systematic review of coatings-an essential application area for benzoxazines. This review strategically fills this gap by focusing on the functionalization of benzoxazines within composite coatings, exploring vital domains such as anti-corrosion, anti-fouling, superhydrophobicity, oil-water separation, antibacterial properties, and self-cleaning mechanisms. Delving into the intricacies of molecular design, synthesis, and modification, we provide comprehensive insights into the development of PBZs tailored for specific functionalized applications. Our review not only enhances understanding of the multifaceted realm of functional PBZs but also offers practical guidance for designing benzoxazines with desired structures and properties. This, in turn, paves the way for their potential utilization of advanced applications, marking a significant step forward in the field of coatings technology.

• This article is part of the themed collection: Journal of Materials Chemistry C Recent Review Articles

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J. Song, H. Liang, Y. Cao, M. Wang and Z. Wang, J. Mater. Chem. C , 2024, Accepted Manuscript , DOI: 10.1039/D4TC01351D

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Elections Today

Recent projections, delegate tracker, latest election news, after publishing an article critical of israel, columbia law review's website is shut down by board.

A student-run legal journal has been taken offline by its board of directors after it objected to the publication of an article that accused Israel of genocide

NEW YORK -- Student editors at the Columbia Law Review say they were pressured by the journal’s board of directors to halt publication of an academic article written by a Palestinian human rights lawyer that accuses Israel of committing genocide in Gaza and upholding an apartheid regime.

When the editors refused the request and published the piece Monday morning, the board — made up of faculty and alumni from Columbia University's law school — shut down the law review’s website entirely. It remained offline Tuesday evening, a static homepage informing visitors the domain “is under maintenance.”

The episode at one of the country’s oldest and most prestigious legal journals marks the latest flashpoint in an ongoing debate about academic speech that has deeply divided students, staff and college administrators since the start of the Israel-Hamas war.

Several editors at the Columbia Law Review described the board’s intervention as an unprecedented breach of editorial independence at the periodical, which is run by students at Columbia Law School. The board of directors oversees the nonprofit's finances but has historically played no role in selecting pieces.

In a letter sent to student editors Tuesday and shared with The Associated Press, the board of directors said it was concerned that the article, titled “Nakba as a Legal Concept,” had not gone through the “usual processes of review or selection for articles at the Law Review, and in particular that a number of student editors had been unaware of its existence.”

“In order to preserve the status quo and provide student editors some window of opportunity to review the piece, as well as provide time for the Law Review to determine how to proceed, we temporarily suspended the website,” the letter continued.

Those involved in soliciting and editing the piece said they had followed a rigorous review process, even as they acknowledged taking steps to forestall expected blowback by limiting the number of students aware of the article.

In the piece, Rabea Eghbariah, a Harvard doctoral candidate, accuses Israel of a litany of “crimes against humanity,” arguing for a new legal framework to “encapsulate the ongoing structure of subjugation in Palestine and derive a legal formulation of the Palestinian condition.”

Eghbariah said in a text message that the suspension of the law journal's website should be seen as “a microcosm of a broader authoritarian repression taking place across U.S. campuses.”

Editors said they voted overwhelmingly in December to commission a piece on Palestinian legal issues, then formed a smaller committee — open to all of the publication’s editorial leadership — that ultimately accepted Eghbariah's article. He had submitted an earlier version of the article to the Harvard Law Review, which the publication later elected not to publish amid internal backlash, according to a report in The Intercept .

Anticipating similar controversy and worried about a leak of the draft, the committee of editors working on the article did not upload it to a server that is visible to the broader membership of the law journal and to some administrators. The piece was not shared until Sunday with the full staff of the Columbia Law Review — something that editorial staffers said was not uncommon.

“We’ve never circulated a particular article in advance,” said Sohum Pal, an articles editor at the publication. “So the idea that this is all over a process concern is a total lie. It’s very transparently content based.”

In their letter to students, the board of directors said student editors who didn’t work on the piece should have been given an opportunity to read it and raise concerns.

“Whatever your views of this piece, it will clearly be controversial and potentially have an impact on all associated with the Review,” they wrote.

Those involved in the publishing of the article said they heard from a small group of students over the weekend who expressed concerns about threats to their careers and safety if it were to be published.

Some alluded to trucks that circled Columbia and other campuses following Hamas’ Oct. 7 attack on Israel, labeling students as antisemites for their past or current affiliation with groups seen as hostile to Israel.

The letter from the board also suggested that a statement be appended to the piece stating the article had not been subject to a standard review process or made available for all student editors to read ahead of time.

Erika Lopez, an editor who worked on the piece, said many students were adamantly opposed to the idea, calling it “completely false to imply that we didn’t follow the standard process.”

She said student editors had spoken regularly since they began receiving pushback from the board on Sunday and remained firmly in support of the piece.

When they learned the website had been shuttered Monday morning, they quickly uploaded Eghbariah’s article to a publicly accessible website . It has since spread widely across social media.

“It’s really ironic that this piece probably got more attention than anything we normally published,” Lopez added, “even after they nuked the website.”

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