essay notes

How to Write an Essay

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Essay Writing Fundamentals

How to prepare to write an essay, how to edit an essay, how to share and publish your essays, how to get essay writing help, how to find essay writing inspiration, resources for teaching essay writing.

Essays, short prose compositions on a particular theme or topic, are the bread and butter of academic life. You write them in class, for homework, and on standardized tests to show what you know. Unlike other kinds of academic writing (like the research paper) and creative writing (like short stories and poems), essays allow you to develop your original thoughts on a prompt or question. Essays come in many varieties: they can be expository (fleshing out an idea or claim), descriptive, (explaining a person, place, or thing), narrative (relating a personal experience), or persuasive (attempting to win over a reader). This guide is a collection of dozens of links about academic essay writing that we have researched, categorized, and annotated in order to help you improve your essay writing. 

Essays are different from other forms of writing; in turn, there are different kinds of essays. This section contains general resources for getting to know the essay and its variants. These resources introduce and define the essay as a genre, and will teach you what to expect from essay-based assessments.

Purdue OWL Online Writing Lab

One of the most trusted academic writing sites, Purdue OWL provides a concise introduction to the four most common types of academic essays.

"The Essay: History and Definition" (ThoughtCo)

This snappy article from ThoughtCo talks about the origins of the essay and different kinds of essays you might be asked to write. 

"What Is An Essay?" Video Lecture (Coursera)

The University of California at Irvine's free video lecture, available on Coursera, tells  you everything you need to know about the essay.

Wikipedia Article on the "Essay"

Wikipedia's article on the essay is comprehensive, providing both English-language and global perspectives on the essay form. Learn about the essay's history, forms, and styles.

"Understanding College and Academic Writing" (Aims Online Writing Lab)

This list of common academic writing assignments (including types of essay prompts) will help you know what to expect from essay-based assessments.

Before you start writing your essay, you need to figure out who you're writing for (audience), what you're writing about (topic/theme), and what you're going to say (argument and thesis). This section contains links to handouts, chapters, videos and more to help you prepare to write an essay.

How to Identify Your Audience

"Audience" (Univ. of North Carolina Writing Center)

This handout provides questions you can ask yourself to determine the audience for an academic writing assignment. It also suggests strategies for fitting your paper to your intended audience.

"Purpose, Audience, Tone, and Content" (Univ. of Minnesota Libraries)

This extensive book chapter from Writing for Success , available online through Minnesota Libraries Publishing, is followed by exercises to try out your new pre-writing skills.

"Determining Audience" (Aims Online Writing Lab)

This guide from a community college's writing center shows you how to know your audience, and how to incorporate that knowledge in your thesis statement.

"Know Your Audience" ( Paper Rater Blog)

This short blog post uses examples to show how implied audiences for essays differ. It reminds you to think of your instructor as an observer, who will know only the information you pass along.

How to Choose a Theme or Topic

"Research Tutorial: Developing Your Topic" (YouTube)

Take a look at this short video tutorial from the University of North Carolina at Chapel Hill to understand the basics of developing a writing topic.

"How to Choose a Paper Topic" (WikiHow)

This simple, step-by-step guide (with pictures!) walks you through choosing a paper topic. It starts with a detailed description of brainstorming and ends with strategies to refine your broad topic.

"How to Read an Assignment: Moving From Assignment to Topic" (Harvard College Writing Center)

Did your teacher give you a prompt or other instructions? This guide helps you understand the relationship between an essay assignment and your essay's topic.

"Guidelines for Choosing a Topic" (CliffsNotes)

This study guide from CliffsNotes both discusses how to choose a topic and makes a useful distinction between "topic" and "thesis."

How to Come Up with an Argument

"Argument" (Univ. of North Carolina Writing Center)

Not sure what "argument" means in the context of academic writing? This page from the University of North Carolina is a good place to start.

"The Essay Guide: Finding an Argument" (Study Hub)

This handout explains why it's important to have an argument when beginning your essay, and provides tools to help you choose a viable argument.

"Writing a Thesis and Making an Argument" (University of Iowa)

This page from the University of Iowa's Writing Center contains exercises through which you can develop and refine your argument and thesis statement.

"Developing a Thesis" (Harvard College Writing Center)

This page from Harvard's Writing Center collates some helpful dos and don'ts of argumentative writing, from steps in constructing a thesis to avoiding vague and confrontational thesis statements.

"Suggestions for Developing Argumentative Essays" (Berkeley Student Learning Center)

This page offers concrete suggestions for each stage of the essay writing process, from topic selection to drafting and editing. 

How to Outline your Essay

"Outlines" (Univ. of North Carolina at Chapel Hill via YouTube)

This short video tutorial from the University of North Carolina at Chapel Hill shows how to group your ideas into paragraphs or sections to begin the outlining process.

"Essay Outline" (Univ. of Washington Tacoma)

This two-page handout by a university professor simply defines the parts of an essay and then organizes them into an example outline.

"Types of Outlines and Samples" (Purdue OWL Online Writing Lab)

Purdue OWL gives examples of diverse outline strategies on this page, including the alphanumeric, full sentence, and decimal styles. 

"Outlining" (Harvard College Writing Center)

Once you have an argument, according to this handout, there are only three steps in the outline process: generalizing, ordering, and putting it all together. Then you're ready to write!

"Writing Essays" (Plymouth Univ.)

This packet, part of Plymouth University's Learning Development series, contains descriptions and diagrams relating to the outlining process.

"How to Write A Good Argumentative Essay: Logical Structure" (Criticalthinkingtutorials.com via YouTube)

This longer video tutorial gives an overview of how to structure your essay in order to support your argument or thesis. It is part of a longer course on academic writing hosted on Udemy.

Now that you've chosen and refined your topic and created an outline, use these resources to complete the writing process. Most essays contain introductions (which articulate your thesis statement), body paragraphs, and conclusions. Transitions facilitate the flow from one paragraph to the next so that support for your thesis builds throughout the essay. Sources and citations show where you got the evidence to support your thesis, which ensures that you avoid plagiarism. 

How to Write an Introduction

"Introductions" (Univ. of North Carolina Writing Center)

This page identifies the role of the introduction in any successful paper, suggests strategies for writing introductions, and warns against less effective introductions.

"How to Write A Good Introduction" (Michigan State Writing Center)

Beginning with the most common missteps in writing introductions, this guide condenses the essentials of introduction composition into seven points.

"The Introductory Paragraph" (ThoughtCo)

This blog post from academic advisor and college enrollment counselor Grace Fleming focuses on ways to grab your reader's attention at the beginning of your essay.

"Introductions and Conclusions" (Univ. of Toronto)

This guide from the University of Toronto gives advice that applies to writing both introductions and conclusions, including dos and don'ts.

"How to Write Better Essays: No One Does Introductions Properly" ( The Guardian )

This news article interviews UK professors on student essay writing; they point to introductions as the area that needs the most improvement.

How to Write a Thesis Statement

"Writing an Effective Thesis Statement" (YouTube)

This short, simple video tutorial from a college composition instructor at Tulsa Community College explains what a thesis statement is and what it does. 

"Thesis Statement: Four Steps to a Great Essay" (YouTube)

This fantastic tutorial walks you through drafting a thesis, using an essay prompt on Nathaniel Hawthorne's The Scarlet Letter as an example.

"How to Write a Thesis Statement" (WikiHow)

This step-by-step guide (with pictures!) walks you through coming up with, writing, and editing a thesis statement. It invites you think of your statement as a "working thesis" that can change.

"How to Write a Thesis Statement" (Univ. of Indiana Bloomington)

Ask yourself the questions on this page, part of Indiana Bloomington's Writing Tutorial Services, when you're writing and refining your thesis statement.

"Writing Tips: Thesis Statements" (Univ. of Illinois Center for Writing Studies)

This page gives plentiful examples of good to great thesis statements, and offers questions to ask yourself when formulating a thesis statement.

How to Write Body Paragraphs

"Body Paragraph" (Brightstorm)

This module of a free online course introduces you to the components of a body paragraph. These include the topic sentence, information, evidence, and analysis.

"Strong Body Paragraphs" (Washington Univ.)

This handout from Washington's Writing and Research Center offers in-depth descriptions of the parts of a successful body paragraph.

"Guide to Paragraph Structure" (Deakin Univ.)

This handout is notable for color-coding example body paragraphs to help you identify the functions various sentences perform.

"Writing Body Paragraphs" (Univ. of Minnesota Libraries)

The exercises in this section of Writing for Success  will help you practice writing good body paragraphs. It includes guidance on selecting primary support for your thesis.

"The Writing Process—Body Paragraphs" (Aims Online Writing Lab)

The information and exercises on this page will familiarize you with outlining and writing body paragraphs, and includes links to more information on topic sentences and transitions.

"The Five-Paragraph Essay" (ThoughtCo)

This blog post discusses body paragraphs in the context of one of the most common academic essay types in secondary schools.

How to Use Transitions

"Transitions" (Univ. of North Carolina Writing Center)

This page from the University of North Carolina at Chapel Hill explains what a transition is, and how to know if you need to improve your transitions.

"Using Transitions Effectively" (Washington Univ.)

This handout defines transitions, offers tips for using them, and contains a useful list of common transitional words and phrases grouped by function.

"Transitions" (Aims Online Writing Lab)

This page compares paragraphs without transitions to paragraphs with transitions, and in doing so shows how important these connective words and phrases are.

"Transitions in Academic Essays" (Scribbr)

This page lists four techniques that will help you make sure your reader follows your train of thought, including grouping similar information and using transition words.

"Transitions" (El Paso Community College)

This handout shows example transitions within paragraphs for context, and explains how transitions improve your essay's flow and voice.

"Make Your Paragraphs Flow to Improve Writing" (ThoughtCo)

This blog post, another from academic advisor and college enrollment counselor Grace Fleming, talks about transitions and other strategies to improve your essay's overall flow.

"Transition Words" (smartwords.org)

This handy word bank will help you find transition words when you're feeling stuck. It's grouped by the transition's function, whether that is to show agreement, opposition, condition, or consequence.

How to Write a Conclusion

"Parts of An Essay: Conclusions" (Brightstorm)

This module of a free online course explains how to conclude an academic essay. It suggests thinking about the "3Rs": return to hook, restate your thesis, and relate to the reader.

"Essay Conclusions" (Univ. of Maryland University College)

This overview of the academic essay conclusion contains helpful examples and links to further resources for writing good conclusions.

"How to End An Essay" (WikiHow)

This step-by-step guide (with pictures!) by an English Ph.D. walks you through writing a conclusion, from brainstorming to ending with a flourish.

"Ending the Essay: Conclusions" (Harvard College Writing Center)

This page collates useful strategies for writing an effective conclusion, and reminds you to "close the discussion without closing it off" to further conversation.

How to Include Sources and Citations

"Research and Citation Resources" (Purdue OWL Online Writing Lab)

Purdue OWL streamlines information about the three most common referencing styles (MLA, Chicago, and APA) and provides examples of how to cite different resources in each system.

EasyBib: Free Bibliography Generator

This online tool allows you to input information about your source and automatically generate citations in any style. Be sure to select your resource type before clicking the "cite it" button.

CitationMachine

Like EasyBib, this online tool allows you to input information about your source and automatically generate citations in any style. 

Modern Language Association Handbook (MLA)

Here, you'll find the definitive and up-to-date record of MLA referencing rules. Order through the link above, or check to see if your library has a copy.

Chicago Manual of Style

Here, you'll find the definitive and up-to-date record of Chicago referencing rules. You can take a look at the table of contents, then choose to subscribe or start a free trial.

How to Avoid Plagiarism

"What is Plagiarism?" (plagiarism.org)

This nonprofit website contains numerous resources for identifying and avoiding plagiarism, and reminds you that even common activities like copying images from another website to your own site may constitute plagiarism.

"Plagiarism" (University of Oxford)

This interactive page from the University of Oxford helps you check for plagiarism in your work, making it clear how to avoid citing another person's work without full acknowledgement.

"Avoiding Plagiarism" (MIT Comparative Media Studies)

This quick guide explains what plagiarism is, what its consequences are, and how to avoid it. It starts by defining three words—quotation, paraphrase, and summary—that all constitute citation.

"Harvard Guide to Using Sources" (Harvard Extension School)

This comprehensive website from Harvard brings together articles, videos, and handouts about referencing, citation, and plagiarism. 

Grammarly contains tons of helpful grammar and writing resources, including a free tool to automatically scan your essay to check for close affinities to published work. 

Noplag is another popular online tool that automatically scans your essay to check for signs of plagiarism. Simply copy and paste your essay into the box and click "start checking."

Once you've written your essay, you'll want to edit (improve content), proofread (check for spelling and grammar mistakes), and finalize your work until you're ready to hand it in. This section brings together tips and resources for navigating the editing process. 

"Writing a First Draft" (Academic Help)

This is an introduction to the drafting process from the site Academic Help, with tips for getting your ideas on paper before editing begins.

"Editing and Proofreading" (Univ. of North Carolina Writing Center)

This page provides general strategies for revising your writing. They've intentionally left seven errors in the handout, to give you practice in spotting them.

"How to Proofread Effectively" (ThoughtCo)

This article from ThoughtCo, along with those linked at the bottom, help describe common mistakes to check for when proofreading.

"7 Simple Edits That Make Your Writing 100% More Powerful" (SmartBlogger)

This blog post emphasizes the importance of powerful, concise language, and reminds you that even your personal writing heroes create clunky first drafts.

"Editing Tips for Effective Writing" (Univ. of Pennsylvania)

On this page from Penn's International Relations department, you'll find tips for effective prose, errors to watch out for, and reminders about formatting.

"Editing the Essay" (Harvard College Writing Center)

This article, the first of two parts, gives you applicable strategies for the editing process. It suggests reading your essay aloud, removing any jargon, and being unafraid to remove even "dazzling" sentences that don't belong.

"Guide to Editing and Proofreading" (Oxford Learning Institute)

This handout from Oxford covers the basics of editing and proofreading, and reminds you that neither task should be rushed. 

In addition to plagiarism-checkers, Grammarly has a plug-in for your web browser that checks your writing for common mistakes.

After you've prepared, written, and edited your essay, you might want to share it outside the classroom. This section alerts you to print and web opportunities to share your essays with the wider world, from online writing communities and blogs to published journals geared toward young writers.

Sharing Your Essays Online

Go Teen Writers

Go Teen Writers is an online community for writers aged 13 - 19. It was founded by Stephanie Morrill, an author of contemporary young adult novels. 

Tumblr is a blogging website where you can share your writing and interact with other writers online. It's easy to add photos, links, audio, and video components.

Writersky provides an online platform for publishing and reading other youth writers' work. Its current content is mostly devoted to fiction.

Publishing Your Essays Online

This teen literary journal publishes in print, on the web, and (more frequently), on a blog. It is committed to ensuring that "teens see their authentic experience reflected on its pages."

The Matador Review

This youth writing platform celebrates "alternative," unconventional writing. The link above will take you directly to the site's "submissions" page.

Teen Ink has a website, monthly newsprint magazine, and quarterly poetry magazine promoting the work of young writers.

The largest online reading platform, Wattpad enables you to publish your work and read others' work. Its inline commenting feature allows you to share thoughts as you read along.

Publishing Your Essays in Print

Canvas Teen Literary Journal

This quarterly literary magazine is published for young writers by young writers. They accept many kinds of writing, including essays.

The Claremont Review

This biannual international magazine, first published in 1992, publishes poetry, essays, and short stories from writers aged 13 - 19.

Skipping Stones

This young writers magazine, founded in 1988, celebrates themes relating to ecological and cultural diversity. It publishes poems, photos, articles, and stories.

The Telling Room

This nonprofit writing center based in Maine publishes children's work on their website and in book form. The link above directs you to the site's submissions page.

Essay Contests

Scholastic Arts and Writing Awards

This prestigious international writing contest for students in grades 7 - 12 has been committed to "supporting the future of creativity since 1923."

Society of Professional Journalists High School Essay Contest

An annual essay contest on the theme of journalism and media, the Society of Professional Journalists High School Essay Contest awards scholarships up to $1,000.

National YoungArts Foundation

Here, you'll find information on a government-sponsored writing competition for writers aged 15 - 18. The foundation welcomes submissions of creative nonfiction, novels, scripts, poetry, short story and spoken word.

Signet Classics Student Scholarship Essay Contest

With prompts on a different literary work each year, this competition from Signet Classics awards college scholarships up to $1,000.

"The Ultimate Guide to High School Essay Contests" (CollegeVine)

See this handy guide from CollegeVine for a list of more competitions you can enter with your academic essay, from the National Council of Teachers of English Achievement Awards to the National High School Essay Contest by the U.S. Institute of Peace.

Whether you're struggling to write academic essays or you think you're a pro, there are workshops and online tools that can help you become an even better writer. Even the most seasoned writers encounter writer's block, so be proactive and look through our curated list of resources to combat this common frustration.

Online Essay-writing Classes and Workshops

"Getting Started with Essay Writing" (Coursera)

Coursera offers lots of free, high-quality online classes taught by college professors. Here's one example, taught by instructors from the University of California Irvine.

"Writing and English" (Brightstorm)

Brightstorm's free video lectures are easy to navigate by topic. This unit on the parts of an essay features content on the essay hook, thesis, supporting evidence, and more.

"How to Write an Essay" (EdX)

EdX is another open online university course website with several two- to five-week courses on the essay. This one is geared toward English language learners.

Writer's Digest University

This renowned writers' website offers online workshops and interactive tutorials. The courses offered cover everything from how to get started through how to get published.

Writing.com

Signing up for this online writer's community gives you access to helpful resources as well as an international community of writers.

How to Overcome Writer's Block

"Symptoms and Cures for Writer's Block" (Purdue OWL)

Purdue OWL offers a list of signs you might have writer's block, along with ways to overcome it. Consider trying out some "invention strategies" or ways to curb writing anxiety.

"Overcoming Writer's Block: Three Tips" ( The Guardian )

These tips, geared toward academic writing specifically, are practical and effective. The authors advocate setting realistic goals, creating dedicated writing time, and participating in social writing.

"Writing Tips: Strategies for Overcoming Writer's Block" (Univ. of Illinois)

This page from the University of Illinois at Urbana-Champaign's Center for Writing Studies acquaints you with strategies that do and do not work to overcome writer's block.

"Writer's Block" (Univ. of Toronto)

Ask yourself the questions on this page; if the answer is "yes," try out some of the article's strategies. Each question is accompanied by at least two possible solutions.

If you have essays to write but are short on ideas, this section's links to prompts, example student essays, and celebrated essays by professional writers might help. You'll find writing prompts from a variety of sources, student essays to inspire you, and a number of essay writing collections.

Essay Writing Prompts

"50 Argumentative Essay Topics" (ThoughtCo)

Take a look at this list and the others ThoughtCo has curated for different kinds of essays. As the author notes, "a number of these topics are controversial and that's the point."

"401 Prompts for Argumentative Writing" ( New York Times )

This list (and the linked lists to persuasive and narrative writing prompts), besides being impressive in length, is put together by actual high school English teachers.

"SAT Sample Essay Prompts" (College Board)

If you're a student in the U.S., your classroom essay prompts are likely modeled on the prompts in U.S. college entrance exams. Take a look at these official examples from the SAT.

"Popular College Application Essay Topics" (Princeton Review)

This page from the Princeton Review dissects recent Common Application essay topics and discusses strategies for answering them.

Example Student Essays

"501 Writing Prompts" (DePaul Univ.)

This nearly 200-page packet, compiled by the LearningExpress Skill Builder in Focus Writing Team, is stuffed with writing prompts, example essays, and commentary.

"Topics in English" (Kibin)

Kibin is a for-pay essay help website, but its example essays (organized by topic) are available for free. You'll find essays on everything from  A Christmas Carol  to perseverance.

"Student Writing Models" (Thoughtful Learning)

Thoughtful Learning, a website that offers a variety of teaching materials, provides sample student essays on various topics and organizes them by grade level.

"Five-Paragraph Essay" (ThoughtCo)

In this blog post by a former professor of English and rhetoric, ThoughtCo brings together examples of five-paragraph essays and commentary on the form.

The Best Essay Writing Collections

The Best American Essays of the Century by Joyce Carol Oates (Amazon)

This collection of American essays spanning the twentieth century was compiled by award winning author and Princeton professor Joyce Carol Oates.

The Best American Essays 2017 by Leslie Jamison (Amazon)

Leslie Jamison, the celebrated author of essay collection  The Empathy Exams , collects recent, high-profile essays into a single volume.

The Art of the Personal Essay by Phillip Lopate (Amazon)

Documentary writer Phillip Lopate curates this historical overview of the personal essay's development, from the classical era to the present.

The White Album by Joan Didion (Amazon)

This seminal essay collection was authored by one of the most acclaimed personal essayists of all time, American journalist Joan Didion.

Consider the Lobster by David Foster Wallace (Amazon)

Read this famous essay collection by David Foster Wallace, who is known for his experimentation with the essay form. He pushed the boundaries of personal essay, reportage, and political polemic.

"50 Successful Harvard Application Essays" (Staff of the The Harvard Crimson )

If you're looking for examples of exceptional college application essays, this volume from Harvard's daily student newspaper is one of the best collections on the market.

Are you an instructor looking for the best resources for teaching essay writing? This section contains resources for developing in-class activities and student homework assignments. You'll find content from both well-known university writing centers and online writing labs.

Essay Writing Classroom Activities for Students

"In-class Writing Exercises" (Univ. of North Carolina Writing Center)

This page lists exercises related to brainstorming, organizing, drafting, and revising. It also contains suggestions for how to implement the suggested exercises.

"Teaching with Writing" (Univ. of Minnesota Center for Writing)

Instructions and encouragement for using "freewriting," one-minute papers, logbooks, and other write-to-learn activities in the classroom can be found here.

"Writing Worksheets" (Berkeley Student Learning Center)

Berkeley offers this bank of writing worksheets to use in class. They are nested under headings for "Prewriting," "Revision," "Research Papers" and more.

"Using Sources and Avoiding Plagiarism" (DePaul University)

Use these activities and worksheets from DePaul's Teaching Commons when instructing students on proper academic citation practices.

Essay Writing Homework Activities for Students

"Grammar and Punctuation Exercises" (Aims Online Writing Lab)

These five interactive online activities allow students to practice editing and proofreading. They'll hone their skills in correcting comma splices and run-ons, identifying fragments, using correct pronoun agreement, and comma usage.

"Student Interactives" (Read Write Think)

Read Write Think hosts interactive tools, games, and videos for developing writing skills. They can practice organizing and summarizing, writing poetry, and developing lines of inquiry and analysis.

This free website offers writing and grammar activities for all grade levels. The lessons are designed to be used both for large classes and smaller groups.

"Writing Activities and Lessons for Every Grade" (Education World)

Education World's page on writing activities and lessons links you to more free, online resources for learning how to "W.R.I.T.E.": write, revise, inform, think, and edit.

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• Essay Writing

Introduction

In the simplest terms, an essay is a short piece of writing which is set around a specific topic or subject. The piece of writing will give information surrounding the topic but will also display the opinions and thoughts of the author. Oftentimes, an essay is used in an academic sense by way of examination to determine whether a student has understood their studies and as a way of testing their knowledge on a specific subject. An essay is also used in education as a way of encouraging a student to develop their writing skills.

Moreover; an essay is a focused piece of writing designed to inform or persuade. There are many different types of essays, but they are often defined in four categories: argumentative, expository, narrative, and descriptive essays. Argumentative and expository essays are focused on conveying information and making clear points, while narrative and descriptive essays are about exercising creativity and writing in an interesting way. At the university level, argumentative essays are the most common type. 

Types of Essay Writing

When it comes to writing an essay, there is not simply one type, there are, quite a few types of essay, and each of them has its purpose and function which are as follows:

Narrative Essays

A narrative essay details a story, oftentimes from a particular point of view. When writing a narrative essay, you should include a set of characters, a location, a good plot, and a climax to the story. It is vital that when writing this type of essay you use fine details which will allow the reader to feel the emotion and use their senses but also give the story the chance to make a point. 

Descriptive Essay

A descriptive essay will describe something in great detail. The subject can be anything from people and places to objects and events but the main point is to go into depth. You might describe the item’s color, where it came from, what it looks like, smells like, tastes like, or how it feels. It is very important to allow the reader to sense what you are writing about and allow them to feel some sort of emotion whilst reading. That being said, the information should be concise and easy to understand, the use of imagery is widely used in this style of essay. 

Expository Essay

An expository essay is used as a way to look into a problem and therefore compare it and explore it. For the expository essay, there is a little bit of storytelling involved but this type of essay goes beyond that. The main idea is that it should explain an idea giving information and explanation. Your expository essay should be simple and easy to understand as well as give a variety of viewpoints on the subject that is being discussed. Often this type of essay is used as a way to detail a subject which is usually more difficult for people to understand, clearly and concisely.

Argumentative Essay

When writing an argumentative essay, you will be attempting to convince your reader about an opinion or point of view. The idea is to show the reader whether the topic is true or false along with giving your own opinion. You must use facts and data to back up any claims made within the essay. 

Format of Essay Writing

Now there is no rigid format of an essay. It is a creative process so it should not be confined within boundaries. However, there is a basic structure that is generally followed while writing essays.

This is the first paragraph of your essay. This is where the writer introduces his topic for the very first time. You can give a very brief synopsis of your essay in the introductory paragraph. Generally, it is not very long, about 4-6 lines. 

This is the main crux of your essays. The body is the meat of your essay sandwiched between the introduction and the conclusion. So the most vital content of the essay will be here. This need not be confined to one paragraph. It can extend to two or more paragraphs according to the content.

This is the last paragraph of the essay. Sometimes a conclusion will just mirror the introductory paragraph but make sure the words and syntax are different. A conclusion is also a great place, to sum up, a story or an argument. You can round up your essay by providing some morals or wrapping up a story. Make sure you complete your essays with the conclusion, leave no hanging threads.

Writing Tips

Give your essays an interesting and appropriate title. It will help draw the attention of the reader and pique their curiosity

 Keep it between 300-500 words. This is the ideal length, you can take creative license to increase or decrease it

 Keep your language simple and crisp. Unnecessary complicated and difficult words break the flow of the sentence.

 Do not make grammar mistakes, use correct punctuation and spelling five-paragraph. If this is not done it will distract the reader from the content

  Before beginning the essay, organize your thoughts and plot a rough draft. This way you can ensure the story will flow and not be an unorganized mess.

Understand the Topic Thoroughly-Sometimes we jump to a conclusion just by reading the topic once and later we realize that the topic was different than what we wrote about.  Read the topic as many times as it takes for you to align your opinion and understanding about the topic.

Make Pointers-It is a daunting task to write an essay inflow as sometimes we tend to lose our way of explaining and get off-topic, missing important details. Thinking about all points you want to discuss and then writing them down somewhere helps in covering everything you hoped to convey in your essay.

Develop a Plan and Do The Math-Essays have word limits and you have to plan your content in such a way that it is accurate, well-described, and meets the word limit given. Keep a track of your words while writing so that you always have an idea of how much to write more or less. 

Essays are the most important means of learning the structure of writing and presenting them to the reader.

FAQs on Essay Writing

1. Writing an Essay in a format is important?

Yes, it is important because it makes your content more streamlined and understandable by the reader. A set format gives a reader a clear picture of what you are trying to explain. It also organises your own thoughts while composing an essay as we tend to think and write in a haphazard manner. The format gives a structure to the writeup.

2. How does Essay writing improve our English?

Essay writing is a very important part of your English earning curriculum, as you understand how to describe anything in your words or how to put your point of view without losing its meaning

3.  How do you write a good essay?

Start by writing a thorough plan. Ensure your essay has a clear structure and overall argument. Try to back up each point you make with a quotation. Answer the question in your introduction and conclusion but remember to be creative too.

4.  What is the format of writing an essay?

A basic essay consists of three main parts: introduction, body, and conclusion. This basic essay format will help you to write and organize an essay. However, flexibility is important. While keeping this basic essay format in mind, let the topic and specific assignment guide the writing and organization.

5.  How many paragraphs does an essay have?

The basic format for an essay is known as the five paragraph essay – but an essay may have as many paragraphs as needed. A five-paragraph essay contains five paragraphs. However, the essay itself consists of three sections: an introduction, a body, and a conclusion. Below we'll explore the basics of writing an essay.

6.  Can you use the word you in an essay?

In academic or college writing, most formal essays and research reports use third-person pronouns and do not use “I” or “you.” An essay is the writer's analysis of a topic.  “You” has no place in an essay since the essay is the writer's thoughts and not the reader's thoughts.

7.  What does bridge mean in an essay?

A bridge sentence is a special kind of topic sentence. In addition to signaling what the new paragraph is about, it shows how that follows from what the old paragraph said. The key to constructing good bridges is briefly pointing back to what you just finished saying.

Did you know the word ‘essay’ is derived from a Latin word ‘exagium’, which roughly translates to presenting one’s case? So essays are a short piece of writing representing one’s side of the argument or one’s experiences, stories, etc. Essays are very personalized. So let us learn about types of essays, format, and tips for essay-writing.

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An essay is generally a short piece of writing outlining the writer’s perspective or story . It is often considered synonymous with a story or a paper or an article. Essays can be formal as well as informal. Formal essays are generally academic in nature and tackle serious topics. We will be focusing on informal essays which are more personal and often have humorous elements.

Browse more Topics under Writing

• Descriptive Essay
• Diary Entry
• Formal Letters
• Informal Letters
• Letter Writing
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• Story: Characters
• Story: Setting

Get 500+ Essay Topics and Ideas for College and School Students here .

(Source: thewritelife)

Types of Essays

The type of essay will depend on what the writer wants to convey to his reader. There are broadly four types of essays. Let us see.

• Narrative Essays: This is when the writer is narrating an incident or story through the essay. So these are in the first person. The aim when writing narrative essays is to involve the reader in them as if they were right there when it was happening. So make them as vivid and real as possible. One way to make this possible is to follow the principle of ‘show, don’t tell’. So you must involve the reader in the story.
• Descriptive Essays : Here the writer will describe a place, an object, an event or maybe even a memory. But it is not just plainly describing things. The writer must paint a picture through his words. One clever way to do that is to evoke the senses of the reader. Do not only rely on sight but also involve the other senses of smell, touch, sound etc. A descriptive essay when done well will make the reader feel the emotions the writer was feeling at the moment.
• Expository Essays: In such an essay a writer presents a balanced study of a topic. To write such an essay, the writer must have real and extensive knowledge about the subject. There is no scope for the writer’s feelings or emotions in an expository essay. It is completely based on facts, statistics, examples etc. There are sub-types here like contrast essays, cause and effect essays etc.
• Persuasive Essays : Here the purpose of the essay is to get the reader to your side of the argument. A persuasive essay is not just a presentation of facts but an attempt to convince the reader of the writer’s point of view. Both sides of the argument have to presented in these essays. But the ultimate aim is to persuade the readers that the writer’s argument carries more weight.

Learn more about Letter Writing here in detail .

Format of an Essay

Now there is no rigid format of an essay. It is a creative process so it should not be confined within boundaries. However, there is a basic structure that is generally followed while writing essays. So let us take a look at the general structure of an essay.

Introduction

This is the first paragraph of your essay. This is where the writer introduces his topic for the very first time. You can give a very brief synopsis of your essay in the introductory paragraph. Some paragraph writing skills can be a help here. Generally, it is not very long, about 4-6 lines.

There is plenty of scopes to get creative in the introduction of essays. This will ensure that you hook the reader, i.e. draw and keep his attention. So to do so you can start with a quote or a proverb . Sometimes you can even start with a definition. Another interesting strategy to engage with your reader is to start with a question.

This is the main crux of your essays. The body is the meat of your essay sandwiched between the introduction and the conclusion. So the most vital and important content of the essay will be here. This need not be confined to one paragraph. It can extend to two or more paragraphs according to the content.

Usually, we have a lot of information to provide in the body. And the mistakes writers generally make is to go about it in a haphazard manner which leaves the reader confused. So it is important to organize your thoughts and content. Write the information in a systematic flow so that the reader can comprehend. So, for example, you were narrating an incident . The best manner to do this would be to go in a chronological order.

Learn more about Story Writing here in detail .

This is the last paragraph of the essay. Sometimes a conclusion will just mirror the introductory paragraph but make sure the words and syntax are different. A conclusion is also a great place to sum up a story or an argument. You can round up your essay by providing some moral or wrapping up a story. Make sure you complete your essays with the conclusion, leave no hanging threads.

Tips for Essay Writing

• Give your essays an interesting and appropriate title. It will help draw the attention of the reader and pique their curiosity
• Keep it between 300-500 words. This is the ideal length, you can take creative license to increase or decrease it
• Keep your language simple and crisp. Unnecessary complicated and difficult words break the flow of the sentence.
• Do not make grammar mistakes , use correct punctuation and spellings . If this is not done it will distract the reader from the content
• Before beginning the essay organize your thought and plot a rough draft . This way you can ensure the story will flow and not be an unorganized mess.

Solved Question for You

Q: What is a thesis statement of essays?

Ans: The thesis statement is a clear, one-sentence explanation of your position that leaves no doubt in the readers’ mind about which side you are on from the beginning of your essay.

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Student Note-Taking: Level Up Your Essay Writing

Follow this real life example of how students can write their essays much easier and faster with Scrintal, a free tool used by top students and visual thinkers.

Become a Visual Thinker

Introduction | A Student’s Perspective

As an undergraduate student with a minor in the social sciences, I’ve written my fair share of essays. I see the value in outlining, but the way I’ve learned to do it in school forces me to compartmentalize my thoughts into strict categories, and it’s harder to make connections between points without filling up the margins with messy written notes or adding asterisks and typing footnotes. Without these visual reminders, my head is swimming with ideas and it’s difficult to focus on the topic at hand.  

Even in cases where I’m writing an essay about which I’m not bursting with ideas, sitting in front of a blank document with nowhere to start is a daunting feeling that doesn’t inspire creativity or ideation. I’ve often been known to fill up a flashcard full of keywords and phrases that relate to my essay topic and can be referred to while I write.

But there’s a better solution now.

Planning | How To Plan Essay Writing With Scrintal

Before Scrintal, my essay-writing process depended on the length and topic of the paper. I would start with reading the source material, usually consisting of one or many philosophy papers that varied in complexity from op-eds to intricate and meandering textbook chapters. 

Hume and Marx were always easy reads if you could pay attention, and to write a thousand-word paper on them would be a breeze. I would start with a cheeky first sentence and from there I could write in an ordered fashion and edit along the way. A final read-through before submitting and I was done; these essays received good marks, because they started with a single source, relied on a single thesis statement, and referenced materials that were concise, well-organized, and simple to understand. 

Kierkegaard and Heidegger, on the other hand, were more complex. After a lot of Googling questions, skimming Wikipedia, and taking breaks from reading to lean back in my chair and ponder the last sentence, I could grasp the basic concept of a difficult paper. But explaining it in full, much less writing an original paper, was a whole different story. I struggled through these and made it out the other side, but it was inefficient and sometimes uninspired; I would feel like all the ideas I came up with while reading had been lost along the way in my quest to understand the next sentence, and the one after that, and the one after that. 

Scrintal changed that: I’ve written two essays using Scrintal, one being a relatively short paper that required comparing two sources and another ten-pager for which I referenced three lengthy academic articles and one 400-page book.

For the comparison paper, I wrote notes on Scrintal as I read and highlighted in OneNote, creating connecting cards about similar ideas between the two papers as well as counterarguments. I only had to read each paper one time to articulate my ideas, and I didn’t have to write in the OneNote margins to explain my highlights; I only highlighted so I could remember which sentences to quote. This significantly cut down my ideation time and ensured I didn’t have to reread material, the latter of which always used to make me feel too entrenched in the source to be able to step back and write about it in my own words.

For the second ten-page essay, I read through sources and added cards to denote different ideas, easily connecting them to one other by linking cards. I added quotes directly from sources into my cards and each card represented a different argument in support of my thesis. Because the paper was longer and more complex, I did return to my sources to verify that the points I made were correctly described; but rather than verifying my entire paper sentence by sentence, I was able to parse through cards and make connections as they appeared, ensuring that my spontaneous ideas were not lost along the way. 

Since the writing of these essays, a new Scrintal update also allows the user to link to an online PDF file in their card and open the document in a new window alongside their card, which makes the process of writing while reading even easier. You can also do this with YouTube videos to listen and type at the same time. A great feature to add would be the ability to upload PDFs and other documents as well as videos (like downloadable lecture videos from online classes) with the same results rather than having to link PDFs available from online sources.

You can also now tag cards or change their color, which I would have used to differentiate cards based on whether they represent ideas, arguments, or entire reference summaries. These tools will definitely come into play in my future uses.

Based on my experience, my favorite Scrintal planning features are as follows:

Flexibility of creating and marking notecards for different essay components

Ability to easily connect ideas between cards in order to remember where they are relevant

Search function, which allows me to clear my desk of cards that are not immediately needed and bring them back as required

Ability to open documents and videos in a separate window within the Scrintal ecosystem to avoid switching between different tabs

Folding and expanding cards to see the big picture of a paper and ensure everything I need to address is included in my ideas

Ideation in essay writing is the most difficult part for me. Once I know what I need to write about, the writing itself is easy; and the flow of writing is much smoother when it’s not interrupted by having to think about where to go next. Instead, my thought process and direction are easily laid out in the connected cards.

Writing | How To Write An Essay Using Scrintal

Before Scrintal, writing was either a putting-to-paper of my stream of consciousness or a laborious and frustrating ordeal, again depending on the length and topic of the essay. But the main function of Scrintal for essays is the planning, and once this is done, writing is as simple as adding more detail and transforming ideas into coherent, meaningful sentences. Even if I don’t know exactly the order in which I want to write a paper when I begin, I can collapse my notes all at once to see all the components of my thesis and decide which naturally comes after the one before. I was even able to copy and paste phrases directly from Scrintal into my essay with few changes; because these ideas were written while I was in the throes of reading, they were my first and best attempts at synthesizing what I had read in my own words and could function as efficient explanatory or introductory phrases in the paper itself. I would not have been able to do this if my ideas were written down after I had finished reading the whole source material, but since I wrote while I read, the ideas were fresh in my mind and well-articulated in my notecard.

Conclusion | The Future of Essay Writing

My experience with the early rendition of Scrintal improved my ideation, efficiency, and attitude when it came to writing essays. Having seen the new improvements in available tools and user experience, I see this continuing to be the case. Any concerns I had while completing these two essays have since been mostly resolved: namely, I no longer have to switch between tabs to write notes while reading or listening if the PDF or video is available online, nor is it necessary to have all cards in the same color or always view all cards and their content rather than the card titles alone. 

Scrintal could not have come at a better time, because I am currently in the process of writing my undergraduate thesis, an extensive term-long assignment that is largely self-directed and requires diligent documentation of ideas. While my high school education prepared me to write essays with surprise prompts under time constraints, Scrintal allows me to formulate well-researched and thoughtfully planned papers with ease. I can choose when to focus on an idea and when to step back and see the progress of my research. I can decide when to clear my desk and when to bring everything back into the picture. I can easily explore a new idea and the substance behind it, even deleting it or moving the information to an existing card if needed. The team behind this tool values user feedback and has implemented it faster than any other company I have seen; so I have no doubt that any potential improvements will make it to my desk and further enhance my experience. 

The future of my writing is Scrintal, and I’m not going back.

Isha Trivedi

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Navel Gazing

John dickerson’s notebooks: the meaning behind all this navel gazing.

The season finale of Navel Gazing explores John Dickerson’s search for meaning in a box of notebooks

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Episode Notes

In this week’s essay, John discusses instinct versus obligation, his daughter’s wit, how he has changed since episode one, and more.

Notebook Entries:

Notebook 58, page 10. September 16, 2021

“You don’t measure your life the way you measure your writing.” - Nan

Notebook 75, page 46-47. September 2021

When your dog dies and son goes to college and you are confronted with your life’s work it all boils down to one alarm: the clock is ticking. If a scream is better than a thesis, I was hearing some kind of scream, but what was the thesis?

References:

Everything Is Copy – HBODocs

 The Power of Regret – Daniel Pink

The Mezzanine – Nicholson Baker

“ The Creative Process ” – James Baldwin

Slouching Towards Bethlehem – Joan Didion

“ Three Paths Toward the Meaning of Life ” - Arthur Brooks for The Atlantic

Podcast production by Cheyna Roth.

Email us at [email protected]

About the Show

Political Gabfest host John Dickerson has been a journalist for more than three decades, reporting about presidential campaigns, political scandals, and the evolving state of our democracy. Along the way, he’s also been recording his observations in notebooks he has carried in his back pocket. He has captured his thoughts about life, parenthood, death, friendship, writing, God, to-do lists, and more. On the Navel Gazing podcast, John Dickerson invites you to join him in figuring out what these 30 years of notebooks mean: sorting out what makes a life—or a day in a life—noteworthy.

John Dickerson is host of CBS News Prime Time With John Dickerson , co-host of the Slate Political Gabfest, host of the Whistlestop podcast, and author of The Hardest Job in the World .

Vol. 48 No. 1 (2024)

Author Meets Critics

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Guest Essay

A Chill Has Fallen Over Jews in Publishing

By James Kirchick

Mr. Kirchick is a contributing writer to Tablet magazine, a writer at large for Air Mail and the author of “Secret City: The Hidden History of Gay Washington.”

This month, an account on X with the handle @moyurireads and 360 followers published a link to a color-coded spreadsheet classifying nearly 200 writers according to their views on the “genocide” in Gaza. Titled “Is Your Fav Author a Zionist?,” it reads like a cross between Tiger Beat and “The Protocols of the Elders of Zion.”

The novelist Emily St. John Mandel, the author of “Station Eleven” and “Sea of Tranquility,” earned a red “pro-Israel/Zionist” classification because, according to the list’s creator, she “travels to Israel frequently talks favorably about it.” Simply for posting a link to the Israeli chapter of the Red Cross, the novelist Kristin Hannah was deemed a “Zionist,” as was the author Gabrielle Zevin for delivering a book talk to Hadassah, a Jewish women’s organization. Needless to say, the creator of the list — whose post on X announcing it garnered over a million views within a few days — encourages readers to boycott any works produced by “Zionists.”

The spreadsheet is but the crudest example of the virulently anti-Israel — and increasingly antisemitic — sentiment that has been coursing through the literary world since the Hamas massacre of Oct. 7. Much of it revolves around the charge of genocide and seeks to punish Zionists and anyone else who refuses to explicitly denounce the Jewish state for allegedly committing said crime. Since a large majority of American Jews (80 percent of whom, according to a 2020 poll , said that caring about Israel is an important or essential part of their Judaism) are Zionists, to accuse all Zionists of complicity in genocide is to anathematize a core component of Jewish identity.

Over the past several months, a litmus test has emerged across wide swaths of the literary world effectively excluding Jews from full participation unless they denounce Israel. This phenomenon has been unfolding in progressive spaces (academia, politics, cultural organizations) for quite some time. That it has now hit the rarefied, highbrow realm of publishing — where Jewish Americans have made enormous contributions and the vitality of which depends on intellectual pluralism and free expression — is particularly alarming.

As is always and everywhere the case, this growing antisemitism is concomitant with a rising illiberalism. Rarely, if ever, do writers express unanimity on a contentious political issue. We’re a naturally argumentative bunch who — at least in theory — answer only to our own consciences.

To compel them to express support or disapproval for a cause is one of the cruelest things a society can do to writers, whose role is to tell society what they believe, regardless of how popular the message may be. The drawing up of lists, in particular, is a tactic with a long and ignominious history, employed by the enemies of literature — and liberty — on both the left and the right. But the problem goes much deeper than a tyro blacklist targeting “Zionists.”

One of the greatest mass delusions of the 21st century is the belief that Israel is committing a genocide against Palestinians. This grotesque moral inversion — in which a genocidal terrorist organization that instigated a war with Israel by committing the largest massacre of Jews since the Holocaust is absolved of responsibility while the victim of Hamas’s attack is charged with perpetrating the worst crime known to man — began taking shape before Israel even launched its ground invasion of Gaza.

A charitable description of those imputing genocidal motivations to Israel is that they are ignorant, essentially believing the word to mean “large numbers of civilian casualties.” (Here it’s worth noting that the United Nations, to little notice, has significantly lowered its estimate of the number of women and children killed in Gaza.) For others, accusing Israel of genocide is an emotional outlet for expressing outrage at such a horrific loss of life. A third, more pessimistic, characterization of the ubiquitous genocide canard is that it is only the latest iteration of the ancient antisemitic blood libel, which held that Jews murdered gentile children in order to use their blood for religious rituals.

College students and professional activists using overheated and imprecise language to convey their strongly held beliefs is hardly uncommon, and much of the intemperate language being directed at Israel and its Zionist supporters can be attributed to the hyperbole that increasingly characterizes our political discourse. What should worry us more is when people who have dedicated their lives to the written word manipulate language for a political end, one that is stigmatizing Jews.

Nine days after the Oct. 7 attack, the popular website Literary Hub began publishing what has since become a near-daily torrent of agitprop invective against what it describes as the “rogue ethnostate” of Israel, which it routinely accuses of committing genocide. In March, after a mass resignation of its staff members , the literary magazine Guernica retracted a personal essay by a left-wing Israeli woman about her experience volunteering to drive Palestinian children to Israel for medical treatment. In her resignation letter, one of the magazine’s co-publishers denounced the piece as “a hand-wringing apologia for Zionism and the ongoing genocide in Palestine.”

Whereas antisemitism in the literary world used to lurk in the shadows, according to the Jewish Book Council’s chief executive, Naomi Firestone-Teeter, since Oct. 7, it has become increasingly overt. “The fact that people have felt so proud and open about it is a different beast entirely,” she said. One of the most disturbing developments in this regard has been the frequency and contempt with which the word “Zionist” is now spit from people’s mouths in the United States.

Until relatively recently, the use of “Zionist” as a slur was most commonly confined to Soviet and Arab propagandists, who spent decades trying to render the word the moral equivalent of “Nazi.” Today many progressives use the word in similar fashion, making no distinction between a Zionist who supports a two-state solution (which, presumably, most Jews in the overwhelmingly liberal literary world do) and one who believes in a “Greater Israel” encompassing the entirety of the West Bank and Gaza Strip. And while anyone can be a Zionist, I’ve found in my 20 years of reporting on antisemitism that many Jews essentially hear “Jew” when someone shouts “Zionist" at them.

The corruption of the words “genocide” and “Zionist” lies at the root of the controversy threatening to unravel PEN America, the storied writers’ organization. As with many a literary contretemps, it involves a cascade of open letters. In February a missive that gained almost 1,500 signatures was published demanding that PEN “wake up from its own silent, tepid, neither-here-nor-there, self-congratulatory middle of the road and take an actual stand against an actual genocide.” The dozens of statements PEN had issued by that time calling attention to the plight of writers in Gaza (who the letter, without citing evidence, claimed had been “targeted” by Israel for assassination) were insufficient. “We demand PEN America release an official statement” about the writers killed in Gaza the letter read, “and name their murderer: Israel, a Zionist colonial state funded by the U.S. government.”

On March 20, PEN acceded to the ultimatum that it endorse the call for a cease-fire. But that did not satiate its critics.

Last month, in advance of PEN’s annual literary awards ceremony, nearly half of the nominated writers withdrew from the competition. A subset of those writers then released another open letter , declaring, “Among writers of conscience, there is no disagreement. There is fact and fiction. The fact is that Israel is leading a genocide of the Palestinian people.” They accused PEN of “normalizing genocide,” denounced PEN for its “platforming of Zionists” and, most shamefully, called for the resignation of its Jewish chief executive, Suzanne Nossel, on account of her “longstanding commitments to Zionism.”

Along with eight other past presidents of PEN, Salman Rushdie signed a letter in defense of the organization , an intervention that earned him an “unclear” rating on the anti-Zionist blacklist. (He has braved far worse from Islamist zealots and their Western apologists.) PEN ultimately canceled both the awards ceremony and subsequent World Voices Festival.

Dissatisfaction with PEN’s purported lack of indignation over the deaths of Palestinian writers is a fig leaf. Where were the efforts by those now decrying PEN to protest the complete absence of freedom of expression that has characterized the Gaza Strip under 17 years of Hamas rule?

The real objectives behind the cynical weaponization of the word “genocide” and the authoritarian insistence that anyone who disagrees with it is an enabler of one are to shut down debate, defame dissenters and impose a rigid orthodoxy throughout the publishing world. It is a naked attempt to impose an ideological litmus test on anyone hoping to join the republic of letters — a litmus test that the vast majority of Jews would fail.

A campaign of intimidation, the sort of thing that happens to the dissident writers in closed societies whom PEN regularly champions, is afoot to pressure writers into toeing this new party line. PEN’s current president, Jenny Finney Boylan, recently said that she had heard from “many, many authors who do not agree with those withdrawing from PEN events and who do not wish to withdraw from our events themselves but are afraid of the consequences if they speak up.”

Compelling speech — which is ultimately what PEN’s critics are demanding of it — is the tactic of commissars, not writers in a free society. Censorship, thought policing and bullying are antithetical to the spirit of literature, which is best understood as an intimate conversation between the author and individual readers.

PEN’s detractors aren’t helping the Palestinian people with their whitewashing of Hamas. They’re engaged in a hostile takeover of a noble organization committed to the defense of free expression in order to advance a sectarian and bigoted political agenda.

Neil Gaiman, Taylor Jenkins-Reid, Ms. Mandel and other hugely successful authors need not worry that being denounced as a Zionist will hurt their careers. But the blacklists and the boycotts do not really target them. The actual targets of this crusade are lesser-known authors, budding novelists, aspiring poets and creative writing students — largely but not exclusively Jewish — who can feel a change in the air.

“I do now definitely have concern as a Jewish author — two years working on a novel that has absolutely nothing to do with Jews in any way, just because it says ‘National Jewish Book Award winner’ in my bio — that it may change the way readers see the work,” said a Jewish creative writing professor and novelist who spoke to me on the condition of being quoted anonymously.

No longer is being on the receiving end of a review bomb the worst fate that can befall a Jewish writer exploring Jewish themes; even getting such a book published is becoming increasingly difficult. “It’s very clear you have to have real courage to acquire and publish proudly Jewish voices and books about being Jewish,” a prominent literary agent told me. “When you are seen as genocidal, a moral insult to humanity because you believe in Israel’s right to exist, you are now seen as deserving of being canceled.”

There’s a distasteful irony in a literary community that has gone to the barricades fighting book “bans” now rallying to boycott authors based on their ethnoreligious identity. For a growing set of writers, declaring one’s belief that the world’s only Jewish state is a genocidal entity whose dismantlement is necessary for the advancement of humankind is a political fashion statement, a bauble one parades around in order to signify being on the right team. As was Stalinism for an earlier generation of left-wing literary intellectuals, so is antisemitism becoming the avant-garde.

James Kirchick is a contributing writer to Tablet magazine, a writer at large for Air Mail and the author of “Secret City: The Hidden History of Gay Washington.”

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips . And here’s our email: [email protected] .

Follow the New York Times Opinion section on Facebook , Instagram , TikTok , WhatsApp , X and Threads .

What we actually know about aliens, according to science

GREEN BANK, W.Va. — It came from space, hurtling at tremendous speed: a mystery object, reddish, rocky, shaped like a cigar. Its velocity was so extreme it had to have come from somewhere far away, in the interstellar realm. The astronomers in Hawaii who spotted it in 2017 named it ‘Oumuamua, Hawaiian for “a messenger from afar arriving first.”

But what was it, exactly? A comet? An asteroid?

Or maybe … an alien spacecraft ?

That conjecture incited headlines, as well as eyerolls from most scientists. But here in West Virginia, the people involved in the search for extraterrestrial intelligence — commonly called SETI — decided to aim a giant radio telescope at it, just to be sure.

Aliens are having a moment . Fascination with the concept of extraterrestrial visitors isn’t new, but it has enjoyed a 21st-century efflorescence. Military pilots have seen things that look otherworldly. The Pentagon has established an office to look into the sightings. Congress has held hearings . Even NASA got into the game , training the cool logic of science onto a scorching-hot cultural topic.

Somewhere along the line, UFOs got rebranded. Unidentified flying objects are now, per government edict, unidentified anomalous phenomena (UAPs).

For SETI researchers, the hypothetical existence of aliens is foundational. Nestled in the remote mountain town of Green Bank, the National Radio Astronomy Observatory has a role in one of the most ambitious SETI projects, called Breakthrough Listen. The project buys time on the towering Robert C. Byrd Green Bank Telescope, which has a steerable dish 300 feet in diameter. If there are aliens transmitting radio signals anywhere near us in the galaxy, that big dish is all ear.

Confirming an alien radio signal would be possibly the most consequential and disruptive scientific discovery of all time. SETI scientists have no doubt that the search is worth the effort.

“I think if we didn’t do that, and turned our back on our cosmological neighbors, that would be a sad thing for me,” David MacMahon, the chief scientist on Breakthrough Listen, said this fall during a visit to Green Bank.

That’s why the Breakthrough Listen team pointed the big telescope at the mystery object ‘Oumuamua, listening for signs of intelligent life.

“It was absolutely silent,” reports Matt Lebofsky, lead engineer on the project.

Silence: That is all astronomers have heard since the first SETI search was conducted at Green Bank in 1960.

Only a small fraction of our galaxy has been studied. Absence of evidence, as everyone knows, is not evidence of absence. Aliens may not consider radio waves to be a useful or dignified way to communicate. They could be pathologically shy. Or, at least with the kind of technology we have today, they could be just a little bit out of range.

For whatever reason, SETI has not found anyone out there, and at some point the silence could get deafening.

The physicist Paul Davies has written that SETI is a search for a needle in a haystack without knowing if the needles are really there.

All possibilities remain in play. Including the possibility that we are alone.

UAPs and the renewed alien obsession

One day circa 1950, the physicist Enrico Fermi was talking with fellow scientists about flying saucers and whether it might be possible, in theory, for an advanced alien species to cross the vast expanses of the galaxy by traveling faster than the speed of light.

Suddenly Fermi erupted: “But where is everybody?”

Thus was born “the Fermi Paradox.” The universe is big and old, and it is highly plausible that alien civilizations have evolved, based purely on statistical probabilities. Fermi posed his question in an era of technological revolutions, including computers and rocketry. It seemed possible humans would master space travel and explore the cosmos. So why, he asked, is there no compelling scientific evidence that extraterrestrials have visited Earth?

Perhaps the simplest explanation for the Fermi Paradox is that there’s no paradox at all: They’re here!

The idea that mysterious things seen in the sky are alien spaceships has proved remarkably resilient. It has had some ups and downs and is now in an up phase. It has found a warm reception recently in the halls of Congress, where the hypothesis has enjoyed bipartisan support amid a push for government disclosure of whatever anyone might know about extraterrestrials.

“The American public has a right to learn about technologies of unknown origins, non-human intelligence, and unexplainable phenomena,” Senate Majority Leader Charles E. Schumer (D-N.Y.) said this summer.

Republicans in the House convened a headline-grabbing hearing in July at which a former Air Force intelligence officer testified that he had been told that the United States is in possession not only of crashed spacecraft of “non-human” origin but also alien “biologics.” This is a relaunch of the 1947 Roswell, N.M., crashed-saucer story , rising Lazarus-like to annoy skeptics anew.

In September, a journalist in Mexico garnered global headlines by displaying to Mexico’s Congress what he claimed were the thousand-year-old mummified corpses of two three-fingered aliens. Mexican scientists scoffed , appalled at the reputational damage caused by what one professor called “a pseudoscientific event, which appeals to our fantasies, desires, and fears.”

The scientific community views the recent UAP mania as a cultural phenomenon, not an astrobiological one. There’s not much here that meets the standards science requires, such as evidence that is testable, reproducible, falsifiable.

That’s impossible with the conjectured existence of alien spaceships that have the amazing ability to disappear. And if someone says there’s alien hardware stashed in a warehouse somewhere, scientists want to see it, and poke and prod it and bite it and gnaw on it for a while.

There have been many sightings of UAPs by credible witnesses, including military pilots. Some remain unexplained and could have national security significance if the objects in question involve new technologies from foreign adversaries. But official government reports — including one from a special NASA task force — say there is no evidence that any of these things involve extraterrestrials.

SETI researchers occupy a unique and awkward niche amid the debate. Aliens, though hypothetical, are the reason they go to work. But they have chosen not to include an investigation of blurry, stealthy, here-and-gone UAPs as part of their mission, MacMahon said.

“SETI is not a belief system,” MacMahon said. “It’s a scientific methodology.”

The math that says Earth is no miracle

For SETI experts, two arguments grounded in science bolster the conjecture that aliens are surely out there somewhere: Big Numbers and the Copernican principle.

The Big Numbers argument notes that our galaxy, the Milky Way, has something like 400 billion stars, and it’s just one of untold billions of galaxies in a universe that might be infinite. Moreover, in the past 30 years, astronomers have discovered that planets of all shapes and sizes are common in the universe.

With so much turf out there, even the most frowny-faced skeptic must admit it’s hard to run the numbers in a 13.8 billion-year-old universe like ours and wind up with just one self-aware, technological, telescope-constructing species.

The Copernican principle is inspired by 16th-century astronomer Copernicus, whose revolutionary model of the solar system put the sun and not Earth at the center. The principle suggests that, in the same way that Earth is not in a privileged place in the universe, humanity should not presume itself special, or unique. The universe is not about us, and what happened on this planet over the past 4 billion years could happen elsewhere.

“Otherwise you have to believe that Earth is a miracle. I don’t,” said Seth Shostak, an astronomer at the SETI Institute in Mountain View, Calif. “It’s just never true that you only find one example of something in nature.”

Shostak is right, with an asterisk: So far, science has found only one example of a habitable planet with intelligent life. Despite decades of hunting for signs of another civilization, in scientific parlance, N=1.

In 1960, here in Green Bank, radio astronomer Frank Drake made the first attempt to pick up alien signals, aiming a telescope at two nearby sun-like stars. “Project Ozma” produced one brief false alarm, but otherwise the stars remained silent. The following year Drake developed an equation that has since guided the debate about the abundance of detectable communicative civilizations.

The Drake Equation includes a host of variables, some of which we have started to measure (the rate of star formation, the fraction of stars with planets, the average number of potentially habitable planets among such stars) and others that are as-yet unknown (the fraction of planets that have life, the fraction that have intelligent life, etc.). Pioneering SETI astronomer Jill Tarter has described the equation as a wonderful tool for “organizing our ignorance.”

The discovery of exoplanets injected new optimism into the equation. There’s surely an Earth twin out there somewhere. The closest thing found so far, according to planet-hunting NASA astrophysicist Knicole Colón, is Kepler-452b, a planet 1,800 light-years away. It orbits in the “habitable zone” of a sun-like star, which means water could be liquid on its surface. It’s not our galactic doppelgänger, however: It is 50 percent larger than Earth, putting it in a class known as a “super-Earth.”

The James Webb Space Telescope is also probing the intriguing Trappist-1 planetary system, which has a gaggle of rocky planets that deserve a closer look. And detection technology will keep improving as NASA and the global astronomy community build a new generation of space telescopes designed to find and analyze even more Earth-like planets.

“I do think it’s impossible for Earth to be the only place with life, even if it’s just bacterial or microbiological life,” Colon said, adding, “I would be shocked if we were the only intelligent civilization out there.”

Penn State astrophysicist Jason Wright, who heads the university’s Extraterrestrial Intelligence Center and who has consulted with Breakthrough Listen, notes that intelligence has arisen in many distantly related species on Earth. Consider octopuses: They’re savvy, know how to escape an aquarium and are only distantly related to humans.

But the evolution of complex life is fraught with unknowns. Emily Mitchell, a paleobiologist at the University of Cambridge, points out that, while there is fossil evidence of life on Earth at least 3.5 billion years ago, no large multicellular creatures appeared until about 600 million years ago. Life on Earth took roughly 3 billion years to learn to crawl.

“I think there’s a massive, massive difference between being able to find life elsewhere, and being able to find evidence of intelligent life and being able to contact them,” Mitchell said.

What it means to be alone

At Green Bank, Jay Lockman is a sage presence, a former director of the observatory who is eager to discuss all angles of radio astronomy — including SETI. He thinks it is “silly” to say we are alone in the universe.

“There’s no killer barrier in the Drake equation that we know of,” he said.

But Lockman adds a caveat: If intelligence evolves on a world covered entirely by an ocean, “you wind up with all these super-intelligent dolphins who will never build a radio transmitter.”

Which raises a philosophical question: What do we mean when we ask “Are we alone?”

The bible for alien-life pessimists is the 2000 book “ Rare Earth: Why Complex Life Is Uncommon in the Universe ,” by Peter D. Ward and Donald E. Brownlee. The controversial book argued that Earth is unusually blessed with conditions that make complex life possible, such as having the giant planet Jupiter in just the right spot to run interference against dangerous comets.

But the book does not argue there are no aliens out there. Here’s where the debate gets subtle. Ward told The Washington Post that he assumes aliens do exist somewhere in the vast universe, but we’ll never know because they’re just too far away to make contact. We’re not literally alone, in his scenario, but we’re functionally alone.

“The chances that there’s one close enough to ever interact with is vanishingly small,” Ward said.

Which is an unsatisfying situation. We are a social species. And finding others out there would give us hope, demonstrating that this remarkable evolutionary adaptation of intelligence is sustainable and is not ultimately self-destructive.

We are not looking for alien algae, alien trilobites, or even alien dolphins. We’re looking for some version — perhaps a better version — of ourselves.