book review in english short

How to Write a Book Review: The Ultimate Guide

WHAT IS A BOOK REVIEW?

Traditionally, book reviews are evaluations of a recently published book in any genre. Usually, around the 500 to 700-word mark, they briefly describe a text’s main elements while appraising the work’s strengths and weaknesses. Published book reviews can appear in newspapers, magazines, and academic journals. They provide the reader with an overview of the book itself and indicate whether or not the reviewer would recommend the book to the reader.

WHAT IS THE PURPOSE OF A BOOK REVIEW?

There was a time when book reviews were a regular appearance in every quality newspaper and many periodicals. They were essential elements in whether or not a book would sell well. A review from a heavyweight critic could often be the deciding factor in whether a book became a bestseller or a damp squib. In the last few decades, however, the book review’s influence has waned considerably, with many potential book buyers preferring to consult customer reviews on Amazon, or sites like Goodreads, before buying. As a result, book review’s appearance in newspapers, journals, and digital media has become less frequent.

WHY BOTHER TEACHING STUDENTS TO WRITE BOOK REVIEWS AT ALL?

Even in the heyday of the book review’s influence, few students who learned the craft of writing a book review became literary critics! The real value of crafting a well-written book review for a student does not lie in their ability to impact book sales. Understanding how to produce a well-written book review helps students to:

●     Engage critically with a text

●     Critically evaluate a text

●     Respond personally to a range of different writing genres

●     Improve their own reading, writing, and thinking skills.

Not to Be Confused with a Book Report!

WHAT’S THE DIFFERENCE BETWEEN A BOOK REVIEW AND A BOOK REPORT?

While the terms are often used interchangeably, there are clear differences in both the purpose and the format of the two genres. Generally speaking, book reports aim to give a more detailed outline of what occurs in a book. A book report on a work of fiction will tend to give a comprehensive account of the characters, major plot lines, and themes in the book. Book reports are usually written around the K-12 age range, while book reviews tend not to be undertaken by those at the younger end of this age range due to the need for the higher-level critical skills required in writing them. At their highest expression, book reviews are written at the college level and by professional critics.

Learn how to write a book review step by step with our complete guide for students and teachers by familiarizing yourself with the structure and features.

BOOK REVIEW STRUCTURE

ANALYZE Evaluate the book with a critical mind.

THOROUGHNESS The whole is greater than the sum of all its parts. Review the book as a WHOLE.

COMPARE Where appropriate compare to similar texts and genres.

THUMBS UP OR DOWN? You are going to have to inevitably recommend or reject this book to potential readers.

BE CONSISTENT Take a stance and stick with it throughout your review.

FEATURES OF A BOOK REVIEW

PAST TENSE You are writing about a book you have already read.

EMOTIVE LANGUAGE Whatever your stance or opinion be passionate about it. Your audience will thank you for it.

VOICE Both active and passive voice are used in recounts.

A COMPLETE UNIT ON REVIEW AND ANALYSIS OF TEXTS

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ELEMENTS OF A BOOK REVIEW

As with any of the writing genres we teach our students, a book review can be helpfully explained in terms of criteria. While there is much to the ‘art’ of writing, there is also, thankfully, a lot of the nuts and bolts that can be listed too. Have students consider the following elements before writing:

●     Title: Often, the title of the book review will correspond to the title of the text itself, but there may also be some examination of the title’s relevance. How does it fit into the purpose of the work as a whole? Does it convey a message or reveal larger themes explored within the work?

●     Author: Within the book review, there may be some discussion of who the author is and what they have written before, especially if it relates to the current work being reviewed. There may be some mention of the author’s style and what they are best known for. If the author has received any awards or prizes, this may also be mentioned within the body of the review.

●     Genre: A book review will identify the genre that the book belongs to, whether fiction or nonfiction, poetry, romance, science-fiction, history etc. The genre will likely tie in, too with who the intended audience for the book is and what the overall purpose of the work is.

●     Book Jacket / Cover: Often, a book’s cover will contain artwork that is worthy of comment. It may contain interesting details related to the text that contribute to, or detract from, the work as a whole.

●     Structure: The book’s structure will often be heavily informed by its genre. Have students examine how the book is organized before writing their review. Does it contain a preface from a guest editor, for example? Is it written in sections or chapters? Does it have a table of contents, index, glossary etc.? While all these details may not make it into the review itself, looking at how the book is structured may reveal some interesting aspects.

●     Publisher and Price: A book review will usually contain details of who publishes the book and its cost. A review will often provide details of where the book is available too.

BOOK REVIEW KEY ELEMENTS

As students read and engage with the work they will review, they will develop a sense of the shape their review will take. This will begin with the summary. Encourage students to take notes during the reading of the work that will help them in writing the summary that will form an essential part of their review. Aspects of the book they may wish to take notes on in a work of fiction may include:

●     Characters: Who are the main characters? What are their motivations? Are they convincingly drawn? Or are they empathetic characters?

●     Themes: What are the main themes of the work? Are there recurring motifs in the work? Is the exploration of the themes deep or surface only?

●     Style: What are the key aspects of the writer’s style? How does it fit into the wider literary world?

●     Plot: What is the story’s main catalyst? What happens in the rising action? What are the story’s subplots? 

A book review will generally begin with a short summary of the work itself. However, it is important not to give too much away, remind students – no spoilers, please! For nonfiction works, this may be a summary of the main arguments of the work, again, without giving too much detail away. In a work of fiction, a book review will often summarise up to the rising action of the piece without going beyond to reveal too much!

The summary should also provide some orientation for the reader. Given the nature of the purpose of a review, it is important that students’ consider their intended audience in the writing of their review. Readers will most likely not have read the book in question and will require some orientation. This is often achieved through introductions to the main characters, themes, primary arguments etc. This will help the reader to gauge whether or not the book is of interest to them.

Once your student has summarized the work, it is time to ‘review’ in earnest. At this point, the student should begin to detail their own opinion of the book. To do this well they should:

i. Make It Personal

Often when teaching essay writing we will talk to our students about the importance of climbing up and down the ladder of abstraction. Just as it is helpful to explore large, more abstract concepts in an essay by bringing it down to Earth, in a book review, it is important that students can relate the characters, themes, ideas etc to their own lives.

Book reviews are meant to be subjective. They are opinion pieces, and opinions grow out of our experiences of life. Encourage students to link the work they are writing about to their own personal life within the body of the review. By making this personal connection to the work, students contextualize their opinions for the readers and help them to understand whether the book will be of interest to them or not in the process.

ii. Make It Universal

Just as it is important to climb down the ladder of abstraction to show how the work relates to individual life, it is important to climb upwards on the ladder too. Students should endeavor to show how the ideas explored in the book relate to the wider world. The may be in the form of the universality of the underlying themes in a work of fiction or, for example, the international implications for arguments expressed in a work of nonfiction.

iii. Support Opinions with Evidence

A book review is a subjective piece of writing by its very nature. However, just because it is subjective does not mean that opinions do not need to be justified. Make sure students understand how to back up their opinions with various forms of evidence, for example, quotations, statistics, and the use of primary and secondary sources.

EDIT AND REVISE YOUR BOOK REVIEW

As with any writing genre, encourage students to polish things up with review and revision at the end. Encourage them to proofread and check for accurate spelling throughout, with particular attention to the author’s name, character names, publisher etc. 

It is good practice too for students to double-check their use of evidence. Are statements supported? Are the statistics used correctly? Are the quotations from the text accurate? Mistakes such as these uncorrected can do great damage to the value of a book review as they can undermine the reader’s confidence in the writer’s judgement.

The discipline of writing book reviews offers students opportunities to develop their writing skills and exercise their critical faculties. Book reviews can be valuable standalone activities or serve as a part of a series of activities engaging with a central text. They can also serve as an effective springboard into later discussion work based on the ideas and issues explored in a particular book. Though the book review does not hold the sway it once did in the mind’s of the reading public, it still serves as an effective teaching tool in our classrooms today.

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

BOOK REVIEW GRAPHIC ORGANIZER (TEMPLATE)

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Book and Movie review writing examples (Student Writing Samples)

Below are a collection of student writing samples of book reviews.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to both read the movie or book review in detail but also the teacher and student guides which highlight some of the key elements of writing a text review

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of book review writing.

We would recommend reading the example either a year above and below, as well as the grade you are currently working with to gain a broader appreciation of this text type .

BOOK REVIEW VIDEO TUTORIALS

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How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to write a book review- a step by step guide.

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Since knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could improve? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “how to write a book review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair:Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with an additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “how to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

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Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

• First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
• Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
• Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

• What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
• How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
• How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
• How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

• Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
• What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

• The name of the author and the book title and the main theme.
• Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
• The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
• The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
• Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

• Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
• With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
• Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
• Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
• A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Tips for Writing a Good Book Review 

Now that you’ve prepped what you want to say, how you want to say it, and who you want to say it to, it’s time to start writing. Below we’ve gathered our favorite tips to help you write a good book review. Wait… make that a GREAT book review.

1. Include general information

Make sure to include all the relevant book information for your audience , including the title, author, genre, and publisher in your review. While not necessary, it is also helpful to include the number of pages, list price, and ISBN number.

2. Provide a brief plot summary

After the hook, you can then move on to the brief plot summary. This summary shouldn’t be too long, but it can be a paragraph that explains the basic plot so that the reader better understands if it’s a topic of interest. One pitfall to avoid is to give away spoilers in the plot summary. Don’t give away any plot twists, and err on the side of caution if you feel that the information is too much. For example, tell the reader that the plot has unexpected twists rather than explain any surprises in the summary.

3. Focus on the book, not the author

Keep in mind that your main job as a reviewer is to share your opinion on the book, not to critique the author. Keep the focus on the story. Avoid referencing pitfalls in any of the author’s past books or what you about them as a writer. You can provide a brief introduction to the story mentioning the author and past books, but don’t spend too much time focused on the author. The review should focus on the content of the book and its characters.

4. Be clear and specific

It is not enough to just say that you did or didn’t like the book. Let your readers know why. Make your thoughts clear as early as possible and explain the reasons why you liked or disliked specific storyline components and characters. Be specific about what you loved about the writing, what drew you to the characters, or what left you feeling lukewarm about the plot. You don’t need to explain every aspect of the book, but the reader should walk away with a sense that they understand the basic plot and determine from the review if they want to read the book for themselves.

5. Remain subjective

Not all book reviews have to be glowing, but they should be subjective. Rather than just saying you didn’t like something, support it by letting your readers know why. We all gravitate towards different things, so what may not appeal to you may appeal to someone else. If you remain subjective, then you can explain to the reader the basic story and let them decide for themselves. The review can include your likes and dislikes, but they should focus on what you felt the story did well and what parts of the story you didn’t like. However, the main focus of the review should be to explain the story so that readers can determine if they want to read the book further.

6. Avoid spoilers

We know it can be tempting, but do your best not to let any spoilers slip in your book review. Have you ever been excited to see the latest blockbuster hit (or watch the season cliffhanger to your favorite TV show) and then someone spoils the end before you even have time to watch? That is exactly what you don’t want to do to your reader. As you explain the book in your summary, ask yourself if what you are explaining ruins any surprises or twists. As you write the review, keep it vague. For example, explain that there is a major plot twist but don’t go into the specifics.

7. Be transparent

Always share if you received an incentive to review the book, got an advance copy, or have any connection to the author. Your readers will appreciate your honesty. Plus, it helps you avoid the negative impact on your credibility if they find out later. Getting paid for a review is a perfectly reasonable excuse to read a book, but it does allow readers to determine if you’re being unbiased. By specifying if you have any relationship with the author, the reader can better trust your opinion, even if they feel you’re being more biased.

8. Keep it short

While book reviews can be any length, it is always best to keep it short and succinct. Pull in your reader with a strong first sentence that sets the tone of the review and end with your recommendation. Remember, most people start to scan when something gets too long. A book review is a short summary, so writing a novel-length review loses reader interests. Keeping it short will ensure that your readers will dive into your likes and dislikes and use your reviews to determine if they have an interest in the books.

9. Proofread before posting

The quickest way to lose credibility is to post a review filled with typos. Make sure to give your final book review a thorough read before posting it and double check the spelling of any character names or places that you mention. Even better, ask someone else to read it over. It is always good to have a fresh pair of eyes proof to catch any typos. If you don’t have a family or friend who will help with proofreader, you can join a writing community where members offer test reads and proofreading. Make sure that you don’t post the review publicly, because search engines will index it and the review will no longer be unique content.

Also, keep in mind that you will want to write different book reviews for different sites. Don’t just copy and paste the same review. Google search engines scan for duplicate content and if flagged, your review won’t appear.

10. Add a hook

The hook is one or two sentences that grab the reader and convince them to keep going. It should be interesting, but it should also stick with the topic without misleading readers. The hook could be a simple statement that explains the main character of the book, or it could ask a question that resonates with the reader. Don’t make the hook too sensational to avoid sounding like a sales pitch. It should simply provide an introduction that grabs reader interests.

11. Explain what you liked about the book

Writing your own book review is a way to explain what you liked about it, and what you liked could be of interest to another reader. This section allows you to personalize the review. You can explain what you liked about the characters, who was your favorite character, what part of the book was your favorite, and if the book invoked any personal feelings (e.g., you laughed or cried).

12. Explain what you disliked about the book

You likely have something that you disliked about the book, and this section explains what you wish would have been different about the storyline or the characters. Just like the other sections, make sure that you do not reveal too much and give away important plot lines that could be considered spoilers for the rest of the story.

13. Include brief quotes as examples

Brief quotes provide readers with better insight into characters. Using quotes from characters will help the reader follow the plot summary and determine if the characters are people they can relate to. Avoid using excessively long quotes. Since the reader hasn’t read the book, a long quote could ruin plot twists or overpower the review.

14. Reference similar books

A great way to introduce readers to a specific book is to compare your book review with other books. For example, you can explain to the reader that they will like the current book you’re reviewing if they like another similar book. Alternatively, you can also compare characters between books to provide better insight into the story’s characters and the dynamic between individual characters.

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Blog – Posted on Thursday, Nov 11

The only book review templates you'll ever need.

Whether you’re trying to become a book reviewer , writing a book report for school, or analyzing a book, it’s nice to follow a book review template to make sure that your thoughts are clearly presented. 

A quality template provides guidance to keep your mind sharp and your thoughts organized so that you can write the best book review possible. On Reedsy Discovery , we read and share a lot of book reviews, which helps us develop quite a clear idea what makes up a good one. With that in mind, we’ve put together some trustworthy book review templates that you can download, along with a quick run-through of all the parts that make up an outstanding review — all in this post! 

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

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Book review templates for every type of review

With the rapid growth of the book community on Instagram, Youtube, and even TikTok, the world of book commentary has evolved far beyond your classic review. There are now many ways you can structure a book review. Some popular formats include:

• Book reports — often done for school assignments; 
• Commentary articles — think in-depth reviews in magazines and newspapers; 
• Book blog reviews — short personal essays about the book; and
• Instagram reviews — one or two-paragraph reviews captioned under a nice photo. 

But while the text in all these review styles can be organized in different ways, there are certain boxes that all good book reviews tick. So, instead of giving you various templates to use for different occasions, we’ve condensed it down to just two book review templates (one for fiction and one for nonfiction) that can guide your thoughts and help you nail just about any review. 

⭐ Download our free fiction book review template  

⭐ Download our free nonfiction book review template  

All you need to do is answer the questions in the template regarding the book you’re reading and you’ve got the content of your review covered. Once that’s done, you can easily put this content into its appropriate format. 

Now, if you’re curious about what constitutes a good book review template, we’ll explain it in the following section! 

Elements of a book review template

Say you want to build your own book review template, or you want to customize our templates — here are the elements you’ll want to consider. 

We’ve divided our breakdown of the elements into two categories: the essentials and the fun additions that’ll add some color to your book reviews.

What are the three main parts of a book review?

We covered this in detail (with the help of some stellar examples) in our post on how to write a book review , but basically, these are the three crucial elements you should know: 

The summary covers the premise of the book and its main theme, so readers are able to understand what you’re referring to in the rest of your review. This means that, if a person hasn’t read the book, they can go through the summary to get a quick idea of what it’s about. (As such, there should be no spoilers!) 

The analysis is where, if it’s a fiction book, you talk more about the book, its plot, theme, and characters. If it’s nonfiction, you have to consider whether the book effectively achieves what it set out to do. 

The recommendation is where your personal opinion comes in the strongest, and you give a verdict as to who you think might enjoy this book. 

You can choose to be brief or detailed, depending on the kind of review you’re writing, but you should always aim to cover these three points. If you’re needing some inspiration, check out these 17 book review examples as seen in magazines, blogs, and review communities like Reedsy Discovery for a little variation. 

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Which additional details can you include?

Once you’ve nailed down the basics, you can jazz things up a little and add some personal flavor to your book review by considering some of these elements:

• A star-rating (the default is five stars but you can create your own scales); 
• A bullet-point pros and cons list; 
• Your favorite quotation from the book; 
• Commentary on the format you read (i.e., ebook, print, or audiobook);
• Fun facts about the book or author; 
• Other titles you think are similar.

This is where you can really be creative and tailor your review to suit your purpose and audience. A formal review written for a magazine, for instance, will likely benefit from contextual information about the author and the book, along with some comment on how that might have affected the reading (or even writing) process.

Meanwhile, if you’re reviewing a book on social media, you might find bullet points more effective at capturing the fleeting attention of Internet users. You can also make videos, take creative pictures, or even add your own illustrations for more personal touches. The floor is yours at this point, so go ahead and take the spotlight! 

That said, we hope that our templates can provide you with a strong foundation for even your most adventurous reviews. And if you’re interested in writing editorial reviews for up-and-coming indie titles, register as a reviewer on Reedsy Discovery !

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How to Write a Book Review: Awesome Guide

A book review allows students to illustrate the author's intentions of writing the piece, as well as create a criticism of the book — as a whole. In other words, form an opinion of the author's presented ideas. Check out this guide from EssayPro - book review writing service to learn how to write a book review successfully.

What Is a Book Review?

You may prosper, “what is a book review?”. Book reviews are commonly assigned students to allow them to show a clear understanding of the novel. And to check if the students have actually read the book. The essay format is highly important for your consideration, take a look at the book review format below.

Book reviews are assigned to allow students to present their own opinion regarding the author’s ideas included in the book or passage. They are a form of literary criticism that analyzes the author’s ideas, writing techniques, and quality. A book analysis is entirely opinion-based, in relevance to the book. They are good practice for those who wish to become editors, due to the fact, editing requires a lot of criticism.

Book Review Template

The book review format includes an introduction, body, and conclusion.

• Introduction
• Describe the book cover and title.
• Include any subtitles at this stage.
• Include the Author’s Name.
• Write a brief description of the novel.
• Briefly introduce the main points of the body in your book review.
• Avoid mentioning any opinions at this time.
• Use about 3 quotations from the author’s novel.
• Summarize the quotations in your own words.
• Mention your own point-of-view of the quotation.
• Remember to keep every point included in its own paragraph.
• In brief, summarize the quotations.
• In brief, summarize the explanations.
• Finish with a concluding sentence.
• This can include your final opinion of the book.
• Star-Rating (Optional).

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How to Write a Book Review: Step-By-Step

Writing a book review is something that can be done with every novel. Book reviews can apply to all novels, no matter the genre. Some genres may be harder than others. On the other hand, the book review format remains the same. Take a look at these step-by-step instructions from our professional writers to learn how to write a book review in-depth.

Step 1: Planning

Create an essay outline which includes all of the main points you wish to summarise in your book analysis. Include information about the characters, details of the plot, and some other important parts of your chosen novel. Reserve a body paragraph for each point you wish to talk about.

Consider these points before writing:

• What is the plot of the book? Understanding the plot enables you to write an effective review.
• Is the plot gripping? Does the plot make you want to continue reading the novel? Did you enjoy the plot? Does it manage to grab a reader’s attention?
• Are the writing techniques used by the author effective? Does the writer imply factors in-between the lines? What are they?
• Are the characters believable? Are the characters logical? Does the book make the characters are real while reading?
• Would you recommend the book to anyone? The most important thing: would you tell others to read this book? Is it good enough? Is it bad?
• What could be better? Keep in mind the quotes that could have been presented better. Criticize the writer.

Step 2: Introduction

Presumably, you have chosen your book. To begin, mention the book title and author’s name. Talk about the cover of the book. Write a thesis statement regarding the fictitious story or non-fictional novel. Which briefly describes the quoted material in the book review.

Step 3: Body

Choose a specific chapter or scenario to summarise. Include about 3 quotes in the body. Create summaries of each quote in your own words. It is also encouraged to include your own point-of-view and the way you interpret the quote. It is highly important to have one quote per paragraph.

Step 4: Conclusion

Write a summary of the summarised quotations and explanations, included in the body paragraphs. After doing so, finish book analysis with a concluding sentence to show the bigger picture of the book. Think to yourself, “Is it worth reading?”, and answer the question in black and white. However, write in-between the lines. Avoid stating “I like/dislike this book.”

Step 5: Rate the Book (Optional)

After writing a book review, you may want to include a rating. Including a star-rating provides further insight into the quality of the book, to your readers. Book reviews with star-ratings can be more effective, compared to those which don’t. Though, this is entirely optional.

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Dive into literary analysis with EssayPro . Our experts can help you craft insightful book reviews that delve deep into the themes, characters, and narratives of your chosen books. Enhance your understanding and appreciation of literature with us.

Writing Tips

Here is the list of tips for the book review:

• A long introduction can certainly lower one’s grade: keep the beginning short. Readers don’t like to read the long introduction for any essay style.
• It is advisable to write book reviews about fiction: it is not a must. Though, reviewing fiction can be far more effective than writing about a piece of nonfiction
• Avoid Comparing: avoid comparing your chosen novel with other books you have previously read. Doing so can be confusing for the reader.
• Opinion Matters: including your own point-of-view is something that is often encouraged when writing book reviews.
• Refer to Templates: a book review template can help a student get a clearer understanding of the required writing style.
• Don’t be Afraid to Criticize: usually, your own opinion isn’t required for academic papers below Ph.D. level. On the other hand, for book reviews, there’s an exception.
• Use Positivity: include a fair amount of positive comments and criticism.
• Review The Chosen Novel: avoid making things up. Review only what is presented in the chosen book.
• Enjoyed the book? If you loved reading the book, state it. Doing so makes your book analysis more personalized.

Writing a book review is something worth thinking about. Professors commonly assign this form of an assignment to students to enable them to express a grasp of a novel. Following the book review format is highly useful for beginners, as well as reading step-by-step instructions. Writing tips is also useful for people who are new to this essay type. If you need a book review or essay, ask our book report writing services ' write paper for me ' and we'll give you a hand asap!

We also recommend that everyone read the article about essay topics . It will help broaden your horizons in writing a book review as well as other papers.

Book Review Examples

Referring to a book review example is highly useful to those who wish to get a clearer understanding of how to review a book. Take a look at our examples written by our professional writers. Click on the button to open the book review examples and feel free to use them as a reference.

Book review

Kenneth Grahame’s ‘The Wind in the Willows’

Kenneth Grahame’s ‘The Wind in the Willows’ is a novel aimed at youngsters. The plot, itself, is not American humor, but that of Great Britain. In terms of sarcasm, and British-related jokes. The novel illustrates a fair mix of the relationships between the human-like animals, and wildlife. The narrative acts as an important milestone in post-Victorian children’s literature.

Book Review

Dr. John’s ‘Pollution’

Dr. John’s ‘Pollution’ consists of 3 major parts. The first part is all about the polluted ocean. The second being about the pollution of the sky. The third part is an in-depth study of how humans can resolve these issues. The book is a piece of non-fiction that focuses on modern-day pollution ordeals faced by both animals and humans on Planet Earth. It also focuses on climate change, being the result of the global pollution ordeal.

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How To Write A Book Review?

What to include in a book review, what is a book review, related articles.

Book Review Writing Examples

Examples: learn from the efforts of others.

Learning how to write strong reviews takes time and not a little effort. Reading the reviews others have done can help you get a feel for the flow and flavor of reviews.

If I Never Forever Endeavor Review by Hayden, age 4, Southeast Michigan Mensa

This book was about a bird who didn't yet know how to fly.

The bird has to decide if it will try to fly, but it was not sure if it wants to. The bird thought, "If I never forever endeavor" then I won't ever learn. On one wing, he worries he might fail and on the other wing he thinks of how he may succeed. He worries that if he tries, he may get lost in the world. That makes him want to stay in his nest where he's safe.

I think this book would help other children to learn that trying new things can be scary, but sometimes when we try, we can find things that make us happy too. And this book will help others know that mistakes are okay and part of learning.

My favorite part is that the bird tried and learned that she could fly. I also liked that I read this book because it gave me a chance to talk to mom about making mistakes and how I don't like making them. Then I learned they are good and part of learning.

Boys and girls who are 3 to 8 years old would like this book because it teaches about trying a new thing and how it's important to get past being scared so you can learn new things.

I give the book 5 stars since I think it's important for other children to learn about courage.

Flesh & Blood So Cheap Review by Umar B., age 8, Central New Jersy Mensa

I liked this book. People who are interested in national disasters and US history as well as immigration will most probably be interested in reading this book.

Readers can gain knowledge of what it was like to work in New York City in the early 1900s. One of the things that was especially interesting was that there were no safety laws at work. Also, there was a big contrast between the rich and the poor. Some people may not like this book because it is very depressing, but it is an important event in history to remember.

This book was very well written. It has black and white photos along with descriptions of the photos. These photos give us a better idea of what people's lives were like. This book is suitable for 9-20 year olds.

I give this book 5 stars.

Galaxy Zach: Journey to Juno Review by Young Mensan Connor C., age 6, Boston Mensa

Journey To Juno is the second book of the Galaxy Zack series. It is just as good as the first one. It's awesome!

Zack joins the Sprockets Academy Explorers Club at school. They fly on a special trip to Juno, a new planet no one has ever visited. Zack gets paired up with Seth, the class bully, and that's dreadful but Zack is excited when he finds a huge galaxy gemmite. A gemmite that large had not been found in 100 years! Kids will love this book!

Boys and girls will both like it. It's an easy chapter book with pictures on every page. I love the illustrations. I think ages 6-8 would like this but younger kids would like the story being read to them.

My favorite parts are the galactic blast game (it is similar to baseball except there are robots playing), recess at Zack's school where everything is 3-D holographic images, the rainbow river in a crystal cave on Juno, and the galaxy gemmite that Zack finds on Juno. I also loved when a life-size holographic image of his Earth friend appears in Zack's room because he calls him on a hyperphone. I give this book one hundred stars! There is a "to be continued" at the end so you have to read the next book see what's in store. I can't wait to find out what happens!!!

I Capture the Castle Review by Lauren W., age 17, Mensa in Georgia

Dodie Smith's novel I Capture the Castle is a journey through the mind of a young writer as she attempts to chronicle her daily life. Seventeen-year-old Cassandra Mortmain has recently learned to speed-write, and she decides to work on her writing skills by describing the actions and conversations of those around her.

Cassandra lives in a fourteenth-century English castle with an interesting cast of characters: her beautiful older sister, Rose; her rather unsociable author father and his second wife, artist-model Topaz; Stephen, the garden boy; a cat and a bull terrier; and sometimes her brother Thomas when he is home from school. One fateful day they make the acquaintance of the Cotton family, including the two sons, and a web of tangled relationships ensues.

While I definitely recommend this book to other readers, I would recommend it to older teenagers, mainly because it will resonate better with them. The writing is tame enough that younger teens could also read it, but most of the characters are adults or on the verge of adulthood. Older readers would take the most from it since they can not only relate, but they may also better pick up on and appreciate Cassandra's sometimes subtle humor.

Over the course of the novel, Cassandra undergoes a definite transformation from child to mature young adult, even though it's only over the course of several months. I love that I could see into her mindset and read exactly what she was feeling when she thought out situations. Her thoughts flowed well and moved the book along very quickly.

Cassandra's narrative voice is wonderful. She is serious at times, but also very witty, which makes for an engaging read. It feels absolutely real, as though I'm reading someone's actual journal. Sometimes I forget that I am reading a story and not a real-life account. Her emotions and the dialogue are so genuine, and they are spot-on for a seventeen-year-old girl in her situation.

Cassandra has many wonderful insights on life, on topics ranging from writing to faith to matters of the heart. I personally have had some of the same thoughts as Cassandra, except Ms. Smith was able to put them into words.

Capture the Castle should be essential reading for aspiring writers, those looking for historical fiction or romance, or anyone who loves reading amazing classic books. Dodie Smith is an exceptional writer, and I Capture the Castle is a book that will never become obsolete.

Frankenstein's Cat Review by Zander H., age 12, Mid-America Mensa

I appreciated Frankenstein's Cat for its fascinating explanation about the often baffling subject of bioengineering and its sister sciences. Emily Anthes explains the many sides of today's modern technology, such as gene modification, cloning, pharmaceutical products (from the farm), prosthesis, animal tag and tracking and gene cryogenics. This book provides a well-rounded summary of these complicated sciences without being boring or simply factual. Her real world examples take us on a journey from the farm, to the pet store and then from the pharmacy to the frozen arc.

Have you ever wondered if the neighborhood cat is spying on you? Read about Operation Acoustic Kitty and find out if this feline fantasy fiction or fact. Do you think bugs are creepy? What about a zombified cyborg beetle? Is Fido so special that you want two of him? Money can buy you an almost exact copy of your pooch BUT don't expect the same personality. Emily Anthes makes you crave more information. She makes you want to know the future of Earth's flora and fauna, as well as humanity itself.

I would highly recommend this book to anyone who desires a guide to the future of biological science and technology. Frankenstein's Cat is best read by the light of a glow-in-the-dark fish, while cuddling your favorite cloned dog and drinking a glass of genetically modified milk.

About Marsupials Review by Connor C., age 6, Boston Mensa

About Marsupials is the title so the book is about...marsupials, of course. It's non-fiction. I really think everyone would like the book. I think someone who likes animals would especially like to read it.

The glossary of facts in the back of About Marsupials is the most useful part. I thought the most interesting parts were that some marsupials have their pouch at their back legs and one marsupial, the Yellow-footed Rock Wallaby, is very small but can jump 13 feet wide!

Kids in the 4-8 age range would like this book. Even though it's not a story book, 4 year olds would like the few words on each page and they would love the beautiful pictures. But older kids would like it because of all the facts in the back of the book. There's a lot of information for each animal. I think boys and girls (and parents) would enjoy reading it. This book is very interesting. I give it 4 stars.

Mapping the World Review by Umar A., age 10, Central New Jersey Mensa

Every day, people around the world use maps. Whether it is an airplane pilot or businessman, housewife or museum group, maps have always and will continue to provide useful information for all.

Mapping the World talks about the uses of maps, as well as how to differentiate between the type of map projection and type of map.

In this series, we travel to the past and learn about historical mapmakers, from Claudius Ptolemy (who stated the idea that the Earth is at the center of the universe) to Gerardus Mercator (who created one of the most widely used map projections) and more. This series goes into tremendous detail on the cartographer's life and maps. We then journey to the present era to learn about map projections and the diverse types of maps used today. You might ask, "What is the difference between the two? They sound the same to me." No map projection is perfect, because you cannot really flatten a sphere into a rectangle. An uncolored projection could be used in many ways. We could use it for population concentration, highways, land elevation, and so many other things!

For example, we could make a topographic map of the U.S., which shows land elevation. We could make it a colorful map that shows the amount of pollution in different areas, or it could be a population map, or it could even be a map that shows the 50 states, their capitals and borders! Our last step in this amazing excursion is the near future, where we see some hypothetical solutions as to what maps will be used for. Currently, we are working on better virtual map technology.

Now, scientists have been able to put maps on phones. Back in the early 1900s, people had to lug a lot of maps around to find your way from place to place, or just keep asking for directions. Now, all the information is on a phone or global positioning system (GPS). It is amazing how much maps have changed technology and the world in this century.

The Mapping the World 8-book set goes into amazing levels of detail. It is a long read, but it gives an immense range and amount of information that you would not find in any other book or series on maps. The flowing way the chapters and books are organized makes it easy to link passages from different books in this series together. Mapping the World is a treasure box, filled with the seeds of cartography. Collect and plant them, and you soon will have the fruits of cartography, beneficial to those who want to be cartographers. Use this series to the utmost, then the fruits of mapping will be sweet for all who endeavor to succeed in cartography.

This series of lessons was designed to meet the needs of gifted children for extension beyond the standard curriculum with the greatest ease of use for the educator. The lessons may be given to the students for individual self-guided work, or they may be taught in a classroom or a home-school setting. Assessment strategies and rubrics are included at the end of each section. The rubrics often include a column for "scholar points," which are invitations for students to extend their efforts beyond that which is required, incorporating creativity or higher level technical skills.

Book Review

Book Review Examples

Last updated on: Nov 20, 2023

Good Book Review Examples to Help you Write a Great Review

By: Nova A.

Reviewed By: Chris H.

Published on: Mar 30, 2021

A book review is a common assignment that allows the students to demonstrate the author’s intentions in the book. It also provides them with the chance not only to criticize but also to give constructive criticism on how they can make improvements.

The purpose of writing a book review is to come up with your opinion about the author’s ideas presented in the book. On the other hand, a book analysis is completely based on opinions that are relevant to the book.

Writing a review is something that can be done with any book that you read. However, some genres are harder to write. But with a proper plan, you can easily write a great review on any book.

Read some short book review examples in this guide. They will help you understand the key elements of writing a great review in no time.

On this Page

Academic Book Review Examples

If you are assigned to write a book review, referring to some examples will be of great help. In addition, reading examples before starting the writing process will help you understand what elements are needed for a great book review. There are also many review sites online you can get help from.

Academic book reviews follow a fairly simple structure. It usually includes an introduction, middle paragraphs, and a conclusion that sums up all the ideas.

For a great book review, here are the things you need to focus on during the writing process.

• The main argument presented by the author
• Author’s methodologyAppropriateness for the audience
• Relationship to the real world

Have a look at the following book review examples for kids before beginning the writing process.

Book Review Examples for Middle School Students

Book Review Example For Kids

Book Review Examples for High School Students

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Book Review Examples for College Students

Book Review Examples for University Students

How to Write a Book Review - Examples

If you don’t know how to write a book review, look at the following steps.

The first step is to plan and create an outline that includes all the points that you will have to cover in the review. Don’t forget to include all the information about the characters, plot information, and some other parts of the chosen book.

The three parts of a book review are:

1. Provide a Summary

What is the book about? Write about the main characters and what is the conflict that is discussed in the book.

2. Provide Your Evaluation

Share your thoughts about the book and what elements work best.

3. Rate the Book

Rate and recommend the book to others who will enjoy reading this book.

If you need to submit a book review soon, we suggest you start reading some book reviews online. Here you can also find some good book review writing examples to understand how to craft each section of a book review.

Book Review Introduction Examples

Thesis Statement Book Review Examples

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Book Review Conclusion Examples

Critical Book Review Examples

A book review is a critical evaluation of the book, movie, or any other literary work. It has two goals: the first is to inform the readers about the content of the book, and the second is to evaluate your judgment about the book.

A book review is more than a book report. A review is basically a critical essay that evaluates the merits of a literary work. The purpose of writing a book review is not to prove that you have read a book but to show that you think critically about the chosen book.

When you are asked to write a critical book review, you need to identify, summarize and evaluate the ideas of the author. In simpler words, you will be examining and evaluating another person’s work from your point of view.

Science Book Review Examples

A scientific book review will contain the same elements as writing a review for a fiction book; some elements might vary. When you are reviewing a scientific text, you need to pay attention to the writing style and the validity of the content.

Most students turn to non-fictional sources of information. It is important to make sure the information you provide in your review is factual and scientific.

Book review writing can be difficult if you don’t know how to follow the standard protocols. That’s where our reliable book review writing service aims to provide the necessary help.

No matter what your academic level is, we can provide you with the best book review writing help. This type of writing assignment can be tricky and time-consuming. So, if you don’t know how to crack this task, better get professional help.

We at 5StarEssays.com provide exceptional book review writing help. Not only book reviews, but we also provide the best ‘ write an essay for me ’ help to students. Moreover, we also have an AI essay writer to help you with tight deadlines, give it a try now!

Frequently Asked Questions

How do you write a book review example.

Here are some steps that will help you to write a book review example.

• Start writing with few sentences and describe what the book is all about
• Focus on your thoughts
• Mention things that you dont like about the book.
• Summarize your thoughts.
• Give rating to the book.

Thesis, Law

As a Digital Content Strategist, Nova Allison has eight years of experience in writing both technical and scientific content. With a focus on developing online content plans that engage audiences, Nova strives to write pieces that are not only informative but captivating as well.

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All 66 stephen king books ranked from worst to best.

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10 Wild Theories That Completely Change Stephen King Movies

1 of stephen king's darkest novels was supposed to be a comedy, 10 great horror & thriller books recommended by stephen king.

• Stand By Me is Stephen King's favorite movie adaptation as it faithfully followed the novella The Body and captured the emotional essence of the story.
• Stephen King's uncut version of The Stand is considered a masterpiece due to its detail, immersive storytelling, and gruesome nature.
• King's iconic novel The Shining delves into Jack, Wendy, and Danny Torrance's haunting experiences at the Overlook Hotel, where spirits torment them with a history of substance abuse and violence.

As the king of horror, almost all the 66 Stephen King books ranked among the best in the genre. When he authored Carrie , his first novel, in 1974, his name immediately skyrocketed to one of the most recognizable in the horror genre — both for his novels and short stories. Studios noticed Stephen King's literary talent and offered movie adaptations immediately with Carrie . King remains a powerhouse with new stories and movie/TV adaptations coming from the mind of horror's most cherished author every year, but how do they compare?

King has authored over 200 stories, with short stories, novellas, and novels. Carrie was his first movie adaptation, but it was nowhere near the last. Movie adaptations of Stephen King books are released at the same frequency as his literary tales, with at least one making its debut every year since 1980. Numerous upcoming King stories are in development to become a series or movie. King's legacy makes his last name the definition of the genre . Each of Stephen King's novels is impeccable in its own right, but some Stephen King books ranked higher than others.

Stephen King movies have made way for a variety of theories, and if some of them were true, they would completely change one or more movies.

Stephen King's short story collections are not included in this list.

66 Dreamcatcher

March 20, 2001, dreamcatcher.

Stephen King's Dreamcatcher amalgamates some of horror's greatest sci-fi elements, including alien invasion and body horror. The story is set in Derry, Maine, one of the three fictional towns that King created for his literary multiverse. Dreamcatcher has some captivating moments but leads to underwhelming scenes and dialogue that could've been bettered had its plot not been reliant on so many sub-genres meshing together.

Despite its closeness to the source material, even the movie adaptation is regarded as one of King's worst — though some find it underrated . King himself said he doesn't like Dreamcatcher very much (via Rolling Stone ). He said he wrote the book after an accident where he was out walking and was hit by a van. He said, " I was pretty stoned when I wrote it, because of the Oxy, and that’s another book that shows the drugs at work. " He personally ranked it below Tommyknockers as his least favorite release.

65 The Tommyknockers

November 1987.

The Tommyknockers is a Lovecraftian tale with Stephen King stylization, However, it was also one of King's first attempts to go outside the horror genre with a pure sci-fi tale here. There are horror elements, as King drifts into hints of body horror in the story, but at the end of the day, this ended up as one of King's lesser-liked books in his illustrious career. Not only was it disappointing for fans at the time of its release, but it is one of the books King himself hates the most .

King blames the poor writing on his drug use at the time, and he calls it an " awful book " that he wrote while embroiled in the harsh drug addiction that he dealt with in the 1980s. However, he said it had some good ideas underneath it all (via Rolling Stone ). " The Tommyknockers is an awful book. That was the last one I wrote before I cleaned up my act . And I’ve thought about it a lot lately, " he said at the time. " The book is about 700 pages long, and I’m thinking, 'There’s probably a good 350-page novel in there. '"

February 2006

If there's one thing that Stephen King books do well, it's the apocalypse. In the 2006 novel Cell, a New England artist discovers that a bizarre cellular signal transforms people into zombie-like creatures. It is no George A. Romero horror story , but it is King's valiant attempt at making his mark in the zombie horror sub-genre . Due to the vast amount of literature featuring the living dead, it reads as an unremarkable tale that could've been far better had he focused more on the technological aspects and social commentary that was woven into Cell.

It was mostly lightweight stuff and the movie that resulted received terrible reviews. Interestingly, Stephen King wrote the script for Cell and decided to change the story's ending in the script, as the book ends without a clear resolution and readers have to determine if the book's hero, Clay, is able to save his son Johnny or not. It didn't help as the movie ended up certified rotten with an 11% score on Rotten Tomatoes , and even the audience hated it, rating it at a low 17% rotten score.

63 Rose Madder

Rose Madder features a common theme in King's stories: domestic violence . It is an unbelievable tale about a woman named Rose who dares to leave her abusive husband before he has the chance to take her life. Rose then finds a painting where she sees her life mirrored in the painting. The painting itself constantly changes and expands, and soon Rose has to help a woman in the painting save her baby while having to protect herself when her abusive husband finds her.

King said in his memoir On Writing that he was " trying too hard " when writing this novel. While its story is important, the book's fantasy elements threaten to overwhelm the true message. It seems that the best villain in the book was "Nearly Normal Norman," the husband, and when the story veered into the arena of mythology, it kind of fell apart. However, King did write a solid story of an abusive relationship, which he had done before, but made the woman here powerful, standing on her own .

62 The Regulators

September 1996.

Stephen King returned to his pseudonym of Richard Bachman years after retiring the name with the book The Regulators. Unlike the previous Bachman novels, King let his fans know this was him as he released it simultaneously with Desperation in 1996. The two novels act as mirror stories to one another , taking place in a parallel universe with the same characters - but in very different situations. King wanted to tell two stories - a horror tale under the name King and a more fantasy story under the Bachman name.

In The Regulators , the story follows various people who live in a small neighborhood, but all find themselves sucked into a horrific situation thanks to a young boy who might have supernatural powers that he can't fully control. This manifests when mysterious people show up in vans and begin shooting people , which leads to an increase in local violence. The Regulators is more complex than Desperation but wasn't quite as strong of a tale.

61 Gwendy's Button Box

While Gwendy's Button Box is considered a novella, it is consistently listed under King's bibliography of full-length novels. He co-wrote the story with Richard Chizmar, and it follows the story of a young girl named Gwendy Peterson, who lives in the fictional town of Castle Rock, Maine . Castle Rock, King's most beloved fictional town, returns to his novels for the first time since he said goodbye in Needful Things .

It isn't a very remarkable story, as it is composed of remnants of each author that merge into an account that only strengthens the mythos of Castle Rock rather than Gwendy's experiences in the town. Chizmar and King are strong writers, but their styles are different and that makes the book a little different than most King novels , as it makes it a strange read at times. However, King said that it was Chizmar who helped him finish the story, with the two re-writing each other's work. " I had a story I couldn't finish, and [Chizmar] showed me the way home with style and panache " (via EW ).

60 From A Buick 8

September 2002.

King has written several stories about cars throughout his career. From A Buick 8 features a supernatural car that can shift between worlds. It's an entirely different take on his first story about a possessed car, Christine, but its uniqueness does not make it better than its predecessor. It lacks the excitement attached to a killer Stephen King car story and opts for a bizarre story about a car that can travel between worlds instead . This is far more reminiscent of Charlie Manx's Rolls-Royce Wraith in Joe Hill's novel, NOS4A2.

The story has little in the way of a plot arc, but the idea of a kid learning more about his dad through the car is pure King. The novel is one of the few that King optioned to a movie studio, but it was never able to get made . George A. Romero, Tobe Hooper, and Thomas Jane have all been attached to the story, but it has never made it to the big or small screen, likely because of the lack of an in-depth plot.

59 Gwendy's Final Task

February 15, 2022.

Stephen King collaborated with fellow writer Richard Chizmar to write the Gwendy's Button Box trilogy. In this finale, the mysterious and destructive button box makes its final appearance after Gwendy reaches fame as a successful novelist and rising political star. Gwendy reconciles with the box, drawn to both its remarkable effects on well-being and its terrible power. King gets the chance to bring in more of his favorite sci-fi influences , as the main character must go from King's cursed Castle Rock to the MF-1 space station.

The stakes are incredibly high in the book, but King and Chizmar have distinctly different styles, and the change in tone hurts here . This was the end of the Gwendy trilogy and the two authors sought to take it to an apocalyptic level. It is a good ending to what started out as a mostly slight and short tale, and one that morphed into something entertaining and exciting.

58 The Running Man

The running man.

Set in 2025, The Running Man tells the story of Ben Richards as he participates in a game show that shares a title with the novel. The contestants are required to outrun hunters who are sent out to kill them under the totalitarian regime of the new world . Ben is a man living in this world who needs money for his gravely ill daughter and agrees to the competition so he can afford her medicine. However, the games are dangerous and soon Ben realizes his family might also be in danger.

The Running Man is as if Stephen King had written a long-form episode of Black Mirror . The book features elements of Charlie Brooker's series with its dystopian setting and the exploration of technology's impact on the world. The Running Man was also a Richard Bachman book that predicted the rise of reality television two decades before it became such a successful genre. It also spawned a fun adaptation starring Arnold Schwarzenegger and will get a second one soon from Edgar Wright.

November 1984

Thinner (1996).

Billy Halleck is cursed by a Romani man named Taduz Lemke after killing an elderly woman in a car accident - and getting away with it in court. Soon, he begins to shed weight at an alarming rate. While doctors speculate that he likely has cancer, others involved in his legal battle begin to show signs of growing scales and painful acne, all of which were not present before the case. The man then has to find out more about the curse and see if there is a way to reverse it before he wastes away.

Thinner has not aged well due to its ascription of curses alongside Romani people and their culture, but its story remains socially relevant. At its core, the novel is about the pressures of weight loss and disordered eating. Tom Holland ( Cujo ) adapted the novel, which was the last that King wrote as Richard Bachman before his discovery, into a movie that received mostly negative reviews and barely made back its budget at the box office.

56 Sleeping Beauties

September 2017.

While King's works with his son, Joe Hill, are the most well-known King family collaborations, he also co-authored a novel with his youngest son, Owen. Sleeping Beauties features women wrapped in gauze who could become feral if given the opportunity. It is a bizarre story that includes a somewhat Biblical character named Evie (Eve Black), the only woman who is immune to the illness that is causing women to fall into deep slumbers . If the women are awakened they wake up as feral and violent creatures.

This global pandemic ("Aurora") is unlike any other in King's repertoire , making it stand out among the rest of his novels that feature a dystopian world or apocalyptic disaster. It is clear that this is a book that Stephen King, and his son Owen, wanted to write as a message about the women in the world and the dangers they face, but at times it seems a little heavy-handed.

September 1977

Rage is the first novel King penned under the name Richard Bachman . Since he was restricted to publishing one book a year, he created Bachman to produce more content outside the horror genre. Rage is also the only book that King wrote that he has taken off the market because of the rash of school shootings across America. According to King, " I pulled it because in my judgment it might be hurting people, and that made it the responsible thing to do " (via Business Insider ).

The story is good, but it is a challenging read that struggles when putting readers in the mind of the school shooter, and seeing everything from his point of view, which is often the view of a young man with no moral character. Rage's ending is particularly maddening, as it finds the school shooter with a somewhat sympathetic ending where he is found not guilty due to his mental instability; his victims find no justice. However, that is also King's point, as he questions who is really responsible for these tragedies.

54 Elevation

October 2018.

When Scott Carey discovers that he has contracted a strange illness, he is faced with several symptoms that are nothing short of bizarre. Set in Castle Rock, Maine, Elevation includes social and political discourse intertwined with an otherworldly story of a man struggling to be cured of his new ailment. It is considered a sequel to Gwendy's Button Box, but it is more of a soft sequel than anything. " it’s almost like a sequel to Gwendy. Sometimes you seed the ground, and you get a little fertilizer, and things turn out ," King explained (via EW ).

It isn't an entirely remarkable tale, as its attempt at detailing specific social problems in the world tends to fall short of achieving its intended purpose. This is also short, a novella in length, and while it is one of King's more political-leaning stories, its main message is that people can just get along if they try . There is a movie in the works, but it hasn't made it to production yet.

53 The Gunslinger (Dark Tower Book #1)

October 1978.

The Gunslinger is the first installment in King's The Dark Tower series . It introduces Roland Deschain, one of the last remaining gunslingers, who must navigate a fantastical world filled with demons, monstrous creatures, and more. In this story, nothing much happens other than Roland wandering across the desert, looking for the Man in Black. He does meet Jake in this novel, but this is more of a meditative tale that doesn't dig too deep into the mythology that makes it such a great series . However, it is important to read before starting the main journey.

While it is not a particularly bad novel, it's the weakest of the books in that particular series. Stephen King is primarily recognized for his horror novels, and The Gunslinger is far more fantasy-oriented than anything he had done before this 1982 book. It was new to the author's general wheelhouse, and it seems that King struggled to get his pacing right with this introduction to the Dark Tower.

52 Insomnia

October 1994.

When Ralph Roberts of Derry, Maine, begins to experience severe insomnia, his sleep deprivation allows for supernatural abilities to develop . He perceives people's auras as well as entities that are divided into "The Purpose" and "The Random." It is an investigation into the realities of life while questioning the concepts of fate and destiny. The problem with the book is that when the demonic creatures become the main part of the story, it loses a little concerning the best parts of the book — the characters and their relationship with each other.

Insomnia ties in with several Stephen King books, including The Dark Tower, IT, Dreamcatcher, Black House, and Pet Semetary. While it could be perceived as solely serving the purpose of being a universe-building device, the lengthy novel uniquely captures the impact of insomnia on the human psyche as well as life's greater design.

51 Song Of Susannah (Dark Tower Book #6)

While some book series get better over time, The Dark Tower's sixth novel, Song Of Susannah, proved that some things don't always hold up over the years. As the title indicates, this book in the series follows Susanna Dean mostly, as she is trapped in her own mind by Mia, the former demon who is now pregnant in this part of the tale.

The fantastical elements are only utilized in an attempt to connect Stephen King's massive multiverse, as the characters find themselves in the author's own home with a copy of his novel 'Salem's Lot. Thanks to the personal Easter eggs King includes ( including Father Callahan from Salem's Lot ), Stephen King even introduces himself in this book as a character. Song Of Susannah remains slightly better than the first novel in the series. However, it was appreciated by genre fans as it won the Locus Award for Best Fantasy Novel in 2005.

Clayton "Blaze" Blaisdell Jr. is a con artist who plans on kidnapping a wealthy man's son in hopes of making his partner in crime proud. While the story is somewhat cut and dry, it is complicated by Blaze's mental disability , similar to The Stand's Trashcan Man. It impacts the entire storyline and creates a terrifying image of manipulation and coercion.

Blaze , written using the pseudonym Richard Bachman , was a complex story to craft and navigate for the author, which shows through each page as Blaze's character is confronted with the spirit of his partner in crime. King wrote this novel before he wrote Carrie , but published it decades later (via Lilja's Library ). King said at the time that he never got around to writing it because it was a " tearjerker of a book ," and he was writing mostly horror as King, which is why he felt it needed to be a Bachman book, to set it aside from his popular novels.

49 The Dark Tower (Dark Tower Book #7)

September 2004.

The Dark Tower's seventh installment and the final chapter of the story, The Dark Tower, features Stephen King as a secondary character. This time, Jake rescues King from the van that nearly killed him in 1999. By the time that King had made himself a fully-fledged character in his own books, things seemed to grind to a halt for many fans of the Dark Tower series. This is also the novel that King wanted to wrap up the story in, and for people who had followed the journey for over two decades, it would never end how everyone had hoped it would.

It is an interesting read and showcases the author's ability to weave his personal stories into the greater narratives of his fantastical and horrific tales. Despite all of its good aspects, several elements introduced in this book cause the overall series to become a bit more complex than is entirely necessary . The book won the British Fantasy Award in 2005 but was polarizing to many fans of the series.

48 Roadwork

A Richard Bachman book, Roadwork tells the story of Barton George Dawes. While grieving over the loss of his child and divorce, he delves further into mental instability with the news that he will be left homeless and jobless as an interstate makes its way through his Midwestern town. The story is a personal one, as King said he wrote it to come to terms with his mother's death (via The Guardian ), something he also wrote about in the short story, The Woman in the Room .

"I think it was an effort to make some sense of my mother's painful death the year before – a lingering cancer had taken her off inch by painful inch. Following this death I was left both grieving and shaken by the apparent senselessness of it all... Roadwork tries so hard to be good and find some answers to the conundrum of human pain."

The Stephen King book is currently in development to become a full-length movie with Andy Muschietti ( IT: Chapter One and IT: Chapter Two) set to produce it and Pablo Trapero as its director.

47 Bag Of Bones

September 1998.

After author Mike Noonan's pregnant wife unexpectedly dies, he is sent into a state of writer's block that he is desperate to break free from. He isolates himself at a lakeside home in Maine in hopes of bringing back his authorial spark. While there, he meets a young widowed mother and her daughter and develops a psychic connection with the girl. This is where it becomes a riveting paranormal story, but it leaves a lot of questions unanswered.

The book is considered one of King's most literary novels as he tells his own story of the struggle writers go through. It went on to win the 1999 Bram Stoker Award for Best Novel. The book was also turned into a television miniseries directed by Mick Garris, who has helmed several of King's works. The movie stars Pierce Brosnan ( James Bond movies) as Mike Noonan, with Annabeth Gish as his wife Jo. The miniseries changed things up from the novel, including changes to the actual ending of the story.

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The Met Gala’s Strange but Fitting Literary Inspiration

In 1962, J.G. Ballard published “The Garden of Time,” a short story about aristocrats overrun by “an immense rabble.” Now it’s the dress-code theme for the year’s most lavish ball.

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By Jim Windolf

• May 6, 2024

In an Instagram post on Feb. 15, Vogue rather cryptically announced the dress code for this year’s Met Gala: “The Garden of Time.”

An article published that same day on the Vogue website cleared things up a little, noting that “The Garden of Time” was the title of a short story by J.G. Ballard , a British author who specialized in dystopian works of fiction.

“The Garden of Time” appeared in the February 1962 issue of The Magazine of Fantasy & Science Fiction and was included in the “The Complete Stories of J.G. Ballard,” a collection published not long after the author’s death in 2009. The story describes the last days of Count Axel and his wife, known only as the Countess, who reside in a Palladian villa surrounded by a garden.

They pass the days in seclusion. The count busies himself by attending to rare manuscripts. The countess plays Bach and Mozart on a harpsichord.

The threat to their peaceful existence arrives in the form of an army on the horizon. As it moves closer, Count Axel develops a clearer view of this “vast throng of people, men and women, interspersed with a few soldiers.” In an effort to turn back the advance of this “immense rabble,” he reverses time by plucking blooms from the garden’s most exquisite plant, the time flowers.

Soon enough, the last flower is plucked, and the mob overruns the property. The villa lies in ruins, and all that remains of the count and countess is a pair of statues “gazing out over the grounds” from behind a stand of thorn bushes.

“The Garden of Time” is a fitting but ironic choice as a theme for the year’s most lavish celebration. It’s fitting because the Met Gala celebrates the contemporary equivalents of aristocrats at a time of widespread social anger toward elites; it’s ironic because the reference suggests that the guests and hosts may be doomed.

The same Ballard story inspired a 2021 fashion collection by the designer Thom Browne. The clothing was understated and classic, and the clay-like makeup worn by some of Mr. Browne’s models suggested creatures halfway between statue and human.

The sympathies of “The Garden of Time” seem to lie with the count and countess. And yet the author slips in hints that their lovely existence may be empty. When Count Axel puts his arm around his wife’s waist, he realizes that “he had not embraced her for several years.”

In a 1975 interview with Science Fiction Monthly, Mr. Ballard denied that the story suggested that he missed a bygone way of life. “I think some social changes that took place in this country in the mid-’60s are the best and greatest thing that ever happened here,” he said, adding that it was “marvelous” to see the breakdown of old class divisions.

Our Coverage of the 2024 Met Gala

Zendaya Makes Two Arrivals: The actress wore a second John Galliano design to make a late (re)entrance at the Met Gala . The first was a custom Maison Margiela couture dress he created specifically for her.

A Fitting Literary Inspiration: In 1962, J.G. Ballard published “The Garden of Time,” a short story about aristocrats overrun by “an immense rabble.” It was a fitting but ironic choice as this year’s  dress-code theme .

The Body Spectacle: The night saw Kim Kardashian engaged in a kind of body modification  via extreme corseting. While Tyla, the South African singer and songwriter, appeared coated in sand .

Arrests and Protests: As expected, protesters gathered near the Met Gala to protest the war in Gaza, creating an atmosphere far different  from the one inside the event.

The ‘Naked’ Trend: What better way to distinguish oneself  from hundreds of well-dressed competitors than to wear almost nothing at all?

A Night of Firsts: Here’s the story behind Rebecca Ferguson’s sequin, bird-covered dress , Da’Vine Joy Randolph’s all-denim look , Pamela Anderson’s new incarnation , Christian Cowan and Sam Smith’s debut as a couple , and Amanda Seyfried’s semi-recycled look .

Joseph Epstein, conservative provocateur, tells his life story in full

In two new books, the longtime essayist and culture warrior shows off his wry observations about himself and the world

Humorous, common-sensical, temperamentally conservative, Joseph Epstein may be the best familiar — that is casual, personal — essayist of the last half-century. Not, as he might point out, that there’s a lot of competition. Though occasionally a scourge of modern society’s errancies, Epstein sees himself as essentially a serious reader and “a hedonist of the intellect.” His writing is playful and bookish, the reflections of a wry observer alternately amused and appalled by the world’s never-ending carnival.

Now 87, Epstein has just published his autobiography, “ Never Say You’ve Had a Lucky Life: Especially if You’ve Had a Lucky Life ,” in tandem with “ Familiarity Breeds Content: New and Selected Essays .” This pair of books brings the Epstein oeuvre up to around 30 volumes of sophisticated literary entertainment. While there are some short-story collections (“The Goldin Boys,” “Fabulous Small Jews”), all the other books focus on writers, observations on American life, and topics as various as ambition, envy, snobbery, friendship, charm and gossip. For the record, let me add that I own 14 volumes of Epstein’s views and reviews and would like to own them all.

Little wonder, then, that Epstein’s idea of a good time is an afternoon spent hunched over Herodotus’s “Histories,” Marguerite Yourcenar’s “Memoirs of Hadrian” or almost anything by Henry James, with an occasional break to enjoy the latest issue of one of the magazines he subscribes to. In his younger days, there were as many as 25, and most of them probably featured Epstein’s literary journalism at one time or another. In the case of Commentary, he has been contributing pieces for more than 60 years.

As Epstein tells it, no one would have predicted this sort of intellectual life for a kid from Chicago whose main interests while growing up were sports, hanging out, smoking Lucky Strikes and sex. A lackadaisical C student, Myron Joseph Epstein placed 169th in a high school graduating class of 213. Still, he did go on to college — the University of Illinois at Urbana-Champaign — because that’s what was expected of a son from an upper-middle-class Jewish family. But Urbana-Champaign wasn’t a good fit for a jokester and slacker: As he points out, the president of his college fraternity “had all the playfulness of a member of the president’s Council of Economic Advisers.” No matter. Caught peddling stolen copies of an upcoming accounting exam for $5 a pop, Epstein was summarily expelled.

Fortunately, our lad had already applied for a transfer to the University of Chicago, to which he was admitted the next fall. Given his record, this shows a surprising laxity of standards by that distinguished institution, but for Epstein the move was life-changing. In short order, he underwent a spiritual conversion from good ol’ boy to European intellectual in the making. In the years to come, he would count the novelist Saul Bellow and the sociologist Edward Shils among his close friends, edit the American Scholar, and teach at Northwestern University. His students, he recalls, were “good at school, a skill without any necessary carry-over, like being good at pole-vaulting or playing the harmonica.”

Note the edge to that remark. While “Never Say You’ve Had a Lucky Life” is nostalgia-laden, there’s a hard nut at its center. Epstein feels utter contempt for our nation’s “radical change from a traditionally moral culture to a therapeutic one.” As he explains: “Our parents’ culture and that which came long before them was about the formation of character; the therapeutic culture was about achieving happiness. The former was about courage and honor, the latter about self-esteem and freedom from stress.” This view of America’s current ethos may come across as curmudgeonly and reductionist, but many readers — whatever their political and cultural leanings — would agree with it. Still, such comments have sometimes made their author the focus of nearly histrionic vilification.

Throughout his autobiography, this lifelong Chicagoan seems able to remember the full names of everyone he’s ever met, which suggests Epstein started keeping a journal at an early age. He forthrightly despises several older writers rather similar to himself, calling Clifton Fadiman, author of “The Lifetime Reading Plan,” pretentious, then quite cruelly comparing Mortimer J. Adler, general editor of the “Great Books of the Western World” series, with Sir William Haley, one of those deft, widely read English journalists who make all Americans feel provincial. To Epstein, “no two men were more unalike; Sir William, modest, suave, intellectually sophisticated; Mortimer vain, coarse, intellectually crude.” In effect, Fadiman and Adler are both presented as cultural snake-oil salesmen. Of course, both authors were popularizers and adept at marketing their work, but helping to enrich the intellectual lives of ordinary people doesn’t strike me as an ignoble purpose.

In his own work, Epstein regularly employs humor, bits of slang or wordplay, and brief anecdotes to keep his readers smiling. For instance, in a chapter about an editorial stint at the Encyclopaedia Britannica, Epstein relates this story about a colleague named Martin Self:

“During those days, when anti-Vietnam War protests were rife, a young woman in the office wearing a protester’s black armband, asked Martin if he were going to that afternoon’s protest march. ‘No, Naomi,’ he said, ‘afternoons such as this I generally spend at the graveside of George Santayana.’”

Learned wit, no doubt, but everything — syntax, diction, the choice of the philosopher Santayana for reverence — is just perfect.

But Epstein can be earthier, too. Another colleague “was a skirt-chaser extraordinaire," a man "you would not feel safe leaving alone with your great-grandmother.” And of himself, he declares: “I don’t for a moment wish to give the impression that I live unrelievedly on the highbrow level of culture. I live there with a great deal of relief.”

In his many essays, including the sampling in “Familiarity Breeds Content,” Epstein is also markedly “quotacious,” often citing passages from his wide reading to add authority to an argument or simply to share his pleasure in a well-turned observation. Oddly enough, such borrowed finery is largely absent from “Never Say You’ve Had a Happy Life.” One partial exception might be the unpronounceable adjective “immitigable,” which appears all too often. It means unable to be mitigated or softened, and Epstein almost certainly stole it from his friend Shils, who was fond of the word.

Despite his autobiography’s jaunty title, Epstein has seen his share of trouble. As a young man working for an anti-poverty program in Little Rock, he married a waitress after she became pregnant with his child. When they separated a decade later, he found himself with four sons to care for — two from her previous marriage, two from theirs. Burt, the youngest, lost an eye in an accident while a toddler, couldn’t keep a job, fathered a child out of wedlock and eventually died of an opioid overdose at 28. Initially hesitant, Epstein came to adore Burt’s daughter, Annabelle, as did his second wife, Barbara, whom he married when they were both just past 40.

Some pages of “Never Say You’ve Had a Lucky Life” will be familiar to inveterate readers of Epstein’s literary journalism, all of which carries a strong first-person vibe. Not surprisingly, however, the recycled anecdotage feels less sharp or witty the second time around. But overall, this look back over a long life is consistently entertaining, certainly more page-turner than page-stopper. To enjoy Epstein at his very best, though, you should seek out his earlier essay collections such as “The Middle of My Tether,” “Partial Payments” and “A Line Out for a Walk.” Whether he writes about napping or name-dropping or a neglected writer such as Somerset Maugham, his real subject is always, at heart, the wonder and strangeness of human nature.

Never Say You’ve Had a Lucky Life

Especially if You’ve Had a Lucky Life

By Joseph Epstein

Free Press. 304 pp. $29.99

Familiarity Breeds Content

New and Selected Essays

Simon & Schuster. 464 pp. $20.99

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The Best Reviewed Books of 2020: Short Story Collections

Featuring nicole krauss, stephen king, emma cline, zora neale hurston, and more.

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2020—the longest year that has ever been—is almost at an end, and that means it’s time for us to break out the calculators and tabulate the best reviewed books of past twelve months.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be revealing the most critically-acclaimed books of 2020, in the categories of (deep breath): Memoir & Biography;   Sci-Fi, Fantasy & Fantasy ; Short Story Collections; Essay Collections; Graphic Literature; Poetry; Mystery & Crime; Literature in Translation; General Fiction; and General Nonfiction.

1. To Be a Man by Nicole Krauss (Harper)

18 Rave • 6 Positive • 2 Mixed

Read an interview with Nicole Krauss here

“… like talking all night with a brilliant friend … Krauss imbues her prose with authoritative intensity. In short, her work feels lived. Some of these stories appeared earlier, in the New Yorker and elsewhere. But re-encountering them in a collection lets us absorb them as siblings … Krauss’s explorations of interior struggle press on, unflinching; aperçus feel wrested from depths … With chilling casualness, Krauss conveys the murderous realities lurking behind the scrim of social surfaces, that young women routinely face … Settings range globally without fanfare, as do Krauss’s gelid portraits of modern arrangements … the hallucinatory ‘Seeing Ershadi,’ in which a dancer and her friend become obsessed with an Iranian actor, seems to distill the strange urgency of Krauss’s art … What Ershadi represents to the women slowly unfurls, and (like much of this fine collection) continues to haunt a reader’s mind and heart.”

–Joan Frank ( The Washington Post )

2. The Office of Historical Corrections by Danielle Evans (Riverhead)

14 Rave • 4 Positive

“… a new collection that is so smart and self-assured it’s certain to thrust her into the top tier of American short story writers. Evans’ stories feel particularly urgent at this moment of national reckoning over race. While they aren’t specifically about being Black any more than Alice Munro’s are about being white, many of the characters are shaped by the social, economic and cultural conditions unique to African American life … she brings an anthropologist’s eye to the material conditions of her characters’ lives … The hands-down masterpiece of the collection is the title novella … Reading these stories is like [an] amusement park ride—afterward, you feel a sense of lightness and exhilaration.”

–Ann Levin ( USA Today )

3. I Hold a Wolf By the Ears by Laura Van den Berg (FSG)

14 Rave • 2 Positive

Listen to a conversation between Laura Van den Berg and Catherine Lacey here

“The terrain of Van den Berg’s difficult, beautiful and urgent new book, I Hold a Wolf by the Ears , is an ecosystem of weird and stirring places you’ll want to revisit, reconsider, maybe even take shelter in. It’s easy to get going, because Van den Berg is such a master of setups … Possessing some of Karen Russell’s spookiness and Otessa Moshfegh’s penchant for unsettling observations about the way we live now—personally incisive but alive with a kind of ambient political intelligence—Van den Berg feels like the writer we not only want but maybe need right now … There is range here, particularly in characters and relationships: single people, mothers and daughters, loners, but also people engaged in the long dance of marriage … Van den Berg is so consistently smart and kind, bracingly honest, keen about mental illness and crushing about everything from aging to evil that you might not be deluded in hoping that the usual order of literary fame could be reversed: that an author with respectable acclaim for her novels might earn wider recognition for a sneakily brilliant collection of stories.”

–Nathan Deuel ( The Los Angeles Times )

4. Verge by Lidia Yuknavitch (Riverhead)

12 Rave • 5 Positive • 1 Mixed

Read a story from Verge here

“With the powers of her prose on full, incandescent display, 6½ pages is all Yuknavitch needs to illuminate the connections between the body and the spirit, the fists and the heart, both beating in their losing battles … In these 20 efficient and affecting stories, Yuknavitch unveils the hidden worlds, layered under the one we know, that can be accessed only via trauma, displacement and pain. There is a vein of the wisdom of the grotesque throughout … the damaged beauty of these misfits keeps the reader leaning in.”

–Nicholas Mancusi ( TIME )

5. Sorry For Your Trouble by Richard Ford (Ecco)

11 Rave • 4 Positive • 3 Mixed

“The finest and most substantial story here is ‘The Run of Yourself.’ One could say is has the richness and breadth of a novel, but that would be to slight the short-story form, of which Mr. Ford has repeatedly proved himself a master … However understated and oblique, Sorry for Your Trouble —which is what Irish people say to the bereaved at a funeral—is both a coherent work of art and a subtle and convincing portrait of contemporary American life among the moneyed middle class. None of the main characters has to worry about money, which highlights the emotional malaise that underlies their lives and their frequent and almost absent-minded couplings and uncouplings. In the background are wars, financial crises, natural vicissitudes. This is America, and Richard Ford is its chronicler. In these superbly wrought tales he catches, with exquisite precision…the irresistible melancholy that is the mark of American life.”

–John Banville ( The Wall Street Journal )

6. Daddy by Emma Cline (Random House)

9 Rave • 8 Positive

Read Emma Cline on Anaïs Nin’s erotic fiction and John Cheever’s journals here

“In an era whose ascendant short-story practitioners lean into high-concept experiments of genre and form, Emma Cline represents something of a throwback. The 10 stories that constitute her first collection, Daddy, are almost classical in structure—you won’t find a fragmentary collage, list or screenplay among them. Though she’s not one for a sudden, curious departure of voice or dissolution of the fourth wall, Cline has an unnerving narrative proprioception, and her stories have the clean, bright lines of modernist architecture … As for her style, she seems to eschew the telegraphic mode made popular by writers like Sally Rooney or Rachel Cusk for something at once direct and musical. Cline’s idiom is earnestness punctuated by millennial cool—but nothing too fussy, everything in just the right place … The aesthetic pleasure of Cline’s writing is anesthetizing. So much so that one could conceivably read these stories with the same drugged passivity with which one shuffles through a lifestyle catalog. But that would be a mistake … Cline is an astonishingly gifted stylist, but it is her piercing understanding of modern humiliation that makes these stories vibrate with life … the characters shift uncomfortably through the beautifully appointed shoe box dioramas of their lives, aware at once of their own insignificance and also of their desire for prominence. They ask if anything matters as though nothing does, and yet hope to be contradicted. But perhaps we all do. Perhaps, in these brilliant stories, that is the most daring and human thing of all.”

–Brandon Taylor ( The New York Times Book Review )

7. You Will Never Be Forgotten by Mary South (FSG Originals)

9 Rave • 6 Positive • 1 Mixed

Listen to an interview with Mary South here

“South writes as though she has always been where we find ourselves now: looking back on a world where we believed we might gain personal agency over technology’s dominion, entering one where such agency is a luxury we might never again hope to afford … stories of exceptional loss, spilling out at the point of conflict between the cool detachment of the technological world and the tender vulnerability of the users living within it … This collection’s power, though, comes from South’s dark sensibility, her comfort with brutality, and her narrative insistence that, while the nightmare of tech capitalism won’t wholly eradicate the personal and the private, it will compress beyond recognition the spaces where personal, private moments can unfold … South writes with the assurance of someone who knows she has no answers to give. But instead of resulting in a shrugging ambivalence, You Will Never Be Forgotten mounts an ever more effective critique of technology-amplified structural inequality … [the] stories are united by South’s keen examination of the thrill and risk of human connection—between lovers, siblings, parent and child, care-giver and care-receiver, and digitally connected strangers—under increasingly cruel conditions … Still, You Will Never Be Forgotten shows us there is still tenderness to be found, and protected, in the brave new world to come.”

–Jennifer Schaffer ( The Nation )

8. If It Bleeds by Stephen King (Scribner)

6 Rave • 10 Positive • 1 Mixed

“Nobody does novellas like Stephen King … a quartet of stories that are a little too long to be labelled short, all of which are packed with that uniquely King combination of fear and empathy … One of the joys of King’s novella collections is the reminder that he, perhaps more than any of his bestselling peers, has a tremendous gift for giving stories exactly the amount of space they need to be properly told. Sometimes, that results in 700-plus page epics. Other times, just 70. Whatever it takes to get the story from his head to the page—that’s what King gives you. It’s remarkable really, that an author can create stories that cause a reader to shiver, to smile and to shed a tear in the space of a few pages—but really, should anything Stephen King does surprise us anymore? … practically pulses with the humanistic empathy that marks the best of King’s work. It’s an outstanding quartet, featuring four tales that are wildly different from one another, yet undeniably bound together by the voice of our finest storyteller. There is much to fear in the worlds created by Stephen King, but even in the depth of his darkest shadows, a light of hope steadily glows. More exceptional work from the maestro … Keep ‘em coming, Mr. King.”

–Allen Adams ( The Maine Edge )

9. Show Them a Good Time by Nicole Flattery (Bloomsbury)

7 Rave • 7 Positive • 2 Mixed

“Nicole Flattery’s publisher paid big money for these debut stories (plus a novel-in-progress), and it’s not hard to see why: they’re often extremely funny—peculiar as well as ha-ha—and highly addictive … Flattery’s themes are work, womanhood and early-to-midlife indirection, all tackled slantwise … It’s easy to read but trickier to get a handle on: Flattery’s off-kilter voice blends chatty candour and hard-to-interpret allegory (think Diane Williams or 90s Lorrie Moore), with the deadpan drollery and casually disturbing revelations heightened by her fondness for cutting any obvious connective tissue between sentences … Trauma lurks in the background, with allusions to attempted suicide, abuse and a 13-year-old’s miscarriage … Yet Flattery’s stories don’t depend on bringing such things to light; they’re just there—part of a woman’s life—which ultimately proves more disconcerting … Flattery…doesn’t seem too bothered about sewn-up narratives running from A to B; it’s a mark of her art in these strange, darkly funny stories that we aren’t either.”

–Anthony Cummins ( The Guardian )

10. Hitting a Straight Lick With a Crooked Stick by Zora Neale Hurston (Amistad)

7 Rave • 4 Positive

Read a story from Hitting a Straight Lick With a Crooked Stick here

“…a revelation not just in its celebration of Hurston’s lesser-known efforts as a writer of short stories but also in the subjects and settings that it takes on … Hurston’s stories do not merely document black experience in the early 20th century; they testify to larger truths about black life … tender and wry … Fans and scholars of Hurston’s work and the uninitiated alike will find many delights in these complex, thoughtful and wickedly funny portraits of black lives and communities … this book is a significant testament to the enduring resonance of black women’s writing.”

–Naomi Jackson ( The Washington Post )

Our System: RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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May 6 – May 10, 2024

• In praise of the student journalists covering university protests
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• “Every love poem is a Palestine poem, and every Palestine poem is a love poem.” Mandy Shunnarah on Mahmoud Darwish and writing Palestinian poetry .

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Here Are the 14 New Books You Should Read in May

These are independent reviews of the products mentioned, but TIME receives a commission when purchases are made through affiliate links at no additional cost to the purchaser.

F rom Brittney Griner ’s eagerly anticipated memoir to a long-awaited sequel to Colm Tóibín’s beloved novel Brooklyn , the best books coming in May offer a range of choices for every reader. Those looking for a good laugh should check out the latest high-society comedy from Crazy Rich Asians author Kevin Kwan or filmmaker Miranda July’s first novel in 10 years, which offers a profoundly humorous take on menopause and mortality. R.O. Kwon ’s sensual followup to her 2018 best-seller The Incendiaries is sure to keep readers on their toes, while scholar Deborah Paredez’s tribute to America’s finest divas offers an important lesson in pop-culture etymology.    

Here, the 14 new books to read this month.

Coming Home , Brittney Griner (May 7)

On Feb. 17, 2022, WNBA player Brittney Griner was detained in Russia , where she played professionally in the offseason, for possessing cannabis oil, a substance that is illegal in the country. (At the time, Griner’s Russian lawyers stated that she had been prescribed medical cannabis for pain management by her doctors in the U.S.) The celebrated athlete was sentenced to nine years in prison for drug smuggling and served in a Russian penal colony until the U.S. government was able to broker a prisoner swap in December 2022, trading her for convicted Russian arms dealer Viktor Bout . Griner’s memoir, Coming Home, which she co-authored with Michelle Burford, details all of this and more, offering a raw look at the harrowing experience that has turned her into an outspoken advocate for Americans who have been wrongfully detained abroad .

Buy Now : Coming Home on Bookshop | Amazon

Shanghailanders , Juli Min (May 7)

Juli Min’s ambitious debut novel, Shanghailanders, is a thrilling, futuristic family drama that captures the joys, disappointments, and inside jokes of one Shanghai family in reverse chronological order. Starting in 2040 and working its way back to 2014, the book unspools the shared and separate lives of the wealthy Yangs: Chinese real estate investor Leo, his elegant Japanese French wife Eko, their precocious eldest daughters Yumi and Yoko, and the baby of the family, aspiring actress Kiko. By giving readers the gift of hindsight, Min shows how one enigmatic family falls apart and comes back together over several decades.

Buy Now : Shanghailanders on Bookshop | Amazon

Long Island , Colm Tóibín (May 7)

Best-selling Irish author Colm Tóibín returns with Long Island, a well-observed sequel to his much loved 2009 novel Brooklyn , set 20 years after Eilis, the inscrutable heroine of the aforementioned book, emigrated from Ireland. Picking up in the spring of 1976, Eilis, now in her 40s, is still married to Italian American plumber Tony Fiorello and living in the titular suburbs outside of New York City with their two teenage children and her in-laws. All is well, if a little boring, until she is confronted by an irate Irishman who claims Tony has gotten his wife pregnant and he plans to leave the baby on Eilis’ doorstep once it’s born. Tóibín’s 11th novel offers an absorbing look at a middle-aged woman at a crossroads in not only her marriage, but also in a life she worries has gone unfulfilled.

Buy Now : Long Island on Bookshop | Amazon

The Skunks , Fiona Warnick (May 7)

In Fiona Warnick’s quirky debut, The Skunks, Isabel returns to her hometown after college graduation to take on a few odd jobs and figure out what she wants to do with her life. To take her mind off of her post-adolescent fears and anxieties, she starts thinking about the book’s titular creatures. Specifically, the three baby skunks that unexpectedly show up in the yard of the place she is house sitting. Their presence forces her to ponder life’s existential questions—and question her own romantic desires. The Skunks is a hilarious look at post-grad life and the loneliness, uncertainty, and occasional joy that comes with it.

Buy Now : The Skunks on Bookshop | Amazon

All Fours , Miranda July (May 14)

Filmmaker, artist, and best-selling author Miranda July’s first novel in a decade is an intimate, fearless, and sexy coming-of-middle-age story about a woman hellbent on reinventing herself. All Fours begins with the unnamed narrator, a 45-year-old semi-famous artist, learning that someone has been peering into her window with a telephoto lens. She decides to leave her husband and child behind to drive from Los Angeles to New York for a writing retreat. Unfortunately, she only makes it as far as Monrovia, Calif., less than an hour from home. It’s there she finds herself tackling fluctuating hormones, an increased libido, and a rather impractical motel room renovation in this wonderfully weird adventure.

Buy Now : All Fours on Bookshop | Amazon

Blue Ruin , Hari Kunzru (May 14)

Hari Kunzru ’s seventh novel, Blue Ruin, is a provocative portrait of a once-promising artist as a disillusioned man of a certain age. Amid the COVID-19 pandemic, Jay, a 40-something undocumented performance artist, is living out of his car and delivering groceries to wealthy residents in upstate New York. On one of his runs, he finds himself face-to-face with Alice, a woman he dated nearly two decades earlier. Alice invites him to ride out the crisis in the luxurious home where she is quarantining with her painter husband, the art school rival for whom she ghosted Jay. The unexpected run-in leads to a possible big career break for Jay, who worries the deal may just cost him his soul.

Buy Now : Blue Ruin on Bookshop | Amazon

This Strange Eventful History , Claire Messud (May 14)

This Strange Eventful History is a sprawling yet intimate saga that draws inspiration from author Claire Messud’s own family history. (She has called this novel, her seventh, the “most significant work” of her life.) Spanning several decades, from 1940 to 2010, Messud follows the Cassar family, a fictional French Algerian clan first displaced by World War II, and again, nearly 20 years later, by Algeria’s war of independence . With great empathy, Messud shows the effects war, colonialism, and later sovereignty had on three generations of the Cassars, most notably, the family’s youngest member, aspiring writer Chloe, a stand-in for Messud, who believes the truth will finally set her relatives free.

Buy Now : This Strange Eventful History on Bookshop | Amazon

Very Bad Company , Emma Rosenblum (May 14)

With her latest novel, Very Bad Company , best-selling author and journalist Emma Rosenblum takes a page from Rian Johnson ’s Knives Out playbook. Despite her lack of experience, former TV producer Caitlin Levy is hired as the new head of events at Aurora, a trendy ad-tech startup led by an eccentric CEO. To welcome her to the team, Caitlin is invited to take part in Aurora’s annual corporate retreat in Miami. This year, the company is preparing for an impending billion-dollar merger. But when one of Aurora’s high-level executives turns up dead, everyone on sight is forced to ignore the crisis so as to not sink the deal. What ensues is a darkly funny mystery about toxic corporate culture.

Buy Now : Very Bad Company on Bookshop | Amazon

In Tongues , Thomas Grattan (May 21)

In Thomas Grattan’s rollicking sophomore release, In Tongues, the charming if naive Gordon moves from Minnesota to New York City where he gets a job walking the dogs of Manhattan’s elite, including gallery owners Phillip and Nicola. Soon he is hobnobbing and bed-hopping with the high-powered couple, turning their lives upside down with little regard for the consequences of his actions. In this delightfully modern comedy of manners, Gordon wonders if he has the ability to change his ways as he begins to understand the damage his impulses have caused.

Buy Now : In Tongues on Bookshop | Amazon

Lies and Weddings , Kevin Kwan (May 21)

From Kevin Kwan , the author of Crazy Rich Asians, a high comedy sure to delight fans of Jane Austen . Rufus Leung Gresham, the protagonist of Lies and Weddings , is the future Earl of Greshambury (a clever nod to the fictional setting of Anthony Trollope’s 1858 novel Doctor Thorne ) and son of a former Hong Kong supermodel. He’s also been buried underneath a mountain of debt thanks to his family’s reckless spending. To dig himself out, Rufus’ always scheming mother suggests he find a wealthy woman to marry at his sister’s upcoming high-society wedding. What could possibly go wrong?

Buy Now : Lies and Weddings on Bookshop | Amazon

Exhibit , R. O. Kwon (May 21)

R. O. Kwon’s Exhibit is a hypnotic queer love story full of lust and longing. The sultry novel follows two women, talented photographer Jin and injured prima ballerina Lidija, and the ancient familial curse that stands to keep them apart. Exhibit is a haunting romance about desire, obsession, and ambition that is sure to get your heart rate up.

Buy Now : Exhibit on Bookshop | Amazon

American Diva , Deborah Paredez (May 21)

Fifteen years ago, poet and cultural critic Deborah Paredez tackled the posthumous legacy of Selena Quintanilla with Selenidad: Selena, Latinos, and the Performance of Memory . Now, with American Diva, she has put together an insightful ode to the famous women— Aretha Franklin , Tina Turner , and Serena Williams , to name a few—who have come to embody the often misconstrued term. Combining cultural criticism and memoir, Paredez shows how the word “diva,” once used to describe a powerhouse opera singer, evolved to become a condemnation of confident and powerful women, many of whom are women of color. American Diva is Paredez’s attempt to reclaim the word.

Buy Now : American Diva on Bookshop | Amazon

Accordion Eulogies , Noé Álvarez (May 28)

Growing up, Noé Álvarez’s working class Mexican immigrant parents rarely spoke of his larger-than-life grandfather. All Álvarez ever knew of the relative who was more myth than man was that he played the accordion and possibly put a curse on his descendents with his questionable behavior. In his poignant new memoir, Accordion Eulogies, Álvarez traces the history of the humble titular instrument in hopes of better understanding his own family’s mysterious lineage. With empathy and humor, the author dares to find the root cause of his generational trauma with the hope of finally breaking the cycle.

Buy Now : Accordion Eulogies on Bookshop | Amazon

In These Streets , Josiah Bates (May 28)

With In These Streets, journalist and former TIME reporter Josiah Bates takes a closer look at the recent surge in gun violence throughout the United States, particularly in marginalized communities. Bates travels the country speaking with those on the frontlines of what many have deemed a public health crisis that has only gotten worse since the onset of the COVID-19 pandemic. He interviews victims, perpetrators, activists, law enforcement, and academics in hopes of gaining new insight into the epidemic.

Buy Now : In These Streets on Bookshop | Amazon

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The Shortest Novels Written by 20 Authors You Should’ve Read By Now

The (second) easiest way to stop lying about having read pynchon.

So you want to get into Pynchon (or Bolaño, or Morrison, or Woolf) but you’re short on time—and perhaps on attention span? Click no further, reader. There are plenty of famous authors whose work, while appealing in theory, may seem impenetrable—whether because the books themselves are notoriously difficult or because they’ve written so many books that you don’t know where to start. Sure, you could start with their most famous book, but if your real, secret goal is to only say you’ve read so-and-so at your next party (and not be lying), why not start with their shortest? To aid you in your worthwhile endeavor, I’ve sought out the shortest novels written by a selection of difficult writers. I’ve excluded nonfiction and short stories in my estimation, but allowed novellas, since the definition of the novella is hazy at best. Also note that the exact page count of most of these texts varies by edition, so my number may not exactly match the one you have on your shelf at home. Beyond that, feel free to add on to this list in the comments section.

Roberto Bolaño: Antwerp  (trans. Natasha Wimmer) (112 pages)

“The only novel that doesn’t embarrass me is Antwerp ,” Bolaño once said, if the back cover of the book in question is to believed. It is barely a novel, if it is one—more like a pattern, arresting and strange. Bolaño’s literary executor Ignacio Echevarría called it “the Big Bang of Bolaño’s fictional universe.” It is much, much shorter than 2666 .

Cormac McCarthy:  Child of God  (208 pages)

It’s less the length and more the crushing pessimism and ubiquitous violence that makes McCarthy’s work difficult for many to get into, but still—fewer pages, fewer opportunities for bloodshed. Not that  Child of God  isn’t horribly violent and upsetting, mind you. (It’s about a necrophiliac.)

Toni Morrison:  Sula  (192 pages)

I actually find most of Morrison’s novels pretty inviting, if often difficult in terms of subject matter, but she’s another canonical, prolific writer who is still continuing to produce, so there’s a lot to get through.  Beloved  is her masterpiece, but  Sula  is incendiary too, and contains much more power than its length would seem to allow.

Thomas Pynchon:  The Crying of Lot 49  (152 pages)

Pretty much everyone’s gateway Pynchon.

Vladimir Nabokov:  The Eye  (trans. Dmitri Nabokov)   (104 pages)

Nabokov is famous for his eloquence, wordplay, and literary trickery, which may either sound enticing or unbearable to you. Either way, you may consider starting with his short and farcical fourth novel, which more or less begins with the narrator killing himself, and goes on from there.

Don DeLillo:  Point Omega  (117 pages)

DeLillo’s shortest novel—though barely shorter than  The Body Artist —is also among his most introspective. According to DeLillo , the title refers to “the possible idea that human consciousness is reaching a point of exhaustion and that what comes next may be either a paroxysm or something enormously sublime and unenvisionable.” So, no need to go on about that for hundreds of pages.

James Baldwin:  Giovanni’s Room  (159 pages)

Baldwin’s shortest novel is also (arguably) his most famous—though to be fair, I’d argue his nonfiction eclipses all of his fiction, both in terms of importance and its place in the public imagination.

Virginia Woolf:  Between the Acts  (176 pages)

Woolf’s final novel, her shortest, is not widely read. It concerns a play given at an English country house just before WWII. On March 27th, 1941, she sent a letter to her publisher John Lehmann, in reply to a note praising the draft. “I’d decided, before your letter came,” she wrote, “that I can’t publish that novel as it stands—it’s too silly and trivial. What I will do is to revise it, and see if I can pull it together and so publish it in the autumn. . . I didn’t realise how bad it was till I read it over. Please forgive me, and believe I’m only doing what is best.” The next day, Woolf drowned herself; the novel was published posthumously only months later.

Barry Hannah:  Ray (113 pages)

Hannah’s shortest novel is also one of his best. A reviewer for the  New York Times   called it “the funniest, weirdest, soul-happiest work of fiction by a genuinely young American author that I’ve read in a long while. . . You need a fresh lingo to do justice to this much magic, mystery and hilarity. You need new strategies, new arguments, new adjectives, new everything.”

Mikhail Bulgakov (trans. Mirra Ginsburg):  Heart of a Dog  (126 pages)

Heart of a Dog  was Bulgakov’s last novel, though he went on to publish several plays and short story collections. It doesn’t touch  The Master and Margarita , but will give you a sense of the writer’s wry, surrealist sensibility.

James Joyce:  A Portrait of the Artist as a Young Man (256 pages)

Everything looks short and accessible compared to  Ulysses (not to mention  Finnegans Wake ). Really the best place to start with Joyce is  Dubliners , but as that’s a short story collection, this one will have to do.

Jane Austen:  Northanger Abbey  (220 pages)

Northanger Abbey —which she titled  Susan , as Catherine Moreland was then named—was her first finished work, but among the last to be published. She sold it to a publisher in 1803, but they didn’t print it; they held on to it until selling it back to the family in 1816. Austen continued to revise it, but she died in 1817, and her brother published it posthumously, in December of that year.

Denis Johnson:  Train Dreams  (116 pages)

Most people enter Denis Johnson through Jesus’ Son , which is all well and good, but it’s relatively rare to hear anyone talk about his ten novels (except the massive  Tree of Smoke , which won the National Book Award), not to mention his five books of poetry or his plays. I haven’t read it all, but of what I have read,  Train Dreams  is the best—elegant, elegiac, and short enough to read as it feels it was meant to be read: while in transit from one strange place to another.

Ernest Hemingway:  The Old Man and the Sea  (127 pages)

None of Hemingway’s novels are particularly difficult, but his last one has the distinction of being the shortest novel ever to win the Pulitzer Prize. (Note: “For sale: baby shoes, never worn” is not a novel, nor did Hemingway write it.)

Fyodor Dostoyevsky:  Notes from Underground  (trans. Richard Pevear and Larissa Volokhonsky) (136 pages)

We all read this in high school for a reason—Dostoyevsky’s novels are notoriously dense, long, and well, Russian, which can be difficult to break into.  Notes from Underground  is definitely Russian, but it’s mostly complaining, which makes it more or less accessible to anyone. Technically  Uncle’s Dream  and  The Landlady  are even shorter novellas, but they’re so rarely sold as single volumes that it sort of seems like cheating to include them.  The Double  is also a quality short novel that would be perfect to start you off on a life of Dostoyevskydom.

Haruki Murakami: Hear the Wind Sing  (trans. Alfred Birnbaum) (165 pages)

It can be hard to know where to start with Murakami—there’s so much, and it all seems to be equally acclaimed (though the massive novels are most beloved, at least in America) and equally bizarre. For the record, you should start with The Wind-Up Bird Chronicle , but if you want the shortest path to Murakami fandom, you can attempt his very first—though you’ll likely have to hunt for it, as his earliest novels are much less ubiquitous in this country than his later work.

Doris Lessing: The Fifth Child (144 pages)

Lessing’s body of work is as formidable as her work itself. She’s a Nobel Prize winner, after all. Typically for Lessing, her shortest novel resists classification, but it could be described as a horror story about childrearing, in which the titular fifth child turns a family’s “perfect” life upside down.

Charles Dickens:  Hard Times  (321 pages)

When you’re paid by installment, there’s rather an incentive to make the story drag on for as long as possible.  Hard Times  isn’t a particularly short novel, as novels go—it’s about the standard length—but it’s less than a third the length of many of his more famous novels (104,821 words to David Copperfield ‘s 357,489, Bleak House ‘s 355,936, Little Dorrit ‘s 339,870, etc).  Great Expectations ,  Oliver Twist , and  A Tale of Two Cities  are all more reasonable, but  Hard Times  is still the shortest. (Well,  The Mystery of Edwin Drood  is technically shorter, but as it’s unfinished, I’m not counting it.)

J.R.R. Tolkien:  The Hobbit  (300 pages)

The Lord of the Rings  trilogy is long and, in some places, difficult (it took me many tries to get through the Tom Bombadil sections as a young reader). But The Hobbit , a prequel of sorts, is only 300 pages—though you’d never guess it from the number of film adaptations they made out of it.

Philip Roth: The Breast  (78 pages)

In which David Kepesh awakens one morning to find himself transformed into a 155-pound breast. This is the only Philip Roth book I’ve ever been able to finish, but that was mostly because of the Kafka comparison. Let’s put it this way: I’ve now read Roth and I don’t want to read anymore.

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Emily Temple

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