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Harvard University Essay Examples (And Why They Worked)

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The following essay examples were written by several different authors who were admitted to Harvard University and are intended to provide examples of successful Harvard University application essays. All names have been redacted for anonymity. Please note that Bullseye Admissions has shared these essays with admissions officers at Harvard University in order to deter potential plagiarism.

For more help with your Harvard supplemental essays, check out our 2020-2021 Harvard University Essay Guide ! For more guidance on personal essays and the college application process in general, sign up for a monthly plan to work with an admissions coach 1-on-1.

Please briefly elaborate on one of your extracurricular activities or work experiences. (50-150 words)

Feet moving, eyes up, every shot back, chants the silent mantra in my head. The ball becomes a beacon of neon green as I dart forward and backward, shuffling from corner to far corner of the court, determined not to let a single point escape me. With bated breath, I swing my racquet upwards and outwards and it catches the ball just in time to propel it, spinning, over the net. My heart soars as my grinning teammates cheer from the sidelines.

While I greatly value the endurance, tenacity, and persistence that I have developed while playing tennis throughout the last four years, I will always most cherish the bonds that I have created and maintained each year with my team.

Why this Harvard essay worked: From an ex-admissions officer

When responding to short essays or supplements, it can be difficult to know which info to include or omit. In this essay, the writer wastes no time and immediately captivates the reader. Not only are the descriptions vivid and compelling, but the second portion highlights what the writer gained from this activity. As an admissions officer, I learned about the student’s level of commitment, leadership abilities, resiliency, ability to cooperate with others, and writing abilities in 150 words.

I founded Teen Court at [High School Name Redacted] with my older brother in 2016. Teen Court is a unique collaboration with the Los Angeles Superior Court and Probation Department, trying real first-time juvenile offenders from all over Los Angeles in a courtroom setting with teen jurors. Teen Court’s foundational principle is restorative justice: we seek to rehabilitate at-risk minors rather than simply punish them. My work provides my peers the opportunity to learn about the justice system. I put in over fifty hours just as Secretary logging court attendance, and now as President, I mentor Teen Court attendees. My goal is to improve their empathy and courage in public speaking, and to expand their world view. People routinely tell me their experience with Teen Court has inspired them to explore law, and I know the effort I devoted bringing this club to [High School Name Redacted] was well worth it.

This writer discussed a passion project with a long-lasting impact. As admissions officers, we realize that post-secondary education will likely change the trajectory of your life. We hope that your education will also inspire you to change the trajectory of someone else’s life as well. This writer developed an organization that will have far-reaching impacts for both the juvenile offenders and the attendees. They saw the need for this service and initiated a program to improve their community.

Harvard University Supplemental Essay Option: Books Read During the Last Twelve Months

Reading Frankenstein in ninth grade changed my relationship to classic literature. In Frankenstein , I found characters and issues that resonate in a modern context, and I began to explore the literary canon outside of the classroom. During tenth grade, I picked up Jane Eyre and fell in love with the novel’s non-traditional heroine whose agency and cleverness far surpassed anything that I would have imagined coming from the 19th century. I have read the books listed below in the past year.

  • Chimamanda Ngozi Adichie, Purple Hibiscus *
  • Aravind Adiga, The White Tiger *
  • Jane Austen, Sense and Sensibility
  • Aphra Behn, The Fair Jilt ♰
  • Mongo Beti, Mission Terminée * (in French)
  • Kate Chopin, The Awakening
  • Arthur Conan-Doyle, A Study in Scarlet
  • Kamel Daoud, Meursault, contre-enquête * (in French)
  • Roddy Doyle, A Star Called Henry *
  • Mircea Eliade, The Sacred and the Profane *
  • Ralph Ellison, Invisible Man
  • William Faulkner, As I Lay Dying *
  • Gustave Flaubert, Madame Bovary
  • E. M. Forster, Maurice
  • E. M. Forster, A Passage to India
  • E. M. Forster, Where Angels Fear to Tread
  • Eliza Haywood, The City Jilt ♰
  • Homer, The Iliad
  • Christopher Isherwood, All The Conspirators
  • Christopher Isherwood, A Meeting by the River
  • Christopher Isherwood, Sally Bowles
  • Christopher Isherwood, A Single Man
  • Shirley Jackson, We Have Always Lived in the Castle
  • James Joyce, Portrait of the Artist as a Young Man
  • Franz Kafka, The Metamorphosis
  • Franz Kafka, The Trial
  • Jhumpa Lahiri, Interpreter of Maladies *
  • Morrissey, Autobiography
  • Rudolph Otto, The Idea of the Holy *
  • Boris Pasternak, Doctor Zhivago
  • Charlotte Perkins-Gilman, Herland
  • Marcel Proust, Swann’s Way
  • Marcel Proust, Within a Budding Grove
  • Mary Renault, Fire From Heaven
  • Mary Renault, The Friendly Young Ladies
  • Mary Renault, The King Must Die
  • Mary Renault, The Persian Boy
  • J. K. Rowling, Harry Potter and the Cursed Child
  • Antoine de Saint-Exupéry, Terre des hommes * (in French)
  • Shakespeare, Hamlet *
  • Mary Shelley, The Last Man
  • Tom Stoppard, Rosencrantz and Guildenstern Are Dead *
  • Kurt Vonnegut, Breakfast of Champions
  • Kurt Vonnegut, The Sirens of Titan
  • Evelyn Waugh, Brideshead Revisited
  • Evelyn Waugh, Scoop
  • Evelyn Waugh, Vile Bodies
  • Jeanette Winterson, The Passion
  • Mary Wollstonecraft, Mary: A Fiction ♰
  • Mary Wollstonecraft, Vindication of the Rights of Woman ♰
  • Virginia Woolf, A Haunted House and Other Stories
  • * indicates assigned reading
  • ♰ indicates independent study reading

Harvard University Supplemental Essay Option: What would you want your future college roommate to know about you? (No word limit)

Hi Roomie!!!!

You probably have noticed that I put four exclamation points. Yes, I am that excited to meet you, roomie!

Also, I don’t believe in the Rule of Three. It’s completely unfair that three is always the most commonly used number. Am I biased in my feelings because four is my favorite number? Perhaps. However, you have to admit that our reason for the Rule of Three is kinda arbitrary. The Rule of Three states that a trio of events is more effective and satisfying than any other numbers. Still, the human psyche is easily manipulated through socially constructed perceptions such as beauty standards and gender roles. Is having three of everything actually influential or is it only influential because society says so? Hmm, it’s interesting to think about it, isn’t it?

But if you’re an avid follower of the Rule of three, don’t worry, I won’t judge. In fact, if there’s one thing I can promise you I will never do, it’s being judgmental. Life is too short to go around judging people. Besides, judgments are always based on socially constructed beliefs. With so many backgrounds present on campus, it really would be unfair if we start going around judging people based on our own limited beliefs. My personal philosophy is “Mind your own business and let people be,” So, if you have a quirk that you’re worrying is too “weird” and are afraid your roommate might be too judgy, rest assured, I won’t be.

In fact, thanks to my non-judginess, I am an excellent listener. If you ever need to rant with someone about stressful classes, harsh gradings, or the new ridiculous plot twists of your favorite TV show (*cough* Riverdale), I am always available.

Now, I know what you are thinking. A non-judgmental and open-minded roommate? This sounds too good to be true. This girl’s probably a secret villain waiting to hear all my deepest and darkest secrets and blackmail me with them!

Well, I promise you. I am not a secret villain. I am just someone who knows how important it is to be listened to and understood.

I grew up under the communist regime of Vietnam, where freedom of speech and thought was heavily suppressed. Since childhood, I was taught to keep my opinion to myself, especially if it is contradictory to the government’s. No matter how strongly I felt about an issue, I could never voice my true opinion nor do anything about it. Or else, my family and I would face oppression from the Vietnamese government.

After immigrating to America, I have made it my mission to fight for human rights and justice. Back in Vietnam, I have let fear keep me from doing the right thing. Now, in the land of freedom, I won’t use that excuse anymore. I can finally be myself and fight for what I believe in. However, I can still remember how suffocating it was to keep my beliefs bottled up and to be silenced. Trust me, a conversation may not seem much, but it can do wonders. So, if you ever need a listener, know that I am right here.

See, I just shared with you a deep secret of mine. What secret villain would do that?

See ya soon!!!!!

[Name redacted] : )

P/S: I really love writing postscripts. So, I hope you won’t find it weird when I always end my emails, letters, and even texts with a P/S. Bye for real this time!!!!!

Harvard University Supplemental Essay Option: Unusual circumstances in your life

I would like the Harvard Admissions Committee to know that my life circumstances are far from typical. I was born at twenty-four weeks gestation, which eighteen years ago was on the cusp of viability. Even if I was born today, under those same circumstances, my prospects for leading a normal life would be grim. Eighteen years ago, those odds were worse, and I was given a less than 5% chance of survival without suffering major cognitive and physical deficits.

The first six months of my life were spent in a large neonatal ICU in Canada. I spent most of that time in an incubator, kept breathing by a ventilator. When I was finally discharged home, it was with a feeding tube and oxygen, and it would be several more months before I was able to survive without the extra tubes connected to me. At the age of two, I was still unable to walk. I engaged in every conventional and non-conventional therapy available to me, including physical and speech therapy, massage therapy, gymnastics, and several nutritional plans, to try to remedy this. Slowly, I began to make progress in what would be a long and arduous journey towards recovery.

Some of my earliest childhood memories are of repeated, often unsuccessful attempts to grip a large-diameter crayon since I was unable to hold a regular pencil. I would attempt to scrawl out letters on a page to form words, fueled by either determination or outright stubbornness, persevering until I improved. I spent countless hours trying to control my gait, eventually learning to walk normally and proving the doctors wrong about their diagnoses. I also had to learn how to swallow without aspirating because the frequent intubations I had experienced as an infant left me with a uncoordinated swallow reflex. Perhaps most prominently, I remember becoming very winded as I tried to keep up with my elementary school peers on the playground and the frustration I experienced when I failed.

Little by little, my body’s tolerance for physical exertion grew, and my coordination improved. I enrolled in martial arts to learn how to keep my balance and to develop muscle coordination and an awareness of where my limbs were at any given time. I also became immersed in competition among my elementary school peers to determine which one of us could become the most accomplished on the recorder. For each piece of music played correctly, a “belt” was awarded in the form of a brightly colored piece of yarn tied around the bottom of our recorders- meant as symbols of our achievement. Despite the challenges I had in generating and controlling enough air, I practiced relentlessly, often going in before school or during my lunch hour to obtain the next increasingly difficult musical piece. By the time the competition concluded, I had broken the school record of how far an elementary school child could advance; in doing so, my love of instrumental music and my appreciation for the value of hard work and determination was born.

Throughout my middle and high school years, I have succeeded at the very highest level both academically and musically. I was even able to find a sport that I excelled at and would later be able to use as an avenue for helping others, volunteering as an assistant coach once I entered high school. I have mentored dozens of my high school peers in developing trumpet skills, teaching them how to control one’s breathing during musical phrases and how to develop effective fingering techniques in order to perform challenging passages. I believe that my positive attitude and hard work has allowed for not only my own success, but for the growth and success of my peers as well.

My scholastic and musical achievements, as well as my leadership abilities and potential to succeed at the highest level will hopefully be readily apparent to the committee when you review my application. Perhaps more importantly, however, is the behind-the-scenes character traits that have made these possible. I believe that I can conquer any challenge put in front of me. My past achievements provide testimony to my work ethic, aptitudes and grit, and are predictive of my future potential.

Thank you for your consideration.

In this essay, the writer highlighted their resilience. At some point, we will all endure challenges and struggles, but it is how we redeem ourselves that matters. This writer highlighted their initial struggles, their dedication and commitment, and the ways in which they’ve used those challenges as inspiration and motivation to persevere and also to encourage others to do the same.

Harvard University Supplemental Essay Option: An intellectual experience (course, project, book, discussion, paper, poetry, or research topic in engineering, mathematics, science or other modes of inquiry) that has meant the most to you.

I want to be a part of something amazing, and I believe I can. The first line of the chorus springs into my mind instantaneously as my fingers experiment with chords on the piano. In this moment, as I compose the protagonist’s solo number, I speak from my heart. I envision the stage and set, the actors, the orchestra, even the audience. Growing increasingly excited, I promptly begin to create recordings so I can release the music from the confines of my imagination and share it with any willing ears.

My brother [name redacted] and I are in the process of writing a full-length, two-act musical comprised of original scenes, songs, characters. I began creating the show not only because I love to write music and entertain my friends and family, but also with the hope that I might change the way my peers view society. Through Joan, the protagonist of my musical, I want to communicate how I feel about the world.

The story centers around Joan, a high schooler, and her connection to the pilot Amelia Earhart. Ever since I saw a theatrical rendition of Amelia Earhart’s life in fifth grade, she has fascinated me as an extraordinary feminist and a challenger of society’s beliefs and standards. As I began researching and writing for the show, I perused through biographies and clicked through countless youtube documentaries about the first woman to fly across the Atlantic, astounded by her bravery and ability to overcome a troubled childhood and achieve her dream. In my musical, as Amelia transcends 20th century norms, changing the way that people regard women and flight, Joan strives to convince her peers and superiors that the worth of one’s life spans not from material success and grades, but from self-love and passion.

As I compose, the essence of each character and the mood of each scene steer the flow of each song. To me, it seems as though everything falls into place at once – as I pluck a melody out of the air, the lyrics come to me naturally as if the two have been paired all along. As I listen to the newly born principal line, I hear the tremolo of strings underscoring and the blaring of a brass section that may someday audibly punctuate each musical phrase.

The project is certainly one of the most daunting tasks I’ve ever undertaken – we’ve been working on it for almost a year, and hope to be done by January – but, fueled by my passion for creating music and writing, it is also one of the most enjoyable. I dream that it may be performed one day and that it may influence society to appreciate the success that enthusiasm for one’s relationships and work can bring.

These essay examples were compiled by the advising team at Bullseye Admissions. If you want to get help writing your Harvard University application essays from Bullseye Admissions advisors , register with Bullseye today .

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Successful Harvard Essays

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unsuccessful harvard essays

Harvard Supplemental Essay: Travel, living, or working experiences in your own or other communities.

Travel, living, or working experiences in your own or other communities. I have had a fascination with the people, languages and cultures of Spain since…...

Harvard Supplemental Essay: What you would want your future college roommate to know about you

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Harvard Common App Essay: Evaluate a Significant Experience.

Evaluate a significant experience, achievement, risk you have taken, or ethical dilemma you have faced and its impact on you. The  most  gratifyingly  productive  and…...

Harvard Common App Essay: Evaluate a significant experience.

Evaluate a significant experience, achievement, risk you have taken, or ethical dilemma you have faced and its impact on you. The Cayman Islands, our home,…...

Harvard Common App Essay: Share an essay on any topic of your choice.

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Harvard Supplemental Essay: Elaborate on One of Your Extracurricular Activities or Work Experiences

Short answer — Please briefly elaborate on one of your extracurricular activities or work experiences in the space below. As my cursor hits “refresh” at…...

Harvard Essay Prompts

Harvard University requires the Common Application, with its 250-650 word essay requirement, as well as their own short essay questions, included below.

Harvard University Supplemental Essay Prompts

Please briefly elaborate on one of your extracurricular activities or work experiences. (50-150 words) Your intellectual life may extend beyond the academic requirements of your…...

Common Application Essay Prompts

The Common App Essay for 2020-2021 is limited to 250-650 word responses. You must choose one prompt for your essay. Some students have a background,…...

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50 successful Harvard application essays : what worked for them can help you get into the college of your choice

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Your chance of acceptance, your chancing factors, extracurriculars, examples of successful harvard transfer essays.

I'm considering transferring to Harvard, and I'm working on my transfer application essays. Does anyone know where to find examples of successful transfer essays? It would help to see what other students have written that got them accepted.

It's great that you're considering transferring to Harvard, and working on your transfer application essays is an important step in the process. While I don't have direct access to successful Harvard transfer essays, I can give you some general tips and guidance to help you craft your own unique and compelling transfer essay.

1. Reflect on your reasons for transferring: Your essay should effectively communicate why you want to transfer to Harvard. Be specific about the academic programs, research opportunities, extracurricular activities, or resources that attracted you to the school. Demonstrate how these aspects align with your personal goals, values, and interests.

2. Highlight your personal growth: Show how you have grown and developed since attending your current school. Admissions committees want to see that you've made the most of your current academic and extracurricular opportunities, and that you are ready for the challenges and opportunities that Harvard offers.

3. Demonstrate your fit: Make sure to clearly articulate how your past experiences and achievements have prepared you for success at Harvard. Discuss how your background, skills, and talents will contribute to the Harvard community, and how the school's programs and resources can help you accomplish your goals.

4. Use specific examples: Don't just list your achievements or activities; instead, share stories and experiences that illustrate who you are and what makes you unique. Remember to show, not just tell, by using vivid descriptions, anecdotes, and details.

5. Be authentic and genuine: Write from your heart, and be true to yourself. Your essay should reflect your voice and perspectives. Don't try to mold yourself into the "ideal Harvard transfer student." The admissions committee wants to get to know the real you.

6. Edit, proofread, and revise: Make sure to proofread your essay carefully for grammar, punctuation, and spelling errors. Ask a trusted friend, teacher, or mentor to review your essay and provide feedback. This will help you polish your essay and ensure that it is well-written and engaging.

Remember, there is no magic formula or template for writing a successful transfer essay. The most important thing is to be authentic, genuine, and well-prepared. By following these tips, you can write a compelling and memorable transfer essay that will help set you apart in the admissions process. Good luck!

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CollegeVine’s Q&A seeks to offer informed perspectives on commonly asked admissions questions. Every answer is refined and validated by our team of admissions experts to ensure it resonates with trusted knowledge in the field.

50 Successful Harvard Application Essays (4th Edition). With Analysis by the Staff of The Harvard Crimson

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Summary 50 Successful Harvard Application Essays (4th Edition). With Analysis by the Staff of The Harvard Crimson

The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. ACKNOWLEDGMENTS The Harvard Crimson would like to thank the members of the team who crafted this book and made it successful. We are most grateful to the essay writers who were willing to submit their work for public scrutiny—this book is only possible because of your generosity. Next, to our essay reviewers, whose many collective hours of work were integral to this book’s publication. The members of staff of The Crimson who put this project together deserve a thank-you: Maya Jonas- Silver and David Liu, who led the charge on this project, and Andrew Creamer, LuShuang Xu, Nikita Iyer, Samir Gupta, John Finnegan, Jessica Li, Maliza Namude, Patrick Liu, Caden Broussard, Bobby Samuels, and Joseph Botors, who provided the support necessary to complete it. And of course, without Matt Martz, our editor at St. Martin’s, none of this could have happened—thanks so much, Matt, for everything. CONTENTS Title Page Copyright Notice Acknowledgments I. INTRODUCTION: THE ADMISSIONS ESSAY II. IDENTITY Caden B. Christiane Zhang Whitney Gao Chaffee Duckers Jonathan Palmer Smith Sara Price Michelle Choi III. INTROSPECTION Rachael Smith Winnie Wu Kevin Dong Carrie Tian Danielle Lessard Alyssa Chan Justine Liu John Finnegan IV. OVERCOMING OBSTACLES Lazarus D. Hannah Umanski-Castro Sarah Chapin David Roberts Eda Kaceli Aran Khanna Scott Lazarus V. FOREIGN LIFE SF Danielle Feffer Josh Palay Lucien Chorde Alex Foote David Liu VI. PASSION Ye Zhao Octav Dragoi Joshuah Campbell Sadie McQuilkin Will Shih James Gillette Connor Denney Anumita Das VII. INSPIRATION Anthony Wilder Wohns Shang Wang Al I. Duiswin Maliza K. Yueming C. Tony Cheang Sidartha Jena-Sidujena VIII. EXPERIENCES Charles Wong Letitia Li Rory O’Reilly Leslie Ojeaburu Isaac Alter Taras Dreszer Lisa Wang About The Harvard Crimson Copyright I. INTRODUCTION The Admissions Essay You spend four years working on your GPA and four hours sitting for the SATs and now you’re left with one last big obstacle—the college application essay. Now you’re sitting at your desk, staring at a blank computer screen, wondering how someone like you will ever find anything worth writing about. If that sounds familiar, read on. Before getting unduly stressed, remember this: When you express yourself in an application essay, you can attempt to sum up all that you are, but you won’t succeed. No one fits into five hundred words. If, in that space, you can successfully present even one fragment of who you are, you’ve done your job. Some people write essays about their experiences—about travel abroad or new people they’ve met or new things they’ve learned. Sometimes, people take those experiences and use them to explain the way they’ve lived their lives or hope to live their lives in the future. And when these options fail, applicants turn inward, to their own thoughts on, really, anything. Every type of essay has its advantages. Writing about experiences gives the reader an engaging story to follow. Looking forward with an application essay is a good route for someone who feels like there is more to say about the future than about the past. And writing an introverted essay requires nothing more than an open mind. So don’t despair—for everyone, there is an appropriate topic for the personal statement. Remember the primary intention of the personal statement: Give your readers a sense of who you are as a person. This is the part of your application in which you get to communicate directly with the decision-makers, and you want to leave them with the impression that you are a full, interesting individual with something to add to their college. The second purpose of the personal statement: Readers will look over these statements as one of very few writing samples submitted to them. For great writers, this makes the personal statement a perfect opportunity to highlight a talent for self-expression. But a borderline application could be pushed off the edge by incorrect spelling or grammar or awkward word use or sentence structure. This part of the personal statement is not hard, so get it right. Have anyone and everyone who is willing to proofread your essay do just that. Third, these essays allow the readers to put emotions and agency behind the list of accomplishments they see on a résumé. Do not list your résumé in your application—they already have that information. Use the essay to humanize one or, at most, two of the activities listed. Seeing that you were the captain of your high school volleyball team doesn’t tell admissions officers the same thing they learn after reading an impassioned description of what leadership means to you, in the context of high school volleyball. But be careful—in this instance, the important part of the essay must be your interest and passion for leadership and not the fact that you were a leader. If you are writing about the captainship of your volleyball team because it is impressive and not because you are passionate about it, you need to rethink your approach. Now that you have a sense for what a personal statement is, we have compiled our top tips for a successful writing process. 1. Start brainstorming early. If you start early enough, you’ll give yourself time to consider ideas, mull them over, and then reject them. Attempting a late start will lead to problematic results—giving yourself the time to throw out an essay or two is key to submitting your best possible work. 2. Find something interesting and original to write about. If your essay is indistinguishable from the fifty other applicants who also visited the Grand Canyon and were struck by the magnitude of it, you will not leave an impression with the admissions officer you are trying to impress. No need to find something outlandish, but try to avoid writing about common experiences in a predictable way. 3. Use the people around you to test your idea. Talk to your friends, parents, and teachers before you start writing. If they seem uninterested, that’s a pretty good sign that you should try something else. And remember, people are not always as critical as you need them to be. Look for enthusiasm, not just positive feedback, before you settle on a topic. 4. Sometimes, the hardest part about drafting an essay is getting started. If you’ve found a topic but don’t know how to put it onto paper, try to just start writing. Maybe you feel like you’re opening in the middle; maybe you’re just scribbling sentences onto a whiteboard. Whatever gets you to move from thinking to writing will be helpful. 5. Cut and discard. If something isn’t working, don’t be afraid to drop it and try something else. 6. Grab the reader at the beginning, hold on to him through the middle, and leave him satisfied at the end. If your essay starts dragging, you’ll lose the reader. If your introduction is boring, you’ll never get the reader’s attention. And if your conclusion is disappointing, you’ll leave your reader with a bad last impression. Avoid all of these things. Write a good essay all the way through. 7. Avoid overreaching. Essays that try to do too much in five hundred words read exactly as such. Don’t let yours fall into this trap. The word limit for these is set because that’s the scale the admissions office wants you thinking on. You are not solving the world’s problems with these essays, nor are you writing a great work of literature. You are just giving the reader a taste of who you are. 8. Every good essay has a point, whether you planned for it to or not. Figure out what it is and stay focused. To get your message across, you can’t waste time with distractions. You need to be working toward the ultimate message in every line. 9. This one is predictable: Proofread. Get all the input you can. Don’t agree with all of it and don’t do what everyone says, but get a range of opinions. If one person loves your essay and another forty-nine don’t get it, you’ve only got a 2 percent chance of finding an admissions officer who will appreciate you. Keep your odds in mind—stand by your beliefs, but not to the point of foolishness. 10. Be yourself. The worst thing you can do is present someone other than yourself. And an essay that reads as hyperbolic or fake will not make a good impression. So go forth and compose. And remember that what we said in tip number 10 goes for this book as well—listen to what we say, and then make your own decisions. For the essay to be truly successful, who you are needs to come through—your hopes and dreams, your insights and accomplishments. Getting feedback is important, but the applicant you present through this essay is unique. Ultimately, the only person who can write your personal statement is you. Good luck! II. IDENTITY The way you identify yourself is a powerful part of who you are, and if you have strong feelings about your identity, those can be described in an impactful, descriptive essay. In addition to creating an easy platform from which you can talk about yourself, an essay on your identity is a good way to demonstrate that you give careful consideration to who you are. While identity is intrinsic, it can also be taken for granted; putting real thought into your identity and expressing it in a personal essay is indicative of the way you approach the rest of your life— thoughtfully and insightfully. But essays on identity can easily become overly cerebral. Most people have a complex identity inspired by many different things. Attempting to explain all of these will almost certainly prevent you from adequately explaining any of it sufficiently. The essays that are most effective take a direct view of identity— maybe just attempting to explain one part of an identity—and focus on that. In a five-hundred-word personal statement no reader expects you to fully explain the whole of you. When writing essays about identity, choose one part of who you are and focus on that.

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Fifty all-new essays that got their authors into Harvard - with updated statistics, analysis, and complete student profiles - showing what worked, what didn’t, and how you can do it, too. With talented applicants coming from top high schools as well as the pressure to succeed from family and friends, it’s no wonder that writing college application essays is one of the most stressful tasks high schoolers face. To help, this completely new edition of 50 Successful Harvard Application Essays , edited by the staff of the Harvard Crimson , gives readers the most inspiring approaches, both conventional and creative, that won over admissions officers at Harvard University, the nation’s top-ranked college. From chronicling personal achievements to detailing unique talents, the topics covered in these essays open applicants up to new techniques to put their best foot forward. It teaches students how to: - Get started - Stand out - Structure the best possible essay - Avoid common pitfalls Each essay in this collection is from a Harvard student who made the cut, is accompanied by a student profile that includes SAT scores and grades, and is followed by a detailed analysis by the staff of the Harvard Crimson that shows readers how they can approach their own stories and ultimately write their own high-caliber essay. 50 Successful Harvard Application Essays ’ all-new examples and straightforward advice make it the first stop for college applicants who are looking to craft essays that get them accepted to the school of their dreams.

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50 Successful Harvard Application Essays: What Worked for Them Can Help You Get into the College of Your Choice

With talented applicants coming from the top high schools in the country as well as the pressure to succeed from family and friends, it’s no wonder that writing college application essays is one of the most stressful times for high schoolers like you. Add in how hard it is to get started or brag about your accomplishments or order your stories for maximum effect, and it becomes obvious why this is no easy task. To help, this completely new edition of 50 Successful Harvard Application Essays gives you the most inspiring approaches, both conventional and creative, that won over admissions officers at Harvard University, one of the nation’s top ranked colleges. From chronicling personal achievements to detailing unique talents, the topics covered with these essays will open you up to new possibilities and techniques for putting your best foot forward. Each essay in this collection is from a Harvard student who made the cut and is followed by analysis by the staff of The Harvard Crimson where strengths and weakness are detailed to show you how you can approach your stories and ultimately write your own winning essay. It teaches you how to: * Get started * Stand out * Structure the best possible essay * Avoid common pitfalls 50 Successful Harvard Application Essays’ all-new examples and straightforward advice make it the first stop for applicants who are looking to craft a clear, passionate, and, above all else, persuasive application essays that’ll get you accepted to the school of your dreams.

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First refuelling for Russia’s Akademik Lomonosov floating NPP

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The FNPP includes two KLT-40S reactor units. In such reactors, nuclear fuel is not replaced in the same way as in standard NPPs – partial replacement of fuel once every 12-18 months. Instead, once every few years the entire reactor core is replaced with and a full load of fresh fuel.

The KLT-40S reactor cores have a number of advantages compared with standard NPPs. For the first time, a cassette core was used, which made it possible to increase the fuel cycle to 3-3.5 years before refuelling, and also reduce by one and a half times the fuel component in the cost of the electricity produced. The operating experience of the FNPP provided the basis for the design of the new series of nuclear icebreaker reactors (series 22220). Currently, three such icebreakers have been launched.

The Akademik Lomonosov was connected to the power grid in December 2019, and put into commercial operation in May 2020.

Electricity generation from the FNPP at the end of 2023 amounted to 194 GWh. The population of Pevek is just over 4,000 people. However, the plant can potentially provide electricity to a city with a population of up to 100,000. The FNPP solved two problems. Firstly, it replaced the retiring capacities of the Bilibino Nuclear Power Plant, which has been operating since 1974, as well as the Chaunskaya Thermal Power Plant, which is more than 70 years old. It also supplies power to the main mining enterprises located in western Chukotka. In September, a 490 km 110 kilovolt power transmission line was put into operation connecting Pevek and Bilibino.

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Guest Essay

The Problem With Saying ‘Sex Assigned at Birth’

A black and white photo of newborns in bassinets in the hospital.

By Alex Byrne and Carole K. Hooven

Mr. Byrne is a philosopher and the author of “Trouble With Gender: Sex Facts, Gender Fictions.” Ms. Hooven is an evolutionary biologist and the author of “T: The Story of Testosterone, the Hormone That Dominates and Divides Us.”

As you may have noticed, “sex” is out, and “sex assigned at birth” is in. Instead of asking for a person’s sex, some medical and camp forms these days ask for “sex assigned at birth” or “assigned sex” (often in addition to gender identity). The American Medical Association and the American Psychological Association endorse this terminology; its use has also exploded in academic articles. The Cleveland Clinic’s online glossary of diseases and conditions tells us that the “inability to achieve or maintain an erection” is a symptom of sexual dysfunction, not in “males,” but in “people assigned male at birth.”

This trend began around a decade ago, part of an increasing emphasis in society on emotional comfort and insulation from offense — what some have called “ safetyism .” “Sex” is now often seen as a biased or insensitive word because it may fail to reflect how people identify themselves. One reason for the adoption of “assigned sex,” therefore, is that it supplies respectful euphemisms, softening what to some nonbinary and transgender people, among others, can feel like a harsh biological reality. Saying that someone was “assigned female at birth” is taken to be an indirect and more polite way of communicating that the person is biologically female. The terminology can also function to signal solidarity with trans and nonbinary people, as well as convey the radical idea that our traditional understanding of sex is outdated.

The shift to “sex assigned at birth” may be well intentioned, but it is not progress. We are not against politeness or expressions of solidarity, but “sex assigned at birth” can confuse people and creates doubt about a biological fact when there shouldn’t be any. Nor is the phrase called for because our traditional understanding of sex needs correcting — it doesn’t.

This matters because sex matters. Sex is a fundamental biological feature with significant consequences for our species, so there are costs to encouraging misconceptions about it.

Sex matters for health, safety and social policy and interacts in complicated ways with culture. Women are nearly twice as likely as men to experience harmful side effects from drugs, a problem that may be ameliorated by reducing drug doses for females. Males, meanwhile, are more likely to die from Covid-19 and cancer, and commit the vast majority of homicides and sexual assaults . We aren’t suggesting that “assigned sex” will increase the death toll. However, terminology about important matters should be as clear as possible.

More generally, the interaction between sex and human culture is crucial to understanding psychological and physical differences between boys and girls, men and women. We cannot have such understanding unless we know what sex is, which means having the linguistic tools necessary to discuss it. The Associated Press cautions journalists that describing women as “female” may be objectionable because “it can be seen as emphasizing biology,” but sometimes biology is highly relevant. The heated debate about transgender women participating in female sports is an example ; whatever view one takes on the matter, biologically driven athletic differences between the sexes are real.

When influential organizations and individuals promote “sex assigned at birth,” they are encouraging a culture in which citizens can be shamed for using words like “sex,” “male” and “female” that are familiar to everyone in society, as well as necessary to discuss the implications of sex. This is not the usual kind of censoriousness, which discourages the public endorsement of certain opinions. It is more subtle, repressing the very vocabulary needed to discuss the opinions in the first place.

A proponent of the new language may object, arguing that sex is not being avoided, but merely addressed and described with greater empathy. The introduction of euphemisms to ease uncomfortable associations with old words happens all the time — for instance “plus sized” as a replacement for “overweight.” Admittedly, the effects may be short-lived , because euphemisms themselves often become offensive, and indeed “larger-bodied” is now often preferred to “plus sized.” But what’s the harm? No one gets confused, and the euphemisms allow us to express extra sensitivity. Some see “sex assigned at birth” in the same positive light: It’s a way of talking about sex that is gender-affirming and inclusive .

The problem is that “sex assigned at birth”— unlike “larger-bodied”— is very misleading. Saying that someone was “assigned female at birth” suggests that the person’s sex is at best a matter of educated guesswork. “Assigned” can connote arbitrariness — as in “assigned classroom seating” — and so “sex assigned at birth” can also suggest that there is no objective reality behind “male” and “female,” no biological categories to which the words refer.

Contrary to what we might assume, avoiding “sex” doesn’t serve the cause of inclusivity: not speaking plainly about males and females is patronizing. We sometimes sugarcoat the biological facts for children, but competent adults deserve straight talk. Nor are circumlocutions needed to secure personal protections and rights, including transgender rights. In the Supreme Court’s Bostock v. Clayton County decision in 2020, which outlawed workplace discrimination against gay and transgender people, Justice Neil Gorsuch used “sex,” not “sex assigned at birth.”

A more radical proponent of “assigned sex” will object that the very idea of sex as a biological fact is suspect. According to this view — associated with the French philosopher Michel Foucault and, more recently, the American philosopher Judith Butler — sex is somehow a cultural production, the result of labeling babies male or female. “Sex assigned at birth” should therefore be preferred over “sex,” not because it is more polite, but because it is more accurate.

This position tacitly assumes that humans are exempt from the natural order. If only! Alas, we are animals. Sexed organisms were present on Earth at least a billion years ago, and males and females would have been around even if humans had never evolved. Sex is not in any sense the result of linguistic ceremonies in the delivery room or other cultural practices. Lonesome George, the long-lived Galápagos giant tortoise , was male. He was not assigned male at birth — or rather, in George’s case, at hatching. A baby abandoned at birth may not have been assigned male or female by anyone, yet the baby still has a sex. Despite the confusion sown by some scholars, we can be confident that the sex binary is not a human invention.

Another downside of “assigned sex” is that it biases the conversation away from established biological facts and infuses it with a sociopolitical agenda, which only serves to intensify social and political divisions. We need shared language that can help us clearly state opinions and develop the best policies on medical, social and legal issues. That shared language is the starting point for mutual understanding and democratic deliberation, even if strong disagreement remains.

What can be done? The ascendance of “sex assigned at birth” is not an example of unhurried and organic linguistic change. As recently as 2012 The New York Times reported on the new fashion for gender-reveal parties, “during which expectant parents share the moment they discover their baby’s sex.” In the intervening decade, sex has gone from being “discovered” to “assigned” because so many authorities insisted on the new usage. In the face of organic change, resistance is usually futile. Fortunately, a trend that is imposed top-down is often easier to reverse.

Admittedly, no one individual, or even a small group, can turn the lumbering ship of English around. But if professional organizations change their style guides and glossaries, we can expect that their members will largely follow suit. And organizations in turn respond to lobbying from their members. Journalists, medical professionals, academics and others have the collective power to restore language that more faithfully reflects reality. We will have to wait for them to do that.

Meanwhile, we can each apply Strunk and White’s famous advice in “The Elements of Style” to “sex assigned at birth”: omit needless words.

Alex Byrne is a professor of philosophy at M.I.T. and the author of “Trouble With Gender: Sex Facts, Gender Fictions.” Carole K. Hooven is an evolutionary biologist, a nonresident senior fellow at the American Enterprise Institute, an associate in the Harvard psychology department, and the author of “T: The Story of Testosterone, the Hormone That Dominates and Divides Us.”

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  • Victor Mukhin

Victor Mukhin, Speaker at Chemical Engineering Conferences

Victor M. Mukhin was born in 1946 in the town of Orsk, Russia. In 1970 he graduated the Technological Institute in Leningrad. Victor M. Mukhin was directed to work to the scientific-industrial organization "Neorganika" (Elektrostal, Moscow region) where he is working during 47 years, at present as the head of the laboratory of carbon sorbents.     Victor M. Mukhin defended a Ph. D. thesis and a doctoral thesis at the Mendeleev University of Chemical Technology of Russia (in 1979 and 1997 accordingly). Professor of Mendeleev University of Chemical Technology of Russia. Scientific interests: production, investigation and application of active carbons, technological and ecological carbon-adsorptive processes, environmental protection, production of ecologically clean food.   

Title : Active carbons as nanoporous materials for solving of environmental problems

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WNDR in Photos

The WNDR museum recently opened a branch in Boston’s Downtown Crossing. Take a look at some of the diverse, one-of-a-kind installations WNDR has to offer on its mission to disrupt and transform the traditional museum experience.

1. “The Wisdom Project” - WNDR Studios

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WNDR Guests can participate in this ever-growing installation that draws wisdom from its visitors.

2. “Speak Up!” - WNDR Studios

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The medium is technology. Digital telephones retrofitted with a Teensy microcontroller are the conduits. You are the receiver.

3. “MPO-1 (Time Machine)” - Joshua Ellingson

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Explore the reflection of “Pepper’s Ghost” as you hover near a theremin in this retro illusion.

4. “Magnetic Symphony” - WNDR Studios

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Electromagnetic wires are the locks, and their tin cans are the key to this audiovisual symphony.

5. “Flex” - Austin Watson, Pedro Neves

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This pressure-reactive flexible fabric bends to the touch. Ignited by computer programming, this exhibition is a tactile exploration.

6. “We Are All Artists” - Brad Keywell

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“Who decides who is an ‘artist’?” is the question Keywell poses in this exhibit. Perhaps, for the first time, the answer is all of us.

7. “Color & Light” - WNDR Studios

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The change between monochrome and rainbow happens surprisingly fast in this room. Explore colors in an ever-changing dimension.

8. “Let’s Survive Forever” - Yayoi Kusama

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This exhibit is an exploration of reflection. The mirrors, LED lights, and reflective orbs form a mirage that interact in “a form of self-obliteration.”

9. “Fortune” - WNDR Studios

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Ask this animatronic oracle to riddle you a fortune, and you may just be rewarded for your curiosity. —Staff writer Alisa S. Regassa can be reached at [email protected]. Follow her on X at @alisaregassa .

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  26. WNDR in Photos

    The WNDR museum recently opened a branch in Boston's Downtown Crossing. Take a look at some of the diverse, one-of-a-kind installations WNDR has to offer on its mission to disrupt and transform ...