Art Exhibitions Essay Examples and Topics
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Example Of Essay On Art Exhibition
Type of paper: Essay
Topic: Art , Body , Youth , World , Human , Teenagers , Artists , Sculpture
Words: 2000
Published: 03/05/2020
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Introduction - Theme
Art is all about celebrating something, and what better way than celebrating oneself. The human body is one of the most complex, alluring and fascinating things on earth, so many artists are naturally drawn towards the body. There are may artworks that celebrate the human body as the underlying theme. These paintings and sculptures have a sense of honesty around them, and they show humans simply as they are. and fascinating things on earth. This art exhibition uses the human body as a theme to highlight the many issues surrounding physical abuse, sexuality and a general lack of appreciation for the physical body. Around the world today, women are being abused in every way possible, ranging from rape to domestic violence. Every minute a woman is raped, molested or abused, and this is a serious issue facing our society today.. Sadly, it is also the most neglected one as it has been accepted asbecome a way of life in many societies. To draw attention to this issue, this art exhibition celebrates human body and its value. Another related issue is sexuality. LGBT discrimination and same-sex marriage protests have become a common feature, and this is because of the lack of understanding of what is sexuality. Again, this lack of understanding stems from a complete lack of appreciation for the human body and its myriad needs. Therefore, this art exhibition brings the focus back to the human body, and the may ways in which its beauty can be expressed. Lastly, obesity has become rampant around the world. Recently, the World Health Organization (WHO) stated that one in three persons around the world is obese. This obesity problem stems from a sedentary lifestyle, poor diet and negligible physical activity. The root cause of the problem is again the neglect of human body. Most people fail to understand how beautiful the human body is, so they do not take any steps to maintain it. Through this exhibition, the organizers want to draw attention to this aspect of the body too, and the problems that come with its neglect. Therefore, this art exhibition brings the focus back to the human body, and the may ways in which its beauty can be expressed. To draw attention to this issue, this art exhibition celebrates human body and its value. Many artists are naturally drawn towards the body. There are many artworks that celebrate the human body as the underlying theme. These paintings and sculptures have a sense of honesty around them, and they show humans simply as they are.
Below is a depiction of some body- based artworks by prominent artists around the world.
Charles Ray Charles Ray was born in 1953. He is a renowned artist who is well-known for his sculptures. He works with altered and refashioned objects to give the sculptures a natural feel. He is a Los Angeles-based sculpture who is known for his strange ideas and enigmatic expressions. Unlike many other artists, Ray does not have a fixed style or a limited set of materials. The entire world is open for him, and he picks his topics to reflect this openness. Also, he uses a wide range of materials for his works. A unique aspect of Ray is that he uses the developments that have taken place in the twentieth century as the theme for many of his art workspaintings. His works are displayed in North America and Europe, and he has a big following for his art piecesworks. In 2009Recently, Ray did his first outdoor commissioned work at the Punta Della Dogana in Venice, Italy. This work is called the Boy with a Frog, and as the name implies, this sculpture has a boy holding a big Goliath frog near the Grand Canal. This sculpture is big in size, and has a smooth white finish to it. A salient aspect of this sculpture is that is based on a unique tradition of marble sculpture. This kind of sculpture had its origins in Italy, and this is why this piece reflects an important part of the Italian tradition. TheThe sculpture is akin to to the statue of Apollo Sauroktonos, a Roman sculpture present in the Musee de Louvre in Paris. In this statue, a young adolescent boy reaches his arms to catch a lizard that is climbing up a tree. Drawing inspiration from this sculpture, he created this one to depict modern times. Also, the fact that his sculpture is nude appreciates the beauty of the human body and its oneness with the nature around it. The backdrop of the Grand Canal is a perfect setting for this sculpture. Source: http://www.matthewmarks.com/new-york/artists/charles-ray/selected-works/#/images/13/
Raymond Pettibon
Raymond Pettibon was born in 1957. He is an American artist well-known for his punk images and. He is well-known for his pencil sketches using India ink on paper. Most, ad most of his early works are in black and white, though the last few years has also seen some color in it. His work embraces many aspects of American culture and values, and depicts it in the form of humor. His common themes include baseball players, marginal youth culture, environment, and sexuality and sports. He is an avid sports fan himself, and this is evident in many of his pictures where there is some element of sports in it. This sports theme can be from the athletic frame of the people in the picture to the act they are performing, but some pieces of it will be present in most works (Hoby, 2013). In the painting below, Pettibon depicts the callousness of Americans towards the environment. This painting sarcastically targets people who excessively worry about the environment, and also those who completely do not care for it. The idea behind this painting is to show the so-called final end for the human race where the world is burning, and the handful of remaining people are running hither and thither for a place to live. The words, “Land or Water – Either Will Do!” summarizes the idea of the painting. As with all his work, the people on the painting are athletic. However, they have a grim face because they are looking for somewhere to live. In one sense, this painting emphasizes the need to be fit and active because they need this energy to save themselves from a possible catastrophe in the future. Source: http://www.raypettibon.com/main.html
Chris Burden
Chris Burden was born in 1946. He is an important America artist who is popular for the radical approaches taken to depict body art. His work has featured in any prominent museums around the world such as the Museum of Contemporary Art in Los Angeles and the Museum of Modern Art in New York. His art works include sculpture and installation art. Many of his work continues to inspire young artists to create body work with an underlying sociopolitical message. One of the best-known works of Burden is a 1974 piece called Trans-fixed. In this artwork, Burden lies on a Volkswagen with his arms stretched over the roof. There are nails on Burden's palm, similar to the crucifixion of Jesus, with the difference being that it is on a Volkswagen and not on a cross. This idea behind this image was to use a little bit of humor to invoke feelings andor religious martyrdom. It also shows the human body in new light, and more importantly, the mental and physical connection that exists with pain. By experiencing this type of pain andad vulnerability, Burden in many ways, has brought the horror behind such acts, thereby making it more knowable to his audience. Through this picture, he wanted to bring out the collective fears that exist in society, and the way it is used to keep people under check. Therefore, the idea is that the human body is not governed by the laws that exist in the society, rather by the mind that controls it (wtfarthistory.com, no date). Another unique aspect about this image is that he uses his own body to get the message across, and this is not something see commonly among artists. For this reason, and also for its simplicity and resounding message, this piece is popular. Source: http://www.newmuseum.org/exhibitions/view/chris-burden-extreme-measures
Mike Kelley
Mike Kelly is an American artist who extensively used objects, textiles, drawing and collages to express his thoughts and ideas on American culture and youth. He was an influential artist who inspired many young artists to take to this form of art. Born in 954 in Wayne Michigan, Kelly drew his inspiration from many different sources such as working-class expressions, history, philosophy and politics. He died in 2012 of an apparent suicide, andad has left behind an art legacy. The Mike Kelley Foundation for the Arts established in 2008 continues to support young artists with their innovations and endeavors. Mike Kelley is well-known for bringing new dimensions to art. One of his well-known works is called Half A Man, and it was completed in 1987. In this work, he bought hand dolls and stuffed animals from thrift stores, and sewedsew it together in jammed clusters. He also used old blankets and afghans to bring out different emotions in each of the human bodies (Cotter, 2013). The idea behind this artwork was to depict the human body in a new light, using materials that are available everywhere. It is also in some ways, a lesson in recycling for budding artists. With a double connotation of human body and reusable nature of products, Kelly has set a new mark for himself. This artwork also has brings out the traditions of art-making in the church. Such works are used in contemporary churches, but this one takes the ideas of obedience and strength to new levels, that cannot be done within the context of the church (The Renaissance Society, 1998). Source: http://soosanjoon.blogspot.in/2012/02/rip-mike-kelley-1954-2012.html
In short, the above gallery of images show how different artists have used the human body to bring out their skills, and at the same time, convey a message to viewers. Whether it is political satire or environment issues, these images have had a profound impact on art-lovers around the world. More importantly, these artists have inspired young people to take to art, and to use the human body as a canvass for all expressions. It is hoped that this exhibition brings the focus back on the human bodies, and helps societies to appreciate its beauty and resilience. Such appreciation can go a long way in inducing more respect for the body than before, that in turn, will bring down the physical abuse and atrocities.
Cotter, Holland. (October 17, 2013). The Show's As Big As His Career. The New York Times. Retrieved from: http://www.nytimes.com/2013/10/18/arts/design/mike-kelley-a-survey-at-moma-ps1-in-queens.html No author. (1988). Mike Kelley: Three Projects. The Renaissance Society. Retrieved from: http://www.renaissancesociety.org/site/Exhibitions/Intro.Mike-Kelley-Three-Projects-Half-a-Man-From-My-Institution-HYPERLINK "http://www.renaissancesociety.org/site/Exhibitions/Intro.Mike-Kelley-Three-Projects-Half-a-Man-From-My-Institution-to-Yours-and-Pay-for-Your-Pleasure.110.html"to-Yours-and-Pay-for-Your-Pleasure.110.html No author. (No date). Crucified on a Volkswagen Beetle. WTF Art History. Retrieved from: http://wtfarthistory.com/post/14HYPERLINK "http://wtfarthistory.com/post/14868420227/crucified-on-a-volkswagen-beetle"868420227/crucified-on-a-volkswagen-beetle Hoby, Hermione. (December 14, 2013). Raymond Pettibon: Punk With A Pencil. The Guardian. Retrieved from: http://www.theguardian.com/artanddesign/2013/dec/14/raymond-pettibon-sonic-youth-black-flag
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How to Write an Art Exhibition Review
Last Updated: December 29, 2023 Approved
How to Draft Your Review
How to revise your review, best practices for viewing an art exhibit, expert q&a.
This article was co-authored by Kelly Medford and by wikiHow staff writer, Danielle Blinka, MA, MPA . Kelly Medford is an American painter based in Rome, Italy. She studied classical painting, drawing and printmaking both in the U.S. and in Italy. She works primarily en plein air on the streets of Rome, and also travels for private international collectors on commission. She founded Sketching Rome Tours in 2012 where she teaches sketchbook journaling to visitors of Rome. Kelly is a graduate of the Florence Academy of Art. wikiHow marks an article as reader-approved once it receives enough positive feedback. In this case, 95% of readers who voted found the article helpful, earning it our reader-approved status. This article has been viewed 301,281 times.
Art exhibition reviews provide a description and critical analysis of an art exhibit. This helps visitors know what to expect from the exhibit and gives feedback to the artist. To write an effective art exhibition review, visit the exhibit, take detailed notes, and talk to the artist, a docent, or a curator, if possible. Then, discuss your observations and opinions in your review and revise your work before finalizing it.
Things You Should Know
- Provide the who, what, where, when, and why of the exhibit in your introduction to paint a clear picture for the reader.
- Give a detailed description of the exhibit, including how each piece is displayed, so readers can know what to expect.
- Take a critical look at the exhibit and offer your opinions on the exhibit. Mention if it was successful in portraying its core themes and ideas.
- Write, “Agatha Tompkin’s The Friends You Have opened at the Contemporary Art Center on Friday, August 23rd and runs through November 1st. Her watercolors and mixed media works explore modern relationships and how communities differ.”
- You might say, “Tompkin’s watercolors are grouped on two adjacent walls in simple 11 by 14 in (28 by 36 cm) black frames. Hanging on the opposite walls, her mixed-media work consists of 5 by 7 ft (1.5 by 2.1 m) canvases that are arranged in a line. Visitors can walk alongside the artwork for a visual experience.”
Tip: While many artworks are meant to be viewed, there are other ways to interact with art. Sometimes art is meant to be listened to, and you may be immersed in an installation. Think about how you’re interacting with the artwork in this exhibit.
- Explain the artist’s stated thesis and how well they expressed it in their exhibit.
- Identify parts of the exhibit that worked well. If there were works that didn’t support the main idea, explain how the artist could have better incorporated them.
- Consider how this exhibit relates to art history as a whole. Where would it fit in? How does this art compare to existing works? How does it express common themes?
- For instance, a curator may not face any unique challenges while hanging framed oil paintings on a wall. However, they might struggle with installing a sculpture that hangs from the ceiling or an installation that has moving parts.
- You might write, “While the framed watercolors were easy to hang on the exhibit walls, the curators struggled to install the single mixed-media sculpture that Tompkins created from found objects. The sculpture is designed to look like it’s floating between the ceiling and the floor, so it must be hung using thin wires.”
- If this is for class, your instructor likely told you which style guide to use. Format your paper and any citations that you use according to the rules for that style guide.
- Don’t ask someone who’s unfamiliar with art exhibition reviews to critique your paper because they may unintentionally give you bad advice.
- Reading your review aloud will help you spot areas that don’t flow well. Re-write these sentences to make them better.
- Try to get someone else to proofread it for you because it’s hard to spot your own errors.
- If you have any questions, ask your instructor so that you don’t accidentally make an error on your assignment.
- Make several passes through the exhibit so you can make new observations and connections between the works.
- Look at the art from different angles and distances. While it’s important to examine each piece closely, you also want to take in the entire exhibit as a whole to see how the artist evoked their theme.
- Document how the artist created each image, such as how they used lines, shapes, colors, shading, textures, patterns, and light. You’ll use this information to develop your discussion on form.
Ask yourself questions like:
Why are the works of art ordered or arranged this way?
Does a particular work stand out from the rest?
Is there a theme or a subtext to the exhibition?
Does the theme or thesis become obvious as I walk through the space?
How is this exhibition different from others I've seen?
- Ask yourself questions like the following: Based on what I see, what do I think the artist is trying to say? What does the exhibit make me think about? How do I feel?
- Ask a docent questions like, “What was the artist hoping to achieve in this exhibit?” “What inspired the artist to create these works?” and “What are the core pieces of this exhibit?”
- Ask a curator questions like, “Why did you arrange the artwork like this?” “What challenges did you face while installing the exhibit?” and “What instructions did the artist give for hanging their work?”
- For instance, do you notice visitors avoiding a certain piece? Are they drawn to some pieces more than others? Which pieces are generating conversation? What types of comments do you overhear?
- If you’re planning to publish your review, ask fellow visitors to give you quotes that you can use for your review. Get their name so you can credit them.
- Wait until after you view the exhibit so that your initial impressions aren’t influenced by the artist.
Tip: Read the artist statement for more insight into what inspired the exhibit.
- Your review should focus on your own ideas, not on what other people said.
- Read art exhibition reviews written by professional critics to help you understand the typical format. [15] X Research source Thanks Helpful 0 Not Helpful 0
- Always have materials ready for taking notes or recording conversations. Thanks Helpful 0 Not Helpful 0
- Don't overuse superlatives. If you fall into the trap of calling every artwork you see "breathtaking," "magnificent" or "flawless," you'll soon come off as an uninformed critic. Likewise, calling everything you dislike "appalling," "disgusting," or "terrible" will undermine your ideas. Thanks Helpful 1 Not Helpful 0
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- ↑ https://www.ocadu.ca/Assets/content/teaching-learning/WLC/Online+Resources/Writing+Art+Reviews.pdf
- ↑ https://ualr.edu/art/art-history-resources/papers-and-projects/guidelines-for-analysis-of-art/
- ↑ http://arthistoryteachingresources.org/2017/09/museums-writing-exhibition-reviews/
- ↑ https://www.uwgb.edu/malloyk/art_criticism_and_formal_analysi.htm
- ↑ http://www.csus.edu/indiv/o/obriene/art112/Readings/Writing_a_Review_of_an_Exhibition.pdf
About This Article
To write an art exhibition review, start with an introductory paragraph that introduces a thesis about the exhibit. Then, break the body of your review up into individual sections that each focus on specific artwork in the exhibition. In each section, make sure you include descriptions of the art, your analysis and interpretation of the artwork, a consideration of the space it was displayed in, and finally your evaluation. To conclude your review, write a conclusion that ties together your main points and summarizes your review. To learn how to analyze and critique an art exhibit, scroll down! Did this summary help you? Yes No
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Art Essay Examples
Art Essay Examples to Get You Inspired - Top 10 Samples
Published on: May 4, 2023
Last updated on: Jan 30, 2024
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Are you struggling to come up with ideas for your art essay? Or are you looking for examples to help guide you in the right direction?
Look no further, as we have got you covered!
In this blog, we provide a range of art writing examples that cover different art forms, time periods, and themes. Whether you're interested in the classics or contemporary art, we have something for everyone. These examples offer insight into how to structure your essay, analyze art pieces, and write compelling arguments.
So, let's explore our collection of art essay examples and take the first step toward becoming a better art writer!
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Good Art Essay Examples
In the following section, we will examine a selection of art essay examples that are inspiring for various academic levels.
College Art Essay Examples
Letâs take a look at college art essay examples below:
The Intersection of Art and Politics: An Analysis of Picasso's Guernica
The Role of Nature in American Art: A Comparative Study
University Art Essay Examples
University-level art essay assignments often differ in length and complexity. Here are two examples:
Gender and Identity in Contemporary Art: A Comparative Study
Art and Activism: The Role of Street Art in Political Movements
A Level Art Essay Examples
Below are some art paper examples A level. Check out:
The Use Of Color In Wassily Kandinsky's Composition Viii
The Influence of African Art on Pablo Picasso's Les Demoiselles D'avignon
A Level Fine Art Essay Examples
If you're a student of fine arts, these A-level fine arts examples can serve as inspiration for your own work.
The Use Of Texture In Vincent Van Gogh's Starry Night
Exploring Identity Through Portraiture: A Comparative Study
Art Essay Examples IELTS
The Impact of Art on Mental Health
The Effects of Technology on Art And Creativity
Paper Due? Why Suffer? That's our Job!
AP Art Essay Examples
A Comparison of Neoclassical and Romantic Art
An Examination Of The Effects Of Globalization On Contemporary Art
Types of Art Essay with Examples
Art essays can be categorized into different types. Let's take a brief look at these types with examples:
Art Criticism Essay : A critical essay analyzing and evaluating an artwork, its elements, and its meaning.
The Persistence of Memory" by Salvador Dali: A Critical Analysis
Art History Essay: A comprehensive essay that examines the historical context, development, and significance of an artwork or art movement.
The Renaissance: A Rebirth of Artistic Expression
Exhibition Review: A review of an art exhibition that evaluates the quality and significance of the artwork on display.
A Review of the Metropolitan Museum of Art's Exhibition
Contemporary Art Essay: An essay that explores and analyzes contemporary art and its cultural and social context.
The Intersection of Technology and Art in Contemporary Society
Modern Art Essay: An essay that examines modern art and its significance in the development of modernism.
Cubism and its Influence on Modern Art [insert pdf]
Art Theory Essay: An essay that analyzes and critiques various theories and approaches to art.
Feminist Art Theory: A Critical Analysis of its Impact on Contemporary Art [insert pdf]
Additional Art Essay Example
Letâs take a brief look at some added art essay samples:
Artwork Essay Example
Artist Essay Example
Advanced Higher Art Essay Example
Common Art Essay Prompts
Here are some common art essay topics that you may encounter during your coursework:
- Describe a piece of artwork that has inspired you.
- A comparative analysis of Leonardo da Vinci's Mona Lisa and Michelangelo's David.
- Analyze the cultural significance of a particular art movement.
- Discuss the relationship between art and politics.
- Compare and contrast two works of art from different time periods or cultures.
- The representation of identity in art
- The Evolution of Artists' Paintings:
- From Traditional to Contemporary Art
- The representation of identity in Frida Kahlo's self-portraits.
- The significance of oil on canvas in the history of art.
- The significance of the Mona Lisa in the Italian Renaissance
Art Essay Topics IELTS
Here are some art essay topics for IELTS students. Take a look:
- The value of art education.
- The role of museums in preserving art and culture.
- The impact of globalization on contemporary art.
- The influence of technology on art and artists.
- The significance of public art in urban environments.
Tips For Writing a Successful Art Essay
Here are some tips for writing a stand-out art essay:
- Develop a clear thesis statement that guides your essay: Your thesis statement should clearly and concisely state the main argument of your essay.
- Conduct thorough research and analysis of the artwork you are writing about : This includes examining the visual elements of the artwork, researching the artist, and considering the historical significance.
- Use formal and precise language to discuss the artwork: Avoid using colloquial language and instead focus on using formal language to describe the artwork.
- Include specific examples from the artwork to support your arguments: Use specific details from the artwork to back up your analysis.
- Avoid personal bias and subjective language: Your essay should be objective and avoid using personal opinions or subjective language.
- Consider the historical and cultural context of the artwork: Analyze the artwork in the context of the time period and cultural context in which they were created.
- Edit and proofread your essay carefully before submitting it: Ensure your essay is well-organized, coherent, and free of grammatical errors and typos.
- Use proper citation format when referencing sources: Follow the appropriate citation style guidelines and give credit to all sources used in your essay.
- Be concise and focused in your writing: Stick to your main thesis statement and avoid going off-topic or including irrelevant information.
- Read your essay aloud to ensure clarity and coherence: Reading your essay out loud can help you identify inconsistencies or any other mistakes.
The Bottom Line!
We hope that the art essay examples we've explored have provided you with inspiration for your own essay. Art offers endless possibilities for analysis, and your essay is a chance to showcase your unique opinions.
Use these examples as a guide to craft an essay that reflects your personality while demonstrating your knowledge of the subject.
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Art Museum University of Toronto — Justina M. Barnicke Gallery University of Toronto Art Centre
Exhibition Essays
The Art Museum produces essays written by artists, curators, and art writers to accompany our exhibitions. Through these activities we contribute to the advancement of art scholarship and widen the dissemination and access to knowledge and information, which in turn furthers the original research we perform to produce our exhibitions.
Plastic Heart: Surface All the Way Through
September 8–November 20, 2021
Alternative Convention: Top Value Television’s Four More Years
September 8–October 9, 2021
Open Windows
October 27–November 20, 2021
2020 MVS Studio Program Graduate Exhibition
October 28–November 21, 2020
The exhaustive thought
Overt: Militarization as Ideology
If a Turtle Could Talk
Lorenza Bottner: Requiem for the Norm
January 25, 2020–March 21, 2020
Listening to Snow
January 18, 2020–March 21, 2020
Qaggiq: Gathering Place Exhibition Brochure
September 4 – November 30, 2019
God of Gods: A Canadian Play Exhibition Brochure
Variations in Black, Queer, and Otherwise: Works by Abdi Osman Exhibition Brochure
June 5 – July 27, 2019
In and Out of Saskatchewan Exhibition Brochure
Exhibition Essay Examples
We have 7 free papers on exhibition for you, essay examples, john currin exhibition essay (503 words).
In His painting called Hobo (1999) exhibited at MOCA, Museum of Comtemporay Art) Downtown San Diego, the size of the painting was about 3 feet by 2 feet, a moderate-sized canvas paintings. . Framed with thick wooden round frames painted in creamy white color, presenting a naive, child-like object that is just harmless approach to…
The Importance of the Great Exhibition of 1851
Supply some inside informations of the Great Exhibition of 1851, and say why it was so of import. The Great Exhibition of 1851 was the world’s first universe expounding. The Great Exhibition of 1851 was an international exhibition that took topographic point in Hyde Park, London. The 1851 was means the old ages and The…
Master of Fine Arts Thesis Exhibition Essay
The Museum of Art Gallery located within Washington State University’s campus is currently presenting the Master of Fine Arts Thesis Exhibition. This exhibit will be held from April 10th to May 9th. The Master of Fine Arts Thesis Exhibit is divided into six different sections. Each section includes and displays exclusive works of art created…
Birmingham Museum Of Art: Pompeii Exhibition Essay
The quote above comes to us from one of the letters of Pliny the Younger, the namesake of the man who was the commander of the Roman Fleet in 79 A.D. Pliny the Elder was last seen by his nephew as he prepared to sail across the Bay of Naples to Pompeii; the older man…
Ian McKellen: poised between exhibitionism and greatness Essay
Knighthood hasn’t changed Ian McKellen’s passion for barnstorming. The headline-making British actor, who’s old enough to know better, actually made touring a condition of his return to London’s Royal National Theatre back in 1990, when artistic director Richard Eyre asked him aboard. He got his wish. The National’s critically acclaimed production of Shakespeare’s Richard III,…
Exhibitions now hanging Essay (527 words)
It is with a great deal of pleasure that the Detroit Museum of Art is able to place on exhibition in one of the East galleries, an exhibition of proof engravings by Henry Wolf, N. A., loaned from his own portfolio. There are forty-five subjects, many of them after world-famous masterpieces, and as well, a…
Leonardo Da Vinci Drawings on Exhibition Essay
Leonardo Da Vinci
In Gallery 25 the Venetian and Bolognese drawings have been replaced by otherdrawings from the Museum collection. The present exhibition is chosen from thechools of Parma, Milan, and Genoa, and one wall is given over to the school ofRaphael. Among these is the back of a nude man by Raphael himself, made durng his stay…
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Writing Exhibition Texts
Title labels identify the name of the exhibition. The best titles will arouse interest and curiosity and give enough information to enable visitors to decide whether they are interested enough in the subject matter to enter… Beverly Serrell, Exhibit Labels: An Interpretive Approach
A good title should clearly introduce the topic and content of the exhibition, but at the same time it should be sufficiently distinctive to spark potential visitors’ curiosity. Peruse the sites listed below for some good examples.
- The Perlman Teaching Museum
- Frances Young Tang Teaching Museum
- The Walker Art Center
- Minneapolis Institute of Arts
- The Bell Museum of Natural History
Brief Description
It is helpful to write a brief description of your exhibition. This description can be used in brochures, on websites, blogs, or other publicity venues and can also appear on a poster. The brief description should only be two or three sentences long, and articulate the main idea of the exhibition and why it is important or interesting.
Example Descriptions
Organized by the Minnesota Museum of American Art in St. Paul, Our Treasures features 30 of the top artworks in the MMAA collection, chosen by the museum’s executive director Kristin Makholm. The exhibition includes works by such artists as Paul Manship, Robert Henri, Grant Wood, Louise Nevelson, George Morrison, Christo, and Wing Young Huie.
(From Our Treasures: Highlights from the Minnesota Museum of American Art )
In Running the Numbers , artist Chris Jordan creates intricate photographic prints assembled from thousands of smaller photographs, visually depicting statistics that dramatize aspects of contemporary American culture.
(From Running the Numbers: Portraits of Mass Consumption )
Presenting contemporary art, historical books and photographs, charts, and scientific visualizations, this exhibition considers the powerful role of vision and the visual in exploring celestial realms. Artists and scientists, seeking truth beyond the visible and the tangible, offer fresh perspectives on astronomy and give new life to poetic celestial metaphors.
(From Seeing is Knowing: The Universe )
Introduction
Introductory or orientation labels set up the organization and tone of the exhibition…Quick, clear orientation is a very important feature for visitors, but many people will not stop to read a long introduction because they are being drawn into the exhibit by many competing sights, objects, and sounds… Beverly Serrell, Exhibit Labels: An Interpretive Approach
An introduction placed near the entrance is a useful way to unite and provide context for an exhibition, but brevity is the key. It is recommended that introductions be limited to 150 words or less, as is the case with the examples below.
Example Introductions
Mali is a thriving center for photography in Africa. Since studio portraitists Seydou Keïta and Malick Sidibé were embraced by the international art market in the 1990s, a local art photography movement has blossomed. In 1994, Bamako became home to the pan-African photography Biennale, focusing the spotlight on native talent and on continent-wide achievements in the medium. Every two years, the Biennale has also spawned additional photography programs, institutions and exhibition opportunities.
Photographing the Social Body embodies the fruitful collaboration between curators Laurel Bradley, Director and Curator of the Perlman Teaching Museum, and Allison M. Moore of the University of South Florida, a scholar who focuses on Malian photography since the establishment of the Biennale. Candace Keller of Michigan State University contributed her expertise on studio-based photographers to the project. The exhibition depends on the talents and generosity of the photographers in the exhibition, and others in Mali who assisted the curators while in Bamako.
(From Photographing the Social Body: Malian Portraiture from the Studio to the Street )
What happens when 21st century students, some exploring photographic portraiture and the others reading 19th century British novels, employ contemporary photographic techniques to create portraits of the novels’ characters?
This interdisciplinary exhibition celebrated the creative collaborations between students in John Schott’s Digital Photography Workshop and students in Susan Jaret McKinstry’s Victorian Novel.
The 19th century was the age of the novel. These novels explored the issues of the day, including science, religion, political and social reform, gender, identity, and the role of art. The novels shaped readers, education, printing practices, and social history around the world, and they are still widely read, translated into many languages, reprinted in new illustrated editions, redesigned as graphic novels, and reinterpreted in film versions.
The 19th century was also the age of photography. In 1839, Daguerre took the first photograph of a person, and by mid-century photography was a popular and expensive hobby. Photography was an essential element of Victorian novels, with author portraits as frontispieces, advertisements, and posed “character” portraits as selling points for the novel’s truthfulness and social force.
(From Direct Address: 19th Century Characters, 21st Century Portraits )
Group Labels
Section or group labels inform visitors of the rationale behind a subgrouping of objects, paintings, or animals. Why are these things shown together? is a common question in the backs of visitors’ minds, and it needs to be answered to help visitors feel comfortable, competent, and in control of their own experiences… Beverly Serrell, Exhibit Labels: An Interpretive Approach
Example Group Label – “Democracy”
The art of the 1980s was shaped profoundly by an exploration of democracy. Although it is an ideal held sacred by many, democracy is also challenging, for at its core it asks us to respect and protect the rights of those we disagree with.
For many artists, public spaces such as the street became arenas in which to facilitate encounters with art outside of the rarified space of the museum, and in this section we see artworks that use posters, graffiti, and everyday language to broadcast a social message as widely as possible. This interest in the public sphere was complicated by many artists’ observation that, increasingly, television was replacing the street or the public square as a primary site of democratic debate.
Some artists grappled with the new role of the mass media in both political and artistic arenas. The issue of belonging—of who has rights to what, where, and when—lies at the heart of the democratic enterprise. Such issues were to be sorely tested in the 1980s along numerous fronts. Several artists whose work appears in this section made explicit use of immanent critique, a strategy, exemplified by the civil rights movement, that attempts to hold government responsible for remaining true to its highest principles.
What all of the artists represented here shared was the belief that art can and should serve as a catalyst for philosophical and political debate.
(From This Will Have Been: Art, Love, & Politics in the 1980s )
Object Captions
Captions are specific labels for specific objects (e.g., artifacts, photos, and phenomena), and they are commonly used in all types of museum exhibitions. Captions are the “frontline” form of interpretive labels because many visitors wander around in exhibits, without attending to the linear or hierarchical organization of information (title, introduction, section label). If visitors stop by only when something catches their attention, the information in caption labels must make sense independently–as well as work harmoniously with all the other labels. Beverly Serrell, Exhibit Labels: An Interpretive Approach
For examples, please see this PDF of captions from past Carleton exhibitions .
Exhibition essay
Heather Stivison: Seeds of Change
Contributed by Kathy Imlay / Heather Stivison’s paintings in “Seeds of Change: Paintings of Climate Change and Hope”, imply unseen possibilities for restoring the natural balance of our planet. In her first New York solo exhibition—on view at Pleiades Gallery in Chelsea through April 15, also and as an online exclusive with Imlay Gallery — Stivison explores the notion of seeds from both literal and metaphorical perspectives. She sees potential for change hidden within us as seeds buried in the ground, both filled with untapped promise.
Riad Miah: My eyes just heard my brain
Contributed by Sharon Butler / As I walk through the dimly lit space behind an elegantly nostalgic bespoke clothing store on the Lower East Side, I feel as if I’ve landed in Desperately Seeking Susan, the iconic film starring Madonna that captured New York creative life of the 1980s. On the other side of a worn red curtain looms Riad Miah’s bright, busy studio. Confronting me is a plethora of colorful canvases, covered with writhing shapes, floating freely on irregular canvases.
Jamie Madison: A walk in the flatlands
Contributed by Sharon Butler / At the beginning of the pandemic, when Jamie Madison’s Bay Area studio was less accessible, she settled into her home studio in a rural area of Northern California and got a puppy. Behind her house lay the wild, oak-studded riparian woodland of Putah Creek, and in the front conventional orchards and farms stretched for miles.
Jennifer Riley’s Machine Series paintings
Contributed by Sharon Butler / When Brooklyn artist Jennifer Riley began making large-scale abstract paintings using discarded laser-cut pieces of steel, she connected with a century of artists preoccupied with the deconstructed machine. They ranged from post-World War I Dadaists like Raoul Hausmann and Francis Picabia whose images of humans […]
Selected Gallery Guides
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Sample Exhibition Review
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Below you will find a sample review by a student. The student received an A- for the exhibition review grade.
The review is a short paper therefore avoid using long quotes from wall texts in the exhibition or brochures, and outside sources (which you must cite). Look carefully and use your own words to communicate what you find compelling or weak about the exhibition. Provide descriptive details to give your reader an ‘insider’s’ view of the exhibition.
Sample Exhibition Review For the exhibition review project, I went to the International Center of Photography and saw the Harper’s Bazaar: A Decade of Style exhibit. I decided to see this exhibit because I love fashion. I actually felt like a kid in a candy store. It is something I want to pursue in the future and I am really interested and I thought it would cool to see fashion in another form and perspective. When I first walked into the exhibit I was greeted by a huge sign the said “HARPER’S BAZAAR”…and it gave a brief background on the magazine, its editor and a few of the photographers that have contributed to the magazine over the years. Some of those photographers are Karl Lagerfeld, whom is the mind behind Chanel and Fendi, Peter Lindbergh, Jean-Paul Goude, David Bailey, William Klein, Patrick Demarchelier, Sølve Sundsbø, Tim Walker, Mario Sorrenti, Hiro, and Melvin Sokolsky. Many of the photos also included some designers and celebrities as well including Marc Jacobs and Lady Gaga, my favorites.
Going to the exhibit I got to look at the pictures differently. Instead of looking at them as if just flicking through a magazine, I actually paid attention to detail, the way the photo was taken, and what might be the meaning behind them. For instance in one particular photo by Nan Goldin, Marc Jacobs at the Plaza Hotel NYC, Sept 2010, when looking at the photo you feel a sense of emotion in Marc’s facial expression. The camera is focused on him sitting in a chair in his towel, with dim lighting. He looks as if he’s in deep thought and the background helps play into mood of the picture and the room. You also get a sense of personality from the picture and you can feel what he feels through the picture. I think that’s why this picture stuck out to me so much because looking at it; it just attracts you and draws you in. Another photograph that gave me that effect as well was Diane, May 2011, by Chuck Close, which was a close up picture of fashion designer Diane Von Furstenberg’s face and you can see every bit of emotion in her face because you can see everything in her face like the lines that form to make up an expression. I thought this picture was interesting because since it was a close up, they’re usually in black & white but this one was in color which made it feel real and felt like you were looking at the person and not just a picture of portrait. The object of the show was to show fashion through photographs and how to incorporate the two to come out with something wonderful. I all around enjoyed the exhibit; it was interesting and did a good job of showing incorporating fashion and photography, I just wish that the exhibit was bigger and had more to show. The International Center of Photography Museum isn’t really a big place and they had two other exhibits in the building so they had to share the space.
I also learned things that I didn’t know; I had no idea that Karl Lagerfeld was a photographer. I liked how the pictures were displayed around the room, all of the walls were covered with pictures, the two longest walls had big portrait type pictures on them and the smaller walls had pages from the actual magazine on them, and then at the corners of the room and in the middle of the floors there were glass cases that held magazines some open to certain pages and some showing just the covers. The format of the room added to the exhibit, it gave it some movement since the pictures can’t move. All of the photographs were different sizes which also added to the different shapes and styles that were portrayed in the photographs. The room also had different colors on the walls that contrasted with the colors in the photographs such as Stephanie Seymour, Feb 2002, by Patrick Demarchelier, an Andy Warhol style photo, yellow background, prominent red lips and blue eye shadow with a blue tinted shadow outlined the figure. The colors are so bright that they pop out at you as soon as you see it, that you couldn’t miss the photo at all. I really liked how this exhibit and the photographers used color, they didn’t use boring and ordinary colors, they used colors that would get you thinking and wondering why they did what they did and keep you interested.
I also think that the way the museum placed the pictures was a way to attract the visitors. Next to the big sign that gave a brief biography of the magazine was a photograph by Terry Richardson, Lady Gaga, May 2011. This photograph would attract a lot of people that walked into the exhibit because she is one of the most popular celebrities of today and she is known for her eccentric fashion sense. And this photograph didn’t disappoint, the background is all black and so is her outfit and her sky high shoes and eye make-up and her hair is a pale pink and her face has a spotlight on it, which is the highlight of the photo because it’s the first thing you see looking at it. I really like this photograph because it’s Lady Gaga and I like that the photographer used her hair and her face as the focal point of the photo; I like how they used all black as the contrast and dark make-up it gives the photograph a dramatic feel. And the pose she is giving and her shoes gives the photograph some structure because her body is at different levels, her shoes are high but one foot is kind of lifted and so is the pant leg of the shoe to give it some more height.
Some other photographs that caught my attention and I thought were interesting were by Jean-Paul Goude [Linda Evanglista, Karl Lagerfeld, Jean-Paul Goude, Stephan Gan] Dec, 2003. I love the whole concept of this picture it’s full of people in which looks like a ballroom, people on steps and then there’s Linda and Karl as the focal point of the picture right in the middle of the floor and huge pieces of confetti falling from the ceiling. It looks like a fun picture, like there was a party going on. The gleam of the confetti is what first catches your eye in the picture because the light in the room bounces right off of it. It’s also interesting because Karl is dressed in all black as usual and Linda in dressed in all white with a head piece on; there outfits don’t fit the setting of background, but it makes for a great picture. The other photos are by Tim Walker Tim Burton’s Tricks & Treats which was a play on the director Tim Burton’s movie characters. They included Edward Scissor Hands, Nightmare before Christmas, BeatleJuice (my favorite Tim Burton film) and others. The models in the photos were dressed as the character from the movie but they had a twist to them. The outfits were more up to date then the movie, but they put a great spin on recreating the characters looks. This particular group of photos made me really excited because as soon as I saw them I knew what they were supposed to be. I would recommend this exhibit to anyone who loves fashion, it allows you to see it from a different perspective and how iconic pictures can be just by how it is put together and staged.
Going to this exhibit and looking at the photos showed me how much photography has changed, from when you could only take one photo and that be the only copy or not being able to catch movements in the photos or even getting the correct color or complete figure in the photo. The exhibit space has also showed me how things have changed how photographers would have to display their work at their own homes. This exhibition contributed to my knowledge of the history of photography by showing how photography in the past has evolved and contributed to what we can do today. It showed how you can tell stories through photos and clothing and how a pose or facial expression could add to a photo and give a meaning and allows you to interpret things how you see them.
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Home Essay Samples
Essay Samples on Art
While it may seem easy to compose essays about art, it’s not really so because you have to offer background information in your introduction part and explain why some exhibition or a school of thought is important. This should go to your first paragraph because your purpose is to inspire your readers and provide enough background information. When you already have a prompt that must be followed, determine what kind of essay must be written. It can be a descriptive essay, which is great for a description of the works of art or photography. Some other cases may require working with an explanatory tone where you have to explain why an artist has chosen certain palettes or what has been an inspiration. See various free art essay examples below for inspiration. It also helps to learn how to structure your writing and implement quotes or footnotes that are used to highlight the images. Remember to focus on the ways how to cite images and multimedia elements, depending on the chosen style. Your writing should address every image that you have by checking twice with the grading rubric to ensure that you use the sources that may have already been specified.
What Does Creativity Mean to You
Creativity, an intricate tapestry of imagination and innovation, holds a unique significance for each individual. It is a concept that transcends the boundaries of convention, sparking curiosity and igniting the flames of inspiration. In this essay, we embark on a journey to unearth the meaning...
Censorship of Art and Artists: The Complex Discourse
The intersection of creativity and expression often finds itself entangled in a contentious debate: the censorship of art and artists. This complex issue has sparked discussions across societies and cultures, raising questions about freedom of speech, cultural preservation, and the power dynamics between creators and...
Why I Want to Study Architecture: the Power of Design
The world around us is a tapestry of structures, spaces, and designs that shape our lives and experiences. From towering skyscrapers to quaint houses, every architectural marvel carries a story and a vision. The allure of architecture, with its blend of artistic expression, technical precision,...
- Architecture
The Impact of Technology on Art: A Modern Renaissance
Introduction The influence of technology on art is an evolving narrative that reflects the symbiotic relationship between human creativity and innovative tools. From the early use of simple tools to create cave paintings to the digital art technologies of today, the integration of technology in...
- Art History
- Impact of Technology
- Renaissance
Exploring Feminist Literary Criticism: Unveiling Mona Lisa Smile
Introduction Self-assessment and criticism help us improve our skills and the ways in which we communicate our ideas and perspectives with others. In this feminist literary criticism essay, I will be critiquing and analysis of the movie Mona Lisa Smile. Firstly, I will explain why...
- Literary Criticism
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Frida Kahlo: Exploring Her Biography Through the Film 'Frida'
In the 2002 film “Frida” directed by Julie Taymor, illustrates the life of Frida Kahlo based on the book Frida: A Biography of Frida Kahlo by Hayden Herrera. Who is Frida Kahlo? Her biography in this essay is explored with the help of the film...
- Film Analysis
- Frida Kahlo
Debate Surrounding Graphic Novel and Relation to Literature
Introduction In the past years, the noise about graphic novels has been constantly increasing. A graphic novel is basically a novel in comic-strip format, a book made up of comics’ content. However, they are not the same as comics. Unlike comic books, graphic novels are...
- Graphic Novel
- Visual Arts
Depicting Trauma: Symbolism in Graphic Novels
Introduction I must confess that I never read a graphic novel prior to this course. I think I’ve developed and expressed my opinion of graphic novels frequently over the course of the semester, and I think I would be remiss if I did not close...
Understanding Graphic Novels: Context and Analysis for Reading
Introduction Graphic novels are stories illustrated in comic form but have the length of a novel. “The term graphic novel was invented in 1970 however, the time of its origin is not concluded yet” (“Levitz”). Graphic novels have been debated for decades since some readers...
Jhene Aiko: Exploring the Artistry and Emotions in her Music
The artist I have chosen to write about is Jhene Aiko who is categorized in the R&B and Hip-Hop genre. Jhene Aiko is a popular singer who writes her music under the influence of cannibis, under the influence of therapeutic instruments and while having a...
- Famous Person
- Music Industry
The Joy of Painting: Exploring the Life and Legacy of Bob Ross
Who is Bob Ross, or rather, who was he? During the 80s and 90s, he was an artist who specialized in painting, hosting an instructional painting show on PBS called The Joy of Painting. Though Bob Ross has long since passed on, one will find...
The Uniqueness of Australian Artwork: Exploring Artists' Perceptions
Australian artists provide a unique way of displaying the Australian landscape. John Olsen is one of these artists, who uses symbolism to create a sense of movement. This is conveyed through his spontaneous linear line work as seen in Onkaparinga Hill, blue wren and fox...
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Students are often asked to find exhibition catalogues as part of their research, or they are asked to mimic a catalogue entry for an assignment. Exhibition catalogues are a very important type of literature for Art History. They provide documentation relating to all the items displayed in a show at a museum or art gallery and they contain new scholarly insight by way of thematic essays from curators and academics.
Up until the last few decades, most exhibition catalogues were small and simple. They were mostly in the form of an unillustrated “checklist”, which would list the title of the work, dimensions, medium and creator. Now, exhibition catalogues often take the form of substantial books containing an introduction, essays, works shown, crisp colour images on glossy paper, a bibliography and sometimes an index.
“…a good catalogue must nonetheless bring over something of the flavor, the temper, the attitude, the very feel of the show, while revealing something important to us about the nature of its subject. It has a duty, to a greater or lesser degree, to the onward march of scholarship.”
https://hyperallergic.com/563950/what-are-exhibition-catalogues-for/
Many assignments involve the creation of a “catalogue entry” for an object or work of art for a virtual exhibition. These usually are about one page and consist of the following elements:
- A clear photo of the object (with proper photo credit or citation listed elsewhere)
- Physical data: Dimensions, Medium, Date
- Name of Institution that owns it
- Two or three paragraphs about the object / work focusing on its relation to other items in the exhibition as well as the theme of the show or the collection.
1. Bayer, Andrea. Art and love in Renaissance Italy . New York: Metropolitan Museum of Art, 2008. Issued in connection with an exhibition held Nov. 11, 2008-Feb. 16, 2009, Metropolitan Museum of Art, New York, and Mar. 15-June 14, 2009, Kimbell Art Museum, Fort Worth. (online version available here).
In this example the curator describes the Woman’s Cap (No. 52) in terms of its physical composition and decoration. We are then told of the cap’s purpose and how it would have been worn. According to 16 th century Italian literature, it was a common object in bridal trousseaux – which is how it relates to the exhibition theme of “Art and Love”. Another work of art (a contemporaneous painting of a woman wearing a similar cap) is included for comparison.
Bernini and the Birth of Baroque Portrait Sculpture , edited by Andrea Bacchi, Catherine Hess, and Jennifer Montagu. Los Angeles : J. Paul Getty Museum ; Ottawa : National Gallery of Canada, 2008. an exhibition at the Getty Museum, Los Angeles, Aug. 5-Oct. 26, 2008, and at the National Gallery of Canada, Ottawa, Nov. 28, 2008-Mar. 8, 2009. (online version available here).
This first sentence of the entry makes it clear why this work was included in the exhibition:
“Within Bernini’s oeuvre, this bust is noteworthy for many reasons, it depicts the artist’s first important patron, it marks a significant innovation in Bernini’s portrait style, and the circumstance of its making it the stuff of legend.”
- "Writing a Museum Catalog" Purdue University
- A Brief Guide to Writing in Art History Excellent advice from Stanford University. See pp. 7-9 for information about writing a catalogue entry.
- What Are Exhibition Catalogues for? Article by Michael Glover, Hyperallergic, May 16, 2020
When you are searching for exhibition catalogues in the University of Toronto Libraries catalogue, it is important to remember that the books are given Library of Congress subject headings – which use American spelling. Therefore, be sure to look for both “catalogs” and “catalogues” in a keyword search.
Use the pluralized form of the word “exhibition s ”, since this is also another Library of Congress vocabulary term used to describe the types of publications.
- Robarts Library Robarts Library has the largest number of exhibition catalogues and most of them should be available for curbside delivery.
- The Department of Art History Library is unique in that its collection consists primarily of exhibition catalogues. They used to be difficult to acquire since they were not printed in large runs, and there were very few book distributors that sold them. This collection is tailored to the Department’s graduate curriculum, and many of them are in languages other than English. It is considered a special collection and the books in the Art Library do not circulate.
- The Thomas Fisher Rare Book Library The Fisher Library acquires all publications related to Canada and Canadians, and this also includes exhibition catalogues. This library has a great collection of early catalogues from important exhibiting institutions like the Art Gallery of Toronto (before it became the Art Gallery of Ontario), the Canadian National Exhibition (back when it had regular art shows) as well as Contemporary shows across Canada. video... close... Thomas Fisher Rare Book Librry
Few exhibition catalogues are available online. They are expensive to produce and underfunded cultural institutions needing revenue encourage you to “exit via the giftshop”. Several major museums and galleries have started to provide digitized copies of their publications on their websites. Here is a selective list:
- Metropolitan Museum of Art 70 notable exhibition catalogues available to read, download, and / or search for free.
- Guggenheim Museum The Museum has been digitizing its exhibition catalogs and art books, placing the results online.
- Museum of Modern Art The Museum's exhibition history — from its founding in 1929 to the present—is available online. It includes primary documents, installation views, and an index of participating artists, and some exhibition catalogues.
- The National Gallery of Art (Washington) Browse or download free digital backlist titles .
- Whitney Museum of American Art
- The Los Angeles County Museum of Art Find a range of exhibition and collection catalogues in both print and online formats. There is a complete searchable listing of publications by year. Please note that those available on Archive.org are free of charge in standard PDF format for viewing online or printing out. Those with links to LACMA Store or Collator are available for purchase.
Born Digital
Some exhibition catalogues are now “ born digital ”, with no physical copies ever being printed.
This is the case for the British Museum’s scholarly Online Research Catalogues:
https://www.britishmuseum.org/research/publications/online-research-catalogues
How to cite an exhibition catalogue for a bibliography
Faculty in the Department of Art History use the Chicago Manual of Style type of Bibliographic format.
Notice that there are two ways to cite an exhibition catalogue .
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Essays on Art Exhibition
King abdul art exhibition.
King Abdul is a temporary art exhibition set to take place between 16th and 21st in the month of July 2017, at Manarat Al Saadiyat in Abu Dhabi. The four-day exhibition brings together artists from all over the entire world to Manarat Al Saadiyat, with a vision to engross the audiences with the modern ideas […]
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Writing a Museum Catalog
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A museum catalog is typically a book written in regards to a current exhibition. For example, an exhibition of Victorian paintings concerning the legend of King Arthur could be on display at the British Art Museum. The title could be: The Marriage of History and Legend: The Victorian Revival of King Arthur . While the museum exhibit itself might have wall text with a brief introduction to the exhibit as well as having text panels for each piece, anyone wanting more information on the theme of the exhibit might be interested in purchasing a catalog.
Title Page & Table of Contents
The title page of a museum catalog is crucial – you need to think of an image that completely encompasses the theme of your exhibition. Many times the more famous or iconic work of art in the exhibition is on the title page with the title. For The Marriage of History and Legend: The Victorian Revival of King Arthur an image of King Arthur pulling the sword out of the stone would be the best candidate in this regard.
Always provide a table of contents for the museum catalog. Include the introduction, main scholarly essays, a list of the work of arts, notes/bibliography section.
Museum Gallery Guide
Depending on the scope of the project one might choose to provide a gallery guide for your audience – a visual representation of where the pieces will be on display. Having an exhibit in a large space could lead individuals to find specific works of art they might want to see, whereas a smaller space means that a guide would not be necessary.
Include visuals of the exhibit space, an outline of the shape of the objects and where they are located, including building structures such as exit signs, and a key for your user.
Museum Catalog Introduction
Museum catalogs begin with an introductory essay to the theme of the exhibition. Often parts of the introduction are reprinted and displayed with the exhibition itself while the longer introduction is contained in the catalog.
Approaching the introduction to the exhibition is similar to tackling any typical research essay. First, grab the audience’s attention and provide some sort of thesis statement concerning the exhibition. What is the main goal of the exhibition? To back up a thesis statement consider what piece of art to include. The pieces of work on display do not exist in a vacuum. Similar to providing textual quotes to argue a literary essay, art historians use ‘art’ as their evidence to argue their thesis as well as providing primary and secondary sources. It is best to introduce some of these major works of art in the introduction. The following examples include an introductory grader and the thesis or purpose of the exhibition:
Grabber : At the end of the legend made most famously by Thomas Malory in 1469, King Arthur lies in a bloody field with a broken body and spirit…The tragic story of Arthur, frequently referred to as The Once and Future King , is a story with no definite ending. Subsequently, the legend is reinvented countless times, often during times in history when the mythology can be re-defined to fit into modern context.
Thesis: The museum exhibit titled The Marriage of History and Legend: The Victorian Revival of King Arthur surveys Victorian England’s fascination with the medieval past as seen through the art movement of the Pre-Raphaelites, the Gothic Revival, and Romanticism. Queen Victoria is studied in association with the ideas of a model monarchy and the ideal relationship expected between the sexes. Along with those ideas, the exhibit scrutinizes the dangers associated with women who tried to break away from their traditional roles. Lastly, the exhibit focuses on the Arthurian legend becoming something “real” and tangible to which the everyday individual can truly relate and aspire to.
Another strategy to consider in an introduction is the use of segments. Many times an introduction can be broken into segments – the main point of the introduction is to introduce the focal pieces of the exhibition and how they relate to the theme of the exhibition.
Segments for this examplewould consist of a few pages to discuss the Pre-Raphaelites, Gothic Revival, Romanticism, Queen Victoria, Albert the Good, and Arthurian character descriptions. These topics can be discussed furthermore in the actual focal pieces but by providing information in the introduction more of your analysis can focus on the art piece and only mentioning historical context – but that is up to your own discretion. If you mention a main work of art in the introduction and discuss later in the catalog it is best to write [Figure 1] and when you cite the work of art provide before the information [Fig 1] , etc.
Typically pieces that are not on display but are relevant to the exhibition can be cited in this section. For example – when discussing Victorian art culture in relation to King Arthur it would be important to discuss Gothic architecture and then provide an image as an example. The introduction should provide historical and thematic context for the exhibit.
Museum Catalog Entry
Depending on the project a museum catalog will either contain small academic essays or decide to focus on the pieces of work in the exhibition. In the case of academic essays just keep in mind that catalogs typically focus on ‘mini themes’ in the exhibit. For The Marriage of History and Legend: The Victorian Revival of King Arthur it would be beneficial to have one essay on Tennyson’s literary work that would then contain pieces of art work (mostly in the exhibition but some can be provided as outside examples) and how Tennyson’s work relates to the theme of the exhibit.
If you want to just focus on art pieces and not academic essays, catalog entries are typically no more than 500 words and include a brief historical scope of the piece as well as a formal analysis of the piece.
For information on how to cite a work of art in MLA, see the OWL page MLA Works Cited: Other Sources .
Catalog Entry Example:
Edward Burne-Jones, The Beguiling of Merlin , 1874-76. Oil on Canvas. Board of the National Museums and Galleries on Merseyside (Lady Lever Art Gallery, Port Sunlight)
A contrasting Vivien from the time is the Edward Burne-Jones version titled The Beguiling of Merlin , in which his Vivien again takes the name Nimue. In this version, Burne-Jones depicts Nimue as a maiden striving to protect her virtue. She is seen more as an anguished deity than a demonic villainess (Silver, 258). Her costume is typical of a Greek goddess and she wears a serpent headdress similar to Medusa. The serpentine forms of her snaky headdress are repeated in the folds of her indigo dress, in the roots of the trees, and “branches while like tentacles surround the failing man.” (Whitaker, 245) The model for Merlin was the American journalist W.J. Stillman whose face was damaged in a childhood accident, making his hair unusually white for his age. Nimue was Maria Zambaco, who Edward Burne-Jones was deeply in love with; when their relationship was over, Burne-Jones was depressed for many years, and Zambaco was suicidal. In a letter written during 1893, Burne-Jones wrote to his friend Helen Gaskell saying, “I was being turned into a hawthorn bush in the forest of Broceliande- every year when the hawthorn buds it is the soul of Merlin trying to live again the world and speak- for he left so much unsaid” (245). Vivien stands in the foreground, a dominant position that is usually reserved for men. She holds in her hand Merlin’s book of spells, towering over Merlin who cowers under her powerful gaze. Burne-Jones uses his art to express a psychological problem of an artist who is “reduced to impotence by a woman’s supremacy and his own lust” (245).
Works Cited
Silver, Carole “Victorian Spellbinders: Arthurian Women and the Pre-Raphaelite Circle,” in The Passing of Arthur: New Essays in Arthurian Tradition (New York: Garland Pub., 1988), 257.
Whitaker, Muriel A. The Legends of King Arthur in Art , 245.
Bibliography
Make sure to include a bibliography for a complete work of artwork used and cite any primary or secondary sources used in your research.
How to write exhibition, artwork & object descriptions
There’s an art to writing compelling exhibition and artwork descriptions. Read on to find out tried and true tips for successfully introducing your exhibition, artworks and objects to your visitors.
Writing Your Exhibition Description
Writing artwork or object descriptions.
The Exhibition Description acts like the entry text panel in a bricks and mortar exhibition space. It is the first piece of text visitors will see and read before they enter your exhibition and it should explain the themes, ideas, concepts and inspiration behind your exhibition.
We have compiled some pointers to help you write a compelling description and successfully introduce your exhibition to your visitors, so keep reading!
1. Include the ‘Big Idea’
The ‘big idea’ of your exhibition answers the question “What is this exhibition about?”. When writing your exhibition description it is important to make sure you include the Big Idea so your audience can understand and make sense of the themes and ideas you are presenting to them through your artwork.
It is also good practice for exhibition description writing to start with the specific and then move to the general, start with the present and work to the past.
This is the opposite to how we normally write as we like to paint the overall picture (no pun intended) before we get to the nitty gritty details. But if you introduce what you are trying to do now first, you can take your audience on a journey as you explain why you are doing this and how it fits into the big picture.
2. Don’t Repeat Your Bio
It is easy to think you have to talk about yourself and the artists being exhibited in the Description. However, this is not going to get the ‘big idea’ across to your audience and they will have to keep reading to the end before they think “Oh, this is what I’m about to see”.
Instead, on The Exhibit, the Exhibition Entry page has several prominent links to the Exhibitor profiles of the artists, curators, galleries or cultural institutions involved in the exhibition. And on each individual artwork page inside the exhibition, visitors can also read the artist’s bio information (please note this feature isn’t available for Collections Pro users). So there’s no need to feel as though you have to repeat information about yourself in the description as this information is all easily accessible to your visitors elsewhere throughout your exhibition.
3. Avoid “Artspeak”
The art world has a tendency to use lots of jargon and w*nky concepts which are particular to the discipline of art. However, not all these words and ideas will be understood by your visitors and you don’t want to write your description just for visitors who are art professionals or who have done a degree in fine art. If you make your visitors feel stupid, because they don’t grasp the language you are using or the points you are trying to make, they will disengage from your exhibition.
4. Don’t dumb it down too much
But to continue on from the point above, you don’t want to do the opposite either. You don’t want to make your exhibition writing seem like it is for dummies, by over simplifying your language and avoiding central concepts and ideas. Instead write in a direct and friendly way and as though you are talking directly to your audience in person.
5. Keep the structure short and simple
Lastly, if you keep in mind that your Exhibition Description is the same as the entry text panel in a bricks and mortar exhibition space, this will help you keep your description short and concise. You are not writing a long winded essay but instead a description introducing your exhibition concept and rationale. You want to give readers just enough information so they feel engaged and confident to click through into your exhibition and excited to start viewing the artworks.
It is also good practice to keep your overall structure clear and easy to read. This means using shorter sentences and avoiding any dense descriptions. You want to make it seem like you are talking directly to your visitors through your description.
Artwork or Object Descriptions are the blurbs which accompany each of the artworks or objects in your exhibition. They are just like the wall labels which are pinned next to each artwork or object in an offline exhibition. On The Exhibit, Artwork or Object Descriptions are automatically accompanied by the artwork’s title, manufacture date, medium, and size, as well as the artist’s name and a link to their biography. (Note: the artist’s biography information and link doesn’t appear on individual artwork/object pages for Collections Pro users)
Artwork or Object Descriptions are not required in your exhibition for each artwork/object, but when you take the time to add them, they do boost your online exhibition and give your visitors more information.
The more information you can provide, the more engaged your visitors will be with your exhibition, this is because they will grasp what you are trying to achieve and what emotions you are trying to illicit through the art and objects.
To really engage your visitors through your Artwork or Object Description copy, here are some of our tried and true tips:
1. Don’t make descriptions chronological
You have to remember that even the most diligent visitors aren’t stopping on every artwork/object and reading every description. So, we recommend making each artwork/object description stand alone and able to be read independently of any others, because as soon as visitors read a description that assumes they’ve read a previous one, they end up confused and frustrated.
2. Make it Beneficial
Visitors to your exhibition are looking to find something out when they read your descriptions. If you provide something beneficial to them, an insight into the artist’s creative practice, what the artwork imagery means, or the historical significance or story of the object, you will hook them in. And once they’re hooked, they’ll delve deeper into your exhibition, read more of the other descriptions, look closer at your images and maybe even buy a piece if you have ‘for sale’ works in your exhibition.
3. Tie in the Big Idea
The Big Idea which you introduce in your Exhibition Description can’t just appear just once in the introduction—it has to be a thread that weaves its way through the whole exhibition. This links all the artworks together and creates an overall sense of purpose. Visitors will also be able to follow and make sense of your visual narrative from the first artwork/object to the last artwork or object in your exhibition if you do this.
4. Be concise
Some of the points we have mentioned in our Exhibition Description writing tips above, also apply to your Artwork or Object Description copy. Your Artwork or Object Descriptions also need to avoid any jargon and artspeak, avoid talking down to your audience, and be structured in a simple and readable way.
With Artwork or Object Descriptions, shorter is definitely better, so make sure you get straight to any points you are making. If you’re referencing a historical period, art movement or artist, maybe add a short sentence explaining what or who this is. That way your visitors with art or historical knowledge are reminded and those new to your exhibitions are able to learn something which helps them understand your artwork and objects.
Hopefully you find these tips helpful? If you have further questions about exhibiting on The Exhibit, please don’t hesitate to contact us at [email protected] .
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Start creating your first online exhibition today, for free!
Have more questions?
View our Exhibitor Handbook for more helpful guides, or please don’t hesitate to contact us at [email protected] and we’ll get right back to you!
Home — Essay Samples — Arts & Culture — Painting — Exploring the Cultural Significance: Mexican Art Exhibition
Exploring The Cultural Significance: Mexican Art Exhibition
- Categories: 20Th Century Painting
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Wake up, sleeping beauties. It’s almost Met Gala time
FILE - Vogue editor Anna Wintour attends The Metropolitan Museum of Art’s Costume Institute benefit gala celebrating the opening of the “Camp: Notes on Fashion” exhibition on May 6, 2019, in New York. (Photo by Charles Sykes/Invision/AP, File)
This combination of photos shows, from left, Bad Bunny, Chris Hemsworth, Jennifer Lopez and Zendaya, will join Anna Wintour as co-chairs of this year’s Met Gala. (AP Photo)
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NEW YORK (AP) — True love’s kiss or an invite to the Met Gala? Those in the rarefied ranks of international celebrity — and Anna Wintour’s good graces — need not choose.
Stars of film, fashion, music, sports, politics and social media will ascend the steps of the Metropolitan Museum of Art on the first Monday in May — May 6, that is — to sip cocktails, have dinner and sample the new exhibit, “Sleeping Beauties: Reawakening Fashion.” As fashion’s biggest night approaches, it’s time for The Associated Press to issue the 2024 version of our annual guide.
SO WHAT IS THE POINT OF THE MET GALA?
It started in 1948 as a society midnight supper, and wasn’t even at the Met. Fast forward 70-plus years, and it’s one of the most photographed events in the world, renowned for its head-spinning red carpet — though the carpet isn’t always red.
It’s important to note, though, that the party has a purpose, raising money for the Met’s Costume Institute — nearly $22 million last year, a record for the self-funding department — and launching the annual spring exhibit that brings hundreds of thousands of visitors to the museum.
But it’s the carpet itself that draws the world’s eyes, with the 400-strong guest list the subject of rabid speculation until the last minute — a collection of luminaries that arguably makes for the highest celebrity wattage-per-square-foot of any party in the world.
WHO’S HOSTING THIS YEAR?
“Anna Wintour Me Preguntó,” Bad Bunny could sing. Multi-hyphenate Jennifer Lopez adds yet another role to her busy year. And then there are two Marvel stars who have been spending a lot of time in the desert lately: Zendaya , who has continued to stun on red carpets with her “Dune” and “Challengers” looks, and Chris Hemsworth , who is trading in Mjolnir for the upcoming “Furiosa.” (Hemsworth is, in fact, a first-time gala attendee. )
And, of course, Wintour herself.
This combination of photos shows, from left, Bad Bunny, Chris Hemsworth, Jennifer Lopez and Zendaya, who will join Anna Wintour as co-chairs of this year’s Met Gala. (AP Photo)
WHAT DOES THE MET GALA THEME MEAN?
The theme actually has little to do with fairytales. “Sleeping Beauties: Reawakening Fashion,” the title of the accompanying exhibit, refers to garments from the Costume Institute’s collection that have been “in slumber” and now will be on display, some too fragile to hang upright lest they disintegrate. Curator Andrew Bolton picked 250 pieces spanning four centuries.
The theme is accompanied by a dress code — this year, it’s “The Garden of Time.” The theme and dress code are often interpreted ... loosely. So there’s a chance you may see an Aurora on the carpet, after all.
HOW MUCH DO I HAVE TO PAY FOR A TICKET?
Wrong question. You cannot just buy a ticket. The right question is: If I were famous or powerful and got invited, how much would it cost?
OK, IF I WERE FAMOUS OR POWERFUL AND GOT INVITED, HOW MUCH WOULD IT COST?
Well, you might not pay yourself. Generally companies buy tables. A fashion label, for example, would then host its desired celebrities. A table of 10 starts at $350,000 this year.
HOW CAN I WATCH?
You can watch the whole carpet unfold on a Vogue livestream. If you’re in New York, you can also join fans across the street, behind barricades on Fifth Avenue or even further east on Madison. (Get there early, if you want a spot.) And the AP will have a livestream of departures from the Mark Hotel, where many gala guests get ready.
WHAT HAPPENS INSIDE?
Entering the museum, guests walk past what is usually an impossibly enormous flower arrangement in the lobby, with perhaps an orchestra playing nearby, and over to cocktails. Or, they head to view the exhibit. Cocktails begin a half-hour earlier this year, so they start at 5:30 p.m., and last for about two hours, followed by dinner. The most famous — or those who plan the biggest entrance — sometimes come (fashionably) later.
SO WHO’S COMING?
Rihanna is the queen of dramatic entrances AND late arrivals (don’t they always go together?) and she’s said she’ll be attending, describing her outfit variously as “chill” and “simple” (we’ll see about that). If tradition holds, dinner will be well underway (perhaps even over) and it’ll still be worth the wait. Likely, the superstar and mogul will again bring partner A$AP Rocky. Other high-profile partners likely to attend, because their significant others are hosting: Ben Affleck and Tom Holland.
Hot off the Oscars, nominee Lily Gladstone has said she’ll attend and has teased a tantalizing fashion collab involving a major designer and an “unbelievable Indigenous artist.” Another fashion-forward awards circuit luminary everyone wants and expects to see on the Met steps: Ayo Edebiri. As for a certain stratospheric pop superstar dating an NFL tight end: It’s unclear. Taylor Swift it resuming her Eras Tour in Paris three days later, but she’s made tight timelines work before.
TENNIS, ANYONE?
What does Wintour love, perhaps even more than fashion? Maybe even more than Broadway? Why, tennis. Add to that Zendaya’s current tennis-themed movie, “Challengers,” and one can only imagine there will be tennis stars — perhaps famous retired ones like former hosts Serena Williams and Roger Federer. (It may be tough logistically for current players, given the clay-court season under way in Europe.) But hey, the Met Gala loves fashionable athletes. Caitlin Clark, are you listening?
My Teaching Philosophy Statement
This essay about a teaching philosophy emphasizes innovation, empathy, and empowerment as foundational elements for a dynamic learning environment. It advocates for active student participation, diversity, and the practical application of knowledge. The approach promotes critical thinking, a growth mindset, and meaningful feedback, aiming to develop lifelong learners and compassionate leaders. The philosophy embodies collaboration, inclusivity, and engagement with the wider world as key components.
How it works
In my educational approach, I blend the art of teaching with the science of inspiration, weaving together elements of innovation, empathy, and empowerment to create a dynamic tapestry of learning experiences where each student can truly flourish. Rather than simply delivering information, I see myself as a catalyst for intellectual and personal growth, igniting the flames of curiosity within each learner.
At the heart of my pedagogy lies a deep commitment to fostering student agency. I recognize that every student brings a rich diversity of backgrounds and perspectives to the classroom, and I strive to create an environment where they are active participants in their own educational journey.
Through collaborative projects, spirited discussions, and immersive activities, I aim to cultivate a culture of inquiry and exploration, where questions are celebrated and curiosity is nurtured.
Equally essential to my philosophy is the promotion of inclusivity and belonging. I firmly believe that diversity is not only a strength but a fundamental aspect of our humanity, and I work tirelessly to create a space where every voice is heard and every identity is respected. By fostering empathy, understanding, and open dialogue, I seek to build a community where students feel empowered to express themselves authentically and engage with one another in meaningful ways.
Moreover, I am deeply passionate about bridging the gap between theory and practice. I firmly believe that education should extend beyond the walls of the classroom, and I strive to integrate real-world relevance into my teachings. Whether through hands-on experiences, real-life case studies, or project-based learning, I aim to inspire students to see the connections between their studies and the world around them, motivating them to become proactive agents of change in their communities.
Furthermore, I am committed to nurturing critical thinking skills and fostering a growth mindset. In an age inundated with information, the ability to analyze, synthesize, and evaluate is more important than ever. Through thought-provoking discussions, challenging assignments, and opportunities for reflection, I aim to instill in my students a deep sense of intellectual curiosity and a willingness to explore new ideas, equipping them with the skills they need to thrive in an ever-changing world.
Finally, I believe in the transformative power of feedback and assessment as tools for growth and development. Rather than viewing assessment as a mere judgment, I see it as an opportunity for learning and improvement. By providing timely and constructive feedback, I empower my students to reflect on their progress, identify areas for growth, and set meaningful goals for their continued development.
In essence, my teaching philosophy is a mosaic of collaboration, inclusivity, relevance, critical thinking, and growth. By creating an environment where students are encouraged to take ownership of their learning, embrace diversity, and engage with the world around them, I hope to inspire a lifelong love of learning, compassionate leadership, and global citizenship.
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Climate activist who defaced Edgar Degas sculpture exhibit sentenced
Chloe Veltman
Joanna Smith was sentenced today for defacing the case of Edgar Degas' Little Dancer sculpture in 2023. National Gallery of Art hide caption
Joanna Smith was sentenced today for defacing the case of Edgar Degas' Little Dancer sculpture in 2023.
A climate activist found guilty of one count of causing injury to a National Gallery of Art exhibit last year for defacing the case around a sculpture by Edgar Degas at the Washington, D.C., museum was sentenced in federal court on Friday.
Joanna Smith, 54, of Brooklyn, N.Y., got 60 days of prison time out of a possible maximum sentence of five years for smearing red and black paint on the case surrounding Degas' Little Dancer, Aged Fourteen on Apr. 27, 2023. The 1881 artwork is on permanent display at the museum.
In addition to the prison term, Judge Amy Berman Jackson ordered Smith to serve 24 months of supervised release and 150 hours of community service, of which 10 hours must involve cleaning graffiti. Smith must pay restitution for the damage to the Degas exhibit in the amount of $4,062, a $3,000 fine, and a court fee. She is also barred from entering the District of Columbia and all museums and monuments for two years. (The maximum sentence could have included anything up to a $250,000 penalty.)
Smith undertook the action with North Carolina-based climate activist Tim Martin. They are members of the climate activism group Declare Emergency.
According to a statement from the D.C. United States Attorney's Office, Smith and Martin specifically targeted the artwork.
"Smith and the co-conspirator passed through security undetected with paint secreted inside water bottles," the statement said. "The duo approached the exhibit, removed the bottles from their bags, and began smearing paint on the case and base."
The statement said the National Gallery had to remove the sculpture from public display for 10 days, and that gallery officials said it cost over $4,000 to repair the damage.
"On April 27, 2023, the protective sanctuary for this beloved girl [Degas' "Little Dancer"] was battered. She is one of the most vulnerable and fragile works in our entire collection. I cannot overemphasize how the violent treatment of her protection barrier, repeated slamming, and vibrations, have forever jeopardized her stability," said Kaywin Feldman, director of the National Gallery of Art, in a statement to NPR. "With increased frequency, institutions – overwhelmingly non-profit museums for the public benefit – have suffered collateral damage at the hands of agendas that have nothing to do with museums or the art attacked. The real damage that these acts of vandalism pose must be taken seriously to deter future incidents that continue to threaten our cultural heritage and historic memory."
"The 'Little Dancer' is a depiction of a vulnerable, 14-year-old girl who worked at the Paris Opera. Degas' depiction of her is beautiful and has been viewed by millions, but the 'Little Dancer' seemingly disappeared after she posed for Degas," said a statement on Declare Emergency's Instagram page explaining the action at the museum last year. "Like the 'Little Dancer,' millions of little girls and boys won't have a future because our leaders didn't act decades ago when they should have and continue to drag their feet to stop the fossil fueled climate catastrophe that is engulfing us all."
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Smith and Martin were taken into custody following an indictment . They were charged with conspiracy to commit an offense against the United States and injury to a National Gallery of Art exhibit.
Smith pleaded guilty before U.S. District Judge Amy Berman Jackson in Washington D.C., last December.
Martin's jury trial case is scheduled for Aug. 26.
A cause célèbre
Popularly known as "The Degas Two," Smith and Martin have become a cause célèbre in climate activism circles.
Colleagues from other climate groups have spoken out publicly about the case.
Last June, around 20 members of Extinction Rebellion NYC and Rise and Resist protested the charges against Martin and Smith at the Metropolitan Museum in New York.
Extinction Rebellion climate activist Lydia Woolley interrupted a Broadway performance last month, yelling, "Don't forget about Joanna Smith. Don't forget about Tim Martin. Don't forget about the truth tellers. This play doesn't end when you leave the theater."
And more than 1,000 people signed a petition ahead of the sentence hearing urging judge Amy Berman Jackson to show leniency on Smith.
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"Smith and Martin placed their hands in water-soluble paint and left their handprints on equipment supporting the Degas sculpture 'Little Dancer,' which portrays a child. They willingly allowed themselves to be arrested for this symbolic act of civil disobedience, which caused no harm to any person and did not result in the destruction or damage of any property," the letter to Jackson accompanying the petition states. "The right to protest in the U.S. and the history of symbolic, nonviolent civil disobedience actions are well-documented. However, these charges and this case appear to disregard past precedents and respond to these recent acts in an excessively severe manner."
Increasing penalties
Penalties against climate protest have been increasing over the past couple of years — and not just in the U.S.
Last year, for instance, two protesters from the climate activism group Just Stop Oil each received sentences of more than two-and-a-half years for scaling a bridge over the River Thames in southeast England, causing a public nuisance. (Both men ended up serving partial sentences — Morgan was released last December and Decker, this past February.)
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And just this week, British physician Sarah Benn, who spent more than a month in jail after a series of climate protests, was suspended by a medical tribunal for misconduct.
In Germany, police launched raids against climate activists with the Letzte Generation (Last Generation) group last year. According to an article in The Washington Post from May 2023, seven suspects "were accused of organizing a fundraising campaign to finance criminal activities, advertising them on their website and collecting at least $1.5 million in donations so far."
Broader implications
Some climate change activism experts are considering how the ratcheting up of penalties against protesters will impact the movement more broadly.
"It is putting people off for sure," said James Özden, the founder of Social Change Lab , a nonprofit that researches climate activism and other social movements. "I think it's meaningful that only a small number of people who are willing and able to take these kinds of risks are taking these kinds of actions."
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But Özden also said the severity of governmental pushback could potentially galvanize activists towards taking even more risks.
"Even though the sentences increase, so does people's desire to actually do something about climate change and make a change and try help wherever they can. So I expect people will keep taking these actions because they don't see a viable alternative," he said.
Martin of "The Degas Two" said the inability of many people to grasp the severity of the climate change crisis is the biggest hurdle obstructing the momentum of the climate movement.
"Until the climate and social justice emergencies become more of a clear and present danger to Americans, we won't have nearly the number of supporters we ought to have who are willing to risk arrest," Martin said.
Jennifer Vanasco edited this story.
Correction April 30, 2024
An earlier version of this story did not indicate that Joanna Smith was ordered to pay a $3,000 fine on top of the amount of the restitution. NPR was originally told there was only the restitution fee. The story has been corrected here.
- climate activism
- joanna smith
- little dancer
- Extinction Rebellion
- National Gallery
- climate change
- declare emergency
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