best essay ever written pdf

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The best essays: the 2021 pen/diamonstein-spielvogel award, recommended by adam gopnik.

WINNER OF the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay

Had I Known: Collected Essays by Barbara Ehrenreich

Every year, the judges of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay search out the best book of essays written in the past year and draw attention to the author's entire body of work. Here, Adam Gopnik , writer, journalist and PEN essay prize judge, emphasizes the role of the essay in bearing witness and explains why the five collections that reached the 2021 shortlist are, in their different ways, so important.

Interview by Benedict King

Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick

Nature Matrix: New and Selected Essays by Robert Michael Pyle

Terroir: Love, Out of Place by Natasha Sajé

Maybe the People Would be the Times by Luc Sante

1 Had I Known: Collected Essays by Barbara Ehrenreich

2 unfinished business: notes of a chronic re-reader by vivian gornick, 3 nature matrix: new and selected essays by robert michael pyle, 4 terroir: love, out of place by natasha sajé, 5 maybe the people would be the times by luc sante.

W e’re talking about the books shortlisted for the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay . As an essayist yourself, or as a reader of essays, what are you looking for? What’s the key to a good essay ?

Let’s turn to the books that made the shortlist of the 2021 PEN Award for the Art of the Essay. The winning book was Had I Known: Collected Essays by Barbara Ehrenreich , whose books have been recommended a number of times on Five Books. Tell me more. 

One of the criteria for this particular prize is that it should be not just for a single book, but for a body of work. One of the things we wanted to honour about Barbara Ehrenreich is that she has produced a remarkable body of work. Although it’s offered in a more specifically political register than some essayists, or that a great many past prize winners have practised, the quiddity of her work is that it remains rooted in personal experience, in the act of bearing witness. She has a passionate political point to make, certainly, a series of them, many seeming all the more relevant now than when she began writing. Nonetheless, her writing still always depends on the intimacy of first-hand knowledge, what people in post-incarceration work call ‘lived experience’ (a term with a distinguished philosophical history). Her book Nickel and Dimed is the classic example of that. She never writes from a distance about working-class life in America. She bears witness to the nature and real texture of working-class life in America.

“One point of giving awards…is to keep passing the small torches of literary tradition”

Next up of the books on the 2021 PEN essay prize shortlist is Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick.

Vivian Gornick is a writer who’s been around for a very long time. Although longevity is not in itself a criterion for excellence—or for this prize, or in the writing life generally—persistence and perseverance are. Writers who keep coming back at us, again and again, with a consistent vision, are surely to be saluted. For her admirers, her appetite to re-read things already read is one of the most attractive parts of her oeuvre , if I can call it that; her appetite not just to read but to read deeply and personally. One of the things that people who love her work love about it is that her readings are never academic, or touched by scholarly hobbyhorsing. They’re readings that involve the fullness of her experience, then applied to literature. Although she reads as a critic, she reads as an essayist reads, rather than as a reviewer reads. And I think that was one of the things that was there to honour in her body of work, as well.

Is she a novelist or journalist, as well?

Let’s move on to the next book which made the 2021 PEN essay shortlist. This is Nature Matrix: New and Selected Essays by Robert Michael Pyle.

I have a special reason for liking this book in particular, and that is that it corresponds to one of the richest and oldest of American genres, now often overlooked, and that’s the naturalist essay. You can track it back to Henry David Thoreau , if not to Ralph Waldo Emerson , this American engagement with nature , the wilderness, not from a narrowly scientific point of view, nor from a purely ecological or environmental point of view—though those things are part of it—but again, from the point of view of lived experience, of personal testimony.

Let’s look at the next book on the shortlist of the 2021 PEN Awards, which is Terroir: Love, Out of Place by Natasha Sajé. Why did these essays appeal?

One of the things that was appealing about this book is that’s it very much about, in every sense, the issues of the day: the idea of place, of where we are, how we are located on any map as individuals by ethnic identity, class, gender—all of those things. But rather than being carried forward in a narrowly argumentative way, again, in the classic manner of the essay, Sajé’s work is ruminative. It walks around these issues from the point of view of someone who’s an expatriate, someone who’s an émigré, someone who’s a world citizen, but who’s also concerned with the idea of ‘terroir’, the one place in the world where we belong. And I think the dialogue in her work between a kind of cosmopolitanism that she has along with her self-critical examination of the problem of localism and where we sit on the world, was inspiring to us.

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Last of the books on the shortlist for the 2021 Pen essay award is Maybe the People Would Be the Times by Luc Sante.

Again, here’s a writer who’s had a distinguished generalised career, writing about lots of places and about lots of subjects. In the past, he’s made his special preoccupation what he calls ‘low life’, but I think more broadly can be called the marginalized or the repressed and abject. He’s also written acute introductions to the literature of ‘low life’, the works of Asbury and David Maurer, for instance.

But I think one of the things that was appealing about what he’s done is the sheer range of his enterprise. He writes about countless subjects. He can write about A-sides and B-sides of popular records—singles—then go on to write about Jacques Rivette’s cinema. He writes from a kind of private inspection of public experience. He has a lovely piece about tabloid headlines and their evolution. And I think that omnivorous range of enthusiasms and passions is a stirring reminder in a time of specialization and compartmentalization of the essayist’s freedom to roam. If Pyle is in the tradition of Thoreau, I suspect Luc Sante would be proud to be put in the tradition of Baudelaire—the flaneur who walks the streets, sees everything, broods on it all and writes about it well.

One point of giving awards, with all their built-in absurdity and inevitable injustice, is to keep alive, or at least to keep passing, the small torches of literary tradition. And just as much as we’re honoring the great tradition of the naturalist essay in the one case, I think we’re honoring the tradition of the Baudelairean flaneur in this one.

April 18, 2021

Five Books aims to keep its book recommendations and interviews up to date. If you are the interviewee and would like to update your choice of books (or even just what you say about them) please email us at [email protected]

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©Brigitte Lacombe

Adam Gopnik

Adam Gopnik has been a staff writer at the New Yorker since 1986. His many books include A Thousand Small Sanities: The Moral Adventure of Liberalism . He is a three time winner of the National Magazine Award for Essays & Criticism, and in 2021 was made a chevalier of the Legion d'Honneur by the French Republic.

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The Ten Best American Essays Since 1950, According to Robert Atwan

in Books , Literature | November 15th, 2012 3 Comments

“Essays can be lots of things, maybe too many things,” writes Atwan in his fore­ward to the 2012 install­ment in the Best Amer­i­can series, “but at the core of the genre is an unmis­tak­able recep­tiv­i­ty to the ever-shift­ing process­es of our minds and moods. If there is any essen­tial char­ac­ter­is­tic we can attribute to the essay, it may be this: that the truest exam­ples of the form enact that ever-shift­ing process, and in that enact­ment we can find the basis for the essay’s qual­i­fi­ca­tion to be regard­ed seri­ous­ly as imag­i­na­tive lit­er­a­ture and the essay­ist’s claim to be tak­en seri­ous­ly as a cre­ative writer.”

In 2001 Atwan and Joyce Car­ol Oates took on the daunt­ing task of trac­ing that ever-shift­ing process through the pre­vi­ous 100 years for  The Best Amer­i­can Essays of the Cen­tu­ry . Recent­ly Atwan returned with a more focused selec­tion for  Pub­lish­ers Week­ly :  “The Top 10 Essays Since 1950.”  To pare it all down to such a small num­ber, Atwan decid­ed to reserve the “New Jour­nal­ism” cat­e­go­ry, with its many mem­o­rable works by Tom Wolfe, Gay Talese, Michael Herr and oth­ers, for some future list. He also made a point of select­ing the best essays , as opposed to exam­ples from the best essay­ists. “A list of the top ten essay­ists since 1950 would fea­ture some dif­fer­ent writ­ers.”

We were inter­est­ed to see that six of the ten best essays are avail­able for free read­ing online. Here is Atwan’s list, along with links to those essays that are on the Web:

• James Bald­win, “Notes of a Native Son,” 1955 (Read it here .)
• Nor­man Mail­er, “The White Negro,” 1957 (Read it here .)
• Susan Son­tag, “Notes on ‘Camp,’ ” 1964 (Read it here .)
• John McPhee, “The Search for Mar­vin Gar­dens,” 1972 (Read it here with a sub­scrip­tion.)
• Joan Did­ion, “The White Album,” 1979
• Annie Dil­lard, “Total Eclipse,” 1982
• Phillip Lopate, “Against Joie de Vivre,” 1986 (Read it here .)
• Edward Hoagland, “Heav­en and Nature,” 1988
• Jo Ann Beard, “The Fourth State of Mat­ter,” 1996 (Read it here .)
• David Fos­ter Wal­lace, “Con­sid­er the Lob­ster,” 2004 (Read it here  in a ver­sion dif­fer­ent from the one pub­lished in his 2005 book of the same name.)

“To my mind,” writes Atwan in his arti­cle, “the best essays are deeply per­son­al (that does­n’t nec­es­sar­i­ly mean auto­bi­o­graph­i­cal) and deeply engaged with issues and ideas. And the best essays show that the name of the genre is also a verb, so they demon­strate a mind in process–reflecting, try­ing-out, essay­ing.”

To read more of Atwan’s com­men­tary, see his  arti­cle in Pub­lish­ers Week­ly .

The pho­to above of Susan Son­tag was tak­en by Peter Hujar in 1966.

Relat­ed Con­tent:

30 Free Essays & Sto­ries by David Fos­ter Wal­lace on the Web

by Mike Springer | Permalink | Comments (3) |

Related posts:

Comments (3), 3 comments so far.

Check out Michael Ven­tu­ra’s HEAR THAT LONG SNAKE MOAN: The VooDoo Ori­gins of Rock n’ Roll

Wow I think there’s oth­er greater ones out there. Just need to find them.

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The Best Reviewed Essay Collections of 2021

Featuring joan didion, rachel kushner, hanif abdurraqib, ann patchett, jenny diski, and more.

Well, friends, another grim and grueling plague year is drawing to a close, and that can mean only one thing: it’s time to put on our Book Marks stats hats and tabulate the best reviewed books of the past twelve months.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be revealing the most critically-acclaimed books of 2021, in the categories of (deep breath): Memoir and Biography ; Sci-Fi, Fantasy, and Horror ; Short Story Collections ; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; Literature in Translation; General Fiction; and General Nonfiction.

Today’s installment: Essay Collections .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. These Precious Days by Ann Patchett (Harper)

21 Rave • 3 Positive • 1 Mixed Read Ann Patchett on creating the work space you need, here

“… excellent … Patchett has a talent for friendship and celebrates many of those friends here. She writes with pure love for her mother, and with humor and some good-natured exasperation at Karl, who is such a great character he warrants a book of his own. Patchett’s account of his feigned offer to buy a woman’s newly adopted baby when she expresses unwarranted doubts is priceless … The days that Patchett refers to are precious indeed, but her writing is anything but. She describes deftly, with a line or a look, and I considered the absence of paragraphs freighted with adjectives to be a mercy. I don’t care about the hue of the sky or the shade of the couch. That’s not writing; it’s decorating. Or hiding. Patchett’s heart, smarts and 40 years of craft create an economy that delivers her perfectly understated stories emotionally whole. Her writing style is most gloriously her own.”

–Alex Witchel ( The New York Times Book Review )

2. Let Me Tell You What I Mean by Joan Didion (Knopf)

14 Rave • 12 Positive • 6 Mixed Read an excerpt from Let Me Tell You What I Mean here

“In five decades’ worth of essays, reportage and criticism, Didion has documented the charade implicit in how things are, in a first-person, observational style that is not sacrosanct but common-sensical. Seeing as a way of extrapolating hypocrisy, disingenuousness and doubt, she’ll notice the hydrangeas are plastic and mention it once, in passing, sorting the scene. Her gaze, like a sentry on the page, permanently trained on what is being disguised … The essays in Let Me Tell You What I Mean are at once funny and touching, roving and no-nonsense. They are about humiliation and about notions of rightness … Didion’s pen is like a periscope onto the creative mind—and, as this collection demonstrates, it always has been. These essays offer a direct line to what’s in the offing.”

–Durga Chew-Bose ( The New York Times Book Review )

3. Orwell’s Roses by Rebecca Solnit (Viking)

12 Rave • 13 Positive • 1 Mixed Read an excerpt from Orwell’s Roses here

“… on its simplest level, a tribute by one fine essayist of the political left to another of an earlier generation. But as with any of Solnit’s books, such a description would be reductive: the great pleasure of reading her is spending time with her mind, its digressions and juxtapositions, its unexpected connections. Only a few contemporary writers have the ability to start almost anywhere and lead the reader on paths that, while apparently meandering, compel unfailingly and feel, by the end, cosmically connected … Somehow, Solnit’s references to Ross Gay, Michael Pollan, Ursula K. Le Guin, and Peter Coyote (to name but a few) feel perfectly at home in the narrative; just as later chapters about an eighteenth-century portrait by Sir Joshua Reynolds and a visit to the heart of the Colombian rose-growing industry seem inevitable and indispensable … The book provides a captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker … And, movingly, she takes the time to find the traces of Orwell the gardener and lover of beauty in his political novels, and in his insistence on the value and pleasure of things .”

–Claire Messud ( Harper’s )

4. Girlhood by Melissa Febos (Bloomsbury)

16 Rave • 5 Positive • 1 Mixed Read an excerpt from Girlhood here

“Every once in a while, a book comes along that feels so definitive, so necessary, that not only do you want to tell everyone to read it now, but you also find yourself wanting to go back in time and tell your younger self that you will one day get to read something that will make your life make sense. Melissa Febos’s fierce nonfiction collection, Girlhood , might just be that book. Febos is one of our most passionate and profound essayists … Girlhood …offers us exquisite, ferocious language for embracing self-pleasure and self-love. It’s a book that women will wish they had when they were younger, and that they’ll rejoice in having now … Febos is a balletic memoirist whose capacious gaze can take in so many seemingly disparate things and unfurl them in a graceful, cohesive way … Intellectual and erotic, engaging and empowering[.]”

–Michelle Hart ( Oprah Daily )

5. Why Didn’t You Just Do What You Were Told by Jenny Diski (Bloomsbury)

14 Rave • 7 Positive

“[Diski’s] reputation as an original, witty and cant-free thinker on the way we live now should be given a significant boost. Her prose is elegant and amused, as if to counter her native melancholia and includes frequent dips into memorable images … Like the ideal artist Henry James conjured up, on whom nothing is lost, Diski notices everything that comes her way … She is discerning about serious topics (madness and death) as well as less fraught material, such as fashion … in truth Diski’s first-person voice is like no other, selectively intimate but not overbearingly egotistic, like, say, Norman Mailer’s. It bears some resemblance to Joan Didion’s, if Didion were less skittish and insistently stylish and generated more warmth. What they have in common is their innate skepticism and the way they ask questions that wouldn’t occur to anyone else … Suffice it to say that our culture, enmeshed as it is in carefully arranged snapshots of real life, needs Jenny Diski, who, by her own admission, ‘never owned a camera, never taken one on holiday.’” It is all but impossible not to warm up to a writer who observes herself so keenly … I, in turn, wish there were more people around who thought like Diski. The world would be a more generous, less shallow and infinitely more intriguing place.”

–Daphne Merkin ( The New York Times Book Review )

6. The Hard Crowd: Essays 2000-2020 by Rachel Kushner (Scribner)

12 Rave • 7 Positive Listen to an interview with Rachel Kushner here

“Whether she’s writing about Jeff Koons, prison abolition or a Palestinian refugee camp in Jerusalem, [Kushner’s] interested in appearances, and in the deeper currents a surface detail might betray … Her writing is magnetised by outlaw sensibility, hard lives lived at a slant, art made in conditions of ferment and unrest, though she rarely serves a platter that isn’t style-mag ready … She makes a pretty convincing case for a political dimension to Jeff Koons’s vacuities and mirrored surfaces, engages repeatedly with the Italian avant garde and writes best of all about an artist friend whose death undoes a spell of nihilism … It’s not just that Kushner is looking back on the distant city of youth; more that she’s the sole survivor of a wild crowd done down by prison, drugs, untimely death … What she remembers is a whole world, but does the act of immortalising it in language also drain it of its power,’neon, in pink, red, and warm white, bleeding into the fog’? She’s mining a rich seam of specificity, her writing charged by the dangers she ran up against. And then there’s the frank pleasure of her sentences, often shorn of definite articles or odd words, so they rev and bucket along … That New Journalism style, live hard and keep your eyes open, has long since given way to the millennial cult of the personal essay, with its performance of pain, its earnest display of wounds received and lessons learned. But Kushner brings it all flooding back. Even if I’m skeptical of its dazzle, I’m glad to taste something this sharp, this smart.”

–Olivia Laing ( The Guardian )

7. The Right to Sex: Feminism in the Twenty-First Century by Amia Srinivasan (FSG)

12 Rave • 7 Positive • 5 Mixed • 1 Pan

“[A] quietly dazzling new essay collection … This is, needless to say, fraught terrain, and Srinivasan treads it with determination and skill … These essays are works of both criticism and imagination. Srinivasan refuses to resort to straw men; she will lay out even the most specious argument clearly and carefully, demonstrating its emotional power, even if her ultimate intention is to dismantle it … This, then, is a book that explicitly addresses intersectionality, even if Srinivasan is dissatisfied with the common—and reductive—understanding of the term … Srinivasan has written a compassionate book. She has also written a challenging one … Srinivasan proposes the kind of education enacted in this brilliant, rigorous book. She coaxes our imaginations out of the well-worn grooves of the existing order.”

–Jennifer Szalai ( The New York Times )

8. A Little Devil in America by Hanif Abdurraqib (Random House)

13 Rave • 4 Positive Listen to an interview with Hanif Abdurraqib here

“[A] wide, deep, and discerning inquest into the Beauty of Blackness as enacted on stages and screens, in unanimity and discord, on public airwaves and in intimate spaces … has brought to pop criticism and cultural history not just a poet’s lyricism and imagery but also a scholar’s rigor, a novelist’s sense of character and place, and a punk-rocker’s impulse to dislodge conventional wisdom from its moorings until something shakes loose and is exposed to audiences too lethargic to think or even react differently … Abdurraqib cherishes this power to enlarge oneself within or beyond real or imagined restrictions … Abdurraqib reminds readers of the massive viewing audience’s shock and awe over seeing one of the world’s biggest pop icons appearing midfield at this least radical of American rituals … Something about the seemingly insatiable hunger Abdurraqib shows for cultural transaction, paradoxical mischief, and Beauty in Blackness tells me he’ll get to such matters soon enough.”

–Gene Seymour ( Bookforum )

9. On Animals by Susan Orlean (Avid Reader Press)

11 Rave • 6 Positive • 1 Mixed Listen to an interview with Susan Orlean here

“I very much enjoyed Orlean’s perspective in these original, perceptive, and clever essays showcasing the sometimes strange, sometimes sick, sometimes tender relationships between people and animals … whether Orlean is writing about one couple’s quest to find their lost dog, the lives of working donkeys of the Fez medina in Morocco, or a man who rescues lions (and happily allows even full grown males to gently chew his head), her pages are crammed with quirky characters, telling details, and flabbergasting facts … Readers will find these pages full of astonishments … Orlean excels as a reporter…Such thorough reporting made me long for updates on some of these stories … But even this criticism only testifies to the delight of each of the urbane and vivid stories in this collection. Even though Orlean claims the animals she writes about remain enigmas, she makes us care about their fates. Readers will continue to think about these dogs and donkeys, tigers and lions, chickens and pigeons long after we close the book’s covers. I hope most of them are still well.”

–Sy Montgomery ( The Boston Globe )

10. Graceland, at Last: Notes on Hope and Heartache from the American South  by Margaret Renkl (Milkweed Editions)

9 Rave • 5 Positive Read Margaret Renkl on finding ideas everywhere, here

“Renkl’s sense of joyful belonging to the South, a region too often dismissed on both coasts in crude stereotypes and bad jokes, co-exists with her intense desire for Southerners who face prejudice or poverty finally to be embraced and supported … Renkl at her most tender and most fierce … Renkl’s gift, just as it was in her first book Late Migrations , is to make fascinating for others what is closest to her heart … Any initial sense of emotional whiplash faded as as I proceeded across the six sections and realized that the book is largely organized around one concept, that of fair and loving treatment for all—regardless of race, class, sex, gender or species … What rises in me after reading her essays is Lewis’ famous urging to get in good trouble to make the world fairer and better. Many people in the South are doing just that—and through her beautiful writing, Renkl is among them.”

–Barbara J. King ( NPR )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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Harry Mount's top 10 essays

Harry Mount is a journalist, author and editor of the Notting Hill Editions Journal , which commissions a new essay every week. The latest series of essays are published this month.

Buy Notting Hill Editions essays

"There's not much point in trying to define an essay. Its parameters are so broad and slack that they encompass practically any shortish passage of non-fiction which makes a general argument.

"As a rough rule of thumb, I'd say anything that creeps over 40,000 words is entering book territory; and anything too autobiographical strays into memoir. But, still, you could write 50,000 words about yourself, and it could be an essay in every regard.

"It sounds banal, but all that matters is quality of writing and thought. Here are 10 that are exceptional in both departments."

1. George Orwell, Why I Write (1946)

Not an original choice of writer, or of essay. But it would be churlish not to include the man who, more than any other writer over the last century, fine-tuned the form. He applied his essayistic touch to an extreme variety of subjects – the ideal pub, school stories, what makes England England - but this one, on how he became a writer, is my favourite.

The word "intellectual" often brings a lot of dull baggage with it. But Orwell's honesty and humour mean that you're never in danger of being bored. His four reasons for writing - aesthetic enthusiasm, historical impulse, political purpose, sheer egoism - still seem unassailably true today.

2. Martha Gellhorn, Eichmann and the Private Conscience (1962)

You might call Gellhorn's account of Adolf Eichmann's trial in Jerusalem reportage. But that just shows up the flexibility of the essay. A routine bit of reportage remains reportage; brilliant reportage leaps its chains and becomes an essay.

Gellhorn's essay begins with a straight description of the conditions in the court, albeit an atmospheric, closely-observed description: "The air conditioning was too cold, and yet one sweated." But she constantly jumps from factual observation to general, philosophical thought. The seamlessly stitched combination of facts and thoughts becomes a compulsive essay.

3. Evelyn Waugh, A Call to the Orders (1938)

Evelyn Waugh considered life as a printer, cabinet-maker and carpenter before becoming a novelist. He maintained an interest in the visual arts throughout his life; this plea in defence of the classical orders of architecture appeared some time after his literary success began.

The essay is full of angry argument, deep architectural knowledge and lyrical description. "The baroque has never had a place in England; its brief fashion was of short duration; it has been relegated to the holidays – a memory of the happy days in sunglasses, washing away the dust of the southern roads with heady southern wines."

You don't have to agree with the argument to be compelled by it – a rare thing in an essay.

4. Michel de Montaigne, On the Cannibals (1595)

Montaigne is regularly wheeled out as the father of the essay. Debatable, I'd say – the baggy definition of the essay includes much older works.

Still, as well as being early on the essay scene, Montaigne was a natural essay-writer. His essay on cannibalism introduces devices that crop up again and again among the essayists that followed through the centuries. Taking the cannibalism of the Tupinamba tribesmen of Brazil, he uses it as a general analogy for barbarism. "Every man calls barbarous anything he is not accustomed to," he writes, expanding the subject into a discussion on the ideas of primitivism, natural purity and perfection.

5. JM Barrie, Courage (1922)

If you thought Steve Jobs's address to the graduating class of Stanford in 2005 was impressive, prepare to be even more deeply moved by Barrie's speech to the students of St Andrews University in 1922, where he had been voted rector.

Ostensibly about courage, the essay is really about how to deal with the loss of friends and brothers in the first world war; it's aimed at those "who still hear their cries [of the war dead] being blown across the links".

It opens up from the particular to the general, to the qualities needed to deal with such loss, and all with astonishing prescience: "By the time the next eruption comes it may be you who are responsible for it and your sons who are in the lava."

6. Truman Capote, The Duke in his Domain (1957)

Capote is best remembered for his novels, but his non-fiction was exceptional: acidly witty, to the point of nastiness; hyper-observational, to the point of even deeper nastiness. But what is more enjoyable – or, often, truer – than nastiness?

This is the essay-as-interview - in this case with Marlon Brando, at the height of his fame. There's a good deal of nastiness, and racism – "You come see Marron?" says Capote's Japanese guide. But it also gives a rare insight into the perils of celebrity: of too big an entourage, of isolation, of too many appetites being too readily satisfied.

For dinner, Brando, on a diet, orders soup, beefsteak with French-fried potatoes, three supplementary vegetables, a side dish of spaghetti, rolls and butter, a bottle of sake, salad, and cheese and crackers.

7. Jonathan Swift, A Modest Proposal (1729)

Extremely well-known, but that doesn't take away from the effectiveness of Swift's satirical suggestion that the way for the Irish to beat their poverty was to sell their children to the rich as meat and leather.

The best essays, like Swift's, use wit – not just to sugar the pill of heavy prose, but also to ramp up the argument beyond the merely prosaic statement of a thesis.

8. Thomas Paine, Common Sense; Addressed to the Inhabitants of America, on the following interesting subjects (1776)

Paine's pamphlet, anonymous at the time of publication, had a direct effect on the Declaration of Independence.

An argument in the real sense of an argument, it's as if Paine is shouting at you as he rips into the unfairness of a king on one island ruling a continent on the other side of an ocean: "If we will suffer ourselves to examine the component parts of the English Constitution, we shall find them to be the base remains of two ancient tyrannies, compounded with some new Republican materials."

The course of a couple of centuries often turns writing a bit Olde Worlde and quaint. Not here.

9. Isaiah Berlin, The Hedgehog and the Fox (1953)

For all his reputation as the planet-sized brain of the 20th century, Isaiah Berlin was better at the short sprint than the magnum opus. His lectures stick in the minds of those who heard them half a century ago. This essay is just as memorable.

The inspiration came from the Ancient Greek idiom: "The fox knows many things, but the hedgehog knows one big thing."

Berlin then sifts through his storage room of a brain to divide writers into one or the other category. Tolstoy, who forms the heart of the essay, wanted to be a hedgehog but was really a fox. Other foxes include Aristotle, Montaigne and Shakespeare. Plato and Proust are hedgehogs.

All a bit reductive perhaps, but really enjoyable, and a useful boilerplate when it comes to considering the ideas of other writers.

10. AN Wilson, In Defence of Gay Priests (2003)

Normally, a newspaper comment piece would never be long, or substantial, enough to constitute an essay. But this article – justifying the appointment of Jeffrey John, the Dean of St Albans, as Bishop of Reading – went way beyond tomorrow's-chip-wrapper material. The personal anecdote and light, jokey manner disguise serious thought and a deeply convincing argument; and the article becomes an essay.

• Evelyn Waugh
• George Orwell
• Jonathan Swift
• Truman Capote
• Michel de Montaigne

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25 Great Nonfiction Essays You Can Read Online for Free

Alison Doherty

Alison Doherty is a writing teacher and part time assistant professor living in Brooklyn, New York. She has an MFA from The New School in writing for children and teenagers. She loves writing about books on the Internet, listening to audiobooks on the subway, and reading anything with a twisty plot or a happily ever after.

View All posts by Alison Doherty

I love reading books of nonfiction essays and memoirs , but sometimes have a hard time committing to a whole book. This is especially true if I don’t know the author. But reading nonfiction essays online is a quick way to learn which authors you like. Also, reading nonfiction essays can help you learn more about different topics and experiences.

Besides essays on Book Riot,  I love looking for essays on The New Yorker , The Atlantic , The Rumpus , and Electric Literature . But there are great nonfiction essays available for free all over the Internet. From contemporary to classic writers and personal essays to researched ones—here are 25 of my favorite nonfiction essays you can read today.

“Beware of Feminist Lite” by  Chimamanda Ngozi Adichie

The author of We Should All Be Feminists  writes a short essay explaining the danger of believing men and woman are equal only under certain conditions.

“It’s Silly to Be Frightened of Being Dead” by Diana Athill

A 96-year-old woman discusses her shifting attitude towards death from her childhood in the 1920s when death was a taboo subject, to World War 2 until the present day.

“Letter from a Region in my Mind” by James Baldwin

There are many moving and important essays by James Baldwin . This one uses the lens of religion to explore the Black American experience and sexuality. Baldwin describes his move from being a teenage preacher to not believing in god. Then he recounts his meeting with the prominent Nation of Islam member Elijah Muhammad.

“Relations” by Eula Biss

Biss uses the story of a white woman giving birth to a Black baby that was mistakenly implanted during a fertility treatment to explore racial identities and segregation in society as a whole and in her own interracial family.

“Friday Night Lights” by Buzz Bissinger

A comprehensive deep dive into the world of high school football in a small West Texas town.

“The Case for Reparations” by Ta-Nehisi Coates

Coates examines the lingering and continuing affects of slavery on  American society and makes a compelling case for the descendants of slaves being offered reparations from the government.

“Why I Write” by Joan Didion

This is one of the most iconic nonfiction essays about writing. Didion describes the reasons she became a writer, her process, and her journey to doing what she loves professionally.

“Go Gentle Into That Good Night” by Roger Ebert

With knowledge of his own death, the famous film critic ponders questions of mortality while also giving readers a pep talk for how to embrace life fully.

“My Mother’s Tongue” by Zavi Kang Engles

In this personal essay, Engles celebrates the close relationship she had with her mother and laments losing her Korean fluency.

“My Life as an Heiress” by Nora Ephron

As she’s writing an important script, Ephron imagines her life as a newly wealthy woman when she finds out an uncle left her an inheritance. But she doesn’t know exactly what that inheritance is.

“My FatheR Spent 30 Years in Prison. Now He’s Out.” by Ashley C. Ford

Ford describes the experience of getting to know her father after he’s been in prison for almost all of her life. Bridging the distance in their knowledge of technology becomes a significant—and at times humorous—step in rebuilding their relationship.

“Bad Feminist” by Roxane Gay

There’s a reason Gay named her bestselling essay collection after this story. It’s a witty, sharp, and relatable look at what it means to call yourself a feminist.

“The Empathy Exams” by Leslie Jamison

Jamison discusses her job as a medical actor helping to train medical students to improve their empathy and uses this frame to tell the story of one winter in college when she had an abortion and heart surgery.

“What I Learned from a Fitting Room Disaster About Clothes and Life” by Scaachi Koul

One woman describes her history with difficult fitting room experiences culminating in one catastrophe that will change the way she hopes to identify herself through clothes.

“Breasts: the Odd Couple” by Una LaMarche

LaMarche examines her changing feelings about her own differently sized breasts.

“How I Broke, and Botched, the Brandon Teena Story” by Donna Minkowitz

A journalist looks back at her own biased reporting on a news story about the sexual assault and murder of a trans man in 1993. Minkowitz examines how ideas of gender and sexuality have changed since she reported the story, along with how her own lesbian identity influenced her opinions about the crime.

“Politics and the English Language” by George Orwell

In this famous essay, Orwell bemoans how politics have corrupted the English language by making it more vague, confusing, and boring.

“Letting Go” by David Sedaris

The famously funny personal essay author , writes about a distinctly unfunny topic of tobacco addiction and his own journey as a smoker. It is (predictably) hilarious.

“Joy” by Zadie Smith

Smith explores the difference between pleasure and joy by closely examining moments of both, including eating a delicious egg sandwich, taking drugs at a concert, and falling in love.

“Mother Tongue” by Amy Tan

Tan tells the story of how her mother’s way of speaking English as an immigrant from China changed the way people viewed her intelligence.

“Consider the Lobster” by David Foster Wallace

The prolific nonfiction essay and fiction writer  travels to the Maine Lobster Festival to write a piece for Gourmet Magazine. With his signature footnotes, Wallace turns this experience into a deep exploration on what constitutes consciousness.

“I Am Not Pocahontas” by Elissa Washuta

Washuta looks at her own contemporary Native American identity through the lens of stereotypical depictions from 1990s films.

“Once More to the Lake” by E.B. White

E.B. White didn’t just write books like Charlotte’s Web and The Elements of Style . He also was a brilliant essayist. This nature essay explores the theme of fatherhood against the backdrop of a lake within the forests of Maine.

“Pell-Mell” by Tom Wolfe

The inventor of “new journalism” writes about the creation of an American idea by telling the story of Thomas Jefferson snubbing a European Ambassador.

“The Death of the Moth” by Virginia Woolf

In this nonfiction essay, Wolf describes a moth dying on her window pane. She uses the story as a way to ruminate on the lager theme of the meaning of life and death.

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10 of the Greatest Essays on Writing Ever Written

If there’s one topic that writers can be counted on to tackle at least once in their working lives, it’s writing itself. A good thing too, especially for all those aspiring writers out there looking for a little bit of guidance. For some winter inspiration and honing of your craft, here you’ll find ten great essays on writing, from the classic to the contemporary, from the specific to the all-encompassing. Note: there are many, many, many great essays on writing. Bias has been extended here to personal favorites and those available to read online. Also of note but not included: full books on the subject like Anne Lamott’s Bird by Bird , Stephen King’s On Writing , and Ron Carlson’s Ron Carlson Writes a Story , or, in a somewhat different sense, David Shields’ Reality Hunger , for those looking for a longer commitment. Read on, and add your own favorite essays on writing to the list in the comments.

“Not-Knowing,” Donald Barthelme, from Not Knowing: the Essays and Interviews of Donald Barthelme . Read it here .

In which Barthelme, a personal favorite and king of strange and wonderful stories, muses on not-knowing, style, our ability to “quarrel with the world, constructively,” messiness, Mallarmé, and a thief named Zeno passed out wearing a chastity belt.

“The not-knowing is crucial to art, is what permits art to be made. Without the scanning process engendered by not-knowing, without the possibility of having the mind move in unanticipated directions, there would be no invention.”

“Fairy Tale Is Form, Form Is Fairy Tale,” Kate Bernheimer, from The Writer’s Notebook: Craft Essays From Tin House . Read it here .

Bernheimer is a constant champion of the fairy tale and its influence on literature at large (not least as editor of The Fairy Tale Review ), and a writer we couldn’t do without. This essay unpacks the formal elements of fairy tales, and does a fair bit more than hint at their essentialness to writers of all kinds.

“Fairy tales hold a key to the door fiercely locked between so-called realism and nonrealism, convention and experimentalism, psychology and abstraction. A key for those who see these as binaries, that is… Every writer is like a topsy- turvy doll that on one side is Red Riding Hood and on the other side the Wolf, or on the one side is a Boy and on the other, a Raven and Coffin. The traditional techniques of fairy tales—identifiable, named—are reborn in the different ways we all tell stories.”

“Reflections on Writing,” Henry Miller, from The Wisdom of the Heart . Read a few excerpts here .

A characteristically wonderful exploration of Miller’s own emotional, psychological, and technical struggles with writing.

“I had to grow foul with knowledge, realize the futility of everything; smash everything, grow desperate, then humble, then sponge myself off the slate, as it were, in order to recover my authenticity. I had to arrive at the brink and then take a leap in the dark.”

“The Figure a Poem Makes,” Robert Frost, from Collected Poems . Read it here .

A gorgeous mini-essay from an American giant that is equally relevant to writers of poetry or prose, and is almost a poem itself.

“No tears in the writer, no tears in the reader. No surprise for the writer, no surprise for the reader.”

“On Style,” Susan Sontag, from Against Interpretation . Read it here .

As much about criticism as it is about writing (and perhaps more), Sontag dissects style versus form versus content versus the conceptions of all these things that we have in our heads.

“In other words, what is inevitable in a work of art is the style. To the extent that a work seems right, just, unimaginable otherwise (without loss or damage) , what we are responding to is a quality of its style. The most attractive works of art are those which give us the illusion that the artist had no alternatives, so wholly centered is he in his style. Compare that which is forced, labored, synthetic in the construction of Madame Bovary and of Ulysses with the ease and harmony of such equally ambitious works as Les Liaisons Dangereuses and Kafka’s Metamorphosis . The first two books I have mentioned are great indeed. But the greatest art seems secreted, not constructed.”

“Tradition and the Individual Talent,” T.S. Eliot, from The Sacred Wood . Read it here .

Whether or not you subscribe to Eliot’s “impersonal theory” of poetry, or his conception of the artist’s inevitable “self-sacrifice” to the past, there’s no arguing that this essay is a barn-burner.

“If you compare several representative passages of the greatest poetry you see how great is the variety of types of combination, and also how completely any semi-ethical criterion of “sublimity” misses the mark. For it is not the “greatness,” the intensity, of the emotions, the components, but the intensity of the artistic process, the pressure, so to speak, under which the fusion takes place, that counts.”

“The Ecstasy of Influence,” Jonathan Lethem, from The Ecstasy of Influence: Nonfictions, etc. . Read it here .

Here, Lethem discusses not just the shifty concept of plagiarism in fiction, but the anxiety of appropriating pop culture, copyright, Disney, the power of a gift economy, the idea of a “commons of cultural materials,” art of all forms. A must-read for any contemporary creator, especially if you’ve ever nicked a line from a favorite book.

“Most artists are brought to their vocation when their own nascent gifts are awakened by the work of a master. That is to say, most artists are converted to art by art itself. Finding one’s voice isn’t just an emptying and purifying oneself of the words of others but an adopting and embracing of filiations, communities, and discourses. Inspiration could be called inhaling the memory of an act never experienced. Invention, it must be humbly admitted, does not consist in creating out of void but out of chaos. Any artist knows these truths, no matter how deeply he or she submerges that knowing.”

“How to Write with Style,” Kurt Vonnegut, from How to Use the Power of the Written Word . Read it here .

Vonnegut is an enduring treasure trove of literary advice — everyone you know has seen this excellent video of the man explaining the shapes of stories — and this little essay is no different: clever, whip-smart, and told with joy.

“Why should you examine your writing style with the idea of improving it? Do so as a mark of respect for your readers, whatever you’re writing. If you scribble your thoughts any which way, your reader will surely feel that you care nothing about them. They will mark you down as an ego maniac or a chowderhead — or, worse, they will stop reading you.”

“Why I Write,” George Orwell. Read it here .

It’s hard to put together a list of great essays without including something from Orwell. So why not this one, forever quoted by anyone who has ever tried to write a novel, or wanted to?

“All writers are vain, selfish, and lazy, and at the very bottom of their motives there lies a mystery. Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand. For all one knows that demon is simply the same instinct that makes a baby squall for attention. And yet it is also true that one can write nothing readable unless one constantly struggles to efface one’s own personality. Good prose is like a windowpane. I cannot say with certainty which of my motives are the strongest, but I know which of them deserve to be followed. And looking back through my work, I see that it is invariably where I lacked a political purpose that I wrote lifeless books and was betrayed into purple passages, sentences without meaning, decorative adjectives and humbug generally.”

“On Keeping a Notebook,” Joan Didion, from Slouching Towards Bethlehem . Read it here .

But of course: the essay that has launched a thousand notebook-keepers.

“Why did I write it down? In order to remember, of course, but exactly what was it I wanted to remember? How much of it actually happened? Did any of it? Why do I keep a notebook at all? It is easy to deceive oneself on all those scores. The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.”

Orion Magazine

America's Finest Environmental Magazine

The Greatest Nature Essay Ever

. . . WOULD BEGIN WITH an image so startling and lovely and wondrous that you would stop riffling through the rest of the mail, take your jacket off, sit down at the table, adjust your spectacles, tell the dog to lie down , tell the kids to make their own sandwiches for heavenssake, that’s why god gave you hands , and read straight through the piece, marveling that you had indeed seen or smelled or heard exactly that, but never quite articulated it that way, or seen or heard it articulated that way, and you think, man, this is why I read nature essays, to be startled and moved like that, wow.

The next two paragraphs would smoothly and gently move you into a story, seemingly a small story, a light tale, easily accessed, something personal but not self-indulgent or self-absorbed on the writer’s part, just sort of a cheerful nutty everyday story maybe starring an elk or a mink or a child, but then there would suddenly be a sharp sentence where the dagger enters your heart and the essay spins on a dime like a skater, and you are plunged into waaay deeper water, you didn’t see it coming at all, and you actually shiver, your whole body shimmers, and much later, maybe when you are in bed with someone you love and you are trying to evade his or her icy feet, you think, my god, stories do have roaring power, stories are the most crucial and necessary food, how come we never hardly say that out loud?

The next three paragraphs then walk inexorably toward a line of explosive Conclusions on the horizon like inky alps. Probably the sentences get shorter, more staccato. Terser. Blunter. Shards of sentences. But there’s no opinion or commentary, just one line fitting into another, each one making plain inarguable sense, a goat or even a senator could easily understand the sentences and their implications, and there’s no shouting, no persuasion, no eloquent pirouetting, no pronouncements and accusations, no sermons or homilies, just calm clean clear statements one after another, fitting together like people holding hands.

Then an odd paragraph, this is a most unusual and peculiar essay, for right here where you would normally expect those alpine Conclusions, some Advice, some Stern Instructions & Directions, there’s only the quiet murmur of the writer tiptoeing back to the story he or she was telling you in the second and third paragraphs. The story slips back into view gently, a little shy, holding its hat, nothing melodramatic, in fact it offers a few gnomic questions without answers, and then it gently slides away off the page and off the stage, it almost evanesces or dissolves, and it’s only later after you have read the essay three times with mounting amazement that you see quite how the writer managed the stagecraft there, but that’s the stuff of another essay for another time.

And finally the last paragraph. It turns out that the perfect nature essay is quite short, it’s a lean taut thing, an arrow and not a cannon, and here at the end there’s a flash of humor, and a hint or tone or subtext of sadness, a touch of rue, you can’t quite put your finger on it but it’s there, a dark thread in the fabric, and there’s also a shot of espresso hope, hope against all odds and sense, but rivetingly there’s no call to arms, no clarion brassy trumpet blast, no website to which you are directed, no hint that you, yes you, should be ashamed of how much water you use or the car you drive or the fact that you just turned the thermostat up to seventy, or that you actually have not voted in the past two elections despite what you told the kids and the goat. Nor is there a rimshot ending, a bang, a last twist of the dagger. Oddly, sweetly, the essay just ends with a feeling eerily like a warm hand brushed against your cheek, and you sit there, near tears, smiling, and then you stand up. Changed.

Brian, Thank you for sharing. I moved with your words through each paragraph. And surprisingly at the end, I really felt as though I had been reading a truly great nature essay, almost simultaneously with your essay. I very much enjoyed the imagery.

Thank you for this, brilliantly done. I feel this way when I read Annie Dillard’s essays.

Who made the b/w photographic image at the head of your column? When you wrote “image” I thought you were referring to this epigraphic view, which is lovely but not forceful enough to do what your written image purported to accomplish.

In other words, the greatest nature essay ever moves like a poem? Imagery and metaphor, showing and not telling, all in as tight and concise a space as possible given the form and genre?

Ah yes, changed. What all us nature mystics aspire to do and how skillfully you worked the other side of the mirror, seeing us seeing you writing to us turning on a dime, change changing indeed . . . .

The Greatest Comment Ever on ‘The Greatest Nature Essay Ever’ would begin with a compliment on the author’s deft use of words, words like flowing water, organic sentences sprouting one from the other like vines climbing up and over a wall and into the sunlight. The compliment would be short, just a sentence or two, complimentary of course, ending with a quiet phrase such as, ‘nicely done Brian Doyle.’

Reminds me of Abbott’s Waste-land Wonderings. Though it must belong to conservatives, I see something fresh and new. Thanks.

Brian, congratulations on a finely constructed piece. I liked it to much I’m going to feature it in my December newsletter and will mention it on my blog (www.pagelambert.blogspot.com) With credits to Orion, of course, whose link is already on my blog. I lead outdoor writing adventures and look forward to sharing your piece with clients.

I nominate David Quammen’s “The Same River Twice”

Seth Zuckerman’s The Same River Twice should be in the running too.

I don’t know why I was led down the path that led to Portland Magazine Brian Doyle but I followed it today on the day that I needed to find it. Thank you.

Very, very beautiful and inspirational.

As what I expect is becoming usual, for me, when I read an essay of You: Yeah! When I read your Essays it feels like my grandmother has just offered me a magnificent bowl of fruit. There’s not a duplicate in the basket. I just heard you speak at In Praise of the Essay, and I was the one, with my daughter at my side, who was overcome with both laughter and tears, a shaken, not stirred mixture of the two. When you’d waltz our way with your emphatic delivery of your heart on that delicate platter, I got a real sense of you. And then, as soon as you were through, and not a moment later, I opened up the issue of your Portland review, and there, on the inside cover you delivered again that same heart on the same delicate platter, when you gave me “All Legs and Curiosity.” And I thought, this man has the power to make Women Burst into tears! And I did, right there at that table. And as I tried to compose myself, my daughter at my side, age 17 having visited Fordham in the Bronx not some 15 hours before, I hand the issue over to the woman at my side. She’s told me her daughter will soon be to school, but she has serious peanut allergies, and the delicacy of finding the right roommate for that situation has her beside herself, knowing there are things she can’t control.

I think to myself, I need to talk to this guy. What and how he says it and What he writes are delivered the Very same. But, I shy a way.

I go home and I find a Brevity Gem: the one you wrote about your children, and you being a stone. I’m filled up again, and I post it on My facebook, and one of my more sensitive man friends, who’s really a real friend, leaves a sensitive comment, and I realize then, This Man has the Power to Make Men cry too! And I decide there and then, He needs to be my mentor too. Will You?

What on earth is this all about? Was ist das?

A massive loss in natural disaster is afoot if you don’t stop writing essays so nobody will remember the images anyhow. So something helpful. Dreamers dream, ideas create ideologies.

brian ilove u very much for a beautiful poem . i delivered the ur nature essay & i got 1’st prize thank u a lot brian

Can someone tell me what a nature essay is about? Particularly this one

I’m trying to answer some questions for my school assignment.

(Eng.Comp 101)

Thank you, Cliff G

wonderful essay

What’s with the goat?

I just want to make sure this is the same Brian Doyle who wrote Joyas Volardores. Both beautifully written!

Yes, Vince, the same Brian Doyle. Here’s just a few of the other essays of his that Orion has published:

http://orionmagazine.org/index.php/mag/contributor/65/

Many more have only appeared in the print edition. He’s a real favorite of ours, and our readers!

Erik, Orion

I agree with @melvin, The Same River twice is my favorite essay of all time.

Very helpful and informative article. If you do not mind then I will share it. Thank you !

When we choose to simply sit in nature together, we are writing it’s great essay.

Brian, I just read this. I haven’t yet read anything that brought me to the near tears situation but yours made me feel things I hadn’t felt in a while. At one point, minor goosebumps too.

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Make Lists, Not War

The meta-lists website, best essays of all time – chronological.

A reader suggested I create a meta-list of the best essays of all time, so I did.  I found over 12 best essays lists and several essay anthologies and combined the essays into one meta-list.  The meta-list below includes every essay that was on at least two of the original source lists. They are organized chronologically, by date of publication. For the same list organized by rank, that is, with the essays on the most lists at the top, go HERE .

Note 1:  Some of the essays are actually chapters from books.  In such cases, I have identified the source book.

Note 2: Some of the essays are book-length, such as Virginia Woolf’s A Room of One’s Own .  One book listed as an essay by two listers – Fernando Pessoa’s The Book of Disquiet – is also regularly categorized as a work of fiction.

11 th Century Sei Shonagon – Hateful Things (from The Pillow Book ) (1002) (on 2 lists)

14 th Century Yoshida Kenko – Essays in Idleness (1332) (on 2 lists)

16 th Century Michel de Montaigne – On Some Verses of Virgil (1580) (on 2 lists)

17 th Century Robert Burton – Anatomy of Melancholy (1621) (on 2 lists) John Milton – Areopagitica (1644) (on 2 lists)

18 th Century Jonathan Swift – A Modest Proposal  (1729) (on 3 lists)

19 th Century William Hazlitt – On Going a Journey (1822) (on 2 lists) Charles Lamb – The Superannuated Man (1823) (on 2 lists) William Hazlitt – On the Pleasure of Hating (1823) (on 4 lists) Ralph Waldo Emerson – Self-Reliance (1841) (on 4 lists) Henry David Thoreau – Civil Disobedience (1849) (on 2 lists) Henry David Thoreau – Where I Lived, and What I Lived For (from  Walden ) (1854) (on 2 lists)Henry David Thoreau – Economy (from  Walden ) (1854) (on 2 lists) Henry David Thoreau – Walking (1861) (on 2 lists) Robert Louis Stevenson – The Lantern-Bearers (1888) (on 2 lists)

20 th Century Zora Neale Hurston – How It Feels to Be Colored Me (1928) (on 2 lists) Virginia Woolf – A Room of One’s Own (1928) (on 4 lists) Virginia Woolf – Street Haunting: A London Adventure (1930) (on 3 lists) George Orwell – A Hanging (1931) (on 2 lists) Junichiro Tanizaki – In Praise of Shadows (1933) (on 2 lists) Fernando Pessoa – The Book of Disquiet (1935) (on 2 lists) George Orwell – Shooting an Elephant (1936) (on 6 lists) E.B. White – Once More to the Lake (1941) (on 6 lists) James Agee and Walker Evans – Let Us Now Praise Famous Men (1941) (on 2 lists) Virginia Woolf – The Death of a Moth (1942) (on 4 lists) Simone Weil – On Human Personality (1943) (on 2 lists) M.F.K. Fisher – The Flaw (1943) (on 2 lists) Vladimir Nabokov – Speak, Memory (1951, revised 1966) (on 2 lists) George Orwell – Such, Such Were the Joys (1952) (on 4 lists) Mary McCarthy – Artists in Uniform: A Story (1953) (on 2 lists) James Baldwin – Notes of a Native Son (1955) (on 11 lists) E.B. White – Goodbye to Forty-Eighth Street (1957) (on 2 lists) Martin Luther King, Jr. – Letter from Birmingham Jail (1963) (on 2 lists) Joseph Mitchell – Joe Gould’s Secret (1964) (on 2 lists) Susan Sontag – Against Interpretation (1966) (on 2 lists) Joan Didion – Goodbye To All That (1968) (on 6 lists) Joan Didion – On Keeping A Notebook (1968) (on 5 lists) Joan Didion – In Bed (1968) (on 4 lists) Edward Hoagland – The Courage of Turtles (1970) (on 2 lists) John McPhee – The Search for Marvin Gardens (1972) (on 3 lists) Annie Dillard – Seeing (from  Pilgrim at Tinker Creek ) (1974) (on 2 lists) Maxine Hong Kingston – No Name Woman (from The Woman Warrior ) (1976) (on 2 lists) Joan Didion – The White Album (1968-1978) (on 3 lists) Eudora Welty – The Little Store (1978) (on 3 lists) Annie Dillard – Total Eclipse (1982) (on 5 lists) Annie Dillard – Living Like Weasels (1982) (on 2 lists) Roland Barthes – Camera Lucida: Reflections on Photography (1982) (on 2 lists) Gloria E. Anzaldúa – How to Tame a Wild Tongue (1987) (on 2 lists) Italo Calvino – Exactitude (1988) (on 2 lists) Phillip Lopate – Against Joie de Vivre (1989) (on 3 lists) Richard Rodriguez – Late Victorians (1990) (on 2 lists) Amy Tan – Mother Tongue (1991) (on 4 lists) Seymour Krim – To My Brothers & Sisters in the Failure Business (1991) (on 2 lists) David Wojnarowicz – Being Queer in America: A Journal of Disintegration (1991) (on 2 lists) Anne Carson – The Anthropology of Water (1995) (on 2 lists) Jo Ann Beard – The Fourth State of Matter (1996) (on 5 lists) David Foster Wallace – A Supposedly Fun Thing I Will Never Do Again (1996) (on 5 lists)

21 st Century Susan Sontag – Regarding the Pain of Others (2003) (on 2 lists) David Foster Wallace – Consider The Lobster (2005) (on 4 lists) Etel Adnan – In the Heart of the Heart of Another Country (2005) (on 2 lists) Paul LaFarge – Destroy All Monsters (2006) (on 2 lists) Brian Doyle – Joyas Voladoras (2012) (on 2 lists)

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10 Examples of Great College Essays (With Links)

Preparing an outstanding college admission essay is no small task.

The ticket to your dream college can be a piece of paper – your college essay. Picture yourself walking the halls of your ideal school, surrounded by opportunities and a bright future. Want to ensure your essay stands out? Dive into this guide. Beyond grades and test scores, the college decision process is influenced by recommendations, achievements, and extracurriculars. However, your college essay can be the ace up your sleeve. Explore the best essays of all time , and delve into how to craft your own . This list spotlights exemplary essays that unlocked the doors of top institutions. Discover what makes them shine, and let them guide your narrative. Need even more insights? Consider College Essay Essentials , a comprehensive resource packed with 24 standout essays.

10 Best Examples Of College Essays:

1. four examples of standout college application essays (2017 edition).

These essays were selected by the editorial reviewers from the NY Times (so they have to be good, right?). The topic here is work, money, and class.

2. Five Examples of College Application Essays (2018 edition)

Once again, the team from the NY Times selected the best college admission essays from high school students. Out of over 300 submitted pieces of work, only these five were ultimately cut. Read them and see why.

3. 147 College Essays That Worked

The essays from this list are not your usual literary masterpieces, but they did the job and  allowed students to get access to some great universities such as UC Berkeley, Stanford, or Harvard. Read just a couple of them to fill your inspiration tank.

4. Eight Exceptional Essays From The Hamilton College

Here you can find some  nice examples of eight essays of successful applicants to Hamilton College. They were selected by Hamilton Alumni Review Magazine and showcased with the permission of students from various backgrounds.

5. A Single Sample College Application Essay (With Critique)

This essay was written by an anonymous writer. You must read it, however, because there’s a nice commentary that describes the strengths and weaknesses of the work. The critique is broken down into four parts – introduction, body, conclusion, and the overall score. Look at your essay in that way and make sure it has all the right ingredients. And here’s another example like this  with additional comments.

6. Numerous Essays That Worked at the Johns Hopkins University

Every year, the admissions committee selects some of the best and most creative essays that allow students to get enrolled in the university. As stated on the page, the most important thing about creating your statement is originality and the ability to share your own story uniquely. Demonstrating your precocious thought process matters the most. The best thing about these lists is that below each essay, you can find the actual comments from the admission committee. For example: We liked Stephen’s essay because it catches your attention right away and continues to show critical thinking, initiative, and problem-solving. His personality comes through as he naturally conveys humor. Through his anecdotes from growing up, we got a sense of how he might approach his studies here at Hopkins.”

7. Essays That Worked At Tufts University

Here’s another edition of examples that ultimately helped to enroll the students in the University. This list is great because it comes with videos, where the members of the admissions committee discuss different aspects of each essay and what made them so great.

8. Three Examples of Top College Essays

Writing a college essay may seem like a scary task, especially if you still don’t know where are you going to apply. You need to check some examples of inventive statements just to get a feel of what is expected. Then you can make up your mind and base your work on your unique circumstances.

9. An Essay Which Got The Student Into 14 Colleges (including Harvard and Princeton)

This is one of the most successful essays of all time. Why? Because it grips you from the very first sentence and tells a true story of sorrow and pain. Talking about your deep emotions and painful memories is never easy, but it can make a huge impression on the readers. You can find the  full profile of the students who wrote it here  (along with their other achievements and profiles of other successful students). And here you can find  six more essays  that got students into Harvard.

10. Bonus: Notes From Top College Officials About What Makes A Successful Application Essay

This is not an example, but it’s still worth a read, as it will enable you to see essays from the admission officer’s perspective. Follow their suggestions and you can’t go wrong. I hope you enjoyed this list and that you’ve gained some valuable information from it. Applying for college and writing your essay is always stressful but hopefully, now you’re prepared. Please let me know about your struggles in the comments section below.

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Taylor Swift’s Best ‘Tortured Poets Department’ Lyrics: ‘So Long, London,’ ‘The Smallest Man Who Ever Lived,’ ‘LOML,’ ‘The Black Dog’ and More

By Chris Willman

Chris Willman

Senior Music Writer and Chief Music Critic

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The torture is over for fans who waited weeks and months for Taylor Swift ’s “ The Tortured Poets Department ” to arrive. But the truly faithful still have some work ahead, in trying to decode what or who is the subject of each of the 16 songs (plus four bonus tracks). Even without immediately solving all those mysteries, though, the album is filled with lines that are bold and striking (and sometimes funny).

Here is our guide to the most quotable lyrics from every song on the standard edition of “The Tortured Poets Department,” plus some of the bonus tracks. (Additionally, we’ve broken down some of the lyrics of the surprise double album .)

Popular on Variety

Ask about the weather Now you’re in my backyard Turned into good neighbors Your wife waters flowers I want to kill her

THE TORTURED POETS DEPARTMENT

A fairly blissful love song — destined not to last, in the overall arc of the album. Speaking of things that people don’t get over, Charlie Puth may never get over this shout-out.

You smoked then ate seven bars of chocolate We declared Charlie Puth should be a bigger artist I scratch your head, you fall asleep Like a tattooed golden retriever

The singer brightens at being considered marriage material, even if it’s only hinted at in a toying way.

At dinner you take my ring off my middle finger and put it on the one people put wedding rings on And it’s the closest I’ve come to my heart exploding

The first of the album’s many F-bombs appears, albeit in a sweet way in this first instance.

Who’s gonna hold you like me? Nofuckinbody

MY BOY ONLY BREAKS HIS FAVORITE TOYS

The first of the true breakup songs has the singer feeling like Weird Barbie.

I felt more when we played pretend Then with all the Kens Cause he took me out of my box Stole my tortured heart Left all these broken parts Told me I’m better off But I’m not

Crying at the gym Everything comes out teenage petulance Fuck it if I can’t have him

SO LONG, LONDON

Anyone who’s spent years in an ultimately failed relationship, maybe especially women, will have a line to relate to here.

I’m pissed off you let me give you all that youth for free

The singer references an altar where she was never joined… and rues having to break up with a city as well as a bloke.

You swore that you loved me but where were the clues? I died on the altar waiting for the proof You sacrificed us to the gods of your bluest days And I’m just getting color back into my face I’m just mad as hell ‘cause I loved this place For so long, London Had a good run

BUT DADDY I LOVE HIM

One of the album’s most comical and upbeat songs has her quoting the title line lifted from “The Little Mermaid,” and faking her folks out with some good/bad news.

Now I’m running with my dress unbuttoned Screaming “But daddy I love him” I’m having his baby No, I’m not, but you should see your faces

Things get more serious as the narrator spits fire at anyone who clutches pearls and judges her for hooking up with a bad boy.

I’d rather burn my whole life down Then listen to one more second to this bitching and moaning I’ll tell you something about my good name It’s mine alone to disgrace I don’t cater to all these vipers dressed in empath’s clothing

Another serious keeper, along those same lines:

God save the most judgmental creeps who say they want what’s best for me Sanctimoniously performing soliloquies I’ll never see

FRESH OUT THE SLAMMER

The title phrase is comical, but Swift’s description of a long prison sentence, i.e. years spent with a fickle jailer, sounds dead-serious.

Handcuffed to the spell I was under For just one hour of sunshine Years of labor, locks and ceilings In the shade of how he was feeling But it’s gonna be alright I did my time

She sings about ignoring good advice from those who wanted her to go for parole a lot earlier:

My friends tried but I wouldn’t hear it Watched me daily disappearing For just one glimpse of his smile

Not a love song, but a song about escaping bad or boring circumstances by relocating (metaphorically or otherwise). Here comes the album’s single funniest line…

My friends all smell like weed or little babies

…which is soon followed by the album’s second funniest line, shared as a twin lead vocal with Florence from Florence + the Machine:

Fuck me up, Florida

GUILTY AS SIN?

It’s not clear if Swift deliberately means to reference her own song “Mine” here, but the sensual fantasy that she’s bringing to life works either way:

What if he’s written ‘Mine” on my upper thigh only in my mind?

Religious imagery comes to the fore as she looks for redemption in perceived sin.

WHO’S AFRAID OF LITTLE OLD ME

In one of the few non-love songs on the album, Swift harks back to songs where she riffed on the bad image people have had of her, from “Blank Space” to “Mad Woman.”

I was tame I was gentle till the circus life made me mean Don’t you worry folks, we took out all her teeth Who’s afraid of little old me? Well, you should be

Moving on from the circus, she proudly paints herself as the town witch:

I want to snarl and show you just how disturbed this has made me You wouldn’t last an hour in the asylum where they raised me So all you kids can sneak into my house, with all the cobwebs I’m always drunk on my own tears Is that what they all said? That I’ll sue you if you step onto my lawn That I’m fearsome and I’m wretched and I’m wrong Put narcotics into all of my songs And that’s why you’re still singing along

I CAN FIX HIM (NO, REALLY I CAN)

Swift references a lover known for his inappropriate humor. Sound like anyone in her past life we know?

The jokes that he told across the bar were revolting and far too loud They shake their heads saying, “God help her” when I tell ‘em he’s my man But your good Lord doesn’t need to lift a finger I can fix him (no really I can) And only I can

Her argument about being able to rehabilitate a guy falls apart with one nearly tossed-off final line:

Woah maybe I can’t

Before she gets into a relationship that has more recently devastated her, she looks back to a previous one, in which she feels she sacrificed deep romance or passion for stability.

I thought I was better safe than starry-eyed

With this newer guy, she cleverly mixes language usually reserved to describe mutually getting drunk with language about the promise of marriage and family.

You shit-talked me under the table talking rings and talking cradles

And then come accusations of cowardice and casual ghosting:

Oh what a valiant roar What a bland goodbye The coward claimed he was a lion I’m combing through the braids of lies “I’ll never leave” “Never mind”

I CAN DO IT WITH A BROKEN HEART

The most upbeat track on the album is about smiling through tears — presumably meaning the giant smile that was the Eras Tour, during which, it’s clear, she was nursing a broken heart for at least part of the early going.

I’m so depressed I act like it’s my birthday Every day

She finds a reason to be cocky as well as depressed in the song’s big finish.

You know you’re good when you can do it With a broken heart And I’m good Cause I’m miserable And nobody even knows! Try and come for my job

THE SMALLEST MAN WHO EVER LIVED

The details get remarkably specific in the song that may count as her most dramatic cut-down of an ex ever.

You tried to buy some pills from a friend of friends of mine They just ghosted you Now you know what it feels like

And I don’t even want you back, I just want to know If rusting my sparkling summer was the goal

Looking for motives of a hit-and-run lover, she can only imagine ulterior ones.

Were you writing a book? Were you a sleeper cell spy? In 50 years will all this be declassified? And you’ll confess why you did it And I’ll say “good riddance” Cause it wasn’t sexy once it wasn’t forbidden

The fusillade continues:

You crashed my party and your rental car You said normal girls were “boring” But you were gone by the morning You are what you did And I’ll forget you But I’ll never forgive The smallest man who ever lived

THE ALCHEMY

Back to love songs, she makes a curious reference to possible past drug use, in setting up a common play on words.

He jokes that it’s heroin but this time with an “E”

But then come sports team metaphors… if not written more recently than a lot of the rest of the album, then possibly coincidentally prophetic.

Shirts off and your friends lift you up over their heads Beer sticking to the floor Cheers chanted cause they said There was no chance Trying to be the greatest in the league Where’s the trophy? He just comes running over to me

The entire lyrics to this song are set off in quotes, coming from the points of view of people who look up to starlets but demand they be non-stop dazzling. Swift references silent screen star Clara Bow in the first verse and Stevie Nicks in the second before finally getting around to name-checking a third superstar.

“You look like Taylor Swift In this light We’re loving it You’ve got edge She never did”

BONUS TRACK: THE BLACK DOG

Thanks to shared location tracking that never got turned off, the narrator gets evidence her recent ex has just entered a bar called the Black Dog, where, apparently, they would have memories of hearing songs by the 2000s pop-punk band the Starting Line.

And I hope it’s shitty in the Black Dog When someone plays The Starting Line And you jump up, but she’s too young To know this song that was intertwined In the tragic fabric of our dreaming Cause tail between your legs You’re leaving

BONUS TRACK: THE MANUSCRIPT

The singer quotes a sweet-talker who was equally good with promissory bedroom talk and baby talk.

He said that if the sex was half as good as the conversation was Soon they’d be pushing strollers But soon it was over

An age difference is brought up, as it’s clear this song is describing a relationship that happened in youth, in the narrator’s case. She’s still trying to figure out how inappropriate the disparity was.

Then she dated boys who were her own age With dartboards on the backs of their doors She thought about how he said Since she was so wise beyond her years Everything had been above board She wasn’t sure

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Iran’s Attacks Bring Long Shadow War With Israel Into the Open

The volley of drones and missiles was the first time that Tehran directly attacked Israel from its own territory, one expert said.

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By Cassandra Vinograd

• Published April 14, 2024 Updated April 18, 2024

Follow live updates on Israeli military strikes in Iran.

For decades, Israel and Iran have fought a shadow war across the Middle East , trading attacks by land, sea, air and in cyberspace. The barrage of drones and missiles Iran launched at Israel on Saturday — though nearly all were shot down or intercepted — represented a watershed in the conflict.

It was the first time that Iran directly attacked Israel from its own territory, according to Ahron Bregman, a political scientist and expert in Middle East security issues at King’s College in London, who called it a “historic event.”

Iran has largely used foreign proxies such as Lebanon’s Hezbollah militia to strike Israeli interests, while targeted assassinations of Iranian military leaders and nuclear scientists have been a key part of Israel’s strategy. Here is a recent history of the conflict:

August 2019: An Israeli airstrike killed two Iranian-trained militants in Syria, a drone set off a blast near a Hezbollah office in Lebanon and an airstrike in Qaim, Iraq, killed a commander of an Iran-backed Iraqi militia. Israel accused Iran at the time of trying to establish an overland arms-supply line through Iraq and northern Syria to Lebanon, and analysts said the strikes were aimed at stopping Iran and signaling to its proxies that Israel would not tolerate a fleet of smart missiles on its borders.

January 2020: Israel greeted with satisfaction the assassination of Maj. Gen. Qassim Suleimani , the commander of the foreign-facing arm of Iran’s Islamic Revolutionary Guards Corps, in an American drone strike in Baghdad.

Iran hit back by attacking two bases in Iraq that housed American troops with a barrage of missiles, wounding about 100 U.S. military personnel .

2021-22: In July 2021, an oil tanker managed by an Israeli-owned shipping company was attacked off the coast of Oman, killing two crew members, according to the company and three Israeli officials. Two of the officials said that the attack appeared to have been carried out by Iranian drones.

Iran did not explicitly claim or deny responsibility, but a state-owned television channel described the episode as a response to an Israeli strike in Syria.

In November 2021, Israel killed Iran’s top nuclear scientist, Mohsen Fakhrizadeh , and followed up with the assassination of a Revolutionary Guards commander, Col. Sayad Khodayee , in May 2022.

December 2023: After Israel’s bombardment of Gaza began in response to the Oct. 7 Hamas-led assault, Iranian-backed militias stepped up their own attacks . And late last year, Iran accused Israel of killing a high-level military figure, Brig. Gen. Sayyed Razi Mousavi , in a missile strike in Syria.

A senior adviser to the Revolutionary Guards, General Mousavi was described as having been a close associate of General Suleimani and was said to have helped oversee the shipment of arms to Hezbollah. Israel, adopting its customary stance, declined to comment directly on whether it was behind General Mousavi’s death.

January 2024: An explosion in a suburb of Beirut, Lebanon, killed Saleh al-Arouri , a Hamas leader, along with two commanders from that group’s armed wing, the first assassination of a top Hamas official outside the West Bank and Gaza in recent years. Officials from Hamas, Lebanon and the United States ascribed the blast to Israel , which did not publicly confirm involvement.

Hezbollah, which receives major support from Iran, stepped up its assaults on Israel after Mr. al-Arouri’s death. Israel’s military hit back at Hezbollah in Lebanon, killing several of the group’s commanders .

March and April: An Israeli drone strike hit a car in southern Lebanon, killing at least one person. Israel’s military said it had killed the deputy commander of Hezbollah’s rocket and missile unit. Hezbollah acknowledged the death of a man, Ali Abdulhassan Naim, but did not provide further details.

The same day, airstrikes killed soldiers near Aleppo, northern Syria, in what appeared to be one of the heaviest Israeli attacks in the country in years. The strikes killed 36 Syrian soldiers, seven Hezbollah fighters and a Syrian from a pro-Iran militia, according to the Syrian Observatory for Human Rights, a British-based group that tracks Syria’s civil war.

Israel’s military did not claim responsibility. But the country’s defense minister, Yoav Gallant, wrote on social media, “We will pursue Hezbollah every place it operates and we will expand the pressure and the pace of the attacks.”

Three days later, strikes on an Iranian Embassy building in Damascus killed three top Iranian commanders and four officers, an attack Iran blamed on Israel.

Matthew Mpoke Bigg contributed reporting.