25 Great Nonfiction Essays You Can Read Online for Free
A list of twenty-five of the greatest free nonfiction essays from contemporary and classic authors that you can read online.
Alison Doherty
Alison Doherty is a writing teacher and part time assistant professor living in Brooklyn, New York. She has an MFA from The New School in writing for children and teenagers. She loves writing about books on the Internet, listening to audiobooks on the subway, and reading anything with a twisty plot or a happily ever after.
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I love reading books of nonfiction essays and memoirs , but sometimes have a hard time committing to a whole book. This is especially true if I don’t know the author. But reading nonfiction essays online is a quick way to learn which authors you like. Also, reading nonfiction essays can help you learn more about different topics and experiences.
Besides essays on Book Riot, I love looking for essays on The New Yorker , The Atlantic , The Rumpus , and Electric Literature . But there are great nonfiction essays available for free all over the Internet. From contemporary to classic writers and personal essays to researched ones—here are 25 of my favorite nonfiction essays you can read today.
“Beware of Feminist Lite” by Chimamanda Ngozi Adichie
The author of We Should All Be Feminists writes a short essay explaining the danger of believing men and woman are equal only under certain conditions.
“It’s Silly to Be Frightened of Being Dead” by Diana Athill
A 96-year-old woman discusses her shifting attitude towards death from her childhood in the 1920s when death was a taboo subject, to World War 2 until the present day.
“Letter from a Region in my Mind” by James Baldwin
There are many moving and important essays by James Baldwin . This one uses the lens of religion to explore the Black American experience and sexuality. Baldwin describes his move from being a teenage preacher to not believing in god. Then he recounts his meeting with the prominent Nation of Islam member Elijah Muhammad.
“Relations” by Eula Biss
Biss uses the story of a white woman giving birth to a Black baby that was mistakenly implanted during a fertility treatment to explore racial identities and segregation in society as a whole and in her own interracial family.
“Friday Night Lights” by Buzz Bissinger
A comprehensive deep dive into the world of high school football in a small West Texas town.
“The Case for Reparations” by Ta-Nehisi Coates
Coates examines the lingering and continuing affects of slavery on American society and makes a compelling case for the descendants of slaves being offered reparations from the government.
“Why I Write” by Joan Didion
This is one of the most iconic nonfiction essays about writing. Didion describes the reasons she became a writer, her process, and her journey to doing what she loves professionally.
“Go Gentle Into That Good Night” by Roger Ebert
With knowledge of his own death, the famous film critic ponders questions of mortality while also giving readers a pep talk for how to embrace life fully.
“My Mother’s Tongue” by Zavi Kang Engles
In this personal essay, Engles celebrates the close relationship she had with her mother and laments losing her Korean fluency.
“My Life as an Heiress” by Nora Ephron
As she’s writing an important script, Ephron imagines her life as a newly wealthy woman when she finds out an uncle left her an inheritance. But she doesn’t know exactly what that inheritance is.
“My FatheR Spent 30 Years in Prison. Now He’s Out.” by Ashley C. Ford
Ford describes the experience of getting to know her father after he’s been in prison for almost all of her life. Bridging the distance in their knowledge of technology becomes a significant—and at times humorous—step in rebuilding their relationship.
“Bad Feminist” by Roxane Gay
There’s a reason Gay named her bestselling essay collection after this story. It’s a witty, sharp, and relatable look at what it means to call yourself a feminist.
“The Empathy Exams” by Leslie Jamison
Jamison discusses her job as a medical actor helping to train medical students to improve their empathy and uses this frame to tell the story of one winter in college when she had an abortion and heart surgery.
“What I Learned from a Fitting Room Disaster About Clothes and Life” by Scaachi Koul
One woman describes her history with difficult fitting room experiences culminating in one catastrophe that will change the way she hopes to identify herself through clothes.
“Breasts: the Odd Couple” by Una LaMarche
LaMarche examines her changing feelings about her own differently sized breasts.
“How I Broke, and Botched, the Brandon Teena Story” by Donna Minkowitz
A journalist looks back at her own biased reporting on a news story about the sexual assault and murder of a trans man in 1993. Minkowitz examines how ideas of gender and sexuality have changed since she reported the story, along with how her own lesbian identity influenced her opinions about the crime.
“Politics and the English Language” by George Orwell
In this famous essay, Orwell bemoans how politics have corrupted the English language by making it more vague, confusing, and boring.
“Letting Go” by David Sedaris
The famously funny personal essay author , writes about a distinctly unfunny topic of tobacco addiction and his own journey as a smoker. It is (predictably) hilarious.
“Joy” by Zadie Smith
Smith explores the difference between pleasure and joy by closely examining moments of both, including eating a delicious egg sandwich, taking drugs at a concert, and falling in love.
“Mother Tongue” by Amy Tan
Tan tells the story of how her mother’s way of speaking English as an immigrant from China changed the way people viewed her intelligence.
“Consider the Lobster” by David Foster Wallace
The prolific nonfiction essay and fiction writer travels to the Maine Lobster Festival to write a piece for Gourmet Magazine. With his signature footnotes, Wallace turns this experience into a deep exploration on what constitutes consciousness.
“I Am Not Pocahontas” by Elissa Washuta
Washuta looks at her own contemporary Native American identity through the lens of stereotypical depictions from 1990s films.
“Once More to the Lake” by E.B. White
E.B. White didn’t just write books like Charlotte’s Web and The Elements of Style . He also was a brilliant essayist. This nature essay explores the theme of fatherhood against the backdrop of a lake within the forests of Maine.
“Pell-Mell” by Tom Wolfe
The inventor of “new journalism” writes about the creation of an American idea by telling the story of Thomas Jefferson snubbing a European Ambassador.
“The Death of the Moth” by Virginia Woolf
In this nonfiction essay, Wolf describes a moth dying on her window pane. She uses the story as a way to ruminate on the lager theme of the meaning of life and death.
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The 50 Best Nonfiction Books of the Past 25 Years
Slate’s books team selects the definitive works of reporting, memoir, and argument of the past quarter-century..
“As a writer, I prefer to get bossed around by my notebook and the facts therein,” David Carr wrote in his reported memoir The Night of the Gun , one of Slate’s 50 best nonfiction books of the past 25 years. Carr was mulling over the difference between fiction and nonfiction, the novelist’s art and the reporter’s craft. “They may not lead to a perfect, seamless arc, but they lead to a story that coheres in another way, because it is mostly true.”
In the work of canon-building , nonfiction tends to get short shrift . While memoir has gained a foothold in the literary conversation, narrative and reported nonfiction tend to be ignored. It can be easy to dismiss these forms as the worthwhile but fundamentally unliterary assemblage of facts into paragraphs. Yet what reader hasn’t had her mind expanded, her heart plucked, her conscience stirred by a nonfiction book? The responsibility the writers of such books take on, to arrange the facts of the world into a form that makes sense of its tumult, can produce in the reader a kind of clarity of thought that no other genre can match.
Slate’s list of the definitive nonfiction books written in English in the past quarter-century includes beautifully written memoirs but also books of reportage, collections of essays, travelogues, works of cultural criticism, passionate arguments, even a compendium of household tips. What they all share is a commitment to “mostly truth” and the belief that digging deep to find a real story—whether it’s located in your memory, on dusty archive shelves, in Russian literature, in a slum in Mumbai—is a task worth undertaking.
Slate has relationships with various online retailers. If you buy something through our links, Slate may earn an affiliate commission. We update links when possible, but note that deals can expire and all prices are subject to change. All prices were up to date at the time of publication.
Mr. Wilson’s Cabinet of Wonder: Pronged Ants, Horned Humans, Mice on Toast, and Other Marvels of Jurassic Technology by Lawrence Weschler (Pantheon, 1995)
“What kind of place is this exactly?” Lawrence Weschler asks the proprietor of the oddball Los Angeles storefront museum he stumbles into one day, where the exhibits are surprising, whimsical, and in fact often (but not always!) entirely made up. In Mr. Wilson’s Cabinet of Wonder, Weschler spins the story of the Museum of Jurassic Technology’s unlikely creation into an entirely winning meditation on human ingenuity and creativity, a thought experiment about how the mind responds to being amazed . The result is a deceptively simple book that—like the 16 th -century “wonder cabinets” that, Weschler explains, served as the very first museums—opens to reveal astonishments untold.
Mr. Wilson’s Cabinet of Wonder
By Lawrence Weschler
Into the Wild by Jon Krakauer (Villard, 1996)
In April 1992, Christopher McCandless, a young man in search of wild, untrammeled experience, hiked into the Alaskan wilderness. Four months later, his body was found by a moose hunter. Krakauer sets out to unravel the mystery of how this adventure ended in tragedy, and the tiny mistakes that cost McCandless his life, by reading McCandless’ journals, talking to his friends, and traveling to the abandoned bus where McCandless spent his last months. Through his reporting of McCandless’ passionate and foolhardy journey into transcendence—and writing about his own, similar youthful experiences—Krakauer explores our modern relationship to the wilderness and the deep desire many young people feel to seek out unthinkable danger.
Into the Wild
By Jon Krakauer
Madeleine’s World: A Biography of a Three-Year-Old by Brian Hall (Houghton Mifflin, 1997)
Hall’s quixotic premise—to write a detailed biography of his own daughter, Madeleine, from infancy through toddlerhood to small-kidness—works only because Hall is such a curious observer and imaginative interpreter of his subject. That subject is, of course, Madeleine but also childhood , the period of almost incomprehensible development between zero and 3, the simultaneous flowerings of action, reason, and self-awareness. Even nonparents will be fascinated by Madeleine’s World for the ways it delves deep into the thought patterns and imaginative leaps readers half-remember from their own childhoods; for parents, the book—in its insistence that to pay attention is to love—can be almost unbearably moving.
Madeleine’s World
By Brian Hall
The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures by Anne Fadiman (Farrar, Straus and Giroux, 1997)
This deeply researched, profoundly empathetic story of cultural miscommunication in medicine focuses on the case of Lia Lee, the doted-on youngest daughter in a family of Hmong refugees in rural Northern California. Lia had an unusual and severe form of epilepsy. Doctors at the American hospital where her family sought treatment prescribed an elaborate drug regimen to control her seizures. Her family, on the other hand, believed the doctors’ recommendations made the child sicker and failed to address what they saw as the cause of her illness: spirits that had kidnapped her soul and needed to be placated with animal sacrifices. Fadiman shows great respect for the Hmongs and their culture, devoting alternate chapters to their beliefs and history, without ever pretending that their folk cures did Lia any good. It’s Fadiman’s commitment to sympathetically depicting both sides without ceding all judgment entirely that makes this case study so impressive. Both sides were united in their devotion to the little girl’s welfare, and Fadiman ultimately argues that if the physicians had been more willing to better understand the Hmong people and engage with Lia’s parents and their beliefs, they might have saved Lia from her sad fate.
The Spirit Catches You and You Fall Down
By Anne Fadiman
A Supposedly Fun Thing I’ll Never Do Again: Essays and Arguments by David Foster Wallace (Little, Brown, 1997)
Although he’s now best known for his 1996 novel, Infinite Jest, Wallace made his reputation, particularly among younger readers in the late ’90s, as an essayist and a very particular sort of journalist. His editors at Harper’s sent him to a state fair and on a holiday cruise, pastimes whose reputations for carefree, middle American fun seemed hopelessly alien to Wallace himself, a hyperactive observational machine desperate to shed his own self-consciousness but incapable of doing so. The results, included in this collection of essays, were hilarious and revelatory; who knew it was even possible to write that way, to acknowledge how difficult it is for a certain kind of media-soaked mind to stop making associations and references, to forget itself? In these pieces, Wallace makes himself—and his doomed attempts to fit in and have a kind of fun he doesn’t really believe in—the butt of the joke, and a very funny joke it is (although less so in light of his suicide in 2008). This collection also includes some top-notch writing on tennis, and Wallace’s still-relevant essay on television and fiction, “E Unibus Pluram,” but the cruise ship and state fair pieces still shine the brightest.
A Supposedly Fun Thing I’ll Never Do Again
By David Foster Wallace
Out of Sheer Rage: Wrestling With D.H. Lawrence by Geoff Dyer (North Point Press, 1998)
Surely the funniest book ever written about writer’s block, this “study” of D.H. Lawrence, a favorite author of Dyer’s, is more travelogue and memoir than the “sober, academic” work the author originally set out to pen. Pinging from Paris to Rome to Greece to Taos, New Mexico, Dyer makes literary pilgrimages that result in no epiphanies. One place is too hot to get anything done; another is too beautiful. One is too cacophonous; another is too tranquil. He comically works on a novel to avoid his Lawrence book when he’s not working on the Lawrence book to avoid his novel. (“At first I’d had an overwhelming urge to write both books but these two desires had worn each other down to the point where I had no urge to write either.”) His ennui is operatic and ridiculous. And yet, through the cracks between Dyer’s torpor and his dissatisfaction, a tribute to Lawrence—that great proponent of passionate living—finally emerges. Lawrence knew well the paradox at the center of a writer’s life, which is that life is the subject of writing and yet writing is not living; the two cancel each other out. The only sensible response to this absurd dilemma is laughter, and Dyer’s readers will enjoy plenty of that.
Out of Sheer Rage
By Geoff Dyer
The Tennis Partner: A Doctor’s Story of Friendship and Loss by Abraham Verghese (HarperCollins, 1998)
Abraham Verghese was a doctor at a teaching hospital in El Paso, Texas, when he met medical student David Smith, a burned-out ex–tennis pro from Australia. The Tennis Partner is, in part, the story of the friendship that grew between the two men as they interact at work and on the tennis court, with Verghese encouraging Smith to rekindle his love of the game and Smith counseling Verghese through the difficult end of his marriage. If it were only a closely observed, intimate portrait of a close and meaningful friendship, the book would already be an enormous success. But Smith, an addict in recovery, falls back into drug use, and the final third of the book is both a suspenseful portrait of a doctor trying to save a life and a moving meditation on the limits of what friends can do when facing the monster of addiction. Carrying us through it all is Verghese’s voice: empathetic, rueful, honest to a fault, and always kind.
The Tennis Partner
By Abraham Verghese
We Wish to Inform You That Tomorrow We Will Be Killed With Our Families: Stories From Rwanda by Philip Gourevitch (Farrar, Straus and Giroux, 1998)
Media reports during the genocidal 1994 massacres in Rwanda were spotty and confusing. Gourevitch, a journalist, was determined to understand how a country united by a single language and religion could become so divided that one part of its population would suddenly turn on the other, killing a million of their fellow citizens, including their own neighbors. He traveled in the African nation for nine months, visiting sites of slaughter, interviewing war criminals in prison camps, gathering the stories of those who escaped by the skin of their teeth. But We Wish to Inform You is more than a masterpiece of war reportage. Gourevitch digs down to the roots of the genocide, locating them in the leftover resentments fostered by colonialism and a civil war. Above all, he blames the schemes of the ruling Hutu elite, who deliberately engineered the massacre by using radio, Rwanda’s primary means of mass communication, to foment murderous hatred among Hutus toward the Tutsi minority. This plan went unhampered by international intervention, even after Western leaders became aware of the atrocities being perpetrated. Although beautifully written, this book is not easy to read, but the insights Gourevitch arrives at are more essential than ever.
We Wish to Inform You That Tomorrow We Will Be Killed With Our Families
By Philip Gourevitch
Home Comforts: The Art and Science of Keeping House by Cheryl Mendelson (Scribner, 1999)
Beautifully written and nearly deranged in its comprehensiveness, Home Comforts holds what seems an entire culture’s collected wisdom on fabric selection, lighting design, clothes folding, waste disposal, dishwashing, food storage, table setting, closet organization, and piano tuning. Mendelson’s irreplaceable guide to stain removal spans four pages, from adhesive tape to crayon to mustard all the way to urine . But this isn’t just a handbook; above all, Home Comforts is animated by Mendelson’s respect and affection for the duties and pleasures of housekeeping. Every one of its 884 pages is an absolute joy to read, and no book is more deeply comforting to neat freaks—or inspirational to slobs.
Home Comforts
By Cheryl Mendelson
The Battle for God by Karen Armstrong (Knopf, 2000)
After 9/11, Armstrong, a former nun turned popular historian of religion, seemed like some kind of prophet: She had published her history of fundamentalism, The Battle for God, the preceding year. Readers turned to her in droves, trying to understand what felt like a sudden, unanticipated, overwhelming menace. As a result, Armstrong’s take on fundamentalism has shaped our understanding of the phenomenon more than perhaps any other thinker’s. Fortunately, hers is an insightful analysis, identifying the similarities among fundamentalists of all three major monotheistic religions: Christianity, Judaism, and Islam. Most importantly, she recognizes that all forms of fundamentalism are reactions to the dislocation and confusion of modernity even as fundamentalists embrace modern tools like mass and social media. Lucid, wide-ranging, and persuasive, The Battle for God provides a framework for understanding more than the three religions it focuses on. It only becomes more relevant with every year.
The Battle for God
By Karen Armstrong
A Heartbreaking Work of Staggering Genius by Dave Eggers (Simon & Schuster, 2000)
If you were a semifeckless, amply flawed but eminently clever twentysomething Gen Xer at the turn of the 21 st century, and you were writing a memoir about how your parents died within five months of each other when you were a senior in college, leaving you to care for your 8-year-old brother, you faced a choice. You could present your story with purported sincerity (as pretty much anyone in their late 20s would do today). Or, if you were painfully aware that so much of what fronts as sincere is in fact ungenuine or calculating sentimentality and otherwise bogus, you could come up with a new style. It would need to be a style that insisted on scrutinizing and mocking and apologizing for itself, that veered vertiginously between the playful and the stark. Eggers, of course, chose the latter, producing a book that was hugely influential—that still is hugely influential, to judge by, among other things, the prevalence of a certain exclamation mark–bedazzled school of journalism. Eggers himself was inspired by David Foster Wallace, but unlike Wallace, Eggers was able to hack his way out of the thickets of self-consciousness, or maybe it was even further into them, and arrive at a rock, a kernel of reality, which was his love for, and commitment to, his brother Toph. He left a pretty good path behind him, too.
A Heartbreaking Work of Staggering Genius
By Dave Eggers
Borrowed Finery : A Memoir by Paula Fox (Henry Holt, 2001)
It’s true that Fox’s memoir of the first 20 or so years of her life was published during a boom in autobiographies about awful childhoods, and Fox’s Jazz Age–style bohemian parents were … difficult. They abandoned her to assorted relatives, friends, and strangers for years at a time, bouncing her from an elderly minister’s house in upstate New York to a Floridian resort, a Los Angeles apartment, a Cuban sugar plantation, and a fancy Montréal boarding school. Her charming, mercurial father drank too much and broke promises, while her mother simply rejected her. But Fox clearly has no interest in crafting a tale of woe. Instead, Borrowed Finery is a kind of transcription of memory in its strange spottiness. It comes in pieces, a recording of those incidents, big and small, that are for whatever reason lit up as if by spotlights when we cast our minds back over the great, dark stretches of the past. This memoir is less a narrative than a collage of mysteriously potent moments: a favorite teacher’s kitchen, a dead puppy, a new dress. Best of all is Fox’s prose style—unostentatiously simple, lucid, distilled down to quintessential detail—as close to perfection as the English language gets.
Borrowed Finery
By Paula Fox
American Ground: Unbuilding the World Trade Center by William Langewiesche (North Point Press, 2002)
“The buildings were not buildings anymore, and the place where they fell had become a blank slate,” William Langewiesche writes of ground zero, the site of the World Trade Center towers’ destruction on Sept. 11. “Among the ruins now, an unscripted experiment in American life had gotten underway.” Langewiesche had nine months of unfettered access to every meeting, decision, and subterranean hellhole at ground zero, which resulted in this astonishingly detailed and deeply emotional look at the labor of thousands of city employees, engineers, and construction workers as they cleaned up the burning, toxic, dangerous wreckage of Lower Manhattan. American Ground is an inspiring portrait of American ingenuity when faced with an impossible task and a gripping exploration of the American psyche in the aftermath of a great shift in the world order.
American Ground
By William Langewiesche
Random Family: Love, Drugs, Trouble, and Coming of Age in the Bronx by Adrian Nicole LeBlanc (Scribner, 2003)
Adrian Nicole LeBlanc spent 10 years reporting on a group of young men and women in the west Bronx as they paired off, grew up, escaped, returned, and tried to raise children of their own. Written with a moment-to-moment emotional intensity that drops the reader into the hearts of Jessica, Coco, Lourdes, Mercedes, and Foxy, Random Family crackles with immediacy. Brilliantly observant of the social codes and structures that rule the communities it portrays, the book reads like a Jane Austen novel, its heroines constricted by circumstance as well as their own personalities. The most moving moments of this work of deep reportage come when its women find brief moments of peace in good relationships, in family, in jobs they enjoy; but always trouble waits around the corner, to “break open like a burst of billiard balls.”
Random Family
By Adrian Nicole LeBlanc
Can’t Stop Won’t Stop: A History of the Hip-Hop Generation by Jeff Chang (St. Martin’s Press, 2005)
A sweeping cultural history of the dominant American art form of the past 50 years, Can’t Stop Won’t Stop traces hip-hop back to its birth in the South Bronx and then back even further, to the Jamaican toasters whose style inspired New York’s first rappers. Chang fills his book with the names and stories of the kind of small-time heroes whose creativity and inspiration get overlooked in so many cultural narratives: the party promoters whose DIY bashes in dingy apartments drew crowds and DJs, the dance crews who drove the community’s passion for this new music, the graffiti artists who brought street style downtown. But he also highlights the stars, from Kool Herc to Rakim to Ice Cube, who innovated and popularized the form for an audience beyond those DIY parties. And in his propulsive, idiosyncratic style, Chang situates the revolution in the political and social context of 20 th -century New York (and America): deeply racist, economically cruel, and ready to explode.
Can’t Stop Won’t Stop
By Jeff Chang
Fun Home: A Family Tragicomic by Alison Bechdel ( Houghton Mifflin, 2006)
In this moving memoir-as-investigation of her own father’s hidden life, Alison Bechdel combines the skills of an experienced cartoonist—expressive drawing, concise storytelling, mordant humor—with the ingenuity and curiosity of a reporter. Starting with her own journals, Bechdel uncovers dark treasures of her childhood and adolescence as the daughter of a closeted funeral home director in small town Pennsylvania; her clever narrative structure returns to crucial moments again and again, polishing them and holding them up to the light to reveal new facets of meaning. Young Alison and her dandyish father were inversions of each other: “While I was trying to compensate for something unmanly in him,” she writes, “he was attempting to express something feminine through me.” This understated yet beautiful book, an attempt to puzzle out his life and death, thrillingly animates and embodies their relationship.
By Alison Bechdel
The World Without Us by Alan Weisman (Thomas Dunne Books, 2007)
We are a culture intoxicated by apocalypse and ruin, forever telling one another stories about what we’d do to survive should civilization as we know it collapse. But what if humanity itself went poof and left behind the entire apparatus of our existence without a single soul remaining to start over? That is the irresistible premise of Weisman’s book, a thought experiment substantiated by deep research into what it takes to keep the built world functioning and what has happened in the few places (Chernobyl, the Korean Demilitarized Zone) where there has been no one around to prop it up. Weisman, a science journalist, projects a week-by-week progression of flooding subway tunnels, farms reclaimed by grassland, toppling skyscrapers, domestic animals reverting to their feral state, and, less romantically, nuclear reactors melting down, chemical plants exploding into poisonous bonfires, and a vast mass of discarded plastics drifting around the world’s oceans for ages to come. The planet would eventually recover, he assures his readers—if “assure” is even the right word: The air would clear, the waters sweeten, and the animals, birds, and insects would take up residence in our old haunts. It’s a scenario both beautiful and terrifying, the original definition of the sublime, and executed with a methodical bravado that’s breathtaking.
The World Without Us
By Alan Weisman
The Night of the Gun: A Reporter Investigates the Darkest Story of His Life. His Own. by David Carr (Simon & Schuster, 2008)
In 2008, David Carr had been a respected New York Timesman for years, the paper’s media reporter and a beloved mentor of countless young journalists. But two decades before that, Carr was a junkie—a crack addict who washed out of journalism jobs, who was rung up by the Minneapolis cops nine times, and whose twin daughters were born 2½ months premature to a mother who’d smoked crack the night before their delivery. For The Night of the Gun , Carr applied his reporter’s eye to his own story, digging into those lost years and uncovering painful and frightening truths about the man he was while in the throes of addiction. Released into a post–James Frey, post–JT LeRoy era when skeptics found memoir increasingly unreliable, Carr’s live-wire combination of autobiography and journalism explores not only the secrets of his own life but also the ways in which the stories we all tell ourselves evolve into the versions we can live with. The Night of the Gun makes plain how hard, and how necessary, it is to face the past with diligence and humility.
The Night of the Gun
By David Carr
The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science by Richard Holmes (Pantheon, 2009)
Holmes is our greatest living biographer. Whether he’s recounting Percy Shelley’s rebelliousness, Samuel Coleridge’s descent into opium addiction (Holmes specializes in the Romantic poets), or his own penchant for walking along the paths and roads his subjects once tread, everything he writes is a positive delight to read—charming, unostentatiously erudite, moving. In this unusual work, he considers several British scientists and explorers as the 18 th century gave way to the 19 th . Far from soberly rational, these thinkers were as galvanized by the exhilarating spirit of their times as the poets Holmes usually writes about. William Herschel, who identified the first new planet in centuries; Humphry Davy, who invented electrochemistry and experimented with nitrous oxide; Mungo Park, who searched for Timbuktu; and others were as much adventurers of the imagination as any artist, Holmes insists. Coleridge (the subject of a two-volume Holmes biography and a friend of Davy’s) declared science to be driven by “the passion of Hope” and a vision of transforming the world for the better. Holmes urges his readers to understand that at one time poetry and science stood with linked arms upon the peak of discovery and looked at each other with “a wild surmise” like Cortez and his men in Keats’ sonnet . Here is a book capable of flooding a reader with the same sense of astonishment.
The Age of Wonder
By Richard Holmes
Columbine by Dave Cullen (Twelve, 2009)
The 1999 slaying of 13 people at Columbine High School in Colorado was, as Cullen notes in this definitive account of the tragedy, “the first major hostage standoff of the cellphone age.” As Eric Harris and Dylan Klebold, heavily armed, still roamed the hallways of the building, the media, desperate for any information, began to spin a tale of the Trenchcoat Mafia and disaffected goths lashing out at the jocks who’d bullied them. Students hiding from the shooters saw these reports on classroom TVs and echoed them back via their mobile phones. A mythos grew up around the school shooting, the deadliest up to that point, almost entirely fictional, and much of it difficult to dispel. Harris, Cullen concludes, was merely an angry psychopath, and Klebold, his suicidal apostle, but in the aftermath, everyone from onetime adolescent misfits to evangelicals with martyr complexes twisted this bald reality into a story that confirmed their views of the world. Cullen, who was on the scene himself within 15 hours of the crime, spent 10 years teasing out the legends from the truth. The result is an extraordinary work of reportage, a revelation, not just of the shootings themselves but of the myriad misbegotten attempts to find meaning in them.
By Dave Cullen
The Lost City of Z: A Tale of Deadly Obsession in the Amazon by David Grann (Doubleday, 2009)
Percy Fawcett was the last of the great white explorers, a dashing Brit who, in the first decades of the 20 th century, became obsessed with a fabled ancient civilization deep within the Amazon jungle. For years, Fawcett hunted for his “lost city of Z,” even as he was betrayed by collaborators, weakened by hunger, and attacked by poisonous ants and carnivorous fish. Z finally cost Fawcett his life, along with that of his son, when they both disappeared on a 1925 search. Grann—“nearly 40 years old, with a blossoming waistline”—resolves to tell Fawcett’s story and soon finds himself stuck in the jungle himself, captured, absurdly, by the same lust for discovery that killed his subject. A signal work of narrative nonfiction that both celebrates and satirizes the time-honored tale of the adventurer attacking the wilderness with “little more than a machete, a compass and an almost divine sense of purpose.”
The Lost City of Z
By David Grann
Finishing the Hat: Collected Lyrics (1954–1981) and Look, I Made a Hat: Collected Lyrics (1981–2011) by Stephen Sondheim (Knopf, 2010–11)
Plenty of writers have collected their life’s work into two volumes and assessed it, but no one has done so with as much wit, ruthless honesty, and good humor as Stephen Sondheim, which makes sense, because few writers’ work matches Sondheim’s in those exact qualities. Crucially, these collected lyrics aren’t an exercise in self-gratification; Sondheim is insightful and unsparing about his own mistakes, even the ones that only he is smart enough to see. Take, for example, his notes on the perfectly lovely Company song “The Little Things You Do Together”: He bemoans the song’s glibness, calls its tight rhyme schemes “as tiresome as they are elaborate,” and mourns a quatrain he replaced with one he now sees as worse. The result is a pocket history of the past half-century of musical theater, a crash course in the collaborative creative process, and a bottomless craft lecture for anyone who aspires to make something beautiful.
Finishing the Hat
By Stephen Sondheim
Look, I Made a Hat
The immortal life of henrietta lacks by rebecca skloot (crown, 2010).
In 1951, a 30-year-old black woman was diagnosed with cervical cancer at Johns Hopkins Hospital in Baltimore. The cells biopsied from Henrietta Lacks’ tumor, dubbed HeLa cells, soon became the basis for decades of crucial medical research: The polio vaccine, IVF techniques, and advancements in gene mapping all owe their success to the HeLa cells taken from Lacks’ body. Skloot’s impeccably reported book tells a remarkable story of scientific development but also makes an impassioned argument about the way medicine has always used black and poor bodies. In the process of reporting the book, Skloot befriended Lacks’ descendants. Rather than harming the author’s “objectivity,” these friendships transform what was already a very good science book into a deeply humane and crucial interrogation of how technological progress churns along, indifferent to the lives fueling its course.
The Immortal Life of Henrietta Lacks
By Rebecca Skloot
The Master Switch: The Rise and Fall of Information Empires by Tim Wu (Knopf, 2010)
It seems obvious today that the internet would trend toward the consolidation of power in the hands of a few major players, but nearly 10 years ago, Wu raised hackles when he argued that all information industries move from openness to concentration unless outside forces intervene. In this book, he follows the histories of telephony, radio, movies, and television, observing that early periods of innovation and access for small, nimble players (such as local telephone companies) always yielded to centralized control. Hollywood tycoons in particular sought to bring every aspect of moviemaking, from the talent to the theaters, under their sway, and only government action succeeded in breaking their stranglehold. The fantasy that the internet’s distributed structure (it has no “master switch”) would keep it forever free of monopolies was a point of faith among the medium’s early adopters, and the intervening years have only underlined how prophetic Wu was in identifying their mistake. He did get some things wrong—social media was a fledgling force at the time, and Google then seemed an admirably open gateway to content compared with Apple—but the stories of those other industries remain a potent warning about the fate of any crucial communications medium in a society that fails to protect itself.
The Master Switch
The new jim crow: mass incarceration in the age of colorblindness by michelle alexander (the new press, 2010).
Alexander was an academic specializing in civil rights when, in the early 2000s, she walked past a protest sign condemning the War on Drugs as the “new Jim Crow.” Her first impulse was to shrug off this claim as conspiracy theory and to go back to what most of her middle-class black friends and colleagues considered their top priority: protecting affirmative action. But over the years, Alexander’s work as a lawyer for the ACLU ultimately led her to agree with the sign’s author. Far from being “just another institution infected with racial bias,” she argues, the criminal justice system, and particularly its drug laws, has replicated the effect of Jim Crow laws, reinforcing a racial caste system in which large numbers of poor black men have been barred from anything better than the most menial employment and from equal participation in civic life. Riveting to read, The New Jim Crow became a surprise bestseller, and it transformed forever the way thinkers and activists view the phenomenon of mass incarceration.
The New Jim Crow
By Michelle Alexander
The Possessed: Adventures With Russian Books and the People Who Read Them by Elif Batuman (Farrar, Straus and Giroux, 2010)
What Batuman, a staff writer for the New Yorker , loves most about Russian literature, and about Russianness itself, are what she calls its “mystifications,” specifically, “the feeling of only half understanding.” In this delectable collection of essays, she describes her travels to such perplexing locales as Tolstoy’s former estate, Uzbekistan, a monastery on an Adriatic island, and graduate school. Hers is a lifelong quest for the grandiose, the melancholic, and—crucially—the absurd. Batuman seems to attract Borgesian peculiarity like a magnet. She journeys to Samarkand to study a language of dubious authenticity, in which one of the few remaining written texts takes the form of love letters between the colors red and green. When Aeroflot loses her luggage, the clerk asks her, “Are you familiar with our Russian phrase, resignation of the soul?” She gets talked into judging a boys’ “leg contest” at a Hungarian summer camp. And while most academic conferences are pretty dull, she attends one in which an old lady turned to another guest and demanded, “I would like to know if it is TRUE THAT YOU DESPISE ME.” When it comes to eccentricity, Batuman holds up her end—her Ph.D. dissertation compared novels to double-entry bookkeeping, and she talked her way into a Tolstoy conference by proposing a paper arguing that the novelist was murdered. While The Possessed is unlikely to enhance readers’ understanding of Dostoevsky, by the end they’ll be having so much fun they won’t care.
The Possessed
By Elif Batuman
Travels in Siberia by Ian Frazier (Farrar, Straus and Giroux, 2010)
A kind of capstone to a career spent visiting seemingly empty landscapes and finding the warm hearts that beat inside them, Travels in Siberia exhibits all of Ian Frazier’s remarkable travel-writing talents. He is deeply curious about everything and everyone he meets. He is patient and observant. He is a well-read, brilliant contextualizer. He effortlessly brings the past to the present and makes connections between person and place, history and destiny. And he’s funny as hell, one of the funniest writers alive. ’Til the day that you die you will remember with squirming laughter Frazier’s descriptions of the nightmarish mosquitoes of Western Siberia, which “came at us as if shot from a fire hose”: “There are the majority, of course, who just bite you anywhere. Those are your general practitioner mosquitoes, or GPs. Then you have your specialists—your eye, ear, nose, and throat mosquitoes.”
Travels in Siberia
By Ian Frazier
The Warmth of Other Suns: The Epic Story of America’s Great Migration by Isabel Wilkerson (Random House, 2010)
At once intimate and sweeping, Wilkerson’s history offers a landmark account of one of the epochal changes in American society: The movement, over six decades, of approximately 6 million black citizens from the South to the Midwest, West, and Northeast. Many of these transplants behaved, as Wilkerson notes, more like refugees than anything else, fleeing Jim Crow laws to form enclaves united by their ties to the towns they’d left behind. (Detaching from the South, one of her sources told her, was like “getting unstuck from a magnet.”) Wilkerson pulls in the book’s focus by following the lives of three individuals: a sharecropper’s wife, a labor organizer, and a doctor who would go on to count Ray Charles among his patients. Although each migrated at a different time for different reasons, their stories share the common thread of flight from Southern society’s pervasive, cruel, and dehumanizing racism. What these hopeful travelers found once they left was often exploitative, but the slight advantages they discovered under those other suns became the springboards for that most American of dreams: a better life.
The Warmth of Other Suns
By Isabel Wilkerson
Harlem Is Nowhere: A Journey to the Mecca of Black America by Sharifa Rhodes-Pitts (Little, Brown, 2011)
Dreamy, meandering, and ravishing, Rhodes-Pitts’ ode to Harlem summons up the ghosts of the “Mecca of Black America.” As a Texas-born pilgrim to this vexed promised land, she found herself drawn not to the obvious inspirational sites, such as Langston Hughes’ house, but to the remnants of Harlemites past who have been overlooked or half-forgotten: a literary scrapbooker named Alexander Gumby, a photographer specializing in portraits of the dead, the operator of a wax museum. A neighborhood is defined by its eccentrics, and Rhodes-Pitts seeks them out, chatting with old ladies, searching for the author of inspirational messages chalked on the sidewalks, subjecting herself to the lectures of one of the last members of a nearly extinct black nationalist movement. She matches up archival photos of vacant lots and storefronts with the new, gentrifying constructions erupting in their place. Harlem Is Nowhere is a work less of history than of mood, a delicate phantasm, evocative of the aspirations and losses of a remarkable place and all the people who have made it their sanctuary and their home.
Harlem Is Nowhere
By Sharifa Rhodes-Pitts
The Information: A History, a Theory, a Flood by James Gleick (Pantheon, 2011)
To say Gleick’s history of information and communication is wide-ranging is a bit of an understatement. According to Gleick, we are all “creatures of the information,” from the words that make up most of our interactions with one another to the code embedded in our DNA. This book constellates around Claude Shannon, a Bell Labs mathematician and cryptographer who founded information theory with a 1948 paper considering how to measure what it takes to transmit a message from a sender to a recipient—even if that recipient is just a subatomic particle on the other side of the universe wondering which way to spin. Human beings are some of the universe’s most energetic signal transmitters, and when Gleick isn’t explaining information’s relevance to Brownian motion and Gödel’s incompleteness theorem , he’s deep in the more engaging stories of African talking drums, Ada Lovelace’s nascent computer programs , and how the telegram changed the world. Information is not the same thing as knowledge, however, and it is knowledge that this book imparts in great, glorious fistfuls, as it loops through time and space, shedding brilliant light on first one corner of experience, then another. Its breadth and grasp are dazzling.
The Information
By James Gleick
Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity by Katherine Boo (Random House, 2012)
The product of more than three years of in-depth reporting in a slum near Mumbai airport called Annawadi, Katherine Boo’s masterpiece is a Kafka story for our times, the tale of determined strivers so hemmed in by circumstance, official disregard, and rampant corruption that even those who succeed are punished for their accomplishments. In its portrait of the garbage-sorter Abdul, who winds up in court after a false accusation from a neighbor, Behind the Beautiful Forevers depicts a young man who loses everything he’s earned and comes out on the other side declaring that “something had happened to his heart.” His painful moral decision-making reflects a book in which Boo is always careful to portray the ways her subjects exert agency within their own lives, even at the cost of their health and safety. A propulsive, dramatic, heartbreaking book.
Behind the Beautiful Forevers
By Katherine Boo
Far From the Tree: Parents, Children, and the Search for Identity by Andrew Solomon (Scribner, 2012)
Having interviewed more than 300 people over the course of 10 years, Solomon explores the experience of parenting a child fundamentally different from oneself. The children of these parents are, as Solomon recounts, “deaf or dwarfs; they have Down syndrome, autism, schizophrenia or multiple severe disabilities; they are prodigies; they are people conceived in rape or who commit crimes; they are transgender.” Far From the Tree is mammoth, but its oceanic scope is essential to convey the infinite variety in humanity’s ability to cope with the differences among us. As the collator of all this material, Solomon makes his own emotional and intellectual growth one of the book’s themes, as he describes how his subjects helped him shed the blinders he once wore. At the heart of this extraordinary project is the mystery of what makes a group of people a family. Blood, it turns out, is not always enough, but neither are many other commonalities in identity. Building true kinship starts as a choice and then often comes to seem inevitable, an act of will in the face of daunting odds that ends up feeling like a miracle.
Far From the Tree
By Andrew Solomon
The Old Ways: A Journey on Foot by Robert Macfarlane (Viking, 2012)
Macfarlane cares passionately about two things: landscape and language. This vividly sensuous account of several walking tours, plus a respectable bout of sailing, describes his experiences with ancient routes, most created by peoples whose names have been lost to time, but whose imprint on Earth lives on thanks to the countless feet that have followed them. He argues that similar age-old paths crisscross the sea, remembered by sailors even if they leave no visual trace. Macfarlane’s desire to more fully experience the places he visits—mostly in Britain but also in Spain and Tibet—is so keen he takes off his shoes to feel the rock, grass, heather, and (in one painful incident) gorse under his feet. His travels aren’t without human interest, either; they always seem to include meetings with fascinating poets and artists, like a man who plans to suspend a life-size figure made of human bones and calf skin inside a boulder whose location only a handful of people will ever know. Like all of Macfarlane’s work, this book is a charm against the streamlined, the global, the generically virtual. It is a paean to the irreducible reality of stone and leaf and wave.
The Old Ways
By Robert Macfarlane
People Who Eat Darkness: The True Story of a Young Woman Who Vanished From the Streets of Tokyo—and the Evil That Swallowed Her Up by Richard Lloyd Parry (Farrar, Straus and Giroux, 2012)
The secret of a great true crime book is not how the author writes about the crime, but how skillfully he articulates the effect it has on the survivors and the secrets it betrays about the society that let it happen. Parry, Tokyo bureau chief for the Times of London, covered the story of the murder of Lucie Blackman, a 21-year-old former flight attendant who disappeared while working as a hostess in the city’s Roppongi district. Her body was found in a cave seven months later. Parry offers a devastating portrait of the inadequacies of Japan’s criminal justice system, as it struggled to comprehend that a serial killer was responsible. Eventually, the son of a Korean-Japanese businessman was convicted, absurdly, of abducting and dismembering Blackman but not of killing her. Blackman’s warring divorced parents play major roles in Parry’s account, from the father who kept the search for Lucie going to the embittered mother, who could not resist the opportunity to strike back at her ex. The killer himself is an impenetrable cipher, but Parry portrays the people whose lives he devastated in all their complexity: heroic, flawed, stricken, and ultimately sympathetic.
People Who Eat Darkness
By Richard Lloyd Parry
Going Clear: Scientology, Hollywood, and the Prison of Belief by Lawrence Wright (Knopf, 2013)
This book might just be the perfect exposé: a consummate journalist writing about an outrageously malfeasant subject and raising urgent themes. Wright fell down this particular rabbit hole after writing for the New Yorker about the Church of Scientology’s wooing of celebrities, and he came in for some tweaking over the extremely measured tone he employs while recounting the shenanigans of the religion’s founder, science-fiction author L. Ron Hubbard, and the even-worse behavior of his successor, David Miscavige. But Wright’s refusal to rant and rave—even when presented with countless examples of church skullduggery, mendacity, and brutality, not to mention the sheer, flagrant kookiness—turns out to be his secret weapon. Making every effort to be fair, allowing for the bad press and outright repression that often greets new religions, Wright assembles a wall of proof, brick by damning, implacable brick. It doesn’t hurt that Scientology’s story is both utterly bizarre—including a prison camp in Southern California, a seagoing headquarters designed to evade the IRS and other authorities, and campaigns to induce mental illness in church critics—and a case study in American self-help hucksterism.
Going Clear
By Lawrence Wright
Lost Girls: An Unsolved American Mystery by Robert Kolker (Harper, 2013)
At least four and possibly as many as 14 murders have been attributed to a still-unknown individual who dumped his victims’ remains along a desolate beachside highway on Long Island. For most true-crime writers, the lack of an identified killer would make this book a nonstarter, but Kolker, who has covered the investigation for New York magazine for several years, turns that liability into a strength. As Kolker tells the story of how more than a dozen young women drifted to the margins of society and became vulnerable to one or more predators, he does justice to the painful complexity of these women’s family lives, their talents and dreams, their battles with substance abuse and sexual violence, and their fraught relationships with their mothers, as well as the friends and relatives who fought to keep their memories alive and the search for their killer going. The unifying features of all their stories are class, poverty, and the economic temptations of sex work. Another is that the authorities did not take their disappearances seriously until four of them were found buried in the same place. Kolker, who has an uncanny ability to play fly on the wall, catches members of the police and the media dismissing the victims; it was only the possibility of a serial killer that made them count. Kolker refuses to let their murderer define them.
By Robert Kolker
The Trip to Echo Spring: On Writers and Drinking by Olivia Laing ( Picador, 2013)
Not all great American writers have been big drinkers, but there are enough souses among them for Laing, a British woman intoxicated by the wide-open promises of our national literature, to engineer a road trip around their boozy misadventures. Although not an alcoholic herself, Laing grew up in a family warped by her mother’s partner’s drinking, and that story weaves through her account of her travels to the places where six men—John Cheever, F. Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, Raymond Carver, and John Berryman—wrote, got hammered, and dried out. Laing’s readings of their work are extraordinarily sharp and sensitive, and her description of the places she visited and what happened to her there may be even better. (A bald eagle in flight looks like “a coat thrown into the air, ragged and enormous.”) But the true subject of this gorgeously sorrowful book is the drive toward self-destruction, and what it means to live close to a person who can’t resist its siren call.
The Trip to Echo Spring
By Olivia Laing
The Unwinding: An Inner History of the New America by George Packer (Farrar, Straus and Giroux, 2013)
This choral account of American life over the past 35 years is told from the points of view of famous individuals (Newt Gingrich, Elizabeth Warren, Colin Powell, Alice Waters) and unknowns (a black labor organizer, a would-be entrepreneur high on self-help nostrums, an Ohio woman who lost her retirement savings to a Ponzi scheme, and in one bravura chapter, the city of Tampa as it underwent a cascade of mortgage foreclosures following the 2008 recession). Packer strives to transmit each subject’s narrative without editorializing or moralizing, an approach that feels radical a mere six years after the book’s publication, since today the imperative to opine never seems to let up. As a result, The Unwinding is almost disorienting, like coming inside after a day spent walking into a stiff wind. But once you get used to it, Packer’s approach opens up the space to contemplate how these different people experience and respond to their sense that America is coming apart. The few exceptions practically glow with significance, from the tightknit family of poor Floridians who struggled with one setback after another but always had one another’s backs to the owner of a handful of empty motels, who chose to fight the automated foreclosure system with the help of her community and clan. “Usha Patel was not a native-born American,” Packer writes in a typically astute (if atypically subjective) sentence, “which is to say, she wasn’t alone.”
The Unwinding
By George Packer
Wave by Sonali Deraniyagala (Knopf, 2013)
Deraniyagala, an economist at the University of London and Columbia University, was vacationing with her family in Sri Lanka in 2004, when she looked out the window and saw the ocean rise up and rush toward the balcony of their holiday rental. By the end of the day, Deraniyagala had lost her parents, her husband, and their two young sons to the Boxing Day Tsunami. It is the kind of devastation that might seem beyond words, and yet Deraniyagala finds them; she is, it turns out, a very gifted writer. Most of Wave describes the aftermath of the tragedy. It is an account of grief that refuses to turn away from ugliness or wallow in sentiment, and yet it is acutely beautiful because of Deraniyagala’s devotion to the truth. There are weeks of sleeping, then drinking, then a demented campaign to eject the couple that moved into her parents’ old house. Finally, two years after the tsunami, Deraniyagala returned to the London home she once shared with her husband and sons, a place where a dirty old baby bowl repurposed as a garden toy becomes a precious talisman of the lost. Slowly, her pain clears enough for her to fill in portraits of those boys, that man, vivid enough to pierce the reader with a sliver of her own mourning. Deraniyagala’s story alone would have made this book unusual, but it is her artistry that makes it indelible.
By Sonali Deraniyagala
Citizen: An American Lyric by Claudia Rankine (Graywolf Press, 2014)
Part poetry collection, part memoir, part book-length critical essay, Citizen takes risks other books wouldn’t dare, and it reads like no other title on this list. A dazzling meditation on invisibility, blackness, and America, Citizen grapples with the double-take moments in daily life: “Hold up, did you just hear, did you just say, did you just see, did you just do that?” And it asks other, more pointed questions: What was rising up in Serena Williams’ throat her entire career? What did the water in New Orleans want? Whose arm is that, flailing from the sea behind J.M.W. Turner’s slave ship? Midway through this wrenching and mordantly funny book, written entirely to an unnamed “you,” Rankine addresses the first person, the point of view of the traditional memoir. The first person, she writes, is “a symbol for something”: “The pronoun barely holding the person together.”
By Claudia Rankine
The Sixth Extinction: An Unnatural History by Elizabeth Kolbert (Henry Holt, 2014)
The Sixth Extinction is a moving elegy to the species lost over the centuries to catastrophes both natural and man-made. But it’s also a warning about what awaits the animals of Earth in the Anthropocene, the climate-changed and human-shaped era in which we now find ourselves. The result is a chilling, fascinating history of mass extinction, those once-every-hundred-million-years-or-so events in which the Earth’s population of species crashes. “During mass extinction events,” Kolbert writes, “the usual rules of survival are suspended.” Once-dominant species are wiped out in the geologic snap of a finger. No book has made the reality of how humans are endangering the future not only of their planet but of their species more clear to readers than this beautifully written, perfectly reported, passionately argued model of explanatory science journalism.
The Sixth Extinction
By Elizabeth Kolbert
Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World by Mark Miodownik ( Houghton Mifflin Harcourt, 2014)
Talk about low concept: Stuff Matters is about, among other things, concrete, glass, porcelain, paper, graphite, stainless steel, and plastic. This is the man-made stuff all around us and so mundane we barely give it a second thought. Miodownik, a materials scientist with the soul of a poet, sings of the magic hidden within these ordinary substances. Stuff Matters describes how our stuff (bricks, coffee mugs) gets made and what it may someday be able to do for us (invisibility cloaks, bionic human limbs, exploding billiard balls, an elevator to outer space, concrete that can be rolled up like fabric or purify air). He also celebrates the remarkable properties of everyday stuff we take for granted, like paper, the stuff of love letters and old photographs, and glass—a substance once so rare that a lump of desert sand that had been struck and melted by lightning was one of the most valuable “gems” in King Tut’s tomb at the time of his burial. To read Stuff Matters is to see the humble objects around us afresh and to grasp the wonders they represent for the first time.
Stuff Matters
By Mark Miodownik
Barbarian Days: A Surfing Life by William Finnegan (Penguin Press, 2015)
You may think you don’t care about a life spent chasing waves all over the world, but William Finnegan’s memoir so precisely distills the “brief, sharp glimpse of eternity” the surfer gets from riding a board through a crystal-blue tube on a perfect run that a hundred pages into Barbarian Days you, too, will have stepped through the looking glass. It’s clear from Finnegan’s rueful retelling of his younger days all that he endured due to the life he chose: He experiences terror and pain on the waves; he punishes his body with scrapes, a broken nose, torn ankle cartilage, sun-caused cataracts; relationships with friends and family pale next to the life of a “latter-day barbarian” who rejects the values of duty. But years of hunting surf also create unlikely friendships, from the Hawaiian kids of Finnegan’s Oahu childhood to the “goofyfoot dancer” who helps Finnegan find waves in the cold waters off Long Island, a quick subway ride from the longtime New Yorker journalist’s apartment. Barbarian Days is a masterpiece of sports writing, focusing its lens on the smallest unit of both athletic and artistic achievement: the single human body, attempting to do something difficult and beautiful.
Barbarian Days
By William Finnegan
Dreamland: The True Tale of America’s Opiate Epidemic by Sam Quinones ( Bloomsbury Press, 2015)
The opioid epidemic snuck up on a lot of urban middle-class Americans, but not Quinones, who quit his job at the Los Angeles Times to write Dreamland, the first and still the best book-length examination of the crisis. He approached the story from two widely disparate perspectives: from the small towns and cities where doctors’ belief in Big Pharma’s lies about the nonaddictive properties of new drugs like OxyContin led to overprescription and pill mills, and from the obscure Mexican state of Nayarit, where local clans mounted a fully vertically integrated heroin trade, controlling every aspect from growing the poppies to delivering dope to customers’ doors. He reports fully and deeply on both. Quinones’ depiction of the contrast between the strangely healthy and robust communities in Nayarit and the economically and socially disintegrating American towns where the dealers preferred to operate (avoiding clashes with the established drug dealers in metropolitan centers) is both surprising and enlightening.
By Sam Quinones
H Is for Hawk by Helen Macdonald (Grove Press, 2015)
Everyone mourns in her own way, and for Macdonald, after her beloved father’s death, that way was by taming a goshawk, a process described in this scratched, muddy, glorious memoir. A practiced falconer, Macdonald understands how ill-advised her project is; the species is famously hard to train, stubborn in its wildness. But she falls in love with the bird, “a reptile. A fallen angel. A griffon from the pages of an illuminated bestiary. Something bright and distant, like gold falling through water.” Macdonald’s writing is similarly gilded and faintly antiquarian as she pursues the medieval task of training the hawk, named Mabel, to fly to her leather-gloved hand on command. Mabel can’t be cuddled and won’t look up at her with liquid, adoring eyes—this isn’t that kind of sappy, an-animal-saved-me memoir. But the reader gradually realizes that Mabel, with all her difficulty and alien, nonmammalian ways, is exactly what Macdonald needs. The writer is reconciling herself not to loss but to life, a thing as beautiful and terrible, as merciless and vital, as the goshawk.
H Is for Hawk
By Helen Macdonald
Negroland: A Memoir by Margo Jefferson (Pantheon, 2015)
Born just after the end of World War II to a Chicago pediatrician and his “socialite” wife, Margo Jefferson grew up in “Negroland,” the name she gives to the black American elite—a class defined by profession, affluence, pedigree, and to her dismay, skin color and comportment. The appeal of her memoir lies in Jefferson’s beautifully articulated ambivalence about most everything—including memoir itself, a form that, she observes, offers the perpetual temptation to “bask in your own innocence” and “revere your grief.” Jefferson refuses to do either, or to discard the problematic word in her title. “I still find ‘Negro’ a word of wonder, glorious and terrible,” she writes. “A word for runaway slave posters and civil rights proclamations.” Jefferson’s social class fostered her exquisite sense of taste (she became a Pulitzer Prize–winning critic for the New York Times), but its members, as she would grow to understand during the upheaval of the 1960s, also “settled for a desiccated white facsimile, and abandoned a vital black culture.” Jefferson’s memoir of growing up in this milieu, with its strenuous gentility and complex relationship to the American racial caste system, is both loving and darkly ironic, as rich and seasoned as the life it recounts.
By Margo Jefferson
The Odd Woman and the City: A Memoir by Vivian Gornick (Farrar, Straus and Giroux, 2015)
One of her generation’s greatest memoirists ( Fierce Attachments ) and essayists, Gornick devotes this book to puzzling out how she became an “odd woman,” a single and childless urbanite, intoxicated by the street life of Manhattan. A red diaper baby, she fantasized during her Bronx childhood about leading the revolution and finding true love, but as she looks back, she decides that she, like her mother and several of her literary heroines, “was born to find the wrong man,” to seek “the unholy dissatisfaction that will keep life permanently at bay.” In exchange, she got New York, which (almost) never fails to satisfy her with its parade of characters and “the variety and inventiveness of survival technique.” In supple, searching prose, Gornick meditates on the riches of friendship—particularly her bond with Leonard, a gay man who shares her saturnine take on just about everything—and the life of the mind, as well as the self-knowledge that comes with age. For a woman who claims to have “a penchant for the negative,” she has produced a remarkably inspiring book.
The Odd Woman and the City
By Vivian Gornick
How to Survive a Plague: The Inside Story of How Citizens and Science Tamed AIDS by David France (Knopf, 2016)
For decades, the story of the fight against AIDS seemed one of nothing but frustration, shame, and a body count in the hundreds of thousands. Except that it wasn’t: Even at the height of the epidemic, scientists worked feverishly to understand the virus and its effects—and just as importantly, activists battled to increase those scientists’ funding, to focus and target their research, and to erase the stigma of those who suffered from it. In his monumental history of that battle, from the first cases in the 1970s to the mid-’90s advent of the “triple cocktail” that made AIDS a manageable condition for many economically advantaged Americans, David France notes that many of those activists’ work was extensively documented, because the activists themselves feared they’d never live to see the results of their work. Many of them didn’t. France tells their stories with clear-eyed compassion, leaning not only on his dogged research skills but also on his history as both activist and reporter for the New York Native. This is the crucial book for understanding how one of the great social transformations of our era was not the result of the arc of history bending naturally toward justice but the arc of history bending thanks to the tireless, agonizing work of those who put their lives on the line.
How to Survive a Plague
By David France
Lab Girl by Hope Jahren (Knopf, 2016)
Jahren’s memoir is a paean to her life in science, specifically the kind of science that involves getting your hands dirty and reaching for a specimen vial. She is a professor of geobiology specializing in the life cycle of plants, and while this involves a certain amount of travel and mucking about, she feels most at home in her lab, “a place where I move. I stand, walk, sit, fetch, carry, climb, and crawl. My lab is a place where it’s just as well that I can’t sleep, because there are so many things to do in the world besides that.” As inspiring as it is to read someone writing so well about a line of work whose pleasures often go unsung, the greatest treat in Lab Girl is Jahren’s account of her friendship with Bill, her scientific partner of more than 20 years. A deep and entirely platonic bond between the kind of people who celebrate receiving their advanced degrees by blowing glass tubes full of carbon dioxide into the wee hours is really not the sort of thing you often get to read about. This friendship, as fiercely committed and abiding as any blood tie, is built on junk food, scavenged equipment, wisecracks, and a shared hunger for both knowledge and the task of getting it. When the normally taciturn Bill confesses to feeling alone after his father’s death, Jahren thinks, “no matter what our future held, my first task would always be to kick a hole in the world and make a space for him where he could safely be his eccentric self.” She doesn’t know how to tell him this, so she shows him, and us, instead.
By Hope Jahren
One Day: The Extraordinary Story of an Ordinary 24 Hours in America by Gene Weingarten (Blue Rider Press, 2019)
Weingarten, a longtime, Pulitzer Prize–winning Washington Post writer, begins his book with a gimmick: He and his editor choose a random day—Sunday, Dec. 28, 1986—and Weingarten sets out to report every single interesting thing that happened. The result is funny, heart-wrenching, chilling, and absurd, as Weingarten chronicles a serial killer, a heart transplant, a tragic fire, an unlikely romance , a political miscalculation, a Grateful Dead concert—all of them expert portraits of American life in miniature. The book is a stunt, a dare, but it’s also proof of the belief that animates all the books on this list: There are stories everywhere. The nonfiction writer’s job is to look long and hard enough to find them, and to tell them with enough empathy and care to bring them to life.
By Gene Weingarten
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Blog – Posted on Monday, Jun 01
The 60 best nonfiction books of all time.
The twenty-first century is still young — yet it has already produced an incredible array of nonfiction books probing all facets of human life. From uncovering invisible histories, to reflecting lyrically on medical conditions, to calling readers to political action, nonfiction writers can take us anywhere. They show us who we are, where we came from, and where we might be going.
We asked our community of 200,000 readers to vote for the most revelatory nonfiction books of all time. Without further ado, here are 60 of the best nonfiction books to peruse. These must-reads will keep you informed, inspired , entertained, and exhilarated as you journey through the most contentious and compelling topics in history and the contemporary world.
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1. Between the World and Me by Ta-Nehisi Coates
Between the World and Me by Ta-Nehisi Coates offers a powerful history of racial violence in the United States — and what it means to be black in this country today. Presented in the form of a letter to the author’s teenage son, this nonfiction book weaves the personal and the political together in a series of searing essays.
2. The Emperor of All Maladies: A Biography of Cancer by Siddhartha Mukherjee
A disarming “biography” of disease, The Emperor of All Maladies chronicles thousands of years of people grappling with the terrifying specter of cancer. From the patients who have fought it, to the doctors who have treated it and the researchers who have sought to eradicate it, this riveting account captures the ongoing battle against a deadly condition.
3. The Sixth Extinction: An Unnatural History by Elizabeth Kolbert
When the next major mass extinction hits the planet, as scientists foretell it soon might, humanity will be the victim — and the perpetrator. The Sixth Extinction charts the transformative, and potentially catastrophic, impact of human activity on the planet, forcing us to consider what change we must enact now to ensure the continued survival of our species — and all species.
4. How to Survive a Plague by David France
David France has been one of the key chroniclers of the AIDS epidemic in the United States since its beginnings. How to Survive a Plague follows his acclaimed documentary of the same name, compiling a definitive work on AIDS activism. France draws from firsthand accounts and meticulous historical research to cement the legacy of all those who have battled the disease and fought the government and pharmaceutical companies for the rights to treatment. This nonfiction book ensures that their memories are not forgotten.
5. The Art of Cruelty: A Reckoning by Maggie Nelson
Cultural critic Maggie Nelson’s The Art of Cruelty contends with the history of violence across media and the arts, scrutinizing the moral implications of our obsession with acts of brutality enacted against living bodies. This is an essential text for anyone interested in how ethics and aesthetics intersect.
6. How to Do Nothing by Jenny Odell
When was the last time that you can say you really, truly did nothing at all? In a capitalist society that encourages constant action and productivity, it seems nearly impossible to not be doing something, but How to Do Nothing shows that there is another way to live. So go ahead, do nothing… after, of course, you’ve read this book.
7. 100 Essays I Don’t Have Time to Write by Sarah Ruhl
Sarah Ruhl has plenty to keep her busy: she is a prolific playwright as well as a mother, and routinely formulates more creative ideas than she has the time to fully realize. 100 Essays I Don’t Have Time to Write recounts all of those loose ends and sparks of inspiration that drive her as an artist. This collection of not-quite-essays bursts with wit and insight along its journey through the musings of a curious mind.
8. An Indigenous Peoples’ History of the United States by Roxanne Dunbar-Ortiz
An Indigenous Peoples’ History of the United States is the first comprehensive account of the nation told from an indigenous perspective. It is a damning indictment of white violence, and the centuries of genocide and erasure of native history that have accompanied colonial expansion. It is a story of the United States that has never been told before...but should have been told long ago.
9. The New Jim Crow by Michelle Alexander
Legal scholar Michelle Alexander argues that justice is neither truly blind nor colorblind — in fact, the criminal justice system in the United States systematically targets people of color and enacts racial oppression. The New Jim Crow is both a call to awareness and a call to action, making clear the deep harm embedded in systems ostensibly designed to protect us all.
10. The Year of Magical Thinking by Joan Didion
In The Year of Magical Thinking , an account of the year following the death of her husband John Gregory Dunne, literary icon Joan Didion offers an unguarded and revealing self-portrait of grief and anguish. Confronting bereavement occasionally leaves even one of America’s most lyrical writers at a loss for words. The stunningly vulnerable confessions that result are moving expressions of raw emotion.
11. Sapiens: A Brief History of Humankind by Yuval Noah Harari
Where did we humans come from? Where are we going? And what does it even mean to be “human” in the first place? These are some of the massive questions that historian Yuval Noah Harari attempts to unpack in Sapiens . While perhaps “brief” in its coverage on a scale of universal time, Sapiens still spans thousands of years of human life — showing us who we are as a species, as well as what we might become.
12. Thinking, Fast and Slow by Daniel Kahneman
Daniel Kahneman won the Nobel Prize in Economics for his groundbreaking research on cognitive biases and behavioral science. His book Thinking, Fast and Slow takes us through decades of his most essential research about how we think and why we make decisions the way we do — through the “fast” system of intuition and the “slow” system of logic. Kahneman’s conversational style makes even the most complex of psychological topics accessible to readers. After absorbing his insights, they’ll never think the same way again.
13. A Short History of Nearly Everything by Bill Bryson
Bill Bryson has garnered acclaim for his entertaining travelogues. Now he takes us along for the ride on the trip of a lifetime (and many previous lifetimes). A Short History of Nearly Everything is exactly what its title promises: a briskly paced adventure through the known universe, filled with plenty of wit and wondrous facts to fuel the journey.
14. When Breath Becomes Air by Paul Kalanithi
Doctor Paul Kalanithi confronted the possibility of death nearly every day in his work as a neurosurgeon… until one day the life at stake was his own. When Breath Becomes Air is his heart-wrenching memoir of coming to terms with his own mortality after a diagnosis of stage IV lung cancer. Though Kalanithi passed away from in 2015, his devastatingly beautiful reflection affirms the impact of his life on countless patients and readers.
15. Moneyball: The Art of Winning an Unfair Game by Michael Lewis
In Moneyball , Michael Lewis follows the story of the Oakland A’s and their unconventional strategy of scouting players, allowing them to choose the best talent for a fraction of the budget of other teams. On the surface, this is a story about baseball. But it is also a story about thinking differently and taking risks. Most importantly, it shows that when the game of life seems stacked against you, you don’t have to play along: you can reinvent the rules entirely.
16. Evicted: Poverty and Profit in the American City by Michael Desmond
Evicted is a gripping exploration of life on the margins for the untold numbers of people in America living in poverty. Desmond weaves his narrative from the stories of eight families in Milwaukee, showing the dearth of resources and affordable housing options available to them. Evicted is unafraid to say what is often left out of the conversation about poverty, as it forces readers to look at the dire state of American housing and homeownership.
17. Alexander Hamilton by Ron Chernow
The definitive portrait of a founding father — and of the foundations of America’s history — Alexander Hamilton is a brilliant biography , as audacious and awe-inspiring as its subject. It vividly portrays Hamilton’s intimate life as well as the grand scale of his impact, immortalizing the monumental figure who shaped the political spirit of a nation… and inspired a few Broadway musicals.
18. This Changes Everything: Capitalism vs. the Climate by Naomi Klein
The climate is not the only thing that is changing — in This Changes Everything , Naomi Klein shows us that life as we know it is changing, too. The entire future of the planet is now at stake. Addressing the climate crisis requires a radical transformation of our environmental and economic systems, and Klein’s wake-up call demands decisive action to ensure the continued liveability of the planet.
19. Dreamland by Sam Quinones
Drawing from intense investigative reporting and heartbreaking personal stories of addiction, Dreamland reveals how and why the opiate industry has wrought destruction on communities in the United States and Mexico. From prescription painkillers to black tar heroin, these drugs have devastating consequences, as Quinones reminds us. His book makes clear that real people are being harmed by corrosive capitalism.
20. The Warmth of Other Suns by Isabel Wilkerson
The Warmth of Other Suns is one of the greatest tales of American history you’ve never heard. Wilkerson chronicles the years between 1915 and 1970, when millions of black Americans embarked northward or westward in search of opportunity, hoping to leave behind the racial prejudice and economic oppression of the South. What unfolds is a profoundly sympathetic and richly rendered story of countless families, seeking acceptance and better lives in the nation they call home.
21. Nothing to Envy by Barbara Demick
Though the citizens of North Korea consistently confront poverty and famine under the censorship of a repressive regime, little details about their lives sometimes escape the country’s impenetrable borders. Nothing to Envy ventures inside the world’s most closed-off society, giving voice to everyday people as they try to live their lives amidst totalitarianism. It is a haunting look at their despair and disillusionment — and the dreams they continue to nurture in spite of it all.
22. These Truths: A History of the United States by Jill Lepore
From acclaimed historian and New Yorker staff writer Jill Lepore, These Truths traces the birth of a country “forged in contradiction,” from its mythos as a land of opportunity to its history of extermination and oppression. Examining contemporary identity and politics through the lens of history, These Truths calls for a comprehensive reassessment of America’s past as well as its future.
23. Behind the Beautiful Forevers by Katherine Boo
For the people of Annawadi, an impoverished community not far from the Mumbai airport, lives of luxury and economic prosperity are constantly within sight — but always out of reach. Though the building of upscale hotels and growth of the Indian economy initially gave residents hope of upward mobility, personal and political tragedy quickly dismantled their dreams. Behind the Beautiful Forevers is a shocking examination of pervasive inequality in contemporary India and the people left behind by the powerful elite.
24. Nickel and Dimed by Barbara Ehrenreich
For the millions of Americans who perform low-paying jobs, “unskilled” labor, the living wage they supposedly earn is by no means actually liveable. In Nickel and Dimed , journalist Barbara Ehrenreich goes undercover, journeying from Florida to Maine to Minnesota working a series of minimum-wage jobs. She quickly gains firsthand experience of the nearly insurmountable hardships the working poor encounter when they attempt to secure jobs or homes and put food on the table. Her eye-opening narrative reveals the dire situation of low-wage workers and the failures of employers and governments to provide anything near adequate support.
25. Blurred Lines by Vanessa Grigoriadis
In the wake of the #MeToo movement that has had transformative effects around the world, college campuses have become intensely scrutinized battlegrounds for debates about sexual politics. Vanessa Grigoriadis travels to universities across the United States to examine how the movement has prompted students to think differently about their sexuality, as well as the sexism or sexual violence they confront on campus. Unafraid to tackle controversial topics and contentious debates, Blurred Lines is a complex account of radical changes to contemporary culture.
26. Underland by Robert Macfarlane
Underland literally takes us beneath the surface of our world — venturing into underground caves, graves, and geological features. Yet Macfarlane also goes on a deep-time exploration and digs into the intertwined history of humans and nature, scrutinizing the traces we leave behind for generations to come. This riveting journey through time traverses the rich expanse of humankind’s past and future.
27. All the Single Ladies by Rebecca Traister
Journalist Rebecca Traister’s book All the Single Ladies underscores the collective power of single women, creating a vivid and diverse portrait of unmarried women in the United States. Composed of interviews and explorations of the history of women in intellectual and public life, this feminist book is a richly researched triumph.
28. The Invention of Nature by Andrea Wulf
You may not recognize the name Alexander von Humboldt. In The Invention of Nature , however, Andrea Wulf argues that he has undoubtedly shaped our understanding of the environment and our role in protecting it. Von Humboldt was a German naturalist and explorer, and his then-radical ideas — that nature existed for more than human consumption — paved the path for contemporary conservation movements. Wulf’s luminous look at his life, full of ecological exploration and scientific advocacy, shows the lasting impact of his ideas.
29. The Other Slavery by Andrés Reséndez
While countries in the Americas continue to grapple with the enduring horrors of slavery, there is a side to this devastating history that has never been fully confronted: the enslavement of indigenous peoples. The Other Slavery is a revelatory examination of the native populations enslaved throughout the western hemisphere, exposing how deeply entrenched oppression was in the creation of the “new world.” Reséndez’s fierce prose delivers on its promise to be “myth-shattering” and enlightening.
30. Devil in the Grove by Gilbert King
Thurgood Marshall, the Supreme Court’s first black justice, is perhaps the most significant legal figure of the twentieth century, arguing landmark civil rights cases. Devil in the Grove looks at the toughest cases he confronted before he was on the Supreme Court: fighting for “The Groveland Boys,” black workers in Florida’s orange industry who were subjected to horrific violence and lynchings in the Jim Crow South. This account of true crime and the fight for justice delves into Marshall’s origins as a fearless crusader — something not to be missed.
31. Why I’m No Longer Talking to White People About Race by Reni Eddo-Lodge
After watching intense debates about racism unfold in the United States, British journalist Reni Eddo-Lodge recognized that the same conversations were just as urgently necessary in Britain. This led her to write Why I’m No Longer Talking to White People About Race, one of the most accessible and best nonfiction books about the difficulties of, well, talking about race. Eddo-Lodge analyzes modern Britain’s race relations, reminding British and international readers alike of imperialism’s complicated history.
32. The Tipping Point: How Little Things Can Make a Big Difference by Malcolm Gladwell
This massively successful book by Malcolm Gladwell investigates the process of things going viral, dissecting how and why certain ideas can take off. The Tipping Point explores phenomena ranging from the sharp decrease in street crime in 1990s New York to children’s television shows suddenly becoming all the rage among all age groups. This is a sharp book that cannot fail to capture its readers with its masterfully recounted sociological and psychological case studies.
33. Quiet by Susan Cain
Susan Cain’s Quiet argues that Western society (and especially American society) is structured in a way that valorizes extroverted personality traits, to the detriment of introverts. In this nonfiction book, she defines the concept of introversion, traces its history, and proceeds with a mind-blowing analysis of our everyday lives and the biases inherent in the way people are assessed in a social atmosphere.
34. The Age of Surveillance Capitalism by Shoshanna Zuboff
Shoshanna Zuboff’s The Age of Surveillance Capitalism takes as its subject our current technological state, where corporations have access to a lot of personal information. Zuboff investigates the power and peril of digital surveillance, arguing that we have now entered a new age of capitalism where information and personal data are tools in the hands of corporations. A fascinating and thorough book, The Age of Surveillance Capitalism is guaranteed to provoke deep thinking about our relationship to tech.
35. On Writing by Stephen King
In On Writing, bestselling author Stephen King discusses his early-career struggles, offering advice to up-and-coming writers. Intimate, honest, and approachable, this book is one every aspiring author should read. This encouraging memoir thematizes the power of memory and the importance of perseverance. If you needed the inspiration to keep writing, this is one of the best nonfiction books for you.
36. Persepolis by Marjane Satrapi
Marjane Satrapi’s Persepolis is an immersive graphic memoir based on the author’s childhood in the Iranian capital of Tehran during the Islamic Revolution. As she grows up during a tumultuous chapter of the country’s history, her story is both a coming-of-age tale and a historical chronicle. Satrapi’s stark, black-and-white artwork supplements her text to create a thoroughly memorable reading experience.
37. Freakonomics by Steven D. Levitt and Stephen J. Dubner
Freakonomics , the famous nonfiction book by Steven D. Levitt and Stephen J. Dubner, reveals “the hidden side of everything,” as its subtitle makes clear. It’s a bold claim, but not one that it fails to live up to. The authors make the case for constantly asking questions, challenging accepted truths, and looking at facts and data in a novel way. Freakonomics is a witty, eye-opening interpretation of the economy, suitable to any reader with an interest in why things work the way they do.
38. SPQR by Mary Beard
Mary Beard’s SPQR is a sweeping and epic history of the Roman Empire, covering over 1000 years of the classical civilization’s story. In this cinematic account, Beard explores the growth of the empire and reflects on its multilayered legacy. Intelligent and informative, SPQR is an excellent choice for both devoted historians and casual nonfiction readers.
39. The Uninhabitable Earth by David Wallace-Wells
More urgent than ever, The Uninhabitable Earth by David Wallace-Wells draws attention to the pressing need to address the growing problem of climate change. This unsettling book warns about the potential devastation that awaits us in the near future — unless we can enact a revolution in how we tackle global warming.
40. The Silk Roads by Peter Frankopan
Another fascinating historical read, The Silk Roads by Peter Frankopan closes in on the relationship between the East and West. Examining and dismantling Eurocentric narratives, Frankopan’s illuminating work focuses on the history of countries lying on the “Silk Road,” the trade route connecting East and West, and attempts to re-balance history. In Frankopan’s version of world history, the center point of Western civilization is the Persian Empire.
41. Why We Sleep by Matthew Walker
Neuroscientist Matthew Walker’s Why We Sleep achieved sensational status due to its hyperfocus on a universal experience: sleep. Walker delves into the scientific specifics of why sleep is so important, and reminds his readers that sleep deprivation, though common in modern society, is a worrying phenomenon. This is one of the best nonfiction books to make a convincing case for being generous with our down-time and getting some rest.
42. Playing to the Gallery by Grayson Perry
Grayson Perry’s cheerful, informative, and inspiring Playing to the Gallery is a crash-course in art appreciation. According to Perry, no one is too ignorant to pursue an interest in art. This joyful and down-to-earth book is an excellent resource for anyone who’s interested in modern art but daunted by the sometimes-elitist institutions that represent it.
43. How Language Works by David Crystal
David Crystal’s How Language Works is a detailed, all-encompassing nonfiction book addressing the many questions that arise when you start to really think about the processes of using language. In learning more about language, you’ll also learn more about yourself, your idiolect, and your unconscious linguistic influences.
44. Political Order and Political Decay by Francis Fukuyama
In Political Order and Political Decay , political scientist Francis Fukuyama (famous for his 1992 book The End of History and the Last Man ) explores the historical development of political institutions in various countries. In this insightful book, Fukuyama asks important questions about corruption and its eradication — and what it might take to run a well-functioning state in the present day.
45. Prisoners of Geography by Tim Marshall
For cartography fans and or anyone with even a casual interest in geography, Tim Marshall’s Prisoners of Geography is a brilliant interpretation of ten modern maps. Marshall analyzes the geopolitical complexities of each region, showing the many layers and dimensions of our political reality as captured by cartographers. This book is guaranteed to change the way you view maps forever.
46. This is Not Propaganda by Peter Pomerantsev
Peter Pomerantsev’s This is Not Propaganda focuses on the complication and confusion of the current “disinformation” age. This book explores how surfaces can be deceiving, delving underneath them to examine (among other things) how Twitter, Reddit, and Facebook seep into our political thinking. This disturbing book provides fascinating insights important to everyone, but especially to readers troubled by the current involvement of digital technologies in the political realm.
47. The Corporation by Joel Bakan
Joel Bakan’s The Corporation draws an intriguing parallel between the psychopathic mindset and the way corporations grow. In this thought-provoking book, legal theorist Bakan uses his training in law to break down the potential of power to corrupt both individuals and corporations.He supplements this analysis with several informative interviews investigating the psychology of pursuing success.
48. Humans of New York: Stories by Brandon Stanton
Brandon Stanton’s photo interview series “Humans of New York” initially became famous on Facebook for capturing everyday lives. This utterly heartwarming (and heart-wrenching) volume compiles multiple stories into a book you can hold. In Humans of New York, interviewees bare their souls to Brandon as they pose for his camera, creating a meaningful reminder of our shared and enduring humanity.
49. The Element by Ken Robinson with Lou Aronica
Champion of creativity Ken Robinson urges artistic minds to follow their heart and identify their “element” in his inspirational nonfiction book The Element . Your element, he explains, is where passion intersects with talent: that’s where you can harness your own power the most. Robinson argues for educational reform that will make helping students find their element a priority, as it is the key to unlocking creativity and innovation for the future.
50. Eating Animals by Jonathan Safran Foer
Written by successful novelist Jonathan Safran Foer, Eating Animals is a passionate testament to vegetarianism and a philosophical, ethical, and moral assessment of our eating habits, with a special focus on our consumption of animal products. It’s a provocative reading experience, and it’s sure to stay with you for a long time.
51. Is That a Fish in Your Ear? by David Bellos
David Bellos’s Is That a Fish in Your Ear? is a witty, informative ode to the practice of literary translation. Bellos, himself a translator, details the individual aspects of style that complicate translation — like humor. As a result, he opens reader’s eyes to the countless artistic microdecisions obscured behind the curtain of translation. This exciting book will inspire you to seek translated books from other languages and open yourself up to new worlds.
52. Late Bloomers by Rich Karlgaard
In Late Bloomers , Rich Karlgaard dispels the assumption that all genius must emerge in days of youth. He argues that our culture’s obsession with early achievement discourages older members of society from pursuing their passion and talents, pleading for the world to consider “a kinder clock for human development” instead. His book presents an alternative outlook that would empower more people among us to follow their dreams, because it’s never too late!
53. How to Write an Autobiographical Novel by Alexander Chee
Alexander Chee’s collection of essays, How to Write an Autobiographical Novel, muses on the subjects of art and identity, as well as the craft of writing itself. This thoughtful and reflective book is an impactful invitation into the interior world of one of America’s most acclaimed essayists.
54. The God Delusion by Richard Dawkins
A brutal and honest nonfiction book, The God Delusion is an unapologetic defense of atheism by Richard Dawkins. The author is entirely unconvinced by religion, and explains his reasoning in this detailed and expansive work. His provocative challenge to readers’ views is sure to prompt spiritual soul-searching for fellow atheists and religious readers alike.
55. Afropean by Johny Pitts
“European” doesn’t automatically mean “White.” Afropean, a captivating documentation of the history and experience of black Europeans, seeks to challenge this common assumption, turning the spotlight onto black communities in several European countries. This Jhalak Prize-winning work is exciting and invigorating, ready to take you along on a journey across Europe.
56. A Secret Gift by Ted Gup
One day, journalist Ted Gup discovered letters addressed to his grandfather from suffering families in Canton, Ohio, from the time of the Great Depression. Following that epistolary trail seventy-five years later, Gup uncovered the story of how his immigrant grandfather secretly helped fellow Cantonians, discovering more about his own grandfather as well as the history of America in the process. A Secret Gift is a masterful and moving tale about the past, and a reminder of the importance of kindness and generosity.
57. The Glass Castle by Jeanette Walls
Jeanette Walls’s The Glass Castle is a tender, humorous account of the author’s nomadic childhood, which has been adapted into an acclaimed movie. This astonishing memoir especially focuses on the author’s relationship with her bohemian-minded parents, whose flaws and eccentricities are described with deep affection, no matter how difficult they are to live with. Simply written and honestly told, this memoir is a true accomplishment.
58. Know My Name: A Memoir by Chanel Miller
Have you heard of Chanel Miller? Maybe not — but it’s likely you’ve heard of the man who sexually assaulted her on Stanford University’s campus: Brock Turner. In Know My Name, a searing memoir of trauma and recovery, Chanel writes herself back into the narrative, claiming the right to tell her own story. Brave and enlightening, this is a difficult but important read.
59. 1491: New Revelations of the Americas Before Columbus by Charles C. Mann
The way most history textbooks tell it, Europeans brought civilization to the Americas with the arrival of Columbus in 1492. Not so fast, says Charles C. Mann’s 1491 , a book that’s here to challenge the accepted version of history. Mann offers an utterly transformative historical account of the Americas, reversing the general assumption that its inhabitants were simple villagers before the arrival of European colonizers.
60. Unbroken: A World War II Story of Survival, Resilience and Redemption by Laura Hillenbrand
Laura Hillenbrand’s Unbroken tells the unbelievable story of Louis Zamperini, the rebellious American son of Italian immigrants who found himself a lieutenant in World War II. This breathtaking tale about the Second World War is sobering, informative, and brilliantly told — an essential read for anyone interested in the War’s effect on individual lives.
Eager for more of the best contemporary reads? Check out our list of the 21 best novels of the 21st century !
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The 20 Best Works of Nonfiction of the Decade
In which we cheated..
Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.
So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , the best memoirs of the decade , and the best essay collections of the decade. But our sixth list was a little harder—we were looking at what we (perhaps foolishly) deemed “general” nonfiction: all the nonfiction excepting memoirs and essays (these being covered in their own lists) published in English between 2010 and 2019.
Reader, we cheated. We picked a top 20. It only made sense, with such a large field. And 20 isn’t even enough, really. But so it goes, in the world of lists.
The following books were finally chosen after much debate (and multiple meetings) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.
The Top Twenty
Michelle alexander, the new jim crow (2010).
I read Michelle Alexander’s The New Jim Crow when it first came out, and I remember its colossal impact so clearly—not just on the academic world (it is, technically, an academic book, and Alexander is an academic) but everywhere. It was published during the Obama Administration, an interval which many (white people) thought signaled a new dawn of race relations in America—of a kind of fantastic post-racialism. Though it’s hard to look back on this particular zeitgeist now (when, and I still can’t believe I’m writing this, Donald Trump is president of the United States) without decrying the ignorance and naiveté of this mindset, Alexander’s book called out this the insistence on a phenomenon of “colorblindness” in 2012, as a veneer, as a sham, or as, simply, another form of ignorance. “We have not ended racial caste in America,” she declares, “we have merely redesigned it.” Alexander’s meticulous research concerns the mass incarceration of black men principally through the War on Drugs, Alexander explains how the United States government itself (the justice system) carries out a significant racist pattern of injustice—which not only literally subordinates black men by jailing them, but also then removes them of their rights and turns them into second class citizens after the fact. Former convicts, she learns through working with the ACLU, will face discrimination (discrimination that is supported and justified by society) which includes restrictions from voting rights, juries, food stamps, public housing, student loans—and job opportunities. “Unlike in Jim Crow days, there were no ‘Whites Only’ signs.” Alexander explains. “This system is out of sight, out of mind.” Her book, which exposes this subtler but still horrible new mode of social control, is an essential, groundbreaking achievement which does more than call out the hypocrisy of our infrastructure, but provide it with obvious steps to change. –Olivia Rutigliano, CrimeReads Editorial Fellow
Siddhartha Mukherjee, The Emperor of All Maladies (2010)
In this riveting (despite its near 600 pages) and highly influential book, Mukherjee traces the known history of our most feared ailment, from its earliest appearances over five thousand years ago to the wars still being waged by contemporary doctors, and all the confusion, success stories, and failures in between—hence the subtitle “a biography of cancer,” though of course it is also a biography of humanity and of human ingenuity (and lack thereof).
Mukherjee began to write the book after a striking interaction with a patient who had stomach cancer, he told The New York Times . “She said, ‘I’m willing to go on fighting, but I need to know what it is that I’m battling.’ It was an embarrassing moment. I couldn’t answer her, and I couldn’t point her to a book that would. Answering her question—that was the urgency that drove me, really. The book was written because it wasn’t there.”
His work was certainly appreciated. The Emperor of All Maladies won the 2011 Pulitzer in General Nonfiction (the jury called it “An elegant inquiry, at once clinical and personal, into the long history of an insidious disease that, despite treatment breakthroughs, still bedevils medical science.”), the Guardian first book award, and the inaugural PEN/E. O. Wilson Literary Science Writing Award; it was a New York Times bestseller. But most importantly, it was the first book many laypeople (read: not scientists, doctors, or those whose lives had already been acutely affected by cancer) had read about the most dreaded of all diseases, and though the science marches on, it is still widely read and referenced today. –Emily Temple, Senior Editor
Rebecca Skloot, The Immortal Life of Henrietta Lacks (2010)
As a strongly humanities-focused person, it’s difficult for me to connect with books about science. What can I say besides that public education and I failed each other. When I read The Immortal Life of Henrietta Lacks , I found myself thinking that if all scientific knowledge were part of this kind of incredibly compelling and human narrative, I would probably be a doctor by now. (I mean, it’s possible .) Rebecca Skloot tells the story of Henrietta Lacks, a black woman who died of cervical cancer in 1951, and her cells (dubbed HeLa cells) which were cultured without her permission, and which were the first human cells to reproduce in a lab—making them immensely valuable to scientists in research labs all over the world. HeLa cells have been used for the development of vaccines and treatments as well as in drug treatments, gene mapping, and many, many other scientific pursuits. They were even sent to space so scientists could study the effects of zero gravity on human cells.
Skloot set a wildly ambitious project for herself with this book. Not only does she write about the (immortal) life of the cells as well as the lives of Lacks and her (human, not just cellular) descendants, she also writes about the racism in the medical field and medical ethics as a whole. That the book feels cohesive as well as compelling is a great testament to Skloot’s skills as a writer. “ Immortal Life reads like a novel,” writes Eric Roston in his Washington Post review . “The prose is unadorned, crisp and transparent.” For a book that encompasses so much, it never feels baggy. Nearly ten years later, it remains an urgent text, and one that is taught in high schools, universities, and medical schools across the country. It is both an incredible achievement and, simply, a really good read. –Jessie Gaynor, Social Media Editor
Timothy Snyder, Bloodlands (2010)
Timothy Snyder’s brilliant Bloodlands has changed World War II scholarship more, perhaps, than any work since Hannah Arendt’s Eichmann in Jerusalem, an apt comparison given that Bloodlands includes within it a response to Arendt’s theory of the banality of evil (Snyder doesn’t buy it, and provides convincing proof that Eichmann was more of a run-of-the-mill hateful Nazi and less a colorless bureaucrat simply doing his job). Snyder reads in 10 languages, which is key to his ability to synthesize international scholarship and present new theories in an accessible way. But before I continue praising this book, I should probably let y’all know what it’s about— Bloodlands is a history of mass killings in the Double-Occupied Zone of Eastern Europe, where the Soviets showed up, killed everyone they wanted to, and then the Nazis showed up and killed everyone else. By focusing on mass killings, rather than genocide, Snyder is able to draw connections between totalitarian regimes and examine the mechanisms by which small nations can suddenly and horrifyingly become much smaller. –Molly Odintz, CrimeReads Associate Editor
Isabel Wilkerson, The Warmth of Other Suns: The Epic Story of America’s Great Migration (2010)
Wilkerson’s history of the Great Migration is a revelation. When we talk about migration in the context of American history, we tend to focus on triumphalist stories of immigrants coming to America, but what about the vast migrations that have happened internally? Between 1920 and 1970, millions of African-Americans migrated North from the prejudice-ridden South, lured by relatively high-paying jobs and relatively less racism. It takes a whole lot to make someone leave their home, and Wilkerson does an excellent job at reminding us how awful life in the South was for Black people (and still is, in many ways). The Warmth of Other Suns is not only fascinating—it’s also thrilling, taking us into the lives of hard-scrabble folk who were equal parts refugees and adventurers, and truly epic, telling a great story on a grand scale. Don’t think that means there aren’t small moments of humanity seeded throughout the book—for every sentence about the conduct of millions, there’s a detail that reminds us that we’re reading about individuals, with their own hopes, wishes, dreams, and struggles. –Molly Odintz, CrimeReads Associate Editor
Robert A. Caro, The Passage of Power: The Years of Lyndon Johnson (2012)
While Robert Caro first came to prominence for The Powerbroker, his 1974 biography of divisive urban planner Robert Moses, it’s Caro’s ongoing multi-volume biography of LBJ, America’s most unjustly maligned president (fight me, Kennedy-heads!), that has cemented his legacy. It’s hard to pick one in particular to recommend, but The Passage of Power, which covers the years 1958-1964, captures the most tumultuous period of LBJ’s life in politics, as he went from feared senator, to side-lined VP, to suddenly becoming the post powerful figure in the world. There’s something profoundly moving about the vastness of these works—Caro is 83 now, and has dedicated an enormous part of his life to this singular project. His wife is his only approved research assistant, and together, they’ve upended half a century of LBJ criticism to reveal the complex, problematic, but always striving core of a sensitive soul.
I had a teacher in high school who spent 20 years working on her dissertation on LBJ. She’d spend each weekend at the LBJ Library at UT Austin, while working full time as a public school teacher, and kicked ass at both. There’s something about LBJ that inspires people to dedicate their entire lives to trying to figure him out, and in the process, trying to understand the world that made him, and that he made. Thanks to Caro, we can all understand LBJ a little bit better. –Molly Odintz, CrimeReads Associate Editor
Tom Reiss, The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo (2012)
Tom Reiss opens his biography of Thomas Alexandre-Dumas, father of author Alexandre Dumas, with a scene that seems right out of an academic heist film. At a library in rural France, Reiss convinces a town official to blow open a safe whose combination was held only by the late librarian. What Reiss discovers are the rudiments of a grand and, until then, largely unknown story of the man who inspired some of his son’s most beloved tales. The Black Count is also a case study of complex racial politics during the age of revolutionary France. Dumas was born in 1762 in Saint-Domingue, the French Caribbean colony that would become Haiti. As the son of a French marquis and a freed black slave, Dumas was subject both to the privileges of the former and the kind of indignities suffered by the latter. His father, for instance, sells him into slavery when he is 12 only to purchase his freedom later and bring him to France, where the young man receives an aristocratic education. A final rift from his father prompts Dumas to join the military. Reiss creates a dynamic, if somewhat speculative portrait of Dumas based on letters, reports from battlefields, Dumas’ own writings, and more. By the time he is 30, Dumas has vaulted in the ranks from corporal to general and commands a division of more than 50,000 soldiers. It’s no accident that the thrilling militaristic feats Reiss describes sound like events out of The Count of Monte Cristo or The Three Musketeers . Though the general becomes a cavalry commander under Napoleon Bonaparte, Reiss suggests that it was Napoleon himself who ruined Dumas not only from a personal standpoint, but civilizational as well. Napoleon reintroduced slavery in Haiti, after all, in contradiction to the republican dreams of Dumas’ contemporary, Toussaint Louverture, another rare and successful 18th-century general of African descent. Reiss unearths the ultimately tragic story of a man who was infamous in his own time for enjoying social and professional advantages that would’ve been unheard of for a mixed-race man in the US, a nation which of course went through its own revolution one generation earlier. –Aaron Robertson, Assistant Editor
Elizabeth Kolbert, The Sixth Extinction (2014)
The premise of Elizabeth Kolbert’s Pulitzer-prize-winning book is a simple scientific fact: there have been five mass extinctions in the history of the planet, and soon there will be six. The difference, Kolbert explains, is that this one is caused by humans, who have drastically altered the earth in a short time. She points out on the first page that humans (which is to say, homo sapiens , humans like us) have only been around for two hundred thousand or so years—an incredibly short amount of time to do damage enough to destroy most of earthly life. Kolbert’s book is so unique, though, because she combines research from across disciplines (scientific and social-scientific) to prepare an extremely comprehensive, sweeping argument about how our oceans, air, animal populations, bacterial ecosystems, and other natural elements are dangerously adapting to (or dying from) human impact, while also tracing the history of both the approaches to these things (theories of evolution, extinction, and other principles). It’s a depressing and horrifying argument on the face of it, but it’s made so delicately, even poetically—Kolbert’s concerned, occasional first-person narration, and her many interviews with professionals capable of the pithiest, most perfect quotes (not to mention that she interviews these experts, sometimes, over pizza) make this book a conversation, more than a treatise. Kolbert talks us through the headiest, most complicated science, breaking down this mass disaster morsel by morsel. This might be The Sixth Extinction’ s greatest achievement—it is so smart while also being so quotidian, so urgent while also being so present. And this fits the tone of her argument: our current mass extinction doesn’t feel like an asteroid hitting the planet. It’s amassed by the small ways in which we live our lives. We are crawling, she illuminates, towards the end of the world. –Olivia Rutigliano, CrimeReads Editorial Fellow
Ta-Nehisi Coates, Between the World and Me (2015)
Ta-Nehisi Coates’ Between the World and Me 1) won the National Book Award for Nonfiction in 2015, 2) was a #1 New York Times bestseller, and 3) was deemed “required reading” by Toni Morrison. What else is there to say? To call it “timely” or “urgent” or even “a prime example of how the personal is, in fact, political” (as I am tempted to do) does not quite capture the unique, grounding, heartbreaking experience of reading this book. Framed as a letter to his teenage son, Between the World and Me is both a biting interrogation of American history and today’s society and an intimate look at the concerns and hopes a father passes down to his son. In just 152 pages, this book touches on the creation of race (“But race is the child of racism, not the father”), the countless acts of violence enacted on black bodies, gun control, and anecdotes from the writer’s own life. Ta-Nehisi Coates, a correspondent for The Atlantic , exercises a journalist’s concision and clarity and fuses it with the flourish of a novelist and the caring instinct of a father. It is a wonderful hybrid. The way the topics, the tones, bleed into one another reads so naturally: “I write you in your fifteenth year. I am writing you because this was the year you saw Eric Garner choked to death for selling cigarettes; because you know now that Renisha McBride was shot for seeking help, and that John Crawford was shot down for browsing in a department store…” The list, of course, goes on. Between the World and Me brilliantly forces us to confront these tragedies again—to remember our own experiences watching the news coverage, to see them in the context of history filtered through Ta-Nehisi Coates’ unsurprised perspective, and to see them anew through the eyes of his disillusioned young son. There is an amazing generosity to these personal glimpses, the moments when the writer turns to his son (says “you”). They catch you off guard. (There are even photographs throughout, like a scrapbook you aren’t sure if you’re allowed to look through.) There have been many books about race, about violence and institutionalized injustice and identity, and there will be more, but none quite so beautifully shattering as this. –Katie Yee, Book Marks Assistant Editor
Andrea Wulf, The Invention of Nature (2015)
Andrea Wulf’s 2015 biography of 18th-century German naturalist Alexander von Humboldt—one of the most famous men of his time, for whom literally hundreds of towns, rivers, currents, glaciers, and more are named—is so much more than the story of a single life. Aside from chronicling a remarkably fertile moment in the history of European ideas (Von Humboldt was good buddies with his neighbor in Weimar, Goethe) Wulf reveals in Humboldt a true forebear of present-day ecology, a jack-of-all-trades scientist less concerned with the reduction of the natural world into its constituent specimens than with our place in a broader ecosystem.
And while it doesn’t seem particularly radical now, Humboldt’s proto-environmentalist ideas about the wider world, much of which he mapped and explored, stood in stark contrast to prevailing notions of Christian dominion, that dubious theological position conjured up in aid of empire. Insofar as Humboldt was among the first to understand and articulate the complex systems of a living forest, he was also the first to sound the alarm about the impacts of deforestation (much of which he encountered on his epic journey across the northern reaches of South America). Part adventure yarn, part intellectual history, part ecological meditation, The Invention of Nature restores to prominence an exemplary life, and reminds us of the tectonic force of ideas paired to action. –Jonny Diamond, Editor in Chief
Stacy Schiff, The Witches (2015)
It’s surprising that with a topic as popular and recurring in American culture as the Salem witch trials there have not been more books of this kind. Pulitzer Prize-winning author of the bestselling Cleopatra, Stacy Schiff takes to the Salem witch trials with curiosity and a historian’s magnifying glass, setting out to uncover the mystery that has baffled, awed, and terrified generations since. She pokes at the spectacle that Salem has become in mainstream and artistic depictions—how it has blended with folklore and fiction and has hitherto become a sensationalized event in American history which nonetheless has never been fully understood. Schiff writes that despite the imagination surrounding the Salem witch trials, in reality, there is still a gap in their history of—to be exact—nine months; so the impetus of the book and the intent of Schiff is to penetrate the mass hysteria and panic that ripped through Salem at the time and led to the execution of fourteen women and five men. In her opening chapter, Schiff chillingly sets up the atmosphere of the book and asks key questions that will drive its ensuing narrative: “Who was conspiring against you? Might you be a witch and not know it? Can an innocent person be guilty? Could anyone, wondered a group of men late in the summer, consider themselves safe?” At the heart of Schiff’s historical investigation is the Puritan culture of New England—but part of her masterful synthesis is that she picks apart at each thread of Salem’s culture and evaluates the witch trials from every perspective. Praised for her research as well as her prose and narrative capabilities, Schiff’s The Witches has been described by The Times (London) as “An oppressive, forensic, psychological thriller”; Schiff herself, by the New York Review of Books as having “mastered the entire history of early New England.” A phrase that still haunts me for its resonance throughout human history, is: “Even at the time, it was clear to some that Salem was a story of one thing behind which was a story about something else altogether.” –Eleni Theodoropoulos, Editorial Fellow
Svetlana Alexievich, tr. Bela Shayevich, Secondhand Time (2016)
A landmark work of oral history, Svetlana Alexievich’s Second-hand Time chronicles the decline and fall of Soviet communism and the rise of oligarchic capitalism. Through a multitude of interviews conducted between 1991 and 2012 with ordinary citizens—doctors, soldiers, waitresses, Communist party secretaries, and writers—Alexievich’s account is as important to understanding the Soviet world as Solzhenitsyn’s The Gulag Archipelago . Second-hand Time first appeared in Russia in 2013 and was translated into English in 2016 by Bella Shayevich. As David Remnick wrote in The New Yorker , “There are many worthwhile books on the post-Soviet period and Putin’s ascent…But the nonfiction volume that has done the most to deepen the emotional understanding of Russia during and after the collapse of the Soviet Union of late is Svetlana Alexievich’s oral history…” It is shockingly intimate, Alexievich’s interviewees sharing their darkest traumas and deepest regrets. In their kitchens, at gravesites, each character tells the story of a nation abandoned by the Kremlin. Like much of Alexievich’s work, it is radical in its composition, challenging with its polyphony of distinctive, human voices the “official history” of a society that presented itself as homogeneous and monolithic—an achievement the Nobel committee recognized when it cited the Belorussian journalist for developing “a new kind of literary genre…a history of the soul.” Like her more recent The Unwomanly Face of War and Last Witnesses: An Oral History of the Children of World War II , Alexievich’s project is one of the most important accounts being produced today. –Emily Firetog, Deputy Editor
Jane Mayer, Dark Money (2016)
In addition to being an incredible work of reporting, Jane Mayer’s Dark Money is a historical document of what happened to America as a small group of plutocrats funded the rise of political candidates who espoused policies and beliefs that had been, until then, considered a part of the fringe right wing of the Republican Party. Mayer describes this group as “a small, rarefied group of hugely wealthy, archconservative families that for decades poured money, often with little public disclosure, into influencing how Americans thought and voted.” Mayer’s painstakingly reported work is a monumental achievement; she lays out, in as much detail as could possibly be available, the mechanisms that allowed this group to channel their wealth and power, with the help of federal law, to a set of institutions that aim to fight scientific advancement, justice-oriented movements, and climate change. In doing so, they have overhauled American politics. As Alan Ehrenhalt put it in a review of the book for The New York Times, she describes “a private political bank capable of bestowing unlimited amounts of money on favored candidates, and doing it with virtually no disclosure of its source.”
The stakes here extend beyond American politics; Mayer points out that Koch money upholds some of the institutions most vigorously fighting climate activism and defending the fossil fuel industry. In 2017, she told the Los Angeles Times , “There are many things you can fix and you can bring back, and there are sort of cycles in American history and the pendulum swings back and forth, but there are things you can damage irreparably, and that’s what I’m worried about right this moment … And that’s why this particular book—because it’s about the money that is stopping this country from doing something useful on climate change.” –Corinne Segal, Senior Editor
David France, How to Survive a Plague (2016)
To call How to Survive a Plague extensive would be an understatement; France’s account of the epidemic’s earliest days is overwhelmingly generous, letting the reader experience those days, and everything that followed, from within the community that faced it first. France recounts the ways in which scientists and doctors first responded to the virus, tracing the evolution of that understanding from within a small circle to a broad cry for awareness and resources; meanwhile, he shows how a community of people fighting for their lives mobilized alternative systems of communication, education, and support while facing an almost inconceivable wall of barriers to that work. The importance of language in this fight is at the forefront here, from the scientific question of what to call the virus, to its reputation in popular culture as “gay cancer,” to the disagreements within activist groups about how to tell their stories to an unsympathetic world.
This is an enraging history, one of various institutional failures, missed opportunities, hypocrisies, and acts of malice toward a community in crisis, motivated by hatred and horror of queer people and gay men in particular. But I felt equally enraged and in awe. This is a humbling history to read, especially if, like me, you come from a generation of queer people that has been accused of forgetting it. I’m grateful for France’s testimony; it won’t let any of us forget. –Corinne Segal, Senior Editor
Andrés Reséndez, The Other Slavery (2016)
Reséndez’s The Other Slavery is nothing short of an epic recalibration of American history, one that’s long overdue and badly needed in the present moment. The story of the assault on indigenous peoples in the Americas is perhaps well-known, but what’s less known is how many of those people were enslaved by colonizers, how that enslavement led to mass death, and how complicit the American legal system was in bringing that oppression about and sustaining it for years beyond the supposed emancipation in regions in which indigenous peoples were enslaved. This was not an isolated phenomenon. It extended from Caribbean plantations to Western mining interests. It was part and parcel of the European effort to settle the “new world” and was one of the driving motivations behind the earliest expeditions and colonies. Reséndez puts the number of indigenous enslaved between Columbus’s arrival and 1900 at somewhere between 2.5 and 5 million people. The institution took many forms, but reading through the legal obfuscation and drilling down into the archival record and first-hand accounts of the eras, Reséndez shows how slavery permeated the continents. Native tribes were not simply wiped out by disease, war, and brutal segregation. They were also worked—against their will, without pay, in mass numbers—to death. It was a sustained and organized enslavement. The Other Slavery also tells the story of uprising—communities that resisted, individuals who fought. It’s a complex and tragic story that required a skilled historian to bring into the contemporary consciousness. In addition to his skills as a historian and an investigator, Resendez is a skilled storyteller with a truly remarkable subject. This is historical nonfiction at its most important and most necessary. –Dwyer Murphy, CrimeReads Managing Editor
Rebecca Traister, All the Single Ladies (2016)
One night, facing a brief gap between plans with different people, I took Rebecca Traister’s All the Single Ladies to a bar. A few minutes after I ordered, deep in Traister’s incredible, extensive history of single women in America, a server came over to offer me another, more isolated seat at the end of the bar, “so you don’t feel embarrassed about being alone,” she said, quietly. I assured her I was okay, trying not to laugh. She was just so worried.
I turned back to my book to find Traister describing this kind of cultural distress— a woman, alone, in public?! —at a new generation of unmarried adult women, who are more autonomous and numerous today than ever before. Far from marking a crisis in the social order, Traister writes, this shift “was in fact a new order … women’s paths were increasingly marked with options, off-ramps, variations on what had historically been a very constrained theme.” She examines the history of unmarried women as a social and political force, including the activists who devoted their lives to establishing a greater range of educational, familial, and economic choices for women, with particular attention to the ways in which that history is also one of racial and economic justice in the US. Traister also highlights the networks of social support that women have created in order to survive patriarchy and establish lifestyles that did not depend on it; intimacy and communication among unmarried women, she shows, were the backbone of activist and reform movements that successfully challenged the dominant order.
The book draws on interviews from dozens of women of varying backgrounds, and their firsthand accounts are a portrait of life amid a historic shift toward female autonomy. Their stories, and Traister’s analysis, make it clear that even as options for many women are expanding, those options are not equally available or beneficial to all women. This is a stunning reckoning with the state of women’s independence and the policies that still seek to curtail it. –Corinne Segal, Senior Editor
Caroline Fraser, Prairie Fires (2017)
Prairie Fires , Caroline Fraser’s Pulitzer Prize- and National Book Critics Circle Award-winning biography of Laura Ingalls Wilder is not just a painstakingly researched and lyrically realized account of how the Little House on the Prairie author decanted the poverty and precarity of her homesteader family’s existence into narratives of self-reliance and perseverance—although it is that—it is also a meditation on the human need “to transform the raw materials of the past into art.” Full disclosure, I did not read the Little House on the Prairie books as a child and have no sentimental attachment to Laura, Pa or Ma. But in looking at the life behind the books, Wilder emerges as a tenacious, sometimes fragile figure, and as a literary operator of uncommon nous and self-awareness. Drawing on unpublished manuscripts, letters, diaries, and land and financial records, Prairie Fires has all the essentials of a great history book. Most importantly, Fraser’s great skill is in pulling back the veils of mythology that have enshrouded her subject and the era her works helped to define, enabling us to see both the real people and the myths themselves with fresh, critical eyes. There is no romanticizing of the Frontier, and a very real understanding of the sentimentality and bias of an overtly racist understanding of “westward expansion.” It is a remarkable book. –Emily Firetog, Deputy Editor
David W. Blight, Frederick Douglass: Prophet of Freedom (2018)
In 2017, monuments commemorating heroes of the Confederacy were being debated, defaced and toppled throughout the United States. That same year, months before President Trump signed a law creating a commission to plan for the bicentennial of Frederick Douglass’ birth, he infamously seemed to suggest that Douglass was still around, doing an “amazing job” and “getting recognized more and more.” The irony was hard to miss: it was easy to eulogize a past that was not comprehensively, nor even fundamentally understood. One achievement of historian David Blight’s monumental study of the former slave turned abolitionist is the thoroughness with which it examines the man’s development across three autobiographies he produced in the span of ten years. The popular image of Douglass has long been that of a bushy-haired man affixed to Abraham Lincoln’s side, delivering rousing speeches on abolition and the sins of slavery. And while there is basic truth to that, Blight sets out to fill the gaps in public understanding, guiding readers from the Maryland slave plantation where Douglass was born to the many stops along his European speech circuit, when he established himself as one of the world’s most recognizable opponents of slavery. The vague circumstances of Douglass’ birth (he was born to an enslaved woman and a white man who may also have been his owner) later compelled him to create his own life narratives, a task that he accomplished both in writing and oratory. Blight’s engagement with Douglass’ writing also marks the biography as a triumph of public-facing textual criticism. For decades before Prophet of Freedom astonished critics and general readers, Blight had been making his name as one of the leading Douglass scholars in the US. Blight’s work was not historical revisionism, but rather a considered analysis of a man who relied on actions as much as words. Many may be surprised to learn, for example, what a vocal supporter Douglass was of the Civil War and violence as a necessary means to dismantle the system that had nearly destroyed him. Prophet of Freedom feels as definitive as a Robert Fagles translation of Homer—we hope it’s not the final word, though it will take quite the successor to produce a worthwhile follow-up. –Aaron Robertson, Assistant Editor
Robert Macfarlane, Underland (2019)
One hesitates to label any book by a living writer his “magnum opus” but Macfarlane’s Underland —a deeply ambitious work that somehow exceeds the boundaries it sets for itself—reads as offertory and elegy both, finding wonder in the world even as we mourn its destruction by our own hand. If you’re unfamiliar with its project, as the name would suggest, Underland is an exploration of the world beneath our feet, from the legendary catacombs of Paris to the ancient caveways of Somerset, from the hyperborean coasts of far Norway to the mephitic karst of the Slovenian-Italian borderlands.
Macfarlane has always been a generous guide in his wanderings, the glint of his erudition softened as if through the welcoming haze of a fireside yarn down the pub. Even as he considers all we have wrought upon the earth, squeezing himself into the darker chambers of human creation—our mass graves, our toxic tombs—Macfarlane never succumbs to pessimism, finding instead in the contemplation of deep time a path to humility. This is an epochal work, as deep and resonant as its subject matter, and would represent for any writer the achievement of a lifetime. –Jonny Diamond, Editor in Chief
Patrick Radden Keefe, Say Nothing: A True History of Memory and Murder in Northern Ireland (2019)
Attempting, in a single volume, to cover the scale and complexity of the Northern Ireland Troubles—a bloody and protracted political and ethno-nationalist conflict that came to dominate Anglo-Irish relations for over three decades—while also conveying a sense of the tortured humanity and mercurial motivations of some of its most influential and emblematic individual players and investigating one of the most notorious unsolved atrocities of the period, is, well, a herculean task that most writers would never consider attempting. Thankfully, investigative journalist Patrick Radden Keefe (whose 2015 New Yorker article on Gerry Adams, “Where the Bodies Are Buried”, is a searing precursor to Say Nothing ) is not most writers. His mesmerizing account, both panoramically sweeping and achingly intimate, uses the disappearance and murder of widowed mother of ten Jean McConville in Belfast in 1972 as a fulcrum, around which the labyrinthine wider narrative of the Troubles can turn. The book, while meticulously researched and reported (Radden Keefe interviewed over one hundred different sources, painstakingly sorting through conflicting and corroborating accounts), also employs a novelistic structure and flair that in less skilled hands could feel exploitative, but here serves only to deepen our understanding of both the historical events and the complex personalities of ultimately tragic figures like Dolours Price, Brendan Hughes, and McConville herself—players in an attritional drama who have all too often been reduced to the status of monster or martyr. Once you’ve caught your breath, what you’ll be left with by the close of this revelatory hybrid work is a deep and abiding feeling of sorrow, which is exactly as it should be. –Dan Sheehan, BookMarks Editor
Dissenting Opinions
The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.
Maggie Nelson, The Art of Cruelty: A Reckoning (2011)
Maggie Nelson, if evaluated from a first glance at her authored works, may appear to be a paradox. That the author of Bluets, a moving lyric essay exploring personal suffering through the color blue, also wrote The Red Parts , an autobiographical account of the trial of her aunt’s murderer, may seem surprising. Not that any person cannot and does not contain multitudes but the two aesthetics may seem diametrically opposed until one looks at The Art of Cruelty and understands Nelson’s fascination with art on the one hand, and violence on the other. Nelson hashes out the intersection of the two across multiple essays. “One of this book’s charges,” she writes, “is to figure out how one might differentiate between works of art whose employment of cruelty seems to me worthwhile (for lack of a better word), and those that strike me as redundant, in bad faith, or simply despicable.” The Art of Cruelty is a self-proclaimed diagram of recent art and culture and does not promise to take sides, to deliver ethical or aesthetic claims masquerading as some declarative truth on the matter. So cruelty is very much approached from Nelson’s poetic sensibility, with a degree of nuance, and an attitude of reflection and curiosity but also one of a certain distance so that all the emotions—anger, disgust, discomfort, thrill etc.—can be viewed as part of a whole rather than in isolation. Cruelty, counterbalanced with compassion—especially with reference to Buddhism—is certainly not hailed by Nelson as a cause for celebration but worthy of rumination and analysis so that it is not employed tacitly and without recourse. No book could ever, I think, provide an exhaustive evaluation of this topic, nor is Nelson’s approach that of a philosopher or art-historian looking to propose a theory. Nevertheless, she dexterously, and creatively, manages to hold a mirror to our culture’s fascination with cruelty and invites us to reflect on our personal reasons for indulging it. –Eleni Theodoropoulos, Editorial Fellow
Óscar Martinez, The Beast (2013)
For over a decade, Martinez has been a witness and a chronicler of the ground-level effects of the war on drugs, reporting from across Latin America with a special focus on Central America and his home country of El Salvador, where more recently he’s been writing about the bloody culture of MS-13 and other narco-cliques that have expanded their power. Before that, he was charting the plight of migrants running the terrible gauntlet across borders and through narco-controlled territories. Martinez rode the dreaded train known as “The Beast” and collected the stories of those traveling north on this perilous journey. While crime isn’t strictly the focus of the book, Martinez looks at the direct effects of mass crime at a regional/global level, as well as the outlaw communities springing up to prey on the vulnerable. The subject matter is dark, but Martinez writes with the terrible, piercing clarity of a Cormac McCarthy. The Beast is a dispatch from a nearly lawless land, where families struggle and suffer, narcos get richer, violence spreads, the drugs head north, the guns head south, and so it goes on. Forget the rhetoric, the politics, and the propaganda. The Beast is the real story of the drug war. “Where can you steer clear of bandits?” Martinez asks. “Where do the drugs go over? Where can you avoid getting kidnapped by the narcos? Where is there a spot left with no wall, no robbers, and no narcos? Nobody has been able to answer this last question.” To call this book prescient disregards how long our problems have persisted, and how long we’ve managed to ignore the chaos our country’s policies have created. –Dwyer Murphy, CrimeReads Managing Editor
Matthew Desmond, Evicted (2016)
There are more evictions happening now, per capita, in the United States, than there were during the Great Depression. As it turns out, there’s a lot of money to be made from poverty—not, course, for those who need it, but for the landlords who orchestrate the kind of housing turnover that traps people in deeper and longer cycles of debt. Poverty in America has long been conflated with moral failure, but as Matthew Desmond’s Evicted illustrates in great detail, if there’s any moral failing happening, it’s with those who would take advantage of such systemic and generational iniquities.
Desmond, a Princeton-trained sociologist and MacArthur fellow, went to see for himself in 2008, at the height (depths?) of the housing crisis, undertaking a year-long study of eight Milwaukee-area families, spending six months in a mobile home and another six months in a rooming house, creating much more than a journalist’s snapshot of life as an American renter. With Evicted , Desmond has widened our perspective on cyclical hardship and its disproportionate impact on people of color, illustrating (with neither the leering nor the condescension of so much reporting on the poor) that eviction is more often a cause of poverty than a symptom. –Jonny Diamond, Editor in Chief
Yuri Slezkine, The House of Government (2017)
I recommend this book to those who wish to demonstrate their physical strength in public and show off that they can read a giant Russian history book one-handed, but also I recommend this book to everyone, ever, in the world, because it’s so fantastic. At first glance, this is a lengthy tome inspired by a Tolstoyan approach to lyrical history, ostensibly concerned with the history of an apartment complex that was home to much of the early Soviet elite—and was subsequently depopulated by Stalinist purges. Within this apartment building, however, lay the central irony of the revolution—those who believed deeply enough in an idealistic system to embrace violent, repressive means of revolution, were soon enough subjected to those same mechanisms of repression. From this central irony, Slezkine, always concerned with how the micro fits into the macro, zooms out to look at the Soviets as just another bunch of millenarians (and to understand what an insult that is, you’ll have to pick up the book). –Molly Odintz, CrimeReads Associate Editor
Richard Lloyd Parry, Ghosts of the Tsunami (2017)
Richard Lloyd Parry, Tokyo bureau chief for The Times of London, begins his book by describing the way his office building in Tokyo shook in March 2011 when an earthquake hit the city. He called his family and checked that they were OK and then walked through the streets to see the damage. Used to quakes, this one seemed bad, but not the worst he had lived through. Less than an hour after the earthquake, though, a tsunami killed an estimated 18,500 Japanese men, women and children. In Ghosts , Parry focuses his story on Okawa, a tiny costal village where an entire school and 74 children washed away. In somewhat fragmentary threads, Parry explores the families that survived, the ghosts that follow them, and the landscape of a place that will never be the same. In localizing the story in one community, Parry is able to clearly define the painfully individual fallout of a national tragedy. It is emotionally draining to read, which is a warning I give everyone when I recommend the book (which I do constantly). But it is one of my favorite books and I would be remiss not to include in our list for best nonfiction of the decade. –Emily Firetog, Deputy Editor
Jenny Odell, How to Do Nothing (2019)
I grew up in a town named after a body of water—Rye Brook—and went to a high school also named after that body of water—Blind Brook—but growing up, no one seemed to actually know where the brook was, at least none of the kids. We didn’t talk about it, except to note its hiddenness— it’s behind the school, someone once told me, while another person said it was behind that hotel, behind the park, behind the airport . Recently, I decided to find it on a map and noticed, for the first time, that the brook, far from being a hidden thing, defines the majority of Rye Brook’s borders. Recognizing this foundational feature of my hometown for the first time, more than a decade after I left it, was disorienting, completely re-rendering my perception of the place I thought I knew best.
My search that day came after I read Jenny Odell’s account of her similar awakening to the ecology of her hometown, Cupertino, and all the features in or around it: Calabazas Creek, nearby mountains, and the San Francisco Bay. “How could I have not noticed the shape of the place I lived?” she writes, and, later, describing her own disorientation in a way that resonates with my own, added, “Nothing is so simultaneously familiar and alien as that which has been present all along.”
One way of describing the premise of this book is to say “that which has been present all along” is reality itself: each of us, from day to day, living our physical lives in a physical place. But in 2019, life doesn’t usually feel like that; it feels like an onslaught of forces that aim to turn our attention away from this reality and monetize it in a shapeless virtual space. In that environment, Odell writes, doing “nothing,” or finding any way to disrupt the capitalistic drive to monetize, is an act of political resistance, even as she recognizes that not everyone has the economic security or social capital to opt out. “Just because this right is denied to many people doesn’t make it any less of a right or any less important,” she writes. This book also draws on philosophy, utopian movements, and labor organizing to describe how various people have attempted to “do nothing” in their own way throughout history, with an outlook that is grounded in ecology. (And bird watching!) Ultimately, Odell writes, the act of doing nothing creates space for the kind of contemplation and reflection that is essential to activism and to sustaining life. I experienced this book as a space of sanity and as a beginning; I hope you do, too. –Corinne Segal, Senior Editor
Honorable Mentions
A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).
Peter Hessler, Country Driving (2010) · Ron Chernow, Washington: A Life (2010) · Barbara Demick, Nothing to Envy (2010) · Marina Warner, Stranger Magic (2012) · Jon Meacham, Thomas Jefferson: The Art of Power (2012) · Oscar Martinez, The Beast (2013) · Katherine Boo, Behind the Beautiful Forevers (2013) · Mary Ruefle, Madness, Rack, and Honey (2013) · David Epstein, The Sports Gene (2013) · Sheri Fink, Five Days at Memorial (2013) · David Finkel, Thank You for Your Service (2013) · George Packer, The Unwinding (2013) · Naomi Klein, This Changes Everything (2013) · Roxanne Dunbar-Ortiz, An Indigenous People’s History of the United States (2014) · Sarah Ruhl, 100 Essays I Don’t Have Time to Write (2014) · Olivia Laing, The Trip to Echo Spring (2014) · Hermione Lee, Penelope Fitzgerald (2014) · Mary Beard, SPQR (2015) · Sam Quinones, Dreamland (2015) · Ibram X. Kendi, Stamped From the Beginning (2016) · Ruth Franklin, Shirley Jackson (2016) · Arlie Russell Hochschild, Strangers In Their Own Land (2016) · Margot Lee Shetterly, Hidden Figures (2016) · Laura Dassow Walls, Henry David Thoreau: A Life (2017) · David Grann, Killers of the Flower Moon (2017) · Elizabeth McGuire, Red at Heart (2017) · Frances FitzGerald, The Evangelicals (2017) · Jeff Guinn, The Road to Jonestown (2017) · Michael Tisserand, Krazy (2017) · Lawrence Jackson, Chester Himes (2017) · Zora Neale Hurston, Barracoon (2018) · Beth Macy, Dopesick (2018) · Shane Bauer, American Prison (2018) · Eliza Griswold, Amity and Prosperity (2018) · David Quammen, The Tangled Tree (2018).
Emily Temple
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