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Refrain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks, name calling or inciting hatred against any community. Help us delete comments that do not follow these guidelines by marking them offensive . Let's work together to keep the conversation civil.

Bibin Solomon 503 days ago

User BGM 534 days ago

My Favourite movie. Good Story. Arun Vijay Acting awesome ������������������ and Masssss

chrisjmartin 541 days ago

Amazing movie! The acting was incredible as well as the story! The story was so well done. You feel multiple emotions while watching you'll find yourself screeming or cheering at the TV. It also has a powerful message within the film that people need to take seriously. It's a great movie. The best I've seen in a long time. 10/10 recommend watching this!

arunarunkumar 548 days ago

Must Watch Movie ����������

Kishore Kumar 68 554 days ago

if the director have removed unwanted romance, songs and emotional parts the film would have been a fast paced thriller. the songs are like speed breakers. The story moves in a slow pace and the suspense is very predictable

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சினம் (2022) - விமர்சனம்

சினம் (2022) - பட காட்சிகள் ↓

சினம் (2022) - வீடியோ ↓

சினம் - டிரைலர்

சினம் (2022)

• Actors: --> அருண் விஜய்

பாலக் லால்வானி

• Release: --> 16 செப், 2022
• இயக்குனர் : --> ஜி.என்.ஆர் குமரவேல்
• சினம் - சீற்றம்

தயாரிப்பு - மூவி ஸ்லைட்ஸ் இயக்கம் - ஜிஎன்ஆர் குமரவேலன் இசை - ஷபீர் நடிப்பு - அருண் விஜய், பாலக் லால்வானி வெளியான தேதி - 16 செப்டம்பர் 2022 நேரம் - 1 மணி நேரம் 55 நிமிடம் ரேட்டிங் - 2.75/5 பெண்களின் மீதான வன் கொடுமை, பாலியல் பலாத்காரம், சிறுமியர் கடத்தல், குழந்தைகள் கடத்தல் என சமீப காலமாக தமிழ் சினிமாவில் குற்றச் செயல்களைப் பற்றிய படங்கள் தொடர்ந்து வந்து கொண்டிருக்கின்றன. கொரோனா தாக்கத்தால் இந்தப் படமும் சற்று தாமதமாக வெளிவந்துள்ளது. கதைக்கேற்ற பொருத்தமான தலைப்பை வைத்துள்ள இயக்குனர், சமூகத்தில் நடக்கும் அநியாயங்களைக் கண்டு சாமானிய மக்களும் சினம் கொண்டு போராட வேண்டும் என்றும் வலியுறுத்துகிறார் இயக்குனர் ஜிஎன்ஆர் குமரவேலன்.

சென்னையின் புறநகர்ப் பகுதியான ரெட்ஹில்ஸ் காவல் நிலையத்தில் சப் இன்ஸ்பெக்டராக வேலை பார்க்கிறார் அருண் விஜய். கடமை தவறாதவராக இருக்க வேண்டும் என நினைக்கிறார். அவருடைய இந்த குணத்தை அவ்வப்போது கிண்டலடிக்கிறார் அதே காவல் நிலையத்தின் இன்ஸ்பெக்டர். அம்மா வீட்டுக்குச் சென்றுவிட்டு இரவு நேரத்தில் சென்னை திரும்பும் அருண் விஜய்யின் மனைவி பாலக் லால்வானி கொலை செய்யப்படுகிறார். அவருடைய உடலுக்கு அருகே மற்றொரு ஆணின் உடல் இருப்பதால் அந்த வழக்கை 'கள்ளக் காதல்' வழக்கு என பதிவு செய்கிறார் இன்ஸ்பெக்டர். ஆத்திரமடையும் அருண் விஜய், இன்ஸ்பெக்டர் கையை உடைக்க வேலையிலிருந்து சஸ்பெண்ட் ஆகிறார். உண்மை தெரிந்து அவரை மீண்டும் வேலைக்குச் சேர்த்து, மனைவியின் கொலை வழக்கை விசாரிக்கச் சொல்கிறார்கள். கொலைக்கான காரணத்தை அருண் விஜய் கண்டுபிடித்தாரா இல்லையா என்பதுதான் படத்தின் மீதிக் கதை. போலீஸ் கதாபாத்திரத்தில் எப்போதுமே பொருத்தமாக நடிப்பவர் அருண் விஜய். இந்தப் படத்தில் கடமை தவறாத, நேர்மையான சப் இன்ஸ்பெக்டராக நடித்துள்ளார். காதல் மனைவி பாலக் லால்வானி கொலை செய்யப்பட்ட சோகம் ஒரு பக்கம், மனைவி மீதான அவப் பெயரைத் துடைக்க வேண்டும் என துடிக்கும் கோபம் ஒரு பக்கம் என அன்பான கணவனாக, அப்பாவாக துடிப்புடன் நடித்திருக்கிறார். வழக்கமான சினிமாத்தனமான போலீசாகக் காட்டாமல் இயல்பான ஒரு போலீசாக அவரது கதாபாத்திரத்தை சித்தரித்திருக்கிறார் இயக்குனர். கிளைமாக்சில் அருண் விஜய் எடுக்கும் முடிவு சரியா, தவறா என்பதை மீறி அப்படித்தான் இருக்க வேண்டும் என நமக்குள்ளும் ஒரு கோபத்தை வரவழைக்கிறது. அருண் விஜய்யின் மனைவியாக பாலக் லால்வானி. ஆரம்பத்தில் சில காட்சிகளில் காதல் கணவரைக் கொஞ்சுவதுடன் அவரது வேலை முடிந்து போகிறது. ஏட்டையாவாக காளி வெங்கட் இந்தப் படத்திலும் தனி முத்திரை பதித்திருக்கிறார். படத்தில் யார் வில்லன்(கள்) என்பது சஸ்பென்ஸ். அதைக் கண்டுபிடித்ததுமே படத்தின் முடிவு வந்துவிடுகிறது. படத்தில் நிறைய கதாபாத்திரங்கள் இல்லை, குறைவான கதாபாத்திரங்களை வைத்தே படத்தை நகர்த்தியிருக்கிறார்கள். கோபிநாத்தின் ஒளிப்பதிவில் இரவு நேரக் காட்சிகள் அதிகம். ஒரு த்ரில்லர் படத்திற்குரிய ஒளிப்பதிவு படத்தில் உள்ளது. ஷபீர் பின்னணி இசை தேவையான இடங்களில் பரபரப்பைக் கூட்டுகிறது. போலீஸ் படம் என்றாலே ஒரு கமர்ஷியல் சினிமாவாக அதிரடி ஆக்ஷன் படமாகத்தான் கொடுப்பார்கள். ஆனால், இந்தப் படத்தில் அதற்கான வாய்ப்புகள் இருந்தும் சென்டிமென்ட்டான ஒரு படமாகக் கொடுக்க வேண்டும் என இயக்குனர் முயன்றிருக்கிறார். படத்தின் பல காட்சிகள் நிஜமான இடங்களில் மட்டுமே படமாக்கப்பட்டுள்ளது. படத்தின் நாயகன் ஒரு அனாதை, அவரது காதலுக்கு காதலி வீட்டில் எதிர்ப்பு, மனைவி இறந்ததும் இறுதி ஊர்வலப் பாடல் என சில 'க்ளிஷே'வான காட்சிகளைத் தவிர்த்திருக்கலாம். இரண்டாம் பாதியில் மனைவியைக் கொன்றவர்கள் யார் என்பதை விசாரிப்பதில் எந்த சினிமாத்தனமும் வைக்காமல் ஒரு வழக்கின் விசாரணை இப்படித்தான் போகும் என இயல்பாய் காட்டியிருக்கிறார் இயக்குனர். சினம் - சீற்றம்

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Aarathu Sinam Movie Review Behindwoods

All that considered, Arivazhagan’s Aarathu Sinam is definitely a progressive Tamil movie that deserves a watch for its sincere attempt at the less explored investigative crime thriller genre.

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Aarathu Sinam (U/A) 26/Feb/2016 Crime, Drama 2hrs 14mi

Critics Review

Essence of memories intact.

Arivazhagan has mostly got everything else right. The narration is tight with almost no space anywhere or any clumsy attempt to fit in anything. The mood of the film too is set very early on and maintained throughout. The flashback that narrates the back-story of the killer and the final countdown leading to his revelation are somewhat rushed. But guess it was the same way in the original as well. (more)

Source: Bharath Vijayakumar, MovieCrow

An Engaging Crime Thriller

Overall, Aarathu Sinam is an honest attempt by director Arivazhagan, who does full justice to a tried and tested script. (more)

Source: Avinash Gopinath, One India

For all those hungry crime thriller addicts, Aarathu Sinam is a good watch

Although the film has freshness and is fairly gripping, a tighter screenplay could have made it one of the best movies in the genre. There are certain repetitive flashback shots that could have been reduced. The film also has only two songs and both of them are montages. A few might feel that the first song could have been done away with, considering it interferes with the serious nature of the film and also the fact that most of the shots used in the song are repeated in the later part of the movie. All that considered, Arivazhagan's Aarathu Sinam is definitely a progressive Tamil movie that deserves a watch for its sincere attempt at the less explored investigative crime thriller genre. (more)

Source: Behindwoods Review Board, Behindwoods.com

A taut thriller like the original, Memories

We would never know, but it is here at this point in the plot that the film appears to totter a bit -- much like the protagonist, who for most of his screen time is drunk. Can such a cop be capable of smart deductions, which sometimes seem uncannily close to those used by Sherlock Holmes -- especially where Aravind concludes from the killer�s footprints that he must be physically disabled. But Holmes was addicted to cocaine, some would argue in defense of Aravind. Despite these hiccups, Aarathu Sinam sails through a thrilling terrain to a wow climax. (more)

Source: Gautaman Bhaskaran, Hindustan Times

A Gripping and Realistic Thriller.'Aarathu Sinam' is a thriller that cannot be missed.

Thaman's re-recording is highly effective in pushing the thrill factor. There are only two songs and both the songs are likeable. Aravind Singh's cinematography gives us the feel of being in a Madurai and south Tamil Nadu localities and the excessive night scenes should have been a challenge. Editing of Rajesh Kannan is neat in the second half but first have could have been a little crisper. Dhilip Subburayan�s stunt scene in the climax fits the requirement. (more)

Source: IndiaGlitz , IndiaGlitz.com

Arulnithi does a good job but Arivazhagan fails to match expectations

Though Arivazhagan has tried to change it to suit local sensibilities, some elements simply do not work. Does an AC who lives in Madurai in real life live like Aravind? Aravind while investigating the case is not doing any investigation�he is just told things and he goes on a chase. The comedy the director has added by way of Robo Shankar just doesn't work and barely evokes any laughs. The casting is not apt either. Tulasi is clearly inadequate as the mother and director Gaurav Narayanan fails as the villain. Aishwarya Rajesh comes in a small role her make-up overshadows her acting prowess. (more)

Source: LATHA SRINIVASAN , DNA

A disappointing serial-killer thriller

Maybe something got lost in the translation, but there�s no mood, no atmosphere, no white-knuckle tension in Aarathu Sinam. There�s just plot. And big swatches of explanatory dialogue � people keep talking as though a switch went on, and they just won�t stop. It isn�t even conversation. It�s just information. Arvind�s mother asks him to take her to church. (more)

Source: Baradwaj Rangan, The Hindu

Aarathu Sinam is a decent crime thriller

What ruins the narration though is the ridiculous comedy track that is totally out of sync. Robo Shankar, who is known for his spontaneity, superb dialogue delivery and wit, gives a lackluster performance. He plays the incompetent cop, whose sloppy investigative technique could have been explored to provide some good laughs, but ends up being boring. (more)

Source: Saraswathy, Rediff.com

Aarathu Sinam, Movie Review

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Crime fiction is an addiction. As an avid reader of this genre, I can attest to that. One of the best sub-genres in this is the tale of the tortured detective. Usually, it’s a cathartic experience for the detective to brave through his battle with his daemons, while fighting crime, the battle is usually with painful memories, addiction, or addiction to erase painful memories, or pure addiction.

Aarathu Sinam (Anger won’t subside – paraphrasing the popular Ovvaiyar’s Aathichudi “Aaruvathu Sinam”, of course) is a very sincere attempt at remaking of an excellent Malayalam thriller by Jeethu Joseph, and the film maker has succeeded in creating a gripping film, thankfully not a shot by shot remake, although the screenplay is heavily influenced by the original. Aarathu Sinam is the story of Aravind, a drunkard cop who is roped in to solve a mystifying series of killings. How Aravind sees the clues with his sharp insight and helps solves the case forms the crux of the story.

Arulnithi is improving with every film, and he plays the brooding character to a T, and his usual subtle acting works best for this character, in the original, Prithiviraj couldn’t appear as handsome even when he was unkempt. Here, Arulnithi does a great job and he carries the story on his shoulders instead of letting the story direct him. The supporting cast has done an adequate job, although Robo Shankar’s ‘movie clichéd’ cop comedy felt forced not resulting in any laughs. Radha Ravi and Charlie breezed through their respective roles owing to their experience.

Arivazhagan who debuted with the excellent thriller Eeram, directed this movie from the original story of Jeethu Joseph. It’s no surprise that tales like this come from the Malayalam industry and story and screenplay really reflects the maturity and avoids any masala distractions. The background score and the couple of montage songs blend into the movie very well, especially the BGM during the initial sequence of Arulnithi’s intro is amazingly done and reminds you of Kaakha Kaakha. The final sequence where the hero saves the day by rescuing the victim, by slaying the antagonist and his demons reminds you of many of the Hollywood or Indian movies you would’ve seen but both the intro and climax sequences form perfect book ends to a good thriller.

Not to nitpick, but the screenplay could’ve been little bit more racy, but as I said in the beginning, one movie which has to handle both the crime and the protagonist’s struggle has to make some compromise so it doesn’t really spoil the entire experience.

Aaarathu Sinam – Crime & Addiction

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